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Speaker 1: Speaks to the planet.

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Speaker 2: I go by the name of Charlamagne of God and

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Speaker 2: guess what. I can't wait to see y'all at the

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Speaker 2: third annual Black Effect Podcast Festival. That's right, We're coming

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Speaker 2: back to Atlanta, Georgia, Saturday, April twenty six at Poeman

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Speaker 2: Yards and it's hosted by none other than Decisions, Decisions,

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Speaker 2: Mandy B and Weezy. Okay, we got the R and

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Speaker 2: B Money podcast. We're taking Jay Valentine. We got the

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Speaker 2: Woman of All podcasts with Sarah Jake Roberts. We got

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Speaker 2: Good Mom's Bad Choices. Carrie Champion will be there with

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Speaker 2: her next sports podcast and the Trap Nerds podcast, with

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Speaker 2: more to be announced. And of course it's bigger than podcasts.

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Speaker 2: We're bringing the Black Effect marketplace with black owned businesses,

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Speaker 2: plus the food truck court to keep you fed while

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Speaker 2: you visit us. All right, listen, you don't want to

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Speaker 2: miss this. Tap in and grab your tickets now at

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Speaker 2: Black Effect dot Com Flash Podcast Festival.

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Speaker 1: R and B Money, we.

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Speaker 3: Second take balance out. We are the authority on.

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Speaker 2: R and.

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Speaker 3: Ladies and gentlemen, my name is Tank and this is

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Speaker 3: the R and B Money Podcast, the.

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Speaker 1: Authority on all things R and B better, nothing's happened.

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Speaker 4: I'm talking real gifts from the trenches, musicianship, songwriting education.

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Speaker 1: I love it. Facilities what you're doing to give.

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Speaker 3: Back from the mud, Hm, I'm talking about the world, Craig. Yes,

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Speaker 3: do this ship from the hood to the world one.

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Speaker 1: Of the coldest right now? Yes, right now? Brands fit. Yeah, Hey,

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Speaker 1: nigga time, Bro.

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Speaker 3: You know what it is like? You know, it's like

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Speaker 3: when you see like when you see like when you

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Speaker 3: see niggas is.

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Speaker 1: Like from where you're from.

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Speaker 3: Like that type of soil and you see them not

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Speaker 3: only take it to a level of being successful, but

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Speaker 3: then taking that success and figuring out a way to

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Speaker 3: be impactful.

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Speaker 1: That's different.

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Speaker 3: Like we can rest on a lot of people's success

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Speaker 3: that have come from where we come from, right, but

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Speaker 3: the ability and idea to say, okay, let's not just

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Speaker 3: stop here at us, let's give it back that right there,

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Speaker 3: My brother is commendable and absolutely impressive.

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Speaker 1: Thank you, bro.

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Speaker 3: And I haven't been down there to the teacher class yet,

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Speaker 3: but I would love to. Everything that's said on tape

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Speaker 3: is binding. We hold a nigga to that along. But

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Speaker 3: like seeing what you what you guys have built again

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Speaker 3: not only on the success, but on the on the

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Speaker 3: premise of giving the academy.

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Speaker 1: Academy.

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Speaker 3: Ye take before we do the deep dive, give me

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Speaker 3: the thought process of not just stopping at your success

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Speaker 3: but then saying, what can we do with this?

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Speaker 2: Man?

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Speaker 5: Bro Well, we lived crazy life being from l a

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Speaker 5: like really being from the trenches, from like the streets

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Speaker 5: to the church to educational world. So I've literally been

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Speaker 5: able to be around every single type of emotion to

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Speaker 5: know how to make to get everyone to their higher

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Speaker 5: self through whatever I can do, you know what I mean.

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Speaker 5: So even with the school man, I was literally me

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Speaker 5: and James built the curriculum off of all the bitch

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Speaker 5: azz niggas we've dealt with in the music business. So literally,

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Speaker 5: every time it was a problem where it was if

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Speaker 5: it was a studio session where I would say somebody

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Speaker 5: was playing the headphones too loud, why someone's trying to talk,

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Speaker 5: I'm like, oh, yeah, he's fucking up. He'll never come

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Speaker 5: back here. So what we'll do is go to the

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Speaker 5: curriculum and put that in the curriculum. So every everything

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Speaker 5: that we hate about everything in the music business, and

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Speaker 5: with the solution though, so you know what I mean.

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Speaker 5: And we literally worked on that for literally three four

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Speaker 5: years straight before we had a school. And that was

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Speaker 5: one of the parts of the manifestation because when people

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Speaker 5: was asking me, I would just say, yo, I got

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Speaker 5: to school. They say, yo, how are you been working

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Speaker 5: on your music. I was like, yeah, I'm working on

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Speaker 5: the school. So then I got one hundred people that

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Speaker 5: now is talking about our school that we haven't built yet.

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Speaker 5: So now I got one hundred more people that that's

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Speaker 5: bringing their resources from our school. So that was literally,

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Speaker 5: you know, the just word of mouth and just speaking

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Speaker 5: into an existence, speaking it to an existence. It really

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Speaker 5: was really the trick, but it really came off of

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Speaker 5: us dealing with you know, me and James, we've been

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Speaker 5: through literally the trenches in every type of way from

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Speaker 5: from the streets to the music business. So we just

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Speaker 5: wanted to be at a blueprint to really show the culture. Yo,

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Speaker 5: don't go this way, go this way. You know, they're

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Speaker 5: they're training us to be unemployed well employees. So our

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Speaker 5: school teaches you how to be an unemployable nigga to

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Speaker 5: where you can license our thoughts. Before you to get

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Speaker 5: to that point, you got to understand the behavior, the

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Speaker 5: brand laws, how to how to deal with assholes, how

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Speaker 5: not to react to people, how to get into the

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Speaker 5: minds of the hearts and the minds of the consumers

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Speaker 5: through words and through body language. And it's all these

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Speaker 5: secrets to make at the end of the day, to

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Speaker 5: be a service that makes people feel good and to

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Speaker 5: get them closer to God. That's the whole point. But

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Speaker 5: through with the school is you're just getting so much

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Speaker 5: swag because ninety percent of the teachers are famous. You know,

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Speaker 5: we had everybody from Nipsey rest in Peace one of

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Speaker 5: our first teachers, from Kendred to Justin the Bruno, the

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Speaker 5: you know, heads of fortune, five hundred companies from tech, fashion, field, music,

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Speaker 5: and sports. You know, I'm I'm on the board of

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Speaker 5: a company company called Boat that's evaluated fourteen billion dollars

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Speaker 5: right now. So the last two years I had to

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Speaker 5: learn everything about RSU, stock offs, four or nine a's vestings, quorums,

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Speaker 5: Delaware laws. So now it's like we're taking that and

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Speaker 5: showing the culture. It's just how it's hit words and

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Speaker 5: phrase that pays the music. There's phrase that pays us

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Speaker 5: to get becoming tax writeoffs for billionaires and how to

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Speaker 5: get in the hearts and minds of the consumer through words.

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Speaker 5: And that's that's really what I'm on now and content building,

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Speaker 5: our content Academy, because it's we're just in the future.

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Speaker 5: We have like the New Disney and Inglewood by the way,

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Speaker 5: you gotta come by. It's pretty New.

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Speaker 1: Disney in Inglewood, the Disney.

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Speaker 5: It ain't sound Academy.

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Speaker 3: I just wanted to say it a third time. Three

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Speaker 3: is powerful.

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Speaker 5: Serious, it's just unbelieva. You got to see it. We

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Speaker 5: partner with this company called we Play where their Ukrainian

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Speaker 5: company where they came out here. They do like American

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Speaker 5: they do all the biggest shows, but they came out

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Speaker 5: here and just believing they was either gonna go fight

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Speaker 5: the war or come here. They landed and playing Delray

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Speaker 5: met them guys. They do. They got the craziest screen

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Speaker 5: or where you can do the Mandalorian the Doom movie

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Speaker 5: motion capture vr AI. I mean ar to where like

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Speaker 5: you could do a podcast and I can be talking

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Speaker 5: to a cartoon next to me in motion capture. Like

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Speaker 5: that's the next R and B money for the future,

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Speaker 5: you know what I mean. So like it's unheard of

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Speaker 5: it's really Disney at the highest level where the business

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Speaker 5: model we're changing everything from modern day slavery. We're not

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Speaker 5: doing it. We're changing the models. People are going to

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Speaker 5: own the ship and you know, we're just we're just

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Speaker 5: creating the right models for people to really get to

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Speaker 5: their higher self.

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Speaker 1: Because it's too.

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Speaker 5: Many niggas signed w knis Man. We employees, we need

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Speaker 5: stock options, and you gotta know about that ship too.

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Speaker 3: You know, we gotta we gotta take this journey, bro,

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Speaker 3: We gotta take this journey from from the streets to

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Speaker 3: the future. Because everything you just said is the future,

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Speaker 3: well it's the future. And for a lot of people

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Speaker 3: it was French.

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Speaker 6: Yes, yes, yeah, you just you spoke. You just spoke

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Speaker 6: another language you're.

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Speaker 3: Talking and the fact that you're willing to take the

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Speaker 3: time to break that language down to teach people what

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Speaker 3: that is, and and the work that you're doing to

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Speaker 3: make sure you understand.

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Speaker 5: Oh yeah, if you can't teach, you you don't know it.

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Speaker 3: You gotta know the teacher like you're you're in it,

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Speaker 3: you're immersed in it. So we gotta we got to

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Speaker 3: figure out how we get from from the hood to

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Speaker 3: fourteen dollar. People take me, take me, take me to

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Speaker 3: the beginning rants like like little rants like what is

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Speaker 3: what is?

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Speaker 1: What is?

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Speaker 3: Little RNTs thinking what what? What part is?

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Speaker 1: Did you from?

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Speaker 5: I'm from Los Angeles, one of ras from LA. But

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Speaker 5: my family is from Chicago, whole family of Chicago. My

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Speaker 5: dad was in a group singing group that was signed

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Speaker 5: to the Delphonics, So they came out here, you know,

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Speaker 5: wanting to be yeah the dream. I'm glad he did

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Speaker 5: because I was probably with a show for Vice Lord,

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Speaker 5: the GV with they came out here. My whole family,

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Speaker 5: with my sister and uh I was. I was raised

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Speaker 5: right on like Western Adams twenty fourth Street school, so

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Speaker 5: I did you know, the whole LA thing. And from

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Speaker 5: there we always was the first day in me, first

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Speaker 5: in me was our home church. So that's kind of

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Speaker 5: where I really start getting into like the church music too,

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Speaker 5: because you know, my dad played at piano. My whole

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Speaker 5: family is like the Black Manhattan Transfer. If y'all don't

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Speaker 5: know man Man Transfer is, look him up, you know,

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Speaker 5: you know. So it's like, so I had to learn

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Speaker 5: all the mold town. I had to learn everything about

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Speaker 5: music from my family. And then we were the family

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Speaker 5: in a complex. It was called the complex. It's in

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Speaker 5: a hood where everybody just lived. But we were like

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Speaker 5: the only family where I had a mom and a dad.

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Speaker 5: So everybody came in our house for food, for birthdays,

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Speaker 5: every day. We played the piano, sing and I'm talking,

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Speaker 5: but we did neverhood. Yeah, this is when babies as kids.

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Speaker 5: My sister, My sister was in a gospel group called

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Speaker 5: Repent and Shep Crawford and my brother all the group together.

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Speaker 5: Even mine to Jordan, I don't know if you know,

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Speaker 5: but he was in a group called Protege. He did

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Speaker 5: this is how we do it. They was all in

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Speaker 5: the group together. So like my I was raised off

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Speaker 5: of just church, you know, playing at church and being

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Speaker 5: in the hood. So it was it was either kind

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Speaker 5: of yeah yeah, but yeah, so I mean from that

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Speaker 5: from even me, you know, I had I joined a

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Speaker 5: church fraternity that changed my life too. It's called Juice

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Speaker 5: Fire Christ.

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Speaker 1: But we I'm in a Christian fraternity.

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Speaker 5: Really, you know your Greek alphabets of course, yeah, come on.

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Speaker 5: So we had to go through like I got pledged.

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Speaker 5: We had to learn everything about God and.

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Speaker 3: The full line. We were the first line. We were

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Speaker 3: the first line. I'm number two, I'm number five. Okay,

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Speaker 3: this is another like yeah, uh, Fraternity and Incorporated.

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Speaker 1: I'm trying to tell you what it really is crips.

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Speaker 5: Like that. I mean, honestly, we was pledged by wasps exactly.

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Speaker 3: I was in Maryland, so so it was it was Cappus,

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Speaker 3: it was it was uh, it was Omegas and it

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Speaker 3: was it was it was Cues and it was Alpha.

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Speaker 5: That's crazy.

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Speaker 3: So we our line incorporated. We used to go around

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Speaker 3: the city. We used to go around the city stumping at

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Speaker 3: all the church events.

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Speaker 7: Have to battle you know, wait, wait, wait, that's something

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Speaker 7: that nobody knows about, like you dogs like bro.

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Speaker 1: That I can't be doing that stuff because I'm not

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Speaker 1: part of it.

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Speaker 3: But like all of that was the shimmy that the

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Speaker 3: Caps got all of it because we had we were

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Speaker 3: we were a collection of all of those guys who

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Speaker 3: were who were you know, church guys whould save guys

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Speaker 3: and wanted to start something for the church. And that's

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Speaker 3: what we're product of.

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Speaker 5: That's crazy.

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Speaker 3: I still got friend that I go back home. We

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Speaker 3: still hit the shake and do the whole thing. I've

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Speaker 3: known you this whole time. I didn't know this. You

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Speaker 3: didn't believe me.

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Speaker 1: Yeah, I didn't dispect you. I just think.

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Speaker 5: I dispected you.

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Speaker 1: Oh my brother.

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Speaker 5: Okay, okay, I seen it. Yeah. So other than that, we.

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Speaker 1: Was am I too old to join? No?

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Speaker 5: But yeah, we were literally a church band. So we

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Speaker 5: was the band at church and your family, well, my

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Speaker 5: family was always singing in church, you know what I mean.

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Speaker 5: But my sister Sharen was and talking. My brother law

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Speaker 5: Tony was like the real ones that was had us

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Speaker 5: really in the church scene and Tony Tony yeah yeah,

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Speaker 5: but uh then from there, I always wanted to have

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Speaker 5: our own bed, you know what I mean. So do

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Speaker 5: you know we got our name? No, all right, I

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Speaker 5: get yah short story, then I'll tell you about James

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Speaker 5: because it's the whole Okay, okay, but we got our

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Speaker 5: name by them. We're a church band. We was playing for, uh,

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Speaker 5: Bobby Valentino. We did a church convention with Bobby Valentino

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Speaker 5: right when he did that slow down song. And at

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Speaker 5: that time, it was broke as fuck and we were

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Speaker 5: doing all these rehearsals for free, and then him and

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Speaker 5: it was man at Japun was like, yo, we were

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Speaker 5: doing this death jam show and we need you all

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Speaker 5: to help us get our deal. I'm like, look, nigga,

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Speaker 5: we broke like you gotta us fifteen hundred and nothing.

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Speaker 5: And he was like, all right, well, what's the name

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Speaker 5: of your band? We was like fift what he was?

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Speaker 5: You know, from there we started a musical game. Everybody

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Speaker 5: had to you know, we was we had to play

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Speaker 5: every instrument. Everybody was their own voltron. But you have

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Speaker 5: to be a cold nigga and you couldn't be a buster,

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Speaker 5: just like mob rules. Like it's real family rules, like

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Speaker 5: you can't do no and if you do it, God's

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Speaker 5: So you were just saying nigga fifteen hundred or nothing,

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Speaker 5: showing we ain't doing nothing family the family.

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Speaker 3: And then he was like all right, but then what's

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Speaker 3: going to be the name? You was really just standing

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Speaker 3: on fifteen. I don't want to get past this conversation.

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Speaker 3: Nigga fifteen hundred and nothing.

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Speaker 1: What you're doing?

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Speaker 5: We neat that bread.

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Speaker 1: It was part of the negotiation.

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Speaker 5: Yeah, And that was the first time and the only

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Speaker 5: time James foul Roy, it's a whole, it's a host.

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Speaker 3: Okay, okay, So is James in the band at this time?

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Speaker 5: So James, So, James was the fifteen hundred. I met

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Speaker 5: James battle rapping at West Angeles. He murdered somebody and

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Speaker 5: I was like, wow, who's this guy? Ok at the

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Speaker 5: church battle rapping like the church at church outside but

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Speaker 5: murdering somebody.

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Speaker 3: Church battle rapping or or no, no outside, It don't

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Speaker 3: matter where you're at in the church, in the basement.

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Speaker 1: He go.

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Speaker 5: But James on even have to That's like I've seen James.

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Speaker 5: We used to have stink caught the pit where James

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Speaker 5: battle rapp. I mean it was like disaster and all

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Speaker 5: these real battle rappers and James won. I was there,

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Speaker 5: no cap work it up.

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Speaker 1: I'm not going to fight.

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Speaker 5: Yeah, that's that's a cheatcough bro. He's literally one of

295
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Speaker 5: the craze out there alive. And then he just happened

296
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Speaker 5: to listen to Kim Barell.

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Speaker 3: And then everything come on now changes everything all the time.

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Speaker 6: So when you when you meet him at West Angeles,

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Speaker 6: what's the first move for you.

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Speaker 5: Met him a couple of times, but we had it

301
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Speaker 5: took a couple other times for us to get really cool.

302
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Speaker 5: So I met him at church. We uh, he was

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Speaker 5: battle rapping. I was like, yo, man, you got to

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Speaker 5: be a part of our bend fifteen hundred, you know,

305
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Speaker 5: come on rehearsal Cool came. But before that we met him. Uh,

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00:16:51,200 --> 00:16:52,680
Speaker 5: it was it was a long story, but it end

307
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Speaker 5: up being a shootout in north Ridge with a bunch

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Speaker 5: of our friends and there was a bunch of crazy

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Speaker 5: stuff that happen. So we're literally on the street handcuffed

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Speaker 5: because our car is in the middle of the shootout,

311
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Speaker 5: and I'm just like, this is we gotta do some

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00:17:07,400 --> 00:17:07,919
Speaker 5: we gotta do.

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Speaker 1: We gotta.

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Speaker 3: Are y'all on the opposite side, on the same We're

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Speaker 3: on the same side.

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Speaker 5: We came together. But at that time I was, you know,

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Speaker 5: I'm from l A. So I was you know, I

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00:17:20,760 --> 00:17:23,280
Speaker 5: was outside that was in the mix and I just

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00:17:23,320 --> 00:17:25,760
Speaker 5: happened to bring him and bam, my German dish what

320
00:17:25,840 --> 00:17:29,600
Speaker 5: you got to something that was in the mix? But

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Speaker 5: James is a Jameson.

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Speaker 1: Yeah, but Scaredgas was just scared.

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Speaker 5: But I shouldn't have been there, and we was thinking

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Speaker 5: about that when we were sitting outside for four hours and

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Speaker 5: four hours, bro, I can't even get my car to

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Speaker 5: the next day.

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Speaker 1: It was.

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Speaker 5: It was a real shoot It was a shootout like

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Speaker 5: it was. This is a true story and after that,

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Speaker 5: we decided this was stupid and uh he came to

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Speaker 5: rehearsal for by Valentino, but he ended up being so

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Speaker 5: good at rehearsal. Can't cap guys like they in the

333
00:18:02,800 --> 00:18:05,679
Speaker 5: fire and James, James got They tried to fire James

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Speaker 5: because we was a rehearsal and you know, after our rehearsals,

335
00:18:10,720 --> 00:18:12,639
Speaker 5: we the band, we can't wait to just play our

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00:18:14,440 --> 00:18:18,040
Speaker 5: you know, the attention got it was tricky. So that's

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00:18:18,080 --> 00:18:20,040
Speaker 5: the only time I've seen James get fire. And after

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00:18:20,119 --> 00:18:21,840
Speaker 5: that he has been the richest nigga I know.

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00:18:25,040 --> 00:18:27,719
Speaker 1: Yeah, yeah, fire up.

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00:18:28,119 --> 00:18:32,959
Speaker 5: Yeah. Unemployable what yeah, yeah.

341
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Speaker 3: I never knew that could be a thing.

342
00:18:34,960 --> 00:18:40,080
Speaker 6: And being too good on the male side, well no,

343
00:18:40,440 --> 00:18:42,840
Speaker 6: you know why that you you believe that though, or

344
00:18:42,840 --> 00:18:46,200
Speaker 6: why it's it's a reality for you because you came

345
00:18:46,240 --> 00:18:49,439
Speaker 6: in the game with someone like genuine genu Wine don't

346
00:18:49,480 --> 00:18:55,199
Speaker 6: have he don't he he loves to promote right like

347
00:18:56,240 --> 00:18:59,440
Speaker 6: frecking red now cold bloody like they sang it.

348
00:18:59,560 --> 00:19:07,600
Speaker 1: He won't he wanted. Everybody don't want to smoke on stage? Yeah, smoke,

349
00:19:08,680 --> 00:19:10,080
Speaker 1: That's the only way it works.

350
00:19:11,240 --> 00:19:13,520
Speaker 3: You gotta be you gotta you gotta look at the

351
00:19:13,560 --> 00:19:14,119
Speaker 3: side and behind.

352
00:19:14,640 --> 00:19:20,880
Speaker 6: That's what's niggas have. Luther Vandrois singing background, right, want.

353
00:19:20,880 --> 00:19:23,600
Speaker 3: Something gotta make something gott to push you, ye.

354
00:19:24,200 --> 00:19:26,080
Speaker 1: Mark, but Rih Carey sang background for people.

355
00:19:26,119 --> 00:19:28,920
Speaker 3: Something gotta make you want to chop Like that's the

356
00:19:28,960 --> 00:19:30,880
Speaker 3: only way, that's the only.

357
00:19:30,720 --> 00:19:31,720
Speaker 1: Way you get better.

358
00:19:31,920 --> 00:19:35,600
Speaker 3: Yeah, yeah, and have real moments is to have them

359
00:19:35,840 --> 00:19:37,919
Speaker 3: real motherfuckers on stage.

360
00:19:38,720 --> 00:19:42,680
Speaker 6: Me and you both had, uh you've had Lonnie singing background.

361
00:19:42,720 --> 00:19:47,840
Speaker 1: We both had Luke James singing background the Goat And when.

362
00:19:47,640 --> 00:19:49,480
Speaker 6: He sang background for Tank and when he sang back

363
00:19:49,480 --> 00:19:51,720
Speaker 6: from the background for me, we found a space like, hey, man,

364
00:19:51,800 --> 00:19:52,600
Speaker 6: go ahead, you.

365
00:19:52,720 --> 00:19:55,639
Speaker 1: Go crazy crazy.

366
00:19:55,680 --> 00:19:56,080
Speaker 5: That's what you.

367
00:20:00,960 --> 00:20:03,960
Speaker 3: Supposed to that, bro, because you got to think about

368
00:20:04,000 --> 00:20:05,920
Speaker 3: like like when I saw your Earth, I was like, man,

369
00:20:06,480 --> 00:20:08,520
Speaker 3: I loved I love to see.

370
00:20:08,280 --> 00:20:09,280
Speaker 1: My nigga shine.

371
00:20:09,440 --> 00:20:17,520
Speaker 3: Yeah, I love it, no matter how distant the communication. Nigga,

372
00:20:17,840 --> 00:20:18,639
Speaker 3: I see it.

373
00:20:18,880 --> 00:20:24,719
Speaker 1: Yeah, And I'm like, they cooking, they cooking.

374
00:20:25,240 --> 00:20:27,320
Speaker 3: When I'm on the road, I talk about it. Yeah,

375
00:20:27,320 --> 00:20:32,359
Speaker 3: but you don't know about fifty hundred Jim niggas, stim

376
00:20:32,440 --> 00:20:34,560
Speaker 3: niggas doing it. They got everything. They're doing everything.

377
00:20:34,720 --> 00:20:34,960
Speaker 5: Man.

378
00:20:35,160 --> 00:20:47,520
Speaker 3: You know what I'm saying, Okay, James goes crazy. He's

379
00:20:47,600 --> 00:20:50,360
Speaker 3: doing the thing now he's you know. But then finally

380
00:20:50,440 --> 00:20:52,440
Speaker 3: you guys are fifteen hundred and nothing right.

381
00:20:52,359 --> 00:20:54,399
Speaker 5: Yeah, we're fifteen hundred. And then the first person I

382
00:20:54,400 --> 00:20:58,280
Speaker 5: guess the opportunity was Snoop. He actually was Teddy Riley.

383
00:20:59,160 --> 00:21:03,360
Speaker 5: I guess Tedy Rally. So this time James was brother's

384
00:21:03,359 --> 00:21:06,320
Speaker 5: fuck and we had I had a session with Teddy Riley.

385
00:21:06,480 --> 00:21:10,040
Speaker 5: But James Carr something happened with was raining and he

386
00:21:10,200 --> 00:21:10,840
Speaker 5: liked the keys.

387
00:21:10,680 --> 00:21:11,000
Speaker 3: In the car.

388
00:21:11,119 --> 00:21:12,280
Speaker 5: So I was like, yo, it just come to me.

389
00:21:12,880 --> 00:21:16,359
Speaker 5: So he calls to me the record one of them

390
00:21:16,359 --> 00:21:19,040
Speaker 5: studio I leave studio that he got now that used

391
00:21:19,040 --> 00:21:21,840
Speaker 5: to be Teddy's and uh, I'm like, yeah, just say

392
00:21:21,840 --> 00:21:24,240
Speaker 5: you my cousin, Nigga, you my cousin. So I walk

393
00:21:24,280 --> 00:21:27,200
Speaker 5: in there and tell you my cousin. Line was actually

394
00:21:27,200 --> 00:21:29,840
Speaker 5: there and this was a song we did call I

395
00:21:29,880 --> 00:21:33,120
Speaker 5: Know You Remember Me that James wrote, and we were

396
00:21:33,160 --> 00:21:36,919
Speaker 5: in the studio Mars Mars there doing the beat and

397
00:21:38,440 --> 00:21:40,159
Speaker 5: he just was playing to beat. Teddy just walked in

398
00:21:40,200 --> 00:21:44,840
Speaker 5: and said, I know you remember me, and then James

399
00:21:45,240 --> 00:21:47,119
Speaker 5: James just finished the song. I don't know, got it?

400
00:21:47,200 --> 00:21:49,919
Speaker 5: Why don't you Chris Staali and see and they it was

401
00:21:50,080 --> 00:21:53,000
Speaker 5: it got crazy and then I was like the introduction

402
00:21:53,119 --> 00:21:56,840
Speaker 5: of like Teddy Riley realizing he's seeing James was gonna

403
00:21:56,840 --> 00:21:59,159
Speaker 5: be a genius in the beginning though, like all these

404
00:21:59,200 --> 00:22:03,119
Speaker 5: niggas had a contract us. It just couldn't do it. It

405
00:22:02,520 --> 00:22:04,560
Speaker 5: was crazy, crazy.

406
00:22:04,280 --> 00:22:09,280
Speaker 1: Because so how were y'all avoiding the contracts? We were

407
00:22:09,359 --> 00:22:11,120
Speaker 1: just because you're still getting work.

408
00:22:11,320 --> 00:22:14,200
Speaker 5: Yeah, the thing is we I think if we were

409
00:22:14,240 --> 00:22:18,000
Speaker 5: like only working with one person, that could have we

410
00:22:18,080 --> 00:22:20,560
Speaker 5: could have robably made a desperate decision, you know what

411
00:22:20,600 --> 00:22:23,440
Speaker 5: I mean. But the fact that like I'm working with Teddy,

412
00:22:23,480 --> 00:22:27,240
Speaker 5: I'm working with Snoop were teenagers. I'm seventeen. I got

413
00:22:27,280 --> 00:22:29,399
Speaker 5: my first hit like some out and I was like

414
00:22:29,440 --> 00:22:32,360
Speaker 5: seventeen eighteen, you know what I mean. So we was

415
00:22:32,400 --> 00:22:35,919
Speaker 5: always moving and the fact that we're everybody's band, that

416
00:22:36,040 --> 00:22:38,000
Speaker 5: was that was what she called too. So it's like

417
00:22:38,280 --> 00:22:40,600
Speaker 5: if the production slow, I'm on tour, and I'm only

418
00:22:40,640 --> 00:22:44,800
Speaker 5: going on tour to be close with the artists and

419
00:22:44,840 --> 00:22:46,880
Speaker 5: to meet the person that pays them after the show.

420
00:22:47,440 --> 00:22:50,080
Speaker 5: So now I'm just building on my relationships with all

421
00:22:50,119 --> 00:22:52,439
Speaker 5: the owners, all the promoters, all the club people, all

422
00:22:52,400 --> 00:22:54,920
Speaker 5: the people that got the weed, you know, like I'm

423
00:22:55,040 --> 00:22:56,800
Speaker 5: literally soft.

424
00:22:56,880 --> 00:22:58,360
Speaker 1: Who gave you that insight? Though?

425
00:22:58,359 --> 00:23:02,280
Speaker 6: With coming from a situation where your father had already

426
00:23:02,280 --> 00:23:04,520
Speaker 6: been in the music business and like you said, had

427
00:23:04,560 --> 00:23:06,320
Speaker 6: already they was rocking with the del Phonics back in

428
00:23:06,320 --> 00:23:10,399
Speaker 6: the day. Had he given you some of this information already?

429
00:23:10,480 --> 00:23:11,560
Speaker 6: Or were you just winging it?

430
00:23:11,640 --> 00:23:16,080
Speaker 3: I mean because you because it feels very well, No,

431
00:23:16,320 --> 00:23:18,840
Speaker 3: it's very I was because I was going to ask

432
00:23:18,880 --> 00:23:21,560
Speaker 3: you in this in the same spirit of that question.

433
00:23:22,080 --> 00:23:25,520
Speaker 3: It feels very nissan and rapture.

434
00:23:26,800 --> 00:23:27,040
Speaker 1: Yeah.

435
00:23:27,440 --> 00:23:29,960
Speaker 5: Yeah, Oh it was stuck, bro. They you gotta realized

436
00:23:30,000 --> 00:23:32,720
Speaker 5: that them niggas could have signed us at one point.

437
00:23:32,840 --> 00:23:35,440
Speaker 5: I wouldn't warn the signs that we was. We were

438
00:23:35,560 --> 00:23:41,280
Speaker 5: young and just looking at with money pulling up with

439
00:23:41,880 --> 00:23:44,240
Speaker 5: playing the church and having a song on the radio.

440
00:23:44,280 --> 00:23:44,840
Speaker 1: I had example.

441
00:23:44,880 --> 00:23:48,320
Speaker 5: That's we had example. So we so I was just like, Okay.

442
00:23:48,640 --> 00:23:51,480
Speaker 5: One thing I do realize is that musicians are They

443
00:23:51,480 --> 00:23:54,399
Speaker 5: don't treat musicians like they should because we're like some

444
00:23:54,440 --> 00:23:57,720
Speaker 5: of the smartest people on the show that brings the show,

445
00:23:57,760 --> 00:24:01,480
Speaker 5: from background singers to dancers that don't get respected the most.

446
00:24:01,480 --> 00:24:03,920
Speaker 5: So I always wanted to be the most expensive band

447
00:24:04,000 --> 00:24:07,320
Speaker 5: in the world. So I we're the most expensive band

448
00:24:07,320 --> 00:24:09,320
Speaker 5: in the world. So if it's no, it's okay, you

449
00:24:09,359 --> 00:24:11,280
Speaker 5: know what I mean, because we're not for everybody. We're

450
00:24:11,280 --> 00:24:14,640
Speaker 5: in a choir taste. It's not just regular musicians. It's

451
00:24:14,680 --> 00:24:17,879
Speaker 5: producers that understands space at the highest level, which is

452
00:24:17,880 --> 00:24:21,480
Speaker 5: a cheeko that only comes from God and practice. So

453
00:24:21,680 --> 00:24:22,719
Speaker 5: it just sounds different.

454
00:24:23,520 --> 00:24:27,760
Speaker 3: I mean, yeah, so you know, because that's like so

455
00:24:28,200 --> 00:24:37,760
Speaker 3: my first band was was Rapture. It's the empty Craig Nissan, Charlie,

456
00:24:38,000 --> 00:24:38,840
Speaker 3: what's my base?

457
00:24:39,800 --> 00:24:46,159
Speaker 5: Eric is not Dante? Come on, that's the game, bro

458
00:24:46,840 --> 00:24:47,200
Speaker 5: come on.

459
00:24:47,520 --> 00:24:51,000
Speaker 3: So their their take on it was different one because

460
00:24:51,160 --> 00:24:53,080
Speaker 3: they were doing some of my records. Producers some of

461
00:24:53,119 --> 00:24:56,920
Speaker 3: our records of course, but then they're all producers, right

462
00:24:57,640 --> 00:25:00,000
Speaker 3: and that's of course the Chico and so every band

463
00:25:00,080 --> 00:25:03,360
Speaker 3: and I've had, even to my band, I had all

464
00:25:03,520 --> 00:25:05,720
Speaker 3: producers and singers.

465
00:25:06,040 --> 00:25:06,840
Speaker 1: Yea, writers.

466
00:25:07,280 --> 00:25:10,080
Speaker 3: Writers understand it.

467
00:25:10,480 --> 00:25:15,520
Speaker 5: The less fingers you use, the more money you make. Okay,

468
00:25:15,800 --> 00:25:19,359
Speaker 5: depending on what genre they watch. The least words you

469
00:25:19,440 --> 00:25:23,399
Speaker 5: say is the more impactful you will be. If you

470
00:25:23,440 --> 00:25:26,879
Speaker 5: say the right four words with the right tone and

471
00:25:27,000 --> 00:25:30,240
Speaker 5: if you and if you can believe it. So that's

472
00:25:30,320 --> 00:25:33,280
Speaker 5: that's the secret, man, just but understanding all the rules

473
00:25:33,280 --> 00:25:33,680
Speaker 5: to break them.

474
00:25:33,680 --> 00:25:33,840
Speaker 1: Though.

475
00:25:33,840 --> 00:25:36,440
Speaker 5: Don't don't think niggas can't play all their fingers and

476
00:25:36,480 --> 00:25:38,800
Speaker 5: play jazz and do everything. But it's like when you

477
00:25:38,880 --> 00:25:42,119
Speaker 5: try to make human behavior songs where you're talking to

478
00:25:42,200 --> 00:25:44,880
Speaker 5: the subconscious mind. When we're just talking and we're hearing

479
00:25:44,920 --> 00:25:46,840
Speaker 5: a beat and we're doing this not even realizing it.

480
00:25:47,240 --> 00:25:49,320
Speaker 5: That's what we're doing music for it. We're talking to

481
00:25:49,400 --> 00:25:52,760
Speaker 5: the sub conscious. So it's like, you gotta stay in shape.

482
00:25:52,880 --> 00:26:00,960
Speaker 1: Are you really a teacher? Man? Teacher? You don't the

483
00:26:01,000 --> 00:26:02,199
Speaker 1: only person I know what an academy.

484
00:26:02,240 --> 00:26:03,679
Speaker 3: I don't know know know.

485
00:26:05,760 --> 00:26:07,240
Speaker 5: You know you got the academy.

486
00:26:07,840 --> 00:26:11,760
Speaker 1: I don't have an academy. No no, no no.

487
00:26:12,240 --> 00:26:17,240
Speaker 3: I ain't gonna respect it. Where your academy, nigga building.

488
00:26:17,560 --> 00:26:21,840
Speaker 3: Know your tone, that's the academy tone you don't have. First,

489
00:26:22,160 --> 00:26:26,640
Speaker 3: First of all, it's the sounding all the words you said,

490
00:26:26,640 --> 00:26:27,119
Speaker 3: I'm gonna take it.

491
00:26:27,160 --> 00:26:33,720
Speaker 1: This disrespect the greatest, the greatest thing.

492
00:26:37,240 --> 00:26:42,280
Speaker 3: So you saying you said your first hit record seventeen eighteen, Yeah, yeah,

493
00:26:42,400 --> 00:26:44,040
Speaker 3: I mean, what what record was that ship?

494
00:26:44,080 --> 00:26:47,000
Speaker 5: Well, we did. I think our first song. My first

495
00:26:47,000 --> 00:26:51,159
Speaker 5: placement ever was by Valentino album Gangster Love and I

496
00:26:51,320 --> 00:26:54,560
Speaker 5: was seventy swift from Mars. We were, Yeah, I was.

497
00:26:55,760 --> 00:26:58,639
Speaker 5: Actually my first album was my first place was Keith Murray.

498
00:26:59,600 --> 00:27:03,160
Speaker 5: Keith murdyrries out shout out to Terras Terre's a whole

499
00:27:03,200 --> 00:27:06,280
Speaker 5: nother story of how he changed my life too. That's

500
00:27:06,359 --> 00:27:10,320
Speaker 5: my nigga in real life where I was this driver

501
00:27:11,000 --> 00:27:14,320
Speaker 5: and I got on Snoop Dogg. Broa wait, wait, wait, Yeah,

502
00:27:14,440 --> 00:27:16,119
Speaker 5: I have a driver for the last thirteen years, but

503
00:27:16,160 --> 00:27:18,439
Speaker 5: I was tears driver. Let's be clear.

504
00:27:19,160 --> 00:27:20,280
Speaker 1: He was Terrrist driver.

505
00:27:20,640 --> 00:27:22,640
Speaker 5: Yeah, man, I was tears driver at the time. Man,

506
00:27:22,680 --> 00:27:29,800
Speaker 5: he had a low case and rive and he asked me.

507
00:27:29,800 --> 00:27:32,600
Speaker 5: He was like, yo, I gotta do this show. You know,

508
00:27:32,640 --> 00:27:34,600
Speaker 5: the keyboard player might not show up, but I need

509
00:27:34,600 --> 00:27:36,639
Speaker 5: a rise and landcaster. I was just like, all right.

510
00:27:36,760 --> 00:27:38,840
Speaker 5: For Snoop, He's like, you know, I might get you

511
00:27:38,880 --> 00:27:40,960
Speaker 5: on the gig, but I ain't guaranteed, so I'm like,

512
00:27:41,040 --> 00:27:43,480
Speaker 5: fuck it, I'm going. I listened to Snoop. You know,

513
00:27:43,760 --> 00:27:45,200
Speaker 5: I grew up off of this meet, so I knew

514
00:27:45,200 --> 00:27:49,240
Speaker 5: that shit anyway, So keyboard player, I'm waiting twenty minutes,

515
00:27:49,280 --> 00:27:52,119
Speaker 5: twenty minutes, the keyboard playing showing up. It's six keyboards

516
00:27:52,160 --> 00:27:55,879
Speaker 5: with thousands of people, right, and then terrors like, yo,

517
00:27:56,240 --> 00:27:59,720
Speaker 5: you're gonna play. I'm like, fuck it. Murder was a case.

518
00:27:59,720 --> 00:28:03,720
Speaker 5: Come on, I didn't know Snoop, nobody didn't even meet

519
00:28:03,760 --> 00:28:04,120
Speaker 5: him yet.

520
00:28:04,200 --> 00:28:04,440
Speaker 1: Nah.

521
00:28:04,640 --> 00:28:08,320
Speaker 5: No, literally, I'm playing the keys. I played murderly case.

522
00:28:08,359 --> 00:28:10,600
Speaker 5: I felt like I was I felt like I helped

523
00:28:10,640 --> 00:28:13,119
Speaker 5: produce the song. I was so in it, bro and

524
00:28:13,359 --> 00:28:17,760
Speaker 5: I was dazzing. I was krip walking on stage. Nigga,

525
00:28:18,960 --> 00:28:21,040
Speaker 5: you know you can smoke on stage at that time,

526
00:28:21,119 --> 00:28:23,719
Speaker 5: I mean, I just felt too comfortable. Then right after that,

527
00:28:23,880 --> 00:28:27,000
Speaker 5: Snoop asked me to go on tour. And that's say

528
00:28:27,040 --> 00:28:29,040
Speaker 5: at any point during the show though, the Snoop looked back,

529
00:28:29,320 --> 00:28:33,480
Speaker 5: look back exactly because I was turned. You couldn't brow

530
00:28:34,520 --> 00:28:39,479
Speaker 5: eighteen Snoop Dogg. I left West l A. I went

531
00:28:39,560 --> 00:28:41,400
Speaker 5: to to go to college for too much. But I

532
00:28:41,480 --> 00:28:43,640
Speaker 5: was smart than my teacher. He did music and he

533
00:28:43,720 --> 00:28:46,600
Speaker 5: was asking me for the answers, so I knew that

534
00:28:46,680 --> 00:28:48,960
Speaker 5: wasn't it. The tears gave me that call to be

535
00:28:49,040 --> 00:28:51,600
Speaker 5: the driver man and that that had me lit. Did

536
00:28:51,680 --> 00:28:54,719
Speaker 5: three I got three field passports from touring. I just

537
00:28:54,920 --> 00:28:58,320
Speaker 5: starting office that night off that night just literally.

538
00:28:58,560 --> 00:29:01,520
Speaker 3: But you were wow, but you were ready though I

539
00:29:01,600 --> 00:29:02,080
Speaker 3: was ready.

540
00:29:02,240 --> 00:29:02,840
Speaker 1: Wow.

541
00:29:03,080 --> 00:29:04,080
Speaker 3: That's the part that I.

542
00:29:04,040 --> 00:29:06,360
Speaker 6: Don't want to skip over, right, you didn't get up

543
00:29:06,400 --> 00:29:08,240
Speaker 6: there and nah.

544
00:29:07,920 --> 00:29:10,320
Speaker 3: You you were ready.

545
00:29:10,640 --> 00:29:13,760
Speaker 5: But terrors put me in unto like, I mean to

546
00:29:13,800 --> 00:29:15,560
Speaker 5: the points of where it was nothing. But you know

547
00:29:15,840 --> 00:29:18,959
Speaker 5: gang bangers and OG's around Snoop that, don't you know

548
00:29:19,000 --> 00:29:21,520
Speaker 5: you have to know them niggas. So I'm over here

549
00:29:21,560 --> 00:29:24,040
Speaker 5: like just standing up with tears, like, no, this is

550
00:29:24,080 --> 00:29:26,840
Speaker 5: my nigga. He could you know, he looked out so

551
00:29:27,440 --> 00:29:31,040
Speaker 5: ever since then then he was my nigga error for then.

552
00:29:31,080 --> 00:29:33,120
Speaker 5: But then I want to be a producer. So I

553
00:29:33,200 --> 00:29:35,360
Speaker 5: was going over his house. I seen him make a

554
00:29:35,400 --> 00:29:38,440
Speaker 5: beat for Snoop in like fifteen minutes, him and my

555
00:29:38,440 --> 00:29:41,280
Speaker 5: homie Marlin mar Doogg. And then that next week I

556
00:29:41,320 --> 00:29:43,040
Speaker 5: was at first day in church with him and he

557
00:29:43,080 --> 00:29:46,360
Speaker 5: showed me a fifteen thousand dollars check from the same

558
00:29:46,480 --> 00:29:48,600
Speaker 5: beat I just seen him do. I was like, Okay,

559
00:29:48,720 --> 00:29:50,880
Speaker 5: I made my final decision of what the fuck I

560
00:29:50,920 --> 00:29:53,800
Speaker 5: want to do? Take me the guitar center. My dad

561
00:29:53,840 --> 00:29:57,960
Speaker 5: took me right this shit had him spot the keyboard

562
00:29:58,000 --> 00:29:59,600
Speaker 5: player comes, look, show you how to put it this

563
00:29:59,680 --> 00:30:01,600
Speaker 5: in p And after that I was out of here.

564
00:30:01,600 --> 00:30:04,120
Speaker 3: Bro Which which guitar centate did you go to? Now?

565
00:30:04,160 --> 00:30:08,040
Speaker 5: We went to sam Ash want to Guitar and Harthorpe?

566
00:30:08,120 --> 00:30:08,880
Speaker 1: Yeah, you know, yeah?

567
00:30:10,200 --> 00:30:11,600
Speaker 5: And it was over after that.

568
00:30:11,840 --> 00:30:14,280
Speaker 3: You can stop me at that? At what age is this?

569
00:30:15,160 --> 00:30:15,400
Speaker 1: I was?

570
00:30:15,720 --> 00:30:17,880
Speaker 5: That was the has been like seventy eighteen.

571
00:30:18,080 --> 00:30:22,360
Speaker 3: At that age, a trip to sam Ash or guitar

572
00:30:22,480 --> 00:30:28,480
Speaker 3: center is like it's like going to musical heaven, music lost,

573
00:30:28,680 --> 00:30:30,720
Speaker 3: and not just going in there because we would go.

574
00:30:31,280 --> 00:30:33,360
Speaker 3: We would We had this place out in Maryland called

575
00:30:33,440 --> 00:30:36,239
Speaker 3: Chuck Levin's and all these places where we would go

576
00:30:36,320 --> 00:30:42,000
Speaker 3: and just as musicians, we would shed in the store.

577
00:30:42,440 --> 00:30:44,200
Speaker 5: Yes though, oh I ain't gonna lie.

578
00:30:44,600 --> 00:30:45,960
Speaker 1: I was just you know, you know how I like

579
00:30:46,000 --> 00:30:46,840
Speaker 1: to shop anyway.

580
00:30:47,040 --> 00:30:51,800
Speaker 3: I just like to buy. We couldn't afford none, couldn't afford.

581
00:30:51,680 --> 00:30:53,400
Speaker 1: That ship I never went into. I could afford it.

582
00:30:53,520 --> 00:30:56,440
Speaker 3: Shed being a busting their drums and ship.

583
00:30:57,120 --> 00:31:00,840
Speaker 5: I don't think I ever bought none from there. I

584
00:31:01,200 --> 00:31:04,400
Speaker 5: shedding my whole life, literally, I used to have my cars,

585
00:31:04,400 --> 00:31:06,760
Speaker 5: put the keyboards in, make my samples, take it out.

586
00:31:06,800 --> 00:31:07,480
Speaker 1: It was hey.

587
00:31:07,680 --> 00:31:12,040
Speaker 3: And then when you finally get a bag enough to

588
00:31:12,160 --> 00:31:14,920
Speaker 3: go and hold, I gotta say this shout out to

589
00:31:14,920 --> 00:31:19,120
Speaker 3: my to to Cliff and Jerry. I'm not gonna I'm

590
00:31:19,120 --> 00:31:22,560
Speaker 3: not gonna say how these things were purchased.

591
00:31:25,800 --> 00:31:26,320
Speaker 1: The street.

592
00:31:27,960 --> 00:31:33,719
Speaker 3: I'm just gonna say they took me to get what

593
00:31:33,760 --> 00:31:37,240
Speaker 3: you need to sam ash it and got me the

594
00:31:37,280 --> 00:31:42,080
Speaker 3: pieces that I needed to be great. And that day,

595
00:31:42,680 --> 00:31:44,680
Speaker 3: my mom's got me the first keyboard, the PEV that

596
00:31:44,760 --> 00:31:46,720
Speaker 3: taught me everything on my little nine tracks because I

597
00:31:46,760 --> 00:31:49,000
Speaker 3: had to figure out how to do everything on just

598
00:31:49,200 --> 00:31:52,720
Speaker 3: nine tracks. That's where the creativity kicks in. But then

599
00:31:52,760 --> 00:31:57,600
Speaker 3: at NPC comes home and that x P eighty comes

600
00:31:57,600 --> 00:31:58,120
Speaker 3: home with it.

601
00:31:58,600 --> 00:31:59,640
Speaker 1: Your world opened up.

602
00:32:00,040 --> 00:32:02,960
Speaker 3: And that and then Mackie board thirty two channels comes

603
00:32:02,960 --> 00:32:08,280
Speaker 3: home with it. Oh, it's time to work. It's time

604
00:32:08,280 --> 00:32:12,480
Speaker 3: to work life changing. You couldn't get me out of

605
00:32:12,480 --> 00:32:17,800
Speaker 3: that unfinished basement, bro bro Like. Think about the hours

606
00:32:17,840 --> 00:32:21,680
Speaker 3: that you put in with that, with that first set

607
00:32:21,720 --> 00:32:22,880
Speaker 3: of equipment that you had.

608
00:32:23,560 --> 00:32:27,960
Speaker 5: No you forget to eat biggawaa.

609
00:32:28,240 --> 00:32:30,960
Speaker 1: This is nigga, nigga nigga.

610
00:32:31,400 --> 00:32:37,040
Speaker 3: I was one hundred and forty five pounds. I would

611
00:32:37,120 --> 00:32:39,920
Speaker 3: wake up, get here's something to get right on it.

612
00:32:40,280 --> 00:32:43,720
Speaker 3: I'm thinking, I'm working on this for a couple hours.

613
00:32:44,080 --> 00:32:48,280
Speaker 3: Nigga is nine at night now. Because you was in

614
00:32:48,320 --> 00:32:50,240
Speaker 3: your mama basement too, right, I was first. I was

615
00:32:50,280 --> 00:32:52,880
Speaker 3: in my mama's I was in my room upstairs, in

616
00:32:52,920 --> 00:32:53,400
Speaker 3: my room.

617
00:32:53,600 --> 00:32:53,920
Speaker 1: Man.

618
00:32:54,360 --> 00:32:56,080
Speaker 3: Then when we moved to the other house, I was

619
00:32:56,120 --> 00:33:03,200
Speaker 3: in the basement from for myself. Finished dust everywhere everywhere,

620
00:33:03,920 --> 00:33:05,520
Speaker 3: but I had to have it.

621
00:33:06,840 --> 00:33:11,000
Speaker 5: Yeah, it's people, people that don't understand music. You know,

622
00:33:11,120 --> 00:33:15,360
Speaker 5: it can fuck of families, relationship. It is like it's

623
00:33:15,400 --> 00:33:18,520
Speaker 5: like but you but you know, my big bodies always

624
00:33:18,520 --> 00:33:21,160
Speaker 5: say either the weather reporter or the weather changing, either

625
00:33:21,880 --> 00:33:24,520
Speaker 5: the person signing W nine or you're the person that's

626
00:33:25,160 --> 00:33:29,040
Speaker 5: controlling the culture somebody made where we're sitting on or

627
00:33:29,040 --> 00:33:29,480
Speaker 5: we're going to.

628
00:33:29,480 --> 00:33:30,000
Speaker 1: Sit on it.

629
00:33:30,240 --> 00:33:33,200
Speaker 5: So it's like, you know, and but it takes sacrifice.

630
00:33:33,200 --> 00:33:36,160
Speaker 5: It takes that lost time that you forget about.

631
00:33:37,080 --> 00:33:37,240
Speaker 1: Bro.

632
00:33:37,400 --> 00:33:43,080
Speaker 3: It's the it's the producer Michael Jackson, It's the Quincy

633
00:33:43,120 --> 00:33:43,719
Speaker 3: Jones effect.

634
00:33:44,240 --> 00:33:44,760
Speaker 1: Mm hmmm.

635
00:33:45,120 --> 00:33:48,000
Speaker 3: We talk about it all the time. Yea, where Quincy

636
00:33:49,080 --> 00:33:54,840
Speaker 3: was so dedicated to the craft, like the way his

637
00:33:55,120 --> 00:33:58,360
Speaker 3: his type of dedication. It costs you things on the

638
00:33:58,400 --> 00:34:03,240
Speaker 3: outside of Yeah, and when you said families and stuff

639
00:34:03,240 --> 00:34:09,520
Speaker 3: like that, anybody that's great in this, if that's connected

640
00:34:09,560 --> 00:34:10,640
Speaker 3: to your story.

641
00:34:10,680 --> 00:34:12,080
Speaker 1: But you also and this.

642
00:34:12,160 --> 00:34:16,839
Speaker 6: Is not even in the legal, uh you know, term

643
00:34:16,920 --> 00:34:21,200
Speaker 6: of it, but you have to marry understanding. Everybody that

644
00:34:21,480 --> 00:34:25,120
Speaker 6: is connected to you has to have understanding of what

645
00:34:25,200 --> 00:34:26,920
Speaker 6: you are and who you are as a creative.

646
00:34:27,640 --> 00:34:30,240
Speaker 1: They can't be around you because they will dim your life.

647
00:34:31,160 --> 00:34:34,400
Speaker 6: They will, they will, they will stifle, they will stifle

648
00:34:34,440 --> 00:34:35,840
Speaker 6: the create creativity.

649
00:34:36,239 --> 00:34:38,600
Speaker 1: They will take away from who you were put here

650
00:34:38,640 --> 00:34:38,840
Speaker 1: to be.

651
00:34:39,480 --> 00:34:39,879
Speaker 5: M hmm.

652
00:34:41,200 --> 00:34:45,160
Speaker 6: And some people don't understand that, and that's fine. Don't

653
00:34:45,440 --> 00:34:48,360
Speaker 6: come around us. Just leave me alone.

654
00:34:48,880 --> 00:34:50,959
Speaker 1: I know, I look like a shiny toy. It's cool.

655
00:34:51,000 --> 00:34:53,080
Speaker 6: You want hang out, you think it's gonna be fun,

656
00:34:53,520 --> 00:34:56,799
Speaker 6: and then you're gonna realize, like, oh, this guy has

657
00:34:56,840 --> 00:35:01,960
Speaker 6: a mission and a purpose and I'm going to need

658
00:35:02,040 --> 00:35:05,160
Speaker 6: to write some songs and then I'm gonna need to

659
00:35:05,239 --> 00:35:07,839
Speaker 6: write a book, and then I'm going to need to go.

660
00:35:08,000 --> 00:35:10,879
Speaker 1: Fill my podcast with my best friend, and then we're

661
00:35:10,920 --> 00:35:11,400
Speaker 1: gonna have to.

662
00:35:11,400 --> 00:35:14,600
Speaker 3: Go to go do some shows and then and then

663
00:35:15,000 --> 00:35:16,480
Speaker 3: it continues, it continues.

664
00:35:16,840 --> 00:35:18,600
Speaker 1: But he said in the movie and then then.

665
00:35:18,960 --> 00:35:21,440
Speaker 5: And then, hey, you're talking a ship, bro.

666
00:35:21,440 --> 00:35:22,839
Speaker 1: But the it's the real brother.

667
00:35:22,960 --> 00:35:25,200
Speaker 6: I think that people from the outside, especially if they

668
00:35:25,200 --> 00:35:28,759
Speaker 6: don't fully understand what this thing is and what it

669
00:35:28,800 --> 00:35:32,560
Speaker 6: takes to be truly successful in this thing, that maybe

670
00:35:32,600 --> 00:35:36,680
Speaker 6: one percent, maybe if we're gonna if we're gonna be generous,

671
00:35:36,680 --> 00:35:40,919
Speaker 6: we could say three percent actually get to really reach

672
00:35:40,920 --> 00:35:43,400
Speaker 6: an apex and get to and get to a pinnacle

673
00:35:43,600 --> 00:35:47,279
Speaker 6: in a space that is really successful for them and

674
00:35:47,320 --> 00:35:49,319
Speaker 6: they don't have to do anything else with their life

675
00:35:49,320 --> 00:35:50,399
Speaker 6: but what they love to do.

676
00:35:51,000 --> 00:35:54,400
Speaker 1: There are not many creatives that get to do that.

677
00:35:55,120 --> 00:35:57,600
Speaker 5: I've never said this. I don't really tell too many

678
00:35:57,600 --> 00:36:01,120
Speaker 5: people this, but I really feel like God has me

679
00:36:01,160 --> 00:36:03,440
Speaker 5: on earth to give of course, give people to their

680
00:36:03,480 --> 00:36:06,400
Speaker 5: higher self, and he gives people like us. That's a

681
00:36:06,480 --> 00:36:09,840
Speaker 5: light all this swag ship we don't care about, like

682
00:36:09,960 --> 00:36:12,520
Speaker 5: durry and dimes and all this type of ship to

683
00:36:12,680 --> 00:36:14,680
Speaker 5: attract the people that needs to hear what the fuck

684
00:36:14,719 --> 00:36:17,879
Speaker 5: we gotta say, and just just being examples of how

685
00:36:17,920 --> 00:36:21,319
Speaker 5: tight God is. So that's literally what we're here for.

686
00:36:21,640 --> 00:36:28,680
Speaker 3: But that that's fire because people don't. When I was

687
00:36:28,680 --> 00:36:35,920
Speaker 3: growing up in church, it was you want like one

688
00:36:35,920 --> 00:36:39,240
Speaker 3: thing we should try to preach my my pastor Tyrone Petty.

689
00:36:39,239 --> 00:36:42,160
Speaker 3: It is like now it's cool to do this, Like

690
00:36:42,680 --> 00:36:45,560
Speaker 3: now you're supposed to have a good time. Nah, you're

691
00:36:45,600 --> 00:36:47,640
Speaker 3: supposed to eat the finest food. You're supposed to want

692
00:36:47,680 --> 00:36:52,520
Speaker 3: a nice car. You're supposed to And that has always

693
00:36:52,680 --> 00:37:00,440
Speaker 3: been my mindset for representing the higher up. I mean,

694
00:37:00,520 --> 00:37:03,480
Speaker 3: if we talk a streaks of Golden I Mansions and

695
00:37:03,560 --> 00:37:06,200
Speaker 3: Karen On and he talking about he came so I

696
00:37:06,239 --> 00:37:08,080
Speaker 3: can live life and life more abundantly.

697
00:37:08,120 --> 00:37:08,279
Speaker 1: Man.

698
00:37:08,800 --> 00:37:13,520
Speaker 3: I need that abundance him. Yeah, I need to and

699
00:37:14,040 --> 00:37:17,120
Speaker 3: let people know that it is attainable this way too.

700
00:37:17,520 --> 00:37:19,840
Speaker 5: It really works.

701
00:37:19,040 --> 00:37:24,160
Speaker 3: It's attainable this way too. You can get it the

702
00:37:24,239 --> 00:37:24,759
Speaker 3: right way.

703
00:37:25,480 --> 00:37:29,279
Speaker 6: That's something he said earlier that I would love to

704
00:37:29,800 --> 00:37:33,400
Speaker 6: expound on. We can do this without being a bitch

705
00:37:33,480 --> 00:37:34,320
Speaker 6: ass nigga.

706
00:37:35,239 --> 00:37:35,800
Speaker 1: You're right.

707
00:37:36,680 --> 00:37:40,640
Speaker 5: A bitch azz nigga to me is someone who's selfish

708
00:37:42,600 --> 00:37:45,080
Speaker 5: that only things about their selves because you get what

709
00:37:45,120 --> 00:37:48,120
Speaker 5: you give. Bro. You gotta like my intention every day.

710
00:37:48,400 --> 00:37:50,080
Speaker 5: People don't know this, but like I wake up every

711
00:37:50,160 --> 00:37:52,960
Speaker 5: day thinking about how much money I can make everybody

712
00:37:53,000 --> 00:37:56,440
Speaker 5: around me. That's how it works. You spoke. Most people

713
00:37:56,760 --> 00:37:59,600
Speaker 5: think about their selves. But it's like, you know, you

714
00:37:59,640 --> 00:38:03,000
Speaker 5: can all make money doing this. You got to be outside.

715
00:38:03,000 --> 00:38:04,759
Speaker 5: You got to make one with people that don't look

716
00:38:04,800 --> 00:38:07,319
Speaker 5: like but what but what is your service? You got

717
00:38:07,320 --> 00:38:09,959
Speaker 5: to just be a service. The trick is just having

718
00:38:10,000 --> 00:38:12,880
Speaker 5: one up on everybody as far as being a service.

719
00:38:13,000 --> 00:38:15,200
Speaker 5: Either I gave you some advice, gave some we gave

720
00:38:15,239 --> 00:38:22,040
Speaker 5: your free beat, gave you a free drove you to yep.

721
00:38:22,120 --> 00:38:24,120
Speaker 5: But it just comes along with Brandon like because when

722
00:38:24,200 --> 00:38:26,080
Speaker 5: when you're when your brand, when you leave the room,

723
00:38:26,160 --> 00:38:30,000
Speaker 5: your brand stays. So it's like, what was the experience

724
00:38:30,040 --> 00:38:33,840
Speaker 5: I gave you? You know? And that's that's how it just

725
00:38:33,920 --> 00:38:34,439
Speaker 5: keeps going.

726
00:38:34,520 --> 00:38:40,120
Speaker 3: You're investing, You're constantly investing. My fresh relationship is nuts.

727
00:38:40,200 --> 00:38:42,399
Speaker 3: That is what you're giving is And I don't ask

728
00:38:42,440 --> 00:38:42,759
Speaker 3: for much.

729
00:38:42,880 --> 00:38:47,279
Speaker 5: I just do. I just asked once to hear other

730
00:38:47,360 --> 00:38:49,560
Speaker 5: than that, I'm a service. I'm on deck. I'll do.

731
00:38:49,640 --> 00:38:55,440
Speaker 3: But the return is organic because because the whether whether

732
00:38:55,520 --> 00:39:01,080
Speaker 3: the person or the universe one way or another, that's

733
00:39:01,120 --> 00:39:01,960
Speaker 3: going to come back to you.

734
00:39:02,400 --> 00:39:08,080
Speaker 1: Man, tell us, tell us about fifteen hundred because we

735
00:39:08,080 --> 00:39:10,080
Speaker 1: we try to make it every year. We al.

736
00:39:10,280 --> 00:39:13,520
Speaker 3: So, I was coming back from Atlanta and I was like,

737
00:39:13,880 --> 00:39:15,640
Speaker 3: and I was like, I don't want to commit to

738
00:39:15,680 --> 00:39:18,920
Speaker 3: it because I don't know how I'm gonna be after

739
00:39:19,200 --> 00:39:25,920
Speaker 3: Atlanta because I'm getting smoke. Smoke kills me, especially in

740
00:39:25,960 --> 00:39:32,080
Speaker 3: a low, a low a ceiling environment. And I knew

741
00:39:32,120 --> 00:39:34,160
Speaker 3: it as soon as I walked into club, as soon

742
00:39:34,160 --> 00:39:36,439
Speaker 3: as I'm still on the top rope, so that's still

743
00:39:38,880 --> 00:39:41,319
Speaker 3: everything started burning. And I got a commitment to sing

744
00:39:41,320 --> 00:39:44,040
Speaker 3: two or three songs. I mean, I can feel it

745
00:39:44,120 --> 00:39:46,319
Speaker 3: during those songs. By the time I get the song three,

746
00:39:46,360 --> 00:39:49,239
Speaker 3: I'm cooked. There's no way I would have been able

747
00:39:49,239 --> 00:39:50,480
Speaker 3: to do that show, not the way I wanted to

748
00:39:50,480 --> 00:39:51,920
Speaker 3: do it, especially my first time being there.

749
00:39:52,400 --> 00:39:54,320
Speaker 6: Yeah, tell us about it though, I mean, we listen,

750
00:39:55,080 --> 00:39:57,319
Speaker 6: this is this is something that you set up. This

751
00:39:57,400 --> 00:39:59,440
Speaker 6: is an institution. We know that you're gonna have it.

752
00:39:59,480 --> 00:40:02,719
Speaker 6: We're going to going to be there. Tell us about it, though, man,

753
00:40:02,760 --> 00:40:04,520
Speaker 6: and the people about it. About this thing that you

754
00:40:04,600 --> 00:40:07,960
Speaker 6: do once a year in honor of your company.

755
00:40:08,120 --> 00:40:12,360
Speaker 5: Yeah, well, we had our twenty year anniversary for fifteen hundred,

756
00:40:13,440 --> 00:40:15,640
Speaker 5: twenty years man, for all the service.

757
00:40:15,640 --> 00:40:16,879
Speaker 1: I've been together for twenty years.

758
00:40:16,960 --> 00:40:20,040
Speaker 5: Yeah, twenty years. Man. We know so many people we

759
00:40:20,080 --> 00:40:22,799
Speaker 5: lost to shout out to right, Uncle Chuck, Carlos, rest

760
00:40:22,840 --> 00:40:25,560
Speaker 5: In Peach, g I, nib Moms, like all these are

761
00:40:25,600 --> 00:40:29,839
Speaker 5: people in fifteen hundred hours A major part that even

762
00:40:29,840 --> 00:40:33,120
Speaker 5: when they left, gave me the superpowers to keep going,

763
00:40:33,280 --> 00:40:36,480
Speaker 5: you know what I mean. So that's it's it's a

764
00:40:36,480 --> 00:40:40,360
Speaker 5: special day, but it's really a celebration. Shout out to

765
00:40:41,440 --> 00:40:43,640
Speaker 5: the city of Los Angeles actually gave us on holiday

766
00:40:43,840 --> 00:40:47,960
Speaker 5: five years ago and sore and it was just for

767
00:40:48,000 --> 00:40:49,800
Speaker 5: all the hard work that we've done for the community

768
00:40:49,880 --> 00:40:53,319
Speaker 5: and just you know what we've done. And like last

769
00:40:53,360 --> 00:40:56,040
Speaker 5: year we had at the Sound Academy where you know,

770
00:40:56,239 --> 00:40:59,880
Speaker 5: Dave Chappelle got on the mic, Angela Baskett, Tasha Smith.

771
00:41:00,040 --> 00:41:03,800
Speaker 5: We had every year we have thirty or thirty artists performed,

772
00:41:03,880 --> 00:41:07,319
Speaker 5: so it's a baby festivals from twelve to twelve in

773
00:41:07,400 --> 00:41:09,839
Speaker 5: the beginning, it's like we had this year. We had

774
00:41:09,880 --> 00:41:12,280
Speaker 5: all of our students, twenty of our graduate students performing.

775
00:41:12,280 --> 00:41:15,160
Speaker 5: They did the melody of all of our hits. Got it. Yeah,

776
00:41:15,200 --> 00:41:17,240
Speaker 5: So y'all got to check that out and then after.

777
00:41:17,040 --> 00:41:19,080
Speaker 1: That, y'all put that up online and everything.

778
00:41:19,640 --> 00:41:22,040
Speaker 5: It will be checks, it will be yeah, it will

779
00:41:22,080 --> 00:41:24,640
Speaker 5: be Yeah, we're gonna put that out. But I'm using that.

780
00:41:25,040 --> 00:41:28,399
Speaker 5: I'm about to take over tiny desks and colors. I'm

781
00:41:28,440 --> 00:41:32,600
Speaker 5: just one of you'll. Now it's called the I'm telling

782
00:41:32,640 --> 00:41:35,200
Speaker 5: you what. It's going to be caught the big stage.

783
00:41:35,280 --> 00:41:37,200
Speaker 5: Everybody wants to get on the big stage. Our stage

784
00:41:37,200 --> 00:41:42,840
Speaker 5: is bigger than everybody's like, it just is. So everybody

785
00:41:42,840 --> 00:41:45,320
Speaker 5: wants to go to big stage for Ted talks, every everything.

786
00:41:45,400 --> 00:41:49,760
Speaker 5: So we're ain't no trafficking our lane. Yeah, I love.

787
00:41:51,239 --> 00:41:54,799
Speaker 1: The big stage. Lights and.

788
00:41:56,560 --> 00:42:01,160
Speaker 6: Exs exactly, graphics everything, Wait, you got you got some

789
00:42:01,320 --> 00:42:03,759
Speaker 6: you got some extra curricular ship.

790
00:42:03,520 --> 00:42:05,360
Speaker 5: There that henna love it.

791
00:42:05,400 --> 00:42:09,400
Speaker 1: And then I'm just gonna appear through.

792
00:42:09,160 --> 00:42:13,600
Speaker 3: The screen because I feel like if Michael Jackson do it,

793
00:42:13,680 --> 00:42:17,280
Speaker 3: I can do. I need a toaster, give me a toaster.

794
00:42:17,440 --> 00:42:25,640
Speaker 6: That's his favorite thing performing McDonald's.

795
00:42:23,160 --> 00:42:23,680
Speaker 1: Pop out of.

796
00:42:25,560 --> 00:42:27,600
Speaker 3: I have got to pop out of a toaster. It

797
00:42:27,680 --> 00:42:33,720
Speaker 3: is coming soon. Look at it show. I'm gonna flip

798
00:42:33,800 --> 00:42:36,400
Speaker 3: up out of the toaster and twist my ankle. Also,

799
00:42:36,480 --> 00:42:40,120
Speaker 3: I know it's gonna happen toaster it is.

800
00:42:48,840 --> 00:42:51,520
Speaker 8: Let's let's talk about these records, man, Let's talk about

801
00:42:51,520 --> 00:42:52,320
Speaker 8: some of these records.

802
00:42:52,360 --> 00:42:52,879
Speaker 3: Bro, like.

803
00:42:54,320 --> 00:42:58,480
Speaker 5: The box man shout out to Riley, shout out to

804
00:42:58,520 --> 00:43:03,120
Speaker 5: the homies. Man. We yeah, that's all.

805
00:43:03,400 --> 00:43:07,960
Speaker 1: And what is it? Eleven eleven million? Yeah, this is

806
00:43:07,960 --> 00:43:09,000
Speaker 1: a diamond record.

807
00:43:08,719 --> 00:43:14,880
Speaker 5: Though, right, yeap the box with diamond shout out to Maloma.

808
00:43:14,560 --> 00:43:17,280
Speaker 1: So how does how does that? How does that record

809
00:43:17,320 --> 00:43:19,280
Speaker 1: come about?

810
00:43:19,600 --> 00:43:23,000
Speaker 5: Roddy was working when I first met Roddy. This was

811
00:43:23,000 --> 00:43:25,600
Speaker 5: before he was famous. It was like three four months

812
00:43:25,600 --> 00:43:29,160
Speaker 5: before he started getting famous. And uh, I was hearing

813
00:43:29,200 --> 00:43:31,000
Speaker 5: about him a lot because he's from La and he's,

814
00:43:31,080 --> 00:43:33,520
Speaker 5: you know, from the culture, and you know, anybody from

815
00:43:33,680 --> 00:43:38,800
Speaker 5: La gotta gotta come home. Their album is sound expensive.

816
00:43:39,239 --> 00:43:43,799
Speaker 5: So he came and his engineer gave us all the

817
00:43:43,840 --> 00:43:48,759
Speaker 5: sessions and we literally went through each session from intros

818
00:43:48,800 --> 00:43:52,080
Speaker 5: and outros, putting them together and just off of us

819
00:43:52,080 --> 00:43:54,680
Speaker 5: doing the intro and outro that end up we end

820
00:43:54,760 --> 00:43:57,319
Speaker 5: up getting on the box because it's like a whole

821
00:43:57,320 --> 00:44:00,719
Speaker 5: twenty seconds of just our music, you know what I mean. So,

822
00:44:01,680 --> 00:44:03,880
Speaker 5: but we literally we do that for albums. Man. It

823
00:44:04,000 --> 00:44:05,480
Speaker 5: was such a success, man.

824
00:44:05,320 --> 00:44:09,000
Speaker 6: And no I remember sitting with Dallas with Dallas Martin

825
00:44:09,760 --> 00:44:13,400
Speaker 6: and he was like, I'm gonna play something. And just

826
00:44:13,520 --> 00:44:15,200
Speaker 6: before he got his new studio, I forgot that, he

827
00:44:15,239 --> 00:44:19,680
Speaker 6: said at the Atlantic Stay and he's like, man, I

828
00:44:19,719 --> 00:44:21,359
Speaker 6: got this artist named Riddy Rich.

829
00:44:21,719 --> 00:44:25,480
Speaker 1: And I'm like, I think I met him. We had

830
00:44:25,520 --> 00:44:28,320
Speaker 1: a Warner party at a Warner Music party and I

831
00:44:29,160 --> 00:44:32,400
Speaker 1: think he put up in like a Ferrari or a Lamborghindi.

832
00:44:32,200 --> 00:44:38,040
Speaker 6: And Tank was like, you know Tank notes, I'm like,

833
00:44:38,120 --> 00:44:39,600
Speaker 6: who's the nigga that just jumped out of.

834
00:44:41,440 --> 00:44:42,120
Speaker 1: That little nigga?

835
00:44:42,200 --> 00:44:46,680
Speaker 6: He gold no records yet though, and he pulled up

836
00:44:46,680 --> 00:44:50,240
Speaker 6: in the Lambo, so I'm like, okay, and he says

837
00:44:50,239 --> 00:44:53,000
Speaker 6: his name and obviously it just I remember his name.

838
00:44:53,040 --> 00:44:55,960
Speaker 6: So when I'm sitting in the studio with Dallas, Dallas like,

839
00:44:55,960 --> 00:44:58,720
Speaker 6: I'm gonna play my new artist named Roddy Rich, I'm.

840
00:44:58,600 --> 00:45:01,720
Speaker 1: Like, was he a Warner party with the lambod or whatever.

841
00:45:01,960 --> 00:45:02,839
Speaker 3: He's like yeah, yeah.

842
00:45:03,120 --> 00:45:05,000
Speaker 1: I said, oh, take new him and he was like

843
00:45:05,080 --> 00:45:08,560
Speaker 1: yeah he the one. Yeah. He plays me through like

844
00:45:08,600 --> 00:45:11,480
Speaker 1: three records, one of them was the Box. Yeah.

845
00:45:11,920 --> 00:45:13,799
Speaker 6: He was like, what you think about this? I said no, no,

846
00:45:13,880 --> 00:45:19,520
Speaker 6: it's something you play with that and that's the whichever

847
00:45:19,760 --> 00:45:23,680
Speaker 6: got the Yeah, yeah, cap playing it again.

848
00:45:24,040 --> 00:45:27,719
Speaker 1: Yeah, I'm like, niggas are smad. He was like fun

849
00:45:27,840 --> 00:45:29,680
Speaker 1: with that on that record, crazy right, I said, So

850
00:45:29,719 --> 00:45:31,440
Speaker 1: when did we come out? He was like, yeah, you know,

851
00:45:31,560 --> 00:45:33,680
Speaker 1: didn't get delayed with shit. Well, you know, we're gonna

852
00:45:33,680 --> 00:45:36,320
Speaker 1: put out this and then we go.

853
00:45:36,520 --> 00:45:39,920
Speaker 5: I was like, that's the one that's the one.

854
00:45:41,480 --> 00:45:43,600
Speaker 1: To eat her record, don't I don't know the name

855
00:45:43,680 --> 00:45:43,960
Speaker 1: of it.

856
00:45:44,040 --> 00:45:46,680
Speaker 5: Yeah, that body of work, that whole body of work.

857
00:45:46,719 --> 00:45:48,719
Speaker 6: But he had told me, he was like, I got

858
00:45:48,719 --> 00:45:52,200
Speaker 6: fifteen hundred. Theater was if you hear the transitions. He

859
00:45:52,320 --> 00:45:53,680
Speaker 6: was like because, and he said it to me, He's like,

860
00:45:53,719 --> 00:45:57,160
Speaker 6: Ride is a musician. I didn't know, right, you know

861
00:45:57,200 --> 00:45:58,600
Speaker 6: what I'm saying. I didn't know none of that.

862
00:45:58,600 --> 00:46:00,640
Speaker 1: At the time. And he's like, yoah, you know he

863
00:46:00,680 --> 00:46:02,439
Speaker 1: can play the whole He got the whole thing.

864
00:46:03,640 --> 00:46:07,360
Speaker 6: So we got fifteen hundred to come in and really

865
00:46:07,400 --> 00:46:10,080
Speaker 6: do like, you know, like I said, the transitions for

866
00:46:10,120 --> 00:46:12,839
Speaker 6: the album, and you know, to really bring the musicality

867
00:46:12,880 --> 00:46:13,200
Speaker 6: to it.

868
00:46:13,280 --> 00:46:15,719
Speaker 5: So it's really the human behavior aspect. It's to the

869
00:46:15,719 --> 00:46:17,960
Speaker 5: point to now where people are coming to us to

870
00:46:17,960 --> 00:46:20,800
Speaker 5: where it ain't just just the music. It's really a marriage.

871
00:46:20,880 --> 00:46:23,759
Speaker 5: Like people got to know when to stop. That's really

872
00:46:23,760 --> 00:46:27,360
Speaker 5: the secret to produce hiss. You know you just explained.

873
00:46:27,360 --> 00:46:31,480
Speaker 5: It's like, yeah, take that out. Yeah no, because at

874
00:46:31,480 --> 00:46:34,600
Speaker 5: the end of the day, the objective of a Cusmers

875
00:46:35,200 --> 00:46:37,000
Speaker 5: is you got to keep and create a customer. That's

876
00:46:37,000 --> 00:46:40,360
Speaker 5: the who objective of the business to keep them. So

877
00:46:40,400 --> 00:46:42,480
Speaker 5: it's like, if you're saying a thousand words, you're saying

878
00:46:42,520 --> 00:46:45,319
Speaker 5: all these things confuse me. It's like, how like I

879
00:46:45,440 --> 00:46:47,440
Speaker 5: tell artists all the time, let's write the songs. If

880
00:46:47,440 --> 00:46:50,479
Speaker 5: we're writing it with our audience, I got a partner. Yeah,

881
00:46:50,560 --> 00:46:52,520
Speaker 5: because if you give the hype that the hype man

882
00:46:52,560 --> 00:46:54,120
Speaker 5: got as many parts as you got, you got a

883
00:46:54,120 --> 00:46:56,239
Speaker 5: good song. Because if you can do this how you

884
00:46:56,280 --> 00:46:58,600
Speaker 5: do all the time and I do this is that's

885
00:46:58,760 --> 00:47:02,239
Speaker 5: that's gold. You know what I mean. There's so many

886
00:47:02,440 --> 00:47:06,160
Speaker 5: human behavior secrets people don't understand. That's why we got

887
00:47:06,200 --> 00:47:09,080
Speaker 5: to school because it's a lot of a lot of

888
00:47:09,080 --> 00:47:12,000
Speaker 5: secrets that I feel like that will help so many songwriters.

889
00:47:12,520 --> 00:47:17,240
Speaker 3: It well, and it's it's it helps it helps music

890
00:47:19,160 --> 00:47:23,640
Speaker 3: in general right too. You know, as we're talking with

891
00:47:23,680 --> 00:47:27,320
Speaker 3: Smokey Robinson and we're talking about, you know, the reps

892
00:47:27,440 --> 00:47:29,840
Speaker 3: and the things.

893
00:47:30,000 --> 00:47:33,600
Speaker 5: And I just walked past my that was crazy that.

894
00:47:36,600 --> 00:47:37,200
Speaker 1: I just called it.

895
00:47:37,239 --> 00:47:42,200
Speaker 3: Smoking, call him smokey Joe, you know, because I know

896
00:47:42,239 --> 00:47:44,520
Speaker 3: when he was little, you.

897
00:47:46,760 --> 00:47:48,640
Speaker 1: Know me niggas telling me that when I meet him,

898
00:47:48,880 --> 00:47:49,640
Speaker 1: when I meet him, you.

899
00:47:49,600 --> 00:47:51,000
Speaker 4: Don't use little.

900
00:47:53,440 --> 00:47:59,919
Speaker 3: Not but the the way they would give each other

901
00:48:00,400 --> 00:48:08,040
Speaker 3: critique and and and compete and conversation to elevate the

902
00:48:08,160 --> 00:48:15,440
Speaker 3: level of play was how they built a dynasty. Listen,

903
00:48:15,880 --> 00:48:19,560
Speaker 3: because here's what I just here's what I what I

904
00:48:19,640 --> 00:48:22,279
Speaker 3: what I what I try to tell people say, you

905
00:48:22,320 --> 00:48:25,840
Speaker 3: have to know the difference between a nigga hating and

906
00:48:26,360 --> 00:48:33,560
Speaker 3: constructive criticism, right, because there there's a difference, right, constructive criticism.

907
00:48:34,000 --> 00:48:40,160
Speaker 3: I welcome, I welcome it. Tell me how this should

908
00:48:40,200 --> 00:48:44,759
Speaker 3: be better. Tell me where I can make this more.

909
00:48:45,800 --> 00:48:49,200
Speaker 3: Tell me to dial that vocal back because it's given

910
00:48:49,960 --> 00:48:53,680
Speaker 3: a little too much in here because I can go there,

911
00:48:54,480 --> 00:48:59,879
Speaker 3: I can do that, And so we need more of that.

912
00:49:00,120 --> 00:49:05,600
Speaker 3: Where people understand how who their audience is first, first

913
00:49:05,920 --> 00:49:11,239
Speaker 3: the audience is, and and what they're able to do.

914
00:49:12,440 --> 00:49:12,800
Speaker 1: Mhmm.

915
00:49:16,760 --> 00:49:20,200
Speaker 5: Can they can they sing that? Can they yeah, exactly.

916
00:49:19,880 --> 00:49:21,880
Speaker 6: I know exactly what to say. When you say it

917
00:49:21,920 --> 00:49:23,440
Speaker 6: ain't worth I'll go telling a lie.

918
00:49:29,880 --> 00:49:33,160
Speaker 3: You cry, I'm from church, Call and response.

919
00:49:33,400 --> 00:49:39,520
Speaker 5: That's the cheek culture hits. Yes, Jesus is real, Jesus real.

920
00:49:40,080 --> 00:49:45,800
Speaker 5: It's literally the same you say, repeat yes, really three hooks,

921
00:49:46,640 --> 00:49:49,680
Speaker 5: act like you got to say more words. It should

922
00:49:49,760 --> 00:49:52,240
Speaker 5: just be three hooks and let everybody pick their favorite

923
00:49:52,239 --> 00:49:56,120
Speaker 5: hook and let you know. It's more simpler than for

924
00:49:56,360 --> 00:49:59,240
Speaker 5: words or less. Wasn't a while on the hook. Everybody

925
00:49:59,239 --> 00:50:03,040
Speaker 5: gets bored bars, So make sure there's a bold something

926
00:50:03,080 --> 00:50:05,279
Speaker 5: that's gonna make you turn your hair every eight bars.

927
00:50:06,000 --> 00:50:08,439
Speaker 5: It's like you can take the cadences of anything, any

928
00:50:08,480 --> 00:50:10,960
Speaker 5: song that you've ever heard, and use it for your

929
00:50:11,000 --> 00:50:13,560
Speaker 5: own cadence. For a melody, you could take a base

930
00:50:14,120 --> 00:50:17,160
Speaker 5: cadence and change the concept and change the melody. It's like,

931
00:50:17,200 --> 00:50:19,000
Speaker 5: you know your writer's black if you're lying, So just

932
00:50:19,160 --> 00:50:21,120
Speaker 5: tell somebody else truth where don't lie?

933
00:50:22,160 --> 00:50:24,719
Speaker 1: Yeah, give me another song, give me boot up?

934
00:50:25,480 --> 00:50:29,919
Speaker 5: Oh yeah, boot up these walls Nipsey's album.

935
00:50:30,200 --> 00:50:35,080
Speaker 3: Talk About, Talk About, talk about Uh, victory.

936
00:50:35,239 --> 00:50:38,760
Speaker 5: Yeah victory lap I took us about thirteen years. Yeah,

937
00:50:38,920 --> 00:50:43,400
Speaker 5: what it feels like we did that twenty eleven, and

938
00:50:43,480 --> 00:50:46,759
Speaker 5: I'm trying to get nip Nip never. He ain't gonna

939
00:50:46,760 --> 00:50:49,319
Speaker 5: ask nobody for no features. You know, that's just he's

940
00:50:49,400 --> 00:50:52,880
Speaker 5: just humble like that. But I will so I've been

941
00:50:52,920 --> 00:50:56,840
Speaker 5: sitting at this this song Saguru forever and trying to

942
00:50:56,840 --> 00:50:58,759
Speaker 5: get jail, trying to get jail, and it was the

943
00:50:58,800 --> 00:51:01,920
Speaker 5: perfect time and for what it feels like, so for

944
00:51:02,000 --> 00:51:05,440
Speaker 5: the movie and heor after he rapped on it, I

945
00:51:05,560 --> 00:51:08,360
Speaker 5: knew Nipsey was smiling because I you know, that was

946
00:51:08,400 --> 00:51:11,440
Speaker 5: something he always wanted, is a song with Jay and

947
00:51:11,560 --> 00:51:14,680
Speaker 5: especially with the music where the drums and like shots

948
00:51:14,719 --> 00:51:17,480
Speaker 5: with Mike and keys and bars, and this was I

949
00:51:17,480 --> 00:51:19,600
Speaker 5: don't know if y'all know what this song had. I

950
00:51:19,600 --> 00:51:22,960
Speaker 5: had like thirteen of superstar singers on it that know

951
00:51:23,120 --> 00:51:25,879
Speaker 5: that you didn't if you listen to the end. Dave Jake,

952
00:51:26,080 --> 00:51:28,439
Speaker 5: jay Z cut off half the He said he wanted

953
00:51:28,480 --> 00:51:30,680
Speaker 5: like a seven minute song, but I'll play it for you.

954
00:51:30,719 --> 00:51:36,000
Speaker 5: But we got everybody from her BJ and Clemens uh,

955
00:51:37,239 --> 00:51:40,000
Speaker 5: like you wouldn't believe. I'm gonna let y'all listen and

956
00:51:40,040 --> 00:51:42,120
Speaker 5: see if y'all can catch these voices. But I literally

957
00:51:42,160 --> 00:51:45,120
Speaker 5: called everybody said, YO, sing something on this for eight

958
00:51:45,120 --> 00:51:48,640
Speaker 5: bars and send it to Marsha Ambrosius. Everybody, they just

959
00:51:48,880 --> 00:51:50,600
Speaker 5: give me eight bars. And I put all that shit

960
00:51:50,680 --> 00:51:53,160
Speaker 5: in and just and just made it at the end.

961
00:51:53,320 --> 00:51:55,239
Speaker 5: So it was tight. It was tight.

962
00:51:55,680 --> 00:51:56,600
Speaker 1: It's crazy.

963
00:51:56,920 --> 00:52:01,040
Speaker 6: Yeah, So y'all relationship, wasn't it right? Because that's how

964
00:52:01,880 --> 00:52:05,120
Speaker 6: ultimately I had a chance to really kick it with him.

965
00:52:05,120 --> 00:52:06,439
Speaker 1: One day was at.

966
00:52:08,080 --> 00:52:15,080
Speaker 6: When y'all were shooting the show Tenna Davis and.

967
00:52:13,680 --> 00:52:15,560
Speaker 1: Him and I just ended up in the green room.

968
00:52:15,600 --> 00:52:18,480
Speaker 6: When we came to makeshift green room and meaning vegan

969
00:52:18,520 --> 00:52:22,640
Speaker 6: food talking about like literally in there. It was me

970
00:52:23,600 --> 00:52:27,200
Speaker 6: because Tank was swilming at the time, but me, I

971
00:52:27,239 --> 00:52:28,520
Speaker 6: mean me Nipp and poop.

972
00:52:28,320 --> 00:52:31,920
Speaker 1: Beer in that room. And what's the white kid that

973
00:52:31,960 --> 00:52:32,760
Speaker 1: worked for Nip.

974
00:52:34,880 --> 00:52:37,839
Speaker 6: N Marython John And he was in the room with us,

975
00:52:37,880 --> 00:52:45,640
Speaker 6: and we just man, we start talking about touring agencies, books,

976
00:52:45,719 --> 00:52:46,480
Speaker 6: vegan foods.

977
00:52:46,680 --> 00:52:48,520
Speaker 1: We just and got her and I had it.

978
00:52:48,600 --> 00:52:51,799
Speaker 6: I had a chance to really like get some real

979
00:52:51,840 --> 00:52:55,439
Speaker 6: insights to his thought process and what he was on.

980
00:52:56,239 --> 00:52:58,880
Speaker 6: And I told her, and I'm glad I had that

981
00:52:59,040 --> 00:53:01,680
Speaker 6: chance to tell him how much I respected what he

982
00:53:01,760 --> 00:53:07,279
Speaker 6: was doing. And your facility gave that.

983
00:53:08,400 --> 00:53:09,239
Speaker 1: Yeah, we do that.

984
00:53:09,360 --> 00:53:13,040
Speaker 5: Yeah, it was always inspiring each other man, just you know,

985
00:53:13,200 --> 00:53:14,160
Speaker 5: just being from that area.

986
00:53:14,480 --> 00:53:14,719
Speaker 1: Yeah.

987
00:53:15,840 --> 00:53:19,200
Speaker 5: But one of the smartest niggas ever ever, bro, when

988
00:53:19,239 --> 00:53:21,640
Speaker 5: it comes to just understanding I mean shot out to

989
00:53:21,760 --> 00:53:23,480
Speaker 5: the homie Big Bob too. He was one of the

990
00:53:23,480 --> 00:53:27,840
Speaker 5: people that like coaching us on understanding the branding laws

991
00:53:27,840 --> 00:53:30,880
Speaker 5: and human behavior and that kind of when he got

992
00:53:30,560 --> 00:53:34,040
Speaker 5: a hold of that can change Nipsey's whole mind.

993
00:53:34,080 --> 00:53:34,279
Speaker 1: Bro.

994
00:53:34,520 --> 00:53:38,480
Speaker 5: Literally, when literally, I mean from just understanding the brand. Like,

995
00:53:38,960 --> 00:53:41,239
Speaker 5: I think every artist needs to know the brand laws.

996
00:53:41,280 --> 00:53:43,160
Speaker 5: I don't even work with artists unless they know like

997
00:53:43,200 --> 00:53:44,840
Speaker 5: ten things I know, and the brand and laws is

998
00:53:44,880 --> 00:53:47,399
Speaker 5: one of them. I can't even fuck with nobody because

999
00:53:47,400 --> 00:53:51,000
Speaker 5: you got to know who you are. It's like every

1000
00:53:51,080 --> 00:53:53,960
Speaker 5: one of the laws is every uh, every new brand

1001
00:53:54,040 --> 00:53:55,759
Speaker 5: must own one word and the hearts and the mind

1002
00:53:55,840 --> 00:53:56,440
Speaker 5: the consumer.

1003
00:53:56,760 --> 00:53:56,960
Speaker 1: Right.

1004
00:53:57,160 --> 00:54:00,200
Speaker 5: So if you're an artist, that's your name, but then

1005
00:54:00,320 --> 00:54:02,560
Speaker 5: under it there's called a brand promise. The brand promise

1006
00:54:02,680 --> 00:54:04,560
Speaker 5: is why do we give a fucking what are you

1007
00:54:04,560 --> 00:54:07,160
Speaker 5: gonna do for us? Right? So, if you say FedEx,

1008
00:54:07,760 --> 00:54:11,040
Speaker 5: their brand promise is overnight. So what's yours? If you're

1009
00:54:11,040 --> 00:54:14,440
Speaker 5: a business. If you're like labels, though they self promote,

1010
00:54:14,440 --> 00:54:16,920
Speaker 5: you're not supposed to self promote and only promote when

1011
00:54:16,920 --> 00:54:19,960
Speaker 5: the average when the when the brand is already healthy

1012
00:54:20,000 --> 00:54:22,919
Speaker 5: after ten years, never supposed to sell advertised. It's called

1013
00:54:22,960 --> 00:54:25,680
Speaker 5: favorable publicity. Publicity is how do you get other niggas

1014
00:54:25,680 --> 00:54:27,600
Speaker 5: to talk about how tight you are? So I'll really

1015
00:54:27,640 --> 00:54:30,080
Speaker 5: take one hundred thousand dollar marketing budget, give everybody a hundred,

1016
00:54:30,200 --> 00:54:32,120
Speaker 5: Like to everybody, I'm tight. If you're just not that tight,

1017
00:54:33,280 --> 00:54:38,440
Speaker 5: you know, like that's just no swag. But you know,

1018
00:54:38,760 --> 00:54:40,120
Speaker 5: God gives everybody swag.

1019
00:54:40,640 --> 00:54:42,120
Speaker 1: You just got to find everybody.

1020
00:54:43,560 --> 00:54:45,920
Speaker 5: But that's like, you know, it's just a different ways

1021
00:54:45,920 --> 00:54:48,160
Speaker 5: of just understanding humans how to get them to.

1022
00:54:49,239 --> 00:54:56,080
Speaker 3: Well because because there are only there are only a

1023
00:54:56,080 --> 00:55:02,080
Speaker 3: few leaders rest of followers, and not in a bad way,

1024
00:55:02,120 --> 00:55:05,439
Speaker 3: because we all have a role to play in the ecosystem, right,

1025
00:55:05,680 --> 00:55:09,160
Speaker 3: so we're in the circle. We all need each other, right.

1026
00:55:10,719 --> 00:55:16,120
Speaker 3: But the way you're articulating it is that in order

1027
00:55:16,200 --> 00:55:19,840
Speaker 3: to get the mass attention, there is a formula.

1028
00:55:22,239 --> 00:55:24,640
Speaker 1: There's a formula for the mob that.

1029
00:55:24,600 --> 00:55:29,040
Speaker 5: Works every time. For messaging for the world, there's the

1030
00:55:29,080 --> 00:55:31,480
Speaker 5: message you have to put out through people through God,

1031
00:55:32,160 --> 00:55:34,880
Speaker 5: we know the secrets, but you can't abuse it. You

1032
00:55:34,920 --> 00:55:36,040
Speaker 5: can't abuse it though.

1033
00:55:36,280 --> 00:55:38,239
Speaker 1: Like viral is the conversation.

1034
00:55:38,800 --> 00:55:40,520
Speaker 3: Yeah, oh it's viral.

1035
00:55:40,680 --> 00:55:45,360
Speaker 6: Yeah, that's why we we you know, we really wanted

1036
00:55:45,400 --> 00:55:47,840
Speaker 6: you on the show though, to give his tanks to

1037
00:55:47,920 --> 00:55:51,960
Speaker 6: this earlier you you were able to give the information

1038
00:55:52,200 --> 00:55:53,800
Speaker 6: but break it down in the layman terms.

1039
00:55:53,920 --> 00:55:55,160
Speaker 1: Yeah, you know what I mean.

1040
00:55:55,320 --> 00:55:58,719
Speaker 6: Like, you know, you you make it digestible for everyone, right,

1041
00:55:58,960 --> 00:55:59,960
Speaker 6: and that is a gift in it.

1042
00:56:00,160 --> 00:56:03,760
Speaker 1: So I think that a lot of people, they.

1043
00:56:03,640 --> 00:56:06,480
Speaker 6: Like you said, even if they can teach it, they

1044
00:56:06,520 --> 00:56:10,440
Speaker 6: still teach it in a certain way that the average

1045
00:56:10,480 --> 00:56:14,480
Speaker 6: person who really needs it, they don't really know how

1046
00:56:14,480 --> 00:56:14,960
Speaker 6: to take it.

1047
00:56:15,000 --> 00:56:19,239
Speaker 1: They're like, that's not weird, right, you know what I mean. Really,

1048
00:56:19,239 --> 00:56:23,160
Speaker 1: they're just saying, could you explain it? But you know,

1049
00:56:23,560 --> 00:56:26,440
Speaker 1: because especially where we all come from, we've all been.

1050
00:56:26,280 --> 00:56:30,920
Speaker 6: Through those public schools and understanding are not understanding something

1051
00:56:30,960 --> 00:56:32,759
Speaker 6: And the kid that's sitting right next to you, he

1052
00:56:32,800 --> 00:56:35,840
Speaker 6: don't want to say nothing, but he not learning anything

1053
00:56:36,280 --> 00:56:39,000
Speaker 6: because it's not being properly teached to him.

1054
00:56:39,120 --> 00:56:39,719
Speaker 1: For him.

1055
00:56:40,760 --> 00:56:44,160
Speaker 5: What our culture needs to know that it's the words

1056
00:56:44,239 --> 00:56:46,799
Speaker 5: that you say that will change the trajectory of your

1057
00:56:46,880 --> 00:56:50,120
Speaker 5: life and the conversation you have with people. Bro Like,

1058
00:56:50,239 --> 00:56:53,839
Speaker 5: it's so important to understand certain words, Like you can

1059
00:56:53,840 --> 00:56:57,640
Speaker 5: go up to somebody and be like, uh, yeah, so

1060
00:56:57,760 --> 00:56:59,640
Speaker 5: they can be talking about their business. You say, Yo,

1061
00:56:59,680 --> 00:57:02,319
Speaker 5: what's so? What's your four on nine A? By you

1062
00:57:02,360 --> 00:57:04,799
Speaker 5: knowing what the fuck of four O nine age? Y'all

1063
00:57:04,840 --> 00:57:07,920
Speaker 5: look it up? That's just what's your evaluation for your

1064
00:57:07,920 --> 00:57:11,640
Speaker 5: company a working value? Other than saying how much your

1065
00:57:11,640 --> 00:57:14,920
Speaker 5: company worth? Nigga, what's your four on nine A?

1066
00:57:15,000 --> 00:57:15,200
Speaker 1: Right?

1067
00:57:15,520 --> 00:57:18,959
Speaker 5: This is the literalest these two small things. Like people

1068
00:57:19,320 --> 00:57:22,960
Speaker 5: different like that, go up and ask somebody what are you?

1069
00:57:23,200 --> 00:57:25,200
Speaker 5: What do you what are you most excited about? What

1070
00:57:25,240 --> 00:57:27,120
Speaker 5: are your superpower that you're going to give to the world?

1071
00:57:27,160 --> 00:57:29,880
Speaker 5: Throw niggas off to make them know that you're different, Like,

1072
00:57:29,960 --> 00:57:31,880
Speaker 5: don't just say what's what you've been up to? You

1073
00:57:32,040 --> 00:57:34,880
Speaker 5: just working? That's the most low vibration, broke, nigga talk

1074
00:57:34,960 --> 00:57:41,160
Speaker 5: about working on well, I hate that ship. Please don't

1075
00:57:41,200 --> 00:57:43,320
Speaker 5: say you're just working around me giving your biggest intention.

1076
00:57:43,360 --> 00:57:46,200
Speaker 5: Give me your biggest goal that ain't happening yet, so

1077
00:57:46,240 --> 00:57:49,880
Speaker 5: I can try to help and I know what your

1078
00:57:49,920 --> 00:57:58,000
Speaker 5: intention is yeah, looking unless you went to and it's

1079
00:57:58,040 --> 00:57:58,480
Speaker 5: still early.

1080
00:57:59,200 --> 00:58:04,520
Speaker 3: It's still the Snoop Gin the Doctor and Snoop the

1081
00:58:04,560 --> 00:58:05,720
Speaker 3: Go courtesy of the.

1082
00:58:05,720 --> 00:58:10,000
Speaker 5: Dog Father the dog that's big bro Man. Yeah, Snoop

1083
00:58:10,040 --> 00:58:15,200
Speaker 5: dogg MANH I love Snoop. I don't nobody say he

1084
00:58:15,320 --> 00:58:20,680
Speaker 5: has nobody Wrongop. He has changed my life. Thank you, Snoop.

1085
00:58:21,560 --> 00:58:24,840
Speaker 5: There're the opportunities and the people he's had me around,

1086
00:58:24,840 --> 00:58:28,840
Speaker 5: from just kings and queens, the presidents, to all type

1087
00:58:28,880 --> 00:58:32,040
Speaker 5: of just the hood, different cultures all around the world,

1088
00:58:32,120 --> 00:58:33,640
Speaker 5: just to be able to experience life.

1089
00:58:33,840 --> 00:58:36,160
Speaker 1: How long did you tours I've been.

1090
00:58:36,200 --> 00:58:41,600
Speaker 5: I've been on. I'm forty right now, birthdays February first too.

1091
00:58:42,040 --> 00:58:46,560
Speaker 5: But it's maybe George Sloops maybe like twenty years, twenty two,

1092
00:58:46,720 --> 00:58:49,320
Speaker 5: twenty two years, like on and off, you know, like

1093
00:58:49,360 --> 00:58:50,680
Speaker 5: it had to come to a point where I was

1094
00:58:51,240 --> 00:58:53,920
Speaker 5: on tour so much to where like I had the

1095
00:58:53,960 --> 00:58:57,640
Speaker 5: opportunity to get our studio in Inglewood. Shout to Mahmie Cave.

1096
00:58:57,840 --> 00:59:00,640
Speaker 5: He gave us, gave us us a studio in Inglewood

1097
00:59:00,680 --> 00:59:03,800
Speaker 5: right on sentienta right in the middle of the hood

1098
00:59:04,400 --> 00:59:06,800
Speaker 5: that was black.

1099
00:59:07,880 --> 00:59:08,160
Speaker 1: About.

1100
00:59:08,320 --> 00:59:11,880
Speaker 5: So he I seen him and Homie dre outside and

1101
00:59:11,920 --> 00:59:15,520
Speaker 5: they moving out, ball and all blue. I'm like, hold on, y'all.

1102
00:59:15,520 --> 00:59:20,800
Speaker 5: First of y'all Ingle would go inside, but what y'all done,

1103
00:59:21,160 --> 00:59:23,000
Speaker 5: We're about to move out. I'm like, hold on. I

1104
00:59:23,040 --> 00:59:25,000
Speaker 5: went to the house like Pops, give me some money.

1105
00:59:25,240 --> 00:59:27,920
Speaker 5: I'm about I'm giving give it up out of here.

1106
00:59:28,040 --> 00:59:30,920
Speaker 5: I need the studio. That's our family studio. Mom's sister

1107
00:59:31,280 --> 00:59:34,720
Speaker 5: painted that. Literally, this came our family studio and we

1108
00:59:34,800 --> 00:59:37,640
Speaker 5: call Lebrin Larry Brenda that's my mom and dad name.

1109
00:59:38,120 --> 00:59:42,480
Speaker 5: And from there that's where that's I mean, YG had.

1110
00:59:42,520 --> 00:59:44,840
Speaker 5: That's where Yg and Nipsey met bro. I tricked both

1111
00:59:44,880 --> 00:59:48,440
Speaker 5: of them to literally to come to the studio because

1112
00:59:48,760 --> 00:59:51,040
Speaker 5: you know, nifty knew about why, you know, but I

1113
00:59:51,040 --> 00:59:53,080
Speaker 5: had to literally come to my studio and not tell

1114
00:59:53,120 --> 00:59:54,640
Speaker 5: them that they were going to be there. And they

1115
00:59:54,680 --> 00:59:57,160
Speaker 5: end up doing a song together that my nephew produced,

1116
00:59:57,440 --> 01:00:00,840
Speaker 5: you know what I mean. So that Terrace had a

1117
01:00:00,880 --> 01:00:03,919
Speaker 5: studio there that was literally like the hood spot where

1118
01:00:03,920 --> 01:00:06,880
Speaker 5: we where we really got the culture. Sometimes if you

1119
01:00:07,080 --> 01:00:09,800
Speaker 5: too far out in the mountains and the value and

1120
01:00:09,960 --> 01:00:12,040
Speaker 5: you don't get to breathe culture and hear the words

1121
01:00:12,080 --> 01:00:15,000
Speaker 5: that these you know everyone's saying, and you know we

1122
01:00:15,080 --> 01:00:19,480
Speaker 5: get our hits from conversations from normal people. You know

1123
01:00:19,520 --> 01:00:22,080
Speaker 5: what I mean? You just think a melody to it.

1124
01:00:22,160 --> 01:00:22,560
Speaker 1: That's it.

1125
01:00:23,280 --> 01:00:26,840
Speaker 3: What do you where do you get your most fulfillment?

1126
01:00:26,920 --> 01:00:30,720
Speaker 3: Would it be? Would it be as a musician or

1127
01:00:31,440 --> 01:00:33,640
Speaker 3: as a producer and a songwriter.

1128
01:00:38,040 --> 01:00:49,080
Speaker 5: As a teacher now more, I'm more into songwriting now.

1129
01:00:50,280 --> 01:00:56,520
Speaker 5: I mean that's autopilot, like like I don't that's just

1130
01:00:57,600 --> 01:01:00,520
Speaker 5: that's just autopilot. But the thing is on think about

1131
01:01:00,760 --> 01:01:03,440
Speaker 5: being a musician. You have to deal standing in lines,

1132
01:01:03,520 --> 01:01:04,640
Speaker 5: you have to do with luggage, you have to deal

1133
01:01:04,680 --> 01:01:05,440
Speaker 5: with travel.

1134
01:01:06,040 --> 01:01:11,520
Speaker 3: Skip all that you can't no, Yeah, but what happens

1135
01:01:11,680 --> 01:01:16,160
Speaker 3: is that, like all the things that you go through,

1136
01:01:17,080 --> 01:01:19,400
Speaker 3: once you get to that stage, you do it okay

1137
01:01:19,920 --> 01:01:23,560
Speaker 3: in front of ten thousand and fifteen thousand.

1138
01:01:23,720 --> 01:01:25,520
Speaker 5: If I don't have to count all that other shit,

1139
01:01:25,560 --> 01:01:29,200
Speaker 5: I don't want to do. Yes, and it will be

1140
01:01:29,240 --> 01:01:32,800
Speaker 5: playing on stage because that's literally it's a certain feeling

1141
01:01:32,840 --> 01:01:35,320
Speaker 5: you get. We're like, bro, we didn't been on stage

1142
01:01:35,320 --> 01:01:37,840
Speaker 5: for like fifty thousand people, and I'll just play like

1143
01:01:38,120 --> 01:01:42,200
Speaker 5: two notes just to fuck with them. So it's like understanding,

1144
01:01:42,240 --> 01:01:45,919
Speaker 5: like what notes what sounds, what emotions make them feel

1145
01:01:45,960 --> 01:01:47,960
Speaker 5: a certain way, and you can just fuck with them

1146
01:01:48,000 --> 01:01:49,840
Speaker 5: and then take it right back to the studio because

1147
01:01:49,840 --> 01:01:53,440
Speaker 5: you understand what already worked. It's like kind of reversing.

1148
01:01:53,680 --> 01:01:57,400
Speaker 5: You're doing it reversed versus what works. So it's like

1149
01:01:57,640 --> 01:02:00,160
Speaker 5: I'm telling you that it's too many words because the

1150
01:02:00,200 --> 01:02:04,800
Speaker 5: crowd can't sing them anywords. They can only SINGO legato.

1151
01:02:05,240 --> 01:02:10,560
Speaker 5: And if you don't UNDERSTANDO, you can't do D D D.

1152
01:02:10,680 --> 01:02:13,520
Speaker 5: We're gonna wait for the who you know what I mean.

1153
01:02:13,560 --> 01:02:16,720
Speaker 5: So it's like understanding that it takes you to a

1154
01:02:16,720 --> 01:02:17,880
Speaker 5: whole another level in life.

1155
01:02:18,120 --> 01:02:19,439
Speaker 1: Do you have a favorite show?

1156
01:02:20,760 --> 01:02:23,360
Speaker 6: Because I know you've been on so many stage but

1157
01:02:23,600 --> 01:02:26,520
Speaker 6: do you have like one show that stands out?

1158
01:02:26,600 --> 01:02:29,280
Speaker 1: Like bro, we was in glassgowlf we.

1159
01:02:29,840 --> 01:02:38,120
Speaker 5: Did Glasgow, I thought, I mean, I like Live eight

1160
01:02:38,280 --> 01:02:39,960
Speaker 5: was like that was like the biggest show you could

1161
01:02:39,960 --> 01:02:42,439
Speaker 5: ever do with that many So Live eight was fun

1162
01:02:42,680 --> 01:02:43,120
Speaker 5: and like.

1163
01:02:43,080 --> 01:02:44,160
Speaker 1: How many people out there?

1164
01:02:44,360 --> 01:02:48,520
Speaker 5: Like it was like one hundred thousand people. They look

1165
01:02:48,600 --> 01:02:51,720
Speaker 5: like ants, everybody we like ants. But it was so

1166
01:02:51,800 --> 01:02:54,480
Speaker 5: much fun that and then I have fun doing our

1167
01:02:54,520 --> 01:02:57,440
Speaker 5: Beyonce show in Dubai. That was like, oh, you do

1168
01:02:57,640 --> 01:02:58,040
Speaker 5: that show.

1169
01:02:58,880 --> 01:03:01,520
Speaker 1: Yeah, I didn't you did that show. I've only heard

1170
01:03:01,520 --> 01:03:02,080
Speaker 1: of that show.

1171
01:03:02,240 --> 01:03:05,680
Speaker 5: Oh yeah, our band is the band we know that.

1172
01:03:05,920 --> 01:03:11,920
Speaker 1: The most expensive band. Who you are, the most expensive

1173
01:03:12,000 --> 01:03:16,840
Speaker 1: in the world. That's called fifteen hundred. I got fifteen hundred.

1174
01:03:18,920 --> 01:03:19,440
Speaker 5: You sadly?

1175
01:03:21,440 --> 01:03:22,680
Speaker 1: Yeah, you gotta tell us about that.

1176
01:03:23,320 --> 01:03:28,600
Speaker 5: Yeah, it was an amazing experts.

1177
01:03:28,600 --> 01:03:31,320
Speaker 6: I'm sure it was set out amazingly for the whole

1178
01:03:31,800 --> 01:03:33,960
Speaker 6: like just even where y'all stayed everything, I hope, I

1179
01:03:34,000 --> 01:03:34,400
Speaker 6: know it was.

1180
01:03:34,960 --> 01:03:35,080
Speaker 1: Well.

1181
01:03:35,120 --> 01:03:38,800
Speaker 5: The cool the cool thing is with Beyonce. First of all,

1182
01:03:38,840 --> 01:03:42,720
Speaker 5: she's just amazing everyone, her team is great and there's

1183
01:03:42,840 --> 01:03:45,520
Speaker 5: just all love. When I got the call from Guru

1184
01:03:45,840 --> 01:03:48,600
Speaker 5: and I put them on the phone, it was pretty

1185
01:03:48,600 --> 01:03:51,400
Speaker 5: fucking crazy. She was just explaining to me that, you know,

1186
01:03:51,960 --> 01:03:54,600
Speaker 5: going to Dubai and in a short amount of time,

1187
01:03:54,680 --> 01:03:56,959
Speaker 5: but we need this and a string section of horn section,

1188
01:03:57,080 --> 01:03:59,960
Speaker 5: all this type of stuff. So I feel like most

1189
01:04:00,200 --> 01:04:03,480
Speaker 5: musical directors, it's just one person that just wants to

1190
01:04:03,520 --> 01:04:05,520
Speaker 5: get to all the you know, it's just just one person.

1191
01:04:05,560 --> 01:04:08,240
Speaker 5: But I felt like for Beyonce, she needs like three

1192
01:04:08,280 --> 01:04:11,760
Speaker 5: musical directors. So what I did was at our first rehearsal,

1193
01:04:12,240 --> 01:04:16,320
Speaker 5: I took Damo, Who's the coldest Nigga alive? And Kyrie

1194
01:04:16,640 --> 01:04:18,480
Speaker 5: was also he actually worked on a box for me

1195
01:04:18,520 --> 01:04:22,160
Speaker 5: too all the go around. And I said, hey, we're

1196
01:04:22,160 --> 01:04:25,960
Speaker 5: your musical directors, and I'm telling you this because you

1197
01:04:26,040 --> 01:04:28,959
Speaker 5: need if you have if you have a request, it'll

1198
01:04:29,000 --> 01:04:31,880
Speaker 5: get done in two minutes. While literally two minutes. So

1199
01:04:31,920 --> 01:04:34,160
Speaker 5: then somebody walking over there is telling us, like with

1200
01:04:34,280 --> 01:04:36,680
Speaker 5: the way fifteen hundred is structured, we don't like to

1201
01:04:36,720 --> 01:04:40,560
Speaker 5: rehearsal forever. So the way our structure is, we really

1202
01:04:40,640 --> 01:04:42,640
Speaker 5: know how to get shit done if we need to

1203
01:04:42,720 --> 01:04:45,439
Speaker 5: change something, pro to us, why we got somebody changing something?

1204
01:04:45,560 --> 01:04:48,200
Speaker 5: As soon as she said, Kyrie's teaching a band, and

1205
01:04:48,240 --> 01:04:50,560
Speaker 5: we learned like literally calling out the numbers and in

1206
01:04:50,600 --> 01:04:52,120
Speaker 5: the parts. A by the time she ready rehearsed in

1207
01:04:52,120 --> 01:04:55,000
Speaker 5: two minutes, we we got it, you know what I mean.

1208
01:04:55,040 --> 01:04:58,320
Speaker 5: So that's that's that was something self selfish move that

1209
01:04:58,360 --> 01:05:01,240
Speaker 5: I wanted to do to act to just give you know,

1210
01:05:01,640 --> 01:05:03,440
Speaker 5: like Kyrie has been the one he just did the

1211
01:05:03,480 --> 01:05:06,560
Speaker 5: halftime show. He got like our band is they did

1212
01:05:06,600 --> 01:05:09,080
Speaker 5: the you know they're they're lit, you know, But I

1213
01:05:09,680 --> 01:05:13,480
Speaker 5: just a blessing. I could be a vessel, you know,

1214
01:05:13,600 --> 01:05:16,040
Speaker 5: company of Guru and the Rock and Jay and everybody

1215
01:05:16,040 --> 01:05:18,640
Speaker 5: looking out because that came from j JA. We did

1216
01:05:18,720 --> 01:05:20,680
Speaker 5: four four forward tour, right, you know what I mean.

1217
01:05:20,800 --> 01:05:24,000
Speaker 5: So that was you know, if you do good work,

1218
01:05:24,040 --> 01:05:27,720
Speaker 5: people talk and if you could close, you keep getting more.

1219
01:05:27,800 --> 01:05:29,959
Speaker 5: You'll keep getting the opportunity. Yeah for real.

1220
01:05:30,720 --> 01:05:32,680
Speaker 1: Yeah, that band, that that band is different.

1221
01:05:32,840 --> 01:05:33,920
Speaker 5: Yeah, it's funny.

1222
01:05:34,160 --> 01:05:35,640
Speaker 1: Been on some amazing stages, bro.

1223
01:05:35,800 --> 01:05:36,640
Speaker 5: Yeah, it's a blessing.

1224
01:05:36,760 --> 01:05:37,040
Speaker 1: I was.

1225
01:05:37,360 --> 01:05:40,520
Speaker 3: I was on tour when I did the Genuine Overseas

1226
01:05:40,560 --> 01:05:44,080
Speaker 3: Tour ninety eight. I was like, I'm playing keys and singing.

1227
01:05:44,160 --> 01:05:46,960
Speaker 3: He the Consolidate. I was like, I was like, well,

1228
01:05:47,000 --> 01:05:49,360
Speaker 3: I'll just put the keys for you. He's like he's like,

1229
01:05:49,400 --> 01:05:50,000
Speaker 3: all right, cool.

1230
01:05:50,400 --> 01:05:51,000
Speaker 5: See.

1231
01:05:51,440 --> 01:05:53,480
Speaker 3: Brought my drummer from one of my drummer guys in

1232
01:05:53,600 --> 01:05:58,440
Speaker 3: Bucky played for Backyard out of DC. My guy uh

1233
01:05:58,320 --> 01:06:00,200
Speaker 3: uh stays to face. I think they stays. The bas

1234
01:06:00,320 --> 01:06:03,200
Speaker 3: was on bass. I got Brandon Brodnax and Big Bob

1235
01:06:03,280 --> 01:06:07,200
Speaker 3: Terry and guitar and and.

1236
01:06:07,280 --> 01:06:13,920
Speaker 1: You talk about a time like it was. I was sad.

1237
01:06:15,280 --> 01:06:19,000
Speaker 3: To go to stop being on the road being a musician, singer.

1238
01:06:20,080 --> 01:06:21,840
Speaker 3: This nigga tank didn't want quick You talk about that

1239
01:06:21,880 --> 01:06:24,080
Speaker 3: all the time. I was sad he didn't want to

1240
01:06:24,120 --> 01:06:26,840
Speaker 3: become tank. I was having fun.

1241
01:06:29,640 --> 01:06:31,480
Speaker 5: It's fun, bro, Like that stage.

1242
01:06:31,560 --> 01:06:35,720
Speaker 3: That Lamin, it was doing so much work that all

1243
01:06:35,840 --> 01:06:40,400
Speaker 3: access lambing. It was having so many conversations that I

1244
01:06:40,440 --> 01:06:46,800
Speaker 3: didn't need to have in Germany, Man.

1245
01:06:45,840 --> 01:06:54,040
Speaker 1: Lamb In, it was like he just starting got cities

1246
01:06:54,040 --> 01:06:55,400
Speaker 1: over there. That's just show this spot.

1247
01:06:55,640 --> 01:06:55,800
Speaker 2: Bro.

1248
01:06:56,240 --> 01:06:58,360
Speaker 5: Yeah, Bro, respectfuly. Bro.

1249
01:06:59,360 --> 01:07:00,640
Speaker 3: I didn't even have to I didn't even have to

1250
01:07:00,800 --> 01:07:02,800
Speaker 3: hold It was just it was.

1251
01:07:06,160 --> 01:07:13,480
Speaker 1: You as chain around your name me my god.

1252
01:07:14,120 --> 01:07:17,439
Speaker 3: It's just the time of my life, bro, of being

1253
01:07:17,520 --> 01:07:21,280
Speaker 3: in music. Like I really I really carried a double

1254
01:07:21,320 --> 01:07:25,560
Speaker 3: tears stand, two keyboards, and a pvy amp like in

1255
01:07:25,640 --> 01:07:29,200
Speaker 3: one take. That was That's that was my life. Like,

1256
01:07:29,480 --> 01:07:33,680
Speaker 3: That's why my love and affinity for musicians is the

1257
01:07:33,720 --> 01:07:36,600
Speaker 3: way it is. That's why I value musicians of value,

1258
01:07:36,640 --> 01:07:40,280
Speaker 3: the dancers of value, the l d A value, my music,

1259
01:07:41,040 --> 01:07:45,520
Speaker 3: my my my soundman. I value them so much because

1260
01:07:45,560 --> 01:07:48,840
Speaker 3: I know what it takes to do that, and I

1261
01:07:48,880 --> 01:07:52,880
Speaker 3: know if one of those things is not cared for properly,

1262
01:07:53,160 --> 01:07:55,600
Speaker 3: if those everything.

1263
01:07:57,120 --> 01:08:00,000
Speaker 6: He really lives by that because just like you said,

1264
01:08:00,080 --> 01:08:03,720
Speaker 6: it earlier. A lot of times the band is disrespected

1265
01:08:04,280 --> 01:08:07,480
Speaker 6: depending on who the artist is, right and depending on

1266
01:08:07,520 --> 01:08:08,760
Speaker 6: who the artist team is.

1267
01:08:08,840 --> 01:08:13,120
Speaker 1: Like for me, I always knew Tank takes care of

1268
01:08:13,160 --> 01:08:14,680
Speaker 1: his band like he takes care of himself.

1269
01:08:15,200 --> 01:08:17,040
Speaker 6: So when people will be trying to like, oh, you

1270
01:08:17,120 --> 01:08:19,120
Speaker 6: got it, this is it, and I'll be like, well,

1271
01:08:19,160 --> 01:08:21,639
Speaker 6: it's probably I'm telling I'm telling promoters, I'm telling different people,

1272
01:08:21,640 --> 01:08:23,040
Speaker 6: I'm like, what's probably not gonna happen.

1273
01:08:23,360 --> 01:08:24,800
Speaker 1: Well, yeah, you know, we got this.

1274
01:08:24,880 --> 01:08:31,200
Speaker 6: I'm like, listen, my artist and partner is a musician himself,

1275
01:08:31,920 --> 01:08:35,599
Speaker 6: so he is not going to just say.

1276
01:08:35,760 --> 01:08:37,680
Speaker 1: We don't need that or we don't need this.

1277
01:08:37,880 --> 01:08:40,320
Speaker 6: I'm going to just use what you got or the

1278
01:08:40,400 --> 01:08:44,679
Speaker 6: local musician in your city. The worst thing you could

1279
01:08:44,720 --> 01:08:49,120
Speaker 6: say when you called me about this man's house band.

1280
01:08:50,840 --> 01:08:57,639
Speaker 1: Listen, bro listen. Promoters around the world an the oral Craig.

1281
01:08:59,479 --> 01:09:06,080
Speaker 6: If you all me and say that word houseband, I

1282
01:09:06,200 --> 01:09:09,880
Speaker 6: guarantee you, no matter how much you offer him, he's

1283
01:09:10,120 --> 01:09:13,000
Speaker 6: not going to do the show.

1284
01:09:13,920 --> 01:09:14,280
Speaker 1: He's not.

1285
01:09:15,000 --> 01:09:17,679
Speaker 6: He's loyal to who he's loyal to, who rocks with him,

1286
01:09:18,960 --> 01:09:21,160
Speaker 6: Like yes, and and you notice as a musician, some

1287
01:09:21,240 --> 01:09:23,599
Speaker 6: things are track shows and some you know, some venues

1288
01:09:23,640 --> 01:09:25,040
Speaker 6: and just for that and I got to get in

1289
01:09:25,040 --> 01:09:28,759
Speaker 6: there and knock this little quick thing out. But house band,

1290
01:09:29,960 --> 01:09:30,759
Speaker 6: he ain't rolling.

1291
01:09:31,080 --> 01:09:32,639
Speaker 1: He is not rolling. Listen.

1292
01:09:32,680 --> 01:09:36,800
Speaker 3: I don't do like and and everybody has their own

1293
01:09:36,840 --> 01:09:39,280
Speaker 3: way of like traveling their crews. You know what I'm saying,

1294
01:09:39,280 --> 01:09:41,880
Speaker 3: whether it be an A crew, B cruise crew or

1295
01:09:42,280 --> 01:09:45,800
Speaker 3: you know, the a's are here and then the bees,

1296
01:09:45,840 --> 01:09:48,120
Speaker 3: we're gonna rap them over here and see is what

1297
01:09:48,200 --> 01:09:48,439
Speaker 3: we know.

1298
01:09:48,720 --> 01:09:50,720
Speaker 1: You know they're gonna that's that's the days.

1299
01:09:50,400 --> 01:09:54,519
Speaker 3: In right, My me and my band and my people.

1300
01:09:55,880 --> 01:10:00,639
Speaker 3: We are in the same place, we eating the same food.

1301
01:10:02,560 --> 01:10:04,680
Speaker 3: After the show is over, y'all want to hit y'all

1302
01:10:04,760 --> 01:10:08,400
Speaker 3: want to go hit something, hit the spot, grasp some foods.

1303
01:10:08,840 --> 01:10:10,960
Speaker 1: I got this, I got this hosting. Hey, I won't come.

1304
01:10:11,360 --> 01:10:11,559
Speaker 1: We go.

1305
01:10:11,680 --> 01:10:14,680
Speaker 3: Let's get enough vehicles because everybody can go man like

1306
01:10:15,400 --> 01:10:20,840
Speaker 3: because as musicians, bro like need each other. Man, we

1307
01:10:20,920 --> 01:10:23,559
Speaker 3: need each other. And you know, and you know how

1308
01:10:23,640 --> 01:10:28,440
Speaker 3: much better I played and sang because I knew genuine

1309
01:10:28,960 --> 01:10:29,719
Speaker 3: had my back.

1310
01:10:32,000 --> 01:10:35,160
Speaker 1: Might take it in. You're gonna give me a silk

1311
01:10:35,200 --> 01:10:39,760
Speaker 1: shirt too. He was gonna send a few letters my way.

1312
01:10:40,000 --> 01:10:43,280
Speaker 6: Listen, as Terry said what he said in that same seat,

1313
01:10:43,560 --> 01:10:44,720
Speaker 6: you can't forget about the cats.

1314
01:10:44,800 --> 01:10:47,520
Speaker 3: Can't forget about the cats.

1315
01:10:48,320 --> 01:10:49,320
Speaker 1: They can't forget about the cat.

1316
01:10:49,439 --> 01:10:51,120
Speaker 3: You guys are the ultimate cats.

1317
01:10:53,000 --> 01:10:56,200
Speaker 5: Look, I understand we learned. We was watching y'all bro

1318
01:10:56,680 --> 01:10:59,120
Speaker 5: the Underdog days. We was at Tyree Studio.

1319
01:10:59,600 --> 01:11:05,160
Speaker 3: That's what I wanted to get, Like, who is them niggas?

1320
01:11:05,760 --> 01:11:09,040
Speaker 5: Bro Tyres At that time he had everybody he could

1321
01:11:09,080 --> 01:11:10,000
Speaker 5: have signed us off for.

1322
01:11:10,680 --> 01:11:16,000
Speaker 3: He had no idea, I mean don't. I don't think

1323
01:11:16,080 --> 01:11:20,400
Speaker 3: anybody had. I don't think anybody had. I won't. I won't.

1324
01:11:20,439 --> 01:11:22,800
Speaker 1: I won't blame him the Ivy ivy.

1325
01:11:24,080 --> 01:11:31,759
Speaker 3: Because because to see what you guys have become, that's different.

1326
01:11:32,200 --> 01:11:37,200
Speaker 3: No one could have forecasted that your talent absolutely undeniable, but.

1327
01:11:37,240 --> 01:11:40,559
Speaker 1: Just the business business what you guys has built. Though.

1328
01:11:42,280 --> 01:11:45,120
Speaker 3: I would have never thought that I would. I would

1329
01:11:45,120 --> 01:11:47,360
Speaker 3: have never thought, not that you couldn't do it. I

1330
01:11:47,439 --> 01:11:50,519
Speaker 3: just didn't. I didn't see that, you know what I'm saying.

1331
01:11:50,560 --> 01:11:52,880
Speaker 3: I saw some niggas. It was like me, some hood

1332
01:11:53,240 --> 01:11:57,880
Speaker 3: musicians wain't working around, but do this music on another left,

1333
01:11:58,120 --> 01:12:00,120
Speaker 3: I saw that I was like man niggas cold man

1334
01:12:00,280 --> 01:12:01,840
Speaker 3: I rock with you. I like them niggas, but now

1335
01:12:01,880 --> 01:12:04,559
Speaker 3: you niggas some local type shop.

1336
01:12:04,840 --> 01:12:07,920
Speaker 6: I feel like though, and I was I was gonna

1337
01:12:07,920 --> 01:12:10,120
Speaker 6: say maybe in his defense, but not even in his defense.

1338
01:12:10,560 --> 01:12:13,360
Speaker 6: I feel like a Tyresee is just always wanted to

1339
01:12:13,360 --> 01:12:13,960
Speaker 6: be a vessel.

1340
01:12:14,920 --> 01:12:16,760
Speaker 1: He I don't think he really, I don't think.

1341
01:12:16,680 --> 01:12:18,120
Speaker 3: He wasn't looking too whole.

1342
01:12:20,920 --> 01:12:22,360
Speaker 5: He was just opening his door.

1343
01:12:24,240 --> 01:12:27,360
Speaker 6: I messed so many talented people through Tyree's you know

1344
01:12:27,360 --> 01:12:27,800
Speaker 6: what I'm saying.

1345
01:12:27,840 --> 01:12:30,200
Speaker 1: Like I said that the ivys broy had.

1346
01:12:33,720 --> 01:12:39,200
Speaker 5: Everybody, all of them sell like people that you cause.

1347
01:12:39,000 --> 01:12:41,439
Speaker 6: You you go to Tyree's house and just meet somebody.

1348
01:12:41,520 --> 01:12:44,200
Speaker 6: Somebody's just there. That's very fucking talented.

1349
01:12:44,280 --> 01:12:47,840
Speaker 5: James was Tyree's engineer. Do y'all that part I did?

1350
01:12:48,040 --> 01:12:49,400
Speaker 1: I didn't know he was.

1351
01:12:49,080 --> 01:12:53,519
Speaker 5: James engineer for Tyree nigga. That's why James so cold? Wow?

1352
01:12:54,439 --> 01:12:56,920
Speaker 1: What I didn't know?

1353
01:12:56,960 --> 01:12:59,360
Speaker 5: He was his engineer downstairs, he was engineering for Tyres.

1354
01:12:59,479 --> 01:13:00,920
Speaker 1: James engine James different.

1355
01:13:01,040 --> 01:13:02,759
Speaker 5: You just try to get that bread.

1356
01:13:03,680 --> 01:13:04,280
Speaker 1: I remember.

1357
01:13:04,479 --> 01:13:09,360
Speaker 3: I remember right when I left the Underdogs, it was

1358
01:13:09,400 --> 01:13:14,840
Speaker 3: like I met James and it was like because a

1359
01:13:14,880 --> 01:13:17,000
Speaker 3: few of us had had shook. So it's just like, Okay, well,

1360
01:13:17,040 --> 01:13:18,720
Speaker 3: I mean, you know, I guess they'll figure it out there.

1361
01:13:18,760 --> 01:13:22,680
Speaker 3: They always do. And we heard James is there. It

1362
01:13:22,800 --> 01:13:25,320
Speaker 3: was like, I guess they're gonna be all right.

1363
01:13:31,640 --> 01:13:35,519
Speaker 1: Stayed up there for about two weeks. He gave him enough.

1364
01:13:35,840 --> 01:13:38,080
Speaker 5: Yeah, he gave He gave him a run.

1365
01:13:38,760 --> 01:13:42,040
Speaker 3: He gave him enough. You're gonna be fine without him.

1366
01:13:44,320 --> 01:13:49,080
Speaker 3: And it was like Damon was so excited about him.

1367
01:13:49,880 --> 01:13:53,880
Speaker 3: I'm talking, he was bouncing off the walls like I

1368
01:13:54,040 --> 01:13:55,920
Speaker 3: tell you when the next scene he got a pitch

1369
01:13:55,960 --> 01:13:57,040
Speaker 3: bend in his throat.

1370
01:13:57,800 --> 01:13:59,200
Speaker 1: This nigga don't even go note the note.

1371
01:13:59,320 --> 01:14:00,519
Speaker 3: He bends the notes.

1372
01:14:00,760 --> 01:14:07,479
Speaker 1: He's like my brother. I remember my brother came at

1373
01:14:07,479 --> 01:14:07,800
Speaker 1: the time.

1374
01:14:07,840 --> 01:14:13,439
Speaker 6: I had a at a studio house and my brother

1375
01:14:13,560 --> 01:14:16,200
Speaker 6: came back to the studio house and he was like.

1376
01:14:18,240 --> 01:14:20,120
Speaker 1: I met one of the coldest niggas ever in life.

1377
01:14:20,640 --> 01:14:23,519
Speaker 6: Damns like in life like nigga, we didn't mess with

1378
01:14:23,600 --> 01:14:31,479
Speaker 6: cold maybe yeah, And he was like, Jay, this nigga,

1379
01:14:32,520 --> 01:14:36,960
Speaker 6: it's he's different, bro. He's like he is bascial bro.

1380
01:14:37,200 --> 01:14:41,160
Speaker 6: He the records, he's writing the like it's just his vibe.

1381
01:14:41,200 --> 01:14:43,120
Speaker 1: He's like, yay, he wanted him one.

1382
01:14:44,479 --> 01:14:46,920
Speaker 5: You just got too much information. You're talking about a

1383
01:14:47,000 --> 01:14:50,479
Speaker 5: nigga that watches every anime, that's read every book on

1384
01:14:50,560 --> 01:14:57,120
Speaker 5: religious psychology and philosophy. That's a ghetto is like me,

1385
01:14:58,040 --> 01:15:01,439
Speaker 5: every it's a cheek he stands. He has a full

1386
01:15:01,479 --> 01:15:06,040
Speaker 5: understanding of the world, so ideology in one whole thing.

1387
01:15:06,160 --> 01:15:09,080
Speaker 5: So yeah, and I also understand how to write songs.

1388
01:15:09,160 --> 01:15:11,920
Speaker 3: He's got a frame or for any He's got a

1389
01:15:12,000 --> 01:15:16,000
Speaker 3: scene or a frame for anything. Yeah, and all in

1390
01:15:16,080 --> 01:15:19,640
Speaker 3: seeing that frame is is makes it so easy to

1391
01:15:19,680 --> 01:15:22,439
Speaker 3: write from. Like I would always if I was writing,

1392
01:15:22,479 --> 01:15:26,000
Speaker 3: I would say, I would say, I need I need

1393
01:15:26,000 --> 01:15:28,080
Speaker 3: a scene. I need a scenario. And once I have,

1394
01:15:28,240 --> 01:15:30,880
Speaker 3: once I lock in on the scene, oh, let me

1395
01:15:30,960 --> 01:15:32,160
Speaker 3: just write it frame by frame.

1396
01:15:32,320 --> 01:15:34,920
Speaker 1: Yeah, got it cool, We're good. Yeah.

1397
01:15:35,000 --> 01:15:37,720
Speaker 3: And that was my cheek code too. That is my

1398
01:15:37,840 --> 01:15:40,599
Speaker 3: cheek code to writing songs. It's like I envisioned the argument.

1399
01:15:41,240 --> 01:15:45,720
Speaker 3: I envision the encounter and envision the meeting, the handshake,

1400
01:15:45,760 --> 01:15:48,960
Speaker 3: the huh. I envision how it happens word for word,

1401
01:15:49,000 --> 01:15:51,280
Speaker 3: and I don't just say what happens. I give you

1402
01:15:51,360 --> 01:15:54,200
Speaker 3: adjectives to give you the feelings within the moment. I

1403
01:15:54,240 --> 01:15:57,200
Speaker 3: give you the smell within the moment. I give you

1404
01:15:57,320 --> 01:15:59,719
Speaker 3: the intent within the moment from both sides, like.

1405
01:15:59,600 --> 01:16:03,720
Speaker 5: It's yeah, that's that's I don't miss that one. Did

1406
01:16:03,720 --> 01:16:06,120
Speaker 5: you get that ship?

1407
01:16:07,439 --> 01:16:12,160
Speaker 3: That's that's writing life, that's turning life into music. Yeah,

1408
01:16:12,520 --> 01:16:15,280
Speaker 3: And as long as you can do that, because there

1409
01:16:15,120 --> 01:16:17,479
Speaker 3: are at least I always say, there are at least

1410
01:16:17,479 --> 01:16:19,560
Speaker 3: a million people that feel how you feel.

1411
01:16:21,200 --> 01:16:21,240
Speaker 1: It.

1412
01:16:21,240 --> 01:16:23,880
Speaker 3: That's really all you need. If you get ten percent

1413
01:16:23,880 --> 01:16:28,599
Speaker 3: of that, say five, right, So that's real talk, damn.

1414
01:16:28,760 --> 01:16:32,719
Speaker 3: And it's fine. It's finding your customer, it's finding your people.

1415
01:16:32,720 --> 01:16:36,719
Speaker 1: It's fine. It's like the guy who has the specialty store.

1416
01:16:37,200 --> 01:16:37,559
Speaker 1: Mm hmm.

1417
01:16:38,000 --> 01:16:42,400
Speaker 6: Yeah that eventually other people tell other people about.

1418
01:16:43,600 --> 01:16:44,920
Speaker 1: It's really that simple, bro.

1419
01:16:45,040 --> 01:16:50,840
Speaker 6: Like every publicity just said these things, the branding laws, right,

1420
01:16:50,920 --> 01:16:52,639
Speaker 6: it's all these things just come back to.

1421
01:16:55,080 --> 01:16:59,360
Speaker 1: Keep it simple, keep it simple. Mm hmm. You know

1422
01:16:59,360 --> 01:17:00,439
Speaker 1: what I mean, keep it simple.

1423
01:17:00,600 --> 01:17:03,960
Speaker 6: And I was I'd say the one thing too that

1424
01:17:03,960 --> 01:17:06,880
Speaker 6: that I've learned and tank can I talk about this

1425
01:17:06,960 --> 01:17:11,920
Speaker 6: all the time as well? With consistency. We know why

1426
01:17:11,960 --> 01:17:15,800
Speaker 6: our podcast works. We don't miss our. We don't miss

1427
01:17:15,840 --> 01:17:17,519
Speaker 6: our time. We don't miss our. We like people.

1428
01:17:18,479 --> 01:17:20,840
Speaker 1: They know what time that we do. The live. You

1429
01:17:20,880 --> 01:17:22,800
Speaker 1: know what I mean, when the live podcast drops, they

1430
01:17:22,840 --> 01:17:24,599
Speaker 1: know what time it drops on you know what I mean,

1431
01:17:24,680 --> 01:17:29,960
Speaker 1: on the on the streaming services and if any hiccup, Man,

1432
01:17:30,040 --> 01:17:32,440
Speaker 1: my dms are going crazy.

1433
01:17:31,560 --> 01:17:37,200
Speaker 5: Yeah, you guys are programming at the highest.

1434
01:17:36,880 --> 01:17:39,360
Speaker 1: Level, you know what I mean.

1435
01:17:39,360 --> 01:17:42,280
Speaker 6: And I think that that's another thing with creatives, right,

1436
01:17:42,320 --> 01:17:45,760
Speaker 6: because we have so many creatives that are just like.

1437
01:17:47,400 --> 01:17:51,720
Speaker 1: Free flowing and they're you know, they're birds. They land

1438
01:17:51,720 --> 01:17:52,599
Speaker 1: when they want to land.

1439
01:17:53,880 --> 01:17:58,479
Speaker 6: But while the floodgates have been open to the world

1440
01:17:58,479 --> 01:18:02,280
Speaker 6: of creatives, it's so many other creative people now that

1441
01:18:02,320 --> 01:18:05,519
Speaker 6: they will go to. If you don't have consistency in

1442
01:18:05,920 --> 01:18:08,519
Speaker 6: your brand and what you're doing right, you know what

1443
01:18:08,560 --> 01:18:10,880
Speaker 6: I mean, if you don't have a landing spot for them,

1444
01:18:11,040 --> 01:18:11,439
Speaker 6: you don't.

1445
01:18:11,320 --> 01:18:12,800
Speaker 3: Have one or two times for them to go to

1446
01:18:12,840 --> 01:18:14,000
Speaker 3: your channel and knowing.

1447
01:18:13,880 --> 01:18:17,559
Speaker 1: It right, they're gonna stop going. They're gonna stop going,

1448
01:18:18,200 --> 01:18:18,760
Speaker 1: you know what I mean.

1449
01:18:19,280 --> 01:18:21,400
Speaker 6: That's so for you to come here and you're like, yeah,

1450
01:18:21,439 --> 01:18:23,960
Speaker 6: so yeah, we got It's not just the Academy no more.

1451
01:18:24,479 --> 01:18:25,360
Speaker 1: Oh yeah, Now I.

1452
01:18:25,400 --> 01:18:27,639
Speaker 5: Gotta be the news bro. The news is every day.

1453
01:18:28,240 --> 01:18:32,000
Speaker 5: So it's like just like Kanye, it's he's selling some

1454
01:18:32,000 --> 01:18:37,120
Speaker 5: fucking shoes and he's selling some clothes and not an album,

1455
01:18:37,120 --> 01:18:38,960
Speaker 5: and he's taking the album back and it's like, you

1456
01:18:39,000 --> 01:18:41,240
Speaker 5: gotta be in tho minds every day. And that's that's

1457
01:18:41,320 --> 01:18:44,000
Speaker 5: one of the things that we really got to make

1458
01:18:44,040 --> 01:18:47,240
Speaker 5: sure you were doing enough in our life. It ain't

1459
01:18:47,320 --> 01:18:49,720
Speaker 5: one thing. Music just ain't enough, no, you know what

1460
01:18:49,760 --> 01:18:53,240
Speaker 5: I mean, it's the lifestyle, Like niggas need to understand.

1461
01:18:54,520 --> 01:18:55,360
Speaker 1: Man, we got R and B.

1462
01:18:55,479 --> 01:19:05,160
Speaker 5: Man. Man, we're doing water chairs in the daytime. Come on, man, man.

1463
01:19:03,920 --> 01:19:07,320
Speaker 1: Yeah nothing, man, it's all money.

1464
01:19:07,400 --> 01:19:15,360
Speaker 3: Come on, so as you as you I mean Disneyland

1465
01:19:15,400 --> 01:19:16,040
Speaker 3: and Linglehood.

1466
01:19:16,479 --> 01:19:18,040
Speaker 1: It just sounds just sounds crazy.

1467
01:19:19,920 --> 01:19:24,320
Speaker 5: What else right now? I mean because you were consumed

1468
01:19:24,439 --> 01:19:26,040
Speaker 5: with Yeah.

1469
01:19:25,960 --> 01:19:27,240
Speaker 1: You got on your plate.

1470
01:19:27,280 --> 01:19:29,479
Speaker 5: Brother, I'm still a producer, musician.

1471
01:19:29,520 --> 01:19:31,920
Speaker 6: I still you put the Rose Orce into academy. Maybe

1472
01:19:31,960 --> 01:19:32,760
Speaker 6: you're gonna put the Road.

1473
01:19:33,240 --> 01:19:36,120
Speaker 1: You think I forgot about it, You're gonna put the

1474
01:19:36,160 --> 01:19:39,360
Speaker 1: rose in there next like the S s L. I

1475
01:19:39,439 --> 01:19:44,840
Speaker 1: was like, Okay, he's just.

1476
01:19:43,760 --> 01:19:50,760
Speaker 5: I'm chilling now. But honestly, my goal, man, is just

1477
01:19:50,760 --> 01:19:56,040
Speaker 5: trying to inspire and give access to nobody's ever the

1478
01:19:56,120 --> 01:19:57,880
Speaker 5: dream that they can have, you know, what I mean.

1479
01:19:57,880 --> 01:20:00,519
Speaker 5: It's to the points where like I'm a a TV

1480
01:20:00,560 --> 01:20:04,000
Speaker 5: show where I got students and people and they'll come

1481
01:20:04,160 --> 01:20:06,320
Speaker 5: and say what they need. Yeah, I want to be

1482
01:20:06,320 --> 01:20:09,519
Speaker 5: in tech. I know so many people in Silicon Valley

1483
01:20:09,520 --> 01:20:12,280
Speaker 5: and y Combinator at all these companies to where I

1484
01:20:12,280 --> 01:20:14,320
Speaker 5: can make a phone call and be like, oh, here's

1485
01:20:15,680 --> 01:20:17,680
Speaker 5: this is what you need. You need you know that.

1486
01:20:17,920 --> 01:20:20,400
Speaker 5: I just want to be the access to people for

1487
01:20:20,479 --> 01:20:22,720
Speaker 5: the culture to where they don't have to deal with

1488
01:20:22,760 --> 01:20:26,599
Speaker 5: all the bitch ass nigga activity to where they can

1489
01:20:26,680 --> 01:20:28,840
Speaker 5: I can just get straight to the to the money.

1490
01:20:28,960 --> 01:20:31,400
Speaker 5: But but that's why we have our schools to make

1491
01:20:31,439 --> 01:20:34,080
Speaker 5: sure you're qualified, you know what I.

1492
01:20:34,000 --> 01:20:36,560
Speaker 1: Mean, Because you can't, you can't connect foolishness.

1493
01:20:37,080 --> 01:20:42,200
Speaker 5: Then it's only then I'm exactly everybody.

1494
01:20:42,920 --> 01:20:49,519
Speaker 1: That's the worst thing to hear A lot of my.

1495
01:20:52,439 --> 01:20:55,880
Speaker 5: That's your boy man. Yeah, but no, we really just

1496
01:20:55,960 --> 01:21:00,280
Speaker 5: at this point, I'm tired of modern day slavery and

1497
01:21:00,320 --> 01:21:04,559
Speaker 5: how labels and all these companies are just minor their slaves,

1498
01:21:04,560 --> 01:21:07,919
Speaker 5: and we're about to change that. We're changing the models.

1499
01:21:08,160 --> 01:21:13,400
Speaker 5: The problem is there's creatives like two problems. The industry

1500
01:21:13,439 --> 01:21:17,519
Speaker 5: needs to have CFO CEOs like a normal business. We're

1501
01:21:17,520 --> 01:21:20,679
Speaker 5: getting tricked. All this shit is cat like with then

1502
01:21:20,840 --> 01:21:23,080
Speaker 5: R and all that that shit is cap We really

1503
01:21:23,160 --> 01:21:25,200
Speaker 5: need to it's a real business. So if you understand,

1504
01:21:26,000 --> 01:21:29,120
Speaker 5: learn Delaware law and that that'll help you under explain

1505
01:21:29,160 --> 01:21:32,480
Speaker 5: how corporations. That's Delaware law is the best for corporations.

1506
01:21:32,800 --> 01:21:34,960
Speaker 5: We really want to teach people how to own their

1507
01:21:35,000 --> 01:21:37,479
Speaker 5: own ship, how to build their ship. But we, of

1508
01:21:37,520 --> 01:21:40,120
Speaker 5: course we need help. So that's why we got the

1509
01:21:40,200 --> 01:21:42,719
Speaker 5: Disney Inglewood. We got the company we play. That's given

1510
01:21:42,760 --> 01:21:45,599
Speaker 5: opportunities to where like you can come to me and say, yo, rins,

1511
01:21:45,640 --> 01:21:47,519
Speaker 5: I want to do a new version of prices right

1512
01:21:47,600 --> 01:21:50,320
Speaker 5: with the culture, they can do that shit in two

1513
01:21:50,400 --> 01:21:53,439
Speaker 5: days and have the and have the set built, have

1514
01:21:53,600 --> 01:21:55,960
Speaker 5: everything built. Like you lyrics say y'all want to do

1515
01:21:56,320 --> 01:22:00,000
Speaker 5: a cartoon like or the Doo movie, the Mandalorian movie.

1516
01:22:00,080 --> 01:22:02,439
Speaker 5: You could do that and the models that they're doing,

1517
01:22:02,800 --> 01:22:04,960
Speaker 5: it's fair for us to where if you try to

1518
01:22:05,000 --> 01:22:06,760
Speaker 5: do that with Soda or any other company, you're gonna

1519
01:22:06,760 --> 01:22:08,920
Speaker 5: have to sign your whole life away and you want

1520
01:22:08,920 --> 01:22:11,880
Speaker 5: own ship. This is like right, it ain't gonna be

1521
01:22:11,880 --> 01:22:13,040
Speaker 5: like this by next year.

1522
01:22:16,040 --> 01:22:17,320
Speaker 1: Do the other one.

1523
01:22:18,720 --> 01:22:22,160
Speaker 5: Right now, we got the opportunity to really be able

1524
01:22:22,200 --> 01:22:24,679
Speaker 5: to own ip and build shit that you that comes

1525
01:22:24,680 --> 01:22:26,920
Speaker 5: from your brain, that can really come to real life

1526
01:22:26,960 --> 01:22:29,120
Speaker 5: with this right company, with this right group that can

1527
01:22:29,160 --> 01:22:32,599
Speaker 5: handle this ship. That's that's that's the trick. Of course.

1528
01:22:32,680 --> 01:22:35,320
Speaker 5: Event Space is a venue. It's it's not a stadium,

1529
01:22:35,360 --> 01:22:37,559
Speaker 5: but it ain't a club, so it's lit. We do

1530
01:22:37,720 --> 01:22:40,759
Speaker 5: boxing stadiums and we can do boxing matches, faster shows.

1531
01:22:40,760 --> 01:22:43,479
Speaker 5: It's that large, like it's like it's huge, but the

1532
01:22:43,520 --> 01:22:48,400
Speaker 5: main focus is promotion, capture VR AR virtuality. One of

1533
01:22:48,400 --> 01:22:50,519
Speaker 5: the owners created one of the owners that we play

1534
01:22:50,600 --> 01:22:53,720
Speaker 5: creative virtual reality. So their screen is better than any

1535
01:22:53,720 --> 01:22:56,880
Speaker 5: screen in Hollywood. So it's for movies. So like, I'll

1536
01:22:56,880 --> 01:22:59,879
Speaker 5: look at y'all like Walt Disney, y'all niggas a songwriter,

1537
01:23:00,120 --> 01:23:03,720
Speaker 5: bro your storytellers. But are we just gonna do it

1538
01:23:03,720 --> 01:23:06,240
Speaker 5: in songs for three minutes? But we're gonna do it

1539
01:23:06,280 --> 01:23:06,759
Speaker 5: in a movie.

1540
01:23:06,840 --> 01:23:07,439
Speaker 1: But we're gonna do.

1541
01:23:07,360 --> 01:23:09,720
Speaker 5: On cartoons or because we got eyes and ears, we

1542
01:23:09,920 --> 01:23:12,559
Speaker 5: can't just hear it. Yeah, it's like, but but who's

1543
01:23:12,600 --> 01:23:14,759
Speaker 5: going to be the first five niggas. That's my homies.

1544
01:23:15,080 --> 01:23:17,800
Speaker 5: That's gonna really see this opportunity like Nick cann and

1545
01:23:17,800 --> 01:23:20,240
Speaker 5: all these other niggas and take advantage of it and

1546
01:23:20,280 --> 01:23:25,160
Speaker 5: really help the culture. So it's the time, guys.

1547
01:23:27,120 --> 01:23:29,280
Speaker 6: Don't be like that's time I want to ask you

1548
01:23:29,320 --> 01:23:32,840
Speaker 6: to It's something that you know, my father was very

1549
01:23:33,200 --> 01:23:35,960
Speaker 6: instrumental in my career right and pushing me into you know,

1550
01:23:36,000 --> 01:23:36,800
Speaker 6: what what.

1551
01:23:36,520 --> 01:23:37,920
Speaker 1: Would I do and what we do.

1552
01:23:39,479 --> 01:23:43,479
Speaker 6: That I didn't know that your father played such a

1553
01:23:44,560 --> 01:23:47,400
Speaker 6: heavy role in what you're doing.

1554
01:23:46,960 --> 01:23:51,120
Speaker 5: So I hired my dad ten years eight years ago

1555
01:23:51,160 --> 01:23:54,880
Speaker 5: to work at the school teachers at the school he

1556
01:23:55,439 --> 01:23:58,519
Speaker 5: I mean he does him and my sister teaches everybody vocals.

1557
01:23:58,720 --> 01:24:01,120
Speaker 5: So they do all vocal to all the vocal training

1558
01:24:01,720 --> 01:24:04,640
Speaker 5: for celebrities to students from the age of schools to

1559
01:24:05,040 --> 01:24:07,280
Speaker 5: you know, all around the world. Like they know how

1560
01:24:07,280 --> 01:24:12,280
Speaker 5: to really get you to understand your inside, understand the

1561
01:24:12,320 --> 01:24:14,800
Speaker 5: power that you have inside and gives you the confidence.

1562
01:24:14,800 --> 01:24:16,599
Speaker 5: And then my sister when it comes to the studio,

1563
01:24:16,800 --> 01:24:19,240
Speaker 5: she's like female Kukrell, Like I don't even let no

1564
01:24:19,640 --> 01:24:22,719
Speaker 5: nigga she has. I have to work with my sister

1565
01:24:22,760 --> 01:24:25,800
Speaker 5: because she knows all the rules to break them. Like

1566
01:24:25,920 --> 01:24:28,200
Speaker 5: literally she's been around her and we've all been in

1567
01:24:28,280 --> 01:24:31,360
Speaker 5: the same school, so it's but it's a real family thing,

1568
01:24:31,400 --> 01:24:34,120
Speaker 5: you know. But Pops has been I mean he's been

1569
01:24:34,320 --> 01:24:37,800
Speaker 5: on deck. He was just his birthday yesterday. Yeah, so

1570
01:24:37,880 --> 01:24:41,479
Speaker 5: happy birthday, Pops. But uh, that's that's where I get

1571
01:24:41,479 --> 01:24:44,000
Speaker 5: my slack from man, and that's how I learned pool.

1572
01:24:44,000 --> 01:24:46,679
Speaker 5: If anybody want to play pool and willing to invest

1573
01:24:46,720 --> 01:24:49,679
Speaker 5: in yourselves, I'm taking cash up, crypto cash.

1574
01:24:51,040 --> 01:24:57,360
Speaker 1: We got I know he did? I say, I see

1575
01:24:57,400 --> 01:24:59,320
Speaker 1: what he's doing. Yeah, because he be posted to like

1576
01:24:59,360 --> 01:25:00,240
Speaker 1: tricks doing.

1577
01:25:00,600 --> 01:25:02,639
Speaker 5: I got a podcast, Did you get that? I'm gonna

1578
01:25:02,640 --> 01:25:06,160
Speaker 5: need job. I'm gonna talk about how to how to

1579
01:25:06,200 --> 01:25:08,720
Speaker 5: help the culture. And I'm whooping ass on pool and

1580
01:25:08,760 --> 01:25:10,240
Speaker 5: saying did you get that? In your face?

1581
01:25:14,479 --> 01:25:15,960
Speaker 1: I love that?

1582
01:25:16,200 --> 01:25:20,799
Speaker 5: Double See that's the strike right there. I got.

1583
01:25:20,880 --> 01:25:24,599
Speaker 3: I got love something at the house. Little a little table.

1584
01:25:25,600 --> 01:25:29,160
Speaker 5: I gotta watch out take one of the like, okay, yeah,

1585
01:25:30,880 --> 01:25:38,680
Speaker 5: a little work, brother, rats your top five R and

1586
01:25:38,760 --> 01:25:49,679
Speaker 5: D singers, singers? Oh people, Sam Cook?

1587
01:25:49,720 --> 01:25:52,320
Speaker 3: What you know about young Fellow?

1588
01:25:52,680 --> 01:25:54,759
Speaker 5: You know about that Brandy?

1589
01:25:56,000 --> 01:25:57,080
Speaker 1: Yeah?

1590
01:25:58,439 --> 01:26:06,040
Speaker 5: Five R and B singer Uh damn uh, Michael Jackson,

1591
01:26:07,720 --> 01:26:13,599
Speaker 5: Prince uh mm hmmm, Joe.

1592
01:26:14,200 --> 01:26:19,120
Speaker 3: I like, I like good ballance ball, great great textures,

1593
01:26:20,080 --> 01:26:21,000
Speaker 3: great textures.

1594
01:26:21,760 --> 01:26:23,519
Speaker 1: It's a really tough list.

1595
01:26:23,800 --> 01:26:27,479
Speaker 3: Tough list that Sam Cook was really it was really

1596
01:26:28,720 --> 01:26:30,879
Speaker 3: you got you started with a monster.

1597
01:26:31,439 --> 01:26:32,400
Speaker 1: I started.

1598
01:26:34,720 --> 01:26:36,160
Speaker 3: Top five R and B songs.

1599
01:26:37,360 --> 01:26:45,040
Speaker 5: Oh, all I do is think about You, Stevie Wonder

1600
01:26:45,520 --> 01:26:48,400
Speaker 5: and fun Fact. That's Michael Jackson and Jeryl LeVert sing

1601
01:26:48,400 --> 01:26:48,920
Speaker 5: in the background.

1602
01:26:49,960 --> 01:26:51,080
Speaker 1: I know Michael Jackson was.

1603
01:26:53,160 --> 01:26:57,120
Speaker 5: Look up the Yeah, yeah, listen to the high parts.

1604
01:26:57,200 --> 01:26:57,400
Speaker 1: Mike.

1605
01:26:57,880 --> 01:27:04,160
Speaker 5: Uh, pretty young thing. That's one of my favorite songs. Yeah,

1606
01:27:04,720 --> 01:27:06,120
Speaker 5: half crazy music child.

1607
01:27:08,960 --> 01:27:09,479
Speaker 1: Yes, yes.

1608
01:27:09,520 --> 01:27:12,120
Speaker 3: I asked him about that song when he went to

1609
01:27:12,240 --> 01:27:17,120
Speaker 3: ad lib at the end against against the scale of

1610
01:27:17,160 --> 01:27:17,639
Speaker 3: the music.

1611
01:27:17,680 --> 01:27:19,040
Speaker 1: He said, yeah, I was just being an.

1612
01:27:23,320 --> 01:27:26,240
Speaker 5: You're it still feels right.

1613
01:27:26,280 --> 01:27:30,000
Speaker 3: It's on of scale's like I just had to You're

1614
01:27:30,040 --> 01:27:30,479
Speaker 3: a demon.

1615
01:27:32,160 --> 01:27:33,760
Speaker 5: Oh my gosh.

1616
01:27:35,200 --> 01:27:40,799
Speaker 6: Tweet come to my place, We love Love twet tweet

1617
01:27:40,800 --> 01:27:44,080
Speaker 6: we waiting waiting come time.

1618
01:27:47,600 --> 01:27:47,760
Speaker 4: Uh.

1619
01:27:49,160 --> 01:27:52,320
Speaker 5: The Black Street album like anything from like anything?

1620
01:27:52,720 --> 01:27:55,320
Speaker 1: That album was, Yeah, that was Teddy Teddy.

1621
01:27:56,080 --> 01:27:59,599
Speaker 5: It's different. He's as a little for starting our whole career.

1622
01:27:59,640 --> 01:28:03,679
Speaker 5: Thank you, Teddy Riley. We listened to that Black Street

1623
01:28:03,720 --> 01:28:07,599
Speaker 5: album as a unit. I was signed a production company

1624
01:28:07,640 --> 01:28:10,280
Speaker 5: Clifton Journal. All of us we set and listening to

1625
01:28:10,600 --> 01:28:11,800
Speaker 5: listen to as a unit.

1626
01:28:12,000 --> 01:28:14,559
Speaker 6: Yeah, it was like it was a proving ground for

1627
01:28:14,640 --> 01:28:16,280
Speaker 6: him at that point because he had already done such

1628
01:28:16,320 --> 01:28:18,280
Speaker 6: great things. But it had been a little bit a

1629
01:28:18,320 --> 01:28:20,599
Speaker 6: little minute, and then he came back with Black Street.

1630
01:28:20,640 --> 01:28:24,080
Speaker 1: It was like, this ship is incredible different.

1631
01:28:24,200 --> 01:28:28,040
Speaker 3: You re reference that for everything exactly.

1632
01:28:30,200 --> 01:28:30,439
Speaker 1: Nigga?

1633
01:28:30,479 --> 01:28:32,720
Speaker 3: What did where did they they mixed this ship and

1634
01:28:32,720 --> 01:28:33,360
Speaker 3: out of space?

1635
01:28:33,520 --> 01:28:33,800
Speaker 1: Nigga?

1636
01:28:33,840 --> 01:28:37,759
Speaker 3: What is this? Okay? All right, Okay, see your rants?

1637
01:28:39,240 --> 01:28:43,599
Speaker 3: Do you have to more? Okay, here we go. Let's

1638
01:28:43,600 --> 01:28:46,720
Speaker 3: make a Vulturon rants your Vultron, your super r and

1639
01:28:46,760 --> 01:28:49,080
Speaker 3: b artists who you're going to get the vocal from,

1640
01:28:49,560 --> 01:28:52,960
Speaker 3: the performance style, the styling, the passion of the artist,

1641
01:28:53,160 --> 01:28:54,920
Speaker 3: and who's going to produce for this motherfucker?

1642
01:28:55,479 --> 01:28:56,000
Speaker 5: What's the first one?

1643
01:28:56,080 --> 01:28:57,880
Speaker 3: We start with the first one where you're gonna get

1644
01:28:57,880 --> 01:29:00,839
Speaker 3: the vocal from one vocal for your super and the artists.

1645
01:29:01,560 --> 01:29:06,240
Speaker 6: Jazmine selling, Yes, sir, the world knows how I feel

1646
01:29:06,240 --> 01:29:07,799
Speaker 6: about Jazzon Selimon as a singer.

1647
01:29:09,479 --> 01:29:10,920
Speaker 5: Love you jazzon seven.

1648
01:29:10,880 --> 01:29:11,960
Speaker 1: She's nasty.

1649
01:29:14,120 --> 01:29:17,400
Speaker 3: Were walking around with Jazmine Sulliman songs in our laptop

1650
01:29:17,439 --> 01:29:18,760
Speaker 3: before she was even a thing.

1651
01:29:20,320 --> 01:29:23,639
Speaker 1: See just like, do you hear this ship's different?

1652
01:29:24,640 --> 01:29:28,880
Speaker 3: Young lady performance style stage.

1653
01:29:31,120 --> 01:29:35,440
Speaker 5: Former style on stage Mike, mm hmmm.

1654
01:29:35,800 --> 01:29:43,000
Speaker 3: Makes sense, makes sense. Styling the drip of the artist uniform.

1655
01:29:42,479 --> 01:29:46,840
Speaker 1: For real, Yeah, niggas for real fly.

1656
01:29:48,160 --> 01:29:55,519
Speaker 3: He's fly in in so many five year stretches where

1657
01:29:56,120 --> 01:29:58,360
Speaker 3: to where he'll shift it advertary.

1658
01:29:58,400 --> 01:29:59,840
Speaker 6: The first time I ever seen for real in person,

1659
01:30:00,160 --> 01:30:02,920
Speaker 6: I didn't know who he was because they wasn't they

1660
01:30:02,960 --> 01:30:04,679
Speaker 6: were at this time. I think they had just got

1661
01:30:04,720 --> 01:30:07,960
Speaker 6: like a a song deal, an lecture and our label

1662
01:30:08,080 --> 01:30:09,800
Speaker 6: whatever they were at a lectures when I was signed

1663
01:30:09,800 --> 01:30:10,840
Speaker 6: to a Lecture Records.

1664
01:30:11,120 --> 01:30:15,759
Speaker 1: And remember I was in New York. It's my first time.

1665
01:30:15,600 --> 01:30:18,559
Speaker 6: As like an adult by myself in New York going

1666
01:30:18,600 --> 01:30:23,920
Speaker 6: to take my little label meeting that nigga have a

1667
01:30:24,000 --> 01:30:28,960
Speaker 6: furrow with no shirt early coming out of a record label.

1668
01:30:30,400 --> 01:30:34,200
Speaker 6: I'm like, who the fuck is that? What is Asian partner?

1669
01:30:35,800 --> 01:30:39,680
Speaker 6: It's different, first time I ever seen him. Yeah me

1670
01:30:39,840 --> 01:30:45,439
Speaker 6: gone no shirt? That said oh yeah, And I remember,

1671
01:30:45,760 --> 01:30:47,360
Speaker 6: you know that's one of those things and the musics

1672
01:30:47,439 --> 01:30:51,799
Speaker 6: we know that like if somebody you gotta make people

1673
01:30:52,040 --> 01:30:54,840
Speaker 6: ask who was that? It's The first thing I did

1674
01:30:54,840 --> 01:30:56,160
Speaker 6: when I got stairs, I was like, yo, it was

1675
01:30:56,160 --> 01:30:58,679
Speaker 6: something dude with like a fur coat on, and they.

1676
01:30:58,680 --> 01:31:03,000
Speaker 1: Was like, yo, that nigga beats that nigga songwright. He crazy.

1677
01:31:04,160 --> 01:31:06,080
Speaker 3: His name is like for Real or something like that.

1678
01:31:07,320 --> 01:31:10,200
Speaker 3: The nigga keep it on. I never forgot it. I

1679
01:31:10,240 --> 01:31:10,840
Speaker 3: never forgot it.

1680
01:31:10,960 --> 01:31:13,200
Speaker 1: He shifts it.

1681
01:31:13,360 --> 01:31:16,360
Speaker 6: But it's futuristic and relevant at the same time. That's

1682
01:31:16,520 --> 01:31:18,880
Speaker 6: very tough tough to do, very very tough to do

1683
01:31:19,000 --> 01:31:20,880
Speaker 6: because you look crazy trying to be futuristic.

1684
01:31:22,040 --> 01:31:24,960
Speaker 3: The passion of your artists. Who's who mean it?

1685
01:31:26,360 --> 01:31:37,479
Speaker 9: Mm hmm the passion Oh nipsey M absolutely meaning absolutely.

1686
01:31:38,040 --> 01:31:41,840
Speaker 1: I heard the record one mm hmm. Come on, man,

1687
01:31:41,960 --> 01:31:46,080
Speaker 1: he mean that ship? Ship? You mean that? I said

1688
01:31:46,080 --> 01:31:47,280
Speaker 1: I'm in on just that alone.

1689
01:31:48,120 --> 01:31:49,919
Speaker 3: You believe the man, I believe.

1690
01:31:50,520 --> 01:31:51,280
Speaker 5: I can believe what.

1691
01:31:53,640 --> 01:31:58,719
Speaker 3: We watch as much.

1692
01:31:59,360 --> 01:32:04,160
Speaker 1: Who produceing for this artist? Ship?

1693
01:32:04,240 --> 01:32:07,639
Speaker 5: If I did it, it'd really be crazy.

1694
01:32:07,920 --> 01:32:11,680
Speaker 1: You'll be directed, Tom.

1695
01:32:12,240 --> 01:32:15,120
Speaker 5: We're man, I got friends. We're gonna collect all the

1696
01:32:15,120 --> 01:32:16,840
Speaker 5: money to not.

1697
01:32:19,479 --> 01:32:25,719
Speaker 1: Let's know, but have it no other way, not this ship.

1698
01:32:27,560 --> 01:32:31,679
Speaker 8: Yeah, that by very important part of the show. Will

1699
01:32:31,720 --> 01:32:35,439
Speaker 8: you tell us the story funny of Funked up, funny

1700
01:32:35,520 --> 01:32:36,400
Speaker 8: and fucked up.

1701
01:32:37,240 --> 01:32:40,479
Speaker 1: The only rude to the game. You can't say no name.

1702
01:32:41,000 --> 01:32:44,160
Speaker 5: I can't say no name, no names, and I can't

1703
01:32:44,200 --> 01:32:50,840
Speaker 5: say no name the one case, Well, well I got

1704
01:32:50,240 --> 01:32:52,920
Speaker 5: a listen, you wanna tell us a couple of stories.

1705
01:32:54,360 --> 01:32:57,920
Speaker 5: I'll start off with it's a super producer that inspired

1706
01:32:57,960 --> 01:33:04,120
Speaker 5: me because he didn't want to teach me Ableton and

1707
01:33:04,800 --> 01:33:07,160
Speaker 5: to the point to where like I was like, damn,

1708
01:33:07,240 --> 01:33:10,479
Speaker 5: how do you get your drums to go? Like keep

1709
01:33:10,520 --> 01:33:13,400
Speaker 5: going like and you're not doing nothing. I walked over

1710
01:33:13,439 --> 01:33:20,839
Speaker 5: there and niggas lid its computer too. I'm like, oh, ship,

1711
01:33:21,400 --> 01:33:23,880
Speaker 5: I've never experienced a real life hater in my life.

1712
01:33:24,520 --> 01:33:27,160
Speaker 5: This is really happening. So I couldn't do nothing but

1713
01:33:27,240 --> 01:33:30,679
Speaker 5: respect it. From there, I want to learn. I learned

1714
01:33:30,680 --> 01:33:34,040
Speaker 5: able To. Then me and James started school to teach

1715
01:33:34,040 --> 01:33:38,920
Speaker 5: Ableton and we've made so much people money from Ableton.

1716
01:33:40,160 --> 01:33:43,519
Speaker 5: In respect to that bitch Asz nigga, but I'll never

1717
01:33:43,600 --> 01:33:45,880
Speaker 5: say his name. Respect you.

1718
01:33:46,040 --> 01:33:48,559
Speaker 1: My God made you made.

1719
01:33:48,360 --> 01:33:54,240
Speaker 5: You inspired me that nigga did. I leave with him

1720
01:33:54,240 --> 01:33:56,840
Speaker 5: and then he just I'm like, oh, this is sick,

1721
01:33:57,400 --> 01:34:01,519
Speaker 5: but thank thank you. Yeah, you knew we was after

1722
01:34:01,560 --> 01:34:03,599
Speaker 5: we figured that out. It's over because able to at

1723
01:34:03,600 --> 01:34:07,200
Speaker 5: that time able. It was just DJ isn't able to,

1724
01:34:07,760 --> 01:34:10,200
Speaker 5: Like the culture of black people didn't figure out that

1725
01:34:10,280 --> 01:34:12,320
Speaker 5: you could. That could change the trajectory of your life

1726
01:34:12,360 --> 01:34:13,919
Speaker 5: if you really understand this program.

1727
01:34:14,000 --> 01:34:17,280
Speaker 3: Yeah he knew that. Is that what you'all now?

1728
01:34:17,479 --> 01:34:18,800
Speaker 5: Motherfucking right? Yeah?

1729
01:34:18,880 --> 01:34:19,760
Speaker 1: Yeah, it's like that.

1730
01:34:19,840 --> 01:34:23,800
Speaker 5: It's life changing. I dare you. It's like, I dare you.

1731
01:34:23,920 --> 01:34:25,720
Speaker 5: It's a dare. I ain't dare to grow man in

1732
01:34:25,720 --> 01:34:30,160
Speaker 5: a long time. Trust me, Yeah, trust me, bro. It

1733
01:34:30,200 --> 01:34:32,840
Speaker 5: does things that you can do for sure. It does

1734
01:34:32,880 --> 01:34:35,000
Speaker 5: things that you can't do, that you possibly can't even

1735
01:34:35,040 --> 01:34:37,920
Speaker 5: think about. Like it's and it's fast. I spend more

1736
01:34:38,000 --> 01:34:41,040
Speaker 5: time with the family. I'm just faster.

1737
01:34:41,320 --> 01:34:42,320
Speaker 1: I need to come to school.

1738
01:34:42,360 --> 01:34:45,600
Speaker 5: I dare you, bro, we got to Our school is

1739
01:34:45,640 --> 01:34:48,160
Speaker 5: a school that che colds. Our two teachers at the

1740
01:34:48,200 --> 01:34:50,240
Speaker 5: school are the able to master, is the only able

1741
01:34:50,280 --> 01:34:54,800
Speaker 5: to certify masters. And out here what like it's everybody's

1742
01:34:55,600 --> 01:34:57,200
Speaker 5: just come hang out. We're gonna have some fun. We

1743
01:34:57,200 --> 01:35:02,560
Speaker 5: got certified as Yeah, it's serious, it's serious.

1744
01:35:02,840 --> 01:35:04,840
Speaker 1: I'm coming. That's who you should learn from.

1745
01:35:05,439 --> 01:35:08,320
Speaker 3: I'm coming to take the class on my mama.

1746
01:35:09,560 --> 01:35:11,240
Speaker 1: That's great. That is great.

1747
01:35:12,240 --> 01:35:13,400
Speaker 3: Nigga leaned his computer.

1748
01:35:14,479 --> 01:35:15,400
Speaker 1: One nigga.

1749
01:35:17,880 --> 01:35:21,000
Speaker 5: Changed our whole ship. I remember the time. It was

1750
01:35:21,040 --> 01:35:26,040
Speaker 5: an an R. He's another weird nigga. But uh me

1751
01:35:26,080 --> 01:35:29,680
Speaker 5: and James, well, actually I was playing some music and

1752
01:35:29,720 --> 01:35:33,479
Speaker 5: he was like, it's too West Coast, he'll never make it.

1753
01:35:33,479 --> 01:35:36,840
Speaker 5: Say the same thing that the homie told us that

1754
01:35:36,840 --> 01:35:39,800
Speaker 5: our songs are just wasn't good enough, not knowing that

1755
01:35:39,840 --> 01:35:43,599
Speaker 5: this nigga already had hits. That was the funny part.

1756
01:35:45,120 --> 01:35:49,400
Speaker 5: But he told me that. Three years later. I seen

1757
01:35:49,479 --> 01:35:52,080
Speaker 5: him again and I charged him so much money. He

1758
01:35:52,200 --> 01:35:55,320
Speaker 5: had to tell me, No, I did it on purpose

1759
01:35:56,320 --> 01:35:58,200
Speaker 5: because once a bit jazz nigga has a bitch ass

1760
01:35:58,280 --> 01:36:01,040
Speaker 5: nigg you always let him live, even for publishing. Some

1761
01:36:01,080 --> 01:36:03,640
Speaker 5: of y'all niggas know y'all don't deserve the publisher that

1762
01:36:03,720 --> 01:36:07,800
Speaker 5: y'all get, But y'all want that back. You can have it,

1763
01:36:08,320 --> 01:36:11,400
Speaker 5: and you know, I just no more.

1764
01:36:13,400 --> 01:36:14,880
Speaker 1: You realize what your value is.

1765
01:36:15,160 --> 01:36:18,280
Speaker 5: Yeah, it's like nothing that serious to do some weird

1766
01:36:18,320 --> 01:36:21,799
Speaker 5: ship to fuck up your future with the next situation

1767
01:36:22,120 --> 01:36:26,000
Speaker 5: with the human nothing that you know, So never make

1768
01:36:26,080 --> 01:36:28,360
Speaker 5: desperate decisions. I always make decisions like I got it

1769
01:36:29,120 --> 01:36:31,759
Speaker 5: a lot of money in my pocket even if I didn't.

1770
01:36:33,880 --> 01:36:37,120
Speaker 1: We brother, we're proud of you, Sha nigga, thank you,

1771
01:36:38,000 --> 01:36:40,240
Speaker 1: thank you. Hey.

1772
01:36:41,000 --> 01:36:45,680
Speaker 3: We started off teaching you, now you're teaching us. Now

1773
01:36:45,680 --> 01:36:48,880
Speaker 3: we got to come back to your school that's was

1774
01:36:48,920 --> 01:36:52,840
Speaker 3: supposed to be. We're humble enough to say that.

1775
01:36:53,080 --> 01:36:54,000
Speaker 5: Man, I appreciate you.

1776
01:36:54,200 --> 01:36:57,400
Speaker 3: Bro. We salute y'all and you and you all and

1777
01:36:57,439 --> 01:37:00,640
Speaker 3: everything that you guys are doing and saluteed. We supported,

1778
01:37:00,680 --> 01:37:04,240
Speaker 3: and we celebrate it more importantly even when you're not around.

1779
01:37:04,760 --> 01:37:07,439
Speaker 3: Celebrate for real broad conversations that we have tank to

1780
01:37:07,520 --> 01:37:07,880
Speaker 3: tell you.

1781
01:37:08,120 --> 01:37:11,360
Speaker 1: He said it earlier. We can't wait to talk about

1782
01:37:11,560 --> 01:37:16,640
Speaker 1: us homies got this or that? Then my niggas and

1783
01:37:16,920 --> 01:37:18,360
Speaker 1: the like.

1784
01:37:18,760 --> 01:37:22,760
Speaker 6: That is what we're supposed to be doing, all of us.

1785
01:37:22,760 --> 01:37:25,840
Speaker 6: We're supposed to be celebrating each other even when we're

1786
01:37:25,880 --> 01:37:29,560
Speaker 6: not in the room. Right Somebody tell me, man, I

1787
01:37:29,680 --> 01:37:31,519
Speaker 6: ran the rinks. He was telling me how he was

1788
01:37:31,560 --> 01:37:32,920
Speaker 6: excited to do your podcast.

1789
01:37:32,960 --> 01:37:33,519
Speaker 1: That means.

1790
01:37:35,280 --> 01:37:38,720
Speaker 3: People, that's what I call it. This thing forget. I

1791
01:37:38,760 --> 01:37:41,120
Speaker 3: say that all the time. I said evil has an army.

1792
01:37:41,800 --> 01:37:45,120
Speaker 3: Love needs one. To come on, sir, come on, we

1793
01:37:45,120 --> 01:37:51,400
Speaker 3: wouldn't kill for ours too. That's it, ship man. My

1794
01:37:51,479 --> 01:37:54,040
Speaker 3: name is Tank Valentine and this is the R and

1795
01:37:54,080 --> 01:37:58,280
Speaker 3: B Money Podcast, The authority on all things R and B,

1796
01:37:58,920 --> 01:38:11,400
Speaker 3: all things singers, songwriter, musician, producer, performer, publishing, what br a.

1797
01:38:13,560 --> 01:38:13,960
Speaker 1: Brand?

1798
01:38:14,080 --> 01:38:23,440
Speaker 3: Laws for the Education Masters, Delaware Law.

1799
01:38:24,280 --> 01:38:28,040
Speaker 1: Listen, man, rhythm, business, Rhythm in business. You don't got

1800
01:38:28,080 --> 01:38:29,800
Speaker 1: to be blues no more. We don't got to be

1801
01:38:29,880 --> 01:38:33,200
Speaker 1: living in more. Rhythm rhythm in business.

1802
01:38:33,320 --> 01:38:36,519
Speaker 3: Sitting right here in the hot seat, our brother France fifteen.

1803
01:38:37,200 --> 01:38:40,240
Speaker 1: Yeah, we say time, man,