WEBVTT - #13 Kenny

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<v Speaker 1>I have a medical related question. You know my toe ring?

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<v Speaker 1>I think, I think maybe yes, I do have a

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<v Speaker 1>toe ring. You've never had a ring. When is the

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<v Speaker 1>last time you saw my bare feet?

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<v Speaker 2>Three years ago?

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<v Speaker 1>Since then, I've gotten a toe ring. Why I was drunk.

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<v Speaker 1>Some people get tattoos. I don't like pain. I can't

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<v Speaker 1>get it off my toe. And it really is did

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<v Speaker 1>you not take a hippocratic oath? Fine? I know, Bye?

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<v Speaker 1>I just hung up on myself or is it hanged

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<v Speaker 1>up from gimblet media. I'm Jonathan Goldstein and this is

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<v Speaker 1>heavyweight today's episode Kenny. Like most, when I hear the

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<v Speaker 1>words tale of betrayal, I think of Judas narking on, Jesus,

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<v Speaker 1>Brutus icing Julius, Satan cucking the Lord. But recently I

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<v Speaker 1>heard a story of treachery that not only ranks among those,

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<v Speaker 1>it might surpass them. While those stories merely have devils,

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<v Speaker 1>this one has something far better. Dare devils. This story

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<v Speaker 1>of betrayal takes place in the nineteen seventies, a time

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<v Speaker 1>when brave men and women mounted motorcycles or got behind

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<v Speaker 1>the wheels of cars to jump anything in their field

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<v Speaker 1>of vision. Barrels chuck wagons, cement mixers, Stegmayer beer, truck

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<v Speaker 1>pits of rattlesnakes, and dens of mountain lions. This was

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<v Speaker 1>a time when jumping a shark didn't mean jumping the shark.

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<v Speaker 1>It was a time when daredeviling was not only a

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<v Speaker 1>viable career path, it was something your parents could be

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<v Speaker 1>proud of. I grew up in the nineteen seventies in

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<v Speaker 1>a neighborhood fully infected with daredevil fever. The older kids

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<v Speaker 1>would lay us younger kids down on the sidewalk and

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<v Speaker 1>jump us with our bicycles, all of us, from the

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<v Speaker 1>older kids with bath towels tied to their necks like capes,

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<v Speaker 1>to us younger kids with tire tracks across our backs.

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<v Speaker 1>We all wanted to be daredevils, and the daredevil we

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<v Speaker 1>most wanted to be was Evil Knieval. We ate from

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<v Speaker 1>Evil Canevl lunch pails and played with Evil Canevl dolls.

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<v Speaker 1>Evil Canievl was Elvis, Captain America and Liberachi all rolled

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<v Speaker 1>into one. It seemed like everyone in the world wanted

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<v Speaker 1>to be Evil Canieval, but there was one man who

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<v Speaker 1>wanted more than that. He wanted to surpass Evil canievel altogether.

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<v Speaker 1>That man's name was Ken Carter, aka the Mad Canadian.

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<v Speaker 1>Before he was the Mad Canadian, Ken was a grocery

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<v Speaker 1>boy with a grade school education. His dream to beat

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<v Speaker 1>evil Canevl at his own game is captured in a

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<v Speaker 1>nineteen seventies Canadian documentary called The Devil at Your Heels.

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<v Speaker 1>The movie opens at a local Halifax racetrack. The crowds

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<v Speaker 1>here to watch Ken Carter jump eighteen cars. It's nighttime,

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<v Speaker 1>and the crowd cheers wildly as Ken Carter barrels towards

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<v Speaker 1>a ramp in a souped up hardtop convertible. Ken doesn't

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<v Speaker 1>make it. Instead, he lands with a crash, flat on

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<v Speaker 1>top of the last car in line. A man runs

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<v Speaker 1>over to pool Ken from the car, I get an ambulance.

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<v Speaker 1>Crew arrives and while being carried out on a stretcher,

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<v Speaker 1>Ken waves to.

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<v Speaker 3>His fans, okay, take me over to the microphone please.

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<v Speaker 1>The paramedics carry the stretcher over to a microphone, and

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<v Speaker 1>while lying injured on his back, Ken makes an announcement, believe.

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<v Speaker 4>Me, We'll be back here to more light.

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<v Speaker 2>At eight o'clock sharp. We'll be back here to more light.

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<v Speaker 2>Thank you very much, thank you, thank you, thank you.

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<v Speaker 1>Rub on a little Ben Gay, soaked the tootsies and

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<v Speaker 1>Ebsen salts, and hit it again the next night, for

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<v Speaker 1>three nights every week. This is how Ken Carter makes

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<v Speaker 1>his living. But he has plans to change all that.

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<v Speaker 1>Ken had been watching Evil Canevel on TV for years

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<v Speaker 1>and he wanted what Canieval had, adulation, respect, and a

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<v Speaker 1>lot more money. Up until this point, Canevel's biggest stunt

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<v Speaker 1>was over the Snake River Canyon, a distance of one

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<v Speaker 1>quarter mile. Ken Carter's plan was to jump the Saint

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<v Speaker 1>Lawrence River, a distance four times that length a full mile,

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<v Speaker 1>by applying a little Canadian elbow grease. Ken Carter was

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<v Speaker 1>going to drive a rocket powered Lincoln Continental offer ramp

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<v Speaker 1>in Canada and land in the United States, watching the

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<v Speaker 1>movie as a Canadian. The idea of flying through the

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<v Speaker 1>air in a Lincoln Continental while listening to Gordon Lightfoot

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<v Speaker 1>on the eight track player for one mile and landing

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<v Speaker 1>in America without so much as a Canadian passport written

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<v Speaker 1>attestation as to whether my rocket car contains fruits or

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<v Speaker 1>vegetables felt noble. This is my dream. I don't care

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<v Speaker 1>if I ever jump again.

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<v Speaker 2>But this I'm going to do.

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<v Speaker 3>This is my dream. Nobody ever jumped a car a mile.

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<v Speaker 2>That's what I'm going to do.

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<v Speaker 1>But right from the jump there are problems. Over and over.

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<v Speaker 1>A date for the super jump is set, and over

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<v Speaker 1>and over things go wrong. The crew building the ten

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<v Speaker 1>story ramp miscalculates the measurements.

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<v Speaker 4>No Ken is deeply disappointed.

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<v Speaker 1>He was dialed into, as he says, he was dialed

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<v Speaker 1>in to do it. There's an unexpected rain that turns

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<v Speaker 1>the ramp to mud. The crew tries to dry it

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<v Speaker 1>off using a helicopter. You know, I'm just coming to

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<v Speaker 1>the end of my rope. On another occasion, an hour

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<v Speaker 1>before the jump, the crew decides to strike, demanding twenty

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<v Speaker 1>seven thousand dollars in cash before going back to work.

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<v Speaker 1>I gotta budget here. Fuel tanks explode repeatedly.

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<v Speaker 3>Holy christ Man, what are we doing?

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<v Speaker 1>This goes on for five years, again and again and again.

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<v Speaker 1>The jump is canceled. Over a million Canadian dollars are spent,

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<v Speaker 1>Investors back out and new investors are found. Countless problems

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<v Speaker 1>are allayed, doubts are assuaged, gotays are grown, and goatease

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<v Speaker 1>are shaved. But then Ken's luck turns, ABC's Wide World

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<v Speaker 1>of Sports wants to air Ken's super Jump on live

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<v Speaker 1>television for its millions of viewers. Before making the deal official,

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<v Speaker 1>the network needs to send an inspector over to the

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<v Speaker 1>jump site to report back on the stunt's viability, and

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<v Speaker 1>the inspector they send is none other than Evil Canievil.

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<v Speaker 1>Once Evil Knievel gives it the go ahead, ABC will

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<v Speaker 1>air the jump, and once ABC airs the Jump, Ken

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<v Speaker 1>will become an international star and kids will play with

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<v Speaker 1>mad Canadian action figures and carry Mad Canadian lunchboxes.

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<v Speaker 4>And it reminds me of the Canyon.

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<v Speaker 1>How much hires this ram another thirty. It should be

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<v Speaker 1>noted that while Evil Knevels sports the sideburns of an outlaw,

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<v Speaker 1>Ken Carter sports the goatee of an assistant professor. And

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<v Speaker 1>while Evil Knievel looks like a rough and tumble movie

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<v Speaker 1>matinee idol, Ken Carter at the moment, wearing a leather

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<v Speaker 1>jacket and a gold chain around this turtleneck neck, looks

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<v Speaker 1>like your best friend's weird uncle in a turtleneck.

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<v Speaker 4>This looks like a dangerous jump to me, boy, you

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<v Speaker 4>got no elevation, You got no.

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<v Speaker 3>Room for air.

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<v Speaker 1>Later, ABC airs Knievel's verdict. He delivers it while seated

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<v Speaker 1>atop a bulldozer at the jump site.

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<v Speaker 4>I don't think i'd attempt to try this stunt. I

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<v Speaker 4>think that the time and preparation that's been put into

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<v Speaker 4>it is much too little. This is maybe a daredevil

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<v Speaker 4>stunt that might end all their devil stunts.

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<v Speaker 1>Evil Caneval is essentially saying that if Ken goes through

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<v Speaker 1>with this super jump, he'll end up killing himself live

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<v Speaker 1>on national television and in doing so, completely ruined the

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<v Speaker 1>daredeviling industry for everyone. Ken, sitting on his living room couch,

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<v Speaker 1>watches as Evil Canevel tears up his dream on TV.

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<v Speaker 1>I've been saying it for years. I still believe that

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<v Speaker 1>Evil Knievel's the second best dear devil in the world.

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<v Speaker 1>And I say that because I feel it.

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<v Speaker 2>I'm number one.

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<v Speaker 1>So I also feel that if you don't think in

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<v Speaker 1>terms of win.

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<v Speaker 3>You do not win.

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<v Speaker 1>ABC was out This was a blow, but not a betrayal.

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<v Speaker 1>The actual betrayal was yet to come. Without the promise

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<v Speaker 1>of a live televised event, Ken's investors drop out. Desperate,

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<v Speaker 1>Ken turns to a group of Hollywood producers who offered

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<v Speaker 1>a fund his super jump with a stipulation, a safety net,

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<v Speaker 1>if you will, they would distribute it as a pre

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<v Speaker 1>recorded special. In this way, the whole huge event would

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<v Speaker 1>take place without an audience, a traumatizable, blood splashable, we

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<v Speaker 1>want our money backable audience, which meant Ken's dream of

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<v Speaker 1>grandstands filled with cheering crowds and tables selling Ken Carter

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<v Speaker 1>Onesie's beer, cozies and go take homes would not come true.

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<v Speaker 1>All there'd be was a lonely ramp, a small crew,

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<v Speaker 1>some cameras, and Ken. Months of delays follow, and finally

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<v Speaker 1>a new date for the super jump is set and

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<v Speaker 1>once again it rains. But the new investors don't care

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<v Speaker 1>about safety. They have limited funds and just want the

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<v Speaker 1>jump to happen. The scene opens on the jump site.

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<v Speaker 1>We see the ramp, a group of journalists, a man

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<v Speaker 1>holding out a boom mic, and then the camera moves

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<v Speaker 1>in on a man wearing a yellow jumpsuit and a

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<v Speaker 1>cowboy hat.

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<v Speaker 5>All right, the lights are green, and let's get ready

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<v Speaker 5>and go.

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<v Speaker 3>I want to go.

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<v Speaker 1>The man in the yellow jumpsuit is not Ken Carter,

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<v Speaker 1>but he poses on the ramp and gives quotes to

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<v Speaker 1>reporters about the jump he's about to make.

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<v Speaker 4>I always like to stay to New York, so I'm

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<v Speaker 4>sure I hope they like me when I get there.

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<v Speaker 1>The man has the same goatee as ken Carter, the

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<v Speaker 1>same style of hair, but he's shorter, younger, and brasher.

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<v Speaker 5>All right, guys, my advice to get off the ramp.

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<v Speaker 4>You don't want no tar tracks on you.

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<v Speaker 1>As I watch it all unfold, I grow increasingly confused.

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<v Speaker 1>Where's ken Carter? Had I missed something? Was some key

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<v Speaker 1>scene accidentally cut? Finally, the voice over informs us that

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<v Speaker 1>this yellow suited man is ken Carter's long time understudy,

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<v Speaker 1>Kenny Powers. It turns out the investors had begun to

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<v Speaker 1>suspect that ken Carter had lost his nerve, that some

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<v Speaker 1>excuse was always going to pop up and he would

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<v Speaker 1>never make the jump. So they came up with a

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<v Speaker 1>scheme simply put ditch ken Carter and place Kenny Powers

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<v Speaker 1>behind the wheel of the rocket car have him do

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<v Speaker 1>the jump instead. But first they had to get Ken

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<v Speaker 1>out of the way, so they invited him to a

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<v Speaker 1>fake business meeting at a hotel an hour from the

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<v Speaker 1>jump site. With Ken Carter out of the picture, Kenny

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<v Speaker 1>Powers steps up, and Kenny Powers really seems to be

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<v Speaker 1>enjoying the attention. The countdown was too long. I think

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<v Speaker 1>it was too long. Ten second countdown, that's all I need.

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<v Speaker 1>I'm not ready in ten seconds.

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<v Speaker 6>I'll never be.

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<v Speaker 1>Ready, and I'm gonna give it heil. Kenny warns the

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<v Speaker 1>people of America to get ready. Staring into the camera,

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<v Speaker 1>he instructs them to clear off their breakfast tables because

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<v Speaker 1>when he crashes down on their roofs, it might rattle

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<v Speaker 1>the dishes. Kenny Powers gets behind the wheel of the

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<v Speaker 1>rocket car, the name Ken Carter emblazoned along its side,

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<v Speaker 1>and then the car blasts off, races up the ramp,

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<v Speaker 1>and is airborne. Let's press pause here to consider what's happening.

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<v Speaker 1>The idea of jumping a mile in a rocket car

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<v Speaker 1>is completely insane, But as the car soars into the air,

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<v Speaker 1>so soars my heart. It might only attest to what

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<v Speaker 1>hopeful creatures we humans are. But in this moment, as

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<v Speaker 1>the car reaches top velocity, it seems that Kenny Powers

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<v Speaker 1>that humanity might maybe, somehow possibly make it across. But

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<v Speaker 1>of course this isn't to be Almost immediately after leaving

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<v Speaker 1>the ramp, the car plummets into the river. Debris flies,

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<v Speaker 1>parachutes open, someone screams. During his nine second flight, Kenny

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<v Speaker 1>Powers made it a total distance of five hundred and

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<v Speaker 1>six feet. For our Canadian listeners, that's a lot less

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<v Speaker 1>than a mile, Jim Jam. Because the car was built

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<v Speaker 1>specifically for Ken Carter, Kenny Powers was too short to

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<v Speaker 1>reach the gas pedal, so we never gained enough speed.

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<v Speaker 1>Before leaving the ramp, several members of the crew trudged

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<v Speaker 1>through the water and pull Kenny Powers from the driver's seat.

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<v Speaker 1>As though the spinal injury has yet to be invented,

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<v Speaker 1>they carry him from the river atop their shoulders bar

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<v Speaker 1>Mitzvah boy style. How Kenny Power says, ow ow later

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<v Speaker 1>he'll learn he's broken eight vertebrae, cracked three ribs and

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<v Speaker 1>fractured his wrist after the jump. As Kenny Powers lay

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<v Speaker 1>bandaged up in a hospital bed, the film's director showed

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<v Speaker 1>up outside Ken Carter's hotel room door to tell him

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<v Speaker 1>what happened.

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<v Speaker 5>Can what the hell you want?

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<v Speaker 1>But Ken already knows I don't want to talk to you.

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<v Speaker 5>Get out of here.

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<v Speaker 1>Eventually, Ken pulls him into the room. Why the camera

0:15:52.920 --> 0:15:56.320
<v Speaker 1>crew remains in the hallway recording audio through the hotel door.

0:15:57.120 --> 0:15:58.520
<v Speaker 1>Did you know about this fortune?

0:15:58.680 --> 0:16:03.880
<v Speaker 2>Look at him.

0:16:00.080 --> 0:16:07.040
<v Speaker 1>About we fade to black. Then a title card appears

0:16:07.040 --> 0:16:11.840
<v Speaker 1>on screen. It reads one year later, Ken is shown

0:16:11.880 --> 0:16:14.720
<v Speaker 1>sitting at the base of the ramp. He promises he'll

0:16:14.720 --> 0:16:19.080
<v Speaker 1>make the jump someday, and that's it. The credits role.

0:16:19.440 --> 0:16:21.440
<v Speaker 1>Some song about the power of a man in his

0:16:21.520 --> 0:16:25.160
<v Speaker 1>dream starts to play, and the movie ends without ever

0:16:25.240 --> 0:16:30.160
<v Speaker 1>addressing the craziest detail in this whole crazy story. As

0:16:30.160 --> 0:16:33.920
<v Speaker 1>it turns out, Kenny Powers, the man who hijack Ken's

0:16:33.960 --> 0:16:38.120
<v Speaker 1>car and his lifelong dream, wasn't just Ken Carter's understudy.

0:16:38.720 --> 0:16:47.480
<v Speaker 1>Kenny Powers was Ken's best friend. Ken Carter and Kenny

0:16:47.520 --> 0:16:50.800
<v Speaker 1>Powers have both since died, So I called Bob Fortier,

0:16:51.200 --> 0:16:53.920
<v Speaker 1>the film's director, to see if I could find out more.

0:16:54.680 --> 0:16:57.360
<v Speaker 1>When I ask Bob why Kenny would betray his friend,

0:16:57.680 --> 0:17:00.640
<v Speaker 1>would ruin the dream Ken had spent so many years chasing.

0:17:01.080 --> 0:17:04.399
<v Speaker 1>Bob mentions a drinking problem and rumors that Kenny had

0:17:04.440 --> 0:17:07.200
<v Speaker 1>gotten himself into some sort of trouble down in Florida

0:17:07.520 --> 0:17:09.639
<v Speaker 1>and was desperate for a way to pay his legal

0:17:09.680 --> 0:17:13.360
<v Speaker 1>fees for Bob. The reason for this betrayal is as

0:17:13.359 --> 0:17:17.720
<v Speaker 1>classic as they come. Money. The backers offered Kenny a

0:17:17.760 --> 0:17:20.919
<v Speaker 1>lot of money to betray his friend, and Kenny took it.

0:17:21.760 --> 0:17:24.119
<v Speaker 1>That's just the kind of guy he was, Bob says,

0:17:24.600 --> 0:17:27.119
<v Speaker 1>someone who'd betray the guy who'd been supporting him for

0:17:27.160 --> 0:17:31.840
<v Speaker 1>ten years. Right at the last moment. After the movie wrapped,

0:17:32.000 --> 0:17:35.760
<v Speaker 1>Bob never spoke to Kenny Powers again. Kenny Powers, he says,

0:17:36.280 --> 0:17:38.119
<v Speaker 1>isn't the kind of guy you want to keep in

0:17:38.200 --> 0:17:43.280
<v Speaker 1>touch with. After the Jump, Kenny Powers was effectively run

0:17:43.320 --> 0:17:46.880
<v Speaker 1>out of Canada. One stuntman website even refers to him

0:17:46.880 --> 0:17:51.200
<v Speaker 1>as quote Judas in a cowboy hat, and Ken Carter

0:17:51.760 --> 0:17:54.760
<v Speaker 1>he went back to his old life of racetrack jumps.

0:17:55.280 --> 0:17:58.280
<v Speaker 1>About a year after the Saint Lawrence River Jump, Ken

0:17:58.320 --> 0:18:02.880
<v Speaker 1>Carter died attempts to jump a pond. He never achieved

0:18:02.880 --> 0:18:06.120
<v Speaker 1>the legacy he'd hungered, after all, because of his supposed

0:18:06.160 --> 0:18:14.800
<v Speaker 1>friend Kenny Powers. I watched the failed super Jump over

0:18:14.840 --> 0:18:20.280
<v Speaker 1>and over and I'm not the only one to be

0:18:20.320 --> 0:18:24.200
<v Speaker 1>transfixed by it. On YouTube. That one scene from the movie,

0:18:24.359 --> 0:18:28.320
<v Speaker 1>which has been retitled destroyed in seconds Jet Car Daredevil

0:18:28.720 --> 0:18:32.119
<v Speaker 1>has over a million hits. Before that, the jump was

0:18:32.160 --> 0:18:35.840
<v Speaker 1>immortalized in The Gruesome Faces of Death Too, a movie

0:18:35.840 --> 0:18:40.440
<v Speaker 1>composed of boxing, ring deaths and failed stunts. Ken Carter

0:18:40.560 --> 0:18:44.400
<v Speaker 1>had spent years training for his stunt, meticulously planning out

0:18:44.520 --> 0:18:49.040
<v Speaker 1>every last detail. As a professional stunt man, Kenny Powers

0:18:49.080 --> 0:18:51.639
<v Speaker 1>had to have known the risk of just jumping behind

0:18:51.640 --> 0:18:54.080
<v Speaker 1>the wheel like he was dipping out for drive through

0:18:54.160 --> 0:18:57.399
<v Speaker 1>chicken nuggets, even for all the money in the world.

0:18:57.760 --> 0:18:59.720
<v Speaker 1>He had to have known that trying to fly a

0:18:59.800 --> 0:19:03.280
<v Speaker 1>rock car across a mile wide river with absolutely no

0:19:03.400 --> 0:19:13.160
<v Speaker 1>training was a death mission. In a bid to better

0:19:13.240 --> 0:19:17.159
<v Speaker 1>understand the Daredevil psyche, I bravely jump down a rabbit

0:19:17.200 --> 0:19:21.800
<v Speaker 1>hole of Daredevil's subculture. I watched stunt video after stunt video,

0:19:22.200 --> 0:19:26.120
<v Speaker 1>and even learned the distinction between daredeviling, stunt manning and

0:19:26.240 --> 0:19:30.960
<v Speaker 1>thrill mastering. I read about important industry figures like Spanky

0:19:31.040 --> 0:19:36.160
<v Speaker 1>Spangler and Spanky Junior, Lucky Teeter, Calvin Scarecrow, Shirk, big

0:19:36.280 --> 0:19:40.800
<v Speaker 1>Ed Beckley, Jim crash Moreau, Stony Roberts, Daredevil, Doug Klang,

0:19:40.880 --> 0:19:45.640
<v Speaker 1>Doctor Danger, Mister Dizzy, Cory the Headache Cowl, Froggy Jasper,

0:19:45.720 --> 0:19:49.560
<v Speaker 1>the Clown, Walt King, Kovaz Bumps, Willard Risky, Rick Cruz,

0:19:49.960 --> 0:19:53.840
<v Speaker 1>Doug Danger, Earl, the Squirrel, Nicky Mighty, Aphrodite mc Burnett,

0:19:54.160 --> 0:19:58.800
<v Speaker 1>Don Snake, Prudome Levi, the Kamikaze Kid, Troutman, and Snooks Wenzel.

0:20:00.040 --> 0:20:03.680
<v Speaker 1>It's while watching my stunt videos that CEO and Gimblet

0:20:03.720 --> 0:20:07.840
<v Speaker 1>Media founder Alex Bloomberg sneaks up behind my desk and

0:20:07.960 --> 0:20:12.560
<v Speaker 1>asks what I'm doing research, I say, pausing a video

0:20:12.760 --> 0:20:16.679
<v Speaker 1>of a flaming station wagon falling from a drawbridge. I

0:20:16.760 --> 0:20:19.320
<v Speaker 1>close the browser window and open up a ted talk

0:20:19.400 --> 0:20:24.800
<v Speaker 1>on how to do business, and Alex smiles approvingly. I know, folks,

0:20:25.240 --> 0:20:28.280
<v Speaker 1>you're wondering, why do you allow Alex to walk all

0:20:28.320 --> 0:20:30.840
<v Speaker 1>over you like this? But I've got a wife and

0:20:30.920 --> 0:20:34.320
<v Speaker 1>child now, and podcasting into a chicken drumstick on a

0:20:34.320 --> 0:20:41.320
<v Speaker 1>Canadian breadline is the last thing I need at home

0:20:41.359 --> 0:20:44.199
<v Speaker 1>that night, a one room, cold water flat with a

0:20:44.240 --> 0:20:48.639
<v Speaker 1>screaming baby and a secondhand bassinette. I continue my research,

0:20:49.440 --> 0:20:52.879
<v Speaker 1>and somewhere around three am, I stumble upon a video

0:20:53.400 --> 0:20:55.960
<v Speaker 1>that defies explanation to.

0:20:55.960 --> 0:21:00.199
<v Speaker 6>Auto thrill seekers across North America, The Mad Canadian and

0:21:00.240 --> 0:21:00.920
<v Speaker 6>Your Madness.

0:21:00.960 --> 0:21:02.119
<v Speaker 1>I guess that's the way to call you.

0:21:02.240 --> 0:21:03.119
<v Speaker 3>Well, I'll tell you what you know.

0:21:03.520 --> 0:21:05.960
<v Speaker 1>The video was shot just a few months after the

0:21:06.000 --> 0:21:09.040
<v Speaker 1>failed super jump, and Ken Carter is back to working

0:21:09.119 --> 0:21:12.560
<v Speaker 1>race tracks. Here he is being interviewed before his stunt.

0:21:12.680 --> 0:21:15.080
<v Speaker 1>There's a lot of kids out there watching. Who look

0:21:15.080 --> 0:21:15.840
<v Speaker 1>at evil Knieval?

0:21:15.880 --> 0:21:18.359
<v Speaker 6>Look at guys you're like yourself as heroes.

0:21:19.280 --> 0:21:22.879
<v Speaker 1>This is where I spot something unbelievable. Strolling in the

0:21:22.920 --> 0:21:27.440
<v Speaker 1>background right behind Ken Carter is the man who betrayed him,

0:21:27.840 --> 0:21:35.040
<v Speaker 1>Kenny Powers. Kenny stops, turns to Ken and just watches him, smiling,

0:21:35.920 --> 0:21:45.360
<v Speaker 1>and then he walks out of frame and is gone.

0:21:46.560 --> 0:21:48.560
<v Speaker 1>I rewind the moment several times.

0:21:48.920 --> 0:21:51.040
<v Speaker 2>Who look at evil Knieval, look at guys who look

0:21:51.040 --> 0:21:53.160
<v Speaker 2>at evil Knieval, look at guys who look at evil,

0:21:53.560 --> 0:21:54.040
<v Speaker 2>look at guys.

0:21:54.640 --> 0:21:57.919
<v Speaker 1>And there Kenny is, as clear as day, a warm

0:21:57.960 --> 0:22:03.120
<v Speaker 1>smile on his face, watching Ken Carter admiringly. By all measures,

0:22:03.240 --> 0:22:05.919
<v Speaker 1>Ken Carter should have hated Kenny Powers, should have been

0:22:05.920 --> 0:22:08.520
<v Speaker 1>trying to hunt him down and beat him up. But

0:22:08.640 --> 0:22:12.359
<v Speaker 1>there they were, happily spending a day together at the speedway,

0:22:13.240 --> 0:22:15.399
<v Speaker 1>A betrayal as grand as the one we see at

0:22:15.400 --> 0:22:18.080
<v Speaker 1>the end of the documentary isn't the kind of thing

0:22:18.119 --> 0:22:22.080
<v Speaker 1>you get over, especially not after a couple months, And

0:22:22.160 --> 0:22:25.080
<v Speaker 1>so I hop down a new rabbit hole and search

0:22:25.160 --> 0:22:32.120
<v Speaker 1>for whatever information I can find about Kenny Powers. According

0:22:32.200 --> 0:22:35.560
<v Speaker 1>to the Internet, Ken and Kenny remain friends after the jump.

0:22:36.320 --> 0:22:39.760
<v Speaker 1>Not only that, but to quote the Internet, Kenny Powers

0:22:39.800 --> 0:22:43.080
<v Speaker 1>carried around an eight x ten photograph of Ken Carter,

0:22:43.760 --> 0:22:46.640
<v Speaker 1>taking it everywhere he went, right up until the very

0:22:46.760 --> 0:22:50.359
<v Speaker 1>end of his life. Why would Kenny Powers carry around

0:22:50.359 --> 0:22:56.040
<v Speaker 1>a photograph of Ken Carter, the man he betrayed. I

0:22:56.160 --> 0:23:00.360
<v Speaker 1>promise to answer this question and possibly other questions, if

0:23:00.400 --> 0:23:14.280
<v Speaker 1>you promise to patiently sit through these messages from our sponsors.

0:23:17.200 --> 0:23:19.960
<v Speaker 6>Steve Yeah.

0:23:20.640 --> 0:23:23.520
<v Speaker 1>To help make sense of Ken and Kenny's relationship, I

0:23:23.600 --> 0:23:27.000
<v Speaker 1>reach out to Steve Beelock. Steve knew Ken Carter and

0:23:27.080 --> 0:23:30.560
<v Speaker 1>Kenny Powers from the very beginning. For years, he spent

0:23:30.640 --> 0:23:33.520
<v Speaker 1>countless hours with them on the road. You're in your

0:23:33.520 --> 0:23:34.280
<v Speaker 1>car right now.

0:23:34.680 --> 0:23:36.800
<v Speaker 3>It's all hands free, so I'm good.

0:23:37.840 --> 0:23:40.800
<v Speaker 1>Steve also toured in the Mad Canadian Stunt Show as

0:23:40.800 --> 0:23:45.120
<v Speaker 1>a mechanic. Back then, he went by the nickname Super Wrench,

0:23:45.720 --> 0:23:49.440
<v Speaker 1>named after I assume the tool that professional mechanics use

0:23:49.920 --> 0:23:52.560
<v Speaker 1>and not the feeling of sadness caused by a painful

0:23:52.600 --> 0:23:55.880
<v Speaker 1>parting because I had limited time for our phone call

0:23:56.119 --> 0:23:58.800
<v Speaker 1>and wasn't looking for drama at first.

0:23:58.800 --> 0:24:02.040
<v Speaker 3>It was just me and Cat for the first two years,

0:24:02.119 --> 0:24:07.680
<v Speaker 3>going around the country jumping rapped the ramp, and he

0:24:09.280 --> 0:24:12.280
<v Speaker 3>was stubborn. He was fair, but he was stubborn.

0:24:13.480 --> 0:24:16.119
<v Speaker 1>Steve proceeds to pull back the curtain on the version

0:24:16.280 --> 0:24:19.600
<v Speaker 1>of Ken Carter we see in the movie. According to Steve,

0:24:19.840 --> 0:24:22.280
<v Speaker 1>he put a lot of pressure on his crew, often

0:24:22.359 --> 0:24:25.080
<v Speaker 1>requiring everyone to sleep in the same school bus as

0:24:25.119 --> 0:24:29.399
<v Speaker 1>they jumped over. He aggressively booked shows miles apart, and

0:24:29.480 --> 0:24:31.919
<v Speaker 1>while his team was forced to drive for days on end,

0:24:32.359 --> 0:24:35.919
<v Speaker 1>Ken would fly ahead, arriving at the events in a helicopter.

0:24:36.800 --> 0:24:39.080
<v Speaker 1>But in spite of the cushy travel arrangements and his

0:24:39.200 --> 0:24:42.680
<v Speaker 1>mister Macho man image, things were getting tougher for Ken.

0:24:43.320 --> 0:24:46.399
<v Speaker 1>He was only in his late thirties, but in daredevil years,

0:24:46.760 --> 0:24:50.560
<v Speaker 1>Ken was old, his bones more brittle. With each passing year.

0:24:51.119 --> 0:24:55.119
<v Speaker 3>Ken fractured his ankles several several times. That's why I

0:24:55.240 --> 0:25:02.600
<v Speaker 3>walk funny. One jump in Tulsa, he landed past the

0:25:02.720 --> 0:25:08.640
<v Speaker 3>ramp and split a sternament too when he gets a column,

0:25:11.600 --> 0:25:15.040
<v Speaker 3>and when Ken was really hurt, it was when Kenny

0:25:15.080 --> 0:25:16.040
<v Speaker 3>Powers would step in.

0:25:19.160 --> 0:25:21.480
<v Speaker 1>When Kenny Powers joined the show, he was a young

0:25:21.520 --> 0:25:24.119
<v Speaker 1>guy in his twenties, so as Ken spent more and

0:25:24.200 --> 0:25:27.159
<v Speaker 1>more time laid up with injuries, Kenny would step in

0:25:27.200 --> 0:25:29.600
<v Speaker 1>to perform for him, to the point where he was

0:25:29.600 --> 0:25:32.359
<v Speaker 1>doing more jumps than Ken, but still getting none of

0:25:32.359 --> 0:25:35.440
<v Speaker 1>the credit. I wondered if on the day that Kenny

0:25:35.480 --> 0:25:37.960
<v Speaker 1>got behind the wheel of that rocket car, he saw

0:25:38.000 --> 0:25:40.600
<v Speaker 1>it as a chance to emerge from Ken's shadow and

0:25:40.680 --> 0:25:43.800
<v Speaker 1>show the world that he was the better stuntman, because

0:25:43.800 --> 0:25:47.040
<v Speaker 1>Steve says, even when Ken was in top form for

0:25:47.119 --> 0:25:49.760
<v Speaker 1>a stuntman, he was surprisingly cowardly.

0:25:50.640 --> 0:25:55.600
<v Speaker 3>Ken Carter was never really into speed. Okay, he did

0:25:55.640 --> 0:25:56.960
<v Speaker 3>not like going fast.

0:25:58.560 --> 0:26:00.399
<v Speaker 1>Yeah, you know, there's a scene in the in the

0:26:00.480 --> 0:26:04.720
<v Speaker 1>documentary where he's taken into that rocket car for the

0:26:04.720 --> 0:26:08.080
<v Speaker 1>first time, and when he steps out of the car,

0:26:08.160 --> 0:26:10.960
<v Speaker 1>you could see that he kind of has his his

0:26:11.520 --> 0:26:15.560
<v Speaker 1>stomach is just in his throat.

0:26:15.760 --> 0:26:19.480
<v Speaker 3>He probably had to change his underwear. I don't know

0:26:19.520 --> 0:26:23.040
<v Speaker 3>if you can say that on radio, but lucky.

0:26:22.720 --> 0:26:26.080
<v Speaker 1>For us, we're not on the radio. We're on a podcast,

0:26:26.520 --> 0:26:28.560
<v Speaker 1>and so we could do all the cussing and the

0:26:28.600 --> 0:26:33.520
<v Speaker 1>fuss and we like butter tart, liking sugarcrotch, kicking spam,

0:26:33.600 --> 0:26:37.120
<v Speaker 1>dagger dorkin squacker, poo poo platter with a henous that's right,

0:26:37.680 --> 0:26:41.560
<v Speaker 1>rhymes with anus case of the trots. That's just a

0:26:41.600 --> 0:26:44.879
<v Speaker 1>few of the things I can say here at Gimlet Media.

0:26:44.920 --> 0:26:48.119
<v Speaker 3>He probably should his pants tell you the truth. He

0:26:49.200 --> 0:26:52.400
<v Speaker 3>was scared. I mean, there's no doubt in my mind.

0:26:52.560 --> 0:26:54.960
<v Speaker 3>Even when we were in the ramp truck together, he

0:26:55.040 --> 0:26:57.720
<v Speaker 3>did not want me driving all over the speed linder whatsoever.

0:26:59.480 --> 0:27:01.400
<v Speaker 3>He just not like to go fast.

0:27:04.280 --> 0:27:07.679
<v Speaker 1>You'd think that a need for only the legally acceptable

0:27:07.680 --> 0:27:10.879
<v Speaker 1>amount of speed would be a liability for a daredevil.

0:27:11.520 --> 0:27:14.720
<v Speaker 1>Not only that, but according to Steve, Ken was even

0:27:14.760 --> 0:27:18.280
<v Speaker 1>scared of water. He never learned to swim, so driving

0:27:18.320 --> 0:27:20.920
<v Speaker 1>off a ramp at almost three hundred miles per hour

0:27:21.200 --> 0:27:24.639
<v Speaker 1>over a deep, fast moving river seemed like an odd

0:27:24.640 --> 0:27:25.280
<v Speaker 1>career move.

0:27:26.160 --> 0:27:33.040
<v Speaker 3>I don't think Carter had the cohones to do it.

0:27:32.800 --> 0:27:37.080
<v Speaker 1>So you think that that Kenny Powers had had more

0:27:37.520 --> 0:27:45.480
<v Speaker 1>cahonys I do. Steve says that Ken Carter was never

0:27:45.520 --> 0:27:48.119
<v Speaker 1>going to attempt that jump, that it was all in act,

0:27:48.560 --> 0:27:50.240
<v Speaker 1>nothing more than showmanship.

0:27:51.119 --> 0:27:55.080
<v Speaker 3>I can't believe any other way, only because of being

0:27:55.119 --> 0:27:57.520
<v Speaker 3>in the same hotel room with Ken Carter for three

0:27:57.520 --> 0:28:02.080
<v Speaker 3>and a half years, knowing the promoting that he did,

0:28:02.560 --> 0:28:06.240
<v Speaker 3>knowing him as well as I did, I just don't

0:28:06.359 --> 0:28:10.680
<v Speaker 3>think it was his intention to get into that Lincoln.

0:28:10.880 --> 0:28:11.879
<v Speaker 3>I don't think it was.

0:28:12.760 --> 0:28:15.639
<v Speaker 1>According to Steve, Ken must have asked Kenny to do

0:28:15.680 --> 0:28:18.440
<v Speaker 1>the jump for him, knowing that Kenny would do whatever

0:28:18.520 --> 0:28:21.960
<v Speaker 1>Ken told him to, just like he always did. So

0:28:22.000 --> 0:28:24.600
<v Speaker 1>to my question of how is it possible that Ken

0:28:24.680 --> 0:28:28.240
<v Speaker 1>and Kenny made up and became friends again, Steve's answer

0:28:28.359 --> 0:28:31.399
<v Speaker 1>is simple, they were never not friends in the first place.

0:28:32.560 --> 0:28:36.679
<v Speaker 3>And I can just see the conversation going on. Ken's

0:28:36.720 --> 0:28:41.680
<v Speaker 3>standing there, going Kenny, you're going to sit in that seat?

0:28:42.080 --> 0:28:45.440
<v Speaker 3>Do you think you can do it? And Kenny saying yes,

0:28:45.520 --> 0:28:50.480
<v Speaker 3>I think I can. And I truly believe that Kenny

0:28:50.520 --> 0:28:55.040
<v Speaker 3>powers did this just out of the love of his

0:28:55.160 --> 0:28:56.360
<v Speaker 3>heart for Ken.

0:28:58.040 --> 0:29:01.080
<v Speaker 1>The idea that Kenny had attempted the sun not out

0:29:01.080 --> 0:29:05.920
<v Speaker 1>of hatred, but out of love explains everything. Is what

0:29:06.000 --> 0:29:08.560
<v Speaker 1>I thought for all of two minutes before realizing it

0:29:08.600 --> 0:29:12.000
<v Speaker 1>made no sense at all. Don't get me wrong, I

0:29:12.080 --> 0:29:14.400
<v Speaker 1>believe in love and have plenty of it. If a

0:29:14.440 --> 0:29:16.440
<v Speaker 1>friend asks me to pick him up at the airport,

0:29:16.800 --> 0:29:19.080
<v Speaker 1>while I never do it, I do make a point

0:29:19.080 --> 0:29:23.280
<v Speaker 1>of apologizing profusely, really scrunching up my face, as though

0:29:23.280 --> 0:29:25.920
<v Speaker 1>my refusal is causing me as much agony as it

0:29:25.960 --> 0:29:28.680
<v Speaker 1>is them. I'd even go so far as to say

0:29:28.720 --> 0:29:31.800
<v Speaker 1>that this is because my Mama raised me right, but

0:29:31.880 --> 0:29:34.840
<v Speaker 1>we all know she hasn't. But even if she had,

0:29:35.240 --> 0:29:38.160
<v Speaker 1>going off a ten story ramp only to plummet to

0:29:38.200 --> 0:29:40.920
<v Speaker 1>my death because I wanted to do a pal a

0:29:41.040 --> 0:29:45.240
<v Speaker 1>solid for that, I'm afraid my heart as well as

0:29:45.280 --> 0:29:53.600
<v Speaker 1>my cajones, are far too petit. When I ask Steve

0:29:53.680 --> 0:29:56.400
<v Speaker 1>about the photo of Ken that Kenny carried around with him,

0:29:56.720 --> 0:29:59.400
<v Speaker 1>he didn't know anything about it, but he says that

0:29:59.480 --> 0:30:02.840
<v Speaker 1>Daredevil share a special bond. Well, I could, of course

0:30:02.920 --> 0:30:05.520
<v Speaker 1>imagine the love that unites a Spanky Spangler and a

0:30:05.560 --> 0:30:09.760
<v Speaker 1>Spanky Jr. Or even Evil Canievel at his Laverda Eagle motorcycle.

0:30:10.200 --> 0:30:14.640
<v Speaker 1>This fell deeper, somehow, and more complicated. Kenny nearly died

0:30:14.680 --> 0:30:18.400
<v Speaker 1>for Ken. What was the power that Ken exerted over Kenny.

0:30:18.760 --> 0:30:21.120
<v Speaker 1>What made Kenny so loyal that he was willing to

0:30:21.160 --> 0:30:24.400
<v Speaker 1>speed off a ramp and into oblivion just because he'd

0:30:24.400 --> 0:30:29.000
<v Speaker 1>been asked to? To find out, I phoned Beverly powers.

0:30:29.200 --> 0:30:31.600
<v Speaker 2>Let me give you the landline where I am because

0:30:31.600 --> 0:30:33.120
<v Speaker 2>I'm in the mountains right now.

0:30:34.880 --> 0:30:47.680
<v Speaker 6>Oh sorry, after break speak, the next.

0:30:49.640 --> 0:30:50.520
<v Speaker 1>A love break.

0:30:57.400 --> 0:31:04.160
<v Speaker 2>Hello, Beverly, Yes, let me turn off the television. Oh great, okay,

0:31:04.400 --> 0:31:05.520
<v Speaker 2>and the television is all.

0:31:06.880 --> 0:31:10.080
<v Speaker 1>Beverly is Kenny's widow. She grew up in the same

0:31:10.160 --> 0:31:12.680
<v Speaker 1>South Carolina town as Kenny. I knew him back when

0:31:12.680 --> 0:31:15.040
<v Speaker 1>he was the star halfback on the school football team

0:31:15.680 --> 0:31:16.360
<v Speaker 1>when I was in.

0:31:16.360 --> 0:31:19.280
<v Speaker 2>The sixth grade. Kenny was a senior in high school,

0:31:19.960 --> 0:31:23.000
<v Speaker 2>and I had a crush on him then, But you know,

0:31:23.160 --> 0:31:24.520
<v Speaker 2>he didn't know I existed.

0:31:25.800 --> 0:31:29.200
<v Speaker 1>Years later, after Kenny had already been married seven possibly

0:31:29.280 --> 0:31:32.400
<v Speaker 1>eight times, No one seems to be too sure, they

0:31:32.400 --> 0:31:35.800
<v Speaker 1>found each other again. Kenny asked Beverly for a ride

0:31:35.800 --> 0:31:38.120
<v Speaker 1>home one day and then asked her if she wanted

0:31:38.160 --> 0:31:39.280
<v Speaker 1>to stay for Jumbalaya.

0:31:40.080 --> 0:31:44.080
<v Speaker 2>Oh. He was a wonderful cook, and he was a

0:31:44.120 --> 0:31:47.400
<v Speaker 2>barber in the Navy. He cut my hair better than

0:31:47.440 --> 0:31:50.720
<v Speaker 2>anybody has ever cut my hair in my life. He

0:31:50.800 --> 0:31:53.480
<v Speaker 2>should have just stuck to barber and instead of the

0:31:53.520 --> 0:31:54.160
<v Speaker 2>stunt man.

0:31:55.320 --> 0:31:58.000
<v Speaker 1>If he had, says Beverly, he'd have avoided all the

0:31:58.000 --> 0:31:59.200
<v Speaker 1>pain of the super jump.

0:32:00.160 --> 0:32:04.440
<v Speaker 2>That he received a compensation for his jump was his

0:32:04.680 --> 0:32:07.200
<v Speaker 2>paid medical bills.

0:32:07.040 --> 0:32:09.520
<v Speaker 1>And that was it. There was no there was no profit.

0:32:11.200 --> 0:32:12.680
<v Speaker 2>No, Kenny didn't make anythink.

0:32:12.840 --> 0:32:18.040
<v Speaker 1>No, why do you think like he chose to remain

0:32:18.760 --> 0:32:22.360
<v Speaker 1>relatively in the background with Ken Carter as the.

0:32:22.320 --> 0:32:26.640
<v Speaker 2>Mean that has always been a mystery to me, because

0:32:26.800 --> 0:32:31.800
<v Speaker 2>Kenny had a tape personality that was totally out of

0:32:31.920 --> 0:32:34.200
<v Speaker 2>character for Kenny to stay in the background.

0:32:36.200 --> 0:32:38.920
<v Speaker 1>Well, there's a lot Beverly still doesn't understand about Kenny.

0:32:39.400 --> 0:32:42.400
<v Speaker 1>Like Steve the mechanic, She's certain that Kenny attempted the

0:32:42.480 --> 0:32:46.360
<v Speaker 1>jump not to betray Ken, but to protect him. In

0:32:46.400 --> 0:32:49.520
<v Speaker 1>Beverly's telling, the investors were out of money and they

0:32:49.520 --> 0:32:50.440
<v Speaker 1>were getting threatening.

0:32:51.000 --> 0:32:54.160
<v Speaker 2>Kenny and Ken should have never become involved with these men.

0:32:54.960 --> 0:32:56.400
<v Speaker 6>But what do you mean, I can't.

0:32:56.480 --> 0:33:02.560
<v Speaker 2>It's not something over the final that I could discuss.

0:33:03.200 --> 0:33:07.360
<v Speaker 1>You'd think about that for a while, and so I

0:33:07.400 --> 0:33:12.320
<v Speaker 1>thought about it for a while. You're talking about if

0:33:12.360 --> 0:33:18.480
<v Speaker 1>I can say over the telephone the mob Oh, so

0:33:18.640 --> 0:33:22.840
<v Speaker 1>you're wrong. So Kenny Powers knew someone had to make

0:33:22.840 --> 0:33:25.760
<v Speaker 1>that jump, and he also knew that, because of his

0:33:25.840 --> 0:33:28.959
<v Speaker 1>youth and physical condition, he stood a better chance of

0:33:29.000 --> 0:33:33.720
<v Speaker 1>surviving it than Ken. That's why, according to Beverly, Kenny

0:33:33.800 --> 0:33:37.960
<v Speaker 1>decided to step up. But unlike Steve the Mechanics version

0:33:38.000 --> 0:33:40.960
<v Speaker 1>of the story, Beverly says there was no secret plan,

0:33:41.480 --> 0:33:44.480
<v Speaker 1>no plan at all, just Kenny deciding on his own

0:33:44.880 --> 0:33:49.240
<v Speaker 1>spur the moment to help his friend. And if that's true,

0:33:49.440 --> 0:33:52.200
<v Speaker 1>Ken's getting angry back at the hotel might have been

0:33:52.280 --> 0:33:54.840
<v Speaker 1>less about having the jump stolen out from under him

0:33:55.000 --> 0:33:58.840
<v Speaker 1>and more about being scared for Kenny and angry that

0:33:58.920 --> 0:34:02.800
<v Speaker 1>Kenny would just up and try something so impetuous. In

0:34:02.880 --> 0:34:06.240
<v Speaker 1>the documentary, when we first see Kenny posing beside the ramp,

0:34:06.640 --> 0:34:09.920
<v Speaker 1>the voiceover explains that Kenny always wears his back brace

0:34:09.960 --> 0:34:13.200
<v Speaker 1>when making jumps, but that day he'd left it behind.

0:34:14.120 --> 0:34:16.279
<v Speaker 1>When I first saw the movie, I chalked it up

0:34:16.280 --> 0:34:20.120
<v Speaker 1>to vanity that as he enjoyed his moment in the spotlight,

0:34:20.600 --> 0:34:23.320
<v Speaker 1>he wouldn't want the brace visible under his tight jumpsuit.

0:34:24.200 --> 0:34:27.040
<v Speaker 1>But thinking on it now, how last second. The whole

0:34:27.080 --> 0:34:29.879
<v Speaker 1>thing was he probably didn't even have time to put

0:34:29.920 --> 0:34:32.480
<v Speaker 1>it on ten second countdown.

0:34:32.560 --> 0:34:33.239
<v Speaker 5>That's all I need.

0:34:33.719 --> 0:34:35.160
<v Speaker 1>I'm not ready in ten seconds.

0:34:35.320 --> 0:34:36.240
<v Speaker 5>I'll never be ready.

0:34:37.000 --> 0:34:39.799
<v Speaker 1>If Kenny had taken any time to consider the insanity

0:34:39.800 --> 0:34:42.440
<v Speaker 1>of the jump, he probably wouldn't have been able to

0:34:42.480 --> 0:34:46.120
<v Speaker 1>do it. Kenny Powers, standing alone on the ramp in

0:34:46.160 --> 0:34:49.799
<v Speaker 1>his yellow jumpsuit and cowboy hat must have been terrified.

0:34:56.040 --> 0:34:59.759
<v Speaker 1>Beverly says that Kenny's relationship with Ken was more complicated

0:34:59.840 --> 0:35:04.040
<v Speaker 1>than just a special bond between stuntmen. For Kenny, she says,

0:35:04.520 --> 0:35:06.120
<v Speaker 1>the story begins much earlier.

0:35:06.520 --> 0:35:12.360
<v Speaker 2>He was always an injured soul because of his abusive upbringing.

0:35:13.640 --> 0:35:17.640
<v Speaker 2>He never could escape that as his father was a

0:35:17.680 --> 0:35:22.040
<v Speaker 2>binge drinker and his father was often very abusive to him.

0:35:23.040 --> 0:35:26.200
<v Speaker 2>He talked about his father swinging around by his testicles,

0:35:26.200 --> 0:35:31.640
<v Speaker 2>walks through the air. I think at one instant was

0:35:31.640 --> 0:35:33.040
<v Speaker 2>pretty traumatic for him.

0:35:34.680 --> 0:35:35.920
<v Speaker 1>Do you know how old he was.

0:35:36.560 --> 0:35:38.840
<v Speaker 2>It must have been before he was eight years old.

0:35:41.120 --> 0:35:43.799
<v Speaker 2>I think he might have gotten things from Ken Carter

0:35:43.960 --> 0:35:47.719
<v Speaker 2>that he never got from his father and that he

0:35:47.800 --> 0:35:54.920
<v Speaker 2>really needed emotionally, just spending time with him is showing

0:35:55.000 --> 0:36:02.520
<v Speaker 2>him affirmation and teaching him things and helping him to

0:36:02.560 --> 0:36:07.640
<v Speaker 2>grow is a person and it's professional and making Kenny

0:36:07.760 --> 0:36:13.400
<v Speaker 2>feel good about himself. When the car was floating in

0:36:13.440 --> 0:36:18.720
<v Speaker 2>the water, even with a broken vertebrae, he was getting

0:36:18.760 --> 0:36:23.120
<v Speaker 2>his self out And the first thing that he said,

0:36:24.560 --> 0:36:29.040
<v Speaker 2>did I do well? Are you pleased? He wanted to

0:36:29.080 --> 0:36:29.920
<v Speaker 2>please people.

0:36:38.040 --> 0:36:41.560
<v Speaker 1>Beverly says that after the failed jump, Ken visited Kenny

0:36:41.600 --> 0:36:44.520
<v Speaker 1>in the hospital and that they made amends. And the

0:36:44.560 --> 0:36:47.279
<v Speaker 1>thing about the photograph that Kenny carried around in an

0:36:47.280 --> 0:36:49.440
<v Speaker 1>eight by ten picture of Ken for the rest of

0:36:49.480 --> 0:36:52.880
<v Speaker 1>his life, Beverly says that not only is it true,

0:36:53.320 --> 0:36:56.640
<v Speaker 1>but that she gave Kenny a special leather portfolio that

0:36:56.680 --> 0:36:59.719
<v Speaker 1>he used to carry it around in everywhere he went.

0:37:00.600 --> 0:37:03.759
<v Speaker 2>He had a briefcase before the end, and he used it,

0:37:03.800 --> 0:37:07.600
<v Speaker 2>but he started using another portfolio.

0:37:07.960 --> 0:37:10.080
<v Speaker 1>Were there were there other photos in there that he

0:37:10.160 --> 0:37:17.560
<v Speaker 1>had no just Ken Carter's Yes? Why why do you

0:37:17.600 --> 0:37:18.279
<v Speaker 1>think that was?

0:37:19.320 --> 0:37:24.840
<v Speaker 2>I guess true love forgives King. He never quit loving Ken.

0:37:26.400 --> 0:37:27.239
<v Speaker 2>I who love Ken?

0:37:33.920 --> 0:37:36.640
<v Speaker 1>But in the end, all that love got Kenny powers

0:37:36.880 --> 0:37:39.640
<v Speaker 1>was the role of Judas in the Ken Carter life story.

0:37:40.680 --> 0:37:43.480
<v Speaker 1>But while most stories of betrayal begin as love stories.

0:37:43.920 --> 0:37:47.000
<v Speaker 1>This is the rare tale that ends as one. It

0:37:47.040 --> 0:37:49.600
<v Speaker 1>takes guts to risk your life for glory, but it

0:37:49.640 --> 0:37:52.320
<v Speaker 1>takes even more guts to risk your life for someone else,

0:37:52.960 --> 0:37:56.320
<v Speaker 1>knowing that risk will only lead to obscurity and shame.

0:37:57.160 --> 0:37:59.600
<v Speaker 1>A jump that big needs to be fueled by something

0:37:59.640 --> 0:38:04.000
<v Speaker 1>bigger than money or the spotlight. The greatest leaps always do.

0:38:13.360 --> 0:38:16.960
<v Speaker 1>After the failed super jump, Kenny continued performing stunts on

0:38:17.000 --> 0:38:19.880
<v Speaker 1>his own, but he never achieved even a fraction of

0:38:19.920 --> 0:38:23.080
<v Speaker 1>the fame and respect that Ken Carter had. In two

0:38:23.120 --> 0:38:26.560
<v Speaker 1>thousand and nine, Kenny died and Beverly planned his funeral.

0:38:27.160 --> 0:38:30.480
<v Speaker 1>Everyone ate hot dogs and watched videos of Kenny stunts,

0:38:31.040 --> 0:38:34.560
<v Speaker 1>and of course they traded their craziest Kenny Power stories.

0:38:35.120 --> 0:38:38.600
<v Speaker 2>Kenny could be hilarious. You never knew what Kenny was

0:38:38.640 --> 0:38:43.680
<v Speaker 2>going to do. Kenny had a loaded down mote and

0:38:43.960 --> 0:38:46.759
<v Speaker 2>he drove up into a horse barn of one of

0:38:46.800 --> 0:38:52.120
<v Speaker 2>his friends and they maybe get it out real quick.

0:38:52.760 --> 0:38:54.960
<v Speaker 2>He just never knew what Kenny was going to do.

0:38:58.400 --> 0:38:59.279
<v Speaker 2>He had to be there.

0:39:00.640 --> 0:39:03.319
<v Speaker 1>A lot of Kenny Power stories end this way. You

0:39:03.480 --> 0:39:05.920
<v Speaker 1>just had to be there. For the time he snuck

0:39:06.000 --> 0:39:08.040
<v Speaker 1>up behind a friend at the urinal and kissed him

0:39:08.040 --> 0:39:10.399
<v Speaker 1>on the lips, or the time he wore his best

0:39:10.440 --> 0:39:13.759
<v Speaker 1>suit to visit the dogs at the town dump. It's

0:39:13.760 --> 0:39:16.600
<v Speaker 1>while listening to one after another of these stories that

0:39:16.719 --> 0:39:20.040
<v Speaker 1>something occurs to me. It's a crazy thought, but when

0:39:20.040 --> 0:39:23.480
<v Speaker 1>I'm compelled to share with Beverly. Did you ever? Did

0:39:23.520 --> 0:39:26.680
<v Speaker 1>you ever see this TV show called Eastbound and Down?

0:39:27.080 --> 0:39:30.920
<v Speaker 2>I did? And this is interesting, you asked me. You

0:39:31.080 --> 0:39:35.240
<v Speaker 2>cannot tell me the writers did not know my Kini Powers.

0:39:36.480 --> 0:39:39.320
<v Speaker 1>East Bound and Down was a comedy series on HBO.

0:39:42.760 --> 0:39:45.439
<v Speaker 1>The main character is a brash, foul mouthed, and washed

0:39:45.520 --> 0:39:50.240
<v Speaker 1>up athlete from the South and his name Kenny Powers.

0:39:52.960 --> 0:39:55.440
<v Speaker 5>Come on raising up? Who come on?

0:39:55.800 --> 0:39:56.279
<v Speaker 2>Go too?

0:39:56.719 --> 0:39:57.759
<v Speaker 5>Look at your fucking ball?

0:39:58.680 --> 0:40:03.040
<v Speaker 2>WHI okay, okay? Where he's going to fuck up?

0:40:04.600 --> 0:40:06.960
<v Speaker 1>But it's not just that his name is Kenny Powers.

0:40:07.480 --> 0:40:11.319
<v Speaker 1>The TV Kenny Powers macho swagger is eerily similar to

0:40:11.360 --> 0:40:14.720
<v Speaker 1>the real Kenny Powers, and so is his physical style,

0:40:15.280 --> 0:40:16.440
<v Speaker 1>right down to the goatee.

0:40:17.360 --> 0:40:20.640
<v Speaker 2>There's so many things that he said in that is

0:40:20.840 --> 0:40:24.040
<v Speaker 2>just exactly verbatim what Kenny used to say.

0:40:24.840 --> 0:40:27.440
<v Speaker 1>Do you remember what those moments were in the show?

0:40:28.560 --> 0:40:30.120
<v Speaker 2>I don't think I can repeat it.

0:40:30.440 --> 0:40:34.279
<v Speaker 1>Oh, please go ahead, After all, it is a butter

0:40:34.360 --> 0:40:35.400
<v Speaker 1>Tartan podcast.

0:40:35.680 --> 0:40:39.799
<v Speaker 2>Oh I don't talk this way, I can. He's say,

0:40:40.280 --> 0:40:45.120
<v Speaker 2>Kenny motherfucking Powers. This example, Kenny could use a F

0:40:45.200 --> 0:40:50.520
<v Speaker 2>word as a noun, verb, adverb, conjunction, adjective, all in

0:40:50.600 --> 0:40:55.160
<v Speaker 2>one sentence, in every sentence of the paragraph, quite effectively.

0:40:55.719 --> 0:40:58.480
<v Speaker 1>I'm not kidding, I'm fucking in and you're fucking out.

0:40:58.600 --> 0:40:59.839
<v Speaker 1>I get the fuck out of my chair.

0:41:02.680 --> 0:41:06.719
<v Speaker 2>But just after Kenny did, Yeah, my son and I

0:41:06.840 --> 0:41:08.960
<v Speaker 2>used to sit and watch it and laugh it with

0:41:09.160 --> 0:41:13.960
<v Speaker 2>just like Kenny Kenny. It was hilarious. It really about comfort.

0:41:14.040 --> 0:41:16.040
<v Speaker 5>To me, the.

0:41:15.920 --> 0:41:18.440
<v Speaker 1>Idea of Beverly sitting on a couch in the days

0:41:18.480 --> 0:41:21.719
<v Speaker 1>after Kenny's death and taking solace in the antics of

0:41:21.960 --> 0:41:24.960
<v Speaker 1>possibly one of the crudest, most offensive characters in the

0:41:25.000 --> 0:41:29.319
<v Speaker 1>history of television was enough to warm my heart and

0:41:29.520 --> 0:41:34.840
<v Speaker 1>my researching fingers. I'm looking at the Wikipedia page for

0:41:35.239 --> 0:41:38.960
<v Speaker 1>Kenny Powers, the character from Eastbndon Down. Okay, yeah, it

0:41:39.040 --> 0:41:42.799
<v Speaker 1>has all of his nicknames here, the Peopil's Champion, the

0:41:42.840 --> 0:41:47.960
<v Speaker 1>Shelby Sensation, the man with the Golden d c k

0:41:48.880 --> 0:41:53.080
<v Speaker 1>uh doctor. Okay, some of these I can't even I

0:41:53.080 --> 0:41:55.840
<v Speaker 1>can't even say something. Even a podcast has its limits.

0:41:56.600 --> 0:41:59.560
<v Speaker 1>But as I continue to read, I see that Wikipedia

0:41:59.600 --> 0:42:03.040
<v Speaker 1>support it's our theory. The name Kenny Powers, it says,

0:42:03.560 --> 0:42:06.920
<v Speaker 1>was inspired by a real life American automotive stuntman in

0:42:06.960 --> 0:42:11.240
<v Speaker 1>the nineteen seventies by the same name. But there's no citation,

0:42:11.920 --> 0:42:15.280
<v Speaker 1>no way to confirm whether it's true. So before getting

0:42:15.280 --> 0:42:18.000
<v Speaker 1>off the phone with Beverly, I promise her I'll deploy

0:42:18.120 --> 0:42:21.680
<v Speaker 1>all of my journalistic learnings and all of Alex Bloomberg's

0:42:21.680 --> 0:42:29.400
<v Speaker 1>bitcoins to track down the truth. Eventually, I get a

0:42:29.400 --> 0:42:32.240
<v Speaker 1>hold of an executive at the production house that makes

0:42:32.280 --> 0:42:36.520
<v Speaker 1>eastbounden Down. He forwards my question about the Kenny Powers

0:42:36.600 --> 0:42:41.160
<v Speaker 1>character onto the show's creator and star, Danny McBride. The

0:42:41.200 --> 0:42:45.160
<v Speaker 1>executive says that mister McBride quote wants to take the

0:42:45.239 --> 0:42:50.080
<v Speaker 1>time to formulate a good answer for the next few weeks.

0:42:50.160 --> 0:42:52.720
<v Speaker 1>I send emails checking in to see if there's anything

0:42:52.760 --> 0:42:55.640
<v Speaker 1>I can report back to Beverly. Even a simple yes

0:42:55.719 --> 0:42:58.239
<v Speaker 1>or no would be fine, I say, but I never

0:42:58.280 --> 0:43:01.919
<v Speaker 1>get an answer. In the end, I decided to take

0:43:01.960 --> 0:43:05.640
<v Speaker 1>mister McBride's unusual response to mean that the real Kenny

0:43:05.640 --> 0:43:09.320
<v Speaker 1>Powers did receive a legacy, after all, For what greater

0:43:09.400 --> 0:43:12.720
<v Speaker 1>homage can a person be paid than to be immortalized

0:43:12.719 --> 0:43:15.960
<v Speaker 1>in a hit TV show in such a way that

0:43:16.000 --> 0:43:19.480
<v Speaker 1>there's just enough ambiguity to avoid possible litigation over the

0:43:19.520 --> 0:43:22.920
<v Speaker 1>non consensual use of their identity and or likeness.

0:43:25.200 --> 0:43:27.760
<v Speaker 2>I'm Jenny Powers. I don't mean a benu.

0:43:27.800 --> 0:43:28.160
<v Speaker 5>Wayne.

0:43:28.320 --> 0:43:30.560
<v Speaker 1>You have fucking pissed me off, So I'm gonna go

0:43:30.600 --> 0:43:33.120
<v Speaker 1>ahead and go. But I'm not gonna stop yelling, because

0:43:33.160 --> 0:43:35.759
<v Speaker 1>then that'll mean I lost the fight. I love y'all

0:43:35.840 --> 0:43:43.160
<v Speaker 1>very much. Pains out. So maybe, somehow, possibly Kenny Powers

0:43:43.200 --> 0:43:46.279
<v Speaker 1>did land that jump into America after all.

0:44:19.040 --> 0:44:28.560
<v Speaker 5>Now that the furnitures returning to its goodwill home, now

0:44:28.640 --> 0:44:33.400
<v Speaker 5>that the last month's rent is skeeding with the damage

0:44:33.480 --> 0:44:36.600
<v Speaker 5>to poss take this moment to dissolve.

0:44:39.200 --> 0:44:41.000
<v Speaker 6>If we meant it, if we.

0:44:40.960 --> 0:44:45.760
<v Speaker 1>Tried, were felt around for far too.

0:44:47.239 --> 0:44:50.720
<v Speaker 2>Empty from things that accidentally Talk.

0:44:54.680 --> 0:44:57.719
<v Speaker 1>Heavyweight is hosted and produced by me Jonathan Goldstein along

0:44:57.760 --> 0:45:01.280
<v Speaker 1>with Khalila Holt. The senior producer is Aitln Roberts, editing

0:45:01.280 --> 0:45:04.760
<v Speaker 1>by Jorge Justin Alex Bloomberg. Special thanks to Emily Condon,

0:45:04.960 --> 0:45:09.160
<v Speaker 1>Risky Rick Cruz, Cody Glive John Bolton, Freddie Sibley, Anna Sasnowski,

0:45:09.239 --> 0:45:12.960
<v Speaker 1>Lee Fordenberry, Tony As mccoppolis, Adam Simansky, Low Ann Leonard,

0:45:13.000 --> 0:45:16.760
<v Speaker 1>Dick Keller, Harry Simpson, Gordon Katik, Sayid T, John Thomas,

0:45:16.800 --> 0:45:20.960
<v Speaker 1>Blythe Terrell, Jessica of Weisberg, Devin Taylor, and Jackie Cohen.

0:45:21.560 --> 0:45:24.760
<v Speaker 1>The show was mixed by Kate Bolinsky, music by John K. Sampson,

0:45:24.840 --> 0:45:28.880
<v Speaker 1>Stephen Page and the amazing Christine Fellows. Additional music credits

0:45:28.880 --> 0:45:31.400
<v Speaker 1>for this episode can be found on our website, Gimbletmedia

0:45:31.400 --> 0:45:34.400
<v Speaker 1>dot com slash Heavyweight. Our theme song is by the

0:45:34.440 --> 0:45:37.560
<v Speaker 1>Weaker Than's courtesy of Epitaph Records, and our ad music

0:45:37.719 --> 0:45:40.560
<v Speaker 1>is by Hailey Shaw. You can watch the wonderful National

0:45:40.640 --> 0:45:43.960
<v Speaker 1>Film Board of Canada documentary The Devil at Your Heels

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<v Speaker 1>at NFB dot TA, follow us on Twitter at Heavyweight,

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<v Speaker 1>or email us at Heavyweight at gimletmedia dot com. We'll

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<v Speaker 1>have a new episode in two weeks

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<v Speaker 5>Sun on in an Empty Room m HM