1 00:00:01,800 --> 00:00:04,559 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,519 --> 00:00:07,160 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,119 --> 00:00:12,080 Speaker 1: Welcome to and that's why we really miss podcast. An 4 00:00:12,119 --> 00:00:15,760 Speaker 1: extra special special special guest today, Kevin I. 5 00:00:19,120 --> 00:00:24,840 Speaker 2: I'm sweating already, so nice. Today is a Glee the 6 00:00:25,040 --> 00:00:29,520 Speaker 2: Music special, Yes, because we have one of the artists 7 00:00:29,560 --> 00:00:31,720 Speaker 2: of one of the songs that we covered and we never. 8 00:00:31,560 --> 00:00:34,800 Speaker 1: Get to do that, who wrote this song and shared 9 00:00:34,840 --> 00:00:38,200 Speaker 1: with us the inspiration or the truth behind this song 10 00:00:39,320 --> 00:00:42,640 Speaker 1: and one of our favorite covers of this song by 11 00:00:43,040 --> 00:00:46,120 Speaker 1: the one and only Corey Montieth. Who do we have today, Kevin? 12 00:00:46,560 --> 00:00:52,480 Speaker 2: We have Rick Springfield wrote and performed Jesse's Girl. And 13 00:00:53,720 --> 00:00:55,680 Speaker 2: you know, when you look at the show, you look 14 00:00:55,720 --> 00:00:59,960 Speaker 2: at Glee, all of us had sort of our idea 15 00:01:00,000 --> 00:01:02,360 Speaker 2: and a fire in terms of a song, right, we 16 00:01:02,440 --> 00:01:04,760 Speaker 2: each had if do you think about that character and 17 00:01:04,920 --> 00:01:06,880 Speaker 2: what's one song that they did that has to be 18 00:01:07,040 --> 00:01:13,000 Speaker 2: their song? This was obviously Corey's slash Finn's song. He 19 00:01:13,040 --> 00:01:16,319 Speaker 2: did it on tour. We had it's one of our favorites. 20 00:01:16,400 --> 00:01:19,280 Speaker 1: There was a plan for this song, like from the beginning, 21 00:01:19,319 --> 00:01:22,920 Speaker 1: it's why Jesse see James calls Jesse James, which we 22 00:01:22,959 --> 00:01:23,440 Speaker 1: talk about. 23 00:01:23,800 --> 00:01:25,679 Speaker 2: Yeah, I feel like this is like part of the 24 00:01:25,680 --> 00:01:29,800 Speaker 2: bedrock of the foundation of what of some of the 25 00:01:29,880 --> 00:01:30,840 Speaker 2: music for Glee. 26 00:01:31,280 --> 00:01:34,600 Speaker 1: If Corey could only see us chatting with Rick, I 27 00:01:34,640 --> 00:01:36,279 Speaker 1: know Springfield today? How cool? 28 00:01:36,520 --> 00:01:39,959 Speaker 2: Well, you guys will love this. He is the sweetest, 29 00:01:40,040 --> 00:01:43,600 Speaker 2: He is so talented and we are so so fortunate 30 00:01:43,640 --> 00:01:48,720 Speaker 2: that he said yes again. Yeah. So here is our 31 00:01:48,800 --> 00:01:50,200 Speaker 2: interview with Rick Springfield. 32 00:01:50,880 --> 00:01:52,720 Speaker 3: Hello, how the heck are you? 33 00:01:53,720 --> 00:01:54,280 Speaker 1: We're good? 34 00:01:54,280 --> 00:01:56,000 Speaker 3: How are you? I'm good? 35 00:01:56,280 --> 00:01:56,520 Speaker 1: Good? 36 00:01:56,680 --> 00:01:58,560 Speaker 2: Thank you so much for taking the time to join 37 00:01:58,640 --> 00:01:59,120 Speaker 2: us today. 38 00:01:59,600 --> 00:02:03,520 Speaker 1: Very well, this is very exciting and I kind of 39 00:02:03,520 --> 00:02:04,080 Speaker 1: a legend. 40 00:02:04,920 --> 00:02:07,760 Speaker 2: You know, it's not every day that we we worked 41 00:02:07,760 --> 00:02:10,240 Speaker 2: on a show, a musical show and sang over seven 42 00:02:10,320 --> 00:02:14,200 Speaker 2: hundred numbers and very few times and we actually get 43 00:02:14,240 --> 00:02:17,919 Speaker 2: to talk to the people whose songs we were covering, 44 00:02:18,320 --> 00:02:21,680 Speaker 2: hopefully doing them justice. You never know, we didn't know 45 00:02:21,760 --> 00:02:25,160 Speaker 2: all of them, but so it is very very special. 46 00:02:26,840 --> 00:02:27,320 Speaker 1: Yeah. 47 00:02:27,360 --> 00:02:30,920 Speaker 3: I think you did great. I love the Beagle base amazing. 48 00:02:32,360 --> 00:02:36,239 Speaker 1: Well, thanks for coming on. We would love to talk 49 00:02:36,280 --> 00:02:42,480 Speaker 1: about Jesse's Girl. Obviously, Cory Monteeth, our late friend, you know, 50 00:02:42,600 --> 00:02:45,760 Speaker 1: cover Jesse's Girl. It's one of our favorite memories of him, 51 00:02:45,960 --> 00:02:49,240 Speaker 1: is him doing this number. This number is obviously you know, 52 00:02:49,400 --> 00:02:53,760 Speaker 1: so so e thing fantastic. It's such a banger, it's 53 00:02:53,800 --> 00:02:56,720 Speaker 1: such a they're such a great hook. It's amazing. So 54 00:02:56,760 --> 00:02:58,880 Speaker 1: we're just so honored to have you. Can you tell 55 00:02:58,960 --> 00:03:04,040 Speaker 1: us about if your memory serves like what who came 56 00:03:04,080 --> 00:03:06,600 Speaker 1: to you with the idea of the song, What did 57 00:03:06,639 --> 00:03:09,480 Speaker 1: you know about Glee? Did you know about Glee? And 58 00:03:09,600 --> 00:03:10,520 Speaker 1: what made you say yes? 59 00:03:11,639 --> 00:03:14,200 Speaker 3: Who came to me to suggest it for Glee? I 60 00:03:14,240 --> 00:03:15,359 Speaker 3: mean just this song? 61 00:03:15,840 --> 00:03:17,840 Speaker 2: Yeah, you know, to allow us to do it? 62 00:03:17,880 --> 00:03:18,160 Speaker 3: Really? 63 00:03:18,240 --> 00:03:22,480 Speaker 4: Yeah, yeah, it's a no brainer. I mean, you know, 64 00:03:22,560 --> 00:03:28,040 Speaker 4: the show was was huge and I was surprised you 65 00:03:28,080 --> 00:03:33,760 Speaker 4: hadn't come sooner because it's a it's a great story. 66 00:03:33,800 --> 00:03:38,560 Speaker 4: It fits you know, a lot of scenarios, and I 67 00:03:38,600 --> 00:03:40,840 Speaker 4: think it was great. It's great to see it play 68 00:03:40,880 --> 00:03:44,760 Speaker 4: out in a scenario, you know, play because this song 69 00:03:44,840 --> 00:03:49,760 Speaker 4: is it's a story song. Yeah, yeah, so I think 70 00:03:49,760 --> 00:03:50,200 Speaker 4: it was great. 71 00:03:50,240 --> 00:03:52,520 Speaker 3: It was great to see. And who came to me? 72 00:03:52,640 --> 00:03:56,000 Speaker 3: I don't know. My manager brought it really, you know, 73 00:03:56,280 --> 00:03:59,200 Speaker 3: they do all that stuff. That's what I paid those guys. 74 00:03:58,920 --> 00:04:05,680 Speaker 2: For exactly, the paperwork stuff. And yeah, we had Ryan 75 00:04:05,760 --> 00:04:09,080 Speaker 2: Murphy on a couple months ago when we asked him 76 00:04:09,160 --> 00:04:13,200 Speaker 2: if there's a character that came on named Jesse. If 77 00:04:13,200 --> 00:04:15,720 Speaker 2: we asked him if that character was named Jesse just 78 00:04:16,200 --> 00:04:19,039 Speaker 2: as a device so we could get to your song, 79 00:04:19,440 --> 00:04:22,599 Speaker 2: and he said yes. So the intention was pretty early 80 00:04:22,640 --> 00:04:26,200 Speaker 2: on to find some way to get to do Jesse's Girl. 81 00:04:26,440 --> 00:04:29,440 Speaker 4: And well, that's very flattering. 82 00:04:31,120 --> 00:04:34,560 Speaker 2: Well, I think their intention with the show early on too, 83 00:04:35,520 --> 00:04:40,120 Speaker 2: where to bring these songs that gigantic right and bring 84 00:04:40,160 --> 00:04:42,640 Speaker 2: him to a whole new generation, a whole new audience. 85 00:04:43,400 --> 00:04:47,800 Speaker 2: And what better song to do that with than Jesse's Girl? Like, 86 00:04:47,800 --> 00:04:50,720 Speaker 2: did you ever feel any sort of I don't know, 87 00:04:50,880 --> 00:04:53,840 Speaker 2: feedback or like positive repercussions from that in twenty ten 88 00:04:54,200 --> 00:04:56,440 Speaker 2: having the song out, I think it ended up debuting 89 00:04:56,480 --> 00:04:59,599 Speaker 2: at like twenty eight on Billboard with the Glee version. 90 00:04:59,680 --> 00:05:04,120 Speaker 3: Yeah, yeah, I came back. It's been. 91 00:05:06,080 --> 00:05:08,279 Speaker 4: It was fortunate enough to be used for the I 92 00:05:08,279 --> 00:05:10,839 Speaker 4: think what gave it a kind of a rebirth, you know, 93 00:05:11,160 --> 00:05:11,520 Speaker 4: the song. 94 00:05:11,640 --> 00:05:12,560 Speaker 3: You put the song. 95 00:05:12,360 --> 00:05:17,640 Speaker 4: Out and and and eventually it takes on a life 96 00:05:17,680 --> 00:05:21,880 Speaker 4: of its own, and you hope, and some of them don't. 97 00:05:22,200 --> 00:05:25,080 Speaker 4: Some of them crash and burn and are hit and 98 00:05:25,080 --> 00:05:27,280 Speaker 4: then they go away, and some stick around, and you're 99 00:05:27,320 --> 00:05:28,320 Speaker 4: very lucky, very far. 100 00:05:28,320 --> 00:05:30,320 Speaker 3: I was very fortunate to have that. 101 00:05:30,440 --> 00:05:33,400 Speaker 4: I mean the Beatles had what two hundred of them, 102 00:05:33,720 --> 00:05:35,040 Speaker 4: but I'm fortunate. 103 00:05:34,720 --> 00:05:37,200 Speaker 3: That I was fortunate to have certainly that one. 104 00:05:37,600 --> 00:05:39,520 Speaker 2: And you've had a lot yourself. 105 00:05:39,800 --> 00:05:42,880 Speaker 4: Yeah, yeah, but Jesse's Girl has kind of gone on 106 00:05:42,920 --> 00:05:46,040 Speaker 4: and on, And it was first at first was used 107 00:05:46,080 --> 00:05:49,960 Speaker 4: in a movie called what was the one about the 108 00:05:50,000 --> 00:05:53,560 Speaker 4: porno industry? Oh, I can't think of it. 109 00:05:53,839 --> 00:05:55,200 Speaker 2: I know what you're talking about. 110 00:05:55,279 --> 00:06:06,560 Speaker 5: Yeah, come on ten seconds five three two, Yes, that's right. 111 00:06:06,800 --> 00:06:09,320 Speaker 4: Yeah, and I kind of brought it back and then uh, 112 00:06:09,560 --> 00:06:11,599 Speaker 4: it was in there was a movie called thirty Going 113 00:06:11,640 --> 00:06:13,320 Speaker 4: on thirty that was featured. 114 00:06:13,360 --> 00:06:14,720 Speaker 3: You know, it was kind of built around that. 115 00:06:15,279 --> 00:06:19,880 Speaker 2: Also, incredible movies like those are also huge and incredible movies. 116 00:06:20,080 --> 00:06:20,320 Speaker 3: Yeah. 117 00:06:20,400 --> 00:06:23,080 Speaker 4: Yeah, So, as you know, it was very fortunate to 118 00:06:23,120 --> 00:06:26,479 Speaker 4: have that. And then you guys, your show was so 119 00:06:26,680 --> 00:06:30,800 Speaker 4: huge and everyone was paying so much attention to what 120 00:06:30,960 --> 00:06:33,200 Speaker 4: song you were going to pick, and you know, so 121 00:06:33,360 --> 00:06:37,279 Speaker 4: it was just added to the power of the song 122 00:06:37,360 --> 00:06:41,599 Speaker 4: really and you know, it's great. We actually used we 123 00:06:41,680 --> 00:06:46,040 Speaker 4: have an opening video when we are in a live show, 124 00:06:46,040 --> 00:06:47,000 Speaker 4: and we actually. 125 00:06:46,720 --> 00:06:50,120 Speaker 6: Used uh, that clip for a little while, but a 126 00:06:50,160 --> 00:06:54,360 Speaker 6: bunch of Jesse Jesse's Girl uh takes and we used 127 00:06:54,400 --> 00:06:56,679 Speaker 6: he used his clip, but was very cool, very sad, 128 00:06:57,080 --> 00:06:59,280 Speaker 6: very sad because we did it before he passed away, 129 00:06:59,320 --> 00:07:02,280 Speaker 6: so it was very very sad to see afterwards. 130 00:07:02,279 --> 00:07:06,640 Speaker 1: So, yeah, you said Jesse's Girl is a story song. Obviously, 131 00:07:08,360 --> 00:07:11,400 Speaker 1: is there a Jesse in your life? I'm just curious 132 00:07:11,440 --> 00:07:14,200 Speaker 1: of the inspiration. 133 00:07:13,760 --> 00:07:14,280 Speaker 2: For this song. 134 00:07:14,360 --> 00:07:19,320 Speaker 4: Yeah, very much so. His name was Gary, but it didn't. 135 00:07:19,400 --> 00:07:21,440 Speaker 4: It didn't work in the song. It didn't sing, so 136 00:07:21,560 --> 00:07:24,040 Speaker 4: I had to pick another, pick another name. Sorry for 137 00:07:24,080 --> 00:07:27,640 Speaker 4: all the Gary's out there, you love it name, It 138 00:07:27,640 --> 00:07:31,000 Speaker 4: didn't it didn't work in the song. And Yeah, I 139 00:07:31,080 --> 00:07:35,480 Speaker 4: was actually going to it was nineteen seventy nine and 140 00:07:35,520 --> 00:07:37,880 Speaker 4: I was concerned. I'd had three albums out and hadn't 141 00:07:37,920 --> 00:07:40,559 Speaker 4: done anything, and I hadn't acted in a while. 142 00:07:40,680 --> 00:07:44,600 Speaker 3: I was thinking maybe I should start looking elsewhere for 143 00:07:44,680 --> 00:07:46,000 Speaker 3: a career. 144 00:07:47,120 --> 00:07:50,360 Speaker 4: And although I never I never really gave it up, 145 00:07:50,400 --> 00:07:51,920 Speaker 4: but you know, I just I was kind of worried, 146 00:07:51,960 --> 00:07:54,080 Speaker 4: and I started found the stained glass class. 147 00:07:54,120 --> 00:07:56,200 Speaker 3: Oh it loved I love our Heart, I love working 148 00:07:56,240 --> 00:07:59,960 Speaker 3: in my hands, and this stained glass class. 149 00:08:00,080 --> 00:08:02,960 Speaker 4: I started going to it to make stained glass, you know, 150 00:08:03,160 --> 00:08:06,280 Speaker 4: windows and stuff, with the intention of supporting my future 151 00:08:06,320 --> 00:08:10,400 Speaker 4: family with my stained glass mastery, which is pretty insane, but. 152 00:08:12,080 --> 00:08:13,760 Speaker 2: You're an artists, can't stop. 153 00:08:14,400 --> 00:08:15,000 Speaker 3: But there was a. 154 00:08:14,960 --> 00:08:18,760 Speaker 4: Girl there and uh, and I don't I don't remember 155 00:08:18,760 --> 00:08:21,000 Speaker 4: her name because she would I couldn't get closer to her, 156 00:08:21,200 --> 00:08:21,800 Speaker 4: hence the song. 157 00:08:21,880 --> 00:08:22,760 Speaker 3: But I know his name. 158 00:08:22,880 --> 00:08:25,760 Speaker 4: Her boyfriend was in the in the class as well, 159 00:08:25,800 --> 00:08:29,240 Speaker 4: and his name is Gary. And no, I tried in 160 00:08:29,360 --> 00:08:33,160 Speaker 4: my own way to try and let her know that 161 00:08:33,520 --> 00:08:35,360 Speaker 4: I thought she was hot, but she wanted nothing to 162 00:08:35,360 --> 00:08:35,760 Speaker 4: do with me. 163 00:08:35,840 --> 00:08:37,880 Speaker 3: She was she had her eyes only for a boyfriend. 164 00:08:37,960 --> 00:08:42,320 Speaker 4: And I basically, you know, hadn't written in a while, 165 00:08:42,320 --> 00:08:45,280 Speaker 4: and I took my sexual anks home and picked up 166 00:08:45,320 --> 00:08:47,160 Speaker 4: a guitar and wrote wrote the song. 167 00:08:47,960 --> 00:08:49,720 Speaker 2: Just one of the biggest songs of all time, no 168 00:08:49,760 --> 00:08:50,120 Speaker 2: big deal. 169 00:08:50,360 --> 00:08:55,439 Speaker 1: Yeah, inspired by stained glass. Yeah, pretty incredible. 170 00:09:04,320 --> 00:09:07,079 Speaker 2: So you said, you know, you write a song, and 171 00:09:07,120 --> 00:09:09,160 Speaker 2: there's probably some songs you write that you want to be, 172 00:09:09,200 --> 00:09:11,920 Speaker 2: the ones that are gigantic, and maybe they aren't, and 173 00:09:11,960 --> 00:09:13,800 Speaker 2: there's some you don't think anything of, and those are 174 00:09:13,840 --> 00:09:18,280 Speaker 2: the ones that take off. This song obviously has been covered, 175 00:09:18,760 --> 00:09:22,520 Speaker 2: has been used for so many things. When somebody asks 176 00:09:22,679 --> 00:09:26,120 Speaker 2: to use the song, or you see different covers of it, 177 00:09:27,040 --> 00:09:30,040 Speaker 2: are there any times you look back and you're just like, eh, 178 00:09:30,360 --> 00:09:33,520 Speaker 2: maybe I shouldn't have said yes to that, or maybe 179 00:09:33,520 --> 00:09:35,920 Speaker 2: this cover. You know, we look back at our show, 180 00:09:35,960 --> 00:09:40,840 Speaker 2: we're like, we didn't get this number right, or like, 181 00:09:40,880 --> 00:09:43,680 Speaker 2: I wonder how the artist feels about this version. I'm 182 00:09:43,679 --> 00:09:46,360 Speaker 2: not going to ask you to give us a detail 183 00:09:46,360 --> 00:09:49,760 Speaker 2: analysis of our version of your song, but sometimes, you know, 184 00:09:50,040 --> 00:09:52,319 Speaker 2: as someone who has sold twenty five million albums, and 185 00:09:52,320 --> 00:09:55,280 Speaker 2: when people cover your songs, you're like, it's so special 186 00:09:55,280 --> 00:09:58,120 Speaker 2: and it's amazing that people are so into it. Sometimes 187 00:09:58,160 --> 00:10:01,000 Speaker 2: maybe it's not great they use it on a big 188 00:10:01,040 --> 00:10:02,680 Speaker 2: public platform. 189 00:10:04,040 --> 00:10:07,040 Speaker 4: I have not disliked any of the versions. It was 190 00:10:07,080 --> 00:10:11,920 Speaker 4: actually a girl did a version. I wish I can 191 00:10:11,960 --> 00:10:15,040 Speaker 4: remember her name. She had a great she's gay and 192 00:10:15,120 --> 00:10:18,400 Speaker 4: she uh I did it, you know, as a girl 193 00:10:18,480 --> 00:10:21,200 Speaker 4: singing to a girl, and it was it was very, 194 00:10:21,280 --> 00:10:22,240 Speaker 4: very very sexy. 195 00:10:22,280 --> 00:10:25,800 Speaker 3: It was amazing. I'd love to think of her name. 196 00:10:25,840 --> 00:10:28,760 Speaker 4: I'm sorry that I can right now, but it's it's on. 197 00:10:29,800 --> 00:10:35,440 Speaker 4: It's on, you know, uh, the all the sights and everything. Yeah, strange, 198 00:10:37,160 --> 00:10:41,280 Speaker 4: it's very very cool and the brass the school brass 199 00:10:41,320 --> 00:10:44,480 Speaker 4: band playing Justice Girl. Now was that left a little 200 00:10:44,600 --> 00:10:46,520 Speaker 4: a little to be desired, But it was very cute, 201 00:10:46,640 --> 00:10:53,160 Speaker 4: you know that. I know, I'm flattered at anytime anyone 202 00:10:53,160 --> 00:10:56,439 Speaker 4: wants to take a shot at it. Great versions. It 203 00:10:56,600 --> 00:11:02,320 Speaker 4: was a school choir. Get a very hip a cappella 204 00:11:02,440 --> 00:11:07,840 Speaker 4: version of it, you know. And I've heard some interesting 205 00:11:07,920 --> 00:11:09,559 Speaker 4: versions walking by bars. 206 00:11:10,559 --> 00:11:12,839 Speaker 2: Oh my god, I cannot even imagine. 207 00:11:14,200 --> 00:11:17,079 Speaker 3: Most of the time, it's it's flattering, you know, very flattering. 208 00:11:17,920 --> 00:11:22,440 Speaker 1: Yeah, Speaking of evolution of Jesse's Girl, you have a 209 00:11:22,440 --> 00:11:27,120 Speaker 1: new album coming out Automatic Congratulations, and just another just 210 00:11:27,320 --> 00:11:31,959 Speaker 1: continuing to make music. It's it's fantastic. What how would 211 00:11:31,960 --> 00:11:35,439 Speaker 1: you say that your music has evolved, your storytelling has 212 00:11:35,440 --> 00:11:41,679 Speaker 1: evolved over your career. 213 00:11:40,440 --> 00:11:45,000 Speaker 4: Storytelling, I'd say the emphasis has gone a little off sex, 214 00:11:45,240 --> 00:11:48,439 Speaker 4: not quite as much as it used to be. I 215 00:11:49,040 --> 00:11:53,560 Speaker 4: think there's a sign of age, you know. I always 216 00:11:53,600 --> 00:11:56,280 Speaker 4: say my favorite three favorites, which this album is about, 217 00:11:56,400 --> 00:11:59,760 Speaker 4: Automatic is about and the last one was a blues 218 00:11:59,760 --> 00:12:03,920 Speaker 4: album that they had called The Snake Can. We're about 219 00:12:03,920 --> 00:12:09,560 Speaker 4: my three favorite subjects, God, sex and death, and I 220 00:12:09,640 --> 00:12:19,600 Speaker 4: find them the most inspirational, you know, of sorts, but 221 00:12:19,720 --> 00:12:23,240 Speaker 4: I you know, it's from relationships mainly, and it can 222 00:12:23,280 --> 00:12:26,840 Speaker 4: be like this new album, some of the songs the 223 00:12:26,920 --> 00:12:33,200 Speaker 4: subject matter goes back ten twenty years. You know, it's 224 00:12:33,400 --> 00:12:37,800 Speaker 4: just something will hit me, and you know, you never 225 00:12:37,880 --> 00:12:42,800 Speaker 4: really lose the If something's meaningful. 226 00:12:42,360 --> 00:12:44,920 Speaker 3: To you, you. 227 00:12:43,440 --> 00:12:45,160 Speaker 4: Can go back to it, right, you know, you can 228 00:12:45,200 --> 00:12:46,839 Speaker 4: go back to it and feel all the emotions, even 229 00:12:46,880 --> 00:12:48,040 Speaker 4: if it happened twenty years ago. 230 00:12:48,120 --> 00:12:49,480 Speaker 3: You know, it's always there. 231 00:12:49,960 --> 00:12:52,600 Speaker 4: So I draw from that as well as well as 232 00:12:52,679 --> 00:12:55,640 Speaker 4: you know, things like a couple of friend I lost 233 00:12:55,640 --> 00:13:00,240 Speaker 4: a very dear couple of friends last year within six 234 00:13:00,280 --> 00:13:02,360 Speaker 4: months of each other, and I just happened to write 235 00:13:02,360 --> 00:13:05,040 Speaker 4: a song for each of them on this album. And 236 00:13:05,080 --> 00:13:07,040 Speaker 4: I don't usually I don't do that. I don't make 237 00:13:07,040 --> 00:13:08,959 Speaker 4: that a habit of someone going and okay, I got 238 00:13:08,960 --> 00:13:11,120 Speaker 4: to write a song, but it's just they were very close, 239 00:13:11,200 --> 00:13:15,240 Speaker 4: both very close people, and I ended up writing a 240 00:13:15,320 --> 00:13:15,880 Speaker 4: song for the me. 241 00:13:16,960 --> 00:13:18,760 Speaker 2: So for this album, you're going on a tour to 242 00:13:18,760 --> 00:13:19,240 Speaker 2: support it. 243 00:13:19,600 --> 00:13:23,200 Speaker 4: Yeah, we have a that's called I Want, I Want 244 00:13:23,240 --> 00:13:24,000 Speaker 4: my Eighties Tour. 245 00:13:24,080 --> 00:13:25,520 Speaker 3: I didn't come up with that one, but that's what 246 00:13:25,640 --> 00:13:26,080 Speaker 3: it was called. 247 00:13:28,280 --> 00:13:35,480 Speaker 4: And we have the hooters and uh, Paul Young and 248 00:13:35,559 --> 00:13:38,120 Speaker 4: uh Tommy Tutone and John Wade on some shows and 249 00:13:38,160 --> 00:13:41,640 Speaker 4: the Tubes on some shows that it's wow, it's a 250 00:13:41,679 --> 00:13:44,880 Speaker 4: great package, is really, you know it's Walter Wall hits 251 00:13:44,920 --> 00:13:48,520 Speaker 4: and and I have an amazing band and we have 252 00:13:49,400 --> 00:13:51,360 Speaker 4: an absolutely incredible time on stage. 253 00:13:51,360 --> 00:13:54,960 Speaker 3: We love each other and it shows and. 254 00:13:54,240 --> 00:13:56,040 Speaker 4: People pick up on that. And we're doing you know, 255 00:13:56,160 --> 00:13:59,480 Speaker 4: we have new songs to do, which always inspires us. 256 00:14:00,200 --> 00:14:01,720 Speaker 4: You know, I love the old I love the old 257 00:14:01,760 --> 00:14:04,600 Speaker 4: songs and of course you can't really leave the stage 258 00:14:04,600 --> 00:14:08,600 Speaker 4: without playing them, so but you know, it's good to 259 00:14:08,600 --> 00:14:10,320 Speaker 4: have new stuff to insurpire. 260 00:14:09,920 --> 00:14:14,280 Speaker 1: You absolutely definitely. Did you like tour? Do you like touring? 261 00:14:14,320 --> 00:14:15,760 Speaker 1: Did you like touring back in the day? 262 00:14:16,360 --> 00:14:18,839 Speaker 4: Yeah, I love touring. I hate the travel always. I've 263 00:14:18,840 --> 00:14:21,440 Speaker 4: always hated the travel. I said, I get paid to travel, 264 00:14:21,440 --> 00:14:25,240 Speaker 4: I don't get paid to play. And it's it's uh, 265 00:14:26,000 --> 00:14:28,120 Speaker 4: it could be a bit of a drag. I hate 266 00:14:28,120 --> 00:14:30,000 Speaker 4: being away from home now too. It didn't didn't used 267 00:14:30,040 --> 00:14:31,920 Speaker 4: to bother me when I didn't have a family, of course, 268 00:14:31,960 --> 00:14:36,040 Speaker 4: but now now it gets harder as you get older 269 00:14:36,040 --> 00:14:37,520 Speaker 4: and you get more setting. 270 00:14:37,600 --> 00:14:39,520 Speaker 3: You know, where you live, I love where I live. 271 00:14:39,560 --> 00:14:40,640 Speaker 3: I have a studio here. 272 00:14:43,320 --> 00:14:45,440 Speaker 4: You know, much of my life is here, so's it's 273 00:14:45,480 --> 00:14:48,360 Speaker 4: hard to become a road banded again. 274 00:14:49,640 --> 00:14:55,000 Speaker 1: So Glee is about high school? Obviously, what were you like? 275 00:14:58,040 --> 00:15:00,640 Speaker 1: And in Head and Hands, what would you like in 276 00:15:00,760 --> 00:15:01,200 Speaker 1: high school? 277 00:15:01,280 --> 00:15:02,800 Speaker 3: I hated school. The school. 278 00:15:03,000 --> 00:15:06,200 Speaker 4: School was my prison, and I mainly because my dad 279 00:15:06,240 --> 00:15:06,880 Speaker 4: was in the Australia. 280 00:15:06,880 --> 00:15:09,600 Speaker 3: I'm from Australia. My dad was in the Australian Army. 281 00:15:10,240 --> 00:15:12,640 Speaker 4: And if any anyone's a service bread, they know it's 282 00:15:12,680 --> 00:15:16,000 Speaker 4: two years in every place. So I was continually the 283 00:15:16,080 --> 00:15:19,720 Speaker 4: new kid in school, always having always having approved myself, 284 00:15:19,760 --> 00:15:20,960 Speaker 4: always having to get in the fight. 285 00:15:21,080 --> 00:15:24,320 Speaker 3: So always it was just and then and then. 286 00:15:24,320 --> 00:15:27,960 Speaker 4: Finally making friends, knowing that in two years I'd be 287 00:15:28,040 --> 00:15:30,560 Speaker 4: leaving them. And it was brutal, but it was really hard. 288 00:15:30,800 --> 00:15:34,120 Speaker 4: I dealt with it then. You know, you suck it 289 00:15:34,200 --> 00:15:37,720 Speaker 4: up when you're a kid. But I realized now that 290 00:15:37,720 --> 00:15:39,120 Speaker 4: that was a big part of who. 291 00:15:38,920 --> 00:15:44,680 Speaker 3: I am now. I don't make friends easily. You know. 292 00:15:45,920 --> 00:15:48,560 Speaker 4: I have been in this house and I haven't been 293 00:15:48,600 --> 00:15:51,320 Speaker 4: now for thirty years, and I hate the thought of moving. 294 00:15:52,640 --> 00:15:57,400 Speaker 1: I wonder you don't like travel makes sense for the 295 00:15:57,520 --> 00:15:58,240 Speaker 1: travel apart. 296 00:15:58,760 --> 00:16:01,560 Speaker 3: No, I mean I'm traveling since I was nine years old. 297 00:16:01,600 --> 00:16:03,640 Speaker 4: We moved to England when I was nine years old, 298 00:16:03,800 --> 00:16:06,320 Speaker 4: and uh, and then went all around Europe and then 299 00:16:06,360 --> 00:16:09,600 Speaker 4: moved back to Australia. Then I went to Vietnam Vietnam 300 00:16:09,640 --> 00:16:12,360 Speaker 4: is sixty eight sixty nine, and then came to America. 301 00:16:13,000 --> 00:16:16,960 Speaker 3: So I've been traveling all my life and I love 302 00:16:17,040 --> 00:16:17,480 Speaker 3: to travel. 303 00:16:17,520 --> 00:16:20,040 Speaker 4: But but it when when you're playing, when you're doing 304 00:16:20,040 --> 00:16:22,600 Speaker 4: a show, you know, you're constantly tired. 305 00:16:22,840 --> 00:16:24,200 Speaker 3: I mean it's it's. 306 00:16:24,040 --> 00:16:25,480 Speaker 4: If you guys, know, if you've been on the road 307 00:16:25,520 --> 00:16:28,400 Speaker 4: and you constantly you never get enough sleep. There's always 308 00:16:28,440 --> 00:16:30,880 Speaker 4: a plane to catch is always, and it's it's not 309 00:16:31,000 --> 00:16:31,640 Speaker 4: fun travel. 310 00:16:31,680 --> 00:16:34,800 Speaker 3: Fun travel to me is Tahiti and a wife exactly. 311 00:16:34,880 --> 00:16:36,000 Speaker 2: It's definitely work travel. 312 00:16:36,080 --> 00:16:38,640 Speaker 3: Yeah. Yeah, and that's that's very very different. But I 313 00:16:38,680 --> 00:16:39,960 Speaker 3: but I do love to travel. 314 00:16:40,000 --> 00:16:43,320 Speaker 4: I think that's you know, my my upbringing help help 315 00:16:43,440 --> 00:16:44,360 Speaker 4: me with that. 316 00:16:45,440 --> 00:16:49,160 Speaker 2: M Yeah, it's perfect training for touring life. I guess 317 00:16:49,200 --> 00:16:51,960 Speaker 2: did you when did you pick up music? Did you 318 00:16:51,960 --> 00:16:54,440 Speaker 2: start that early or was that something you found later on? 319 00:16:54,720 --> 00:16:56,280 Speaker 3: Yeah, I found that when I was in England. 320 00:16:56,280 --> 00:16:58,040 Speaker 4: We moved to England when I was nine years old, 321 00:16:58,120 --> 00:17:01,600 Speaker 4: and uh, it was just before the Beatles came out, 322 00:17:01,680 --> 00:17:05,320 Speaker 4: and it was a whole English scene was incredible. America 323 00:17:05,440 --> 00:17:07,720 Speaker 4: never got that part of the English scene before the Beatles, 324 00:17:07,720 --> 00:17:11,560 Speaker 4: but it was really great. It was very very unique. 325 00:17:11,640 --> 00:17:14,919 Speaker 4: And a guy called the Richard who you may have 326 00:17:15,000 --> 00:17:18,280 Speaker 4: heard of, but he was like else in England and 327 00:17:18,320 --> 00:17:21,640 Speaker 4: Europe in a man called the Shadows, and I used 328 00:17:21,640 --> 00:17:26,080 Speaker 4: to lip sync their records with a tennis racket and 329 00:17:26,640 --> 00:17:29,000 Speaker 4: reflected in the living room window, you know. And I 330 00:17:29,080 --> 00:17:31,359 Speaker 4: get my school friends to stand behind me and pretend 331 00:17:31,440 --> 00:17:33,760 Speaker 4: to be my band, and then I started cutting. 332 00:17:34,119 --> 00:17:36,600 Speaker 3: I started cutting guitars out of cardboard, not paint them 333 00:17:36,640 --> 00:17:37,800 Speaker 3: red like a stratocaster. 334 00:17:38,080 --> 00:17:40,080 Speaker 4: And eventually my mom got the idea and bought me 335 00:17:40,080 --> 00:17:42,000 Speaker 4: a real guitar of my thirteenth birthday. 336 00:17:42,480 --> 00:17:43,879 Speaker 3: So I was very into music. 337 00:17:44,359 --> 00:17:47,000 Speaker 4: When I moved back to Australia, I started met a 338 00:17:47,040 --> 00:17:50,040 Speaker 4: guy and we started playing together, and then it just 339 00:17:50,040 --> 00:17:53,560 Speaker 4: fell into bands and went the usual route of of 340 00:17:54,400 --> 00:17:58,000 Speaker 4: horrible performances of birthdays and then getting it getting in 341 00:17:58,040 --> 00:18:01,040 Speaker 4: a real band, and then starting to learn how to 342 00:18:01,040 --> 00:18:03,960 Speaker 4: play for an audience, and you know it was and 343 00:18:04,000 --> 00:18:08,600 Speaker 4: then getting in a successful band in Australia, having records 344 00:18:08,640 --> 00:18:12,119 Speaker 4: and writing and then going solo in Australia and then 345 00:18:12,160 --> 00:18:14,520 Speaker 4: getting a deal over here and coming over here. 346 00:18:14,400 --> 00:18:17,280 Speaker 2: Right, And that's also an easier way to there's one 347 00:18:17,280 --> 00:18:19,960 Speaker 2: way to make friends when you're moving every two years. 348 00:18:20,200 --> 00:18:25,480 Speaker 2: Form a band, temporary band for the next eighteen ish months. 349 00:18:25,880 --> 00:18:29,240 Speaker 3: Yeah, it doesn't have to be forever. We'll still like 350 00:18:29,320 --> 00:18:30,520 Speaker 3: each other at the end of it, you know. 351 00:18:31,520 --> 00:18:37,720 Speaker 1: Yeah, exactly who are you listening to? What artists like 352 00:18:37,800 --> 00:18:39,640 Speaker 1: inspire you to make music? Right now? 353 00:18:40,480 --> 00:18:45,840 Speaker 4: Well, I'm a big Beatle fan obviously, but I like 354 00:18:46,000 --> 00:18:48,399 Speaker 4: I like bands a lot, you know, Like I just 355 00:18:48,400 --> 00:18:52,919 Speaker 4: got the new Queens of Stone Age album. Actually, I 356 00:18:52,960 --> 00:18:55,440 Speaker 4: love a lot of the Taylor Swiss stuff. I think 357 00:18:55,480 --> 00:18:59,440 Speaker 4: she's a great writer. I think she's an artist that 358 00:18:59,480 --> 00:19:02,040 Speaker 4: truly racist her audience. And I love that because I 359 00:19:02,080 --> 00:19:05,399 Speaker 4: do too. I you know, I understand I'm here because 360 00:19:05,440 --> 00:19:09,040 Speaker 4: of the audience, not the other way around. And at first, 361 00:19:09,320 --> 00:19:11,120 Speaker 4: when you first start, you know, you think it's all 362 00:19:11,119 --> 00:19:15,119 Speaker 4: about you, And when you're in up long enough, you 363 00:19:15,160 --> 00:19:18,280 Speaker 4: start to realize it's actually about them, the audience, and 364 00:19:19,520 --> 00:19:23,080 Speaker 4: and you're there because they are interested and I'm amazed 365 00:19:23,119 --> 00:19:25,640 Speaker 4: that people still have, you know, interested, and that's why 366 00:19:25,680 --> 00:19:27,119 Speaker 4: I keep doing what I'm doing. 367 00:19:28,680 --> 00:19:31,080 Speaker 3: And also have a d D. So I forgot the first. 368 00:19:30,880 --> 00:19:35,680 Speaker 2: Question, No that you answer it? Who is you know 369 00:19:35,760 --> 00:19:48,600 Speaker 2: that you know your songs get covered all the time? 370 00:19:48,680 --> 00:19:51,520 Speaker 2: Is there if you got to be on a show 371 00:19:51,600 --> 00:19:56,600 Speaker 2: like Glee where you could do a big musical performance 372 00:19:56,880 --> 00:19:59,119 Speaker 2: of a dream song that was not yours? Do you 373 00:19:59,160 --> 00:20:00,840 Speaker 2: have one that you would do? 374 00:20:02,000 --> 00:20:02,160 Speaker 3: Mm? 375 00:20:02,200 --> 00:20:04,760 Speaker 2: Hmm could episode? 376 00:20:04,920 --> 00:20:06,720 Speaker 3: Yeah, where do you start? 377 00:20:06,920 --> 00:20:10,879 Speaker 4: I mean I have I do an orchestral show as well, 378 00:20:12,400 --> 00:20:16,280 Speaker 4: and I do She's Leaving Home on it, and that's 379 00:20:16,840 --> 00:20:19,960 Speaker 4: that's an just I mean I was I was a 380 00:20:20,000 --> 00:20:23,040 Speaker 4: Paul Guy when I was a kid. Yeah, but now 381 00:20:23,760 --> 00:20:28,240 Speaker 4: now I'm as much a John Guy Strawberry Fields and 382 00:20:28,320 --> 00:20:31,040 Speaker 4: I am the Walrus or just you know. 383 00:20:31,200 --> 00:20:34,120 Speaker 3: But but She's Leaving Home. 384 00:20:34,520 --> 00:20:37,439 Speaker 4: It's a great song to perform because it's just a 385 00:20:37,480 --> 00:20:40,520 Speaker 4: great story. It's very emotional and uh and it's an 386 00:20:40,520 --> 00:20:46,280 Speaker 4: incredible lyric and incredible melody. Yeah, I mean, you can't 387 00:20:46,280 --> 00:20:46,920 Speaker 4: really pick one. 388 00:20:46,960 --> 00:20:51,240 Speaker 3: I mean, you know you're really doting on the. 389 00:20:51,280 --> 00:20:52,200 Speaker 1: Real spot here. 390 00:20:53,119 --> 00:20:57,720 Speaker 2: Yeah, that's a great answer, beautiful. 391 00:20:58,480 --> 00:21:03,520 Speaker 1: Yeah, and obviously you've also you know, you've done a 392 00:21:03,560 --> 00:21:06,840 Speaker 1: bunch of TV as well in acting. Is that something 393 00:21:06,880 --> 00:21:08,600 Speaker 1: that still interests you now? 394 00:21:09,440 --> 00:21:13,200 Speaker 3: Yeah, yeah, very much. So I don't think. 395 00:21:13,240 --> 00:21:16,200 Speaker 4: I don't know if my agent at William, my acting agent, 396 00:21:16,320 --> 00:21:19,439 Speaker 4: William Morris, understands that I'm still interested in it. 397 00:21:19,320 --> 00:21:22,960 Speaker 3: But yeah, no I do. 398 00:21:23,040 --> 00:21:25,239 Speaker 4: I mean, I did a movie with Meryl Streep and 399 00:21:25,280 --> 00:21:27,919 Speaker 4: that was really exciting and I learned a lot from that. 400 00:21:28,040 --> 00:21:30,680 Speaker 4: And I've done some uh, you know, did a stint 401 00:21:30,720 --> 00:21:35,960 Speaker 4: on Californication and that was that was great true detective 402 00:21:36,080 --> 00:21:38,639 Speaker 4: and a bunch of American horror story and some you know, 403 00:21:38,640 --> 00:21:41,760 Speaker 4: there's some great writing out there, and uh. And as 404 00:21:41,760 --> 00:21:45,520 Speaker 4: I get older, the one thing, the one maybe a 405 00:21:45,560 --> 00:21:47,320 Speaker 4: good thing about getting older is that you have a 406 00:21:47,359 --> 00:21:49,920 Speaker 4: little more life experience and you understand your craft better. 407 00:21:49,960 --> 00:21:52,960 Speaker 4: And and I'm you know, I look at General Hospital 408 00:21:52,960 --> 00:21:56,240 Speaker 4: now and I go, well, was I thinking that it 409 00:21:56,280 --> 00:21:56,880 Speaker 4: was horrible? 410 00:21:57,200 --> 00:22:00,119 Speaker 2: But but no, you should talk to my mom about it, 411 00:22:00,160 --> 00:22:01,880 Speaker 2: because she's sent me a long text and I said, 412 00:22:01,880 --> 00:22:03,960 Speaker 2: we were going to be talking to you because she 413 00:22:04,080 --> 00:22:06,200 Speaker 2: and my sister the family group chat, were like, oh 414 00:22:06,240 --> 00:22:09,280 Speaker 2: my god, he's so hot. We watched it every day. 415 00:22:10,480 --> 00:22:13,080 Speaker 3: Hot hot is not good acting though. 416 00:22:17,119 --> 00:22:22,679 Speaker 4: It didn't work all right, Okay, Yeah, I love acting 417 00:22:22,760 --> 00:22:25,960 Speaker 4: and I plan to do more, although I just have 418 00:22:26,040 --> 00:22:30,000 Speaker 4: to inform my my acting agent Mark. My music agent 419 00:22:30,080 --> 00:22:33,320 Speaker 4: is Gail Hulker. She is the friggin balm. She's awesome. 420 00:22:33,440 --> 00:22:36,960 Speaker 4: We love her acting agent not so much. 421 00:22:37,359 --> 00:22:39,520 Speaker 1: I just got to remind them, give them a little 422 00:22:39,960 --> 00:22:47,360 Speaker 1: on them. Yeah, exactly, exactly before we let you go, curious, like, 423 00:22:47,840 --> 00:22:50,320 Speaker 1: You've just had so much experience in this business now, 424 00:22:50,520 --> 00:22:53,760 Speaker 1: and I'm just curious, what would you any advice you 425 00:22:53,800 --> 00:22:56,320 Speaker 1: would give to your younger self. You know, we have 426 00:22:56,359 --> 00:22:59,320 Speaker 1: a lot of young aspiring performers listening here. 427 00:23:00,240 --> 00:23:03,199 Speaker 4: Don't trust everybody, don't think that they're in it for 428 00:23:03,280 --> 00:23:07,760 Speaker 4: your good. But before that, I'd say the most important, 429 00:23:07,800 --> 00:23:10,199 Speaker 4: three most important things, and never give up, never give up, 430 00:23:10,200 --> 00:23:10,919 Speaker 4: and never give up. 431 00:23:11,000 --> 00:23:13,639 Speaker 3: And that's the only thing that will help you be successful. 432 00:23:17,520 --> 00:23:19,639 Speaker 4: That's really all I can say is, you know you 433 00:23:19,720 --> 00:23:23,880 Speaker 4: just don't don't stop trying, don't give up. Always keep 434 00:23:23,920 --> 00:23:29,320 Speaker 4: improving your craft, keep learning, and don't take people's perspective 435 00:23:29,359 --> 00:23:34,280 Speaker 4: of perspective of you as the truth. Keep your keep 436 00:23:34,280 --> 00:23:37,360 Speaker 4: yourself very clear of who you are and who. 437 00:23:37,200 --> 00:23:38,600 Speaker 3: You know, what you know you can do. 438 00:23:39,520 --> 00:23:43,439 Speaker 4: And I've always been a big believer in goals and 439 00:23:43,480 --> 00:23:47,640 Speaker 4: setting goals and seeing yourself there. There's actually a song 440 00:23:47,720 --> 00:23:49,840 Speaker 4: on my new album called fake It Till You Make 441 00:23:49,920 --> 00:23:53,920 Speaker 4: It that is about that. It's about you know, you're there, 442 00:23:54,000 --> 00:23:57,240 Speaker 4: put yourself there in your head and it will somehow 443 00:23:57,480 --> 00:24:01,679 Speaker 4: the universe will find your way to it. 444 00:24:01,760 --> 00:24:04,720 Speaker 3: And it's you know, it sounds simple, but it's. 445 00:24:06,080 --> 00:24:09,200 Speaker 4: When you're alone in your apartment and nobody calling and 446 00:24:09,280 --> 00:24:11,639 Speaker 4: you're down to your last five bucks. It can be 447 00:24:11,760 --> 00:24:15,080 Speaker 4: very hard to keep that mindset. But that's when it 448 00:24:15,119 --> 00:24:18,640 Speaker 4: becomes the most important. Yeah, and that's really all I'd say, 449 00:24:18,680 --> 00:24:20,880 Speaker 4: you know, work on your craft and stay committed. 450 00:24:21,840 --> 00:24:24,240 Speaker 1: Yeah, that's that's enough. 451 00:24:24,400 --> 00:24:27,240 Speaker 2: That's yeah, absolutely beautiful. 452 00:24:27,760 --> 00:24:32,760 Speaker 1: Yeah. Well, we're so grateful that you came and chatted 453 00:24:32,760 --> 00:24:35,600 Speaker 1: with us. You're so kind and giving and honest and open, 454 00:24:35,600 --> 00:24:38,480 Speaker 1: and we really appreciate it and appreciate your time, and 455 00:24:38,520 --> 00:24:42,920 Speaker 1: our fans obviously love this is your song and Corey's 456 00:24:42,920 --> 00:24:46,080 Speaker 1: rendition of your song. So thank you for continuing to 457 00:24:46,119 --> 00:24:48,640 Speaker 1: share sharing your music with other people and allow us 458 00:24:48,680 --> 00:24:54,080 Speaker 1: to cover it. Good Lives with your album and the 459 00:24:54,160 --> 00:24:56,720 Speaker 1: tour and everything. Thank you so much. 460 00:24:57,359 --> 00:24:59,359 Speaker 2: Thank you guys, so nice to meet you. 461 00:24:59,359 --> 00:25:02,560 Speaker 1: You too, What a nice man, Jenna. 462 00:25:02,640 --> 00:25:04,560 Speaker 2: I was so nervous and I asked him what covers? 463 00:25:04,560 --> 00:25:07,480 Speaker 2: He didn't like, It's okay, that was what I was 464 00:25:07,480 --> 00:25:08,200 Speaker 2: trying to ask. 465 00:25:08,520 --> 00:25:09,880 Speaker 1: What were you trying to ask? 466 00:25:10,080 --> 00:25:12,520 Speaker 2: What he answered, which is like, are there some that 467 00:25:12,680 --> 00:25:17,560 Speaker 2: you really like? And then the gossip in me went 468 00:25:17,600 --> 00:25:20,639 Speaker 2: to like, oh, I must be asking a negative question. 469 00:25:22,760 --> 00:25:23,520 Speaker 1: It's okay. 470 00:25:23,880 --> 00:25:26,760 Speaker 2: What a sweet what a sweet, sweet talented man? Sweet 471 00:25:26,840 --> 00:25:28,080 Speaker 2: made No. 472 00:25:28,480 --> 00:25:30,600 Speaker 1: I think we were both so nervous. It's like such 473 00:25:30,640 --> 00:25:33,520 Speaker 1: a big he's such a big artist coming on. Usually 474 00:25:33,600 --> 00:25:37,000 Speaker 1: we have like you know, family of Glee coming on and. 475 00:25:36,960 --> 00:25:39,960 Speaker 2: So friends, we can be messy and mess up. Yeah, 476 00:25:40,040 --> 00:25:40,639 Speaker 2: he's a real. 477 00:25:40,840 --> 00:25:42,520 Speaker 1: Yeah, I know you really had to We really had 478 00:25:42,560 --> 00:25:46,199 Speaker 1: to come, you know, come correct. Well, we're just so 479 00:25:46,320 --> 00:25:48,720 Speaker 1: grateful that he said yes to come chat with us. 480 00:25:48,760 --> 00:25:52,760 Speaker 1: And how cool Jesse's girl, Gary's girl. 481 00:25:54,320 --> 00:25:58,240 Speaker 2: Yeah, I mean, what a legend and like what a 482 00:25:58,320 --> 00:25:59,240 Speaker 2: creative mind. 483 00:25:59,280 --> 00:26:00,600 Speaker 1: Definitely you can and tell he lives. 484 00:26:00,600 --> 00:26:04,399 Speaker 2: It's wonderful to see people's exactly and see how people 485 00:26:04,480 --> 00:26:07,960 Speaker 2: work and to see how it's really inspiring. You know, 486 00:26:08,040 --> 00:26:11,400 Speaker 2: when you asked at the end of he has any 487 00:26:11,440 --> 00:26:15,360 Speaker 2: advice for people, and he actually the thing about never 488 00:26:15,400 --> 00:26:17,280 Speaker 2: giving up when you're down to your last five dollars 489 00:26:17,640 --> 00:26:20,480 Speaker 2: and signing up for that stained glass class sort of 490 00:26:20,520 --> 00:26:24,040 Speaker 2: thing is nothing is truer than that. And I think 491 00:26:24,080 --> 00:26:26,480 Speaker 2: for us, we've been around, we've been through that, we've 492 00:26:26,480 --> 00:26:28,720 Speaker 2: seen other people go through that, and then you see 493 00:26:28,760 --> 00:26:31,840 Speaker 2: someone like him who just had to put out three albums, 494 00:26:32,880 --> 00:26:37,239 Speaker 2: was gonna become a stained glass. 495 00:26:36,000 --> 00:26:38,280 Speaker 1: Artists to support his family. 496 00:26:38,000 --> 00:26:42,200 Speaker 2: And then has the biggest smash and then has sixteen 497 00:26:42,200 --> 00:26:44,960 Speaker 2: other top twenty five million albums. 498 00:26:45,560 --> 00:26:48,879 Speaker 1: Well, Rick Springfield, we're so lucky to have you. Thanks 499 00:26:48,880 --> 00:26:51,680 Speaker 1: for coming on and we hope you guys enjoyed this episode. 500 00:26:52,080 --> 00:26:55,399 Speaker 2: That's what you really missed. Thanks for listening and follow 501 00:26:55,480 --> 00:26:58,320 Speaker 2: us on Instagram at and that's what you really miss pod. 502 00:26:58,600 --> 00:27:00,479 Speaker 2: Make sure to write us a review and leave us 503 00:27:00,480 --> 00:27:01,960 Speaker 2: five stars. See you next time,