1 00:00:00,240 --> 00:00:05,400 Speaker 1: Hey, hey girl, I really want to be with you 2 00:00:05,680 --> 00:00:09,000 Speaker 1: where you go downtown and a boy like me, Hey girl, 3 00:00:11,320 --> 00:00:19,160 Speaker 1: because that's type no name, I got that song. Oh 4 00:00:19,400 --> 00:00:28,520 Speaker 1: Nanna classic, that is classic Rihanna, Man, that's what's my name? 5 00:00:28,600 --> 00:00:32,480 Speaker 1: She's beautiful? Huh oh my god, Yes, big ree read 6 00:00:32,560 --> 00:00:34,760 Speaker 1: little re read It don't matter. I just love me 7 00:00:34,880 --> 00:00:38,720 Speaker 1: some Oh yeah, you like three red? We both remember 8 00:00:38,800 --> 00:00:42,599 Speaker 1: had a DM moment when re re that's the right 9 00:00:42,600 --> 00:00:44,839 Speaker 1: way to say it. She got thick, got th h 10 00:00:44,960 --> 00:00:49,080 Speaker 1: I CC when she went ahead and got thick with it. 11 00:00:49,479 --> 00:00:53,120 Speaker 1: Yeah yeah, And I was feeling it and Donald was like, 12 00:00:53,320 --> 00:00:55,720 Speaker 1: now you know what I've been saying. You know how 13 00:00:55,760 --> 00:01:00,680 Speaker 1: I feel about thick women. M that's a nice color 14 00:01:00,760 --> 00:01:03,120 Speaker 1: on you. What do you call that salmon? I like 15 00:01:03,200 --> 00:01:04,880 Speaker 1: to think of it as red, but just washed a 16 00:01:04,959 --> 00:01:07,480 Speaker 1: little bit too much. Joel, don't you call that salmon? 17 00:01:07,720 --> 00:01:10,319 Speaker 1: I do believe that it's a salmon, Zach, Yeah, Salmon's 18 00:01:10,319 --> 00:01:13,479 Speaker 1: a nice color with your skin tone. You know, it's 19 00:01:13,480 --> 00:01:16,920 Speaker 1: a really nice color with my skin tone. What's nuts? 20 00:01:17,040 --> 00:01:21,640 Speaker 1: Let's get into the show. Want I texted you if 21 00:01:21,640 --> 00:01:23,760 Speaker 1: you want to go to dinner tonight with me? That 22 00:01:23,800 --> 00:01:25,560 Speaker 1: would be fun. We just gotta I just gotta ask 23 00:01:25,600 --> 00:01:28,160 Speaker 1: my daughter if she's down to you. Don't ever ask 24 00:01:28,280 --> 00:01:31,680 Speaker 1: this daughter to do anything around the fucking house. She's 25 00:01:31,240 --> 00:01:34,759 Speaker 1: twenty one years old, yeah, and they and she lives 26 00:01:34,760 --> 00:01:38,080 Speaker 1: rent free, and she fucking leaves dishes in the sink, 27 00:01:38,400 --> 00:01:41,119 Speaker 1: and y'all never say anything like, hey, can you watch 28 00:01:41,160 --> 00:01:44,760 Speaker 1: the kids while we go to dinner? And I'm tired 29 00:01:44,800 --> 00:01:47,440 Speaker 1: of it. It's not that we still feel like she 30 00:01:47,520 --> 00:01:50,320 Speaker 1: has to be asked. No, she has to be told 31 00:01:51,560 --> 00:01:57,680 Speaker 1: that's her rent, that's her rent money. Damn. So much 32 00:01:57,720 --> 00:02:00,720 Speaker 1: has happened. So much has happened this week go on. 33 00:02:01,080 --> 00:02:04,480 Speaker 1: Since we spoke, Joe l went ahead and hooked up 34 00:02:04,480 --> 00:02:10,560 Speaker 1: the Oculus Yes and was playing it. And I got jealous, Yeah, 35 00:02:10,639 --> 00:02:12,399 Speaker 1: because I heard that there was a Star Wars game 36 00:02:12,400 --> 00:02:15,640 Speaker 1: on Oculus that I just had to play, right, So 37 00:02:15,680 --> 00:02:18,880 Speaker 1: I went out and got me an Oculus Quest two Yes. 38 00:02:20,040 --> 00:02:22,480 Speaker 1: And then I learned that the game that I wanted 39 00:02:22,480 --> 00:02:25,480 Speaker 1: to play on the Oculus Quest two doesn't come with 40 00:02:25,560 --> 00:02:29,320 Speaker 1: the Oculus Quest two. You need a PC. The Stars 41 00:02:29,400 --> 00:02:33,160 Speaker 1: Classic Donald story ever, I went Donald Donald finds a 42 00:02:33,200 --> 00:02:36,240 Speaker 1: hobby and then gets into it and then has to 43 00:02:36,240 --> 00:02:39,520 Speaker 1: buy every single thing you could ever need for the hobby. 44 00:02:40,080 --> 00:02:42,120 Speaker 1: You bought a flight chair, didn't you. I did buy 45 00:02:42,120 --> 00:02:49,919 Speaker 1: a flight chair. Stop. Is it in the house? Not yet, 46 00:02:49,919 --> 00:02:51,960 Speaker 1: it's not here. You should start doing the podcast from 47 00:02:52,000 --> 00:02:55,400 Speaker 1: the flight chair, please? That might that might be might 48 00:02:55,400 --> 00:02:59,160 Speaker 1: be with the from the flight chair with the goggles 49 00:02:59,240 --> 00:03:03,079 Speaker 1: on playing the game. I really feel like we should 50 00:03:03,080 --> 00:03:06,800 Speaker 1: get a four link going, get on this game, pilot 51 00:03:06,840 --> 00:03:09,240 Speaker 1: around a little bit and do the podcast from the 52 00:03:09,720 --> 00:03:12,200 Speaker 1: But I'm saying, can't we we should do an episode 53 00:03:12,200 --> 00:03:14,840 Speaker 1: of the podcast where we're all with our goggles on 54 00:03:14,919 --> 00:03:17,120 Speaker 1: in a virtual room together talking. I think that would 55 00:03:17,120 --> 00:03:20,639 Speaker 1: be fun. We can do that. We can are They're 56 00:03:20,680 --> 00:03:24,320 Speaker 1: like hang out rooms, Daniel, Yes, and my big screen 57 00:03:24,400 --> 00:03:26,840 Speaker 1: it is great for this. And my avatar can show 58 00:03:26,919 --> 00:03:29,520 Speaker 1: up in this yep, and I'll be able to touch 59 00:03:29,600 --> 00:03:33,000 Speaker 1: him while I feel him. I mean, you know, the 60 00:03:33,000 --> 00:03:35,800 Speaker 1: haptics are okay, they're not. That's the next step. We 61 00:03:35,840 --> 00:03:39,600 Speaker 1: feel we could totally do virtual sex, dude, you and yeah, 62 00:03:39,640 --> 00:03:41,760 Speaker 1: that's not that's not I don't think it's. I don't 63 00:03:41,760 --> 00:03:44,320 Speaker 1: think it's I think our women would be okay if 64 00:03:44,320 --> 00:03:46,560 Speaker 1: we just grow up each other in virtual space, right, 65 00:03:46,880 --> 00:03:49,960 Speaker 1: I think it's I think I think it's not. I 66 00:03:49,960 --> 00:03:52,400 Speaker 1: don't think it's cheating. If I penetrate you, I don't 67 00:03:52,400 --> 00:03:56,480 Speaker 1: know whoa whoa Joel, you're the expert on this. If 68 00:03:56,560 --> 00:04:00,440 Speaker 1: d Wan, if Dwan, if Donald must have been my 69 00:04:00,520 --> 00:04:04,160 Speaker 1: dream last night, If Donald virtually penetrates me, is it 70 00:04:04,240 --> 00:04:08,960 Speaker 1: is it cheating? Is it cheating? Uh? That depends on 71 00:04:09,120 --> 00:04:12,880 Speaker 1: the boundaries you've set with your partner. You know. I 72 00:04:12,880 --> 00:04:15,520 Speaker 1: feel like I can totally see some people being like, no, 73 00:04:15,680 --> 00:04:18,720 Speaker 1: even virtually, I don't want you having relationships. I feel 74 00:04:18,760 --> 00:04:20,720 Speaker 1: other people would be like, thank god, no, no, no, no, no, 75 00:04:20,760 --> 00:04:25,320 Speaker 1: we didn't say. We didn't say relationship too far. If 76 00:04:25,320 --> 00:04:28,440 Speaker 1: you penetrate someone, you're in you have some form of relationship. 77 00:04:28,480 --> 00:04:30,640 Speaker 1: Maybe you guys are not boyfriend girlfriend, you are having 78 00:04:30,720 --> 00:04:36,359 Speaker 1: We are a relationship. We might have fends. But in 79 00:04:36,400 --> 00:04:40,160 Speaker 1: all seriousness, don't they have like virtual not virtual, but 80 00:04:40,160 --> 00:04:43,279 Speaker 1: but but things that connect to your computer that simulate 81 00:04:43,360 --> 00:04:48,840 Speaker 1: the female anatomy. Oh, I don't know they do. It's 82 00:04:48,920 --> 00:04:53,360 Speaker 1: with apps that I think there are things you guys, 83 00:04:53,440 --> 00:04:59,039 Speaker 1: that contract and and simulate the female anatomy. And then 84 00:04:59,760 --> 00:05:01,800 Speaker 1: you go in the app and in the virtual world, 85 00:05:01,880 --> 00:05:04,440 Speaker 1: and your and you and you and you feel it. 86 00:05:04,360 --> 00:05:07,520 Speaker 1: It does not if this, if this doesn't sist. If 87 00:05:07,520 --> 00:05:10,479 Speaker 1: this everyone is appropriate. It gives you, guys, as a 88 00:05:10,520 --> 00:05:17,600 Speaker 1: present Christmas is coming if it exists. By the way, 89 00:05:17,680 --> 00:05:21,400 Speaker 1: knowing Donald, because he's outfitting a whole room with virtual gear. 90 00:05:21,720 --> 00:05:23,280 Speaker 1: This is probably already in the mail. But if it's not, 91 00:05:23,320 --> 00:05:24,560 Speaker 1: I'm gonna buy it for you today. Is you're a 92 00:05:24,600 --> 00:05:28,320 Speaker 1: Christmas present, This would make my Christmas. It would make 93 00:05:28,320 --> 00:05:31,680 Speaker 1: my wife's Christmas too, yeah, because she'd be like, go yeah, yeah, 94 00:05:31,760 --> 00:05:34,800 Speaker 1: see Casey would be like, listen, leave me the fuck alone, 95 00:05:34,839 --> 00:05:40,240 Speaker 1: go bang a virtual girl. Right, where is that? All 96 00:05:40,279 --> 00:05:43,280 Speaker 1: of a sudden, Donald Donald sliding into my DM's like, yo, yo, 97 00:05:43,360 --> 00:05:45,279 Speaker 1: you want to meet up in virtual world? Wow? Oh, 98 00:05:45,960 --> 00:05:50,880 Speaker 1: I'm like, chill, bro broke back, virtual broke back virtual? 99 00:05:51,040 --> 00:05:55,000 Speaker 1: Oh my god, like you in the virtual world. Yeah, 100 00:05:55,040 --> 00:05:57,159 Speaker 1: we get We get up in the virtual WORLDLD ten. 101 00:05:57,560 --> 00:05:59,560 Speaker 1: We're in a tent and we're fucking we have cattle 102 00:05:59,600 --> 00:06:05,279 Speaker 1: to deal with than sh and fire, virtual hunting together, 103 00:06:07,000 --> 00:06:09,960 Speaker 1: and then we virtual fucking Then I'm like, why can't 104 00:06:09,960 --> 00:06:12,680 Speaker 1: I quit you? Yeah? Oh my god. By the way, 105 00:06:12,720 --> 00:06:15,040 Speaker 1: if you're a game producer out there looking for content, 106 00:06:15,240 --> 00:06:22,440 Speaker 1: I think virtual program is good fucking especially if they 107 00:06:22,480 --> 00:06:25,960 Speaker 1: have this fake Majigi, which I'm gonna look up. Somebody 108 00:06:25,960 --> 00:06:32,360 Speaker 1: should be googling that. Joelle, please welcome the program. Spare welcome. 109 00:06:32,520 --> 00:06:34,480 Speaker 1: Joelle's afraid of google it because she doesn't want that 110 00:06:34,520 --> 00:06:36,800 Speaker 1: ship coming up on her. Do you ever google? Do 111 00:06:36,880 --> 00:06:39,440 Speaker 1: you ever google something embarrassing? And then you're on all 112 00:06:39,440 --> 00:06:41,920 Speaker 1: those other pages and the ad starts coming up on 113 00:06:41,960 --> 00:06:45,320 Speaker 1: other pages. It's hard, but I was I've never done that. 114 00:06:45,400 --> 00:06:48,560 Speaker 1: But I was once on porn hub, like the night before, 115 00:06:48,880 --> 00:06:51,640 Speaker 1: and I didn't, you know, cancel out on the porn 116 00:06:51,680 --> 00:06:55,760 Speaker 1: hub thing. And somebody was like, yo, uh such and 117 00:06:55,800 --> 00:06:57,599 Speaker 1: such and such and such. I was like, how no, man, 118 00:06:57,640 --> 00:07:00,760 Speaker 1: that didn't happen. Watch let me google it. Yeah, And 119 00:07:00,800 --> 00:07:03,040 Speaker 1: I opened up my phone and it was on porn 120 00:07:03,120 --> 00:07:07,040 Speaker 1: hub and some dirty shit, and I was like and 121 00:07:07,080 --> 00:07:08,960 Speaker 1: I looked at the person, the person looked at me, 122 00:07:09,440 --> 00:07:11,680 Speaker 1: and then there was like that understanding, like, oh you 123 00:07:11,760 --> 00:07:16,920 Speaker 1: porn Hub two, you want to season you listen now, 124 00:07:16,960 --> 00:07:18,680 Speaker 1: this conversation might not make it. You ever want to 125 00:07:18,720 --> 00:07:23,320 Speaker 1: see somebody see if people watch porn in a when 126 00:07:23,440 --> 00:07:25,200 Speaker 1: the world opens back up and we are in a 127 00:07:25,240 --> 00:07:30,240 Speaker 1: crowded space. Again, all you have to do is this depressors. 128 00:07:32,000 --> 00:07:35,000 Speaker 1: Somebody looks up. I guarantee somebody will look up like what, 129 00:07:35,920 --> 00:07:37,800 Speaker 1: and then you guys will have a moment of laughing. 130 00:07:38,160 --> 00:07:40,760 Speaker 1: I'm guessing that's the brand of porn you like the 131 00:07:40,800 --> 00:07:44,240 Speaker 1: most tunnel No, but that's the easy like, look, there's 132 00:07:44,280 --> 00:07:46,440 Speaker 1: this whole There were these whole challenges that were up 133 00:07:46,480 --> 00:07:51,440 Speaker 1: on Instagram where you know, young kids had uh drum 134 00:07:51,480 --> 00:07:54,600 Speaker 1: sets and they would do this drum beat that comes 135 00:07:54,600 --> 00:07:56,400 Speaker 1: with porn hub. You know what porn hub shuf doom 136 00:07:57,040 --> 00:07:59,120 Speaker 1: do and it does the beat whatever the beat is. 137 00:08:00,040 --> 00:08:02,280 Speaker 1: Kids were doing that in front of their dad's like, yo, dad, 138 00:08:02,360 --> 00:08:04,200 Speaker 1: check out this beat I learned. And they did the 139 00:08:04,200 --> 00:08:09,920 Speaker 1: beat and then the dad's reaction would be like yeah, 140 00:08:09,400 --> 00:08:11,480 Speaker 1: and then the dad and the sun would have the 141 00:08:11,520 --> 00:08:16,280 Speaker 1: moment like oh shit, you know I never saw that. 142 00:08:16,400 --> 00:08:19,680 Speaker 1: By the way, welcome everybody the program. We're very excited 143 00:08:19,720 --> 00:08:21,600 Speaker 1: to have you. We have Tara read on today, don't 144 00:08:21,640 --> 00:08:25,160 Speaker 1: we got Yeah? Shall we bring her in? Let's do it. 145 00:08:25,240 --> 00:08:27,160 Speaker 1: She gets here, Oh she's not here yet. Oh she's 146 00:08:27,160 --> 00:08:30,800 Speaker 1: not here yet. Oh she's fashionably late. You know a 147 00:08:30,840 --> 00:08:34,480 Speaker 1: lot of star types can be fashionably late. Donald, maybe 148 00:08:34,480 --> 00:08:36,720 Speaker 1: Tari read is fashionably late. They like to be a 149 00:08:36,720 --> 00:08:38,920 Speaker 1: little late. They like to make us wait. She looks 150 00:08:38,960 --> 00:08:40,680 Speaker 1: great in this episode, by the way. She looks so 151 00:08:40,720 --> 00:08:43,960 Speaker 1: beautiful and I had This episode has a lot of 152 00:08:43,960 --> 00:08:46,680 Speaker 1: funny stuff in it, a lot of classics, a lot 153 00:08:46,679 --> 00:08:49,080 Speaker 1: of classics in this episode. So you want to do 154 00:08:49,080 --> 00:08:50,720 Speaker 1: you want to do while we wait for Tara? Do 155 00:08:50,720 --> 00:08:53,480 Speaker 1: you want to get into your to your recap? Yeah, 156 00:08:53,480 --> 00:09:00,120 Speaker 1: but before we do that, let's get into we made 157 00:09:00,559 --> 00:09:10,640 Speaker 1: a lot of bunch of docs nurses story. So gat 158 00:09:10,800 --> 00:09:21,560 Speaker 1: around here, gat around here. All right, let's let's see. 159 00:09:21,600 --> 00:09:26,760 Speaker 1: I'm gonna put my timer on you ready, yep, on 160 00:09:26,840 --> 00:09:29,760 Speaker 1: your marks, gets set go. Doctor Cox is feeling his 161 00:09:29,800 --> 00:09:31,800 Speaker 1: new position at work, and he knows if he gets 162 00:09:31,880 --> 00:09:34,719 Speaker 1: JD and him on the same page, the rest of 163 00:09:34,760 --> 00:09:37,080 Speaker 1: the team will fall in line. Jad is still so 164 00:09:37,160 --> 00:09:39,880 Speaker 1: in love with Elliott and can't recognize the hot new 165 00:09:39,920 --> 00:09:42,320 Speaker 1: girl in the hospital played by Tara Reid, who has 166 00:09:42,360 --> 00:09:45,000 Speaker 1: a bit of a crush on him. Carlo's brother Marco 167 00:09:45,080 --> 00:09:48,040 Speaker 1: played by Freddie Rodriguez, is in town. Carlos so happy, 168 00:09:48,080 --> 00:09:50,640 Speaker 1: but her brother and Turk don't get along. Turk learns 169 00:09:50,679 --> 00:09:53,120 Speaker 1: Marco has a secret and can't wait for Carla to 170 00:09:53,160 --> 00:09:56,640 Speaker 1: find out. We're all caught off guard when something unexpected happens. 171 00:09:57,000 --> 00:09:59,640 Speaker 1: Most people fear the unexpected because it can throw a 172 00:09:59,679 --> 00:10:02,920 Speaker 1: monkey wrench in your ship and turn your world upside down. 173 00:10:03,520 --> 00:10:06,719 Speaker 1: I feel like we're most powerful when we embrace the unexpected. 174 00:10:07,040 --> 00:10:09,840 Speaker 1: Although it can be scary, it's usually the beginning of 175 00:10:09,840 --> 00:10:14,280 Speaker 1: a new adventure. Well said, the unexpected is scary, Donald, 176 00:10:15,000 --> 00:10:17,160 Speaker 1: It's one of the most scariest things that we get. 177 00:10:17,240 --> 00:10:20,200 Speaker 1: We get into comfort zones and we like the way 178 00:10:20,200 --> 00:10:23,120 Speaker 1: we feel in our comfort zone. And then no matter 179 00:10:23,200 --> 00:10:25,240 Speaker 1: what it is, whether it's a new relationship or a 180 00:10:25,280 --> 00:10:30,360 Speaker 1: new job, or a baby or anything it's it puts 181 00:10:30,440 --> 00:10:32,560 Speaker 1: us in an uncomfortable place, and we don't like it, 182 00:10:32,600 --> 00:10:36,320 Speaker 1: and we want to crawl back into our proverbial fetal position. Yeah, 183 00:10:36,360 --> 00:10:40,480 Speaker 1: but you you're more powerful when you can roll with 184 00:10:40,559 --> 00:10:43,360 Speaker 1: the unexpected. A change happens and you got the and 185 00:10:43,400 --> 00:10:46,440 Speaker 1: you have the ability to adapt, and you run towards it, 186 00:10:46,480 --> 00:10:50,240 Speaker 1: you get you manifest excitement about it. Right. That makes 187 00:10:50,280 --> 00:10:54,080 Speaker 1: you way more powerful than being afraid of you know, 188 00:10:54,160 --> 00:10:57,640 Speaker 1: the inevitable, Yes, which is something new is going to happen. 189 00:10:57,679 --> 00:11:01,679 Speaker 1: I think Elliott is so frigging in sensitive in this episode. 190 00:11:01,840 --> 00:11:05,560 Speaker 1: She is. She is teasing him left and right. She 191 00:11:05,760 --> 00:11:10,000 Speaker 1: is not empathetic at all at him all. I truly 192 00:11:10,000 --> 00:11:14,480 Speaker 1: don't think she knows how he feels any Come on, buddy, 193 00:11:14,679 --> 00:11:17,960 Speaker 1: she knows she's cuddling up to him. She's she I 194 00:11:17,960 --> 00:11:19,840 Speaker 1: don't know. It just made me. It made me mad 195 00:11:19,880 --> 00:11:21,520 Speaker 1: at her. I was like, I felt bad for JD 196 00:11:21,640 --> 00:11:27,240 Speaker 1: because he's so has feelings for her and she's so oblivious. 197 00:11:27,679 --> 00:11:29,160 Speaker 1: But I don't think she's I don't know. I just 198 00:11:29,320 --> 00:11:32,199 Speaker 1: what woman would be that oblivious. She's she's just like 199 00:11:32,600 --> 00:11:35,280 Speaker 1: cuddling up to him and licking his face and there's 200 00:11:35,320 --> 00:11:37,439 Speaker 1: no other room in another bed. Let me spoon you. 201 00:11:37,520 --> 00:11:39,640 Speaker 1: Oh it's Sean. Oh can I cut you out of 202 00:11:39,640 --> 00:11:41,800 Speaker 1: a picture? For Sean? Like, I don't know, I just 203 00:11:41,800 --> 00:11:47,000 Speaker 1: thought she was she was insensitive. Yeah, but she might 204 00:11:47,040 --> 00:11:49,040 Speaker 1: have been insensitive. But that scene with Rob on the 205 00:11:49,080 --> 00:11:52,080 Speaker 1: mat on the top, it's one of the greatest scenes. 206 00:11:53,520 --> 00:11:56,840 Speaker 1: I've often said, that's one. Is she here, Daniel? Yes, 207 00:11:56,960 --> 00:12:01,839 Speaker 1: all right, let's invite the terror read in my god, 208 00:12:02,760 --> 00:12:18,520 Speaker 1: Oh my god. Yeah, Hi Hello, Tara Ko Hi Donna, 209 00:12:19,120 --> 00:12:22,120 Speaker 1: Hi girl, how you doing a lot of You don't 210 00:12:22,160 --> 00:12:24,559 Speaker 1: know this, but Tara Read and I went to high 211 00:12:24,600 --> 00:12:27,800 Speaker 1: school together, and we were high school at the Performing 212 00:12:27,920 --> 00:12:30,440 Speaker 1: Arts School. No, it wasn't the Performing Arts School. It 213 00:12:30,520 --> 00:12:33,480 Speaker 1: was the Professional Children's School. It's a big night. There's 214 00:12:33,480 --> 00:12:36,160 Speaker 1: a difference between the Performing Arts School, which is the 215 00:12:36,200 --> 00:12:40,360 Speaker 1: same school. Right. You guys didn't dance on cabs, No 216 00:12:40,480 --> 00:12:43,080 Speaker 1: we did not. We had it. But he used to 217 00:12:43,120 --> 00:12:48,880 Speaker 1: sing and do hip hop on the church stairs. Now, Tara, 218 00:12:48,960 --> 00:12:52,720 Speaker 1: we're so happy you're here. We were very excited because 219 00:12:52,760 --> 00:12:54,720 Speaker 1: I didn't realize how many episodes you did. You did 220 00:12:54,760 --> 00:12:57,880 Speaker 1: a whole bunch of episodes, and I saw Zach. We 221 00:12:57,920 --> 00:13:00,120 Speaker 1: almost were the same outfit. I was gonna wear my 222 00:13:00,160 --> 00:13:04,640 Speaker 1: blackadies jumpsuit. That would have been even dover. Yeah, but Tara, 223 00:13:04,679 --> 00:13:06,920 Speaker 1: you did a bunch of episodes, and I think it's 224 00:13:06,960 --> 00:13:08,880 Speaker 1: because you were so far. I mean, that's a good 225 00:13:08,880 --> 00:13:11,079 Speaker 1: sign because when you do that many episodes, it means 226 00:13:11,120 --> 00:13:13,440 Speaker 1: Bill obviously thought you were hilarious and kept having more 227 00:13:13,440 --> 00:13:15,960 Speaker 1: and more for you to do. But but this was 228 00:13:16,000 --> 00:13:18,280 Speaker 1: your first This was your first one, and so I'm 229 00:13:18,320 --> 00:13:20,480 Speaker 1: so glad you're here to come on and I'm so 230 00:13:20,480 --> 00:13:24,000 Speaker 1: glad you said yes, yeah, absolutely, I'd love you guys. 231 00:13:24,120 --> 00:13:27,800 Speaker 1: And when I found out as you and Donald's had nickname. 232 00:13:27,880 --> 00:13:32,800 Speaker 1: By the way, is soon talked about that. Tara, what 233 00:13:32,960 --> 00:13:35,200 Speaker 1: was Donald like in high school? Because I didn't know 234 00:13:35,240 --> 00:13:37,360 Speaker 1: that you guys went to school together, and I just 235 00:13:37,480 --> 00:13:40,000 Speaker 1: I just can't I can't imagine. I mean, I can't imagine. 236 00:13:40,040 --> 00:13:43,360 Speaker 1: But tell us Donald was We had so much fun 237 00:13:43,440 --> 00:13:45,360 Speaker 1: in high school. He actually was one of the only 238 00:13:45,400 --> 00:13:48,200 Speaker 1: people that went to my house in New Jersey. I 239 00:13:48,440 --> 00:13:49,760 Speaker 1: was one of the only people that went to your 240 00:13:49,760 --> 00:13:51,679 Speaker 1: house in New Jersey. And did that come about? Wait? 241 00:13:51,720 --> 00:13:54,679 Speaker 1: How did that come about? So I had already been 242 00:13:54,720 --> 00:13:57,560 Speaker 1: at the school for like a year or two. I 243 00:13:57,600 --> 00:13:59,560 Speaker 1: think it might have been my sophomore. In my junior 244 00:13:59,640 --> 00:14:02,320 Speaker 1: year was a freshman, and she came in And I 245 00:14:02,320 --> 00:14:04,880 Speaker 1: remember the first day Tara came in and she dressed 246 00:14:04,920 --> 00:14:06,679 Speaker 1: like she was from Jersey, you know what I mean, 247 00:14:06,760 --> 00:14:09,199 Speaker 1: Like she had from Jersey dress. What the hell is 248 00:14:09,240 --> 00:14:15,000 Speaker 1: that mean? Her hair was highest, she had the biggest 249 00:14:15,080 --> 00:14:18,280 Speaker 1: hair you've ever seen in your life. Okay, that's that 250 00:14:18,360 --> 00:14:20,800 Speaker 1: kind of Jersey we're all in, We're all from Manhattan. 251 00:14:20,800 --> 00:14:23,400 Speaker 1: I was just like who is that girl right there? 252 00:14:24,800 --> 00:14:28,520 Speaker 1: And so Tara, I actually we hung out the I 253 00:14:28,560 --> 00:14:30,360 Speaker 1: think she stayed at the school. You stayed at school 254 00:14:30,360 --> 00:14:33,440 Speaker 1: for a year. Yeah, I think it was a year 255 00:14:33,520 --> 00:14:35,800 Speaker 1: or two years, year or two. But we hung out 256 00:14:35,840 --> 00:14:37,400 Speaker 1: for the whole time that she was there. And then 257 00:14:37,440 --> 00:14:40,120 Speaker 1: she moved to Los Angeles, and I remember hanging out 258 00:14:40,160 --> 00:14:43,680 Speaker 1: with like, uh, I think keV Jordan's and my friend 259 00:14:43,720 --> 00:14:46,800 Speaker 1: Brad Kane. These are guys at all, or were in 260 00:14:46,840 --> 00:14:49,720 Speaker 1: the industry or are in the industry right now. We 261 00:14:49,760 --> 00:14:53,160 Speaker 1: went and saw The Big Lebowski, not knowing that Tara 262 00:14:53,320 --> 00:14:55,840 Speaker 1: was in it. Oh my god, she showed up on 263 00:14:55,920 --> 00:15:00,320 Speaker 1: screen and I was like, yo, get the fuck. Holy shit, 264 00:15:00,480 --> 00:15:02,960 Speaker 1: Tara made it, you know what I mean? He was 265 00:15:03,000 --> 00:15:05,760 Speaker 1: the first person out of all of us, like none 266 00:15:05,760 --> 00:15:08,040 Speaker 1: of us were really working at the time, like myself, 267 00:15:08,360 --> 00:15:12,280 Speaker 1: dash myhawk. Tara, do you remember that Starry Paul's Donald 268 00:15:12,360 --> 00:15:14,640 Speaker 1: Tara was Big Lebowski? Your big break was that? Your 269 00:15:14,640 --> 00:15:18,120 Speaker 1: first big part? For sure? I mean my first movie 270 00:15:18,200 --> 00:15:22,040 Speaker 1: was based on a even King movie and I was 271 00:15:22,120 --> 00:15:24,200 Speaker 1: seven years old than that one. But then I did 272 00:15:24,240 --> 00:15:26,880 Speaker 1: some TV stuff, but the first real break was The 273 00:15:26,880 --> 00:15:29,920 Speaker 1: Big Lebowski, and that's what broke me out to get 274 00:15:29,960 --> 00:15:33,640 Speaker 1: everything else but The Big Lebowski the addition for that. 275 00:15:33,720 --> 00:15:36,840 Speaker 1: I remember the final addition and I see I'm sitting 276 00:15:36,880 --> 00:15:40,040 Speaker 1: in the waiting room and I see Charlie's throne come in, 277 00:15:40,160 --> 00:15:42,160 Speaker 1: and I see Live Tyler come in, and I'm like, 278 00:15:42,200 --> 00:15:46,160 Speaker 1: there's no way of getting this part. Not get a chance. 279 00:15:46,760 --> 00:15:49,160 Speaker 1: And then all of a sudden, like three days later, 280 00:15:49,200 --> 00:15:51,080 Speaker 1: they're like, you got the part, And I was like, 281 00:15:51,120 --> 00:15:55,480 Speaker 1: are you kidding me? It's such an iconic part. I mean, 282 00:15:55,920 --> 00:15:58,000 Speaker 1: that is that is so many people I know his 283 00:15:58,040 --> 00:16:00,880 Speaker 1: favorite movie and like, I mean, it's just such what 284 00:16:00,960 --> 00:16:02,720 Speaker 1: a cool film to have been a part of and 285 00:16:03,080 --> 00:16:05,640 Speaker 1: to have been such a like an important character in 286 00:16:05,680 --> 00:16:08,680 Speaker 1: the movie. Yeah, I mean definitely. When we were shooting it, 287 00:16:09,000 --> 00:16:11,320 Speaker 1: you knew, especially because all the actors that were in it, 288 00:16:11,400 --> 00:16:14,160 Speaker 1: and you know, it was just great. But no one 289 00:16:14,240 --> 00:16:16,040 Speaker 1: knew it was going to be such a cult film. 290 00:16:16,320 --> 00:16:19,400 Speaker 1: You know, it really became a cult final You've been 291 00:16:19,600 --> 00:16:22,920 Speaker 1: You've been in a bunch of cult classics. Now you 292 00:16:22,920 --> 00:16:26,240 Speaker 1: know you're you're cult classic status is like on another level, 293 00:16:26,240 --> 00:16:28,440 Speaker 1: You've been in so many movies that people are like, yo, 294 00:16:28,640 --> 00:16:30,360 Speaker 1: you've seen this and and and people be like, no, 295 00:16:30,400 --> 00:16:31,960 Speaker 1: I'm saying. They'll be like, yo, you've got to see 296 00:16:31,960 --> 00:16:34,880 Speaker 1: this movie. Yeah. Well, American Pie was, of course one 297 00:16:35,240 --> 00:16:42,600 Speaker 1: classic cult classic, freaking big Lebowski cult classic, cult classic, 298 00:16:42,800 --> 00:16:44,920 Speaker 1: and you were in it. You're in it. I am 299 00:16:44,960 --> 00:16:49,240 Speaker 1: in that. Yeah. Deborah Kaplan and and Harry Alfhon directed 300 00:16:49,320 --> 00:16:52,080 Speaker 1: Can Hardly Wait, and they also directed Josie and the Pussycats, 301 00:16:52,480 --> 00:16:55,720 Speaker 1: and I was in both of those small roles, cameo roles. 302 00:16:56,000 --> 00:16:58,120 Speaker 1: But Tara was in net cult classic. And then she 303 00:16:58,200 --> 00:17:01,520 Speaker 1: did another movie called Shark. You know, you ought to 304 00:17:01,560 --> 00:17:04,640 Speaker 1: be one of the biggest cult classics in the history 305 00:17:04,680 --> 00:17:07,280 Speaker 1: of Clay Tara. People love these movies. You guys have 306 00:17:07,320 --> 00:17:10,080 Speaker 1: made so many of them. Huh. Yeah. I mean when 307 00:17:10,119 --> 00:17:13,840 Speaker 1: we first got the movie, it was called Dark Skies 308 00:17:14,520 --> 00:17:17,160 Speaker 1: and we're like, okay, we can deal with that because 309 00:17:17,200 --> 00:17:19,240 Speaker 1: we knew it was so cheesy. And I thought, okay, well, 310 00:17:19,320 --> 00:17:20,880 Speaker 1: I'll just take the money and run on this one. 311 00:17:20,920 --> 00:17:23,880 Speaker 1: No one's ever gonna see it, That's what I thought. Then, 312 00:17:24,040 --> 00:17:26,600 Speaker 1: like the second day of shooting, all of a sudden, 313 00:17:26,640 --> 00:17:30,280 Speaker 1: they say, oh, Tara, we're naming the movie to Shark Nato. 314 00:17:30,680 --> 00:17:34,000 Speaker 1: She's like, no, you can't do that. It's gonna ruin everything. 315 00:17:34,760 --> 00:17:37,640 Speaker 1: It's the worst thing. Everyone the phone, I aging them. 316 00:17:37,680 --> 00:17:39,960 Speaker 1: They can't change a name of Sharknado. It's gonna be 317 00:17:40,000 --> 00:17:45,200 Speaker 1: the waters crying. And then all of a sudden, I'm 318 00:17:45,200 --> 00:17:49,159 Speaker 1: in Mexico on vacation and never I didn't even know. 319 00:17:49,240 --> 00:17:50,840 Speaker 1: We did no press for it. I didn't even know 320 00:17:50,880 --> 00:17:53,439 Speaker 1: it was coming out. And my phone keeps ringing and 321 00:17:53,560 --> 00:17:56,640 Speaker 1: ringing and ringing, and they're calling me and they're gonna, 322 00:17:56,680 --> 00:17:59,280 Speaker 1: you won't believe what happened, Like, what happened? I think 323 00:17:59,280 --> 00:18:03,080 Speaker 1: somebody happened, family or everyone's calling. And then they're like, 324 00:18:03,400 --> 00:18:08,040 Speaker 1: Shark Nado is number one. It's training completely. We're getting 325 00:18:08,080 --> 00:18:13,240 Speaker 1: a million tweets per minute. I was like. And then 326 00:18:13,400 --> 00:18:16,000 Speaker 1: I get on the airplane to come home and the 327 00:18:16,240 --> 00:18:18,840 Speaker 1: steward the stewardess comes up to me. He's like, I 328 00:18:18,880 --> 00:18:21,600 Speaker 1: love your movie, so of course I think you know 329 00:18:21,680 --> 00:18:29,760 Speaker 1: American Pie and then he goes, Shark Nado, are you crazy? 330 00:18:30,320 --> 00:18:32,479 Speaker 1: It's so funny. People love it. I think people just 331 00:18:32,640 --> 00:18:36,440 Speaker 1: love camp and horror. I mean it has everything. It's 332 00:18:36,440 --> 00:18:38,800 Speaker 1: like so many things that people love all combined into 333 00:18:38,800 --> 00:18:41,000 Speaker 1: one thing. But this this totally goes with our thing. 334 00:18:41,040 --> 00:18:43,240 Speaker 1: We were talking about the unexpected today and how the 335 00:18:43,320 --> 00:18:47,680 Speaker 1: unexpected can be very fearful. But I feel like you're 336 00:18:47,720 --> 00:18:50,400 Speaker 1: a you're a hero, and you have more power when 337 00:18:50,400 --> 00:18:53,159 Speaker 1: you embrace the unexpected and you charge towards it. As 338 00:18:53,240 --> 00:18:56,520 Speaker 1: Zach said earlier, And you know, shark Nado is one 339 00:18:56,520 --> 00:18:58,280 Speaker 1: of those moments where you're like, I'm just gonna take 340 00:18:58,280 --> 00:19:00,960 Speaker 1: the money and run, and then une affectedly you picked 341 00:19:00,960 --> 00:19:03,199 Speaker 1: something that turned out to be one of the biggest 342 00:19:03,280 --> 00:19:06,240 Speaker 1: hits of the year, of the decade, you know what 343 00:19:06,320 --> 00:19:08,760 Speaker 1: I mean. And so so they just keep getting more 344 00:19:08,760 --> 00:19:11,639 Speaker 1: and more outrageous terror because I've only seen shark and 345 00:19:11,720 --> 00:19:13,919 Speaker 1: I saw one. I saw one. He rides a fucking 346 00:19:13,960 --> 00:19:19,359 Speaker 1: shark and what with the chainsaw in his hand, and 347 00:19:19,400 --> 00:19:22,440 Speaker 1: he rides it like it's a bucking bronco and he's 348 00:19:22,560 --> 00:19:26,760 Speaker 1: slicing sharks as he's falling to the ground from like 349 00:19:26,800 --> 00:19:30,560 Speaker 1: a giant skyscraper. He rides a shark down and then 350 00:19:30,680 --> 00:19:34,440 Speaker 1: lands on the ground. Afterwards, I am zering. You guys 351 00:19:34,440 --> 00:19:37,120 Speaker 1: supposed to be be laughing so hard. It was amazing because 352 00:19:37,119 --> 00:19:39,560 Speaker 1: then I became like I was human in the beginning, 353 00:19:39,920 --> 00:19:42,560 Speaker 1: but then I became the I was missing and they 354 00:19:42,600 --> 00:19:46,119 Speaker 1: couldn't find me because I lost my arms and all 355 00:19:46,119 --> 00:19:48,280 Speaker 1: this stuff. And then I become like the bionic woman, 356 00:19:48,760 --> 00:19:51,439 Speaker 1: so all of me is like fake. I'm like a robot, 357 00:19:51,840 --> 00:19:54,240 Speaker 1: you know, I mean, and so I could fly, I 358 00:19:54,240 --> 00:19:57,480 Speaker 1: could do all these crazy things that you would never imagine. 359 00:19:57,880 --> 00:20:00,720 Speaker 1: And I can run faster than speeding. I mean, it's 360 00:20:00,760 --> 00:20:04,119 Speaker 1: his it's outrageous. And then I kill these sharks. And 361 00:20:04,119 --> 00:20:06,480 Speaker 1: then when Ian asked me to marry marry him, I'm like, 362 00:20:06,680 --> 00:20:09,480 Speaker 1: on the Eiffel Tower, we really shot this because she 363 00:20:09,600 --> 00:20:12,040 Speaker 1: knew would love this. There's one scene in the movie 364 00:20:12,119 --> 00:20:14,560 Speaker 1: where we're in New York City, which was the coolest 365 00:20:14,640 --> 00:20:17,560 Speaker 1: thing to shoot in New York City, and there's this 366 00:20:17,720 --> 00:20:21,080 Speaker 1: fire truck and so I Ain't gets on this fire 367 00:20:21,119 --> 00:20:24,359 Speaker 1: truck with his saw. He's like, we're in New York City. 368 00:20:24,520 --> 00:20:27,800 Speaker 1: Let's go people. We love it, you know. And then 369 00:20:27,880 --> 00:20:31,199 Speaker 1: the regular people that were coming by, not extras or anything, 370 00:20:31,400 --> 00:20:34,959 Speaker 1: They're like, yeah, New York we stick together. Like if 371 00:20:35,000 --> 00:20:38,760 Speaker 1: it's the craziest thing you've ever seen, I believe it. 372 00:20:38,840 --> 00:20:42,480 Speaker 1: I believe Yeah. I remember three things in my life 373 00:20:42,840 --> 00:20:45,720 Speaker 1: that are very important in my life, and you're part 374 00:20:45,760 --> 00:20:47,639 Speaker 1: of two of them. Right before you go into this, 375 00:20:47,680 --> 00:20:49,800 Speaker 1: because this is gonna be juicy. That's a tease for 376 00:20:49,800 --> 00:20:51,760 Speaker 1: the audience. We're gonna take a quick break and we'll 377 00:20:51,800 --> 00:21:04,360 Speaker 1: be right back with the terrory. And were but two 378 00:21:04,440 --> 00:21:06,439 Speaker 1: things in my life, two things in my life that 379 00:21:06,480 --> 00:21:09,080 Speaker 1: are really big moments in my life and important moments 380 00:21:09,200 --> 00:21:11,240 Speaker 1: in my life, and terrors are part of it. My 381 00:21:11,280 --> 00:21:14,439 Speaker 1: first time ever falling asleep on set was on the 382 00:21:14,440 --> 00:21:17,359 Speaker 1: Clueless set. Right, fell asleep and we were doing the 383 00:21:17,400 --> 00:21:20,800 Speaker 1: party scene. Even show the movie, the movie, and to 384 00:21:21,320 --> 00:21:24,119 Speaker 1: fall asleep on a set, you gotta be really brave. 385 00:21:24,480 --> 00:21:27,399 Speaker 1: But maybe I wasn't in Clueless. I know you weren't 386 00:21:27,400 --> 00:21:29,439 Speaker 1: in Clueless, but you showed up at the party scene. 387 00:21:29,800 --> 00:21:35,919 Speaker 1: Oh yes, yes, yes, yes, yes, you showed up. So 388 00:21:36,119 --> 00:21:39,400 Speaker 1: I'm sleeping on a freaking like a chair and we're 389 00:21:39,400 --> 00:21:43,040 Speaker 1: shooting the movie and somebody's like showed the wake up 390 00:21:43,080 --> 00:21:46,120 Speaker 1: and I opened my eyes and Terror standing in front 391 00:21:46,119 --> 00:21:48,320 Speaker 1: of me, standing over me, and I'm like, what the 392 00:21:48,320 --> 00:21:51,000 Speaker 1: fuck are you doing here? And she's like hey, and 393 00:21:51,040 --> 00:21:53,840 Speaker 1: I was like, holy shit, right, And it was a 394 00:21:53,880 --> 00:21:56,120 Speaker 1: big moment for me because it takes it. You gotta 395 00:21:56,160 --> 00:21:57,959 Speaker 1: have trust to fall asleep on a set, first of all, 396 00:21:58,000 --> 00:22:02,040 Speaker 1: because people will fuck with you. One. Two. It was 397 00:22:02,040 --> 00:22:03,800 Speaker 1: a big moment because it was it was my big 398 00:22:03,840 --> 00:22:06,120 Speaker 1: break and it was a huge movie. And I knew 399 00:22:06,200 --> 00:22:08,359 Speaker 1: at this point, I didn't know it was going to 400 00:22:08,400 --> 00:22:10,040 Speaker 1: be huge, but I knew that I was in Los 401 00:22:10,040 --> 00:22:11,840 Speaker 1: Angeles and I made it, and my one friend that 402 00:22:11,920 --> 00:22:15,440 Speaker 1: had made it in Los Angeles is waking me up 403 00:22:15,600 --> 00:22:17,920 Speaker 1: on set, and I was like, holy shit, this is serendipitous. 404 00:22:17,960 --> 00:22:20,720 Speaker 1: This is this has to be this is this has 405 00:22:20,800 --> 00:22:25,400 Speaker 1: to be Uh, this has to be fate. She's gonna 406 00:22:25,400 --> 00:22:28,040 Speaker 1: give me some of that big Lembowski juice, right, some 407 00:22:28,080 --> 00:22:29,840 Speaker 1: of that juice, some of that, some of that, some 408 00:22:29,880 --> 00:22:31,920 Speaker 1: of that, some of that. Can I tell him? Can 409 00:22:31,960 --> 00:22:34,480 Speaker 1: I tell him the story about being in your apartment 410 00:22:34,600 --> 00:22:40,560 Speaker 1: when were the gun shooting? Oh? God, yeah. So I 411 00:22:40,640 --> 00:22:42,960 Speaker 1: go over to me, like, don I'll let me go 412 00:22:43,000 --> 00:22:45,680 Speaker 1: to his house and it's just me and Hammer hanging out. No, 413 00:22:45,800 --> 00:22:47,880 Speaker 1: it's more than just me and you. It's me, you 414 00:22:48,320 --> 00:22:50,520 Speaker 1: and some of the casts from the Mickey Mouse Club. 415 00:22:50,920 --> 00:22:52,720 Speaker 1: Like I don't know how it turned out to be 416 00:22:52,760 --> 00:22:54,840 Speaker 1: this We were hanging out with like Chase Hampton and 417 00:22:54,960 --> 00:22:57,040 Speaker 1: Damon from the Mickey Mouse Club, and it was like 418 00:22:58,520 --> 00:23:01,000 Speaker 1: those two and a couple of the people, and we're 419 00:23:01,119 --> 00:23:03,320 Speaker 1: at my house in Hollywood. I just moved. It was 420 00:23:03,520 --> 00:23:06,040 Speaker 1: all a famous actress at the time, right, I just 421 00:23:06,080 --> 00:23:08,280 Speaker 1: moved to Los Angeles? Right, Let her tell the story, 422 00:23:08,280 --> 00:23:10,679 Speaker 1: don't hidjack it all right, go ahead, Tara. So we 423 00:23:10,760 --> 00:23:12,640 Speaker 1: go to his house and we're hanging out and we're 424 00:23:12,640 --> 00:23:15,680 Speaker 1: all having fun, and then all of a sudden at 425 00:23:15,800 --> 00:23:21,639 Speaker 1: Norah in front of his house, and and Donna's like duck. 426 00:23:23,520 --> 00:23:26,159 Speaker 1: We're all laying on the ground like like it was 427 00:23:26,200 --> 00:23:28,640 Speaker 1: the scariest we've ever seen. And all of a sudden 428 00:23:28,640 --> 00:23:30,520 Speaker 1: he knew what to do. He's like duck, laying the ground. 429 00:23:30,880 --> 00:23:32,920 Speaker 1: And then all of a sudden, after the shots, he's 430 00:23:33,000 --> 00:23:36,240 Speaker 1: crawling like towards the window to peek through because we 431 00:23:36,240 --> 00:23:38,480 Speaker 1: didn't know it was right in front of his building. 432 00:23:38,840 --> 00:23:40,760 Speaker 1: So we're peeking through if they're gone or not, you know. 433 00:23:40,840 --> 00:23:43,320 Speaker 1: And and we after that, we laid on the floor 434 00:23:43,600 --> 00:23:46,080 Speaker 1: and all of us laughed so hard because we couldn't 435 00:23:46,080 --> 00:23:50,560 Speaker 1: believe what just happened. It was they were still alive. Yeah, yeah, 436 00:23:50,600 --> 00:23:53,440 Speaker 1: all right, you left a couple of parts out Tara. 437 00:23:53,760 --> 00:23:56,240 Speaker 1: So we're hanging out and somebody goes, yo, this is 438 00:23:56,280 --> 00:23:58,480 Speaker 1: a really dangerous neighborhood. I'm like, get the funk out 439 00:23:58,520 --> 00:24:00,400 Speaker 1: of here. This is not a dangerous neighborhood. I'm from 440 00:24:00,400 --> 00:24:03,399 Speaker 1: a dangerous neighborhood. This isn't a dangerous from Hell's kitchen. 441 00:24:03,760 --> 00:24:08,480 Speaker 1: From right, I'm from Hell's kitchen. Everybody get down. So 442 00:24:08,480 --> 00:24:10,280 Speaker 1: we get on the ground. And now I'm on the 443 00:24:10,320 --> 00:24:13,399 Speaker 1: ground and I'm looking at terror and Tara's balling crying, 444 00:24:13,400 --> 00:24:15,040 Speaker 1: and I'm like, oh god, oh god, oh god. I 445 00:24:15,160 --> 00:24:19,000 Speaker 1: bought Tari over broke. I brought Tario over to my house. 446 00:24:19,160 --> 00:24:21,280 Speaker 1: She's probably got shot or some shit like that, she's 447 00:24:21,280 --> 00:24:24,960 Speaker 1: gonna die. And everything calms down. We all get up 448 00:24:25,000 --> 00:24:27,280 Speaker 1: and we're looking around, and I'm like, yo, that was 449 00:24:27,320 --> 00:24:30,280 Speaker 1: the funniest shit ever. I just said that this wasn't 450 00:24:30,280 --> 00:24:32,960 Speaker 1: a scary neighborhood, that this was Hell's kitchen, and out 451 00:24:32,960 --> 00:24:35,480 Speaker 1: of nowhere. And then right as I said out of nowhere, 452 00:24:35,560 --> 00:24:40,240 Speaker 1: once again, retaliation comes. Oh really it was more. Oh 453 00:24:40,240 --> 00:24:43,280 Speaker 1: it was crazy. But we jumped to the ground again, right, 454 00:24:43,320 --> 00:24:47,520 Speaker 1: And now I'm laughing. I'm laughing so hard. Right, I'm 455 00:24:47,600 --> 00:24:50,320 Speaker 1: stoned out of my mind and I'm freaking laughing at 456 00:24:50,359 --> 00:24:54,800 Speaker 1: gunshots outside my window. Dude, Yeah, laughing so hard. This 457 00:24:55,240 --> 00:24:59,320 Speaker 1: the story doesn't have a climactic ending other than the 458 00:24:59,320 --> 00:25:03,359 Speaker 1: fact that we s vibed it. The climactic ending is 459 00:25:03,400 --> 00:25:05,280 Speaker 1: that you survived to drive by and you didn't get 460 00:25:05,320 --> 00:25:07,440 Speaker 1: Tara Reid killed, right, and I didn't. I got it 461 00:25:07,520 --> 00:25:09,840 Speaker 1: to get taried. Wasn't there a story you told me 462 00:25:09,880 --> 00:25:13,320 Speaker 1: once Donald where you you went over to Terror's house 463 00:25:13,400 --> 00:25:18,879 Speaker 1: and had moonshine for the first time. Yes. Story. So 464 00:25:18,920 --> 00:25:21,960 Speaker 1: we were in high school and it was Tara's Tara 465 00:25:22,119 --> 00:25:24,600 Speaker 1: was sixteen, it was her sweet sixteen, and I guess 466 00:25:24,640 --> 00:25:27,159 Speaker 1: I was a senior and She's like, Yo, come to 467 00:25:27,240 --> 00:25:30,400 Speaker 1: my house in Jersey. I'm throwing a party and all 468 00:25:30,400 --> 00:25:33,600 Speaker 1: my friends from Jersey gonna be there. And like I said, 469 00:25:33,640 --> 00:25:35,919 Speaker 1: Tara and I were close in high school. So there 470 00:25:35,960 --> 00:25:41,040 Speaker 1: was like me, her and then cousin. Well, it wasn't Jamal, 471 00:25:41,119 --> 00:25:44,800 Speaker 1: it was It wasn't Terrence Howard. It was Jamal. Yeah, 472 00:25:45,040 --> 00:25:47,680 Speaker 1: my buddy Jamal and one other person. We go over 473 00:25:47,720 --> 00:25:50,600 Speaker 1: to Terra's house and so we get there and Tera 474 00:25:50,720 --> 00:25:52,080 Speaker 1: was like, dude, you're not gonna believe this. But I 475 00:25:52,080 --> 00:25:53,520 Speaker 1: got a keg. And I was like, you got a 476 00:25:53,520 --> 00:25:57,320 Speaker 1: fucking keg. She's like, I got a gig all right. Cool. 477 00:25:57,320 --> 00:26:00,240 Speaker 1: Feels like it's just like the classic Jersey up in 478 00:26:00,320 --> 00:26:03,080 Speaker 1: Jersey too, obviously. It's like it's like remembering teen Wolf 479 00:26:03,080 --> 00:26:04,800 Speaker 1: when he goes through all the trouble to get the 480 00:26:04,840 --> 00:26:08,920 Speaker 1: keg and then yeah, and then he puts in the 481 00:26:09,000 --> 00:26:11,920 Speaker 1: room and there's all those kegs. Yeah anyway, yeah, keg stands. 482 00:26:12,280 --> 00:26:14,080 Speaker 1: I get there. I get there and I'm like, holy shit, 483 00:26:14,119 --> 00:26:16,880 Speaker 1: she got a keg. Right, So she taps the keg 484 00:26:16,920 --> 00:26:20,919 Speaker 1: and we're all drinking it, right, We're all drinking, and 485 00:26:20,920 --> 00:26:22,879 Speaker 1: she goes, yo, you want to try something different? And 486 00:26:22,920 --> 00:26:24,640 Speaker 1: I was like, in my mind, I'm like, oh god, 487 00:26:24,720 --> 00:26:26,520 Speaker 1: this is where it all goes bad to go. I 488 00:26:26,560 --> 00:26:28,880 Speaker 1: want to try to drink something different. I was like, yeah, sure. 489 00:26:28,920 --> 00:26:31,120 Speaker 1: She goes coming me. She takes me in the kitchen 490 00:26:31,160 --> 00:26:33,439 Speaker 1: and then the kitchen there's this big vat and she's like, 491 00:26:33,480 --> 00:26:38,399 Speaker 1: it's moonshine. What She's like, it's moonshine. My dad made this. 492 00:26:38,480 --> 00:26:39,600 Speaker 1: And I was like, get the funk out of here, 493 00:26:39,600 --> 00:26:41,399 Speaker 1: and she's like yeah, And so I look at him. 494 00:26:41,440 --> 00:26:44,040 Speaker 1: It's like clear with like celery. It looked like floating there. 495 00:26:46,240 --> 00:26:50,000 Speaker 1: I was like, Okay, I'll try it. And I try 496 00:26:50,040 --> 00:26:52,800 Speaker 1: it and I sip and I'm telling you, I'm gonna 497 00:26:52,800 --> 00:26:55,199 Speaker 1: tell you something right now. After I sipped it, I 498 00:26:55,240 --> 00:26:58,479 Speaker 1: don't remember much of what happened for the rest of 499 00:26:58,680 --> 00:27:02,239 Speaker 1: the time. I remember Tara's showing us. I remember you 500 00:27:02,320 --> 00:27:05,800 Speaker 1: doing your high school cheerleading stuff in front of all 501 00:27:05,840 --> 00:27:08,280 Speaker 1: of us to show us that. I remember that. I 502 00:27:08,280 --> 00:27:12,439 Speaker 1: remember falling asleep on the floor, uh, and waking up 503 00:27:12,480 --> 00:27:14,800 Speaker 1: the next morning and taking the bus or trying one 504 00:27:14,840 --> 00:27:17,840 Speaker 1: of those things back to Manhattan. But it was my 505 00:27:17,920 --> 00:27:20,440 Speaker 1: first time and and my only time ever trying and 506 00:27:24,320 --> 00:27:25,840 Speaker 1: it got me. It got All I know is I 507 00:27:25,880 --> 00:27:28,479 Speaker 1: don't remember much. I just remember falling asleep on the floor. 508 00:27:28,640 --> 00:27:30,720 Speaker 1: It's like those things. It's like when you watch movies, 509 00:27:30,760 --> 00:27:33,680 Speaker 1: and it's like, you know, it shows you moments in 510 00:27:33,720 --> 00:27:36,640 Speaker 1: a person's life as they're watching it flash before their 511 00:27:36,680 --> 00:27:38,560 Speaker 1: eyes and it blacks out, and then it comes back 512 00:27:38,560 --> 00:27:40,520 Speaker 1: and it's something different, and then it blacks out and 513 00:27:40,560 --> 00:27:42,439 Speaker 1: then it comes back and it's something different. I have 514 00:27:42,480 --> 00:27:44,840 Speaker 1: two memories. One of them is Tara re doing going 515 00:27:44,920 --> 00:27:51,119 Speaker 1: like Rah Rah and then the other, and then the 516 00:27:51,160 --> 00:27:53,760 Speaker 1: other one is passing out on a floor, looking over 517 00:27:54,080 --> 00:27:56,200 Speaker 1: and seeing everybody on the floor knocked out, and then 518 00:27:56,200 --> 00:27:59,480 Speaker 1: just passing out. Yeah, this is called a young teenage 519 00:27:59,520 --> 00:28:03,560 Speaker 1: boy try is moonshine for the first time. Great night 520 00:28:03,600 --> 00:28:07,280 Speaker 1: it was. It was one of my most memorable moments. 521 00:28:07,280 --> 00:28:09,560 Speaker 1: Tara Reid has a few of them. Yeah, And we 522 00:28:09,640 --> 00:28:12,240 Speaker 1: used to hang out with Tara And when I started 523 00:28:12,480 --> 00:28:14,200 Speaker 1: my career going and was going out with you, don 524 00:28:14,200 --> 00:28:17,360 Speaker 1: we'd run into her out and about in Hollywood and dude, 525 00:28:17,400 --> 00:28:23,240 Speaker 1: we spent a week together in Saint Bart's Dude, right, yeah, right, 526 00:28:23,320 --> 00:28:28,239 Speaker 1: we had adventures in Saint Bart's tent. Tarent has been 527 00:28:28,280 --> 00:28:30,200 Speaker 1: a part of a part of this, part of this. 528 00:28:30,280 --> 00:28:32,400 Speaker 1: Click for a minute. Yeah, I remember my first guest. 529 00:28:32,440 --> 00:28:34,200 Speaker 1: By the way, Taring, you're the very first guest who's 530 00:28:34,200 --> 00:28:35,959 Speaker 1: ever come on and called him shoot. So that's how 531 00:28:36,160 --> 00:28:39,960 Speaker 1: that's how far back goes you guys, go. Wait, how 532 00:28:39,960 --> 00:28:43,120 Speaker 1: about when I saw you Zach in Israel and you 533 00:28:43,240 --> 00:28:47,120 Speaker 1: happen to be sitting next to me? Very remind me 534 00:28:47,200 --> 00:28:50,360 Speaker 1: the story, No, remind me. So We're in television in 535 00:28:50,560 --> 00:28:53,880 Speaker 1: Israel at this club and I'm sitting at this table 536 00:28:54,440 --> 00:28:56,840 Speaker 1: with a bunch of of the soccer players there, and 537 00:28:57,280 --> 00:28:59,920 Speaker 1: my boyfriend at the time isn't infected mush from the singer, 538 00:29:00,680 --> 00:29:03,320 Speaker 1: and so I'm there and you sat at the table 539 00:29:03,400 --> 00:29:04,960 Speaker 1: next to me, and all of a sudden you look 540 00:29:04,960 --> 00:29:09,800 Speaker 1: at me and you go Tara, and we were like, 541 00:29:10,040 --> 00:29:12,120 Speaker 1: He's like, what are you doing here? And then I 542 00:29:12,240 --> 00:29:14,160 Speaker 1: seen him. I'm like, what are you doing here? And 543 00:29:14,240 --> 00:29:18,040 Speaker 1: it was the most random, like anywhere I remember thinking 544 00:29:18,120 --> 00:29:19,880 Speaker 1: like I remember, I probably was thinking like Tara is 545 00:29:19,920 --> 00:29:22,000 Speaker 1: so connected. I go to one club and Tel Aviv 546 00:29:22,040 --> 00:29:24,760 Speaker 1: and here she is at the party right next to me. Dude. 547 00:29:24,800 --> 00:29:26,360 Speaker 1: That's how it wasn't the same Barts. When we went 548 00:29:26,400 --> 00:29:29,600 Speaker 1: to Same Barts. We were like, holy shit, Tara, Tara, 549 00:29:31,360 --> 00:29:33,640 Speaker 1: I have a memory. You told me this story where 550 00:29:33,640 --> 00:29:34,920 Speaker 1: you I don't know if it's true or not. I 551 00:29:35,000 --> 00:29:37,840 Speaker 1: must be true, but you told me that you were 552 00:29:37,920 --> 00:29:43,200 Speaker 1: once driving down the ten Freeway and you were driving 553 00:29:43,240 --> 00:29:46,720 Speaker 1: in porch and you get pulled over and the cops 554 00:29:46,840 --> 00:29:50,880 Speaker 1: recognizes you and he's like you ever you know how 555 00:29:50,920 --> 00:29:52,560 Speaker 1: fast you're going? You're like, oh, sorry, if I was 556 00:29:52,600 --> 00:29:53,880 Speaker 1: going a little fast, and he goes, do you ever 557 00:29:53,960 --> 00:29:56,120 Speaker 1: get this car? Car like this going really really fast 558 00:29:56,160 --> 00:29:59,240 Speaker 1: and you're like no, and he's like, follow me, and 559 00:29:59,320 --> 00:30:01,560 Speaker 1: he threw on the lights and told you to follow them. 560 00:30:02,120 --> 00:30:09,120 Speaker 1: That is absolutely a true story, is absolutely true. That 561 00:30:09,160 --> 00:30:12,680 Speaker 1: would only happen to you. And we went so fast 562 00:30:12,760 --> 00:30:15,560 Speaker 1: it was great. He's going in and an alasers is 563 00:30:15,600 --> 00:30:17,880 Speaker 1: going right with them, and it wind up going sar 564 00:30:18,000 --> 00:30:20,240 Speaker 1: was picking someone up from the airport, so he took 565 00:30:20,320 --> 00:30:23,640 Speaker 1: me all the way to the airport. That never happens 566 00:30:23,680 --> 00:30:25,840 Speaker 1: to us. Donald, No, no, I don't get that treatment. 567 00:30:25,880 --> 00:30:29,160 Speaker 1: You gotta be taried to get that treatment. Right. Should 568 00:30:29,160 --> 00:30:32,080 Speaker 1: we get into the episode, guys, let's talk about this episode, right. 569 00:30:33,480 --> 00:30:36,680 Speaker 1: So this episode starts with a joke that so many 570 00:30:36,720 --> 00:30:40,040 Speaker 1: people love from Scrubs, the silverware and the pancake drawer. 571 00:30:40,520 --> 00:30:43,480 Speaker 1: Why is there pancakes in the silverware drawer? Why? Why 572 00:30:43,600 --> 00:30:48,960 Speaker 1: is there silverware in the pancakes? And then you're like, 573 00:30:49,200 --> 00:30:51,880 Speaker 1: you're like, I always love and the cousin comes because 574 00:30:51,880 --> 00:30:54,600 Speaker 1: she cleans the house all the time, right when her 575 00:30:54,640 --> 00:30:57,840 Speaker 1: brother comes. Yeah, that was such a stupid joke about 576 00:30:57,880 --> 00:30:59,719 Speaker 1: the pancake draw and then people loved it like it's 577 00:30:59,760 --> 00:31:02,280 Speaker 1: one of It's something people quotes to us all the time. Yeah, 578 00:31:02,320 --> 00:31:04,320 Speaker 1: and they quote it wrong too. Some people are like, 579 00:31:04,440 --> 00:31:06,960 Speaker 1: why is there cut Why is there pancake in the 580 00:31:07,040 --> 00:31:11,000 Speaker 1: cutlery draw? That might be the translation on the subtitles 581 00:31:11,120 --> 00:31:15,400 Speaker 1: or something that's that that doesn't make the joke funny 582 00:31:15,440 --> 00:31:22,000 Speaker 1: when it's now. Freddie Rodriguez plays Carlo Marco, Carlo brother Marco. 583 00:31:22,320 --> 00:31:24,440 Speaker 1: Now he did a bunch of episodes too. This This 584 00:31:24,560 --> 00:31:28,800 Speaker 1: episode introduces two guest stars, Tara and Freddy, that ended 585 00:31:28,880 --> 00:31:31,160 Speaker 1: up doing a whole bunch of episodes. Yeah, Danny and 586 00:31:31,320 --> 00:31:35,920 Speaker 1: Marco both, Yeah, a lot of episodes. Uh. I've noticed 587 00:31:36,000 --> 00:31:38,680 Speaker 1: this trend, but I'm sure people who are watching with 588 00:31:38,880 --> 00:31:41,640 Speaker 1: us and listening to the podcast. What's up with all 589 00:31:41,680 --> 00:31:46,800 Speaker 1: of the boys names for girls? There's Danny, there's Danny, 590 00:31:47,160 --> 00:31:52,920 Speaker 1: there's Elliott? Right, you know what I mean? What was 591 00:31:53,160 --> 00:31:56,880 Speaker 1: what was any? Bills? The only the only girl name 592 00:31:57,160 --> 00:32:00,400 Speaker 1: I happen to like girl? A boy names on girls. 593 00:32:00,480 --> 00:32:03,840 Speaker 1: I think it's cute. Maybe Bill has that too, Like 594 00:32:04,720 --> 00:32:07,120 Speaker 1: my daughter's name is Wilder. My daughter's name is Wilder. 595 00:32:07,200 --> 00:32:09,760 Speaker 1: That's a boy's name. So is it a boy name 596 00:32:09,760 --> 00:32:14,440 Speaker 1: her after Van Wylder? No? I didn't tell that's another movie. 597 00:32:14,640 --> 00:32:19,040 Speaker 1: Ryan Reynolds Tower, Reid Van Wilder classic by the way, 598 00:32:19,080 --> 00:32:21,000 Speaker 1: tell them how you name your daughter and out of 599 00:32:21,040 --> 00:32:24,239 Speaker 1: a misunderstanding. For those of you who haven't seen Kick 600 00:32:24,280 --> 00:32:26,600 Speaker 1: Ass too, now's your chance to go see it. Zach 601 00:32:26,640 --> 00:32:28,760 Speaker 1: Braff and the rest of America and the rest of 602 00:32:28,840 --> 00:32:30,840 Speaker 1: the one. I've never seen Kick Ass one or two, 603 00:32:31,560 --> 00:32:33,160 Speaker 1: but if you get the chance, you should check them out. 604 00:32:33,360 --> 00:32:35,600 Speaker 1: You might laugh a little, you might laugh a little. 605 00:32:35,600 --> 00:32:39,640 Speaker 1: They're funny, they're they're glory superhero movies that you might like. Anyway, 606 00:32:39,760 --> 00:32:42,280 Speaker 1: My point is the guy who's the star. The star 607 00:32:42,400 --> 00:32:45,840 Speaker 1: of the movie is Aaron Taylor Johnson, and he's married 608 00:32:45,920 --> 00:32:49,080 Speaker 1: to Sammy sam Taylor Johnson and they have kids together, 609 00:32:49,520 --> 00:32:53,440 Speaker 1: and one of their kids name is Wilder. And I 610 00:32:53,680 --> 00:32:57,640 Speaker 1: was like, I love that name. I'm getting married and 611 00:32:57,720 --> 00:33:00,480 Speaker 1: if I ever have another kid, I'm going named that 612 00:33:00,680 --> 00:33:06,960 Speaker 1: kid Warrior Wilder. And I'm thinking they're saying Wilder because 613 00:33:07,000 --> 00:33:10,480 Speaker 1: they both have British accents and stuff. Oh yeah, Wilder Wilder. 614 00:33:11,960 --> 00:33:17,320 Speaker 1: The baby's born, we name her Wilder. I'm like, I've 615 00:33:17,360 --> 00:33:20,840 Speaker 1: run into them out at like uh oscar party and 616 00:33:20,920 --> 00:33:23,000 Speaker 1: I'm like, yo, dude, we did it. I named my 617 00:33:23,120 --> 00:33:28,600 Speaker 1: daughter Wilder. After your daughter goes, I go, I named 618 00:33:28,600 --> 00:33:31,440 Speaker 1: her Wilder. He goes, no, no, no, no, my kid's 619 00:33:31,520 --> 00:33:36,720 Speaker 1: name is Wilder wild Like, how do you spell his kids? 620 00:33:37,760 --> 00:33:40,120 Speaker 1: Like y L D. I think it's something like dub 621 00:33:40,320 --> 00:33:45,560 Speaker 1: dub yeah da something like that. What w why da 622 00:33:45,720 --> 00:33:50,040 Speaker 1: something like that, But you thought it was w Yeah. Yeah. 623 00:33:52,400 --> 00:33:54,320 Speaker 1: I love how you're like, I did it. I really 624 00:33:54,360 --> 00:33:56,280 Speaker 1: did it. I named up your kid. But I ran 625 00:33:56,360 --> 00:33:57,959 Speaker 1: up when I'm like, I told you i'd do it. Man, 626 00:33:58,040 --> 00:33:59,840 Speaker 1: I love that little girl, and he's like, no, you 627 00:34:00,040 --> 00:34:02,360 Speaker 1: got the name wrong. And I was like, you know what, 628 00:34:03,360 --> 00:34:06,480 Speaker 1: And so I named my kid Wilder. Francis faison and 629 00:34:06,680 --> 00:34:13,480 Speaker 1: wild erst is short for wild animal, right, Francis means free. 630 00:34:14,239 --> 00:34:17,719 Speaker 1: So we named our daughter wild and free. Pretty much. 631 00:34:17,800 --> 00:34:20,719 Speaker 1: That's so cool. And she is wild and free. And 632 00:34:20,880 --> 00:34:22,680 Speaker 1: she is wild and free. She's the one that called 633 00:34:22,719 --> 00:34:30,880 Speaker 1: me a stupid ass motherfucker. Yeah, she's too free. Another 634 00:34:31,160 --> 00:34:34,359 Speaker 1: one of I have said many times, maybe a couple 635 00:34:34,400 --> 00:34:36,239 Speaker 1: of times in this podcast. One of the funniest times 636 00:34:36,280 --> 00:34:39,800 Speaker 1: I ever left was Rob Maschio high five todd saying, 637 00:34:40,600 --> 00:34:43,720 Speaker 1: sometimes when I'm banging this mattress, I'm thinking about banging 638 00:34:43,760 --> 00:34:48,600 Speaker 1: that one I always yeah, and you're cuddling down and 639 00:34:48,640 --> 00:34:50,960 Speaker 1: you're like all excited, and she's like, I just need 640 00:34:51,080 --> 00:34:53,400 Speaker 1: space to sleep and you're like dying. You're like, I 641 00:34:53,520 --> 00:34:55,600 Speaker 1: just want to be I know. And it's I was 642 00:34:55,640 --> 00:34:58,200 Speaker 1: saying tired before you got on that. She's so insensitive, 643 00:34:58,320 --> 00:35:01,160 Speaker 1: like she she's the character. She's clearly not reading that 644 00:35:01,239 --> 00:35:04,239 Speaker 1: I'm obsessed with her and still so in love and 645 00:35:04,400 --> 00:35:06,279 Speaker 1: she's like such a tease to me. She's like, Oh, 646 00:35:06,360 --> 00:35:08,080 Speaker 1: come on, cuddle up with me. I need someone to 647 00:35:08,120 --> 00:35:10,120 Speaker 1: sleep with. Oh wait, it's my boyfriend here. Do you 648 00:35:10,160 --> 00:35:13,160 Speaker 1: want to say hi? Like he's she's so oblivious, but 649 00:35:13,360 --> 00:35:15,400 Speaker 1: one of the best, one of the best scenes, and 650 00:35:15,480 --> 00:35:18,480 Speaker 1: she's like, do you still have those pictures like when 651 00:35:18,520 --> 00:35:20,640 Speaker 1: we were together and you're in your head you're like 652 00:35:20,880 --> 00:35:22,960 Speaker 1: from A to Z I do. She's like, you know 653 00:35:23,080 --> 00:35:27,040 Speaker 1: that one where I looked really hot and you look 654 00:35:27,320 --> 00:35:32,239 Speaker 1: whatever and you go yeah, And then all of a sudden, 655 00:35:32,280 --> 00:35:35,880 Speaker 1: she's like, can I cut you out? And you're like 656 00:35:36,239 --> 00:35:40,239 Speaker 1: it's so fucked up. Yes, sorry, yep, but so so 657 00:35:41,360 --> 00:35:43,319 Speaker 1: do you guys think that this is the question I'm 658 00:35:43,360 --> 00:35:45,600 Speaker 1: asking this and everyone I'm sure I agree with you. 659 00:35:45,920 --> 00:35:49,160 Speaker 1: Everyone listening. Everyone with you already. I agree with you all, 660 00:35:49,360 --> 00:35:52,760 Speaker 1: everyone listening out there. You've probably been in a situation 661 00:35:52,880 --> 00:35:55,839 Speaker 1: where you still had feelings for an X, and you're 662 00:35:55,920 --> 00:35:58,040 Speaker 1: now you're trying to act normal, trying to act cool, 663 00:35:58,160 --> 00:36:00,200 Speaker 1: trying to hold it together, trying to act like you 664 00:36:00,239 --> 00:36:03,840 Speaker 1: don't have feelings, And don't you think in this situation, 665 00:36:03,960 --> 00:36:07,879 Speaker 1: you guys that Elliot must know that JD is still 666 00:36:07,920 --> 00:36:13,400 Speaker 1: harboring feelings and she's being fucking mean and insensitive, and Yo, 667 00:36:13,480 --> 00:36:16,040 Speaker 1: there's nothing like I'm gonna say this, and I and 668 00:36:16,120 --> 00:36:18,480 Speaker 1: I'm not a woman, so I can't. I'm gonna let 669 00:36:18,560 --> 00:36:21,839 Speaker 1: Joel and Tara answer the question after I say this. Yeah, 670 00:36:21,960 --> 00:36:24,719 Speaker 1: but I will say I will say There's nothing like 671 00:36:25,000 --> 00:36:30,000 Speaker 1: knowing someone has feelings for you and you can hide 672 00:36:30,120 --> 00:36:33,040 Speaker 1: behind the fact that you can act like you don't know. 673 00:36:33,200 --> 00:36:35,640 Speaker 1: There's nothing like acting like you don't know someone has 674 00:36:35,719 --> 00:36:38,760 Speaker 1: feeling for you when you know they do, and watching 675 00:36:38,800 --> 00:36:42,319 Speaker 1: them run jump through hoops. I think some women get 676 00:36:42,400 --> 00:36:44,880 Speaker 1: turned on or not turned on, but get excited by it. 677 00:36:45,160 --> 00:36:47,320 Speaker 1: And I feel like Elliot's one of those people who's like, 678 00:36:47,640 --> 00:36:50,360 Speaker 1: I know he likes me, but there's something really cool 679 00:36:50,719 --> 00:36:58,600 Speaker 1: about torturing this boyle heletaryal faces guests. I think that's 680 00:36:58,680 --> 00:37:01,760 Speaker 1: really true because for a girl to do that usually 681 00:37:02,640 --> 00:37:05,000 Speaker 1: you heard her somewhere around the line, you know, And 682 00:37:05,680 --> 00:37:08,160 Speaker 1: so she's like, you know, it's it's it's game time. 683 00:37:08,640 --> 00:37:11,719 Speaker 1: So she's now gonna go to you and she's gonna 684 00:37:11,760 --> 00:37:14,600 Speaker 1: make you suffer because you made her suffer. So now 685 00:37:14,760 --> 00:37:18,359 Speaker 1: she gets that confidence back, and she moves on feeling great, 686 00:37:18,520 --> 00:37:20,960 Speaker 1: and she loves you back in the dirt and she's like, oh, 687 00:37:21,280 --> 00:37:23,919 Speaker 1: I could do this again and again. It's not that bad, 688 00:37:24,400 --> 00:37:26,719 Speaker 1: you know. And and another thing is they always say, like, 689 00:37:27,200 --> 00:37:28,680 Speaker 1: you know, the only way to move on from a 690 00:37:28,760 --> 00:37:31,799 Speaker 1: person is to find another person first, and I think 691 00:37:31,840 --> 00:37:35,080 Speaker 1: that's what Elliott did in this case. Yeah, you're right 692 00:37:35,200 --> 00:37:36,880 Speaker 1: she did, Joel, what are your thoughts on this? I 693 00:37:36,960 --> 00:37:40,759 Speaker 1: think Tarret's ended up really well. Everybody you know, at 694 00:37:40,840 --> 00:37:42,680 Speaker 1: some point in their life has had the position of 695 00:37:42,680 --> 00:37:44,920 Speaker 1: a power play, and who doesn't love a power play? 696 00:37:45,280 --> 00:37:46,960 Speaker 1: But I don't know what that's what Elliott's doing. I 697 00:37:46,960 --> 00:37:49,520 Speaker 1: feel like Elliott's character is really oblivious, Like I don't 698 00:37:49,560 --> 00:37:56,319 Speaker 1: know if she's at Come on, Joel, Joel. Starting the montage, 699 00:37:56,520 --> 00:38:00,160 Speaker 1: she licks chocolate off my lips, and I then make 700 00:38:00,239 --> 00:38:03,720 Speaker 1: my fingers and touch where she licked and kissed my fingers. 701 00:38:04,800 --> 00:38:07,080 Speaker 1: You can't do that, you did, and her boobs are 702 00:38:07,120 --> 00:38:09,520 Speaker 1: all in your face at one point, which, oh yeah, 703 00:38:09,640 --> 00:38:14,200 Speaker 1: that stretch seems very obvious. What about when she's spanking me, 704 00:38:14,280 --> 00:38:16,520 Speaker 1: I've got dirt. I get dirt on my butt and 705 00:38:16,680 --> 00:38:19,000 Speaker 1: she she's trying to get the dirt off, and then 706 00:38:19,000 --> 00:38:20,520 Speaker 1: it cuts to my face and it looks like I'm like, 707 00:38:20,560 --> 00:38:22,759 Speaker 1: I'm about to have an orgasm, and then and then 708 00:38:22,920 --> 00:38:25,919 Speaker 1: and then to end the montage, by the way, it's 709 00:38:26,200 --> 00:38:30,480 Speaker 1: Todd humping the mattress above you, and you cuddle you 710 00:38:31,000 --> 00:38:34,160 Speaker 1: and you grabbing, and you grabbing Elliott in fear, holding 711 00:38:34,239 --> 00:38:37,480 Speaker 1: her in fear, like oh god no. But also I 712 00:38:37,560 --> 00:38:39,799 Speaker 1: think JD's like, I've got the love of my life 713 00:38:39,840 --> 00:38:42,279 Speaker 1: in my arms and she's sleeping. Todd, you're having a 714 00:38:42,360 --> 00:38:44,759 Speaker 1: bad dream. You're gonna wake her up. Stop fucking you know, 715 00:38:44,840 --> 00:38:46,880 Speaker 1: wake up so you don't wake Elliott up. And he's like, no, 716 00:38:47,040 --> 00:38:54,719 Speaker 1: I'm awake. I'm just sucking this mattress. Oh my god. 717 00:39:01,640 --> 00:39:03,399 Speaker 1: All right, we have a caller, right, we have a guest. 718 00:39:03,960 --> 00:39:06,640 Speaker 1: Tara Every week we have somebody come on and ask 719 00:39:06,719 --> 00:39:09,960 Speaker 1: a question and uh, and it's always interesting. And then 720 00:39:10,000 --> 00:39:11,880 Speaker 1: we do a segment called Fixed their Life where we 721 00:39:12,080 --> 00:39:13,879 Speaker 1: fixed their life. So let's see how this goes. Juell, 722 00:39:13,920 --> 00:39:16,359 Speaker 1: who do we have today? All right, let's let him 723 00:39:16,400 --> 00:39:22,799 Speaker 1: in sort of a gift for Donald. Oh god, okay, man, 724 00:39:23,320 --> 00:39:28,759 Speaker 1: give it up for Hi you Steph, how are you? 725 00:39:28,960 --> 00:39:31,600 Speaker 1: Welcome to the program. I'm great, Thank you so much, 726 00:39:31,719 --> 00:39:33,960 Speaker 1: Zack Donald, thank you for that. And this is the 727 00:39:34,160 --> 00:39:37,920 Speaker 1: Tara read here our guest on the show. Hello, how 728 00:39:37,960 --> 00:39:40,920 Speaker 1: are you? That's Joelle and Daniel welcome to the program. 729 00:39:41,440 --> 00:39:43,000 Speaker 1: Thank you, thank you so much for having now. No, 730 00:39:43,200 --> 00:39:46,600 Speaker 1: Joelle implied that there you're somehow a special guest for Donald, 731 00:39:46,680 --> 00:39:49,000 Speaker 1: which really titilated me. I want to know why? What? 732 00:39:49,840 --> 00:39:52,000 Speaker 1: What don't I know? Do you want to tell them 733 00:39:52,040 --> 00:39:55,879 Speaker 1: what you do? Sure? Yeah? So, I mean a few 734 00:39:56,000 --> 00:39:58,959 Speaker 1: weeks ago, I think one of you insinuated that someone 735 00:39:59,040 --> 00:40:03,759 Speaker 1: from Ubisoft since to the podcast. Uh and uh, yeah, 736 00:40:03,840 --> 00:40:06,160 Speaker 1: that is true. That is me. I work for Ubisoft. 737 00:40:11,360 --> 00:40:14,399 Speaker 1: Donald's gonna just ask you video game questions. Now, what's 738 00:40:14,440 --> 00:40:17,399 Speaker 1: your favorite? No? No, no, no, okay, so you worked 739 00:40:17,400 --> 00:40:22,440 Speaker 1: for ubi Soft? Go on, what do you do for Ubisoft? Uh? So, 740 00:40:22,640 --> 00:40:26,560 Speaker 1: I'm a a news writer and on camera host for 741 00:40:26,719 --> 00:40:30,440 Speaker 1: Ubi Soft. So I I you know, I stream on Twitch. 742 00:40:31,080 --> 00:40:34,680 Speaker 1: I you know, I host are sort of big industry showcase, 743 00:40:35,640 --> 00:40:38,759 Speaker 1: you know, multiple times a year. So, yeah, Donald, do 744 00:40:38,800 --> 00:40:42,200 Speaker 1: you have a favorite Ubi Soft game? I'm sure I do? 745 00:40:42,440 --> 00:40:50,520 Speaker 1: What games? Do make makes? Assassin's Creed? Uh, far Cry, Fry, 746 00:40:50,960 --> 00:40:55,160 Speaker 1: any any Tom Clancy game that you've played? Nice, I've 747 00:40:55,239 --> 00:40:58,400 Speaker 1: I've played the Far Cry a couple of times. Uh, 748 00:40:58,480 --> 00:41:01,200 Speaker 1: there's a few of those Far Cry aren't there isn't 749 00:41:01,200 --> 00:41:03,919 Speaker 1: there isn't there is? Was there a far Cry where 750 00:41:03,960 --> 00:41:06,759 Speaker 1: it's like you're medieval, like not medieval, where it's like 751 00:41:07,280 --> 00:41:11,560 Speaker 1: it takes place in So there was a prehistoric far Cry? Yes? 752 00:41:11,680 --> 00:41:16,359 Speaker 1: That was my favorite? Yeah? Farcry Primal, Yeah, Primal, Yes, 753 00:41:16,920 --> 00:41:19,759 Speaker 1: I had that one. Yeah. Yeah. Far Cry six is 754 00:41:19,800 --> 00:41:22,120 Speaker 1: coming out and drunk Carlos Positos in that one. Does 755 00:41:22,200 --> 00:41:27,600 Speaker 1: he play does he play Darth Gideon? Not? To my knowledge, 756 00:41:27,680 --> 00:41:30,279 Speaker 1: norsef I'm gonna cut to the question Donald really wants 757 00:41:30,280 --> 00:41:32,040 Speaker 1: to ask you. Do you guys make any Star Wars 758 00:41:32,120 --> 00:41:36,160 Speaker 1: related games? Unfortunately we don't. That is a partnership with 759 00:41:36,239 --> 00:41:39,239 Speaker 1: EA so easy. Well, if, if, and when you ever 760 00:41:39,320 --> 00:41:43,000 Speaker 1: get that contract, let Donald know, because it's the only 761 00:41:43,080 --> 00:41:45,520 Speaker 1: thing Donald really cares about in life is his kids, 762 00:41:45,800 --> 00:41:49,200 Speaker 1: his wife, and Star Wars. I'm just gonna I'm just 763 00:41:49,239 --> 00:41:51,480 Speaker 1: gonna put it out there. You don't have to do that. 764 00:41:51,600 --> 00:41:53,200 Speaker 1: But if you ever want me to come down and 765 00:41:53,320 --> 00:41:55,279 Speaker 1: check out what y'all do, al read movie, so off, 766 00:41:55,320 --> 00:41:58,880 Speaker 1: I'll come down, I hang out. I might bring the microphone. 767 00:41:58,920 --> 00:42:02,320 Speaker 1: We might do a little fake Doctor's real friends in 768 00:42:02,480 --> 00:42:05,279 Speaker 1: the headquarters a UBI saw. As long as I get 769 00:42:05,520 --> 00:42:11,240 Speaker 1: me some games, absolutely, send him the mother load anyway, 770 00:42:11,320 --> 00:42:12,839 Speaker 1: send him the mother loading. You don't have to send 771 00:42:12,880 --> 00:42:15,799 Speaker 1: me that. Don't send me the motherload. Send me everything. 772 00:42:16,200 --> 00:42:21,680 Speaker 1: I send the motherloading everything the same thing. No, everyone, swaite. 773 00:42:21,680 --> 00:42:24,200 Speaker 1: Can I ask you question about twitch for for myself 774 00:42:24,280 --> 00:42:27,359 Speaker 1: and for all the people listening who still fucking don't 775 00:42:27,400 --> 00:42:30,000 Speaker 1: know what twitches? People play video games and they make 776 00:42:30,120 --> 00:42:32,600 Speaker 1: commentary and then they somehow make money off of this. 777 00:42:32,760 --> 00:42:35,440 Speaker 1: Can you explain it to me? Yeah? I mean, so, 778 00:42:35,640 --> 00:42:38,600 Speaker 1: it's it's not too dissimilar from the way I tend 779 00:42:38,640 --> 00:42:41,920 Speaker 1: to describe it to people, is that it is if 780 00:42:42,000 --> 00:42:46,920 Speaker 1: YouTube was live all the time and primarily focused on games. 781 00:42:47,120 --> 00:42:49,040 Speaker 1: There are tons of other things on Twitch that are 782 00:42:49,120 --> 00:42:51,560 Speaker 1: not game related. People have talk shows on their people, 783 00:42:51,800 --> 00:42:54,640 Speaker 1: you know, just hang out people carved, you know, wood 784 00:42:54,719 --> 00:42:57,200 Speaker 1: and things like that on there. But at the same time, 785 00:42:57,239 --> 00:43:01,080 Speaker 1: it is focus almost entirely online content. And how do 786 00:43:01,160 --> 00:43:03,200 Speaker 1: they make money? People tip them, like like like a 787 00:43:03,320 --> 00:43:06,719 Speaker 1: cam girl. So yeah, you can get tips. People can 788 00:43:06,800 --> 00:43:09,239 Speaker 1: subscribe to your channel, and if if they subscribe, that's 789 00:43:09,320 --> 00:43:11,920 Speaker 1: that's like a five dollars a month like subscription that 790 00:43:11,960 --> 00:43:13,920 Speaker 1: they're signing up for, and they can view your channel 791 00:43:13,960 --> 00:43:16,640 Speaker 1: ad free. They can support you that way, and then 792 00:43:16,960 --> 00:43:19,800 Speaker 1: you can always tip the person you're watching if you 793 00:43:20,120 --> 00:43:22,520 Speaker 1: like them or you know you want to support them more. 794 00:43:22,920 --> 00:43:28,759 Speaker 1: Come out, zack, what you know about cam girls? You 795 00:43:28,880 --> 00:43:31,960 Speaker 1: just out really fast like you were don't I can 796 00:43:32,040 --> 00:43:34,400 Speaker 1: honestly say I don't watch cameras, but I know what 797 00:43:34,520 --> 00:43:36,360 Speaker 1: it is. I know it's a thing, and I know 798 00:43:36,560 --> 00:43:38,759 Speaker 1: that you like like the way that these women make 799 00:43:38,800 --> 00:43:41,919 Speaker 1: money women and men is that that people throw money 800 00:43:42,000 --> 00:43:45,200 Speaker 1: at them, like like by going on the interwebs and hidden. 801 00:43:45,239 --> 00:43:47,840 Speaker 1: I have I have an idea. Can you tell me, 802 00:43:47,920 --> 00:43:50,120 Speaker 1: if you're all right with this, what you and I 803 00:43:50,160 --> 00:43:53,000 Speaker 1: should start an only fans. Yeah, but we're gonna have 804 00:43:53,080 --> 00:43:55,959 Speaker 1: to show our peeps, and I don't want my peep 805 00:43:56,000 --> 00:43:59,120 Speaker 1: next to your peep. It's gonna look even smaller. We 806 00:43:59,239 --> 00:44:01,759 Speaker 1: could just show crack. Oh oh, do you think we 807 00:44:01,800 --> 00:44:04,280 Speaker 1: can make money on only fans if we show coins? Lad, Joel? 808 00:44:04,640 --> 00:44:06,399 Speaker 1: Could we make I think we could play. I think 809 00:44:06,440 --> 00:44:08,359 Speaker 1: we I think we could play. I think we could 810 00:44:08,400 --> 00:44:11,880 Speaker 1: play balls or shaft on only fans. Because you know, 811 00:44:12,000 --> 00:44:13,600 Speaker 1: what's her name? What's your name? Is that girl that 812 00:44:13,680 --> 00:44:15,200 Speaker 1: got we were talking about her? She got in trouble 813 00:44:15,280 --> 00:44:17,920 Speaker 1: for doing only fans. Bell Thorne. She got in trouble. 814 00:44:17,920 --> 00:44:20,520 Speaker 1: She said could do only fans and didn't show anything naked. Joel, 815 00:44:20,600 --> 00:44:25,279 Speaker 1: how much kindaland I make it? We show crack? I 816 00:44:25,360 --> 00:44:29,279 Speaker 1: mean what about just ball? What about just ball? One ball? 817 00:44:29,400 --> 00:44:32,440 Speaker 1: One Joel? Can you google how much we can make 818 00:44:32,560 --> 00:44:36,480 Speaker 1: for one ball? You could just play you know, tomb 819 00:44:36,640 --> 00:44:42,759 Speaker 1: that's you know, that's yeah, that wholesome Dane Dannel use 820 00:44:42,800 --> 00:44:44,800 Speaker 1: stream on twitch? Right? I do? Yeah? And do you 821 00:44:44,840 --> 00:44:46,959 Speaker 1: make money doing it? I make a little bit of money. 822 00:44:47,000 --> 00:44:49,280 Speaker 1: I stream once a week. I'm not a full time streamer, 823 00:44:50,160 --> 00:44:52,839 Speaker 1: but you know, yeah, I get probably like twenty thirty 824 00:44:52,880 --> 00:44:56,359 Speaker 1: people in the chat and make you know ten fifteen bucks. 825 00:44:56,520 --> 00:44:58,520 Speaker 1: I know Sasha Gray does it. She does. She's a 826 00:44:58,600 --> 00:45:01,200 Speaker 1: very good streamer. And what game do you always play? 827 00:45:01,239 --> 00:45:03,520 Speaker 1: The same game? You play whatever? I mean? She she 828 00:45:03,680 --> 00:45:07,320 Speaker 1: does variety of streams. She also cooks on streams. Yeah, 829 00:45:07,360 --> 00:45:09,000 Speaker 1: I've seen that. And then you step you just do 830 00:45:09,160 --> 00:45:11,640 Speaker 1: only will be soft. Yeah, just use off games. So 831 00:45:11,960 --> 00:45:15,200 Speaker 1: you know we streamed, Uh, we streamed like for Honnor 832 00:45:15,480 --> 00:45:18,399 Speaker 1: today watch There's a new Watchdogs coming out next week, 833 00:45:18,480 --> 00:45:23,200 Speaker 1: so we'll be stoked for that. All right, I used 834 00:45:23,200 --> 00:45:25,440 Speaker 1: to have You're a great guest so far. Do you 835 00:45:25,520 --> 00:45:29,360 Speaker 1: have any Scrubs related questions? I do? I do, so 836 00:45:29,680 --> 00:45:35,040 Speaker 1: the first question I have actually is is related to uh. 837 00:45:35,320 --> 00:45:38,319 Speaker 1: For me, Scrubs is a show that that I think 838 00:45:38,520 --> 00:45:41,719 Speaker 1: kind of makes me want to be a better person. 839 00:45:41,800 --> 00:45:43,399 Speaker 1: I used to in high school. I was a part 840 00:45:43,440 --> 00:45:44,880 Speaker 1: of this. There was a Facebook group I was in 841 00:45:44,960 --> 00:45:46,520 Speaker 1: the called I Get all my life lessons from the 842 00:45:46,560 --> 00:45:49,920 Speaker 1: last two minutes of Scrubs episodes. Yeah, and I think 843 00:45:49,960 --> 00:45:52,480 Speaker 1: there are certain there are certain shows and movies out 844 00:45:52,520 --> 00:45:56,120 Speaker 1: there that I think should almost be required viewing for 845 00:45:56,200 --> 00:46:00,760 Speaker 1: people because they they you know, encourage kind they encourage 846 00:46:01,239 --> 00:46:04,000 Speaker 1: compassion and Scrubs is obviously one of those for me. 847 00:46:04,120 --> 00:46:06,799 Speaker 1: And actually two of your other projects, Zack and Donald, 848 00:46:06,840 --> 00:46:09,320 Speaker 1: are also way up there for me. And remember the 849 00:46:09,400 --> 00:46:13,680 Speaker 1: Titans and ted Lasso, And I was wondering, you know, 850 00:46:14,280 --> 00:46:17,520 Speaker 1: what are your movies, TV shows, whatever that you think 851 00:46:17,520 --> 00:46:20,080 Speaker 1: should be required viewing and make make you want to 852 00:46:20,120 --> 00:46:23,960 Speaker 1: be a better person. Wow, you know, that's a great question. 853 00:46:24,600 --> 00:46:27,640 Speaker 1: This is how I became This is how I became 854 00:46:27,680 --> 00:46:29,760 Speaker 1: an actor, you know what I mean. It was watching 855 00:46:30,280 --> 00:46:33,200 Speaker 1: movies that moved me to want to do what I 856 00:46:33,360 --> 00:46:37,560 Speaker 1: do now, you know what I mean. So, when I 857 00:46:37,760 --> 00:46:41,760 Speaker 1: was younger, The Princess Bride was one of those movies 858 00:46:41,920 --> 00:46:44,040 Speaker 1: that I was like, if I can ever get on 859 00:46:44,120 --> 00:46:48,080 Speaker 1: a level of comedy that these guys are doing right now? 860 00:46:48,840 --> 00:46:50,640 Speaker 1: I you know, So I watched that a lot. I 861 00:46:50,719 --> 00:46:53,640 Speaker 1: watched a lot of Rushmore. I watched you know, uh, 862 00:46:54,160 --> 00:46:57,040 Speaker 1: the you know movies where the comedy was subtle and 863 00:46:57,280 --> 00:46:59,239 Speaker 1: not necessarily. I remember one night Zach and I went 864 00:46:59,280 --> 00:47:00,960 Speaker 1: out for a Zach and I went out on our 865 00:47:01,000 --> 00:47:03,440 Speaker 1: first like hangout thing. It was me, Zach, Sarah, and 866 00:47:03,520 --> 00:47:06,160 Speaker 1: my manager at the time, and we're sitting at the table, 867 00:47:06,239 --> 00:47:08,360 Speaker 1: and Zach says, or maybe I said, well, what's your 868 00:47:08,400 --> 00:47:11,200 Speaker 1: top five movies? And everybody said some like really dope 869 00:47:11,200 --> 00:47:13,640 Speaker 1: shit like Zach said Citizen Kane, and like shit that 870 00:47:13,680 --> 00:47:15,560 Speaker 1: I had never heard. I didn't say Citizen Kane. That's 871 00:47:15,600 --> 00:47:17,839 Speaker 1: so pretentious. But if I did, I was young. Yeah, 872 00:47:17,880 --> 00:47:19,600 Speaker 1: you were young, and you were a freaking you know 873 00:47:19,719 --> 00:47:23,320 Speaker 1: you were you were a film student, and I know, 874 00:47:23,440 --> 00:47:26,160 Speaker 1: but I'm a douchebager. Like everyone's team there top five, Well, 875 00:47:26,239 --> 00:47:31,000 Speaker 1: Citizen Kane, obviously, like I'm sorry, and I remember naming 876 00:47:31,080 --> 00:47:32,920 Speaker 1: my top five and everybody kind of looking at me 877 00:47:33,040 --> 00:47:34,600 Speaker 1: like I was crazy. But these are the movies that 878 00:47:34,680 --> 00:47:38,440 Speaker 1: make me, that made me not necessarily have a positive 879 00:47:38,480 --> 00:47:40,760 Speaker 1: attitude about life, but made me want to be an actor. 880 00:47:40,840 --> 00:47:43,960 Speaker 1: So like you know, Good Fellas and you know Rushmore, 881 00:47:44,040 --> 00:47:47,240 Speaker 1: The Empire strikes Back, the Princeton's Bride, you know, movies 882 00:47:47,320 --> 00:47:51,880 Speaker 1: like that for some reason fueled me into this. I 883 00:47:51,960 --> 00:47:54,200 Speaker 1: can't really, I mean, I guess he's saying, he's speaking, 884 00:47:54,400 --> 00:47:56,680 Speaker 1: he's speaking a little bit. I mean, not to correct 885 00:47:56,680 --> 00:47:58,319 Speaker 1: me if I'm wrong. You said, but like a movie 886 00:47:58,440 --> 00:48:00,480 Speaker 1: or a TV show that made you, like a inspired 887 00:48:00,520 --> 00:48:04,080 Speaker 1: to be a better person. Yeah, I mean, I mean, oh, 888 00:48:04,200 --> 00:48:06,719 Speaker 1: well that's all them do the right thing. Freaking uh 889 00:48:07,200 --> 00:48:10,520 Speaker 1: you know what I mean. You know, in the Juice, 890 00:48:10,880 --> 00:48:12,480 Speaker 1: you know, like all of the all of the movies 891 00:48:12,560 --> 00:48:16,839 Speaker 1: that were geared toward black youth and black people when 892 00:48:16,920 --> 00:48:19,040 Speaker 1: I was a kid, that was what I was checking for. 893 00:48:19,280 --> 00:48:20,960 Speaker 1: And in the nineties and in the eighties and the 894 00:48:21,120 --> 00:48:24,080 Speaker 1: nineties and the early two thousand, every movie that was 895 00:48:24,160 --> 00:48:25,960 Speaker 1: a black movie had a message in it. And so 896 00:48:26,239 --> 00:48:28,680 Speaker 1: for sure, after I walked out of Freaking Boys in 897 00:48:28,760 --> 00:48:30,279 Speaker 1: the Hood, I was like, I know what I'm not 898 00:48:30,520 --> 00:48:35,239 Speaker 1: doing in life. Good. That's great filmmaking. It made such 899 00:48:35,719 --> 00:48:38,239 Speaker 1: a difference for you. But a movie popped into my 900 00:48:38,840 --> 00:48:41,160 Speaker 1: I probably could sit use if as I thought about 901 00:48:41,200 --> 00:48:44,000 Speaker 1: it and uh and ruminate on a lot. But one 902 00:48:44,120 --> 00:48:46,280 Speaker 1: just popped into my head the second you finished your sentence, 903 00:48:46,360 --> 00:48:49,600 Speaker 1: and it was American Beauty. Oh wow. That was a 904 00:48:49,680 --> 00:48:51,360 Speaker 1: movie that really moved me at a time when I 905 00:48:51,480 --> 00:48:53,600 Speaker 1: needed it, and it kind of made me just really 906 00:48:53,680 --> 00:48:55,920 Speaker 1: think about what kind of person I wanted to be. 907 00:48:56,200 --> 00:48:59,440 Speaker 1: And uh, I don't know, it's always been a touchstone 908 00:48:59,520 --> 00:49:02,799 Speaker 1: for me. It's film that I really really cherish a lot. 909 00:49:02,800 --> 00:49:04,160 Speaker 1: How about you? Terror. Is there a movie that you 910 00:49:04,239 --> 00:49:05,880 Speaker 1: saw that you were like, oh, that one makes me 911 00:49:05,960 --> 00:49:07,560 Speaker 1: want to be a better person? Or a TV show 912 00:49:08,640 --> 00:49:12,640 Speaker 1: I think it's gonna see sounds so cliche, but I 913 00:49:12,719 --> 00:49:15,480 Speaker 1: guess there's two. There's one called A Place in the Sun. 914 00:49:15,560 --> 00:49:20,040 Speaker 1: It's a really old movie and it's a Montgomery Cliff 915 00:49:20,239 --> 00:49:23,320 Speaker 1: and Elizabeth Tayer. And when you see them in it, 916 00:49:24,000 --> 00:49:28,080 Speaker 1: you see like from murder to scandal to love to 917 00:49:28,760 --> 00:49:31,360 Speaker 1: how far people will go from that and how you 918 00:49:31,520 --> 00:49:34,000 Speaker 1: correct it on the way, because it goes you could 919 00:49:34,000 --> 00:49:37,560 Speaker 1: go from love to absolutely craziness. You know, love is 920 00:49:37,600 --> 00:49:41,680 Speaker 1: either one strong thing or it's another. And I think 921 00:49:41,719 --> 00:49:44,759 Speaker 1: it taught me a lesson, like like you know, just 922 00:49:44,920 --> 00:49:47,040 Speaker 1: like we had in the TV show, like you can't 923 00:49:47,080 --> 00:49:49,200 Speaker 1: be crazy, you can't be like a stock, or you 924 00:49:49,320 --> 00:49:51,560 Speaker 1: gotta be smooth, you gotta be better, you gotta be 925 00:49:52,120 --> 00:49:54,560 Speaker 1: more secure. And I think you know, and it'd be 926 00:49:54,560 --> 00:49:58,400 Speaker 1: a kinder person to certain things because it's a domino effect. 927 00:49:58,480 --> 00:50:00,279 Speaker 1: If you hurt someone and you're in a bad mood 928 00:50:00,719 --> 00:50:02,400 Speaker 1: and you go home and you have a friend there 929 00:50:02,480 --> 00:50:06,120 Speaker 1: or your wife there, whatever, your roommate there, and you're 930 00:50:06,200 --> 00:50:08,440 Speaker 1: now snapping at them. They don't know why, and then 931 00:50:08,480 --> 00:50:11,000 Speaker 1: they snapped at someone else and that kind of movie 932 00:50:11,400 --> 00:50:15,480 Speaker 1: made me learn that. Yeah, that's great. And you said, 933 00:50:15,480 --> 00:50:18,239 Speaker 1: I'm so happy that we are associated with something that 934 00:50:18,560 --> 00:50:22,279 Speaker 1: made you, that affected you like that, And I wish 935 00:50:22,280 --> 00:50:24,080 Speaker 1: I could take more credit for ted Lasso. By the way, 936 00:50:24,080 --> 00:50:26,200 Speaker 1: a funny ted Lasso story. I only directed episode two 937 00:50:26,200 --> 00:50:28,239 Speaker 1: of ted Lasso, but I getting all these compliments for it, 938 00:50:28,280 --> 00:50:31,839 Speaker 1: which I happily take. And I'm on Twitter and James 939 00:50:31,960 --> 00:50:34,920 Speaker 1: Gunn says, hey, Zach Braff loved your episode of ted Lasso, 940 00:50:35,480 --> 00:50:37,480 Speaker 1: and I'm like, oh shit, thanks man. This means I 941 00:50:37,480 --> 00:50:39,320 Speaker 1: mean so much to me coming from you. All of 942 00:50:39,360 --> 00:50:42,000 Speaker 1: a sudden, I'm getting all these likes and everyone's being like, oh, Zach, 943 00:50:42,040 --> 00:50:44,000 Speaker 1: you must feel all of a sudden. Bill Lawrence comes 944 00:50:44,040 --> 00:50:46,839 Speaker 1: in hijacks it, being like, what about me? It's my show. 945 00:50:49,480 --> 00:50:52,560 Speaker 1: I'm like, are you really fucking in here hijacking my 946 00:50:52,760 --> 00:50:58,799 Speaker 1: James Gunn compliment right now? That's so funny. But yeah, 947 00:50:58,840 --> 00:51:01,920 Speaker 1: I'm happy for Bill. Ted Lasso is just a massive hit. 948 00:51:02,000 --> 00:51:04,359 Speaker 1: Everybody loves it, and I'm hopefully going to direct more 949 00:51:04,440 --> 00:51:07,120 Speaker 1: in the second season. But uh, but that's great, all right, 950 00:51:07,120 --> 00:51:09,680 Speaker 1: you say, wait before you go before we move on, Zack, 951 00:51:09,719 --> 00:51:12,799 Speaker 1: I just wanted to piggyback on what you said. American Beauty. Yes, 952 00:51:13,000 --> 00:51:15,719 Speaker 1: that was one of those movies for me as well. 953 00:51:16,840 --> 00:51:21,040 Speaker 1: That definitely when I finished that ship, That ship had 954 00:51:21,080 --> 00:51:23,040 Speaker 1: a lot of power behind it for me, and I 955 00:51:23,120 --> 00:51:25,719 Speaker 1: don't know why it did, but I just remember being like, 956 00:51:25,800 --> 00:51:27,399 Speaker 1: we well, I went to see it with a bunch 957 00:51:27,440 --> 00:51:29,239 Speaker 1: of friends while I was making Remember the Titans when 958 00:51:29,280 --> 00:51:31,800 Speaker 1: that movie came out as a mat Yeah it was, 959 00:51:32,200 --> 00:51:35,480 Speaker 1: and we were making that movie, and I believe it 960 00:51:35,600 --> 00:51:40,080 Speaker 1: was me, Ryan, Would and Ethan We all went to 961 00:51:40,120 --> 00:51:42,400 Speaker 1: see that together and I remember walking out of the 962 00:51:42,480 --> 00:51:44,279 Speaker 1: movie and everybody being like, this is one of the 963 00:51:44,360 --> 00:51:47,160 Speaker 1: dopest movies I've ever seen in my life. Yeah. Yeah, 964 00:51:47,239 --> 00:51:49,719 Speaker 1: American Beauty is one of those movies that I can't 965 00:51:49,760 --> 00:51:51,719 Speaker 1: explain to you why I liked that movie so much. 966 00:51:51,960 --> 00:51:54,839 Speaker 1: I think it it made me just think. It's one 967 00:51:54,880 --> 00:51:57,120 Speaker 1: of those films for me that makes you just zoom out, 968 00:51:57,280 --> 00:51:59,239 Speaker 1: and it's not just like, oh, cool movie, won't wish 969 00:51:59,280 --> 00:52:01,200 Speaker 1: we get for dinner. It's like you really start thinking 970 00:52:01,200 --> 00:52:02,879 Speaker 1: about your own life and your own place in the world. 971 00:52:02,920 --> 00:52:04,960 Speaker 1: And there's so many little things in it that. I 972 00:52:05,040 --> 00:52:10,120 Speaker 1: remember when they're getting in a fight and he's about 973 00:52:10,120 --> 00:52:13,280 Speaker 1: to spill beer on the couch and she's like, careful, 974 00:52:13,360 --> 00:52:15,800 Speaker 1: careful of your beer, and he's like, it's a fucking 975 00:52:16,080 --> 00:52:18,640 Speaker 1: couch right where I think of that. I think of 976 00:52:18,719 --> 00:52:20,719 Speaker 1: that little moment so many times in my life where 977 00:52:20,760 --> 00:52:25,239 Speaker 1: I'm where I'm sweating something so insignificant and and I'm 978 00:52:25,280 --> 00:52:27,480 Speaker 1: all anxious about something that in the macro is so 979 00:52:27,760 --> 00:52:31,000 Speaker 1: fucking ludicrous, and I always think of Spacey yelling it's 980 00:52:31,040 --> 00:52:34,920 Speaker 1: a fucking couch right anyway. And of course, and of 981 00:52:35,000 --> 00:52:38,880 Speaker 1: course the plastic the plastic bag thing was just beaut 982 00:52:40,040 --> 00:52:42,799 Speaker 1: I think one of another movie for me was it's 983 00:52:42,840 --> 00:52:46,120 Speaker 1: a classic for everyone was Shaw Shape Redemption. Yeah. I 984 00:52:46,200 --> 00:52:51,880 Speaker 1: mean that really showed you so many characters that struggled 985 00:52:52,080 --> 00:52:54,680 Speaker 1: from the beginning and became so strong, you know, at 986 00:52:54,719 --> 00:52:57,360 Speaker 1: the end, and it's so clever and I you know, 987 00:52:57,520 --> 00:53:00,560 Speaker 1: that movie really touched me, especially at the end when 988 00:53:00,600 --> 00:53:03,600 Speaker 1: he finally gets through and on the beach and power 989 00:53:03,640 --> 00:53:07,520 Speaker 1: of friendship too, it's ye that friendship, yeah, very much. 990 00:53:07,520 --> 00:53:09,279 Speaker 1: And when he played the music, when he played the 991 00:53:09,360 --> 00:53:11,600 Speaker 1: music when he locked in a you know, in the 992 00:53:11,680 --> 00:53:14,000 Speaker 1: office and all the people like it was like those 993 00:53:14,120 --> 00:53:16,319 Speaker 1: It was like angels coming on the sky. I'll never 994 00:53:16,440 --> 00:53:18,840 Speaker 1: forget that. That's one of those rare films that everybody 995 00:53:18,920 --> 00:53:21,840 Speaker 1: loves universally. All Right, you Stef you know you know 996 00:53:21,960 --> 00:53:23,480 Speaker 1: because you're here and you're a listener. We have a 997 00:53:23,600 --> 00:53:28,160 Speaker 1: very America's favorite segment everywhere, not just America, from Shad 998 00:53:28,400 --> 00:53:34,120 Speaker 1: to JABOUTI. People love this segment called fix your Life. 999 00:53:36,440 --> 00:53:38,800 Speaker 1: You have the benefit of having Tara Reid here. She'sn't 1000 00:53:38,840 --> 00:53:41,719 Speaker 1: give you great advice. Use off. How can we fix 1001 00:53:41,800 --> 00:53:45,200 Speaker 1: your life today? Yes? So, my brother and I don't 1002 00:53:45,320 --> 00:53:48,480 Speaker 1: get along very well at all. We are alike in 1003 00:53:48,640 --> 00:53:52,120 Speaker 1: every way we can't control, and then we are dislike 1004 00:53:52,280 --> 00:53:57,520 Speaker 1: in every way we can choose to be. And to 1005 00:53:57,640 --> 00:54:02,600 Speaker 1: the point where we haven't spoken since about May, and 1006 00:54:04,480 --> 00:54:09,680 Speaker 1: he couldn't in many ways. I sort of just kind 1007 00:54:09,719 --> 00:54:12,880 Speaker 1: of decided to step away from a toxic situation with 1008 00:54:13,080 --> 00:54:17,160 Speaker 1: him because it's just been better for me and my 1009 00:54:17,239 --> 00:54:21,600 Speaker 1: mental health if I disassociate when he constantly sort of 1010 00:54:21,640 --> 00:54:26,360 Speaker 1: antagonizes me, and lately he'll sort of go to my 1011 00:54:26,480 --> 00:54:28,799 Speaker 1: parents and sort of try and play the victim even 1012 00:54:28,880 --> 00:54:31,160 Speaker 1: though he tends to be the instigator in these situations, 1013 00:54:31,320 --> 00:54:34,520 Speaker 1: and I find it very difficult at times to be 1014 00:54:34,920 --> 00:54:40,040 Speaker 1: the bigger person and to try to forgive him. And 1015 00:54:40,040 --> 00:54:42,160 Speaker 1: I was wondering if you had any advice on, you know, 1016 00:54:42,280 --> 00:54:45,160 Speaker 1: how to take the high ground. You're just gonna have 1017 00:54:45,239 --> 00:54:47,200 Speaker 1: to take that high ground, dude. That's just how it is. Man, 1018 00:54:47,239 --> 00:54:50,800 Speaker 1: there's no that's just gonna hurt no matter what you know. 1019 00:54:50,880 --> 00:54:54,520 Speaker 1: It's a sacrifice. Taking the high ground. Isn't necessarily one 1020 00:54:54,560 --> 00:54:56,640 Speaker 1: of those things where it's like I'm gonna feel good 1021 00:54:56,640 --> 00:54:58,920 Speaker 1: about this, I'm gonna take the high ground taking a 1022 00:54:58,960 --> 00:55:00,560 Speaker 1: high ground and also was one of those things where 1023 00:55:00,560 --> 00:55:03,040 Speaker 1: it's like this, I don't want to take the high ground, 1024 00:55:03,080 --> 00:55:05,320 Speaker 1: but because I don't want to be in this, in this, 1025 00:55:05,440 --> 00:55:07,279 Speaker 1: I don't want this to go any further than it is, 1026 00:55:07,360 --> 00:55:09,680 Speaker 1: I'll take the high ground. It's one of those things 1027 00:55:09,719 --> 00:55:11,560 Speaker 1: where you're gonna have to bury your freaking pride. That's 1028 00:55:11,680 --> 00:55:13,719 Speaker 1: that's at the end of the day. That's well, let 1029 00:55:13,760 --> 00:55:15,200 Speaker 1: me just ask you a question. First. You said, have 1030 00:55:15,400 --> 00:55:18,879 Speaker 1: you guys ever really just had a heart to heart 1031 00:55:19,120 --> 00:55:20,759 Speaker 1: where you weren't screaming in each other? Have you ever 1032 00:55:20,920 --> 00:55:23,239 Speaker 1: just kind of had like a let's have a really 1033 00:55:23,360 --> 00:55:30,120 Speaker 1: super honest conversation, not nothing in depth. Nothing super in depth. 1034 00:55:30,200 --> 00:55:32,360 Speaker 1: We I mean even even on the best circumstances. We 1035 00:55:32,840 --> 00:55:35,000 Speaker 1: you know, in a pre COVID era, we only see 1036 00:55:35,040 --> 00:55:38,279 Speaker 1: each other maybe a few times a year anyway, and 1037 00:55:38,520 --> 00:55:40,719 Speaker 1: at that point it's usually you know, around my mom 1038 00:55:40,800 --> 00:55:42,799 Speaker 1: and it's you know, she just wants to not rock 1039 00:55:42,880 --> 00:55:45,320 Speaker 1: the boat and keep calm and you know, yeah, but 1040 00:55:45,400 --> 00:55:47,600 Speaker 1: it's like that, it's big like that. I thought it 1041 00:55:47,680 --> 00:55:49,640 Speaker 1: was just like just you two are tipping. It's it's 1042 00:55:49,760 --> 00:55:54,320 Speaker 1: affecting your whole family. I'm yeah. I My advice is 1043 00:55:54,560 --> 00:55:58,359 Speaker 1: that it really can help if you if you say, like, hey, 1044 00:55:58,680 --> 00:56:01,040 Speaker 1: you you mean someone to me. I love you. We 1045 00:56:01,120 --> 00:56:03,520 Speaker 1: obviously have some problems, but can we just have a 1046 00:56:03,640 --> 00:56:06,080 Speaker 1: super honest conversation with each other and just have it 1047 00:56:06,160 --> 00:56:08,320 Speaker 1: all out. And that's the trick with you is you 1048 00:56:08,400 --> 00:56:11,520 Speaker 1: got to not blame you a big person. The second 1049 00:56:11,560 --> 00:56:14,280 Speaker 1: you start blaming someone, they shut off and they get defensive. 1050 00:56:14,320 --> 00:56:16,120 Speaker 1: We all do that. So you have you have to 1051 00:56:16,200 --> 00:56:18,279 Speaker 1: come at it from a from a point from a 1052 00:56:18,520 --> 00:56:21,760 Speaker 1: from a perspective of I'm not blaming you for anything. 1053 00:56:21,880 --> 00:56:24,640 Speaker 1: I'm just telling you how I'm how I'm feeling. And 1054 00:56:25,080 --> 00:56:26,719 Speaker 1: how this is kind of landing with me and I 1055 00:56:26,920 --> 00:56:29,360 Speaker 1: really I love you, I want to make It's not 1056 00:56:29,520 --> 00:56:32,920 Speaker 1: that easy. I mean I recently lost both my parents 1057 00:56:33,200 --> 00:56:36,279 Speaker 1: and you know, they were kind of the rocks, you know, 1058 00:56:36,600 --> 00:56:41,080 Speaker 1: to to us four kids. And when you know that 1059 00:56:41,400 --> 00:56:45,920 Speaker 1: rock goes away, it's it's for brothers and sisters. The 1060 00:56:46,080 --> 00:56:50,279 Speaker 1: closeness that kept you together does part, you know. And 1061 00:56:50,400 --> 00:56:54,120 Speaker 1: then there's times where they do do something too and 1062 00:56:54,239 --> 00:56:56,120 Speaker 1: you say, you know what, I don't need them in 1063 00:56:56,160 --> 00:56:59,000 Speaker 1: my life. You know they're only being toxic, you know. 1064 00:56:59,160 --> 00:57:03,000 Speaker 1: And it's not taking the high ground. Sometimes it's the opposite. 1065 00:57:03,080 --> 00:57:07,040 Speaker 1: It's taking no ground and and just letting time does 1066 00:57:07,160 --> 00:57:11,800 Speaker 1: heal things. But I think by mentally always letting it 1067 00:57:11,920 --> 00:57:15,160 Speaker 1: bother you, it's eating you up inside. So instead of 1068 00:57:15,280 --> 00:57:17,800 Speaker 1: taking a high ground, instead of taking a low ground, 1069 00:57:18,160 --> 00:57:21,280 Speaker 1: it's taking time for yourself to heal and be when 1070 00:57:21,320 --> 00:57:23,880 Speaker 1: you're ready to go. And if you're not ready and 1071 00:57:23,960 --> 00:57:27,200 Speaker 1: you and you try and it goes south again, then 1072 00:57:27,400 --> 00:57:29,400 Speaker 1: you know that just tells you something. And I'm a 1073 00:57:29,480 --> 00:57:31,720 Speaker 1: family is family and you want to never get them 1074 00:57:31,760 --> 00:57:34,760 Speaker 1: out of your life. But sometimes you know you can't 1075 00:57:35,000 --> 00:57:37,440 Speaker 1: pick your family, but you could pick your friends, And 1076 00:57:37,600 --> 00:57:39,920 Speaker 1: I'm just saying, I'm just saying. I'm just saying, when 1077 00:57:39,960 --> 00:57:41,960 Speaker 1: you do try, when you do make a big attempt, 1078 00:57:42,720 --> 00:57:46,000 Speaker 1: I think that if you if you can really control 1079 00:57:46,320 --> 00:57:50,040 Speaker 1: any blaming and just say, look, I'm just I'm not 1080 00:57:50,360 --> 00:57:52,600 Speaker 1: blaming any of this on you, but I want to. 1081 00:57:53,200 --> 00:57:55,720 Speaker 1: I want you to know that I aspire. I love you, 1082 00:57:55,840 --> 00:58:00,040 Speaker 1: I aspire to have a better connection with you. I 1083 00:58:00,160 --> 00:58:02,320 Speaker 1: want to find a way for us to communicate better. 1084 00:58:02,560 --> 00:58:04,560 Speaker 1: Here's some of the things I'm feeling. I just like, 1085 00:58:04,680 --> 00:58:07,080 Speaker 1: be so super vulnerable. It's going to require you to 1086 00:58:07,120 --> 00:58:09,720 Speaker 1: be super vulnerable. So I'm trying to But that's taking 1087 00:58:09,760 --> 00:58:12,200 Speaker 1: the high ground right there. That's him being like, all right, look, 1088 00:58:12,280 --> 00:58:15,400 Speaker 1: I'm putting myself on the chopping block and I'm gonna 1089 00:58:15,520 --> 00:58:19,160 Speaker 1: make myself so vulnerable that my nerves are gonna show 1090 00:58:19,200 --> 00:58:21,360 Speaker 1: and you're gonna be able to poke my nerves. But 1091 00:58:21,480 --> 00:58:24,160 Speaker 1: I'm doing this because I love you so much and 1092 00:58:24,320 --> 00:58:29,080 Speaker 1: I want us to fix this relationship now. When your 1093 00:58:29,160 --> 00:58:31,040 Speaker 1: nerves are poked. The thing you said you have to 1094 00:58:31,120 --> 00:58:33,680 Speaker 1: do is not freaking let that affect you. And that's 1095 00:58:33,720 --> 00:58:36,520 Speaker 1: hard to do. Like I said, that's really really, really 1096 00:58:36,600 --> 00:58:40,440 Speaker 1: hard to do. I don't. I do not envy you. Man. 1097 00:58:40,640 --> 00:58:44,720 Speaker 1: I the vulnerable, no doubt. But I've been Me and 1098 00:58:44,840 --> 00:58:47,600 Speaker 1: my brothers have had fights that have lasted a year, 1099 00:58:47,760 --> 00:58:49,560 Speaker 1: you know where my brother and I didn't talk for 1100 00:58:49,680 --> 00:58:52,120 Speaker 1: a year and I can never get that back, you 1101 00:58:52,160 --> 00:58:53,720 Speaker 1: know what I mean, And he can never get that back. 1102 00:58:53,760 --> 00:58:56,760 Speaker 1: And thank god neither one of us perished during that year, 1103 00:58:56,840 --> 00:58:58,160 Speaker 1: you know what I mean, Because then I would feel 1104 00:58:58,200 --> 00:59:00,439 Speaker 1: like shit. And so you got to think of it also, 1105 00:59:00,600 --> 00:59:03,080 Speaker 1: is that, you know what I mean, Tomorrow nothing's promised, 1106 00:59:03,520 --> 00:59:05,920 Speaker 1: Nothing has promised. Tomorrow's not promised, you know what I mean. 1107 00:59:06,000 --> 00:59:10,840 Speaker 1: So I, in my personal belief, I think you and 1108 00:59:11,000 --> 00:59:13,320 Speaker 1: your brother, like Zach said, do need to sit down 1109 00:59:13,680 --> 00:59:16,680 Speaker 1: have this conversation. And yeah, taking the high road is 1110 00:59:16,720 --> 00:59:19,160 Speaker 1: the way to go, because it sounds like it sounds 1111 00:59:19,240 --> 00:59:22,760 Speaker 1: like you're not the instigator. He's the one that's instigating 1112 00:59:22,840 --> 00:59:24,920 Speaker 1: all of this stuff. Well, but he might have his 1113 00:59:25,040 --> 00:59:27,440 Speaker 1: own story, you know, you said, whatever is whatever you 1114 00:59:27,520 --> 00:59:30,200 Speaker 1: believe to be true. He's probably got something. He's obviously 1115 00:59:30,280 --> 00:59:33,120 Speaker 1: got something else going in his head. And the idea, 1116 00:59:33,280 --> 00:59:35,680 Speaker 1: the goal is to kind of get on the same page. 1117 00:59:35,880 --> 00:59:38,760 Speaker 1: And and my advice is just to make sure when 1118 00:59:38,760 --> 00:59:40,480 Speaker 1: you do have this conversation that you need to have 1119 00:59:40,920 --> 00:59:45,520 Speaker 1: that you're not accusatory accusatory accusatory. There's no extracy in there. 1120 00:59:45,600 --> 00:59:50,280 Speaker 1: Zach I likes, I like accusator accusatory accusatory. That'd be 1121 00:59:50,280 --> 00:59:54,920 Speaker 1: a good T shirt along with deservant, deservant accusacatory. But 1122 00:59:55,080 --> 00:59:57,240 Speaker 1: we but but dude, the first thing is the most 1123 00:59:57,280 --> 00:59:59,520 Speaker 1: important thing is you got to communicate. If you just 1124 00:59:59,720 --> 01:00:02,800 Speaker 1: often your corners pouting and hating each other, nothing's ever 1125 01:00:02,880 --> 01:00:07,120 Speaker 1: gonna happen. So you sef, You're welcome, you sef, you sef. 1126 01:00:07,320 --> 01:00:09,400 Speaker 1: I think if you follow all that advice and you're 1127 01:00:09,400 --> 01:00:12,120 Speaker 1: gonna listen to this back, you're welcome, it's gonna work. 1128 01:00:12,560 --> 01:00:14,560 Speaker 1: Thank you, Thank you. No, I really do appreciate that 1129 01:00:14,640 --> 01:00:17,560 Speaker 1: and all honestly, and and I know fix your life's 1130 01:00:17,600 --> 01:00:20,000 Speaker 1: usually the end. But I would be just so remissed 1131 01:00:20,080 --> 01:00:25,360 Speaker 1: Donald if I didn't say that. I absolutely adore Remember 1132 01:00:25,400 --> 01:00:28,240 Speaker 1: the Titans, And you have my absolute favorite line in 1133 01:00:28,360 --> 01:00:32,520 Speaker 1: the entire film, which is so it's the scene right 1134 01:00:32,600 --> 01:00:35,160 Speaker 1: when you know y'all are on a winning street, y'all 1135 01:00:35,200 --> 01:00:37,560 Speaker 1: feeling good, and you're you're going out for a night 1136 01:00:37,600 --> 01:00:40,920 Speaker 1: on the town and Sunshine wants to take you and 1137 01:00:41,040 --> 01:00:43,640 Speaker 1: Blue into a restaurant and you tell him, now, this 1138 01:00:43,760 --> 01:00:46,320 Speaker 1: is Virginia. You know, they're not really gonna want us here, 1139 01:00:46,640 --> 01:00:49,000 Speaker 1: and he tries anyway, and then you get turned away 1140 01:00:49,120 --> 01:00:52,080 Speaker 1: the door, and it's it's this you know moment that 1141 01:00:52,160 --> 01:00:54,200 Speaker 1: kind of creates a schism again between the black players 1142 01:00:54,200 --> 01:00:56,000 Speaker 1: and the white players. But you have a line there 1143 01:00:56,160 --> 01:01:00,320 Speaker 1: where you get really upset, and you know, Blue says, Wen, 1144 01:01:00,360 --> 01:01:02,360 Speaker 1: he didn't know, and he said, what do you mean here? 1145 01:01:02,360 --> 01:01:03,800 Speaker 1: You know, I told him he don't want to know, 1146 01:01:04,720 --> 01:01:07,600 Speaker 1: And like that to me is just so emblematic of 1147 01:01:07,880 --> 01:01:12,720 Speaker 1: so much of the inequality and apathy and insensitivity that 1148 01:01:13,000 --> 01:01:15,280 Speaker 1: is still so pervasive to this day, of how many 1149 01:01:15,320 --> 01:01:20,520 Speaker 1: people just don't want to know. That's absolutely right, that's that, 1150 01:01:21,520 --> 01:01:23,280 Speaker 1: that's the truth. There are a lot of people out 1151 01:01:23,320 --> 01:01:26,120 Speaker 1: there that don't want to know, and they know, they 1152 01:01:26,240 --> 01:01:29,360 Speaker 1: know they've been told over and over and over again 1153 01:01:29,440 --> 01:01:31,800 Speaker 1: what the deal is. And you're right about that. There's 1154 01:01:31,840 --> 01:01:34,800 Speaker 1: a group, not even a small group, there's a really 1155 01:01:35,000 --> 01:01:39,200 Speaker 1: big population in America. I'll just talk about America. In 1156 01:01:39,320 --> 01:01:44,000 Speaker 1: America that knows what's going on and knows what the 1157 01:01:44,560 --> 01:01:49,560 Speaker 1: experienced brown people and other minorities are having in this country, 1158 01:01:50,080 --> 01:01:52,840 Speaker 1: and they see it and they act like they don't 1159 01:01:52,880 --> 01:01:55,880 Speaker 1: see it and they play aloof or they play freaking 1160 01:01:56,040 --> 01:02:00,040 Speaker 1: stupid and that's bullshit. And you're absolutely right, Sunshine. I 1161 01:02:00,160 --> 01:02:03,080 Speaker 1: knew I told him, you know, Pete told him, but 1162 01:02:03,160 --> 01:02:04,920 Speaker 1: he didn't want and he didn't want to hear that shit. 1163 01:02:05,000 --> 01:02:07,320 Speaker 1: He wanted to hear what he wanted to hear. You're 1164 01:02:07,320 --> 01:02:09,160 Speaker 1: absolutely right about that, man. That's a strong that is 1165 01:02:09,160 --> 01:02:14,160 Speaker 1: a powerful line. Brother. Yeah, all right, brother Sep, thank 1166 01:02:14,200 --> 01:02:15,760 Speaker 1: you for coming on the show. We really appreciate it. 1167 01:02:15,840 --> 01:02:19,320 Speaker 1: And please send Donald the mother load of games. Oh absolutely, 1168 01:02:19,920 --> 01:02:22,000 Speaker 1: thank you so much for having me my pleasure. Man, 1169 01:02:22,080 --> 01:02:24,280 Speaker 1: thank you so much. Good luck with your brother, good luck, 1170 01:02:24,320 --> 01:02:29,040 Speaker 1: good luck call him today. I will, I will thank 1171 01:02:29,080 --> 01:02:32,000 Speaker 1: you all so much, you Seff. We want to follow up, 1172 01:02:32,040 --> 01:02:33,920 Speaker 1: so let you well know what happens after you talk 1173 01:02:33,920 --> 01:02:36,840 Speaker 1: to your brother. I will absolutely thank you. All right, bye, man, 1174 01:02:36,920 --> 01:02:41,720 Speaker 1: Thank you. It would it would suck that U. STEP's 1175 01:02:41,720 --> 01:02:46,760 Speaker 1: follow up is like, so I killed him, I miss, 1176 01:02:46,920 --> 01:02:51,880 Speaker 1: I misunderstood your advice and I strangled him. Thanks guys, 1177 01:02:53,640 --> 01:02:55,680 Speaker 1: let's take a break. We'll be right back. After these 1178 01:02:56,160 --> 01:03:05,800 Speaker 1: fine words. First of all, John C mcginley's Doctor Phil 1179 01:03:05,840 --> 01:03:08,800 Speaker 1: impressions pretty good. Yeah, that was funny. I guess I 1180 01:03:08,880 --> 01:03:12,760 Speaker 1: might have been the height of Doctor Phil. Turks cheese, 1181 01:03:13,680 --> 01:03:15,600 Speaker 1: I love. The only word you know is caso. You're like, 1182 01:03:15,640 --> 01:03:18,560 Speaker 1: did somebody say cheese? Yeah, but I'm just saying somebody 1183 01:03:18,560 --> 01:03:20,040 Speaker 1: going out to get some cheese. Let a brother know. 1184 01:03:21,600 --> 01:03:23,280 Speaker 1: And then it cuts you later and you're eating a 1185 01:03:23,400 --> 01:03:26,480 Speaker 1: fucking solid brick of cheese. I'm eating some government cheese. 1186 01:03:26,600 --> 01:03:28,720 Speaker 1: Not only did they go to the store, they went 1187 01:03:28,840 --> 01:03:33,760 Speaker 1: to the truck and got the government cheese that somebody 1188 01:03:33,800 --> 01:03:36,560 Speaker 1: got online, got the government cheese and handed it to Turk. 1189 01:03:36,640 --> 01:03:39,600 Speaker 1: And now Turk's walking around with government cheese, chewing on 1190 01:03:39,680 --> 01:03:42,560 Speaker 1: it like it's freaking like it's a snack. It was 1191 01:03:42,680 --> 01:03:45,760 Speaker 1: so gross, Like, who would ever eat cheese like that? Turk? 1192 01:03:49,720 --> 01:03:54,080 Speaker 1: I like, when you go, ka, my ass ass, because 1193 01:03:54,120 --> 01:03:57,200 Speaker 1: he my ass. How does Carlin not know that her 1194 01:03:57,240 --> 01:03:59,520 Speaker 1: fucking brothers flew in English? I mean, come on, they 1195 01:03:59,520 --> 01:04:02,439 Speaker 1: don't hang out much. He hides it from her, he does, 1196 01:04:02,960 --> 01:04:04,840 Speaker 1: I guess. I mean they always speaks managed to each other. 1197 01:04:04,880 --> 01:04:06,440 Speaker 1: It's just the first time we hear the phrase in 1198 01:04:06,520 --> 01:04:09,520 Speaker 1: opposite world because I say that, and Yo, dude, I've 1199 01:04:09,600 --> 01:04:13,280 Speaker 1: left that, I've taken for the rest of my life. 1200 01:04:13,320 --> 01:04:15,880 Speaker 1: I'm gonna use that word. I always say an opposite world. 1201 01:04:15,920 --> 01:04:18,920 Speaker 1: I've used it since since I remember. I remember watching 1202 01:04:18,960 --> 01:04:20,800 Speaker 1: the show and you saying that and being like, Yo, 1203 01:04:21,560 --> 01:04:24,280 Speaker 1: that is my new ship. An opposite world is going 1204 01:04:24,320 --> 01:04:26,320 Speaker 1: to be my new ship. We use it with each other, 1205 01:04:26,600 --> 01:04:28,320 Speaker 1: and this is this is I don't know where I mean, 1206 01:04:28,520 --> 01:04:30,600 Speaker 1: obviously some writer put it in, but this is where 1207 01:04:30,640 --> 01:04:32,680 Speaker 1: we first started. This is where we first started using it. Yeah, 1208 01:04:32,960 --> 01:04:37,200 Speaker 1: Nana Hobbs is a bit racist. What Yeah, that was funny, Tara. 1209 01:04:37,280 --> 01:04:39,840 Speaker 1: I like when I go I'm gonna miss you and no, 1210 01:04:39,920 --> 01:04:41,680 Speaker 1: you're sorry, you go I'm gonna miss you. Right, I'm 1211 01:04:41,720 --> 01:04:43,440 Speaker 1: gonna miss you too, and you too, we just met. 1212 01:04:43,480 --> 01:04:50,280 Speaker 1: I'm kidding. That was funny. Weird, Danny's still weird. I mean, 1213 01:04:50,360 --> 01:04:53,520 Speaker 1: part of Danny's stick is that she always starts conversations 1214 01:04:53,560 --> 01:04:55,800 Speaker 1: in the middle of an in the middle of a conversation. Yeah, 1215 01:04:56,520 --> 01:04:59,240 Speaker 1: but also I like when Danny says, you know, she's talking, 1216 01:04:59,480 --> 01:05:01,440 Speaker 1: and when the elevator and she's like you know this, 1217 01:05:01,720 --> 01:05:03,480 Speaker 1: it gets you know, fall right, now and then the 1218 01:05:03,560 --> 01:05:04,960 Speaker 1: stream of me and you're like looking at her like 1219 01:05:05,080 --> 01:05:06,880 Speaker 1: what She's like, Oh sorry, I mean I just have 1220 01:05:06,960 --> 01:05:09,600 Speaker 1: it inner monologue in my head and you're like, weirdo, 1221 01:05:10,000 --> 01:05:14,800 Speaker 1: But yeah, that's your character exactly. I must have come 1222 01:05:14,880 --> 01:05:17,040 Speaker 1: from somebody the writers who are being knowing someone that 1223 01:05:17,160 --> 01:05:19,680 Speaker 1: just always started conversations right in the middle of a conversation, 1224 01:05:20,000 --> 01:05:22,200 Speaker 1: because I think it's a funny thing for Danny, she's 1225 01:05:22,200 --> 01:05:26,760 Speaker 1: always like like three sentences into a conversation and Jad's like, what, Yeah, 1226 01:05:27,080 --> 01:05:28,800 Speaker 1: have you ever said to somebody you know what I 1227 01:05:28,920 --> 01:05:31,280 Speaker 1: was thinking about and they actually answered what you were 1228 01:05:31,360 --> 01:05:36,400 Speaker 1: thinking about? But they don't answer correctly. Yeah, it's one 1229 01:05:36,440 --> 01:05:38,440 Speaker 1: of It's one of the funniest things ever. Like, so 1230 01:05:38,600 --> 01:05:39,960 Speaker 1: usually when you say to somebody, you know what I 1231 01:05:40,080 --> 01:05:42,240 Speaker 1: was thinking about, you're saying it so they'll be like, 1232 01:05:42,320 --> 01:05:43,720 Speaker 1: what what were you thinking about? And then you can 1233 01:05:43,760 --> 01:05:46,680 Speaker 1: go into what you were thinking about? Right. Yeah. I 1234 01:05:46,800 --> 01:05:49,160 Speaker 1: watched my wife some one time go up to this 1235 01:05:49,280 --> 01:05:51,120 Speaker 1: young lady and she goes, oh my god, you know 1236 01:05:51,160 --> 01:05:53,280 Speaker 1: what I was just thinking about. And the girl goes 1237 01:05:54,040 --> 01:05:59,760 Speaker 1: Rihanna dancing on the stage and last Year's in case. 1238 01:05:59,800 --> 01:06:08,400 Speaker 1: He's like, what, no, no, no, no, that's funny though. 1239 01:06:08,840 --> 01:06:10,480 Speaker 1: You all have one of those locked and loaded for 1240 01:06:10,560 --> 01:06:12,280 Speaker 1: when someone says that to it. So you know what 1241 01:06:12,320 --> 01:06:14,120 Speaker 1: I was thinking about, right, and you just go into 1242 01:06:15,320 --> 01:06:24,360 Speaker 1: when she got thick? Yeah. How about the fact that 1243 01:06:24,440 --> 01:06:29,440 Speaker 1: we learned that Kelso's genitals were shaved when he passed 1244 01:06:29,440 --> 01:06:32,920 Speaker 1: out at the Christmas party. Yeah, and that Cox is 1245 01:06:32,960 --> 01:06:35,880 Speaker 1: the one that shaved them. Yeah, Kelso got so hammered 1246 01:06:35,920 --> 01:06:39,160 Speaker 1: and passed the Christmas party and Cox shaved his genitals 1247 01:06:39,520 --> 01:06:41,800 Speaker 1: more than once too. That's something I didn't remember from 1248 01:06:41,800 --> 01:06:44,560 Speaker 1: the cross Yeah, more than once too. This is like, 1249 01:06:44,880 --> 01:06:48,920 Speaker 1: this is like a recurring tradition that happens. So funny 1250 01:06:51,280 --> 01:06:53,360 Speaker 1: and then I liked. I laughed too when Sarah says 1251 01:06:53,400 --> 01:06:56,360 Speaker 1: she has to perform a thong extraction on herself, right, 1252 01:06:58,880 --> 01:07:01,959 Speaker 1: How fucking funny is that punch in the face to you? Dude? 1253 01:07:02,160 --> 01:07:04,280 Speaker 1: When when when when Marco hits you in the face? 1254 01:07:04,360 --> 01:07:07,720 Speaker 1: I laughed out loud. I laughed at that too. You go, 1255 01:07:07,880 --> 01:07:12,440 Speaker 1: I told you that is the hardest hit. Yeah, by 1256 01:07:12,520 --> 01:07:14,520 Speaker 1: scrub by the way scrubs Wicky says that you have 1257 01:07:14,600 --> 01:07:18,960 Speaker 1: the black eye on the wrong eye, I do, Yeah, 1258 01:07:20,000 --> 01:07:22,200 Speaker 1: says we had a couple of racist jokes in this. 1259 01:07:23,080 --> 01:07:27,440 Speaker 1: Is it racist to say that Nana Hobbs is a racist? 1260 01:07:27,520 --> 01:07:30,080 Speaker 1: And that's all right? She thought that she thought that 1261 01:07:30,160 --> 01:07:36,120 Speaker 1: I was robbing the house. Well, she's racist. She was. 1262 01:07:36,880 --> 01:07:39,120 Speaker 1: She's racist. By the way. It's not racist, or correct 1263 01:07:39,120 --> 01:07:40,840 Speaker 1: me if I'm wrong. You guys will tell me when 1264 01:07:40,880 --> 01:07:43,400 Speaker 1: I say so. Black people can get black eyes too. 1265 01:07:43,800 --> 01:07:46,840 Speaker 1: Who know? Well, I mean, come on, man, you've seen 1266 01:07:46,960 --> 01:07:50,680 Speaker 1: all types of boxing matches and a lot of boxers 1267 01:07:50,720 --> 01:07:53,400 Speaker 1: are black. But you're trying to tell me if this 1268 01:07:53,520 --> 01:07:57,560 Speaker 1: is where the bullshit comes in. Muhammad Ali, I've seen 1269 01:07:57,680 --> 01:08:00,520 Speaker 1: him get sucked up. I've seen Leon Spins get sucked up. 1270 01:08:00,600 --> 01:08:02,600 Speaker 1: I've seen a bunch of black people get sucked up 1271 01:08:02,640 --> 01:08:06,840 Speaker 1: fighting back in the day before scrubs out of nowhere. 1272 01:08:07,680 --> 01:08:12,400 Speaker 1: J D's like, wait a second, black people get black eyes. 1273 01:08:13,880 --> 01:08:15,400 Speaker 1: I mean, I thought it was funny. But if you're 1274 01:08:15,400 --> 01:08:17,800 Speaker 1: telling me it's fucked up, I believe you. No, I don't. 1275 01:08:17,880 --> 01:08:19,680 Speaker 1: I don't think it's fucked up. I just think I 1276 01:08:19,840 --> 01:08:22,599 Speaker 1: just think that JD is trying to be a bit 1277 01:08:22,800 --> 01:08:24,840 Speaker 1: of you know what I mean. He's a doctor. I'm 1278 01:08:24,840 --> 01:08:26,559 Speaker 1: sure he's seen a black person with the black eye's 1279 01:08:26,560 --> 01:08:31,320 Speaker 1: trying to be best friend exactly exactly, but it doesn't work. 1280 01:08:31,479 --> 01:08:35,559 Speaker 1: If JD is, you know, genuinely asking that question, then 1281 01:08:35,640 --> 01:08:38,400 Speaker 1: it becomes a racist joke. Right. I think that as 1282 01:08:38,439 --> 01:08:40,560 Speaker 1: a doctor, he's probably seen a black person with a 1283 01:08:40,560 --> 01:08:43,240 Speaker 1: black eye. But just so you know the trivia that Scrubs, 1284 01:08:43,280 --> 01:08:46,800 Speaker 1: Wicky said that you're a black ey's on the wrong eye. Well, 1285 01:08:46,880 --> 01:08:51,800 Speaker 1: you know, we can't all be perfect. Yeah, yeah, they 1286 01:08:51,840 --> 01:08:56,680 Speaker 1: cannot be perfect makeup department, there's Yeah, there's a bunch 1287 01:08:56,720 --> 01:09:00,799 Speaker 1: of continuity errors in this one. Who to this episode? 1288 01:09:01,120 --> 01:09:05,840 Speaker 1: This was Gailman Cuso I think has since one uh 1289 01:09:06,200 --> 01:09:10,840 Speaker 1: an Emmy for Modern Family. I believe double checking. I 1290 01:09:10,920 --> 01:09:13,920 Speaker 1: believe Joel will double check. Gailman Cuso was one of 1291 01:09:14,000 --> 01:09:17,720 Speaker 1: our great directors and she went on after Scrubs to 1292 01:09:17,760 --> 01:09:21,680 Speaker 1: become one of the top TV directors in Hollywood. A 1293 01:09:21,800 --> 01:09:23,720 Speaker 1: lot of a lot of Modern Families. I remember that, 1294 01:09:24,240 --> 01:09:26,880 Speaker 1: you guys, I had forgotten the reveal that Danny is 1295 01:09:26,960 --> 01:09:32,760 Speaker 1: Jordan's sister. Wait, the best one when you're like I 1296 01:09:33,000 --> 01:09:35,960 Speaker 1: finally found a girl with no issues, you know, and 1297 01:09:36,120 --> 01:09:40,439 Speaker 1: you're like bam, they walk out and you're like oh no, yeah, 1298 01:09:40,600 --> 01:09:43,680 Speaker 1: oh no, my Nemesis. Yeah, this is the beginning of 1299 01:09:44,680 --> 01:09:48,040 Speaker 1: a lot of crazy this like at some point, don't 1300 01:09:48,040 --> 01:09:51,760 Speaker 1: you have a toilet paper thrown Terra in this on 1301 01:09:51,920 --> 01:09:54,000 Speaker 1: scrubs at some point later on as we go on, 1302 01:09:54,280 --> 01:09:57,120 Speaker 1: like don't we doesn't it get like just ridiculous? Weeks? Oh, 1303 01:09:57,160 --> 01:09:59,479 Speaker 1: I remember there's a fantasy coming up the Tara mentioned. 1304 01:09:59,479 --> 01:10:01,200 Speaker 1: I mean we were texting back and forth about when 1305 01:10:01,200 --> 01:10:05,200 Speaker 1: she's dressed as a cigarette. Remember, I remember I was 1306 01:10:05,280 --> 01:10:07,479 Speaker 1: so embarrassed, like Tarry, You're gonna dress as a cigarette 1307 01:10:07,560 --> 01:10:09,240 Speaker 1: right now? I'm like, you go. And I remember wearing 1308 01:10:09,240 --> 01:10:11,840 Speaker 1: an alba, going like, oh my god. I love that 1309 01:10:11,920 --> 01:10:13,880 Speaker 1: we had. We had like only Bill Lawrence would bring 1310 01:10:13,960 --> 01:10:17,160 Speaker 1: on this beautiful woman that everyone's like lusting after him, like, hey, 1311 01:10:17,360 --> 01:10:20,240 Speaker 1: we're gonna dress you up as a cigarette. And then 1312 01:10:20,240 --> 01:10:21,920 Speaker 1: when she's in the bed, when she's in the bed 1313 01:10:22,280 --> 01:10:26,400 Speaker 1: just smoking smoke. I just remember this story. Do you 1314 01:10:26,439 --> 01:10:29,000 Speaker 1: remember this. I had to do a naked dance in 1315 01:10:29,080 --> 01:10:31,400 Speaker 1: front of you. And when you're on set as a 1316 01:10:31,400 --> 01:10:33,240 Speaker 1: guy and you just be naked, there's only a certain 1317 01:10:33,280 --> 01:10:35,680 Speaker 1: amount of stuff you can do. So I put my 1318 01:10:35,960 --> 01:10:38,760 Speaker 1: junk in a sock and I and I tucked it 1319 01:10:38,800 --> 01:10:40,640 Speaker 1: all in and as best as I could, and then 1320 01:10:40,640 --> 01:10:42,840 Speaker 1: I had to do the dance and I'm dancing around. 1321 01:10:42,960 --> 01:10:45,000 Speaker 1: The sock held on as long as it could, but 1322 01:10:45,160 --> 01:10:48,920 Speaker 1: eventually it just gave up, and I was like, sorry, Tara, Sorry, 1323 01:10:49,880 --> 01:10:53,280 Speaker 1: that was hilarious. We had so many I was like sorry, 1324 01:10:53,280 --> 01:10:56,120 Speaker 1: remember me, Like sorry, Tara, but it's but it's like Seinfeld, 1325 01:10:56,160 --> 01:10:59,680 Speaker 1: so you know, it's very cold in here, Tara conditioning. 1326 01:11:01,439 --> 01:11:05,760 Speaker 1: Joel told me that what hold on me? Gayelm and 1327 01:11:05,800 --> 01:11:09,240 Speaker 1: Cuso did win the Emmy for directing the episode Arrested 1328 01:11:09,520 --> 01:11:13,320 Speaker 1: on Modern Family, and then in twenty fourteen, she won 1329 01:11:13,400 --> 01:11:16,800 Speaker 1: the Emmy again for directing the episode of Las Vegas. 1330 01:11:17,040 --> 01:11:20,200 Speaker 1: She's got two Emmys for directing Modern Family. Guys, I 1331 01:11:20,240 --> 01:11:22,160 Speaker 1: think we did it. Tara. You're gonna have to come 1332 01:11:22,200 --> 01:11:24,519 Speaker 1: back on because you're such a great guest and you've 1333 01:11:24,520 --> 01:11:26,840 Speaker 1: been in so many other episodes. Will you join us? 1334 01:11:26,960 --> 01:11:28,880 Speaker 1: Was this? I hope this wasn't too painful for you know, 1335 01:11:29,080 --> 01:11:30,880 Speaker 1: it's so much fun. I had the best time. I'd 1336 01:11:30,920 --> 01:11:32,720 Speaker 1: love to come back. Then, all right, good. It's fun 1337 01:11:32,800 --> 01:11:35,120 Speaker 1: because once a week we just all get together and 1338 01:11:35,200 --> 01:11:38,200 Speaker 1: shoot the ship and and we have these amazing listeners 1339 01:11:38,240 --> 01:11:40,240 Speaker 1: that join us and we all just sit around and 1340 01:11:40,320 --> 01:11:43,760 Speaker 1: giggle about nonsense. It's a great show. Yeah, we're really 1341 01:11:43,800 --> 01:11:45,920 Speaker 1: happy that you came on. Man, you have so many 1342 01:11:46,000 --> 01:11:47,720 Speaker 1: other stories that we would be as. We want to 1343 01:11:47,760 --> 01:11:49,640 Speaker 1: hear more stories. We definitely at least want to have 1344 01:11:49,720 --> 01:11:52,639 Speaker 1: you back for either the episode where I actually showed 1345 01:11:52,640 --> 01:11:56,360 Speaker 1: you my junk in a very cold room, Tara, or 1346 01:11:56,400 --> 01:11:59,720 Speaker 1: when you're dressed as a cigarette. But thank you. You're 1347 01:11:59,760 --> 01:12:02,320 Speaker 1: great guest, and thank you everybuddy for listening. What do 1348 01:12:02,400 --> 01:12:04,320 Speaker 1: we want to say? Donald? Check out the merch. We 1349 01:12:04,400 --> 01:12:07,320 Speaker 1: have great merch. Now. We've got great merch now. You 1350 01:12:07,439 --> 01:12:10,439 Speaker 1: guys asked for it and we delivered. We've got more 1351 01:12:10,680 --> 01:12:13,880 Speaker 1: Christmas ornaments coming here. We sold out of the ornaments, Joel, 1352 01:12:13,920 --> 01:12:18,040 Speaker 1: we didn't order enough foruments. I want some free merch, guys, Joe, 1353 01:12:18,240 --> 01:12:21,599 Speaker 1: please send Tara all the merch. Okay, send her a mug, 1354 01:12:21,760 --> 01:12:25,160 Speaker 1: Send her a mug. We want swea Yeah, okay, we 1355 01:12:26,080 --> 01:12:27,160 Speaker 1: got that. We got that for you. We got that 1356 01:12:27,240 --> 01:12:30,840 Speaker 1: for you. Take the mug. You got a cotton barrow. 1357 01:12:30,880 --> 01:12:33,320 Speaker 1: Dot com and search for fake doctors, real friends. There's 1358 01:12:33,320 --> 01:12:36,639 Speaker 1: all sorts of fun stuff on there. And thank you Joelle, 1359 01:12:36,800 --> 01:12:39,800 Speaker 1: Thank you, Daniel, thank you Tara Reid. We'll be back 1360 01:12:39,920 --> 01:12:43,560 Speaker 1: next week with more fun and laughter. Stay safe, We 1361 01:12:43,720 --> 01:12:46,879 Speaker 1: love you. Make sure you vote for the love of Yahweh, 1362 01:12:47,080 --> 01:12:50,040 Speaker 1: for the love of God, for whatever deity you believe in. 1363 01:12:50,240 --> 01:12:54,760 Speaker 1: If you believe in Jehovah, vote whomever your favorite God is, 1364 01:12:55,240 --> 01:13:02,439 Speaker 1: Please in their honor. Good. Sorry about sure we made 1365 01:13:03,720 --> 01:13:06,799 Speaker 1: about a bunch of docs and nurses and the Janna 1366 01:13:06,840 --> 01:13:10,559 Speaker 1: who little bit here I said, he's a story. Nephew. 1367 01:13:10,600 --> 01:13:16,120 Speaker 1: All should go so kado around you. Here are Gado 1368 01:13:16,280 --> 01:13:19,720 Speaker 1: around you, Here are expect me. Watch your windsad and 1369 01:13:20,120 --> 01:13:21,800 Speaker 1: time m