WEBVTT - Justin Willman

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<v Speaker 1>When I do live gigs around the country, I'll be

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<v Speaker 1>honest with you. I sel t shirts and swag to

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<v Speaker 1>the folks who are there, and then people always say,

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<v Speaker 1>can we get this wag without sitting through a whole

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<v Speaker 1>evening of you. Well, it's happened. It's finally here. You

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<v Speaker 1>can buy Craig Ferguson merch on the Craig Ferguson Merch

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<v Speaker 1>website and you can buy it for yourself or someone

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<v Speaker 1>you hate or someone you love. For more information and

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<v Speaker 1>link to the web store, please go to the Craig

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<v Speaker 1>Fergusonshow dot com. That's all lowercase, the Craig Ferguson show

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<v Speaker 1>dot com. My name is Craig Ferguson. The name of

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<v Speaker 1>this podcast is Joy. I talk to interest in people

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<v Speaker 1>about what brings them happiness. Today, my guest is Justin Wilman,

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<v Speaker 1>who is not only the acceptable face of magic, but

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<v Speaker 1>actually the entertaining an interesting face of magic. His show

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<v Speaker 1>for Humans or Netflix was where I first saw He's

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<v Speaker 1>amazing and very interesting, as you're about to find that.

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<v Speaker 1>So first of all, let me just say this to you,

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<v Speaker 1>because I try not to fawn on people in there here,

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<v Speaker 1>but really in all honesty, everyone who's on this podcast,

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<v Speaker 1>I'm either a friend or a fan of now you

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<v Speaker 1>and I have just met ye, and I'll happily be

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<v Speaker 1>your friend and hang out with you, But I'm not

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<v Speaker 1>your friend yet. Now I am a fan of your work,

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<v Speaker 1>and that puts me a slight disadvantage. I'm kind of

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<v Speaker 1>on the back foot a little bit because I'm very

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<v Speaker 1>impressed by what you do, and I don't get impressed

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<v Speaker 1>that easy like magicians. And I don't think of you

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<v Speaker 1>as a magician alone. I mean, I think you're a magician,

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<v Speaker 1>and you do other stuff and you present and you

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<v Speaker 1>kind of you have like a comedic vibe, but you

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<v Speaker 1>don't have the creepy weirdness of magician. And I'm kind

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<v Speaker 1>of concerned, like, and you're sleep you don't have any

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<v Speaker 1>like long sleeves, so I know you don't have like

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<v Speaker 1>right project. Unless these are false arms.

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<v Speaker 2>You never know. I got here at five am. I

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<v Speaker 2>rigged the couch up.

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<v Speaker 1>Is there a kind of a fraternity or or is

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<v Speaker 1>there a collegiate sense amongst magicians even though even although

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<v Speaker 1>you're you're kind of the owen fong teribla of that

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<v Speaker 1>whole thing, though aren't you. I'll look that up. But

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<v Speaker 1>what you are is, you're kind of like you're the

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<v Speaker 1>punk rock man. You're the You're the change, You're the

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<v Speaker 1>You're the kind of new generation. You're You're it's all different.

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<v Speaker 1>You don't have a cape, you're much less rape and

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<v Speaker 1>you're you. You have a very different vibe about you

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<v Speaker 1>than what I think of is you know the classic

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<v Speaker 1>show magic. Yeah.

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<v Speaker 2>Well, wow, there's a lot of compliments to unpacked, right, Okay,

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<v Speaker 2>first off, right, the fact that you said you're a

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<v Speaker 2>fan of this is very surreal.

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<v Speaker 1>I didn't know that you knew who the HECKU I was.

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<v Speaker 2>Oh yeah, No, I'm such a fan of you. Oh

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<v Speaker 2>I have always been. You know everything about you, have

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<v Speaker 2>listened to interviews with you. I just I I like

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<v Speaker 2>you a lot. So this is very cool for me

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<v Speaker 2>to be here. You're not in the backfoot at all. No,

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<v Speaker 2>that's great. But now I feel like I'm going to

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<v Speaker 2>disappoint you. No, okay, well listen, like likewise, as a magician,

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<v Speaker 2>far too.

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<v Speaker 1>Well, I'm not going to ask you to do any

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<v Speaker 1>tricks at all today. I want to It's not tricks,

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<v Speaker 1>it's illusions, my illusions. Illusions tricks is fine, but you

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<v Speaker 1>don't have an assistant wearing a big thing. Would you

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<v Speaker 1>ever play Vegas? Have you ever played?

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<v Speaker 2>I just did Vegas for the first time a week

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<v Speaker 2>ago with the Venetian, Right, that's that's the first time

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<v Speaker 2>on the strip. Probably on the strip I've done, like

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<v Speaker 2>the Sun Coast or the off the Strip, the Orleans,

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<v Speaker 2>the Orleans as well. You feel like you're in Vegas

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<v Speaker 2>until you walk out the front door and then you

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<v Speaker 2>see Vegas in the distance. Yeah.

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<v Speaker 1>I love the Orleans though, because I felt like maybe

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<v Speaker 1>I was part of the rat pack, you know they

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<v Speaker 1>had the sign was still the kind of shitty writing. Yeah,

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<v Speaker 1>so smoky. Yeah.

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<v Speaker 2>Anyway, so you played? Did you wear a cape? Did

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<v Speaker 2>you wear a cape? Okay, didn't wear a top hat?

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<v Speaker 2>No lovely assistance, you know. I think I went through

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<v Speaker 2>those phases early on when you were just incredible, when

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<v Speaker 2>I was just incredible exactly.

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<v Speaker 1>Wow, this is a great start off name from a magician.

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<v Speaker 2>I think it was like this catchy name my mom

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<v Speaker 2>came up with when I was doing kids' birthday parties

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<v Speaker 2>right now, And I don't think i'd rather cape them,

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<v Speaker 2>but I certainly wore talks. You know in public as

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<v Speaker 2>a teenager.

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<v Speaker 1>That's all right. I mean, my my oldest son was

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<v Speaker 1>was very into magic when he was a kid. He

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<v Speaker 1>used to Rick Thomas. He loved Rick Thomas. He was

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<v Speaker 1>on your show a couple of times. Cats. Did he

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<v Speaker 1>bring the cats ever? I don't, I can't remember. I

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<v Speaker 1>used to have magic.

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<v Speaker 2>You had a lot of magic, I remember, and Alonso

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<v Speaker 2>was a good buddy mine.

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<v Speaker 1>Yeah. Yeah, we didn't see a bunch of magicians when

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<v Speaker 1>he was that age. He kind of moved on and

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<v Speaker 1>moved in animation and that's where it became like his

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<v Speaker 1>artistic expression. But for a while, Chris Angel, he was

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<v Speaker 1>I guess Chris Angel was a kind of like I

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<v Speaker 1>guess that was a kind of hairmail, part of.

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<v Speaker 2>Punk rock, but very you know, it was new. It

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<v Speaker 2>was a little goth at first, right, and then it

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<v Speaker 2>was it was kind of like kiss.

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<v Speaker 1>He was kind of you know, but there is that

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<v Speaker 1>kind of that kind of thing with the younger magicians

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<v Speaker 1>that you guys do stuff that you can't see. The

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<v Speaker 1>illusion is like the you know, it's like the oh

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<v Speaker 1>I'm levitating. No, there's a thing, Oh there's how can

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<v Speaker 1>he have end up his sleeves he's don't go any sleeves.

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<v Speaker 1>It's like it's disarming. It's really freaky, like that Magic

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<v Speaker 1>for Human show that you go to Netflix. I'm like,

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<v Speaker 1>I don't know the fuck this guy's up to. This

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<v Speaker 1>is crazy. It's like maybe he's a demon.

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<v Speaker 2>Yeah, yeah, a demon in a in a in a

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<v Speaker 2>boyish costume sorts.

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<v Speaker 1>You are boyish. Yeah, So how did it started off

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<v Speaker 1>for you? Because I always think like, because you're a

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<v Speaker 1>stand up as well, sort of kind of you have

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<v Speaker 1>that vibe, right, and you do stand up.

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<v Speaker 2>I've never done stand up without magic involved, you know,

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<v Speaker 2>but I do chunks between tricks, right, you know. And

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<v Speaker 2>that happened, you know, when I went to Emerson College

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<v Speaker 2>of Boston. I was just incredible. I was doing kids

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<v Speaker 2>birthday parties on the weekends, and then befriended Dan Levy,

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<v Speaker 2>who's a stand up comedian. He became my best friend,

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<v Speaker 2>not not Dan Levy, Dan Lee. And we we roomed

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<v Speaker 2>out here in la at the oak Woods, and he

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<v Speaker 2>would go up every night, you know, and always be

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<v Speaker 2>working on new material, whereas a magician tends to hone

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<v Speaker 2>the same thing over the course of their career. Well

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<v Speaker 2>you have, I mean, yes, yeah, yeah, I mean like

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<v Speaker 2>all the greats. You know, I would go to see

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<v Speaker 2>Lance Burton and I would go to see him do

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<v Speaker 2>the doves that I that I had heard of. I'd

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<v Speaker 2>seen him do you know, these polished classics. But you know,

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<v Speaker 2>the comic mentality is kind of always be, always be

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<v Speaker 2>moving forward.

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<v Speaker 1>Well, I because I always think of me because I

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<v Speaker 1>knew a lot of stand ups and it's kind of

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<v Speaker 1>my thing. And the mentality and the kind of the

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<v Speaker 1>inside mental workings of most stand ups is pretty dark.

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<v Speaker 1>And then I've met a lot of magicians, and the

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<v Speaker 1>stand ups and the inside mechanism most magicians I've met

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<v Speaker 1>is pretty dark as well. I mean it feels to

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<v Speaker 1>me like you're jewel addicted point. I mean it's like

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<v Speaker 1>is there a real is there a real kind of

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<v Speaker 1>is there a darkness? Well, there's got to be everybody.

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<v Speaker 1>I wish everybody has a darkness. Everybody has a darkness.

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<v Speaker 2>But you know, like Dan was my liaison into the

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<v Speaker 2>comedy world, and I you know, we we'd bounce around

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<v Speaker 2>town and I would be throwing new stuff all the time,

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<v Speaker 2>get out of my comfort zone. But he he also

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<v Speaker 2>has he has no darkness, right, He's just the sweet,

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<v Speaker 2>right happy optimist, you know, and I had I have

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<v Speaker 2>a darkness, you know I've had, I've had, you know,

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<v Speaker 2>there were you know, addiction, little stints along the way

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<v Speaker 2>when we first moved to l A, you know La.

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<v Speaker 1>Well, yeah you can run into that.

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<v Speaker 2>Yeah, you can have the wrong neighbors. I had the

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<v Speaker 2>wrong neighbors. So I first got my first apartment and

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<v Speaker 2>and you know what was your thing was? It was well,

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<v Speaker 2>it eventually became crystal math. I know, I never took

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<v Speaker 2>crystal myth. I feel like I've been soberferred so long

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<v Speaker 2>that drugs have been invented since and I never go

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<v Speaker 2>at the crystal myth.

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<v Speaker 1>What it is like speed? Yeah all right, yeah, it's

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<v Speaker 1>like speed on speed.

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<v Speaker 2>Yeah, Like you know, I think there was a part

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<v Speaker 2>of me that just like I had this fomo like

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<v Speaker 2>I I just didn't want to miss out or anything.

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<v Speaker 2>But also I had this addiction to what I thought

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<v Speaker 2>would make me more productive and effective. And you know,

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<v Speaker 2>like yeah, on for longer, and that's that's kind of

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<v Speaker 2>what it's for. It makes you think you're you're on

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<v Speaker 2>for longer.

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<v Speaker 1>I liked the feeling of the operas as well. You know,

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<v Speaker 1>when I'm glad because when I took, when I was

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<v Speaker 1>in the drugs and alcohol, the bass notes never sung

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<v Speaker 1>to me, you know, the heroines and that kind of thing,

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<v Speaker 1>which I'm quite glad of because that seemed to kill

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<v Speaker 1>people much faster. Whereas cocaine, to me, it was cocaine

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<v Speaker 1>back then, you know, that's what there were, steam trains, cocaine,

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<v Speaker 1>phones had big circles on them. It was just a

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<v Speaker 1>better time, simpler times. But I always thought of cocaine

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<v Speaker 1>it just kind of like helped me drink more.

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<v Speaker 2>That's yeah, they're kind of like a one two as well,

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<v Speaker 2>that kind of doesn't Yeah, yeah, it was kind of uh,

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<v Speaker 2>you know, I wouldn't. I mean, alcohol was a was

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<v Speaker 2>a thing for me for a while. I only just

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<v Speaker 2>now this year January first, you know, kind of out

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<v Speaker 2>alcohol together.

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<v Speaker 1>So which is which was as even.

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<v Speaker 2>More of like I have more pride for that than

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<v Speaker 2>you know, the drugs.

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<v Speaker 1>Because the drugs was you know, I it was. It was.

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<v Speaker 2>Well, society is not constantly telling you that doing crystal

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<v Speaker 2>meth is okay, but society is constantly telling you that

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<v Speaker 2>you got to drink ad a good times. So that's

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<v Speaker 2>some brainwashing that takes a while time to do it

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<v Speaker 2>really is.

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<v Speaker 1>It's an odd thing. But when I started, when I

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<v Speaker 1>was doing stand up at the beginning, I was drunk

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<v Speaker 1>a lot while I was doing it, and then performing

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<v Speaker 1>sober took a bit again used to it. Yeah, I

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<v Speaker 1>can't imagine for someone who does something as as clever

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<v Speaker 1>as what you do, that that being impaired on stage

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<v Speaker 1>is something you can get away with.

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<v Speaker 2>Not pretty, yeah, not pretty sometimes you know, like I

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<v Speaker 2>would be I would, you know, have a drink or

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<v Speaker 2>two before a show, and I say sometimes, you know,

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<v Speaker 2>like last year, and uh, you know, sometimes it would

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<v Speaker 2>if I'm doing the you know, the show that I'm

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<v Speaker 2>really comfortable with, it would almost be like a you know,

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<v Speaker 2>let me throw myself a little curveball of impairedness and

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<v Speaker 2>let's see how how you get out of this one.

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<v Speaker 2>Justin you know, there's almost like little self challenges that

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<v Speaker 2>come out. I get the boredom of routine.

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<v Speaker 1>Well that the routine, and also I think somewhere in

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<v Speaker 1>there and I'm I don't know why I'm going here

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<v Speaker 1>with this, but but there's a sort of deserveability of it,

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<v Speaker 1>because you know, you're like you're a comer, man. I

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<v Speaker 1>mean it's like you're you're on the way to being

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<v Speaker 1>like you're big now, but you're going to be like

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<v Speaker 1>this huge, big, giant career. And I think when you're

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<v Speaker 1>a kid and you want that, it's like it's in

0:10:43.800 --> 0:10:46.840
<v Speaker 1>front of you, and that's kind of it's aspirational and

0:10:46.840 --> 0:10:48.640
<v Speaker 1>somehow it's no, it's frightened. But when you start to

0:10:48.720 --> 0:10:51.280
<v Speaker 1>get it, and you're getting it now, I mean this

0:10:51.440 --> 0:10:54.480
<v Speaker 1>is like you you've getting the kudos and the stuff

0:10:54.520 --> 0:10:57.360
<v Speaker 1>and the I'm sure the money's coming and the and

0:10:57.400 --> 0:11:01.360
<v Speaker 1>they're all the flattery, which is the real currency is

0:11:01.880 --> 0:11:04.920
<v Speaker 1>it really is? It's like how much flattery if you

0:11:05.000 --> 0:11:08.720
<v Speaker 1>go for the person that it starts to freak you out?

0:11:08.760 --> 0:11:10.160
<v Speaker 1>Does it? Does it freak you out a little bit?

0:11:10.200 --> 0:11:11.679
<v Speaker 1>Because success can be a little scary.

0:11:12.200 --> 0:11:15.040
<v Speaker 2>Yeah, you know, I think maybe that's what what at first,

0:11:15.400 --> 0:11:18.400
<v Speaker 2>like first moving to LA and you know, I kind

0:11:18.400 --> 0:11:21.880
<v Speaker 2>of felt like I was, you know, skipped a step.

0:11:21.920 --> 0:11:24.760
<v Speaker 2>I booked a commercial like a couple of months in

0:11:24.920 --> 0:11:27.040
<v Speaker 2>LA and you know, I remember when that thing was

0:11:27.040 --> 0:11:29.360
<v Speaker 2>on the air, I felt like Tom Cruise. You know,

0:11:29.360 --> 0:11:32.120
<v Speaker 2>it was like and that's when the you know, the

0:11:32.160 --> 0:11:37.120
<v Speaker 2>bad neighbor influences of celebrating that success took over and

0:11:37.160 --> 0:11:39.199
<v Speaker 2>then you then you're kind of panicking of like, well,

0:11:39.200 --> 0:11:40.520
<v Speaker 2>I can't let this go. You got to you know,

0:11:40.600 --> 0:11:42.600
<v Speaker 2>like you can't. You can't rest on your laurels. So

0:11:42.760 --> 0:11:46.040
<v Speaker 2>that's how do how do I keep keep this engine going?

0:11:46.280 --> 0:11:48.000
<v Speaker 2>And now I feel like I've been you know, I've

0:11:48.080 --> 0:11:50.600
<v Speaker 2>been in LA for twenty years, and I feel like

0:11:50.640 --> 0:11:55.520
<v Speaker 2>I'm a little more stoic about those what's next thing,

0:11:55.679 --> 0:11:58.880
<v Speaker 2>like a little like less, you know, over the moon,

0:11:58.960 --> 0:12:02.000
<v Speaker 2>let's throw a party because you some milestone happened.

0:12:02.040 --> 0:12:05.120
<v Speaker 1>It more like a yeah, yeah, you know. It's a job. Yeah,

0:12:05.160 --> 0:12:07.920
<v Speaker 1>it's a job, and that's that's a great job. Yeah

0:12:07.960 --> 0:12:10.240
<v Speaker 1>it's a great job. But it is a job. And

0:12:10.280 --> 0:12:13.839
<v Speaker 1>I think that what's kind of funny I always felt

0:12:13.880 --> 0:12:18.079
<v Speaker 1>about Los Angeles and and show business and in fact

0:12:18.160 --> 0:12:21.439
<v Speaker 1>the Internet as well. They all fall into the same category,

0:12:21.480 --> 0:12:26.320
<v Speaker 1>which is it's only dangerous if you take it seriously, right.

0:12:26.559 --> 0:12:30.240
<v Speaker 1>And what I admire very much about the skill that

0:12:30.280 --> 0:12:33.600
<v Speaker 1>you have, and it's something that I also that made

0:12:33.679 --> 0:12:37.720
<v Speaker 1>me feel free as well, is that no matter what happens,

0:12:37.920 --> 0:12:40.240
<v Speaker 1>you can get on top of a soap box in

0:12:40.280 --> 0:12:43.280
<v Speaker 1>the street and earn enough money paid the rent. True,

0:12:43.520 --> 0:12:48.080
<v Speaker 1>And that's that's real freedom, my friend. That having a trade.

0:12:48.320 --> 0:12:51.160
<v Speaker 1>Yeah that you know, well, yeah, you could throw money

0:12:51.200 --> 0:12:53.280
<v Speaker 1>into a hat. It's kind of a you know, it's

0:12:53.640 --> 0:12:56.560
<v Speaker 1>like musicians have the same thing. Like a proper musician.

0:12:56.640 --> 0:12:59.360
<v Speaker 1>If you need an auto tune to make your music,

0:13:00.080 --> 0:13:03.000
<v Speaker 1>then you have to make sure you can afford one, right,

0:13:03.080 --> 0:13:05.920
<v Speaker 1>But if you can create it, and I imagine you

0:13:06.040 --> 0:13:09.480
<v Speaker 1>create the illusions and this stuff, now that's part of

0:13:09.520 --> 0:13:12.080
<v Speaker 1>what you do, right, is that you you design and

0:13:12.120 --> 0:13:13.600
<v Speaker 1>make this stuff yourself.

0:13:13.679 --> 0:13:16.320
<v Speaker 2>There's a yeah, I've got like a brain trust and

0:13:16.559 --> 0:13:18.719
<v Speaker 2>you know in making the TV show and anything, all

0:13:18.720 --> 0:13:21.520
<v Speaker 2>the live stuff, it's it's a lot of you know what,

0:13:21.600 --> 0:13:24.320
<v Speaker 2>old ancient ideas. Can you reinvent? What's an old trick

0:13:24.400 --> 0:13:25.920
<v Speaker 2>that you know? Like I've got all these tricks that

0:13:26.000 --> 0:13:28.520
<v Speaker 2>you have, these old books and tons of books.

0:13:28.600 --> 0:13:29.280
<v Speaker 1>You know this.

0:13:29.600 --> 0:13:31.520
<v Speaker 2>But you know, you get to a point where when

0:13:31.520 --> 0:13:33.160
<v Speaker 2>there's a lot of eyeballs on you, you can't just

0:13:33.200 --> 0:13:35.240
<v Speaker 2>do stuff right off the shelf. Right, you can get

0:13:35.240 --> 0:13:37.240
<v Speaker 2>away with that when you know you're doing gigs that

0:13:37.320 --> 0:13:39.199
<v Speaker 2>aren't being put on the internet, you know, but when

0:13:39.200 --> 0:13:39.880
<v Speaker 2>you're kind.

0:13:39.679 --> 0:13:41.160
<v Speaker 1>Of you're the big guy. Now.

0:13:41.320 --> 0:13:43.320
<v Speaker 2>Yeah, Now I can't, you know, I can't just you know,

0:13:43.440 --> 0:13:45.520
<v Speaker 2>do the you know, a trick that I buy at

0:13:45.520 --> 0:13:47.960
<v Speaker 2>the at the Hollywood Magic So you kind of have

0:13:48.080 --> 0:13:50.000
<v Speaker 2>to figure out what your spin is on it. And

0:13:50.040 --> 0:13:52.480
<v Speaker 2>I love I love that, you know, that's the hard work,

0:13:52.520 --> 0:13:55.520
<v Speaker 2>but I do. I often think one day the luggage

0:13:55.559 --> 0:13:57.160
<v Speaker 2>is not going to arrive. And I know it's not

0:13:57.200 --> 0:13:59.200
<v Speaker 2>about the tricks and the props, right, but I know

0:13:59.240 --> 0:14:02.280
<v Speaker 2>I could go to a Walmart, give me forty five

0:14:02.280 --> 0:14:04.560
<v Speaker 2>minutes and I could put together an hour show, you know,

0:14:04.640 --> 0:14:05.360
<v Speaker 2>and do it that night.

0:14:05.400 --> 0:14:07.160
<v Speaker 1>I think you could get rid of a body the

0:14:07.200 --> 0:14:11.120
<v Speaker 1>same way that you do, Like if you had inadvertently,

0:14:11.360 --> 0:14:13.520
<v Speaker 1>you know, committed a homicide or the road would be

0:14:13.559 --> 0:14:16.280
<v Speaker 1>a good, amazing race episode. Yeah, I just think, you know,

0:14:16.360 --> 0:14:18.520
<v Speaker 1>if I mean, if you can put together stuff like

0:14:18.559 --> 0:14:21.920
<v Speaker 1>that at Walmart, it's just a very useful skill to have,

0:14:22.200 --> 0:14:25.640
<v Speaker 1>it is. Yes, I'm kind of impressed. A magician brain.

0:14:28.840 --> 0:14:32.440
<v Speaker 1>The Craig Ferguson Fancy Rascal Stand Up Tour continues throughout

0:14:32.440 --> 0:14:36.400
<v Speaker 1>the United States in twenty twenty four. For a full

0:14:36.440 --> 0:14:39.200
<v Speaker 1>list of dates and tickets, go to the Craig fergusonshow

0:14:39.280 --> 0:14:46.880
<v Speaker 1>dot com slash tour. So you out there? Is there

0:14:46.880 --> 0:14:49.200
<v Speaker 1>a kind of society of magicians? It's like, are you

0:14:49.280 --> 0:14:50.720
<v Speaker 1>a member of the Magic Castle and all that?

0:14:50.720 --> 0:14:53.160
<v Speaker 2>I remember the Magic Castle? Then there's a society of

0:14:53.200 --> 0:14:56.360
<v Speaker 2>American magicians. There's an international brotherhood of.

0:14:56.320 --> 0:14:59.760
<v Speaker 1>Magicians, all right, but ladies get two of us? They do? Yeah?

0:15:00.040 --> 0:15:02.640
<v Speaker 1>Should they should work on that? The title title's a

0:15:02.680 --> 0:15:07.560
<v Speaker 1>little antiquated but international. Answer question, I don't know any

0:15:08.160 --> 0:15:10.240
<v Speaker 1>female magicians knows I think about it. I mean, I'm

0:15:10.240 --> 0:15:12.000
<v Speaker 1>sure there are many, but I don't know any.

0:15:12.160 --> 0:15:15.880
<v Speaker 2>There are there are many, but I mean obviously not enough, right,

0:15:16.040 --> 0:15:19.800
<v Speaker 2>there are more and more. But there are some great

0:15:19.880 --> 0:15:23.720
<v Speaker 2>female magicians. In fact, in Vegas. Jen Kramer the only,

0:15:23.840 --> 0:15:28.840
<v Speaker 2>I believe, the only you know, female headliner magician in Vegas.

0:15:28.920 --> 0:15:31.880
<v Speaker 2>And she does a great show and she's super funny,

0:15:31.840 --> 0:15:32.520
<v Speaker 2>it's super sweet.

0:15:32.640 --> 0:15:35.920
<v Speaker 1>What happens with magicians that are they like stand ups?

0:15:35.920 --> 0:15:38.120
<v Speaker 1>Like do they get together after the show and complain

0:15:38.200 --> 0:15:42.320
<v Speaker 1>about young people and stuff or older magicians who who

0:15:42.360 --> 0:15:46.240
<v Speaker 1>did it the wrong way? Or they they I think

0:15:46.240 --> 0:15:46.600
<v Speaker 1>they do.

0:15:46.680 --> 0:15:48.720
<v Speaker 2>I mean, I have, you know, groups of magicians who

0:15:48.720 --> 0:15:51.360
<v Speaker 2>will come to my shows, you know, and in any town,

0:15:51.440 --> 0:15:52.960
<v Speaker 2>you know, the magicians kind of get together and they

0:15:52.960 --> 0:15:54.640
<v Speaker 2>come to the show. But I know that what happens

0:15:54.640 --> 0:15:56.600
<v Speaker 2>after is they go to Denny's and they rip it apart,

0:15:56.760 --> 0:15:59.480
<v Speaker 2>you know, and there's a bunch of like you know,

0:15:59.560 --> 0:16:04.320
<v Speaker 2>like magicians love to you know, the tall poppy thing obviously,

0:16:04.400 --> 0:16:06.680
<v Speaker 2>you know, kind of anyone anyone who thinks their rise

0:16:06.720 --> 0:16:09.720
<v Speaker 2>above you know, screw them. And I think, you know,

0:16:09.720 --> 0:16:12.760
<v Speaker 2>I remember when David Blaine first came out. Magicians just

0:16:13.240 --> 0:16:16.120
<v Speaker 2>couldn't believe this guy was getting so famous doing tricks.

0:16:17.520 --> 0:16:17.920
<v Speaker 1>Mute.

0:16:18.040 --> 0:16:20.600
<v Speaker 2>Yeah, because we I think, and I was guilty this well,

0:16:20.640 --> 0:16:22.640
<v Speaker 2>I don't think we got the big picture, which is

0:16:23.080 --> 0:16:26.880
<v Speaker 2>he's kind of reinventing the context of experiencing magic. You

0:16:26.920 --> 0:16:29.360
<v Speaker 2>know that it's just a guy in a T shirt

0:16:29.520 --> 0:16:32.360
<v Speaker 2>on the street, right, and he's just blowing people's minds,

0:16:32.360 --> 0:16:34.040
<v Speaker 2>and we're living in that, you know, we get to

0:16:34.040 --> 0:16:35.400
<v Speaker 2>see true human.

0:16:35.720 --> 0:16:37.840
<v Speaker 1>He's a little bit of an underground for you, actually,

0:16:37.920 --> 0:16:39.920
<v Speaker 1>isn't he He's a little bit of an influential figure

0:16:39.960 --> 0:16:43.040
<v Speaker 1>if I think about what you do and he like

0:16:43.080 --> 0:16:46.800
<v Speaker 1>he's older than you, and he but he well, I

0:16:46.840 --> 0:16:51.080
<v Speaker 1>think you combine and what I don't think that David Blaine. Look,

0:16:51.120 --> 0:16:52.760
<v Speaker 1>I'm a layman. I don't end it, but well, I

0:16:52.800 --> 0:16:56.640
<v Speaker 1>don't know how good the illusions are, but they seem

0:16:56.680 --> 0:16:59.880
<v Speaker 1>pretty impressive. But what he doesn't have is he doesn't

0:17:00.120 --> 0:17:04.280
<v Speaker 1>have the charm. And I feel like with you, I

0:17:04.280 --> 0:17:06.160
<v Speaker 1>don't know if it's practiced or I don't know if

0:17:06.800 --> 0:17:09.360
<v Speaker 1>you're just lucky. I suspect you're just lucky, that you're

0:17:09.400 --> 0:17:12.959
<v Speaker 1>just you're you're charming and that helps with the magic.

0:17:13.040 --> 0:17:17.919
<v Speaker 1>But charming people and stand ups usually have a tricky

0:17:17.960 --> 0:17:19.320
<v Speaker 1>start in life. It was yours.

0:17:21.040 --> 0:17:23.479
<v Speaker 2>I was by start prior to because I started doing

0:17:23.520 --> 0:17:25.480
<v Speaker 2>magic when I was twelve. And you asked me when

0:17:25.520 --> 0:17:27.639
<v Speaker 2>I was twelve, with the deck of cards in my pocket,

0:17:27.680 --> 0:17:28.879
<v Speaker 2>what I wanted to be when I grew up, I

0:17:28.880 --> 0:17:32.040
<v Speaker 2>would have said magician. So I'm kind of like this unicorn,

0:17:32.160 --> 0:17:35.040
<v Speaker 2>you know, who got to call his call his profession

0:17:35.119 --> 0:17:37.760
<v Speaker 2>at a young age and somehow pulled it off. I mean,

0:17:37.920 --> 0:17:40.000
<v Speaker 2>and it's almost like I don't remember much of who

0:17:40.119 --> 0:17:41.760
<v Speaker 2>I was before I discovered magic.

0:17:41.760 --> 0:17:43.800
<v Speaker 1>I don't think I was charming. I think, like, no,

0:17:44.040 --> 0:17:46.040
<v Speaker 1>I don't think charming. I knew I wanted to be

0:17:46.119 --> 0:17:46.840
<v Speaker 1>those things I knew.

0:17:46.960 --> 0:17:50.760
<v Speaker 2>I knew like I knew, I idolized like Johnny Carson

0:17:50.880 --> 0:17:53.000
<v Speaker 2>and would watch them every night and stay up late

0:17:53.040 --> 0:17:55.359
<v Speaker 2>with my parents. Johnny was a magician, Johnny started as

0:17:55.359 --> 0:17:57.800
<v Speaker 2>a magician, and that kind of you know, I remember

0:17:57.840 --> 0:18:00.240
<v Speaker 2>my dad telling me that off off hand and kind

0:18:00.240 --> 0:18:02.720
<v Speaker 2>of like, because you see Johnny and you're like, how

0:18:02.760 --> 0:18:04.360
<v Speaker 2>do you get to be that?

0:18:04.400 --> 0:18:06.239
<v Speaker 1>How does that? How do you get that job? You know?

0:18:06.359 --> 0:18:09.200
<v Speaker 2>And and I used to love seeing what jokes would

0:18:09.240 --> 0:18:11.480
<v Speaker 2>make my parents laugh. And I didn't know why I

0:18:11.520 --> 0:18:13.080
<v Speaker 2>didn't get the joke, but I would want to like

0:18:13.119 --> 0:18:14.240
<v Speaker 2>decode it like a puzzle.

0:18:15.080 --> 0:18:16.639
<v Speaker 1>Are you from a big family? No?

0:18:16.760 --> 0:18:20.040
<v Speaker 2>So small? So I've got a sister. It was me,

0:18:20.200 --> 0:18:23.280
<v Speaker 2>my sister, my mom and dad in Saint Louis and

0:18:23.480 --> 0:18:29.199
<v Speaker 2>uh no cousins. So my parents siblings didn't have kids.

0:18:29.240 --> 0:18:30.640
<v Speaker 1>You know, pretty quiet, thanks.

0:18:30.480 --> 0:18:33.679
<v Speaker 2>Get pretty quiet? You know my mom's parents. I had

0:18:33.680 --> 0:18:36.160
<v Speaker 2>both happy time in your life when you were a kid.

0:18:36.000 --> 0:18:36.920
<v Speaker 1>So happy. Yeah.

0:18:37.040 --> 0:18:39.040
<v Speaker 2>My sister and I often talk about how we I mean,

0:18:39.080 --> 0:18:40.720
<v Speaker 2>we're very close. She and I are very close, she said,

0:18:40.840 --> 0:18:43.000
<v Speaker 2>years younger than me. How we we you know, we

0:18:43.040 --> 0:18:45.679
<v Speaker 2>both feel like we had the best childhood. You know,

0:18:45.720 --> 0:18:47.480
<v Speaker 2>our parents were very supportive, but my dad was an

0:18:47.480 --> 0:18:49.800
<v Speaker 2>airline pilot and he was gone a lot, right. My

0:18:49.880 --> 0:18:52.480
<v Speaker 2>mom was a you know, interior designer in Saint Louis,

0:18:52.480 --> 0:18:55.960
<v Speaker 2>but a workaholic and an incredible mom. But but you know,

0:18:55.960 --> 0:18:57.719
<v Speaker 2>wouldn't get home till seven o'clock at night. So we

0:18:57.720 --> 0:18:59.320
<v Speaker 2>were kind of a little bit latchkey kids, you know

0:18:59.359 --> 0:19:01.880
<v Speaker 2>who we would we would you know, get get get

0:19:01.920 --> 0:19:04.359
<v Speaker 2>home and make ourselves or snack ourselves.

0:19:04.359 --> 0:19:07.640
<v Speaker 1>And yeah, that sounds a little familiar to me. Yeah.

0:19:07.760 --> 0:19:11.399
<v Speaker 1>I mean, like my dad works in the post office,

0:19:11.400 --> 0:19:13.479
<v Speaker 1>but he was like he was on mail trains and

0:19:13.520 --> 0:19:16.399
<v Speaker 1>he was away a lot, and my mom was busy.

0:19:17.920 --> 0:19:20.960
<v Speaker 1>And I think that, you know, my wife has this

0:19:21.160 --> 0:19:23.080
<v Speaker 1>theory the all stand up I've said this a million

0:19:23.080 --> 0:19:25.760
<v Speaker 1>times on the show, but that they all stand ups

0:19:25.760 --> 0:19:29.159
<v Speaker 1>have the same mom, which is cold, with bad boundaries

0:19:29.960 --> 0:19:34.840
<v Speaker 1>and every start of us hate to goes, oh fuck

0:19:34.880 --> 0:19:35.280
<v Speaker 1>you man.

0:19:36.000 --> 0:19:38.240
<v Speaker 2>But in all magicians, I think have the same mom

0:19:38.280 --> 0:19:40.199
<v Speaker 2>that just smothers them with love and tells them they

0:19:40.200 --> 0:19:40.800
<v Speaker 2>can do no rock.

0:19:41.040 --> 0:19:43.720
<v Speaker 1>Right. I think it is a little bit like that.

0:19:44.359 --> 0:19:46.560
<v Speaker 1>And I think which was just kind of interesting because

0:19:47.160 --> 0:19:49.679
<v Speaker 1>you've got a little of both. Your mom was a workaholic,

0:19:49.720 --> 0:19:52.399
<v Speaker 1>but clearly you adored her and she and she adores you.

0:19:52.520 --> 0:19:55.080
<v Speaker 1>So it's like and you you she came up with

0:19:55.240 --> 0:19:59.119
<v Speaker 1>just incredible. So clearly was invested emotionally in what you

0:19:59.160 --> 0:20:01.240
<v Speaker 1>were doing and support evolve it. So you get a

0:20:01.280 --> 0:20:03.399
<v Speaker 1>mixture of both, which makes perfect sense. You're a stand

0:20:03.440 --> 0:20:05.640
<v Speaker 1>up magician or a magician's stand up. Yeah, you've got

0:20:05.640 --> 0:20:09.800
<v Speaker 1>the recipe, just correct, that's perfect. What about no, because

0:20:09.840 --> 0:20:12.280
<v Speaker 1>you were a dadom a dad? Now I loved me

0:20:12.359 --> 0:20:14.360
<v Speaker 1>and dad? Yeah, you know, I can like it.

0:20:14.359 --> 0:20:16.720
<v Speaker 2>It's the only thing I always knew that I wanted

0:20:16.760 --> 0:20:19.119
<v Speaker 2>to be. Besides being a magician, I always knew I

0:20:19.119 --> 0:20:19.840
<v Speaker 2>also wanted.

0:20:19.600 --> 0:20:20.040
<v Speaker 1>To be a dad.

0:20:20.160 --> 0:20:23.160
<v Speaker 2>What age are your kids? Five and one? So five

0:20:23.200 --> 0:20:25.560
<v Speaker 2>and a half and one and a half, that's actually

0:20:25.600 --> 0:20:28.680
<v Speaker 2>pretty good. You're in for like the ten year good bit.

0:20:29.640 --> 0:20:31.600
<v Speaker 2>Yeah and then and then I guess and you know,

0:20:31.680 --> 0:20:32.879
<v Speaker 2>the five and a half year old. You know, he's

0:20:32.920 --> 0:20:35.840
<v Speaker 2>at the point where you know, we have these amazing

0:20:36.040 --> 0:20:38.479
<v Speaker 2>times and moments, but he can be difficult, you know,

0:20:38.640 --> 0:20:40.840
<v Speaker 2>like it can be difficult. And now it lets me

0:20:40.920 --> 0:20:44.160
<v Speaker 2>really enjoy where my daughter who's one and a half

0:20:44.200 --> 0:20:47.120
<v Speaker 2>is where she's not difficult yet, you know, like because

0:20:47.119 --> 0:20:48.800
<v Speaker 2>I feel like I took that time for granted with

0:20:48.880 --> 0:20:52.320
<v Speaker 2>my son where it's you know, they're just angels, you know,

0:20:52.440 --> 0:20:54.440
<v Speaker 2>And now you know, I guess.

0:20:54.240 --> 0:20:56.080
<v Speaker 1>Didn't have that again, Yeah, I know. I mean it

0:20:56.760 --> 0:20:58.960
<v Speaker 1>seems to be circular though. I mean, look, everybody's different,

0:20:58.960 --> 0:21:02.119
<v Speaker 1>every kid is different. But seems to me like sometimes

0:21:02.119 --> 0:21:05.000
<v Speaker 1>when I had trouble with my boys and then to

0:21:05.400 --> 0:21:08.119
<v Speaker 1>two hours later, it would be fine, you know, but

0:21:08.320 --> 0:21:12.960
<v Speaker 1>they are unpredictable. I think when you have kids, you

0:21:13.000 --> 0:21:16.399
<v Speaker 1>go from being the star of your own movie to

0:21:16.600 --> 0:21:20.400
<v Speaker 1>being the extra in a movie about someone else. Interesting.

0:21:20.440 --> 0:21:22.680
<v Speaker 1>It's like, yeah, here's the thing that's coming up for

0:21:22.680 --> 0:21:24.359
<v Speaker 1>you as well. This happened to me right here in

0:21:24.520 --> 0:21:28.480
<v Speaker 1>La when my oldest boy was about fourteen, fifteen something

0:21:28.560 --> 0:21:32.119
<v Speaker 1>like that. We were at Gelson's. We're just getting some

0:21:32.160 --> 0:21:35.560
<v Speaker 1>groceries and stuff, and I saw a girl look at him.

0:21:36.040 --> 0:21:39.560
<v Speaker 1>And she wasn't looking as she was a young woman,

0:21:39.600 --> 0:21:41.479
<v Speaker 1>she was a teenage girl. But she wasn't looking at

0:21:41.520 --> 0:21:44.639
<v Speaker 1>a guy with his son. She was looking at a

0:21:44.680 --> 0:21:48.080
<v Speaker 1>guy with his dad. He was the guy, And I

0:21:48.119 --> 0:21:50.520
<v Speaker 1>was like, oh, my god, I'm the dad, he's the guy.

0:21:51.680 --> 0:21:55.119
<v Speaker 1>And it was kind of a weird movement that but

0:21:55.480 --> 0:21:57.640
<v Speaker 1>I can't love it now because I'm just getting older

0:21:57.680 --> 0:21:59.680
<v Speaker 1>and older and older and older. What the fuck is

0:21:59.720 --> 0:22:02.600
<v Speaker 1>going on with it now? And just like collapsing physically.

0:22:03.040 --> 0:22:08.200
<v Speaker 1>But it's it's a weird rite. I love what goes

0:22:08.280 --> 0:22:14.040
<v Speaker 1>on with with ambition for someone like you, you know, like,

0:22:14.320 --> 0:22:17.000
<v Speaker 1>is it like a residency in Vegas?

0:22:17.119 --> 0:22:17.240
<v Speaker 2>Is it?

0:22:17.440 --> 0:22:21.600
<v Speaker 1>Uh, playing Radio City? Is it? Is it stadium magic?

0:22:21.760 --> 0:22:24.560
<v Speaker 1>Is there such a thing? Is there? I know, it's

0:22:24.600 --> 0:22:25.920
<v Speaker 1>it's crossed my mind, you know.

0:22:26.000 --> 0:22:29.560
<v Speaker 2>Yeah, I mean these days seeing these comics who you

0:22:29.600 --> 0:22:32.600
<v Speaker 2>wouldn't think are stadium comics, you know, just become so

0:22:32.640 --> 0:22:34.439
<v Speaker 2>popular that they can play stadiums in it.

0:22:34.480 --> 0:22:38.000
<v Speaker 1>And they're not really stadium comics. They're they're comics playing

0:22:38.000 --> 0:22:41.679
<v Speaker 1>your stadium, playing in the stadium that has giant screens,

0:22:42.040 --> 0:22:44.800
<v Speaker 1>So people get together and wretch giant screens, right, so

0:22:44.840 --> 0:22:45.960
<v Speaker 1>you could do close up magic.

0:22:46.080 --> 0:22:48.400
<v Speaker 2>And I do use screens like because I don't have

0:22:48.560 --> 0:22:51.199
<v Speaker 2>big boxes. I don't, you know, everything I do in

0:22:51.240 --> 0:22:53.480
<v Speaker 2>my show like and I don't know, I think it's

0:22:54.000 --> 0:22:56.960
<v Speaker 2>came out of just practicality, Like I never, you know,

0:22:56.960 --> 0:23:00.000
<v Speaker 2>I was doing gigs, you know, private parties and stuff

0:23:00.040 --> 0:23:01.639
<v Speaker 2>where I just had to arrive with everything.

0:23:01.720 --> 0:23:03.080
<v Speaker 1>I just set everything up myself.

0:23:04.680 --> 0:23:07.200
<v Speaker 2>So yeah, so like all those kind of big those

0:23:07.240 --> 0:23:12.040
<v Speaker 2>big toys, I think always felt like I always never

0:23:12.040 --> 0:23:14.040
<v Speaker 2>wanted to come off magician ing, like there was something

0:23:14.480 --> 0:23:15.200
<v Speaker 2>like I love.

0:23:15.080 --> 0:23:19.040
<v Speaker 1>Magic, but I'm right, yeah, I get it.

0:23:19.080 --> 0:23:22.399
<v Speaker 2>I think I always like magic was you know what

0:23:22.640 --> 0:23:24.520
<v Speaker 2>the first thing I discovered that I was good at

0:23:24.560 --> 0:23:28.200
<v Speaker 2>that made me want to perform. But I always, deep

0:23:28.240 --> 0:23:31.600
<v Speaker 2>down just really wanted to make people laugh more than anything,

0:23:31.640 --> 0:23:33.640
<v Speaker 2>Like I just because of the people that I looked

0:23:33.720 --> 0:23:35.400
<v Speaker 2>up to and admired, and I just felt like that

0:23:35.560 --> 0:23:38.320
<v Speaker 2>was this thing that you know, you didn't need to

0:23:38.359 --> 0:23:39.919
<v Speaker 2>have a trick on you to be able to be

0:23:39.960 --> 0:23:42.840
<v Speaker 2>funny make people laugh, you know. So incorporating that with

0:23:42.880 --> 0:23:45.480
<v Speaker 2>the magic was always important to me, And I think

0:23:45.560 --> 0:23:47.760
<v Speaker 2>my first goal, my milestone, was just to be taken

0:23:47.800 --> 0:23:52.040
<v Speaker 2>seriously as a comedian magician, you know, like because as

0:23:52.080 --> 0:23:54.199
<v Speaker 2>a magician it's you know, we're kind of the the

0:23:54.280 --> 0:23:56.320
<v Speaker 2>chiropractors of the entertainment industry.

0:23:56.600 --> 0:23:59.000
<v Speaker 1>Yeah, but it's a little bit like, you know, it's

0:23:59.080 --> 0:24:02.520
<v Speaker 1>the hate that Cara top gets for being a prop comic.

0:24:02.600 --> 0:24:05.080
<v Speaker 1>But the weird thing is, like I know Scott and

0:24:05.760 --> 0:24:07.960
<v Speaker 1>you ma'am i've met him. Yeah, I mean he's a

0:24:07.960 --> 0:24:10.120
<v Speaker 1>weird guy. But I defy you to go and see

0:24:10.119 --> 0:24:13.800
<v Speaker 1>that show and not laugh. It really is, right, I mean,

0:24:13.840 --> 0:24:17.600
<v Speaker 1>it's crazy that he gets such hate from comedians and

0:24:17.640 --> 0:24:19.359
<v Speaker 1>then you get to know him and you're going, well,

0:24:19.400 --> 0:24:20.639
<v Speaker 1>you don't even need to get to know him, just

0:24:20.680 --> 0:24:22.240
<v Speaker 1>go and see him and you're like, my god, this

0:24:22.400 --> 0:24:26.240
<v Speaker 1>is hilarious. And he I mean, clearly that's a it's

0:24:26.359 --> 0:24:28.240
<v Speaker 1>kind of a high. I mean, he's way more. It's

0:24:28.280 --> 0:24:30.440
<v Speaker 1>just prop comedy with it. It's not like, but.

0:24:30.440 --> 0:24:32.719
<v Speaker 2>He'll do it chunk of just I'm just standing up

0:24:32.720 --> 0:24:34.439
<v Speaker 2>of just between the cases.

0:24:34.480 --> 0:24:38.280
<v Speaker 1>But he won't do anything approaching the level of illusion

0:24:38.320 --> 0:24:40.600
<v Speaker 1>that you do. It's not anything like that, right he

0:24:40.720 --> 0:24:44.080
<v Speaker 1>I mean, it's just joke, joke, joke, visual joke, ordinary joke,

0:24:44.320 --> 0:24:47.080
<v Speaker 1>you know. I mean it's like, do you when you're

0:24:47.080 --> 0:24:50.720
<v Speaker 1>constructing a show, do you think I've done too much?

0:24:51.119 --> 0:24:54.879
<v Speaker 1>You know, behold the dove and now I have to

0:24:54.960 --> 0:24:57.000
<v Speaker 1>you know, two guys walk into a bar or.

0:24:57.000 --> 0:24:59.920
<v Speaker 2>Something, I do you know, for me, it's like as

0:25:00.000 --> 0:25:02.000
<v Speaker 2>I'm constructing a show like right now, you know, I

0:25:02.080 --> 0:25:05.040
<v Speaker 2>just finished this rank show that came out on Netflix

0:25:05.359 --> 0:25:07.840
<v Speaker 2>about a month ago, and you know, did Magic Humans.

0:25:07.880 --> 0:25:10.680
<v Speaker 1>And I kind of feel like, gosh, what trick? What about?

0:25:10.840 --> 0:25:10.879
<v Speaker 2>What?

0:25:11.040 --> 0:25:12.399
<v Speaker 1>What tricks are left? You know?

0:25:12.480 --> 0:25:15.200
<v Speaker 2>Like and I'm sure just like a stand up has

0:25:15.240 --> 0:25:18.240
<v Speaker 2>the illusion of writer's block, you know before.

0:25:18.040 --> 0:25:19.760
<v Speaker 1>They kind of work through it.

0:25:19.440 --> 0:25:21.439
<v Speaker 2>Yeah, it's the same thing because it's you know, I

0:25:21.520 --> 0:25:24.360
<v Speaker 2>kind of want to do something that feels like I'm

0:25:24.400 --> 0:25:26.600
<v Speaker 2>not just doing a trick. I wanted to be about

0:25:26.640 --> 0:25:29.679
<v Speaker 2>something or I want it to be autobiographical or or

0:25:29.800 --> 0:25:32.320
<v Speaker 2>have have some some meat on the bone.

0:25:32.400 --> 0:25:34.640
<v Speaker 1>You know. It's great though, I mean I think that

0:25:34.640 --> 0:25:37.760
<v Speaker 1>that's fabulous. That makes it a more complete experience for

0:25:37.800 --> 0:25:39.600
<v Speaker 1>the audience as well. It makes it personal.

0:25:39.720 --> 0:25:43.639
<v Speaker 2>Yeah, some message, some some kernel of wisdom or question

0:25:43.760 --> 0:25:46.160
<v Speaker 2>that lingers with you, you know you, But you come.

0:25:46.000 --> 0:25:49.000
<v Speaker 1>Of age in an odd time for an artist though,

0:25:49.080 --> 0:25:53.919
<v Speaker 1>because the beast, the headless borg that is entertainment is

0:25:54.000 --> 0:25:58.399
<v Speaker 1>so fucking ravenous. Yeah, if you repeat yourself more. I

0:25:58.440 --> 0:26:01.720
<v Speaker 1>mean I've taken Haye on this very podcast for telling

0:26:01.760 --> 0:26:04.640
<v Speaker 1>a story twice, you know what I mean. Well, that's that.

0:26:04.640 --> 0:26:06.960
<v Speaker 2>That's the thing is that you know, people start to

0:26:06.960 --> 0:26:10.439
<v Speaker 2>get hip to, you know, just the same magic plot

0:26:10.760 --> 0:26:12.800
<v Speaker 2>dressed up. They're like the same as that other thing

0:26:12.800 --> 0:26:15.359
<v Speaker 2>you did, but you're you know, a marshmallow instead of

0:26:15.359 --> 0:26:16.280
<v Speaker 2>a ball or whatever.

0:26:16.320 --> 0:26:16.520
<v Speaker 1>You know.

0:26:16.640 --> 0:26:20.320
<v Speaker 2>Yeah, So that that's what's tough, especially when you know

0:26:20.400 --> 0:26:23.520
<v Speaker 2>magicians for years have honed their act over the course

0:26:23.520 --> 0:26:26.760
<v Speaker 2>of a lifetime, right and you know, and then people

0:26:26.840 --> 0:26:28.800
<v Speaker 2>can binge it in a night and then they expect

0:26:28.880 --> 0:26:30.200
<v Speaker 2>something new a week later.

0:26:30.359 --> 0:26:31.679
<v Speaker 1>It's a very greedy machine.

0:26:31.960 --> 0:26:35.639
<v Speaker 2>Greedy machine, but also a machine that has a is

0:26:35.720 --> 0:26:38.639
<v Speaker 2>very forgetful, right, Like I find a little bit short

0:26:39.000 --> 0:26:44.680
<v Speaker 2>you know, short term, it's easy to I think, oh god,

0:26:44.720 --> 0:26:46.680
<v Speaker 2>everyone's going to know that this is that bit from here,

0:26:47.160 --> 0:26:50.439
<v Speaker 2>and then I'll realize like, no, just you know, people

0:26:50.800 --> 0:26:53.040
<v Speaker 2>a year or two later, you put a little new

0:26:53.080 --> 0:26:54.800
<v Speaker 2>touch on it and it's going to feel brand new.

0:26:54.880 --> 0:26:59.240
<v Speaker 2>At least with with magic is people might remember a

0:26:59.240 --> 0:27:01.600
<v Speaker 2>punchline to a joke, or you know, they want to

0:27:01.640 --> 0:27:04.000
<v Speaker 2>go and hear their favorite song, but with magic, you know,

0:27:04.000 --> 0:27:06.199
<v Speaker 2>you can see it once and enjoy yourself. They go

0:27:06.320 --> 0:27:08.560
<v Speaker 2>again and it's like, oh, I think I'm gonna watch

0:27:08.600 --> 0:27:12.000
<v Speaker 2>closer this time. Still enjoy it, still blow.

0:27:12.080 --> 0:27:14.720
<v Speaker 1>There was a guy that I saw. Maybe you remember it,

0:27:14.800 --> 0:27:16.919
<v Speaker 1>you'll know his name. I can't remember his name. It

0:27:16.960 --> 0:27:18.280
<v Speaker 1>was like one of the few times I've been in

0:27:18.280 --> 0:27:22.320
<v Speaker 1>the Magic Castle. I think he was Brazilian, okay, and

0:27:22.640 --> 0:27:25.600
<v Speaker 1>he was an older jased on his wax, based on

0:27:25.640 --> 0:27:29.960
<v Speaker 1>his wags, it's like he actually was wearing pants and

0:27:30.200 --> 0:27:31.920
<v Speaker 1>a jacket and he was very old school. And he

0:27:32.000 --> 0:27:35.479
<v Speaker 1>was in a small room. And the magician that I

0:27:35.560 --> 0:27:38.960
<v Speaker 1>was there with said, come and see this guy, because

0:27:38.960 --> 0:27:40.800
<v Speaker 1>this is the guy all the magicians are coming to sing.

0:27:40.880 --> 0:27:42.280
<v Speaker 1>And he was some guy who was seth America. I

0:27:42.320 --> 0:27:46.080
<v Speaker 1>think Brazilian. He had one arm, he only had one

0:27:46.080 --> 0:27:49.680
<v Speaker 1>of them. I think he genuine lonely, like Argentinian. Argentinian.

0:27:49.760 --> 0:27:52.919
<v Speaker 1>Maybe that's a renee LaVar, that's the guy. Yeah. And

0:27:52.960 --> 0:27:54.960
<v Speaker 1>he used to say he would do a trick and

0:27:54.960 --> 0:27:57.800
<v Speaker 1>then he would say it cannot be done slower, yes,

0:27:57.840 --> 0:27:59.680
<v Speaker 1>And then he would do it slower and you still

0:27:59.680 --> 0:28:02.120
<v Speaker 1>wouldn't know what was going on. Yeah, I never saw

0:28:02.119 --> 0:28:04.439
<v Speaker 1>anything like that. My life is he is he good?

0:28:04.840 --> 0:28:05.760
<v Speaker 1>Is so good? Yeah?

0:28:05.840 --> 0:28:08.719
<v Speaker 2>I mean I would say one of the you know,

0:28:09.320 --> 0:28:13.280
<v Speaker 2>on Mount rushmore of close up magic maestros, you know,

0:28:13.640 --> 0:28:17.040
<v Speaker 2>and he's recently he's passed away since I mean, it

0:28:17.080 --> 0:28:19.600
<v Speaker 2>was a long time. He killed him, right, he killed him.

0:28:19.880 --> 0:28:23.960
<v Speaker 2>It partly it could be done slower. He's still doing it,

0:28:24.200 --> 0:28:27.320
<v Speaker 2>but he's doing even slower now. He had gosh, I

0:28:27.320 --> 0:28:29.920
<v Speaker 2>don't know if he had, if he didn't have one

0:28:29.960 --> 0:28:32.080
<v Speaker 2>of his hands, or if it was just you know,

0:28:32.200 --> 0:28:34.080
<v Speaker 2>it was a fake thing, unusable. No, it wasn't a

0:28:34.119 --> 0:28:35.760
<v Speaker 2>fake thing, all right, I mean, if it was. He

0:28:35.800 --> 0:28:38.000
<v Speaker 2>played the long game, because it was for decades and

0:28:38.040 --> 0:28:40.720
<v Speaker 2>decades he would perform with his hand in his pocket, right,

0:28:41.400 --> 0:28:42.760
<v Speaker 2>and he would do it all with one hand.

0:28:42.800 --> 0:28:43.400
<v Speaker 1>Card tricks.

0:28:43.400 --> 0:28:46.840
<v Speaker 2>But then his famous trick was three I think three

0:28:46.840 --> 0:28:48.920
<v Speaker 2>balls in a cup now, not the cups and balls,

0:28:48.960 --> 0:28:52.080
<v Speaker 2>but like a little tea cup or an espresso shot

0:28:52.280 --> 0:28:54.920
<v Speaker 2>cup with a little mug, and then three little balls

0:28:54.920 --> 0:28:57.040
<v Speaker 2>of clay and he would say, watch he would drop

0:28:57.080 --> 0:28:59.000
<v Speaker 2>him in one, two, and the third one he just

0:28:59.080 --> 0:29:00.920
<v Speaker 2>throw it away, put in his hocket and he said,

0:29:00.920 --> 0:29:02.240
<v Speaker 2>can't be done slow, and then he took the cup

0:29:02.280 --> 0:29:03.960
<v Speaker 2>over and there's three again, and you're like, okay, I

0:29:04.000 --> 0:29:06.200
<v Speaker 2>want to watch it close. One two, get rid of

0:29:06.200 --> 0:29:08.840
<v Speaker 2>the third one, three again, and he would do it

0:29:08.840 --> 0:29:10.600
<v Speaker 2>over and over again. Can't do it slower, can't do

0:29:10.600 --> 0:29:12.360
<v Speaker 2>it slower. And he was so famous for this. Oh

0:29:12.400 --> 0:29:14.480
<v Speaker 2>my god, that's just never seen it. And I think

0:29:14.520 --> 0:29:17.440
<v Speaker 2>it was ed Alonzo that that took me in to see.

0:29:17.800 --> 0:29:20.520
<v Speaker 2>I was there and he was a friend of a friend,

0:29:20.560 --> 0:29:22.640
<v Speaker 2>and he said, no, you come in and see this guy,

0:29:22.880 --> 0:29:25.440
<v Speaker 2>because I remember, it's a guy that pulls the chicken

0:29:25.520 --> 0:29:28.720
<v Speaker 2>of his pants, isn't he whoa wait, well, out of

0:29:28.760 --> 0:29:33.200
<v Speaker 2>his pants? Where then put the chicken? These days it's well,

0:29:33.240 --> 0:29:34.920
<v Speaker 2>he has the duck from the straight.

0:29:35.120 --> 0:29:36.800
<v Speaker 1>It's a duck from a straight jacket. He's not a

0:29:36.880 --> 0:29:39.520
<v Speaker 1>chicken from his pants. It's a completely different show. It's

0:29:39.560 --> 0:29:41.600
<v Speaker 1>a different show, and it wasn't in the Magic cast.

0:29:42.080 --> 0:29:44.320
<v Speaker 1>But but that, I mean working with that, I've never

0:29:44.320 --> 0:29:46.280
<v Speaker 1>seen you do it with animals either. You don't do

0:29:46.280 --> 0:29:46.680
<v Speaker 1>that well.

0:29:46.720 --> 0:29:50.000
<v Speaker 2>So when I first got into Magic, and I think

0:29:50.000 --> 0:29:53.280
<v Speaker 2>we're on age fourteen fifteen, I discovered Lance Bert and

0:29:53.320 --> 0:29:55.840
<v Speaker 2>I'm sure you had lance on your show a couple

0:29:55.880 --> 0:29:57.480
<v Speaker 2>of times. He would do his dove act that he

0:29:57.560 --> 0:30:00.400
<v Speaker 2>was famous for, which is him in a tuxedo and

0:30:00.480 --> 0:30:04.120
<v Speaker 2>kind of classical music and these you know, handkerchief boom

0:30:04.240 --> 0:30:07.440
<v Speaker 2>dove gloves turned into doves and there's nothing I mean, honestly,

0:30:07.720 --> 0:30:10.840
<v Speaker 2>even to this day, like there's nothing more, you know,

0:30:10.960 --> 0:30:14.040
<v Speaker 2>eye candy tricks per minute magic in your face.

0:30:14.200 --> 0:30:15.760
<v Speaker 1>You don't need to speak the language.

0:30:15.760 --> 0:30:19.880
<v Speaker 2>You're just watching and it's incredible, Like his six minute

0:30:19.880 --> 0:30:22.160
<v Speaker 2>dove act is just you know, the best piece of

0:30:22.160 --> 0:30:25.080
<v Speaker 2>magic I've ever seen. I of course wanted to do that,

0:30:25.200 --> 0:30:28.440
<v Speaker 2>so I got on the VHS tapes and you know,

0:30:28.600 --> 0:30:31.120
<v Speaker 2>by fifteen, I had like thirteen doves in a cage

0:30:31.120 --> 0:30:33.840
<v Speaker 2>on our porch and I would you know, obviously I'm

0:30:34.200 --> 0:30:36.200
<v Speaker 2>spoiling too much. The doves have to go somewhere, right,

0:30:36.240 --> 0:30:40.200
<v Speaker 2>so they're probably you know, secreted in your pants or whatever.

0:30:40.400 --> 0:30:42.920
<v Speaker 2>And I would do this dove act, and.

0:30:43.040 --> 0:30:46.480
<v Speaker 1>You know, it's an animal cruelty. I expect it's gone.

0:30:46.560 --> 0:30:48.760
<v Speaker 2>It's gone, it's gone out of fashion a little bit.

0:30:48.800 --> 0:30:52.760
<v Speaker 2>I mean, you listen, I mean I was never I was.

0:30:52.880 --> 0:30:55.200
<v Speaker 2>I loved my doves, you know, very very much, but

0:30:55.320 --> 0:30:59.200
<v Speaker 2>you are doing something quite unnatural to them, right. They

0:30:59.200 --> 0:31:01.120
<v Speaker 2>have to be at a dark place for a little while,

0:31:01.240 --> 0:31:01.720
<v Speaker 2>and then they.

0:31:01.640 --> 0:31:03.040
<v Speaker 1>Have to be in front of a well, that's why

0:31:03.080 --> 0:31:05.840
<v Speaker 1>you should do rabbits, because rabbits live in a hole

0:31:05.880 --> 0:31:08.080
<v Speaker 1>under the ground. They don't mind a dark place. That's true.

0:31:08.120 --> 0:31:09.840
<v Speaker 1>You put on a rabbit, it's like I'm home.

0:31:09.880 --> 0:31:11.360
<v Speaker 2>But then the rabbits all of a sudden, you know,

0:31:12.240 --> 0:31:12.760
<v Speaker 2>what the hell?

0:31:12.840 --> 0:31:15.080
<v Speaker 1>Yeah, yeah, I know, that's true. It would be a fright. Now,

0:31:15.080 --> 0:31:16.760
<v Speaker 1>you're probably best staying away from all.

0:31:16.680 --> 0:31:19.960
<v Speaker 2>I did, like the I cut it down to one

0:31:20.040 --> 0:31:22.360
<v Speaker 2>dove eventually. And when I first moved to La, I

0:31:22.440 --> 0:31:24.280
<v Speaker 2>was doing kids' birthday parties, so I had a dove

0:31:24.280 --> 0:31:25.680
<v Speaker 2>and a bunny. I would open the shore with a

0:31:25.720 --> 0:31:28.320
<v Speaker 2>dove and I'm closed with the bunny, book ended with

0:31:28.400 --> 0:31:30.920
<v Speaker 2>the animals. But I was one time the dove flew

0:31:30.960 --> 0:31:34.320
<v Speaker 2>into a tree in a backyard and I had another

0:31:34.480 --> 0:31:36.000
<v Speaker 2>gig to go to, so I was trying to like

0:31:36.040 --> 0:31:39.680
<v Speaker 2>not panic, but I was like, Okay, I'll come back later.

0:31:39.720 --> 0:31:43.000
<v Speaker 2>And I came back later, and they were not happy

0:31:43.040 --> 0:31:44.719
<v Speaker 2>to see me when I came back because they explained

0:31:44.720 --> 0:31:47.840
<v Speaker 2>that shortly after I left, a hawk ate the dove

0:31:47.880 --> 0:31:48.920
<v Speaker 2>in front of the kids.

0:31:49.000 --> 0:31:52.360
<v Speaker 1>Oh my god, that's probably best you stay away from

0:31:52.400 --> 0:31:55.640
<v Speaker 1>the kid's birthday parties now. I mean it's although I'm

0:31:55.680 --> 0:31:59.600
<v Speaker 1>sure is it legal even to do that with animals now?

0:31:59.680 --> 0:32:01.160
<v Speaker 1>I don't know. I mean if tastes of God to

0:32:01.200 --> 0:32:04.360
<v Speaker 1>have changed, I mean people know, like remember like circuses

0:32:04.440 --> 0:32:06.840
<v Speaker 1>used to have elephants holding each oy of those tales.

0:32:07.280 --> 0:32:09.239
<v Speaker 2>You could just know so much now that even if

0:32:09.280 --> 0:32:11.880
<v Speaker 2>we see an animal not mistreated, just the idea of

0:32:11.880 --> 0:32:12.960
<v Speaker 2>that now, you know, like.

0:32:12.920 --> 0:32:15.120
<v Speaker 1>This animal is basically a prop.

0:32:15.480 --> 0:32:18.960
<v Speaker 2>After this beautiful performance where it looks like it's you know,

0:32:19.040 --> 0:32:21.960
<v Speaker 2>happy and funning, flirting about, it's going to go into

0:32:22.040 --> 0:32:24.560
<v Speaker 2>a cage and into a car and back to you know,

0:32:24.600 --> 0:32:26.520
<v Speaker 2>it's hard to not think.

0:32:26.360 --> 0:32:29.800
<v Speaker 1>About what about the tigers, the Siegfried and Roy thing?

0:32:30.720 --> 0:32:33.200
<v Speaker 1>Is that still going on in Vegas? The tiger rights

0:32:33.200 --> 0:32:33.920
<v Speaker 1>and stuff or this thing?

0:32:34.000 --> 0:32:37.520
<v Speaker 2>I don't know that tigers are happening much these days. Yeah,

0:32:37.560 --> 0:32:41.400
<v Speaker 2>I think didn't end well, No, that's true. Yeah, yeah,

0:32:41.760 --> 0:32:44.400
<v Speaker 2>I mean I had I had my brother in law's

0:32:44.600 --> 0:32:47.440
<v Speaker 2>his wife just went to the zoo yesterday. Yeah, you know,

0:32:47.720 --> 0:32:50.640
<v Speaker 2>uh take their kid. And there were protesters this his

0:32:50.720 --> 0:32:53.320
<v Speaker 2>mother's day. They're protesters saying, I hope you enjoy your

0:32:53.360 --> 0:32:57.800
<v Speaker 2>Mother's Day while you're supporting the the kidnapping of animals,

0:32:57.960 --> 0:32:58.880
<v Speaker 2>you know, so even.

0:32:59.280 --> 0:33:02.200
<v Speaker 1>The La Zoo. So that just to take my boys,

0:33:02.320 --> 0:33:04.880
<v Speaker 1>I'm going to the zoo. Yeah, Like I said, the Flamingos,

0:33:05.680 --> 0:33:10.360
<v Speaker 1>like I don't pee on themselves to stay cool and

0:33:10.400 --> 0:33:14.160
<v Speaker 1>to stay pink. That's right, Yeah, And the is that true?

0:33:14.320 --> 0:33:17.120
<v Speaker 1>Is that what keeps them pink? I mean, I don't know,

0:33:17.160 --> 0:33:19.360
<v Speaker 1>but I was thinking of the John Watters movie. There

0:33:19.880 --> 0:33:22.440
<v Speaker 1>ye different, different type of thing, but the smell of

0:33:22.480 --> 0:33:24.720
<v Speaker 1>the Flamingos because they pee on themselves to keep going,

0:33:25.080 --> 0:33:27.640
<v Speaker 1>I don't, I don't care for. But everything else. Did

0:33:27.640 --> 0:33:28.600
<v Speaker 1>you see the baby Eppop?

0:33:28.720 --> 0:33:30.240
<v Speaker 2>I guess it's growing up now that they didn't see

0:33:30.240 --> 0:33:33.800
<v Speaker 2>the baby Hippi message. But I like it's like, you know,

0:33:33.920 --> 0:33:35.840
<v Speaker 2>the l A Zoo you think. I mean, sure there

0:33:35.880 --> 0:33:38.440
<v Speaker 2>was the blackfish the Sea world time, you know, and

0:33:38.520 --> 0:33:40.720
<v Speaker 2>it's easy to get against that. But yeah, but it's like,

0:33:41.040 --> 0:33:43.040
<v Speaker 2>are we heading to a place where we're not even

0:33:43.160 --> 0:33:45.160
<v Speaker 2>enjoy animals in a way of learning about them?

0:33:45.160 --> 0:33:48.360
<v Speaker 1>I don't, I don't know, but I don't. You know,

0:33:48.400 --> 0:33:50.400
<v Speaker 1>I'm not qualified to talk on this, but you know what,

0:33:50.400 --> 0:33:53.120
<v Speaker 1>we should get somebody on this podcast and then you

0:33:53.120 --> 0:33:58.120
<v Speaker 1>have to come back and defend your position, maybe you

0:33:58.120 --> 0:34:00.600
<v Speaker 1>could lose lose, you know, using very for animals, like

0:34:00.640 --> 0:34:04.280
<v Speaker 1>animals like maybe a you know, a snail or you know,

0:34:04.280 --> 0:34:07.640
<v Speaker 1>a hamster, something not in vertebrate, but it's something that's

0:34:07.640 --> 0:34:11.000
<v Speaker 1>small enough that you're not really or yeah you're not,

0:34:11.239 --> 0:34:14.239
<v Speaker 1>but that again, hamster is any going by impressed? A

0:34:14.280 --> 0:34:17.040
<v Speaker 1>hamster at your pants? It's like Richard Gere years ago,

0:34:17.320 --> 0:34:21.480
<v Speaker 1>a standing ovation because you can't sit down. That is

0:34:21.520 --> 0:34:24.560
<v Speaker 1>the oldest jogging the world that we've done that again.

0:34:24.960 --> 0:34:28.920
<v Speaker 1>But so how does it go in terms of your

0:34:29.000 --> 0:34:33.880
<v Speaker 1>young magician and you come out here you know clearly

0:34:33.960 --> 0:34:37.120
<v Speaker 1>you're married now, I am? Is there a kind of

0:34:37.840 --> 0:34:41.520
<v Speaker 1>sexy rock and roll part of magic? Are there are

0:34:41.560 --> 0:34:45.160
<v Speaker 1>the followers who who kind of are interested in new

0:34:45.280 --> 0:34:48.480
<v Speaker 1>romantically because of what you may have of your sleeve

0:34:48.640 --> 0:34:49.160
<v Speaker 1>as it were?

0:34:49.400 --> 0:34:53.160
<v Speaker 2>I mean, I mean, I will say there's something there's

0:34:53.239 --> 0:34:58.320
<v Speaker 2>something so magnetic and mysterious about magic and magicians.

0:34:58.320 --> 0:34:59.440
<v Speaker 1>I agree, right, I agree.

0:34:59.520 --> 0:35:03.600
<v Speaker 2>I mean the just like comedy, you know, like any

0:35:03.680 --> 0:35:06.720
<v Speaker 2>any any comedian. I mean I have several comedian friends

0:35:06.760 --> 0:35:10.479
<v Speaker 2>who you know, don't want if you're gonna if if

0:35:10.520 --> 0:35:12.359
<v Speaker 2>you've got a girl who they might be interested or whatever.

0:35:12.400 --> 0:35:14.120
<v Speaker 2>It's like, just have her come to my show, like

0:35:14.160 --> 0:35:16.520
<v Speaker 2>I want their first depression to see me doing my things,

0:35:17.040 --> 0:35:20.120
<v Speaker 2>almost like you're afraid of being the meeting a normal person.

0:35:20.200 --> 0:35:23.960
<v Speaker 2>It's like you love so but there's something alluring about

0:35:23.960 --> 0:35:27.280
<v Speaker 2>defying the laws of the universe.

0:35:26.880 --> 0:35:28.239
<v Speaker 1>And like how do they do this?

0:35:28.360 --> 0:35:31.520
<v Speaker 2>You know that is obviously naturally attractive where you know

0:35:31.560 --> 0:35:33.640
<v Speaker 2>in that book the game, you know, like one of

0:35:33.680 --> 0:35:36.440
<v Speaker 2>the techniques is, you know, learn close up tricks, you know,

0:35:36.960 --> 0:35:42.320
<v Speaker 2>to to entertain people on dates. There's something romantic and and.

0:35:42.520 --> 0:35:46.480
<v Speaker 1>Just I think it's quite cynical though that because I

0:35:46.560 --> 0:35:49.320
<v Speaker 1>know there's there's stuff on Lane. There's like in sales

0:35:49.320 --> 0:35:51.200
<v Speaker 1>in the Middle East to put together clips of me

0:35:51.320 --> 0:35:53.640
<v Speaker 1>talking to actresses on the old late night showing them

0:35:53.680 --> 0:35:57.120
<v Speaker 1>like flirt like Craig Ferguson. I'm like, yeah, that's not

0:35:57.280 --> 0:36:00.719
<v Speaker 1>really what's happening there. That's a late night and then

0:36:00.760 --> 0:36:03.239
<v Speaker 1>I don't see these people after that, so it's it's

0:36:03.320 --> 0:36:06.440
<v Speaker 1>kind of like it's almost like, you know, bring doves

0:36:06.440 --> 0:36:09.239
<v Speaker 1>out of your sleeves, like you know, it's no you

0:36:09.360 --> 0:36:09.640
<v Speaker 1>can know.

0:36:10.040 --> 0:36:12.319
<v Speaker 2>And for me, the girls that I was always drawn

0:36:12.360 --> 0:36:15.920
<v Speaker 2>to are girls that certainly weren't into magicians, you know,

0:36:16.160 --> 0:36:19.319
<v Speaker 2>like it was almost like I had to overcome what

0:36:19.440 --> 0:36:22.440
<v Speaker 2>being a magician, being a magician, you know, or just

0:36:22.480 --> 0:36:24.319
<v Speaker 2>because of all the things that are preaking, you know,

0:36:24.360 --> 0:36:25.960
<v Speaker 2>the baggage that magicians bring along with.

0:36:26.080 --> 0:36:29.040
<v Speaker 1>Well, they do have historically a kind of creepy vibe,

0:36:29.640 --> 0:36:34.120
<v Speaker 1>I mean, but I think that was more just changing taste,

0:36:34.800 --> 0:36:37.680
<v Speaker 1>like the like a society changed, you know, a sort

0:36:37.719 --> 0:36:41.120
<v Speaker 1>of mysterious gentleman with a cape and became a little

0:36:41.160 --> 0:36:44.680
<v Speaker 1>more jack the rippery and a little less gentlemanly. I

0:36:44.719 --> 0:36:46.960
<v Speaker 1>guess you know what I mean. It's that's under that cape. Nothing,

0:36:47.080 --> 0:36:49.640
<v Speaker 1>nothing's under that case. Yeah, yeah, take a look. Yeah,

0:36:49.760 --> 0:36:52.520
<v Speaker 1>as opposed to a giant, you know, killing. No, it's

0:36:52.600 --> 0:36:56.160
<v Speaker 1>it's it's a it's a it's fashion, I think as

0:36:56.200 --> 0:36:59.960
<v Speaker 1>well as much as anything performances is subject to fashion.

0:37:00.160 --> 0:37:02.640
<v Speaker 1>Even stand up, there will be jokes that you can't

0:37:02.760 --> 0:37:07.480
<v Speaker 1>do no sure, I think, I mean, I don't lament it.

0:37:07.480 --> 0:37:09.200
<v Speaker 1>It's just what it is, you know. It's just that

0:37:09.280 --> 0:37:12.320
<v Speaker 1>you know, now it is seen as mean spirited. Perhaps

0:37:12.360 --> 0:37:15.160
<v Speaker 1>it was always mean spirited, but it didn't feel that

0:37:15.160 --> 0:37:16.960
<v Speaker 1>way at the time, or you weren't aware of it.

0:37:17.000 --> 0:37:17.839
<v Speaker 1>Maybe that's what I mean.

0:37:17.880 --> 0:37:20.879
<v Speaker 2>If anything, there's this cachet of you know, a good

0:37:20.920 --> 0:37:23.480
<v Speaker 2>magician is maybe hard to trust because you think, well,

0:37:23.520 --> 0:37:25.239
<v Speaker 2>they're just really good at lying. How do you ever

0:37:25.239 --> 0:37:27.040
<v Speaker 2>know when they're telling the truth. Well, do you know

0:37:27.080 --> 0:37:28.480
<v Speaker 2>they don't have a secret life going on?

0:37:28.560 --> 0:37:31.640
<v Speaker 1>Well? Yeah, I think that's probably true. Yeah. Remember that

0:37:31.680 --> 0:37:35.719
<v Speaker 1>movie with Christian Bale and what is it called The

0:37:36.560 --> 0:37:40.080
<v Speaker 1>Jackman Hugh jack Prestige, The Prestige. Did you like that one?

0:37:40.239 --> 0:37:42.960
<v Speaker 1>Love that? Yeah? Was that the one? Maybe it was

0:37:42.960 --> 0:37:44.440
<v Speaker 1>another one. There was one of them that said to

0:37:44.480 --> 0:37:46.600
<v Speaker 1>be a magician, you have to be the smartest man

0:37:46.600 --> 0:37:49.640
<v Speaker 1>of them. Does that sounds like Michaelcaine. Yeah, it must

0:37:49.680 --> 0:37:51.600
<v Speaker 1>be there. If you want to be a magician, Yeah,

0:37:51.719 --> 0:37:54.680
<v Speaker 1>you have to be the smartest man in the room. Yeah.

0:37:54.840 --> 0:37:59.400
<v Speaker 1>Well do you think that's true? Yeah? Well I guess

0:38:00.280 --> 0:38:02.120
<v Speaker 1>is that the draw for it? Then? For a little kid?

0:38:02.480 --> 0:38:03.600
<v Speaker 1>Were you Tobby as a kid?

0:38:03.880 --> 0:38:07.759
<v Speaker 2>No, I wasn't so SPRAWNI I was short and little short.

0:38:07.840 --> 0:38:09.920
<v Speaker 2>Maybe I did the same thing the gold frock of

0:38:10.000 --> 0:38:10.600
<v Speaker 2>curly hair.

0:38:11.960 --> 0:38:14.439
<v Speaker 1>See I was I was. My nickname was Tubby when

0:38:14.440 --> 0:38:17.200
<v Speaker 1>I was a kid. So I think like achieving my

0:38:17.320 --> 0:38:19.920
<v Speaker 1>way out of being Tubby was a real driving force

0:38:20.000 --> 0:38:20.239
<v Speaker 1>to me.

0:38:20.280 --> 0:38:22.719
<v Speaker 2>I was like, god'll not be Tobby. Yeah, I think

0:38:22.760 --> 0:38:26.400
<v Speaker 2>I just was. I The draw of magic for me

0:38:26.560 --> 0:38:28.799
<v Speaker 2>was that I was. It felt like it made me

0:38:29.040 --> 0:38:31.080
<v Speaker 2>special for the first time, you know, like.

0:38:31.080 --> 0:38:31.440
<v Speaker 1>I was not.

0:38:31.960 --> 0:38:35.600
<v Speaker 2>I was mediocre at all extracurricular activities. But when I

0:38:35.640 --> 0:38:38.560
<v Speaker 2>discovered magic, I was the only magician in my school right,

0:38:38.640 --> 0:38:42.760
<v Speaker 2>and so automatically I was special and then I was okay,

0:38:42.800 --> 0:38:43.799
<v Speaker 2>I was decent at it.

0:38:43.840 --> 0:38:46.760
<v Speaker 1>So that made me clearly special that people would.

0:38:46.600 --> 0:38:48.120
<v Speaker 2>Want to be like, hey, come over here show it's

0:38:48.160 --> 0:38:50.520
<v Speaker 2>that trick, you know, like you're kind of like, wow, finally,

0:38:50.719 --> 0:38:51.520
<v Speaker 2>yeah special.

0:38:51.640 --> 0:38:54.640
<v Speaker 1>You know what about the idea of the press, these

0:38:54.800 --> 0:38:57.840
<v Speaker 1>trick the you know, the water tank for Houdini and

0:38:57.840 --> 0:38:59.520
<v Speaker 1>all that kind of stuff. Is that is that a

0:38:59.560 --> 0:39:02.400
<v Speaker 1>thing for you? Is there is there an illusion like

0:39:02.719 --> 0:39:04.400
<v Speaker 1>I want to have a crack at that. I have

0:39:04.440 --> 0:39:05.719
<v Speaker 1>a crack at that trick. Yeah.

0:39:05.960 --> 0:39:09.040
<v Speaker 2>Well, I mean there's bits in my show that I

0:39:09.080 --> 0:39:11.880
<v Speaker 2>that I that are kind of my my babies, you know,

0:39:11.960 --> 0:39:14.960
<v Speaker 2>my opener, my closer that I do, which I do

0:39:15.120 --> 0:39:16.200
<v Speaker 2>you know, I want to shoot us.

0:39:16.280 --> 0:39:17.480
<v Speaker 1>You're asking like what's next?

0:39:17.520 --> 0:39:20.040
<v Speaker 2>You know what I want to do is and I'm

0:39:20.160 --> 0:39:22.080
<v Speaker 2>going to do later this year is like a live

0:39:22.120 --> 0:39:24.279
<v Speaker 2>stand up magic special kind of like a Netflix stand

0:39:24.320 --> 0:39:26.560
<v Speaker 2>up special, but do it live, but well not live,

0:39:26.600 --> 0:39:28.279
<v Speaker 2>but just live on stand I would love to do

0:39:28.320 --> 0:39:30.480
<v Speaker 2>it live. I don't think I'm famous enough for Netflix

0:39:30.480 --> 0:39:33.400
<v Speaker 2>to get behind it as a live event, you know,

0:39:34.360 --> 0:39:39.880
<v Speaker 2>Brady roast Yeah, just to know that I didn't No, no,

0:39:41.280 --> 0:39:42.600
<v Speaker 2>like roast man, I don't get it.

0:39:43.880 --> 0:39:46.600
<v Speaker 1>I just don't get it. I got I'm like, why

0:39:46.680 --> 0:39:50.520
<v Speaker 1>why would a person put themselves in that position? Like

0:39:50.719 --> 0:39:54.680
<v Speaker 1>was Tom Brady going to get over that money? Money?

0:39:54.719 --> 0:39:56.839
<v Speaker 1>Maybe that's what it is. Of course, you know that.

0:39:56.920 --> 0:40:01.399
<v Speaker 2>I would say the big takeaway that everyone at least

0:40:01.480 --> 0:40:03.399
<v Speaker 2>was in my mind, it's like, wow, what a what

0:40:03.480 --> 0:40:06.759
<v Speaker 2>a good sport? You know, like all the little jabs

0:40:06.840 --> 0:40:09.480
<v Speaker 2>kind of all forget You forget them by the next morning.

0:40:09.520 --> 0:40:11.360
<v Speaker 2>But you're like, wow, he really took it like a champ.

0:40:11.600 --> 0:40:14.279
<v Speaker 1>You know. Yeah, I wouldn't be I don't think i'd

0:40:14.320 --> 0:40:15.080
<v Speaker 1>be that good a sport.

0:40:15.200 --> 0:40:17.759
<v Speaker 2>I wouldn't be be on replay. In my head, it

0:40:17.800 --> 0:40:21.799
<v Speaker 2>would I'd never sleep again. Yeah, like Jesus can do that.

0:40:22.239 --> 0:40:25.040
<v Speaker 2>But I don't know anyway. So is there a big thing?

0:40:25.120 --> 0:40:29.040
<v Speaker 2>Is there a big illusion, you know, not for a

0:40:29.120 --> 0:40:31.239
<v Speaker 2>stadium show? Is there a stadium show? I mean you

0:40:31.280 --> 0:40:32.920
<v Speaker 2>said you were thinking there has really been. I mean

0:40:33.440 --> 0:40:34.839
<v Speaker 2>that's the end game for you. I think it has

0:40:34.880 --> 0:40:38.200
<v Speaker 2>to be go to that point. Yeah, I mean Steve

0:40:38.239 --> 0:40:42.120
<v Speaker 2>Martin did Arenas right, Yeah, just arrow in his head.

0:40:42.239 --> 0:40:46.640
<v Speaker 1>Yeah, talented stand up as well though, I'm very talented,

0:40:47.640 --> 0:40:58.799
<v Speaker 1>very artistic in his leanings. And also a musician. Are

0:40:58.840 --> 0:41:04.640
<v Speaker 1>you religious? Are you? Are you musical? What else? I love? Okay?

0:41:04.680 --> 0:41:08.040
<v Speaker 2>So, I mean I love music. I feel like all magicians,

0:41:08.360 --> 0:41:12.560
<v Speaker 2>many magicians really wanted to be a musician because there's

0:41:13.320 --> 0:41:16.080
<v Speaker 2>all stand ups well and there. I found that so

0:41:16.200 --> 0:41:20.080
<v Speaker 2>many musicians love magic and wish they could do magic right, so,

0:41:20.120 --> 0:41:21.080
<v Speaker 2>which means you can't.

0:41:20.880 --> 0:41:25.760
<v Speaker 1>Win the same with same with musicians. I've met famous

0:41:25.800 --> 0:41:29.000
<v Speaker 1>musicians like I want to try stand up, please, don't

0:41:29.320 --> 0:41:30.960
<v Speaker 1>just continue to play the guitar.

0:41:31.239 --> 0:41:35.600
<v Speaker 2>Yeah, yeah, I mean I'm not religious. I was raised

0:41:35.640 --> 0:41:37.799
<v Speaker 2>going to church and stuff, but that kind of all

0:41:37.880 --> 0:41:42.560
<v Speaker 2>fell to the way side flavor flavor of Presbyterian Presbyterians.

0:41:42.719 --> 0:41:44.400
<v Speaker 1>So there's not a lot of tricks going on in

0:41:44.400 --> 0:41:48.960
<v Speaker 1>Presbyterian there's no there's no kind of biscuits turning in

0:41:49.040 --> 0:41:50.960
<v Speaker 1>Jesus or wine turning.

0:41:51.040 --> 0:41:54.160
<v Speaker 2>And I mean it's all representative, right you do a

0:41:54.400 --> 0:41:57.799
<v Speaker 2>turn a staff into a serpent. You know, there's good

0:41:57.800 --> 0:41:59.839
<v Speaker 2>material in the Bible, none of it's on its feet,

0:41:59.880 --> 0:42:02.440
<v Speaker 2>you know, Like it wasn't a church that had the props.

0:42:02.680 --> 0:42:04.799
<v Speaker 1>Well that ye see, that said. I was raised the

0:42:04.800 --> 0:42:06.440
<v Speaker 1>same way. I mean we were told we were the

0:42:06.520 --> 0:42:08.719
<v Speaker 1>chosen people, but all we got was a white room

0:42:08.719 --> 0:42:12.239
<v Speaker 1>and a eater, right. It Like I'm not sure that's that,

0:42:12.760 --> 0:42:15.360
<v Speaker 1>but I think the whole vibe of old religions seemed

0:42:15.400 --> 0:42:17.480
<v Speaker 1>to be you're the chosen people and everyone else is

0:42:17.480 --> 0:42:22.319
<v Speaker 1>a little not the children. Are you raising your kids Jewish? Jewish?

0:42:22.719 --> 0:42:26.080
<v Speaker 2>Okay, all right, that's fine. Yeah, I think that's good.

0:42:26.120 --> 0:42:29.240
<v Speaker 2>Timing is great, Yeah, that was It's a good choice.

0:42:29.480 --> 0:42:34.040
<v Speaker 1>I like, my wife is Jewish, my my oldest son's

0:42:34.040 --> 0:42:35.759
<v Speaker 1>mother's Jewish. He's Jewish. You know.

0:42:35.880 --> 0:42:40.000
<v Speaker 2>It's like yeah, and honestly, like I I love it.

0:42:40.080 --> 0:42:43.880
<v Speaker 2>I feel like like I did you convert? I didn't convert,

0:42:44.520 --> 0:42:44.719
<v Speaker 2>you know.

0:42:44.800 --> 0:42:47.000
<v Speaker 1>Because there's a price to pay as a gentleman if

0:42:47.040 --> 0:42:51.200
<v Speaker 1>you want to convert. I mean yeah late for yeah, yeah.

0:42:51.239 --> 0:42:53.080
<v Speaker 1>Every time I go and see my doctor every year

0:42:53.080 --> 0:42:55.960
<v Speaker 1>in Los Angeles, Jeff Grant. He's my doctor. He's an

0:42:55.960 --> 0:42:58.200
<v Speaker 1>ol Jewish gentleman. I love him. He's my friend. We

0:42:58.280 --> 0:43:00.359
<v Speaker 1>hang out when we're not working together. But every time

0:43:00.360 --> 0:43:03.880
<v Speaker 1>he gives me the exam downstairs every year, he looks

0:43:03.920 --> 0:43:06.319
<v Speaker 1>at my penis and he says, you know, I can

0:43:06.360 --> 0:43:09.040
<v Speaker 1>fix that for you, and like, I don't. I don't

0:43:09.040 --> 0:43:12.399
<v Speaker 1>want you to do that. So, but that's interesting, now,

0:43:12.440 --> 0:43:14.560
<v Speaker 1>you So you are you quite observant?

0:43:14.880 --> 0:43:19.279
<v Speaker 2>We do we do Shabbata on Fridays one we're all

0:43:19.280 --> 0:43:20.959
<v Speaker 2>in the same place. When I'm not out of town.

0:43:21.040 --> 0:43:24.399
<v Speaker 2>We do the you know, a proper passover. We don't

0:43:24.440 --> 0:43:27.360
<v Speaker 2>go to temple every week. Right, So we're about as

0:43:27.520 --> 0:43:30.520
<v Speaker 2>so technically less observant than I was as a Presbyterian,

0:43:30.560 --> 0:43:33.920
<v Speaker 2>but Presbyterian, you know, for me, it's really just about

0:43:34.040 --> 0:43:38.799
<v Speaker 2>the there's just you know, kind of just the cultural

0:43:38.840 --> 0:43:40.440
<v Speaker 2>and the rituals and the tradition.

0:43:40.560 --> 0:43:41.080
<v Speaker 1>The tradition.

0:43:41.160 --> 0:43:44.360
<v Speaker 2>It just feels, you know, there's nothing I can't get behind,

0:43:44.520 --> 0:43:46.080
<v Speaker 2>you know, and it feels really good.

0:43:46.239 --> 0:43:48.719
<v Speaker 1>I agree. I mean that there are aspects of all

0:43:48.880 --> 0:43:52.919
<v Speaker 1>areas of all worship. And I'm not a religious person

0:43:52.920 --> 0:43:55.920
<v Speaker 1>at all in the sense that I follow any doctrine,

0:43:56.239 --> 0:43:58.160
<v Speaker 1>but I I'm kind of interested in all of it.

0:43:58.200 --> 0:44:01.920
<v Speaker 1>I think that the the idea of it. But I wonder,

0:44:02.080 --> 0:44:05.120
<v Speaker 1>as as a magician, does it make you cynical about that? Well?

0:44:05.160 --> 0:44:08.440
<v Speaker 2>I think yeah, magic makes you cynical about a lot.

0:44:09.120 --> 0:44:13.080
<v Speaker 2>But you know, because you know, every night you're you know,

0:44:13.160 --> 0:44:16.160
<v Speaker 2>you're you're you know exactly what you're doing and how

0:44:16.239 --> 0:44:19.080
<v Speaker 2>you're doing it, and you know, you kind of have

0:44:19.200 --> 0:44:21.120
<v Speaker 2>this a little bit of a you know magicians called

0:44:21.200 --> 0:44:24.719
<v Speaker 2>magician's guilt, where you kind of feel guilty knowing that

0:44:24.880 --> 0:44:27.160
<v Speaker 2>what you're doing is so simple, yet it's making people

0:44:27.239 --> 0:44:31.800
<v Speaker 2>experience these profound levels of wonder, you know, best case scenario,

0:44:32.000 --> 0:44:34.080
<v Speaker 2>you know, like it's also what I love about it,

0:44:34.480 --> 0:44:37.560
<v Speaker 2>but I also you know, I just it's hard to

0:44:38.160 --> 0:44:40.279
<v Speaker 2>once you just like when you work in television, it's

0:44:40.320 --> 0:44:44.080
<v Speaker 2>hard to watch reality TV or anything that is saying

0:44:44.120 --> 0:44:47.520
<v Speaker 2>that this is happening right now without being like, you know, no,

0:44:47.560 --> 0:44:49.680
<v Speaker 2>it's not. There's this this this like everything that happens

0:44:49.719 --> 0:44:52.080
<v Speaker 2>behind the scenes. And I think with magic, the magician

0:44:52.160 --> 0:44:55.640
<v Speaker 2>brain is always coming up with ways to solve problems,

0:44:55.840 --> 0:44:56.719
<v Speaker 2>you know, so it is a bit of.

0:44:56.680 --> 0:44:59.960
<v Speaker 1>A superpower outside of politically, Yeah, I mean yeah, it's like,

0:45:00.239 --> 0:45:02.400
<v Speaker 1>how do I make it so I can do it? Yeah,

0:45:02.440 --> 0:45:04.920
<v Speaker 1>so you remove yourself from the age of miracles, like

0:45:04.960 --> 0:45:07.919
<v Speaker 1>I would love to experience a ghost. I would love

0:45:08.040 --> 0:45:11.080
<v Speaker 1>to have been to Scotland. Yet I haven't been to Scotland. Yea.

0:45:11.400 --> 0:45:15.399
<v Speaker 2>My best magician pal, my right hand man, my co

0:45:15.800 --> 0:45:19.719
<v Speaker 2>creator for Magic for Humans, is a Scottish gentleman, Stuart McLeod.

0:45:20.040 --> 0:45:23.640
<v Speaker 1>Right, there's a lot of Scottish magicians, actly, Yeah, and

0:45:23.640 --> 0:45:27.160
<v Speaker 1>then they kind of there's small dark rooms you yes,

0:45:27.239 --> 0:45:27.680
<v Speaker 1>well you can.

0:45:28.040 --> 0:45:31.440
<v Speaker 2>And he's got you know, he's he's a lovely father

0:45:31.520 --> 0:45:34.879
<v Speaker 2>of almost two coming soon and he but he's got this,

0:45:35.040 --> 0:45:37.640
<v Speaker 2>you know, you can tell he's got a darkness within.

0:45:37.480 --> 0:45:40.520
<v Speaker 1>Him that it's just part of his power. Yeah.

0:45:41.040 --> 0:45:43.720
<v Speaker 2>But he was part of a magic duo, Barry and Stewart,

0:45:43.840 --> 0:45:47.720
<v Speaker 2>which I don't know if you ever bearver on your radar, very.

0:45:48.200 --> 0:45:51.040
<v Speaker 1>I don't know them. But that wouldn't mean anything because

0:45:51.080 --> 0:45:53.040
<v Speaker 1>I know that clue I don't allow each other. Well,

0:45:53.040 --> 0:45:54.680
<v Speaker 1>you know why I got to tell you why I

0:45:54.719 --> 0:45:57.239
<v Speaker 1>had magic week on the late night show. I used

0:45:57.239 --> 0:45:59.759
<v Speaker 1>to have Magic Week every week on the Late night Show,

0:45:59.840 --> 0:46:02.239
<v Speaker 1>but it wasn't really because I loved magic, although I

0:46:02.239 --> 0:46:05.200
<v Speaker 1>do love magic. What happened to was a friend of

0:46:05.239 --> 0:46:08.880
<v Speaker 1>mine who worked on the show, was in Las Vegas

0:46:09.280 --> 0:46:13.960
<v Speaker 1>and he got a little out of control and he

0:46:14.080 --> 0:46:21.160
<v Speaker 1>inadvertently stole a vehicle and got about twenty yards down

0:46:21.200 --> 0:46:22.879
<v Speaker 1>the strip and got arrested. I mean, he was out

0:46:22.880 --> 0:46:25.040
<v Speaker 1>of his face, and he was meant to be on

0:46:25.080 --> 0:46:27.480
<v Speaker 1>the show that night, no, as he just worked on

0:46:27.520 --> 0:46:29.919
<v Speaker 1>the show. And so I get a call and they said, hey,

0:46:30.960 --> 0:46:32.720
<v Speaker 1>I won't say his name, but he was in Vegas

0:46:32.840 --> 0:46:36.000
<v Speaker 1>and he's in jail. I'm like, what the fuck is

0:46:36.080 --> 0:46:38.759
<v Speaker 1>going on? So eventually I make a call to a

0:46:38.800 --> 0:46:40.920
<v Speaker 1>guy who calls another guy, and eventually I talked to

0:46:40.960 --> 0:46:44.640
<v Speaker 1>this judge in Las Vegas, who I'm sure is no

0:46:44.680 --> 0:46:46.879
<v Speaker 1>longer a judge in Las Vegas. It was twenty years ago,

0:46:47.480 --> 0:46:49.719
<v Speaker 1>and I'm talking to the judge and I'm saying, look,

0:46:49.760 --> 0:46:52.680
<v Speaker 1>this guy, it's not a thing. He clearly made a mistake.

0:46:52.760 --> 0:46:55.400
<v Speaker 1>We'll get him out of there. And he went. But

0:46:55.600 --> 0:46:57.440
<v Speaker 1>you know, it was pretty bad, and the cops were

0:46:57.480 --> 0:46:59.719
<v Speaker 1>mad and I said, well, you know, look if it

0:46:59.760 --> 0:47:00.960
<v Speaker 1>was any that can do it, and he said, Blacks,

0:47:01.160 --> 0:47:04.799
<v Speaker 1>I do represent a few magicians. The judge said that

0:47:04.840 --> 0:47:08.040
<v Speaker 1>the fu so I said, the judge is also a

0:47:08.080 --> 0:47:14.239
<v Speaker 1>manager judge. So I said, yeah, well magic. We caught

0:47:14.239 --> 0:47:17.440
<v Speaker 1>the show, and so I enjoyed it so much. I mean,

0:47:17.480 --> 0:47:20.000
<v Speaker 1>and look the magicians that he was represent and you

0:47:20.000 --> 0:47:22.319
<v Speaker 1>know they were It wasn't you, you know what I mean,

0:47:23.640 --> 0:47:27.839
<v Speaker 1>It was other magicians, but you had his roster, and

0:47:27.920 --> 0:47:31.439
<v Speaker 1>I loved it. It was exactly the kind of vibe

0:47:31.480 --> 0:47:33.600
<v Speaker 1>I was going for on that show, which was kind

0:47:33.600 --> 0:47:37.880
<v Speaker 1>of like, okay, no one knew it was secretly community service.

0:47:38.080 --> 0:47:40.920
<v Speaker 1>It was sort of community service. It was a mixture

0:47:40.960 --> 0:47:44.400
<v Speaker 1>of corruption, the mafia and the communities there. The magicians

0:47:44.400 --> 0:47:46.920
<v Speaker 1>were all the world. It was very interesting. There was

0:47:46.920 --> 0:47:49.120
<v Speaker 1>certainly a lot going on behind the scenes that that

0:47:49.200 --> 0:47:50.520
<v Speaker 1>nobody really got to see.

0:47:50.760 --> 0:47:52.879
<v Speaker 2>Wow, that got your foot in the door, and then

0:47:53.200 --> 0:47:54.520
<v Speaker 2>you were no longer forced to do it.

0:47:54.520 --> 0:47:56.319
<v Speaker 1>You did it willingly. Well I did it willingly. And

0:47:56.400 --> 0:48:00.919
<v Speaker 1>also I had a son who was fascinated by When

0:48:01.160 --> 0:48:04.160
<v Speaker 1>Milo was you know, I guess three four years old.

0:48:04.320 --> 0:48:08.160
<v Speaker 1>He used to watch this old timey stuff there was

0:48:08.200 --> 0:48:10.279
<v Speaker 1>a guy who used to bring alarm clocks out of

0:48:10.320 --> 0:48:12.439
<v Speaker 1>his hat, would you know. I was talking about back

0:48:12.440 --> 0:48:14.960
<v Speaker 1>in the nineteen thirties or something there, and they would

0:48:14.960 --> 0:48:17.600
<v Speaker 1>come out ringing, right, I would bring these alarm clocks

0:48:17.600 --> 0:48:19.560
<v Speaker 1>out of his hat. And I remember it was when

0:48:19.640 --> 0:48:22.160
<v Speaker 1>DVDs were in the back of the car and I

0:48:22.160 --> 0:48:23.920
<v Speaker 1>would put the DVD in if we were going on

0:48:23.920 --> 0:48:25.640
<v Speaker 1>a road trip, and I would just hear him laughing

0:48:25.680 --> 0:48:28.480
<v Speaker 1>his ass off and go another alarm clock out of

0:48:28.600 --> 0:48:31.600
<v Speaker 1>Was that another alarm at four? At four? Yeah? He

0:48:31.680 --> 0:48:35.080
<v Speaker 1>made it. I mean he's he's in he directs animated movies.

0:48:35.120 --> 0:48:38.080
<v Speaker 1>Now it's like whether he'll make much more money than me.

0:48:38.160 --> 0:48:40.400
<v Speaker 1>But but he was fascinated by it, and then so

0:48:40.480 --> 0:48:42.200
<v Speaker 1>I got I got kind of into it then. And

0:48:42.239 --> 0:48:44.640
<v Speaker 1>then he was really into Chris Angel when he was

0:48:44.640 --> 0:48:46.640
<v Speaker 1>a kid, and Chris invited on the show, and he

0:48:46.719 --> 0:48:49.800
<v Speaker 1>was so sweet and such a nice guy, and he's

0:48:49.800 --> 0:48:51.800
<v Speaker 1>a great performer, but he was also really nice to

0:48:52.680 --> 0:48:55.000
<v Speaker 1>be around. And that really it just kind of drew

0:48:55.040 --> 0:48:57.040
<v Speaker 1>me in a little bit. Yeah. Right, magicians are very

0:48:57.120 --> 0:49:00.399
<v Speaker 1>it's very seductive kind of world. I can see how

0:49:00.440 --> 0:49:03.200
<v Speaker 1>and it has that in our sanctum feel if you

0:49:03.239 --> 0:49:05.359
<v Speaker 1>know this trick, you're kind of further in, And if

0:49:05.400 --> 0:49:08.200
<v Speaker 1>you know this trick, you're further in, and that appeals

0:49:08.239 --> 0:49:13.120
<v Speaker 1>to my inherent sense of you know, low self worth.

0:49:13.239 --> 0:49:17.680
<v Speaker 2>Well, it's this little secret society because it requires so much,

0:49:18.600 --> 0:49:22.279
<v Speaker 2>you know, solitary work, you know, where you're practicing or

0:49:22.320 --> 0:49:24.800
<v Speaker 2>as a teen, you're just kind of reading and you're obsessing,

0:49:24.880 --> 0:49:27.160
<v Speaker 2>and just like I'm sure with comedy, kind of like

0:49:27.239 --> 0:49:28.640
<v Speaker 2>you know, no one's going to write your act for you.

0:49:28.640 --> 0:49:30.200
<v Speaker 2>You're kind of trying to just figure it out. And

0:49:30.200 --> 0:49:32.359
<v Speaker 2>then you kind of find this group of people who

0:49:32.440 --> 0:49:33.440
<v Speaker 2>all did that same.

0:49:33.800 --> 0:49:35.839
<v Speaker 1>Yeah, you find your volitary thing.

0:49:35.920 --> 0:49:37.600
<v Speaker 2>You find your people, and you have this past and

0:49:37.760 --> 0:49:40.719
<v Speaker 2>common and magicians in particularly, you know, have a you know,

0:49:40.760 --> 0:49:43.040
<v Speaker 2>there's there's so much magic history and there's so many

0:49:43.280 --> 0:49:45.520
<v Speaker 2>tricks that have been done, and there's so many references

0:49:45.520 --> 0:49:47.800
<v Speaker 2>and terms, and you know, like you almost have a

0:49:47.840 --> 0:49:50.480
<v Speaker 2>secret language that you can throw around with magicians. You know,

0:49:50.600 --> 0:49:52.680
<v Speaker 2>like Stuart McCloud and I like we can kind of

0:49:53.120 --> 0:49:55.080
<v Speaker 2>read each other's minds and have a conversation where you

0:49:55.120 --> 0:49:56.920
<v Speaker 2>don't know what we're talking about, but we're kind of

0:49:57.120 --> 0:49:58.880
<v Speaker 2>you know, coming up with a trick or kind of

0:49:59.120 --> 0:50:01.320
<v Speaker 2>figuring out a method and it's.

0:50:00.840 --> 0:50:03.840
<v Speaker 1>It's really cool. Is there is there a kind of

0:50:04.120 --> 0:50:08.520
<v Speaker 1>Anthony Bourdain world where you can you know, you can

0:50:08.520 --> 0:50:11.000
<v Speaker 1>go to other societies and other cultures, you know, like

0:50:11.200 --> 0:50:14.080
<v Speaker 1>when Tony Burdema go and see how Libyans eat food

0:50:14.360 --> 0:50:17.239
<v Speaker 1>or how the food was in Vietnam? Is there is

0:50:17.239 --> 0:50:19.760
<v Speaker 1>there that for magic? Is there is there a because

0:50:20.000 --> 0:50:24.120
<v Speaker 1>every society has their their magi, sure they mean, so

0:50:24.320 --> 0:50:26.319
<v Speaker 1>is there a world where you can go and do that?

0:50:26.440 --> 0:50:28.480
<v Speaker 1>Is that? I mean totally?

0:50:29.719 --> 0:50:32.320
<v Speaker 2>I mean what traveling around the world and dipping into other.

0:50:32.719 --> 0:50:33.920
<v Speaker 1>Other countries magic?

0:50:34.200 --> 0:50:36.560
<v Speaker 2>Yeah, I mean David Blaine did a little bit of that,

0:50:36.640 --> 0:50:38.799
<v Speaker 2>and you know where he would go to, you know,

0:50:39.320 --> 0:50:42.279
<v Speaker 2>more remote places in the world really just to show

0:50:42.320 --> 0:50:44.840
<v Speaker 2>how magic is this universal language, you know, right, so

0:50:44.880 --> 0:50:47.560
<v Speaker 2>you'd watch him amaze people who maybe who have never

0:50:47.600 --> 0:50:50.439
<v Speaker 2>seen a television before. But there, you know, he's making

0:50:50.480 --> 0:50:52.040
<v Speaker 2>berries go for one hand to the other.

0:50:52.080 --> 0:50:53.000
<v Speaker 1>It's very visceral.

0:50:53.440 --> 0:50:56.960
<v Speaker 2>But yeah, I mean, even despite the language barrier, it's

0:50:57.040 --> 0:50:58.880
<v Speaker 2>this magic universal language where.

0:50:59.239 --> 0:51:02.280
<v Speaker 1>It's a human desire, isn't it. There's a human desire

0:51:02.320 --> 0:51:06.920
<v Speaker 1>for food and there's a human desire for wonder, but

0:51:06.960 --> 0:51:10.040
<v Speaker 1>what you supply is wonder with the you know, the

0:51:10.120 --> 0:51:14.239
<v Speaker 1>kind of wink that this is not really magic. I'm

0:51:14.400 --> 0:51:15.600
<v Speaker 1>just very clever.

0:51:15.560 --> 0:51:18.759
<v Speaker 2>Right it's empty calorie wonder right now.

0:51:19.360 --> 0:51:22.120
<v Speaker 1>But is there is there a part of you that

0:51:22.280 --> 0:51:25.600
<v Speaker 1>still that believes in I don't know, know Santa Claus,

0:51:25.719 --> 0:51:30.160
<v Speaker 1>but but in in something beyond the palea you? You know,

0:51:30.440 --> 0:51:33.200
<v Speaker 1>is there a would you like, is there a UFO

0:51:33.320 --> 0:51:36.400
<v Speaker 1>or a ghost or is there a something that you

0:51:36.480 --> 0:51:40.360
<v Speaker 1>go I can't explain that, and it makes me feel weird.

0:51:40.560 --> 0:51:42.759
<v Speaker 1>I mean the I mean the universe. Where do we

0:51:42.800 --> 0:51:43.279
<v Speaker 1>all come from?

0:51:43.400 --> 0:51:47.120
<v Speaker 2>Is this explainable thing that obviously religion all of them

0:51:47.120 --> 0:51:49.560
<v Speaker 2>can explain it for you in some way shape form.

0:51:49.680 --> 0:51:52.080
<v Speaker 1>I mean I satisfactorily, I think exactly.

0:51:52.400 --> 0:51:55.640
<v Speaker 2>I mean, like I I believe that ghosts could exist.

0:51:55.800 --> 0:51:58.480
<v Speaker 2>I believe that aliens probably do exist. I would love

0:51:58.560 --> 0:52:01.520
<v Speaker 2>to you know, like all that. It fascinates you know,

0:52:01.560 --> 0:52:04.759
<v Speaker 2>how where like how insignificant are we, you know in

0:52:04.800 --> 0:52:05.799
<v Speaker 2>the big scheme of things?

0:52:05.800 --> 0:52:08.480
<v Speaker 1>How many of us are there? Is all so?

0:52:08.640 --> 0:52:13.120
<v Speaker 2>But but I don't in terms of magic, like even

0:52:13.160 --> 0:52:16.000
<v Speaker 2>though it's clear that I am am I'm a liar, right,

0:52:16.080 --> 0:52:19.399
<v Speaker 2>I'm a fancy. You're a performer. I'm a performer. I'm

0:52:19.440 --> 0:52:22.080
<v Speaker 2>spinning a yarn and I'm trying to create this wonder

0:52:22.080 --> 0:52:24.920
<v Speaker 2>and illusion. You know, Even then people still are like,

0:52:24.960 --> 0:52:28.399
<v Speaker 2>I know you have to say, but there's that one

0:52:28.520 --> 0:52:31.040
<v Speaker 2>was real, you know, like you know, we we so

0:52:31.239 --> 0:52:33.880
<v Speaker 2>want there to be and I so do you know,

0:52:33.960 --> 0:52:36.560
<v Speaker 2>like I love going to the Magic Castle and being

0:52:36.680 --> 0:52:37.440
<v Speaker 2>blown away, like.

0:52:37.520 --> 0:52:40.280
<v Speaker 1>Being Oh so you still get out, Yeah, that's great.

0:52:40.400 --> 0:52:42.160
<v Speaker 2>I mean it's harder to fool you, just like I'm

0:52:42.160 --> 0:52:45.200
<v Speaker 2>sure when you go to see comedy, you know it's you.

0:52:45.160 --> 0:52:48.239
<v Speaker 1>Know, there is no there is not a comedian on

0:52:48.400 --> 0:52:51.520
<v Speaker 1>earth I would pay money to go and see. No, no, no,

0:52:51.719 --> 0:52:54.000
<v Speaker 1>there's not one comedian living or dead that I would

0:52:54.000 --> 0:52:54.359
<v Speaker 1>pay money.

0:52:54.400 --> 0:52:55.560
<v Speaker 2>But if you happen to be in the back of

0:52:55.560 --> 0:52:57.239
<v Speaker 2>the comedy store and someone comes up, you've never heard

0:52:57.239 --> 0:52:57.560
<v Speaker 2>of this pot.

0:52:57.600 --> 0:52:59.319
<v Speaker 1>I've never been in the comedy store in my life,

0:52:59.320 --> 0:53:01.680
<v Speaker 1>I would never go there. No never. I don't know

0:53:01.719 --> 0:53:04.279
<v Speaker 1>what it is. I just I can't even it's that

0:53:04.360 --> 0:53:07.440
<v Speaker 1>gratul Marx thing. It was like, I can't. I would

0:53:07.440 --> 0:53:09.319
<v Speaker 1>never you know, join a club that would have me

0:53:09.360 --> 0:53:13.120
<v Speaker 1>as a member. I can't. I wish I could. Even

0:53:13.160 --> 0:53:14.840
<v Speaker 1>when I was doing Late Night, I remember having a

0:53:14.880 --> 0:53:17.759
<v Speaker 1>conversation with Jimmy Kimmel about this, and he was saying,

0:53:17.760 --> 0:53:20.640
<v Speaker 1>you know, we should all get together and have lunch

0:53:20.760 --> 0:53:22.960
<v Speaker 1>or something, because there's so few of us that do it,

0:53:23.160 --> 0:53:25.000
<v Speaker 1>and I was like, I don't think so, man. And

0:53:25.040 --> 0:53:29.279
<v Speaker 1>then when I left, they did, Yeah, they all did

0:53:29.320 --> 0:53:31.400
<v Speaker 1>a podcast. Yeah, yeah, I did. That's what I was

0:53:31.400 --> 0:53:33.160
<v Speaker 1>talking to her, because I ran into Seth Meyers a

0:53:33.160 --> 0:53:34.680
<v Speaker 1>couple of weeks ago and he said, yeah, we all

0:53:34.680 --> 0:53:36.960
<v Speaker 1>got together and did this podcast during the writer strike.

0:53:37.000 --> 0:53:40.280
<v Speaker 1>I went out, thanks, But the truth is I wouldn't

0:53:40.280 --> 0:53:42.759
<v Speaker 1>have wanted to do it. Well how come I don't know.

0:53:43.000 --> 0:53:47.719
<v Speaker 1>I feel I feel like I don't know. Maybe it

0:53:47.760 --> 0:53:49.959
<v Speaker 1>was coming of age during punk rock. Maybe it's maybe

0:53:50.000 --> 0:53:52.840
<v Speaker 1>it's snobbery. I don't think it's snobbery. I think it's

0:53:53.640 --> 0:53:55.520
<v Speaker 1>it's a lack of self worth or something. I don't

0:53:55.560 --> 0:53:57.600
<v Speaker 1>know what it is. It's a strange thing. I can't

0:53:57.640 --> 0:54:02.239
<v Speaker 1>really explain it to myself. I maybe, underneath all of

0:54:02.280 --> 0:54:04.480
<v Speaker 1>this shit, maybe just a little bit shy.

0:54:05.160 --> 0:54:07.200
<v Speaker 2>I get that, Yeah, I get that, because it is

0:54:07.239 --> 0:54:09.680
<v Speaker 2>a I mean that is a maybe one of the

0:54:09.680 --> 0:54:14.760
<v Speaker 2>most exclusive clubs there is of late night talk show hopes.

0:54:15.320 --> 0:54:19.239
<v Speaker 2>Who and only you, you know, the dozen or so

0:54:19.280 --> 0:54:23.240
<v Speaker 2>who were even still living, have experienced what that life

0:54:23.280 --> 0:54:23.520
<v Speaker 2>is like.

0:54:23.800 --> 0:54:26.279
<v Speaker 1>Yeah, sure, like what the thrill, I'm sure it is like.

0:54:26.320 --> 0:54:29.200
<v Speaker 1>But I remember Seth Myers called me when he got

0:54:29.200 --> 0:54:31.960
<v Speaker 1>the job doing the other show and I was still

0:54:31.960 --> 0:54:35.000
<v Speaker 1>doing Late Night, and I said to him, congratulations, you'll

0:54:35.040 --> 0:54:37.799
<v Speaker 1>go fucking crazy. And I saw him a couple of

0:54:37.800 --> 0:54:40.279
<v Speaker 1>weeks ago, and he hasn't gone crazy. He's the only

0:54:40.280 --> 0:54:42.480
<v Speaker 1>one I know that hasn't gone crazy. Everyone else is

0:54:42.520 --> 0:54:45.000
<v Speaker 1>going crazy. I don't think Seth is crazy. Well, and

0:54:45.040 --> 0:54:49.400
<v Speaker 1>when do you think? I think? No, I wouldn't go

0:54:49.440 --> 0:54:52.200
<v Speaker 1>that far. I don't know his family, but what he

0:54:52.320 --> 0:54:54.920
<v Speaker 1>has he had something that I was very lucky to

0:54:54.960 --> 0:54:56.720
<v Speaker 1>have as well as he had. He had little kids,

0:54:57.280 --> 0:55:00.160
<v Speaker 1>and I had little kids when I was working, and

0:55:00.400 --> 0:55:03.799
<v Speaker 1>they don't give a fuck, right, Yeah, it's like they don't.

0:55:04.239 --> 0:55:07.960
<v Speaker 1>It's like you know this, you can come off the Wow,

0:55:08.080 --> 0:55:09.759
<v Speaker 1>that's the best show I've ever done. I've made a

0:55:09.800 --> 0:55:12.160
<v Speaker 1>petrillion dollars. You come home because don't give a fuck.

0:55:12.360 --> 0:55:15.000
<v Speaker 2>And that's and eventually your your wife also doesn't give

0:55:15.120 --> 0:55:17.799
<v Speaker 2>oh no, that that happens, you know, as soon as

0:55:17.800 --> 0:55:20.840
<v Speaker 2>it kids right, And sometimes I mean, I I guess

0:55:20.880 --> 0:55:24.040
<v Speaker 2>that's that's that's probably what does keep us from being

0:55:24.280 --> 0:55:25.040
<v Speaker 2>how you need, you.

0:55:25.080 --> 0:55:26.799
<v Speaker 1>Need to have it, you need to have it. It's

0:55:26.840 --> 0:55:30.560
<v Speaker 1>the counterway, you know. I mean, I think that it's

0:55:30.560 --> 0:55:34.080
<v Speaker 1>funny though it's not that they became bad, it's just

0:55:34.120 --> 0:55:36.840
<v Speaker 1>that it's a weird world. I tell you a story

0:55:37.160 --> 0:55:40.360
<v Speaker 1>about a year ago. I was in La and it

0:55:40.400 --> 0:55:41.759
<v Speaker 1>was early in the morning. I was on to do

0:55:41.800 --> 0:55:45.040
<v Speaker 1>some work and and I was in a hotel. I thought, God,

0:55:45.080 --> 0:55:46.680
<v Speaker 1>I need a pair of sneakers. It was ten of us,

0:55:46.680 --> 0:55:49.520
<v Speaker 1>So I'll go with the grove. It's just open. I'll

0:55:49.520 --> 0:55:50.520
<v Speaker 1>go with the grove and I'll get a pair of

0:55:50.560 --> 0:55:52.640
<v Speaker 1>sneakers before anybody's there. So I go to the Nike

0:55:52.760 --> 0:55:54.880
<v Speaker 1>store and I'm looking at this wall of shoes and

0:55:54.920 --> 0:55:58.880
<v Speaker 1>I felt this tap in my shoulder. It's fucking David Letterman.

0:56:00.040 --> 0:56:05.879
<v Speaker 1>And Dave said, how long have you worked here? Fuck you?

0:56:06.000 --> 0:56:07.640
<v Speaker 1>What was he doing that? That's why I said, what

0:56:07.640 --> 0:56:09.440
<v Speaker 1>are you doing here? And he said the weirdest thing

0:56:09.560 --> 0:56:12.239
<v Speaker 1>I was in La. It's still talking. I need a

0:56:12.239 --> 0:56:15.400
<v Speaker 1>pair of sneakers. Wow, and he it was the exact

0:56:15.440 --> 0:56:18.480
<v Speaker 1>same thing. And then Jay Atlanto comes in, and then

0:56:18.520 --> 0:56:20.959
<v Speaker 1>weirdly enough, the ghost of Johnny flowed to the head

0:56:21.080 --> 0:56:23.799
<v Speaker 1>and then everybody bowed down to that, and it was

0:56:23.880 --> 0:56:27.920
<v Speaker 1>and then Chandling does work there it was. It was

0:56:28.040 --> 0:56:30.879
<v Speaker 1>just such a it's a weird, weird world. I'm still

0:56:30.880 --> 0:56:33.040
<v Speaker 1>a little afraid of Dave, even though i haven't worked

0:56:33.040 --> 0:56:36.200
<v Speaker 1>with him for for Them for for over ten years.

0:56:36.239 --> 0:56:37.919
<v Speaker 1>But I'm still I think I was always a little

0:56:37.920 --> 0:56:39.560
<v Speaker 1>afraid of him, and I'm still a little afraid of

0:56:39.600 --> 0:56:41.200
<v Speaker 1>him now, just because he's so impressive.

0:56:41.840 --> 0:56:45.040
<v Speaker 2>So if somebody said, let's say, I say, and I

0:56:45.080 --> 0:56:47.720
<v Speaker 2>am now, it's always felt like the dream job.

0:56:48.040 --> 0:56:49.160
<v Speaker 1>It's the ultimate goal.

0:56:50.800 --> 0:56:53.759
<v Speaker 2>It'll it's it'll bring me the happiness I seek. Yeah,

0:56:53.760 --> 0:56:55.359
<v Speaker 2>would you try to talk me out of her? Yeah,

0:56:55.480 --> 0:56:56.640
<v Speaker 2>I would try to talk to you out of it.

0:56:56.680 --> 0:56:59.399
<v Speaker 1>But actually no, I don't know, because I think you're

0:56:59.440 --> 0:57:01.480
<v Speaker 1>part of the new generation. I think you're like Seth.

0:57:01.600 --> 0:57:05.040
<v Speaker 1>I think you're like I think you're not I think

0:57:05.200 --> 0:57:07.239
<v Speaker 1>I remember talking to Bill Hayder about something like this,

0:57:07.280 --> 0:57:10.760
<v Speaker 1>because I was talking about the the vibe in Saturday

0:57:10.800 --> 0:57:13.319
<v Speaker 1>night Life when you were there, and he said, you know,

0:57:13.400 --> 0:57:16.040
<v Speaker 1>I said, was there a lot of rivalry? Because when

0:57:16.040 --> 0:57:19.000
<v Speaker 1>I came up, performers were very you know, there's a

0:57:19.000 --> 0:57:21.240
<v Speaker 1>lot of rivalry between performers. And he said, no, it's

0:57:21.280 --> 0:57:24.400
<v Speaker 1>much more collegiate and and he said, I think that

0:57:24.480 --> 0:57:26.400
<v Speaker 1>might be a generational thing. And I think he might

0:57:26.440 --> 0:57:29.040
<v Speaker 1>be right. I think that there is a there is

0:57:29.120 --> 0:57:34.840
<v Speaker 1>a movement, a better movement among younger people really to

0:57:34.880 --> 0:57:39.320
<v Speaker 1>be to be less assholey if possible. To other people,

0:57:39.360 --> 0:57:42.240
<v Speaker 1>it's just this the pressure is like, don't be a dick.

0:57:42.280 --> 0:57:46.040
<v Speaker 1>There's nothing impressive in that, and it's not as aspirational

0:57:46.120 --> 0:57:48.280
<v Speaker 1>to be an unreasonable asshole as it used to be.

0:57:49.880 --> 0:57:52.280
<v Speaker 1>And it could be bad for your career, actually, and

0:57:52.320 --> 0:57:54.800
<v Speaker 1>that's really why people don't do it, I think. But

0:57:55.680 --> 0:57:59.240
<v Speaker 1>I think it is a little less bitter and strange.

0:57:59.320 --> 0:58:01.560
<v Speaker 1>But maybe that's it is because I feel like I'm

0:58:01.560 --> 0:58:03.320
<v Speaker 1>on the other side of that now. So I don't know.

0:58:03.400 --> 0:58:05.000
<v Speaker 2>But is it one of those things that you know,

0:58:05.320 --> 0:58:07.520
<v Speaker 2>I got the job and then it's just a constant

0:58:08.080 --> 0:58:10.360
<v Speaker 2>treading up water to keep.

0:58:10.200 --> 0:58:13.200
<v Speaker 1>The job or to No, it doesn't become that high.

0:58:13.480 --> 0:58:15.919
<v Speaker 1>Here's what's wrong with it. Here's what I found wrong

0:58:15.960 --> 0:58:18.440
<v Speaker 1>with it. You walk into a building. I'm probably repeating myself.

0:58:18.440 --> 0:58:21.400
<v Speaker 1>Don't make people angry. But if you walk into a

0:58:21.400 --> 0:58:25.480
<v Speaker 1>building every day, and those pictures of you everywhere, there's

0:58:25.520 --> 0:58:27.680
<v Speaker 1>one hundred and fifty people work in the offices, one

0:58:27.760 --> 0:58:30.680
<v Speaker 1>hundred and fifty two hundred people, there's pictures of you everywhere.

0:58:30.680 --> 0:58:33.400
<v Speaker 1>All the stationary has your name on it. Your name

0:58:33.480 --> 0:58:37.160
<v Speaker 1>is written everywhere, and everybody you meet from when you

0:58:37.160 --> 0:58:39.360
<v Speaker 1>get out your car until you get back in your

0:58:39.360 --> 0:58:42.520
<v Speaker 1>car on the way home, has one real goal in mind,

0:58:42.560 --> 0:58:47.080
<v Speaker 1>which is to not piss you off. And that's great

0:58:47.440 --> 0:58:51.840
<v Speaker 1>for about a week, and then it starts to make

0:58:51.960 --> 0:58:56.280
<v Speaker 1>you paranoid, and then it makes you distrust everything. And

0:58:56.520 --> 0:59:00.439
<v Speaker 1>so I think you when the Emperor has no clue, right,

0:59:00.480 --> 0:59:03.360
<v Speaker 1>and I think you clearly are someone who's intelligent and

0:59:04.400 --> 0:59:08.800
<v Speaker 1>not narcissistic, but a performer, so you know you will

0:59:08.840 --> 0:59:11.760
<v Speaker 1>have tendencies, just like I think all performers. You have

0:59:11.840 --> 0:59:14.600
<v Speaker 1>weaknesses like we do. It's part of the fabric of

0:59:15.200 --> 0:59:19.360
<v Speaker 1>being a performer. But those weaknesses can be played on

0:59:20.920 --> 0:59:25.480
<v Speaker 1>by not even unscrupulous individuals, although they're certainly that, but

0:59:25.520 --> 0:59:29.640
<v Speaker 1>more just the situation, and I think you have to

0:59:31.320 --> 0:59:33.960
<v Speaker 1>clever people, and Dave's actually very good at this as well.

0:59:34.160 --> 0:59:39.960
<v Speaker 1>You surround yourself with a kind of wall, and that's

0:59:40.000 --> 0:59:42.760
<v Speaker 1>when you start hearing stories about, oh, you're not allowed

0:59:42.760 --> 0:59:44.840
<v Speaker 1>to look at them directly in the eye. I've heard that.

0:59:45.400 --> 0:59:47.640
<v Speaker 1>I've heard that about Tom Cruise, I heard that about

0:59:47.680 --> 0:59:49.960
<v Speaker 1>David Lehterman. I heard like, if you walk down the

0:59:49.960 --> 0:59:52.000
<v Speaker 1>corridor and they say, don't look them directly in the eye,

0:59:52.240 --> 0:59:54.720
<v Speaker 1>you know, it's the weirdest thing about it. Eventually I

0:59:54.760 --> 0:59:56.360
<v Speaker 1>heard it about myself. Wow.

0:59:56.920 --> 0:59:58.960
<v Speaker 2>And it's probably something that comes from the people around

0:59:58.960 --> 1:00:01.000
<v Speaker 2>your trying attact you right.

1:00:01.080 --> 1:00:04.120
<v Speaker 1>They say, it becomes a thing, you know, but it's

1:00:04.240 --> 1:00:06.400
<v Speaker 1>not true. You can look at me in the air.

1:00:06.480 --> 1:00:08.440
<v Speaker 1>I'm doing right. I know you're doing. It's free out

1:00:08.440 --> 1:00:10.440
<v Speaker 1>because I think they're up to say nobody gave you

1:00:10.520 --> 1:00:13.440
<v Speaker 1>the best. Just this would be such a great time

1:00:13.520 --> 1:00:16.200
<v Speaker 1>to meet you. I I am now your friend. I

1:00:16.240 --> 1:00:20.360
<v Speaker 1>love that I remain your fan and that's great. Thanks

1:00:20.360 --> 1:00:24.280
<v Speaker 1>for coming in and continued roaring success to you. It's

1:00:24.400 --> 1:00:26.880
<v Speaker 1>it's spectacular of what you're doing. Thank you. Great. This

1:00:26.880 --> 1:00:28.240
<v Speaker 1>this brought me joy, great