1 00:00:07,040 --> 00:00:16,840 Speaker 1: Solve Presents The Happy Girl Part two. Hello, come on in. 2 00:00:17,640 --> 00:00:23,720 Speaker 1: This is it last session? It is indeed last mandatory session. 3 00:00:24,079 --> 00:00:25,720 Speaker 1: I'm on the record is saying that I think your 4 00:00:25,760 --> 00:00:33,680 Speaker 1: therapy should continue. So how's the case going. It's taking 5 00:00:33,680 --> 00:00:36,560 Speaker 1: some turns, that's for sure. What I'm trying to figure 6 00:00:36,560 --> 00:00:42,239 Speaker 1: out now is what's that on your shirt where you're 7 00:00:42,360 --> 00:00:49,440 Speaker 1: right sleeve? Oh? Nothing, it looked like blood. Yeah, I 8 00:00:49,560 --> 00:00:53,319 Speaker 1: nicked myself shaving earlier. Your knuckles are bloody as well. 9 00:00:54,440 --> 00:00:56,840 Speaker 1: It's it's not that big a deal you hit someone. 10 00:00:57,000 --> 00:00:59,800 Speaker 1: It's not what you think. Seriously, we don't have to 11 00:00:59,800 --> 00:01:02,040 Speaker 1: get into this. This is exactly the kind of thing 12 00:01:02,080 --> 00:01:06,720 Speaker 1: we have to get into. Now, tell me what happened, 13 00:01:09,880 --> 00:01:16,679 Speaker 1: all right? I guess it all started four days ago. 14 00:01:21,200 --> 00:01:24,560 Speaker 1: So Kira was suicidal and hired someone to kill her. 15 00:01:25,280 --> 00:01:27,880 Speaker 1: That's a new one. Maybe she was afraid she wouldn't 16 00:01:27,880 --> 00:01:30,960 Speaker 1: go through it herself. More importantly, who replied to the ad? 17 00:01:31,720 --> 00:01:34,880 Speaker 1: These Craigslist email chains are anonymous? He didn't give her 18 00:01:34,880 --> 00:01:37,959 Speaker 1: any contact infoe Maybe he did, but she deleted it. 19 00:01:38,360 --> 00:01:40,200 Speaker 1: I mean, we only have this much because she left 20 00:01:40,200 --> 00:01:42,959 Speaker 1: it in her drafts folder. We can subpoena Craigslist for 21 00:01:42,959 --> 00:01:45,360 Speaker 1: the full thread and the email addressed on the other 22 00:01:45,400 --> 00:01:48,720 Speaker 1: side of this good until then her phone and he 23 00:01:48,800 --> 00:01:51,160 Speaker 1: calls her text from someone we don't know. It started 24 00:01:51,200 --> 00:01:55,360 Speaker 1: about two months ago. Let's see. Uh, she does have 25 00:01:55,440 --> 00:01:58,400 Speaker 1: some phone calls with someone named Garrett. Looks like the 26 00:01:58,400 --> 00:02:01,320 Speaker 1: first call was on January twenty, same day as those 27 00:02:01,360 --> 00:02:11,040 Speaker 1: emails ship that we were supposed to go in from 28 00:02:11,080 --> 00:02:14,960 Speaker 1: the Lust side, the Lust come on, kick It, kick 29 00:02:15,000 --> 00:02:23,720 Speaker 1: it booted ship with come on hey girl during the game. 30 00:02:23,720 --> 00:02:29,400 Speaker 1: Oh sorry to sneak up on you down here, your 31 00:02:29,440 --> 00:02:33,800 Speaker 1: mom let us in. Who are you guys? Homicide detectives. 32 00:02:34,360 --> 00:02:39,400 Speaker 1: We're investigating the death of Kara Matthews. Who's that? You 33 00:02:39,520 --> 00:02:42,399 Speaker 1: know who she is, don't you? Their numbers all over 34 00:02:42,440 --> 00:02:48,400 Speaker 1: her phone? Oh um Kira, Yeah, yeah, see I do 35 00:02:48,480 --> 00:02:51,480 Speaker 1: internet tech support for prison. Kira had so many problems 36 00:02:51,520 --> 00:02:53,520 Speaker 1: with her connection that I just I ended up giving 37 00:02:53,520 --> 00:02:58,639 Speaker 1: her my direct line. Oh my god, she's dead. She 38 00:02:58,680 --> 00:03:04,000 Speaker 1: had received calls from you too. Is that typical calling customers? 39 00:03:04,960 --> 00:03:08,600 Speaker 1: Sometimes we get disconnected. The signal was really crappy down here, 40 00:03:08,600 --> 00:03:12,760 Speaker 1: so I'll have to call them back. So, just to 41 00:03:12,760 --> 00:03:16,560 Speaker 1: be clear, you didn't know her personally, no, no, no, 42 00:03:17,000 --> 00:03:22,880 Speaker 1: I didn't didn't know her at all. Okay, well, thanks 43 00:03:22,880 --> 00:03:25,359 Speaker 1: for clearing that up, Garrett, and we are very sorry 44 00:03:25,360 --> 00:03:42,040 Speaker 1: to interrupt your game. So he's lying, Oh yeah, Craig, 45 00:03:42,120 --> 00:03:44,240 Speaker 1: lest should get back to us soon to confirmed. Garrett's 46 00:03:44,280 --> 00:03:47,040 Speaker 1: on the other end of those emails. And in the meanwhile, 47 00:03:49,040 --> 00:03:51,920 Speaker 1: location dot on her phone not just towers, find out 48 00:03:51,920 --> 00:03:54,000 Speaker 1: if her phone joined any WiFi networks the night she 49 00:03:54,080 --> 00:04:01,040 Speaker 1: was killed. Way more accurate on it. And okay, and well, 50 00:04:01,240 --> 00:04:03,680 Speaker 1: in the interest of productive use of time, I was thinking, 51 00:04:03,720 --> 00:04:08,480 Speaker 1: we asked Tom to come in our new prime. Suspect 52 00:04:08,560 --> 00:04:11,400 Speaker 1: is down in that basement. I can feel it in 53 00:04:11,480 --> 00:04:14,560 Speaker 1: my bones. I share that feeling. I do, but I 54 00:04:14,600 --> 00:04:18,520 Speaker 1: don't want to solve this case based on feelings. Look, 55 00:04:18,560 --> 00:04:20,360 Speaker 1: I know you said he's not a suspect, so let's 56 00:04:20,400 --> 00:04:23,120 Speaker 1: just clear him and be done with it. Maybe he 57 00:04:23,160 --> 00:04:24,920 Speaker 1: can at least shed some light on any mental health 58 00:04:24,920 --> 00:04:33,159 Speaker 1: issues here might have had. I just had a scene 59 00:04:33,200 --> 00:04:38,120 Speaker 1: over there, Tom, So, is is there any news? Well, 60 00:04:38,320 --> 00:04:42,200 Speaker 1: we found something and we should warn you. It's uh, 61 00:04:42,200 --> 00:04:47,719 Speaker 1: it's disturbing. What is it? Before Kira died, she placed 62 00:04:47,720 --> 00:04:50,760 Speaker 1: a personal ad online she wanted to hire someone to 63 00:04:50,839 --> 00:04:55,600 Speaker 1: kill her. Why the hell would she do that? Seems 64 00:04:55,600 --> 00:05:02,680 Speaker 1: to be in a assisted suicide situation. Okay, did Kira 65 00:05:02,800 --> 00:05:07,080 Speaker 1: have a history of depression? I don't think so. But 66 00:05:07,560 --> 00:05:10,520 Speaker 1: you didn't really talk about that kind of stuff. It 67 00:05:10,560 --> 00:05:20,000 Speaker 1: wasn't really our relationship. Yeah, m hmm, Tom, where were 68 00:05:20,040 --> 00:05:23,680 Speaker 1: you on the night of Are you fucking serious? We 69 00:05:23,720 --> 00:05:26,359 Speaker 1: ask everybody this, You really think I could kill my 70 00:05:26,360 --> 00:05:28,560 Speaker 1: own daughter? I've got to cover all my bases, that's all. 71 00:05:29,800 --> 00:05:34,240 Speaker 1: I was at home the whole night, yes, so nobody 72 00:05:34,240 --> 00:05:37,480 Speaker 1: else can corroborate this. I was by myself the whole time. 73 00:05:39,120 --> 00:05:41,520 Speaker 1: I'm sorry to interrupt detectives, he said to let you 74 00:05:41,520 --> 00:05:44,400 Speaker 1: know as soon as it came in, Can you excuse 75 00:05:44,480 --> 00:05:52,680 Speaker 1: us time? Thanks? Thanks that the email address of who 76 00:05:52,720 --> 00:05:57,840 Speaker 1: replied to Kira's ad? Yep, Well this is why you 77 00:05:57,880 --> 00:06:14,000 Speaker 1: always go with your gut. Watkins start talking. Okay, I 78 00:06:14,120 --> 00:06:15,960 Speaker 1: replied to the ad, but I was never going to 79 00:06:16,000 --> 00:06:18,520 Speaker 1: go through with it. You reply to an ad where 80 00:06:18,560 --> 00:06:21,800 Speaker 1: someone says they'll give you a thousand dollars to kill them, 81 00:06:21,839 --> 00:06:26,480 Speaker 1: and your plan was what I wanted to help her, 82 00:06:26,680 --> 00:06:28,920 Speaker 1: and I did. I talked her out of it. How 83 00:06:28,920 --> 00:06:31,200 Speaker 1: did you manage that? We started talking and we had 84 00:06:31,200 --> 00:06:34,760 Speaker 1: a lot in common. We became friends. What kind of 85 00:06:34,760 --> 00:06:37,799 Speaker 1: stuff does an eighteen year old girl have in common 86 00:06:37,839 --> 00:06:43,560 Speaker 1: with a man in his thirties. We we were both gamers, 87 00:06:43,960 --> 00:06:47,600 Speaker 1: both really in a true crime. True crime like podcasts, 88 00:06:48,200 --> 00:06:51,800 Speaker 1: podcast documentaries, you name it. Kiro was obsessed with that stuff. 89 00:06:52,320 --> 00:06:59,719 Speaker 1: That that's why, why what, Garrett? That's why she wanted 90 00:06:59,760 --> 00:07:03,600 Speaker 1: to stage her own death. You guys know all those 91 00:07:03,600 --> 00:07:07,039 Speaker 1: shows about girls who are mysteriously murdered. Well, that's what 92 00:07:07,120 --> 00:07:11,600 Speaker 1: Kira wanted. It a Netflix special all about her. Why 93 00:07:11,600 --> 00:07:14,760 Speaker 1: would she want that? When I first started talking to Kira, 94 00:07:15,360 --> 00:07:19,240 Speaker 1: she was really sad, you know, really low self worth. 95 00:07:19,760 --> 00:07:23,640 Speaker 1: I guess she just wanted to be to be remembered. 96 00:07:24,000 --> 00:07:26,080 Speaker 1: So you respond to the ad and instead of going 97 00:07:26,080 --> 00:07:28,480 Speaker 1: through with it, you swoop in like a white Knight 98 00:07:28,520 --> 00:07:31,480 Speaker 1: and save her. Is that your story? I know it 99 00:07:31,520 --> 00:07:34,160 Speaker 1: sounds crazy, but it's the truth. No, no, no, no no. 100 00:07:34,240 --> 00:07:36,120 Speaker 1: It sounds like you really cared for her, maybe even 101 00:07:36,160 --> 00:07:38,760 Speaker 1: more than her boyfriend did. Look, I know what you're 102 00:07:38,760 --> 00:07:41,080 Speaker 1: getting at, and I already have a girlfriend. Let's just 103 00:07:41,120 --> 00:07:44,480 Speaker 1: got the bullshit, huh, page you a thousand dollars gave 104 00:07:44,560 --> 00:07:46,320 Speaker 1: you her boyfriend's gun and you shot her in the 105 00:07:46,360 --> 00:07:50,480 Speaker 1: back of the head. And can you excuse us, Garrett? 106 00:08:02,720 --> 00:08:04,640 Speaker 1: If you're gonna cut me off every time I get 107 00:08:04,680 --> 00:08:06,320 Speaker 1: hot in there, I've got news for you. We won't 108 00:08:06,320 --> 00:08:11,480 Speaker 1: get a confession. He wasn't going to confess. Look, let's 109 00:08:11,520 --> 00:08:14,080 Speaker 1: keep this simple. If you think he's our guy, charge him. 110 00:08:14,120 --> 00:08:16,200 Speaker 1: If not, you've got to cut him loose. Like Jason, 111 00:08:17,760 --> 00:08:21,320 Speaker 1: what do you think I I think I'd like to 112 00:08:21,320 --> 00:08:23,760 Speaker 1: poke holes in a story. First, d A might want 113 00:08:23,760 --> 00:08:25,880 Speaker 1: to put him at the crime scene. Well, what did 114 00:08:25,880 --> 00:08:28,520 Speaker 1: Garrett's mother say? She says she heard him playing video 115 00:08:28,520 --> 00:08:30,800 Speaker 1: games all night. She hasn't saw him yet, so she's 116 00:08:30,840 --> 00:08:33,080 Speaker 1: sure of it. He could have just left her game on, 117 00:08:33,160 --> 00:08:36,920 Speaker 1: slipped out of the house. The money one dollars, that's 118 00:08:36,920 --> 00:08:38,559 Speaker 1: what we need. Until then, we'll tell him not to 119 00:08:38,640 --> 00:08:40,160 Speaker 1: leave town. We'll pick him back up when we have 120 00:08:40,200 --> 00:08:58,360 Speaker 1: more facts. It was hell, no, okay, let him go. 121 00:08:59,600 --> 00:09:01,240 Speaker 1: But if I'm right, we'll be dragging him out of 122 00:09:01,240 --> 00:09:11,720 Speaker 1: his mom's basement in a couple of days. Hey, you know, 123 00:09:11,760 --> 00:09:14,960 Speaker 1: we never got to finish that interview with Tom again 124 00:09:15,000 --> 00:09:17,839 Speaker 1: with this, when we have our prime suspect in our sights, 125 00:09:18,400 --> 00:09:20,000 Speaker 1: tying off all our loose ends will make the case 126 00:09:20,040 --> 00:09:22,800 Speaker 1: against scared even stronger. Tom volunteered that he was a 127 00:09:22,800 --> 00:09:25,000 Speaker 1: ship dad, and he showed remorse for it. I heard 128 00:09:25,040 --> 00:09:30,000 Speaker 1: nothing suspicious. You also said he's an alcoholic. Your point, 129 00:09:30,520 --> 00:09:34,760 Speaker 1: alcoholics are liars. You know. I don't want to go 130 00:09:34,800 --> 00:09:37,480 Speaker 1: digging into your personal history here, but if I had 131 00:09:37,520 --> 00:09:39,760 Speaker 1: to guess, I'd say you're doing some projecting, and I'd 132 00:09:39,800 --> 00:09:43,760 Speaker 1: say you have a blind spot for your friend detectives. 133 00:09:43,800 --> 00:09:56,880 Speaker 1: We have a problem out front. Hey, break that, Jason, 134 00:09:56,920 --> 00:10:01,400 Speaker 1: Get off him? Oh what did I do to you? 135 00:10:02,000 --> 00:10:04,760 Speaker 1: What do you do? Would you do? You killed tiof? 136 00:10:05,040 --> 00:10:08,079 Speaker 1: Take enough? How do you know he was here? My 137 00:10:08,120 --> 00:10:10,520 Speaker 1: buddy Pete lives across the street from him. He says 138 00:10:10,520 --> 00:10:12,319 Speaker 1: he saw you guys hauling this tub of ship out 139 00:10:12,320 --> 00:10:15,160 Speaker 1: of his house. He killed her, right, No, I didn't 140 00:10:16,120 --> 00:10:18,520 Speaker 1: you know. I knew she was cheating on me. I 141 00:10:18,559 --> 00:10:20,439 Speaker 1: just didn't think it was with some loser like this. 142 00:10:20,920 --> 00:10:25,400 Speaker 1: Take a walk, Jason, now, Garrett, get inside. We'll have 143 00:10:25,480 --> 00:10:31,319 Speaker 1: someone drive you home. The location data from cures cell 144 00:10:31,360 --> 00:10:35,199 Speaker 1: phone just came in. You're right. Her phone did join 145 00:10:35,240 --> 00:10:38,480 Speaker 1: a WiFi network that night. Well, which one of those 146 00:10:38,520 --> 00:10:54,640 Speaker 1: two do I have to grab neither? Who's that with 147 00:10:54,679 --> 00:10:59,320 Speaker 1: a hard eye emojis on your caller? I d Abby boyfriend? Sorry? 148 00:10:59,440 --> 00:11:03,160 Speaker 1: Um enough, I want to Detective Flaherty is very nosy. 149 00:11:03,480 --> 00:11:06,960 Speaker 1: I'm not nosy. I'm curious. I like to know things. 150 00:11:07,559 --> 00:11:10,720 Speaker 1: How to play tectonics work? Why is the sky blue? 151 00:11:11,320 --> 00:11:13,280 Speaker 1: And why did you lie to us about seeing Kia 152 00:11:13,360 --> 00:11:18,600 Speaker 1: the night she was murdered? I am I didn't want 153 00:11:18,600 --> 00:11:20,280 Speaker 1: to get in trouble. And why would you get in 154 00:11:20,320 --> 00:11:25,040 Speaker 1: trouble because I I was the one who gave her 155 00:11:25,080 --> 00:11:29,240 Speaker 1: the drugs that night? Okay, Mabby, tell us what really 156 00:11:29,280 --> 00:11:33,040 Speaker 1: happened that night. Let's start with where you got the drugs? 157 00:11:35,200 --> 00:11:39,640 Speaker 1: Just some dealer. I don't know his name? Was it Garrett? 158 00:11:40,280 --> 00:11:42,120 Speaker 1: I don't know. You don't know, or you don't know 159 00:11:42,160 --> 00:11:46,880 Speaker 1: who that is? Both? I guess. So Kira comes over, 160 00:11:47,040 --> 00:11:52,520 Speaker 1: you do some molly, then what h We're supposed to 161 00:11:52,520 --> 00:11:54,800 Speaker 1: go to a party, but I caught a bad buzz 162 00:11:54,840 --> 00:11:56,960 Speaker 1: and wanted to stay in, so she left on her own. 163 00:11:57,880 --> 00:12:00,720 Speaker 1: I don't know where she went. The other day, you 164 00:12:00,720 --> 00:12:03,800 Speaker 1: said you wouldn't describe Kira as a happy girl. What 165 00:12:03,840 --> 00:12:09,480 Speaker 1: did you mean by that? It just meant Kira had 166 00:12:09,520 --> 00:12:13,160 Speaker 1: a dark side. We heard she was a true crime addict. Yeah, 167 00:12:14,160 --> 00:12:16,360 Speaker 1: we both were. We used to joke we can't remember 168 00:12:16,360 --> 00:12:18,360 Speaker 1: the name of someone we just met, but can run 169 00:12:18,400 --> 00:12:21,920 Speaker 1: off all of Casey's victims. I never got that. What 170 00:12:22,080 --> 00:12:24,760 Speaker 1: is it with young girls being so into murder these days? 171 00:12:25,960 --> 00:12:30,400 Speaker 1: I I don't know, um, just something fascinating about these stories. 172 00:12:31,200 --> 00:12:33,160 Speaker 1: We were even going to start a podcast. We're going 173 00:12:33,200 --> 00:12:35,360 Speaker 1: to be just like Sara Kanick and Julie Snyder and 174 00:12:35,440 --> 00:12:39,560 Speaker 1: Cereal and all of this talk about death. Did Kira 175 00:12:39,640 --> 00:12:43,920 Speaker 1: ever talk about her own? You're asking if she was suicidal? 176 00:12:45,400 --> 00:12:50,920 Speaker 1: I don't know, but she could get sad sometimes. Look 177 00:12:51,000 --> 00:12:54,280 Speaker 1: her whole life. People have been screwing her over. Hm. 178 00:12:56,600 --> 00:12:58,720 Speaker 1: Hey Watkins, why don't you go grab the pronounce of 179 00:12:58,760 --> 00:13:08,360 Speaker 1: that ad? Kira posted, Uh, sure you're back. You know Abby. 180 00:13:09,559 --> 00:13:11,920 Speaker 1: I'm getting really sick and tired of people lying to me. 181 00:13:12,559 --> 00:13:15,440 Speaker 1: I'm not lying. That's what you said last time. So 182 00:13:15,480 --> 00:13:19,840 Speaker 1: what aren't you telling us this time? Nothing? I'm see see. 183 00:13:19,880 --> 00:13:22,560 Speaker 1: That's what I hate. I tell someone not to lie 184 00:13:22,640 --> 00:13:25,840 Speaker 1: and they keep doing it anyway. Now, what I want 185 00:13:25,840 --> 00:13:28,679 Speaker 1: to know is why, why who are you protecting? Is 186 00:13:28,720 --> 00:13:30,880 Speaker 1: it Garrett, I told you I don't know who that is? 187 00:13:31,080 --> 00:13:35,880 Speaker 1: Someone else, yourself? Maybe what I didn't kill? Your best 188 00:13:35,920 --> 00:13:38,360 Speaker 1: friend is dead and you're only telling us facts that 189 00:13:38,400 --> 00:13:41,640 Speaker 1: are convenient for you. How do I know that you 190 00:13:41,760 --> 00:13:48,320 Speaker 1: didn't kill her? I didn't had What is going on? Here? 191 00:13:50,080 --> 00:14:03,360 Speaker 1: Go on? Get out of here. M h Can I 192 00:14:03,400 --> 00:14:09,280 Speaker 1: get for you? Scotch? Hey? Tom, I thought i'd find 193 00:14:09,280 --> 00:14:15,880 Speaker 1: you here. Yeah, well old comforts? Can you heard? It 194 00:14:15,960 --> 00:14:21,200 Speaker 1: has judgment? No? No, I'd say now is the time 195 00:14:21,240 --> 00:14:24,880 Speaker 1: for old comforts. You can get on the wagon later 196 00:14:27,320 --> 00:14:38,320 Speaker 1: here to Cia. Are you gonna find my daughter's killer 197 00:14:38,400 --> 00:14:42,720 Speaker 1: or not? Mike, No, we're trying. We've had some leads. 198 00:14:42,720 --> 00:14:45,560 Speaker 1: They just they keep turning up to be dead ends. 199 00:14:46,600 --> 00:14:52,760 Speaker 1: She was suicidal. I'm a little girl. Yeah, because of me. Well, 200 00:14:52,800 --> 00:14:55,360 Speaker 1: we don't know. We don't have the full picture yet. 201 00:14:56,440 --> 00:14:58,600 Speaker 1: If I wasn't there for her, then I'm going to 202 00:14:58,720 --> 00:15:01,040 Speaker 1: be there for her now. I'll find the sun of 203 00:15:01,040 --> 00:15:04,280 Speaker 1: a bitch. Who did this? Come on myself? Hey, watch 204 00:15:04,280 --> 00:15:06,320 Speaker 1: your man? You sprayed it all over me. You watch 205 00:15:06,360 --> 00:15:08,800 Speaker 1: an asshole? What did you say to me? Hey? We're 206 00:15:08,800 --> 00:15:11,360 Speaker 1: fine here. Sorry with my friend, he's a little spilly, 207 00:15:11,440 --> 00:15:14,240 Speaker 1: just he's going through a lot. Yeah, so give me 208 00:15:14,280 --> 00:15:17,760 Speaker 1: some space. Well, hey, well what's going on here? These 209 00:15:17,800 --> 00:15:22,040 Speaker 1: two little bitches were bitches. You're the one complaining that 210 00:15:22,040 --> 00:15:23,640 Speaker 1: you've got a little bit of beer spill on your 211 00:15:23,720 --> 00:15:27,920 Speaker 1: dress there, Nancy, Why don't you say that again and 212 00:15:27,960 --> 00:15:31,160 Speaker 1: see what happens to you? Hey, be careful. This guy's 213 00:15:31,200 --> 00:15:35,960 Speaker 1: a cop, is that right? Come on, don't listen to him. 214 00:15:35,960 --> 00:16:07,160 Speaker 1: He's drunk, all right? Hey, I really liked that bar. 215 00:16:07,800 --> 00:16:10,640 Speaker 1: Why do you have to go and gosh it? Mikey wow? 216 00:16:12,800 --> 00:16:18,640 Speaker 1: I was trying to stick up for you, idiot, right, Yeah, thanks, Mike, 217 00:16:18,720 --> 00:16:26,240 Speaker 1: you're a good friend. I crashed at Thomson came right here, 218 00:16:26,280 --> 00:16:29,320 Speaker 1: so I I didn't have a chance to change my shirt. 219 00:16:30,920 --> 00:16:33,800 Speaker 1: And were you just sticking up for your friend or 220 00:16:33,840 --> 00:16:36,720 Speaker 1: did you feel like you wanted to punch someone? Maybe 221 00:16:36,760 --> 00:16:40,160 Speaker 1: a bit of both. I did feel like a release. 222 00:16:42,000 --> 00:16:43,960 Speaker 1: How do you think the police board will feel about it? 223 00:16:44,240 --> 00:16:46,840 Speaker 1: You're not going to report this. I have to report this. 224 00:16:47,680 --> 00:16:50,880 Speaker 1: You're in court mandated anger management therapy because you beat 225 00:16:50,960 --> 00:16:53,400 Speaker 1: up the prime suspect in your last murder trial. He'd 226 00:16:53,400 --> 00:16:56,240 Speaker 1: already confess I didn't stop the defense from getting him off, 227 00:16:56,480 --> 00:17:00,480 Speaker 1: did it? Behavior like this is ex actly when I'm 228 00:17:00,480 --> 00:17:02,400 Speaker 1: supposed to flag. But it didn't have anything to do 229 00:17:02,480 --> 00:17:06,840 Speaker 1: with the case. Not this time, Suzanne. Listen to me. 230 00:17:06,960 --> 00:17:11,240 Speaker 1: I need to be the one who catches Karen's killer. Please, 231 00:17:12,720 --> 00:17:18,880 Speaker 1: I have to finish this technically. I have twenty four 232 00:17:18,920 --> 00:17:23,639 Speaker 1: hours to report this. Thank you. Two hours. That's it, 233 00:17:24,480 --> 00:17:26,320 Speaker 1: and I want you back in here next week. You 234 00:17:26,400 --> 00:17:38,360 Speaker 1: got it? Thanks again? Hey, rough night, I didn't sleep much. 235 00:17:38,840 --> 00:17:43,960 Speaker 1: It gets that way sometimes in a case. Larity, Superintendent, 236 00:17:44,680 --> 00:17:46,359 Speaker 1: the good One girl is here at the front desk, 237 00:17:46,920 --> 00:17:49,600 Speaker 1: said she left her phone in the interrogation room. Oh 238 00:17:50,080 --> 00:17:54,320 Speaker 1: uh right, yeah, thanks, I'll go get it. I'll come with. 239 00:17:54,640 --> 00:18:02,040 Speaker 1: I should apologize for chasing her out like that. Okay, okay, yeah, 240 00:18:02,119 --> 00:18:09,840 Speaker 1: phone's still here. It's Mr hart I emoji. Maybe I 241 00:18:09,840 --> 00:18:15,080 Speaker 1: should pick up. See what he knows? Flat, don't. Finally 242 00:18:15,119 --> 00:18:17,080 Speaker 1: you pick up? I must have called you after times. 243 00:18:18,400 --> 00:18:49,679 Speaker 1: Who is this? What's this? Tom? Detective Michael Flaherty was 244 00:18:49,720 --> 00:18:54,520 Speaker 1: played by Michael Trayner. Detective Lisa Watkins by the law batter, 245 00:18:55,440 --> 00:18:59,880 Speaker 1: Tom Matthews by Jason huber Kia Matthews by Gina Vittori. 246 00:19:00,800 --> 00:19:05,119 Speaker 1: Abby Goodwin by Lexi di Benedetto Gart Craig by Scott Cooper, 247 00:19:05,200 --> 00:19:10,960 Speaker 1: Ryan Jason Kemp by Eric Lopez, Suzanne by Aaron Coker, 248 00:19:11,640 --> 00:19:16,320 Speaker 1: Superintendent Brian Locke by Darren Cooper. This episode of Solve 249 00:19:16,440 --> 00:19:20,160 Speaker 1: was written and directed by Corey Serge. Executive produced by 250 00:19:20,160 --> 00:19:24,800 Speaker 1: Corey Serge, Executive produced by Walt Palmer and Sterling Barnett. 251 00:19:25,600 --> 00:19:30,160 Speaker 1: Casting by Daisy Laura. Audio production and post production by 252 00:19:30,200 --> 00:19:36,159 Speaker 1: Salt Audio production manager Liz LeMay, Recording engineer Zack Jurich, 253 00:19:36,680 --> 00:19:40,959 Speaker 1: Hope Brush, and John Schmidt. Original music and score by 254 00:19:41,080 --> 00:19:46,960 Speaker 1: Nathan Turchon, Edited and mixed by Zack Jurich. Assistant editor 255 00:19:47,359 --> 00:19:52,480 Speaker 1: shy han Zu. Sound designed by Eric Rachelson. Script supervisor 256 00:19:52,560 --> 00:19:53,320 Speaker 1: Marilyn Miller