WEBVTT - Wyclef Jean

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<v Speaker 1>You were listening to Ruthie's Table four in partnership with Montclair.

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<v Speaker 2>You never know what's going to happen. A few nights ago,

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<v Speaker 2>having dinner with friends in the garden of the River Cafe,

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<v Speaker 2>a message came that Wycliffe Jean was sitting at Table

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<v Speaker 2>four and he wanted to say hello. An hour later

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<v Speaker 2>he joined us at our table, and an hour after

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<v Speaker 2>that we were still there talking about music, politics, and

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<v Speaker 2>of course food, late into the night. What a man.

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<v Speaker 2>Wycliffe emigrated age nine from Haiti to the Brooklyn Projects,

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<v Speaker 2>played fourteen instruments by the time he was thirteen, won

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<v Speaker 2>three Grammys, speak seven languages, and was asked to run

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<v Speaker 2>for president at least two times. When the evening was

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<v Speaker 2>over saying goodbye, we agreed we'd do a podcast when

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<v Speaker 2>he was back, and, like his beautiful song, I thought

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<v Speaker 2>he'd be god on till November. This morning he called

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<v Speaker 2>and said, Ruthie, I've delayed my flight. Let's record tonight.

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<v Speaker 2>So here we are back in the River Cafe, two

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<v Speaker 2>new friends, continueing our conversation about food and music and memories.

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<v Speaker 2>You never know what's going to happen.

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<v Speaker 1>Ah, that's beautiful.

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<v Speaker 2>It was a very good night, wasn't it that night?

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<v Speaker 1>It was surreal night way because I'm a viber You

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<v Speaker 1>saw how I just walked in in and I saw

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<v Speaker 1>the piano and I just jumped on the piano and

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<v Speaker 1>I believe, like everything is energy. And I came in

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<v Speaker 1>the restaurant humbly, just chilled, and I was looking at

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<v Speaker 1>everyone's eyes. Everyone was amazing, and it was cool because

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<v Speaker 1>one by one people started coming to me. They was like,

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<v Speaker 1>you are Clef Jean, right, yeah, yeah, what's up?

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<v Speaker 2>Yeah?

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<v Speaker 1>This wild clep And then I really wanted to meet you,

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<v Speaker 1>so I was like, yo, I gotta meet you. And

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<v Speaker 1>then when you came over, we just we click. You

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<v Speaker 1>know what I'm saying. We click click like we said, Okay,

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<v Speaker 1>I'm going to give y'all a lot of hip hop

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<v Speaker 1>terminology here, so we click click. Translation means where we bonded.

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<v Speaker 2>And so when you were here last time, you had

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<v Speaker 2>I think you had these peppers which we're cooking right now.

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<v Speaker 2>One of the duties of this of this podcast is

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<v Speaker 2>that the guest breads a recipe which kind of connects

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<v Speaker 2>you with the people who are listening to you. So

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<v Speaker 2>would you like to teach us how to cook through

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<v Speaker 2>reading this recipe?

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<v Speaker 1>Perfect, but we about you know, as a producer and

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<v Speaker 1>as a creator. I'm a creative. I already knew I

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<v Speaker 1>was going to do this, So I was like, so

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<v Speaker 1>in hip hop we do this in the cafeteria. This

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<v Speaker 1>is where we be boxed. So I was thinking, what's

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<v Speaker 1>dope is you? You start off every recipe you go,

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<v Speaker 1>I'm going to repeat it, but I'm going to repeat

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<v Speaker 1>it in a hip hop way. You feel me like

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<v Speaker 1>we used to do in the cafeteria. So it's gonna

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<v Speaker 1>be rocking.

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<v Speaker 3>So let's go.

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<v Speaker 1>So this is the recipe here, okay, perfect, We're going

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<v Speaker 1>in uh huh yeah, yeah, you could just read it.

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<v Speaker 1>I'm ready for you.

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<v Speaker 2>Go me to read it.

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<v Speaker 1>Yes, you ling from long.

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<v Speaker 2>Okay, got grilled red peppers, an chovies, capers and bisquetta blush.

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<v Speaker 4>That and capers, anchovies, grilled red peppers.

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<v Speaker 3>Here were you go?

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<v Speaker 2>Oh oh, fifty salted capers soaked?

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<v Speaker 4>Hey, yeah, I fifty salt capers soap, soap soap. Let's go, y'all.

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<v Speaker 2>One hundred salted anchovies.

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<v Speaker 4>Hold up, one hundred salted anchovies. Wy cleft the refuge.

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<v Speaker 2>Come on. Twelve red peppers and three garlic clothes.

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<v Speaker 1>Oh, twelve twelve red peppers and three garlic clothes. Come on, y'all,

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<v Speaker 1>Come on, y'all.

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<v Speaker 2>Basil, leaves, extravergin, olive oil.

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<v Speaker 1>I like the way you did that. Three slice sword

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<v Speaker 1>dough cut in half. Let's go, baby girl.

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<v Speaker 2>I like you grilled whole peppers until blackened on all sides.

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<v Speaker 1>I like that. That could be a top line.

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<v Speaker 4>Grill the whole peppers until blackened on all sides.

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<v Speaker 2>Yeah, when cool. Remove the blackened skin by rubbing peppers

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<v Speaker 2>in your hands, and do.

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<v Speaker 4>Not worry if they fall apart. Remove the seeds and cars.

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<v Speaker 2>Layer the peppers in a large dish with slivers of garlic.

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<v Speaker 4>Layer the peppers in the large dish with silver of garlics.

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<v Speaker 1>Don't panic. Let's get it right.

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<v Speaker 2>Capers, anchovies, basil, black pepper.

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<v Speaker 4>Eh eh, eh hey, black peppers, and genuine amount of

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<v Speaker 4>extra virgin olive oil, oil oil oil.

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<v Speaker 2>The final layer should have all the ingredients visible.

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<v Speaker 1>I agree with you. Grill the bread on bull side

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<v Speaker 1>and gently garlic over one side. Only, only, only, only.

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<v Speaker 2>Only serve the peppers with the busquetta.

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<v Speaker 3>I agree with you.

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<v Speaker 1>Earlier, I got a chance to go to Buckingham Palace.

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<v Speaker 2>Right, but you went to I.

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<v Speaker 1>Went to the Garden Party. But the part I was

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<v Speaker 1>most excited about was the chambers to listen to the parliament. Right.

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<v Speaker 1>This is very important, right because this simple act of

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<v Speaker 1>democracy don't happen in a lot of places. Right, because

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<v Speaker 1>you got places where you know, in these chambers when

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<v Speaker 1>they don't agree, next thing, you know that the one

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<v Speaker 1>of the like in our countries you have which called

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<v Speaker 1>senators and deputies. Right one leaves and next thing you know,

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<v Speaker 1>you hear about you know, this person getting killed or

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<v Speaker 1>this person. So the democratic process within anything, I applored

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<v Speaker 1>one hundred percent.

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<v Speaker 2>The interesting thing isn't it that they disagree and they

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<v Speaker 2>insult each other. It was must have been question time

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<v Speaker 2>right on the Wednesday.

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<v Speaker 1>Yeah, it was question time. That's why I was like,

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<v Speaker 1>you know, into it. Coming from HATI, I came to

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<v Speaker 1>the United States, and I haven't uncle. His name is

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<v Speaker 1>Raymond Joseph and he has a book called for Whom

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<v Speaker 1>the Dog Spy? So my polycide brain as a young child,

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<v Speaker 1>I would always hear these. So he was one of

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<v Speaker 1>the guys that was upfront and the idea of baby

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<v Speaker 1>Doc having to leave so he was someone like, if

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<v Speaker 1>you're a dictator, he's gonna come for you, because the

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<v Speaker 1>idea is, you know, we don't support that. So Raymond

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<v Speaker 1>Joseph made his way to America and he started a

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<v Speaker 1>newspaper called it up Savata, which is equivalent to like

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<v Speaker 1>the New York Times but in French and crayle. This

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<v Speaker 1>is where the consciousness of just the idea of understanding

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<v Speaker 1>policy and how important it was so at a very

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<v Speaker 1>young age. This is why I gravitated towards Barb Marley

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<v Speaker 1>a lot, because I feel like a you know, a

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<v Speaker 1>man who's.

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<v Speaker 3>Saying emanship, patriotshell from minto slavery. Nothing but that with

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<v Speaker 3>shelves can for ya, We're might have no fear further

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<v Speaker 3>time making ninji for none of them can stop the time.

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<v Speaker 3>How long will they kill out? What profits? Why we

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<v Speaker 3>stand this shide didn't look Some say it's just a

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<v Speaker 3>part of it. We've got to fulfill the pool. Won't

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<v Speaker 3>you help me? Shane another song of freedom, because all

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<v Speaker 3>I've ever had Redamntion song right again, So I always

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<v Speaker 3>go back to the music because just again, and I'll

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<v Speaker 3>constantly say this, the artist should be present in this time.

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<v Speaker 1>It's very important.

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<v Speaker 2>Growing up in Haiti, you grew up in poverty, extreme poverty,

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<v Speaker 2>and was that a reflection of the food that you ate?

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<v Speaker 1>I remember food very well. So my father left me

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<v Speaker 1>when I was one years old. He had got a

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<v Speaker 1>work visa to come preach in the United States and

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<v Speaker 1>so we was rais Is mostly with my grandmother. So

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<v Speaker 1>one of my bandmates from the Fujis Miss Hill, she

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<v Speaker 1>was like, yo, clef yo. Remember back in the days, man,

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<v Speaker 1>when you used to tell us you used to eat dirt. Man,

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<v Speaker 1>we thought you was like beyond exaggerating, until we went

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<v Speaker 1>back and did our research and realized mud pie was

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<v Speaker 1>a real thing. Me and my brother was eating dirt

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<v Speaker 1>from the floor. When you are in extreme poverty, you

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<v Speaker 1>don't feel it. You have to understand. So when I

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<v Speaker 1>would see a poster of a child from either Haiti, Africa, Brazil,

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<v Speaker 1>different places, and you show me the child crying and

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<v Speaker 1>he looks desperate and he looks in need, be like,

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<v Speaker 1>but hold up, hold up, I'm from extreme poverty. When

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<v Speaker 1>you inside of the poverty, you don't feel it because

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<v Speaker 1>that means that you're living inside of it. So your

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<v Speaker 1>way out is imagination.

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<v Speaker 2>You you were not exposed to wealth. You didn't compare

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<v Speaker 2>yourself to someone with wealth.

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<v Speaker 1>I wouldn't know that what that is, right, Yeah, so

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<v Speaker 1>my level of wealth would be this man, no matter

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<v Speaker 1>how much we can't eat. I know one thing about Grandma.

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<v Speaker 1>She just got two chickens, and once some chickens have

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<v Speaker 1>lay some eggs, and then we go to the main

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<v Speaker 1>city and she sells.

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<v Speaker 3>Some of them eggs.

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<v Speaker 1>We gonna come back and we gonna we're gonna have

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<v Speaker 1>the biggest meal. So I want you to think like

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<v Speaker 1>so every like three weeks, no matter what happened, my

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<v Speaker 1>grandma would go. She would go and from planting tomatoes

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<v Speaker 1>to corn, to different things. She would she would always

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<v Speaker 1>get these seeds and from there she would go to

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<v Speaker 1>the city. She would was it Porter Prince, Yeah, Porter Prince,

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<v Speaker 1>and she go to Porter Prince. She would sell in

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<v Speaker 1>the market, sell what she grow, and she comes back.

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<v Speaker 1>So that was wealth to us. So no matter what

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<v Speaker 1>we was going through, it didn't matter because we know,

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<v Speaker 1>at the end of the day, Grandma is gonna make us. Uh.

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<v Speaker 1>Julli suspik relations Julie Rice black beans, sorry, Kra.

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<v Speaker 2>Okay the vegetable Okra love.

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<v Speaker 1>Okra and susqua is black beans. So this was this

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<v Speaker 1>was one of the things that we we always was

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<v Speaker 1>excited to look forward.

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<v Speaker 2>What about fish?

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<v Speaker 1>We get whitefish, what's a lot of whitefish? Snapper we

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<v Speaker 1>get snapper, get we get shrimp. So now my daddy's

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<v Speaker 1>side straight fisherman. Yo, let me tell you something about

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<v Speaker 1>my daddy. My daddy heat the original aquaman. Like this

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<v Speaker 1>dude can hold his breath for a date, like when

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<v Speaker 1>he going underwater to get that fish, or he coming

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<v Speaker 1>up with that fish, how.

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<v Speaker 2>Did he catch it? Did he have an attack or

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<v Speaker 2>have the stick?

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<v Speaker 1>They have the stick and then they have the nest.

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<v Speaker 1>So so you know, this is like I remember being

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<v Speaker 1>now later in Brooklyn and with my daddy and then

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<v Speaker 1>my grandma, my daddy's mother telling us, you know, she

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<v Speaker 1>would make us laugh how my dad would like just

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<v Speaker 1>jump in the water and he would get the fish.

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<v Speaker 1>So that side where the fisherman was at was a

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<v Speaker 1>little more easier to eat right, to get the food.

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<v Speaker 1>But the thing is once he left us, remember we

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<v Speaker 1>wasn't on that side. We was more on the side

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<v Speaker 1>of you know, depending on is it going to rain today,

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<v Speaker 1>is it not going to rain today?

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<v Speaker 2>Let's go back to your childhood. You lived with your

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<v Speaker 2>mother and your grandmother.

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<v Speaker 1>I was one, my mom was pregnant and my dad

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<v Speaker 1>left and my mother joined my father right after she

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<v Speaker 1>had the baby. My second brother, Samuel in America and

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<v Speaker 1>Haiti this is Haiti. They didn't even have babies yet

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<v Speaker 1>by the time my parents got to America because of

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<v Speaker 1>the immigration laws. Now Ford was the president and it

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<v Speaker 1>was said like if you had a child in America,

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<v Speaker 1>now you can go back, so and bring the kids.

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<v Speaker 1>So my parents had two kids in America.

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<v Speaker 2>Who was looking after you? Your parents were my grandma,

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<v Speaker 2>your grandma, grandma, your mother's mother. So we're gone to

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<v Speaker 2>school by that time.

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<v Speaker 1>I was going to schoo when I was like five. Yeah,

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<v Speaker 1>I started going to schoo when I was five. So

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<v Speaker 1>my father was a tailer. He worked in a factory.

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<v Speaker 1>It was a sewer, so.

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<v Speaker 2>As well as being a pastor.

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<v Speaker 1>Yes, and so keep in mind the visa them ran

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<v Speaker 1>out right, and so he's knitting and then he hears

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<v Speaker 1>immigration and my father takes off to start to run

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<v Speaker 1>like a gazelle. This dude done took off. His name

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<v Speaker 1>should be changed to Greyhound. That's how fast this boy running.

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<v Speaker 1>My daddy running. He running.

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<v Speaker 2>How old did you think he would have been?

0:14:39.680 --> 0:14:42.040
<v Speaker 1>My dad while he was running. My dad was like

0:14:42.120 --> 0:14:44.720
<v Speaker 1>thirty something like he already was like thirty. So he

0:14:44.840 --> 0:14:48.360
<v Speaker 1>was running because he didn't want immigration to catch him.

0:14:48.680 --> 0:14:51.480
<v Speaker 1>So now they raided this place, and while he running,

0:14:51.720 --> 0:14:56.720
<v Speaker 1>the immigration unit goes to my mama the apartment that

0:14:56.760 --> 0:14:59.120
<v Speaker 1>they're staying. So while my dad's running, this is a

0:14:59.160 --> 0:15:02.760
<v Speaker 1>big raid, like they day about that. Yes, this is

0:15:02.760 --> 0:15:08.000
<v Speaker 1>in Brooklyn. Now immigration officer gets to my mama apartment.

0:15:09.640 --> 0:15:16.400
<v Speaker 1>Immigration open up the door now, man, and my mom

0:15:16.840 --> 0:15:24.080
<v Speaker 1>is so scared. The immigration officer has a translator with

0:15:24.280 --> 0:15:29.400
<v Speaker 1>him that speaks French and crayle. So the immigration officer says,

0:15:30.200 --> 0:15:33.800
<v Speaker 1>I'd have knocked on this door four times they ain't open,

0:15:34.040 --> 0:15:36.400
<v Speaker 1>and I know somebody in there. I need you to

0:15:36.440 --> 0:15:38.840
<v Speaker 1>say it in cray all, in French whatever language that is,

0:15:39.080 --> 0:15:42.240
<v Speaker 1>tell them to open that door. And the translator says

0:15:42.320 --> 0:15:50.520
<v Speaker 1>to my mother and cray all fair softly man, translation,

0:15:52.160 --> 0:15:58.080
<v Speaker 1>do you not open that door right now now? The

0:15:58.200 --> 0:16:00.680
<v Speaker 1>reason why I say this right is, at the end

0:16:00.680 --> 0:16:06.440
<v Speaker 1>of the day, people get caught up in these situations,

0:16:06.520 --> 0:16:12.320
<v Speaker 1>and we the United States of America, like there was

0:16:12.360 --> 0:16:16.800
<v Speaker 1>a time where we would take keed to this, and

0:16:16.800 --> 0:16:19.280
<v Speaker 1>we would take like cause to this, and we would

0:16:19.360 --> 0:16:22.600
<v Speaker 1>be so sensitive to that, like where we could say,

0:16:23.160 --> 0:16:29.680
<v Speaker 1>we'll give you a pass because we know what you're

0:16:29.720 --> 0:16:33.520
<v Speaker 1>doing here. You're not breaking the law. You just had

0:16:33.520 --> 0:16:37.520
<v Speaker 1>a bad day, and these days do not exist. No.

0:16:38.240 --> 0:16:41.000
<v Speaker 2>Also, you know you're making the country better, you know,

0:16:41.320 --> 0:16:45.200
<v Speaker 2>by coming from another country. And I was just given

0:16:46.480 --> 0:16:49.720
<v Speaker 2>a prize in America. It asked to be in the academy.

0:16:49.760 --> 0:16:51.880
<v Speaker 2>I was made a member of this Academy of Arts

0:16:51.880 --> 0:16:54.080
<v Speaker 2>and Letters. And I wrote the letter and I said,

0:16:54.120 --> 0:16:58.720
<v Speaker 2>my grandparents came from Russia and I came in nineteen seventeen.

0:16:59.000 --> 0:17:01.360
<v Speaker 2>You know, they were part of that Ellis Island. I

0:17:01.400 --> 0:17:04.440
<v Speaker 2>was just thinking, two generations. How you know if your

0:17:04.480 --> 0:17:08.280
<v Speaker 2>grandparents were here watch watching you, did they Did your

0:17:08.280 --> 0:17:11.440
<v Speaker 2>grandparents know the measure of your success? Did they see?

0:17:11.640 --> 0:17:11.840
<v Speaker 3>No?

0:17:11.960 --> 0:17:18.480
<v Speaker 1>My my my grandparents, my grandma knew my musical abilities

0:17:19.000 --> 0:17:21.879
<v Speaker 1>at a very young age because I would just like

0:17:22.080 --> 0:17:26.000
<v Speaker 1>make songs up. There was these women in the village

0:17:26.119 --> 0:17:29.480
<v Speaker 1>every Sunday that would sing these church hymns and I

0:17:29.480 --> 0:17:32.080
<v Speaker 1>would just get I would just be part of it.

0:17:32.280 --> 0:17:38.600
<v Speaker 1>Remember one, Yeah, I remember a few of them.

0:17:38.920 --> 0:17:43.440
<v Speaker 3>She sat fair, not do you aren't bad.

0:17:45.840 --> 0:17:46.919
<v Speaker 1>One benea.

0:17:48.560 --> 0:17:56.760
<v Speaker 3>Heya, she shuck fair, Oh what do you walk?

0:17:56.840 --> 0:17:57.040
<v Speaker 2>Pair?

0:17:59.560 --> 0:18:07.400
<v Speaker 3>We'll be me yeah, and work on that U pogod man.

0:18:08.280 --> 0:18:31.360
<v Speaker 5>Theylluyah wah wah poco man llluiya po show whoa.

0:18:32.960 --> 0:18:33.160
<v Speaker 2>Wha.

0:18:35.520 --> 0:18:38.000
<v Speaker 1>So that was that was you know, you could just

0:18:38.080 --> 0:18:40.399
<v Speaker 1>feel it. But the the the the the hem is

0:18:40.480 --> 0:18:45.120
<v Speaker 1>saying we're blessed and we should acknowledge that like basically

0:18:45.240 --> 0:18:47.840
<v Speaker 1>every day of our life. So again that was some

0:18:48.040 --> 0:18:51.840
<v Speaker 1>of the I would hear these these these are these

0:18:51.920 --> 0:18:55.000
<v Speaker 1>amazing women like and and then so the heymns would

0:18:55.040 --> 0:18:55.960
<v Speaker 1>just channel.

0:18:55.640 --> 0:18:59.240
<v Speaker 2>Through me after church. Would you would that be food?

0:18:59.600 --> 0:19:02.560
<v Speaker 2>That a meal? Would you go home?

0:19:02.680 --> 0:19:08.120
<v Speaker 1>And we call it Lucky Sunday. You get that Lucky Sunday.

0:19:09.320 --> 0:19:11.879
<v Speaker 1>Everything come out on that Lucky Sunday. But it doesn't

0:19:11.960 --> 0:19:17.760
<v Speaker 1>happen often. Lucky Sunday happens on Easter. The meal is big.

0:19:18.000 --> 0:19:22.399
<v Speaker 1>The meal is big. The meal is a lot of meat, goat,

0:19:23.200 --> 0:19:28.399
<v Speaker 1>goat goat cooked very interesting. It's called tassu. It's fried

0:19:28.720 --> 0:19:32.719
<v Speaker 1>traditionally in Haiti. If you see how they cook, they

0:19:32.880 --> 0:19:36.359
<v Speaker 1>use the chabon chocoal so it's caught with the chocoal

0:19:36.359 --> 0:19:39.199
<v Speaker 1>because you know, the food gonna taste different. And then

0:19:39.240 --> 0:19:43.359
<v Speaker 1>they put the big aluminum pan and so the goat

0:19:43.480 --> 0:19:48.800
<v Speaker 1>is fried. They would make a uh poisson gorse. The

0:19:48.880 --> 0:19:53.400
<v Speaker 1>passo gorsel is the white fish, a little saltea like codfish.

0:19:53.440 --> 0:19:54.240
<v Speaker 1>At times, it.

0:19:54.280 --> 0:19:59.560
<v Speaker 2>Sounds like you're saying gross sell is large salt, doesn't.

0:19:59.280 --> 0:20:06.280
<v Speaker 1>It Yeah, yeah, yes, yes So in Crele the word

0:20:06.720 --> 0:20:11.080
<v Speaker 1>means big yeah so yeah, and then phonetically yes so

0:20:11.720 --> 0:20:15.399
<v Speaker 1>because uh crayle in French at times the words do

0:20:15.600 --> 0:20:16.480
<v Speaker 1>mean the same thing else.

0:20:16.840 --> 0:20:19.760
<v Speaker 2>And so when you your father around and your mother

0:20:19.840 --> 0:20:22.000
<v Speaker 2>didn't open the door, so were they safe in the

0:20:22.119 --> 0:20:23.840
<v Speaker 2>United States for you to come?

0:20:24.560 --> 0:20:28.440
<v Speaker 1>They were safe. But let me tell you so in

0:20:28.560 --> 0:20:32.800
<v Speaker 1>the village, what I want you to understand, I've never

0:20:33.080 --> 0:20:36.920
<v Speaker 1>seen LeBlanc. I've never seen a white person in my

0:20:37.080 --> 0:20:43.399
<v Speaker 1>life in this village. Never, right, So one day in

0:20:43.520 --> 0:20:47.639
<v Speaker 1>the village and a jeep pulls up in this village.

0:20:48.280 --> 0:20:51.200
<v Speaker 1>Keep in mind, I've never seen no jeep before. So

0:20:51.359 --> 0:20:55.360
<v Speaker 1>that looks like a UFO to us. And we all

0:20:56.320 --> 0:20:58.600
<v Speaker 1>like five, and we all get next to my grandmother

0:20:58.680 --> 0:21:01.280
<v Speaker 1>and we're standing next to us and I'm right next

0:21:01.320 --> 0:21:06.960
<v Speaker 1>to her, and then LeBlanc gets out. So now this

0:21:07.119 --> 0:21:09.000
<v Speaker 1>is my first time seeing a white man. I've never

0:21:09.080 --> 0:21:13.359
<v Speaker 1>seen that long hair. You know. He got this this

0:21:13.560 --> 0:21:16.240
<v Speaker 1>robe thing on, and then he goes in the back

0:21:16.320 --> 0:21:19.280
<v Speaker 1>and then he gets these bags of rice, and I

0:21:19.400 --> 0:21:25.760
<v Speaker 1>was like, Grandma, who's this. My grandma looked at me,

0:21:25.960 --> 0:21:30.040
<v Speaker 1>dead in my eyes, and she said, that's Jesus Christ.

0:21:30.480 --> 0:21:33.080
<v Speaker 1>So when Jesus brings me this rice, we take this rice,

0:21:34.080 --> 0:21:37.560
<v Speaker 1>brings it to my grandma, does the prayer right, because

0:21:37.600 --> 0:21:42.760
<v Speaker 1>he's actually a missionary. And then as he's leaving, I'm

0:21:42.960 --> 0:21:49.240
<v Speaker 1>five and I remember telling my grandma, why ain't Jesus

0:21:49.440 --> 0:21:53.600
<v Speaker 1>leave the seeds? Why ain't he bring no fertilizers? Because

0:21:53.600 --> 0:21:57.879
<v Speaker 1>once he leaving, I'm five and I'm saying that, and

0:21:58.240 --> 0:22:02.840
<v Speaker 1>I say that to show you these kids in these

0:22:03.080 --> 0:22:08.119
<v Speaker 1>villages and what they want is an opportunity. Even at

0:22:08.160 --> 0:22:12.479
<v Speaker 1>a very young age, I'm screaming, bring back the rice mills,

0:22:13.119 --> 0:22:15.160
<v Speaker 1>Like is there a way where we can just start

0:22:15.240 --> 0:22:21.159
<v Speaker 1>producing in the country. So in saying that, this is

0:22:21.240 --> 0:22:24.320
<v Speaker 1>how it started. So my parents came and got me

0:22:24.440 --> 0:22:27.479
<v Speaker 1>and my brother. Now they get on the plane, they

0:22:27.560 --> 0:22:30.000
<v Speaker 1>immigration laws work out they come and get us from Haiti.

0:22:30.280 --> 0:22:32.439
<v Speaker 1>So me and my brother going to see my parents

0:22:32.480 --> 0:22:36.720
<v Speaker 1>for the first time. Now yeah, So now I'm like

0:22:37.280 --> 0:22:40.280
<v Speaker 1>eight nine and now my parents are coming to get me,

0:22:40.840 --> 0:22:44.200
<v Speaker 1>and I've never seen them. For them, So my grandma

0:22:44.320 --> 0:22:47.800
<v Speaker 1>gets us dressed, she takes our bags, she brings us

0:22:47.840 --> 0:22:51.159
<v Speaker 1>to the airport. I never seen an airport before. So

0:22:52.040 --> 0:22:54.639
<v Speaker 1>when the airplane is landing, you can imagine what that

0:22:54.760 --> 0:22:58.080
<v Speaker 1>looks like. To me, it looks like another UFO. So

0:22:58.200 --> 0:23:03.600
<v Speaker 1>the airplane lands and and I'll never forget. My mother

0:23:03.760 --> 0:23:08.560
<v Speaker 1>had a yellow outfit. She looked like Jackie Jo. She

0:23:08.720 --> 0:23:11.960
<v Speaker 1>had the glasses on, you know, she looked like Miss America.

0:23:12.119 --> 0:23:14.720
<v Speaker 1>I was like, yo, that's my mama right there, you

0:23:14.800 --> 0:23:17.560
<v Speaker 1>know what I'm saying. My dad had the long bed

0:23:17.760 --> 0:23:18.920
<v Speaker 1>looking like he moses.

0:23:19.520 --> 0:23:19.720
<v Speaker 2>You know.

0:23:19.920 --> 0:23:23.440
<v Speaker 1>He comes, and they come and they hold me and

0:23:23.560 --> 0:23:27.360
<v Speaker 1>my brother in that hog. I could still feel that hog.

0:23:27.560 --> 0:23:29.960
<v Speaker 1>I hadn't seen you for how long they haven't seen

0:23:30.040 --> 0:23:31.000
<v Speaker 1>her since we were born.

0:23:38.280 --> 0:23:42.000
<v Speaker 2>The River Cafe cafe, steps away from our restaurant, is

0:23:42.119 --> 0:23:45.800
<v Speaker 2>now open in the morning an Italian breakfast with cornetti,

0:23:45.880 --> 0:23:50.119
<v Speaker 2>ciambella and cristada from our pastry kitchen in the afternoon,

0:23:50.320 --> 0:23:54.000
<v Speaker 2>ice creamed coops and River Cafe classic desserts. Come in

0:23:54.040 --> 0:23:57.240
<v Speaker 2>the evening for cocktails with our resident pianist.

0:23:56.800 --> 0:23:57.200
<v Speaker 1>In the bar.

0:23:57.920 --> 0:24:09.240
<v Speaker 2>No need to book see you here. Did they continue

0:24:09.359 --> 0:24:11.320
<v Speaker 2>cooking the food of Haiti in Brooklyn.

0:24:11.960 --> 0:24:15.119
<v Speaker 1>My mama had a thing you only can eat in

0:24:15.200 --> 0:24:17.600
<v Speaker 1>the house. I didn't even know what it was like

0:24:18.480 --> 0:24:21.600
<v Speaker 1>to go to a fast food restaurant. A lot of

0:24:21.720 --> 0:24:27.400
<v Speaker 1>what was cooked in Brooklyn was something called ligan. Ligan, yes,

0:24:27.600 --> 0:24:32.000
<v Speaker 1>ligan is similar to a gumbo, right, but all in vegetables,

0:24:32.119 --> 0:24:37.680
<v Speaker 1>so eggplants, water cress, this was like part of it.

0:24:38.480 --> 0:24:43.360
<v Speaker 1>Also a lot of yam, sweet potatoes and this is natural.

0:24:44.520 --> 0:24:48.200
<v Speaker 1>A lot of fish in the morning. It was very,

0:24:48.400 --> 0:24:53.119
<v Speaker 1>very important that you had breakfast. My father, who was

0:24:53.280 --> 0:24:58.720
<v Speaker 1>also an amazing cook, he used to cook liver for iron, right,

0:24:58.840 --> 0:25:01.040
<v Speaker 1>So again like it would all, but he would like

0:25:01.720 --> 0:25:03.359
<v Speaker 1>cook the liver with egg whites.

0:25:03.920 --> 0:25:07.640
<v Speaker 2>They dipped the liver and the whites, yeah, they beat.

0:25:07.520 --> 0:25:10.920
<v Speaker 1>The egg whites and the batter, yeah, and they batter

0:25:11.040 --> 0:25:14.320
<v Speaker 1>the liver so it's very it's not rough, so everything

0:25:14.440 --> 0:25:17.879
<v Speaker 1>is very tender. And so this is like some of

0:25:17.960 --> 0:25:21.760
<v Speaker 1>the stuff. There was a juice that we had called coasal.

0:25:22.040 --> 0:25:23.600
<v Speaker 1>I don't know how you said that in the English,

0:25:24.480 --> 0:25:27.520
<v Speaker 1>but it helped. She always made us drink this juice.

0:25:27.640 --> 0:25:29.959
<v Speaker 1>If if if the name comes to me in English,

0:25:31.240 --> 0:25:34.920
<v Speaker 1>if anybody from Haitius listening, it's coo salt, maybe you

0:25:34.960 --> 0:25:39.080
<v Speaker 1>could send the translation. But this help with cancer. This

0:25:39.320 --> 0:25:41.200
<v Speaker 1>was it's called coal salt. I have to find the

0:25:41.320 --> 0:25:44.640
<v Speaker 1>name of it. But it was a cold war sort,

0:25:45.800 --> 0:25:47.159
<v Speaker 1>so we might have to I might have to call

0:25:47.240 --> 0:25:49.960
<v Speaker 1>my wife figured that out, but it really like helps.

0:25:50.000 --> 0:25:53.320
<v Speaker 1>So this is some of the the So we naturally

0:25:53.480 --> 0:25:57.840
<v Speaker 1>grew up in an environment where the food wasn't processed

0:25:58.560 --> 0:26:01.000
<v Speaker 1>like they literally, Oh you know what she used to do?

0:26:01.119 --> 0:26:05.280
<v Speaker 1>Polg chicken. So from the chicken. She would always go

0:26:05.359 --> 0:26:09.480
<v Speaker 1>to the butcher. Like they would not if the meat

0:26:09.600 --> 0:26:12.600
<v Speaker 1>wasn't from the butcher, they would there's no such thing

0:26:12.600 --> 0:26:15.840
<v Speaker 1>about she go to the supermarket and get chicken. So

0:26:16.000 --> 0:26:18.840
<v Speaker 1>everything is from the butcher. And it was called pool gee.

0:26:19.320 --> 0:26:22.359
<v Speaker 1>And I got to tell you, just thinking about that

0:26:22.840 --> 0:26:25.600
<v Speaker 1>chicken right now and how they seasoned it and cooked

0:26:25.600 --> 0:26:26.680
<v Speaker 1>it was pretty amazing.

0:26:26.880 --> 0:26:28.600
<v Speaker 2>Did you ever go in the kitchen and cook with

0:26:28.680 --> 0:26:29.040
<v Speaker 2>your mom?

0:26:29.560 --> 0:26:32.840
<v Speaker 1>My? Mother? She was like, you gotta be real successful.

0:26:33.840 --> 0:26:36.480
<v Speaker 1>I said, why because she said, every time we cook,

0:26:36.560 --> 0:26:38.200
<v Speaker 1>and all you do is you come in the kitchen

0:26:38.280 --> 0:26:41.680
<v Speaker 1>and sing, and you sing, and you stay here and

0:26:41.800 --> 0:26:43.600
<v Speaker 1>you wait. So you're the first one with the first

0:26:43.680 --> 0:26:46.720
<v Speaker 1>meal out right. My mom, when she would cook rice,

0:26:47.000 --> 0:26:49.879
<v Speaker 1>she would had me work with the seasons with her.

0:26:50.560 --> 0:26:53.720
<v Speaker 1>There's a seasoning called magi. You've ever heard of it?

0:26:54.200 --> 0:26:54.800
<v Speaker 2>I think I have.

0:26:54.960 --> 0:27:00.119
<v Speaker 1>It's like amazing because it's like a mixed season and

0:27:00.520 --> 0:27:03.440
<v Speaker 1>it was something like she caught it literally works in everything,

0:27:03.880 --> 0:27:07.680
<v Speaker 1>like literally like a little cube yes, yeah, yeah, like

0:27:07.760 --> 0:27:09.480
<v Speaker 1>a yellow ye.

0:27:09.800 --> 0:27:13.480
<v Speaker 2>Like it's like it's like a cube of vegetables and they.

0:27:13.480 --> 0:27:14.320
<v Speaker 1>Put Maggie in.

0:27:16.640 --> 0:27:17.560
<v Speaker 2>Yeah yeah, yeah.

0:27:18.359 --> 0:27:20.199
<v Speaker 1>So that was one of the things. She was like, Yo,

0:27:20.320 --> 0:27:25.800
<v Speaker 1>give me the two Maggie's so the rice game is crazy,

0:27:26.359 --> 0:27:31.119
<v Speaker 1>and Haiti and and and then the the the kitchen.

0:27:31.359 --> 0:27:34.240
<v Speaker 1>So she'd be like, okay, put this amount of water

0:27:34.560 --> 0:27:38.520
<v Speaker 1>right in the pot. And she put the water. She says, okay,

0:27:39.200 --> 0:27:41.480
<v Speaker 1>put this amount of oil right. And one of the

0:27:41.600 --> 0:27:44.320
<v Speaker 1>things she used to have me do was wash the rice.

0:27:45.000 --> 0:27:47.840
<v Speaker 1>Cleaning was very very important to her. How she actually

0:27:47.920 --> 0:27:50.800
<v Speaker 1>cooked the food. So I'd be like, but the rice

0:27:50.880 --> 0:27:52.680
<v Speaker 1>is already in the peck just but no, she says,

0:27:52.720 --> 0:27:54.000
<v Speaker 1>you got to put the rice in the water.

0:27:54.440 --> 0:27:54.680
<v Speaker 3>Got it.

0:27:54.800 --> 0:27:57.159
<v Speaker 1>So literally for five minutes she has me cleaning this

0:27:57.359 --> 0:28:00.560
<v Speaker 1>rice out, and I remember, like, now, sit back and

0:28:00.640 --> 0:28:04.800
<v Speaker 1>I watch the water boil. And while the water was boiling,

0:28:05.440 --> 0:28:14.080
<v Speaker 1>I was singing my mother's favorite French song Jack, which

0:28:14.119 --> 0:28:35.760
<v Speaker 1>one if my says kitche and marry and faithful, Mary

0:28:35.800 --> 0:28:38.720
<v Speaker 1>and faithful? Did it sting?

0:28:38.840 --> 0:28:39.120
<v Speaker 6>Did it?

0:28:39.480 --> 0:28:40.400
<v Speaker 1>I have a version of it?

0:28:40.720 --> 0:28:41.480
<v Speaker 2>You go away?

0:28:41.680 --> 0:28:46.720
<v Speaker 1>Yeah, if you go away, Yes, that's right. Yeah to trust.

0:28:48.480 --> 0:28:50.080
<v Speaker 1>Now you got to hear they version.

0:28:50.480 --> 0:28:52.160
<v Speaker 2>So you sang it in Creole?

0:28:52.680 --> 0:28:54.200
<v Speaker 1>No, I sang it in English. But I put the

0:28:54.280 --> 0:28:55.200
<v Speaker 1>hip hop to it. I was like.

0:29:00.480 --> 0:29:06.840
<v Speaker 3>To pursue, you know.

0:29:06.920 --> 0:29:08.840
<v Speaker 1>I put the hipness to it. I put that sauce,

0:29:08.920 --> 0:29:10.120
<v Speaker 1>you know, I put the maggi in it.

0:29:13.040 --> 0:29:16.240
<v Speaker 2>Did you live in an enclave of Haitian culture?

0:29:16.720 --> 0:29:20.360
<v Speaker 1>So we grew up in Marlborough Projects, one of the

0:29:20.480 --> 0:29:24.960
<v Speaker 1>roughest projects in Coney Island in Brooklyn. So yeah, so

0:29:25.640 --> 0:29:29.360
<v Speaker 1>we got there from Haiti. We grew up in Coney Island.

0:29:30.040 --> 0:29:31.880
<v Speaker 1>As far as me and my brother was concerned, we

0:29:31.960 --> 0:29:35.040
<v Speaker 1>came from a hut. And so we're in a building,

0:29:35.240 --> 0:29:37.880
<v Speaker 1>so we were rich. We like the Jeffersons. We moved

0:29:37.920 --> 0:29:41.960
<v Speaker 1>on up on the east side. Did you what was

0:29:42.000 --> 0:29:45.880
<v Speaker 1>school like? We went to school in Brooklyn. But this

0:29:46.120 --> 0:29:49.600
<v Speaker 1>is what was amazing about Coney Island. We lived in

0:29:49.720 --> 0:29:53.520
<v Speaker 1>this big project, one of the most dangerous projects. But

0:29:53.640 --> 0:29:56.360
<v Speaker 1>when we go on the roof, we could see the

0:29:56.680 --> 0:30:00.960
<v Speaker 1>entire amusement park in the beach in Coney Island. And

0:30:01.080 --> 0:30:04.720
<v Speaker 1>then so we was like living on up because me

0:30:04.800 --> 0:30:06.840
<v Speaker 1>and my brother was like, this is amazing. So literally

0:30:06.920 --> 0:30:09.920
<v Speaker 1>we could go from the projects and then like walk

0:30:09.960 --> 0:30:14.040
<v Speaker 1>to the beach, which was pretty amazing. And the reason

0:30:14.120 --> 0:30:19.320
<v Speaker 1>why we identified with the beach again and Haiti and

0:30:19.440 --> 0:30:24.960
<v Speaker 1>a village. We played in the cemetery, so I will

0:30:25.040 --> 0:30:30.040
<v Speaker 1>walk Disney and our playground was this big cemetery, so

0:30:31.120 --> 0:30:36.880
<v Speaker 1>in I had we watched the transformation go from the

0:30:37.120 --> 0:30:43.680
<v Speaker 1>cemetery to this amazing amusement park. And again, what that

0:30:43.880 --> 0:30:47.960
<v Speaker 1>did for us was, you know, we are in the

0:30:48.080 --> 0:30:51.960
<v Speaker 1>land of opportunity, and we was like, there's nothing now

0:30:52.440 --> 0:30:55.720
<v Speaker 1>that's going to set us back. So the Eagle gave

0:30:55.840 --> 0:31:00.600
<v Speaker 1>us that opportunity. America has given us this opportunity. And

0:31:00.920 --> 0:31:03.280
<v Speaker 1>I don't say that just for me, I say that

0:31:03.640 --> 0:31:06.720
<v Speaker 1>for many of my friends, my peers that ended up

0:31:07.240 --> 0:31:08.520
<v Speaker 1>being super successful.

0:31:08.880 --> 0:31:10.160
<v Speaker 2>Tell me about music.

0:31:10.960 --> 0:31:16.120
<v Speaker 1>Rap music was forbidden in the house. My parents never

0:31:16.200 --> 0:31:19.200
<v Speaker 1>knew I rapped. That did not exist in the house.

0:31:20.000 --> 0:31:26.920
<v Speaker 1>The house was Amy Grant. It was if you want

0:31:26.960 --> 0:31:32.840
<v Speaker 1>to listen to rock, it was Petra Christian rock, and

0:31:33.080 --> 0:31:35.680
<v Speaker 1>it was hymns like I would write the church Hams

0:31:35.840 --> 0:31:40.480
<v Speaker 1>and all of that. But being that I was the oldest,

0:31:41.320 --> 0:31:43.600
<v Speaker 1>I would get into a lot of fights. Cousin of

0:31:43.680 --> 0:31:46.520
<v Speaker 1>mine's ended up getting killed in Brooklyn. I mean, I

0:31:46.600 --> 0:31:49.680
<v Speaker 1>still have a stab on my left leg, like, and

0:31:49.760 --> 0:31:54.280
<v Speaker 1>we're teens, right, So it was rough. It was real,

0:31:54.440 --> 0:31:58.440
<v Speaker 1>and my parents saw that I was headed in the

0:31:58.480 --> 0:32:00.920
<v Speaker 1>wrong direction. You know what people be like, why are

0:32:00.960 --> 0:32:04.840
<v Speaker 1>you so sensitive to prison reform? Why do you connect

0:32:04.880 --> 0:32:05.960
<v Speaker 1>with the youth so much?

0:32:06.560 --> 0:32:06.960
<v Speaker 3>I said.

0:32:07.920 --> 0:32:13.920
<v Speaker 1>I remember me and my cousin going into a you know,

0:32:13.960 --> 0:32:16.840
<v Speaker 1>a bodega, and you know, like we're gonna rob it,

0:32:17.040 --> 0:32:20.200
<v Speaker 1>Like it's just it's just a natural thing at the

0:32:20.280 --> 0:32:23.520
<v Speaker 1>time we feel like we have to do. It's just

0:32:25.000 --> 0:32:29.680
<v Speaker 1>this this false sense of reality becomes reality within the

0:32:29.920 --> 0:32:32.400
<v Speaker 1>environment that you win. If you don't have the right

0:32:32.560 --> 0:32:35.160
<v Speaker 1>mentors at the time, and your parents ain't gonna be

0:32:35.240 --> 0:32:39.320
<v Speaker 1>with you all the time. So my introduction to rap

0:32:40.200 --> 0:32:44.520
<v Speaker 1>was I'm on the on in the neighborhood and I

0:32:44.640 --> 0:32:48.040
<v Speaker 1>see two guys in front of each other with big

0:32:48.240 --> 0:32:51.160
<v Speaker 1>crowds around them, like the eight Miles Em and Them movie.

0:32:51.800 --> 0:32:55.760
<v Speaker 1>These guys got too and then man, the one guy

0:32:56.080 --> 0:32:59.440
<v Speaker 1>is insulting the other guy. He's like, Yo, mama, blah

0:32:59.480 --> 0:33:01.280
<v Speaker 1>blah blah blah, bye bye bye, bye bye bye. And

0:33:01.360 --> 0:33:04.120
<v Speaker 1>the other guy, Oh, yeah, well your uncles are drunk

0:33:04.160 --> 0:33:07.080
<v Speaker 1>blah blah blah, and they're rapping. And I told my man,

0:33:07.160 --> 0:33:10.000
<v Speaker 1>I was like, Yo, what's that. He said, Yo, that's

0:33:10.120 --> 0:33:13.920
<v Speaker 1>called battle rap. So battle rap. If you was to

0:33:14.000 --> 0:33:16.880
<v Speaker 1>ask me to translate that, I would tell you this

0:33:17.080 --> 0:33:23.760
<v Speaker 1>is what we call Shakespearean jousing. It's a jousing of

0:33:24.720 --> 0:33:29.880
<v Speaker 1>metaphors and wordplays and similes and in a very unique

0:33:29.880 --> 0:33:32.880
<v Speaker 1>way which is created in these communities. So then I

0:33:33.040 --> 0:33:36.160
<v Speaker 1>was like, man, if I learned how to battle rap,

0:33:37.200 --> 0:33:39.760
<v Speaker 1>then I won't have to slap box and fight as much.

0:33:40.760 --> 0:33:45.680
<v Speaker 1>This was my introduction to rap. So I learned how

0:33:45.800 --> 0:33:51.240
<v Speaker 1>to rap as a mechanism of self defense to save

0:33:51.400 --> 0:33:54.880
<v Speaker 1>me in the ghetto that I was in. So this

0:33:55.320 --> 0:33:57.720
<v Speaker 1>sort of like where it started for me. So rap

0:33:58.000 --> 0:33:59.960
<v Speaker 1>was a secrecy thing that we did in the street.

0:34:01.160 --> 0:34:05.880
<v Speaker 1>My dad moved us from Brooklyn to Jersey after the

0:34:06.000 --> 0:34:13.040
<v Speaker 1>craziness and he started a small church and eleven eight

0:34:13.280 --> 0:34:17.640
<v Speaker 1>South Orange Avenue, North, New Jersey. The church was a

0:34:17.960 --> 0:34:23.040
<v Speaker 1>funeral home. So again here you go. So my father

0:34:23.200 --> 0:34:28.840
<v Speaker 1>from Haiti right again, he always used to say, he said, America, America,

0:34:29.600 --> 0:34:33.280
<v Speaker 1>He's the good, best place in the way because America

0:34:33.440 --> 0:34:39.680
<v Speaker 1>provide you with say it opportunities that and it provides

0:34:39.680 --> 0:34:42.839
<v Speaker 1>you with opportunity. That means as long as you don't

0:34:42.880 --> 0:34:46.719
<v Speaker 1>break the break the law did, you can be what

0:34:47.239 --> 0:34:51.920
<v Speaker 1>successful dad. And then he breaks. He takes us out

0:34:52.640 --> 0:34:56.439
<v Speaker 1>and it's a big funeral home eleven o eight South

0:34:56.520 --> 0:35:00.399
<v Speaker 1>Charlenge Avenue, a burnt down funeral He says, God has

0:35:00.480 --> 0:35:04.279
<v Speaker 1>given me a vision. My father moves us into a

0:35:04.400 --> 0:35:07.839
<v Speaker 1>burnt down funeral home and this is where he has

0:35:07.880 --> 0:35:10.959
<v Speaker 1>this vision where he's going to create the first bilingual church,

0:35:11.680 --> 0:35:15.680
<v Speaker 1>where he's going to push the faith in English, Creole,

0:35:15.880 --> 0:35:19.480
<v Speaker 1>in French. He has this vision. His church is in

0:35:19.560 --> 0:35:23.040
<v Speaker 1>the middle of eleven eight eight South Javenue, on the

0:35:23.200 --> 0:35:28.400
<v Speaker 1>right side is a pub, an Irish pub. On the

0:35:28.560 --> 0:35:35.799
<v Speaker 1>left side is a Sicilian crew that you know, they

0:35:36.239 --> 0:35:38.239
<v Speaker 1>run in their numbers. They're doing what they're doing. My

0:35:38.440 --> 0:35:41.480
<v Speaker 1>father's church is right in the middle of this.

0:35:41.920 --> 0:35:42.080
<v Speaker 3>Right.

0:35:42.960 --> 0:35:49.080
<v Speaker 1>One night, my dad looks outside and it's nothing but

0:35:49.320 --> 0:35:53.440
<v Speaker 1>El Dorado's in the back of his funeral home. And

0:35:54.400 --> 0:35:58.920
<v Speaker 1>my dad said, whopoc all these that literatos. Now I

0:35:59.040 --> 0:36:01.600
<v Speaker 1>go call the police. I go talk to them. So

0:36:02.000 --> 0:36:05.319
<v Speaker 1>my dad and his Haitian short sandals, right, he goes

0:36:06.040 --> 0:36:09.799
<v Speaker 1>to the Sicilian crew and he knock on that little

0:36:09.920 --> 0:36:13.600
<v Speaker 1>joint like, and then the dude goes on and my

0:36:13.719 --> 0:36:18.080
<v Speaker 1>father said, who popped these e lorados? I call the

0:36:18.160 --> 0:36:23.960
<v Speaker 1>police now, and the dude goes, Fanny, Fanny, Hey, it's

0:36:24.000 --> 0:36:27.040
<v Speaker 1>the Manaster. Come talk to the minister, right, so many

0:36:27.480 --> 0:36:33.080
<v Speaker 1>he goes, Manister, I'm Catholic, right, he can't call the police.

0:36:33.120 --> 0:36:37.200
<v Speaker 1>Some Catholic. Look, every Sunday I'm gonna come and you know,

0:36:37.840 --> 0:36:42.399
<v Speaker 1>and contribute something to the church. And guess what, every

0:36:42.480 --> 0:36:46.400
<v Speaker 1>Sunday they came, contributed something to the church. The Irish

0:36:46.480 --> 0:36:50.520
<v Speaker 1>pub came. And it wasn't until a year later I realized,

0:36:51.040 --> 0:36:57.000
<v Speaker 1>holy shit, my father bought that funeral home because of

0:36:57.120 --> 0:37:02.839
<v Speaker 1>the big parking lot, and that parking lot was how

0:37:03.040 --> 0:37:06.160
<v Speaker 1>he was able to rent it out to different communities

0:37:06.239 --> 0:37:09.600
<v Speaker 1>and different things and raise money to actually built the church.

0:37:10.160 --> 0:37:14.320
<v Speaker 1>So so in seeing that, you know, I just started

0:37:14.400 --> 0:37:17.520
<v Speaker 1>seeing things completely different. And then so with us, we

0:37:17.640 --> 0:37:20.560
<v Speaker 1>were his church band, like the same way you see

0:37:20.680 --> 0:37:25.160
<v Speaker 1>the Jackson five. This was us. We was prodigies in

0:37:25.239 --> 0:37:30.000
<v Speaker 1>the church. Me and my brothers, my sisters. We all sang,

0:37:30.120 --> 0:37:34.360
<v Speaker 1>we all play instruments, and everyone came every Sunday to

0:37:34.560 --> 0:37:37.200
<v Speaker 1>see these young kids. Like you know what I'm saying,

0:37:37.400 --> 0:37:41.640
<v Speaker 1>I be how be you witness a sanct of five?

0:37:41.800 --> 0:37:44.000
<v Speaker 1>Witness a witness father in law?

0:37:44.640 --> 0:37:49.800
<v Speaker 4>How be you with this sCOD five?

0:37:49.920 --> 0:37:53.960
<v Speaker 1>Withness a witness father in law? And the churches turned

0:37:54.080 --> 0:37:58.960
<v Speaker 1>up and all the Catholics were there, everybody there Catholic.

0:37:58.719 --> 0:38:03.200
<v Speaker 2>And must have had a great time. Church could be

0:38:03.320 --> 0:38:03.719
<v Speaker 2>so fun.

0:38:04.000 --> 0:38:07.040
<v Speaker 1>Man, church was fun. We called you know, at one time,

0:38:07.080 --> 0:38:08.640
<v Speaker 1>we called it club church.

0:38:16.320 --> 0:38:19.520
<v Speaker 2>If you like listening to Ruthie's Table for would you

0:38:19.680 --> 0:38:23.640
<v Speaker 2>please make sure to rape and review the podcast on

0:38:23.760 --> 0:38:28.719
<v Speaker 2>the iHeartRadio app, Apple Podcasts, Spotify, o wherever you get

0:38:28.800 --> 0:38:39.920
<v Speaker 2>your podcasts. Thank you and the music in schools. One

0:38:40.080 --> 0:38:43.160
<v Speaker 2>teachers in your high school recognize your talent.

0:38:43.440 --> 0:38:49.200
<v Speaker 1>Well, in high school, I didn't want to sing and

0:38:49.480 --> 0:38:52.640
<v Speaker 1>show off my music because I don't think I didn't

0:38:52.640 --> 0:38:55.799
<v Speaker 1>think it was cool because I'm like in a rough

0:38:55.880 --> 0:38:58.520
<v Speaker 1>school and everyone's listening in the hip hop. You know

0:38:58.560 --> 0:39:02.560
<v Speaker 1>what I'm saying. Everyone's listening a hip So one day

0:39:03.080 --> 0:39:06.240
<v Speaker 1>I happen to be in the auditorium and I'm playing

0:39:06.320 --> 0:39:10.040
<v Speaker 1>what's called the Circle of fifths, very simple but yet

0:39:10.160 --> 0:39:13.320
<v Speaker 1>complicated chords on piano. I could just hear it, and

0:39:13.440 --> 0:39:17.120
<v Speaker 1>a music teacher called Valerie Price walks in and she goes,

0:39:17.239 --> 0:39:19.600
<v Speaker 1>where did you learn that from? And I said I

0:39:19.680 --> 0:39:22.080
<v Speaker 1>could just hear it in my head. And she was like,

0:39:22.239 --> 0:39:27.920
<v Speaker 1>tomorrow you're starting classical music and you're starting jazz. And

0:39:28.040 --> 0:39:30.560
<v Speaker 1>I was like, no, I'm not jazz is for old people.

0:39:31.520 --> 0:39:34.200
<v Speaker 1>I'm going to be a battle rapper like LLL cool J.

0:39:35.760 --> 0:39:38.480
<v Speaker 1>And she was like, well, you're gonna be a battle

0:39:38.560 --> 0:39:42.320
<v Speaker 1>rapper like LLL COOOLJ, but you're starting jazz and classical

0:39:42.440 --> 0:39:47.920
<v Speaker 1>music again like sixteen now. So this teacher took me

0:39:48.239 --> 0:39:53.520
<v Speaker 1>and shaped me into reading sheet music and first composer

0:39:53.640 --> 0:39:55.120
<v Speaker 1>she put me on was Gershwin?

0:39:56.560 --> 0:39:57.919
<v Speaker 2>What did you What did you play?

0:39:58.080 --> 0:39:58.759
<v Speaker 3>Summer Time?

0:39:59.000 --> 0:40:01.480
<v Speaker 1>The home Parking bes like the whole She put me

0:40:01.600 --> 0:40:05.160
<v Speaker 1>up on Gershwin and I fell in love with Gershwin,

0:40:05.480 --> 0:40:08.000
<v Speaker 1>and then I fell in love with Quincy Jones. And

0:40:08.600 --> 0:40:10.480
<v Speaker 1>so then I was like, Oh, I'm not going to

0:40:10.480 --> 0:40:13.279
<v Speaker 1>be a rapper. I'm going to be a composer. So

0:40:13.719 --> 0:40:16.919
<v Speaker 1>then one day I hear Michael Jackson on the radio,

0:40:17.400 --> 0:40:20.040
<v Speaker 1>and I'm the kid that would get the vinyl and

0:40:20.120 --> 0:40:21.880
<v Speaker 1>out look for the back. But when I look in

0:40:21.960 --> 0:40:25.360
<v Speaker 1>the back, I never looked to see the artist. I

0:40:25.440 --> 0:40:28.279
<v Speaker 1>look to see who's doing the music. I see a

0:40:28.400 --> 0:40:32.560
<v Speaker 1>name Quincy Jones. So then I get obsessed and I'm like, oh,

0:40:33.600 --> 0:40:36.000
<v Speaker 1>I'm going to do like Quincy Jones. I'm from a

0:40:36.080 --> 0:40:39.440
<v Speaker 1>jazz background. I'm going to create a you know, be

0:40:39.520 --> 0:40:42.880
<v Speaker 1>part of a supergroup, and then I'm going to literally

0:40:43.360 --> 0:40:46.800
<v Speaker 1>produce and create the biggest artists in the world. And

0:40:47.880 --> 0:40:50.880
<v Speaker 1>that happened. I was like, I'm going to be a

0:40:50.920 --> 0:40:53.480
<v Speaker 1>composer and I'm going to produce and be part of

0:40:53.560 --> 0:40:56.239
<v Speaker 1>the biggest groups in the world. So the way that

0:40:56.360 --> 0:40:59.480
<v Speaker 1>the Fujis happened is very amazing. So I want you

0:40:59.600 --> 0:41:02.200
<v Speaker 1>to think about. I'm still like in my dad's church.

0:41:03.080 --> 0:41:07.560
<v Speaker 1>Lauren Hell, Miss Hill goes to Columbia, which is another

0:41:07.719 --> 0:41:12.680
<v Speaker 1>school high school. Prize comes to my school. Prize was

0:41:12.760 --> 0:41:18.320
<v Speaker 1>in the studio with Miss Hill and another girl called Marci.

0:41:18.520 --> 0:41:22.000
<v Speaker 1>This the group ain't formed yet and the producer was

0:41:22.080 --> 0:41:25.480
<v Speaker 1>named Calise Beyond from Cooling the gang. So I'm in

0:41:25.600 --> 0:41:28.600
<v Speaker 1>my dad's church and Prize gives me a call, and

0:41:28.800 --> 0:41:33.040
<v Speaker 1>Prize goes, Yo, man, I'm out here. You know, I'm

0:41:33.040 --> 0:41:36.560
<v Speaker 1>doing this recording, and I have these two girls, and

0:41:37.040 --> 0:41:38.960
<v Speaker 1>I need a reggae hook. Man, could you come sing

0:41:39.000 --> 0:41:42.759
<v Speaker 1>a reggae hook. So I get to the studio and

0:41:42.840 --> 0:41:47.440
<v Speaker 1>I see Lauren, and I see Marcy. Yeah yeah, And

0:41:47.480 --> 0:41:49.960
<v Speaker 1>I see Laurence Marci and I go in the booth

0:41:50.400 --> 0:41:51.719
<v Speaker 1>and I sing this reggae hook.

0:41:51.800 --> 0:41:53.360
<v Speaker 2>Can I ask you what a reggae hook is?

0:41:53.560 --> 0:41:55.799
<v Speaker 1>So let's go back to the word hook. So when

0:41:55.840 --> 0:41:59.960
<v Speaker 1>I say hook, that's chorus. So the idea of a chorus.

0:42:00.560 --> 0:42:04.200
<v Speaker 1>So now when we say a reggae chorus, we're saying

0:42:04.400 --> 0:42:09.520
<v Speaker 1>something that feels like Bob Marley ish whalers ish, you know,

0:42:09.800 --> 0:42:13.399
<v Speaker 1>by the Rivers of Babylon two Siage, so they knew

0:42:13.440 --> 0:42:15.080
<v Speaker 1>that I had that kind of voice that I could

0:42:15.120 --> 0:42:17.920
<v Speaker 1>deliver that. So there was like can you sing a

0:42:18.040 --> 0:42:20.319
<v Speaker 1>chorus like that? So literally it's like, can you give

0:42:20.440 --> 0:42:22.400
<v Speaker 1>us an incredible top line in.

0:42:22.480 --> 0:42:26.719
<v Speaker 6>The song that's where the Fuji's sang was the birth Yeah,

0:42:26.920 --> 0:42:31.040
<v Speaker 6>and then Lauren and Frise and Marcy and it was

0:42:31.080 --> 0:42:34.400
<v Speaker 6>four of us and I sung, and then that the producer,

0:42:34.480 --> 0:42:38.040
<v Speaker 6>who was Collisbie, I was like, there's magic here, like

0:42:38.160 --> 0:42:39.399
<v Speaker 6>there's something going on here.

0:42:39.920 --> 0:42:43.360
<v Speaker 1>And then this is how it started. And then so

0:42:43.520 --> 0:42:50.480
<v Speaker 1>we literally kept like recording, dancing, popping, locking, writing your

0:42:50.520 --> 0:42:53.840
<v Speaker 1>own music, writing our own raps, writing our own songs.

0:42:54.440 --> 0:42:56.719
<v Speaker 1>And then the first album, which was called Blunted on

0:42:56.840 --> 0:43:01.919
<v Speaker 1>Reality and the album bombs. I think Lauren's mother picked

0:43:01.960 --> 0:43:05.640
<v Speaker 1>up a copy, so maybe five copies. So the album

0:43:05.719 --> 0:43:09.280
<v Speaker 1>ain't go platinum, but it went coppa like it didn't

0:43:09.320 --> 0:43:12.879
<v Speaker 1>go like Coppa went Coppa like you know that means

0:43:12.920 --> 0:43:16.640
<v Speaker 1>you ain't selling nothing. So but what was interesting about

0:43:16.680 --> 0:43:21.279
<v Speaker 1>that was now it's time for the score. What made

0:43:21.320 --> 0:43:25.279
<v Speaker 1>this score amazing is that because of what was going

0:43:25.320 --> 0:43:29.120
<v Speaker 1>on in the community, in our community, we was able

0:43:29.200 --> 0:43:33.640
<v Speaker 1>to hear it. So now I go with my other cousin,

0:43:33.760 --> 0:43:37.520
<v Speaker 1>Jerry Wonder. We go with Lauren and I would say

0:43:37.560 --> 0:43:39.520
<v Speaker 1>like we had the whole stacks group that was the

0:43:39.560 --> 0:43:42.759
<v Speaker 1>Fouji's and we go in stacks like Motown, think of that,

0:43:43.160 --> 0:43:45.680
<v Speaker 1>and then we go in and then we just start

0:43:45.760 --> 0:43:49.239
<v Speaker 1>to young kids like the Beatles. We just started recording

0:43:49.840 --> 0:43:52.080
<v Speaker 1>all of this stuff, but now it was coming directly

0:43:52.160 --> 0:43:52.480
<v Speaker 1>from us.

0:43:52.600 --> 0:43:53.480
<v Speaker 2>And were you in New York?

0:43:53.520 --> 0:43:59.120
<v Speaker 1>Are you're still in New Jersey and my uncle's and nope.

0:43:59.200 --> 0:44:01.680
<v Speaker 1>My dad had kicked me out the church at the

0:44:01.840 --> 0:44:05.560
<v Speaker 1>time because he said, you can't serve two masters. You

0:44:05.600 --> 0:44:08.839
<v Speaker 1>can't do circular music. So my uncle was like, it's

0:44:08.880 --> 0:44:11.160
<v Speaker 1>not like the boys selling drugs circular music.

0:44:11.200 --> 0:44:12.399
<v Speaker 2>Do you mean secular music?

0:44:12.560 --> 0:44:12.759
<v Speaker 1>Yeah?

0:44:13.040 --> 0:44:17.720
<v Speaker 2>Okay, yes, And so you were independent at a young age.

0:44:17.840 --> 0:44:19.520
<v Speaker 2>Did you live in your own apartment?

0:44:19.760 --> 0:44:23.239
<v Speaker 1>And did you know my uncle took me in. And

0:44:23.680 --> 0:44:26.640
<v Speaker 1>of course it takes a village to raise a community.

0:44:27.080 --> 0:44:28.880
<v Speaker 1>So when my father was like, you can't do my

0:44:29.040 --> 0:44:30.440
<v Speaker 1>uncle took me in. He was like, it's not like

0:44:30.520 --> 0:44:33.480
<v Speaker 1>he's doing anything wrong. So he took me in.

0:44:34.120 --> 0:44:36.400
<v Speaker 2>And so did he look after you?

0:44:37.000 --> 0:44:40.200
<v Speaker 1>He looked after us. Of course, he fed us, he

0:44:40.280 --> 0:44:46.240
<v Speaker 1>took because this is strong family morals. If my father

0:44:46.719 --> 0:44:50.240
<v Speaker 1>kicks me out for some religious reason, that my mother's

0:44:50.360 --> 0:44:53.360
<v Speaker 1>brother is going to take me in. You see, this

0:44:53.560 --> 0:44:57.839
<v Speaker 1>is another thing that we're missing in our rural communities right.

0:44:58.320 --> 0:45:01.080
<v Speaker 1>A lot of fathers are getting put in person. The

0:45:01.200 --> 0:45:04.320
<v Speaker 1>kids are having absolutely no guidance. There's not an uncle

0:45:04.400 --> 0:45:07.359
<v Speaker 1>or aunt that could take them in. So I had

0:45:07.440 --> 0:45:10.359
<v Speaker 1>that privilege where someone takes us in. So we took

0:45:10.480 --> 0:45:14.600
<v Speaker 1>us in, and the score the score. We did it.

0:45:14.800 --> 0:45:18.320
<v Speaker 1>But again, a lot of the score came from a

0:45:18.360 --> 0:45:20.800
<v Speaker 1>lot of inspiration. I said. One of my biggest inspiration

0:45:21.000 --> 0:45:24.200
<v Speaker 1>was probably Pink Floyd the Wall the way like that

0:45:24.320 --> 0:45:26.799
<v Speaker 1>album was recorded. So when you hear records like ready

0:45:26.920 --> 0:45:30.200
<v Speaker 1>or Not, here I Come, you can't hide. And you

0:45:30.360 --> 0:45:33.960
<v Speaker 1>hear the when you hear Ready or Not, there's a

0:45:34.160 --> 0:45:40.239
<v Speaker 1>humming in the background. It's like, h Now, anyone who

0:45:40.360 --> 0:45:44.319
<v Speaker 1>listens to this, I'm in the hood in Newer New

0:45:44.440 --> 0:45:49.440
<v Speaker 1>Jersey and that's in ya okay. And how does a

0:45:49.680 --> 0:45:54.319
<v Speaker 1>kid from the hood finds in Inya? You know, that's

0:45:54.360 --> 0:45:57.239
<v Speaker 1>living in the castle. So again this was the Fuji's.

0:45:57.360 --> 0:46:00.920
<v Speaker 1>Fuji's is short for refugees, and that goes back to

0:46:01.040 --> 0:46:04.160
<v Speaker 1>that story, right. My whole thing was the consciousness of

0:46:04.280 --> 0:46:07.480
<v Speaker 1>the village of where we come from. And then so

0:46:07.640 --> 0:46:10.200
<v Speaker 1>what we wanted to do is Fujis wanted to speak

0:46:10.280 --> 0:46:13.479
<v Speaker 1>for the less fortunate. So that's how that came about.

0:46:13.800 --> 0:46:16.600
<v Speaker 2>We just talked for a minute of becoming a success

0:46:17.120 --> 0:46:20.400
<v Speaker 2>and how that changed your culture and your life.

0:46:21.120 --> 0:46:27.040
<v Speaker 1>So I call it the Cinderella's Story imagination. I'm playing

0:46:27.080 --> 0:46:30.759
<v Speaker 1>the air guitar before I'm at Madison Square Garden. The

0:46:30.960 --> 0:46:37.160
<v Speaker 1>success it happened, I mean, the Fujis did not sell

0:46:37.280 --> 0:46:40.800
<v Speaker 1>one million albums. It went to sell like twenty million

0:46:41.360 --> 0:46:46.520
<v Speaker 1>albums with just to score so overnight. The phone calls.

0:46:47.000 --> 0:46:49.160
<v Speaker 1>You could call anybody that'll pick up the phone. The

0:46:49.200 --> 0:46:52.120
<v Speaker 1>White House wants you to come play. You know you're popping.

0:46:52.719 --> 0:46:55.440
<v Speaker 1>Bill Clint was my man. Clint was my man at

0:46:55.480 --> 0:46:57.719
<v Speaker 1>the time, Like Yo, the way that jay Z was

0:46:57.760 --> 0:46:59.839
<v Speaker 1>with Obama. That was like me and Clinton at the time,

0:47:00.000 --> 0:47:01.160
<v Speaker 1>Like what up, Belly, what's up?

0:47:01.239 --> 0:47:01.399
<v Speaker 3>Man?

0:47:01.960 --> 0:47:02.080
<v Speaker 2>Yo?

0:47:02.200 --> 0:47:04.240
<v Speaker 1>Clip, if you want to come jam at the White House,

0:47:04.520 --> 0:47:07.359
<v Speaker 1>it's gonna boom. Everybody jump at the White House. Jump

0:47:07.520 --> 0:47:08.520
<v Speaker 1>jump jump, So.

0:47:10.520 --> 0:47:16.400
<v Speaker 2>And so success, fame music, the White House.

0:47:16.480 --> 0:47:19.160
<v Speaker 1>At the height of the Fujis. I took the Fujis

0:47:19.200 --> 0:47:21.360
<v Speaker 1>to Haiti. I bring the Fujis to Haiti. We do

0:47:21.440 --> 0:47:24.480
<v Speaker 1>a big concert. I cried like a little baby. It

0:47:24.640 --> 0:47:27.759
<v Speaker 1>was It was emotional because you got to understand. We

0:47:27.800 --> 0:47:31.359
<v Speaker 1>talked about the village here. I am the biggest group

0:47:31.400 --> 0:47:34.000
<v Speaker 1>in the world, and we go back and again to

0:47:34.120 --> 0:47:38.680
<v Speaker 1>bring a weirdness to this place. Fujis also did the

0:47:38.800 --> 0:47:40.680
<v Speaker 1>Rock the Vote. We was one of the first people

0:47:40.760 --> 0:47:44.040
<v Speaker 1>to do Rock the Vote. Also in Tibet, the Tibet

0:47:44.120 --> 0:47:47.680
<v Speaker 1>Freedom Concert. Fujis was like one of the first to

0:47:47.760 --> 0:47:49.960
<v Speaker 1>do that. I remember, like you know, meeting the Dalai Lama,

0:47:50.080 --> 0:47:56.480
<v Speaker 1>different things. So again, we've always used our fame and

0:47:56.560 --> 0:48:01.400
<v Speaker 1>that energy to promote consciousness, which is that's what the

0:48:01.440 --> 0:48:02.239
<v Speaker 1>Fujis are known for.

0:48:02.840 --> 0:48:05.920
<v Speaker 2>Many people that I talked to who grew up in

0:48:06.040 --> 0:48:10.200
<v Speaker 2>poverty or certainly unentitled see food and being able to

0:48:10.320 --> 0:48:12.680
<v Speaker 2>eat a certain way, or to drink the wine, or

0:48:13.000 --> 0:48:17.200
<v Speaker 2>to expose yourself to restaurants was a measure of their success.

0:48:17.480 --> 0:48:20.440
<v Speaker 2>Do you see that You remember when you could go

0:48:20.600 --> 0:48:23.920
<v Speaker 2>to a good restaurant and order something that you might

0:48:24.080 --> 0:48:25.000
<v Speaker 2>never have had before.

0:48:25.360 --> 0:48:30.480
<v Speaker 1>You know, it's funny, so because you remember I told

0:48:30.520 --> 0:48:33.560
<v Speaker 1>you we used to eating home, so we never really

0:48:33.640 --> 0:48:38.640
<v Speaker 1>used to go to restaurants. So when the fujis get signed,

0:48:39.600 --> 0:48:43.239
<v Speaker 1>you know things are good. You feel me And the

0:48:43.320 --> 0:48:46.719
<v Speaker 1>product manager brings me in prize to an Italian restaurant,

0:48:47.239 --> 0:48:49.680
<v Speaker 1>keep in mind in New York City and New York City,

0:48:50.080 --> 0:48:52.520
<v Speaker 1>but keep in mind we ain't never eat out right,

0:48:53.000 --> 0:48:55.920
<v Speaker 1>So I'm just showing you the mentality. So now we

0:48:56.040 --> 0:48:59.799
<v Speaker 1>get there. Oh, table looks nice, the glasses look nice,

0:49:00.920 --> 0:49:06.320
<v Speaker 1>and this dude brings this amazing bread out. Me and

0:49:06.520 --> 0:49:09.719
<v Speaker 1>prize ate at least three hundred pieces of bread. This

0:49:09.880 --> 0:49:12.200
<v Speaker 1>ain't no regular but I don't know where does bread come.

0:49:12.440 --> 0:49:14.600
<v Speaker 1>This is a different type of bread cause when you

0:49:14.760 --> 0:49:17.000
<v Speaker 1>used to taste this bread, we used to have wonder bread.

0:49:17.760 --> 0:49:21.279
<v Speaker 1>This bread tastes like a different kind of bread. And

0:49:21.400 --> 0:49:24.319
<v Speaker 1>after three hundred breads, the guy come out, he's like, YO,

0:49:24.440 --> 0:49:26.520
<v Speaker 1>do you want to order? And I looked at prizot

0:49:26.560 --> 0:49:29.839
<v Speaker 1>I said, I thought that was the whole meal. I'm

0:49:30.000 --> 0:49:33.160
<v Speaker 1>only giving you these realities because it's real. So by

0:49:33.239 --> 0:49:38.839
<v Speaker 1>the time that we can get to afford the lifestyle

0:49:39.560 --> 0:49:43.920
<v Speaker 1>and now start to read, start to read about, yo,

0:49:44.000 --> 0:49:46.000
<v Speaker 1>what restaurant you want to go to what type of

0:49:46.080 --> 0:49:48.239
<v Speaker 1>food you want to go to? Then you know, you

0:49:48.360 --> 0:49:50.640
<v Speaker 1>start to read about okay, what kind of wine do

0:49:50.760 --> 0:49:54.440
<v Speaker 1>you like? What year did this wine come out? Right?

0:49:54.560 --> 0:49:57.600
<v Speaker 1>Then you start to look at different fishes. Right, you'd

0:49:57.600 --> 0:50:00.200
<v Speaker 1>be like, okay, what kind of fishes? Is this going

0:50:00.239 --> 0:50:01.440
<v Speaker 1>to work? Then you'll be like, oh, I got to

0:50:01.520 --> 0:50:03.640
<v Speaker 1>do a movie this week. Then you'll be like, okay,

0:50:03.680 --> 0:50:06.520
<v Speaker 1>we got to do all lean meats. Then you'll be like, okay,

0:50:07.000 --> 0:50:10.000
<v Speaker 1>which restaurant is all grass fed? Right? You start you

0:50:10.120 --> 0:50:12.520
<v Speaker 1>won't be able to do this without money. Like at

0:50:12.520 --> 0:50:14.319
<v Speaker 1>the end of the day, that changed too.

0:50:15.120 --> 0:50:18.480
<v Speaker 2>And when you're performing, do you go on a certain

0:50:18.719 --> 0:50:19.399
<v Speaker 2>type of tie.

0:50:19.640 --> 0:50:25.359
<v Speaker 1>So when I perform, Quincy Jones like call me one

0:50:25.400 --> 0:50:28.600
<v Speaker 1>of the greatest performances. Shout out to Quincy very humble

0:50:28.680 --> 0:50:32.360
<v Speaker 1>by that. I have a lot of energy, So I

0:50:32.520 --> 0:50:36.120
<v Speaker 1>go very light before I go on stage. So I

0:50:36.200 --> 0:50:38.560
<v Speaker 1>might have like a soup or I might have like

0:50:38.760 --> 0:50:42.120
<v Speaker 1>akunk salad or something right because I know I'm about

0:50:42.160 --> 0:50:44.880
<v Speaker 1>to burn some calories on that state. But when I

0:50:45.040 --> 0:50:48.520
<v Speaker 1>get off that stage, I promise you, like, if it's

0:50:48.560 --> 0:50:50.640
<v Speaker 1>steak day, you know we got the best steak. If

0:50:50.680 --> 0:50:54.520
<v Speaker 1>it's poultry day. We have the best poetry off stage

0:50:54.840 --> 0:50:57.440
<v Speaker 1>after burning that calorie. I always like to do a

0:50:57.520 --> 0:50:59.120
<v Speaker 1>lot of veget vegetables.

0:51:00.080 --> 0:51:00.719
<v Speaker 2>Are you doing now?

0:51:01.600 --> 0:51:04.640
<v Speaker 1>Well? My focus right now for the next level or

0:51:04.640 --> 0:51:08.879
<v Speaker 1>a few things. One is working with Google with Leo

0:51:09.040 --> 0:51:12.600
<v Speaker 1>Cohen's on the AI side of the music. As a

0:51:12.719 --> 0:51:16.240
<v Speaker 1>purist of music, I was definitely one of the perfect

0:51:16.280 --> 0:51:18.920
<v Speaker 1>people to bring in and so the best way I

0:51:18.920 --> 0:51:22.239
<v Speaker 1>can explain it, my niece is twelve, and I want

0:51:22.280 --> 0:51:26.480
<v Speaker 1>her to understand, don't let the algorithm control you. You

0:51:26.680 --> 0:51:31.440
<v Speaker 1>control the algorithm, meaning that as a purist, anything that

0:51:31.560 --> 0:51:34.400
<v Speaker 1>you see the AI does, it couldn't do it unless

0:51:34.680 --> 0:51:37.640
<v Speaker 1>the human did it first. So you can be lazy

0:51:37.760 --> 0:51:40.719
<v Speaker 1>and you have to be innovative and create the next thing.

0:51:41.520 --> 0:51:44.920
<v Speaker 1>I'm very very excited about that touring with the Fujis.

0:51:45.920 --> 0:51:48.200
<v Speaker 1>Look out for some dates. That's going to be Yeah,

0:51:48.280 --> 0:51:49.920
<v Speaker 1>So the Fujis is going on to it. That's going

0:51:50.000 --> 0:51:53.000
<v Speaker 1>to be amazing. Come here, I'm coming here with Johanna Jackson,

0:51:53.640 --> 0:51:56.440
<v Speaker 1>so you could be my guest for that. Okay, perfect,

0:51:57.760 --> 0:52:02.319
<v Speaker 1>We're going to Janet Jackson fandom. It's gonna be cool.

0:52:02.360 --> 0:52:07.520
<v Speaker 1>And I've been inspired while in London so working on

0:52:07.760 --> 0:52:11.960
<v Speaker 1>some new music and talks. I probably maybe do a

0:52:12.040 --> 0:52:13.080
<v Speaker 1>residency out here.

0:52:13.200 --> 0:52:16.520
<v Speaker 2>Why not, Yes, you do residency right here up the

0:52:16.600 --> 0:52:17.080
<v Speaker 2>River cafe.

0:52:19.480 --> 0:52:26.279
<v Speaker 1>We're talking residency, m.

0:52:30.280 --> 0:52:30.320
<v Speaker 4>H.

0:52:35.760 --> 0:52:38.880
<v Speaker 1>Thank you for listening to Ruthie's Table four in partnership

0:52:38.920 --> 0:52:39.560
<v Speaker 1>with Montclair

0:52:41.960 --> 0:52:42.000
<v Speaker 6>M