1 00:00:12,720 --> 00:00:17,000 Speaker 1: In your twenties and thirties and forties, they're your working years. 2 00:00:17,079 --> 00:00:18,880 Speaker 1: Now you're gonna say, but yes, I want to meet someone, 3 00:00:18,920 --> 00:00:20,360 Speaker 1: I want what if I want to have kids, et cetera. 4 00:00:20,480 --> 00:00:24,440 Speaker 1: So yes, that's a factor. Not scared money, which because 5 00:00:24,440 --> 00:00:27,320 Speaker 1: scared money never wins. Another one of my sayings, Scared 6 00:00:27,360 --> 00:00:30,440 Speaker 1: money never wins. And you can't walk into the casino desperate, 7 00:00:30,600 --> 00:00:33,800 Speaker 1: That's what that's about. And so you can't walk into 8 00:00:34,960 --> 00:00:37,879 Speaker 1: looking for a job, dating, any of that scared you 9 00:00:38,000 --> 00:00:43,080 Speaker 1: just can't. And the way to solidify your future is 10 00:00:43,320 --> 00:00:46,120 Speaker 1: to work hard in your twenties, thirties, forties. My friend's 11 00:00:46,200 --> 00:00:47,720 Speaker 1: daughter is twenty three, and she's like, oh my god, 12 00:00:47,760 --> 00:00:49,280 Speaker 1: I'm so worried. You know, she's not having fun, she's 13 00:00:49,320 --> 00:00:51,840 Speaker 1: working hard. I'm like, what the fuck? The worst advice 14 00:00:51,840 --> 00:00:53,960 Speaker 1: I ever heard. She's supposed to be working hard. She's young. 15 00:00:54,320 --> 00:00:58,640 Speaker 1: All these kids on social media glorifying getting wasted and 16 00:00:58,760 --> 00:01:03,880 Speaker 1: partying and and drinking, Like, what the hell, that's great, fine, 17 00:01:03,960 --> 00:01:05,600 Speaker 1: you drank. What does it take is as a skill 18 00:01:05,640 --> 00:01:08,280 Speaker 1: set you poured alcohol and got wasted and act like 19 00:01:08,319 --> 00:01:11,560 Speaker 1: a moron. Okay, that's what people do who are insecure. 20 00:01:12,280 --> 00:01:14,319 Speaker 1: You know what you do as a young girl. In 21 00:01:14,360 --> 00:01:16,640 Speaker 1: your twenties, thirties and forties, you keep working so that 22 00:01:16,680 --> 00:01:18,520 Speaker 1: in your fifties when you want to say notice something 23 00:01:18,560 --> 00:01:21,040 Speaker 1: because your back hurts, you're tired, you have kids, you 24 00:01:21,080 --> 00:01:23,840 Speaker 1: have responsibilities, you can say no. And I'm in a 25 00:01:24,040 --> 00:01:26,360 Speaker 1: very rare air example of that, of course, because I 26 00:01:26,400 --> 00:01:29,280 Speaker 1: am a wealthy woman and I have been successful. But 27 00:01:30,280 --> 00:01:33,120 Speaker 1: it's the working on the front end that means you 28 00:01:33,160 --> 00:01:37,080 Speaker 1: can make better decisions on the back end. I literally 29 00:01:37,760 --> 00:01:40,760 Speaker 1: this past month turned down another like business type Shark 30 00:01:40,800 --> 00:01:44,920 Speaker 1: Tank show for multiple six figures. I turned down a 31 00:01:44,959 --> 00:01:47,480 Speaker 1: big TV interview this morning because I didn't want to 32 00:01:47,520 --> 00:01:50,560 Speaker 1: go into New York City on a Friday when my 33 00:01:50,680 --> 00:01:53,360 Speaker 1: daughter just got out of school, do hair, makeup, get dressed, 34 00:01:53,520 --> 00:01:55,680 Speaker 1: when I could just turn this microphone on and talk 35 00:01:55,720 --> 00:01:58,520 Speaker 1: to you. I just there's no need for it. I 36 00:01:58,520 --> 00:02:01,160 Speaker 1: don't want to do. There's a belligerence. And I now 37 00:02:01,160 --> 00:02:03,160 Speaker 1: I know why people that get old or older like 38 00:02:03,240 --> 00:02:06,280 Speaker 1: get a little ornery and belligerent. It's because they don't 39 00:02:06,280 --> 00:02:08,000 Speaker 1: want to. They've been doing their whole life things they 40 00:02:08,040 --> 00:02:12,080 Speaker 1: don't want to do. It's very jarring too for other people. 41 00:02:12,760 --> 00:02:14,760 Speaker 1: Do you want to go. Now why I don't want 42 00:02:14,760 --> 00:02:16,960 Speaker 1: to go? Like it could be a party that's not 43 00:02:17,040 --> 00:02:19,519 Speaker 1: for me. Oh Like someone the other day said, you, you know, 44 00:02:19,560 --> 00:02:21,240 Speaker 1: would you want to go to the SPI's because they 45 00:02:21,280 --> 00:02:23,160 Speaker 1: thought I'd be impressed by that. I'm like, I don't. 46 00:02:23,680 --> 00:02:25,240 Speaker 1: But it's the I'm like, I know, I know I'm 47 00:02:25,240 --> 00:02:27,800 Speaker 1: supposed to be impressed by that. I know that we 48 00:02:27,880 --> 00:02:30,800 Speaker 1: knew the people who owned the team that won the 49 00:02:30,840 --> 00:02:32,520 Speaker 1: Super Bowl a couple of years ago, and that I 50 00:02:32,560 --> 00:02:34,400 Speaker 1: was invited to go, and I could have gone and 51 00:02:34,440 --> 00:02:36,760 Speaker 1: been a big swinging dick there, but I didn't want 52 00:02:36,760 --> 00:02:40,440 Speaker 1: to go. I don't know what it's doing for me. Okay, 53 00:02:40,800 --> 00:02:42,920 Speaker 1: I go, I get on the plane, I go to 54 00:02:42,960 --> 00:02:45,000 Speaker 1: another place. I get an outfit. I go to the 55 00:02:45,040 --> 00:02:49,600 Speaker 1: super Bowl. I go front and stunt and flex. I 56 00:02:49,639 --> 00:02:56,600 Speaker 1: get my picture taken, and I'm somebody, now what Okay, 57 00:02:56,600 --> 00:02:59,480 Speaker 1: what happened? What was the prize? What's the prize? I 58 00:02:59,520 --> 00:03:01,720 Speaker 1: didn't I got on a plane. I had to work, 59 00:03:01,720 --> 00:03:03,400 Speaker 1: I had to get That's why I don't understand. That's 60 00:03:03,400 --> 00:03:05,000 Speaker 1: why I often talk about the exhaustion of like a 61 00:03:05,080 --> 00:03:07,919 Speaker 1: j Lo. She's NonStop, she's in venice, she's in head 62 00:03:07,919 --> 00:03:10,519 Speaker 1: to toe Dulce. She's decked out to go to the 63 00:03:10,560 --> 00:03:14,280 Speaker 1: Piggly Wiggly. She's got nineteen different movies and forty two 64 00:03:14,280 --> 00:03:17,320 Speaker 1: different tours, and seventy five hairstyles and sixty two pairs 65 00:03:17,360 --> 00:03:20,639 Speaker 1: of glasses, and and like, I know you love to work. 66 00:03:20,639 --> 00:03:22,840 Speaker 1: I know you love the dancing, and you're choreographing and 67 00:03:22,840 --> 00:03:25,480 Speaker 1: you're doing the halftime Super Bowl all within this one 68 00:03:25,560 --> 00:03:28,880 Speaker 1: relationship that has six kids, you the Brady Bunch, doing 69 00:03:29,360 --> 00:03:33,960 Speaker 1: international tours, movies, documentaries about the movies, concerts, hair makeup, 70 00:03:34,360 --> 00:03:40,880 Speaker 1: first Row Fashion Week? How why I look at people? 71 00:03:40,920 --> 00:03:43,080 Speaker 1: I don't, but I would love to say, like I 72 00:03:43,160 --> 00:03:47,120 Speaker 1: admire it, Like I admire the work ethic, like on 73 00:03:47,160 --> 00:03:49,440 Speaker 1: a Kim card. And I'm not dissing Kim Ardashian or 74 00:03:49,480 --> 00:03:54,120 Speaker 1: Jennifer Lopez. Congrats. Enjoy It's a It's an insatiable hunger. 75 00:03:54,120 --> 00:03:57,840 Speaker 1: It's a voracious appetite. What for is it just for 76 00:03:57,920 --> 00:03:59,800 Speaker 1: more money? You cannot take it on in the box 77 00:03:59,840 --> 00:04:02,000 Speaker 1: with you. You could still have a G five, a 78 00:04:02,080 --> 00:04:06,360 Speaker 1: Kashmir plane, all this stuff. Like why It's like an 79 00:04:06,440 --> 00:04:08,800 Speaker 1: addiction that people have and I don't have it. I 80 00:04:08,800 --> 00:04:10,800 Speaker 1: don't want to work that much. I want to do 81 00:04:10,880 --> 00:04:14,040 Speaker 1: things I love, and I can't judge with someone else loves. 82 00:04:14,240 --> 00:04:16,479 Speaker 1: But there will be sacrifices. There will be relations to 83 00:04:16,520 --> 00:04:20,680 Speaker 1: ship sacrifices, there will be parenting sacrifices. It's impossible to 84 00:04:20,880 --> 00:04:25,159 Speaker 1: not sacrifice when you're working at a clip like a megastar, 85 00:04:25,560 --> 00:04:28,360 Speaker 1: like a j Lo or Kim Kardashian, like you see 86 00:04:28,480 --> 00:04:32,680 Speaker 1: Courtney works less, Chloe works less, like it even seems 87 00:04:32,680 --> 00:04:34,359 Speaker 1: like Kylie once in a while wants to fuck around 88 00:04:34,360 --> 00:04:36,600 Speaker 1: and works a little less sometimes like to work at 89 00:04:36,600 --> 00:04:41,000 Speaker 1: that clip, You're going to sacrifice something. There's just no way. 90 00:04:41,320 --> 00:04:42,880 Speaker 1: And the reason I can say this to you with 91 00:04:42,920 --> 00:04:46,040 Speaker 1: great certainty because you guys may or may not have 92 00:04:46,120 --> 00:04:48,520 Speaker 1: been to red carpets. You guys have an understanding of 93 00:04:48,560 --> 00:04:52,239 Speaker 1: what you think it's like. But I'm a pretty busy woman, 94 00:04:52,800 --> 00:04:55,240 Speaker 1: and I'm a pretty smart woman and a pretty successful woman, 95 00:04:55,240 --> 00:04:56,880 Speaker 1: and I get invited to red carpet things all the 96 00:04:56,880 --> 00:04:59,040 Speaker 1: time and I don't go. It was funny because yesterday's 97 00:04:59,040 --> 00:05:01,320 Speaker 1: some article and that the Daily Mail said because they 98 00:05:01,360 --> 00:05:05,360 Speaker 1: were talking about you know that I am very forward 99 00:05:05,400 --> 00:05:06,760 Speaker 1: facing and like I go to a lot of red 100 00:05:06,760 --> 00:05:10,360 Speaker 1: carpet events. I'm like I do when I went to 101 00:05:10,440 --> 00:05:12,680 Speaker 1: the Feud premiere, because I know Ryan Murphy. That was 102 00:05:12,720 --> 00:05:16,400 Speaker 1: months ago and I'm still tired from it. Like I 103 00:05:16,440 --> 00:05:18,040 Speaker 1: did not go to a lot of red carpet events 104 00:05:18,400 --> 00:05:32,719 Speaker 1: because I know how exhausting it is. I just canceled. 105 00:05:32,720 --> 00:05:35,039 Speaker 1: I cancel somebming today, I cancel somebmy today, I cancel 106 00:05:35,080 --> 00:05:37,240 Speaker 1: something this Friday because my head is going to explode 107 00:05:37,240 --> 00:05:39,679 Speaker 1: about the obligation three days from now, and they were close, 108 00:05:39,839 --> 00:05:42,920 Speaker 1: not far from my own house. Okay, if you tell 109 00:05:42,960 --> 00:05:44,440 Speaker 1: me today that I have to go to a red 110 00:05:44,480 --> 00:05:48,400 Speaker 1: carpet event tomorrow, it starts the minute you wait, you 111 00:05:48,440 --> 00:05:50,760 Speaker 1: wake up tomorrow. And let's say the red carpets at 112 00:05:50,800 --> 00:05:53,359 Speaker 1: six o'clock. Okay, it's gonna take a half hour to 113 00:05:53,360 --> 00:05:55,720 Speaker 1: get there. Mac minimum, it's gonna take an hour to 114 00:05:55,720 --> 00:05:57,080 Speaker 1: get there. Okay, So let's say it's take an hour. 115 00:05:57,080 --> 00:05:58,960 Speaker 1: It's a six o'clock red carpet, means I got to 116 00:05:59,000 --> 00:06:01,600 Speaker 1: leave at five o'clock. Okay, Then we're gonna need twenty 117 00:06:01,600 --> 00:06:04,080 Speaker 1: minutes for social media pictures. You've decked it out, you've invested, 118 00:06:04,120 --> 00:06:06,040 Speaker 1: you've spent the money. You're going to take a picture 119 00:06:06,040 --> 00:06:07,880 Speaker 1: of yourself. If a tree falls and know and heard 120 00:06:07,880 --> 00:06:09,880 Speaker 1: it didn't really fall, I look like a train wreck 121 00:06:10,000 --> 00:06:11,800 Speaker 1: ninety nine point nine percent of time if I fucking 122 00:06:11,800 --> 00:06:13,919 Speaker 1: get dressed up. We're taking some pictures. So the thirty 123 00:06:13,960 --> 00:06:18,599 Speaker 1: minutes of documenting this miracle, this eclipse, this unicorn and 124 00:06:18,720 --> 00:06:22,960 Speaker 1: gazelle jumping through you know, the rainbow, to the end 125 00:06:23,000 --> 00:06:26,200 Speaker 1: of the pot of gold coins. So now we're at 126 00:06:26,200 --> 00:06:29,039 Speaker 1: five thirty. We got to take the pictures of five thirty. Okay, 127 00:06:29,200 --> 00:06:30,919 Speaker 1: so glam is two hours. If they want to do 128 00:06:30,960 --> 00:06:32,440 Speaker 1: a good job, you want them to do a good job. 129 00:06:32,480 --> 00:06:34,320 Speaker 1: You never do hair and makeup. Okay, we got to 130 00:06:34,360 --> 00:06:35,760 Speaker 1: start at three thirty. They got to get there and 131 00:06:35,760 --> 00:06:38,560 Speaker 1: start setting up. That's disruptive, Okay, that's then you got 132 00:06:38,560 --> 00:06:41,640 Speaker 1: a shower. So two thirty you're showering. You're already, but 133 00:06:41,720 --> 00:06:43,919 Speaker 1: by one thirty you're already thinking about it. You're annoyed, 134 00:06:43,960 --> 00:06:46,480 Speaker 1: you're doing it. And then so you're off to the 135 00:06:46,560 --> 00:06:48,880 Speaker 1: races at one thirty for this red carpet event you're 136 00:06:48,920 --> 00:06:51,880 Speaker 1: doing on that night. Then you go. You saw so 137 00:06:51,880 --> 00:06:53,640 Speaker 1: many people, you've got numbers. You looked amazing. What did 138 00:06:53,640 --> 00:06:55,560 Speaker 1: the pictures look like? Let's look online. Let's see. Oh 139 00:06:55,600 --> 00:06:57,400 Speaker 1: my god, look at the picture I took myself. What 140 00:06:57,480 --> 00:07:00,320 Speaker 1: about this caption? Look how cute I am? Or you 141 00:07:00,320 --> 00:07:01,800 Speaker 1: went to the event, you saw the movie. It was great, 142 00:07:01,839 --> 00:07:03,679 Speaker 1: it was a movie. It's coming out on regular television. 143 00:07:03,720 --> 00:07:05,160 Speaker 1: You just went to get your pictures taken on a 144 00:07:05,200 --> 00:07:08,240 Speaker 1: red carpet. See some people flex for no reason because 145 00:07:08,240 --> 00:07:09,280 Speaker 1: you don't even know why you were there in the 146 00:07:09,279 --> 00:07:11,760 Speaker 1: first place. No one's paying you to be there, which, frankly, 147 00:07:11,800 --> 00:07:14,240 Speaker 1: at this point, someone has to be To put makeup 148 00:07:14,280 --> 00:07:16,720 Speaker 1: on me, you have to pay me. That's what you 149 00:07:16,720 --> 00:07:18,200 Speaker 1: have to do. If you want me to get a 150 00:07:18,200 --> 00:07:20,640 Speaker 1: full face of makeup on, you have to pay me. 151 00:07:21,080 --> 00:07:24,880 Speaker 1: That's what it is. I'm like Linda Evangelista, and it's 152 00:07:25,000 --> 00:07:27,080 Speaker 1: literally more than ten I'm not getting out of bed 153 00:07:27,120 --> 00:07:28,760 Speaker 1: for less than ten thousand dollars. I don't think there 154 00:07:28,800 --> 00:07:31,280 Speaker 1: was anything wrong with what she said. She doesn't want 155 00:07:31,280 --> 00:07:32,680 Speaker 1: to get out of bed for less than ten thousand dolls. 156 00:07:32,680 --> 00:07:34,600 Speaker 1: She shouldn't get out of bed. That's what she wanted. 157 00:07:34,640 --> 00:07:37,120 Speaker 1: It was her body and her choice. She didn't want 158 00:07:37,120 --> 00:07:38,480 Speaker 1: to get out of bed for less than ten thousand. 159 00:07:38,760 --> 00:07:42,000 Speaker 1: I applaud that. I agree because then we're gonna get home, 160 00:07:42,040 --> 00:07:44,040 Speaker 1: and then you're gonna be activated. You saw everybody, and 161 00:07:44,040 --> 00:07:46,360 Speaker 1: then you're gonna go to sleep, and you'd be exhausted, dehydrated, 162 00:07:46,440 --> 00:07:50,000 Speaker 1: drinking a hydration packet. And that's j Loo's every day. 163 00:07:50,640 --> 00:07:53,520 Speaker 1: Maybe she loves it, but I'm saying it's not being 164 00:07:53,600 --> 00:07:56,240 Speaker 1: that present. And I wasn't going to the met gala, 165 00:07:56,880 --> 00:07:58,960 Speaker 1: the Feud premiere. That's the last event to me. That 166 00:07:59,080 --> 00:08:01,120 Speaker 1: was my mecal. They're gonna a bunch of gays there. 167 00:08:01,440 --> 00:08:05,040 Speaker 1: I got decked out in a velvet bow man extravaganza 168 00:08:05,320 --> 00:08:08,640 Speaker 1: and I nailed the look to go to the met Gala. 169 00:08:10,360 --> 00:08:15,800 Speaker 1: Slow drip of anti anxiety medication starts the day I 170 00:08:15,840 --> 00:08:19,000 Speaker 1: get the invitation. You gotta go to fittings. What do 171 00:08:19,040 --> 00:08:21,600 Speaker 1: you fucking mean, I gotta go into Manhattan and do fittings. 172 00:08:21,640 --> 00:08:24,040 Speaker 1: I didn't see those designers coming to Kim Kardashian's house. 173 00:08:24,160 --> 00:08:26,120 Speaker 1: She had to fly to wherever she was going. Now, 174 00:08:26,160 --> 00:08:29,080 Speaker 1: you gotta go into the city meet with designers only 175 00:08:29,160 --> 00:08:30,920 Speaker 1: because I know them that they think I'm funny and 176 00:08:30,960 --> 00:08:32,840 Speaker 1: they like me, not because I'm big enough to be 177 00:08:32,840 --> 00:08:35,079 Speaker 1: there and I'm not invited to the Mecala. Don't worry, 178 00:08:35,440 --> 00:08:37,680 Speaker 1: I'm invited to the meat Gala. I'm gonna go to 179 00:08:37,920 --> 00:08:42,000 Speaker 1: a ribbi, strip, steak, flank steak, a meatball, a cheeseburger. 180 00:08:42,160 --> 00:08:43,960 Speaker 1: That's the gala that I'll be invited to on the 181 00:08:43,960 --> 00:08:45,600 Speaker 1: first Monday in May. I think it's what it is. 182 00:08:45,920 --> 00:08:49,000 Speaker 1: But so you gotta go to fittings and all that shit, 183 00:08:49,480 --> 00:08:52,600 Speaker 1: and then it's not two hours of makeup they're putting 184 00:08:52,600 --> 00:08:56,040 Speaker 1: on it. They're putting on like a frickin' Jennifer Lopez 185 00:08:56,120 --> 00:09:00,320 Speaker 1: mask and like four acres of hair extensions for Kim. 186 00:09:00,360 --> 00:09:04,240 Speaker 1: They're they're taking you know, chain link and putting taking 187 00:09:04,320 --> 00:09:07,000 Speaker 1: one link smaller than her actual waist is and like 188 00:09:07,200 --> 00:09:10,800 Speaker 1: indenting hardware into her body so she can train her 189 00:09:10,840 --> 00:09:13,720 Speaker 1: waistline to get ready for the metcal. Like she's losing 190 00:09:13,920 --> 00:09:17,760 Speaker 1: sixteen pounds and you know, going to a clone doctor 191 00:09:17,800 --> 00:09:20,560 Speaker 1: to become Marrin and Row, like it's not easy. So 192 00:09:21,040 --> 00:09:23,600 Speaker 1: they're doing this all the time. The a Dulce thing 193 00:09:23,640 --> 00:09:26,520 Speaker 1: I keep remembering, like Jennifer Lopez walked was in Venice. 194 00:09:27,679 --> 00:09:30,320 Speaker 1: You can't take a spaceship there. You gotta fly there. Okay, 195 00:09:30,360 --> 00:09:32,480 Speaker 1: you're on a private plane gotta fly there, Gotta leave 196 00:09:32,480 --> 00:09:34,120 Speaker 1: your kids for that, Gotta leave your fiance for that, 197 00:09:35,320 --> 00:09:38,559 Speaker 1: Gotta go shmoo's the designer, gotta do all that. It 198 00:09:38,600 --> 00:09:42,120 Speaker 1: is fucking exhausting. Then you're producing a movie. The movie 199 00:09:42,160 --> 00:09:45,080 Speaker 1: she did looked like the greatest show on Earth. It 200 00:09:45,120 --> 00:09:47,000 Speaker 1: wasn't like a knot. It was like a movie with costumes. 201 00:09:47,200 --> 00:09:48,880 Speaker 1: Every time she got her hair wet in that movie, 202 00:09:48,920 --> 00:09:51,079 Speaker 1: I was like, oh my god, then she's gonna have 203 00:09:51,080 --> 00:09:52,560 Speaker 1: to fucking blow to her hair again. She's gonna do 204 00:09:52,600 --> 00:09:54,360 Speaker 1: damage to her hair. It's gonna be dead ends. I 205 00:09:54,440 --> 00:09:57,320 Speaker 1: mean the things that I think about, Oh, the makeup, 206 00:09:58,040 --> 00:10:00,520 Speaker 1: the makeup all day every day. Now she's gonna break out. 207 00:10:01,280 --> 00:10:03,120 Speaker 1: You couldn't pay me ten thousand dollars to break out. 208 00:10:04,200 --> 00:10:08,640 Speaker 1: So I'm the Linda Evangelista of my generation. Now, I 209 00:10:08,679 --> 00:10:10,120 Speaker 1: don't want to fuck it to put on makeup and 210 00:10:10,160 --> 00:10:12,440 Speaker 1: deal with all that torture and not be able to 211 00:10:12,480 --> 00:10:16,600 Speaker 1: not be around for my daughter to squeeze into a dress. 212 00:10:17,160 --> 00:10:19,920 Speaker 1: It's not for me. So it's it's all encompassing and 213 00:10:19,960 --> 00:10:22,000 Speaker 1: all time consuming, and I don't want to do things 214 00:10:22,000 --> 00:10:25,760 Speaker 1: I don't want to do. So I'm a curmudgeon. Say 215 00:10:25,760 --> 00:10:27,480 Speaker 1: whatever you want. I don't care. I just want to 216 00:10:27,480 --> 00:10:28,760 Speaker 1: go to where I want to almost want to walk 217 00:10:28,800 --> 00:10:30,880 Speaker 1: on the beach, be with my puppies, be with my daughter, 218 00:10:31,080 --> 00:10:33,760 Speaker 1: jump on the water, eat some fried food, eat a 219 00:10:33,840 --> 00:10:36,320 Speaker 1: donut once in a while, have some good pizza, laugh 220 00:10:36,400 --> 00:10:39,839 Speaker 1: a little. That's all I want. Eat a bagel, eat 221 00:10:39,880 --> 00:10:42,120 Speaker 1: some caviar on it. For the few times that you know, 222 00:10:42,120 --> 00:10:43,880 Speaker 1: I get paid to ten thousand dollars to leave the house, 223 00:10:43,920 --> 00:10:47,480 Speaker 1: I'm gonna eat the caviar. So anyway, just telling you 224 00:10:47,520 --> 00:10:49,360 Speaker 1: to work twenties, thirties and forty, so on your fifties, 225 00:10:49,360 --> 00:10:52,680 Speaker 1: you can say no, because I can't imagine a life 226 00:10:52,760 --> 00:10:56,160 Speaker 1: of NonStop exhaustion and work. But then again, I just 227 00:10:56,200 --> 00:10:57,840 Speaker 1: described a bunch of people that like doing it and 228 00:10:57,880 --> 00:11:00,440 Speaker 1: want to do it. But you see, like I see 229 00:11:00,440 --> 00:11:02,640 Speaker 1: a lull in Beyonce, Like you see she comes in 230 00:11:02,679 --> 00:11:05,599 Speaker 1: on fuego and like blows it out, but then you 231 00:11:05,720 --> 00:11:08,240 Speaker 1: kind of see her disappear for a minute. She's probably resting. 232 00:11:08,520 --> 00:11:10,679 Speaker 1: I don't know what the hell they were feeding Taylor 233 00:11:10,679 --> 00:11:13,200 Speaker 1: Swift in her house. But she's also young, she's in 234 00:11:13,240 --> 00:11:16,320 Speaker 1: her thirties. People talk about her work ethic. I no 235 00:11:16,400 --> 00:11:20,480 Speaker 1: disrespect to Taylor Swift. She's in her thirties. I was 236 00:11:20,480 --> 00:11:23,480 Speaker 1: working like a fucking animal my thirties, like an animale. 237 00:11:24,480 --> 00:11:25,960 Speaker 1: When you get older, you don't want to work as hard, 238 00:11:26,000 --> 00:11:29,280 Speaker 1: to work hard and press your bets and dig your 239 00:11:29,280 --> 00:11:31,880 Speaker 1: heels in and crush it when you're young, because you 240 00:11:31,960 --> 00:11:34,840 Speaker 1: are not going to want to work at that clip 241 00:11:34,840 --> 00:11:35,600 Speaker 1: when you get older