WEBVTT - TechStuff Looks at e-paper

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<v Speaker 1>Get in touch with technology with tex Stuff from how

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<v Speaker 1>stuff works dot Com pays everyone and welcome to tech Stuff.

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<v Speaker 1>I'm Jonathan strictly and I'm Lauren foc Obama and Lauren Today,

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<v Speaker 1>I wanted to read a message that was sent to

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<v Speaker 1>us via Twitter. Danny sent us to us and said,

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<v Speaker 1>I have done an episode on the paper. Well, Danny,

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<v Speaker 1>we we did an episode we being tech stuff in

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<v Speaker 1>general way back, yeah, back in two thousand and eight.

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<v Speaker 1>If Jonathan and Chris did an episode called how the

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<v Speaker 1>Books Work. If you want to listen to that, probably

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<v Speaker 1>very short episode. It was pushed on November of that year.

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<v Speaker 1>But we figured that, you know, although the answer is

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<v Speaker 1>technically yes, we have, we we thought that it was

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<v Speaker 1>time for update, especially since the one that Chris and

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<v Speaker 1>I did we really only covered one implementation and we

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<v Speaker 1>were specifically looking at e inc, which we'll talk about

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<v Speaker 1>again in this episode. But there it turns out people

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<v Speaker 1>didn't weren't satisfied with just one implementation for this E

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<v Speaker 1>paper idea. They decided to have a whole bunch of

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<v Speaker 1>mind bending, lee complicated science E implementations that caused me

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<v Speaker 1>to weep at my desk. Um the poor, the poor

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<v Speaker 1>fellow with the English literature degree. But but I wanted

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<v Speaker 1>to mention, first of all, you know what exactly is

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<v Speaker 1>the paper before we go into any of the implementations.

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<v Speaker 1>Why would you want an e paper display? What is

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<v Speaker 1>so special about this particular type of display? Well, everything

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<v Speaker 1>electronic is better. Well they're okay, one, it's electronics, so

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<v Speaker 1>clearly better than any kind of regular paper. So wins

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<v Speaker 1>over that. It's sometimes in scientific circles referred to as

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<v Speaker 1>reflective electronic paper. And reflective is kind of the key

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<v Speaker 1>term there because many screens are backlit, which causes which

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<v Speaker 1>is awesome for various tchnologies of making you see stuff,

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<v Speaker 1>but is pretty energy and efficient and also hard to

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<v Speaker 1>see in really brightly lit areas. Right, So, for example,

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<v Speaker 1>if we were to be watching some sort of amazing

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<v Speaker 1>movie in a dark theater cave, we want something that's

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<v Speaker 1>back lit, right, we want something that's projecting its own

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<v Speaker 1>light or else you can't see anything. But if you're outside,

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<v Speaker 1>say at the beach, or if you have a lamp on,

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<v Speaker 1>yeah you've got Maybe you are just trying to read

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<v Speaker 1>something simple and and also you just maybe you find

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<v Speaker 1>that backlit display gets your makes your eyes tired after

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<v Speaker 1>a while. It does lead to tired eyes. So you

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<v Speaker 1>might want something where you're just putting light onto the

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<v Speaker 1>device and then just reading based upon the light that's

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<v Speaker 1>reflecting back to you. And that's what the paper is

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<v Speaker 1>all about. It's really trying to mimic what actual paper

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<v Speaker 1>does all by itself. So if you have a piece

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<v Speaker 1>of paper and you've written stuff on it, and you're

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<v Speaker 1>reading the stuff on that paper, newsplash, paper is not

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<v Speaker 1>sending light into your eyeballs. It's a reflecting light from

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<v Speaker 1>some other source back to you most of the time. Yeah, right,

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<v Speaker 1>if it's E paper and it is back lit, then

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<v Speaker 1>I guess it could. Though again, most e paper, as

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<v Speaker 1>we'll discuss, is not. Now there there's another advantage, like

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<v Speaker 1>you said, the energy factor. Right, If I'm using a

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<v Speaker 1>backlit display, that means there has to be some sort

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<v Speaker 1>of light source that's shining out at me, and that

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<v Speaker 1>requires energy for that to continue. We don't have some

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<v Speaker 1>magical way to just make light come out without using energy.

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<v Speaker 1>But a lot of these E paper displays have very

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<v Speaker 1>energy efficient means of establishing some sort of image on

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<v Speaker 1>the display and holding it there without havingout needing to

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<v Speaker 1>continue pouring energy into the system exactly, so you have

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<v Speaker 1>the two benefits there, the ability to look at this

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<v Speaker 1>display in really well lit areas and the fact that

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<v Speaker 1>it's not sipping tons of energy. Uh. They also, depending

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<v Speaker 1>upon the implementation, can be flexible, So flex will displays

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<v Speaker 1>are a pretty cool idea for a lot of different

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<v Speaker 1>uh potential applications. A lot of them are kind of

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<v Speaker 1>advertising related well sure, but you know also the just

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<v Speaker 1>the pure concept of being able to take your your

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<v Speaker 1>e book and roll it up and stick it in

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<v Speaker 1>your backpack. Sure, or or have like an e paper

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<v Speaker 1>display watch. I have an e paper display watch. The

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<v Speaker 1>pebble which I'm wearing right now has an papers to it.

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<v Speaker 1>In case you guys couldn't see that via the radio, right,

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<v Speaker 1>it sometimes doesn't come across with the point point, but

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<v Speaker 1>it has an e paper display. But you could also

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<v Speaker 1>create an e paper display watch that is very very

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<v Speaker 1>thin and flexible so that you could have it wrap

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<v Speaker 1>around your whole wrist. And in fact, there are a

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<v Speaker 1>few examples of that. A Japanese company made some really

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<v Speaker 1>really super cool ones that I think was a limited

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<v Speaker 1>run of five hundreds. They ended up being around twenty

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<v Speaker 1>bucks apiece, but they look great and and yes, and

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<v Speaker 1>this is all leading towards your incredible dream of having

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<v Speaker 1>the electronic gauntlets. Yes, I won't be happy until I

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<v Speaker 1>have of the e bracer, where again I can have

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<v Speaker 1>all the little things like my my life force telling

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<v Speaker 1>me how how much life force I have left, you know,

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<v Speaker 1>in case I'm not aware of it at the time.

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<v Speaker 1>You know, because I encounter some tough customers in my

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<v Speaker 1>line of work, and sometimes exactly how tough they are. Yeah,

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<v Speaker 1>and sometimes you you have to look at and see, like, well,

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<v Speaker 1>let me let me guess how much of a beating

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<v Speaker 1>can I take before I'm done? But all that being said,

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<v Speaker 1>what where did this idea come from? Where where did

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<v Speaker 1>we start really talking about eat ink and e paper.

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<v Speaker 1>Even though the whole idea of this electronic display, of

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<v Speaker 1>a reflective electronic display hit the public consciousness just in

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<v Speaker 1>the past decade or so due to the popularity of

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<v Speaker 1>the books and e readers and to kindle all of

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<v Speaker 1>that kind of thing, um, the technology has actually been

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<v Speaker 1>in development since the nineteen seventies. Some researchers at Xerox

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<v Speaker 1>began experimenting with what they called gyra con it sounds

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<v Speaker 1>like a transformer I love so much. Right, um. And

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<v Speaker 1>these were little spheres of electrically charged plastic that were

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<v Speaker 1>white on one side and black on the other and

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<v Speaker 1>could rotate, hence the gyra kind of word there um.

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<v Speaker 1>And they were suspended in oil between transparent electrodes. It

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<v Speaker 1>could be used for signs, but they never really worked

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<v Speaker 1>it out to be many miniaturized to the point of

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<v Speaker 1>being really useful for something like a personal device, and

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<v Speaker 1>it kind of was overlooked for a few decades until

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<v Speaker 1>the nineteen nineties when H M. I T and then

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<v Speaker 1>a related Cambridge based company called e ink Corp. Began

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<v Speaker 1>developing their own version of these gyrating electronic inc capsules

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<v Speaker 1>in right, And of course the majorization important for multiple purposes. Right,

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<v Speaker 1>not just so that you can have it fit into

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<v Speaker 1>a form factor like an e book or a watch,

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<v Speaker 1>but also just the idea of getting the right kind

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<v Speaker 1>of resolution or up close viewing. Like you don't need

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<v Speaker 1>it to be as as a higher resolution for like

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<v Speaker 1>a sign outside, right, you need you need to be

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<v Speaker 1>legible outside, but it doesn't have to have really sharp edges.

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<v Speaker 1>You don't have to be able to get two inches

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<v Speaker 1>away from it and right right. Whereas with books, you know,

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<v Speaker 1>you're getting pretty up close and personal, and with a

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<v Speaker 1>watch even more so. So obviously that was one of

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<v Speaker 1>those things that need to be worked out. So how

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<v Speaker 1>do they work today? Well, like I said at the

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<v Speaker 1>very beginning, there are a lot of different implementations now

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<v Speaker 1>that should not come as a huge surprise because with

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<v Speaker 1>with displays in general, there are lots of ways of

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<v Speaker 1>having a display show you stuff. Yeah. I think about televisions, yeah, tons,

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<v Speaker 1>Like if we're talking just the flat screen type, you

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<v Speaker 1>have plasma, you have l E ED, you have l

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<v Speaker 1>C D. Then of course you have the good old

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<v Speaker 1>cathode ray tube televisions of our childhood. Yeah, so they'll

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<v Speaker 1>own one of those, do you. It's fancy. I think

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<v Speaker 1>I have one in a garage somewhere and it's heavy. Um,

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<v Speaker 1>but the nice fancy I think I'm meant heavy. The

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<v Speaker 1>nice thing is that some of our old gaming consoles

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<v Speaker 1>will still work with those because the ports match, right, yep. Yeah,

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<v Speaker 1>it's one of those things that you give up, you know,

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<v Speaker 1>you start to see these these technologies no longer become compatible.

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<v Speaker 1>That's I do still have a S N E S. Yeah,

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<v Speaker 1>and you can't run that on a modern television without

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<v Speaker 1>some some version, yeah, converter. So let's talk about the

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<v Speaker 1>different types of E paper display technology. I think the

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<v Speaker 1>most popular one on the market certainly right now is

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<v Speaker 1>electrophoretic technology. That's correct, that is what e INK uses,

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<v Speaker 1>the one that you mentioned, and e Ink, I think

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<v Speaker 1>is the is the most well known company that does this.

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<v Speaker 1>This is the story of technology you find in a

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<v Speaker 1>lot of e readers, and so this uses that electrical

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<v Speaker 1>charge to push stuff around. So the ink in an

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<v Speaker 1>electrophoretic technology display can be lots of different stuff off.

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<v Speaker 1>But the typically you'll you'll find these little plastic beads

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<v Speaker 1>that may be dual colored where you have white on

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<v Speaker 1>one side and black on the other, like I mentioned before,

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<v Speaker 1>or some that are black and some that are white. Right,

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<v Speaker 1>you would just have two different separate kinds of beads,

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<v Speaker 1>and you would have them uh oppositely charged. So let's

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<v Speaker 1>say that the the white beads are positively charged and

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<v Speaker 1>the black beads are negatively charged. Now, the top layer,

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<v Speaker 1>the screen layer, the part that we are looking at

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<v Speaker 1>our eyeballs are hitting. That is clear, it's transparent. Otherwise

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<v Speaker 1>it wouldn't be very useful. We had a solid plastic

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<v Speaker 1>E reader that that was opaque, it wouldn't do you

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<v Speaker 1>any good, not very much. Now, on the opposite side,

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<v Speaker 1>the foundation of the device, that's the back pain. That's

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<v Speaker 1>where everything is built on top of. So let's say

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<v Speaker 1>you have an electrode down over on the back pain.

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<v Speaker 1>You've got one on the peer level as well. And

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<v Speaker 1>you you remember, you've got the the white beads that

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<v Speaker 1>have a positive charge and the black beads that have

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<v Speaker 1>a negative charge. If you create a negative charge at

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<v Speaker 1>the bay at the back pain, then that's going to

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<v Speaker 1>repel all those black beads, because like charges repel one another.

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<v Speaker 1>So all those black beads are gonna rise to the

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<v Speaker 1>top to the clear electrode the screen part which means

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<v Speaker 1>if you're looking down at the e reader, the screen

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<v Speaker 1>just turns black. Right, the white uh particles, the white

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<v Speaker 1>beads will all sink to the bottom because uh they're

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<v Speaker 1>positively charged and positive negative charges attract one another, so

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<v Speaker 1>they're all at the bottom. Now. The nice thing is,

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<v Speaker 1>once you've done that, it's set. It's going to be

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<v Speaker 1>like that until you change introduce another charge exactly so uh,

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<v Speaker 1>it's it's fantastic because that means you no longer have

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<v Speaker 1>to pour power into this device in order to have

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<v Speaker 1>whatever it is you've established. If you were to swap

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<v Speaker 1>the charges and suddenly make the electrode at the base

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<v Speaker 1>be a positively charged electrode, then it would repel all

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<v Speaker 1>the white beads. They would rise to the top, all

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<v Speaker 1>the black beads would come to the bottom, and you

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<v Speaker 1>would have a blank screen. That's what would look like

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<v Speaker 1>to you write. And by varying that across the entire

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<v Speaker 1>surface of the back pain, then you can have these

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<v Speaker 1>black people patterns and words and pictures and whatever you

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<v Speaker 1>want exactly. And depending upon how small those beads are,

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<v Speaker 1>you can have some pretty interesting some pretty good resolution.

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<v Speaker 1>So it's not like, you know, it's not like there's

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<v Speaker 1>only like ten beads in here. Now, there's millions of

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<v Speaker 1>the little things. So that's your basic premise with electrophoretic technology,

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<v Speaker 1>but they're not all uh, specifically in that implementation in

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<v Speaker 1>inc is that's the style of eating those those beads

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<v Speaker 1>are just a hundred microns, Why so a hundred thousand

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<v Speaker 1>can fit into one square inch of quote unquote paper. Uh,

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<v Speaker 1>so you're talking, like I said, millions of these things,

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<v Speaker 1>depending upon the size of your display. Obviously, larger displays

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<v Speaker 1>are going to need more beads nor to have that resolution.

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<v Speaker 1>But another variation of this uses something called micro cups. Microcups,

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<v Speaker 1>they're kind of what they sound like. They're little into

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<v Speaker 1>visually sealed cups of of of stuff. You've got a

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<v Speaker 1>bead in these and you also have um some some

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<v Speaker 1>dye in them. So the idea is that if you

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<v Speaker 1>pull the bead to the top towards the screen side,

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<v Speaker 1>you get a blank screen. When they're pulled down to

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<v Speaker 1>the base of the little individual micro cups of the

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<v Speaker 1>shows through and creates your color pattern. Yeah. So you

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<v Speaker 1>can think of each micro cup as an individual pixel

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<v Speaker 1>in this entire screen, and by pulling various beads down,

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<v Speaker 1>you create what are the words and the patterns and

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<v Speaker 1>the pictures and all that kind of stuff. Uh, same

0:12:38.520 --> 0:12:41.439
<v Speaker 1>basic principle, though you're just using electric charge to move

0:12:41.600 --> 0:12:45.760
<v Speaker 1>something around. In this case, it's just one bead instead

0:12:45.760 --> 0:12:49.680
<v Speaker 1>of different pairs of beads. So very interesting. These again

0:12:49.720 --> 0:12:52.840
<v Speaker 1>are the most popular I would say approaches. The micro

0:12:53.040 --> 0:12:59.439
<v Speaker 1>cups approaches supposedly better for flexible displays, just more effective.

0:12:59.480 --> 0:13:02.439
<v Speaker 1>It's easy to implement than the the you know, massive

0:13:02.520 --> 0:13:07.640
<v Speaker 1>number of beads approach. But that, if you know, that

0:13:07.679 --> 0:13:10.760
<v Speaker 1>was essentially the version we covered in the first tech

0:13:10.760 --> 0:13:14.480
<v Speaker 1>Stuff episode back in two thousand eight. So everything from

0:13:14.480 --> 0:13:19.680
<v Speaker 1>here on out is new and scary and possibly going

0:13:19.720 --> 0:13:23.440
<v Speaker 1>to make me uh fall over in attempts to pronounce

0:13:23.440 --> 0:13:27.520
<v Speaker 1>some of these words. So uh, I'm just just prepare yourself, folks.

0:13:27.559 --> 0:13:31.000
<v Speaker 1>You can you can do it. Jonathan coolisteric liquid crystal

0:13:31.040 --> 0:13:34.760
<v Speaker 1>display technology. Let's hit it all right. So liquid crystals,

0:13:35.320 --> 0:13:38.000
<v Speaker 1>those are pretty awesome. They can behave kind of like

0:13:38.040 --> 0:13:40.679
<v Speaker 1>a liquid and kind of like a solid. So solids,

0:13:41.280 --> 0:13:44.560
<v Speaker 1>their molecular structure is really stable right there in a

0:13:44.920 --> 0:13:48.840
<v Speaker 1>set pattern. They don't move around. They maintain their orientation

0:13:49.040 --> 0:13:53.080
<v Speaker 1>in respect to each other. Liquid is different. Those molecules

0:13:53.120 --> 0:13:55.320
<v Speaker 1>and a liquid can be all willing and they and

0:13:55.400 --> 0:14:00.120
<v Speaker 1>move around and they don't have to maintain their respective orientations.

0:14:00.440 --> 0:14:03.240
<v Speaker 1>So this is easy to imagine if you're thinking about

0:14:03.280 --> 0:14:06.240
<v Speaker 1>just the way water moves. All those little molecules are

0:14:06.280 --> 0:14:09.720
<v Speaker 1>moving all over the place inside that amount of water,

0:14:09.800 --> 0:14:12.880
<v Speaker 1>whereas if you're looking at a solid table at tables

0:14:12.920 --> 0:14:15.840
<v Speaker 1>not moving. It's not, at least not in respect to

0:14:16.120 --> 0:14:17.560
<v Speaker 1>you know, one part of the table is not moving

0:14:17.559 --> 0:14:19.680
<v Speaker 1>in respect to another part of the table, unless you've

0:14:19.680 --> 0:14:23.720
<v Speaker 1>got a really weird table. So liquid crystals can behave

0:14:23.920 --> 0:14:28.280
<v Speaker 1>like either solids or liquids, depending upon the situation. Now,

0:14:28.320 --> 0:14:33.080
<v Speaker 1>colosteric liquid crystals have stable phases, very important. You want

0:14:33.080 --> 0:14:36.560
<v Speaker 1>it to be able to set into a particular orientation

0:14:36.640 --> 0:14:39.760
<v Speaker 1>and maintain it. But um, because if it didn't, then

0:14:39.800 --> 0:14:43.120
<v Speaker 1>you couldn't use it for something like creating pictures and words.

0:14:43.880 --> 0:14:46.280
<v Speaker 1>It wouldn't be stable. It would just keep changing and

0:14:46.320 --> 0:14:48.560
<v Speaker 1>you might have a really cool piece of wal art,

0:14:49.160 --> 0:14:53.760
<v Speaker 1>but it wouldn't be useful or maybe only once very

0:14:53.880 --> 0:14:57.280
<v Speaker 1>very differently, right, kind of a million monkeys in a

0:14:57.400 --> 0:15:01.160
<v Speaker 1>room with typewriters kind of way. Yeah, So liquid crystals

0:15:01.160 --> 0:15:04.240
<v Speaker 1>in these displays, they form a helical structure also known

0:15:04.280 --> 0:15:08.360
<v Speaker 1>as a chiral structure, and depending upon their orientation, they

0:15:08.360 --> 0:15:12.040
<v Speaker 1>either reflect light or the absorb light. So by running

0:15:12.040 --> 0:15:14.320
<v Speaker 1>a current through a display with these crystals, you can

0:15:14.360 --> 0:15:16.560
<v Speaker 1>orient them in such a way that they form shapes

0:15:16.760 --> 0:15:21.640
<v Speaker 1>like words and pictures, and like electrophoretic displays, these are

0:15:21.920 --> 0:15:23.800
<v Speaker 1>the term is by stable. I think that we forgot

0:15:23.880 --> 0:15:26.680
<v Speaker 1>to mention that up there. By stable is what it

0:15:26.720 --> 0:15:30.200
<v Speaker 1>means when something can stick a certain way without having

0:15:30.240 --> 0:15:32.720
<v Speaker 1>to put an electric and until you put an electric

0:15:32.760 --> 0:15:34.760
<v Speaker 1>charge back through it. Right, So in other words, once

0:15:34.840 --> 0:15:37.280
<v Speaker 1>you have it set, it's good to go. This is

0:15:37.320 --> 0:15:40.200
<v Speaker 1>the same thing. Like I'm sure you've heard the argument

0:15:40.240 --> 0:15:43.760
<v Speaker 1>about people who before we were allowed to have electronic

0:15:43.840 --> 0:15:46.680
<v Speaker 1>devices on at takeoff and landing and people would say

0:15:46.720 --> 0:15:49.280
<v Speaker 1>you need to turn off your e reader devices. There

0:15:49.280 --> 0:15:51.800
<v Speaker 1>are folks who are saying, you know, this isn't it's

0:15:51.800 --> 0:15:55.440
<v Speaker 1>not assuming power unless they turn the page because it's

0:15:55.440 --> 0:15:58.200
<v Speaker 1>not producing any kind of radiation at all unless I

0:15:59.320 --> 0:16:01.800
<v Speaker 1>butt right, Yeah, it's yeah, exactly, as long as the

0:16:01.800 --> 0:16:04.400
<v Speaker 1>WiFi is not on, then it's not doing anything. Also,

0:16:04.440 --> 0:16:07.320
<v Speaker 1>mine doesn't even have an off switch. Yeah that's true.

0:16:07.400 --> 0:16:09.520
<v Speaker 1>Someone's like, all all you're doing by making me put

0:16:09.520 --> 0:16:13.680
<v Speaker 1>it away is denying need a pleasure of reading. Right, Yeah,

0:16:13.720 --> 0:16:15.880
<v Speaker 1>you're you're making me focus on one of the more

0:16:16.040 --> 0:16:18.960
<v Speaker 1>stressful moments of flight and uh and that's not doing

0:16:18.960 --> 0:16:22.880
<v Speaker 1>anyone any good. Um. Yeah, So like you were saying,

0:16:22.920 --> 0:16:26.680
<v Speaker 1>both of those implementations are the kind where you don't

0:16:26.960 --> 0:16:29.480
<v Speaker 1>constantly sit power. You only do it whenever you need

0:16:29.560 --> 0:16:33.520
<v Speaker 1>to change whatever the uh. The various orientations are whether

0:16:33.560 --> 0:16:36.960
<v Speaker 1>it's the beads in the electro boretic or it's the

0:16:36.960 --> 0:16:42.320
<v Speaker 1>liquid crystals in the callisteric. Okay, let's move on to

0:16:42.560 --> 0:16:46.040
<v Speaker 1>electra wedding. All right, this is the problem that elderly

0:16:46.160 --> 0:16:50.720
<v Speaker 1>robots have. It's a serious issue. I'm glad I'm not

0:16:50.760 --> 0:16:54.120
<v Speaker 1>the only person who thought immediately, yeah, that's something else.

0:16:54.200 --> 0:16:59.080
<v Speaker 1>I think it all depends. Oh, Jonathan, I'm a terrible person.

0:16:59.160 --> 0:17:02.000
<v Speaker 1>Electra wedding technology has nothing to do with that. And

0:17:02.080 --> 0:17:04.000
<v Speaker 1>for all those people who out there who hate my

0:17:04.040 --> 0:17:07.440
<v Speaker 1>sense of humor, I'm sorry, but I am twelve so

0:17:07.880 --> 0:17:10.320
<v Speaker 1>actually sorry, not sorry. I think it's what he means. Yeah,

0:17:10.440 --> 0:17:14.480
<v Speaker 1>I mean, yes, that's who I am. But electro wedding

0:17:14.520 --> 0:17:18.560
<v Speaker 1>technology actually, it's a really interesting approach. Again. Now we're

0:17:18.640 --> 0:17:23.159
<v Speaker 1>using electric electricity to change the shape of a confined

0:17:23.440 --> 0:17:27.920
<v Speaker 1>water slash oil interface. So you know, water and oil

0:17:28.080 --> 0:17:31.040
<v Speaker 1>they don't mix. We've got sayings about it, uh, And

0:17:31.640 --> 0:17:34.280
<v Speaker 1>you can try it at home. You can put some

0:17:34.320 --> 0:17:36.360
<v Speaker 1>water and some oil in a glass together and you'll

0:17:36.359 --> 0:17:39.120
<v Speaker 1>see they do not mix together. And if you were

0:17:39.160 --> 0:17:41.480
<v Speaker 1>to try and mix them together, they would separate. So

0:17:42.320 --> 0:17:45.199
<v Speaker 1>that's important. But when you have no voltage applied to

0:17:45.240 --> 0:17:49.080
<v Speaker 1>this particular type of display, the oil forms a film

0:17:49.119 --> 0:17:55.040
<v Speaker 1>between the water and an electrode the stream, which is hydrophobic. Now,

0:17:55.119 --> 0:17:57.719
<v Speaker 1>hydrophobic just means that water won't stick to it, right.

0:17:57.800 --> 0:18:00.280
<v Speaker 1>It's like if you've ever had any kind of rain

0:18:00.520 --> 0:18:03.000
<v Speaker 1>X or other film that you put on your windshield,

0:18:03.480 --> 0:18:05.159
<v Speaker 1>your car's windshield so that when you go out in

0:18:05.160 --> 0:18:07.440
<v Speaker 1>the rain, it just beats up and rolls off. Kind

0:18:07.440 --> 0:18:11.159
<v Speaker 1>of terminator one thousand style that is that is hydrophobics, hydrophobic.

0:18:11.200 --> 0:18:14.480
<v Speaker 1>Fancy word for a simple concept. Ye. So this uh,

0:18:14.680 --> 0:18:17.840
<v Speaker 1>this way of creating the oil, and on top of

0:18:17.880 --> 0:18:21.360
<v Speaker 1>this this water level that's what creates a colored pixel.

0:18:21.520 --> 0:18:25.520
<v Speaker 1>And applying a voltage makes the water push that oil aside,

0:18:25.760 --> 0:18:29.520
<v Speaker 1>which creates a transparent pixel. So if the oils on top,

0:18:29.760 --> 0:18:33.040
<v Speaker 1>you get something. You can get a color color, right,

0:18:33.200 --> 0:18:36.399
<v Speaker 1>whatever the color of the back pain is. Actually, so

0:18:36.440 --> 0:18:40.360
<v Speaker 1>if you had a blue back pain, you just see blue. Uh.

0:18:40.400 --> 0:18:43.920
<v Speaker 1>And then if you were to switch the water in place,

0:18:44.000 --> 0:18:46.280
<v Speaker 1>it would be a lighter color of blue because it

0:18:46.320 --> 0:18:50.640
<v Speaker 1>would be transparent more than opaque. The way you would

0:18:50.680 --> 0:18:53.040
<v Speaker 1>get a blank screen is if you had a white backplate.

0:18:53.160 --> 0:18:54.919
<v Speaker 1>You know, I think I've been saying back pain and

0:18:54.960 --> 0:18:57.639
<v Speaker 1>I think it might be because my chair is really weird,

0:18:57.680 --> 0:19:01.440
<v Speaker 1>but no, it's back plate. Um. But yeah, if the

0:19:01.440 --> 0:19:04.600
<v Speaker 1>backplate has a white surface, you get that transparency that's

0:19:04.600 --> 0:19:08.199
<v Speaker 1>seen as a blank screen. And uh, the neat thing

0:19:08.200 --> 0:19:12.840
<v Speaker 1>about this is that it's it responds faster than the

0:19:12.920 --> 0:19:15.200
<v Speaker 1>other versions we've talked about. So the ones we talked

0:19:15.200 --> 0:19:18.680
<v Speaker 1>about it previously, they're great for things like books, they're

0:19:18.760 --> 0:19:21.360
<v Speaker 1>not so great for video. I mean, you you can

0:19:21.440 --> 0:19:25.720
<v Speaker 1>find some of these e paper displays that use electrophorredic

0:19:26.200 --> 0:19:28.480
<v Speaker 1>technology that yeah, your your refresh rate has to be

0:19:28.520 --> 0:19:32.000
<v Speaker 1>pretty high to interpret it as as video. You might

0:19:32.040 --> 0:19:33.960
<v Speaker 1>be able to get something that plays like a simple

0:19:34.040 --> 0:19:36.800
<v Speaker 1>game of snake or something along those lines, but it

0:19:36.840 --> 0:19:40.600
<v Speaker 1>tends to be you know, pretty slow in response, slow

0:19:40.680 --> 0:19:44.480
<v Speaker 1>enough for us to detect, whereas, uh, the electro wedding

0:19:44.480 --> 0:19:47.840
<v Speaker 1>technology can move fast enough where we're not able to

0:19:48.320 --> 0:19:51.240
<v Speaker 1>notice the change. Um that way, you know, it's not

0:19:51.280 --> 0:19:54.320
<v Speaker 1>like there's a lag or delay that's noticeable to us.

0:19:54.800 --> 0:19:57.360
<v Speaker 1>So it moves fast enough where we could use it

0:19:57.440 --> 0:20:01.880
<v Speaker 1>to show video, and it also requires less energy than

0:20:01.920 --> 0:20:06.080
<v Speaker 1>your typical lc D display, So it's still one of

0:20:06.119 --> 0:20:08.760
<v Speaker 1>those that is suitable for that kind of thing without

0:20:08.800 --> 0:20:11.960
<v Speaker 1>you know, breaking the bank on your electric bill. It's

0:20:12.000 --> 0:20:14.920
<v Speaker 1>not by stable, however, because you do have to continuously

0:20:14.960 --> 0:20:18.280
<v Speaker 1>apply electricity to retain an image. So if you were

0:20:18.400 --> 0:20:21.520
<v Speaker 1>to remove the electric charge, the water would move out

0:20:21.560 --> 0:20:23.320
<v Speaker 1>the way again, the oil would come to the surface,

0:20:23.320 --> 0:20:26.439
<v Speaker 1>and you would just have uh, you know, a black

0:20:26.480 --> 0:20:29.199
<v Speaker 1>screen or whatever color the oil happened to be in

0:20:29.240 --> 0:20:33.160
<v Speaker 1>the and the back plate had happened to be. So yeah,

0:20:33.200 --> 0:20:36.040
<v Speaker 1>it's kind of interesting. Um. The only company I could

0:20:36.080 --> 0:20:39.479
<v Speaker 1>find that's actually working on this technology is called liquid Vista,

0:20:40.080 --> 0:20:42.840
<v Speaker 1>and it was a company that was spun off by Phillips.

0:20:42.920 --> 0:20:46.080
<v Speaker 1>Phillips had been doing the research into this and they

0:20:46.160 --> 0:20:48.520
<v Speaker 1>kind of said, well, it's not only gonna work for us,

0:20:48.520 --> 0:20:50.520
<v Speaker 1>but we will spin off, you know, kind of sell

0:20:50.600 --> 0:20:55.320
<v Speaker 1>off this this research division because there's there's potential for

0:20:55.440 --> 0:20:58.919
<v Speaker 1>that particular technology. And that was not a not a

0:20:59.000 --> 0:21:02.800
<v Speaker 1>pun potential with electricity, and are you sure it wasn't,

0:21:04.359 --> 0:21:06.280
<v Speaker 1>so it was a pun, I guess, So it was

0:21:06.280 --> 0:21:09.240
<v Speaker 1>an unintentional pun. Those are the best kind. Those are

0:21:09.240 --> 0:21:10.720
<v Speaker 1>basically the only kind that I make, and I'm a

0:21:10.760 --> 0:21:14.200
<v Speaker 1>little bit embarrassed every time. So how does this electroc

0:21:14.280 --> 0:21:19.000
<v Speaker 1>wedding differentiate itself from electro fluid I. That's a good

0:21:19.080 --> 0:21:21.760
<v Speaker 1>question that I did not understand at first. I had

0:21:21.760 --> 0:21:24.639
<v Speaker 1>to read a few different pieces to really understand electro

0:21:24.680 --> 0:21:29.040
<v Speaker 1>fluidic technology. Well, it uses liquid, as you would imagine

0:21:29.040 --> 0:21:31.400
<v Speaker 1>with fluid I. That does say that there's some sort

0:21:31.440 --> 0:21:35.160
<v Speaker 1>of fluid involved, but instead it's using a liquid pigment

0:21:35.800 --> 0:21:39.480
<v Speaker 1>and a polymer layer that has micro cavities in it.

0:21:39.800 --> 0:21:43.159
<v Speaker 1>So let's say that you are looking down at the screen.

0:21:43.560 --> 0:21:46.479
<v Speaker 1>That screen actually has lots and lots of teeny tiny

0:21:46.560 --> 0:21:50.960
<v Speaker 1>pin prick holes like microscopic level. So just when you

0:21:51.000 --> 0:21:52.840
<v Speaker 1>look at it just looks like a blank screen, doesn't

0:21:52.960 --> 0:21:55.600
<v Speaker 1>You don't actually notice the pin bricks. You can't pick

0:21:55.640 --> 0:21:58.080
<v Speaker 1>them out with your eye. No, no, you can't. And

0:21:58.200 --> 0:22:02.119
<v Speaker 1>so when you apply an elector charge it because of

0:22:02.160 --> 0:22:06.240
<v Speaker 1>the way micro fluid motion happens in the presence of

0:22:06.280 --> 0:22:10.320
<v Speaker 1>an electric field, the pigment will start to go through

0:22:10.359 --> 0:22:13.200
<v Speaker 1>those micro cavities and fill out some of the space

0:22:13.240 --> 0:22:17.560
<v Speaker 1>and become pixels within the display. Okay, So it sounds

0:22:17.560 --> 0:22:19.200
<v Speaker 1>at first, when you think about it, sounds like you're

0:22:19.200 --> 0:22:21.760
<v Speaker 1>looking down and you just see liquid bubbling up out

0:22:21.760 --> 0:22:24.360
<v Speaker 1>of a hole and slowly filling up the screen. That's

0:22:24.359 --> 0:22:26.760
<v Speaker 1>not exactly what is. Each of these little micro cavities

0:22:27.200 --> 0:22:31.640
<v Speaker 1>is self contained. So each of those tiny little holes

0:22:31.840 --> 0:22:34.760
<v Speaker 1>is allowing enough oil to come up or pigment to

0:22:34.760 --> 0:22:36.879
<v Speaker 1>come up, to combine with the other ones in that

0:22:36.960 --> 0:22:40.359
<v Speaker 1>immediate area to make the edge of an letter E

0:22:40.640 --> 0:22:44.080
<v Speaker 1>for example. Sure. Sure, I didn't look into this one personally,

0:22:44.160 --> 0:22:46.840
<v Speaker 1>but I know that the way that some materials interact

0:22:46.880 --> 0:22:51.160
<v Speaker 1>with fluids involves a process called absorption, which basically means

0:22:51.359 --> 0:22:54.920
<v Speaker 1>that electrically speaking, they're kind of sticking to the edges

0:22:54.960 --> 0:22:57.040
<v Speaker 1>of it. And I suspect that that is what is

0:22:57.040 --> 0:23:00.000
<v Speaker 1>going on here from what I understand. Yes, we're getting,

0:23:00.000 --> 0:23:03.240
<v Speaker 1>by the way, into levels of physics that I never

0:23:03.480 --> 0:23:06.440
<v Speaker 1>explored in college or in in high school. This is

0:23:06.480 --> 0:23:09.320
<v Speaker 1>a heavy physics stay for us. Yeah, micro fluid I

0:23:10.000 --> 0:23:13.920
<v Speaker 1>physics is complicated stuff. Uh. And and we should also

0:23:13.920 --> 0:23:17.000
<v Speaker 1>mention that this particular implementation is something that some companies

0:23:17.040 --> 0:23:19.440
<v Speaker 1>are looking into, but it's not necessarily something you're gonna

0:23:19.480 --> 0:23:22.040
<v Speaker 1>find in a lot of products right now, whether you're

0:23:22.040 --> 0:23:26.520
<v Speaker 1>talking consumer or commercial. But it is an interesting approach,

0:23:26.600 --> 0:23:29.919
<v Speaker 1>and prototypes have all been in black and white as

0:23:29.960 --> 0:23:32.240
<v Speaker 1>far as I can tell, but the manufacturers say that

0:23:32.280 --> 0:23:34.840
<v Speaker 1>they would be able to make color versions as well,

0:23:35.119 --> 0:23:38.520
<v Speaker 1>so that you could have based upon the level of

0:23:38.600 --> 0:23:43.119
<v Speaker 1>voltage applied, different colors of pigment come up, and so

0:23:43.160 --> 0:23:45.600
<v Speaker 1>you could have a full color image on your e reader,

0:23:46.000 --> 0:23:48.119
<v Speaker 1>which is one of those things that people have wondered

0:23:48.160 --> 0:23:49.919
<v Speaker 1>about for a while. I mean, you can you can

0:23:49.960 --> 0:23:51.800
<v Speaker 1>get that if you have a back lit one. That's

0:23:51.800 --> 0:23:55.960
<v Speaker 1>pretty easy, certainly, or if you have independent multiple layers

0:23:56.080 --> 0:23:59.760
<v Speaker 1>of different colors of monochrome, right you could do it

0:23:59.840 --> 0:24:01.720
<v Speaker 1>that way. And of course these layers are so thin

0:24:01.840 --> 0:24:03.680
<v Speaker 1>that to us it would all appear as if it's

0:24:03.680 --> 0:24:07.000
<v Speaker 1>on the same plane. But technically you were able to

0:24:07.040 --> 0:24:10.320
<v Speaker 1>get shrink really down to the micro size. You could

0:24:10.320 --> 0:24:12.840
<v Speaker 1>tell they were on separate kind of floors if you

0:24:12.840 --> 0:24:14.560
<v Speaker 1>think about it, if you think of it, or or

0:24:14.680 --> 0:24:17.199
<v Speaker 1>layers in a sandwich, since we're talking about electrodes being

0:24:17.280 --> 0:24:20.880
<v Speaker 1>kind of like or cake in this case a mini

0:24:20.960 --> 0:24:24.840
<v Speaker 1>layered cake as only hypothetical that's true, which you know,

0:24:25.000 --> 0:24:27.320
<v Speaker 1>that's it's not the best kind of cake, but it's

0:24:27.359 --> 0:24:31.359
<v Speaker 1>better than the cake being alive. Um. Now, those displays,

0:24:31.480 --> 0:24:36.159
<v Speaker 1>the in particular, the these electro fluidic displays have a

0:24:36.240 --> 0:24:39.760
<v Speaker 1>high reflectivity, higher in fact than the other ones we've

0:24:39.800 --> 0:24:44.760
<v Speaker 1>talked about, and potentially, according again to manufacturers, that reflectivity

0:24:44.760 --> 0:24:47.439
<v Speaker 1>could reach the point where it's the same as paper.

0:24:47.560 --> 0:24:50.320
<v Speaker 1>So while we talk about e readers and the paper

0:24:50.400 --> 0:24:52.879
<v Speaker 1>having high reflectivity so it's like a piece of paper,

0:24:53.560 --> 0:24:56.440
<v Speaker 1>most of them don't come close to having the same

0:24:56.440 --> 0:25:00.480
<v Speaker 1>reflectivity as an actual piece of paper. They're just better

0:25:00.560 --> 0:25:03.480
<v Speaker 1>than say, a backlet display. From why I understand, this

0:25:03.520 --> 0:25:07.480
<v Speaker 1>particular implementation sounds like it would be the closest we

0:25:07.480 --> 0:25:10.040
<v Speaker 1>would get to having, you know, a one to one

0:25:10.119 --> 0:25:13.440
<v Speaker 1>correlation between paper and the paper as far as reflectivity

0:25:13.520 --> 0:25:15.760
<v Speaker 1>is concerned. So that means it would have the best

0:25:15.840 --> 0:25:19.879
<v Speaker 1>visibility in bright light. Um uh. And we'll talk more

0:25:19.920 --> 0:25:22.760
<v Speaker 1>about reflectivity a little bit later. We certainly will that

0:25:22.880 --> 0:25:28.600
<v Speaker 1>we have electrochromic technology. This one's also really cool. I

0:25:28.640 --> 0:25:32.720
<v Speaker 1>had no clue how many different versions of the paper

0:25:32.760 --> 0:25:35.320
<v Speaker 1>there really were. Yeah, So so far we've been talking

0:25:35.400 --> 0:25:39.919
<v Speaker 1>about two basic sides of a coin of the paper,

0:25:40.200 --> 0:25:44.000
<v Speaker 1>A vertical orientation of of bringing something to or away

0:25:44.000 --> 0:25:45.800
<v Speaker 1>from a surface in order to make color, or a

0:25:45.920 --> 0:25:50.480
<v Speaker 1>horizontal orientation of pushing stuff around inside the surface in

0:25:50.600 --> 0:25:53.159
<v Speaker 1>order to make it go. This is uh, this is

0:25:53.200 --> 0:25:57.120
<v Speaker 1>a chemical reaction. Yeah, electrochemical reactions. So some materials will

0:25:57.240 --> 0:26:00.879
<v Speaker 1>change color as they undergo reduction or oxidat So you

0:26:00.880 --> 0:26:02.760
<v Speaker 1>can think of it this in a in a sense

0:26:02.960 --> 0:26:06.360
<v Speaker 1>like iron as it rusts turns red, right, I mean

0:26:06.359 --> 0:26:10.480
<v Speaker 1>that's the way fresh round. Yeah, So that's one way

0:26:10.600 --> 0:26:13.679
<v Speaker 1>of looking at this. But these particular materials which have

0:26:13.920 --> 0:26:16.199
<v Speaker 1>names that are far too complex and too long for

0:26:16.240 --> 0:26:18.720
<v Speaker 1>me to even pronounce, so I didn't even bother to

0:26:18.800 --> 0:26:22.200
<v Speaker 1>put them into the notes. I just at that point

0:26:22.200 --> 0:26:25.760
<v Speaker 1>I was like, nope. But the color change in this

0:26:25.840 --> 0:26:30.280
<v Speaker 1>case is completely reversible for these particular types of materials

0:26:30.280 --> 0:26:33.400
<v Speaker 1>when they undergo oxidization. You can just control it through

0:26:33.400 --> 0:26:36.880
<v Speaker 1>applying an electrical charge. So if you send an electrical

0:26:36.960 --> 0:26:38.920
<v Speaker 1>charge to it, it will change color, and you send

0:26:38.920 --> 0:26:42.320
<v Speaker 1>a different electrical charge to it, it it changes back. Also,

0:26:42.760 --> 0:26:47.280
<v Speaker 1>the change in color is stable until another charge is applied,

0:26:47.400 --> 0:26:51.400
<v Speaker 1>so it's again a bistable display. So you you turn

0:26:51.480 --> 0:26:54.399
<v Speaker 1>the page, it would send the charge out to the

0:26:55.320 --> 0:26:59.600
<v Speaker 1>right parts of the screen to either have it switch,

0:26:59.720 --> 0:27:01.639
<v Speaker 1>or if it didn't need to switch, there'll be no

0:27:01.720 --> 0:27:04.800
<v Speaker 1>charge sent there. So like if there's a particular pixel

0:27:04.920 --> 0:27:07.600
<v Speaker 1>that needs to retain its color, it just won't get

0:27:07.600 --> 0:27:10.639
<v Speaker 1>a charge. Then everything else will get the charge swap

0:27:10.720 --> 0:27:13.200
<v Speaker 1>the way it needs to swap, and then you're good

0:27:13.320 --> 0:27:15.919
<v Speaker 1>until you need to change the page again. And this

0:27:16.000 --> 0:27:19.240
<v Speaker 1>kind of technology is is also being implemented in other ways,

0:27:19.320 --> 0:27:22.000
<v Speaker 1>isn't it absolutely? In fact, you can you can buy

0:27:22.040 --> 0:27:24.480
<v Speaker 1>stuff that has this technology in it right now. So

0:27:24.680 --> 0:27:27.760
<v Speaker 1>if you've ever heard about smart windows, windows that can

0:27:27.760 --> 0:27:32.360
<v Speaker 1>actually change their tent depending upon your demands, So yeah,

0:27:32.520 --> 0:27:34.840
<v Speaker 1>at your will, not like not like sunglasses that have

0:27:34.920 --> 0:27:37.200
<v Speaker 1>the color change film, right, Yeah, it's not that, not

0:27:37.240 --> 0:27:40.280
<v Speaker 1>that transition lens kind of technology, which is more of

0:27:40.359 --> 0:27:43.680
<v Speaker 1>a yeah, that's something where you know you're not even

0:27:43.920 --> 0:27:46.040
<v Speaker 1>part of the equation. No, I'm talking about Let's say

0:27:46.040 --> 0:27:48.720
<v Speaker 1>that you've got a dimmer switch for your window where

0:27:48.760 --> 0:27:53.119
<v Speaker 1>you can actually change the opacity of your window, um dynamically,

0:27:53.240 --> 0:27:55.720
<v Speaker 1>you can make it darker or lighter as you will.

0:27:56.359 --> 0:28:00.840
<v Speaker 1>So that sort of technology tends to have this approach,

0:28:00.920 --> 0:28:05.040
<v Speaker 1>This implementation in it where you change the electric charge

0:28:05.400 --> 0:28:08.120
<v Speaker 1>by flipping a switch or turning a dimmer and then

0:28:08.240 --> 0:28:11.600
<v Speaker 1>it ends up either making it darker or lighter, depending

0:28:11.680 --> 0:28:14.040
<v Speaker 1>upon whatever it is you told it to do. So

0:28:14.119 --> 0:28:17.920
<v Speaker 1>pretty cool stuff. Now you might think that we're through.

0:28:18.600 --> 0:28:20.800
<v Speaker 1>We are far from through. Here we go. We will

0:28:20.840 --> 0:28:26.480
<v Speaker 1>never be through interferometric modulator displays. And I know, the

0:28:26.560 --> 0:28:29.000
<v Speaker 1>longer I go, the more it sounds like I'm making stuff.

0:28:29.880 --> 0:28:34.240
<v Speaker 1>I promise I'm not making stuff up. These displays create

0:28:34.320 --> 0:28:40.200
<v Speaker 1>colors using interference of reflected light. So they're not even

0:28:40.360 --> 0:28:43.240
<v Speaker 1>using any kind of beads or anything like that. They're

0:28:43.240 --> 0:28:48.080
<v Speaker 1>specifically reflecting specific types of light to your eyeballs so

0:28:48.120 --> 0:28:51.000
<v Speaker 1>that you can see whatever it is that it's you're

0:28:51.000 --> 0:28:52.880
<v Speaker 1>supposed to see. So, so this is going to be

0:28:53.080 --> 0:28:57.600
<v Speaker 1>a series of mirrors inside the screen that are going

0:28:57.640 --> 0:29:01.880
<v Speaker 1>to be reflecting light in different ways. Essentially, that's what

0:29:01.920 --> 0:29:04.280
<v Speaker 1>you're talking about. It's a reflective surface. You might as

0:29:04.280 --> 0:29:06.400
<v Speaker 1>well call it a mirror because that's the that's the

0:29:06.440 --> 0:29:09.240
<v Speaker 1>easiest way of explaining it. But imagine that you have

0:29:09.280 --> 0:29:13.000
<v Speaker 1>a mirror that can only reflect a certain hue of

0:29:13.120 --> 0:29:16.800
<v Speaker 1>light in particular wavelength. Yeah, so let's say it's blue.

0:29:17.120 --> 0:29:20.040
<v Speaker 1>And when you look in that mirror, everything that you see,

0:29:20.080 --> 0:29:22.560
<v Speaker 1>even though it's a reflection of what what is in

0:29:22.640 --> 0:29:24.160
<v Speaker 1>front of you, is going to be blue, and the

0:29:24.240 --> 0:29:26.160
<v Speaker 1>rest of the wavelengths are being absorbed and that blue

0:29:26.160 --> 0:29:28.440
<v Speaker 1>stuff is being shot back out. Yeah, so you can

0:29:28.880 --> 0:29:32.720
<v Speaker 1>see yourself if you were smurf and everything in in

0:29:32.960 --> 0:29:36.560
<v Speaker 1>in your world was smurfy, because it would all be blue.

0:29:37.040 --> 0:29:39.840
<v Speaker 1>But I don't think I want that world, probably not.

0:29:40.040 --> 0:29:43.080
<v Speaker 1>But so you could have a monochromatic display, which would

0:29:43.120 --> 0:29:46.160
<v Speaker 1>mean that all the mirrors would reflect a specific color

0:29:46.720 --> 0:29:48.560
<v Speaker 1>and that would be the only color that would show

0:29:48.640 --> 0:29:53.040
<v Speaker 1>up whenever you were uh sending a charge through. Or

0:29:53.120 --> 0:29:57.480
<v Speaker 1>you can have a multicolor display, which would have multiple

0:29:57.560 --> 0:30:00.640
<v Speaker 1>little mirrors for each pixel. You would call them sub pixels.

0:30:00.880 --> 0:30:04.560
<v Speaker 1>So to create any individual color, you might have just

0:30:05.040 --> 0:30:08.120
<v Speaker 1>certain types of the mirrors showing, or maybe pairs of

0:30:08.160 --> 0:30:10.600
<v Speaker 1>the mirrors, because it would be kind of like a

0:30:10.640 --> 0:30:13.560
<v Speaker 1>color display, you know where you have that uh the

0:30:14.200 --> 0:30:16.840
<v Speaker 1>either the red, green, blue or the cyan magenta. You

0:30:16.840 --> 0:30:21.040
<v Speaker 1>know that that approach um. So you would have all

0:30:21.080 --> 0:30:23.920
<v Speaker 1>those little subpixels to make that multicolor display, and you

0:30:24.000 --> 0:30:27.240
<v Speaker 1>only would need to the to change the orientation of

0:30:27.240 --> 0:30:30.840
<v Speaker 1>the mirrors and use power for that. So again, once

0:30:30.880 --> 0:30:33.600
<v Speaker 1>you turn to page, once the mirrors are in the

0:30:33.720 --> 0:30:37.280
<v Speaker 1>right orientation, yeah, then all it's doing is just reflecting

0:30:37.360 --> 0:30:40.040
<v Speaker 1>light to you. So you just have light hitting that screen,

0:30:40.080 --> 0:30:42.880
<v Speaker 1>it reflects back and it's fine. When you turn the page,

0:30:42.920 --> 0:30:45.880
<v Speaker 1>then it changes the orientation of those mirrors, whether it's

0:30:46.240 --> 0:30:49.040
<v Speaker 1>pointing different ones at you so you can see different colors,

0:30:49.160 --> 0:30:52.280
<v Speaker 1>or they just turn so that it's hitting the backspace

0:30:52.360 --> 0:30:55.720
<v Speaker 1>backplate and you're getting a blank page that way, whatever

0:30:55.800 --> 0:30:58.480
<v Speaker 1>that happens to be, that's when it would consume power.

0:30:58.560 --> 0:31:03.960
<v Speaker 1>So again, very much a bistable approach. Really interesting stuff

0:31:04.400 --> 0:31:08.520
<v Speaker 1>obviously wouldn't be good for video. You're talking about changing

0:31:08.520 --> 0:31:11.120
<v Speaker 1>the orientation of all these reflective surfaces each time you

0:31:11.200 --> 0:31:14.760
<v Speaker 1>turn the page. It's probably not the fastest implementation I

0:31:14.800 --> 0:31:18.520
<v Speaker 1>would not imagine. So Okay, so we've talked about all

0:31:18.520 --> 0:31:21.960
<v Speaker 1>of this great stuff. I have to imagine that our

0:31:22.160 --> 0:31:25.600
<v Speaker 1>dear magical friend nanotechnology has to be involved in one

0:31:25.640 --> 0:31:29.320
<v Speaker 1>of these. It butts its head into things, sooner or later. Yes,

0:31:29.400 --> 0:31:33.600
<v Speaker 1>nanotech comes in the form of photonic crystal technology. This

0:31:33.800 --> 0:31:37.920
<v Speaker 1>is fairly recent as far as the different implementations go

0:31:38.600 --> 0:31:42.080
<v Speaker 1>and photonic crystals are nanostructures that are arranged in a

0:31:42.160 --> 0:31:44.680
<v Speaker 1>regular pattern. So imagine that you've got like a block

0:31:44.880 --> 0:31:48.000
<v Speaker 1>of these things and they're all each one is made

0:31:48.040 --> 0:31:51.320
<v Speaker 1>up of an individual little sphere. And when you change

0:31:51.400 --> 0:31:55.000
<v Speaker 1>the shape of that that block of spheres, like you

0:31:55.040 --> 0:31:57.480
<v Speaker 1>stretch it out, or you compress it down, or you

0:31:57.560 --> 0:32:01.400
<v Speaker 1>just move it in some way, the allor changes. So

0:32:01.880 --> 0:32:07.560
<v Speaker 1>if you are able to say, uh, implant these nanostructures

0:32:07.960 --> 0:32:12.240
<v Speaker 1>into a polymer, a stretchable polymer, and then when you

0:32:12.280 --> 0:32:16.480
<v Speaker 1>apply electricity two said polymer, the polymer changes shape, which

0:32:16.920 --> 0:32:19.400
<v Speaker 1>by its very nature, because you have these nano structures

0:32:19.400 --> 0:32:21.840
<v Speaker 1>implanted in the polymer, it means the shape of that

0:32:21.840 --> 0:32:25.280
<v Speaker 1>that polymer pattern is going to change. That changes the

0:32:25.320 --> 0:32:28.720
<v Speaker 1>way light reflects off of it. It creates the pictures

0:32:28.720 --> 0:32:31.840
<v Speaker 1>that you want to stay. Yeah, so uh yeah, if

0:32:31.880 --> 0:32:33.840
<v Speaker 1>you think of it, like if you were to imagine

0:32:33.840 --> 0:32:36.920
<v Speaker 1>maybe a sheet of rubber and you have a bunch

0:32:37.200 --> 0:32:40.680
<v Speaker 1>of marbles that are that are like embedded in that

0:32:40.720 --> 0:32:44.440
<v Speaker 1>sheet of rubber, and you pull the rubber tight so

0:32:44.480 --> 0:32:46.640
<v Speaker 1>that you see that the marble start to move away

0:32:46.680 --> 0:32:49.040
<v Speaker 1>from each other. That's kind of what we're talking about,

0:32:49.120 --> 0:32:52.440
<v Speaker 1>but on the nanoscale, and remember a nanometer is one

0:32:52.560 --> 0:32:56.480
<v Speaker 1>billion of a meter. We're talking super super small here,

0:32:57.280 --> 0:32:59.240
<v Speaker 1>so it's not something you would ever be able to observe,

0:32:59.320 --> 0:33:02.440
<v Speaker 1>not even a light microscope depending upon the size of

0:33:02.440 --> 0:33:07.520
<v Speaker 1>these these particular structures, so teeny tiny stuff. And it

0:33:07.560 --> 0:33:11.680
<v Speaker 1>does have some current drawbacks, which is that one, if

0:33:11.720 --> 0:33:14.760
<v Speaker 1>you are looking at trying to create color display, the

0:33:14.840 --> 0:33:20.200
<v Speaker 1>contrast between colors isn't very strong, so your pictures don't

0:33:20.240 --> 0:33:23.960
<v Speaker 1>tend to be very clearly vibrant. Yeah. Uh, there are

0:33:24.440 --> 0:33:28.920
<v Speaker 1>from what I understand, top men working on it right now. Uh,

0:33:29.080 --> 0:33:33.200
<v Speaker 1>top men, And anything involving nanotechnology also is usually on

0:33:33.240 --> 0:33:38.040
<v Speaker 1>the expensive end. Yes, And it's it's definitely, you know,

0:33:38.280 --> 0:33:42.200
<v Speaker 1>one of those things where you've got several research groups

0:33:42.200 --> 0:33:45.840
<v Speaker 1>looking into the feasibility of this approach and whether or

0:33:45.880 --> 0:33:48.400
<v Speaker 1>not it makes more sense. I mean, we have all

0:33:48.440 --> 0:33:51.120
<v Speaker 1>these different options right now. It can be that maybe

0:33:51.120 --> 0:33:54.960
<v Speaker 1>in twenty years time most of these fade away as

0:33:55.000 --> 0:33:57.479
<v Speaker 1>we start to see which ones make the most sense,

0:33:57.800 --> 0:34:02.960
<v Speaker 1>whether economically or you know, whichever one gives the best experience.

0:34:03.520 --> 0:34:05.200
<v Speaker 1>That sort of thing is really going to determine which

0:34:05.200 --> 0:34:07.080
<v Speaker 1>of these stick around, and there may be some of

0:34:07.120 --> 0:34:10.600
<v Speaker 1>these that are really good for very specific and implementations

0:34:11.320 --> 0:34:15.080
<v Speaker 1>everything else. All right, Our last one on the list

0:34:15.280 --> 0:34:18.080
<v Speaker 1>is one that I am incredibly fascinated by. It's called

0:34:18.360 --> 0:34:24.040
<v Speaker 1>read or reverse emulsion electrophoretic display technology. Yeah, this is neat,

0:34:24.200 --> 0:34:27.560
<v Speaker 1>neat stuff. Okay, you've got two different types of liquid

0:34:28.040 --> 0:34:30.439
<v Speaker 1>in one display. In this case, you've got a base

0:34:30.520 --> 0:34:34.360
<v Speaker 1>liquid that is nonpolarized right into the words normal old material.

0:34:34.640 --> 0:34:37.520
<v Speaker 1>You're not going to have it react to an electric charge.

0:34:38.000 --> 0:34:42.560
<v Speaker 1>Then you have a polarized dyed liquid. So imagine that

0:34:42.600 --> 0:34:46.640
<v Speaker 1>you've got like a giant beaker filled with clear liquid.

0:34:46.680 --> 0:34:48.799
<v Speaker 1>We'll just say it's it's it's some sort of like

0:34:48.880 --> 0:34:52.480
<v Speaker 1>water like stuff. It's it's perfectly neutral, so it's not

0:34:52.520 --> 0:34:55.920
<v Speaker 1>going to react to electricity. Um. But then you put

0:34:55.960 --> 0:34:59.880
<v Speaker 1>in it this bluish dye and it's got a polar

0:35:00.000 --> 0:35:02.279
<v Speaker 1>Ei element to it, and you mix it up really

0:35:02.280 --> 0:35:05.680
<v Speaker 1>good so that maybe there's a light bluish tinge to

0:35:05.760 --> 0:35:10.080
<v Speaker 1>the water, but otherwise you can't. You can't. But then

0:35:10.080 --> 0:35:13.799
<v Speaker 1>when you apply an electric charge, you can gather all

0:35:13.920 --> 0:35:18.200
<v Speaker 1>that blue dye into a specific spot and it will

0:35:18.239 --> 0:35:22.160
<v Speaker 1>suddenly look like it's coalescing into almost a solid object

0:35:22.320 --> 0:35:27.000
<v Speaker 1>within this liquid. Yeah. So if you were to do

0:35:27.040 --> 0:35:29.200
<v Speaker 1>that in a display format where you have a very

0:35:29.320 --> 0:35:32.480
<v Speaker 1>controlled environment, so it's not again, it's not like a

0:35:34.120 --> 0:35:36.160
<v Speaker 1>dish that just has all this liquid in it. It's

0:35:36.239 --> 0:35:41.680
<v Speaker 1>in very specific locations. You could actually create the electric

0:35:41.800 --> 0:35:45.719
<v Speaker 1>charge so that the die coalesces exactly where you want

0:35:45.760 --> 0:35:49.360
<v Speaker 1>it to and it becomes an electronic piece of paper.

0:35:49.640 --> 0:35:52.320
<v Speaker 1>This this is the one that sounds like two. Yeah.

0:35:52.360 --> 0:35:54.920
<v Speaker 1>I think of this as as if you were able

0:35:55.040 --> 0:35:57.560
<v Speaker 1>to write on a sheet of paper and then see

0:35:57.600 --> 0:36:02.600
<v Speaker 1>all the words suddenly gloam up into a ball of

0:36:02.640 --> 0:36:04.560
<v Speaker 1>ink in the center of the page and then become

0:36:04.640 --> 0:36:08.160
<v Speaker 1>new words across the page. It's very sort of Terry

0:36:08.200 --> 0:36:11.520
<v Speaker 1>gilliam esque kind of image in my head. Uh, that's

0:36:11.560 --> 0:36:13.640
<v Speaker 1>sort of what this thing can do, except of course,

0:36:13.640 --> 0:36:17.239
<v Speaker 1>it's doing it electronically. It's not physically altering the the

0:36:17.280 --> 0:36:21.720
<v Speaker 1>actual INC. Uh No, And this one is really extra

0:36:21.800 --> 0:36:24.200
<v Speaker 1>super new. Yeah. Yeah, this is one of those that

0:36:24.320 --> 0:36:28.120
<v Speaker 1>again is uh there's actually a company that's just working

0:36:28.120 --> 0:36:30.839
<v Speaker 1>on trying to develop the INC. It's not even going

0:36:30.880 --> 0:36:33.920
<v Speaker 1>to be developing a display for this INC. So we

0:36:34.120 --> 0:36:36.880
<v Speaker 1>are we are at least a couple of years away

0:36:36.920 --> 0:36:40.440
<v Speaker 1>from seeing this working in any kind of implementation, apart

0:36:40.480 --> 0:36:44.160
<v Speaker 1>from maybe some really early prototypes. But it's just it's

0:36:44.239 --> 0:36:48.040
<v Speaker 1>it's cool to see all the different things we can

0:36:48.080 --> 0:36:53.279
<v Speaker 1>do with just playing with electricity and creating this same

0:36:53.320 --> 0:36:57.320
<v Speaker 1>sort of effect through very different implementations. I just I

0:36:57.600 --> 0:37:01.760
<v Speaker 1>think it's fascinating that people can take the same basic

0:37:01.960 --> 0:37:06.400
<v Speaker 1>uh concept. Yeah, the end goal is the same, and

0:37:06.520 --> 0:37:10.720
<v Speaker 1>ultimately the thing that makes everything change electricity is the same,

0:37:10.960 --> 0:37:13.680
<v Speaker 1>but everything in between those two points is totally different,

0:37:13.800 --> 0:37:17.120
<v Speaker 1>so different. Yeah, and it's fascinating to me, especially because

0:37:17.120 --> 0:37:21.719
<v Speaker 1>it's such a material's heavy based technology, and you know,

0:37:22.160 --> 0:37:25.920
<v Speaker 1>as we get better materials and as our manufacturing process

0:37:26.000 --> 0:37:28.680
<v Speaker 1>is improved, we're going to see huge improvements in this

0:37:28.800 --> 0:37:31.960
<v Speaker 1>kind of um. You know, a lot of what is

0:37:32.000 --> 0:37:33.880
<v Speaker 1>going to be involved is coming up with stuff that

0:37:33.920 --> 0:37:39.960
<v Speaker 1>has really non reflective films, you know, screens and very

0:37:40.080 --> 0:37:44.200
<v Speaker 1>very reflective materials creating the pixels inside those screens. Right,

0:37:44.239 --> 0:37:47.560
<v Speaker 1>So what you're saying is that the the surface isn't reflective,

0:37:47.560 --> 0:37:49.200
<v Speaker 1>because otherwise you would just be it would be like

0:37:49.200 --> 0:37:51.880
<v Speaker 1>holding a mirror and shining light in your eyes. But

0:37:52.000 --> 0:37:54.960
<v Speaker 1>that the the ink itself, whatever you want to call

0:37:55.000 --> 0:37:59.640
<v Speaker 1>that inc whether it's little solid particles or fluid, whatever

0:37:59.680 --> 0:38:02.400
<v Speaker 1>it is, that would need to be the super reflective

0:38:02.400 --> 0:38:05.120
<v Speaker 1>stuff so that you have a nice sharp contrast. Yes,

0:38:05.200 --> 0:38:08.879
<v Speaker 1>the less reflective the material of film and the more

0:38:08.920 --> 0:38:11.640
<v Speaker 1>reflective the material of the pixels, the sharper the image

0:38:11.680 --> 0:38:16.920
<v Speaker 1>overall will be UM. Luckily, this kind of idea applies

0:38:16.960 --> 0:38:19.640
<v Speaker 1>to other fields as well that are also very lucrative.

0:38:19.920 --> 0:38:23.520
<v Speaker 1>For example, in solar panels. Solar panels are super super

0:38:23.560 --> 0:38:26.440
<v Speaker 1>effective when a lot of light gets through the panel's surface.

0:38:26.920 --> 0:38:31.240
<v Speaker 1>Perhaps obviously if the light is reflecting off the whatever

0:38:31.320 --> 0:38:34.040
<v Speaker 1>protective layers on the top of the panel, then you're

0:38:34.080 --> 0:38:37.000
<v Speaker 1>losing that light cannot capture that and and convert it

0:38:37.000 --> 0:38:39.960
<v Speaker 1>to electricity. Right, So people are working on creating materials

0:38:39.960 --> 0:38:42.759
<v Speaker 1>that have very low reflection. We talked over on our

0:38:42.800 --> 0:38:46.880
<v Speaker 1>other show Forward Thinking UM with Joe. We did an

0:38:46.920 --> 0:38:49.920
<v Speaker 1>episode on biomimicry, and it featured some of the anti

0:38:49.960 --> 0:38:54.760
<v Speaker 1>reflective stuff that people are doing based on moth size um,

0:38:54.920 --> 0:38:57.440
<v Speaker 1>which happened to be covered in this nanostructure that kind

0:38:57.440 --> 0:39:01.520
<v Speaker 1>of just funnels photons straight through UM that also happened

0:39:01.560 --> 0:39:04.520
<v Speaker 1>to be called corneal nipple displays, which I think is

0:39:04.560 --> 0:39:08.120
<v Speaker 1>my favorite science term of the year. I can't I

0:39:08.160 --> 0:39:10.440
<v Speaker 1>can't say it without giggling. They're they're little, they're the well,

0:39:10.440 --> 0:39:13.000
<v Speaker 1>I mean it's it's for their little conical shapes. So

0:39:13.080 --> 0:39:15.560
<v Speaker 1>I mean it makes perfect sense. You know, you call it,

0:39:15.719 --> 0:39:18.640
<v Speaker 1>call it as you see it. Um that that episode,

0:39:18.640 --> 0:39:20.520
<v Speaker 1>by the way, if you would like to listen to it,

0:39:20.560 --> 0:39:25.239
<v Speaker 1>is called bio Mimetics and it published on June. Yeah,

0:39:25.280 --> 0:39:27.799
<v Speaker 1>if you're not listening to Forward Thinking, if you're a

0:39:27.800 --> 0:39:30.400
<v Speaker 1>fan of tech stuff, you'd be a fan of Forward Thinking,

0:39:30.560 --> 0:39:34.279
<v Speaker 1>trust us absolutely. And in addition to helping out with

0:39:34.400 --> 0:39:39.960
<v Speaker 1>the contrast of these screens, getting these light efficiencies worked

0:39:40.000 --> 0:39:43.080
<v Speaker 1>out would also help allow for multi color e paper.

0:39:43.480 --> 0:39:44.880
<v Speaker 1>Like I said, you know, one of those ways to

0:39:44.920 --> 0:39:48.600
<v Speaker 1>do it involves having multiple transparent layers of different colors

0:39:49.200 --> 0:39:51.640
<v Speaker 1>and so so you would have like a red layer,

0:39:51.719 --> 0:39:54.759
<v Speaker 1>a green layer, a blue layer, a black layer, and

0:39:54.800 --> 0:39:59.279
<v Speaker 1>then through combining those, depending upon what the commands were

0:39:59.400 --> 0:40:01.920
<v Speaker 1>from the elect shrodes, you would be able to create

0:40:01.960 --> 0:40:05.600
<v Speaker 1>a full color display. Uh. Again, if we're if we're

0:40:05.600 --> 0:40:08.959
<v Speaker 1>talking about electro for for reddic then it would be uh,

0:40:09.000 --> 0:40:12.319
<v Speaker 1>it would be great for full color illustrations for things

0:40:12.360 --> 0:40:15.000
<v Speaker 1>like science textbooks that kind of thing. Comic books or

0:40:15.040 --> 0:40:17.480
<v Speaker 1>comic books as another great example. Yeah, if you are

0:40:17.560 --> 0:40:20.080
<v Speaker 1>getting comic books on an e reader, then you probably

0:40:20.120 --> 0:40:23.640
<v Speaker 1>want to have full color because you can't really appreciate

0:40:23.680 --> 0:40:25.880
<v Speaker 1>the artwork if it if it's if it's not a

0:40:25.880 --> 0:40:28.480
<v Speaker 1>black and white comic, you're not able to fully appreciate

0:40:28.560 --> 0:40:30.680
<v Speaker 1>all the work that went into generating it. Oh sure.

0:40:31.080 --> 0:40:34.400
<v Speaker 1>Also just on an industrial level, I mean, in order

0:40:34.440 --> 0:40:37.840
<v Speaker 1>to bring the paper into the same realm as regular

0:40:37.880 --> 0:40:41.880
<v Speaker 1>old printed paper. You know, the entire color industry is

0:40:41.960 --> 0:40:44.240
<v Speaker 1>is a really huge part of all of that. Advertisers

0:40:44.239 --> 0:40:47.359
<v Speaker 1>you know, uh, Coke wants to use Coca Cola red,

0:40:47.880 --> 0:40:49.960
<v Speaker 1>Ninja Turtles want to use Ninja turtle green, like like,

0:40:50.040 --> 0:40:53.719
<v Speaker 1>everyone has very specific copyrighted colors that go along with

0:40:53.760 --> 0:40:58.600
<v Speaker 1>their stuff. And until you allow people to make honestly advertisements, um,

0:40:58.719 --> 0:41:01.200
<v Speaker 1>the same way that they would on print paper, it's

0:41:01.239 --> 0:41:04.000
<v Speaker 1>never gonna take its place. Yeah. Yeah, well, so I

0:41:04.040 --> 0:41:06.200
<v Speaker 1>know that we've talked in the past on tech stuff

0:41:06.200 --> 0:41:09.680
<v Speaker 1>about the the idea of the paperless office. But yeah,

0:41:09.760 --> 0:41:12.319
<v Speaker 1>until you're able to get into something like that where

0:41:12.320 --> 0:41:14.640
<v Speaker 1>you're able to get really good color matching, it just

0:41:14.760 --> 0:41:18.719
<v Speaker 1>isn't gonna happen. Um, And uh, you know, I don't

0:41:18.719 --> 0:41:21.719
<v Speaker 1>know about you, Lauren, but I every every year it

0:41:21.719 --> 0:41:25.080
<v Speaker 1>seems like I I a crew more paper, not less so.

0:41:26.400 --> 0:41:31.319
<v Speaker 1>But anyway, yeah, it's interesting to talk about this technology.

0:41:31.320 --> 0:41:35.200
<v Speaker 1>I mean, obviously it's something that is becoming more and

0:41:35.280 --> 0:41:40.040
<v Speaker 1>more popular. I mean the Kindle, Yeah, I love, I

0:41:40.440 --> 0:41:44.000
<v Speaker 1>love all my kindles. Um, actually I need to get

0:41:44.800 --> 0:41:46.440
<v Speaker 1>I need to get a new one, in fact, because

0:41:46.760 --> 0:41:51.840
<v Speaker 1>my I busted my old one. You know. Yeah, what

0:41:51.960 --> 0:41:56.000
<v Speaker 1>can I say? You read George rr Martin, You're bound

0:41:56.040 --> 0:41:58.600
<v Speaker 1>to throw a book against the wall, and the book

0:41:58.800 --> 0:42:02.120
<v Speaker 1>happens to be a like tronic you pay for it.

0:42:02.640 --> 0:42:06.200
<v Speaker 1>So anyway, yeah, these are these It's a really cool technology.

0:42:06.239 --> 0:42:09.960
<v Speaker 1>It's really one of those that was cutting edge and

0:42:09.960 --> 0:42:12.800
<v Speaker 1>no one had heard about it just a few years ago. Really,

0:42:13.320 --> 0:42:16.319
<v Speaker 1>and now everyone knows about it, but not everyone knows

0:42:16.800 --> 0:42:20.680
<v Speaker 1>what makes it tick. Why do you have this thing

0:42:20.719 --> 0:42:22.799
<v Speaker 1>where the only time it sets powers when you turn

0:42:22.800 --> 0:42:25.040
<v Speaker 1>a page? And I think it's really interesting to explore

0:42:25.080 --> 0:42:27.839
<v Speaker 1>the technology that makes it possible. So Danny, I want

0:42:27.840 --> 0:42:31.640
<v Speaker 1>to thank you for sending in that suggestion, and if

0:42:31.680 --> 0:42:34.399
<v Speaker 1>any of you have suggestions for future episodes of tech

0:42:34.440 --> 0:42:37.280
<v Speaker 1>stuff then you can write us an email tech Stuff

0:42:37.400 --> 0:42:40.319
<v Speaker 1>at how stuff works dot com. It is actually working now.

0:42:40.400 --> 0:42:43.680
<v Speaker 1>It is weekend, completely confirmed, it is in fact working.

0:42:44.360 --> 0:42:47.400
<v Speaker 1>You can also send it like Danny did, via Twitter

0:42:47.920 --> 0:42:50.759
<v Speaker 1>uh tech stuff hs wsr handle. It's the same handle

0:42:50.800 --> 0:42:53.640
<v Speaker 1>we also use on Facebook and Tumblr, so feel free

0:42:53.640 --> 0:42:55.600
<v Speaker 1>to get in touch with us through any of those means.

0:42:55.840 --> 0:42:59.080
<v Speaker 1>We read every single message. We really appreciate you, guys,

0:42:59.320 --> 0:43:06.279
<v Speaker 1>and we will help you again. Release for more on

0:43:06.360 --> 0:43:08.840
<v Speaker 1>this and thousands of other topics because it how stuff

0:43:08.840 --> 0:43:19.320
<v Speaker 1>works dot com