WEBVTT - JORDAN OMLEY - Don’t Clean Your Pan!

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<v Speaker 1>What's good, guys. I am Jordan's Omley. This is eating

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<v Speaker 1>while broke check the apron. I'm with my good friend

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<v Speaker 1>Colleen Witt, who I've known for a long time, one

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<v Speaker 1>of the first people I met out here in l

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<v Speaker 1>A when I moved from Seattle. So I'm really happy

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<v Speaker 1>to be here. And I'm a producer, musician, singer, songwriter.

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<v Speaker 1>UH do a little bit of everything, saying wrap cook,

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<v Speaker 1>So today we are making one of my favorite things

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<v Speaker 1>to make, and a great meal to make if you

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<v Speaker 1>don't have a big budget, which is breakfast burritos. Because

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<v Speaker 1>when I moved to Seattle, they turned me out out

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<v Speaker 1>here and let so I've got hash Brown's going right now,

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<v Speaker 1>which kind of take the longest to make, so I've

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<v Speaker 1>had those cooking for a minute. I've got my spicy

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<v Speaker 1>refried beans going right here, which actually I'm gonna add

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<v Speaker 1>some cheese because cheese and beans is, you know, two

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<v Speaker 1>of the best words in the English language, So we're

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<v Speaker 1>gonna get that going. I've got um jalapeno. I've got

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<v Speaker 1>some red onion going over here. That's a flavor combination

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<v Speaker 1>that I use and I don't know most most of

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<v Speaker 1>what I cook unless it's specific to like a region.

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<v Speaker 1>I'm always cooking with peppers and onions, So I've got

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<v Speaker 1>that going. Uh. And then we've got some Colleen didn't

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<v Speaker 1>know what this was, which is hilarious to me. So

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<v Speaker 1>if you live in l A and you don't know

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<v Speaker 1>what dys so is, you just ain't doing it. I

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<v Speaker 1>heard the word guy. We had it was off camera.

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<v Speaker 1>She looked at this thing like a like a cow

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<v Speaker 1>at a new gate. I didn't know what to expect. Um.

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<v Speaker 1>So this is beet theresa, which is a must um

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<v Speaker 1>for breakfast burritos in my opinion. Although you can make

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<v Speaker 1>them with whatever chicken. You could do a vegetarian, you

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<v Speaker 1>could do a soada, whatever you like. But for me

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<v Speaker 1>is the way to go. Um. And then we got cheese, salsa,

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<v Speaker 1>we've got eggs, we've got avocado. Um. You know, it's

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<v Speaker 1>not one of those dishes that's super complicated. I think

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<v Speaker 1>it really is just about getting ingredients that you think

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<v Speaker 1>work well the other and all this stuff is it's

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<v Speaker 1>good together. And I'm not I'm I'm completely not shocked

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<v Speaker 1>that your dish would come with all these ingredients because

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<v Speaker 1>I've eaten at your house and You're a real You're

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<v Speaker 1>the real deal. I like to cook. I grew up

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<v Speaker 1>around like Dad is an incredible cook, so I just

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<v Speaker 1>grew up around it. I've always loved to cook and

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<v Speaker 1>I love to eat. So now that we kind of

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<v Speaker 1>have the basis of your meal, I'm gonna saw this.

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<v Speaker 1>I just want to get to know you more. Um.

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<v Speaker 1>And uh, it's a little smoky in here, guys. So

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<v Speaker 1>if I choked up, no one judged me because I'm

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<v Speaker 1>one of those people that every burner and if they

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<v Speaker 1>had another burner, I'd have that one going too. So

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<v Speaker 1>we're working in here today. We are definitely working in here.

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<v Speaker 1>So um, Jordan's has worked, like I said, with the best.

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<v Speaker 1>But one of the most amazing things about Jordan's story

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<v Speaker 1>is how you got your start. Tell us about it.

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<v Speaker 1>I know I had something to what your day job

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<v Speaker 1>actually right, Well, yeah it did eventually it did. Yeah.

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<v Speaker 1>Like I said, I was, I was rapping at a

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<v Speaker 1>young age and I was Um. I was signed when

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<v Speaker 1>I was fourteen years old to Sony form a development

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<v Speaker 1>deal and I got in the studio actually in Seattle

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<v Speaker 1>with Sir mix a lot when I was really young

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<v Speaker 1>and Sir mix a lot kind of took me under

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<v Speaker 1>his wing, introduced me to a lot of people, and

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<v Speaker 1>I ended up on tour with Snoop and Mystical and

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<v Speaker 1>Digital Underground, and I was like, you know, live in

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<v Speaker 1>a high school life, um, singing in choir, and then

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<v Speaker 1>I was on the road, like rapping with these legends.

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<v Speaker 1>But how did you in the crossing paths with them

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<v Speaker 1>if you're in Seattle? Mix a lot knew these dudes,

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<v Speaker 1>so they would come to they would come to Seattle

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<v Speaker 1>to do shows, and then Mix would take me to

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<v Speaker 1>the shows. He'd introduced me to him with my boy

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<v Speaker 1>the Dog, who was someone like a local kind of

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<v Speaker 1>a local legend up in Seattle, and the Dog kind

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<v Speaker 1>of put me in touch with all these dudes. And

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<v Speaker 1>then I started doing show was with them, and um,

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<v Speaker 1>that let me know that I at least had the

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<v Speaker 1>talent to do what I wanted to do. But at

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<v Speaker 1>the time I was one of the funniest things that

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<v Speaker 1>people don't know is I've never drank in my life.

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<v Speaker 1>I've never even tasted alcohol. I've never had a drug,

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<v Speaker 1>a cigarette, nothing. So when I was doing shows with

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<v Speaker 1>these dudes, like the after parties were like every cliche

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<v Speaker 1>you could think of for these crazy after parties was

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<v Speaker 1>super real and I was uncomfortable. So I would go

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<v Speaker 1>like back to my hotel room or wherever we were staying,

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<v Speaker 1>and I would be writing pop songs secretly, like I

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<v Speaker 1>love to sing and I was inquired. So I started

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<v Speaker 1>writing pop songs at a young age and fell in

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<v Speaker 1>love with that too, so I kind of I was

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<v Speaker 1>doing a little bit of everything. Um, when I've decided

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<v Speaker 1>I wanted to move out of Seattle because I didn't

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<v Speaker 1>see a musical future there at the time, I got

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<v Speaker 1>a job selling over the phone for Direct TV. They

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<v Speaker 1>had an office in Orange County. And the whole time

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<v Speaker 1>this is going on, your parents are saying what exactly?

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<v Speaker 1>They my dad and my bonus mom, Nina, his wife,

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<v Speaker 1>we're really supportive. My mom was a little apprehensive about

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<v Speaker 1>me doing rapper music at first, but she eventually came

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<v Speaker 1>around when I worked with one of her favorite singers.

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<v Speaker 1>We could talk about that later, but yeah, it was

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<v Speaker 1>it was cool. They were supportive, you know, they knew

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<v Speaker 1>that I was going to do it anyway. At a

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<v Speaker 1>young age. I told him, Look, school is not my thing.

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<v Speaker 1>I'm not going to college. I'm not gonna get good

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<v Speaker 1>grades in high school, but I'm definitely gonna make it

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<v Speaker 1>as a as a rapper or a songwriter. And they

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<v Speaker 1>were like, okay, so thank god it works because there

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<v Speaker 1>was no plan b um, but yeah, they were cool.

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<v Speaker 1>So I made the move and I was in uh Irvine,

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<v Speaker 1>UM selling direct TV day job nine to five type

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<v Speaker 1>stuff for UM yeah for about three months. UM. Early

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<v Speaker 1>here in my life, I had been in different cities.

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<v Speaker 1>The Bay Area was one of them, and I had

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<v Speaker 1>made some connections that I saved like business cards in

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<v Speaker 1>my phone type stuff. And one of the connections that

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<v Speaker 1>I made was to a big producer up in the

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<v Speaker 1>Bay Area. His name was Nardam Michael Walden. He said,

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<v Speaker 1>legend in the world of pop music, and UM. I

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<v Speaker 1>started calling everybody and everybody turned me down. Everybody said

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<v Speaker 1>no to wanting to meet me now that I was

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<v Speaker 1>in l A. But he was one of the only

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<v Speaker 1>people that said yes. So I took a trip up

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<v Speaker 1>to the Bay Area. I drove my like old broke

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<v Speaker 1>Honda cord that had two d fourteen thousand miles on it,

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<v Speaker 1>but it worked and it got me up to the

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<v Speaker 1>Bay and I met with him and he had me

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<v Speaker 1>sing like my three best songs he wanted me to sing,

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<v Speaker 1>and he hated all didn't like one song, and so

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<v Speaker 1>I was like really deflated walking out of the studio

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<v Speaker 1>because I was like, damn, like I really thought these

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<v Speaker 1>were good songs and I thought this was like a

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<v Speaker 1>big break for me. And as I was leaving, this

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<v Speaker 1>dude came out of the control room and he was like, hey,

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<v Speaker 1>he doesn't like anything, so I don't sweat it, like

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<v Speaker 1>I thought your songs were great. And I was like,

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<v Speaker 1>thank you, man, but like I'm feeling pretty down, and

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<v Speaker 1>he was like no, Like, I'm a producer, my name's

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<v Speaker 1>Mike Monty, and I want to give you this beat

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<v Speaker 1>c D of my tracks. So I was like okay,

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<v Speaker 1>bet So Mike gave me this beat t D and

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<v Speaker 1>I drove back six hours back to my place where

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<v Speaker 1>I was living in Orange County from the Bay Area,

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<v Speaker 1>and I wrote to all of them, every track and

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<v Speaker 1>I just fell in love with his music. And I

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<v Speaker 1>called him when I got back to Orange County and

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<v Speaker 1>I was like, bro, your tracks are amazing, Like I

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<v Speaker 1>don't say I love him, and I wrote like crazy

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<v Speaker 1>to him. He was like, which one did you write to?

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<v Speaker 1>I said all of them. So he was like, okay, Well,

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<v Speaker 1>he said, the next time you're in the bay, uh,

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<v Speaker 1>come by and show me the songs. I was like, okay, bet,

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<v Speaker 1>hung up, got in the car, drove six hours. UM

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<v Speaker 1>showed up at his house. Because my dad always told

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<v Speaker 1>me when I was young, this is there was no

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<v Speaker 1>like this was like a long time ago, keep in mind,

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<v Speaker 1>so I map quested this. There was no like GPS,

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<v Speaker 1>like I printed out my directions up map quest. If

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<v Speaker 1>you don't know what map quest is, I don't know

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<v Speaker 1>what to tell you. You're too young, but that's okay.

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<v Speaker 1>So after Um, after I made that drive, I just

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<v Speaker 1>showed up at his place because because the addresses on

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<v Speaker 1>his business card. So when I showed up at his house,

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<v Speaker 1>he opened the door and he was like, I thought

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<v Speaker 1>you were back in Orange County and I was like, yeah,

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<v Speaker 1>but you said the next time I'm in the Bay,

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<v Speaker 1>I could come and show you my songs, and I'm here,

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<v Speaker 1>so what's up. So it was just one of those

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<v Speaker 1>moments where like I took a chance and I just

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<v Speaker 1>went for it, and thank god it worked because Mike

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<v Speaker 1>and I have been writing together for eighteen years since

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<v Speaker 1>that day, so I went back to the Bay area. Um,

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<v Speaker 1>and he loved those songs. He loved Yeah, he loved

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<v Speaker 1>the songs. We had a great chemistry. So I went

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<v Speaker 1>back to Orange County where I was working still my

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<v Speaker 1>nine to five job, and Mike was in the Bay.

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<v Speaker 1>So I was like, I have to figure out a

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<v Speaker 1>way to make this work somehow. So by a Fluke,

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<v Speaker 1>the boss of the Direct TV location, who was super

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<v Speaker 1>rich and super cool, but he was also like very

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<v Speaker 1>about his business. He had his assistant come over my desk.

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<v Speaker 1>She was like, hey, Tom wants to talk to you

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<v Speaker 1>in his office about you leaving for these back to

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<v Speaker 1>back days. I'm like okay, So I go. And by

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<v Speaker 1>the way, I had like a crush on this girl,

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<v Speaker 1>like I was. I knew I was about to get

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<v Speaker 1>scolded in front of this girl who like the cool.

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<v Speaker 1>So we go to Tom's office. Tom's like, look, man,

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<v Speaker 1>you left two days. You didn't give me any notice,

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<v Speaker 1>and you know the policy here. Unfortunately, like that's just

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<v Speaker 1>not okay, um, but um, I need you to sign

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<v Speaker 1>this paperwork before you leave. And now I'm pleading for

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<v Speaker 1>my job. I'm like, I'm like begging in front of

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<v Speaker 1>Tom in front of his assistant, looking like a fool,

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<v Speaker 1>and he said, it just is what it is. I've

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<v Speaker 1>made my decision. He like slid this envelope over to me,

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<v Speaker 1>and it was like a Manila full there was paperwork

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<v Speaker 1>in it. But I opened it up and on the

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<v Speaker 1>top there was a cashier's check on top of the

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<v Speaker 1>envelope and it was made out to me UM, and

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<v Speaker 1>it was in the amount of thirty dollars. And I

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<v Speaker 1>looked up at him and I'm like, I don't know

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<v Speaker 1>what this is. And he goes, look, I heard what

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<v Speaker 1>you made up in the bay, Um. You need to

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<v Speaker 1>take this money and get as far away from here

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<v Speaker 1>and go back to there and do as much of

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<v Speaker 1>that as you can. And I just instantly started crying, ugly, crying,

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<v Speaker 1>like you know what I mean like that, And it's

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<v Speaker 1>in front of this girl. No, it couldn't. It couldn't

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<v Speaker 1>have been worse. Do you think she knew about it?

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<v Speaker 1>I don't know. She was shocked too. But he had

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<v Speaker 1>heard the music because I played it, you know, for

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<v Speaker 1>people around the office, um at a party, and he

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<v Speaker 1>believed in it. And he was just like, look, man,

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<v Speaker 1>life is about paying it forward. I'm like, I will

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<v Speaker 1>pay you back this money. And he was like, no,

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<v Speaker 1>this is a gift. The way you can pay me

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<v Speaker 1>act is by doing good for other people. And anytime

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<v Speaker 1>you get the chance, just do good for people. So

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<v Speaker 1>he gave me this check. I left the building with

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<v Speaker 1>this check, went to the bank and put this check

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<v Speaker 1>in my account, which was overdrawn by like eighty two bucks.

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<v Speaker 1>And I went up to the teller and she was like, uh,

0:11:16.920 --> 0:11:19.560
<v Speaker 1>this is nice. I'm like, yeah, this is crazy. What's

0:11:19.559 --> 0:11:23.280
<v Speaker 1>my balance? And she's like, you're overdrawn eighty two. So

0:11:23.320 --> 0:11:24.640
<v Speaker 1>I had to wait for this check to clear, and

0:11:24.679 --> 0:11:26.400
<v Speaker 1>then I called Mike and I'm like, bro, I'm moving,

0:11:26.520 --> 0:11:29.200
<v Speaker 1>Like I got money, I'm moving. That the biggest amount

0:11:29.200 --> 0:11:33.280
<v Speaker 1>of money you had seen at that time. Oh yeah,

0:11:33.320 --> 0:11:35.760
<v Speaker 1>of course, And none of that money was for me.

0:11:36.160 --> 0:11:38.160
<v Speaker 1>I gave that money to Mike to book him out

0:11:38.160 --> 0:11:41.840
<v Speaker 1>pretty much for six months. We like, I've moved. I

0:11:41.880 --> 0:11:45.000
<v Speaker 1>used that money to move, got a place, booked out

0:11:45.880 --> 0:11:49.240
<v Speaker 1>Mike's work for many months, and we just got to work.

0:11:49.280 --> 0:11:52.240
<v Speaker 1>And since that day we've never stopped. It's just been

0:11:53.520 --> 0:11:56.520
<v Speaker 1>it's just been amazing. So really, that guy Tom Martindale

0:11:57.000 --> 0:12:03.480
<v Speaker 1>Direct TV. Everybody that man, right, there. I gotta put

0:12:03.480 --> 0:12:05.200
<v Speaker 1>my hash Browns in here with this. You kind of

0:12:05.240 --> 0:12:08.760
<v Speaker 1>want when you're cooking a breakfast burrito, you really want

0:12:09.280 --> 0:12:11.600
<v Speaker 1>the flavors of everything to start working together as soon

0:12:11.640 --> 0:12:13.720
<v Speaker 1>as possible. So when you feel like you've got your

0:12:13.720 --> 0:12:15.920
<v Speaker 1>Theresa done, which I do, and you feel like you've

0:12:15.920 --> 0:12:18.400
<v Speaker 1>got your hash Browns done, you want to like let

0:12:18.400 --> 0:12:21.720
<v Speaker 1>them get happy together. Okay. And I saw you dump

0:12:21.760 --> 0:12:24.400
<v Speaker 1>the onions and I dumped onions. Yeah, you like you

0:12:24.440 --> 0:12:27.360
<v Speaker 1>really want this thing to be like like beach front

0:12:27.600 --> 0:12:30.400
<v Speaker 1>property in Flavortown. You know what I'm saying. When you

0:12:30.400 --> 0:12:32.800
<v Speaker 1>buy into it, you really want that. So I get

0:12:32.840 --> 0:12:35.320
<v Speaker 1>this going all together because we're pretty much good now.

0:12:35.320 --> 0:12:37.640
<v Speaker 1>I haven't even got the burner off. Like we're at

0:12:37.640 --> 0:12:41.960
<v Speaker 1>the point with this stuff where now it's eggs clatillas

0:12:42.000 --> 0:12:45.000
<v Speaker 1>and we start putting it together, so we're good. This

0:12:45.160 --> 0:12:48.920
<v Speaker 1>looks so it's gonna be it's gonna be good. Um,

0:12:49.000 --> 0:12:52.360
<v Speaker 1>so we're doing eggs nice. So yeah, that's um. That's

0:12:52.400 --> 0:12:54.079
<v Speaker 1>kind of how I got my break, honestly. And then

0:12:54.120 --> 0:12:57.640
<v Speaker 1>Mike and I started working like crazy. We signed a

0:12:57.640 --> 0:13:02.640
<v Speaker 1>publishing deal um with Sony through Big John Platt shout

0:13:02.640 --> 0:13:06.760
<v Speaker 1>out to Big John for changing my life, and we

0:13:06.800 --> 0:13:09.640
<v Speaker 1>found our first artist. We signed a girl that was

0:13:09.640 --> 0:13:11.880
<v Speaker 1>twelve years old. We believed in her. Her name is

0:13:11.920 --> 0:13:15.120
<v Speaker 1>Tory Kelly. She's a pretty amazing singer. If you guys

0:13:15.160 --> 0:13:17.760
<v Speaker 1>don't know who Tory Kelly is, she's one of the

0:13:17.760 --> 0:13:19.360
<v Speaker 1>best singers in the world and she's gone on to

0:13:19.400 --> 0:13:22.760
<v Speaker 1>do really well. And that signing Tori and developing Tori

0:13:22.920 --> 0:13:25.480
<v Speaker 1>was a big break for us UM And then we

0:13:25.880 --> 0:13:27.719
<v Speaker 1>got lucky. We got in with the Backstreet Boys, we

0:13:27.800 --> 0:13:31.800
<v Speaker 1>got in with Pussycat Dolls, Brandy And at this point,

0:13:31.840 --> 0:13:35.560
<v Speaker 1>what when do you personally feel like you arrived? Like

0:13:35.640 --> 0:13:38.840
<v Speaker 1>when was it? Like, I'm sure that the thirty dollar

0:13:38.920 --> 0:13:41.760
<v Speaker 1>check was confirmation that you were on the right path. Yeah,

0:13:41.840 --> 0:13:43.640
<v Speaker 1>that did make because you know, the whole time, you're like,

0:13:43.720 --> 0:13:47.559
<v Speaker 1>I think I'm good. What if I'm awful? Like do

0:13:47.559 --> 0:13:49.880
<v Speaker 1>you ever watch American Idol or The Voice and you see, well,

0:13:49.920 --> 0:13:51.959
<v Speaker 1>the voices talent, But when you see American Idols some

0:13:51.960 --> 0:13:57.920
<v Speaker 1>of these people auditioning, you're like, someone know you're not good, man, Like,

0:13:58.040 --> 0:14:01.160
<v Speaker 1>you have to know you're not good. But with this,

0:14:01.200 --> 0:14:03.040
<v Speaker 1>it was like, I think I'm good enough. People have

0:14:03.080 --> 0:14:05.320
<v Speaker 1>told me that I have talent and I really hope so,

0:14:05.400 --> 0:14:08.880
<v Speaker 1>but yeah, that was confirmation for sure. So I did

0:14:08.920 --> 0:14:10.800
<v Speaker 1>feel like then when we started getting in rooms with

0:14:10.840 --> 0:14:12.680
<v Speaker 1>people that I was like big, Like when I was

0:14:12.720 --> 0:14:15.360
<v Speaker 1>in the room with Brandy writing songs for Brandy's album

0:14:15.360 --> 0:14:17.920
<v Speaker 1>and I'm a massive Brandy fan, I'm like, yea, this

0:14:18.000 --> 0:14:22.280
<v Speaker 1>is like I'm on, yeah, yeah, this is crazy. So

0:14:22.320 --> 0:14:26.080
<v Speaker 1>it wasn't the checks. It was like, it's almost like

0:14:26.160 --> 0:14:28.640
<v Speaker 1>my favorite rappers, jay Z, of course, So like if

0:14:28.680 --> 0:14:32.760
<v Speaker 1>I ever first of all people who know me, no,

0:14:32.840 --> 0:14:36.800
<v Speaker 1>I can't even But if I think that, if I

0:14:36.800 --> 0:14:40.120
<v Speaker 1>ever got an opportunity to interview jay Z, that's it.

0:14:40.520 --> 0:14:44.040
<v Speaker 1>I'm like, I've arrived. You can't. I'm almost Beyonce level

0:14:44.040 --> 0:14:47.200
<v Speaker 1>at this point. You know what I'm saying. I'm not mad,

0:14:47.360 --> 0:14:49.880
<v Speaker 1>I get it. So yeah, it was more than people

0:14:49.920 --> 0:14:52.640
<v Speaker 1>than the checks. Honestly, anybody in music, I don't care

0:14:52.680 --> 0:14:55.520
<v Speaker 1>how big you are, if you want to use that

0:14:55.600 --> 0:14:58.720
<v Speaker 1>term or successful. Everybody knows that money comes and goes

0:14:58.760 --> 0:15:01.160
<v Speaker 1>in this business. Sometimes you got it, sometimes you don't.

0:15:01.200 --> 0:15:03.240
<v Speaker 1>Like if I got songs on the radio that are

0:15:03.280 --> 0:15:06.240
<v Speaker 1>doing well or songs that are streaming well, business is

0:15:06.240 --> 0:15:09.120
<v Speaker 1>popping but there's times where you don't and then you're

0:15:09.520 --> 0:15:11.000
<v Speaker 1>you know, you've got to live a little tighter, and

0:15:11.080 --> 0:15:13.200
<v Speaker 1>that's just the way it is. So I've never really

0:15:13.200 --> 0:15:17.600
<v Speaker 1>defined success in music by money. It was more about

0:15:17.600 --> 0:15:21.880
<v Speaker 1>like the opportunities, because once you get into the business,

0:15:21.960 --> 0:15:24.160
<v Speaker 1>you realize how hard it is to get in rooms

0:15:24.160 --> 0:15:27.080
<v Speaker 1>with people. Anybody could write songs, and today there's so

0:15:27.120 --> 0:15:30.760
<v Speaker 1>many people writing songs off their laptops sending them in

0:15:30.800 --> 0:15:32.880
<v Speaker 1>from their bedroom, which is amazing because they didn't have

0:15:32.920 --> 0:15:36.560
<v Speaker 1>that when I started out. But it's really hard to

0:15:36.560 --> 0:15:39.560
<v Speaker 1>get in a room with people, you know what I mean, Like,

0:15:39.560 --> 0:15:41.120
<v Speaker 1>like you're a fan of jay Z. I was a

0:15:41.120 --> 0:15:44.280
<v Speaker 1>big fan of Tech nine and I got to fly

0:15:44.360 --> 0:15:46.520
<v Speaker 1>to Kansas City and work with Tech nine, you know,

0:15:46.560 --> 0:15:49.160
<v Speaker 1>and that was like that's hard. That those kind of

0:15:49.160 --> 0:15:53.360
<v Speaker 1>things made it more like believable for me. So was

0:15:53.400 --> 0:15:55.760
<v Speaker 1>there ever a point where you made money and you

0:15:55.840 --> 0:16:00.320
<v Speaker 1>kinda blew it and then all the time, are you

0:16:00.400 --> 0:16:05.400
<v Speaker 1>kidding me? I've rented this house that was five bedrooms

0:16:05.400 --> 0:16:07.640
<v Speaker 1>and it was me living in it because I was

0:16:07.680 --> 0:16:09.320
<v Speaker 1>I was like, this is amazing and I want to

0:16:09.320 --> 0:16:11.920
<v Speaker 1>feel like a baller. And I built a shoe room,

0:16:11.960 --> 0:16:13.960
<v Speaker 1>and I got four hundred pairs of sneakers, and I

0:16:14.040 --> 0:16:16.440
<v Speaker 1>was just an idiot, and I blew money like crazy

0:16:16.600 --> 0:16:18.720
<v Speaker 1>all the time. And then you hit a point where

0:16:18.720 --> 0:16:21.120
<v Speaker 1>you're like, I don't know, you realize what's more important,

0:16:21.160 --> 0:16:25.280
<v Speaker 1>like stability and paying taxes and other things like that

0:16:25.280 --> 0:16:27.000
<v Speaker 1>that I didn't want to do for a long time.

0:16:27.560 --> 0:16:30.560
<v Speaker 1>So yeah, I mean, of course there's plenty of that stuff.

0:16:35.960 --> 0:16:40.200
<v Speaker 1>So since your career has taken off, this particular meal,

0:16:40.640 --> 0:16:44.400
<v Speaker 1>this signature dish, I'm guessing you still eat every once

0:16:44.400 --> 0:16:46.760
<v Speaker 1>in a while for luxury or has there been a

0:16:46.800 --> 0:16:49.080
<v Speaker 1>point in the last five years where you had to

0:16:49.080 --> 0:16:53.720
<v Speaker 1>eat it out of survival. Well, survival is so dramatic,

0:16:54.040 --> 0:16:56.120
<v Speaker 1>you know what I mean. If you're living in in

0:16:56.360 --> 0:16:59.320
<v Speaker 1>l a you're all right no matter how broke you are.

0:16:59.320 --> 0:17:01.040
<v Speaker 1>There's people that around this world that are doing a

0:17:01.040 --> 0:17:03.160
<v Speaker 1>lot worse. So survival is tough to say. But I

0:17:03.200 --> 0:17:06.480
<v Speaker 1>will say that is just really hard, because that's what

0:17:06.520 --> 0:17:08.240
<v Speaker 1>I'm saying. But if you can afford to pay rent

0:17:08.280 --> 0:17:12.080
<v Speaker 1>in l A, h, you know you're surviving. Yeah, that's true.

0:17:12.720 --> 0:17:15.800
<v Speaker 1>But I will say this, this is a meal that

0:17:16.080 --> 0:17:20.320
<v Speaker 1>my wife loves. I like to cook breakfast every weekend

0:17:20.359 --> 0:17:22.440
<v Speaker 1>if I can for us, and this is just one

0:17:22.480 --> 0:17:25.320
<v Speaker 1>that like, she absolutely loves it. So I make this

0:17:25.359 --> 0:17:27.919
<v Speaker 1>meal a lot at the house, so yeah, we do

0:17:27.960 --> 0:17:30.199
<v Speaker 1>eat this one. I'm just looking at this meal. I

0:17:30.240 --> 0:17:34.400
<v Speaker 1>feel like this is going to be drafted into first

0:17:34.400 --> 0:17:36.840
<v Speaker 1>of all, probably take ownership with my husband and be

0:17:36.920 --> 0:17:40.320
<v Speaker 1>like I came up with this dish. You know it's

0:17:40.359 --> 0:17:42.840
<v Speaker 1>going to see an episode of this, like stop that

0:17:42.920 --> 0:17:46.560
<v Speaker 1>line probably when I serviced when he's like, where'd you

0:17:46.560 --> 0:17:51.320
<v Speaker 1>get this? Eating well broke but um, but yeah, this

0:17:51.359 --> 0:17:55.119
<v Speaker 1>dish looks smells with all the ingredients. I'm like completely

0:17:55.119 --> 0:18:00.200
<v Speaker 1>shocked that you can have such a real rest around

0:18:00.200 --> 0:18:03.680
<v Speaker 1>almost all dish for so cheap, and it's not even

0:18:03.800 --> 0:18:06.800
<v Speaker 1>unhealthy because most of the meals we see that com

0:18:06.840 --> 0:18:09.600
<v Speaker 1>on this show are just you know they're unhealthy because

0:18:10.520 --> 0:18:12.399
<v Speaker 1>I get it. Let me give you a tip to

0:18:12.760 --> 0:18:16.560
<v Speaker 1>for people out there when you're about to do yours.

0:18:17.960 --> 0:18:19.760
<v Speaker 1>Uh you want to put I like to cook it

0:18:19.800 --> 0:18:23.160
<v Speaker 1>in the pant overhead shot, overhead camp. Don't clean your pan.

0:18:23.680 --> 0:18:27.760
<v Speaker 1>That's that's flavor. That's flavor. Just put that thing right

0:18:27.800 --> 0:18:30.000
<v Speaker 1>on there and let it get happy. Just look the

0:18:30.040 --> 0:18:33.840
<v Speaker 1>outside get dirty, or something. You're assuming that the part

0:18:33.880 --> 0:18:36.399
<v Speaker 1>I just put it on the outside. See what you

0:18:36.440 --> 0:18:39.680
<v Speaker 1>do is once this is ready, just is once it's warm.

0:18:39.720 --> 0:18:41.800
<v Speaker 1>Now you take this thing off and the bottom part

0:18:41.840 --> 0:18:44.480
<v Speaker 1>is the inside, and now I start filling it. So

0:18:44.520 --> 0:18:46.800
<v Speaker 1>I'll show you this part is a little bit of

0:18:46.840 --> 0:18:50.600
<v Speaker 1>like a a multi layered process because I like to

0:18:52.400 --> 0:18:54.720
<v Speaker 1>I like to load it up a certain kind of way.

0:18:55.000 --> 0:18:57.639
<v Speaker 1>But but I think it's interesting about George too. Was like,

0:18:57.680 --> 0:18:59.520
<v Speaker 1>while I was watching and Cook, I'm like, oh, he

0:18:59.600 --> 0:19:01.760
<v Speaker 1>needs He's clearly going to need like way more pots

0:19:01.760 --> 0:19:05.600
<v Speaker 1>and pants. But no, you're just like swapping flavors the

0:19:05.760 --> 0:19:09.120
<v Speaker 1>entire exactly. You let everything get happy together. Look at that.

0:19:10.320 --> 0:19:14.679
<v Speaker 1>Now we do this. So who so far in your

0:19:14.800 --> 0:19:21.399
<v Speaker 1>career would you say, uh, probably left the most I

0:19:21.440 --> 0:19:26.200
<v Speaker 1>guess impact. Mm hmm. That's a good question. Who left

0:19:26.240 --> 0:19:30.359
<v Speaker 1>the most impact creatively? Or like, like, who did I

0:19:30.400 --> 0:19:32.800
<v Speaker 1>like the most? Those are different questions. You can answer

0:19:32.840 --> 0:19:36.720
<v Speaker 1>both because I'll use both of us. So I think

0:19:36.760 --> 0:19:41.080
<v Speaker 1>that somebody that left like a really big impact on

0:19:41.280 --> 0:19:48.399
<v Speaker 1>me personally that I went in with was Mariah. So

0:19:48.480 --> 0:19:50.760
<v Speaker 1>this was one of those moments where it's like, this

0:19:50.840 --> 0:19:54.200
<v Speaker 1>is a legend okay. But the reason why it left

0:19:54.200 --> 0:19:59.040
<v Speaker 1>such an impact was she was not like how you

0:19:59.119 --> 0:20:02.159
<v Speaker 1>might think in your head of how you know someone

0:20:02.359 --> 0:20:05.280
<v Speaker 1>so big would be in the studio. She was very

0:20:05.359 --> 0:20:08.119
<v Speaker 1>like when she would listen down to her vocals that

0:20:08.200 --> 0:20:10.359
<v Speaker 1>we were going through, she would say, oh, like, oh no,

0:20:10.440 --> 0:20:12.359
<v Speaker 1>don't play that one, like that's not it. And I'm like,

0:20:12.400 --> 0:20:15.360
<v Speaker 1>you're like anything you sing is amazing, Like this take

0:20:15.480 --> 0:20:18.240
<v Speaker 1>that you don't think is good is so good. And

0:20:18.400 --> 0:20:21.920
<v Speaker 1>I think that like it showed me a level of like,

0:20:22.400 --> 0:20:24.520
<v Speaker 1>even when you get to the top, you still have

0:20:24.680 --> 0:20:27.359
<v Speaker 1>to be so vigilant and you still have to be

0:20:27.440 --> 0:20:29.600
<v Speaker 1>so selective about what you put out there and what

0:20:29.800 --> 0:20:32.080
<v Speaker 1>people here. And I kind of thought that was amazing

0:20:32.119 --> 0:20:35.440
<v Speaker 1>because you could at that level, you could just ride

0:20:35.440 --> 0:20:37.439
<v Speaker 1>the easy train from there on out if you want to.

0:20:38.040 --> 0:20:40.920
<v Speaker 1>But she also shows her level of passion and commitment

0:20:41.000 --> 0:20:43.800
<v Speaker 1>right completely. That's what I'm saying, Like, it was very cool.

0:20:44.240 --> 0:20:47.240
<v Speaker 1>That was Yeah, that was just cool for a different

0:20:47.240 --> 0:20:49.600
<v Speaker 1>reason because it was it just kind of showed me like, Okay,

0:20:49.640 --> 0:20:52.640
<v Speaker 1>whatever level you're at in this business, keep going. Yeah,

0:20:53.680 --> 0:20:57.240
<v Speaker 1>So that was big to me. Not at all. She

0:20:57.359 --> 0:20:59.879
<v Speaker 1>was great. Really, I thought she was awesome. I mean,

0:20:59.920 --> 0:21:02.960
<v Speaker 1>I know, I know people say things about her, but

0:21:03.880 --> 0:21:07.000
<v Speaker 1>you know, I mean she was she was super cool.

0:21:07.400 --> 0:21:09.960
<v Speaker 1>She showed up at the studio. This was her and

0:21:10.080 --> 0:21:12.000
<v Speaker 1>Nick Cannon walked in. Wait, you didn't put the cheese

0:21:12.040 --> 0:21:15.720
<v Speaker 1>on that one girl. I understand. Oh, I just been't

0:21:15.720 --> 0:21:17.800
<v Speaker 1>watching to get my my little because I was gonna

0:21:17.800 --> 0:21:19.879
<v Speaker 1>say who was wearing the apron, but we're both wearing apron,

0:21:19.960 --> 0:21:24.080
<v Speaker 1>so I can't. I can't. So here's the thing. She

0:21:24.119 --> 0:21:27.560
<v Speaker 1>showed up at the studio looking like Catwoman. She had it.

0:21:27.680 --> 0:21:31.880
<v Speaker 1>She all leather jacket, black leather, black leather pants, black

0:21:31.960 --> 0:21:35.520
<v Speaker 1>leather patent shoes. I was like, okay, this woman is

0:21:35.560 --> 0:21:37.480
<v Speaker 1>a deep but like she's a star. But she was

0:21:37.520 --> 0:21:39.240
<v Speaker 1>so cool. She was cool as the other side of

0:21:39.240 --> 0:21:44.480
<v Speaker 1>the pillow the whole time. So I don't know, you know, um,

0:21:44.520 --> 0:21:48.920
<v Speaker 1>So that was big. Somebody that like made a big

0:21:48.960 --> 0:21:53.240
<v Speaker 1>impact on my life in another way, and and they

0:21:53.320 --> 0:21:57.840
<v Speaker 1>know this now because I've told them, is Michael Bolton.

0:21:58.280 --> 0:21:59.480
<v Speaker 1>I don't know if you know who that is, but

0:21:59.520 --> 0:22:01.760
<v Speaker 1>he was a really big singer in the eighties, huge,

0:22:02.200 --> 0:22:05.199
<v Speaker 1>like well, he was the biggest pop vocalist in the eighties.

0:22:06.480 --> 0:22:09.760
<v Speaker 1>This guy has unbelievable voice, you know ten number one songs.

0:22:09.800 --> 0:22:14.240
<v Speaker 1>He's been a writer on you know, Double that. So anyway,

0:22:14.320 --> 0:22:17.600
<v Speaker 1>I grew up in the house hearing Michael Bolton all

0:22:17.640 --> 0:22:21.159
<v Speaker 1>the time because this is what my mom loved, Michael Bolton.

0:22:22.119 --> 0:22:27.720
<v Speaker 1>So I eventually got a call from someone saying, Michael

0:22:27.720 --> 0:22:29.800
<v Speaker 1>Bolton wants to get in with you guys and work

0:22:29.840 --> 0:22:31.840
<v Speaker 1>on his new album. And I was like, oh, that's cool,

0:22:31.880 --> 0:22:35.359
<v Speaker 1>because like that was kind of nostalgic. But what really

0:22:35.400 --> 0:22:38.600
<v Speaker 1>happened was that when Bolton was in with us, I

0:22:38.640 --> 0:22:43.160
<v Speaker 1>was like, man, my mom like she hasn't always got

0:22:43.280 --> 0:22:46.200
<v Speaker 1>like how I'm going to make it in music, but

0:22:46.320 --> 0:22:48.800
<v Speaker 1>she does believe in me big time. But it would

0:22:48.800 --> 0:22:51.439
<v Speaker 1>be amazing if I called my mom and put you

0:22:51.440 --> 0:22:53.359
<v Speaker 1>on the phone with her. She's the biggest Michael Bolton.

0:22:54.119 --> 0:22:56.920
<v Speaker 1>He was like, let's go. So like I called my mom.

0:22:56.960 --> 0:22:58.760
<v Speaker 1>I'm like, hey, I got Michael Bolton here. She's like

0:22:58.840 --> 0:23:01.359
<v Speaker 1>uh huh, So like not for real, Like I'm in

0:23:01.359 --> 0:23:04.199
<v Speaker 1>with Michael boll This is crazy. So he gets on

0:23:04.240 --> 0:23:06.520
<v Speaker 1>the phone and he's like singing my praises and saying,

0:23:06.560 --> 0:23:08.159
<v Speaker 1>how you know, great of a writer I am, And

0:23:08.200 --> 0:23:10.400
<v Speaker 1>all this stuff, and I'm like, yeah, Milk keep saying,

0:23:10.520 --> 0:23:15.359
<v Speaker 1>tell her I'm even better. So he's milking it. And honestly,

0:23:15.480 --> 0:23:18.800
<v Speaker 1>from that day, like my mom got it. She was like, Okay,

0:23:18.800 --> 0:23:20.359
<v Speaker 1>I might not have got all the rap stuff he

0:23:20.440 --> 0:23:22.920
<v Speaker 1>was doing, but like this is crazy, like my son's

0:23:23.000 --> 0:23:25.800
<v Speaker 1>writing with Michael freaking Bolton, and like, I'm a huge fan.

0:23:27.080 --> 0:23:29.920
<v Speaker 1>So since that day, she's been such a big supporter,

0:23:30.040 --> 0:23:32.239
<v Speaker 1>like hangs my plaques in her house like she's like,

0:23:33.280 --> 0:23:35.920
<v Speaker 1>you know what I'm saying. And also Michael Bolton gives

0:23:36.000 --> 0:23:38.439
<v Speaker 1>my mom tickets to every show he does in California.

0:23:38.440 --> 0:23:40.840
<v Speaker 1>She goes backstage like v I P to Michael Bolton.

0:23:41.680 --> 0:23:45.160
<v Speaker 1>I'm like, you better cut that out. So, yeah, it's

0:23:45.840 --> 0:23:48.399
<v Speaker 1>that's pretty cool. So I don't know, There's there's ways

0:23:48.440 --> 0:23:50.400
<v Speaker 1>that you get touched in this business that I think

0:23:51.240 --> 0:23:55.199
<v Speaker 1>you can't even anticipate. Sometimes, Yeah, what advice would you

0:23:55.200 --> 0:23:58.399
<v Speaker 1>give to someone that's coming up in the game. You

0:23:58.480 --> 0:24:00.439
<v Speaker 1>got a baby in there. Don't act like you're excited

0:24:00.480 --> 0:24:05.320
<v Speaker 1>about this. Trust me, I'm beyond excited. Okay, Um, what

0:24:05.400 --> 0:24:09.359
<v Speaker 1>was your question? Um? Sorry you distracted me. I know

0:24:09.400 --> 0:24:13.640
<v Speaker 1>I was food, I was chef is a little bit cocky. Unfortunately,

0:24:13.680 --> 0:24:16.879
<v Speaker 1>we're probably gonna wrap soon. So but I wanted to know, like,

0:24:16.960 --> 0:24:19.400
<v Speaker 1>what advice would you give to someone that is trying

0:24:19.400 --> 0:24:21.560
<v Speaker 1>to make it because you have kind of all these

0:24:21.600 --> 0:24:26.080
<v Speaker 1>blessing milestones, But what advice would you give? Um? I

0:24:26.080 --> 0:24:28.080
<v Speaker 1>think the best advice I can give, honestly, in the

0:24:28.119 --> 0:24:32.440
<v Speaker 1>simplest form, is just every time you have a chance

0:24:32.480 --> 0:24:35.040
<v Speaker 1>to get in the room, just kick as much ass

0:24:35.080 --> 0:24:38.879
<v Speaker 1>as you can every time. Mhmm. Don't ever think that

0:24:39.960 --> 0:24:43.080
<v Speaker 1>you're better than anyone in that room. Just try like

0:24:43.119 --> 0:24:45.720
<v Speaker 1>you're auditioning for the team every single time you get

0:24:45.720 --> 0:24:49.320
<v Speaker 1>a chance, no matter what stage you're at. Because some

0:24:49.359 --> 0:24:51.760
<v Speaker 1>of the best that I've the legends that I've got

0:24:51.800 --> 0:24:54.119
<v Speaker 1>a chance to work with, their legends because they do

0:24:54.200 --> 0:24:56.440
<v Speaker 1>that every time when they're on the mic or they're

0:24:56.480 --> 0:24:58.960
<v Speaker 1>in the room, they are working as hard as they

0:24:59.000 --> 0:25:02.840
<v Speaker 1>can three time. So even after you've made it, don't

0:25:02.880 --> 0:25:05.320
<v Speaker 1>slack on. What if something's a smaller budget, do you

0:25:05.359 --> 0:25:08.280
<v Speaker 1>say give it your all? Or every time you get

0:25:08.280 --> 0:25:10.720
<v Speaker 1>the chance, because you never know what's a small you

0:25:10.800 --> 0:25:12.639
<v Speaker 1>never know what is going to go on to make it.

0:25:13.359 --> 0:25:15.480
<v Speaker 1>I stopped trying to predict what's a hit a long

0:25:15.560 --> 0:25:19.080
<v Speaker 1>time ago. People are like, oh, I just wrote a smash.

0:25:19.280 --> 0:25:21.160
<v Speaker 1>I just wrote a smash. I'm like, bro, you don't.

0:25:21.160 --> 0:25:23.320
<v Speaker 1>First of all, nobody can predict what a hit is

0:25:23.320 --> 0:25:26.960
<v Speaker 1>going to be until it happens, so you don't know. Um,

0:25:27.080 --> 0:25:29.199
<v Speaker 1>can I just tell you this right here? I'm not

0:25:29.240 --> 0:25:33.720
<v Speaker 1>trying to shout out while jack, but this Jack del

0:25:33.760 --> 0:25:37.960
<v Speaker 1>Fuego sauce. This changed my life. If you can get

0:25:37.960 --> 0:25:39.520
<v Speaker 1>a close up of this right here. If you don't

0:25:39.520 --> 0:25:41.280
<v Speaker 1>know what this is, you might as well just go

0:25:41.359 --> 0:25:43.879
<v Speaker 1>figure that one out. We're technically not supposed to do that,

0:25:43.960 --> 0:25:46.320
<v Speaker 1>but it's okay. Say what you want to say. So

0:25:46.440 --> 0:25:48.560
<v Speaker 1>is there a flavor of that sauce? This one right here?

0:25:48.600 --> 0:25:51.960
<v Speaker 1>How a narrow carrot? Look? Okay, have a narrow carrot.

0:25:52.640 --> 0:25:54.639
<v Speaker 1>I'm glad you actually did that because I'm gonna try

0:25:54.680 --> 0:25:56.280
<v Speaker 1>and make this disht I'm trying to tell you this,

0:25:56.359 --> 0:25:58.280
<v Speaker 1>how a narrow carrot? Girl? How you pray twice in

0:25:58.320 --> 0:26:04.280
<v Speaker 1>the day. So that's the advice I would give. Yeah,

0:26:04.320 --> 0:26:07.560
<v Speaker 1>And I noticed with your everything that happened in your career,

0:26:07.640 --> 0:26:10.080
<v Speaker 1>I feel like you moved urgently, like you didn't waste time,

0:26:10.080 --> 0:26:13.280
<v Speaker 1>you didn't care about you know, is this person I'm

0:26:13.320 --> 0:26:16.520
<v Speaker 1>too eager. That's a great point, you know, honestly, the

0:26:16.520 --> 0:26:20.760
<v Speaker 1>reason behind that is because you learn early on that

0:26:20.880 --> 0:26:22.840
<v Speaker 1>you can't predict what success is going to be in

0:26:22.840 --> 0:26:24.600
<v Speaker 1>this business. You don't know what song is gonna work,

0:26:24.760 --> 0:26:27.000
<v Speaker 1>you don't know what projects going to sell, So you

0:26:27.040 --> 0:26:29.679
<v Speaker 1>can't you can't like bask in your own glory for

0:26:29.760 --> 0:26:33.040
<v Speaker 1>too long. You have to just do your best work

0:26:33.080 --> 0:26:37.360
<v Speaker 1>weight before you fall. That dude overhead. Can you got

0:26:37.359 --> 0:26:41.280
<v Speaker 1>to see that that is crazy right there? This looks

0:26:41.280 --> 0:26:44.600
<v Speaker 1>beautiful just like this. So I think, like you just

0:26:44.680 --> 0:26:46.920
<v Speaker 1>you never know what's gonna work. So you don't spend

0:26:46.960 --> 0:26:50.040
<v Speaker 1>a lot of time thinking you're the ship. Because that

0:26:50.080 --> 0:26:53.000
<v Speaker 1>project that you think might be so successful might not be.

0:26:53.160 --> 0:26:55.800
<v Speaker 1>And even if it was super successful, the next one

0:26:55.800 --> 0:27:01.000
<v Speaker 1>that you get on might flop. So just appreciate your

0:27:01.040 --> 0:27:04.560
<v Speaker 1>success and be happy about it, but then keep it moving. Okay,

0:27:05.119 --> 0:27:09.320
<v Speaker 1>Now what about and I and I hate to I

0:27:09.480 --> 0:27:11.280
<v Speaker 1>still go through this to this day, Like you know,

0:27:11.359 --> 0:27:14.400
<v Speaker 1>you're working on a project, even like with eating while broke,

0:27:15.160 --> 0:27:17.880
<v Speaker 1>do you think that there's a level of like negative

0:27:17.960 --> 0:27:21.280
<v Speaker 1>energy that could affect the outcome? Because I feel like

0:27:21.320 --> 0:27:24.919
<v Speaker 1>no matter how far or how many little milestones not

0:27:25.040 --> 0:27:27.600
<v Speaker 1>as big as yours um that I've accomplished. I still

0:27:27.600 --> 0:27:29.360
<v Speaker 1>get back in my mind think, oh it could fail,

0:27:29.440 --> 0:27:31.680
<v Speaker 1>or maybe I'm just in my head thinking it's not

0:27:32.119 --> 0:27:35.040
<v Speaker 1>big enough. But do you think that energy affects you know,

0:27:35.119 --> 0:27:37.760
<v Speaker 1>like the laws of attraction. Do you think that affects it.

0:27:38.000 --> 0:27:43.760
<v Speaker 1>I think that negative energy is it's like complaining about

0:27:43.760 --> 0:27:46.680
<v Speaker 1>the size of the moon. It's not gonna do any good.

0:27:46.800 --> 0:27:50.320
<v Speaker 1>You can't change it. So I don't spend a lot

0:27:50.320 --> 0:27:52.960
<v Speaker 1>of time being negative. Even when I'm working on projects,

0:27:53.000 --> 0:27:55.200
<v Speaker 1>I might not be excited about I'm working on the

0:27:55.440 --> 0:27:57.600
<v Speaker 1>same because you just don't. I don't know, Like I

0:27:57.840 --> 0:27:59.800
<v Speaker 1>don't put it out there honestly, but I'm saying, like

0:27:59.840 --> 0:28:02.560
<v Speaker 1>that internal self doubt that you battle it. I always

0:28:02.600 --> 0:28:06.080
<v Speaker 1>have internal self doubt every single day. Every day I

0:28:06.119 --> 0:28:08.960
<v Speaker 1>have it. Is the song good enough is, you know,

0:28:09.440 --> 0:28:11.959
<v Speaker 1>is what I'm am I working hard enough is? You know,

0:28:12.000 --> 0:28:14.359
<v Speaker 1>Like I'm always thinking like that, But that is just

0:28:14.400 --> 0:28:17.719
<v Speaker 1>what pushes you to keep being great. You know. So

0:28:17.760 --> 0:28:20.440
<v Speaker 1>that's a normal you'd say that's like normal. I think

0:28:20.440 --> 0:28:22.560
<v Speaker 1>it's completely normal. I think it's part of what makes

0:28:22.560 --> 0:28:26.280
<v Speaker 1>people successful is that drive to never think like you've

0:28:26.320 --> 0:28:29.280
<v Speaker 1>made it or that everything you do is so good.

0:28:30.000 --> 0:28:32.400
<v Speaker 1>Have you ever worked with someone where you know their

0:28:32.480 --> 0:28:36.000
<v Speaker 1>album did extremely well, but the whole time they the

0:28:36.160 --> 0:28:41.200
<v Speaker 1>artist whatever, was questioning it. Oh my god. Almost every

0:28:41.280 --> 0:28:44.320
<v Speaker 1>artist does that, really. Yeah, I mean I think the

0:28:44.400 --> 0:28:47.680
<v Speaker 1>great ones always do. They'll know when they've made something

0:28:48.000 --> 0:28:50.640
<v Speaker 1>that feels really good to them, but they're always questioning

0:28:50.640 --> 0:28:53.160
<v Speaker 1>if the pupp is gonna love it. Yeah, you know,

0:28:53.320 --> 0:28:55.960
<v Speaker 1>it doesn't matter. Like I've worked a lot with the

0:28:56.000 --> 0:28:59.120
<v Speaker 1>Backstreet Boys, I've had a lot of success with them.

0:28:59.160 --> 0:29:01.920
<v Speaker 1>Every time their album drops, they are the most excited

0:29:01.960 --> 0:29:04.200
<v Speaker 1>people to go look and see how it does. They're reading,

0:29:04.240 --> 0:29:06.040
<v Speaker 1>they're looking through it. Like these guys don't need to

0:29:06.080 --> 0:29:07.640
<v Speaker 1>do anything for the rest of their lives. If they

0:29:07.680 --> 0:29:10.760
<v Speaker 1>don't want to, that's amazing. But they love it, they

0:29:10.960 --> 0:29:13.720
<v Speaker 1>live for it. Yes, So I think that's important to

0:29:13.840 --> 0:29:18.640
<v Speaker 1>know to keep in mind. Oh well, this interview has

0:29:18.680 --> 0:29:21.680
<v Speaker 1>gone really well, except for the fact that we haven't

0:29:21.720 --> 0:29:24.760
<v Speaker 1>actually tasted it yet. What's happening right now? You can't

0:29:24.800 --> 0:29:28.560
<v Speaker 1>rush hosting a burrito. I don't know. Somebody lied to

0:29:28.600 --> 0:29:31.160
<v Speaker 1>you if they tell you the overhead the whole shoot

0:29:31.240 --> 0:29:33.960
<v Speaker 1>should be just on you. You should have a cooking show.

0:29:34.560 --> 0:29:38.640
<v Speaker 1>Let's go um oh, the third one if you want,

0:29:38.640 --> 0:29:41.320
<v Speaker 1>you could do that after. Yeah, that's fine, let's do

0:29:41.360 --> 0:29:45.920
<v Speaker 1>that one after. Yes, we'll keep that for a time. Everybody,

0:29:45.960 --> 0:29:49.120
<v Speaker 1>I just hold up. We gotta cut this thing because

0:29:49.120 --> 0:29:51.360
<v Speaker 1>if you got to show the inside. Okay, you feel me?

0:29:51.760 --> 0:29:53.840
<v Speaker 1>Get this little knife cooking show. You've got this tiny

0:29:53.880 --> 0:29:59.000
<v Speaker 1>little knife. Can we get a knife endorsement? Let's get

0:29:59.000 --> 0:30:01.720
<v Speaker 1>a knife endorsement of it here, that's all right. Oh

0:30:01.720 --> 0:30:03.600
<v Speaker 1>my gosh, it has a crispy shell. That's why you

0:30:03.640 --> 0:30:06.080
<v Speaker 1>were trying to rush me. But no, I don't but

0:30:06.120 --> 0:30:08.040
<v Speaker 1>I don't cave. Look at that. Let's get it over.

0:30:09.000 --> 0:30:11.360
<v Speaker 1>Oh my god, let's get that thing right there. That

0:30:11.360 --> 0:30:14.800
<v Speaker 1>looks amazing. My hands burning. So then you just played

0:30:14.800 --> 0:30:17.320
<v Speaker 1>it a little bit like this. Okay, so you just

0:30:17.360 --> 0:30:19.000
<v Speaker 1>do that, and now what you really want to do

0:30:20.240 --> 0:30:23.720
<v Speaker 1>to have a little fun with it every time? A Yeah,

0:30:23.760 --> 0:30:27.360
<v Speaker 1>I'm not gonna I'm not gonna blooded like that. I'm

0:30:27.400 --> 0:30:29.320
<v Speaker 1>not gonna do you call blooded like that. You get

0:30:29.360 --> 0:30:32.720
<v Speaker 1>tell he's a real chef because he's he's turned the

0:30:32.760 --> 0:30:35.640
<v Speaker 1>island upside down completely. Okay, Now what you want to do.

0:30:38.520 --> 0:30:41.880
<v Speaker 1>Give people a little chance to fall in love with

0:30:41.920 --> 0:30:44.280
<v Speaker 1>that taste with the sauce, because they might not choose

0:30:44.280 --> 0:30:47.520
<v Speaker 1>to do it themselves. You've gotta urge them. So here

0:30:47.560 --> 0:30:53.960
<v Speaker 1>you go. Awesome. Thank you, and that's that awesome, and

0:30:54.320 --> 0:30:57.760
<v Speaker 1>thank you so much for coming out. But before we

0:30:57.840 --> 0:31:00.280
<v Speaker 1>even close out, I gotta take a bite. You gotta

0:31:00.320 --> 0:31:02.600
<v Speaker 1>take a bite. Okay, we gotta judge this meal. We

0:31:02.680 --> 0:31:05.800
<v Speaker 1>gotta see if it's actually going to go into my

0:31:05.960 --> 0:31:09.680
<v Speaker 1>personal arsenal of meals I make it. I can't have

0:31:09.760 --> 0:31:12.080
<v Speaker 1>my man over here, the camera guy try it. I

0:31:12.080 --> 0:31:13.680
<v Speaker 1>can't make all this stuff and then have these people.

0:31:13.960 --> 0:31:16.120
<v Speaker 1>They'll try it, they'll try it. Okay, all right, let's

0:31:16.120 --> 0:31:20.680
<v Speaker 1>go just we just gotta let's do it first. It's

0:31:20.680 --> 0:31:29.760
<v Speaker 1>a little hot. Oh my mm hmm. I mean best meal.

0:31:30.000 --> 0:31:34.720
<v Speaker 1>I'm just saying best meal. You taught. I'll make sure

0:31:34.720 --> 0:31:39.640
<v Speaker 1>you guys all through best meal. Thank you for having

0:31:39.680 --> 0:31:41.440
<v Speaker 1>me on this show called Thank you so much. I

0:31:41.480 --> 0:31:43.160
<v Speaker 1>love this. By the way, this is so cool. People

0:31:43.160 --> 0:31:46.239
<v Speaker 1>are gonna dig this. Thank you and people people. I

0:31:46.280 --> 0:31:49.640
<v Speaker 1>hope everyone can really draw a lot. I know I've

0:31:49.680 --> 0:31:52.040
<v Speaker 1>always been impressed with your story and the fact that

0:31:52.040 --> 0:31:55.160
<v Speaker 1>you're so humble, and the best part is the fact

0:31:55.160 --> 0:31:58.800
<v Speaker 1>that you can cook. So I'm always looking for an

0:31:58.800 --> 0:32:01.200
<v Speaker 1>invite oversee your house. Who ever, all right, we'll make

0:32:01.240 --> 0:32:05.640
<v Speaker 1>it happen again. But best best dish, hands down, best

0:32:05.680 --> 0:32:09.400
<v Speaker 1>dish on Eating While Broke, Yeah, so far, thank you

0:32:09.680 --> 0:32:11.560
<v Speaker 1>so yeah. I hope someone could top it so then

0:32:11.600 --> 0:32:14.080
<v Speaker 1>I can try it and then everybody can get your

0:32:14.080 --> 0:32:16.960
<v Speaker 1>recipe in the Eating While Broke cook click and make

0:32:17.000 --> 0:32:20.920
<v Speaker 1>it at home. But by far, the best, most amazing

0:32:20.920 --> 0:32:23.800
<v Speaker 1>dish ever. Fee, thank you for coming out awesome, Thanks

0:32:23.840 --> 0:32:26.680
<v Speaker 1>for having for more Eating Will Broke from I Heart

0:32:26.760 --> 0:32:29.720
<v Speaker 1>Radio and The Black Effect. Visit the I Heart Radio app,

0:32:29.840 --> 0:32:32.920
<v Speaker 1>Apple podcast, or wherever you listen to your favorite shows.