WEBVTT - Succession S4 Ep 4 + Yellowjackets S2 Ep 4

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<v Speaker 1>Warning. This podcast contains spoilers for season four episode four

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<v Speaker 1>of Succession on HBO aka Max plus, season two episode

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<v Speaker 1>four of Yellow Jackets on the beleaguered Showtime Network. Hello,

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<v Speaker 1>my name is Jason Concepcio and on Rosay Night, and

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<v Speaker 1>welcome to x Ray Vision of the Crooked Media podcast

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<v Speaker 1>where we dive deep. It's your favorite shows, movies, comics,

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<v Speaker 1>and pop culture.

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<v Speaker 2>In this episode, Market Moves Baby, and the Market's moving

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<v Speaker 2>Ding Ding Ding Ding Ding sells Elsell, Bye Bye Bye, Kendall.

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<v Speaker 2>The killer is back. It's all going down. Succession, season four,

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<v Speaker 2>episode four. In the Airlock, stepping into that icy wilderness

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<v Speaker 2>for Yellow Jackets season two, episode four, shocking things are occurring,

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<v Speaker 2>as always add in nerd out a Yellowjacket's theory from

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<v Speaker 2>listener Cornelius.

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<v Speaker 1>Oh, you love to hear it up.

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<v Speaker 3>Next, Market Moves, and so we've come to the end

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<v Speaker 3>of the load.

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<v Speaker 1>Cannot can't read your note? Is Ken's name crossed out?

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<v Speaker 1>Is it underlined? This is Market Moves. That's right, it's

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<v Speaker 1>Market Moves, your number one source for economic success and

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<v Speaker 1>coverage of Succession season four episode four, titled Honeymoon States,

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<v Speaker 1>directed by Loreen Scafaria, director of Hustlers and written by

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<v Speaker 1>Jesse Armstrong, creator of the show, and Lucy Prebble. We

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<v Speaker 1>open Rosie on the day after Logan's death due to

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<v Speaker 1>pulmonary embolism suffered whilst fishing his iPhone out of an

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<v Speaker 1>air plane toilet, which means it is now classy. What

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<v Speaker 1>a classic way to go for a classic, which means

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<v Speaker 1>it's now time to scrabble over the skeletal remains of

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<v Speaker 1>his empire and sow up his outstanding affairs. The kids

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<v Speaker 1>are dealing with this loss in different ways. Roman is fine,

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<v Speaker 1>just brush his teeth. Ken is quietly shattered. Shiv, we learn,

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<v Speaker 1>is pregnant and which is unrelated okay to what is

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<v Speaker 1>going on in this in the current plot, but that's

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<v Speaker 1>obviously still a lot to deal with on top of

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<v Speaker 1>everything else. Prop Number one, first of all, shouts to

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<v Speaker 1>our good friend h Over, a co host of Dune Pod.

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<v Speaker 1>His partner basically called that Shiv was pregnant, so a

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<v Speaker 1>big we were right to h and H's partner. First

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<v Speaker 1>prompt it's a two parter prompt a by herself a

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<v Speaker 1>father of Shiv's child. Is it Tom, her current husband

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<v Speaker 1>soon to be ex husband. We think is it Nate,

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<v Speaker 1>her ex she had an ongoing affair with while she

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<v Speaker 1>was married to Tom. Is it the random guy she

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<v Speaker 1>met at the bar after Willa's disastrous Broadway play debut,

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<v Speaker 1>or literally anybody else could be anybody else? Remember she

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<v Speaker 1>pitched Tom on an open marriage on the night of

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<v Speaker 1>their wedding, Rosie, I ask you who is the fother?

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<v Speaker 2>Okay? I think is fifty to fifty Tom? That makes

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<v Speaker 2>the most sense to me, especially because there might be

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<v Speaker 2>some kind of IVF situation first and embryos they've had

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<v Speaker 2>that conversation or fifty percent that it's like a Dona

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<v Speaker 2>that Shiv chose because she wants to have a baby

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<v Speaker 2>for succession reasons and doesn't want Tom involved.

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<v Speaker 1>Let's be real.

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<v Speaker 2>Tom has been trying to climb the ladder of the

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<v Speaker 2>roy family. He would absolutely, He's still trying very desperately.

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<v Speaker 2>He would love to have a roy Air. So I

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<v Speaker 2>don't know if Shiv would want to make that choice.

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<v Speaker 2>But like you said, this is a lot to deal

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<v Speaker 2>with and this I think this adds an interesting twist

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<v Speaker 2>to the argument of succession because Kendall always seemed like

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<v Speaker 2>a good get simply because he had kids, so that

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<v Speaker 2>continues the line. But Shiv now is pregnant, so that

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<v Speaker 2>adds a little bit of competition there for the ongoing

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<v Speaker 2>Roy line.

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<v Speaker 1>Very interesting stuff.

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<v Speaker 2>I did not see this one coming, but as you said,

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<v Speaker 2>H and his partner absolutely did.

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<v Speaker 1>Roy of the blood is stirring in the womb of

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<v Speaker 1>Chevron Roy. I will say, I'm going to buy Tom

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<v Speaker 1>as the father. I think it is the father. I

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<v Speaker 1>think it's a little too late to introduce some rando,

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<v Speaker 1>although you know, I did enjoy Nate's slimy offerings to

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<v Speaker 1>the delig And here is part B of the prompt.

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<v Speaker 1>So Siv is on the phone. Is Shiv sick? That's

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<v Speaker 1>the prompt, and here is the evidence to lay out

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<v Speaker 1>for is Shiv unwell? She's on that call, and on

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<v Speaker 1>that call to open the episode, she's not finding out

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<v Speaker 1>she was pregnant. On this episode, she appears to be

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<v Speaker 1>finding out that something did not affect her current pregnancy.

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<v Speaker 1>She's still carrying the baby and therefore whatever the call

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<v Speaker 1>is about did not adversely affect her her pregnancy. And

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<v Speaker 1>then later in the episode we see her trip and

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<v Speaker 1>fall in a way that feels not just an opportunity

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<v Speaker 1>to kind of add to her humiliation of being cut

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<v Speaker 1>out of co CEO. So I ask you, now, is

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<v Speaker 1>Shiv well? Do we think Shiv is well? I think

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<v Speaker 1>Shiv is sick. I think you'll read on this is right.

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<v Speaker 2>I couldn't tell if the call she was getting was

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<v Speaker 2>about them testing to see if the IVF or the

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<v Speaker 2>embryos had worked, but on second watch, it definitely seems

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<v Speaker 2>more like something didn't negatively affect the baby, and she said,

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<v Speaker 2>you know, it's positive. The baby seems okay. I'm very

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<v Speaker 2>interested to know is Shift sick? Is it something that

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<v Speaker 2>is an ongoing illness like an MS or something like that,

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<v Speaker 2>or is it cancer?

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<v Speaker 1>Shift definitely.

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<v Speaker 2>There's a lot of things she does during this episode

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<v Speaker 2>that I think hint that she is sick and she's

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<v Speaker 2>trying to get what she can even in a really

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<v Speaker 2>shit situation. So I'm very interested to see where this goes,

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<v Speaker 2>especially as I think it was. Super producer Chris was

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<v Speaker 2>talking about how Brian Cox did an interview where he

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<v Speaker 2>said every episode of the rest of the season is

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<v Speaker 2>just a day, So how much are we gonna find out?

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<v Speaker 2>And that makes sense after we watched this yesterday, you know,

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<v Speaker 2>one day later, So with you know, six episodes left,

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<v Speaker 2>so essentially a week. What can we find out? But yeah,

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<v Speaker 2>ship falling over. They were definitely playing into the men

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<v Speaker 2>in those spaces are going to think she's frail, but

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<v Speaker 2>we know that's absolutely not Shiv's mo o. So that

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<v Speaker 2>happening is very much goes against the shell and the

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<v Speaker 2>armor that she usually puts up in those spaces. So yeah,

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<v Speaker 2>I think ships six. Sadly I do not believe she

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<v Speaker 2>as well.

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<v Speaker 1>Everyone gathers at Logan's former Manhattan Plazzo for the settling

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<v Speaker 1>of the affairs plus the board vote for interim CEO.

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<v Speaker 1>The attendees include various Conservative luminaries, Colin Logan's body man

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<v Speaker 1>in jeans, much to the shock of the children, a

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<v Speaker 1>man who certainly looks a lot like former National Security

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<v Speaker 1>advisor under Donald Trump, John Bolton, he of the let's

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<v Speaker 1>just bomb Iran right now statements. GOP presidential candidate Menken,

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<v Speaker 1>who is a Nazi but we don't actually see him,

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<v Speaker 1>but certainly it's a secret. Security shows up, Sandy Elder,

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<v Speaker 1>Sandy the Elder, Sandy the Younger, and Stewie, and of

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<v Speaker 1>course Sandy the Elder, who we have not seen since

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<v Speaker 1>he suffered a stroke. I believe it was a health

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<v Speaker 1>setback that has left him. That has either left him

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<v Speaker 1>with a smile on his face or he is just

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<v Speaker 1>so happy to be here at Logan's wake sort of.

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<v Speaker 1>He can't believe he outlived him. He cannot believe it.

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<v Speaker 1>Also there Marcia, Logan's well last official partner. That's the

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<v Speaker 1>big surprise, huge surprise. She is there. Of course she

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<v Speaker 1>would not miss this event. She casually drops that her

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<v Speaker 1>and Logan have been phone sexing every evening.

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<v Speaker 2>And talking every morning. He checks every plan over. This

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<v Speaker 2>is such a shocking power play. It makes a lot

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<v Speaker 2>of sense because why wouldn't she turn up?

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<v Speaker 1>But she turns up.

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<v Speaker 2>She very you know, conveniently reveals this secret that only

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<v Speaker 2>she and Logan would know. And now Logan is dead.

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<v Speaker 2>She's in a house that she owns now that Logan

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<v Speaker 2>is dead, and she is just stone fucking called.

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<v Speaker 1>She is a cold killer. She shouts to Willa for

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<v Speaker 1>standing up for herself. So Marcia makes this very pointed like,

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<v Speaker 1>look at how high you've look, at how far you've come, really,

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<v Speaker 1>you know, referencing her marriage to to Connor. And of

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<v Speaker 1>course she is a former escort and Willa defends herselves, like,

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<v Speaker 1>look at look at both of us, look at how

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<v Speaker 1>how far both of us have come good for you, Willa.

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<v Speaker 1>In the meantime, Marcia manages to run carry over with

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<v Speaker 1>a fucking pool build or just drops her in a

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<v Speaker 1>grave nearby Logan, certainly not close enough that she could

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<v Speaker 1>say that she was buried with him, but like in

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<v Speaker 1>the area, and then also manages, with incredible haste to

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<v Speaker 1>sell the palazzo to Connor for some sixty three million dollars.

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<v Speaker 1>Over the course of this day, two power centers emerged.

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<v Speaker 1>There are the old folks, Carl, Frank and Jerry and

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<v Speaker 1>the kids. The music has essentially stopped on this game

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<v Speaker 1>of musical chairs, and everyone without a seat is various

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<v Speaker 1>levels of fucked. That includes Tom, that includes Greg, That

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<v Speaker 1>certainly includes Carrie, who is chased out of the building

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<v Speaker 1>through the back door, like weeping with stuff falling out

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<v Speaker 1>of her bag and saying Logan was gonna make arrangements

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<v Speaker 1>for me, will somebody please check on it?

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<v Speaker 2>And she's just fucked, also basically telling Roman like we

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<v Speaker 2>were gonna get married, Yeah, like this was gonna happen.

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<v Speaker 2>I need to find the proof. I need you Roman,

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<v Speaker 2>you know, such a complex character, but in that scene

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<v Speaker 2>has so much haw and FIFA carry.

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<v Speaker 1>He's the one who who doesn't lie. He really is.

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<v Speaker 1>He's a terrible human being as they all are, but

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<v Speaker 1>he is the one who he can't when he sees

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<v Speaker 1>someone like in genuine distress, it affects him. He doesn't

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<v Speaker 1>like confrontation or conflict in it, and it really bothers him.

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<v Speaker 1>He wants to see that everyone's kind of like okay,

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<v Speaker 1>uh and it's a really interesting uh side to uh

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<v Speaker 1>to Roman. So Tom then pitches.

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<v Speaker 2>Person trying to sell himself.

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<v Speaker 1>He needs, he needs, he needs a safe space, and

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<v Speaker 1>so he pitches the old folks on himself as in

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<v Speaker 1>terms CEO he uh. It doesn't go that well. Greg

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<v Speaker 1>is out there kissing every but cheek possible in order

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<v Speaker 1>to find a safe place for him to be. And

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<v Speaker 1>then meanwhile, of course the Gojo deal is hanging over everything,

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<v Speaker 1>and Luke Maxon appears to be kind of steamed at

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<v Speaker 1>the kids after they left him on dial basically while

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<v Speaker 1>they kind of figured out it was a power move,

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<v Speaker 1>but then they went on to say, oh, wasn't a

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<v Speaker 1>power move.

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<v Speaker 2>That was the stupidest and probably most impactful decision this

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<v Speaker 2>episode of many stupid and impactful decisions, instead of just

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<v Speaker 2>letting Roman pick up the phone, Yeah, Connor el Kendall, No, no, no,

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<v Speaker 2>we don't need to just just let it ring out.

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<v Speaker 2>And then they're in this kind of hilarious farce now

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<v Speaker 2>where they're going to have to prove to Matson that

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<v Speaker 2>they need to and you know they're talking about they've

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<v Speaker 2>got to be there in twenty four hours for the retreat.

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<v Speaker 2>So I'm assuming we're going to get see that next episode,

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<v Speaker 2>which I would absolutely love because Matson is high he Oh,

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<v Speaker 2>it was just wild.

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<v Speaker 1>Prop Number two real recognize real estate. How much of

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<v Speaker 1>Connor's wealth is left after buying this house? Will It

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<v Speaker 1>seemed a little concerned at the price tag, And recall

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<v Speaker 1>we have seen Connor previously the child of Logan's first wife,

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<v Speaker 1>not his more beloved second wife, where you know shiv

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<v Speaker 1>Can and Roman come from, and it has been intimated

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<v Speaker 1>before that he doesn't have as much of a steak

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<v Speaker 1>in the family business, or if maybe any steak in

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<v Speaker 1>the family business like the other kids. And also we've

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<v Speaker 1>seen him in the past, most notably during Willa's Broadway

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<v Speaker 1>play Begging for money from Logan. How much money does

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<v Speaker 1>Conder have left after spending sixty three million dollars on

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<v Speaker 1>the plotz. He was also very worried about the taxes,

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<v Speaker 1>which I get, I guess I get.

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<v Speaker 2>I don't think he has enough money to buy the.

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<v Speaker 1>House at all.

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<v Speaker 2>He needs the Gojo deal. Do you remember karaoke? How

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<v Speaker 2>fucking scared he was that the deal wasn't going to

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<v Speaker 2>go through and then he called Logan and he snitched

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<v Speaker 2>on them.

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<v Speaker 1>That's what I want. Nobody needs sixty three million for

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<v Speaker 1>house too.

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<v Speaker 2>The house is ugly as fought.

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<v Speaker 1>It is a three. I understand why Connor.

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<v Speaker 2>Wants it, because it's an ultimate fuck you to Logan.

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<v Speaker 2>Yes four, Marsha is a true g because she did

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<v Speaker 2>not she was not gonna get that money from anywhere

0:14:11.040 --> 0:14:12.319
<v Speaker 2>else right now in the housing.

0:14:12.320 --> 0:14:16.200
<v Speaker 1>Waste from zero time. She's like, he's gonna be looking

0:14:16.200 --> 0:14:18.160
<v Speaker 1>for sixty to seventy million for it, and he's like

0:14:18.200 --> 0:14:20.440
<v Speaker 1>sixty three and she's like, good done, spits on her head.

0:14:20.840 --> 0:14:25.680
<v Speaker 2>So I think this would either wipe Connor out or

0:14:25.680 --> 0:14:28.760
<v Speaker 2>he actually might not have the liquidity to do it,

0:14:28.880 --> 0:14:32.560
<v Speaker 2>and he's gonna be become very interested in.

0:14:32.480 --> 0:14:35.800
<v Speaker 1>The's got it. He's gotta sell stuff. So he's got

0:14:35.800 --> 0:14:39.800
<v Speaker 1>to sell the cars. He's gotta sell the hyper decanting machine.

0:14:39.960 --> 0:14:44.120
<v Speaker 1>He's got to sell Napoleon's dick. He's gotta sell like

0:14:44.240 --> 0:14:45.520
<v Speaker 1>the Joseph letter.

0:14:46.240 --> 0:14:48.840
<v Speaker 2>It's a corner yard sale is gonna be happening outside

0:14:48.840 --> 0:14:50.240
<v Speaker 2>the palaza.

0:14:50.360 --> 0:14:54.200
<v Speaker 1>I absolutely agree. I think Connor. I'm gonna say that

0:14:54.280 --> 0:14:58.960
<v Speaker 1>Connor is worth fifty million, and that he needs and

0:14:59.760 --> 0:15:04.840
<v Speaker 1>then illiquid fifty million, and that he's gotta move stuff around,

0:15:05.960 --> 0:15:08.960
<v Speaker 1>plus get that Gojo money to go through in order

0:15:09.000 --> 0:15:16.040
<v Speaker 1>for him to truly and finally and irrevocably purchase this palazzo, Manhattan,

0:15:16.080 --> 0:15:18.640
<v Speaker 1>palazzo that Willa is gonna tear up the second they

0:15:18.680 --> 0:15:24.560
<v Speaker 1>get into it. Whatever the game plan is here on

0:15:24.640 --> 0:15:28.000
<v Speaker 1>this day is swiftly thrown into chaos when Frank, the

0:15:28.120 --> 0:15:32.640
<v Speaker 1>executor of Logan's estate, discovers an undated piece of paper

0:15:32.680 --> 0:15:37.280
<v Speaker 1>at Logan's private safe, indicating that at one time Logan

0:15:37.400 --> 0:15:42.520
<v Speaker 1>wanted Ken to be CEO, and then at some other

0:15:42.680 --> 0:15:48.320
<v Speaker 1>time he either underlined Ken or across his name out

0:15:48.720 --> 0:15:51.760
<v Speaker 1>What do we do here, folks? The old folks. Carl

0:15:51.840 --> 0:15:56.480
<v Speaker 1>and Frank briefly discuss Hey we could just, you know,

0:15:56.600 --> 0:15:58.520
<v Speaker 1>something could just happen to it, this piece of paper.

0:15:58.760 --> 0:16:03.040
<v Speaker 1>What if it got lost. I'm to say, I think

0:16:03.040 --> 0:16:04.760
<v Speaker 1>it would be terrible if it was lost, But what

0:16:04.800 --> 0:16:08.080
<v Speaker 1>if it was all of a sudden Johan just slipped.

0:16:08.280 --> 0:16:11.040
<v Speaker 1>What if it shook and then Gustav Wynn took it

0:16:11.080 --> 0:16:14.320
<v Speaker 1>and it flew away? And that Jerry comes in as like,

0:16:14.320 --> 0:16:16.240
<v Speaker 1>what are you guys up to? And they're like, uh,

0:16:16.400 --> 0:16:19.600
<v Speaker 1>we were just kind of like happily discussing this piece

0:16:19.600 --> 0:16:22.720
<v Speaker 1>of paper that here says that Ken either is or

0:16:22.920 --> 0:16:28.440
<v Speaker 1>isn't Logan's final wish as CEO, and we were wondering, like, gosh,

0:16:28.480 --> 0:16:30.600
<v Speaker 1>what if this paper just fell into toilet? And then

0:16:30.680 --> 0:16:34.360
<v Speaker 1>she says, oh, that's very funny. PS. I'm general counsel,

0:16:34.840 --> 0:16:36.680
<v Speaker 1>so I can't play games like this.

0:16:37.440 --> 0:16:37.720
<v Speaker 2>Three.

0:16:39.040 --> 0:16:43.760
<v Speaker 1>How would you, Rosie Knight, speculating in a comic mode,

0:16:44.640 --> 0:16:52.360
<v Speaker 1>a humor is vain, suggest getting rid of important legal documents?

0:16:53.800 --> 0:16:56.360
<v Speaker 1>How would you do it in a in a funny way.

0:16:56.480 --> 0:16:58.920
<v Speaker 1>Pitch me on, Let's get rid of these papers that

0:16:59.000 --> 0:17:02.240
<v Speaker 1>are very very Importan and Germaine to the conversation that

0:17:02.280 --> 0:17:08.960
<v Speaker 1>are ongoing and relate to very very strongly relate to

0:17:10.119 --> 0:17:12.720
<v Speaker 1>Ken's interest in something, And how do we get rid

0:17:12.760 --> 0:17:14.320
<v Speaker 1>of these papers? You pitch me on it. We got

0:17:14.359 --> 0:17:15.000
<v Speaker 1>to get rid of him.

0:17:15.320 --> 0:17:18.280
<v Speaker 2>Okay, I would love to have seen I'm with Cal

0:17:18.320 --> 0:17:19.879
<v Speaker 2>on this one. I have to say, this is just

0:17:19.880 --> 0:17:20.600
<v Speaker 2>a hat mess.

0:17:20.640 --> 0:17:21.760
<v Speaker 1>I think you just clean again.

0:17:23.080 --> 0:17:26.719
<v Speaker 2>I would have loved Carl has already He's flipped over it, Tom.

0:17:26.920 --> 0:17:29.880
<v Speaker 2>He's at the end of his tether. His chill nature

0:17:30.680 --> 0:17:33.080
<v Speaker 2>is leaving. He's always had a good cool front, but

0:17:33.200 --> 0:17:35.640
<v Speaker 2>it's it's going. He wants his fucking golden parachute.

0:17:35.760 --> 0:17:39.679
<v Speaker 1>He needs his money because he's buying a Greek island

0:17:39.760 --> 0:17:40.960
<v Speaker 1>with his brother in law.

0:17:41.000 --> 0:17:44.600
<v Speaker 2>And this is reliable troubles. So what I would have

0:17:44.600 --> 0:17:46.160
<v Speaker 2>loved to see. I would have loved to see him

0:17:46.160 --> 0:17:48.040
<v Speaker 2>just rip it him off and just start eating it.

0:17:49.119 --> 0:17:50.920
<v Speaker 2>Him and Frank just eat it.

0:17:51.000 --> 0:17:52.240
<v Speaker 1>So funny would that have been?

0:17:52.520 --> 0:17:53.119
<v Speaker 2>How good?

0:17:53.800 --> 0:17:55.960
<v Speaker 1>So Rosie, it's you and me and we're standing there

0:17:55.960 --> 0:17:58.240
<v Speaker 1>and we've got the paper. What would you say to me?

0:17:58.520 --> 0:17:59.920
<v Speaker 1>You want me to get rid of the paper. You

0:18:00.560 --> 0:18:02.359
<v Speaker 1>certainly don't want to do it yourself. You want me

0:18:02.400 --> 0:18:04.560
<v Speaker 1>to make the decision to eat the paper. How would

0:18:04.600 --> 0:18:09.000
<v Speaker 1>you tell me to do it? I think I would.

0:18:09.600 --> 0:18:11.439
<v Speaker 2>I would actually just I'd take a little bit of

0:18:11.440 --> 0:18:13.520
<v Speaker 2>a corner to see if you're feeling like it. I

0:18:13.640 --> 0:18:15.440
<v Speaker 2>tear a little bit off of meat and like give

0:18:15.480 --> 0:18:17.520
<v Speaker 2>you the eyebrows, like the wiggle eyebrows, like.

0:18:17.520 --> 0:18:18.000
<v Speaker 1>What about this?

0:18:19.160 --> 0:18:21.880
<v Speaker 2>And uh, and then you know it's all about the money. Yeah,

0:18:21.880 --> 0:18:23.840
<v Speaker 2>I just say, look, if these don't if this paper

0:18:23.840 --> 0:18:26.560
<v Speaker 2>doesn't exist, we're in a much better state. And i'd also,

0:18:26.600 --> 0:18:28.399
<v Speaker 2>I mean, I think this is the biggest argument that

0:18:28.400 --> 0:18:32.119
<v Speaker 2>they failed on here. He's like, these kids are fucking idiots,

0:18:32.240 --> 0:18:33.880
<v Speaker 2>Like Tom says it. Tom is the.

0:18:33.760 --> 0:18:34.600
<v Speaker 1>Only one who's real.

0:18:34.720 --> 0:18:37.480
<v Speaker 2>You don't want them involved. Yeah, the paper is gone.

0:18:37.880 --> 0:18:39.960
<v Speaker 2>In my opinion, I'm on Car's side. I'm all for

0:18:40.000 --> 0:18:42.960
<v Speaker 2>getting rid of the paper. It's time. The kid's idiots.

0:18:42.960 --> 0:18:43.520
<v Speaker 2>What would you do?

0:18:44.119 --> 0:18:49.000
<v Speaker 1>Here's me pitch it. I would also, I mean, the

0:18:49.040 --> 0:18:51.640
<v Speaker 1>thing is, if you get rid of it, you can

0:18:51.680 --> 0:18:54.600
<v Speaker 1>never speak of it again, and it has to be gone,

0:18:54.760 --> 0:18:59.040
<v Speaker 1>forever gone. And it's a risk, of course, it's a risk.

0:18:59.119 --> 0:19:02.399
<v Speaker 1>Legally you'd be exposed, like the lawsuits stemming from this

0:19:02.440 --> 0:19:05.639
<v Speaker 1>would be just it would cripple you. I don't care

0:19:05.680 --> 0:19:09.120
<v Speaker 1>how rich you are, and certainly Frank and Carl are

0:19:09.160 --> 0:19:12.119
<v Speaker 1>not cut from the same cloth. Despite the fact that

0:19:12.200 --> 0:19:14.639
<v Speaker 1>Carl is buying an island, he's co buying an island.

0:19:15.440 --> 0:19:17.560
<v Speaker 1>It cuts from the name. Yeah, cut from the same

0:19:17.640 --> 0:19:21.560
<v Speaker 1>wealth cloth as the kids. So I would heavily lean

0:19:21.560 --> 0:19:23.320
<v Speaker 1>towards getting rid of it, but I wouldn't want to

0:19:23.320 --> 0:19:25.119
<v Speaker 1>get rid of it myself. And if you were holding

0:19:25.160 --> 0:19:27.879
<v Speaker 1>the paper as the executor of Logan's, well, here is

0:19:27.920 --> 0:19:30.600
<v Speaker 1>how I would I would picture. I'd say, Rosie, it's

0:19:30.600 --> 0:19:32.639
<v Speaker 1>a very interesting piece of paper. Let's look at it

0:19:32.720 --> 0:19:35.600
<v Speaker 1>over here by the window in the light. Oh gosh,

0:19:35.640 --> 0:19:38.320
<v Speaker 1>it's a windy day. What if you what if you

0:19:39.119 --> 0:19:42.000
<v Speaker 1>what if you just what if your hands just suddenly

0:19:42.000 --> 0:19:46.119
<v Speaker 1>not weak? You know, the wood is blowing so strongly

0:19:46.240 --> 0:19:48.879
<v Speaker 1>up here on the seventh or eighth or tenth or

0:19:48.880 --> 0:19:52.679
<v Speaker 1>whatever floor of this gigantic mansion on the upper east side.

0:19:53.240 --> 0:19:55.960
<v Speaker 1>We all know how the canyons of New York create

0:19:56.000 --> 0:19:59.040
<v Speaker 1>these wind tunnels. What if you just let go of it? Now,

0:19:59.200 --> 0:20:00.800
<v Speaker 1>what if you just let all of that paper and

0:20:00.840 --> 0:20:03.760
<v Speaker 1>it just flew away? It would be it would be, obviously,

0:20:03.840 --> 0:20:06.320
<v Speaker 1>I think, a tragedy, and it would and it would

0:20:07.400 --> 0:20:11.359
<v Speaker 1>rob the roy siblings of some of the context of

0:20:11.400 --> 0:20:16.080
<v Speaker 1>their father's wishes in his final weeks months date, it's undated.

0:20:16.119 --> 0:20:18.560
<v Speaker 1>Once again, we have to say that it's undated. But

0:20:18.560 --> 0:20:20.760
<v Speaker 1>but yeah, but and that would be a tragedy. But

0:20:21.520 --> 0:20:23.960
<v Speaker 1>to be what if it happened, it could happen. Yeah,

0:20:23.960 --> 0:20:24.920
<v Speaker 1>that's how I would do it.

0:20:25.320 --> 0:20:27.600
<v Speaker 2>I think you're on the right track, because once it

0:20:27.760 --> 0:20:33.520
<v Speaker 2>leaves that room, like if somebody did find it, it's nothing. Oh,

0:20:33.520 --> 0:20:37.000
<v Speaker 2>somebody just made that the internet cafe. No one's gonna care.

0:20:37.640 --> 0:20:38.119
<v Speaker 1>I like that.

0:20:38.280 --> 0:20:40.480
<v Speaker 2>I also think, you know the Oh no, I put

0:20:40.480 --> 0:20:43.639
<v Speaker 2>it here next to my ashtray with my cigar.

0:20:43.359 --> 0:20:45.160
<v Speaker 1>In it, you know, burn that shit.

0:20:45.520 --> 0:20:49.480
<v Speaker 2>Oh no, It's gone basically many inventive ways. And I

0:20:49.520 --> 0:20:51.600
<v Speaker 2>think they went about this the worst possible way, but

0:20:51.680 --> 0:20:55.280
<v Speaker 2>the best possible way for unnecessary chaotic drama, which is

0:20:55.320 --> 0:20:56.960
<v Speaker 2>what it absolutely instills.

0:20:57.280 --> 0:21:01.159
<v Speaker 1>Well, the paper is then revealed and us immediately and suits.

0:21:01.200 --> 0:21:04.879
<v Speaker 1>First of all, Ken, the kids are like, well, I

0:21:04.920 --> 0:21:07.320
<v Speaker 1>wonder if this changes anything, and certainly Ken says, well,

0:21:07.320 --> 0:21:09.879
<v Speaker 1>I think it does because my name is on the paper,

0:21:09.920 --> 0:21:11.840
<v Speaker 1>and she was like, yeah, but is it crossed out

0:21:11.960 --> 0:21:14.720
<v Speaker 1>or is what is this crossing it out? Is the underlining.

0:21:14.760 --> 0:21:16.560
<v Speaker 1>Like I'm not saying it to be a jerk, but

0:21:16.680 --> 0:21:20.120
<v Speaker 1>like legitimately the line goes through your name kind of

0:21:20.160 --> 0:21:23.359
<v Speaker 1>for at least forty percent of your name, you know,

0:21:23.480 --> 0:21:29.560
<v Speaker 1>space wise. Ken and Roman eventually coalesce around a structure

0:21:29.600 --> 0:21:33.520
<v Speaker 1>that they think makes sense. Now they were both COO

0:21:33.560 --> 0:21:37.960
<v Speaker 1>at one time, and that is kind of like the

0:21:38.080 --> 0:21:42.119
<v Speaker 1>necessary according to the bylaws the next person up for

0:21:42.320 --> 0:21:45.480
<v Speaker 1>interim CEO in the event that something happens to the CEO,

0:21:45.560 --> 0:21:49.159
<v Speaker 1>So it'd be weird. They both say, if if we

0:21:49.359 --> 0:21:53.199
<v Speaker 1>didn't both step up as co ce interim CEO, and

0:21:53.600 --> 0:21:56.160
<v Speaker 1>you know, with this paper in hand, certainly it seems

0:21:56.240 --> 0:21:59.200
<v Speaker 1>like we have our father is okay to go ahead

0:21:59.200 --> 0:22:03.679
<v Speaker 1>and do that? Now, Shiv is like, well, what about me?

0:22:04.040 --> 0:22:05.919
<v Speaker 1>What if we do a triarchy? We do three of us?

0:22:05.960 --> 0:22:08.000
<v Speaker 1>And they're like, that feels kind of weird, doesn't it

0:22:08.040 --> 0:22:11.200
<v Speaker 1>Like three people feel a little too much? But I'll

0:22:11.240 --> 0:22:13.760
<v Speaker 1>say it, but what And honestly, I do think they

0:22:13.760 --> 0:22:17.280
<v Speaker 1>have a point in that Shiv has never worked there. Now,

0:22:17.280 --> 0:22:20.080
<v Speaker 1>she states, now, I did do such and such project

0:22:20.160 --> 0:22:22.320
<v Speaker 1>for Dad when I came in briefly, and blah blah blah,

0:22:22.320 --> 0:22:25.600
<v Speaker 1>But that as Ken notes pointedly, but I think fairly

0:22:25.840 --> 0:22:29.440
<v Speaker 1>was make daddy would like, make busy work for dad.

0:22:29.800 --> 0:22:32.560
<v Speaker 1>It wasn't really working there, as Ken and Rowan both had,

0:22:33.000 --> 0:22:37.280
<v Speaker 1>and so they both decide that Shiv's officially out but

0:22:38.000 --> 0:22:42.840
<v Speaker 1>will be unofficially in, as in everything that they decide

0:22:43.320 --> 0:22:47.200
<v Speaker 1>she will be involved in. This, of course, is absolute bullshit,

0:22:47.240 --> 0:22:51.119
<v Speaker 1>and they're going to cut her out at the earliest

0:22:51.240 --> 0:22:54.120
<v Speaker 1>possible convenience. She will be shoved overboard her and her

0:22:54.240 --> 0:22:56.880
<v Speaker 1>unborn child when we walk down the gang like, and

0:22:56.920 --> 0:22:58.720
<v Speaker 1>she will go into the waters and seek below the

0:22:58.720 --> 0:23:02.000
<v Speaker 1>waters and never be seen again. The board then votes,

0:23:02.560 --> 0:23:06.560
<v Speaker 1>and guess what. Ken and Roman ascend the mountaintop for

0:23:06.640 --> 0:23:11.119
<v Speaker 1>the interim as co Ceo, Hugo and Carolina then raised

0:23:11.119 --> 0:23:14.000
<v Speaker 1>the issue. Now that the two boys are in the

0:23:14.320 --> 0:23:17.080
<v Speaker 1>driver's seat of a statement, and here's the two options.

0:23:18.160 --> 0:23:24.919
<v Speaker 1>We go positive. We burnish Logan's you know, coffin and

0:23:24.920 --> 0:23:27.119
<v Speaker 1>his reputation, and we say what a legend he was

0:23:27.160 --> 0:23:29.760
<v Speaker 1>and how his empire is in safe hands with the

0:23:29.840 --> 0:23:32.040
<v Speaker 1>roy Boys, who were going to do just exactly what

0:23:32.119 --> 0:23:35.520
<v Speaker 1>Logan wanted to do and would have done had he

0:23:35.600 --> 0:23:39.040
<v Speaker 1>been alive or you know not in a not in

0:23:39.080 --> 0:23:41.960
<v Speaker 1>a mean way, but maybe we go negative and we say, hey,

0:23:42.080 --> 0:23:45.680
<v Speaker 1>Logan was fucking his assistant. He was a piece of shit.

0:23:45.720 --> 0:23:48.439
<v Speaker 1>He covered up all the cruise, sexual assaults, all that

0:23:48.520 --> 0:23:52.119
<v Speaker 1>kind of stuff. He was slipping Pete his pants couldn't

0:23:52.200 --> 0:23:54.800
<v Speaker 1>walk back to the house when we were over in

0:23:54.880 --> 0:24:00.480
<v Speaker 1>mon talk pitching what's his name? He was slipping, you know,

0:24:00.600 --> 0:24:05.920
<v Speaker 1>various health concerns. And therefore, here's a new vital age

0:24:05.960 --> 0:24:09.000
<v Speaker 1>with youth and vigor and strength at the helm, and

0:24:09.040 --> 0:24:10.880
<v Speaker 1>we're gonna charte a brand new course. What do you say?

0:24:11.760 --> 0:24:15.240
<v Speaker 1>The kids basically sided, let's not piss on our father's

0:24:15.359 --> 0:24:19.960
<v Speaker 1>memory and let's go positive. Then Ken goes over to

0:24:20.200 --> 0:24:23.200
<v Speaker 1>Hugo by himself, pulls Hugo aside and says, hey, remember

0:24:23.240 --> 0:24:25.080
<v Speaker 1>that thing in the cold open where I walk past

0:24:25.119 --> 0:24:27.280
<v Speaker 1>you and I heard you arguing with a person that

0:24:27.359 --> 0:24:30.439
<v Speaker 1>turned out your daughter, Juliette. And what it occurred was

0:24:30.840 --> 0:24:34.520
<v Speaker 1>you leaked the news that Logan was dead to your daughter,

0:24:34.560 --> 0:24:36.720
<v Speaker 1>who you say you never speak to, but apparently you

0:24:36.760 --> 0:24:39.760
<v Speaker 1>spoke to on this day. And then she went and

0:24:39.920 --> 0:24:44.040
<v Speaker 1>did some insider trading, selling weight star stock before the

0:24:44.080 --> 0:24:48.520
<v Speaker 1>news broke thereby avoiding losing a bunch of money. What

0:24:48.720 --> 0:24:52.560
<v Speaker 1>if I go to the SEC with that, or you

0:24:52.600 --> 0:24:55.280
<v Speaker 1>could go negative and you're not gonna tell Roman, You're

0:24:55.280 --> 0:24:57.000
<v Speaker 1>not gonna tell Caroline, and you're just gonna do it

0:24:57.040 --> 0:24:58.960
<v Speaker 1>on your own, and you're just gonna fucking eat this shit.

0:24:59.080 --> 0:25:01.840
<v Speaker 1>And he goes like, I, yes, I will prop number

0:25:01.840 --> 0:25:06.760
<v Speaker 1>four Rosie. The Ken document underlined or crossed out.

0:25:07.040 --> 0:25:10.720
<v Speaker 2>It's crossed out. I'm a full, crossed out believer. Look,

0:25:10.960 --> 0:25:13.240
<v Speaker 2>we know how Logan felt. I love this choice, and

0:25:13.280 --> 0:25:15.520
<v Speaker 2>I love what they've done with this season, which is

0:25:15.560 --> 0:25:18.640
<v Speaker 2>basically just taken us back four years, taken us.

0:25:18.520 --> 0:25:19.280
<v Speaker 1>Back to the beginning.

0:25:19.960 --> 0:25:23.399
<v Speaker 2>As Frank says, Logan did want Kendall to succeed him

0:25:23.440 --> 0:25:24.399
<v Speaker 2>at some point.

0:25:24.240 --> 0:25:26.720
<v Speaker 1>At certain points, some points it's happened.

0:25:26.840 --> 0:25:28.840
<v Speaker 2>It was kind of like that in the first season.

0:25:28.880 --> 0:25:32.359
<v Speaker 2>That's what we thought, That's what Kendall thought. But I

0:25:32.520 --> 0:25:36.479
<v Speaker 2>believe that was crossed out one hundred percent. Whoever wrote

0:25:36.560 --> 0:25:40.160
<v Speaker 2>that line on that paper give.

0:25:40.000 --> 0:25:42.560
<v Speaker 1>Them the awards. It's so good because it is so

0:25:42.720 --> 0:25:44.840
<v Speaker 1>well done. But yeah, I am a crossed out believer.

0:25:45.520 --> 0:25:51.480
<v Speaker 2>I think that ironically, Logan would be incredibly happy with

0:25:51.560 --> 0:25:54.359
<v Speaker 2>the way that Kendall is behaving in all of this,

0:25:54.640 --> 0:25:58.520
<v Speaker 2>and Kendall has basically become the monster that Logan always

0:25:58.560 --> 0:25:59.159
<v Speaker 2>wanted him to be.

0:25:59.480 --> 0:26:03.000
<v Speaker 1>I agree with you. I think that when Ken says

0:26:03.880 --> 0:26:07.520
<v Speaker 1>it's what Dad would have done, he's one right, it's

0:26:07.600 --> 0:26:10.520
<v Speaker 1>exactly what Logan would have done. And two he's also

0:26:12.320 --> 0:26:15.879
<v Speaker 1>he's also uh, you know, separating himself from the actual

0:26:15.920 --> 0:26:18.960
<v Speaker 1>decision in a way that allows him to kind of

0:26:19.000 --> 0:26:21.720
<v Speaker 1>like soothe his own guilt over this really shitty thing

0:26:21.720 --> 0:26:23.240
<v Speaker 1>that he's doing. Well, Dad would have done it, Therefore

0:26:23.280 --> 0:26:25.840
<v Speaker 1>it's okay because who can blame me because my dad

0:26:25.880 --> 0:26:28.040
<v Speaker 1>would have done the same thing. And he is right.

0:26:29.280 --> 0:26:33.240
<v Speaker 1>But again, I think that he probably feels significantly guilty

0:26:33.280 --> 0:26:35.560
<v Speaker 1>about this, And I think you're absolutely right. And I

0:26:35.600 --> 0:26:42.320
<v Speaker 1>think Ken, on a certain level, despite his bluster, probably

0:26:42.400 --> 0:26:45.560
<v Speaker 1>suspects that it was a crossout. I mean, again, we

0:26:45.600 --> 0:26:49.600
<v Speaker 1>think goes it doesn't go through the whole name, but

0:26:49.680 --> 0:26:52.600
<v Speaker 1>it goes through like three or four letters of the

0:26:52.800 --> 0:26:56.080
<v Speaker 1>like it kind of comes up and it yeah, like

0:26:56.359 --> 0:27:01.040
<v Speaker 1>certainly like looks like a quick crossout that that it

0:27:01.119 --> 0:27:04.720
<v Speaker 1>partially goes under the name. Now, that's why when you're

0:27:04.720 --> 0:27:06.919
<v Speaker 1>really gonna cross it out, you really just scribble and

0:27:06.960 --> 0:27:07.679
<v Speaker 1>you just go for it.

0:27:07.720 --> 0:27:10.080
<v Speaker 2>But I if you're gonna underline it, you start loa

0:27:10.640 --> 0:27:11.639
<v Speaker 2>so this doesn't happen.

0:27:12.040 --> 0:27:14.560
<v Speaker 1>But listen, I think we've seen this. We know enough

0:27:14.600 --> 0:27:17.600
<v Speaker 1>about Logan to know that though he was a very

0:27:17.640 --> 0:27:21.280
<v Speaker 1>tough guy, though he was a very you know, he

0:27:21.440 --> 0:27:25.600
<v Speaker 1>was a dictator, and when he made a decision, he

0:27:25.720 --> 0:27:28.800
<v Speaker 1>was gonna double down, triple down, quadruple down on the decision.

0:27:29.000 --> 0:27:35.600
<v Speaker 1>He also, you know, you know, very strangely, he changed

0:27:35.640 --> 0:27:38.520
<v Speaker 1>his mind a lot, and particularly about CEO. He did

0:27:38.560 --> 0:27:41.520
<v Speaker 1>want Ken to run it for a period of time,

0:27:41.760 --> 0:27:44.240
<v Speaker 1>although he didn't think Ken was necessarily tough enough and

0:27:44.640 --> 0:27:46.920
<v Speaker 1>put Ken through the ringer. He wanted Roman to run

0:27:46.960 --> 0:27:50.199
<v Speaker 1>it and said that for a while and put Roman

0:27:50.240 --> 0:27:52.480
<v Speaker 1>through his paces and even put him on the early

0:27:52.560 --> 0:27:55.040
<v Speaker 1>rungs of the ladder to run it. He told Shiv

0:27:55.280 --> 0:27:59.040
<v Speaker 1>flat out, I want it to be you. It's you.

0:27:59.520 --> 0:28:02.639
<v Speaker 1>I want you to run to the point that Shiv said,

0:28:03.000 --> 0:28:05.399
<v Speaker 1>you know, is this real? Is this real? Because you

0:28:05.480 --> 0:28:08.680
<v Speaker 1>know that's Logan's way. He dangles something, he pulls it away.

0:28:09.080 --> 0:28:12.959
<v Speaker 1>I think when he drafted the document, the original document,

0:28:13.000 --> 0:28:16.000
<v Speaker 1>I think he probably did want Ken to be CEO,

0:28:16.080 --> 0:28:17.600
<v Speaker 1>and I think when he crossed it out he didn't

0:28:17.600 --> 0:28:19.320
<v Speaker 1>want Ken to be see yeah, exactly.

0:28:19.440 --> 0:28:21.560
<v Speaker 2>Okay, let me ask you one more question, because I

0:28:21.600 --> 0:28:24.359
<v Speaker 2>think when do you think the document is from? I

0:28:24.440 --> 0:28:28.399
<v Speaker 2>think from the first season because one of theirs, one

0:28:28.440 --> 0:28:30.640
<v Speaker 2>of my favorite things about it is on the document

0:28:30.720 --> 0:28:35.000
<v Speaker 2>he just wrote Greg question mark. Now. Greg was like, oh,

0:28:35.119 --> 0:28:37.120
<v Speaker 2>this this is because he wants me to be Kendall's

0:28:37.200 --> 0:28:38.560
<v Speaker 2>number two, and everyone's like.

0:28:38.560 --> 0:28:47.720
<v Speaker 1>Nice, try. I like Frank, Greg, I love a good job. Try.

0:28:48.080 --> 0:28:51.200
<v Speaker 2>Like I like to think that Logan wrote that, like

0:28:51.320 --> 0:28:54.000
<v Speaker 2>in the at the timeline of the first episode where

0:28:54.000 --> 0:28:56.480
<v Speaker 2>he he's just like Greg, like, who the fuck is that?

0:28:56.560 --> 0:29:01.280
<v Speaker 1>Because he just Greg question mark? Who whoo? I think

0:29:01.280 --> 0:29:03.800
<v Speaker 1>that that's probably right, and I think that when he

0:29:03.880 --> 0:29:06.640
<v Speaker 1>crossed it out, I also think it's a crossout. I

0:29:06.640 --> 0:29:09.360
<v Speaker 1>think he crossed it and I think he crossed it.

0:29:09.880 --> 0:29:11.680
<v Speaker 1>I think he crossed it out when Ken killed the

0:29:11.720 --> 0:29:14.600
<v Speaker 1>guy when you could kill the way yeah yeah, yeah, yeah,

0:29:14.680 --> 0:29:17.560
<v Speaker 1>yeah yeah, Like well I killed the waiter, He's like a.

0:29:17.520 --> 0:29:21.120
<v Speaker 2>Fucking yeah, he's at that point, he's just a reckless

0:29:21.360 --> 0:29:22.920
<v Speaker 2>risk for your business.

0:29:24.120 --> 0:29:28.880
<v Speaker 1>I found the the scene, you know, any time because

0:29:28.880 --> 0:29:34.680
<v Speaker 1>these characters They're like spiders in a jar with nothing

0:29:34.680 --> 0:29:37.320
<v Speaker 1>to eat but each other. And so whenever there's like

0:29:37.400 --> 0:29:43.640
<v Speaker 1>a moment of kindness or gratitude it is, you just

0:29:43.680 --> 0:29:47.560
<v Speaker 1>see it and you notice it, and it lands with

0:29:47.960 --> 0:29:51.280
<v Speaker 1>incredible strength and power. And there was that moment where

0:29:51.360 --> 0:29:56.280
<v Speaker 1>you know, like Ken has betrayed Slash backstab Slash undercut

0:29:56.320 --> 0:29:59.720
<v Speaker 1>Slash left Stewie, his former college friend like hanging a

0:29:59.720 --> 0:30:04.040
<v Speaker 1>million times now formally recall, Stewie was gonna back Ken

0:30:04.320 --> 0:30:08.320
<v Speaker 1>for a hostile takeover the infamous Bear Hug to take

0:30:08.360 --> 0:30:10.480
<v Speaker 1>over the company, and they were going to seize power

0:30:10.480 --> 0:30:15.080
<v Speaker 1>from Logan. But then because Ken killed the guy, he

0:30:15.120 --> 0:30:18.200
<v Speaker 1>couldn't do it anymore because, as he says to to

0:30:18.280 --> 0:30:20.440
<v Speaker 1>Stuwie in this scene, he says, there was no card

0:30:20.480 --> 0:30:22.760
<v Speaker 1>he was going to play against me, aka, my dad

0:30:22.840 --> 0:30:25.480
<v Speaker 1>was basically going to tell the world that I killed

0:30:25.480 --> 0:30:28.320
<v Speaker 1>a guy that and I was gonna be screwed. But

0:30:28.360 --> 0:30:30.239
<v Speaker 1>then they so they have this back and forth and

0:30:30.320 --> 0:30:34.720
<v Speaker 1>Stewie makes a very funny Stewie kind of burn about how,

0:30:35.160 --> 0:30:39.760
<v Speaker 1>oh I heard Logan died when he saw your He

0:30:40.000 --> 0:30:42.600
<v Speaker 1>died choking when he saw your business plan for beers.

0:30:43.760 --> 0:30:47.080
<v Speaker 1>But they then they embrace and it's like, you know,

0:30:47.680 --> 0:30:49.880
<v Speaker 1>you could tell that Ken really needed it. That was

0:30:49.920 --> 0:30:52.960
<v Speaker 1>such a such a strong moment.

0:30:53.560 --> 0:30:56.520
<v Speaker 2>Yeah, they've been doing a great job of that this season.

0:30:56.560 --> 0:30:58.840
<v Speaker 2>There's also the moment that really stood out to me

0:30:58.880 --> 0:31:02.680
<v Speaker 2>this episode, which is like extra heartbreaking because of what

0:31:02.920 --> 0:31:05.680
<v Speaker 2>goes on to happen once the paper is found, but

0:31:05.880 --> 0:31:10.640
<v Speaker 2>when Ken, Rome and Shiv are reading the obits about

0:31:10.640 --> 0:31:13.960
<v Speaker 2>their dad and they're like translating what it means so

0:31:14.000 --> 0:31:16.360
<v Speaker 2>they'll be like a man of his era and they're

0:31:16.400 --> 0:31:17.760
<v Speaker 2>like he was a racist.

0:31:17.520 --> 0:31:19.760
<v Speaker 1>Racist, And there's this there's this like.

0:31:20.400 --> 0:31:26.960
<v Speaker 2>Absolute bonding and love and kind of laughter and lightness

0:31:27.000 --> 0:31:29.520
<v Speaker 2>that we never get to see them share. And it's

0:31:29.560 --> 0:31:32.360
<v Speaker 2>that moment of solidarity of what they've done, how they

0:31:32.440 --> 0:31:34.520
<v Speaker 2>kind of beat Logan in the end, how he died,

0:31:34.520 --> 0:31:36.840
<v Speaker 2>and then obviously Logan manages to fuck it up beyond

0:31:36.880 --> 0:31:40.320
<v Speaker 2>the grave with some doodles. But I love that. Yeah,

0:31:40.320 --> 0:31:42.360
<v Speaker 2>those two moments really stood out to me because when

0:31:42.480 --> 0:31:45.200
<v Speaker 2>same with Rome being nice to carry, Yeah, it was

0:31:45.600 --> 0:31:51.880
<v Speaker 2>such a slight kind of Also, Rome was very upset

0:31:52.120 --> 0:31:55.440
<v Speaker 2>by the pr plan to like shit on you know, Logan.

0:31:55.320 --> 0:31:57.360
<v Speaker 1>He hated it. He does not like conflict.

0:31:57.400 --> 0:31:59.320
<v Speaker 2>He does not like it, which is ironic because he

0:31:59.320 --> 0:32:01.880
<v Speaker 2>has arguably more reason. Him and Connor, I would say,

0:32:01.880 --> 0:32:04.280
<v Speaker 2>are up there for like people that Logan.

0:32:04.080 --> 0:32:07.480
<v Speaker 1>Treated the worst. Yeah, I wonder if.

0:32:07.320 --> 0:32:10.840
<v Speaker 2>That softness and that kind of emotionality that we see

0:32:10.840 --> 0:32:13.360
<v Speaker 2>with Kerry, that we see there in that moment, how

0:32:13.440 --> 0:32:15.280
<v Speaker 2>is that going to affect him and Ken. I actually

0:32:15.280 --> 0:32:17.760
<v Speaker 2>think Shive is better off not being involved, because I

0:32:17.760 --> 0:32:21.480
<v Speaker 2>think Kendall's going to absolutely destroy Roman in pursuit for

0:32:21.520 --> 0:32:22.080
<v Speaker 2>this power.

0:32:22.600 --> 0:32:26.320
<v Speaker 1>I agree with you. I think what we're seeing is

0:32:26.640 --> 0:32:31.280
<v Speaker 1>much like a Sith lord of the rule of two.

0:32:31.760 --> 0:32:35.200
<v Speaker 1>I think we're seeing Ken step into the cape of

0:32:35.240 --> 0:32:38.520
<v Speaker 1>his evil father here, especially with the moves he made

0:32:38.560 --> 0:32:41.880
<v Speaker 1>at the end and the way he just instinctively cuts

0:32:41.960 --> 0:32:45.680
<v Speaker 1>Roman and of course Shive out of this decision towards

0:32:45.760 --> 0:32:48.240
<v Speaker 1>the end. I will say that one thing, you know,

0:32:48.320 --> 0:32:52.320
<v Speaker 1>thinking about again, that that moment with Roman and Carrie,

0:32:52.600 --> 0:32:56.120
<v Speaker 1>he reminds me of you know, one of my other

0:32:56.160 --> 0:32:58.920
<v Speaker 1>favorite shows, mad Men, Pete Campbell for Madman, who was

0:32:58.960 --> 0:33:03.520
<v Speaker 1>a piece of shit, uh you know, uh. Sexual assault

0:33:04.880 --> 0:33:10.000
<v Speaker 1>was out like hitting on teenage nannies that his neighbor had,

0:33:10.440 --> 0:33:13.720
<v Speaker 1>but was also like strangely the guy who would like

0:33:13.920 --> 0:33:18.200
<v Speaker 1>go at his coworkers for being racist about stuff, and

0:33:18.640 --> 0:33:23.000
<v Speaker 1>you know, got absolutely up in arms when someone said

0:33:23.000 --> 0:33:26.320
<v Speaker 1>something disparaging about Martin Luther King and didn't understand why

0:33:26.360 --> 0:33:30.680
<v Speaker 1>nobody wanted to uh sell products to the black market.

0:33:31.040 --> 0:33:35.800
<v Speaker 1>Very very very conflicting guy. And I feel that with

0:33:35.960 --> 0:33:38.240
<v Speaker 1>Roman the way it's like he's conflict of verse but

0:33:38.320 --> 0:33:43.000
<v Speaker 1>also like an absolutely horrendous person whose politics probably huw

0:33:43.040 --> 0:33:45.200
<v Speaker 1>pretty closely to making the nazense.

0:33:46.120 --> 0:33:48.720
<v Speaker 2>Yeah, but that's some kind of moral compass.

0:33:49.120 --> 0:33:53.560
<v Speaker 1>There's one thing on like a one to one basis.

0:33:53.720 --> 0:33:56.240
<v Speaker 1>But then he's also the guy who like offered like

0:33:56.280 --> 0:34:00.960
<v Speaker 1>a child, like a million dollars, remember like thing during

0:34:00.960 --> 0:34:03.840
<v Speaker 1>the softball game at the very first episode of the show.

0:34:03.920 --> 0:34:06.680
<v Speaker 1>So he's just a very very strange guy. What an

0:34:06.720 --> 0:34:10.720
<v Speaker 1>incredible season of succession this is. I wish we had another.

0:34:10.880 --> 0:34:13.160
<v Speaker 1>I wish there was another season. I wish I wish

0:34:13.200 --> 0:34:16.880
<v Speaker 1>it was not ending. Uh, stay tuned for more market

0:34:16.920 --> 0:34:19.640
<v Speaker 1>moves in your podcast feed. Do you want to be

0:34:19.680 --> 0:34:22.000
<v Speaker 1>wealthy like us? Do you want to be do you

0:34:22.080 --> 0:34:24.120
<v Speaker 1>want to get ahead like us? Do you want to

0:34:24.160 --> 0:34:26.840
<v Speaker 1>be successful like us? Do you want to be climbing

0:34:26.840 --> 0:34:30.120
<v Speaker 1>a ladder made of the skulls of the people who

0:34:30.280 --> 0:34:33.640
<v Speaker 1>dared bet against you. Give life, in your personal life,

0:34:33.680 --> 0:34:36.440
<v Speaker 1>in your in your career, all of it. Do you

0:34:36.480 --> 0:34:39.800
<v Speaker 1>want to just like be ripping spines of your enemies

0:34:39.800 --> 0:34:43.000
<v Speaker 1>out and then eating their eyeballs out and all in

0:34:43.000 --> 0:34:47.279
<v Speaker 1>the while the commas and and and digits are just

0:34:47.400 --> 0:34:50.360
<v Speaker 1>increasing in your grank accounts all the time. Listen to

0:34:50.400 --> 0:34:55.879
<v Speaker 1>market Moves, stop stops, bonds trading, Listen to it all

0:34:55.960 --> 0:35:08.040
<v Speaker 1>Marga Moves every Wednesday. Up next, Yellowjackets.

0:35:13.280 --> 0:35:15.560
<v Speaker 2>We're stepping out of the air lock and into Yellow

0:35:15.600 --> 0:35:21.080
<v Speaker 2>Jackets Season two, episode four, almost halfway through the season,

0:35:21.080 --> 0:35:24.520
<v Speaker 2>and things are getting absolutely wild. This episode is called

0:35:24.560 --> 0:35:27.719
<v Speaker 2>Old Wounds, was directed by Scott Wyinnan and written by

0:35:27.800 --> 0:35:33.040
<v Speaker 2>Julia Bicknell and Liz Fang. In the nineties, Wilderness, It's Chili,

0:35:33.280 --> 0:35:38.279
<v Speaker 2>It's called It's Snowy and Tie and Van are out

0:35:38.280 --> 0:35:41.120
<v Speaker 2>in the woods. Seems like a bad idea, but sure

0:35:41.320 --> 0:35:46.879
<v Speaker 2>they have a mission. They are marketing the trees that

0:35:47.120 --> 0:35:52.560
<v Speaker 2>nighttime Tie has been leading them to. Van wants Tie

0:35:52.680 --> 0:35:54.959
<v Speaker 2>to tell Lottie she's still on that kind of trip.

0:35:55.000 --> 0:35:57.480
<v Speaker 2>She wants her to tell Lotti so that Lottie can

0:35:57.560 --> 0:36:02.200
<v Speaker 2>work out what ties supernatural connection to the forest is.

0:36:02.239 --> 0:36:04.120
<v Speaker 2>But ty is having none of it. She's still very

0:36:04.160 --> 0:36:08.319
<v Speaker 2>firmly on team logic at this point. Probably should have

0:36:08.360 --> 0:36:12.239
<v Speaker 2>listened to Van because in the modern day, we see

0:36:12.280 --> 0:36:17.640
<v Speaker 2>that Tye is watching Nighttime Tie go through her things.

0:36:17.760 --> 0:36:23.319
<v Speaker 2>She's in a strange kind of pseudo comatose state where

0:36:23.360 --> 0:36:27.160
<v Speaker 2>she can't stop Nighttime Tie, but she's seeing her and

0:36:27.239 --> 0:36:31.120
<v Speaker 2>the boom she wakes up. She's out of gas in

0:36:31.200 --> 0:36:34.560
<v Speaker 2>her car or her assistance car. I actually believe in

0:36:34.680 --> 0:36:39.680
<v Speaker 2>a rural roadside space next to a forest, and all

0:36:39.680 --> 0:36:41.520
<v Speaker 2>that she has in the car is a file next

0:36:41.520 --> 0:36:46.520
<v Speaker 2>to her that says yellow jackets dun d d D.

0:36:48.360 --> 0:36:51.600
<v Speaker 2>Things do not going well for Tie. Basically, get help, babe, We.

0:36:54.280 --> 0:36:59.120
<v Speaker 1>Seek help expeditiously. I beg you. You cannot go another

0:36:59.239 --> 0:37:02.640
<v Speaker 1>half daily like this. You're losing time every two or

0:37:02.680 --> 0:37:07.080
<v Speaker 1>three hours. This is not Cannibal, It's not good. You

0:37:07.120 --> 0:37:09.759
<v Speaker 1>did not keep doing this. The only time.

0:37:09.680 --> 0:37:11.480
<v Speaker 2>I've ever seen this happened to someone on a fictional

0:37:11.520 --> 0:37:16.000
<v Speaker 2>TV show was Hannibal, and Hannibal Lecter was literally manipulating

0:37:16.000 --> 0:37:16.959
<v Speaker 2>Will Graham.

0:37:16.640 --> 0:37:17.839
<v Speaker 1>To make this happen to him.

0:37:17.880 --> 0:37:20.680
<v Speaker 2>So the fact this is happening without Hannibal Elector doing it,

0:37:20.680 --> 0:37:24.800
<v Speaker 2>it's going badly for you. Also going badly Shanna and Jeff.

0:37:24.960 --> 0:37:28.680
<v Speaker 2>They're arguing because, you know, as we know, Callie told

0:37:28.719 --> 0:37:32.160
<v Speaker 2>the cops that her mum was having an affair with Adam.

0:37:32.280 --> 0:37:34.279
<v Speaker 2>They don't know it was Callie yet, but we do,

0:37:34.640 --> 0:37:38.279
<v Speaker 2>and Jeff's not happy about it. Nat is having a

0:37:38.400 --> 0:37:40.120
<v Speaker 2>rather good time at the wellness camp.

0:37:40.160 --> 0:37:43.879
<v Speaker 1>It's strange. She wants to She wants to.

0:37:43.800 --> 0:37:48.280
<v Speaker 2>Find out Lotty's secrets and discover what's happening with Travis,

0:37:48.320 --> 0:37:52.400
<v Speaker 2>what she did to him. But she is bonding with Lisa,

0:37:52.480 --> 0:37:54.200
<v Speaker 2>who was the young girl that we met who was

0:37:54.200 --> 0:37:54.600
<v Speaker 2>This is a.

0:37:54.600 --> 0:37:56.640
<v Speaker 1>Nice little paracter. I'm a fan.

0:37:56.960 --> 0:38:00.160
<v Speaker 2>Yeah, there is a true kindness here and Lisa has

0:38:00.239 --> 0:38:05.160
<v Speaker 2>a lot of empathy for Natalie. So they're going on

0:38:05.280 --> 0:38:07.279
<v Speaker 2>a They're gonna go on a little trip today. Lots

0:38:07.320 --> 0:38:11.720
<v Speaker 2>of road tripping going on this episode. Speaking of road trips, Misty,

0:38:12.480 --> 0:38:14.960
<v Speaker 2>she is still very worried about Nat and basically all

0:38:15.000 --> 0:38:17.000
<v Speaker 2>of her friends have forgotten about her. Shaun has wrapped

0:38:17.040 --> 0:38:21.839
<v Speaker 2>up in you know, doing a murder. Tires has multiple personalities.

0:38:21.880 --> 0:38:24.520
<v Speaker 2>One of whom only wakes up at night time, and

0:38:25.000 --> 0:38:27.799
<v Speaker 2>Natalie has been kidnapped in as Occult, So Misty really

0:38:27.840 --> 0:38:31.200
<v Speaker 2>wants to find out what's going on, and she's teaming

0:38:31.280 --> 0:38:33.640
<v Speaker 2>up with Walter to go on the second road trip

0:38:34.800 --> 0:38:38.080
<v Speaker 2>this episode so that she can find out where nat

0:38:38.160 --> 0:38:43.279
<v Speaker 2>is and follow the Purple people to Will what we

0:38:43.360 --> 0:38:45.799
<v Speaker 2>know is Lotty's compound, but she is still trying to

0:38:46.040 --> 0:38:50.280
<v Speaker 2>work it out. Missy's calling everyone up. Her sociopathic tendencies

0:38:50.280 --> 0:38:53.560
<v Speaker 2>are coming out. She's calling everyone, She's leaving them voice notes.

0:38:53.680 --> 0:38:56.759
<v Speaker 2>But Walter, who is forever positive, is like, well, it's

0:38:56.760 --> 0:38:59.120
<v Speaker 2>pretty rare to have a friend who relentlessly.

0:38:58.600 --> 0:38:59.280
<v Speaker 1>Has your back.

0:39:00.000 --> 0:39:03.439
<v Speaker 2>He ucky, he loves that. Then he's like, why don't

0:39:03.440 --> 0:39:07.120
<v Speaker 2>we put on some music? And only As is musicals,

0:39:07.640 --> 0:39:10.200
<v Speaker 2>and Misty freaks out. She's like, fuck you, you are

0:39:10.239 --> 0:39:13.600
<v Speaker 2>a stalker. You love the Yellow Jackets, I'm your favorite.

0:39:13.640 --> 0:39:16.480
<v Speaker 2>I'm flat, but like, why are you doing this? I

0:39:16.520 --> 0:39:19.040
<v Speaker 2>have no time for this. I'm out And he's like, no, no,

0:39:19.080 --> 0:39:22.960
<v Speaker 2>I just love musicals. I actually don't care about Yellow Jackets.

0:39:23.719 --> 0:39:24.640
<v Speaker 2>I want a crash.

0:39:25.080 --> 0:39:30.480
<v Speaker 1>I don't. I think that there's something going on, obviously,

0:39:30.920 --> 0:39:33.840
<v Speaker 1>and I think he doth as we said in the

0:39:33.840 --> 0:39:36.279
<v Speaker 1>previous episode, I think he doth protest a little too much.

0:39:36.360 --> 0:39:39.279
<v Speaker 1>That said the I'm skipping ahead a little bit. But

0:39:39.320 --> 0:39:43.840
<v Speaker 1>when they that side by side Seagans where we see

0:39:43.880 --> 0:39:47.720
<v Speaker 1>Misty and Walter kind of both going through their same

0:39:48.000 --> 0:39:51.719
<v Speaker 1>OCD paranoia routines of like checking their hotel room for

0:39:51.800 --> 0:39:55.080
<v Speaker 1>bugs and using a black line, doing all this stuff,

0:39:55.120 --> 0:40:03.239
<v Speaker 1>unscrewing the lamps. Everything led me to feel like, I

0:40:03.280 --> 0:40:06.800
<v Speaker 1>think you only do that if there is something while

0:40:06.840 --> 0:40:10.560
<v Speaker 1>he is hiding something. I think there is something innocent

0:40:11.440 --> 0:40:13.320
<v Speaker 1>ish about what he's doing.

0:40:13.719 --> 0:40:15.920
<v Speaker 2>I think he's looking for a kindred spirit. And I

0:40:15.960 --> 0:40:18.880
<v Speaker 2>did believe this could just be Elijah Wood's incredible acting.

0:40:18.920 --> 0:40:21.160
<v Speaker 2>He's so good in this role. But I did believe

0:40:21.200 --> 0:40:22.200
<v Speaker 2>him when he said he didn't care.

0:40:22.239 --> 0:40:24.080
<v Speaker 1>He was like, that was thirty years ago.

0:40:24.280 --> 0:40:26.640
<v Speaker 2>He didn't even get the number right. He's like, that's

0:40:26.680 --> 0:40:29.319
<v Speaker 2>irrelevant to me. I care about new crimes, and really,

0:40:29.320 --> 0:40:30.960
<v Speaker 2>I just want to work with you because you're a

0:40:31.000 --> 0:40:35.120
<v Speaker 2>famous true crime detective on the Reddit wards, so you know,

0:40:35.160 --> 0:40:38.080
<v Speaker 2>those two they're doing that thing. Interestingly, we get this

0:40:38.160 --> 0:40:41.000
<v Speaker 2>they put on, you know, a musical number, and then

0:40:41.000 --> 0:40:43.640
<v Speaker 2>we jump back to the nineties, and we see Crystal

0:40:43.760 --> 0:40:48.440
<v Speaker 2>and Misty singing that same song, and those two are

0:40:48.440 --> 0:40:51.440
<v Speaker 2>obviously just getting incredibly close. It's very cute, it's very

0:40:51.480 --> 0:40:55.120
<v Speaker 2>positive for Misty. Shanna is not feeling positive. She's accusing

0:40:55.200 --> 0:40:58.680
<v Speaker 2>the crew of stealing meat. Mari's then like, well it

0:40:58.719 --> 0:41:03.120
<v Speaker 2>was probably Coach Bear and Coach Ben's like, well you yeah,

0:41:03.400 --> 0:41:04.799
<v Speaker 2>he was like he was like fuck you, Like what

0:41:04.840 --> 0:41:06.600
<v Speaker 2>would you do about it? Like he's trying to get

0:41:06.680 --> 0:41:09.120
<v Speaker 2>He's really trying to become dinner. I truly believe it.

0:41:09.200 --> 0:41:10.919
<v Speaker 1>But also like, I think he makes a great point,

0:41:10.960 --> 0:41:14.319
<v Speaker 1>which is like what am I gonna hobble out to

0:41:14.440 --> 0:41:17.400
<v Speaker 1>the meat? Did that is to carry the meat? Like

0:41:18.239 --> 0:41:20.719
<v Speaker 1>I'm on crutches, I have I have one leg. How

0:41:20.760 --> 0:41:22.560
<v Speaker 1>am I gonna carry the meat back? Like? How am

0:41:22.600 --> 0:41:23.400
<v Speaker 1>I gonna do all that?

0:41:24.320 --> 0:41:25.959
<v Speaker 2>He makes that good point, but then he does follow

0:41:26.040 --> 0:41:27.279
<v Speaker 2>up by saying like what are you gonna do?

0:41:27.480 --> 0:41:31.320
<v Speaker 1>Eat me? I mean, it's a it's a pressing concern.

0:41:31.560 --> 0:41:35.920
<v Speaker 1>And I did I do wonder if they won't eat him? Yeah?

0:41:36.880 --> 0:41:37.880
<v Speaker 2>I think they're gonna eat him.

0:41:37.920 --> 0:41:39.640
<v Speaker 1>He's he's on my if I was if I was

0:41:39.680 --> 0:41:40.799
<v Speaker 1>doing a ranking.

0:41:40.480 --> 0:41:43.440
<v Speaker 2>List of most likely to be snacked on in yellow jackets.

0:41:43.480 --> 0:41:47.120
<v Speaker 2>He would be number one. Nat tries to cool it

0:41:47.200 --> 0:41:50.440
<v Speaker 2>down and sort of says, look, I'm I'm just trying

0:41:50.480 --> 0:41:55.160
<v Speaker 2>to help everyone survive. Marie turns on that and is like,

0:41:55.360 --> 0:41:58.360
<v Speaker 2>you are the reason this is all a problem because

0:41:58.400 --> 0:42:00.920
<v Speaker 2>you won't drink a lot He's blood. You won't let

0:42:00.920 --> 0:42:04.880
<v Speaker 2>her bless you, And that says, very pointedly and very truthfully,

0:42:04.920 --> 0:42:07.080
<v Speaker 2>like me and Travis are the only one who actually

0:42:07.080 --> 0:42:09.920
<v Speaker 2>do any hunting. Yes, everything that's happened with Lott is

0:42:10.000 --> 0:42:13.600
<v Speaker 2>just a coincidence. They don't believe it. And in one

0:42:13.680 --> 0:42:19.040
<v Speaker 2>of the stupidest choices in the situation, but one of

0:42:19.080 --> 0:42:24.560
<v Speaker 2>the smartest and most realistic teenage narrative choices they make

0:42:24.600 --> 0:42:26.319
<v Speaker 2>in this they decide that they're going to do a

0:42:26.400 --> 0:42:31.279
<v Speaker 2>game where NAT's gonna go out and hunt. Lotty's gonna

0:42:31.320 --> 0:42:32.920
<v Speaker 2>go out without a gun.

0:42:34.560 --> 0:42:35.960
<v Speaker 1>It she doesn't need it.

0:42:36.480 --> 0:42:41.400
<v Speaker 2>And it's a very interesting setup because we kind of

0:42:41.440 --> 0:42:44.680
<v Speaker 2>see how Lotty is almost she is not the leader

0:42:44.719 --> 0:42:47.560
<v Speaker 2>that we kind of thought she was. She's almost unintentionally

0:42:47.600 --> 0:42:51.080
<v Speaker 2>being pushed into this position because of these visions that

0:42:51.120 --> 0:42:54.160
<v Speaker 2>she's had, because of these things that she's seen and

0:42:54.200 --> 0:42:56.200
<v Speaker 2>the girls are putting her on this pedestal, and not

0:42:56.239 --> 0:42:58.719
<v Speaker 2>only that, but they're not giving her equal footing, so

0:42:58.800 --> 0:43:01.680
<v Speaker 2>she heads off. Nat has a gun and Lottie has

0:43:01.760 --> 0:43:04.760
<v Speaker 2>nothing other than you know, blood magic.

0:43:05.280 --> 0:43:07.319
<v Speaker 1>If I was Nat, I would be like, am I

0:43:07.360 --> 0:43:10.960
<v Speaker 1>going insane? Mm hmm. We're the ones who go out

0:43:11.000 --> 0:43:13.160
<v Speaker 1>with the gun and shoot the thing and come back.

0:43:13.719 --> 0:43:17.120
<v Speaker 1>Lottie is just sitting here. Even though it would be

0:43:17.360 --> 0:43:19.640
<v Speaker 1>so pissed, I would be so mad. I'd be like,

0:43:19.680 --> 0:43:21.840
<v Speaker 1>you guys are fucking insane. You do it, then you

0:43:21.880 --> 0:43:24.400
<v Speaker 1>go fucking you go get that rest. Why don't you

0:43:24.480 --> 0:43:27.359
<v Speaker 1>have Lottie bless you? And then you go out and

0:43:27.400 --> 0:43:29.840
<v Speaker 1>find some meat. Then, if she may, it so easy,

0:43:29.840 --> 0:43:30.640
<v Speaker 1>it's all about Lotti.

0:43:31.080 --> 0:43:33.600
<v Speaker 2>She's like, look, you all just sitting here on your

0:43:33.600 --> 0:43:36.640
<v Speaker 2>asses all day doing nothing and me and Travis are

0:43:36.640 --> 0:43:39.799
<v Speaker 2>out there hunting. Like it's ridiculous. I will say very

0:43:39.800 --> 0:43:44.400
<v Speaker 2>interesting because we kind of see NAT's logical team gaining

0:43:44.440 --> 0:43:46.680
<v Speaker 2>a little bit of ground as the episode goes on,

0:43:46.719 --> 0:43:49.080
<v Speaker 2>and it feels like, oh, maybe they're getting back to reality,

0:43:49.120 --> 0:43:52.040
<v Speaker 2>and then we get this kind of Bonker's final five

0:43:52.080 --> 0:43:56.200
<v Speaker 2>minutes that totally turns things upside down. So Natalie and

0:43:56.239 --> 0:43:59.480
<v Speaker 2>her new friend Lisa are off on another road trip.

0:43:59.640 --> 0:44:02.680
<v Speaker 2>The head enough to sell some honey that the cult makes.

0:44:02.719 --> 0:44:05.680
<v Speaker 2>Remember from those bloody bee hives what he thought that

0:44:05.719 --> 0:44:08.000
<v Speaker 2>she or her bees were learned. And we heard a

0:44:08.000 --> 0:44:11.879
<v Speaker 2>spooky voice that said he wants blood in French. Very

0:44:11.920 --> 0:44:14.719
<v Speaker 2>scary stuff. No blood in this honey, but they're going

0:44:14.760 --> 0:44:20.360
<v Speaker 2>off to send it. But it's very interesting because Natalie,

0:44:20.480 --> 0:44:24.320
<v Speaker 2>the rebel that she is, she really wants to help

0:44:25.120 --> 0:44:28.120
<v Speaker 2>Lisa and she's trying to scope out whether or not

0:44:28.320 --> 0:44:31.400
<v Speaker 2>there is something dodgy going on here. Lisa claims there's

0:44:31.400 --> 0:44:33.839
<v Speaker 2>not rules and you can do whatever you want. But

0:44:33.880 --> 0:44:36.920
<v Speaker 2>when Lisa goes with other members of the wellness community,

0:44:37.000 --> 0:44:39.759
<v Speaker 2>she's not allowed to see her family. Sounds like a

0:44:39.800 --> 0:44:40.200
<v Speaker 2>cult to me.

0:44:40.480 --> 0:44:42.719
<v Speaker 1>So exciting, very explicitly like a cult.

0:44:42.840 --> 0:44:44.800
<v Speaker 2>It's explicitly like colts. So Nat says, we're going to

0:44:44.800 --> 0:44:49.320
<v Speaker 2>see your mom. They go see the mum, and Lisa

0:44:49.360 --> 0:44:51.399
<v Speaker 2>claims it's because she wants to see her fish, who's

0:44:51.400 --> 0:44:54.399
<v Speaker 2>called the fourteenth Gillie, and he's very cute. But there's

0:44:54.440 --> 0:44:57.960
<v Speaker 2>clearly some underlying issues here and Natalie can't help but

0:44:58.000 --> 0:44:58.960
<v Speaker 2>get a little bit involved.

0:44:59.040 --> 0:44:59.960
<v Speaker 1>Yeah, the mom sucks.

0:45:00.080 --> 0:45:01.360
<v Speaker 2>Quite the mom sucks.

0:45:01.400 --> 0:45:02.960
<v Speaker 1>The mom sucks really sucks.

0:45:03.040 --> 0:45:06.680
<v Speaker 2>And I think they do a great twist because when

0:45:06.719 --> 0:45:09.080
<v Speaker 2>you go there, she seems to be supportive, but as

0:45:09.080 --> 0:45:11.879
<v Speaker 2>the conversation goes on, she starts doing some really explicitly

0:45:11.960 --> 0:45:15.320
<v Speaker 2>horrible things, especially for people who have mental health issues.

0:45:15.640 --> 0:45:19.839
<v Speaker 2>While Lottie told Nat and Lisa, I can't come with you,

0:45:20.000 --> 0:45:22.520
<v Speaker 2>I've got to go to the bank, she's actually at

0:45:22.560 --> 0:45:27.960
<v Speaker 2>the psychiatrist asking to up her meds because she doesn't

0:45:27.960 --> 0:45:30.200
<v Speaker 2>want to have the visions, which I think is very telling.

0:45:30.560 --> 0:45:32.040
<v Speaker 1>Yes, it proves.

0:45:31.680 --> 0:45:34.640
<v Speaker 2>That whatever is going on with her wellness community, at

0:45:34.719 --> 0:45:37.120
<v Speaker 2>least as far as we know and as she seems

0:45:37.200 --> 0:45:39.960
<v Speaker 2>to know, unless she has a nighttime lotty type situation

0:45:40.080 --> 0:45:42.960
<v Speaker 2>going on, the visions are not involved in the cult.

0:45:43.040 --> 0:45:43.839
<v Speaker 1>She doesn't want them.

0:45:44.400 --> 0:45:47.000
<v Speaker 2>She wants them to go away, and she's willing to

0:45:47.080 --> 0:45:49.920
<v Speaker 2>up her meds to do so. Her normal psychiatrist is

0:45:49.960 --> 0:45:52.360
<v Speaker 2>not there. I think if you want to play into that,

0:45:52.480 --> 0:45:55.120
<v Speaker 2>is there a bigger cult situation going on that other

0:45:55.160 --> 0:45:58.320
<v Speaker 2>people are controlling. You could make a lot of argument

0:45:58.360 --> 0:46:00.400
<v Speaker 2>for this, but I like her new doctor. Her new

0:46:00.440 --> 0:46:03.160
<v Speaker 2>doctor has an idea. She says what might if you

0:46:03.200 --> 0:46:06.880
<v Speaker 2>just stop trying to repress these visions, yes, and actually

0:46:06.920 --> 0:46:08.279
<v Speaker 2>ask what they might be telling you.

0:46:08.840 --> 0:46:10.920
<v Speaker 1>Yes, this is actual therapy.

0:46:11.320 --> 0:46:14.200
<v Speaker 2>Maybe the fact that you've been institutionalized since you were

0:46:14.200 --> 0:46:16.239
<v Speaker 2>a kid, since this really traumatic thing happened with you,

0:46:16.320 --> 0:46:18.239
<v Speaker 2>and they've drugged you to stop you thinking about this.

0:46:18.520 --> 0:46:21.600
<v Speaker 2>Maybe you should have a conversation about what the visions

0:46:21.600 --> 0:46:24.279
<v Speaker 2>are and what's going on before we up your dosage,

0:46:24.719 --> 0:46:26.959
<v Speaker 2>and lots like, well, what could they tell me? They're

0:46:26.960 --> 0:46:31.200
<v Speaker 2>not real? And I think that's a really interesting moment.

0:46:31.680 --> 0:46:36.120
<v Speaker 1>That was the moment where I realized that they've done

0:46:36.160 --> 0:46:39.520
<v Speaker 1>something very interesting, which is set up Lottie to be

0:46:39.560 --> 0:46:43.840
<v Speaker 1>a lot more ominous figure and then subverted that and

0:46:43.920 --> 0:46:47.360
<v Speaker 1>let you know that whatever is going Lottie is a

0:46:47.440 --> 0:46:50.400
<v Speaker 1>victim of it as well a passenger to it. She

0:46:50.560 --> 0:46:53.480
<v Speaker 1>is at some point in the past come to the

0:46:53.480 --> 0:46:58.719
<v Speaker 1>realization that her visions, perhaps because there's too troubling or

0:46:58.719 --> 0:47:04.719
<v Speaker 1>too violent or whatever, are not messages, are not prophecies,

0:47:04.880 --> 0:47:09.000
<v Speaker 1>are not real, and she just really just wants them

0:47:09.280 --> 0:47:14.600
<v Speaker 1>at this point to stop, but has also somehow managed

0:47:14.600 --> 0:47:18.520
<v Speaker 1>to kind of parley the mystique around them. Yeah to

0:47:19.960 --> 0:47:23.240
<v Speaker 1>having it. I mean I'll just still I'm still calling

0:47:23.239 --> 0:47:25.279
<v Speaker 1>it a cult and to be able to kind of

0:47:25.320 --> 0:47:34.040
<v Speaker 1>like attract people to her and form this cult like organization.

0:47:34.440 --> 0:47:37.680
<v Speaker 2>And you're right, she definitely is using the notoriety of

0:47:37.719 --> 0:47:41.160
<v Speaker 2>what happened. I mean, she has bees, they make honey,

0:47:40.760 --> 0:47:44.439
<v Speaker 2>yeah people. The fact that Natalie knows her. We haven't

0:47:44.480 --> 0:47:48.120
<v Speaker 2>had anyone who's explicitly asked not about their past, but

0:47:48.200 --> 0:47:50.640
<v Speaker 2>the fact that Nat knows her makes her notorious in

0:47:50.680 --> 0:47:53.120
<v Speaker 2>the group. Like there's almost a celebrity to it. And

0:47:53.719 --> 0:47:55.880
<v Speaker 2>I doubt that there's anyone there who doesn't know what

0:47:55.880 --> 0:47:56.600
<v Speaker 2>Lottie went through.

0:47:56.640 --> 0:47:58.080
<v Speaker 1>So I think that's a really good read.

0:47:58.120 --> 0:48:00.520
<v Speaker 2>It's like she's someone who's been in a shit situation

0:48:00.600 --> 0:48:05.160
<v Speaker 2>who's kind of parlayed it into stability.

0:48:04.640 --> 0:48:05.960
<v Speaker 1>And success and wealth.

0:48:06.040 --> 0:48:09.120
<v Speaker 2>But is it at the cost of other people in

0:48:09.200 --> 0:48:11.040
<v Speaker 2>this kind of dangerous cult set up.

0:48:12.120 --> 0:48:23.320
<v Speaker 1>X Ray Vision will be back and We're back.

0:48:24.000 --> 0:48:28.560
<v Speaker 2>Shanna, Shanna, Shanna, this.

0:48:28.560 --> 0:48:34.920
<v Speaker 1>Is this, this moment is listen. I'm all for telling

0:48:34.960 --> 0:48:38.839
<v Speaker 1>the truth. I'm all for telling your family members what's

0:48:38.880 --> 0:48:41.000
<v Speaker 1>going on with you and letting them in and letting

0:48:41.000 --> 0:48:46.880
<v Speaker 1>them into your anxieties, and but this choice that Shawna

0:48:47.040 --> 0:48:51.560
<v Speaker 1>makes you could not get this out of me by waterboarding.

0:48:51.640 --> 0:48:54.880
<v Speaker 2>There's no way anything doesn't torture never gonna happen. No,

0:48:55.960 --> 0:49:00.319
<v Speaker 2>Shawna after a great kind of suburban mum interaction that

0:49:00.360 --> 0:49:02.680
<v Speaker 2>I think most of our parents probably had, where she

0:49:02.920 --> 0:49:06.840
<v Speaker 2>thanks the friend of Callie's you know, the parent of

0:49:06.920 --> 0:49:09.680
<v Speaker 2>Callie's friend, and she says, oh, thanks for having CALLI over.

0:49:09.800 --> 0:49:11.879
<v Speaker 2>I should start paying you because she's there so much.

0:49:12.360 --> 0:49:15.040
<v Speaker 2>And the friend's mom says, oh, no, Cally hasn't been there,

0:49:15.480 --> 0:49:18.920
<v Speaker 2>and it all starts to click into place Callie's lying

0:49:19.000 --> 0:49:24.920
<v Speaker 2>to Shanna. Shawna decides she's gonna investigate Callie's room. Kelly

0:49:25.040 --> 0:49:28.719
<v Speaker 2>is truly her mum's daughter because she just left Adam's

0:49:28.840 --> 0:49:34.640
<v Speaker 2>burnt license in her dresser, not hidden, not worried about it,

0:49:35.000 --> 0:49:38.640
<v Speaker 2>and in a truly extreme Shorana moment that I loved

0:49:38.680 --> 0:49:41.400
<v Speaker 2>because I really did not like bless Melanie Linsky, I

0:49:41.440 --> 0:49:43.799
<v Speaker 2>did not know which route she was gonna go here,

0:49:44.080 --> 0:49:46.719
<v Speaker 2>Shauna just picks up her daughter, drives her into a

0:49:46.800 --> 0:49:49.239
<v Speaker 2>fucking cornfield like she's going to do a mob hit

0:49:49.320 --> 0:49:53.640
<v Speaker 2>on her. But then, as you alluded to, confesses everything

0:49:54.000 --> 0:49:54.520
<v Speaker 2>and tell.

0:49:54.400 --> 0:50:00.880
<v Speaker 1>Us good fesssn't murder to her who is actively speaking

0:50:00.920 --> 0:50:03.399
<v Speaker 1>to the police right now, Like.

0:50:03.440 --> 0:50:06.440
<v Speaker 2>Literally, she is dating and texting a cop who is

0:50:06.480 --> 0:50:08.839
<v Speaker 2>still pretending not to be a cop, which I think

0:50:08.880 --> 0:50:11.640
<v Speaker 2>probably makes most of this inadmissible, but there's probably some

0:50:11.719 --> 0:50:14.719
<v Speaker 2>kind of blurry lines there. But also you have to

0:50:14.760 --> 0:50:15.120
<v Speaker 2>tell me.

0:50:15.160 --> 0:50:15.759
<v Speaker 1>That's the rule.

0:50:15.840 --> 0:50:17.960
<v Speaker 2>Yeah, if you a cop, you have to tell me

0:50:18.000 --> 0:50:22.799
<v Speaker 2>why didn't Kelly ask him? But like Callie, at what

0:50:22.920 --> 0:50:26.160
<v Speaker 2>point has she ever proven to you that she is loyal,

0:50:26.640 --> 0:50:30.880
<v Speaker 2>has solidarity, or any sense of smarts. I like, what

0:50:31.000 --> 0:50:31.839
<v Speaker 2>made you do this?

0:50:32.040 --> 0:50:34.160
<v Speaker 1>I'll tell you what Mayner do this? It is that

0:50:34.280 --> 0:50:36.479
<v Speaker 1>thing that we talked about in a previous episode, which

0:50:36.680 --> 0:50:43.800
<v Speaker 1>is that Shauna her the driving yes force of her personality,

0:50:43.960 --> 0:50:47.520
<v Speaker 1>is that she wants to destroy her life. She absolutely

0:50:47.680 --> 0:50:50.040
<v Speaker 1>thought of you when I watched this. She doesn't like

0:50:50.960 --> 0:50:54.800
<v Speaker 1>what her life is, She's bored by it, she finds

0:50:54.840 --> 0:50:59.320
<v Speaker 1>it unexciting. She wants something else, she wants something more dangerous,

0:50:59.640 --> 0:51:04.520
<v Speaker 1>and she will actively work against her own interest to

0:51:04.760 --> 0:51:07.919
<v Speaker 1>destroy her life bit by bit, and so here she's

0:51:07.960 --> 0:51:10.640
<v Speaker 1>doing it in Yeah, you know, we do blow up

0:51:10.680 --> 0:51:13.640
<v Speaker 1>my life. It's a new It's just like another risk

0:51:13.760 --> 0:51:16.080
<v Speaker 1>to take here's an So I've already committed a murder

0:51:16.120 --> 0:51:18.360
<v Speaker 1>and I've covered it up and then I uh, and

0:51:18.400 --> 0:51:21.040
<v Speaker 1>then I went and destroyed evidence kind of not really.

0:51:21.440 --> 0:51:23.640
<v Speaker 1>And also while I was there destroying evidence, I had

0:51:23.719 --> 0:51:27.480
<v Speaker 1>sex with my husband there, leaving certainly more trace evidence

0:51:27.520 --> 0:51:31.520
<v Speaker 1>than any medical examiner could find. And now, because that's

0:51:31.640 --> 0:51:34.719
<v Speaker 1>not enough risk to fully destroy my life because now

0:51:34.719 --> 0:51:36.759
<v Speaker 1>my husband and I are kind of getting along. Now,

0:51:37.040 --> 0:51:39.600
<v Speaker 1>what I need to do now is confess to my daughter,

0:51:39.680 --> 0:51:43.319
<v Speaker 1>who is actively in a relationship with a cop, that

0:51:43.560 --> 0:51:46.080
<v Speaker 1>I killed a guy that they're looking for that they're

0:51:46.120 --> 0:51:52.120
<v Speaker 1>trying to solve his murder. Shawna, don't do it. I mean,

0:51:52.160 --> 0:51:55.080
<v Speaker 1>it makes sense in this most in a demented way,

0:51:55.120 --> 0:51:58.120
<v Speaker 1>but it's also like so crazy. Yeah.

0:51:58.160 --> 0:52:01.440
<v Speaker 2>Also like it shows how to connected Seawana is from

0:52:01.480 --> 0:52:04.000
<v Speaker 2>reality at this point because she just tries to play

0:52:04.040 --> 0:52:08.480
<v Speaker 2>it off so casual. Kelly is just like freaking, yeah,

0:52:08.560 --> 0:52:09.080
<v Speaker 2>I did it.

0:52:09.200 --> 0:52:09.640
<v Speaker 1>I did it.

0:52:09.680 --> 0:52:12.480
<v Speaker 2>And Kelly's like, what the fuck you murdered someone? And

0:52:12.600 --> 0:52:14.600
<v Speaker 2>she is like well yeah, and she's like I knew

0:52:14.680 --> 0:52:16.560
<v Speaker 2>dad didn't have anything to do with this, and she's like, well,

0:52:16.600 --> 0:52:18.440
<v Speaker 2>your dad was the blackmail off and he's kind of

0:52:18.480 --> 0:52:22.479
<v Speaker 2>the reason this happened, and as Jeff will rightfully point

0:52:22.480 --> 0:52:25.000
<v Speaker 2>out later, you just made your daughter a murder accomplice.

0:52:25.080 --> 0:52:30.160
<v Speaker 1>So good job suburban psychopaths, those two.

0:52:30.840 --> 0:52:35.240
<v Speaker 2>So, speaking of people with sociopathic tendencies, Mistery and Walter

0:52:35.480 --> 0:52:39.719
<v Speaker 2>make it. He has some useful info from a diner

0:52:40.360 --> 0:52:42.959
<v Speaker 2>worker who tells him that the cult do not tip

0:52:43.000 --> 0:52:45.480
<v Speaker 2>well boo, because they have.

0:52:45.480 --> 0:52:46.320
<v Speaker 1>A lot of money.

0:52:46.440 --> 0:52:49.080
<v Speaker 2>They have a lot of money, she tells them, while

0:52:49.080 --> 0:52:51.479
<v Speaker 2>they sell honey a farmer's market, you can head over there.

0:52:51.520 --> 0:52:53.080
<v Speaker 2>And then what I like to call a very Game

0:52:53.120 --> 0:52:56.080
<v Speaker 2>of Thrones moment, they go to the farmer's market and

0:52:56.120 --> 0:52:59.520
<v Speaker 2>you're like, Wow, she's gonna find Natalie. But obviously Natalie

0:52:59.560 --> 0:53:01.560
<v Speaker 2>and Lisa I never made it, and you're sort.

0:53:01.360 --> 0:53:03.480
<v Speaker 1>Of like, oh no, why would that happen?

0:53:04.480 --> 0:53:09.359
<v Speaker 2>Sorry to Misty, she's very upset in the wilderness. Things

0:53:09.360 --> 0:53:12.880
<v Speaker 2>are going badly. Maray is hearing her Lady Macbeth dripping

0:53:13.040 --> 0:53:15.120
<v Speaker 2>Lotty decides the only way she can find some meat

0:53:15.160 --> 0:53:19.760
<v Speaker 2>is to commit blood magic, cutting open her hand. Nat

0:53:20.120 --> 0:53:24.120
<v Speaker 2>actually finds that giant white moose in a lake. Is

0:53:24.120 --> 0:53:27.400
<v Speaker 2>it the moose from last episode that was maybe not real?

0:53:27.719 --> 0:53:31.360
<v Speaker 1>Is real? Was a ghost of this moose? Yeah, something

0:53:31.440 --> 0:53:32.080
<v Speaker 1>like unclear.

0:53:32.400 --> 0:53:37.640
<v Speaker 2>There's a big stag and Lottie ends up becoming completely disoriented,

0:53:38.880 --> 0:53:42.160
<v Speaker 2>stumbles across and this is a big shock. The Lost

0:53:42.200 --> 0:53:45.600
<v Speaker 2>fans out there were surely screaming when this occurred.

0:53:45.680 --> 0:53:50.279
<v Speaker 1>Oh, it was very This felt like they know that.

0:53:51.719 --> 0:53:53.479
<v Speaker 1>I think they're cheek.

0:53:53.600 --> 0:53:55.560
<v Speaker 2>I think they're trying to traw people, like a lot

0:53:55.560 --> 0:53:58.399
<v Speaker 2>of people in our discord, like in a friendly way,

0:53:58.960 --> 0:54:00.640
<v Speaker 2>a lot of people in our disc God, it's seen

0:54:00.680 --> 0:54:02.560
<v Speaker 2>this on the What's coming next, and they kind of

0:54:02.560 --> 0:54:05.240
<v Speaker 2>felt like it was going to be that lost moment.

0:54:05.600 --> 0:54:08.440
<v Speaker 2>So she finds Laura Lee's plane, the plane that we

0:54:08.480 --> 0:54:11.319
<v Speaker 2>saw get destroyed in season one that exploded over the lake.

0:54:11.600 --> 0:54:13.759
<v Speaker 2>It is not destroyed, and inside is a teddy Bear.

0:54:13.840 --> 0:54:16.440
<v Speaker 2>And not only that, but under the teddy Bear's seat

0:54:17.239 --> 0:54:20.840
<v Speaker 2>is a tunnel that leads into the ground, and that

0:54:20.880 --> 0:54:25.440
<v Speaker 2>tunnel leads to an elevator, and Lottie comes out of

0:54:25.480 --> 0:54:30.279
<v Speaker 2>the elevator into a nineties mall where her teammates are

0:54:30.280 --> 0:54:32.040
<v Speaker 2>eating in a food court and a Florence in the

0:54:32.040 --> 0:54:35.720
<v Speaker 2>machine cover of the No Return theme song is playing

0:54:35.880 --> 0:54:40.480
<v Speaker 2>eerily weird vibes I mean more and more.

0:54:40.600 --> 0:54:45.880
<v Speaker 1>I'm thinking this is some sort of multiverse thing crossed

0:54:45.960 --> 0:54:50.440
<v Speaker 1>with the final destination thing, the Final Yeah, certainly Lottie's

0:54:51.440 --> 0:54:56.560
<v Speaker 1>final scene in the present and makes me feel like

0:54:56.840 --> 0:55:01.680
<v Speaker 1>they stole from death or something like that, and now

0:55:01.680 --> 0:55:04.799
<v Speaker 1>they're and everything that's happening is because they owe some

0:55:04.880 --> 0:55:06.640
<v Speaker 1>kind of cosmic debt to something.

0:55:07.000 --> 0:55:09.920
<v Speaker 2>I think that we get a lot of hints this

0:55:10.000 --> 0:55:14.719
<v Speaker 2>time that either there's some kind of multiversal situation or

0:55:15.360 --> 0:55:21.120
<v Speaker 2>some kind of timey whimy two universes string theory existing

0:55:21.160 --> 0:55:23.600
<v Speaker 2>at the same time. The kids in the nineties and

0:55:23.640 --> 0:55:25.959
<v Speaker 2>the adults now are all living in the same time

0:55:26.000 --> 0:55:29.120
<v Speaker 2>but separated by like a veil. It's all very interesting

0:55:29.560 --> 0:55:36.600
<v Speaker 2>and another unique discovery. I will say this is a

0:55:37.000 --> 0:55:41.000
<v Speaker 2>good classic horror trope. Here Van maps out all the

0:55:41.040 --> 0:55:44.440
<v Speaker 2>creepy symbol trees that Ty has been visiting late at

0:55:44.520 --> 0:55:48.040
<v Speaker 2>night and shot horror. If you connect them, they make

0:55:48.400 --> 0:55:51.879
<v Speaker 2>the creepy cult symbol of it. It's so good, it's

0:55:51.920 --> 0:55:55.319
<v Speaker 2>so pleasing, it's so enjoyable, it's so silly, and time

0:55:55.360 --> 0:55:57.359
<v Speaker 2>makes a very good point. You know, this is something

0:55:57.360 --> 0:56:02.160
<v Speaker 2>that's been used in history and horror are in you know,

0:56:02.200 --> 0:56:05.600
<v Speaker 2>Alan Moore's from hell. They have something along these lines,

0:56:06.040 --> 0:56:08.680
<v Speaker 2>and time makes a good point. You could just connect

0:56:08.680 --> 0:56:10.759
<v Speaker 2>them in any shape, right, It doesn't have to be

0:56:10.880 --> 0:56:13.320
<v Speaker 2>that way, does there You be that shape? I guess

0:56:13.360 --> 0:56:15.520
<v Speaker 2>to and Van's argument is, well, this is the order

0:56:15.560 --> 0:56:18.000
<v Speaker 2>you found them, so there's some kind of order there.

0:56:18.000 --> 0:56:19.600
<v Speaker 2>But I'm on Tie's side with this.

0:56:19.880 --> 0:56:20.480
<v Speaker 1>I am as well.

0:56:20.560 --> 0:56:27.760
<v Speaker 2>Van Van says, Look, if I'm right and these trees

0:56:27.880 --> 0:56:30.800
<v Speaker 2>mean something, there will be another tree in this specific

0:56:30.880 --> 0:56:33.480
<v Speaker 2>location and we'll be able to find it. It will have

0:56:33.520 --> 0:56:35.720
<v Speaker 2>the symbol, and that will prove that this is something

0:56:35.880 --> 0:56:42.160
<v Speaker 2>rather than nothing. Back in the present day, Nat in

0:56:42.200 --> 0:56:44.319
<v Speaker 2>a moment, I just this endeared me to her so much.

0:56:44.680 --> 0:56:47.799
<v Speaker 2>Nat has had enough of Lisa's shitty mum. Lisa's shitty

0:56:47.880 --> 0:56:52.320
<v Speaker 2>mom crosses the line and basically Lisa's history of suicidal

0:56:52.400 --> 0:56:56.920
<v Speaker 2>ideation and her mom starts describing very viscerally a way

0:56:57.280 --> 0:56:58.600
<v Speaker 2>that Lisa could kill herself.

0:56:58.600 --> 0:56:59.680
<v Speaker 1>It's like one of the worst.

0:56:59.440 --> 0:56:59.960
<v Speaker 2>Things you can do.

0:57:00.160 --> 0:57:03.160
<v Speaker 1>It's really really just horrible, really.

0:57:02.920 --> 0:57:06.480
<v Speaker 2>Truly extremely fucked up and dangerous, and Nat just totally

0:57:06.480 --> 0:57:09.120
<v Speaker 2>freaks out, yells at Lisa's mom, gets Lisa out of

0:57:09.120 --> 0:57:13.800
<v Speaker 2>the house and very sweet moment and classic weird Juliette

0:57:13.840 --> 0:57:18.520
<v Speaker 2>lewis Nat energy here steals Lisa's goldfish, the fourteenth Gillie,

0:57:18.560 --> 0:57:21.120
<v Speaker 2>by just putting it in her mouth in a mouthful

0:57:21.160 --> 0:57:23.439
<v Speaker 2>of water and then spits it out into a water

0:57:23.480 --> 0:57:26.560
<v Speaker 2>cup and is like, here you go. And their bond

0:57:26.640 --> 0:57:29.160
<v Speaker 2>here is kind of cemented. This is now a two

0:57:29.160 --> 0:57:32.880
<v Speaker 2>way friendship. This is someone. This is Nat showing Lisa

0:57:32.920 --> 0:57:36.320
<v Speaker 2>that she cares about her too. And then we get

0:57:36.360 --> 0:57:38.880
<v Speaker 2>to and this was you. You mentioned this moment already.

0:57:38.920 --> 0:57:40.680
<v Speaker 2>It's one of my favorite moments in the series. It's

0:57:40.760 --> 0:57:43.840
<v Speaker 2>so well done, it's so fun. It leans so much

0:57:43.840 --> 0:57:49.120
<v Speaker 2>into what's great about Misty. We get this great side

0:57:49.120 --> 0:57:53.600
<v Speaker 2>by side montage of Misty and Walter, you know, booking

0:57:53.640 --> 0:57:56.360
<v Speaker 2>themselves into this B and B. Walter wants them to.

0:57:56.320 --> 0:57:56.840
<v Speaker 1>Share a room.

0:57:56.880 --> 0:57:59.680
<v Speaker 2>Misty says no, and then we basically see that they're

0:57:59.720 --> 0:58:02.800
<v Speaker 2>sort of their two peas in a pod. Yes, they

0:58:02.840 --> 0:58:05.440
<v Speaker 2>don't know it, they're separated by a wall, but we

0:58:05.560 --> 0:58:08.280
<v Speaker 2>see them. They both look for listening devices all over

0:58:08.320 --> 0:58:12.840
<v Speaker 2>the room they cover. They put the remote control in

0:58:12.880 --> 0:58:16.600
<v Speaker 2>a little plastic ziploc bag that they carry with them

0:58:16.680 --> 0:58:17.600
<v Speaker 2>everything they do.

0:58:18.320 --> 0:58:18.680
<v Speaker 1>They do.

0:58:19.480 --> 0:58:23.600
<v Speaker 2>They are kindred spirits and they can almost sense it.

0:58:23.640 --> 0:58:25.600
<v Speaker 2>As they go to bed, they sort of can't really

0:58:25.600 --> 0:58:28.919
<v Speaker 2>get comfortable because they can almost feel this closeness between them.

0:58:29.800 --> 0:58:32.240
<v Speaker 2>It's very sweet and I truly am rooting for this

0:58:32.280 --> 0:58:36.720
<v Speaker 2>weirdo couple. Misty deserves some love. She's always been single.

0:58:37.000 --> 0:58:40.680
<v Speaker 2>It's time. Maybe Walter is the guy we'll see in

0:58:40.760 --> 0:58:45.320
<v Speaker 2>the mystery Mall, Lottie is freaking out. She's sitting at

0:58:45.320 --> 0:58:48.160
<v Speaker 2>the table and her friends are kind of ragging on her,

0:58:48.240 --> 0:58:51.200
<v Speaker 2>and she wants to eat the food, but she's also

0:58:51.280 --> 0:58:54.080
<v Speaker 2>really cold, and she's starting to realize that the mall

0:58:54.200 --> 0:58:57.960
<v Speaker 2>is not real. Sorry to the Lost fans, it's a hallucination.

0:58:58.080 --> 0:59:00.600
<v Speaker 2>And of course she's actually freezing in the middle the forest,

0:59:00.640 --> 0:59:03.000
<v Speaker 2>and the friends are just figments of her imagination, trying

0:59:03.040 --> 0:59:07.680
<v Speaker 2>to help her keep safe. And it seems like Lottie

0:59:08.000 --> 0:59:11.160
<v Speaker 2>may finally have lost her hold on the group because

0:59:11.240 --> 0:59:14.040
<v Speaker 2>Nat has enlisted the rest of the survivors to go

0:59:14.080 --> 0:59:16.640
<v Speaker 2>and get the frozen moose out of the lake. But

0:59:16.840 --> 0:59:18.680
<v Speaker 2>and I will say this, I knew as this was

0:59:18.720 --> 0:59:20.880
<v Speaker 2>gonna happen. They did not cut a big enough hole

0:59:20.880 --> 0:59:21.360
<v Speaker 2>for that moose.

0:59:21.400 --> 0:59:23.840
<v Speaker 1>Yeah, I mean a moose. I'm watching this and what

0:59:23.960 --> 0:59:26.080
<v Speaker 1>is a moose weigh two thousand pounds?

0:59:27.680 --> 0:59:27.760
<v Speaker 2>Like?

0:59:27.840 --> 0:59:33.840
<v Speaker 1>How heavy? Is? There is no way like eight young people,

0:59:34.440 --> 0:59:40.680
<v Speaker 1>starving people standing on ice, I'm gonna fucking draw the

0:59:40.720 --> 0:59:41.840
<v Speaker 1>moose out of the water.

0:59:42.120 --> 0:59:45.280
<v Speaker 2>No way. What they had, what they should have done. Look,

0:59:45.360 --> 0:59:48.440
<v Speaker 2>water is like flotation. If they'd have cut around the

0:59:48.480 --> 0:59:51.840
<v Speaker 2>whole moose, maybe the moose would have rose risen a

0:59:51.880 --> 0:59:54.080
<v Speaker 2>little bit. Instead, they tie a thing around its neck.

0:59:54.440 --> 0:59:56.960
<v Speaker 2>They try and pull out of this tiny hole, low

0:59:57.000 --> 1:00:00.360
<v Speaker 2>and behold. Sorry to that those survivors. The moose is gone,

1:00:00.640 --> 1:00:03.120
<v Speaker 2>floats down into the depth. Was the moose even real?

1:00:03.240 --> 1:00:06.560
<v Speaker 1>This is still I think it was. I think it

1:00:06.560 --> 1:00:08.000
<v Speaker 1>was real. Yeah, here's what I say.

1:00:08.040 --> 1:00:08.240
<v Speaker 2>You do.

1:00:09.000 --> 1:00:12.000
<v Speaker 1>You tie the rope around the moose's neck. You tie

1:00:12.080 --> 1:00:16.360
<v Speaker 1>the other end to a tree. Now you cut the hole. Okay, smart,

1:00:16.640 --> 1:00:19.320
<v Speaker 1>Now you cut the hole because the ice would the

1:00:19.360 --> 1:00:22.640
<v Speaker 1>ice was saying that was keeping it up. So you

1:00:22.840 --> 1:00:25.240
<v Speaker 1>just try and slowly pull it up as much as

1:00:25.280 --> 1:00:27.800
<v Speaker 1>you can, retying on the tree so that at least

1:00:27.840 --> 1:00:31.000
<v Speaker 1>there's an anchor and you're not there holding on to

1:00:31.120 --> 1:00:33.760
<v Speaker 1>the other end of a two ton animal that's drag

1:00:33.800 --> 1:00:37.000
<v Speaker 1>you into the water. Yeah, that's a good point, and

1:00:37.880 --> 1:00:40.840
<v Speaker 1>it is. Truly, this is one of those moments where

1:00:40.840 --> 1:00:41.280
<v Speaker 1>you just know.

1:00:41.360 --> 1:00:43.520
<v Speaker 2>It's like a game changer moment because if they'd have

1:00:43.560 --> 1:00:47.280
<v Speaker 2>actually got that moose, as Nap points out, there was probably.

1:00:47.080 --> 1:00:48.720
<v Speaker 1>Enough meat to keep them going till spring.

1:00:49.280 --> 1:00:51.720
<v Speaker 2>Yes, now they don't have that, we know what meat

1:00:51.720 --> 1:00:54.720
<v Speaker 2>they're going to turn to more than likely, Yes, And

1:00:54.760 --> 1:00:55.960
<v Speaker 2>it's just bad times.

1:00:56.360 --> 1:00:56.800
<v Speaker 1>Shanna.

1:00:57.120 --> 1:01:02.439
<v Speaker 2>She's continuing the Jason trademarked blowing up her life by

1:01:03.000 --> 1:01:06.240
<v Speaker 2>telling Jeff that she told Kelly about Adam. But the

1:01:06.320 --> 1:01:10.920
<v Speaker 2>best thing is she dude, She's just like, I think

1:01:10.920 --> 1:01:12.000
<v Speaker 2>we're all going to be fine.

1:01:12.080 --> 1:01:13.600
<v Speaker 1>And he's like, what do you mean for all of us?

1:01:14.000 --> 1:01:15.280
<v Speaker 1>She's like, what do you mean all of us?

1:01:15.280 --> 1:01:18.920
<v Speaker 2>And she's like, well, I told Cally that we that

1:01:19.000 --> 1:01:21.520
<v Speaker 2>we you know, I killed Adam and we covered it up.

1:01:21.760 --> 1:01:23.160
<v Speaker 2>And he's like, what the fuck is wrong with you?

1:01:23.240 --> 1:01:24.280
<v Speaker 1>He's like, as.

1:01:24.160 --> 1:01:27.000
<v Speaker 2>Parents, we're meant to just like not fuck up our kids.

1:01:27.160 --> 1:01:29.880
<v Speaker 2>We're supposed to throw ourselves in the way of danger,

1:01:30.160 --> 1:01:32.960
<v Speaker 2>and Sauna, you're right radical. Honestly, She's like, I'm sick

1:01:32.960 --> 1:01:35.240
<v Speaker 2>of lying to everyone. I don't I'm lying to every

1:01:35.280 --> 1:01:37.040
<v Speaker 2>single person in my day to day life. I don't

1:01:37.040 --> 1:01:37.919
<v Speaker 2>want to lie to my door.

1:01:38.080 --> 1:01:41.400
<v Speaker 1>Well, what about the cops? Everybody like radical honesty for

1:01:41.440 --> 1:01:43.400
<v Speaker 1>everybody except the polic cops.

1:01:43.920 --> 1:01:48.600
<v Speaker 2>And hilariously, I don't know if she's playing a game.

1:01:49.000 --> 1:01:51.400
<v Speaker 2>I don't know if she's endeared by the fact that

1:01:51.440 --> 1:01:53.600
<v Speaker 2>her mum kind of alluded to the horrors of the

1:01:53.640 --> 1:01:55.120
<v Speaker 2>forest and how much it affected her.

1:01:55.240 --> 1:01:56.880
<v Speaker 1>But Kelly shows up, yeah.

1:01:56.800 --> 1:01:58.720
<v Speaker 2>And Jeff's like, oh, aren't you going to your friend's

1:01:58.720 --> 1:02:00.560
<v Speaker 2>house tonight? And she was like, oh, well, she haven't.

1:02:00.600 --> 1:02:02.320
<v Speaker 2>She's being honest. She's like, I haven't been staying at

1:02:02.320 --> 1:02:04.920
<v Speaker 2>my friend's house. I've been going to the park. I'm

1:02:04.960 --> 1:02:06.880
<v Speaker 2>surely bad places to do, but going to the park

1:02:06.880 --> 1:02:09.120
<v Speaker 2>and hanging out with a boy, and I'm not gonna

1:02:09.120 --> 1:02:11.040
<v Speaker 2>do that anymore. So like, how can I help you?

1:02:11.240 --> 1:02:13.840
<v Speaker 2>And suddenly they're playing happy families Because these three are

1:02:13.880 --> 1:02:16.160
<v Speaker 2>the most fucked up people in the show. I truly

1:02:16.200 --> 1:02:19.000
<v Speaker 2>believe that, like the way they can just be in denial,

1:02:19.480 --> 1:02:21.600
<v Speaker 2>it's just they are just on it and they are.

1:02:21.520 --> 1:02:24.640
<v Speaker 1>Playing happy families. Good for them.

1:02:25.800 --> 1:02:29.360
<v Speaker 2>As we mentioned, you know, the moose in the Wilderness

1:02:29.440 --> 1:02:32.520
<v Speaker 2>did not come to the fruit did not come to

1:02:32.560 --> 1:02:35.560
<v Speaker 2>fruition in the way that Natalie had hoped. She sort

1:02:35.600 --> 1:02:38.560
<v Speaker 2>of ended up freezing in the water. She's in their

1:02:38.680 --> 1:02:42.040
<v Speaker 2>very luxurious spa. It's just is a timbath and I

1:02:42.040 --> 1:02:44.479
<v Speaker 2>guess they're heating water from the snow on the fire.

1:02:44.520 --> 1:02:46.080
<v Speaker 2>It seems like it would take them a long time

1:02:46.120 --> 1:02:47.680
<v Speaker 2>to fill that up. I have had to fill up

1:02:47.680 --> 1:02:50.080
<v Speaker 2>a bath with boiling water. But you know, they did it.

1:02:50.120 --> 1:02:56.200
<v Speaker 2>They committed, and everyone is feeling down, but also I

1:02:56.200 --> 1:02:59.040
<v Speaker 2>feel like a little bit grounded. It seems like Team

1:02:59.080 --> 1:03:01.600
<v Speaker 2>Logic has a little bit more argument on its side.

1:03:01.640 --> 1:03:06.000
<v Speaker 2>Now there really was meat. Natalie almost caught it, whereas

1:03:06.080 --> 1:03:10.280
<v Speaker 2>Lotti doesn't have anything. Lot Oh, Mari and Nikia come

1:03:10.320 --> 1:03:13.360
<v Speaker 2>back and they have Lotti. Lotti doesn't have any food.

1:03:13.520 --> 1:03:16.760
<v Speaker 2>Lotti does have hypothermia. And Nat is like, you know what,

1:03:17.280 --> 1:03:21.800
<v Speaker 2>get get into this tub and we're gonna bond. We're

1:03:21.800 --> 1:03:23.720
<v Speaker 2>gonna kind of fake shit talk each other.

1:03:24.800 --> 1:03:26.280
<v Speaker 1>And while we.

1:03:26.240 --> 1:03:29.520
<v Speaker 2>Didn't get any meat, at least we are now kind

1:03:29.520 --> 1:03:33.280
<v Speaker 2>of on better terms and things seem to be going okay.

1:03:33.680 --> 1:03:37.240
<v Speaker 1>One thing that I think this is a wonderful It's

1:03:37.280 --> 1:03:39.680
<v Speaker 1>a wonderful gesture and of course, like this is obviously

1:03:39.720 --> 1:03:45.920
<v Speaker 1>Lotti is in real treacherous straits, you know. But I

1:03:45.920 --> 1:03:50.680
<v Speaker 1>I when Natalie said this is my fault, I completely disagree.

1:03:50.960 --> 1:03:51.920
<v Speaker 2>I would disagree.

1:03:52.120 --> 1:03:55.840
<v Speaker 1>It's fucking not. It's everybody else who is suggesting that

1:03:55.920 --> 1:04:00.880
<v Speaker 1>Lotti is somehow actually like actively getting every food when

1:04:00.880 --> 1:04:06.280
<v Speaker 1>she doesn't ever leave, And it's not necessarily Lottie's fault.

1:04:07.000 --> 1:04:11.760
<v Speaker 1>But she also could have stood up and been like, hey,

1:04:11.840 --> 1:04:14.920
<v Speaker 1>let's big hand for Nat who is gone out there

1:04:14.960 --> 1:04:17.320
<v Speaker 1>in the cold every day to go get us fucking food.

1:04:17.560 --> 1:04:19.520
<v Speaker 2>Yeah, she could have also just said something along the

1:04:19.520 --> 1:04:22.800
<v Speaker 2>lines of like, you know what, the reason that Nat

1:04:22.800 --> 1:04:24.920
<v Speaker 2>and Travis haven't gotten enough food at the moment is

1:04:24.920 --> 1:04:27.320
<v Speaker 2>because it's winter. But I think if we all come together,

1:04:27.440 --> 1:04:29.959
<v Speaker 2>we can like do we each have a part to play,

1:04:30.000 --> 1:04:32.000
<v Speaker 2>and she can keep making them the blood tea. She

1:04:32.040 --> 1:04:34.160
<v Speaker 2>didn't have to go along with the game. I agree

1:04:34.200 --> 1:04:36.640
<v Speaker 2>with you. I do not believe that it's Natalie's fault. Also,

1:04:36.960 --> 1:04:40.400
<v Speaker 2>Natalie was happy for them to split the gun or

1:04:40.440 --> 1:04:43.880
<v Speaker 2>to flick the coin and you know, have Lotti perhaps

1:04:43.880 --> 1:04:47.120
<v Speaker 2>have the gun. But yeah, I disagree, it is not

1:04:47.240 --> 1:04:50.000
<v Speaker 2>Natalie's fault. Natalie is truly one of the realist and

1:04:50.040 --> 1:04:51.640
<v Speaker 2>smartest people left in that forest.

1:04:52.120 --> 1:04:52.680
<v Speaker 1>Absolutely.

1:04:52.760 --> 1:04:56.360
<v Speaker 2>Lotti is definitely in a bit of like a disassociative state.

1:04:56.840 --> 1:04:59.080
<v Speaker 2>I think at that point where she's just letting things

1:04:59.120 --> 1:05:03.560
<v Speaker 2>happen to her, and she is re entering that place.

1:05:03.760 --> 1:05:07.840
<v Speaker 2>I feel like in the present, she's going through affirmation cards.

1:05:07.920 --> 1:05:09.400
<v Speaker 1>I suppose that people.

1:05:09.080 --> 1:05:13.440
<v Speaker 2>Have written from the wellness group, and she starts to

1:05:13.480 --> 1:05:16.160
<v Speaker 2>see ominous cards that say things like I'm grateful for

1:05:16.240 --> 1:05:18.600
<v Speaker 2>my friends, and then she sees a Queen of Hearts

1:05:18.800 --> 1:05:24.000
<v Speaker 2>playing card and is yeah, with the eyes crossed out.

1:05:24.040 --> 1:05:29.240
<v Speaker 2>It's very creepy, very horror and she decides she's gonna

1:05:29.240 --> 1:05:31.680
<v Speaker 2>get her trusty knife that by the way, she could

1:05:31.680 --> 1:05:33.480
<v Speaker 2>have taken a knife into that forest, just saying in

1:05:33.520 --> 1:05:34.280
<v Speaker 2>the nineties, but.

1:05:34.240 --> 1:05:35.480
<v Speaker 1>She gets her adult knife.

1:05:35.840 --> 1:05:39.000
<v Speaker 2>She goes back to the blood Magic Ways and she

1:05:39.120 --> 1:05:42.919
<v Speaker 2>cuts her hand over a strange stump that looks very

1:05:42.960 --> 1:05:46.480
<v Speaker 2>similar to the stump that everyone is obsessed with in

1:05:46.520 --> 1:05:49.120
<v Speaker 2>the nineties, the warm stump. Now, this I think is

1:05:49.160 --> 1:05:55.600
<v Speaker 2>our biggest multiversal slash timey whimy like weird string theory

1:05:55.800 --> 1:06:01.560
<v Speaker 2>esque hint, because she cuts her hand open and leads

1:06:01.600 --> 1:06:03.760
<v Speaker 2>onto the stump, and she says something along the lines

1:06:03.800 --> 1:06:06.600
<v Speaker 2>of like kill us just enough, which I think, like

1:06:06.680 --> 1:06:10.040
<v Speaker 2>you said, it alludes to this final destination esque theory,

1:06:11.280 --> 1:06:15.480
<v Speaker 2>and as she does, it tie in Van find the

1:06:15.600 --> 1:06:19.720
<v Speaker 2>stump in the past. And obviously that's just good editing, probably,

1:06:19.760 --> 1:06:22.760
<v Speaker 2>but it feels like there's something important there, like the

1:06:22.800 --> 1:06:25.840
<v Speaker 2>magic that Lottie's doing in the future is actually affecting

1:06:25.920 --> 1:06:28.919
<v Speaker 2>things in the past rather than in the present day.

1:06:30.640 --> 1:06:35.919
<v Speaker 2>And that becomes even more of an intriguing theory when

1:06:35.920 --> 1:06:40.280
<v Speaker 2>they see someone running through the woods immediately after discovering

1:06:40.320 --> 1:06:43.720
<v Speaker 2>the weird melting snow stump, and they chase him down

1:06:44.200 --> 1:06:47.200
<v Speaker 2>and in a shocking twist that will surely upend everything,

1:06:48.520 --> 1:06:52.080
<v Speaker 2>they find that the mysterious wintery figure is none other

1:06:53.280 --> 1:06:54.200
<v Speaker 2>than Harvey.

1:06:54.080 --> 1:06:58.800
<v Speaker 1>Dun Dun Du. He's alive. He's alive. How did he

1:06:58.840 --> 1:06:59.360
<v Speaker 1>stay alive?

1:06:59.480 --> 1:07:01.480
<v Speaker 2>This is the question going forward two months.

1:07:01.480 --> 1:07:05.640
<v Speaker 1>Well, at least I think he must be. It's got

1:07:05.720 --> 1:07:08.440
<v Speaker 1>to be some multiversal thing and he is in that

1:07:08.680 --> 1:07:12.040
<v Speaker 1>pocket dimension, that place or something, and I like whether

1:07:12.080 --> 1:07:14.240
<v Speaker 1>it was the blood that called him out or whatever,

1:07:17.360 --> 1:07:19.440
<v Speaker 1>that's the only thing that makes sense, because.

1:07:21.080 --> 1:07:23.280
<v Speaker 2>Yeah, there's a hatch, there's a real hatch or the

1:07:23.520 --> 1:07:25.920
<v Speaker 2>because they covered a lot of ground, they really searched

1:07:25.920 --> 1:07:30.760
<v Speaker 2>for him, and so no surprises. They take Calvey back

1:07:31.400 --> 1:07:35.080
<v Speaker 2>and Team Sumnatura is just going absolutely wild. Nat can't

1:07:35.120 --> 1:07:35.520
<v Speaker 2>believe it.

1:07:35.640 --> 1:07:39.480
<v Speaker 1>She is fucked because I think you can. I mean,

1:07:39.520 --> 1:07:41.440
<v Speaker 1>they well, I did find the pants, and I thought

1:07:41.520 --> 1:07:42.000
<v Speaker 1>that that's.

1:07:41.920 --> 1:07:44.520
<v Speaker 2>What it was. I would agree that that is the

1:07:44.600 --> 1:07:48.360
<v Speaker 2>route she should take. But as some eagle eyed X

1:07:48.440 --> 1:07:52.160
<v Speaker 2>ray vision listeners pointed out, she did technically fake Harvey's

1:07:52.200 --> 1:07:54.840
<v Speaker 2>death with a with a pair of bloody shorts that

1:07:54.880 --> 1:07:57.240
<v Speaker 2>she planted in the woods because she wanted Travis to

1:07:57.280 --> 1:07:59.720
<v Speaker 2>get over it, but still spend all his time.

1:08:00.120 --> 1:08:06.960
<v Speaker 1>She could still say.

1:08:07.400 --> 1:08:10.600
<v Speaker 2>Someone shorts out here, so like, yeah, that's how I

1:08:10.600 --> 1:08:12.760
<v Speaker 2>think that's the way she should play it. Not looking

1:08:12.800 --> 1:08:17.320
<v Speaker 2>good for her, but Lotti obviously she is also now

1:08:17.360 --> 1:08:20.040
<v Speaker 2>fucked because Mari and everyone else starts going oh, Lotti

1:08:20.200 --> 1:08:24.920
<v Speaker 2>was right. She said Harvey was alive, It's happening, and

1:08:25.240 --> 1:08:28.880
<v Speaker 2>Van she cannot keep her excitement under wraps anymore. She

1:08:28.960 --> 1:08:30.800
<v Speaker 2>promised Ty that the two of them would kind of

1:08:30.880 --> 1:08:34.759
<v Speaker 2>keep Tie's connection and sleepwalking to themselves. But she bursts

1:08:34.760 --> 1:08:36.120
<v Speaker 2>out and she says well a lot. He knew he

1:08:36.160 --> 1:08:39.960
<v Speaker 2>was alive, but thy knew where to find him. Tye

1:08:40.160 --> 1:08:42.040
<v Speaker 2>was the one who took us there. Who has this

1:08:42.120 --> 1:08:45.120
<v Speaker 2>connection to the forest, and we're going to work out

1:08:45.120 --> 1:08:45.519
<v Speaker 2>what it is.

1:08:45.920 --> 1:08:48.000
<v Speaker 1>Dun da dud, dun dun dud.

1:08:48.240 --> 1:08:50.920
<v Speaker 2>And that is not the only shocking return because ty

1:08:52.040 --> 1:08:57.200
<v Speaker 2>in the present day, after hitchhiking very dangerously across Pennsylvania

1:08:57.240 --> 1:09:01.639
<v Speaker 2>with a trucker who she buys a wonderful naked woman

1:09:01.760 --> 1:09:05.599
<v Speaker 2>pen from, she gets there safely. Good for her because honestly,

1:09:05.640 --> 1:09:11.360
<v Speaker 2>I think getting into he's one of hers. Yeah, you know, good,

1:09:11.360 --> 1:09:13.040
<v Speaker 2>good for him. He voted for her.

1:09:13.360 --> 1:09:14.280
<v Speaker 1>So she survives.

1:09:14.479 --> 1:09:18.200
<v Speaker 2>That's huge, and she ends up in a small town.

1:09:19.920 --> 1:09:22.400
<v Speaker 2>She gets out of the car. She heads towards a

1:09:22.520 --> 1:09:26.000
<v Speaker 2>VHS video store with a Pride flag outside.

1:09:26.160 --> 1:09:29.080
<v Speaker 1>I knew you had to. You see the Pride flag,

1:09:29.120 --> 1:09:30.200
<v Speaker 1>You see the cool viages.

1:09:30.400 --> 1:09:34.160
<v Speaker 2>You go inside and there's a beautiful ginger woman wearing

1:09:34.240 --> 1:09:39.879
<v Speaker 2>flannel played by Lauren Ambrose. It's adult man, she's it's happening,

1:09:40.240 --> 1:09:44.559
<v Speaker 2>and she's standing in front of a board with different

1:09:44.640 --> 1:09:48.280
<v Speaker 2>tapes that she recommends, all of which are absolutely just and.

1:09:50.280 --> 1:09:51.560
<v Speaker 1>Really great movies.

1:09:51.280 --> 1:09:55.080
<v Speaker 2>And also definite allusions to the things that we see

1:09:55.120 --> 1:09:58.439
<v Speaker 2>happen in Yellow Jackets and the kind of first season.

1:09:58.560 --> 1:10:02.040
<v Speaker 2>So yeah, the amoral lesbian that back. Hopefully Van can

1:10:02.080 --> 1:10:06.200
<v Speaker 2>help tie. We're going to be very close to that

1:10:06.360 --> 1:10:09.880
<v Speaker 2>halfway mark. Next week is the halfway mark of this season,

1:10:10.160 --> 1:10:12.200
<v Speaker 2>and we still have absolutely no idea what's going on.

1:10:12.240 --> 1:10:13.880
<v Speaker 2>But it's a joy. It's a joy.

1:10:16.320 --> 1:10:18.880
<v Speaker 1>Uh, it is really a joy. Yeah. I start I

1:10:18.920 --> 1:10:25.640
<v Speaker 1>think more and more that you're kind of right about

1:10:26.120 --> 1:10:30.800
<v Speaker 1>the present affecting somehow the past.

1:10:30.800 --> 1:10:33.160
<v Speaker 2>Some kind of loop over rules, like there's some kind

1:10:33.200 --> 1:10:36.280
<v Speaker 2>of time travels connected.

1:10:37.760 --> 1:10:42.479
<v Speaker 1>There, Like there's something like that occurring where this show

1:10:42.680 --> 1:10:46.960
<v Speaker 1>we I don't know necessarily how it would work yet,

1:10:47.240 --> 1:10:51.720
<v Speaker 1>but what if, you know, we think this show is

1:10:51.720 --> 1:10:56.080
<v Speaker 1>being edited together cut, we're cutting backward, we're coming back

1:10:56.080 --> 1:10:59.479
<v Speaker 1>to the present, we're flashing back. But what if, like

1:10:59.760 --> 1:11:03.240
<v Speaker 1>some how this is linear, somehow this is happening linearly.

1:11:04.040 --> 1:11:06.120
<v Speaker 2>I wonder that too, if we're gonna go if we're

1:11:06.160 --> 1:11:11.640
<v Speaker 2>imagining hypothetically tim foiling it going full lost, there is

1:11:11.680 --> 1:11:15.160
<v Speaker 2>a version where everything they're experiencing is actually happening at

1:11:15.160 --> 1:11:18.280
<v Speaker 2>the same time, where they're either experiencing a vision of

1:11:18.280 --> 1:11:20.360
<v Speaker 2>what their future could be. They're in some kind of

1:11:20.439 --> 1:11:24.880
<v Speaker 2>strange space, you know, we've talked about I think in

1:11:24.920 --> 1:11:28.720
<v Speaker 2>the discord are the idea that you floated about some

1:11:28.880 --> 1:11:32.400
<v Speaker 2>kind of nuclear army base is very popular. There could

1:11:32.400 --> 1:11:34.439
<v Speaker 2>always be some kind of hell mouth element to that

1:11:34.640 --> 1:11:36.800
<v Speaker 2>or something stranger things, you know, where you have a

1:11:36.880 --> 1:11:41.479
<v Speaker 2>creature or a space where timelines blur. It's gonna be

1:11:41.600 --> 1:11:44.559
<v Speaker 2>very interesting. I am still just blown away by how

1:11:45.360 --> 1:11:49.960
<v Speaker 2>intriguing they've kept the mystery. Yeah, but also how long

1:11:50.000 --> 1:11:52.080
<v Speaker 2>can you keep it going a question?

1:11:52.680 --> 1:11:55.000
<v Speaker 1>I do think that this back half of the season

1:11:55.280 --> 1:11:59.400
<v Speaker 1>is you know, to use Lost again as a kind

1:11:59.400 --> 1:12:05.120
<v Speaker 1>of model they made. Now, those were different television watching times, right,

1:12:06.160 --> 1:12:09.200
<v Speaker 1>just a different TV watching culture at the time, but

1:12:12.280 --> 1:12:14.320
<v Speaker 1>they got to think about as far as you could

1:12:14.400 --> 1:12:18.519
<v Speaker 1>go without any kind of concrete here's what's going on.

1:12:18.760 --> 1:12:20.960
<v Speaker 1>And I do think the back half of this season

1:12:21.600 --> 1:12:24.840
<v Speaker 1>we're gonna have to start to really understand what's going

1:12:24.880 --> 1:12:30.559
<v Speaker 1>on or else the only way to avoid them, Yeah,

1:12:30.600 --> 1:12:33.760
<v Speaker 1>the only way to kind of avoid that is shit

1:12:33.880 --> 1:12:37.440
<v Speaker 1>gets way crazier. And I think that that's also a possibility,

1:12:37.479 --> 1:12:40.519
<v Speaker 1>is that shit just gets way crazy. But I think

1:12:40.520 --> 1:12:46.080
<v Speaker 1>now with Lauren Ambrose here, adult Van here. It feels

1:12:46.080 --> 1:12:48.720
<v Speaker 1>like there's some momentum now to start letting us in

1:12:48.800 --> 1:12:50.479
<v Speaker 1>on what the fuck is happening.

1:12:50.720 --> 1:12:54.080
<v Speaker 2>And we have basically our core cost now existing as

1:12:54.120 --> 1:12:56.880
<v Speaker 2>both adults and young people for the first time. So

1:12:56.880 --> 1:12:58.759
<v Speaker 2>how that all comes together is going to be really

1:12:58.800 --> 1:12:59.719
<v Speaker 2>exciting to see.

1:13:00.160 --> 1:13:02.519
<v Speaker 1>Yes, I can't wait up next nerd out.

1:13:10.040 --> 1:13:12.040
<v Speaker 2>In Today's not Out, Why you tell us what you

1:13:12.080 --> 1:13:14.920
<v Speaker 2>love and why? Or a theory that you're excited to share.

1:13:15.400 --> 1:13:20.000
<v Speaker 2>Cornelia shas a very airye and I think very likely

1:13:20.600 --> 1:13:21.639
<v Speaker 2>yellow jackets theory.

1:13:22.200 --> 1:13:26.080
<v Speaker 1>Wow, this is crazy. Hey Rosie, Hey Jason, long time,

1:13:26.120 --> 1:13:29.080
<v Speaker 1>first time. I had a thought, what if Shawna's wilderness

1:13:29.080 --> 1:13:35.519
<v Speaker 1>baby daddy isn't Jeff Done but the creepy wilderness spirit

1:13:35.800 --> 1:13:39.439
<v Speaker 1>slash man with no eyes slash dead hunter guy. What

1:13:39.560 --> 1:13:41.639
<v Speaker 1>if the reason Shawna's baby isn't a thing or even

1:13:41.680 --> 1:13:43.960
<v Speaker 1>reference to the president is because it was a creepy

1:13:44.000 --> 1:13:48.400
<v Speaker 1>Melissandra's style smoke baby or something. Then the quote he

1:13:48.840 --> 1:13:51.679
<v Speaker 1>inside of Shawna wanting blood, etc. It makes more sense.

1:13:52.000 --> 1:13:54.800
<v Speaker 1>Love you guys, have a great day. I you know

1:13:56.080 --> 1:13:58.680
<v Speaker 1>there might be something to this. I think so.

1:13:59.000 --> 1:14:02.120
<v Speaker 2>I think we're getting to the point now where the

1:14:02.240 --> 1:14:05.040
<v Speaker 2>baby and the fate of the baby is going to

1:14:05.080 --> 1:14:08.640
<v Speaker 2>be a huge touch point for whatever goes forward. And

1:14:08.680 --> 1:14:16.520
<v Speaker 2>I think if we're talking about strange, spiritual, ghostly situations

1:14:16.600 --> 1:14:18.920
<v Speaker 2>that we are now seeing alluded to as if they

1:14:18.920 --> 1:14:24.920
<v Speaker 2>are really happening rather than just visions, I would absolutely

1:14:24.960 --> 1:14:27.840
<v Speaker 2>see this as a theory. And I think I like

1:14:29.000 --> 1:14:32.639
<v Speaker 2>the specific idea of the kind of Melissandra smoke Baby.

1:14:32.720 --> 1:14:35.160
<v Speaker 2>I think that kind of horror trope of like, oh,

1:14:35.200 --> 1:14:38.120
<v Speaker 2>the baby is disfigured, or the baby is you know,

1:14:38.360 --> 1:14:40.800
<v Speaker 2>something wrong with it. It can go quite it can

1:14:40.840 --> 1:14:42.760
<v Speaker 2>become quite ablest or like weird, and this.

1:14:42.760 --> 1:14:43.960
<v Speaker 1>Show's very thoughtful.

1:14:44.200 --> 1:14:48.679
<v Speaker 2>So I think the smoke Baby scary kind of notion

1:14:48.920 --> 1:14:52.439
<v Speaker 2>of the baby almost not existing and only being able

1:14:52.479 --> 1:14:55.479
<v Speaker 2>to exist in the forest because Shawna really only knew

1:14:55.520 --> 1:14:58.400
<v Speaker 2>she was pregnant in the forest when she missed her

1:14:58.400 --> 1:15:01.120
<v Speaker 2>period when everyone else is sink. So I think there's

1:15:01.160 --> 1:15:03.720
<v Speaker 2>something very interesting here, especially because I think the two

1:15:03.800 --> 1:15:06.960
<v Speaker 2>most likely scenarios are something like this, or they eat

1:15:06.960 --> 1:15:09.240
<v Speaker 2>the baby, and now they're really going to eat the baby.

1:15:09.439 --> 1:15:11.680
<v Speaker 2>That's like the big question I have.

1:15:11.920 --> 1:15:14.760
<v Speaker 1>I'm just going to leave you with this theory that

1:15:15.040 --> 1:15:19.280
<v Speaker 1>feels too hackey and obvious. But is it Jacob's Ladder?

1:15:19.320 --> 1:15:22.720
<v Speaker 1>What if they're dead? I think it's I think it's

1:15:23.040 --> 1:15:25.000
<v Speaker 1>very likely. I think it's.

1:15:25.080 --> 1:15:31.000
<v Speaker 2>Very likely purgatory lost. I still think that they might

1:15:31.040 --> 1:15:34.120
<v Speaker 2>be trying to do that ultimate impossible to do trope.

1:15:34.200 --> 1:15:37.000
<v Speaker 2>I think it's likely. In the breakdown of the credits

1:15:37.040 --> 1:15:38.840
<v Speaker 2>that I did at IGN that we spoke about here,

1:15:39.439 --> 1:15:42.639
<v Speaker 2>when you pause it, there is one scene, one flash

1:15:43.120 --> 1:15:46.439
<v Speaker 2>of the plane completely burnt out with van Or burnt

1:15:46.520 --> 1:15:50.720
<v Speaker 2>up on the plane, and I still I still think

1:15:50.800 --> 1:15:51.960
<v Speaker 2>I don't think that's crazy.

1:15:52.920 --> 1:15:55.120
<v Speaker 1>For those of you who haven't seen it, who want

1:15:55.160 --> 1:16:00.679
<v Speaker 1>to watch a really freaky psychological horror Jacobs Ladder. Nice

1:16:00.720 --> 1:16:03.559
<v Speaker 1>Thanks Cornelius. If you have theories or passions you want

1:16:03.560 --> 1:16:05.080
<v Speaker 1>to share, hit us up at x ray at cricket

1:16:05.120 --> 1:16:09.639
<v Speaker 1>dot com instructions or in the show notes. Well that's

1:16:09.680 --> 1:16:12.400
<v Speaker 1>it for us, Rosie. What have you two? Plug plug plug,

1:16:12.400 --> 1:16:15.320
<v Speaker 1>blug plug plug plut plug. I'm covering yellowjackets at IGN.

1:16:15.360 --> 1:16:17.160
<v Speaker 2>If you want to read all these kinds of theories

1:16:17.160 --> 1:16:19.040
<v Speaker 2>and thoughts that we have here, but in an even

1:16:19.160 --> 1:16:23.439
<v Speaker 2>deeper textual way, you can find me Rosie marks at

1:16:23.479 --> 1:16:27.519
<v Speaker 2>Instagram and letterbox. I think I should hopefully have something

1:16:27.600 --> 1:16:32.840
<v Speaker 2>very exciting to announce soon Fingers crossed and yeah here

1:16:33.800 --> 1:16:35.240
<v Speaker 2>twice a week good times.

1:16:35.720 --> 1:16:41.479
<v Speaker 1>I am plugging a Primo on Amazon Free V Amazon Prime.

1:16:41.960 --> 1:16:44.720
<v Speaker 1>It's currently available to adds your watch list. Here's what

1:16:44.760 --> 1:16:46.560
<v Speaker 1>you do. You go to your Amazon Prime or you

1:16:46.640 --> 1:16:50.920
<v Speaker 1>go to your FREEV app. You search Primo Shay sh

1:16:51.080 --> 1:16:55.839
<v Speaker 1>e A. You see the show. It shows a family

1:16:55.920 --> 1:16:58.800
<v Speaker 1>sitting on orange counch. You hit the plus symbol to

1:16:58.800 --> 1:17:00.920
<v Speaker 1>add it to your watch list. You log on May

1:17:00.960 --> 1:17:05.840
<v Speaker 1>nineteenth and watch catch the next episode of x ray

1:17:05.880 --> 1:17:08.920
<v Speaker 1>Vision Friday April twenty first, for the season finale of

1:17:09.439 --> 1:17:12.880
<v Speaker 1>the wonderful Mandalorian television program with our good friend Jason

1:17:12.960 --> 1:17:19.320
<v Speaker 1>man Zukus. Whoo, that's gonna be super fun. Important programming note.

1:17:19.400 --> 1:17:23.960
<v Speaker 1>Xtra Vision will be taking off next week. That are

1:17:24.000 --> 1:17:26.800
<v Speaker 1>both episodes. Next week we will be going dark. That

1:17:26.840 --> 1:17:29.280
<v Speaker 1>means no no new episodes of the pod on Wednesday,

1:17:29.280 --> 1:17:31.920
<v Speaker 1>April twenty sixth and Friday April twenty eighth.

1:17:32.000 --> 1:17:35.400
<v Speaker 2>And if you miss us, make sure to subscribe on YouTube,

1:17:35.439 --> 1:17:38.040
<v Speaker 2>where you can watch full episodes of the show plus

1:17:38.080 --> 1:17:41.000
<v Speaker 2>follow us at xrvpod on Twitter for all the core updates,

1:17:41.000 --> 1:17:44.800
<v Speaker 2>retweets and fun news, and check out our discord to

1:17:44.840 --> 1:17:46.960
<v Speaker 2>meet and hang with tons of amazing fans. That thing

1:17:47.040 --> 1:17:50.120
<v Speaker 2>is just popping off at all times with the wildest theories,

1:17:50.160 --> 1:17:52.479
<v Speaker 2>the funnest chat really and things even outside of what

1:17:52.520 --> 1:17:55.920
<v Speaker 2>we talk about Sports Survivor. There's a channel for everyone.

1:17:56.080 --> 1:18:00.040
<v Speaker 2>Crafts are everything. You'll love it.

1:18:00.160 --> 1:18:03.840
<v Speaker 1>Five star ratings, five star revices. We need him, you

1:18:03.960 --> 1:18:07.040
<v Speaker 1>gotta give them to us. Here is one from MJ

1:18:07.640 --> 1:18:10.080
<v Speaker 1>It makes me happy. X ray Vision will always get

1:18:10.120 --> 1:18:12.800
<v Speaker 1>five stars from media. Podcasts is insightful and formative, fun

1:18:12.800 --> 1:18:15.479
<v Speaker 1>and funny. I love everything that Jason and Rosie do.

1:18:15.560 --> 1:18:17.320
<v Speaker 1>Twice a week, I look forward to hearing your show.

1:18:17.400 --> 1:18:18.479
<v Speaker 1>Your show makes me happy.

1:18:18.520 --> 1:18:19.280
<v Speaker 2>Thank you so much.

1:18:19.360 --> 1:18:22.400
<v Speaker 1>But today we're delighted that we could do that for you.

1:18:22.880 --> 1:18:24.720
<v Speaker 1>X ray Vision is a Crooked Media production. The show

1:18:24.760 --> 1:18:26.479
<v Speaker 1>is produced by Chris Lord and Saul Rubin. The show

1:18:26.560 --> 1:18:29.519
<v Speaker 1>is executive produced by myself and Sandy Rhard are editing

1:18:29.520 --> 1:18:33.280
<v Speaker 1>and sound design. Who's Five Facillis Phatopoulos, Dilon Villanueva and

1:18:33.320 --> 1:18:36.160
<v Speaker 1>Matt de Group provide video production support. Alex Rella for

1:18:36.320 --> 1:18:39.360
<v Speaker 1>Handle social media. Thank you Brian Vasquez for theme music.

1:18:39.800 --> 1:18:42.360
<v Speaker 1>See you next time, folks. Bye,