WEBVTT - The Queen Mother Who Refused to Die 

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<v Speaker 1>Welcome to Noble Blood, a production of iHeartRadio and Grim

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<v Speaker 1>and Mild from Aaron Manky. Listener discretion advised, Hey, this

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<v Speaker 1>is Danish Schwartz. Just one quick personal note before we

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<v Speaker 1>begin today's episode. I have a new book coming out.

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<v Speaker 1>It is called The Arcane Arts and I wrote it,

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<v Speaker 1>but it's actually by SD Coverly for two reasons. One

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<v Speaker 1>because I co wrote it with a friend of mine,

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<v Speaker 1>alternating chapters. I did the female point of view, he

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<v Speaker 1>did the male point of view. And also because my

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<v Speaker 1>last books were young adult and this one is a

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<v Speaker 1>little sexier. So if you are a younger or teenage reader,

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<v Speaker 1>this might not be the book for you, and I

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<v Speaker 1>wanted to differentiate that. But if you are at all

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<v Speaker 1>interested in a story about a graduate student and a

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<v Speaker 1>professor delving into secret, forbidden magic at a grad school,

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<v Speaker 1>please please look into the book, and if you can,

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<v Speaker 1>it would mean the world to me if you could

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<v Speaker 1>pre order. Pre Orders are kind of the number one

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<v Speaker 1>thing you can do to help authors. It just shows

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<v Speaker 1>publishers that people care about this book. So the book

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<v Speaker 1>is The Arcane Arts. If you could pre order, and

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<v Speaker 1>you're a fan of me and a fan of my writing,

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<v Speaker 1>it would mean the world. Let's get into today's episode.

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<v Speaker 1>The stakes were so high that as the hours passed,

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<v Speaker 1>even a sacred shrine started to feel like a cramped cage.

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<v Speaker 1>Idia had been hiding in a hallowed grove within the

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<v Speaker 1>highest ranking chief's palace in Benin City. Since her son

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<v Speaker 1>Essida had been crowned the ruler of the Edo people,

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<v Speaker 1>or the Oba. It should have been a time of

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<v Speaker 1>joyous celebration. Following years of planning and the death of

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<v Speaker 1>the previous Oba Ozulua in fifteen oh four, or Idia

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<v Speaker 1>had finally triumphed in making her son his successor. However,

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<v Speaker 1>Idia was in grave danger due to the pesky custom

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<v Speaker 1>of killing and Oba's mother once he officially began his reign.

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<v Speaker 1>According to several studies of oral histories, this bloody practice

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<v Speaker 1>had been carried out since the early fourteenth century in

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<v Speaker 1>the kingdom of Benin. The question of why such ruthless

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<v Speaker 1>sacrifices were made is fairly complicated. The short answer, as

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<v Speaker 1>some historians posit, is that Benin chiefs wanted to prohibit

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<v Speaker 1>influential mothers from exerting control once their sons reached the

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<v Speaker 1>apex of the social hierarchy. The longer answer, as will

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<v Speaker 1>explore shortly, incorporates far more nuance and context regarding Edo culture, spiritualists,

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<v Speaker 1>and monarchical symbolism. As far as Idia was concerned. Though

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<v Speaker 1>her son was the new Oba, and so like generations

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<v Speaker 1>of royal mothers before her, she faced an immediate death warrant.

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<v Speaker 1>But the upholders of Edo tradition had never before tangled

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<v Speaker 1>with a woman like Idia. She was reportedly brilliant, charismatic, beautiful, cutthroat,

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<v Speaker 1>and exceedingly persuasive. She was both a devoted mother and

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<v Speaker 1>a political visionary, and she was widely believed to have

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<v Speaker 1>the most powerful weapon in her vast arsenal magic. Consequently,

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<v Speaker 1>Idiot's hiding place was not the result of some sudden,

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<v Speaker 1>impromptu escape. She had had ample time to plan, and

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<v Speaker 1>her chosen hideout was a strategic one. The Sacred Shrine

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<v Speaker 1>was aimed after Oshoon, a god of medicine, forests, and magic,

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<v Speaker 1>and only those initiates of sufficient supernatural prowess were allowed

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<v Speaker 1>to enter. The arrangement was certainly no long term solution,

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<v Speaker 1>but if the exclusive refuge could buy Idia just enough

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<v Speaker 1>time for the rest of her plan to come to fruition,

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<v Speaker 1>she had a chance to not only defend her life,

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<v Speaker 1>but to forever change the power, structures and generational rituals

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<v Speaker 1>of the entire Benen Kingdom. Still with Idiot's fate hardly

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<v Speaker 1>resting in her own hands at that point, that was

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<v Speaker 1>all quite a big if if she could survive at all.

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<v Speaker 1>I'm Dana Schwartz and this is noble bloode. As some

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<v Speaker 1>the Keen listeners may have noticed, there are many connections

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<v Speaker 1>here to our previous episode Empires and the Benin Bronzes.

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<v Speaker 1>This new installment will allow us to delve further into

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<v Speaker 1>the life and legends of India, the remarkable warrior queen

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<v Speaker 1>who inspired many of those exquisite works of art. It's

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<v Speaker 1>also worth quickly clarifying a few terms. The Edo people

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<v Speaker 1>are an ethnic group originating from the Edo Kingdom, which

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<v Speaker 1>existed in different forms from roughly nine hundred AD until

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<v Speaker 1>eighteen ninety seven. Edo states still exist in present day

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<v Speaker 1>Nigeria and has been in City as its capital. Herein

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<v Speaker 1>lies potential for confusion, since the Edo Kingdom is often

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<v Speaker 1>called the Kingdom of Benin in oral histories and written accounts,

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<v Speaker 1>but it isn't related to the Republic of Benin, the

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<v Speaker 1>modern West African nation. According to scholars, the term Benin

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<v Speaker 1>came from fifteenth century Portuguese traders mishearing the Edo word ubini,

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<v Speaker 1>commonly translated to mean livable or land of the multitude.

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<v Speaker 1>They referred to the kingdom and its people as Beni,

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<v Speaker 1>which then became Benin around fourteen eighty five. Evidently, the

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<v Speaker 1>terms Eto, Beni, and Benin were all used in Idia's lifetime,

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<v Speaker 1>as well as by later generations of both African oral

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<v Speaker 1>historians and foreign academics. Relatedly, most scholarship on the Kingdom

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<v Speaker 1>of Benin relies on region specific oratards and artistic traditions,

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<v Speaker 1>which have preserved information in very particular ways. Case in point,

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<v Speaker 1>Many of the dates of Idia's life are difficult to

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<v Speaker 1>pinpoint exactly, but major events have been memorably immortalized, especially

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<v Speaker 1>regarding her unprecedented rise to power. As some legends have it,

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<v Speaker 1>an oracle advised Idia's parents that she was destined to

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<v Speaker 1>marry Oba Ozolua. Her parents were opposed to that fate

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<v Speaker 1>and sought to prevent it by permanently scarring Idia's forehead

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<v Speaker 1>with two large vertical incisions. Then, as a further deterrent.

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<v Speaker 1>They got a priestess to infuse the wounds with medicinal

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<v Speaker 1>herbs of potent supernatural power, but Oba Ozulua was impervious

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<v Speaker 1>to that ploy. He became infatuated with Idia's charming nature

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<v Speaker 1>and captivating dancing, and chose to marry her anyway, ultimately

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<v Speaker 1>fulfilling the oracle's prophecy. Some historians and writers, particularly more

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<v Speaker 1>modern African writers, claim this interpretation is flawed considering the

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<v Speaker 1>life changing lineage, elevating wealth and power involved. They argue

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<v Speaker 1>that it's more plausible that Idia's parents would have wanted

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<v Speaker 1>her to marry Oba ozol Lua. It's difficult to definitively

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<v Speaker 1>say how old Idio was when she married or how

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<v Speaker 1>she felt about it at the time, but deeper analysis

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<v Speaker 1>of the event points toward Idia likely having been trained

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<v Speaker 1>in the ways of the royal court. Likewise, she was

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<v Speaker 1>probably aware that presenting herself in a mystical, intriguing manner

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<v Speaker 1>would make her especially attractive to an Oba. Once the

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<v Speaker 1>lively wedding celler abrations died down, Idia thrived in her

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<v Speaker 1>new life at the Oba's palace, as shown by her

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<v Speaker 1>clever maneuvering among the chief's officials and Oba Ozulua's other wives.

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<v Speaker 1>As many tales illustrate, she was able to make her

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<v Speaker 1>son an Oba despite seep odds. This required elite understanding

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<v Speaker 1>in three key areas, politics, military strategy, and possibly the

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<v Speaker 1>aforementioned magic. Idia's deft political moves were on display the

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<v Speaker 1>day her son e Sigier was born. By all accounts,

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<v Speaker 1>he should have been third in line to succeed his

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<v Speaker 1>father as Oba. The first of Oba Ozulua's son was

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<v Speaker 1>Oji Digbo, and then came Aruhuan, each born to a

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<v Speaker 1>different wife, then came Idios son Acga. Coincidentally, Aruhuan and

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<v Speaker 1>Acga were born on the same day, with Arohuan actually

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<v Speaker 1>arriving first, but then almost immediately losing his place in

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<v Speaker 1>the pecking order. The reason why is a subject of debate.

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<v Speaker 1>Some versions of the story specify that Uruhuan didn't immediately

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<v Speaker 1>cry as a newborn, which was taken as an omen

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<v Speaker 1>that he was unfit to be a future Oba. Other

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<v Speaker 1>iterations state that the line of succession came down to

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<v Speaker 1>the fact that palace officials mistakenly reported to the Oba

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<v Speaker 1>that Acga arrived first. Multiple prominent modern scholars argue that

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<v Speaker 1>in either case, Idiot was in control of the situation.

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<v Speaker 1>She purportedly held more sway at the palace than the

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<v Speaker 1>other royal wives, and was championed by the spiritual community there,

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<v Speaker 1>the members of which often oversaw medical matters, so knowing

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<v Speaker 1>how critical the official birthing order was, Idia ensured that

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<v Speaker 1>her son took precedence. This likely would have involved spreading

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<v Speaker 1>concern about Auruhuan struggling to cry upon entering the world,

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<v Speaker 1>or perhaps even entirely inventing that as a rumor. Later,

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<v Speaker 1>when the Oba's three sons were young children, the firstborn,

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<v Speaker 1>o g Diegbo, was seriously injured when playing with his brothers.

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<v Speaker 1>He too, was then deemed ineligible to become Oba. The

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<v Speaker 1>circumstances of the injury come across as murky, and it's

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<v Speaker 1>unclear whether it was an accident or foul play. Regardless,

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<v Speaker 1>signs point toward Idia swiftly capitalizing on oj Diegbo's misfortune

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<v Speaker 1>before or the full extent of his physical limitations were

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<v Speaker 1>known to install her son Asigie as the heir apparent.

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<v Speaker 1>In terms of military expertise, Idia's contributions became legendary through

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<v Speaker 1>violent conflicts when Asigie and Rawuan were young men. After

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<v Speaker 1>Oba Ozulua died in fifteen o four, Asigie ruled Benin

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<v Speaker 1>City and Arruan ruled Udu, the city he'd relocated to

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<v Speaker 1>twenty miles away. He refused to accept Asigia as the Oba,

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<v Speaker 1>and for years plotted to oust him. Aruhuan inspired ample

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<v Speaker 1>lore himself, much of it centered on his jaw dropping

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<v Speaker 1>physique and fighting skills. Many tales portray him as a

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<v Speaker 1>fearsome giant capable of uprooting trees with his bare hands,

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<v Speaker 1>but Isigie was reportedly more of a worldly, diplomatic and

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<v Speaker 1>somewhat temperamental type. On the advice of his mother Idia,

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<v Speaker 1>he cultivated foreign relationships, granting Christian missionaries and Portuguese ambassador's

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<v Speaker 1>access to his realm. Due to Ecigie's lack of battle expertise, however,

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<v Speaker 1>his mother knew he needed her help to repel a

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<v Speaker 1>Rohuan's growing forces. Idia didn't merely assist her son with

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<v Speaker 1>wise advice. At times, she purportedly assumed control of his

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<v Speaker 1>armies and ultimately motivated them to defeat a Rohuan in

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<v Speaker 1>a drawn out, bloody civil war. As other rivals then

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<v Speaker 1>sought to capitalize on the chaos. Idia again helped her

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<v Speaker 1>sons military to victory in the Ida War, with the

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<v Speaker 1>most momentous of battles. Idio reportedly knew that morale and

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<v Speaker 1>belief could be just as important as strength and skill,

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<v Speaker 1>and the best way to inspire her side was through

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<v Speaker 1>her knowledge of the supernatural. Over the centuries, many historians

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<v Speaker 1>and historical accounts have underestimated or disregarded supposed magical prowess. Now,

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<v Speaker 1>I personally am not saying magic is real, but the

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<v Speaker 1>belief in magic played an immensely important role in Edo culture.

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<v Speaker 1>Those who allegedly dealt in sorcery and witchcraft were both

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<v Speaker 1>feared and respected. Magic provided a path for engaging and

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<v Speaker 1>enterprising individuals to gain influence, especially women. Female priestesses, diviners,

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<v Speaker 1>and masters of the metaphysical reportedly commanded clout that was

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<v Speaker 1>often equal to or greater than their male counterparts. Historically,

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<v Speaker 1>there have obviously been countless examples of notable figures being

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<v Speaker 1>accused of sorcery or witchcraft as a means of undermining them.

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<v Speaker 1>This was certainly the case in multiple European cultures in

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<v Speaker 1>the early sixteenth century, but interestingly, modern sources argue it

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<v Speaker 1>was the opposite in Benin at that time. Instead of

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<v Speaker 1>a charismatic woman having to passively endure slanderous paranormal labels,

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<v Speaker 1>she could often proactively espouse a supernatural identity as a

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<v Speaker 1>way to boost her social standing. Idia evidently tried to

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<v Speaker 1>lean into that narrative as much as possible, and crucially,

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<v Speaker 1>accounts that quickly marginalize her purported supernatural skills or dismiss

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<v Speaker 1>them as irrational superstition often miss the most important part.

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<v Speaker 1>Idia made everyone else around her believe that she was

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<v Speaker 1>adept at magic, and the prestige she derived from that

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<v Speaker 1>underpinned almost every move she made. A classic example of

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<v Speaker 1>this was Idia's handling of a potentially disastrous juncture in

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<v Speaker 1>the Ida War in fifteen fifteen. Fresh from their successful

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<v Speaker 1>but very costly conflict with Uruhuan's forces, Oba Ascgia's army

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<v Speaker 1>was depleted and exhausted as the soldiers then prepared to

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<v Speaker 1>fight the invading army from the Ida Kingdom as it

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<v Speaker 1>closed in on Benin City in Ibas, a bird often

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<v Speaker 1>thought to be a dramatic omen, flew overhead, unleashing a chilling,

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<v Speaker 1>loud squawk as CGA's diviners took this to mean certain

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<v Speaker 1>defeat and advised him to retreat. But Idia had other ideas.

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<v Speaker 1>She had joined her son on the battlefield, bringing along

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<v Speaker 1>her own army. Although they too were weary and bloodied,

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<v Speaker 1>Idia was not one to be undone by a portentous bird.

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<v Speaker 1>Her solution, have the ibis shot as Cgia followed that advice,

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<v Speaker 1>and he and his mother's combined forces went on to

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<v Speaker 1>win their battle and defend their lands. According to some

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<v Speaker 1>modern experts assessments, what may seem like a simple act

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<v Speaker 1>actually speaks volumes about Idia's impact. Had anyone of lesser

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<v Speaker 1>supernatural prowess, as Cigia included, suggested such a brash move,

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<v Speaker 1>the soldiers likely wouldn't have supported it so enthusiastically. Only

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<v Speaker 1>the most magically accomplished person in the realm was worth

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<v Speaker 1>following into war after so confidently tempting fate to eat.

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<v Speaker 1>Even more deeply understand how idiot commanded such a level

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<v Speaker 1>of reverence, we must rewind back to fifteen o four,

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<v Speaker 1>when she was hiding in that sacred shrine. She had

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<v Speaker 1>already utilized her political, militaristic and supernatural savvy to great effect,

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<v Speaker 1>but could these attributes help her pass the stiffest test

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<v Speaker 1>of all, could she manage to save her own life.

0:18:29.680 --> 0:18:34.000
<v Speaker 1>According to long standing tradition, Idio was supposed to be

0:18:34.240 --> 0:18:39.560
<v Speaker 1>ritualistically killed since her son had officially become the sixteenth

0:18:39.600 --> 0:18:43.600
<v Speaker 1>Oba of the Kingdom of Benin, But as many oral

0:18:43.800 --> 0:18:50.439
<v Speaker 1>histories chronicle, she chose a strategic hiding place, an exclusive

0:18:50.640 --> 0:18:55.320
<v Speaker 1>shrine in the high ranking chief's palace and an exclusive

0:18:55.400 --> 0:19:00.359
<v Speaker 1>neighborhood of old Benin City. Although this meant she was

0:19:00.400 --> 0:19:04.840
<v Speaker 1>basically laying low in the lions den, the exclusivity of

0:19:04.920 --> 0:19:09.840
<v Speaker 1>the shrine and supposed help from an allied chief bought

0:19:10.119 --> 0:19:15.000
<v Speaker 1>Idiot time. While her son, the new Oba, quickly changed

0:19:15.119 --> 0:19:20.520
<v Speaker 1>the rules. He overturned the matricidal custom and created a

0:19:20.680 --> 0:19:26.200
<v Speaker 1>new official title for his mother, Eaoba, which literally means

0:19:26.400 --> 0:19:32.040
<v Speaker 1>mother of the Oba. Over time, the Eaoba was commonly

0:19:32.080 --> 0:19:36.520
<v Speaker 1>condensed to one word yoba. This term has most often

0:19:36.600 --> 0:19:40.560
<v Speaker 1>been equated to the role of queen mother in European monarchies,

0:19:40.920 --> 0:19:45.639
<v Speaker 1>although some historians argue that the title transcended its derivation

0:19:46.280 --> 0:19:50.240
<v Speaker 1>and that an Eyoba was more than just an oba's mother.

0:19:50.720 --> 0:19:54.800
<v Speaker 1>She was a unique type of ruler and spiritual leader

0:19:55.760 --> 0:20:00.080
<v Speaker 1>Idia seemingly knew that so boldly offending tradition was a

0:20:00.359 --> 0:20:03.760
<v Speaker 1>big swing, and that she needed a compelling way to

0:20:03.920 --> 0:20:08.320
<v Speaker 1>sell everyone on the idea. That is where the legendary

0:20:08.560 --> 0:20:12.960
<v Speaker 1>womb of or hue concept came in. Orhue refers to

0:20:13.080 --> 0:20:19.879
<v Speaker 1>a ceremonial white chalk used in Edo culture to symbolize faith, goodness,

0:20:20.040 --> 0:20:24.680
<v Speaker 1>and divine presence. Sometimes the word is translated to mean

0:20:24.880 --> 0:20:29.600
<v Speaker 1>God is here. This reference to the divine is crucial because,

0:20:29.640 --> 0:20:34.000
<v Speaker 1>according to custom, a prince went through something of a

0:20:34.119 --> 0:20:39.959
<v Speaker 1>metaphysical transformation when becoming an Oba. He not only became

0:20:40.200 --> 0:20:43.800
<v Speaker 1>the official leader of the Kingdom of Benin and its people,

0:20:44.280 --> 0:20:49.040
<v Speaker 1>he essentially also became a spiritual focal point, akin to

0:20:49.160 --> 0:20:53.119
<v Speaker 1>a deity. The longer answer to why an Oba was

0:20:53.240 --> 0:20:58.280
<v Speaker 1>traditionally expected to allow the highest ranking chiefs to sacrifice

0:20:58.320 --> 0:21:02.200
<v Speaker 1>his own mother pertain to that prior to her son

0:21:02.400 --> 0:21:07.520
<v Speaker 1>being crowned, a mother exerted a natural maternal authority over him.

0:21:08.080 --> 0:21:13.159
<v Speaker 1>This relationship was fundamental in preparing the future ruler, especially

0:21:13.320 --> 0:21:16.600
<v Speaker 1>for a sigier who never would have become Oba otherwise.

0:21:17.080 --> 0:21:23.000
<v Speaker 1>But as some scholars contend, this royal familial bond created

0:21:23.040 --> 0:21:26.080
<v Speaker 1>a sort of paradox once a son took on a

0:21:26.280 --> 0:21:32.439
<v Speaker 1>divine dimension granted. On a cynical practical level, many of

0:21:32.480 --> 0:21:36.400
<v Speaker 1>the power hungry chiefs probably wanted an Oba's mother out

0:21:36.480 --> 0:21:40.040
<v Speaker 1>of the way so she couldn't meddle in whatever schemes

0:21:40.080 --> 0:21:43.480
<v Speaker 1>they were up to. But in a more macro sense,

0:21:43.840 --> 0:21:49.520
<v Speaker 1>such a sacrifice purportedly rectified the philosophical issue of how

0:21:49.560 --> 0:21:54.639
<v Speaker 1>a godlike ruler could possibly continue to coexist with his

0:21:54.880 --> 0:22:03.080
<v Speaker 1>mortal mother and longtime superior, albeit in an extremely brutal way.

0:22:04.200 --> 0:22:10.200
<v Speaker 1>Idia however, devised a simple and elegant solution. As scholarly

0:22:10.280 --> 0:22:15.320
<v Speaker 1>analysis of edo legend has shown, Idia determined that if

0:22:15.359 --> 0:22:18.480
<v Speaker 1>she couldn't live on as the mortal mother of a

0:22:18.560 --> 0:22:22.200
<v Speaker 1>divine son, then she would just have to go through

0:22:22.440 --> 0:22:28.400
<v Speaker 1>her own holistic transmutation. After all, Idia had allegedly been

0:22:28.600 --> 0:22:33.959
<v Speaker 1>using the arcane arts since before marrying Oba Ozolua, and

0:22:34.080 --> 0:22:38.520
<v Speaker 1>her magical abilities were rumored to have only increased since then.

0:22:39.400 --> 0:22:42.840
<v Speaker 1>In the lead up to her son becoming the new Oba,

0:22:43.000 --> 0:22:47.760
<v Speaker 1>Idia reportedly pushed the narrative that she and her womb

0:22:47.840 --> 0:22:51.800
<v Speaker 1>of or Hue were so transcendent that she was able

0:22:51.880 --> 0:22:55.720
<v Speaker 1>to birth a son who became a divine ruler despite

0:22:55.920 --> 0:23:00.640
<v Speaker 1>numerous obstacles. In what now comes off like a savvy

0:23:00.680 --> 0:23:06.600
<v Speaker 1>pr strategy, Idia also ensured that her contributions in advising

0:23:07.000 --> 0:23:13.200
<v Speaker 1>Oba Ozulua, her husband uncertain domestic and foreign affairs, training

0:23:13.200 --> 0:23:16.720
<v Speaker 1>his heir, and strengthening the position of the royal family

0:23:17.240 --> 0:23:21.399
<v Speaker 1>were portrayed to both the nobility and the larger populace

0:23:21.720 --> 0:23:25.920
<v Speaker 1>as being incredibly beneficial to the kingdom. Along the way,

0:23:26.040 --> 0:23:32.000
<v Speaker 1>she constantly linked all of these feats to her magical prowess. Therefore,

0:23:32.160 --> 0:23:35.400
<v Speaker 1>by the time Idia had to hide in a shrine

0:23:35.760 --> 0:23:39.359
<v Speaker 1>while her son attempted to change the rules, the idea

0:23:39.480 --> 0:23:44.240
<v Speaker 1>of her staying on as Iaoba seemingly came off as

0:23:44.520 --> 0:23:50.600
<v Speaker 1>less unthinkably radical and more like a fittingly extraordinary destiny

0:23:50.920 --> 0:23:55.000
<v Speaker 1>for an extraordinary woman. It still must have been a

0:23:55.160 --> 0:24:00.520
<v Speaker 1>tense time, since all of Idia's royal mother predecessors had

0:24:00.560 --> 0:24:03.679
<v Speaker 1>lost their lives, even though many of them surely had

0:24:03.960 --> 0:24:07.879
<v Speaker 1>extremely close bonds with their sons. But whether it was

0:24:07.920 --> 0:24:12.639
<v Speaker 1>the culmination of years of strategic maneuvering or a defining

0:24:12.880 --> 0:24:19.680
<v Speaker 1>moment in her supernatural fate, Idia resoundingly prevailed. Oh and

0:24:19.840 --> 0:24:22.480
<v Speaker 1>for good measure, she made sure that her new position

0:24:22.720 --> 0:24:27.720
<v Speaker 1>came with her very own palace, one that annexed much

0:24:27.840 --> 0:24:31.560
<v Speaker 1>of the one used by the city's highest ranking chiefs.

0:24:31.960 --> 0:24:36.000
<v Speaker 1>Her would have been executors. To top it off, her

0:24:36.240 --> 0:24:47.520
<v Speaker 1>lavish new residence included her beloved shrine. One of Idia's

0:24:47.600 --> 0:24:52.919
<v Speaker 1>primary responsibilities and passions, as Yoba, was to commission beneen

0:24:53.040 --> 0:24:58.720
<v Speaker 1>Citi's finest sculptors, weavers, and metalworkers. This gave her immense

0:24:58.800 --> 0:25:03.400
<v Speaker 1>creative control over the artistic pieces that would represent her

0:25:03.400 --> 0:25:07.600
<v Speaker 1>and her family to her subjects and to future generations,

0:25:08.200 --> 0:25:11.359
<v Speaker 1>and so it seems unlikely that Idio would ever choose

0:25:11.440 --> 0:25:15.520
<v Speaker 1>to prominently highlight any details of her rain or her

0:25:15.560 --> 0:25:18.960
<v Speaker 1>son's rain if they recalled events or actions that she

0:25:19.080 --> 0:25:23.200
<v Speaker 1>didn't feel legitimately proud of. For example, her decision to

0:25:23.400 --> 0:25:27.960
<v Speaker 1>incorporate robust renderings of her forehead scars on a pair

0:25:28.000 --> 0:25:32.840
<v Speaker 1>of expertly carved ivory masks seems indicative of a desire

0:25:32.920 --> 0:25:37.680
<v Speaker 1>to proactively celebrate features that were iconic of both her

0:25:37.720 --> 0:25:45.080
<v Speaker 1>appearance and her persona defining supernatural mythology. Ultimately, a great

0:25:45.280 --> 0:25:49.040
<v Speaker 1>deal of Idiot's current legacy is based on the history

0:25:49.119 --> 0:25:53.600
<v Speaker 1>of benin art her likeness was used in elegant brass

0:25:53.680 --> 0:25:59.639
<v Speaker 1>sculptures which are often collectively and somewhat erroneously called the

0:25:59.680 --> 0:26:04.040
<v Speaker 1>Bronze of Benin or Benin Bronzes, as well as ornate

0:26:04.200 --> 0:26:10.520
<v Speaker 1>ivory masks, pendants, carved tusks, and other adornments for ancestral altars.

0:26:11.119 --> 0:26:14.320
<v Speaker 1>As covered in more detail in our prior episode on

0:26:14.400 --> 0:26:18.480
<v Speaker 1>the Kingdom of Benin. Many of these pieces were looted

0:26:18.560 --> 0:26:22.760
<v Speaker 1>by the British military when they pillaged Benin City in

0:26:22.880 --> 0:26:27.120
<v Speaker 1>eighteen ninety seven. To this day, many of these pieces

0:26:27.160 --> 0:26:30.600
<v Speaker 1>have not been returned to the Edo people and continued

0:26:30.680 --> 0:26:33.920
<v Speaker 1>to be held by entities such as the British Museum

0:26:34.280 --> 0:26:37.359
<v Speaker 1>and the Metropolitan Museum of Art in New York City,

0:26:37.760 --> 0:26:42.000
<v Speaker 1>despite repeated calls for them to be repatriated. Thanks to

0:26:42.119 --> 0:26:47.160
<v Speaker 1>the fine craftsmanship and tumultuous ownership battle over these works,

0:26:47.640 --> 0:26:53.119
<v Speaker 1>as well as the associated cultural legends, rituals, and commemorative dances,

0:26:53.920 --> 0:26:58.080
<v Speaker 1>Idiot's face has become one of the most recognizable in

0:26:58.240 --> 0:27:03.600
<v Speaker 1>African history. In addition to her image being preserved through art,

0:27:04.040 --> 0:27:08.800
<v Speaker 1>her achievements live on within the title of Eoba. Thanks

0:27:08.800 --> 0:27:13.000
<v Speaker 1>to her, the role became a hugely influential one, with

0:27:13.160 --> 0:27:17.600
<v Speaker 1>subsequent eoba's acting as both queen mothers in an emblematic

0:27:17.680 --> 0:27:23.960
<v Speaker 1>sense and political leaders with wide ranging official duties. According

0:27:23.960 --> 0:27:28.320
<v Speaker 1>to some scholars, the paradigm shifting custom of elevating royal

0:27:28.400 --> 0:27:34.520
<v Speaker 1>mothers to the position of eoba mitigated countless bloody succession crisses.

0:27:35.160 --> 0:27:40.080
<v Speaker 1>Knowledgeable eobas helped ensure that power transferred smoothly from one

0:27:40.160 --> 0:27:43.639
<v Speaker 1>leader to the next, especially if a new leader was

0:27:43.720 --> 0:27:50.320
<v Speaker 1>particularly young and or an ioba needed to temporarily take charge.

0:27:50.800 --> 0:27:55.639
<v Speaker 1>Quite the turnaround from victims of matricide to esteemed integral

0:27:55.680 --> 0:28:01.040
<v Speaker 1>members of Benin's governance strategy. In some ways, Idio's physical

0:28:01.080 --> 0:28:05.240
<v Speaker 1>features and the heightened myths about her became far more

0:28:05.280 --> 0:28:09.760
<v Speaker 1>famous than her overall real life biography. On one hand,

0:28:09.800 --> 0:28:13.239
<v Speaker 1>that seems like a shame. Leading historians have spoken of

0:28:13.280 --> 0:28:17.560
<v Speaker 1>the need for more research and more appreciation for Idia

0:28:17.760 --> 0:28:22.320
<v Speaker 1>the person and historical figure, not the myth. On the

0:28:22.400 --> 0:28:25.800
<v Speaker 1>other hand, some scholars point out that it's worth considering

0:28:25.960 --> 0:28:30.600
<v Speaker 1>these specific ways in which art and personal identity were

0:28:30.760 --> 0:28:36.480
<v Speaker 1>historically embedded into Benen culture. Works of art were expressly

0:28:36.560 --> 0:28:41.280
<v Speaker 1>intended to be coupled with engaging oral histories, and Idia

0:28:41.360 --> 0:28:46.880
<v Speaker 1>herself seemed to have grasped the power of that pairing. Furthermore,

0:28:46.920 --> 0:28:52.280
<v Speaker 1>to fulfill the dynamic role of Euba, Idia essentially had

0:28:52.320 --> 0:28:56.640
<v Speaker 1>to relinquish some of her personal history for the sake

0:28:56.800 --> 0:29:03.480
<v Speaker 1>of becoming a transcendent figure and constitutionally securing her son's

0:29:03.600 --> 0:29:08.520
<v Speaker 1>power through a perceived divine connection. It's the same thing

0:29:08.600 --> 0:29:12.440
<v Speaker 1>with most monarchs around the world. You stop being a

0:29:12.480 --> 0:29:17.479
<v Speaker 1>person and start being a symbol. As author, historian, and

0:29:17.760 --> 0:29:22.719
<v Speaker 1>artist in Kiu and Zegwu so intriguingly put it, quote

0:29:23.240 --> 0:29:28.960
<v Speaker 1>on ascension to the office and Euba metamorphosizes into a boundless,

0:29:29.120 --> 0:29:34.160
<v Speaker 1>fluid state in which she assumes, embodies, and becomes the

0:29:34.240 --> 0:29:38.560
<v Speaker 1>collective histories of past occupants of the office as well

0:29:38.640 --> 0:29:44.320
<v Speaker 1>as the spiritual mother of all edo people end quote.

0:29:44.600 --> 0:29:48.040
<v Speaker 1>And so to get the best overall sense of who

0:29:48.200 --> 0:29:51.880
<v Speaker 1>Idio was, maybe it's worth trying to drill into the

0:29:51.920 --> 0:29:56.640
<v Speaker 1>details in search of the realistic truth while also experiencing

0:29:56.680 --> 0:30:01.840
<v Speaker 1>her story as intended across edo Ja generations by taking

0:30:01.840 --> 0:30:07.400
<v Speaker 1>in the art and the myths along with the spoken legends.

0:30:14.200 --> 0:30:17.360
<v Speaker 1>That's the extraordinary story of Idio. But stick around after

0:30:17.400 --> 0:30:20.960
<v Speaker 1>a brief sponsor break to hear one more example of

0:30:21.040 --> 0:30:34.560
<v Speaker 1>the first ever Yoba's superlative people skills. One interesting piece

0:30:34.640 --> 0:30:38.560
<v Speaker 1>of how Idia and her son are depicted in contemporary

0:30:38.680 --> 0:30:41.840
<v Speaker 1>art is that some of the art makes references to

0:30:41.960 --> 0:30:48.720
<v Speaker 1>episodes in which Cga was mentally incapacitated briefly and his mother, Idio,

0:30:48.920 --> 0:30:52.560
<v Speaker 1>ruled the kingdom on his behalf. According to a few

0:30:52.760 --> 0:30:57.320
<v Speaker 1>historians and art researchers, Idiot's mission of trying to emotionally

0:30:57.360 --> 0:31:01.520
<v Speaker 1>and behaviorally guide her son through bouts of what were

0:31:01.600 --> 0:31:06.800
<v Speaker 1>described as quote madness or derangement could be considered a

0:31:06.880 --> 0:31:12.800
<v Speaker 1>precursor to later forms of psychotherapy. It's once again fascinating

0:31:12.840 --> 0:31:17.200
<v Speaker 1>to note that, in overseeing the crafting of royal artwork,

0:31:17.640 --> 0:31:23.680
<v Speaker 1>Idiot chose to include visual references to her son's psychological struggles,

0:31:24.240 --> 0:31:28.560
<v Speaker 1>especially given how mental health issues were stigmatized in many

0:31:28.680 --> 0:31:34.040
<v Speaker 1>kingdoms at that time and through today. These creative expressions

0:31:34.120 --> 0:31:39.440
<v Speaker 1>prove invaluable insight into a complex royal bond and Idiot's

0:31:39.520 --> 0:31:44.480
<v Speaker 1>willingness to be fairly open about it. As Oba and Eoba,

0:31:45.040 --> 0:31:49.880
<v Speaker 1>a Ciggia and Idia almost certainly authored sinister acts of

0:31:50.120 --> 0:31:55.800
<v Speaker 1>violence and revenge. However, Idia's seemingly patient treatment of her

0:31:55.880 --> 0:32:01.400
<v Speaker 1>son while he was mentally incapacitated reveals additional dimensions to

0:32:01.480 --> 0:32:07.480
<v Speaker 1>their personalities and unique relationship. The sincerity and sensitivity that

0:32:07.560 --> 0:32:12.720
<v Speaker 1>certain pieces of benin art reputedly signify stand in stark

0:32:12.960 --> 0:32:18.720
<v Speaker 1>contrast to the hyperbolic depictions of many sixteenth century European

0:32:18.840 --> 0:32:23.080
<v Speaker 1>visitors who were quick to write off Ecigie as the

0:32:23.120 --> 0:32:27.800
<v Speaker 1>barbaric tyrant of a bloodthirsty society and his mother as

0:32:27.880 --> 0:32:34.120
<v Speaker 1>the overly superstitious and or subservient queen mother. All to say,

0:32:34.240 --> 0:32:39.120
<v Speaker 1>while Idia consistently used her political wisdom and magical aura

0:32:39.240 --> 0:32:45.120
<v Speaker 1>to great effect, arguably her underlying emotional intelligence was every

0:32:45.160 --> 0:32:49.200
<v Speaker 1>bit as crucial in preserving her life, her family, and

0:32:49.280 --> 0:32:54.520
<v Speaker 1>her culture. That and her extraordinary knack for creating an

0:32:54.720 --> 0:33:04.680
<v Speaker 1>entrancing tale. Noble Blood is a production of iHeart Radio

0:33:04.960 --> 0:33:08.400
<v Speaker 1>and Grim and Mild from Aaron Mankey. Noble Blood is

0:33:08.440 --> 0:33:12.280
<v Speaker 1>hosted by me Dana Schwartz. Writers for Noble Blood are

0:33:12.320 --> 0:33:17.080
<v Speaker 1>Hannah Johnston, Hannah Zwick, Paul Jaffey, Natasha Laski, and me

0:33:17.240 --> 0:33:21.200
<v Speaker 1>Dana Schwartz. The show is edited and produced by Jesse

0:33:21.320 --> 0:33:26.520
<v Speaker 1>Funk and Nomes Griffin, with supervising producer rima Il Kaali

0:33:26.840 --> 0:33:30.920
<v Speaker 1>and executive producers Aaron Manke, Trevor Young, and Matt Frederick.

0:33:31.440 --> 0:33:37.040
<v Speaker 1>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:33:37.320 --> 0:34:12.640
<v Speaker 1>or wherever you listen to your favorite shows.