WEBVTT - TechList: How Lightsabers Work

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<v Speaker 1>Hey there, it's Jonathan Strickland, and I'm here to introduce

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<v Speaker 1>a playlist of ten episodes of my podcast tech Stuff

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<v Speaker 1>that are all about entertainment and entertainment related fields, from

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<v Speaker 1>video games to television series, two films to internet videos

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<v Speaker 1>from yesteryear. So I hope you guys enjoy these episodes.

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<v Speaker 1>You can go to the tech Stuff podcast page and

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<v Speaker 1>subscribe to listen to all sorts of episodes about tech

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<v Speaker 1>from all realms, and hopefully this will provide a little

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<v Speaker 1>bit of entertainment, a little bit of education, and probably

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<v Speaker 1>more than a few puns, because that's kind of how

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<v Speaker 1>I roll. Enjoy this playlist. Welcome to text Stuff, a

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<v Speaker 1>production from my Heart Radio. Hey there, and welcome to

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<v Speaker 1>tech Stuff. I'm your host, Jonathan Strickland. I'm an executive

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<v Speaker 1>producer with I Heart Radio, and I love all things

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<v Speaker 1>tech and one of the things I'm doing as I

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<v Speaker 1>am sequestering myself in my home is going through and

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<v Speaker 1>watching stuff, including of course, all the Star Wars lights

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<v Speaker 1>of Star Wars. So I thought it would be good

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<v Speaker 1>to replay this classic episode that published back in that

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<v Speaker 1>is all about how lightsabers work. Chris and I break

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<v Speaker 1>it down for you enjoy. So we're gonna start off

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<v Speaker 1>this podcast with a little listener tweet. This listener tweet

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<v Speaker 1>comes from Jacqueline Hyde, who says, I got a listener

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<v Speaker 1>request for you, how lightsabers work. The force is strong

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<v Speaker 1>with this one, So we are going to talk about lightsabers.

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<v Speaker 1>This is kind of an interesting subject and the sense

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<v Speaker 1>that really it belongs and stuff you missed in history

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<v Speaker 1>class because it did happen a long time ago. Any

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<v Speaker 1>galaxy far far away, yeah, um, or technically it could

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<v Speaker 1>be fans stuff, but they don't have a podcast. So

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<v Speaker 1>we're gonna tackle it before anyone can grab it from

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<v Speaker 1>our cold dead paddawan hands. As the Jedi would say,

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<v Speaker 1>Niner naner, Yes, the Jedi would say that. So of

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<v Speaker 1>course we're talking about the civilized weapon from a or

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<v Speaker 1>the elegant weapon from a more civilized age. The light

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<v Speaker 1>Saber as introduced to us through George Lucas's brilliant work

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<v Speaker 1>Star Wars A New Hope Um or just Star Wars.

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<v Speaker 1>When it first came out in n it was not

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<v Speaker 1>American graffiti as many people think. No, no, there was

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<v Speaker 1>no cameo of the lightsaber in American graffiti. Although that

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<v Speaker 1>would have made that movie that much more awesome. So lightsabers,

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<v Speaker 1>of course, this is the weapon the Jedi used, the

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<v Speaker 1>the magic sword of the Star Wars series. And in fact,

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<v Speaker 1>when uh, most of the interviews I've seen with Lucas,

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<v Speaker 1>he just refers to it as a magic sword. You know,

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<v Speaker 1>I just said, it's that's what the purpose of it is.

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<v Speaker 1>It's just it happens to be called a lightsaber, but

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<v Speaker 1>it's a magic sword. So the problem with magic is

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<v Speaker 1>that there's not a whole lot to how it works

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<v Speaker 1>other than magic. You know, you're you're just totally getting

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<v Speaker 1>into that early. I thought we were going to go

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<v Speaker 1>ahead and talk about how it works, all right, Well,

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<v Speaker 1>this has not stopped people from telling us how it works,

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<v Speaker 1>despite the fact that it's magic. So let's talk. There

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<v Speaker 1>are people who will argue exactly how this works. It's not.

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<v Speaker 1>As a matter of fact, we have an article on

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<v Speaker 1>how it works. It's not cannon, and cannon is important

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<v Speaker 1>to me. But then again, you know what is canon

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<v Speaker 1>jar binks. So let's just move on into how lightsabers work.

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<v Speaker 1>So a lightsaber is made up of several different parts.

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<v Speaker 1>You've got the handle, which is pretty much where everything

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<v Speaker 1>is right. Yeah, so the handle has at the base

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<v Speaker 1>of the hand. You've got the power cell and it's

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<v Speaker 1>a it was it diecium, Yes, the diecium crystal. All right,

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<v Speaker 1>So you've got the diection power cell that's in the base.

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<v Speaker 1>That's fine. You know what if they correct us, if

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<v Speaker 1>they take that time, more power to them. Uh diaction

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<v Speaker 1>power cell is in the middle of a power of

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<v Speaker 1>vortex ring and a power field conductor. Now where does

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<v Speaker 1>all this power go? You've you're generated. That's essentially like

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<v Speaker 1>the battery of the lightsaber. That's the very base. So

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<v Speaker 1>and it's got a lot of energy stored in it,

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<v Speaker 1>lots and lots of energy. Now where does this energy

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<v Speaker 1>go once it starts to emit from the power cell?

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<v Speaker 1>It goes into the crystal energy chamber, right where you

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<v Speaker 1>have your primary crystal. Now, depending on whom you ask,

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<v Speaker 1>this crystal may or may not determine the color of

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<v Speaker 1>the lightsabers blade. Yes, Now, some would argue that the

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<v Speaker 1>real determiner for the lightsaber color is lies with the

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<v Speaker 1>Jedi him or herself and the force that that Jedi

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<v Speaker 1>abuse the crystal. So in that case, you could have

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<v Speaker 1>any crystal and essentially have a lightsaber of any color.

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<v Speaker 1>It would all be up to the individual Jedi. Others

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<v Speaker 1>would argue, nay, tis not so. The lightsaber color is

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<v Speaker 1>dependent entirely upon the color of the crystal you select

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<v Speaker 1>to focus this power. Um, I'm gonna go with that one, okay,

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<v Speaker 1>So you know, of course, we we also need to

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<v Speaker 1>talk about how Jedi lightsabers are different from Sith lightsabers

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<v Speaker 1>because they are, yes, they are so. The crystals that

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<v Speaker 1>Jedi use tend to be natural crystals. They're crystals found

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<v Speaker 1>in caves throughout the galaxy. Um. And so these crystals

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<v Speaker 1>are they can take the power and create the the

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<v Speaker 1>the force of the I guess the actual lightsaber blade.

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<v Speaker 1>It's the best way of putting it. Um. And the

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<v Speaker 1>Sith what they do is they'll they'll make a they'll

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<v Speaker 1>make their own crystals, they'll create a forge, and they'll

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<v Speaker 1>build a synthetic crystal. And there's tend to be red, yes,

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<v Speaker 1>which is why you see Sith while like like Darth

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<v Speaker 1>Maul or Darth Vader or Darth Tyrannis walking around with

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<v Speaker 1>a big old red lightsaber, whereas Jedi they tend to

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<v Speaker 1>stick with blue and green, although other colors are also available. Yes,

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<v Speaker 1>so there are more that, but there are there are

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<v Speaker 1>more than one crystal though the primary crystal is uh

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<v Speaker 1>is just one part of that. There are second there

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<v Speaker 1>are secondary and smaller crystals. And it sort of depends

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<v Speaker 1>on the Jedi who builds the lightsaber, because the lightsaber

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<v Speaker 1>is Creating a lightsaber is part of becoming a Jedi. Yes,

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<v Speaker 1>it's actually the final step of Jedi training. According to

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<v Speaker 1>a Darth Vader, yes so. But but what the additional

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<v Speaker 1>crystals do is they actually help focus the energy into

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<v Speaker 1>a blade form, right right, So, the energy coming from

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<v Speaker 1>the power cell, once it passes through the crystal, that's

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<v Speaker 1>what gives it the the destructive for that we see

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<v Speaker 1>from lightsabers. The other crystals focus that into the blade

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<v Speaker 1>um and depending also on upon whom you ask, they

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<v Speaker 1>may also give the the lightsaber other certain powers, like

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<v Speaker 1>it may enhance certain certain aspects of the lightsaber. For example,

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<v Speaker 1>we know that lightsabers can deflect blaster fire. Some of

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<v Speaker 1>these crystals are apparently more effective at deflecting blaster fire

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<v Speaker 1>than others, and others may be better at cutting through

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<v Speaker 1>certain kinds of material. So uh Now, other other scholars

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<v Speaker 1>will argue that's not the case. The just focuses the blade,

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<v Speaker 1>doesn't imbue it with any other powers. Um. Personally, I

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<v Speaker 1>haven't had my hands on the lightsaber in a really

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<v Speaker 1>long time, so it's kind of hard for me to

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<v Speaker 1>tell you exactly what what which ones are right. And

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<v Speaker 1>also I have only ever really used one, so with

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<v Speaker 1>that small sample size, it's impossible to say yes. And

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<v Speaker 1>and it's probably a good time to point out that

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<v Speaker 1>if you do have the opportunity to use lights remember

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<v Speaker 1>it's it's not the kind of thing that you just

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<v Speaker 1>want to play around with, because it can be a

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<v Speaker 1>very very dangerous weapon. It turns out serious damage and

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<v Speaker 1>when you can cut through, you know, a foot of

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<v Speaker 1>steel that it's not the best thing to you know,

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<v Speaker 1>swatterfly with no um. After it goes through the christ

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<v Speaker 1>the focusing crystal, it passes through the blade energy channel again,

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<v Speaker 1>further refines the blade and directs it into a straight

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<v Speaker 1>line that would emerge from the hilt um. And then

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<v Speaker 1>at the very top of your blade, you've got your

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<v Speaker 1>your cycling field energizer's your energy modulation circuits, uh, and

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<v Speaker 1>then you've got your your controls. Your controls adjust the

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<v Speaker 1>power of the blade, and it also adjust the length

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<v Speaker 1>of the blade. So even though we normally see lightsabers

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<v Speaker 1>used at at a pretty standard length, most people have

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<v Speaker 1>it at a whenever they turn on their lightsaber, it's

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<v Speaker 1>pretty much the same length each time. Technically you can

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<v Speaker 1>adjust that so you can make it longer or shorter

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<v Speaker 1>using the blade length adjustment. UM. And then there's a

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<v Speaker 1>magnetic magnetic stabilizing ring and a blade shroud emitter UM

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<v Speaker 1>at the very top which helped control the blade so

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<v Speaker 1>it doesn't just zap out when you turn it on. UM.

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<v Speaker 1>That's your basic anatomy of your lightsaber hilt, all right,

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<v Speaker 1>and then the worst Then there's the activation matrix, which

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<v Speaker 1>is the Star Wars term for the on switch. I

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<v Speaker 1>just I love that part. They're the handle is about

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<v Speaker 1>thirty centimeters in length, so they're not ridiculously long, right, um,

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<v Speaker 1>which is good to know. It generates an arc wave

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<v Speaker 1>energy field, and this is why the blades actually have

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<v Speaker 1>a stopping point. Yes, and it has it. It produces

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<v Speaker 1>sort of a gyroscopic effect to which is why you

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<v Speaker 1>have to be very careful with it because it you know,

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<v Speaker 1>it has it has a pull to it if you will, right,

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<v Speaker 1>But that also makes it easier to use, because otherwise

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<v Speaker 1>it would be like swinging a flashlight around. There'd be

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<v Speaker 1>no feedback from swinging the handle, and it would make

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<v Speaker 1>it much more difficult to master a lightsaber if you

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<v Speaker 1>didn't have that gyroscopic effect when you started swinging it around.

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<v Speaker 1>Chris and I will have more to say about lightsabers

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<v Speaker 1>in just a second, but the force is calling and

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<v Speaker 1>we must take a quick break. So the blade arc tip,

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<v Speaker 1>that's the very end of the lightsaber um, and it's

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<v Speaker 1>it's the arcommitter is what's keeping it from becoming like

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<v Speaker 1>a blaster. Actually, lightsabers pre date blasters um before it

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<v Speaker 1>was a more civilized after all, as it was, and

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<v Speaker 1>you know, I guess civilized means that you loved each

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<v Speaker 1>other's limbs off, as opposed to shooting each other from

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<v Speaker 1>very far away. Uh. Never never bring a lightsaber to

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<v Speaker 1>a blaster fight. Oh wait, no, you could do that.

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<v Speaker 1>Yeah you can't do that because yeah, all right, so

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<v Speaker 1>let's just talk about about that's us the basics of

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<v Speaker 1>building your lightsaber um. Now, each Jedi builds his or

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<v Speaker 1>her own lightsaber as part of their training. Uh, and

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<v Speaker 1>they're gonna build it according to their own particular fighting style.

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<v Speaker 1>Now do you have you heard about the different Jedi

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<v Speaker 1>fighting styles? No? I haven't. There are seven major forms

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<v Speaker 1>of lightsaber styles. Yes, okay, well why don't you. I

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<v Speaker 1>wanted to tell this all right, I'm gonna go into

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<v Speaker 1>a little detail, but I mean, I'm just gonna do

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<v Speaker 1>this as a pretty high level thing. We don't need

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<v Speaker 1>to get into depth. No, this isn't Jedi fighting style stuff.

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<v Speaker 1>You know. That's right. Yeah, that's another podcast that we're

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<v Speaker 1>starting next month. You'll start requesting now. Um, next month

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<v Speaker 1>being April. I can't imagine when the first episode will

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<v Speaker 1>come out. So so the the fighting styles that you

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<v Speaker 1>can think of it kind of like martial arts styles. Um,

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<v Speaker 1>you know, not all martial arts styles are alike. Cut

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<v Speaker 1>on day is very different from jiu jitsu, which is

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<v Speaker 1>very different from a keto, which in turn is different

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<v Speaker 1>from hap keto. Um, there is their drunk Jedi style. No,

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<v Speaker 1>there's no drunken master Jedi style, although I hear Yoda

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<v Speaker 1>can get up to some y he shenanigans on a

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<v Speaker 1>Saturday night. Uh. The seven forms of lightsaber combat are

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<v Speaker 1>actually listed as you know, Form one, Form two, Form three,

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<v Speaker 1>They each have their own names, but I'm not even

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<v Speaker 1>gonna try and pronounce them because they're all alien and

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<v Speaker 1>I don't have the capability. I don't actually know what

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<v Speaker 1>the pronunciation is for most of them. But if you

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<v Speaker 1>hadn't spilled your mini chlorine, you'd be fine, I know.

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<v Speaker 1>In general, Form one is the foundation. It is the

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<v Speaker 1>basic form of lightsaber combat. It's your basic strikes, your

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<v Speaker 1>basic defenses. Um. It teaches you how to view the

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<v Speaker 1>body as a series of targets, like you think of you.

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<v Speaker 1>You divide up the body like the heads a certain

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<v Speaker 1>uh certain target, the arms, the torso, and you know,

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<v Speaker 1>attacks are very specific to each target. You know, different

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<v Speaker 1>slashing techniques and hacking techniques. So Form one is kind

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<v Speaker 1>of lightsaber combat one oh one, everyone pretty much through that.

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<v Speaker 1>Form two is dueling. Now, this lightsaber combat really concentrates

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<v Speaker 1>on finesse, blade control, footwork. This is the kind of

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<v Speaker 1>of style that cal Dooku slash Darth Tarrannis used. Yes, now,

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<v Speaker 1>that is why his lightsaber handle actually has a curve

0:13:20.080 --> 0:13:21.400
<v Speaker 1>at the end of it. It's so that he can

0:13:21.440 --> 0:13:23.959
<v Speaker 1>hold it kind of like a pistol grip. Gives him

0:13:24.160 --> 0:13:26.640
<v Speaker 1>a lot of control over the tip of the blade,

0:13:27.160 --> 0:13:30.280
<v Speaker 1>and that's just his style of dueling. Now, this was

0:13:30.360 --> 0:13:33.760
<v Speaker 1>much more popular before blasters came out because it was

0:13:33.800 --> 0:13:37.040
<v Speaker 1>just really meant for lightsaber to lightsaber combat. Once blasters

0:13:37.040 --> 0:13:40.880
<v Speaker 1>came out, people Jedi began to realize that the in

0:13:41.000 --> 0:13:44.760
<v Speaker 1>order to deflect these these blaster bolts, they would need

0:13:44.840 --> 0:13:47.839
<v Speaker 1>to adapt their fighting style. This is not the best

0:13:48.040 --> 0:13:50.760
<v Speaker 1>style to use if you're being shot at by stormtroopers,

0:13:50.760 --> 0:13:55.760
<v Speaker 1>for example. So, uh, but that was tarrannis is favorite form.

0:13:55.840 --> 0:13:58.800
<v Speaker 1>Then there's four three, which is defensive where you are

0:13:58.840 --> 0:14:02.360
<v Speaker 1>trying to feel the least amount of target space on

0:14:02.360 --> 0:14:05.760
<v Speaker 1>your body. So it's really good for defending against blasters

0:14:05.800 --> 0:14:08.720
<v Speaker 1>that kind of thing. Form four is an acrobatic style,

0:14:08.800 --> 0:14:11.920
<v Speaker 1>lots of flips and spins. You're using the force to

0:14:12.000 --> 0:14:15.360
<v Speaker 1>boost your your physical abilities, so you're you're depending more

0:14:15.440 --> 0:14:21.040
<v Speaker 1>on uh, these acrobatics than on your blade at that point.

0:14:22.160 --> 0:14:25.840
<v Speaker 1>So Yoda uses that a lot. Um if you've seen

0:14:25.920 --> 0:14:28.640
<v Speaker 1>him fight Count Dooku, he's like a little queens and art.

0:14:29.320 --> 0:14:32.840
<v Speaker 1>And then uh, Form five that uses the deflective nature

0:14:32.840 --> 0:14:37.520
<v Speaker 1>of the lightsaber to reflect blaster fire. Um, you you

0:14:37.640 --> 0:14:41.760
<v Speaker 1>use use strengthen your attacks. So it's a more brute

0:14:41.800 --> 0:14:46.080
<v Speaker 1>force kind of of approach. This is the style favored

0:14:46.080 --> 0:14:49.760
<v Speaker 1>by a certain Skywalker family. Both Anakin and Luke used

0:14:49.800 --> 0:14:55.920
<v Speaker 1>Form five. Form six combines elements of Forms one through five, um,

0:14:56.040 --> 0:14:59.840
<v Speaker 1>but it also teaches that you should be detached from emotion.

0:15:00.480 --> 0:15:04.120
<v Speaker 1>You should be using very calculating ways of of moving.

0:15:04.160 --> 0:15:08.240
<v Speaker 1>You shouldn't let your emotions dictate what you're doing. Form

0:15:08.320 --> 0:15:11.360
<v Speaker 1>seven is kind of the opposite. That's leveraging your emotion

0:15:11.520 --> 0:15:14.880
<v Speaker 1>into power and using that to fight your opponents. This

0:15:15.000 --> 0:15:19.880
<v Speaker 1>was what Darth maul Uh used with some reliance on

0:15:19.880 --> 0:15:23.920
<v Speaker 1>on on Form H four as well, the acrobatic style. Now,

0:15:24.120 --> 0:15:27.120
<v Speaker 1>of course he had a double bladed lightsaber. Yeah, and

0:15:27.120 --> 0:15:30.080
<v Speaker 1>those don't work all that differently than a regular lightsaber.

0:15:30.080 --> 0:15:33.760
<v Speaker 1>They're just basically two lightsabers attached together at the hilt. Right,

0:15:33.840 --> 0:15:36.720
<v Speaker 1>So there's there's four crystals instead of two or a

0:15:36.760 --> 0:15:39.400
<v Speaker 1>minimum of four, because you have to have for you know,

0:15:39.440 --> 0:15:41.680
<v Speaker 1>two of the generator type and two of the focusing

0:15:41.680 --> 0:15:45.040
<v Speaker 1>type at minimum in order to create the two blades.

0:15:45.360 --> 0:15:48.760
<v Speaker 1>By the way, those focusing crystals are usually add again

0:15:48.880 --> 0:15:52.000
<v Speaker 1>crystals usually, but you can also find them on Dantweine

0:15:52.160 --> 0:15:55.720
<v Speaker 1>as well as many many other uh planets within the

0:15:55.760 --> 0:15:58.760
<v Speaker 1>Star Wars galaxy. Yes, until Center Star comes after you

0:15:58.840 --> 0:16:02.760
<v Speaker 1>and you know calls you a coward. Right, I'm sorry,

0:16:02.880 --> 0:16:08.240
<v Speaker 1>I switched. Okay, you lost me? You lost me? Seriously,

0:16:08.240 --> 0:16:13.760
<v Speaker 1>you never played SENTI Star, I rarely played anyway. Also,

0:16:13.880 --> 0:16:17.880
<v Speaker 1>um depending, uh way, way way way back in the past,

0:16:17.920 --> 0:16:21.400
<v Speaker 1>back when the Jedi we were um much more numerous.

0:16:21.920 --> 0:16:25.720
<v Speaker 1>The color of your blade also would indicate what what

0:16:25.840 --> 0:16:28.440
<v Speaker 1>kind of Jedi you were. For example, if you had

0:16:28.440 --> 0:16:31.280
<v Speaker 1>a blue blade, that signified that you were a Jedi guardian,

0:16:31.640 --> 0:16:33.320
<v Speaker 1>and so you're much more you know, kind of a

0:16:33.320 --> 0:16:36.320
<v Speaker 1>physical you would get into the fights, you would you know,

0:16:36.400 --> 0:16:40.960
<v Speaker 1>defend people with your your prowess. Uh. Green would suggest

0:16:41.000 --> 0:16:43.720
<v Speaker 1>that you were a Jedi consular, and this would be

0:16:43.760 --> 0:16:49.000
<v Speaker 1>someone who was much more thoughtful, kind of contemplative. And

0:16:49.040 --> 0:16:52.320
<v Speaker 1>then um, yellow would indicate that you're a Jedi Sentinel.

0:16:52.760 --> 0:16:55.960
<v Speaker 1>And that's someone who kind of was in between the

0:16:55.960 --> 0:17:00.560
<v Speaker 1>other two. So so not as physical as the guardians,

0:17:00.560 --> 0:17:04.879
<v Speaker 1>but not as brainy as the others either. So yellow

0:17:04.920 --> 0:17:08.800
<v Speaker 1>and blue, dummate green, this is true. I learned that somewhere.

0:17:08.880 --> 0:17:13.000
<v Speaker 1>So should we go into the other aspect of lightsabers.

0:17:13.520 --> 0:17:16.120
<v Speaker 1>So you mean we're actually gonna step outside of the

0:17:16.160 --> 0:17:18.520
<v Speaker 1>realm of Star Wars just looking at the time and

0:17:18.560 --> 0:17:21.440
<v Speaker 1>thinking that maybe we should do that. That's pretty good idea,

0:17:21.640 --> 0:17:25.160
<v Speaker 1>all right, So that's within the Star Wars universe, of course,

0:17:25.160 --> 0:17:27.639
<v Speaker 1>that's how they supposedly work. And I should also add

0:17:28.000 --> 0:17:30.480
<v Speaker 1>none of that is cannon. And when I say cannon,

0:17:30.520 --> 0:17:33.959
<v Speaker 1>I'm talking about the stuff that Lucas himself has signed

0:17:33.960 --> 0:17:37.000
<v Speaker 1>off on as saying, yes, this is officially part of

0:17:37.040 --> 0:17:39.800
<v Speaker 1>the Star Wars history. Um, most of that is just

0:17:39.840 --> 0:17:42.879
<v Speaker 1>the movies. Um. To some extent, you could argue the

0:17:42.920 --> 0:17:45.520
<v Speaker 1>books as well. Some of those Lucas has more or

0:17:45.600 --> 0:17:48.400
<v Speaker 1>less said, yeah, even though that didn't appear in the movie,

0:17:48.440 --> 0:17:51.160
<v Speaker 1>that is cannon as well. But he never goes into

0:17:51.280 --> 0:17:54.560
<v Speaker 1>explaining the blades in the movies. And so this is

0:17:54.600 --> 0:17:58.879
<v Speaker 1>really other people trying to um rhet coon really to

0:17:59.080 --> 0:18:02.800
<v Speaker 1>explain why the stuff works. Yeah, um yeah, basically, and

0:18:03.240 --> 0:18:05.760
<v Speaker 1>if you're unfamiliar with the term in cannon is uh

0:18:06.080 --> 0:18:10.000
<v Speaker 1>like basically, they're written instructions for how a magical or

0:18:10.240 --> 0:18:13.280
<v Speaker 1>you know, fantasy or science fiction universe operates. It kind

0:18:13.280 --> 0:18:15.760
<v Speaker 1>of helps you write the stories and the Star Wars,

0:18:15.760 --> 0:18:18.080
<v Speaker 1>Cannon sort of came about after some of the stories

0:18:18.119 --> 0:18:20.560
<v Speaker 1>had already been in practice, so it's a little looser

0:18:20.600 --> 0:18:22.120
<v Speaker 1>than some of the other universe. So if you were

0:18:22.160 --> 0:18:24.159
<v Speaker 1>to read some of the comic books or some of

0:18:24.160 --> 0:18:25.840
<v Speaker 1>the other books that have been written in the Star

0:18:25.880 --> 0:18:29.080
<v Speaker 1>Wars universe, you might notice that they sometimes contradict what

0:18:29.160 --> 0:18:32.560
<v Speaker 1>happened in later movies, and that's because they're not Cannon,

0:18:33.000 --> 0:18:35.440
<v Speaker 1>all right. So moving on to how they actually created

0:18:35.440 --> 0:18:38.600
<v Speaker 1>this effect, which is really which is really fascinating too,

0:18:38.640 --> 0:18:40.560
<v Speaker 1>I think right now now, First of all, in a

0:18:40.560 --> 0:18:45.200
<v Speaker 1>New Hope, the first film, they hadn't originally considered animating

0:18:45.320 --> 0:18:48.520
<v Speaker 1>or adding any light to these at all. The original

0:18:48.560 --> 0:18:52.120
<v Speaker 1>idea was that the lightsabers were going to have There

0:18:52.119 --> 0:18:56.040
<v Speaker 1>were these these uh I think it was three sided

0:18:56.720 --> 0:18:59.600
<v Speaker 1>three sided poll that came out kind of a triangular

0:18:59.600 --> 0:19:03.120
<v Speaker 1>poll on each side was was coated with a very

0:19:03.160 --> 0:19:05.879
<v Speaker 1>reflective material, and they used a lamp that was on

0:19:05.920 --> 0:19:07.960
<v Speaker 1>the same side as the camera and focus the light

0:19:08.280 --> 0:19:10.680
<v Speaker 1>so that it would reflect off of it be really shiny,

0:19:11.040 --> 0:19:13.080
<v Speaker 1>and there was a motor inside the handle that would

0:19:13.119 --> 0:19:16.679
<v Speaker 1>direct the side to be aligned properly for the camera.

0:19:17.520 --> 0:19:21.520
<v Speaker 1>But the effect was not as a zippy as Lucas wanted.

0:19:22.200 --> 0:19:25.520
<v Speaker 1>So um, they started to cast about and see if

0:19:25.560 --> 0:19:28.639
<v Speaker 1>they could find some other way of making this magic

0:19:28.720 --> 0:19:32.719
<v Speaker 1>sword seem really magical, and they contacted an animator by

0:19:32.720 --> 0:19:37.520
<v Speaker 1>the name of Nelson Shin. Nelson Shin took a week

0:19:37.840 --> 0:19:41.080
<v Speaker 1>and looked at this footage that had been shot and

0:19:41.359 --> 0:19:46.960
<v Speaker 1>used an effect called rhodoscoping. The the technique and animation

0:19:46.960 --> 0:19:50.440
<v Speaker 1>technique is actually very old technique. A lot of people

0:19:50.960 --> 0:19:54.520
<v Speaker 1>and myself, including associated with AHAs take on me video.

0:19:54.880 --> 0:19:58.119
<v Speaker 1>I associate with Ralph Box She's um Lord of the

0:19:58.200 --> 0:20:02.600
<v Speaker 1>Rings movie. Yeah. Also Wizards was another movie he used

0:20:02.640 --> 0:20:05.560
<v Speaker 1>it in. But it's it's where you take live action

0:20:05.600 --> 0:20:08.399
<v Speaker 1>footage and then you overlay animation on top of it,

0:20:08.480 --> 0:20:12.439
<v Speaker 1>sometimes replacing the live action footage entirely, sometimes enhancing it,

0:20:12.480 --> 0:20:14.600
<v Speaker 1>and in this case it was enhancing it. So what

0:20:14.720 --> 0:20:18.119
<v Speaker 1>he did was he used animation cells to create this

0:20:18.119 --> 0:20:23.320
<v Speaker 1>this glowing blade effect on top of the actual physical

0:20:23.640 --> 0:20:27.000
<v Speaker 1>rods that were in the shots, and then uh using

0:20:27.240 --> 0:20:31.679
<v Speaker 1>you know, synchronizing the cells that he had created with

0:20:31.840 --> 0:20:35.240
<v Speaker 1>the actual film, overlaying the animated effect on it, creating

0:20:35.240 --> 0:20:40.040
<v Speaker 1>a new print that combined these two individual prints and

0:20:40.080 --> 0:20:41.600
<v Speaker 1>that's how you you know, he sent that back to

0:20:41.680 --> 0:20:43.480
<v Speaker 1>Lucas and said, well, here you can try this and

0:20:43.520 --> 0:20:47.040
<v Speaker 1>see if this works. Lucas liked it. Um, they decided

0:20:47.119 --> 0:20:49.680
<v Speaker 1>to go with that approach. They refined it a little bit.

0:20:49.960 --> 0:20:52.480
<v Speaker 1>They added some color so you had different color blades

0:20:52.480 --> 0:20:56.160
<v Speaker 1>because originally they were both white and uh. And that

0:20:56.320 --> 0:21:00.159
<v Speaker 1>was the beginning of the lightsaber effect. We have a

0:21:00.200 --> 0:21:02.359
<v Speaker 1>little bit more to say about lightsabers, but before we

0:21:02.400 --> 0:21:12.200
<v Speaker 1>get to that, we're going to take another quick break. Now.

0:21:12.240 --> 0:21:16.960
<v Speaker 1>In the first three films, which episodes four or five

0:21:16.960 --> 0:21:20.520
<v Speaker 1>and six, UM, they use the rotoscoping technique where they

0:21:20.560 --> 0:21:25.520
<v Speaker 1>would essentially hand draw these things on cells. Um. Basically,

0:21:25.520 --> 0:21:27.600
<v Speaker 1>what they do is they put that cell over the

0:21:27.640 --> 0:21:31.600
<v Speaker 1>original film and color it in and then but that's

0:21:31.600 --> 0:21:33.760
<v Speaker 1>not but that's not all of it, because that does

0:21:33.800 --> 0:21:36.320
<v Speaker 1>add some color to it. But from from there they

0:21:36.960 --> 0:21:39.439
<v Speaker 1>have to shoot more film with the cell and the

0:21:39.480 --> 0:21:42.600
<v Speaker 1>original and when they do that, they shoot it over

0:21:42.640 --> 0:21:46.920
<v Speaker 1>a black background and use a light diffuser over the lens. Yes,

0:21:47.280 --> 0:21:50.440
<v Speaker 1>they double exposed the shots, and that that makes them

0:21:50.440 --> 0:21:52.639
<v Speaker 1>really pop, That make that makes them look sort of

0:21:53.000 --> 0:21:56.000
<v Speaker 1>you know, gives them that sort of otherworldly effect. You

0:21:56.000 --> 0:21:59.359
<v Speaker 1>know how bright they are in the shots. Sou and

0:21:59.480 --> 0:22:01.680
<v Speaker 1>a sophisticated when you think about it, but very very

0:22:01.680 --> 0:22:05.040
<v Speaker 1>time consuming, right, Yes, it took took a really long time.

0:22:05.040 --> 0:22:08.360
<v Speaker 1>It took slightly less time by the time they got

0:22:08.400 --> 0:22:10.920
<v Speaker 1>around to the prequels episodes one, two, and three, because

0:22:10.920 --> 0:22:13.480
<v Speaker 1>they could do it all digitally, But somebody still has

0:22:13.520 --> 0:22:16.680
<v Speaker 1>to go into the computer and you're doing it. You're

0:22:16.720 --> 0:22:18.879
<v Speaker 1>doing it all in computer as opposed to doing it

0:22:19.080 --> 0:22:23.160
<v Speaker 1>on hand handmade cells. Um. So, I mean it still

0:22:23.200 --> 0:22:26.119
<v Speaker 1>takes time, it's just not quite as time consuming, except

0:22:26.119 --> 0:22:28.439
<v Speaker 1>for the fact that Lucas decided to throw in about

0:22:28.480 --> 0:22:31.240
<v Speaker 1>I don't know ten times as many lightsaber battles in

0:22:31.280 --> 0:22:35.600
<v Speaker 1>those first three movies as the original trilogy combined. Um.

0:22:35.680 --> 0:22:38.879
<v Speaker 1>The the actual hilts of the lightsabers were made up

0:22:38.920 --> 0:22:42.720
<v Speaker 1>of old camera flash battery packs and other odds and ends,

0:22:42.760 --> 0:22:48.439
<v Speaker 1>like stuff from hardware stores like plumbing um gaskets and

0:22:48.440 --> 0:22:52.880
<v Speaker 1>things like that. Now, they shot these movies in England,

0:22:53.040 --> 0:22:57.320
<v Speaker 1>so they were raiding various British hardware shops. So a

0:22:57.359 --> 0:23:00.240
<v Speaker 1>lot of the materials that they used to build the

0:23:00.240 --> 0:23:03.159
<v Speaker 1>the light superhandles are very hard to find or sometimes

0:23:03.160 --> 0:23:05.600
<v Speaker 1>impossible to find in the United States, which is why

0:23:05.640 --> 0:23:08.919
<v Speaker 1>it's kind of challenging to create a model of those

0:23:08.960 --> 0:23:12.800
<v Speaker 1>those first Again, this is for the first trilogy four

0:23:12.880 --> 0:23:15.119
<v Speaker 1>or five and six. Um, it's hard to make those

0:23:15.720 --> 0:23:17.639
<v Speaker 1>faithfully just because it's hard to get those parts in

0:23:17.680 --> 0:23:21.080
<v Speaker 1>the United States. Um. Now for episodes one, two, and three,

0:23:21.400 --> 0:23:24.880
<v Speaker 1>those were all machined and so there's all like routed.

0:23:25.119 --> 0:23:27.680
<v Speaker 1>They designed them in a computer and then and then

0:23:27.880 --> 0:23:30.119
<v Speaker 1>made use a router to cut custom parts and then

0:23:30.160 --> 0:23:32.800
<v Speaker 1>assemble them. So it wasn't like they were just grabbing

0:23:32.840 --> 0:23:36.080
<v Speaker 1>whatever they could find and and sticking it together. Um,

0:23:36.119 --> 0:23:38.679
<v Speaker 1>they came up with the concept and artists came up

0:23:38.720 --> 0:23:40.800
<v Speaker 1>with the concept, and then they built it from scratch.

0:23:41.480 --> 0:23:44.000
<v Speaker 1>That was actually one of my questions, like where the

0:23:44.080 --> 0:23:47.800
<v Speaker 1>Jedi going to machine these parts? And you know, do

0:23:47.840 --> 0:23:54.679
<v Speaker 1>they is electrical engineering part of their training. It's ral Tandriaandria.

0:23:54.760 --> 0:23:59.640
<v Speaker 1>It's in the CAD system and yeah, very very nice.

0:23:59.720 --> 0:24:02.119
<v Speaker 1>A lot a lot of rascals and the CAD system.

0:24:02.160 --> 0:24:04.080
<v Speaker 1>As it turns out, I think Han Solo actually spent

0:24:04.160 --> 0:24:07.680
<v Speaker 1>a lot of time in the CADS system. Very nice.

0:24:07.920 --> 0:24:10.359
<v Speaker 1>You know. It's funny because when I started doing the

0:24:10.359 --> 0:24:13.000
<v Speaker 1>two of these, the two pieces of this, the fantasy

0:24:13.080 --> 0:24:15.480
<v Speaker 1>part and the you know, special effect. How do they

0:24:15.560 --> 0:24:17.920
<v Speaker 1>make it happen? I started thinking about that way, So

0:24:17.960 --> 0:24:21.040
<v Speaker 1>who's actually making these, you know, because each one is different.

0:24:21.520 --> 0:24:24.040
<v Speaker 1>Well that's one of the things too that uh um,

0:24:24.080 --> 0:24:26.320
<v Speaker 1>and I think is at least somewhat cannon, is that

0:24:27.000 --> 0:24:30.119
<v Speaker 1>it's all sort of individualized, you know, to the Jedi.

0:24:30.160 --> 0:24:32.240
<v Speaker 1>So I'm wondering if you know, they have to go

0:24:32.280 --> 0:24:34.600
<v Speaker 1>down to the shop, you know, on the thirty fourth

0:24:34.600 --> 0:24:37.440
<v Speaker 1>floor and go, yeah, I need can you make the

0:24:37.480 --> 0:24:41.960
<v Speaker 1>sort of the the arc tip sort of in this shape? No, no, no,

0:24:42.000 --> 0:24:47.000
<v Speaker 1>not exactly like that. Yeah, yeah, uh, you know it.

0:24:47.000 --> 0:24:48.600
<v Speaker 1>It's kind of sad because when I look at the

0:24:48.880 --> 0:24:52.520
<v Speaker 1>props from the first trilogy, those look like things that

0:24:52.560 --> 0:24:56.000
<v Speaker 1>have really lived in that universe for a really long time.

0:24:56.040 --> 0:24:57.760
<v Speaker 1>I mean, the ships are all beat up, and even

0:24:57.800 --> 0:25:00.639
<v Speaker 1>the Jedi, uh, the Jedi are beat up. The jedire

0:25:00.760 --> 0:25:04.480
<v Speaker 1>beat up pretty bad. But no, even the lightsabers look

0:25:04.560 --> 0:25:08.160
<v Speaker 1>like they've been well used. Whereas the if you look

0:25:08.200 --> 0:25:10.880
<v Speaker 1>at the prequels, everything looks like brand new and sparkly,

0:25:11.000 --> 0:25:14.359
<v Speaker 1>and it's just a little it doesn't feel to me

0:25:14.400 --> 0:25:17.159
<v Speaker 1>it almost feels like it's two different universes. Well, you

0:25:17.160 --> 0:25:20.840
<v Speaker 1>know they are like thirty years apart, and on thirty years.

0:25:21.000 --> 0:25:23.720
<v Speaker 1>Come on, do you really want to go down this

0:25:23.840 --> 0:25:27.320
<v Speaker 1>road because recording for like twenty four minutes, I'm not

0:25:27.359 --> 0:25:31.480
<v Speaker 1>gonna go for another fifty probably conservative that would be

0:25:31.640 --> 0:25:34.000
<v Speaker 1>only because I'd have to stop and get a break

0:25:34.040 --> 0:25:37.240
<v Speaker 1>to drink something. So let's we So we talked about

0:25:37.280 --> 0:25:40.280
<v Speaker 1>the fact that you know, rotoscoping, either digitally or by hand,

0:25:40.440 --> 0:25:45.640
<v Speaker 1>that replacing frame by frame. These these rods, the physical

0:25:45.720 --> 0:25:48.000
<v Speaker 1>things that were in the shot, and you needed the

0:25:48.040 --> 0:25:50.280
<v Speaker 1>physical rods because you needed to be able to make

0:25:50.320 --> 0:25:53.160
<v Speaker 1>contact when you're doing lightsaber battles right now. I think

0:25:53.200 --> 0:25:55.560
<v Speaker 1>that's a good point. The handles that they use in

0:25:55.600 --> 0:25:58.159
<v Speaker 1>the movies right now are you know, plastic handles with

0:25:58.240 --> 0:26:03.440
<v Speaker 1>aluminum rods and there they're basically cylindrical and colored red,

0:26:03.440 --> 0:26:06.040
<v Speaker 1>blue or green. They actually had to wrap the the

0:26:06.080 --> 0:26:09.600
<v Speaker 1>aluminum rods in construction paper because they were giving off

0:26:09.640 --> 0:26:13.080
<v Speaker 1>too much dust when they were colliding during the lightsaber battles.

0:26:13.320 --> 0:26:16.600
<v Speaker 1>The original trilogy used I think wooden dowls. I don't

0:26:16.600 --> 0:26:19.760
<v Speaker 1>think they used aluminum, at least not in the first film. Yeah,

0:26:19.880 --> 0:26:21.359
<v Speaker 1>I would imagine that would be a little hard on

0:26:21.400 --> 0:26:24.520
<v Speaker 1>your wrists too, because they're actually, you know, having a

0:26:24.560 --> 0:26:27.840
<v Speaker 1>sword fight with aluminum rods. And yeah, now laurds are

0:26:27.920 --> 0:26:30.239
<v Speaker 1>are thinner than what you see on the screen. Um,

0:26:30.280 --> 0:26:32.200
<v Speaker 1>they're not as they're not as thick as as the

0:26:32.280 --> 0:26:35.040
<v Speaker 1>lightsaber blade appears to be. But yeah, they need that

0:26:35.119 --> 0:26:37.280
<v Speaker 1>so that they can do these moves and and make

0:26:37.280 --> 0:26:39.960
<v Speaker 1>it look convincing. Otherwise you would have lightsabers passing through

0:26:40.000 --> 0:26:43.480
<v Speaker 1>one another and that would just not look right. So um,

0:26:43.520 --> 0:26:45.560
<v Speaker 1>so there is a physical object there that you are

0:26:45.680 --> 0:26:50.879
<v Speaker 1>are concealing with the the overlay, and um, before we

0:26:50.920 --> 0:26:53.320
<v Speaker 1>get into how you can do this yourself, I wanted

0:26:53.359 --> 0:26:55.679
<v Speaker 1>to talk a little bit about the sound effects. Okay,

0:26:55.680 --> 0:26:58.640
<v Speaker 1>sure they were designed by Ben Burt, who was He's

0:26:58.680 --> 0:27:02.520
<v Speaker 1>a brilliant sound as miner um. Sound designers are. I

0:27:02.560 --> 0:27:04.680
<v Speaker 1>think of them kind of like a very specific type

0:27:04.680 --> 0:27:07.000
<v Speaker 1>of engineer. Sound designers are the kind of people who

0:27:07.000 --> 0:27:09.439
<v Speaker 1>can walk into a room and just take a second

0:27:09.640 --> 0:27:13.040
<v Speaker 1>and think of a billion different ways to use the

0:27:13.080 --> 0:27:15.639
<v Speaker 1>sounds that are naturally occurring in that room. Most of

0:27:15.680 --> 0:27:17.800
<v Speaker 1>us we walk into a room, we'll hear a noise,

0:27:17.920 --> 0:27:21.080
<v Speaker 1>and then within a second we are already ignoring it.

0:27:21.080 --> 0:27:23.359
<v Speaker 1>It's just been incorporated into what we think of as

0:27:23.400 --> 0:27:25.520
<v Speaker 1>the background. But if you ever take a moment and

0:27:25.600 --> 0:27:28.359
<v Speaker 1>really listen to your environment, you start to pick things

0:27:28.400 --> 0:27:31.200
<v Speaker 1>out as as they happen. Well, he's one of those

0:27:31.200 --> 0:27:34.720
<v Speaker 1>guys who can hear a noise and immediately say, hey, uh,

0:27:34.760 --> 0:27:37.280
<v Speaker 1>this would be great for blah blah blah. And when

0:27:37.280 --> 0:27:39.760
<v Speaker 1>he was tasked with finding a noise for the lightsaber,

0:27:39.760 --> 0:27:42.520
<v Speaker 1>he actually says this was the first sound he designed

0:27:43.000 --> 0:27:45.359
<v Speaker 1>for Star Wars was the noise of the lightsaber. And

0:27:45.400 --> 0:27:48.960
<v Speaker 1>he did it with a combination of two noises. One

0:27:49.080 --> 0:27:53.080
<v Speaker 1>was from an old projector. Uh, there was an old

0:27:53.080 --> 0:27:56.520
<v Speaker 1>projector that would made this humming noise as it ran.

0:27:56.640 --> 0:27:58.359
<v Speaker 1>And if you ran two of those projectors, you've got

0:27:58.400 --> 0:28:01.640
<v Speaker 1>a good little harmonizing effect with the hum And that's

0:28:01.720 --> 0:28:05.520
<v Speaker 1>so that formed the basis of the wow when you

0:28:05.640 --> 0:28:09.439
<v Speaker 1>fire up your lightsaber. Um. The second was noise that

0:28:09.480 --> 0:28:13.280
<v Speaker 1>you would get if you ran a microphone near a television.

0:28:13.520 --> 0:28:16.720
<v Speaker 1>It would be this buzzing noise sort of feedback. Yes,

0:28:16.800 --> 0:28:19.960
<v Speaker 1>that that gives it the kind of little crackle sound

0:28:20.000 --> 0:28:22.520
<v Speaker 1>that you also hear. That's just sort of uh, kind

0:28:22.520 --> 0:28:27.200
<v Speaker 1>of a light sound underneath the thrumb. And then whenever

0:28:27.359 --> 0:28:29.960
<v Speaker 1>someone would wave a lightsaber, well you have to create

0:28:30.000 --> 0:28:32.800
<v Speaker 1>the wow noise. The way he did that was he

0:28:32.800 --> 0:28:36.280
<v Speaker 1>would move a microphone past a speaker that was playing that. Um,

0:28:36.440 --> 0:28:40.560
<v Speaker 1>the the the humming noise, and the Doppler effect would

0:28:40.600 --> 0:28:42.880
<v Speaker 1>take care of the rest. So you're just moving a

0:28:42.920 --> 0:28:46.920
<v Speaker 1>microphone around a speaker and then it's translates into the

0:28:46.960 --> 0:28:53.560
<v Speaker 1>womb womb when you're waving your lightsaber round. UM. Absolutely brilliant.

0:28:53.600 --> 0:28:56.360
<v Speaker 1>One of the uh you know, there's there was no

0:28:56.520 --> 0:28:59.959
<v Speaker 1>going into a a synthesizer or going into a studio

0:29:00.080 --> 0:29:02.240
<v Speaker 1>trying to create this sound from scratch. He just found

0:29:02.240 --> 0:29:05.320
<v Speaker 1>a practical way of creating it and uh and it's

0:29:05.360 --> 0:29:08.640
<v Speaker 1>one of those things that is forever married with the

0:29:08.640 --> 0:29:11.200
<v Speaker 1>Star Wars universe. You hear that sound, you know immediately

0:29:11.200 --> 0:29:14.600
<v Speaker 1>what you're listening to. Now, let's say you want to

0:29:14.640 --> 0:29:19.040
<v Speaker 1>do this yourself. It's quite possible. Well, you have to

0:29:19.760 --> 0:29:22.000
<v Speaker 1>spend all that fuel getting to the other star system.

0:29:22.000 --> 0:29:24.360
<v Speaker 1>You know, I don't mean building a real one, I

0:29:24.360 --> 0:29:28.160
<v Speaker 1>mean like creating the effect in a video. Okay, so uh,

0:29:28.480 --> 0:29:31.320
<v Speaker 1>you can do this yourself with the right kind of software.

0:29:31.600 --> 0:29:34.000
<v Speaker 1>And uh, there are a lot of different video editing

0:29:34.000 --> 0:29:37.240
<v Speaker 1>suites out there that have the effects that you would

0:29:37.280 --> 0:29:40.760
<v Speaker 1>need in order to create a lightsaber Effectum, most of

0:29:40.800 --> 0:29:44.000
<v Speaker 1>them are like things like Adobe has several There's even

0:29:44.000 --> 0:29:46.640
<v Speaker 1>a tool that's called l S Maker, which allows you

0:29:46.680 --> 0:29:49.560
<v Speaker 1>to create a lightsaber effect pretty easily. In fact, all

0:29:49.560 --> 0:29:51.560
<v Speaker 1>you have to do is do two clicks and you

0:29:51.600 --> 0:29:54.760
<v Speaker 1>create the basis of a lightsaber effect for a single

0:29:54.880 --> 0:29:56.960
<v Speaker 1>frame of video, and then you can go in and

0:29:57.280 --> 0:30:00.440
<v Speaker 1>tweak the effects so that it looks exact the way

0:30:00.480 --> 0:30:02.840
<v Speaker 1>you wanted to. But again, you have to do this

0:30:03.000 --> 0:30:05.880
<v Speaker 1>frame by frame, so it's not like you do two

0:30:05.960 --> 0:30:08.680
<v Speaker 1>clicks and it magically turns something into a lightsaber. You

0:30:08.720 --> 0:30:11.960
<v Speaker 1>actually have to go through each frame and replace the

0:30:12.160 --> 0:30:17.440
<v Speaker 1>physical object with the lightsaber representation. And we refre it

0:30:17.560 --> 0:30:20.400
<v Speaker 1>to work properly. Yes, but YouTube is filled with people

0:30:20.400 --> 0:30:23.560
<v Speaker 1>who have done this successfully. Yes, yes, and some not

0:30:23.600 --> 0:30:27.280
<v Speaker 1>so successful. Some of them are pretty awful. But uh,

0:30:28.040 --> 0:30:29.760
<v Speaker 1>the same effect. You can use the same sort of

0:30:30.080 --> 0:30:33.360
<v Speaker 1>technology to create other effects besides the lightsaber effect. It's

0:30:33.360 --> 0:30:35.920
<v Speaker 1>just that's one of those that is pretty easy to

0:30:35.920 --> 0:30:39.680
<v Speaker 1>to apply because really you're talking about a straight line. Uh,

0:30:40.200 --> 0:30:43.480
<v Speaker 1>it's not that complicated. Um. It is time consuming though.

0:30:43.520 --> 0:30:45.920
<v Speaker 1>It can take hours and hours and hours to render

0:30:46.440 --> 0:30:50.560
<v Speaker 1>a video that would only last maybe thirty seconds, especially

0:30:50.600 --> 0:30:53.160
<v Speaker 1>if you have multiple blades on there. That can because

0:30:53.480 --> 0:30:56.719
<v Speaker 1>each blade is going to require a different layer in

0:30:56.800 --> 0:30:59.880
<v Speaker 1>your video, you know. So you're gonna if you have

0:31:00.240 --> 0:31:03.520
<v Speaker 1>like six Jedi out there and they all have lightsabers

0:31:03.560 --> 0:31:05.800
<v Speaker 1>at six layers of video right there in order for

0:31:05.800 --> 0:31:09.080
<v Speaker 1>you to have all the effects come together properly. And

0:31:09.120 --> 0:31:11.040
<v Speaker 1>then if you know, they clashed and you have to

0:31:11.080 --> 0:31:13.840
<v Speaker 1>add the sparks and and you have to and it's

0:31:13.920 --> 0:31:16.680
<v Speaker 1>it can be challenging. I mean it's it's not it's

0:31:16.680 --> 0:31:18.840
<v Speaker 1>not something that you're gonna be able to whip out

0:31:18.840 --> 0:31:21.120
<v Speaker 1>in an hour. It's gonna take a while, but it's

0:31:21.240 --> 0:31:25.880
<v Speaker 1>it's doable. I hope you guys enjoyed this episode about lightsabers.

0:31:26.360 --> 0:31:28.880
<v Speaker 1>If you want to reach out to me, maybe you've

0:31:28.920 --> 0:31:31.239
<v Speaker 1>got a suggestion for future episode, or maybe you just

0:31:31.320 --> 0:31:34.440
<v Speaker 1>have a question, or maybe you've got a comment, then

0:31:34.560 --> 0:31:37.280
<v Speaker 1>do so on Facebook or Twitter. The handle for both

0:31:37.320 --> 0:31:39.960
<v Speaker 1>of those is text stuff H s W and I'll

0:31:39.960 --> 0:31:47.720
<v Speaker 1>talk to you again really soon. Y text Stuff is

0:31:47.720 --> 0:31:50.880
<v Speaker 1>an I heart Radio production. For more podcasts from my

0:31:51.000 --> 0:31:54.600
<v Speaker 1>heart Radio, visit the i heart Radio app, Apple Podcasts,

0:31:54.720 --> 0:32:00.200
<v Speaker 1>or wherever you listen to your favorite shows. Two