1
00:00:04,880 --> 00:00:08,200
Speaker 1: So I'm trying to get my hand to do the

2
00:00:08,320 --> 00:00:14,120
Speaker 1: shaka thing where when you're like the way you say

3
00:00:14,160 --> 00:00:17,600
Speaker 1: like it's just like being cool in Hawaii with your hand.

4
00:00:17,920 --> 00:00:21,360
Speaker 2: Yes, you tell them like it's okay, like I'm cool.

5
00:00:21,920 --> 00:00:24,000
Speaker 1: Like so I tried to do you just did it

6
00:00:24,079 --> 00:00:25,919
Speaker 1: right into the camera. I tried to do it.

7
00:00:26,000 --> 00:00:29,360
Speaker 2: That hand does it this this one. I it's like

8
00:00:30,000 --> 00:00:32,000
Speaker 2: I not all the fingers will.

9
00:00:31,800 --> 00:00:34,280
Speaker 1: Go okay, so I can do it one at a time.

10
00:00:34,360 --> 00:00:37,320
Speaker 1: I do it with the one. I try to do it,

11
00:00:37,360 --> 00:00:39,879
Speaker 1: and I'm giving a thumbs up, which is like okay.

12
00:00:40,400 --> 00:00:42,160
Speaker 3: That's a similar message.

13
00:00:42,280 --> 00:00:44,600
Speaker 1: It is similar when that happens, that's okay. But then

14
00:00:44,640 --> 00:00:49,080
Speaker 1: I push the thumb down and the pinky goes up.

15
00:00:49,920 --> 00:00:53,000
Speaker 1: But I can't do yes both at the same time,

16
00:00:53,040 --> 00:00:56,280
Speaker 1: And then by the time I have I'm basically like

17
00:00:56,480 --> 00:01:00,080
Speaker 1: forcing my thumb. I have to put my thumb in

18
00:01:00,120 --> 00:01:02,640
Speaker 1: my mouth and kind of yank that over and then

19
00:01:02,960 --> 00:01:04,600
Speaker 1: hold my pinky out with the other side. And by

20
00:01:04,640 --> 00:01:08,399
Speaker 1: the time I'm done, I'm not feeling the spirit of

21
00:01:08,440 --> 00:01:10,720
Speaker 1: the hand. No.

22
00:01:10,720 --> 00:01:11,880
Speaker 3: Now you actually.

23
00:01:11,480 --> 00:01:13,600
Speaker 2: Wish that your hand was in a different shape. When

24
00:01:13,640 --> 00:01:17,160
Speaker 2: you finally get it there, you go like, well, This

25
00:01:17,280 --> 00:01:19,399
Speaker 2: is now sending the opposite message to what I want

26
00:01:19,440 --> 00:01:20,080
Speaker 2: to send, which is.

27
00:01:20,080 --> 00:01:25,840
Speaker 1: Please help yes, like someone please help me, which there

28
00:01:25,880 --> 00:01:27,800
Speaker 1: is no really no hand sign.

29
00:01:27,600 --> 00:01:30,880
Speaker 2: For there is if you're choking, there's a specific one

30
00:01:30,880 --> 00:01:33,400
Speaker 2: that you can do that I also cannot do, like

31
00:01:33,680 --> 00:01:33,920
Speaker 2: a bit.

32
00:01:34,040 --> 00:01:35,600
Speaker 3: It's a really long process.

33
00:01:35,920 --> 00:01:38,320
Speaker 2: If I'm at a restaurant, I can use the fork

34
00:01:38,360 --> 00:01:41,200
Speaker 2: and knife to pry my hands into the shape that

35
00:01:41,280 --> 00:01:42,119
Speaker 2: they need to be in.

36
00:01:42,640 --> 00:01:45,640
Speaker 3: But if I'm alone, I don't have the tools that one.

37
00:01:45,680 --> 00:01:47,960
Speaker 1: I won't do the choking one because it's like almost

38
00:01:48,000 --> 00:01:50,120
Speaker 1: a trick because it's like, okay, you're choking. Now do

39
00:01:50,560 --> 00:01:55,560
Speaker 1: a hand thing where you are choking yourself right exactly,

40
00:01:55,640 --> 00:01:59,080
Speaker 1: And it's like I'm already choking, and now you want

41
00:01:59,080 --> 00:02:00,600
Speaker 1: me to choke myself.

42
00:02:00,880 --> 00:02:02,280
Speaker 3: It's you want the opposite.

43
00:02:02,360 --> 00:02:06,160
Speaker 2: Yeah, it should be like yeah, it's like I'm choking,

44
00:02:06,520 --> 00:02:07,320
Speaker 2: so choke me.

45
00:02:07,760 --> 00:02:11,560
Speaker 3: What you should be doing is I think it should

46
00:02:11,600 --> 00:02:12,640
Speaker 3: be like a.

47
00:02:14,520 --> 00:02:18,520
Speaker 2: You form your hand into like a ball, like you

48
00:02:18,639 --> 00:02:23,639
Speaker 2: fist form, and you spring that from your mouth forward

49
00:02:23,960 --> 00:02:25,800
Speaker 2: like this is what I want to happen.

50
00:02:26,800 --> 00:02:28,680
Speaker 1: You do it from the side, you face sideway so

51
00:02:28,720 --> 00:02:31,280
Speaker 1: they can't see it behind your head and then your

52
00:02:31,320 --> 00:02:33,760
Speaker 1: fist is like springing out of your mouth, and that's

53
00:02:33,760 --> 00:02:35,440
Speaker 1: the food exploding out of you.

54
00:02:35,520 --> 00:02:38,640
Speaker 2: Shooting out, and you go, this is the desired effect

55
00:02:38,800 --> 00:02:41,080
Speaker 2: rather than just saying what's happening. I hate that we

56
00:02:41,120 --> 00:02:43,640
Speaker 2: talk about the problem and not the solution. And that's

57
00:02:43,680 --> 00:02:47,760
Speaker 2: this country and that's this it's basically every problem.

58
00:02:47,520 --> 00:02:48,320
Speaker 1: Boils down and.

59
00:02:50,520 --> 00:02:53,280
Speaker 2: Go and go, oh the you know, the bad stuff,

60
00:02:53,280 --> 00:02:55,320
Speaker 2: And I go, what are we going to do about it? Like,

61
00:02:55,400 --> 00:02:57,960
Speaker 2: what's the fist shooting out of the mouth and you know,

62
00:02:58,080 --> 00:03:01,079
Speaker 2: let's stop making the fucking throw hand gesture.

63
00:03:01,400 --> 00:03:03,440
Speaker 1: I love that we're actually talking about this at all.

64
00:03:03,600 --> 00:03:05,919
Speaker 1: Is where like everyone else in this zoom is just

65
00:03:06,040 --> 00:03:07,960
Speaker 1: like I guess they feel like they're on a trip

66
00:03:08,000 --> 00:03:11,600
Speaker 1: to the movies or something. Yes, and just like just

67
00:03:11,800 --> 00:03:15,280
Speaker 1: watching me, and I guess I'm the movies, just like

68
00:03:15,360 --> 00:03:16,880
Speaker 1: watching like I'm talking.

69
00:03:17,080 --> 00:03:19,400
Speaker 2: Well, and I'm not to take away from you, but

70
00:03:19,480 --> 00:03:21,639
Speaker 2: I feel like I also am the movies.

71
00:03:22,440 --> 00:03:25,400
Speaker 1: In this case. Yeah, you and I are each maybe

72
00:03:25,440 --> 00:03:26,200
Speaker 1: different movies.

73
00:03:27,080 --> 00:03:30,160
Speaker 2: I'm at minimum, I'm maybe a trailer for another movie

74
00:03:30,200 --> 00:03:33,799
Speaker 2: that you could come and see next week, and then

75
00:03:33,880 --> 00:03:35,360
Speaker 2: you're like the main attraction.

76
00:03:35,840 --> 00:03:37,840
Speaker 1: So if anyone wants to weigh in on this. It's

77
00:03:37,920 --> 00:03:42,160
Speaker 1: actually really important stuff and people are actually dying of

78
00:03:42,280 --> 00:03:44,880
Speaker 1: this stuff all the time. And just because we don't

79
00:03:44,880 --> 00:03:45,640
Speaker 1: talk about.

80
00:03:45,400 --> 00:03:48,320
Speaker 3: It, because we never discussed the solution.

81
00:03:49,200 --> 00:03:50,960
Speaker 1: Of choking or their hand hurts.

82
00:03:51,520 --> 00:03:53,760
Speaker 2: How can you be working on the solution if you're

83
00:03:53,800 --> 00:03:58,480
Speaker 2: just talking about the problem, Tony go, you can't.

84
00:03:59,120 --> 00:04:05,200
Speaker 3: You can't Sam say the same thing. You can't. Kevin,

85
00:04:05,280 --> 00:04:06,440
Speaker 3: don't you dare.

86
00:04:07,800 --> 00:04:11,520
Speaker 1: Don't even think about it. Get your head away from

87
00:04:11,640 --> 00:04:14,280
Speaker 1: the microphone, put it away somewhere else.

88
00:04:14,320 --> 00:04:14,640
Speaker 3: Close.

89
00:04:14,960 --> 00:04:18,440
Speaker 2: This isn't a conversation for you, Pal, You are the problem.

90
00:04:18,480 --> 00:04:20,719
Speaker 2: I don't want to talk about you. I'd like to

91
00:04:20,720 --> 00:04:24,800
Speaker 2: focus on the solution. Let's not discuss Kevin on this episode.

92
00:04:25,200 --> 00:04:27,760
Speaker 1: And my yeah, my solution is my fist.

93
00:04:28,520 --> 00:04:30,799
Speaker 3: Yeah, shooting out of my mouth.

94
00:04:31,000 --> 00:04:34,000
Speaker 1: Oh when I could form a fist. You better watch out, Pal.

95
00:04:35,560 --> 00:04:39,920
Speaker 1: I'm the host of Hollywood Handbook That. My name is Hayes.

96
00:04:42,720 --> 00:04:44,360
Speaker 3: I'll go next.

97
00:04:45,160 --> 00:04:48,000
Speaker 2: I'm Hayes's friend and I'm one of the main guys

98
00:04:48,000 --> 00:04:48,799
Speaker 2: who does the show.

99
00:04:49,920 --> 00:04:54,560
Speaker 4: Is this when I go? My name is Tawny and

100
00:04:54,640 --> 00:04:57,320
Speaker 4: I'm I'm also on the show today.

101
00:04:58,040 --> 00:05:01,520
Speaker 1: And you better believe it. They have to on it

102
00:05:01,600 --> 00:05:02,160
Speaker 1: around it.

103
00:05:02,440 --> 00:05:08,000
Speaker 4: I just said it. They gotta believe it. Yeah, so

104
00:05:08,400 --> 00:05:12,960
Speaker 4: you guys has been going well.

105
00:05:15,360 --> 00:05:20,440
Speaker 2: Episode the Quarantine episodes have been actually a lot of

106
00:05:20,480 --> 00:05:21,560
Speaker 2: our strongest ones.

107
00:05:22,600 --> 00:05:29,240
Speaker 3: Wow, uh what did we have? Alan Yang? It's going good?

108
00:05:29,839 --> 00:05:34,320
Speaker 1: Yeah, Alan Yang, director of Tiger Tail. Someone made a

109
00:05:34,400 --> 00:05:37,200
Speaker 1: joke in a comment that I'd like to steal. Yes,

110
00:05:37,520 --> 00:05:39,560
Speaker 1: I saw it, Okay, go ahead.

111
00:05:41,080 --> 00:05:42,960
Speaker 2: Uh well no, god, I mean I was gonna it

112
00:05:43,000 --> 00:05:44,680
Speaker 2: was something? Was it the wigertail one?

113
00:05:44,920 --> 00:05:47,760
Speaker 1: Yeah, it was just basically saying, wygertail.

114
00:05:48,560 --> 00:05:49,320
Speaker 4: That's pretty good.

115
00:05:50,560 --> 00:05:51,839
Speaker 3: Yeah, I knew you'd like it.

116
00:05:52,480 --> 00:05:53,200
Speaker 4: Yeah, I like it.

117
00:05:53,640 --> 00:05:54,880
Speaker 3: Why are you here? Tony?

118
00:05:56,640 --> 00:05:59,280
Speaker 4: You know I'm here because your wolf put out a

119
00:05:59,760 --> 00:06:01,880
Speaker 4: come any wide call and said who has a decent

120
00:06:01,920 --> 00:06:06,760
Speaker 4: fucking microphone? And then only those people get to be guests. Now,

121
00:06:07,120 --> 00:06:10,160
Speaker 4: it was really rudely worded, but like, I get it,

122
00:06:10,200 --> 00:06:14,280
Speaker 4: you know, I get it. So I have equipment and

123
00:06:14,720 --> 00:06:17,400
Speaker 4: Kevin said, okay, you're allowed to come on because you

124
00:06:17,480 --> 00:06:21,560
Speaker 4: can self record, You're capable. So that was nice.

125
00:06:22,160 --> 00:06:25,200
Speaker 1: Tawny can I and I truly do not want to

126
00:06:26,000 --> 00:06:29,080
Speaker 1: make sad feelings and I really truly do not want

127
00:06:29,120 --> 00:06:35,240
Speaker 1: to space force would have been Tawnie's first press junket.

128
00:06:36,240 --> 00:06:40,479
Speaker 4: Oh is this true? Yeah, I mean yeah, first like real,

129
00:06:41,920 --> 00:06:44,160
Speaker 4: I guess, I don't know, I guess I've done other things,

130
00:06:44,200 --> 00:06:45,279
Speaker 4: but like, yeah, this was a.

131
00:06:45,360 --> 00:06:46,799
Speaker 1: Real press junket.

132
00:06:47,160 --> 00:06:48,520
Speaker 3: Come on, you know what he means.

133
00:06:48,600 --> 00:06:51,520
Speaker 1: Did you do one for nasty umpire.

134
00:06:53,040 --> 00:06:57,440
Speaker 4: A mean baseball man? No, we did like a summit,

135
00:06:57,560 --> 00:06:58,560
Speaker 4: like an IFC summit.

136
00:06:58,880 --> 00:06:59,400
Speaker 1: That was fun.

137
00:06:59,480 --> 00:07:01,440
Speaker 4: But no, you're right, this would have been a big

138
00:07:01,520 --> 00:07:05,360
Speaker 4: thing and now it's not. And uh now I'm just

139
00:07:07,000 --> 00:07:09,279
Speaker 4: type interviews from my Couch's.

140
00:07:08,680 --> 00:07:11,000
Speaker 3: Still a big The show's still still big.

141
00:07:11,080 --> 00:07:15,280
Speaker 4: The show, well, we'll see when it comes out. What

142
00:07:15,320 --> 00:07:17,640
Speaker 4: if it's very small? What if all this hype and

143
00:07:17,680 --> 00:07:19,480
Speaker 4: then it's just a very small show.

144
00:07:19,800 --> 00:07:24,040
Speaker 1: There's no big or small anymore. There's just shows. That's true.

145
00:07:24,080 --> 00:07:24,440
Speaker 3: Everything.

146
00:07:24,560 --> 00:07:26,080
Speaker 4: You're watching everything on your phone.

147
00:07:26,200 --> 00:07:29,880
Speaker 2: So well, quibi's small, Like the shows are intentionally small.

148
00:07:30,360 --> 00:07:34,560
Speaker 2: They're just little quick bites. But yeah, remember and that's

149
00:07:34,600 --> 00:07:36,880
Speaker 2: and that's by design. And I'm not saying small as

150
00:07:36,880 --> 00:07:39,840
Speaker 2: a negative in that case. In fact, it's maybe.

151
00:07:39,680 --> 00:07:40,680
Speaker 3: Their greatest strength.

152
00:07:41,400 --> 00:07:42,280
Speaker 4: It's just a fact.

153
00:07:43,960 --> 00:07:45,240
Speaker 3: But this isn't that.

154
00:07:45,440 --> 00:07:47,920
Speaker 1: When that person said I'm still big it's the pictures

155
00:07:47,920 --> 00:07:51,880
Speaker 1: that got small. And really that was about Quibbi. Yeah

156
00:07:51,960 --> 00:07:59,520
Speaker 1: when that person said that the woman from U Titanic, Yeah, ros.

157
00:07:59,760 --> 00:08:03,480
Speaker 4: Rose, Yeah, no, you're right about that. And that really

158
00:08:03,600 --> 00:08:07,240
Speaker 4: was the first lockett, you know, like small picture, but

159
00:08:07,360 --> 00:08:08,360
Speaker 4: person stayed big.

160
00:08:08,920 --> 00:08:14,200
Speaker 1: Huh. And isn't that interesting they did the little picture

161
00:08:14,240 --> 00:08:17,440
Speaker 1: for the lockett the person did stay so big the

162
00:08:17,480 --> 00:08:21,280
Speaker 1: same size, yeah huh.

163
00:08:21,360 --> 00:08:25,520
Speaker 4: But yeah, so you know, there could be red carpets

164
00:08:25,520 --> 00:08:29,160
Speaker 4: happening in some other universe for me right now, but

165
00:08:29,560 --> 00:08:33,760
Speaker 4: in this one that we're currently in, I'm mainly just

166
00:08:33,880 --> 00:08:37,360
Speaker 4: chasing the shade around my house, trying to find shady

167
00:08:37,400 --> 00:08:40,080
Speaker 4: spots to sit in because the sun, the sun moves

168
00:08:40,120 --> 00:08:41,920
Speaker 4: a lot more than I thought it did.

169
00:08:42,320 --> 00:08:45,360
Speaker 3: It's going crazy. Did you get I learned? I learned

170
00:08:45,400 --> 00:08:48,439
Speaker 3: an old DP trick today to tell how much sunlight

171
00:08:48,480 --> 00:08:50,800
Speaker 3: you have left if you guys want to know it.

172
00:08:50,960 --> 00:08:55,520
Speaker 3: Oh it yeah, it's a hand thing.

173
00:08:56,000 --> 00:08:59,720
Speaker 1: Okay, okay, so I already did start trying to do it,

174
00:08:59,760 --> 00:09:05,320
Speaker 1: so please if you could just please say that earlier,

175
00:09:05,440 --> 00:09:08,360
Speaker 1: especially because there's a little delay on zoom, so just

176
00:09:08,440 --> 00:09:10,720
Speaker 1: but even before you say that, there's like a hand

177
00:09:10,800 --> 00:09:12,839
Speaker 1: trick or something just say at the beginning, Hey, is

178
00:09:12,920 --> 00:09:16,800
Speaker 1: what I'm about to say. Do not attempt to do

179
00:09:16,880 --> 00:09:17,400
Speaker 1: this move.

180
00:09:17,640 --> 00:09:18,719
Speaker 3: You're not gonna want to.

181
00:09:18,880 --> 00:09:21,120
Speaker 4: What Sean's doing right now, He's holding up his hand

182
00:09:21,240 --> 00:09:24,320
Speaker 4: sideways and the number of fingers. So let's imagine that,

183
00:09:24,480 --> 00:09:30,079
Speaker 4: like his microphone is the horizon, and then let's imagine

184
00:09:30,080 --> 00:09:32,640
Speaker 4: that the sun is right above his index fingers. So

185
00:09:33,080 --> 00:09:37,480
Speaker 4: those four fingers are telling you you have you have

186
00:09:37,679 --> 00:09:41,240
Speaker 4: four minutes before the sun sets. You better hurry up

187
00:09:41,360 --> 00:09:42,040
Speaker 4: and make your rice.

188
00:09:42,920 --> 00:09:45,720
Speaker 2: Every finger represents a minute. So if you have a

189
00:09:45,720 --> 00:09:47,960
Speaker 2: lot of time, you actually have to get up on

190
00:09:48,000 --> 00:09:51,240
Speaker 2: a ladder and sort of stack your hands very quickly

191
00:09:51,280 --> 00:09:52,480
Speaker 2: as you make your way down.

192
00:09:53,240 --> 00:09:56,240
Speaker 3: Or if there's a slide, you need a lot of friends. Oh,

193
00:09:56,280 --> 00:09:57,920
Speaker 3: I guess you could do it with multiple people. That

194
00:09:57,960 --> 00:10:00,679
Speaker 3: never occurred to me. I'm always by myself when I'm being.

195
00:10:01,960 --> 00:10:05,560
Speaker 4: Yeah, most tps work in a pack, and so I

196
00:10:05,559 --> 00:10:07,480
Speaker 4: think as long as they have like fifteen dudes, they

197
00:10:07,480 --> 00:10:09,920
Speaker 4: can you know, if it's noon and you need to

198
00:10:09,960 --> 00:10:11,720
Speaker 4: know when the sun's going down, you need a bunch

199
00:10:11,720 --> 00:10:15,199
Speaker 4: of people, Tony, But don't try it, Hey, Johnny.

200
00:10:15,400 --> 00:10:21,520
Speaker 1: Space Force, Big show.

201
00:10:22,240 --> 00:10:25,400
Speaker 4: I appreciate you trying to make this press happen for me.

202
00:10:25,640 --> 00:10:26,960
Speaker 4: I've resigned myself.

203
00:10:27,000 --> 00:10:29,920
Speaker 1: I couldn't stop it if I wanted to, if my

204
00:10:30,120 --> 00:10:31,559
Speaker 1: life depended on it.

205
00:10:32,320 --> 00:10:35,480
Speaker 2: I have a question about the process of making it.

206
00:10:35,559 --> 00:10:38,120
Speaker 2: So obviously you're in space, hmm.

207
00:10:38,559 --> 00:10:41,240
Speaker 4: The whole time was BB eight a little like.

208
00:10:42,679 --> 00:10:44,760
Speaker 3: Showing you the ropes of like, well, I've been in.

209
00:10:44,760 --> 00:10:50,280
Speaker 2: Space so much that in some way you're on his turf,

210
00:10:50,360 --> 00:10:52,800
Speaker 2: you know what I mean? Just BBA, it's been in

211
00:10:52,920 --> 00:10:54,960
Speaker 2: space a lot at this point.

212
00:10:56,440 --> 00:10:59,400
Speaker 4: Yeah, BB it hung back a little bit. You know.

213
00:10:59,800 --> 00:11:02,600
Speaker 4: It was weird that they gave him the role of

214
00:11:02,640 --> 00:11:07,559
Speaker 4: stunt coordinator. I thought, just because like he doesn't have limbs.

215
00:11:08,080 --> 00:11:10,240
Speaker 4: But it was nice having him on set just because, like,

216
00:11:10,480 --> 00:11:12,720
Speaker 4: you know, he's fun, he rolls around.

217
00:11:13,679 --> 00:11:17,960
Speaker 3: But yeah, no, that's cute. Yeah it was good. That's sick.

218
00:11:18,040 --> 00:11:20,880
Speaker 3: That's sick. Thank you for that answer, Thank you, thank you.

219
00:11:22,480 --> 00:11:24,600
Speaker 4: Did you just put on those sunglasses or have you

220
00:11:24,600 --> 00:11:25,480
Speaker 4: had them on the whole time?

221
00:11:26,040 --> 00:11:27,880
Speaker 3: They're new. I just put them on recently.

222
00:11:29,200 --> 00:11:31,520
Speaker 1: That's what new new what people say. It's like glasses

223
00:11:31,559 --> 00:11:36,400
Speaker 1: are new. They're new to my face. That's what they need.

224
00:11:36,480 --> 00:11:40,160
Speaker 1: They're like they're new on my face, new on my face.

225
00:11:40,160 --> 00:11:41,520
Speaker 3: There was nothing new under the sun.

226
00:11:41,640 --> 00:11:44,920
Speaker 2: I mean even a new product, as you guys get

227
00:11:44,960 --> 00:11:49,240
Speaker 2: producted left and right by that sure culture, it's really

228
00:11:49,280 --> 00:11:52,040
Speaker 2: made up of minerals and elements that have existed in

229
00:11:52,040 --> 00:11:55,120
Speaker 2: the earth for quite some time, so that there really

230
00:11:55,200 --> 00:11:56,600
Speaker 2: is nothing new under the sun.

231
00:11:56,679 --> 00:11:58,000
Speaker 3: It's not just an expression.

232
00:11:58,960 --> 00:11:59,640
Speaker 4: Yeah, it's good.

233
00:12:00,120 --> 00:12:02,720
Speaker 2: If it's they're new to my face, then that's about

234
00:12:02,760 --> 00:12:03,760
Speaker 2: as new as they can be.

235
00:12:03,960 --> 00:12:06,400
Speaker 3: And I just put them on recently, just a minute ago.

236
00:12:06,920 --> 00:12:07,400
Speaker 4: That's good.

237
00:12:08,080 --> 00:12:10,079
Speaker 1: Was there a cast dinner with the cast of Upload

238
00:12:10,120 --> 00:12:14,040
Speaker 1: as well? Oh? Oh, of Upload?

239
00:12:14,080 --> 00:12:16,800
Speaker 4: The other Greg Daniels Pursuit.

240
00:12:16,480 --> 00:12:20,040
Speaker 1: The World of Explore New World of Greg Daniels Upload.

241
00:12:21,000 --> 00:12:23,720
Speaker 4: No, there wasn't. I would have loved that though.

242
00:12:23,640 --> 00:12:29,079
Speaker 1: And also he caught it. You're right, you're right. That's

243
00:12:29,120 --> 00:12:29,440
Speaker 1: my bad.

244
00:12:29,480 --> 00:12:32,760
Speaker 4: He wasn't chasing it. Greg Daniels doesn't run for anybody.

245
00:12:32,920 --> 00:12:36,040
Speaker 4: He runs for no man. No, I didn't. I didn't

246
00:12:36,040 --> 00:12:39,120
Speaker 4: get to hang with those cats. It was mainly uh pretty,

247
00:12:39,480 --> 00:12:44,600
Speaker 4: of course they're an attractive crew. I did see Andy

248
00:12:44,679 --> 00:12:47,520
Speaker 4: Allo play guitar with Prince years and years ago, and

249
00:12:47,559 --> 00:12:49,040
Speaker 4: I didn't know she was an actress, so then when

250
00:12:49,040 --> 00:12:50,600
Speaker 4: I heard she was an actor too, I was like,

251
00:12:51,440 --> 00:12:54,440
Speaker 4: I mean, admittedly mad, I was just like mad, but

252
00:12:54,480 --> 00:12:57,560
Speaker 4: then also like, okay, good job. No, but this cast

253
00:12:57,720 --> 00:13:00,480
Speaker 4: was like, there's like forty casts in this cast of

254
00:13:00,559 --> 00:13:04,080
Speaker 4: Space Force. So it was enough just trying to meet that's.

255
00:13:03,960 --> 00:13:05,760
Speaker 1: A new model. Talk about this model.

256
00:13:05,800 --> 00:13:08,240
Speaker 3: There's forty different forty casts.

257
00:13:09,760 --> 00:13:14,040
Speaker 1: There's thirty different casts in there's just what I understand

258
00:13:14,040 --> 00:13:15,439
Speaker 1: to be only one show.

259
00:13:16,559 --> 00:13:20,600
Speaker 4: It's it's one show, but there were so many people

260
00:13:20,720 --> 00:13:24,760
Speaker 4: in it that you wouldn't you could make forty shows

261
00:13:25,120 --> 00:13:27,440
Speaker 4: easily with all people.

262
00:13:28,080 --> 00:13:31,080
Speaker 3: I wouldn't want to do that. No, thank you, No,

263
00:13:31,840 --> 00:13:36,960
Speaker 3: I'd rather get this one right, okay. I feel that

264
00:13:37,040 --> 00:13:37,920
Speaker 3: this is another.

265
00:13:37,679 --> 00:13:41,600
Speaker 2: Problem with society and this consumer culture we live in

266
00:13:42,200 --> 00:13:45,160
Speaker 2: will spread themselves so thin. They've got a million ideas

267
00:13:45,200 --> 00:13:46,880
Speaker 2: and they want to do everything, and it's like, well,

268
00:13:46,960 --> 00:13:48,680
Speaker 2: let's finish doing this thing.

269
00:13:49,440 --> 00:13:55,640
Speaker 3: This be whether it be Space Force or upload you know,

270
00:13:55,880 --> 00:14:00,640
Speaker 3: or Hollywood Handbook the podcast, which you may notice, essentially

271
00:14:00,720 --> 00:14:03,000
Speaker 3: since we started this podcast, I have not done anything

272
00:14:03,040 --> 00:14:07,040
Speaker 3: else of note, because this has not yet been done correctly.

273
00:14:07,080 --> 00:14:09,640
Speaker 3: Could I try doing forty other things? Forty shows? I

274
00:14:09,640 --> 00:14:11,720
Speaker 3: guess I guess that's what you think I should do.

275
00:14:12,120 --> 00:14:14,120
Speaker 2: But in fact, I'm going to keep doing this until

276
00:14:14,160 --> 00:14:15,160
Speaker 2: we make a good episode.

277
00:14:16,920 --> 00:14:17,199
Speaker 1: Yeah.

278
00:14:17,320 --> 00:14:19,560
Speaker 4: I also want to stay here until something is good.

279
00:14:20,200 --> 00:14:22,720
Speaker 4: I want to help with that. So sorry to see.

280
00:14:22,800 --> 00:14:26,040
Speaker 1: Yes, that would be great my hustle nature.

281
00:14:26,920 --> 00:14:28,160
Speaker 3: That's why we brought you in.

282
00:14:28,640 --> 00:14:30,440
Speaker 1: And I just figured out what it is, Tawny.

283
00:14:31,160 --> 00:14:31,520
Speaker 4: Okay.

284
00:14:32,280 --> 00:14:37,720
Speaker 1: In past episodes, we have had you call your associates. Mmmm,

285
00:14:38,040 --> 00:14:40,920
Speaker 1: it's time to call Greg Daniels.

286
00:14:42,200 --> 00:14:43,440
Speaker 3: Let's get him on the horn.

287
00:14:43,840 --> 00:14:46,080
Speaker 4: I don't have his phone number, don't know his phone

288
00:14:46,120 --> 00:14:47,800
Speaker 4: I don't have I don't have his phone number.

289
00:14:48,080 --> 00:14:52,720
Speaker 1: Yes you do, I really don't. Can we call who

290
00:14:52,840 --> 00:14:55,160
Speaker 1: has it? Who can we call?

291
00:14:55,200 --> 00:15:00,840
Speaker 4: Who has it? Jimmy o'yang? You want to call Jimmy

292
00:15:00,840 --> 00:15:01,160
Speaker 4: o yang?

293
00:15:01,240 --> 00:15:02,320
Speaker 1: GiB oh yag.

294
00:15:02,920 --> 00:15:05,680
Speaker 4: It's the closest I got to Greg on the scale

295
00:15:05,720 --> 00:15:06,360
Speaker 4: of one to Greg.

296
00:15:06,400 --> 00:15:06,520
Speaker 3: Dad.

297
00:15:06,680 --> 00:15:10,200
Speaker 1: Wait, we can't, we can't. Just like now I'm scared,

298
00:15:10,280 --> 00:15:12,520
Speaker 1: Like you called Jimmy o Yang and like he's already

299
00:15:12,520 --> 00:15:14,840
Speaker 1: hanging out with Greg Daniels, and like then we like

300
00:15:15,200 --> 00:15:17,400
Speaker 1: have to pitch, start pitching something that we are not

301
00:15:17,960 --> 00:15:19,000
Speaker 1: ready to pitch yet.

302
00:15:19,680 --> 00:15:23,200
Speaker 4: Yeah, no, I mean he might be hanging out with

303
00:15:23,240 --> 00:15:26,040
Speaker 4: Greg Daniels. They might just be both flagrantly ignoring the

304
00:15:26,080 --> 00:15:29,880
Speaker 4: social distancing rules and just do it a cookout or something.

305
00:15:30,960 --> 00:15:33,120
Speaker 1: And that well, the cookout kills the virus.

306
00:15:34,160 --> 00:15:35,120
Speaker 4: Oh, I didn't know that much.

307
00:15:35,720 --> 00:15:37,800
Speaker 1: Just barbecue you can grow.

308
00:15:38,520 --> 00:15:40,200
Speaker 3: If there's a grill, then you would just throw the

309
00:15:40,240 --> 00:15:41,960
Speaker 3: virus on the grill and rose.

310
00:15:42,520 --> 00:15:45,200
Speaker 4: Thank god, Fourth of July is saved.

311
00:15:45,480 --> 00:15:45,880
Speaker 1: Mm hmm.

312
00:15:46,560 --> 00:15:49,480
Speaker 4: I was worried about Fourth of July cookouts, weren't you, guys?

313
00:15:50,760 --> 00:15:52,880
Speaker 1: Ty We really do have to focus on this pitch.

314
00:15:53,440 --> 00:15:53,840
Speaker 3: Mm hmm.

315
00:15:54,080 --> 00:15:56,480
Speaker 4: Oh, what's your your pitch? I didn't realize you're pitching something.

316
00:15:56,840 --> 00:15:59,480
Speaker 3: Well, we have a couple of things to pitch, Okay.

317
00:16:00,360 --> 00:16:03,560
Speaker 2: I had one idea that I was running by Hayes

318
00:16:03,640 --> 00:16:09,000
Speaker 2: last night for pretty uh devastating political cartoon that I

319
00:16:09,000 --> 00:16:11,720
Speaker 2: think could get me just a shit ton of clout.

320
00:16:12,560 --> 00:16:12,840
Speaker 4: Uh huh.

321
00:16:13,320 --> 00:16:15,720
Speaker 3: It could be actually the biggest cartoon I've ever come

322
00:16:15,800 --> 00:16:16,040
Speaker 3: up with.

323
00:16:17,160 --> 00:16:20,600
Speaker 4: H Have you come up with other cartoons?

324
00:16:22,000 --> 00:16:23,760
Speaker 3: Uh? Not that, not like this.

325
00:16:24,360 --> 00:16:28,600
Speaker 2: You know, this one, if executed properly, could actually be

326
00:16:28,680 --> 00:16:31,360
Speaker 2: my biggest cartoon. And I hate to use hyperbole, like

327
00:16:31,440 --> 00:16:34,120
Speaker 2: I do not want to oversell it. It could end

328
00:16:34,200 --> 00:16:39,760
Speaker 2: up being my biggest cartoon to date. M I am

329
00:16:39,840 --> 00:16:46,120
Speaker 2: remembering I did have I did actually have uh one

330
00:16:46,160 --> 00:16:52,400
Speaker 2: other cartoon idea that was somewhat significance. I think it

331
00:16:52,440 --> 00:16:57,080
Speaker 2: got drawn for the short lived like UCB magazine that

332
00:16:57,080 --> 00:16:57,840
Speaker 2: they tried to do.

333
00:16:57,840 --> 00:17:02,600
Speaker 3: Does anyone remember when this happened? No, Kevin, you just

334
00:17:02,680 --> 00:17:03,880
Speaker 3: leaned towards the mic, do you remember that?

335
00:17:04,280 --> 00:17:09,680
Speaker 1: I'm actually gonna don't even think about it. I so, okay,

336
00:17:10,400 --> 00:17:13,600
Speaker 1: should we? I have a couple of cartoon ideas that

337
00:17:13,640 --> 00:17:16,760
Speaker 1: I've had for probably seven or eight years now, as

338
00:17:16,840 --> 00:17:20,159
Speaker 1: yet unproduced. I've sketched them a couple of times, but

339
00:17:20,960 --> 00:17:26,400
Speaker 1: they're not as political, So maybe I think these are

340
00:17:26,440 --> 00:17:29,919
Speaker 1: different shows. Probably it might not be like the same pitch.

341
00:17:30,720 --> 00:17:32,399
Speaker 1: But how do we want to do this? Sean?

342
00:17:33,359 --> 00:17:35,200
Speaker 2: What do you mean in terms of pitching to Greg

343
00:17:35,280 --> 00:17:37,720
Speaker 2: Daniels or in terms of getting Tawny on board since

344
00:17:37,760 --> 00:17:39,600
Speaker 2: she should be doing most of the talking once he's

345
00:17:39,640 --> 00:17:40,160
Speaker 2: on the phone.

346
00:17:41,240 --> 00:17:45,080
Speaker 1: I think in terms of well, let's just say, in

347
00:17:45,160 --> 00:17:48,440
Speaker 1: terms of saying our cartoon ideas, well.

348
00:17:48,280 --> 00:17:50,200
Speaker 2: I'll just describe. I mean, I have a single panel

349
00:17:50,240 --> 00:17:53,600
Speaker 2: political cartoon. I ran it by you last night. Now,

350
00:17:53,600 --> 00:17:55,800
Speaker 2: you didn't respond when I texted it to you, but

351
00:17:56,359 --> 00:17:59,160
Speaker 2: would you agree that it's actually devastating.

352
00:17:59,119 --> 00:17:59,720
Speaker 1: And no, it is.

353
00:18:00,000 --> 00:18:00,280
Speaker 2: I was.

354
00:18:00,400 --> 00:18:04,600
Speaker 1: I was too devastated to respond so much like you were.

355
00:18:04,640 --> 00:18:06,840
Speaker 1: I guess when Kevin was asking which of us could

356
00:18:06,840 --> 00:18:10,000
Speaker 1: record that add two days ago.

357
00:18:10,760 --> 00:18:16,920
Speaker 3: Mm hmm, that shook me to my court.

358
00:18:21,440 --> 00:18:24,080
Speaker 4: Yeah, give me the quick pitch and I'll try and

359
00:18:24,160 --> 00:18:26,320
Speaker 4: I'll try and drum up a phone number.

360
00:18:26,160 --> 00:18:33,040
Speaker 2: Who Basically, it's a restaurant scene.

361
00:18:33,680 --> 00:18:38,520
Speaker 4: Remember those uh huh restaurants or restaurant scenes.

362
00:18:38,600 --> 00:18:45,119
Speaker 1: I remember both. Well, then it's a yes, just scenes, okay,

363
00:18:45,359 --> 00:18:46,399
Speaker 1: just restaurant scenes.

364
00:18:46,840 --> 00:18:47,199
Speaker 4: Okay.

365
00:18:47,240 --> 00:18:51,879
Speaker 2: So we're in the restaurant. There's a man and he's

366
00:18:52,000 --> 00:18:58,399
Speaker 2: holding this flaming dish right some sort of flombay, and

367
00:18:58,440 --> 00:19:02,200
Speaker 2: it's it's charred smoke coming out of it, and he's

368
00:19:02,240 --> 00:19:05,600
Speaker 2: and for the purpose of the audience of the cartoon

369
00:19:05,760 --> 00:19:08,760
Speaker 2: in order to make it a look clear, the man ah,

370
00:19:09,760 --> 00:19:12,320
Speaker 2: maybe even has some writing on his shirt where his

371
00:19:12,359 --> 00:19:17,359
Speaker 2: shirt might say white men mhm. And he's saying to

372
00:19:17,440 --> 00:19:24,119
Speaker 2: the waiter, who ideally is in order to differentiate from

373
00:19:24,160 --> 00:19:32,600
Speaker 2: from this gentleman, either female or perhaps non binary, and

374
00:19:33,600 --> 00:19:37,240
Speaker 2: potentially a person of color as well, and he sang

375
00:19:37,359 --> 00:19:44,800
Speaker 2: to them, excuse me, waitress or waiters server. Uh, I

376
00:19:45,040 --> 00:19:50,879
Speaker 2: ordered the world on a platter. And then the server says,

377
00:19:51,840 --> 00:19:52,800
Speaker 2: and we gave it to you.

378
00:19:54,640 --> 00:19:55,000
Speaker 4: Uh huh.

379
00:19:55,880 --> 00:20:00,520
Speaker 3: So you see, yeah, Tony, this is what he has done.

380
00:20:01,000 --> 00:20:04,600
Speaker 2: Yeah, and in effect, what white men have done with

381
00:20:04,760 --> 00:20:08,760
Speaker 2: what was bestowed? Uh, you know, laid at their feet

382
00:20:08,880 --> 00:20:12,760
Speaker 2: that the whole world available, And here we are.

383
00:20:12,840 --> 00:20:13,800
Speaker 3: It's in flames.

384
00:20:14,080 --> 00:20:16,240
Speaker 1: He put it. He put the food on fire.

385
00:20:17,400 --> 00:20:21,680
Speaker 2: On fire, and it's and and it's a literal dumpster fire.

386
00:20:21,840 --> 00:20:27,520
Speaker 4: Isn't Yeah, but it's a plate of food. Okay, Hayes, Hayes,

387
00:20:27,560 --> 00:20:28,320
Speaker 4: what was your idea?

388
00:20:28,600 --> 00:20:30,280
Speaker 1: You just want to move on to by idea?

389
00:20:30,400 --> 00:20:32,440
Speaker 3: That fast a little.

390
00:20:32,200 --> 00:20:33,920
Speaker 4: Bit like I want to see if maybe we could

391
00:20:33,920 --> 00:20:35,280
Speaker 4: combine them.

392
00:20:35,680 --> 00:20:38,400
Speaker 3: I don't because this is this is pretty political.

393
00:20:38,680 --> 00:20:41,359
Speaker 4: It's pretty political, but it also feels like pretty I

394
00:20:41,400 --> 00:20:43,959
Speaker 4: feel like we've heard versions of the no offense, but

395
00:20:44,280 --> 00:20:44,959
Speaker 4: I'm just curious.

396
00:20:45,040 --> 00:20:48,320
Speaker 1: Maybe Hayes, please.

397
00:20:48,080 --> 00:20:50,840
Speaker 3: Bring me to it. I'd love to enjoy this. To

398
00:20:50,840 --> 00:20:51,879
Speaker 3: me a hyperlink.

399
00:20:52,119 --> 00:20:54,679
Speaker 4: I have a phone number when you guys are ready.

400
00:20:54,520 --> 00:20:58,600
Speaker 1: So okay, hang on. Mine's kind of a palette cleanser

401
00:20:58,880 --> 00:21:03,159
Speaker 1: both of them. Okay, so it's but it's also single panels,

402
00:21:03,160 --> 00:21:05,840
Speaker 1: so there's no way it will fit in the the

403
00:21:05,880 --> 00:21:12,600
Speaker 1: same thing. So it's a bird and a bumblebee and

404
00:21:13,119 --> 00:21:17,520
Speaker 1: they are lying in bed together and their head hair

405
00:21:17,640 --> 00:21:20,080
Speaker 1: is kind of like ruffle that looks like something like

406
00:21:20,520 --> 00:21:24,600
Speaker 1: but they're frowning m hmm. And the bird's mouth is

407
00:21:24,640 --> 00:21:27,760
Speaker 1: open and the text at the bottom is in quotes

408
00:21:28,000 --> 00:21:31,400
Speaker 1: because it's a bird talking, and it says, I think

409
00:21:31,440 --> 00:21:36,639
Speaker 1: it's just an expression, okay, or I think it, or

410
00:21:36,640 --> 00:21:41,800
Speaker 1: maybe I think it's just a figure of speech. Do

411
00:21:41,840 --> 00:21:42,240
Speaker 1: you get it?

412
00:21:42,320 --> 00:21:43,480
Speaker 4: And get it? No?

413
00:21:44,320 --> 00:21:48,679
Speaker 3: Okay? Okay, do you want to hear another pitch from me?

414
00:21:51,480 --> 00:21:52,280
Speaker 1: Is it different?

415
00:21:52,960 --> 00:22:01,000
Speaker 2: It's new, totally new, okay. So it's a couple of panels.

416
00:22:01,000 --> 00:22:06,160
Speaker 2: So it's the monopoly man. Uncle Penny Bags is sitting

417
00:22:06,400 --> 00:22:11,840
Speaker 2: alone on like a park bench. The next panel is

418
00:22:12,600 --> 00:22:17,880
Speaker 2: mister Peanut enters the frame. Then he takes a seat

419
00:22:18,160 --> 00:22:22,280
Speaker 2: next to monopoly Man and like starts reading a newspaper.

420
00:22:23,480 --> 00:22:27,320
Speaker 2: The monopoly Man turns this is the panel three and goes,

421
00:22:28,960 --> 00:22:32,800
Speaker 2: oh my god, we're wearing the same outfit. And then

422
00:22:32,880 --> 00:22:34,639
Speaker 2: mister Peanut goes, that's.

423
00:22:34,400 --> 00:22:40,840
Speaker 3: What's interesting to you. I'm gonna I'm living. I'm a peanut,

424
00:22:41,359 --> 00:22:42,680
Speaker 3: you know, right?

425
00:22:45,080 --> 00:22:47,280
Speaker 1: Yeah? Did you just think of that, Sean?

426
00:22:48,720 --> 00:22:50,480
Speaker 3: No, that was the other idea I had.

427
00:22:50,520 --> 00:22:54,160
Speaker 1: I couldn't remember it before. Oh, okay, okay, now here's

428
00:22:54,320 --> 00:23:01,200
Speaker 1: here's idea number four. Okay, okay. Uh. It is uh

429
00:23:01,920 --> 00:23:06,920
Speaker 1: a woman on the beach with a stand, uh. And

430
00:23:06,960 --> 00:23:13,280
Speaker 1: the stand says seashells okay. And but there's a sign.

431
00:23:13,400 --> 00:23:16,360
Speaker 1: She's hanging up a sign that says closed, and she's

432
00:23:16,400 --> 00:23:18,840
Speaker 1: talking to a customer. Her mouth is open in this case,

433
00:23:19,080 --> 00:23:22,639
Speaker 1: and the text at the bottom says word of mouth

434
00:23:22,960 --> 00:23:28,920
Speaker 1: wasn't great. Okay do you get that one?

435
00:23:29,200 --> 00:23:30,040
Speaker 4: I mean, I guess so.

436
00:23:30,359 --> 00:23:32,320
Speaker 1: Okay, Look, I've ben explained it to be.

437
00:23:32,680 --> 00:23:34,639
Speaker 4: I'm gonna put you on the phone with someone who

438
00:23:34,720 --> 00:23:38,879
Speaker 4: I think just someone who's gonna be more receptive to

439
00:23:38,880 --> 00:23:39,399
Speaker 4: these pitches.

440
00:23:39,720 --> 00:23:42,520
Speaker 1: Okay, the pitch is not finished yet.

441
00:23:42,560 --> 00:23:44,359
Speaker 4: But do you need to finish it?

442
00:23:45,160 --> 00:23:49,920
Speaker 1: Well? I mean, Sean, Sean, you do like a little

443
00:23:49,960 --> 00:23:50,640
Speaker 1: opening like.

444
00:23:52,320 --> 00:23:52,720
Speaker 3: Salvo?

445
00:23:53,320 --> 00:23:59,239
Speaker 1: Yeah, I think the person is in there just as

446
00:23:59,240 --> 00:23:59,880
Speaker 1: their first name.

447
00:24:01,600 --> 00:24:02,439
Speaker 4: Can you guys hear that?

448
00:24:03,160 --> 00:24:06,040
Speaker 1: Yeah? A little dad?

449
00:24:06,080 --> 00:24:11,080
Speaker 4: Can you hear them? No? I can't Hayes and Sean

450
00:24:11,160 --> 00:24:13,680
Speaker 4: talk talk to my dad real quick to test the audio.

451
00:24:14,000 --> 00:24:20,000
Speaker 1: Hi, is did that work out? Tony? You have to

452
00:24:20,040 --> 00:24:22,240
Speaker 1: communicate to him and you have to tell him our

453
00:24:22,240 --> 00:24:23,320
Speaker 1: cartoon ideas.

454
00:24:23,920 --> 00:24:26,240
Speaker 3: You should run it by him and we'll hear his response.

455
00:24:26,760 --> 00:24:28,879
Speaker 4: All right, So Dad, I'm gonna run you by. So

456
00:24:28,920 --> 00:24:31,159
Speaker 4: I want a podcast with my friends Hayes and Sean.

457
00:24:31,720 --> 00:24:36,320
Speaker 4: They have some cartoon ideas where they want to uh,

458
00:24:36,520 --> 00:24:38,840
Speaker 4: they want to pitch these cartoons and you just tell

459
00:24:38,880 --> 00:24:43,640
Speaker 4: them your honest opinion what you think. Okay, okay, all right,

460
00:24:44,560 --> 00:24:46,399
Speaker 4: but how are you Dad? I would talk to you today.

461
00:24:47,800 --> 00:24:53,719
Speaker 1: I'm good? Okay, great? Okay? Does he want to hear

462
00:24:53,800 --> 00:24:56,159
Speaker 1: mine my last one first? Yeah?

463
00:24:56,200 --> 00:24:59,200
Speaker 4: So this is Hayes's last idea first, and I'm gonna

464
00:24:59,280 --> 00:24:59,840
Speaker 4: paraphrase it.

465
00:25:00,359 --> 00:25:04,359
Speaker 1: Yeah. It is a woman at the beach with a

466
00:25:04,400 --> 00:25:06,439
Speaker 1: stand selling seashells.

467
00:25:06,760 --> 00:25:10,480
Speaker 4: Is a woman at the beach with a stand selling seashells.

468
00:25:09,720 --> 00:25:12,040
Speaker 1: And but she's hanging up a closed sign on it.

469
00:25:12,119 --> 00:25:15,160
Speaker 1: And she says word of mouth wasn't great, but.

470
00:25:15,640 --> 00:25:18,800
Speaker 4: It says, uh, she has a closed sign on it,

471
00:25:19,119 --> 00:25:22,000
Speaker 4: and she says, I guess nobody wanted to come.

472
00:25:22,320 --> 00:25:24,760
Speaker 1: No, that's not what she said.

473
00:25:25,359 --> 00:25:27,359
Speaker 3: The entire touring it.

474
00:25:27,800 --> 00:25:29,200
Speaker 1: Say word.

475
00:25:30,560 --> 00:25:34,679
Speaker 4: And a clothes sign on it, and I guess.

476
00:25:34,600 --> 00:25:39,919
Speaker 1: Nobody she says about it wasn't great.

477
00:25:40,560 --> 00:25:42,320
Speaker 3: His word of mouth great.

478
00:25:42,480 --> 00:25:46,280
Speaker 4: She just said. Next, I'm sorry he's that's why.

479
00:25:46,119 --> 00:25:48,920
Speaker 1: He doesn't like it, because you've shot that's one of yours.

480
00:25:49,240 --> 00:25:51,280
Speaker 2: So we'll do the We'll do the Mister Peanu. So,

481
00:25:51,440 --> 00:25:53,399
Speaker 2: mister Peanut and the monopoly.

482
00:25:53,000 --> 00:26:00,480
Speaker 4: Man cartoon, that's supposed to be a joke. It's not

483
00:26:00,520 --> 00:26:03,119
Speaker 4: working as either. So I think we just moved on.

484
00:26:03,480 --> 00:26:06,800
Speaker 3: It's obviously I just didn't get the okay, so.

485
00:26:07,240 --> 00:26:09,199
Speaker 4: At me, they say, I'm not translating it properly, But

486
00:26:09,200 --> 00:26:09,560
Speaker 4: that's okay.

487
00:26:09,560 --> 00:26:11,680
Speaker 1: We're gonna move on. Okay, So Seawan' says.

488
00:26:11,720 --> 00:26:15,920
Speaker 4: Mister Monopoly and the Peanut Man are hanging out by

489
00:26:15,920 --> 00:26:16,480
Speaker 4: the seashore.

490
00:26:16,560 --> 00:26:17,080
Speaker 1: What's next?

491
00:26:17,119 --> 00:26:19,760
Speaker 2: No, no, no, They're sitting on a bench on a bench,

492
00:26:20,080 --> 00:26:23,800
Speaker 2: and the monopoly Man says, uh, hey, look at that.

493
00:26:23,880 --> 00:26:25,240
Speaker 2: We're wearing the same outfit.

494
00:26:25,480 --> 00:26:29,120
Speaker 4: And the monopoly Man looks at the Peanut Man and says, hey,

495
00:26:29,880 --> 00:26:31,160
Speaker 4: you stole my jacket.

496
00:26:32,119 --> 00:26:35,479
Speaker 3: Well that's not no Stills jacket.

497
00:26:35,600 --> 00:26:37,480
Speaker 4: Do you think about the premise of the cartoon.

498
00:26:37,680 --> 00:26:40,560
Speaker 2: No, the peanuts and the and and mister Peanut goes.

499
00:26:40,560 --> 00:26:44,160
Speaker 2: That's what's interesting to you, because of course, uh.

500
00:26:44,600 --> 00:26:45,680
Speaker 1: There's something there.

501
00:26:45,920 --> 00:26:51,240
Speaker 4: It's just not defined. It's a bit pregnant. I mean,

502
00:26:51,280 --> 00:26:52,480
Speaker 4: you stole my jacket.

503
00:26:52,600 --> 00:26:54,480
Speaker 1: Okay, yeah, no, you're right.

504
00:26:54,560 --> 00:26:57,600
Speaker 4: It is closer than the last one. There again, they

505
00:26:57,600 --> 00:27:03,040
Speaker 4: are very much they think I'm not translating properly.

506
00:27:03,119 --> 00:27:04,200
Speaker 1: But this is really hard.

507
00:27:04,200 --> 00:27:06,760
Speaker 4: I've got a really tough technical setup. I'm trying to

508
00:27:06,760 --> 00:27:08,800
Speaker 4: hold up the phone. You can't hear them, so I

509
00:27:08,880 --> 00:27:10,680
Speaker 4: just I need a little slack. Guys, you gotta cut

510
00:27:10,680 --> 00:27:11,120
Speaker 4: me some sleeves.

511
00:27:11,160 --> 00:27:13,880
Speaker 1: Okay, do my next one? The next one is.

512
00:27:13,920 --> 00:27:14,960
Speaker 4: Next one is from Hayes.

513
00:27:15,080 --> 00:27:17,760
Speaker 1: A bird and a bee lying in bed.

514
00:27:17,800 --> 00:27:22,240
Speaker 4: And it's a bird and a bee are lying in bed.

515
00:27:22,320 --> 00:27:28,640
Speaker 1: And the bird the frustrated. They look frustrated, okay, and

516
00:27:28,680 --> 00:27:32,240
Speaker 1: the bird says, I guess it's just a figure of speech.

517
00:27:33,520 --> 00:27:36,760
Speaker 4: And the bird is like, I guess word of mouth.

518
00:27:36,920 --> 00:27:41,840
Speaker 1: Didn't know today now and now and now I know

519
00:27:41,920 --> 00:27:43,520
Speaker 1: that you did actually hear we were the first.

520
00:27:44,800 --> 00:27:45,960
Speaker 3: That's disappointing.

521
00:27:46,240 --> 00:27:47,800
Speaker 4: What do you think about a bird and a bee

522
00:27:48,560 --> 00:27:51,119
Speaker 4: hanging out together? And then one of them is like

523
00:27:51,640 --> 00:27:53,000
Speaker 4: word of mouth didn't work today.

524
00:27:53,520 --> 00:27:55,200
Speaker 1: I'm I'm going to shop.

525
00:27:56,160 --> 00:27:57,760
Speaker 4: What do you think of that one?

526
00:27:58,520 --> 00:27:59,720
Speaker 3: We might have to hang up?

527
00:28:00,240 --> 00:28:03,720
Speaker 4: Okay, And I can't really conceptualize.

528
00:28:03,000 --> 00:28:06,000
Speaker 1: The card too. This is and this is you are

529
00:28:06,520 --> 00:28:09,440
Speaker 1: taking money out of my children's mouth.

530
00:28:10,119 --> 00:28:11,399
Speaker 4: It's better than the first one.

531
00:28:12,080 --> 00:28:12,359
Speaker 1: Okay.

532
00:28:12,359 --> 00:28:15,080
Speaker 4: So, out of these three, how would you rank them?

533
00:28:15,240 --> 00:28:17,560
Speaker 4: The first one was the lady selling seashells, the second

534
00:28:17,560 --> 00:28:21,280
Speaker 4: one was some stolen clothing by the peanut man.

535
00:28:21,480 --> 00:28:24,679
Speaker 3: Peanut peanut and monopoly, and this last.

536
00:28:24,400 --> 00:28:28,840
Speaker 4: One was just like a nature documentary.

537
00:28:29,000 --> 00:28:33,520
Speaker 1: For me, it would be two, three, one, oh, believable,

538
00:28:36,960 --> 00:28:41,880
Speaker 1: number three and the number one. Okay, wow, that's okay.

539
00:28:41,920 --> 00:28:43,920
Speaker 3: Well, I'm actually liking how this shapes up.

540
00:28:44,000 --> 00:28:48,280
Speaker 2: I kind of don't want to pitch the political.

541
00:28:47,360 --> 00:28:52,680
Speaker 4: I could even visually conceptualized so far and pulling the

542
00:28:52,720 --> 00:28:53,920
Speaker 4: components together to.

543
00:28:53,960 --> 00:28:54,760
Speaker 1: Make a card too.

544
00:28:55,200 --> 00:28:55,560
Speaker 4: Okay.

545
00:28:55,720 --> 00:28:56,640
Speaker 1: Yeah three.

546
00:28:57,160 --> 00:29:02,560
Speaker 4: I'm a little offset by the fact be a bird.

547
00:29:04,520 --> 00:29:04,840
Speaker 5: Together.

548
00:29:05,160 --> 00:29:10,040
Speaker 1: Yeah, yeah, exactly, that's exactly the entire premise of the

549
00:29:10,120 --> 00:29:15,120
Speaker 1: g He actually does get it, you know, a crow.

550
00:29:15,520 --> 00:29:19,959
Speaker 4: Okay, Now he's working out the logistics, Okay.

551
00:29:20,080 --> 00:29:21,920
Speaker 3: The scale is what bothered him.

552
00:29:22,120 --> 00:29:27,280
Speaker 1: Yeah, number one for me.

553
00:29:28,000 --> 00:29:30,200
Speaker 4: I don't even know how you can even go together.

554
00:29:30,640 --> 00:29:31,960
Speaker 1: Yeah, no, that's true.

555
00:29:32,320 --> 00:29:34,760
Speaker 3: Okay, Dad number one is nowhere near a cartoon.

556
00:29:34,840 --> 00:29:38,680
Speaker 4: That's all right, Well thanks dad, I think that's all

557
00:29:38,680 --> 00:29:39,160
Speaker 4: we need.

558
00:29:40,960 --> 00:29:43,320
Speaker 1: All right, I'm sorry.

559
00:29:43,440 --> 00:29:47,840
Speaker 2: It's okay, all right.

560
00:29:48,200 --> 00:29:51,880
Speaker 1: They say thank you. You should apologize you by for

561
00:29:52,320 --> 00:29:56,160
Speaker 1: whatever he did to raise you that way raised me?

562
00:29:56,240 --> 00:29:56,680
Speaker 2: What way?

563
00:29:56,760 --> 00:29:59,719
Speaker 1: Precisely? You guys, you would try to do you a favor,

564
00:30:00,080 --> 00:30:05,440
Speaker 1: a really excellent idea, and and deliver in such a

565
00:30:05,440 --> 00:30:07,960
Speaker 1: way to someone who actually really could have helped.

566
00:30:08,440 --> 00:30:13,560
Speaker 2: And intentionally misled your own father and took the idea

567
00:30:13,640 --> 00:30:14,920
Speaker 2: and perverted it.

568
00:30:15,440 --> 00:30:16,520
Speaker 1: I was I was.

569
00:30:16,440 --> 00:30:18,960
Speaker 4: Playing an a game of telephone. You guys.

570
00:30:19,000 --> 00:30:20,200
Speaker 1: This was hard as hell.

571
00:30:20,280 --> 00:30:22,920
Speaker 4: It was very difficult to try and translate what you

572
00:30:22,960 --> 00:30:25,280
Speaker 4: were saying. There was a lot of you know, your

573
00:30:25,320 --> 00:30:28,600
Speaker 4: pitch wasn't clear. You weren't like speaking in declarative sentences.

574
00:30:28,640 --> 00:30:29,480
Speaker 4: You're there's a lot of.

575
00:30:29,400 --> 00:30:30,040
Speaker 3: Heming and calling.

576
00:30:30,200 --> 00:30:32,160
Speaker 1: You should have invited him to the zoom chat and

577
00:30:32,720 --> 00:30:35,840
Speaker 1: color going. That would have made it that then I

578
00:30:35,960 --> 00:30:38,479
Speaker 1: actually could have done it the way that iowa.

579
00:30:38,600 --> 00:30:40,880
Speaker 3: He could have sold his Yeah, yeah, I.

580
00:30:40,840 --> 00:30:41,400
Speaker 1: Don't know what.

581
00:30:41,600 --> 00:30:44,080
Speaker 4: I don't know what you wanted exactly, but I did

582
00:30:44,080 --> 00:30:47,120
Speaker 4: my best, and I you know, I don't know. I

583
00:30:47,400 --> 00:30:50,040
Speaker 4: feel like I feel like you guys got some concrete feedback.

584
00:30:49,640 --> 00:30:52,960
Speaker 1: Because he like he's like a cartoon like he knows

585
00:30:52,960 --> 00:30:56,880
Speaker 1: a lot about cartoons. Who like he's in the hand.

586
00:30:57,400 --> 00:30:59,000
Speaker 1: He really sounds like he's in the business.

587
00:30:59,120 --> 00:31:01,000
Speaker 4: I mean, he could be the business. I wouldn't know.

588
00:31:02,000 --> 00:31:04,720
Speaker 4: I mean he could secretly be here to talk about that.

589
00:31:04,840 --> 00:31:07,520
Speaker 1: I don't know what he does for money. Huh No, he.

590
00:31:07,480 --> 00:31:09,719
Speaker 4: Does a bunch of stuff, but uh he used to

591
00:31:10,160 --> 00:31:11,760
Speaker 4: My friends used to think he was in the CIA

592
00:31:11,800 --> 00:31:13,960
Speaker 4: because no one ever understood what he did. And honestly, like,

593
00:31:13,960 --> 00:31:16,080
Speaker 4: it's all possible. He could work in cartoons. He could

594
00:31:16,080 --> 00:31:17,120
Speaker 4: be in the CIA.

595
00:31:18,240 --> 00:31:20,680
Speaker 3: He does cartoons for the CIA, which my first one

596
00:31:20,760 --> 00:31:21,680
Speaker 3: kind of is like that.

597
00:31:21,920 --> 00:31:24,040
Speaker 4: Have you guys heard this theory that Netflix was started

598
00:31:24,040 --> 00:31:27,480
Speaker 4: by the CIA to win over Russian youth. That's a

599
00:31:27,520 --> 00:31:28,720
Speaker 4: real conspiracy theory.

600
00:31:30,760 --> 00:31:32,400
Speaker 1: Oh yeah, and I guess that would be so crazy

601
00:31:32,440 --> 00:31:35,560
Speaker 1: if they started making shows about the freaking US military.

602
00:31:37,360 --> 00:31:38,960
Speaker 4: I mean, look, I'm not saying and.

603
00:31:39,080 --> 00:31:44,560
Speaker 1: Freaking branding campaigns like killing other people.

604
00:31:45,280 --> 00:31:47,120
Speaker 4: It's not my conspiracy theory. I'm just saying it is

605
00:31:47,160 --> 00:31:49,360
Speaker 4: a conspiracy theory. I thought this was a space where

606
00:31:49,360 --> 00:31:50,360
Speaker 4: I could just like share.

607
00:31:50,160 --> 00:31:54,840
Speaker 1: Things I've heard space force, space force. I said, there's

608
00:31:54,840 --> 00:31:56,200
Speaker 1: a little bit of a las just space where you

609
00:31:56,560 --> 00:31:58,640
Speaker 1: Actually I don't know if it sounded like I said

610
00:31:58,680 --> 00:32:01,920
Speaker 1: it after scharm but I actually said it almost before

611
00:32:02,000 --> 00:32:03,160
Speaker 1: time even finished a.

612
00:32:03,720 --> 00:32:06,920
Speaker 4: Well, look, I've had a litany of technical problems, apparently

613
00:32:06,960 --> 00:32:08,360
Speaker 4: me trying to get my dad on the phone.

614
00:32:12,040 --> 00:32:13,240
Speaker 3: Ny spears.

615
00:32:18,200 --> 00:32:20,320
Speaker 4: That was I don't know who said it first?

616
00:32:20,760 --> 00:32:21,840
Speaker 1: Was first?

617
00:32:21,960 --> 00:32:22,200
Speaker 3: Is right?

618
00:32:22,240 --> 00:32:27,520
Speaker 1: At the same time, Kevin, you explain my comic to

619
00:32:27,640 --> 00:32:32,280
Speaker 1: everyone else. Okay, so there's the go Away, You go Away, Sam,

620
00:32:32,320 --> 00:32:35,920
Speaker 1: you do it. So there's a bird and a bee

621
00:32:36,720 --> 00:32:40,120
Speaker 1: in there in bed. It's not you are saying. You're

622
00:32:40,160 --> 00:32:42,719
Speaker 1: not explaining it. You're just saying what it is. I

623
00:32:42,760 --> 00:32:44,600
Speaker 1: need to say it so that I understand it.

624
00:32:44,840 --> 00:32:50,280
Speaker 5: And then their so you understand it they're doing, you know,

625
00:32:50,800 --> 00:32:53,120
Speaker 5: turns to the bee and he says, I guess what

626
00:32:53,160 --> 00:32:54,160
Speaker 5: I've heard is false?

627
00:32:54,720 --> 00:32:59,760
Speaker 1: Yeah, and oh I get It's like I trusted to

628
00:32:59,760 --> 00:33:02,840
Speaker 1: be is a liar. He's like, we're not even you

629
00:33:02,920 --> 00:33:07,200
Speaker 1: do it, Kevin, you do it? I know, and I

630
00:33:07,320 --> 00:33:11,520
Speaker 1: know everyone understands it. The Burden, Actually, I don't want

631
00:33:11,560 --> 00:33:14,360
Speaker 1: you to understand it. Sam. If you understand it, then

632
00:33:14,400 --> 00:33:17,280
Speaker 1: I'm doing then I'm actually like making cartoons for only

633
00:33:17,400 --> 00:33:22,120
Speaker 1: the stupidest person. Kevin. Now you go, the Burden and.

634
00:33:22,120 --> 00:33:25,000
Speaker 5: The bee are in bed, and the bee is smoking

635
00:33:25,040 --> 00:33:30,640
Speaker 5: a cigaret and again and says that was unbird believable.

636
00:33:31,440 --> 00:33:34,280
Speaker 5: And then the bird says, give me some of that, honey.

637
00:33:35,280 --> 00:33:36,600
Speaker 1: I think I can mute, Kevin.

638
00:33:37,640 --> 00:33:38,240
Speaker 3: That could help.

639
00:33:38,600 --> 00:33:42,480
Speaker 2: So, I know, hey, you're getting frustrated, and it's not

640
00:33:43,760 --> 00:33:45,960
Speaker 2: attractive the way you're reacting to this, but it is

641
00:33:46,000 --> 00:33:50,520
Speaker 2: a pretty clear idea. So it's Bert and the bee

642
00:33:50,760 --> 00:33:53,840
Speaker 2: are obviously they're in bed, right.

643
00:33:56,480 --> 00:33:57,120
Speaker 1: And they're.

644
00:33:59,120 --> 00:34:00,840
Speaker 3: No, I'm getting long. I had this.

645
00:34:02,400 --> 00:34:03,600
Speaker 4: Yeah, so.

646
00:34:05,360 --> 00:34:06,320
Speaker 3: Bert is with to.

647
00:34:06,240 --> 00:34:09,080
Speaker 1: Be That could be good, Actually.

648
00:34:10,360 --> 00:34:11,160
Speaker 3: Yeah, I could.

649
00:34:11,520 --> 00:34:12,279
Speaker 1: It could be good.

650
00:34:12,560 --> 00:34:15,319
Speaker 2: It's it's part of our consumer culture, right that, like,

651
00:34:15,680 --> 00:34:16,879
Speaker 2: where does your dad live?

652
00:34:17,840 --> 00:34:19,560
Speaker 4: My dad lives in northern California?

653
00:34:20,400 --> 00:34:23,440
Speaker 1: Okay, but how far norththern.

654
00:34:23,120 --> 00:34:24,359
Speaker 4: Like by San Francisco.

655
00:34:25,080 --> 00:34:28,200
Speaker 1: Okay, it's not that far. It's not even that north.

656
00:34:28,560 --> 00:34:30,000
Speaker 4: What do you need me to be like he lives

657
00:34:30,040 --> 00:34:33,239
Speaker 4: in Eureka for you to consider that northern California.

658
00:34:33,800 --> 00:34:39,160
Speaker 1: Even like like Washington. To me, that's that's basically northern

659
00:34:39,200 --> 00:34:40,359
Speaker 1: California at this point.

660
00:34:40,680 --> 00:34:43,520
Speaker 4: Almost take it all the way up to Alaska.

661
00:34:44,280 --> 00:34:47,120
Speaker 1: It's all like the same. Take it all away up

662
00:34:47,160 --> 00:34:48,719
Speaker 1: for ridiculous bullshit.

663
00:34:49,560 --> 00:34:51,279
Speaker 4: Take it all the way up and over and I'm back,

664
00:34:51,320 --> 00:34:52,960
Speaker 4: come back underneath to the king.

665
00:34:53,000 --> 00:34:56,440
Speaker 1: Anyway, I will draw and I show it to him.

666
00:34:56,880 --> 00:34:59,919
Speaker 4: Okay, yeah, I bet if you draw it, he'll unders

667
00:35:00,000 --> 00:35:01,759
Speaker 4: stand it back. And it's not that he didn't understand it.

668
00:35:01,760 --> 00:35:02,560
Speaker 1: I think he just has.

669
00:35:02,480 --> 00:35:05,680
Speaker 4: Strong preferences and he told you guys what he thought.

670
00:35:06,200 --> 00:35:07,680
Speaker 1: And I can do it from far away. I can

671
00:35:07,719 --> 00:35:09,480
Speaker 1: actually draw it on the side of my car and

672
00:35:09,520 --> 00:35:11,279
Speaker 1: go buy his house really slow.

673
00:35:16,600 --> 00:35:19,080
Speaker 4: Just at reading pace. You have to drive by at

674
00:35:19,080 --> 00:35:21,960
Speaker 4: a case slow enough to read and digest every frame

675
00:35:22,040 --> 00:35:22,719
Speaker 4: of the cartoon.

676
00:35:23,680 --> 00:35:26,200
Speaker 2: I almost wonder if you want to park, maybe pretend

677
00:35:26,239 --> 00:35:29,080
Speaker 2: you got a flat, Knock on the door and see

678
00:35:29,120 --> 00:35:31,640
Speaker 2: if you can help you change your tire, and that'll

679
00:35:31,680 --> 00:35:33,360
Speaker 2: give him a lot of time to really take in

680
00:35:33,719 --> 00:35:34,440
Speaker 2: the cartoon.

681
00:35:34,840 --> 00:35:37,120
Speaker 4: Yeah, but make sure there's an elaborate ruse where you

682
00:35:37,200 --> 00:35:39,800
Speaker 4: pretend to have a flat you need his help changing

683
00:35:39,800 --> 00:35:41,960
Speaker 4: the tire. But then you're also like, Hey, remember that

684
00:35:42,000 --> 00:35:44,440
Speaker 4: podcast you were on. I'm that guy. Look at this cartoon.

685
00:35:44,840 --> 00:35:46,640
Speaker 2: I don't think he wants to bring up the podcast.

686
00:35:46,680 --> 00:35:49,520
Speaker 2: I think you'd rather be a completely separate experience in

687
00:35:49,600 --> 00:35:52,320
Speaker 2: order to really help him wrap his head around the cartoon.

688
00:35:52,560 --> 00:35:55,879
Speaker 2: Oh interesting, because the way you perverted it in your pitch.

689
00:35:56,280 --> 00:35:59,160
Speaker 4: It's telephone, it's zoom telephone. Tell me you guys haven't

690
00:35:59,200 --> 00:36:00,680
Speaker 4: had communication issues?

691
00:36:00,760 --> 00:36:02,600
Speaker 1: How many meetings I'm sure you guys are doing.

692
00:36:02,600 --> 00:36:05,200
Speaker 2: Okay, I will tell you that, right, Okay, I will

693
00:36:05,200 --> 00:36:07,440
Speaker 2: tell you that I haven't had communication issues.

694
00:36:07,960 --> 00:36:09,360
Speaker 3: I wear my heart on my sleeve.

695
00:36:09,920 --> 00:36:11,799
Speaker 4: You wear your glasses on your face, is what you're

696
00:36:11,800 --> 00:36:14,239
Speaker 4: doing right now, And you got to tell you. Does

697
00:36:14,280 --> 00:36:16,839
Speaker 4: it make things hard for someone to see where your

698
00:36:16,840 --> 00:36:21,920
Speaker 4: eyes are, to infer how you're feeling. It's difficult communicating

699
00:36:21,920 --> 00:36:23,800
Speaker 4: over this thing. What are you guys in a writer's

700
00:36:23,880 --> 00:36:27,439
Speaker 4: room right now? Just pitching ideas, breaking story, throwing shit

701
00:36:27,520 --> 00:36:28,600
Speaker 4: at the wall.

702
00:36:28,640 --> 00:36:30,280
Speaker 1: What's a joke from Space Force?

703
00:36:30,640 --> 00:36:33,000
Speaker 3: Yeah, give me a joke with space Normally.

704
00:36:32,640 --> 00:36:34,520
Speaker 1: Of course we would play a clip from the show,

705
00:36:34,560 --> 00:36:38,200
Speaker 1: but technology doesn't allow us to do that. So if

706
00:36:38,239 --> 00:36:43,040
Speaker 1: you could please just explain and describe a moment from

707
00:36:43,120 --> 00:36:44,520
Speaker 1: Space Force, and.

708
00:36:44,440 --> 00:36:46,719
Speaker 3: Then we'll call Hayes's dad and tell him the joke.

709
00:36:47,560 --> 00:36:52,759
Speaker 4: Okay, so uh okay, so shut up, Sam. I'm like

710
00:36:52,800 --> 00:36:56,840
Speaker 4: a helicopter pilot and I like fly, fly a helicopter,

711
00:36:56,840 --> 00:36:57,759
Speaker 4: and I like land it.

712
00:36:57,880 --> 00:37:02,120
Speaker 3: You're like a helicopter pilot or you are a helicopter pilot.

713
00:37:02,239 --> 00:37:04,200
Speaker 4: Well, I'm obviously not in real life, Sean, because that

714
00:37:04,200 --> 00:37:06,120
Speaker 4: would be fucking dangerous.

715
00:37:06,760 --> 00:37:10,080
Speaker 1: I don't have the skills for that, uninsurable.

716
00:37:11,000 --> 00:37:11,920
Speaker 3: I apologize.

717
00:37:12,200 --> 00:37:13,279
Speaker 1: No, I'm not on that show.

718
00:37:13,440 --> 00:37:20,400
Speaker 4: Hey, I'm on Space Force. So I land the helicopter

719
00:37:20,520 --> 00:37:23,479
Speaker 4: and I get out of it, and Jimmy O Yang

720
00:37:23,520 --> 00:37:26,200
Speaker 4: and John Malcovich they play scientists and they come up

721
00:37:26,200 --> 00:37:30,000
Speaker 4: to me and they're like, WHOA, where you've been? And

722
00:37:30,040 --> 00:37:32,560
Speaker 4: I'm like, that's classified, and I slam the door of

723
00:37:32,560 --> 00:37:37,399
Speaker 4: the helicopter and then they give like a long look

724
00:37:37,440 --> 00:37:37,960
Speaker 4: to camera.

725
00:37:38,760 --> 00:37:44,320
Speaker 1: Wow, that's pretty that it's really here, Officer Jimmy oh Yang.

726
00:37:47,160 --> 00:37:48,399
Speaker 4: He does also play a cop.

727
00:37:48,480 --> 00:37:51,920
Speaker 1: Yeah, you're right to toy. He might be the first

728
00:37:52,320 --> 00:38:00,480
Speaker 1: cop scientist. Okay, that's pretty. That sounds actually prett fucked

729
00:38:00,560 --> 00:38:01,440
Speaker 1: up and crazy.

730
00:38:01,680 --> 00:38:06,600
Speaker 4: It's really random. It's like random and wild. It's so random.

731
00:38:07,400 --> 00:38:09,399
Speaker 4: You guys really play clips of shows. I have never

732
00:38:09,400 --> 00:38:10,640
Speaker 4: heard you play a real clip.

733
00:38:11,400 --> 00:38:11,680
Speaker 2: Yeah.

734
00:38:11,800 --> 00:38:12,920
Speaker 3: We yeah, we do.

735
00:38:13,080 --> 00:38:15,320
Speaker 2: A lot of times they get removed for copyright reasons.

736
00:38:15,680 --> 00:38:17,240
Speaker 2: I also don't believe that you listen.

737
00:38:17,960 --> 00:38:20,839
Speaker 4: I do listen. I haven't listened to the Choar episodes.

738
00:38:21,120 --> 00:38:23,120
Speaker 4: You always accuse me of not listening. And then when

739
00:38:23,160 --> 00:38:26,520
Speaker 4: I come back with some details, I don't know you

740
00:38:26,600 --> 00:38:29,279
Speaker 4: have received me to say yeah, when I show you,

741
00:38:29,719 --> 00:38:33,200
Speaker 4: When I show you an invoice for my time spent

742
00:38:33,320 --> 00:38:37,279
Speaker 4: listening and say please pay this within thirty to ninety days.

743
00:38:37,600 --> 00:38:38,799
Speaker 3: She's duke in the stand.

744
00:38:39,880 --> 00:38:44,560
Speaker 2: Send me doctor, screenshots of your Stitcher listening habits.

745
00:38:46,080 --> 00:38:48,480
Speaker 4: If you send, If you send me payment on a

746
00:38:48,520 --> 00:38:51,600
Speaker 4: receipt before thirty days, I'm gonna know something's up.

747
00:38:52,400 --> 00:38:56,120
Speaker 1: The Choar episodes. We are binding these and we are

748
00:38:56,160 --> 00:39:02,840
Speaker 1: releasing them as a bound vall m h these episodes

749
00:39:03,000 --> 00:39:03,520
Speaker 1: like a book.

750
00:39:04,239 --> 00:39:08,359
Speaker 2: Yeah, well, it's like a periodical. It'll be like an

751
00:39:08,440 --> 00:39:11,480
Speaker 2: encyclopedia set. Remember how they used to bind and print

752
00:39:11,800 --> 00:39:16,120
Speaker 2: all the grant Land articles. No, oh, well they did,

753
00:39:17,640 --> 00:39:19,719
Speaker 2: and you could buy like hard copies of it.

754
00:39:20,760 --> 00:39:23,399
Speaker 4: If you guys have any Christian cartoons. You could pitch

755
00:39:23,440 --> 00:39:26,040
Speaker 4: them to my mom.

756
00:39:26,120 --> 00:39:27,160
Speaker 3: Let me think about it.

757
00:39:30,600 --> 00:39:33,040
Speaker 2: Okay, I get this is off like the top of

758
00:39:33,040 --> 00:39:38,080
Speaker 2: my head, but it's like, uh, it's like the it's

759
00:39:38,120 --> 00:39:42,040
Speaker 2: like a couple of the Real Housewives and they're uh

760
00:39:43,680 --> 00:39:49,120
Speaker 2: at a party and the table I don't know, uh,

761
00:39:49,239 --> 00:39:53,919
Speaker 2: and they're the Countess and the and Janine and there,

762
00:39:55,719 --> 00:39:59,160
Speaker 2: and they've got there, they've got like a big bottle

763
00:39:59,200 --> 00:40:02,000
Speaker 2: of water and it's like, uh, you know it's a

764
00:40:02,000 --> 00:40:04,880
Speaker 2: table when there's only water. And then Jesus is behind

765
00:40:04,920 --> 00:40:07,440
Speaker 2: them and they're sort of glance and one goes like

766
00:40:07,520 --> 00:40:08,640
Speaker 2: you think of what I'm thinking?

767
00:40:09,239 --> 00:40:11,960
Speaker 4: Hm? And what are they thinking? Is there like a

768
00:40:12,000 --> 00:40:13,120
Speaker 4: thought bubble that tells us?

769
00:40:15,120 --> 00:40:24,200
Speaker 3: Uh? Well, I guess there could be. Yeah.

770
00:40:21,960 --> 00:40:28,000
Speaker 2: Uh so it would be like what they're thinking is

771
00:40:28,040 --> 00:40:30,960
Speaker 2: they wish that they were actually drinking wine?

772
00:40:31,480 --> 00:40:32,200
Speaker 5: Ah?

773
00:40:32,239 --> 00:40:35,480
Speaker 1: Okay, that tracks with what the housewives do.

774
00:40:36,400 --> 00:40:39,400
Speaker 3: I guess, Like I guess they could want him to

775
00:40:39,400 --> 00:40:40,399
Speaker 3: walk on it as well.

776
00:40:41,239 --> 00:40:41,640
Speaker 4: Hm hmm.

777
00:40:42,440 --> 00:40:46,839
Speaker 2: He's kind of got two water things, really three if

778
00:40:46,840 --> 00:40:49,839
Speaker 2: you count when I think he helped Moses part the sea,

779
00:40:50,280 --> 00:40:53,839
Speaker 2: So maybe water wasn't the area, so maybe it's some

780
00:40:55,920 --> 00:41:01,560
Speaker 2: uh see, now these aren't you have one?

781
00:41:02,560 --> 00:41:06,600
Speaker 1: Yeah, I do have. So this one is called carry

782
00:41:06,600 --> 00:41:11,759
Speaker 1: your Books, and it is sort of a handsome college

783
00:41:12,560 --> 00:41:18,200
Speaker 1: type fellah, and he's wearing a sweater that says Jesus,

784
00:41:19,520 --> 00:41:22,719
Speaker 1: and he is speaking to a young lady and he says, Mary,

785
00:41:22,840 --> 00:41:28,799
Speaker 1: carry those books for you, and the books say care, worry, problem,

786
00:41:29,239 --> 00:41:36,479
Speaker 1: and need and terrible books. And she well, exactly, well,

787
00:41:36,520 --> 00:41:37,680
Speaker 1: that's exactly right.

788
00:41:37,960 --> 00:41:39,680
Speaker 3: Which someone would carry those books?

789
00:41:40,800 --> 00:41:43,239
Speaker 4: But like, has she already finished reading them? Is what

790
00:41:43,320 --> 00:41:44,879
Speaker 4: I want to know, because that seems like then you'd

791
00:41:44,880 --> 00:41:46,840
Speaker 4: be stressed out after reading those books.

792
00:41:47,160 --> 00:41:50,480
Speaker 1: Well, he's simply helping her carry her books, but is

793
00:41:50,520 --> 00:41:50,839
Speaker 1: he going.

794
00:41:50,840 --> 00:41:53,120
Speaker 4: To also take over the burden of reading and digesting

795
00:41:53,160 --> 00:41:55,480
Speaker 4: the information that's inside of a book called worry?

796
00:41:55,880 --> 00:42:01,320
Speaker 1: That sounds stressful? And and even when I said books,

797
00:42:01,320 --> 00:42:03,359
Speaker 1: Sam was like, what are you even talking about? It's

798
00:42:03,440 --> 00:42:06,840
Speaker 1: so stupid. I get it. It's like a bird's in

799
00:42:06,880 --> 00:42:12,520
Speaker 1: the bees and he is so stupid. I'm the biggest

800
00:42:12,560 --> 00:42:13,640
Speaker 1: liar who ever lived.

801
00:42:14,400 --> 00:42:20,480
Speaker 2: Okay, it's it's kin and he's talking to God and

802
00:42:20,520 --> 00:42:22,359
Speaker 2: he says that's ablest.

803
00:42:22,760 --> 00:42:27,120
Speaker 3: But able is spelled e l I S T E

804
00:42:27,320 --> 00:42:30,560
Speaker 3: l I s A B it's a b e L.

805
00:42:30,680 --> 00:42:34,520
Speaker 4: I s t okay, and what is he talking about?

806
00:42:34,760 --> 00:42:39,279
Speaker 2: He's he's mad, Okay, he's saying He's not being fair

807
00:42:39,320 --> 00:42:39,600
Speaker 2: to him.

808
00:42:39,640 --> 00:42:41,239
Speaker 3: He's saying God's not being fair to him.

809
00:42:41,680 --> 00:42:43,640
Speaker 4: I mean that one. I kind of like God.

810
00:42:43,880 --> 00:42:46,560
Speaker 2: God saying like, you know, like this gift to me

811
00:42:47,040 --> 00:42:50,759
Speaker 2: is is more meaningful because no one had to you know,

812
00:42:50,760 --> 00:42:52,719
Speaker 2: no creature had to give its life in order for

813
00:42:52,760 --> 00:42:57,720
Speaker 2: me to receive it, of course, which is inherently unfair

814
00:42:57,840 --> 00:43:03,319
Speaker 2: to Kine, who uh raises livestock and does not have

815
00:43:03,360 --> 00:43:07,640
Speaker 2: the beautiful vegetable garden that Abel has. And so Cain says,

816
00:43:08,120 --> 00:43:10,840
Speaker 2: unto the Lord, that's ablest.

817
00:43:11,600 --> 00:43:13,759
Speaker 4: Yeah, no, I do get that one. And I kind

818
00:43:13,800 --> 00:43:18,239
Speaker 4: of like, do you like it? I think she might, Yeah,

819
00:43:18,280 --> 00:43:18,799
Speaker 4: I think she'd be.

820
00:43:18,920 --> 00:43:20,319
Speaker 3: I feel like, you're not going to pitch it even

821
00:43:20,360 --> 00:43:21,399
Speaker 3: if we hit a home run.

822
00:43:22,080 --> 00:43:22,799
Speaker 1: I don't know.

823
00:43:22,960 --> 00:43:24,919
Speaker 4: Now I'm feeling like because if I do it wrong,

824
00:43:25,000 --> 00:43:27,480
Speaker 4: then that's another layer that's like blasphemy, And I don't

825
00:43:27,480 --> 00:43:29,719
Speaker 4: want to bummer out. I don't want to bum out

826
00:43:29,719 --> 00:43:33,319
Speaker 4: my mom with blasphemy? What am I just like a

827
00:43:33,360 --> 00:43:38,239
Speaker 4: real jerk? Why don't we just make our own Why

828
00:43:38,239 --> 00:43:39,799
Speaker 4: don't we make the cartoons. Why do we need to

829
00:43:39,800 --> 00:43:41,960
Speaker 4: pitch it to anybody?

830
00:43:42,320 --> 00:43:45,440
Speaker 3: I don't have the Yeah, I mean, like I have

831
00:43:46,120 --> 00:43:46,600
Speaker 3: a printer.

832
00:43:47,080 --> 00:43:48,320
Speaker 4: What do you need to make a cartoon?

833
00:43:48,600 --> 00:43:48,839
Speaker 3: Shit?

834
00:43:48,920 --> 00:43:51,920
Speaker 1: Okay, Well you have to actually, like I have actually

835
00:43:51,960 --> 00:43:54,200
Speaker 1: tried to do this, but you do have to actually

836
00:43:54,239 --> 00:43:56,200
Speaker 1: like kind of make it first.

837
00:43:56,480 --> 00:43:57,840
Speaker 4: What do you mean make it first?

838
00:43:58,320 --> 00:44:00,880
Speaker 1: You have to like do the drawing and stuff. I so,

839
00:44:01,080 --> 00:44:03,560
Speaker 1: like I have worked really hard on like the printing

840
00:44:03,560 --> 00:44:06,799
Speaker 1: it out part, and I have basically figured that out.

841
00:44:06,800 --> 00:44:10,279
Speaker 1: But like you actually do have to like like make

842
00:44:10,360 --> 00:44:13,000
Speaker 1: it first and then print it out. We can draw it.

843
00:44:14,239 --> 00:44:15,200
Speaker 1: I could draw something.

844
00:44:15,239 --> 00:44:17,799
Speaker 4: I could draw whatever you guys are talking about, and

845
00:44:17,840 --> 00:44:19,239
Speaker 4: then and then we'll print it out.

846
00:44:19,280 --> 00:44:22,160
Speaker 1: Okay, I can do like I can do shields.

847
00:44:22,800 --> 00:44:24,200
Speaker 4: You can just draw shields.

848
00:44:24,480 --> 00:44:29,640
Speaker 1: I can draw like very like very cool shield m.

849
00:44:29,840 --> 00:44:33,720
Speaker 3: M yeah me too, same Okay.

850
00:44:33,760 --> 00:44:36,319
Speaker 4: So both so you guys are on shields and I'm

851
00:44:36,320 --> 00:44:37,640
Speaker 4: on everything else.

852
00:44:39,040 --> 00:44:41,040
Speaker 1: We're agents of shield uh.

853
00:44:41,000 --> 00:44:43,759
Speaker 4: Huh Okay, So I have to give you.

854
00:44:45,560 --> 00:44:50,239
Speaker 2: So it's it's Moses and he's eating with Abraham, and

855
00:44:50,280 --> 00:44:51,360
Speaker 2: it's it's tense.

856
00:44:51,480 --> 00:44:52,279
Speaker 3: You could feel it.

857
00:44:53,840 --> 00:44:57,359
Speaker 2: And he goes so about today and Abraham goes, I'm

858
00:44:57,400 --> 00:44:58,759
Speaker 2: not ready to talk about it yet.

859
00:44:59,400 --> 00:45:00,799
Speaker 4: I like that, you know, these are kind of like

860
00:45:00,920 --> 00:45:02,480
Speaker 4: far side comics.

861
00:45:04,400 --> 00:45:04,879
Speaker 1: Big way.

862
00:45:06,320 --> 00:45:09,200
Speaker 2: But the only thing is, I can't draw moses dinner.

863
00:45:09,320 --> 00:45:13,160
Speaker 2: I can't illustrate the tension. I certainly can't draw Abraham,

864
00:45:13,560 --> 00:45:16,160
Speaker 2: and I'm not very good at making my text legible.

865
00:45:16,600 --> 00:45:20,640
Speaker 2: So what I could do is I could draw a shield,

866
00:45:20,800 --> 00:45:23,720
Speaker 2: or maybe it's an interlocking shield, and Hayes can actually

867
00:45:23,800 --> 00:45:25,040
Speaker 2: do the other side of it.

868
00:45:25,320 --> 00:45:27,839
Speaker 3: Yeah, and then ideally you'd be able to put all

869
00:45:27,880 --> 00:45:29,520
Speaker 3: of the rest of the imagery in.

870
00:45:29,960 --> 00:45:35,279
Speaker 1: Okay, this is I here's a good one. Moses and

871
00:45:36,719 --> 00:45:43,719
Speaker 1: Pharaoh are at Moses's house and they're looking at the

872
00:45:43,760 --> 00:45:47,879
Speaker 1: front door and the and the front door's peep hole

873
00:45:47,960 --> 00:45:53,480
Speaker 1: has been cut out, okay, and Moses is mad. He's

874
00:45:53,480 --> 00:45:55,719
Speaker 1: got his hands on his hips, and he says to Pharaoh,

875
00:45:55,840 --> 00:46:05,040
Speaker 1: I said, let my people go. Okay.

876
00:46:06,480 --> 00:46:08,520
Speaker 4: No, I'm just trying to picture how I would draw

877
00:46:08,600 --> 00:46:11,520
Speaker 4: all of that, because there's no shields into what you describe.

878
00:46:12,120 --> 00:46:14,440
Speaker 4: But what I'm what I'm realizing is you've just pitched

879
00:46:14,480 --> 00:46:16,879
Speaker 4: something where there's not a single shield. So basically, you've

880
00:46:16,880 --> 00:46:18,880
Speaker 4: pitched something that I have to draw entirely.

881
00:46:19,960 --> 00:46:22,040
Speaker 2: I know a lot of my pitches have been at dinner,

882
00:46:22,880 --> 00:46:29,280
Speaker 2: but I am thinking that like maybe it's like, uh,

883
00:46:30,239 --> 00:46:32,600
Speaker 2: it's something where like a Lot is eating dinner.

884
00:46:33,080 --> 00:46:33,680
Speaker 1: Who's a Lot?

885
00:46:35,600 --> 00:46:38,400
Speaker 2: So well, okay, so if you don't know that, like

886
00:46:38,440 --> 00:46:41,040
Speaker 2: it's gonna be really really tough.

887
00:46:41,560 --> 00:46:43,640
Speaker 4: The thing hinges on knowing who Lot is.

888
00:46:44,200 --> 00:46:44,959
Speaker 1: I stole one.

889
00:46:47,040 --> 00:46:47,400
Speaker 3: Lots.

890
00:46:48,160 --> 00:46:52,640
Speaker 2: So Lot's wife was turned as salt when she looked

891
00:46:52,680 --> 00:46:57,239
Speaker 2: back as they were exiting Sodom, which would becomes such

892
00:46:57,280 --> 00:47:01,600
Speaker 2: a den of sin h that like the righteous. You know,

893
00:47:01,960 --> 00:47:05,120
Speaker 2: a Lot and his family were supposed to leave without

894
00:47:05,280 --> 00:47:08,400
Speaker 2: turning to like see any of the kind of family

895
00:47:08,440 --> 00:47:10,960
Speaker 2: and friends they were leaving behind. So when she turned back,

896
00:47:11,000 --> 00:47:12,720
Speaker 2: she was she was turned to salt.

897
00:47:12,960 --> 00:47:14,960
Speaker 4: Oh so it's like Homeland.

898
00:47:17,440 --> 00:47:19,920
Speaker 3: I guess I only watched like two seasons of Homeland?

899
00:47:20,800 --> 00:47:23,000
Speaker 3: Is it? Well? Is it a later season at Homeland?

900
00:47:23,120 --> 00:47:24,839
Speaker 4: Or no sALS in the whole thing?

901
00:47:26,400 --> 00:47:28,600
Speaker 3: Salt is salt? Oh Saul?

902
00:47:29,800 --> 00:47:34,239
Speaker 2: Okay, no sot. So again, the pitch wouldn't have worked

903
00:47:34,239 --> 00:47:36,240
Speaker 2: at all because it was going to be something.

904
00:47:38,480 --> 00:47:41,880
Speaker 1: I said that first, salt, who is salt?

905
00:47:42,640 --> 00:47:44,160
Speaker 4: There may have been a delay, but I want people

906
00:47:44,200 --> 00:47:47,799
Speaker 4: to know that I said that Angelina Joli joke ten

907
00:47:47,840 --> 00:47:49,200
Speaker 4: minutes before Hayes did.

908
00:47:49,920 --> 00:47:54,520
Speaker 1: The show's over. We ended the show a really long

909
00:47:54,560 --> 00:47:57,960
Speaker 1: time ago. Okay, could you just say that now, Tony.

910
00:47:58,080 --> 00:48:00,799
Speaker 1: We ended the show like it was completely over, like

911
00:48:01,320 --> 00:48:02,279
Speaker 1: twelve minutes ago.

912
00:48:02,440 --> 00:48:04,880
Speaker 4: Oh shit, all my best stuff was in the last

913
00:48:04,880 --> 00:48:10,000
Speaker 4: twelve minutes. I got in so many zings.

914
00:48:10,920 --> 00:48:13,800
Speaker 3: Oh shoot, okay.

915
00:48:14,640 --> 00:48:18,600
Speaker 4: Well, I guess just chop this part in and like

916
00:48:18,680 --> 00:48:20,799
Speaker 4: stick it on the end so they can fill up.

917
00:48:20,719 --> 00:48:24,399
Speaker 1: Noise directed salt better. You know what he said when

918
00:48:24,400 --> 00:48:26,719
Speaker 1: he saw when he saw how the movie came out,

919
00:48:26,760 --> 00:48:39,720
Speaker 1: that's noise. Yeah, Sam, It's like, I who's who's cutting

920
00:48:39,760 --> 00:48:43,000
Speaker 1: this together? From all the like, because like the timing

921
00:48:43,120 --> 00:48:44,279
Speaker 1: is like so od.

922
00:48:44,320 --> 00:48:48,279
Speaker 3: Time he spend nuts Litney spears.

923
00:48:47,800 --> 00:48:50,880
Speaker 5: And yeah, it's a team effort.

924
00:48:51,880 --> 00:48:53,440
Speaker 1: Wait Kai pitch Tawny and quick comic.

925
00:48:53,880 --> 00:48:57,080
Speaker 5: Okay, it's it's Mary and je No, it's Mary and

926
00:48:57,160 --> 00:49:01,280
Speaker 5: Joseph in bad Mary has a cigarette and she's looking

927
00:49:01,320 --> 00:49:04,040
Speaker 5: at the camera and she goes, he has risen?

928
00:49:05,640 --> 00:49:07,759
Speaker 2: Did she I think she should be saying? I guess

929
00:49:07,760 --> 00:49:10,800
Speaker 2: it's just an expression that's better.

930
00:49:10,960 --> 00:49:15,200
Speaker 4: That's yeah, Uh, I think she should be saying there

931
00:49:15,239 --> 00:49:16,680
Speaker 4: was no room at the end, but there was some

932
00:49:16,800 --> 00:49:17,279
Speaker 4: at the out.

933
00:49:18,280 --> 00:49:23,520
Speaker 1: Oh no, oh my god, nasty.

934
00:49:24,920 --> 00:49:27,880
Speaker 3: Okay, that settles it. I'm watching Space Force.

935
00:49:28,440 --> 00:49:35,800
Speaker 1: Yeah do it. Bye bye Byely Hamper.