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Speaker 1: Big Bang. It is what it is. Screen. You don't

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Speaker 1: be on nothing. I be on BABYJ. Okay, so let

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Speaker 1: me ask you bring you Big Big Fact Nick.

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Speaker 2: Visit the new website today Big factspod dot com.

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Speaker 3: Line from the Trap Music Museum. You know who it is,

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Speaker 3: DJ Screen, Big Bank, Baby J. We are team Big Facts.

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Speaker 3: Today we are welcoming the creator of the trash talk

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Speaker 3: show rising comedian how this comedian Bubbadub.

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Speaker 1: It's in the building on Big Facts that day.

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Speaker 4: That's up? What's up?

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Speaker 3: Welcome, Welcome, Welcome, How you feeling the name my brother,

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Speaker 3: blessed brother and blessed.

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Speaker 1: The whole start. Nerves be nerves.

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Speaker 5: This ain't no nerves.

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Speaker 1: I'm laying back like, okay, how'd all start for you? Like?

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Speaker 3: What was the moment when you when you realize like,

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Speaker 3: damn kind of funny. I'm kind of funny. And these people,

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Speaker 3: these people rocking with.

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Speaker 6: No never know kind of ship I knew I was

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Speaker 6: from this again't no, this shit ain't me, It ain't

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Speaker 6: own me.

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Speaker 1: Ain't mean yeah, yeah yeah yeah, I've.

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Speaker 6: Been doing out funning, man. I decided to get started

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Speaker 6: putting this ship out there for the world to see.

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Speaker 5: Just been taking off ever since.

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Speaker 7: I guess what I say also is like, well, what

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Speaker 7: is the moment when you knew I can make some

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Speaker 7: money off of.

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Speaker 6: This man looking at the country, ain't ass Okay, that's

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Speaker 6: when I knew. I said, Shit, if this motherfucker can

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Speaker 6: make some money, I know I can show sh I've

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Speaker 6: just been going going forward ever since.

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Speaker 8: So tell me what it was like coming up in alcohol.

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Speaker 6: Man ain't sicken now to man, it ain't but five

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Speaker 6: hundred people in that motherfucker and my grandpa had twenty

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Speaker 6: four kids.

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Speaker 5: Ain't shipped there.

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Speaker 6: We ain't got no motherfucking Mickey d No, you ain't

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Speaker 6: got no restaurants, everything, armadillos. We got the motherfucker everything

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Speaker 6: homemade down man. It ain't ship one from uns, ain't

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Speaker 6: number red dirt and mys wow, that's the only thing.

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Speaker 1: So what is so? Like, what did y'all do to

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Speaker 1: have fun down there? If it's not nothing there?

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Speaker 6: She house parkers, that ship house POI not no clubs,

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Speaker 6: not that ship you can go and turn up and

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Speaker 6: get sections in the bottles and ship like that. No

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Speaker 6: house for that's all the fun. We didn't trail rides.

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Speaker 1: Y'all have corn linquer hell.

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Speaker 6: No We ain't got no motherfucker moonshine.

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Speaker 1: So how do you think you got up out of there?

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Speaker 1: If you're saying that there wasn't nothing there?

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Speaker 6: How did you get them in the internet? In motherfucker Yeah,

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Speaker 6: anywhere you got Wi Fi Internet, you can make some

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Speaker 6: shit happen. So that just what it was, me just

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Speaker 6: putting videos out and ship and that ship gets caught

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Speaker 6: and sh I just been grinding every since.

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Speaker 3: Hey, looking where you're at now, where you come from.

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Speaker 3: You say the main person like been ride with you?

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Speaker 6: To believe me right now, I was probably have to

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Speaker 6: say like a family memoir so much anybody the.

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Speaker 3: Name the main one, like you know, like this person

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Speaker 3: got them feel like this ship I'm doing, they doing it.

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Speaker 1: You know what I'm saying.

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Speaker 4: You know you got that one motherfucker who ride with

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Speaker 4: you one thousand percent with.

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Speaker 6: You no matter what I say, my baby mama that's

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Speaker 6: in the videos top Yeah, yes, that would be yeah,

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Speaker 6: I say my baby mama for shure though number one

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Speaker 6: for sure.

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Speaker 1: Definitely.

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Speaker 3: What's your what you what do you think is your

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Speaker 3: most like viral moment or viral video, viral.

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Speaker 6: Video that snitching video I did, uh like three years

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Speaker 6: ago it made pop Smokeer album. Snitch that motherfucker right there, man?

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Speaker 1: What inspired that?

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Speaker 6: Really? I was already doing playing the fake snitch ro

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Speaker 6: cause I got snitched on. You know what I'm saying.

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Speaker 6: I was hustling. I got snitched on. So it was

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Speaker 6: real life. So it gets me putting that shit out,

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Speaker 6: showing people how snitches really act. Gets portraying that ship

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Speaker 6: and the reason why it hit so hard because I

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Speaker 6: think six ' nine came home at the time and

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Speaker 6: that shit had hit. Fifty Cent had seen that ship

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Speaker 6: on I g and put it on his page and

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Speaker 6: ship it just went to a whole nother level. It

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Speaker 6: went so hard six ' nine shirt at they bitch

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Speaker 6: like man league, man alone, and the fans like, I

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Speaker 6: hope you know that nigga trolling you?

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Speaker 1: Really? You really nigga took.

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Speaker 6: That bitch down, so motherfucker fast man.

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Speaker 1: Shit was crazy, how that feel?

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Speaker 7: Thought like having a real life first had the spirits

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Speaker 7: being snitched off because a lot of people think that

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Speaker 7: a lot of people don't get it.

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Speaker 6: What I guess, people going hard that shit is not

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Speaker 6: no good feeling, bro. It's like, but I looked at

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Speaker 6: it like this, you know, I can't have no business

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Speaker 6: doing I was doing no way. You know, I expected

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Speaker 6: that shit to happen, you know what I'm saying. Like

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Speaker 6: still like it's a fucked up feeling, but at the

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Speaker 6: end of the day, what it is. I'm the one

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Speaker 6: who sold dope. Did nobody make me sell it? So

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Speaker 6: I have to you know what I'm saying, the consequence

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Speaker 6: you came with, I had to deal with that.

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Speaker 1: But ain't nobody make him tell it either.

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Speaker 4: Man.

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Speaker 6: You know, motherfucker got all kind of shit going on

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Speaker 6: in their lives. Man, So you know, I understand what

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Speaker 6: you're saying, though, but it's my fault. I'm the one

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Speaker 6: put drugs in that man hand. So at the end

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Speaker 6: of the day, I take responsibilities for that ship though

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Speaker 6: you forget it. Never the motherfuckers forgiving. I ain't no forgiveness,

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Speaker 6: fucking but I just take this us ability.

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Speaker 1: To what made what made me.

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Speaker 9: Man.

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Speaker 6: Man, I took care of that motherfucker too, somebody somebody trusted.

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Speaker 6: That's the game, that's the that's where we live here

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Speaker 6: in to day.

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Speaker 5: That's how people do.

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Speaker 6: I'm like, how good good you are to a motherfucker,

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Speaker 6: They'll turn it back on you in.

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Speaker 1: The minute, So you're gonna front the nigga then, like

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Speaker 1: you no, letnig in the video with you.

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Speaker 10: Man, hell no, that's reading that nigga got me good

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Speaker 10: and a bitch to man, that nigga got me like

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Speaker 10: three times my nigga.

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Speaker 6: What damn man, they had me like one thing. I

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Speaker 6: don't think people you understand that. Man, when the when

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Speaker 6: them laws get you down there, man, make them motherfucker

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Speaker 6: show you everything they got on you. Niggas be going

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Speaker 6: down there signing ship. Don't you know what the fuck

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Speaker 6: they signed? So I get down there, they like, man,

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Speaker 6: because you know I ain't never been in trouble before.

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Speaker 6: It like, yeah, we're gonna give you ten years pro based,

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Speaker 6: Like I ain't getting no motherfucker ten year pro based

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Speaker 6: suppressed the evidence, motherfucker. So I gotta pay you lawyer

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Speaker 6: for they brain the ship back. I'm looking at the tape.

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Speaker 6: I'm looking it's him, but I'm like, they gonna show

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Speaker 6: no drugs though, you know what I'm saying. It just

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Speaker 6: showed me pull up, but it never showed me giving

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Speaker 6: him no drue. I never hand the hand the moment

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Speaker 6: like transaction, Yo.

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Speaker 1: Look at a wild a camera.

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Speaker 5: The camera on.

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Speaker 6: So I never, I never, I never would put dope

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Speaker 6: in the motherfucker hands. I will put some running like

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Speaker 6: so you and this little bit add tale.

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Speaker 1: Folts set up an operation to get you.

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Speaker 6: It wasn't for me though. They wanted my cousins. My

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Speaker 6: cousin was that nigga, so they figure that could squeeze

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Speaker 6: me to get to you. So we get down and

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Speaker 6: the you know, we get down in the DA office.

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Speaker 6: They asking me questions like you know, you know, we

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Speaker 6: really gonna want you. Uh, we really gonna want you.

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Speaker 6: We want your cousin. How big is your cousin? They

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Speaker 6: call this name. I say, man, he buy six two

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Speaker 6: two hundred pounds, but they ain't.

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Speaker 1: What they really asked me about how big he is.

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Speaker 1: I won't give them nothing.

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Speaker 6: So they was like, you know what, you ain't gonna

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Speaker 6: give us nothing, just gonna go ahead, you know, and

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Speaker 6: give you some time. I'm like, cool, I know I

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Speaker 6: ain't for geting no time, no motherfucking way, because you

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Speaker 6: ain't got nothing. People understand, Like, I'm from Texas, right,

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Speaker 6: drug free zone is automatically years in ninety nine, right,

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Speaker 6: So one of my deliveries was in a drug free zone.

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Speaker 6: So when they went from ten years probationing down to

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Speaker 6: four years, I'm telling my lawyer just dropped the case

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Speaker 6: is weak. It looks like it's something five years in

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Speaker 6: ninety nine. Yeah, yeah, you're telling me you want to

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Speaker 6: get me four years? That mean the case week is

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Speaker 6: well while to drop this shit, right, But they wouldn't

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Speaker 6: fucking drop it, so they just gave me two years

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Speaker 6: deferred it for case two years third What that means like,

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Speaker 6: I mean, yeah, probation just get you please gives.

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Speaker 5: I took that ship and I ain't looked back. I

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Speaker 5: ain't so dope again.

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Speaker 1: Congratulations, And I.

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Speaker 6: Got out to jail, Nigga, I gave away all my

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Speaker 6: dope scales and all nigga. Fuck this man, there was

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Speaker 6: terrible twenty four hours experience and that motherfucker niggas and

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Speaker 6: that time I do some push up, nigga, I'm going home.

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Speaker 5: Fuck all this shit. I ain't looked back. Ch ain't

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Speaker 5: my live ever since.

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Speaker 7: Just that bring like intense trust issues just in life

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Speaker 7: where you just like don't trust nobody facts facts.

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Speaker 5: Man.

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Speaker 6: I looked at everybody different, man, everybody like that niggas.

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Speaker 6: The days I fuck with you know, I got her cousin, Man,

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Speaker 6: nigga nigga had. That's where like of this ship come from.

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Speaker 6: Like it's real, talking my skits. My cousin had ten years.

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Speaker 6: Man nigga came home in three months talking about they

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Speaker 6: fucked up on his paperwork.

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Speaker 5: Boss stopped to hold on them people clubs now.

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Speaker 6: Yeah, yeah, yeah, don'tbody fock with that nig nigga love.

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Speaker 1: Problem.

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Speaker 5: Yeah yeah, I don't do it.

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Speaker 4: Me and me.

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Speaker 6: I don't even runn the red life with this nigga

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Speaker 6: to call me ship.

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Speaker 7: Hell no, I'm gonna throw out some names and just

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Speaker 7: telling me where you staying with these people? If you

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Speaker 7: want to talk about him, cool, let's get ship. Floyd

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Speaker 7: Mayweather showed you some love, so y'all he's my brother.

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Speaker 7: That's your brother. Chat with top to Floyd other day man.

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Speaker 3: Okay, that's Charlotte and the other sports side of the

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Speaker 3: Dwight Howard and what the hell that's my guy, man

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Speaker 3: got what the hell happened when you white man? We

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Speaker 3: gotta getto it on Funny MARCOO. Shout out to Funny Marco,

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Speaker 3: that ship gets Colin niggas trash.

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Speaker 1: You called Dight Howard?

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Speaker 6: Yeah yeah, just this play a time, not him as

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Speaker 6: a person. This ain't personal. Like I told him, you

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Speaker 6: can go out there and get forty motherfucking points, thirty rebound,

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Speaker 6: thirty blocks, get to the free throw line, miss the

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Speaker 6: game winning free throw line, trash, simple as that. Make

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Speaker 6: your motherfucking free throw my nigger, I got money on

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Speaker 6: this motherfucking game. You fucking shit up for me, nigga,

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Speaker 6: I'm trying to eat. They get simple as that. Though

220
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Speaker 6: you got offended, Yeah he got offended, but uh it up.

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Speaker 6: Oh yeah, it's love at the end of the day. Man,

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Speaker 6: It's not personal. It's business at the end of the day,

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Speaker 6: his business not personal. Who gonna want the who gonna want?

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Speaker 6: You know you? Who gonna want players to play their best?

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Speaker 6: You know sometimes these players, you know, they make a

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Speaker 6: lot of money, but they be half assing out there,

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Speaker 6: not playing defense. Lilly gag and motherfucker hustle. You know

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Speaker 6: what I'm saying. It's a game at the end of

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Speaker 6: the day. But like you know, you got to work

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Speaker 6: hard for this shit. Like Dwight House speaking example, rebound

231
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Speaker 6: and king. But sometime when he was with the Lakers,

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Speaker 6: you get in the game twenty seconds in five for

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Speaker 6: hour come back down the court.

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Speaker 1: Fire. Goddamnna, keep your hands to your motherfuckerself. Now, now

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Speaker 1: why don't we Now we in the penalty. So that's trash, damn.

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Speaker 1: Trash is just basically just calling out some flaws.

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Speaker 4: You said.

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Speaker 6: No, no, it's never it's never a fucking no body

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Speaker 6: just calling my flaws.

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Speaker 5: That's all it is. It's all my baby, mama.

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Speaker 1: Trash.

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Speaker 5: You know what I'm saying.

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Speaker 1: Yeah, head fire on.

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Speaker 5: You know what I'm saying.

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00:10:31,440 --> 00:10:33,000
Speaker 1: Called Michael Jordan trash.

246
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Speaker 6: With the Wizards with the Wizzards, he said, Michael Jordan

247
00:10:35,559 --> 00:10:38,920
Speaker 6: with the Wizzards with trash. He didn't get called no, no,

248
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Speaker 6: the Wizards, MJ the bad knees, MJ I on the knees,

249
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Speaker 6: having ass. Motherfucker him. Yeah, he called him trash and

250
00:10:46,160 --> 00:10:48,800
Speaker 6: he was right, he was trashing with the wizards. We

251
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Speaker 6: gotta stop holding Mike up like he just ain't never

252
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Speaker 6: had no bad motherfucking years.

253
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Speaker 11: Man.

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Speaker 6: We got to come out there, goofy ass ship. Yes

255
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Speaker 6: he got six rings, Yeah he's six and no pipping

256
00:10:57,840 --> 00:11:00,880
Speaker 6: six and O two. Joeyan wouldn't have motherfucker ring. We

257
00:11:00,920 --> 00:11:06,120
Speaker 6: got big no pippoing selling Jordan. Who's his besides ya. Yeah,

258
00:11:06,640 --> 00:11:09,080
Speaker 6: so ship, you know what I'm saying. That's another subject

259
00:11:09,120 --> 00:11:11,360
Speaker 6: for another day. Y'all speaking there, y'all niggas in love

260
00:11:11,400 --> 00:11:14,160
Speaker 6: with their motherfucking shoes, but they ain't gonna stop nigga

261
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Speaker 6: from buying.

262
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Speaker 5: No motherfuckers.

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Speaker 1: You know, they don't be really here and ship. They

264
00:11:17,240 --> 00:11:18,720
Speaker 1: don't ben heard, but they don't be hearing them.

265
00:11:18,840 --> 00:11:20,120
Speaker 4: Sure they hungering.

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Speaker 1: Now we're about designer clothes. About that.

267
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Speaker 3: I gotta trap museum. Y'all start watching watching these shows

268
00:11:28,640 --> 00:11:29,240
Speaker 3: the name of time.

269
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Speaker 1: I don't wear them. I did that ship that she

270
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Speaker 1: ain't do it.

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Speaker 5: That's really ship.

272
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Speaker 1: All ship ain't work out in this ship. That ship

273
00:11:40,320 --> 00:11:42,160
Speaker 1: hurt my feet. Nigga buy ship for coming about them,

274
00:11:42,200 --> 00:11:48,800
Speaker 1: got damn nigga. Nigga was smoking. Who Yeah, the motherfucker

275
00:11:48,840 --> 00:11:50,400
Speaker 1: feel like you're walking over the pillow. Man, all that

276
00:11:50,480 --> 00:11:53,040
Speaker 1: ship hurts your feet. Forty five and a half forty

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Speaker 1: six man, give me a give me a twelve fact.

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Speaker 6: I ain't got time for this ship not hurt my

279
00:11:59,320 --> 00:12:02,959
Speaker 6: motherfucker feet. Think you're trying to look good now, but

280
00:12:03,000 --> 00:12:03,920
Speaker 6: I'm trying to get to the car.

281
00:12:04,000 --> 00:12:04,559
Speaker 5: My feet hurt.

282
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Speaker 1: Niggas and to us. I can't stand up.

283
00:12:09,679 --> 00:12:14,760
Speaker 6: And the Jordans, Yeah, Nigga gonna buy them change right now.

284
00:12:15,160 --> 00:12:17,520
Speaker 6: Nigga gonna buy Jordan's and Nigga gonna raise them. People

285
00:12:17,520 --> 00:12:18,640
Speaker 6: with puppies, they're gonnake care.

286
00:12:20,080 --> 00:12:20,640
Speaker 1: Nigga love them.

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00:12:20,720 --> 00:12:24,840
Speaker 6: Jordan's them people puppies washing water, god boy, niggam all

288
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Speaker 6: in the living room ship, Nigga, I buy one of

289
00:12:31,320 --> 00:12:33,520
Speaker 6: these niggas puppis ain't full blooded, Nigga.

290
00:12:35,640 --> 00:12:38,560
Speaker 1: You still living, Jason, Yeah, move.

291
00:12:38,840 --> 00:12:41,240
Speaker 6: I move around, man, I move around if we canna

292
00:12:41,240 --> 00:12:44,120
Speaker 6: move out here though. Yeah, what you like about the

293
00:12:44,160 --> 00:12:50,280
Speaker 6: Lana love Atlanta's black? You know everybody is. Everybody's love

294
00:12:50,280 --> 00:12:52,400
Speaker 6: about him. I know she ain't you always sweet either,

295
00:12:53,080 --> 00:12:55,000
Speaker 6: but I love it loner man. They embrace me a

296
00:12:55,080 --> 00:12:57,920
Speaker 6: lot so my show out here, so I'm.

297
00:12:57,800 --> 00:12:58,400
Speaker 5: Always out here.

298
00:12:58,559 --> 00:12:59,559
Speaker 1: What's your favorite restaurant?

299
00:13:00,280 --> 00:13:06,360
Speaker 6: Probably toast on Linus and sell them Fried Kitchen's slack spots.

300
00:13:06,400 --> 00:13:08,080
Speaker 6: I heard I fuck with but you. I'm always gonna

301
00:13:08,080 --> 00:13:10,600
Speaker 6: fuck with the black black own ship though. I always

302
00:13:10,640 --> 00:13:13,120
Speaker 6: gotta do that. But somebody black on somebody black on

303
00:13:13,240 --> 00:13:16,560
Speaker 6: shit be trashing the motherfucker too. Yeah, yeah, get because

304
00:13:16,559 --> 00:13:17,200
Speaker 6: of black do ming.

305
00:13:17,280 --> 00:13:17,840
Speaker 5: It is good bro.

306
00:13:18,240 --> 00:13:19,720
Speaker 6: You got the store letting them know that ship.

307
00:13:19,760 --> 00:13:22,040
Speaker 5: Come try my food, dub, I come over, How was it?

308
00:13:22,240 --> 00:13:22,600
Speaker 4: Trash?

309
00:13:24,720 --> 00:13:26,119
Speaker 5: Real motherfucking talks.

310
00:13:25,920 --> 00:13:27,800
Speaker 1: Like they said, and n put up a grass wall

311
00:13:27,880 --> 00:13:28,319
Speaker 1: and charged.

312
00:13:30,679 --> 00:13:31,679
Speaker 5: I bet the fuck not.

313
00:13:32,559 --> 00:13:33,280
Speaker 1: That's where we're at.

314
00:13:34,720 --> 00:13:39,680
Speaker 5: Leave a man, which you ever trash yourself all the time? Always, man, always?

315
00:13:39,679 --> 00:13:41,360
Speaker 6: I trashed myself though night. I fucked a bit for

316
00:13:41,440 --> 00:13:44,400
Speaker 6: three minutes. She I knew I should have had their

317
00:13:44,440 --> 00:13:48,480
Speaker 6: huney pack on me. Man, trash the motherfucker. I ain't tripping.

318
00:13:48,480 --> 00:13:50,000
Speaker 6: I rolled and put my thumb in. My mom went

319
00:13:50,080 --> 00:13:50,439
Speaker 6: to sleep.

320
00:13:51,640 --> 00:13:53,679
Speaker 1: I was watching the ship you did with Suki. You

321
00:13:53,720 --> 00:13:54,319
Speaker 1: were like, uh.

322
00:13:55,840 --> 00:13:58,920
Speaker 4: Uh, you get a woman anything she got submitted what

323
00:13:59,080 --> 00:14:01,679
Speaker 4: you meant by that? I want what you like if

324
00:14:01,720 --> 00:14:03,520
Speaker 4: I if I get a bitch eighty dollars something like

325
00:14:03,600 --> 00:14:04,439
Speaker 4: basically something.

326
00:14:04,360 --> 00:14:04,800
Speaker 1: What you said.

327
00:14:05,160 --> 00:14:07,599
Speaker 5: If I give a bit, she gotta do everything.

328
00:14:09,040 --> 00:14:09,199
Speaker 1: Well.

329
00:14:09,280 --> 00:14:10,400
Speaker 5: I want well with my fancy.

330
00:14:11,520 --> 00:14:14,319
Speaker 1: You're saying you you mean like sexually or just period.

331
00:14:16,480 --> 00:14:16,840
Speaker 1: I won't.

332
00:14:16,880 --> 00:14:18,640
Speaker 6: If I give a bitch eight out, I gotta suck

333
00:14:18,679 --> 00:14:22,040
Speaker 6: for two months straight, like no except break.

334
00:14:24,560 --> 00:14:28,320
Speaker 1: Dollar dollar day for this. If you want this, you

335
00:14:28,400 --> 00:14:31,680
Speaker 1: can just feed the homely bitch fifty.

336
00:14:31,800 --> 00:14:35,840
Speaker 6: Day, No, what happened when time has changed?

337
00:14:35,920 --> 00:14:36,040
Speaker 12: Now?

338
00:14:36,080 --> 00:14:38,880
Speaker 5: You know, you know the president. You know this day.

339
00:14:39,120 --> 00:14:42,040
Speaker 6: Time is hard right now. But back when no orange

340
00:14:42,080 --> 00:14:44,960
Speaker 6: motherfuckers in office pushing one up like a motherfucker boy,

341
00:14:44,960 --> 00:14:47,720
Speaker 6: but everybody will getting money, Yeah, pushing with four file

342
00:14:47,800 --> 00:14:50,280
Speaker 6: her motherfucking dollar. And they wasn't budging on that ship

343
00:14:50,880 --> 00:14:53,880
Speaker 6: going for now. She you got enough money, buy some

344
00:14:54,000 --> 00:15:01,800
Speaker 6: chili doll cigar dollar right now?

345
00:15:01,880 --> 00:15:03,560
Speaker 5: Boy, you go down through sixty right now.

346
00:15:03,600 --> 00:15:06,520
Speaker 6: I bullshit you not. I'm talking about the bitch here

347
00:15:06,600 --> 00:15:07,120
Speaker 6: your life.

348
00:15:07,280 --> 00:15:10,400
Speaker 1: Niggas for sixty sixty, real talk. It be the bags.

349
00:15:10,440 --> 00:15:12,320
Speaker 6: Bitch on how she sixty?

350
00:15:12,400 --> 00:15:12,960
Speaker 1: A move.

351
00:15:16,440 --> 00:15:16,680
Speaker 9: At that?

352
00:15:16,880 --> 00:15:17,200
Speaker 4: Sixty?

353
00:15:17,240 --> 00:15:17,680
Speaker 1: A movement?

354
00:15:17,800 --> 00:15:18,040
Speaker 4: Bitch?

355
00:15:18,160 --> 00:15:23,080
Speaker 1: What two hunger? It's up together? Real talk.

356
00:15:24,240 --> 00:15:26,720
Speaker 6: I feel like that anybody out fuck I'm tender, so

357
00:15:27,000 --> 00:15:33,280
Speaker 6: she it don't matter you suck.

358
00:15:34,120 --> 00:15:34,640
Speaker 4: Right up?

359
00:15:36,480 --> 00:15:38,000
Speaker 5: Hey man, I fallen a little quick.

360
00:15:38,400 --> 00:15:40,240
Speaker 1: So do you feel like being tender is a disease?

361
00:15:40,840 --> 00:15:44,280
Speaker 5: Hell no, I love being tuned. Ain't nothing wrong with that?

362
00:15:44,440 --> 00:15:46,960
Speaker 1: What you love about being tender? Like, what's the what's

363
00:15:47,000 --> 00:15:49,080
Speaker 1: the what's a benefit of being tender?

364
00:15:49,240 --> 00:15:51,280
Speaker 6: Ain't no being a fish? If I fuck you one time,

365
00:15:51,320 --> 00:15:53,440
Speaker 6: we could government. I don't give a fuck. You got

366
00:15:53,440 --> 00:15:57,680
Speaker 6: a hubd not bitch you. I'm yours, real talk. I'm

367
00:15:57,760 --> 00:16:00,480
Speaker 6: yours because I don't work on to them. I trust them,

368
00:16:02,080 --> 00:16:10,920
Speaker 6: you know, trash, I'm not. I'm not putting on no

369
00:16:11,000 --> 00:16:14,640
Speaker 6: motherfucking rob bro. I'm not putting on no motherfucking rubber.

370
00:16:14,560 --> 00:16:15,800
Speaker 1: At all for what.

371
00:16:18,080 --> 00:16:18,600
Speaker 5: I'm going in.

372
00:16:18,760 --> 00:16:24,640
Speaker 6: I trusted you guys on me. Had two girls, two girls,

373
00:16:24,720 --> 00:16:26,920
Speaker 6: man trash super.

374
00:16:29,080 --> 00:16:33,920
Speaker 1: Can, the whole tra can. What do you see? What

375
00:16:34,040 --> 00:16:34,800
Speaker 1: you see the show going?

376
00:16:34,920 --> 00:16:38,680
Speaker 6: Trash talk like, man, got ship going to another level. Really,

377
00:16:38,960 --> 00:16:40,920
Speaker 6: I really want my show to becoming the next seen

378
00:16:41,040 --> 00:16:45,240
Speaker 6: Yo house show, something different for the culture world, a

379
00:16:45,360 --> 00:16:48,440
Speaker 6: night show. Someone motherfucking come, bring that girl and chill

380
00:16:48,520 --> 00:16:51,200
Speaker 6: every last, just some jokes and some good entertainment, because

381
00:16:51,200 --> 00:16:53,120
Speaker 6: I feel like that's what were missing Black folks. We're

382
00:16:53,120 --> 00:16:54,840
Speaker 6: really not entertaining no more.

383
00:16:55,240 --> 00:16:57,200
Speaker 5: You know what I'm saying. We were shucking and jiving

384
00:16:57,280 --> 00:16:58,880
Speaker 5: and doing this and that for the dollar.

385
00:16:59,040 --> 00:17:01,720
Speaker 6: That's cool, but let's bring the love and enjoyment back

386
00:17:01,800 --> 00:17:04,160
Speaker 6: for this ship like some shoul trained type ship. Motherfucker

387
00:17:04,280 --> 00:17:06,600
Speaker 6: just dance, who can't even dance like me? I'm still

388
00:17:06,640 --> 00:17:11,080
Speaker 6: feeling a motherfucker show type ship, you know, have some

389
00:17:11,240 --> 00:17:14,480
Speaker 6: fun and coming like like big fast talk about everything man,

390
00:17:14,960 --> 00:17:17,359
Speaker 6: you know and no sugar Coati ship whatever on your

391
00:17:17,440 --> 00:17:19,240
Speaker 6: mind saying that's what That's what I'm trying to bring

392
00:17:19,359 --> 00:17:19,800
Speaker 6: to the game.

393
00:17:19,880 --> 00:17:20,000
Speaker 11: Man.

394
00:17:20,119 --> 00:17:24,200
Speaker 7: Gotta conversations that was different, Gotta conversations with your playlist

395
00:17:24,320 --> 00:17:27,280
Speaker 7: like you listening to you listen old ship classes.

396
00:17:27,359 --> 00:17:28,960
Speaker 5: You know, with everybody ship.

397
00:17:29,040 --> 00:17:32,879
Speaker 6: Man, I'm lately I just been on dogs just for

398
00:17:33,040 --> 00:17:39,560
Speaker 6: the motivation type of ship. You know, little baby, you know,

399
00:17:40,000 --> 00:17:42,240
Speaker 6: keep him in the freature, you know what I'm saying,

400
00:17:43,720 --> 00:17:59,440
Speaker 6: freatre fature yell lass boy Drake. Yeah, yeah, that's what

401
00:17:59,560 --> 00:18:00,359
Speaker 6: I be listen into.

402
00:18:00,440 --> 00:18:01,280
Speaker 5: Man twenty one.

403
00:18:01,280 --> 00:18:04,560
Speaker 1: Savage yea you you ever tried your head that rapping?

404
00:18:05,160 --> 00:18:09,400
Speaker 5: I'm trashed. I can't rap for ship.

405
00:18:09,880 --> 00:18:10,600
Speaker 1: How long he tried?

406
00:18:11,400 --> 00:18:12,840
Speaker 5: Man, I tried that ship for a month.

407
00:18:13,119 --> 00:18:16,840
Speaker 6: Terrible, terrible. I can't wrap you the beats.

408
00:18:17,040 --> 00:18:21,719
Speaker 1: Yeah, both both horrible. It sounds like a NI from

409
00:18:21,720 --> 00:18:22,000
Speaker 1: the town.

410
00:18:24,600 --> 00:18:28,040
Speaker 6: Everything was trash, bro everything what so you ever had

411
00:18:28,040 --> 00:18:30,280
Speaker 6: to tell them on your all the motherfucking time they

412
00:18:30,320 --> 00:18:35,280
Speaker 6: send me all that ship? Now stop it, no real,

413
00:18:35,320 --> 00:18:37,240
Speaker 6: I love you, but this ain't hit my nigga, quick,

414
00:18:37,359 --> 00:18:39,320
Speaker 6: go be a firefighter some ship. This ain't for you,

415
00:18:39,480 --> 00:18:41,520
Speaker 6: my nigga, like for real, because they think because I'm

416
00:18:41,560 --> 00:18:43,040
Speaker 6: you know, I fucking with a bunch of people, they

417
00:18:43,040 --> 00:18:44,680
Speaker 6: feel like, manet him hear this ship.

418
00:18:45,000 --> 00:18:46,040
Speaker 5: They ain't trying to hear that ship.

419
00:18:46,040 --> 00:18:49,000
Speaker 6: That gonna suck up my relationship with these people doing

420
00:18:49,080 --> 00:18:50,040
Speaker 6: that dumb ass ship.

421
00:18:50,200 --> 00:18:50,360
Speaker 5: Man.

422
00:18:51,160 --> 00:18:52,879
Speaker 6: Now, I'm for real. You gotta be real with the

423
00:18:53,000 --> 00:18:56,280
Speaker 6: motherfucker and let him know. Bro terrible, my nigga, Like,

424
00:18:56,400 --> 00:18:57,160
Speaker 6: stop that ship.

425
00:18:57,520 --> 00:18:59,600
Speaker 1: Whatever what happened? Don't we always talking about what happened?

426
00:18:59,600 --> 00:19:02,040
Speaker 1: When you think a ship terrible to take off? Man?

427
00:19:02,359 --> 00:19:04,480
Speaker 5: That ship rare that ship?

428
00:19:05,600 --> 00:19:10,760
Speaker 1: Trust me, happens though, Man, what happens one in a million?

429
00:19:10,960 --> 00:19:11,920
Speaker 5: Yeah, real talk.

430
00:19:14,480 --> 00:19:15,879
Speaker 1: I know a lot of ship.

431
00:19:15,960 --> 00:19:16,720
Speaker 5: Well, I know that ship.

432
00:19:16,760 --> 00:19:22,080
Speaker 1: I'm here, I ain't going nowhere nowhere. They probably need

433
00:19:22,160 --> 00:19:23,320
Speaker 1: the right mixing.

434
00:19:23,440 --> 00:19:27,320
Speaker 6: You nigga need. God, everything is on this ship.

435
00:19:27,440 --> 00:19:27,600
Speaker 4: Man.

436
00:19:27,960 --> 00:19:31,159
Speaker 6: They ain't number one, they ain't gonna beat, they ain't rhyming.

437
00:19:32,560 --> 00:19:35,560
Speaker 6: It's terrible, man, bad music. So like of that going

438
00:19:35,600 --> 00:19:39,360
Speaker 6: on these days too. I ain't knocking nobody forgetting their bag.

439
00:19:39,760 --> 00:19:43,359
Speaker 1: What about in the comedian then, like when do you

440
00:19:43,640 --> 00:19:46,960
Speaker 1: have to say when like not be funny?

441
00:19:47,040 --> 00:19:47,080
Speaker 12: Is?

442
00:19:47,160 --> 00:19:51,639
Speaker 6: I think I ain't never thought that ship, geral Man.

443
00:19:51,680 --> 00:19:53,000
Speaker 6: You know a lot of people see us out here

444
00:19:53,040 --> 00:19:54,760
Speaker 6: getting money doing our thing. They feel like they can

445
00:19:54,800 --> 00:19:56,960
Speaker 6: be funny. Then they get on that motherfucking stage and

446
00:19:57,000 --> 00:20:00,240
Speaker 6: they ain't live. Then they come to reality like, oh,

447
00:20:00,400 --> 00:20:02,919
Speaker 6: I might just want to stick to the video now.

448
00:20:03,000 --> 00:20:05,360
Speaker 3: I think I think being a comedian, it really got

449
00:20:05,440 --> 00:20:07,359
Speaker 3: damn show you right then and now. Because you gotta

450
00:20:07,359 --> 00:20:10,800
Speaker 3: please to people. You can't please like you can't trick that.

451
00:20:11,720 --> 00:20:13,680
Speaker 3: You can't treat that comedian. You can treat the news.

452
00:20:13,800 --> 00:20:16,000
Speaker 1: Sometimes Nigga writes you some ship you can look up.

453
00:20:16,280 --> 00:20:17,879
Speaker 1: You know what I'm saying, because you you can pre

454
00:20:18,480 --> 00:20:19,680
Speaker 1: what do you call it? You can what do you

455
00:20:19,760 --> 00:20:22,600
Speaker 1: call it? You can pre mad it. Yeah, this ship

456
00:20:22,720 --> 00:20:25,200
Speaker 1: is ain't done in front of people with this coming

457
00:20:25,240 --> 00:20:27,040
Speaker 1: and ship. You got that ship on the spot.

458
00:20:27,640 --> 00:20:31,480
Speaker 8: I feel like I feel like Instagram comedy versus stand

459
00:20:31,640 --> 00:20:36,040
Speaker 8: up is just like street fighting versus boxing. Mm hmmm,

460
00:20:36,480 --> 00:20:39,080
Speaker 8: because it's like you it's even though that ship looks

461
00:20:39,160 --> 00:20:41,800
Speaker 8: like it's the same ship at different.

462
00:20:42,160 --> 00:20:44,120
Speaker 4: They're different, but that ships still the same though it's

463
00:20:44,160 --> 00:20:47,440
Speaker 4: still on the spot though, because you gotta to be funny.

464
00:20:47,480 --> 00:20:49,040
Speaker 1: You gotta be funny because a.

465
00:20:49,040 --> 00:20:51,000
Speaker 3: Lot of the nigga be making them little post ship

466
00:20:51,040 --> 00:20:53,359
Speaker 3: like the post and be like, don't send me that

467
00:20:53,520 --> 00:20:54,200
Speaker 3: this garbage.

468
00:20:55,359 --> 00:20:57,120
Speaker 6: I have to disagree because it's a lot of comedians

469
00:20:57,119 --> 00:20:58,160
Speaker 6: who do stand up trash.

470
00:20:58,800 --> 00:21:01,320
Speaker 1: Nah No, but who it's a lot. They ain't traded

471
00:21:01,359 --> 00:21:01,879
Speaker 1: to somebody that.

472
00:21:02,240 --> 00:21:04,520
Speaker 6: No, that's what I'm saying, though, they really like people

473
00:21:04,600 --> 00:21:07,520
Speaker 6: got You gotta understand, people got follows like me don't matter,

474
00:21:07,840 --> 00:21:10,240
Speaker 6: they don't matter. They got real fans, so you could

475
00:21:10,280 --> 00:21:11,800
Speaker 6: be traded. But motherfuckers, they love you.

476
00:21:11,920 --> 00:21:13,840
Speaker 1: They just love your ship. What they loving something? They

477
00:21:13,960 --> 00:21:19,520
Speaker 1: just just might just love your personality. That's how pain.

478
00:21:19,640 --> 00:21:20,160
Speaker 4: That's a pain.

479
00:21:20,640 --> 00:21:22,840
Speaker 6: Richard Prior rolled over this motherfucker Gray right now, this

480
00:21:22,920 --> 00:21:25,720
Speaker 6: comedyun them nigga get money off. That's what I just said, though,

481
00:21:25,800 --> 00:21:30,800
Speaker 6: money yeah, yeah, money. The money then took over the talent.

482
00:21:30,920 --> 00:21:33,680
Speaker 6: Now with somebody paying to see that ship all the time.

483
00:21:33,760 --> 00:21:36,040
Speaker 6: But for what I'm saying, but talking about.

484
00:21:35,800 --> 00:21:37,600
Speaker 3: Who's sitting in them song, ain't nobody gonna pay for

485
00:21:37,680 --> 00:21:40,040
Speaker 3: that period, right, No, that's what I'm saying.

486
00:21:40,080 --> 00:21:41,920
Speaker 4: But if somebody get paying for somebody to see it.

487
00:21:42,040 --> 00:21:44,040
Speaker 4: I mean they got, they kind of got, they got.

488
00:21:44,080 --> 00:21:45,080
Speaker 4: They ain't really trash.

489
00:21:45,520 --> 00:21:48,240
Speaker 1: Trad don't get paid. That's a lot of trash get paid.

490
00:21:48,320 --> 00:21:49,959
Speaker 1: Like the holes out here track get paid every day.

491
00:21:50,160 --> 00:21:51,720
Speaker 1: Ultim my trash talent.

492
00:21:52,680 --> 00:21:55,400
Speaker 6: For what I'm saying though it's the talent, bro. It's

493
00:21:55,480 --> 00:21:58,640
Speaker 6: just like I'm gonna say this. I hate to use

494
00:21:58,720 --> 00:22:00,680
Speaker 6: this for a scenario, but I feel like jag Kisch

495
00:22:00,720 --> 00:22:02,360
Speaker 6: one of the hardest rappers in the world.

496
00:22:03,000 --> 00:22:06,359
Speaker 1: But he ain't the top paying. That's an opinion.

497
00:22:06,520 --> 00:22:08,000
Speaker 6: But if you put twenty people in the room, how

498
00:22:08,040 --> 00:22:10,880
Speaker 6: many people gonna say Jagger kids probably won't top ten

499
00:22:11,000 --> 00:22:12,600
Speaker 6: twenty niggas in the world rapper.

500
00:22:17,080 --> 00:22:20,080
Speaker 3: There's still our personal opinion on correct like somebody else

501
00:22:20,080 --> 00:22:23,760
Speaker 3: will looking goddamn, what the girl name? The white girl

502
00:22:23,840 --> 00:22:26,359
Speaker 3: sending all the song doing all the ship Yea, the

503
00:22:26,440 --> 00:22:28,280
Speaker 3: white girl man Taylor.

504
00:22:28,000 --> 00:22:31,480
Speaker 1: Swimming school, like she's better than you know what I'm saying. Yeah,

505
00:22:32,040 --> 00:22:42,520
Speaker 1: and still you know what I'm saying. I know exactly

506
00:22:42,560 --> 00:22:42,920
Speaker 1: what you said.

507
00:22:42,920 --> 00:22:43,639
Speaker 3: I was with you.

508
00:22:44,200 --> 00:22:46,760
Speaker 1: But a lot of these niggas that I feel like

509
00:22:46,800 --> 00:22:48,000
Speaker 1: they're coming to ships on the spot.

510
00:22:48,080 --> 00:22:49,680
Speaker 3: Even if you even if you feel even if you

511
00:22:49,760 --> 00:22:52,199
Speaker 3: pre recording or whatever, because if you ain't funny, your

512
00:22:52,240 --> 00:22:53,840
Speaker 3: body language and nothing ain't gonna be funny.

513
00:22:54,359 --> 00:22:56,520
Speaker 1: It's what you say, it's your charisma. What's funny?

514
00:22:57,240 --> 00:22:58,920
Speaker 3: Correct, you know what I'm saying. But you could be

515
00:22:59,040 --> 00:23:02,360
Speaker 3: funny to one ship, the people are not funny to another.

516
00:23:02,440 --> 00:23:04,200
Speaker 1: For sure. You could be funny hell to the hood

517
00:23:04,240 --> 00:23:07,879
Speaker 1: and then go some other ships don't be funny. I

518
00:23:08,080 --> 00:23:11,000
Speaker 1: like them gut busting funny. I can't get with them.

519
00:23:11,320 --> 00:23:14,640
Speaker 3: Them jokes, them crossover jokes like they lose me every

520
00:23:14,680 --> 00:23:20,200
Speaker 3: time I need a nigga like burning mate money though,

521
00:23:21,400 --> 00:23:25,440
Speaker 3: Ohnna cross what I'm saying, because it's another world to

522
00:23:25,560 --> 00:23:26,600
Speaker 3: this world.

523
00:23:26,960 --> 00:23:28,480
Speaker 1: What I'm saying like gay, what you're sitting here with

524
00:23:28,600 --> 00:23:29,080
Speaker 1: us right now?

525
00:23:29,320 --> 00:23:29,760
Speaker 4: You rock.

526
00:23:30,119 --> 00:23:32,320
Speaker 1: You know what I'm saying. You fresh out the gate, watch.

527
00:23:32,200 --> 00:23:34,160
Speaker 3: Some chicks and ship start coming to where it's coming

528
00:23:34,200 --> 00:23:35,920
Speaker 3: to any folks writing your jokes and ship.

529
00:23:36,040 --> 00:23:37,680
Speaker 1: Now, you know what I'm saying.

530
00:23:37,720 --> 00:23:39,880
Speaker 3: You're gonna start getting booted a little bit, but you're

531
00:23:39,880 --> 00:23:41,920
Speaker 3: gonna be rich as fun. But we're gonna we're gonna

532
00:23:41,960 --> 00:23:45,320
Speaker 3: have all your old ship like I remember, bro, God damn, that's.

533
00:23:45,240 --> 00:23:46,760
Speaker 5: Just how correct?

534
00:23:47,240 --> 00:23:49,280
Speaker 4: You know what I'm saying, Like you're gonna be you

535
00:23:49,320 --> 00:23:51,320
Speaker 4: ain't gonna be hood funny no more, you ain't gonna

536
00:23:51,320 --> 00:23:53,760
Speaker 4: be relate to that ship when you're talking about shipping

537
00:23:53,760 --> 00:23:54,680
Speaker 4: on niggas on Wall.

538
00:23:54,480 --> 00:23:56,800
Speaker 1: Street or whatever. You know what I'm saying. That's where

539
00:23:56,800 --> 00:23:59,640
Speaker 1: you're at. Now you're seeing that this ship don't become

540
00:23:59,680 --> 00:24:02,440
Speaker 1: funny to go to the hook? Correct? Correct? I agree

541
00:24:02,480 --> 00:24:03,320
Speaker 1: with that? Right?

542
00:24:04,480 --> 00:24:06,280
Speaker 5: I agree at.

543
00:24:07,760 --> 00:24:08,480
Speaker 1: Because how you going?

544
00:24:09,480 --> 00:24:11,080
Speaker 8: But at that point do you have to make the

545
00:24:11,200 --> 00:24:14,200
Speaker 8: determination that the hood's opinion doesn't matter?

546
00:24:15,440 --> 00:24:18,200
Speaker 4: Probably not to a nigga who getting men, no opinion

547
00:24:18,240 --> 00:24:19,600
Speaker 4: matter when you don't graduated from.

548
00:24:19,440 --> 00:24:20,440
Speaker 5: That point you thank you.

549
00:24:20,520 --> 00:24:22,320
Speaker 3: I think it's I think it's in your talent too, though,

550
00:24:22,359 --> 00:24:25,399
Speaker 3: Like because Chappelle kind of always been the same nigga,

551
00:24:25,960 --> 00:24:27,160
Speaker 3: the same type of comedian.

552
00:24:27,359 --> 00:24:31,960
Speaker 1: You can go from level. Yeah, Chapelle on another level,

553
00:24:32,000 --> 00:24:33,679
Speaker 1: but he just we grew with him.

554
00:24:33,760 --> 00:24:36,320
Speaker 3: Bro. We're talking about the same ship though, but now

555
00:24:36,359 --> 00:24:41,840
Speaker 3: he's saying that ship differently then didn't got Yeah political, that.

556
00:24:41,840 --> 00:24:44,240
Speaker 4: Ship totally different, but it's still funny because he is

557
00:24:44,320 --> 00:24:45,240
Speaker 4: just a funny nigga.

558
00:24:45,800 --> 00:24:47,760
Speaker 6: I think that Chapelle should really make us tune in

559
00:24:47,920 --> 00:24:50,200
Speaker 6: with him even more though than that is kind of

560
00:24:50,840 --> 00:24:53,240
Speaker 6: grew and he just took off with this even more

561
00:24:53,280 --> 00:24:55,480
Speaker 6: because y'all got to remember when the first time y'all

562
00:24:55,520 --> 00:24:59,080
Speaker 6: seen him on TV, then Eddie Murphy put him on

563
00:24:59,080 --> 00:25:02,960
Speaker 6: another profession, that's another comedian to put another comedian on,

564
00:25:03,080 --> 00:25:04,440
Speaker 6: you know what I'm saying. Just I got the Eddie

565
00:25:04,480 --> 00:25:08,840
Speaker 6: Murphy for that. So are your favorite comedian though Richard Prior? Sure,

566
00:25:09,280 --> 00:25:12,320
Speaker 6: Richard fuck with Richard a lot. So you do stand

567
00:25:12,400 --> 00:25:15,680
Speaker 6: up most definitely. I don't do nothing else.

568
00:25:15,680 --> 00:25:16,280
Speaker 5: I do stand up.

569
00:25:16,440 --> 00:25:16,760
Speaker 9: I was doing.

570
00:25:16,880 --> 00:25:18,520
Speaker 5: I was doing standing up the same time I started

571
00:25:18,560 --> 00:25:19,119
Speaker 5: doing skits?

572
00:25:19,560 --> 00:25:20,520
Speaker 1: Which one you like more?

573
00:25:20,680 --> 00:25:23,959
Speaker 5: Stand up? I get to be me. I'm free on stage.

574
00:25:24,520 --> 00:25:26,640
Speaker 6: I get to bring the world into the Bubba Dug world.

575
00:25:27,440 --> 00:25:31,040
Speaker 6: And ain't nothing like shitting down and just going to

576
00:25:31,119 --> 00:25:34,000
Speaker 6: fuck off, just being me. I ain't worried about ship.

577
00:25:34,760 --> 00:25:35,600
Speaker 5: I love that ship.

578
00:25:36,040 --> 00:25:39,200
Speaker 8: So what do you do you feel like when you're

579
00:25:39,200 --> 00:25:41,440
Speaker 8: coming off the top doing stand up in front of

580
00:25:41,480 --> 00:25:45,720
Speaker 8: a live audience, you have a wider range of creative space.

581
00:25:45,560 --> 00:25:46,040
Speaker 1: To pull from.

582
00:25:46,280 --> 00:25:49,000
Speaker 6: Hell, yeah, I got nothing more material like a workshop,

583
00:25:49,720 --> 00:25:51,160
Speaker 6: I got nothing but material.

584
00:25:50,920 --> 00:25:52,000
Speaker 5: But I got shit. Fuck the hood.

585
00:25:52,040 --> 00:25:53,680
Speaker 6: I got shit for the white folks. I got shit

586
00:25:53,760 --> 00:25:56,879
Speaker 6: for the Missans, the women, Grandpa Wang, his uncles.

587
00:25:57,960 --> 00:25:59,720
Speaker 1: What if all the people you name only the white

588
00:25:59,760 --> 00:26:03,000
Speaker 1: folks they pay you. Are you gonna just don't doing jokes.

589
00:26:02,840 --> 00:26:03,600
Speaker 4: With white hell?

590
00:26:03,720 --> 00:26:05,600
Speaker 1: No, I got the allways.

591
00:26:05,600 --> 00:26:08,800
Speaker 5: Bring it home. I'll never I'll never let money control me.

592
00:26:08,960 --> 00:26:09,800
Speaker 5: I control money.

593
00:26:10,480 --> 00:26:13,320
Speaker 4: Know what I'm saying is, he ain't gonna seem like

594
00:26:13,640 --> 00:26:15,960
Speaker 4: you're doing because on his tours, we see you on

595
00:26:16,080 --> 00:26:18,399
Speaker 4: his white crowds, we gonna feel how we feel it

596
00:26:18,480 --> 00:26:19,040
Speaker 4: just because.

597
00:26:18,840 --> 00:26:21,399
Speaker 1: You went home and blash. I don't won't know that.

598
00:26:22,000 --> 00:26:24,280
Speaker 4: Yeah, he's gonna be like, you're just doing you know

599
00:26:24,320 --> 00:26:25,719
Speaker 4: what I'm saying, that's all he doing it, that's all

600
00:26:25,760 --> 00:26:26,160
Speaker 4: he booking.

601
00:26:26,960 --> 00:26:29,480
Speaker 5: Correct, Yep, that's all book.

602
00:26:30,480 --> 00:26:31,439
Speaker 1: But I feel like a.

603
00:26:31,600 --> 00:26:35,639
Speaker 8: True, real stand up comedian can find a way to

604
00:26:37,600 --> 00:26:40,960
Speaker 8: transform his jokes and make them relate.

605
00:26:40,800 --> 00:26:43,960
Speaker 1: To and that man, y'all want to hear be real.

606
00:26:44,800 --> 00:26:45,439
Speaker 1: Anybody want to.

607
00:26:45,440 --> 00:26:49,399
Speaker 13: Go to a Kate tulleray Chris Tucker. But the new Christian,

608
00:26:49,720 --> 00:26:51,879
Speaker 13: like you said, he grew up, he in a different bracket.

609
00:26:51,960 --> 00:26:54,840
Speaker 13: Now his coming gonna be though, like fuck with your

610
00:26:54,880 --> 00:26:56,680
Speaker 13: create Like when you Kate Tucker. I used to go

611
00:26:56,720 --> 00:26:57,720
Speaker 13: there comedy shows and ship.

612
00:26:58,119 --> 00:26:59,679
Speaker 1: He's a totally different niggas.

613
00:26:59,760 --> 00:27:01,520
Speaker 6: Brother, see me movies, this stand up, I ain't gonna

614
00:27:01,720 --> 00:27:04,680
Speaker 6: yeah for sure, the last crity talking movie.

615
00:27:06,119 --> 00:27:06,399
Speaker 5: Rush.

616
00:27:06,440 --> 00:27:10,679
Speaker 1: Oh yeah, he's super dope next that way. Yet now

617
00:27:11,960 --> 00:27:13,840
Speaker 1: then he say he declined he doesn't want to do

618
00:27:13,920 --> 00:27:15,040
Speaker 1: those type of movies no more.

619
00:27:15,480 --> 00:27:18,960
Speaker 5: Now he's doing Rush. I'm twenty thirty, like the.

620
00:27:19,280 --> 00:27:22,720
Speaker 1: Like the like the Ship where the Fridays.

621
00:27:23,960 --> 00:27:26,280
Speaker 5: Religion against his religion and ship.

622
00:27:26,680 --> 00:27:28,520
Speaker 1: Oh you gotta respect that, you know what I'm saying.

623
00:27:28,600 --> 00:27:31,480
Speaker 1: He going on with the going one, he going on

624
00:27:31,600 --> 00:27:31,920
Speaker 1: with God.

625
00:27:32,200 --> 00:27:33,840
Speaker 6: Yeah, he don't want, he don't want, he don't want

626
00:27:33,840 --> 00:27:36,760
Speaker 6: to do it. So hollowe I do that Friday Hallowemen,

627
00:27:37,040 --> 00:27:40,520
Speaker 6: Chris don't want I do that? Motherfucker real talk.

628
00:27:40,640 --> 00:27:43,639
Speaker 1: I always want to ask a comedian like him, Well, no,

629
00:27:45,640 --> 00:27:46,399
Speaker 1: how do you think, like.

630
00:27:55,600 --> 00:27:58,080
Speaker 3: How the comedians choose they're gonna roast in the crowd,

631
00:27:58,160 --> 00:27:59,400
Speaker 3: and how does the people with the crowd.

632
00:27:59,480 --> 00:28:02,280
Speaker 6: Maybe I don't roast. I don't even roast. I got material.

633
00:28:02,320 --> 00:28:03,359
Speaker 6: I ain't fuck with the people.

634
00:28:03,440 --> 00:28:03,600
Speaker 1: Man.

635
00:28:03,760 --> 00:28:05,240
Speaker 6: I know a lot of times people come to my

636
00:28:05,280 --> 00:28:07,400
Speaker 6: show think I'm gonna fuck with them. I just got material.

637
00:28:07,440 --> 00:28:09,320
Speaker 6: I ain't even added that to my game, just to

638
00:28:09,359 --> 00:28:11,240
Speaker 6: fuck with the people like that, because you know, everybody

639
00:28:11,280 --> 00:28:11,800
Speaker 6: can't take.

640
00:28:11,680 --> 00:28:13,200
Speaker 5: A joke, you know what I'm saying.

641
00:28:13,240 --> 00:28:16,080
Speaker 6: You never know who on what you know, ain't no

642
00:28:16,160 --> 00:28:19,080
Speaker 6: motherfucking on, ain't nobody chicking for no guns, but nigga

643
00:28:19,119 --> 00:28:21,680
Speaker 6: coming to the comedy club, you know what I'm saying.

644
00:28:22,000 --> 00:28:23,639
Speaker 6: So I don't you know, I'm gonna say what I

645
00:28:23,680 --> 00:28:26,320
Speaker 6: won't say, but I'm never gonna say no shit, they's

646
00:28:26,320 --> 00:28:27,560
Speaker 6: gonna rob nobody the wrong way.

647
00:28:27,960 --> 00:28:28,520
Speaker 5: You know what I'm saying.

648
00:28:28,520 --> 00:28:30,480
Speaker 6: I think some people they ain't got no material, so

649
00:28:30,520 --> 00:28:32,399
Speaker 6: they get looking to fire somebody up, because that's just

650
00:28:32,480 --> 00:28:34,479
Speaker 6: what they're good at, just trying to fire somebody up.

651
00:28:34,520 --> 00:28:36,080
Speaker 1: What about like a nigga the crowd.

652
00:28:38,200 --> 00:28:43,400
Speaker 6: Oh yeah, i'mnna get that nigga remove quickly, just like yeah,

653
00:28:43,400 --> 00:28:44,920
Speaker 6: I'm gonna get he removed. He got a date, she

654
00:28:45,000 --> 00:28:49,920
Speaker 6: can stay, you know what I'm saying. Some ship like that, Yeah,

655
00:28:49,960 --> 00:28:51,560
Speaker 6: I might buy a nigga. Bitch, you drink while I'm

656
00:28:51,560 --> 00:28:55,520
Speaker 6: gonna stay. I'm a play away, you know what I'm saying.

657
00:28:56,120 --> 00:28:58,840
Speaker 6: Some ship like that, man, Yeah, real talk.

658
00:29:00,280 --> 00:29:03,560
Speaker 1: That was saying it's what he lives.

659
00:29:03,600 --> 00:29:06,920
Speaker 6: Though I appreciate, I'm just just I just want to

660
00:29:06,960 --> 00:29:09,560
Speaker 6: be great, bro. I ain't no competition about everybody funny

661
00:29:09,600 --> 00:29:11,960
Speaker 6: in their own way show you know. I feel like

662
00:29:12,000 --> 00:29:14,280
Speaker 6: everybody got their chance. They doing their thing. Don't get

663
00:29:14,360 --> 00:29:16,080
Speaker 6: mad when I get mine. That's the way I look

664
00:29:16,120 --> 00:29:17,760
Speaker 6: at this ship. I don't never be old up that

665
00:29:17,840 --> 00:29:20,920
Speaker 6: nigga doing his thing. I gotta no, I'm just doing me.

666
00:29:22,720 --> 00:29:29,480
Speaker 1: They said anything else when I got big? What's your goal?

667
00:29:29,640 --> 00:29:32,240
Speaker 1: Like what you feel like once you do this? Okay?

668
00:29:32,360 --> 00:29:36,120
Speaker 6: Yeah, on him all the way him movies, Like I say,

669
00:29:36,280 --> 00:29:38,520
Speaker 6: not the throat shay, but movies that's not gonna to

670
00:29:38,680 --> 00:29:43,120
Speaker 6: me like I'm being I know I'm on the right,

671
00:29:43,840 --> 00:29:48,960
Speaker 6: But I want a big motherfucker, a big motherfucking line color.

672
00:29:49,240 --> 00:29:51,720
Speaker 1: Yeah that type of ship, bro, your moment.

673
00:29:51,640 --> 00:29:53,560
Speaker 6: Yeah, I want I want some ship that's don't get

674
00:29:53,640 --> 00:29:56,840
Speaker 6: enough nigga numb naive for Oscar that type of ship.

675
00:29:57,840 --> 00:30:00,120
Speaker 1: Uh So you say you can easy player serious bro?

676
00:30:00,400 --> 00:30:03,600
Speaker 6: Yeah yeah, I'm more definitely more shites roll on ship man.

677
00:30:03,640 --> 00:30:06,960
Speaker 6: I got two movies, roll myself. So do you smoke

678
00:30:07,560 --> 00:30:09,680
Speaker 6: absolutely like a broke star.

679
00:30:11,080 --> 00:30:14,120
Speaker 5: But I just started smoking though two years ago.

680
00:30:14,160 --> 00:30:15,200
Speaker 1: You've always been cool.

681
00:30:15,360 --> 00:30:18,160
Speaker 5: Yeah, always. I'm from the country. Ain't sure else to do.

682
00:30:20,600 --> 00:30:23,520
Speaker 6: You know what I'm saying. Do ride dirty bike photos

683
00:30:23,600 --> 00:30:26,640
Speaker 6: and ship, ride horses. Ship move slow like a motherfucker.

684
00:30:27,320 --> 00:30:29,280
Speaker 6: It's a culture shop. You don't nothing move but the

685
00:30:29,360 --> 00:30:32,440
Speaker 6: money Big city is a culture shot. No, not for me, man,

686
00:30:32,440 --> 00:30:34,320
Speaker 6: I'm bill forging ship. I was boring for this ship.

687
00:30:34,400 --> 00:30:34,560
Speaker 9: Man.

688
00:30:34,680 --> 00:30:36,400
Speaker 5: I go to these ciggas and eat this ship up.

689
00:30:36,840 --> 00:30:39,720
Speaker 6: You know, every cart riding through that's how you know

690
00:30:39,800 --> 00:30:43,520
Speaker 6: a nigga country, every car, the break squealing and everything.

691
00:30:45,360 --> 00:30:50,880
Speaker 5: Yeah, man, just what it is street break.

692
00:30:51,280 --> 00:30:51,760
Speaker 1: I'm real man.

693
00:30:51,960 --> 00:30:53,920
Speaker 6: I come from a time we had like a big

694
00:30:54,040 --> 00:30:56,360
Speaker 6: thing is the trailer rise. Everybody get their horses and

695
00:30:56,480 --> 00:30:58,600
Speaker 6: ride them and ship. But why I'm from these niggas

696
00:30:58,640 --> 00:31:00,880
Speaker 6: don't be feeding their motherfucking horse. Is my niggas? What

697
00:31:01,840 --> 00:31:05,920
Speaker 6: was like great dang dogs, my nigga. I swear to God,

698
00:31:09,080 --> 00:31:11,080
Speaker 6: this real life, real ship.

699
00:31:11,120 --> 00:31:12,280
Speaker 1: These niggas that the trail.

700
00:31:12,160 --> 00:31:14,080
Speaker 6: Rode be inviting me out when I'm front, come on

701
00:31:14,280 --> 00:31:16,520
Speaker 6: back home and come take the trail ride. Look at

702
00:31:16,560 --> 00:31:19,360
Speaker 6: my heart. It's a fucking dog. My niggas I'm not

703
00:31:19,360 --> 00:31:20,920
Speaker 6: getting pressed with this ship, man.

704
00:31:22,880 --> 00:31:23,360
Speaker 1: Think about it.

705
00:31:23,560 --> 00:31:27,680
Speaker 14: My nigga got a big truck, big trailer, big Texas

706
00:31:27,760 --> 00:31:31,760
Speaker 14: belt buckle, big wallet, horse sting them, my mother horse

707
00:31:32,160 --> 00:31:33,920
Speaker 14: horse eating notacho them racehorses.

708
00:31:34,320 --> 00:31:37,640
Speaker 6: God damn yeah, racehorse.

709
00:31:38,120 --> 00:31:42,040
Speaker 1: Brother can't gate when you come out with my fucking trailer.

710
00:31:42,160 --> 00:31:45,280
Speaker 6: My nigga, the horse got nigga heart died bigger like

711
00:31:45,360 --> 00:31:46,440
Speaker 6: the motherfucker die.

712
00:31:46,520 --> 00:31:48,040
Speaker 1: Big horses. The nigga got.

713
00:31:49,480 --> 00:31:52,920
Speaker 6: Y'all got ship. I d I got a ski ship

714
00:31:52,960 --> 00:31:54,360
Speaker 6: for real. I know I won't be lying to you.

715
00:31:55,560 --> 00:31:59,920
Speaker 1: M so breakbeat, breakbeat right yeah over, break beat right?

716
00:32:00,080 --> 00:32:03,360
Speaker 1: Know you know Marco said fuck break yeah. My boy

717
00:32:03,440 --> 00:32:07,800
Speaker 1: brunt told me he was like, man, you gotta fuck.

718
00:32:07,840 --> 00:32:10,000
Speaker 1: But I fucked a man over the day.

719
00:32:10,120 --> 00:32:13,600
Speaker 5: Yeah, shout after Marco a good guy.

720
00:32:13,760 --> 00:32:15,440
Speaker 1: I told her what he called like cold.

721
00:32:15,440 --> 00:32:18,120
Speaker 4: We talking about as much you've been dropped episode, I said,

722
00:32:18,320 --> 00:32:20,760
Speaker 4: I'm trying to get my best d T for me, like.

723
00:32:23,440 --> 00:32:25,040
Speaker 1: Ship, how long? How many episodes?

724
00:32:25,120 --> 00:32:25,320
Speaker 9: You is?

725
00:32:25,800 --> 00:32:26,880
Speaker 4: You man?

726
00:32:26,880 --> 00:32:28,920
Speaker 6: We probably gonna shot by twenty five, but I think

727
00:32:28,960 --> 00:32:30,960
Speaker 6: we're gonna drop like six or seven. I'm still just

728
00:32:31,840 --> 00:32:34,160
Speaker 6: working progress with it. Ain't what I wanted it yet

729
00:32:34,680 --> 00:32:38,080
Speaker 6: your favorite all love shit. I appreciate anybody to pull

730
00:32:38,200 --> 00:32:39,960
Speaker 6: up on me. Man took the time out that day

731
00:32:40,000 --> 00:32:42,400
Speaker 6: to come work with me, all of my motherfucking favorite,

732
00:32:42,520 --> 00:32:45,600
Speaker 6: all of them. I ain't got no favorites in this ship.

733
00:32:46,440 --> 00:32:49,000
Speaker 5: You know what I'm saying. I'm just working any.

734
00:32:48,880 --> 00:32:51,440
Speaker 6: Any like comed and you look up to reach out

735
00:32:51,480 --> 00:32:54,440
Speaker 6: to your show. You love man, Mike else be fucking

736
00:32:54,480 --> 00:32:58,120
Speaker 6: with me. I guess what with everybody callost Miller, fuck

737
00:32:58,200 --> 00:33:02,000
Speaker 6: with me, Carlo, fuck with the Marco Desert me and

738
00:33:02,120 --> 00:33:07,200
Speaker 6: him real tight. I think I fucked up a situation.

739
00:33:07,200 --> 00:33:09,160
Speaker 6: I didn't fuck it up. I had somebody management at

740
00:33:09,200 --> 00:33:14,720
Speaker 6: the time. What's his name? They Ryan guy. I can't

741
00:33:14,800 --> 00:33:16,400
Speaker 6: he's gonna get mad. I can't think of his name,

742
00:33:16,480 --> 00:33:17,760
Speaker 6: but he reached out to me. I think he's from

743
00:33:17,800 --> 00:33:23,800
Speaker 6: North Carolina comedian. Yeah, Ryan, y'all will find.

744
00:33:23,640 --> 00:33:25,160
Speaker 1: That North Carolina Ryan. No.

745
00:33:25,680 --> 00:33:27,560
Speaker 6: I can't think of his name, but it's Ryan something.

746
00:33:27,600 --> 00:33:30,800
Speaker 6: He's real fucking dope. He's real fucking dope. He wanted

747
00:33:30,840 --> 00:33:33,200
Speaker 6: to put a situation together with me, but the guy

748
00:33:33,320 --> 00:33:35,280
Speaker 6: had management at the time fucked it off and I

749
00:33:35,320 --> 00:33:36,200
Speaker 6: don't know what happened.

750
00:33:36,600 --> 00:33:38,600
Speaker 1: Oh look, that's your camera right there looking to it, and.

751
00:33:39,440 --> 00:33:41,120
Speaker 6: I can't think of his name. I won't look at

752
00:33:41,120 --> 00:33:47,040
Speaker 6: the motherfucker you know who I'm talking about that should

753
00:33:47,160 --> 00:33:47,520
Speaker 6: come back.

754
00:33:48,000 --> 00:33:50,800
Speaker 1: What's like a major, major, major life gym. You would give.

755
00:33:50,880 --> 00:33:55,640
Speaker 6: Somebody on the mind your motherfucking business all the time,

756
00:33:55,680 --> 00:33:58,920
Speaker 6: mind your business and work hard, man. And that's what

757
00:33:59,080 --> 00:34:01,240
Speaker 6: it's about in this business. And I'll tell you what,

758
00:34:01,840 --> 00:34:05,920
Speaker 6: I take friendship over money any day in this business

759
00:34:06,520 --> 00:34:07,960
Speaker 6: because a lot of time people just want to be

760
00:34:08,000 --> 00:34:09,680
Speaker 6: doing shit for the money, man, you know what I'm

761
00:34:09,680 --> 00:34:12,000
Speaker 6: say saying, And then like bonding with the motherfucker and

762
00:34:12,120 --> 00:34:14,399
Speaker 6: building a friendship, cause Moggy gonna come from that ship

763
00:34:14,480 --> 00:34:16,719
Speaker 6: eventually down the line more than what you probably be

764
00:34:16,760 --> 00:34:19,960
Speaker 6: trying to charge this man for this woman for. So

765
00:34:20,440 --> 00:34:22,799
Speaker 6: that's what I was saying. It ain't always about the money,

766
00:34:22,840 --> 00:34:25,200
Speaker 6: because you comedy, I love. I was doing this shit

767
00:34:25,280 --> 00:34:28,040
Speaker 6: for free. You know, ainything you love, you'll do for free.

768
00:34:28,640 --> 00:34:29,719
Speaker 1: What are somebody trying to do that?

769
00:34:29,840 --> 00:34:32,400
Speaker 7: But they look at like controlling and all the cloud

770
00:34:32,480 --> 00:34:33,920
Speaker 7: chasing and all that shit in this work.

771
00:34:33,880 --> 00:34:35,759
Speaker 6: That's all we think About's how people talk about. Now

772
00:34:35,880 --> 00:34:38,840
Speaker 6: cloud chasing? You doing that for clop have a nigga

773
00:34:38,880 --> 00:34:41,440
Speaker 6: tell me that you're doing this for clop now, motherfucker,

774
00:34:41,440 --> 00:34:42,799
Speaker 6: I'm doing it for me. You're doing it for clap

775
00:34:42,840 --> 00:34:45,640
Speaker 6: because you're on my page with two followers. Motherfucker making

776
00:34:45,680 --> 00:34:47,919
Speaker 6: the comment like this. Now you're doing it for clap.

777
00:34:48,040 --> 00:34:50,000
Speaker 1: My nigga, you be erasing.

778
00:34:50,480 --> 00:34:53,279
Speaker 6: Nah, I don't fuck with them. Listen, nigga, get I

779
00:34:53,320 --> 00:34:55,000
Speaker 6: be on some camera and shit, nigga got a line.

780
00:34:55,000 --> 00:34:57,200
Speaker 6: I blocked them whole ad. Nigga, I ain't gonna let

781
00:34:57,239 --> 00:34:58,200
Speaker 6: nobody fuck on my dad.

782
00:34:58,560 --> 00:34:59,200
Speaker 5: You know what I'm saying.

783
00:34:59,640 --> 00:35:01,720
Speaker 6: I'm a boy positivity.

784
00:35:01,120 --> 00:35:04,200
Speaker 3: Over wherever they want to check you out, like your

785
00:35:04,239 --> 00:35:06,799
Speaker 3: show of course on break beating, where they can check

786
00:35:06,800 --> 00:35:08,239
Speaker 3: you out with that stand up you gotta be like

787
00:35:08,320 --> 00:35:09,080
Speaker 3: tour ship coming up?

788
00:35:09,160 --> 00:35:11,000
Speaker 6: Yeah, I got some I got a couple of shows

789
00:35:11,040 --> 00:35:13,239
Speaker 6: coming on. I'm going to announce my tour next month though.

790
00:35:13,480 --> 00:35:15,000
Speaker 6: But if they won't catch me, they can catch me

791
00:35:15,040 --> 00:35:17,359
Speaker 6: all over their breakbeat, all on my own channel. Bubble

792
00:35:17,440 --> 00:35:20,680
Speaker 6: Dug I g Bubba Dub ninety four TikTok the real

793
00:35:20,719 --> 00:35:21,239
Speaker 6: Bubble Dub.

794
00:35:21,280 --> 00:35:21,600
Speaker 5: But ship.

795
00:35:21,680 --> 00:35:24,759
Speaker 6: At this point, google me, I'm gonna pop up or

796
00:35:25,200 --> 00:35:27,400
Speaker 6: I did you know what I'm saying, I wish my

797
00:35:27,480 --> 00:35:30,000
Speaker 6: name would pop up the right way, you know, but

798
00:35:30,200 --> 00:35:33,480
Speaker 6: it's because I googled myself last week, man did nothing

799
00:35:33,520 --> 00:35:35,560
Speaker 6: pop up? I was sad in the motherfucker What you mean?

800
00:35:35,600 --> 00:35:37,560
Speaker 6: I realized I wasn't ships.

801
00:35:38,800 --> 00:35:39,319
Speaker 1: Popping up?

802
00:35:40,120 --> 00:35:42,279
Speaker 6: But no, I got some ship that I'm working on.

803
00:35:42,719 --> 00:35:45,000
Speaker 6: I can really talk about it now, though I'm still

804
00:35:45,040 --> 00:35:47,759
Speaker 6: waiting on my credit with Pop Smoke people in case

805
00:35:47,840 --> 00:35:51,520
Speaker 6: I can't remember my mon Pop Smoke first album track

806
00:35:51,600 --> 00:35:54,239
Speaker 6: eight snitching. You don't wait on my credit? Done broke bread,

807
00:35:54,320 --> 00:35:57,360
Speaker 6: but give me my credit? Started playing fucking games man credit?

808
00:35:57,440 --> 00:35:59,319
Speaker 1: How what you mean? Like what you talking about? Put

809
00:35:59,320 --> 00:36:00,200
Speaker 1: you on the track list? You know?

810
00:36:00,280 --> 00:36:02,279
Speaker 5: They they you know they took my ship two years

811
00:36:02,280 --> 00:36:03,279
Speaker 5: ago and put it on the album.

812
00:36:03,320 --> 00:36:03,719
Speaker 1: What I mean?

813
00:36:04,760 --> 00:36:05,359
Speaker 5: You know what I'm saying.

814
00:36:05,360 --> 00:36:07,320
Speaker 6: I had to fight, get lawyers and get all that

815
00:36:07,400 --> 00:36:09,560
Speaker 6: shit done, you know what I'm saying, to get my recognition.

816
00:36:09,600 --> 00:36:11,279
Speaker 5: But I ain't got my full recognition yet.

817
00:36:11,480 --> 00:36:13,879
Speaker 6: Like when y'all see Freature in Quavo name and Pop

818
00:36:13,920 --> 00:36:16,080
Speaker 6: Smoke name on that, y'all should see Jerry Morgan name

819
00:36:16,160 --> 00:36:19,480
Speaker 6: right beside this ship, because without my skit, that song

820
00:36:19,560 --> 00:36:22,120
Speaker 6: ain't what he is and freature road that bitch.

821
00:36:22,000 --> 00:36:26,640
Speaker 5: To Pluto road there. You know what I'm saying. So, yeah,

822
00:36:26,760 --> 00:36:28,880
Speaker 5: I just won't. I just won't my judge do. That's all.

823
00:36:29,200 --> 00:36:32,720
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824
00:36:32,760 --> 00:36:34,840
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825
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00:36:37,960 --> 00:36:40,640
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827
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Speaker 1: What's so, what's up? What's up?

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Speaker 13: My brother?

854
00:38:02,360 --> 00:38:05,240
Speaker 1: What's up? Man? I appreciate you, man, appreciate.

855
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Speaker 3: We appreciate you pulling up. We got a lot to

856
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857
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858
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Speaker 7: I think we should start off by just kind of

859
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Speaker 7: letting everybody know, if they're not familiar, who is boom

860
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Speaker 7: Man Like? Who are some of the acts that you've

861
00:38:17,000 --> 00:38:20,120
Speaker 7: been affiliated with, some of the producers that you brought

862
00:38:20,440 --> 00:38:21,880
Speaker 7: introduced to the world, some of the artists that you

863
00:38:21,960 --> 00:38:22,680
Speaker 7: introduced the world.

864
00:38:23,320 --> 00:38:27,120
Speaker 4: Uh about ten years in the game started with like

865
00:38:27,239 --> 00:38:30,040
Speaker 4: k Rap you know, considered the Snap King out of

866
00:38:30,120 --> 00:38:33,759
Speaker 4: high school, producing athitap y'all and stuff like that, shout

867
00:38:33,800 --> 00:38:35,640
Speaker 4: It ott on the Man, a lot of stuff like that.

868
00:38:35,719 --> 00:38:37,279
Speaker 1: I started with him. That's how I got kind of

869
00:38:37,320 --> 00:38:38,399
Speaker 1: like introduced to the game.

870
00:38:38,880 --> 00:38:41,439
Speaker 4: But most people know me outside K on the Track,

871
00:38:41,600 --> 00:38:44,799
Speaker 4: So executive produced like Swag Surfing, Future.

872
00:38:44,560 --> 00:38:45,200
Speaker 1: Magic.

873
00:38:47,680 --> 00:38:51,080
Speaker 4: Man, The Hall, j Money, Young La thirty six, so

874
00:38:51,200 --> 00:38:52,640
Speaker 4: that whole futuristic you know.

875
00:38:53,560 --> 00:38:56,640
Speaker 7: So K was your producer's son to you, right, and

876
00:38:56,760 --> 00:39:00,239
Speaker 7: then also Rosco Dash, what son you in?

877
00:39:00,360 --> 00:39:02,880
Speaker 1: Signed Roscoe Dash all the way turned up, you.

878
00:39:02,920 --> 00:39:06,000
Speaker 4: Know, no hand and at that time it was it

879
00:39:06,120 --> 00:39:09,560
Speaker 4: was yup, yup. And then I ended up getting behind

880
00:39:09,640 --> 00:39:12,760
Speaker 4: like Charlie Boyd Game with the beef it Up Innate

881
00:39:12,840 --> 00:39:16,399
Speaker 4: with the name I got with Light's Global. We did

882
00:39:16,440 --> 00:39:19,880
Speaker 4: the Juju on the beat, did a rapping on yourself

883
00:39:20,080 --> 00:39:21,719
Speaker 4: your own. I did some rapping them on.

884
00:39:21,800 --> 00:39:23,840
Speaker 1: I had. I had songs out the independent artists.

885
00:39:23,880 --> 00:39:25,760
Speaker 4: I had songs with everybody in the game, from Future

886
00:39:25,840 --> 00:39:30,760
Speaker 4: to Chains, Gucci, Yo Gotti, Walk Up, Rocko, k Kemp,

887
00:39:32,640 --> 00:39:35,200
Speaker 4: helps sign Love Pump. I also consulted a lot of

888
00:39:35,239 --> 00:39:37,239
Speaker 4: people like the Love Renaissance. I helped him get that

889
00:39:37,360 --> 00:39:40,680
Speaker 4: lawyer which ended up getting their situation, uh consultant, even

890
00:39:40,719 --> 00:39:43,120
Speaker 4: with Mike Will A lot of different people may you

891
00:39:43,160 --> 00:39:45,239
Speaker 4: know been around, But I kind of got my start

892
00:39:45,320 --> 00:39:50,239
Speaker 4: in by this DJ by the name of DJ Screen. Yeah,

893
00:39:50,760 --> 00:39:53,040
Speaker 4: the mid tape let me, helped break me out on

894
00:39:53,080 --> 00:39:54,799
Speaker 4: the scene. So you know what I'm saying, It's an

895
00:39:54,800 --> 00:39:58,400
Speaker 4: honest and privilege to be here. So most most recently

896
00:39:58,480 --> 00:40:01,280
Speaker 4: fu Giano, you know money move with the hitting record

897
00:40:01,400 --> 00:40:03,360
Speaker 4: behind like over one hundred million records.

898
00:40:03,400 --> 00:40:06,279
Speaker 7: So yeah, someone ask a real question and we'll get

899
00:40:06,360 --> 00:40:07,759
Speaker 7: to the deep of it. Why do you think it

900
00:40:07,920 --> 00:40:10,799
Speaker 7: is you put you put your effort in the artist.

901
00:40:10,880 --> 00:40:15,239
Speaker 7: You probably had to financially invest in some artists. Why

902
00:40:15,280 --> 00:40:18,720
Speaker 7: do you think along the route with all the artists

903
00:40:18,719 --> 00:40:20,680
Speaker 7: at one point or another there might have been some friction,

904
00:40:20,880 --> 00:40:24,120
Speaker 7: misunderstanding or just kind of like what causes the separation,

905
00:40:25,120 --> 00:40:27,320
Speaker 7: so people can kind of understand the relationship between the

906
00:40:27,400 --> 00:40:30,160
Speaker 7: CEO and the artist, Like there's a lot of moving parts, right.

907
00:40:30,320 --> 00:40:33,319
Speaker 4: Yeah, I think what it is for me and y'all

908
00:40:33,400 --> 00:40:35,480
Speaker 4: been hearing it a lot lately, like the culchure been

909
00:40:35,520 --> 00:40:41,480
Speaker 4: getting educated. Where as an exect, as an exect, you

910
00:40:41,640 --> 00:40:43,719
Speaker 4: have to do a certain amount of So let me

911
00:40:43,760 --> 00:40:46,200
Speaker 4: put it like this, I'm gonna say that right, as

912
00:40:46,280 --> 00:40:48,440
Speaker 4: an artist, when you get close to the artists, it

913
00:40:48,560 --> 00:40:51,279
Speaker 4: because the line get jaded. You get where I'm coming from.

914
00:40:51,360 --> 00:40:54,080
Speaker 4: So but me, for me to make an artist pop

915
00:40:54,200 --> 00:40:56,000
Speaker 4: the way I needed to pop, I kind of have

916
00:40:56,160 --> 00:40:56,800
Speaker 4: to be hands on.

917
00:40:57,080 --> 00:40:58,080
Speaker 1: You feel what I'm coming from.

918
00:40:58,320 --> 00:40:59,960
Speaker 4: And then what happens is when they get too close

919
00:41:00,200 --> 00:41:02,919
Speaker 4: to you, a lot of time, envness and jealousy seep

920
00:41:02,960 --> 00:41:05,719
Speaker 4: seeing because maybe they don't know the business like they're

921
00:41:05,719 --> 00:41:10,239
Speaker 4: supposed to know the business, and they thinking it's one thing.

922
00:41:10,360 --> 00:41:13,000
Speaker 4: So I'm gonna say this right, a lot of artists

923
00:41:13,440 --> 00:41:15,359
Speaker 4: they don't understand business, right.

924
00:41:15,480 --> 00:41:16,880
Speaker 1: So I had to be one of the type of

925
00:41:16,960 --> 00:41:19,080
Speaker 1: people where I had to understand like both sides.

926
00:41:19,600 --> 00:41:21,600
Speaker 4: So I had to understand the creative side because I

927
00:41:21,680 --> 00:41:23,759
Speaker 4: was an independent artist, but I started out on the

928
00:41:23,840 --> 00:41:28,280
Speaker 4: business side and learning business. I was reading like books

929
00:41:28,520 --> 00:41:30,120
Speaker 4: coming out of high.

930
00:41:29,960 --> 00:41:31,960
Speaker 1: School on business and being an entrepreneur. You know what

931
00:41:31,960 --> 00:41:32,279
Speaker 1: I'm saying.

932
00:41:32,320 --> 00:41:33,719
Speaker 4: I built my house from the ground up when I

933
00:41:33,800 --> 00:41:35,880
Speaker 4: was twenty one, so I already had been on a

934
00:41:35,960 --> 00:41:39,280
Speaker 4: business mindframe and a business mindset from a young age,

935
00:41:39,760 --> 00:41:44,640
Speaker 4: and so coming up not realizing that for the artists,

936
00:41:44,680 --> 00:41:46,400
Speaker 4: it's more what they say. The right side of the

937
00:41:46,480 --> 00:41:49,680
Speaker 4: brain is the creative side. It's more creative, you feel me.

938
00:41:49,800 --> 00:41:53,240
Speaker 4: So when it's more creative, it's less business. It's less logical.

939
00:41:53,600 --> 00:41:56,640
Speaker 4: So everything is emotional driven. That's why if you hear

940
00:41:57,880 --> 00:42:01,279
Speaker 4: a lot of people, they'll say, I bet he didn't

941
00:42:01,280 --> 00:42:04,440
Speaker 4: read his contract right, because they're doing everything off emotions

942
00:42:04,480 --> 00:42:05,600
Speaker 4: and off feelings, and so.

943
00:42:05,719 --> 00:42:07,600
Speaker 1: They feel like it should be a certain way.

944
00:42:07,600 --> 00:42:09,560
Speaker 4: They think it should be a certain way, and then

945
00:42:09,600 --> 00:42:11,280
Speaker 4: you come down to the business and you'd.

946
00:42:11,120 --> 00:42:14,000
Speaker 1: Be like, oh, that's not what some too.

947
00:42:14,560 --> 00:42:18,600
Speaker 4: God do you feel like you come in as big bro,

948
00:42:19,239 --> 00:42:23,520
Speaker 4: big brother, but then you do business. That's the difference

949
00:42:23,600 --> 00:42:28,279
Speaker 4: niggas to feel like niggas feel like okay, brou when

950
00:42:28,320 --> 00:42:30,480
Speaker 4: they see the business side of it right, and then

951
00:42:30,560 --> 00:42:32,640
Speaker 4: when when we do business, we do business in our favor.

952
00:42:32,719 --> 00:42:35,280
Speaker 4: It's just how business goes right, Okay. So a nigga

953
00:42:35,360 --> 00:42:38,000
Speaker 4: feel like I'm fuck with you, brou.

954
00:42:38,480 --> 00:42:40,520
Speaker 3: But because I hear this shit all the time from niggas,

955
00:42:40,520 --> 00:42:43,200
Speaker 3: I ain't think you'll do me like that instead of.

956
00:42:45,560 --> 00:42:48,560
Speaker 4: What it is like you took advantage of him type ship. Well,

957
00:42:48,719 --> 00:42:50,520
Speaker 4: I look at it from the flip side, I feel

958
00:42:50,560 --> 00:42:52,480
Speaker 4: like playing make my money back. You took advantage of me.

959
00:42:53,160 --> 00:42:55,719
Speaker 5: In fact, I'm the.

960
00:42:55,760 --> 00:42:57,960
Speaker 1: One spending the money. I'm the one taking my loss.

961
00:42:58,080 --> 00:42:59,560
Speaker 3: Not what I'm saying this, but when you, when you

962
00:42:59,680 --> 00:43:01,800
Speaker 3: when and when the money get that, that's when niggas

963
00:43:01,800 --> 00:43:03,160
Speaker 3: starts seeing the business side, like.

964
00:43:04,840 --> 00:43:06,800
Speaker 1: Talk to your lawyers, say that's how niggas take it.

965
00:43:06,840 --> 00:43:09,080
Speaker 4: Though they can take it that way, but that once again,

966
00:43:09,160 --> 00:43:11,040
Speaker 4: I told you that's off of feelings, because guess what

967
00:43:11,200 --> 00:43:14,040
Speaker 4: we did a contract, right yeah, yeah, we grown.

968
00:43:14,520 --> 00:43:17,160
Speaker 1: Like you's a minor. That's one thing.

969
00:43:17,320 --> 00:43:20,240
Speaker 7: But somethingves not saying you tick it to the artists

970
00:43:20,280 --> 00:43:21,239
Speaker 7: like there's some family ship.

971
00:43:21,320 --> 00:43:23,920
Speaker 3: So when you use the F word, it changed the dynamic.

972
00:43:23,920 --> 00:43:26,879
Speaker 3: I understand being grown, but it changed the dynamics. When

973
00:43:26,920 --> 00:43:29,799
Speaker 3: tattoos get involved in this and that and full life

974
00:43:30,880 --> 00:43:33,480
Speaker 3: change the dynamic of the business. Right right, that's what

975
00:43:33,600 --> 00:43:35,080
Speaker 3: you're going more towards gang.

976
00:43:36,480 --> 00:43:40,040
Speaker 1: Business. You started tattooing. That's more like affiliated, Like I

977
00:43:40,080 --> 00:43:40,840
Speaker 1: don't know what that is.

978
00:43:40,960 --> 00:43:42,239
Speaker 4: It's like I don't know.

979
00:43:42,400 --> 00:43:45,600
Speaker 1: For me, I might get a tatted on them because

980
00:43:45,600 --> 00:43:47,360
Speaker 1: they got so much love for the brand, and I

981
00:43:47,520 --> 00:43:48,799
Speaker 1: respect that you know what I'm saying.

982
00:43:48,840 --> 00:43:51,239
Speaker 4: But all my artists can tell you every single last

983
00:43:51,280 --> 00:43:53,280
Speaker 4: one of them because I learned from an early stage.

984
00:43:53,400 --> 00:43:55,839
Speaker 4: Like listen, I ain't into the loyd to you because

985
00:43:55,840 --> 00:43:59,239
Speaker 4: I'm I understand that most artists and most people are

986
00:43:59,320 --> 00:43:59,759
Speaker 4: loyal to it.

987
00:44:00,440 --> 00:44:02,520
Speaker 1: Get where I'm coming from. For me, it's all about

988
00:44:02,600 --> 00:44:04,200
Speaker 1: being professional. You know what I'm saying.

989
00:44:04,239 --> 00:44:06,399
Speaker 4: I just want you to be professional, Like, let's let's

990
00:44:06,440 --> 00:44:09,280
Speaker 4: havendle business first, and let's build off of that foundation,

991
00:44:09,560 --> 00:44:11,920
Speaker 4: because I understand most people are loyal to their family.

992
00:44:12,040 --> 00:44:15,080
Speaker 4: You understand they're loyal to to some money like it

993
00:44:15,120 --> 00:44:17,640
Speaker 4: ain't I if you notice, like I want you, we've

994
00:44:17,640 --> 00:44:20,000
Speaker 4: been hearing the same story right with all.

995
00:44:19,960 --> 00:44:21,960
Speaker 1: The ex and all the artists. It's two sides. It's

996
00:44:22,000 --> 00:44:22,560
Speaker 1: two folks.

997
00:44:22,760 --> 00:44:24,960
Speaker 4: I think it's about time to find a common ground.

998
00:44:25,040 --> 00:44:27,920
Speaker 4: You understand what I'm saying, Like artists feel taking advantage

999
00:44:27,920 --> 00:44:31,080
Speaker 4: of but the label people like, shoot, I need to

1000
00:44:31,120 --> 00:44:33,520
Speaker 4: make my money, Like I think what it is is

1001
00:44:34,400 --> 00:44:37,640
Speaker 4: artists don't realize that labels are in business to make money.

1002
00:44:38,440 --> 00:44:42,600
Speaker 4: And my thing is is if you didn't have if

1003
00:44:42,640 --> 00:44:45,120
Speaker 4: you wasn't poppular, right and you didn't have a name

1004
00:44:45,280 --> 00:44:47,680
Speaker 4: or a brand, and now you're able to have a

1005
00:44:47,760 --> 00:44:50,800
Speaker 4: platform to even speak on somebody. It was a blessing

1006
00:44:51,080 --> 00:44:53,440
Speaker 4: because you wasn't there before. And if you didn't, if

1007
00:44:53,480 --> 00:44:55,319
Speaker 4: you could do it on your own, you wouldn't need

1008
00:44:55,360 --> 00:44:55,720
Speaker 4: a label.

1009
00:44:57,040 --> 00:44:58,839
Speaker 1: What you signed for? How was it a bad deal?

1010
00:44:58,920 --> 00:45:01,239
Speaker 1: You signed it? So you guess what you did?

1011
00:45:01,280 --> 00:45:03,200
Speaker 4: You did a offer, how you felt an off emotion

1012
00:45:03,320 --> 00:45:05,759
Speaker 4: instead off of business. So now I'm like, hey, man,

1013
00:45:05,840 --> 00:45:07,799
Speaker 4: make sure you have a lawyer, make sure you check

1014
00:45:07,880 --> 00:45:08,320
Speaker 4: the business.

1015
00:45:08,400 --> 00:45:10,480
Speaker 1: Like I'm big on that. But the thing is, I'm built.

1016
00:45:10,280 --> 00:45:12,680
Speaker 4: Different though, Like I'm a little bit different when it

1017
00:45:12,760 --> 00:45:14,960
Speaker 4: comes to deal with artists, Like I don't want to

1018
00:45:16,120 --> 00:45:17,759
Speaker 4: I don't want to work with nobody don't want to

1019
00:45:17,760 --> 00:45:18,040
Speaker 4: work with me.

1020
00:45:18,880 --> 00:45:20,960
Speaker 1: I'm big on that. I let niggas go.

1021
00:45:21,040 --> 00:45:23,520
Speaker 4: I don't do no perpetuity. It's like hey, soon as

1022
00:45:23,640 --> 00:45:25,759
Speaker 4: hey if it ain't working. But whatever, I invested my

1023
00:45:25,840 --> 00:45:26,640
Speaker 4: money too.

1024
00:45:27,200 --> 00:45:29,839
Speaker 1: I want my money. Man. You feel whe I'm coming from,

1025
00:45:29,960 --> 00:45:30,960
Speaker 1: like we locked in?

1026
00:45:31,600 --> 00:45:32,080
Speaker 4: So what I mean?

1027
00:45:32,680 --> 00:45:37,759
Speaker 1: Okay, So if that's the case, Like, is it wrong to.

1028
00:45:38,160 --> 00:45:41,359
Speaker 8: Partially work off of emotion when you're about to enter

1029
00:45:41,560 --> 00:45:44,640
Speaker 8: into a major business contract with somebody? Because, like you said,

1030
00:45:45,000 --> 00:45:46,800
Speaker 8: you don't want anybody to work with you that doesn't

1031
00:45:46,800 --> 00:45:48,759
Speaker 8: want to work with you. Right, So, in order for

1032
00:45:48,880 --> 00:45:52,160
Speaker 8: somebody to feel comfortable enough to want to work with

1033
00:45:52,280 --> 00:45:54,000
Speaker 8: you and to want to bust down their breads with

1034
00:45:54,120 --> 00:45:58,480
Speaker 8: you and to do everything that is contractually obligated, it

1035
00:45:58,640 --> 00:46:00,920
Speaker 8: has to be some sort of who are there in

1036
00:46:01,120 --> 00:46:03,439
Speaker 8: order for you, you guys, to be able to feel like, Okay,

1037
00:46:03,840 --> 00:46:05,080
Speaker 8: this is some ship that might work.

1038
00:46:05,360 --> 00:46:09,240
Speaker 1: Right. So, so I agree it's gonna be a balance

1039
00:46:09,320 --> 00:46:11,600
Speaker 1: of both. But but this is the thing.

1040
00:46:13,600 --> 00:46:16,320
Speaker 4: Contracts are in place for when things go bad. You

1041
00:46:16,400 --> 00:46:17,400
Speaker 4: get where I'm coming from it.

1042
00:46:17,520 --> 00:46:19,600
Speaker 3: You're right, You're right about what you're saying, because at

1043
00:46:19,600 --> 00:46:20,959
Speaker 3: the end of the day, I can see both sides

1044
00:46:21,000 --> 00:46:23,200
Speaker 3: of it because most of the time niggas don't really

1045
00:46:23,200 --> 00:46:25,439
Speaker 3: be believing in themselves, right you do when you spend

1046
00:46:25,520 --> 00:46:25,879
Speaker 3: your money.

1047
00:46:26,239 --> 00:46:27,880
Speaker 4: You can spend your money in a nigga believe so

1048
00:46:28,000 --> 00:46:30,000
Speaker 4: much more them. Nigga can't even see what they finna

1049
00:46:30,000 --> 00:46:31,879
Speaker 4: go to you when I get you here, and none

1050
00:46:31,880 --> 00:46:32,680
Speaker 4: of shit different.

1051
00:46:32,960 --> 00:46:34,080
Speaker 1: Yeah, you know what I'm.

1052
00:46:33,920 --> 00:46:35,759
Speaker 3: Saying, Like a nigga can agree, like we can agree

1053
00:46:35,800 --> 00:46:38,600
Speaker 3: from the first started ship. Fitty Fit then I get

1054
00:46:38,640 --> 00:46:40,799
Speaker 3: on the motherfucker. Motherfucker start posting me, reposting me. Now

1055
00:46:40,800 --> 00:46:43,000
Speaker 3: I feel like I'm gonna seventy five twenty five.

1056
00:46:43,200 --> 00:46:46,600
Speaker 1: Let me let me ask you. Let me ask that's

1057
00:46:46,600 --> 00:46:47,880
Speaker 1: how that ship go up. Let me ask you.

1058
00:46:48,160 --> 00:46:49,759
Speaker 4: Nigga don't want your niggas excuse me, my bad. I

1059
00:46:49,800 --> 00:46:52,680
Speaker 4: don't tell you niggas don't be see I've seen both sides.

1060
00:46:52,680 --> 00:46:54,759
Speaker 4: I don't know his situation. I'm talking about period.

1061
00:46:55,000 --> 00:46:57,480
Speaker 1: Niggas goes Okay, we agree to twenty five percent.

1062
00:46:57,520 --> 00:47:01,680
Speaker 3: I'm your manager, m and the folks start saying, you

1063
00:47:01,719 --> 00:47:04,880
Speaker 3: get a million dollars a show, and folk fifty that

1064
00:47:04,960 --> 00:47:05,840
Speaker 3: money gotta come out of that.

1065
00:47:06,040 --> 00:47:08,640
Speaker 1: Now you're looking like why you get so much? Twenty

1066
00:47:08,680 --> 00:47:12,680
Speaker 1: five percent? Twenty five percent? You cool with me? Get

1067
00:47:16,000 --> 00:47:20,600
Speaker 1: y'all get that too, out him, get different. That's the truth.

1068
00:47:21,760 --> 00:47:24,640
Speaker 4: Like, I don't know which situation when you but I

1069
00:47:24,640 --> 00:47:29,600
Speaker 4: don't have seen this ship any niggas. How every time niggas,

1070
00:47:29,600 --> 00:47:31,920
Speaker 4: when the nigga get depped there at that point the

1071
00:47:32,200 --> 00:47:35,040
Speaker 4: ship wrong. That's how that ship you would be getting

1072
00:47:35,080 --> 00:47:37,680
Speaker 4: bro ain't and a lot of nigga don't sign a

1073
00:47:37,719 --> 00:47:42,920
Speaker 4: lot of my friends that y'all be and probably went like, alright,

1074
00:47:43,480 --> 00:47:45,279
Speaker 4: who I fuck got it?

1075
00:47:45,320 --> 00:47:48,040
Speaker 1: But I'm talking about the young niggas. Move move, move move,

1076
00:47:48,360 --> 00:47:50,719
Speaker 1: that's my man. So I don't know what happened with

1077
00:47:50,760 --> 00:47:52,440
Speaker 1: y'all situations. I don't know, but I just see he

1078
00:47:52,520 --> 00:47:53,560
Speaker 1: doing what he's doing. Now you're doing.

1079
00:47:53,560 --> 00:47:55,560
Speaker 4: You still do what you're doing, okay, but I don't

1080
00:47:55,560 --> 00:47:57,080
Speaker 4: know yet. We'll get to that, but I'm saying it

1081
00:47:57,160 --> 00:47:59,200
Speaker 4: so I can't. I'm not saying I'm picking no sides,

1082
00:47:59,760 --> 00:48:02,400
Speaker 4: but I've seen niggas because I've been an artist and

1083
00:48:02,560 --> 00:48:04,800
Speaker 4: I've been a nigga who signing it. You get know

1084
00:48:04,840 --> 00:48:06,720
Speaker 4: what I'm saying. That's why I never even did a contract.

1085
00:48:06,880 --> 00:48:08,120
Speaker 4: Let's see how read you're gonna.

1086
00:48:08,000 --> 00:48:09,560
Speaker 1: Keep it and the you know what I did.

1087
00:48:11,080 --> 00:48:12,799
Speaker 4: When we gonna talk to your crappers and put these

1088
00:48:12,800 --> 00:48:16,680
Speaker 4: crappers in our business, then we'll do the contract what.

1089
00:48:17,080 --> 00:48:17,960
Speaker 1: You feel like I did.

1090
00:48:18,400 --> 00:48:19,960
Speaker 4: That's what kind of a nigga I was, because I

1091
00:48:20,080 --> 00:48:22,120
Speaker 4: was doing being there with my family. You get what

1092
00:48:22,160 --> 00:48:25,359
Speaker 4: I'm saying. So I don't even you're not contractually tied

1093
00:48:25,400 --> 00:48:27,400
Speaker 4: to me yet until you see what it is.

1094
00:48:28,080 --> 00:48:30,440
Speaker 3: But you know when you're gonna start seeing certain ship

1095
00:48:30,840 --> 00:48:33,520
Speaker 3: on the because niggas don't understand. Once you don't spend

1096
00:48:33,560 --> 00:48:35,960
Speaker 3: your money all there is no folk calling they name

1097
00:48:36,000 --> 00:48:39,560
Speaker 3: in the crowd. Damn this nigga who don't spend all

1098
00:48:39,600 --> 00:48:41,520
Speaker 3: this money, they getting.

1099
00:48:41,239 --> 00:48:43,360
Speaker 1: Them to call my name. So I don't think that.

1100
00:48:43,680 --> 00:48:45,920
Speaker 1: I don't know. But what like I said, again, I

1101
00:48:45,960 --> 00:48:48,360
Speaker 1: don't know what happened? But when when the being that

1102
00:48:48,440 --> 00:48:48,839
Speaker 1: come into place?

1103
00:48:48,840 --> 00:48:53,560
Speaker 4: Because I ain't no bis and when you broke, so

1104
00:48:53,640 --> 00:48:55,440
Speaker 4: you don't mean for anything, I ain't no being, no

1105
00:48:55,480 --> 00:48:56,160
Speaker 4: whdy you will broke?

1106
00:48:56,480 --> 00:48:58,840
Speaker 1: Yeah? Yeah, hell y'all, y'all, bro don't care where you

1107
00:48:58,960 --> 00:49:06,759
Speaker 1: got all that? Bro y'all? So yeah, how you hear that?

1108
00:49:09,600 --> 00:49:12,920
Speaker 1: I want to ask ja the rhetorical question. It's rhetorical.

1109
00:49:13,000 --> 00:49:16,160
Speaker 4: How can I answer? Well, I'm just I'm just saying

1110
00:49:16,200 --> 00:49:18,279
Speaker 4: in general, I get it. But I want to ask

1111
00:49:18,320 --> 00:49:21,279
Speaker 4: you a question, like what artists have you ever heard

1112
00:49:21,320 --> 00:49:22,560
Speaker 4: said they did sign a good deal?

1113
00:49:25,640 --> 00:49:29,520
Speaker 1: One savage? Yeah, you sign a self. I guess he's

1114
00:49:29,520 --> 00:49:32,400
Speaker 1: said sign somebody else. Yeah, they had a record deal.

1115
00:49:32,480 --> 00:49:35,239
Speaker 1: But he's man, he said he had a great deal.

1116
00:49:36,239 --> 00:49:39,040
Speaker 4: He signed. He's a business person signing to a lady.

1117
00:49:39,560 --> 00:49:42,239
Speaker 4: He's signing a he's signing a company. I'm talking about

1118
00:49:42,239 --> 00:49:45,839
Speaker 4: an artist signing to a lady. I've never heard an

1119
00:49:45,960 --> 00:49:48,440
Speaker 4: artist that signed to an independent label said that they

1120
00:49:48,480 --> 00:49:49,120
Speaker 4: signed a good deal.

1121
00:49:49,239 --> 00:49:49,839
Speaker 1: Never in my life.

1122
00:49:49,960 --> 00:49:54,120
Speaker 4: Exactly exactly, But I'm gonna I'm gonna tell you why.

1123
00:49:54,120 --> 00:49:57,200
Speaker 4: It's the misunderstanding, right, And this is what why I

1124
00:49:57,280 --> 00:49:59,960
Speaker 4: got my platform. I like doing a lot of educating, right,

1125
00:50:00,120 --> 00:50:01,360
Speaker 4: because I've been on both sides.

1126
00:50:01,520 --> 00:50:03,560
Speaker 1: You feel me. I've been an artist, I'm an exec,

1127
00:50:03,800 --> 00:50:04,279
Speaker 1: you feel me.

1128
00:50:04,680 --> 00:50:06,960
Speaker 4: So what I tried to splay to the artist like

1129
00:50:07,000 --> 00:50:09,040
Speaker 4: I just was on another podcast and we were talking

1130
00:50:09,040 --> 00:50:11,839
Speaker 4: about three sixty deals, right, and I'm like, three sixty deal?

1131
00:50:11,920 --> 00:50:13,480
Speaker 4: All it is income participation?

1132
00:50:13,840 --> 00:50:15,600
Speaker 1: You feel me? Because this is the thing.

1133
00:50:15,719 --> 00:50:18,360
Speaker 4: Right, Let's speak on the artists that I've dealt with

1134
00:50:19,680 --> 00:50:21,120
Speaker 4: before I got with him. Have you ever heard of

1135
00:50:21,120 --> 00:50:27,720
Speaker 4: them before I? Did they have a number one record?

1136
00:50:27,920 --> 00:50:29,799
Speaker 4: Did they have a record doing a million streams? Did

1137
00:50:29,800 --> 00:50:31,160
Speaker 4: they have a record doing a million views?

1138
00:50:31,480 --> 00:50:37,640
Speaker 1: Was they touring? Did they have real Man? I'm just

1139
00:50:37,719 --> 00:50:38,560
Speaker 1: asking the question.

1140
00:50:39,320 --> 00:50:43,319
Speaker 4: I'm saying so so, no matter what happened, I look

1141
00:50:43,360 --> 00:50:45,560
Speaker 4: at it like this. I spent one hundreds of thousands

1142
00:50:45,600 --> 00:50:50,120
Speaker 4: to millions of dollars. I'm gonna do paperwork because I

1143
00:50:50,239 --> 00:50:53,719
Speaker 4: know every artist damn near switch up. I don't know

1144
00:50:53,840 --> 00:50:56,120
Speaker 4: too many. But the thing about me is I respect

1145
00:50:56,160 --> 00:50:57,840
Speaker 4: the business. It's kind of like I look at like

1146
00:50:57,840 --> 00:50:59,960
Speaker 4: the NFL. You come in, you do a rookie time,

1147
00:51:00,360 --> 00:51:03,560
Speaker 4: you score some touchdowns, you know, you know, you make

1148
00:51:03,600 --> 00:51:05,840
Speaker 4: the Pro Bowl, it's time to renegotiation because you know

1149
00:51:05,880 --> 00:51:08,840
Speaker 4: your value. Yeah yeah, no, what the value is is different.

1150
00:51:08,920 --> 00:51:09,480
Speaker 1: You know what I'm saying.

1151
00:51:09,520 --> 00:51:12,280
Speaker 4: But the problem is is I understand artists need development,

1152
00:51:12,440 --> 00:51:14,680
Speaker 4: and there's not a lot of development going on, so

1153
00:51:14,800 --> 00:51:18,000
Speaker 4: they don't understand the business. And me, I'm never the

1154
00:51:18,080 --> 00:51:20,480
Speaker 4: type of person to want to take advantage of somebody

1155
00:51:20,640 --> 00:51:21,240
Speaker 4: in the business.

1156
00:51:21,320 --> 00:51:23,560
Speaker 1: That's why I don't like move. His contract is up.

1157
00:51:24,000 --> 00:51:27,480
Speaker 1: I do contingency based deals. I do two year contingency

1158
00:51:27,520 --> 00:51:28,640
Speaker 1: based deals. That's what we moved on.

1159
00:51:28,800 --> 00:51:32,799
Speaker 4: What happened, his contract was up. I wasn't pushing no more.

1160
00:51:32,960 --> 00:51:35,120
Speaker 4: You feel I'm coming from. But the thing you used

1161
00:51:35,120 --> 00:51:38,480
Speaker 4: to push, it's a lot of different facts, right. My

1162
00:51:38,640 --> 00:51:41,320
Speaker 4: thing is this right here, it's hard ones.

1163
00:51:42,040 --> 00:51:43,759
Speaker 1: I give you the big facts. The big fats is.

1164
00:51:43,760 --> 00:51:45,759
Speaker 4: It's hard for me to push somebody and go hard

1165
00:51:45,800 --> 00:51:47,799
Speaker 4: for somebody who don't go hard for me. That's one

1166
00:51:48,040 --> 00:51:49,040
Speaker 4: you get where I'm coming from.

1167
00:51:49,120 --> 00:51:50,960
Speaker 1: So you say they don't go hard for you, What

1168
00:51:51,360 --> 00:51:51,960
Speaker 1: do you mean by that?

1169
00:51:52,480 --> 00:51:55,680
Speaker 4: It's like it's little things, right, Like, So if I'm

1170
00:51:55,760 --> 00:51:58,560
Speaker 4: investing in like I invested hundreds of thousands in the movie,

1171
00:51:58,680 --> 00:52:02,080
Speaker 4: like hundreds, you know it takes that to make a

1172
00:52:02,160 --> 00:52:04,080
Speaker 4: number be the make a song be the number one song.

1173
00:52:04,280 --> 00:52:04,400
Speaker 1: Right.

1174
00:52:05,400 --> 00:52:08,279
Speaker 4: But if I'm like, hey, can this artist open up

1175
00:52:08,480 --> 00:52:11,120
Speaker 4: or do a show, I'm gonna think about it. A bro,

1176
00:52:11,200 --> 00:52:13,439
Speaker 4: I need you to come support me at I will

1177
00:52:13,600 --> 00:52:15,960
Speaker 4: see you know, it's not like, yeah, I fuck with

1178
00:52:16,040 --> 00:52:16,319
Speaker 4: your home.

1179
00:52:16,320 --> 00:52:18,000
Speaker 1: You don't did more than for me than anybody in

1180
00:52:18,040 --> 00:52:18,399
Speaker 1: my life.

1181
00:52:19,200 --> 00:52:23,040
Speaker 8: Oh, you're saying on his end, he wasn't reciprocating the love.

1182
00:52:23,680 --> 00:52:26,560
Speaker 4: Come on from your perspective, because you're saying you're saying

1183
00:52:26,600 --> 00:52:30,359
Speaker 4: basically like this, this is how your machine running. You're saying, Okay,

1184
00:52:30,600 --> 00:52:32,640
Speaker 4: I get one of my artists to pop the top

1185
00:52:32,760 --> 00:52:35,360
Speaker 4: artists poppular, to help the smaller artists out on the

1186
00:52:35,800 --> 00:52:37,719
Speaker 4: man you said he wouldn't he wouldn't he went with

1187
00:52:37,840 --> 00:52:39,680
Speaker 4: it if he went't with it. If you don't come

1188
00:52:39,719 --> 00:52:41,239
Speaker 4: from the same thing with you're wrong. He went with

1189
00:52:41,360 --> 00:52:42,759
Speaker 4: it either, you know what I'm saying, because I was like,

1190
00:52:42,840 --> 00:52:44,600
Speaker 4: even when I started, I told him, I said, listen,

1191
00:52:44,600 --> 00:52:46,600
Speaker 4: I don't like to call people out, you know, but

1192
00:52:46,760 --> 00:52:47,480
Speaker 4: we're gonna big fact.

1193
00:52:47,480 --> 00:52:50,160
Speaker 1: We're gonna speak the big facts. In the beginning, I

1194
00:52:50,320 --> 00:52:52,960
Speaker 1: was like, hey, bro, I got this artist that just

1195
00:52:53,040 --> 00:52:54,279
Speaker 1: won because see how I do you know?

1196
00:52:54,320 --> 00:52:57,800
Speaker 4: I found food John off the showcase, right, So we

1197
00:52:57,920 --> 00:53:00,759
Speaker 4: did the showcase, he won the artist the winner. I

1198
00:53:00,880 --> 00:53:03,600
Speaker 4: did that on purpose so we could be it's camaraderie

1199
00:53:03,600 --> 00:53:05,360
Speaker 4: because I grew up in the culture just like everybody

1200
00:53:05,400 --> 00:53:07,959
Speaker 4: else looking at the cash, money's the so so death.

1201
00:53:08,360 --> 00:53:11,000
Speaker 4: You know what I'm saying, the whatever.

1202
00:53:10,800 --> 00:53:16,920
Speaker 1: You know up north, you get over everybody rocking together.

1203
00:53:17,000 --> 00:53:18,560
Speaker 1: So you know that was my vision. That was my

1204
00:53:18,680 --> 00:53:19,480
Speaker 1: dream for everything.

1205
00:53:19,560 --> 00:53:22,680
Speaker 4: And and you know, HAWKS was just like, hey man,

1206
00:53:22,680 --> 00:53:24,160
Speaker 4: I don't ready want a niggas like that, I said,

1207
00:53:24,160 --> 00:53:25,279
Speaker 4: but he here because.

1208
00:53:25,080 --> 00:53:26,960
Speaker 1: He's seeing what we did with you. He rocking with you.

1209
00:53:27,080 --> 00:53:27,600
Speaker 6: He a fan.

1210
00:53:27,800 --> 00:53:31,120
Speaker 4: You feel him coming from and it's like, nah, bro,

1211
00:53:31,520 --> 00:53:33,880
Speaker 4: you know you wanting niggas like that? So people be

1212
00:53:34,000 --> 00:53:35,880
Speaker 4: in their head. You feel me and I don't. I

1213
00:53:35,920 --> 00:53:38,600
Speaker 4: don't knock know artists because I get it. Everybody's in

1214
00:53:38,719 --> 00:53:40,800
Speaker 4: a battle because I don't know what people motive is.

1215
00:53:40,880 --> 00:53:44,040
Speaker 4: I'm in it for business and growth, like really and truly, bro,

1216
00:53:44,200 --> 00:53:46,239
Speaker 4: like we are trying to better our families and better

1217
00:53:46,239 --> 00:53:49,480
Speaker 4: our lives. Like it's not it's not egotistical with me,

1218
00:53:49,640 --> 00:53:51,799
Speaker 4: you know what I'm saying. Like I started being an

1219
00:53:51,880 --> 00:53:53,600
Speaker 4: artist because I ain't have an artist to push and

1220
00:53:53,640 --> 00:53:55,319
Speaker 4: I wanted to be in music, you know what I'm saying.

1221
00:53:55,360 --> 00:53:58,000
Speaker 4: And people when when I guess warming to me like

1222
00:53:58,080 --> 00:53:59,320
Speaker 4: that or whatever, so I was just like, you know,

1223
00:53:59,360 --> 00:54:00,839
Speaker 4: I kind of always it's been like a no man,

1224
00:54:00,960 --> 00:54:03,080
Speaker 4: you feel me like doing my thing, doing it on

1225
00:54:03,160 --> 00:54:05,600
Speaker 4: my own, figuring it out, and when I figured it out,

1226
00:54:05,600 --> 00:54:08,120
Speaker 4: when I figured out the money. Hey man, you can't

1227
00:54:08,160 --> 00:54:10,160
Speaker 4: you can't tell me now, you know what I'm saying, Like,

1228
00:54:11,000 --> 00:54:12,640
Speaker 4: you can't tell me that. You know what I'm saying,

1229
00:54:12,680 --> 00:54:14,120
Speaker 4: Like we're gonna do it how I want to do it,

1230
00:54:14,160 --> 00:54:15,680
Speaker 4: and if you don't want to do it how I want.

1231
00:54:15,560 --> 00:54:17,960
Speaker 1: To do it. Hey man, that's that's the don't you

1232
00:54:18,000 --> 00:54:18,839
Speaker 1: feel I'm coming from?

1233
00:54:19,000 --> 00:54:21,799
Speaker 7: You think in order for you know, as an executive

1234
00:54:22,040 --> 00:54:23,879
Speaker 7: for you to get to the because you're doing well

1235
00:54:24,440 --> 00:54:28,040
Speaker 7: with the next level of and probably some of these executives,

1236
00:54:28,080 --> 00:54:30,040
Speaker 7: if you talk to any executive in Atlanta, has been

1237
00:54:30,080 --> 00:54:32,800
Speaker 7: through some of the things you've been through. But do

1238
00:54:32,960 --> 00:54:36,480
Speaker 7: you think that it's gonna take an artist to kind

1239
00:54:36,520 --> 00:54:39,080
Speaker 7: of give that back to you and say, oh, he

1240
00:54:39,200 --> 00:54:41,359
Speaker 7: one hundred for you to get to that next level.

1241
00:54:41,360 --> 00:54:42,320
Speaker 1: But I think that's what it was.

1242
00:54:42,400 --> 00:54:45,719
Speaker 4: That's what food was doing. You feel so fool. He

1243
00:54:45,880 --> 00:54:47,799
Speaker 4: was waving a flag. You get what I'm coming from.

1244
00:54:48,080 --> 00:54:50,120
Speaker 4: So he got to a level. He was like one

1245
00:54:50,120 --> 00:54:51,719
Speaker 4: of the realist artist out of dealt with. You get

1246
00:54:51,800 --> 00:54:54,360
Speaker 4: I'm coming from like homes.

1247
00:54:55,520 --> 00:54:56,040
Speaker 1: He rapped it.

1248
00:54:56,120 --> 00:54:58,239
Speaker 4: He was like, he was like, I'm Tien seventeen, but

1249
00:54:58,280 --> 00:55:00,600
Speaker 4: I'm a two. You know what I'm saying, Get it twist.

1250
00:55:00,640 --> 00:55:02,960
Speaker 4: He's like, I'm ae for real. He said, you know,

1251
00:55:03,040 --> 00:55:04,920
Speaker 4: you tagged it on his face the whole nine and

1252
00:55:05,000 --> 00:55:06,640
Speaker 4: it's all love. I didn't even have to ask him

1253
00:55:06,640 --> 00:55:08,359
Speaker 4: to do it. He just rupped and wave the flat

1254
00:55:08,440 --> 00:55:11,080
Speaker 4: because he got it. He was like, bro, help change

1255
00:55:11,160 --> 00:55:14,560
Speaker 4: my life. He's seen the bigger pictures. See everybody don't

1256
00:55:14,600 --> 00:55:17,560
Speaker 4: see bro. You was running around I've been me. You

1257
00:55:17,600 --> 00:55:19,960
Speaker 4: feel don't coming from I've been me seeing screen seeing me.

1258
00:55:20,120 --> 00:55:22,000
Speaker 4: I've been getting money. You get where I'm coming from.

1259
00:55:22,280 --> 00:55:23,719
Speaker 4: But if I come and I be a part of

1260
00:55:23,760 --> 00:55:26,800
Speaker 4: your situation and I help you become somebody, It's like

1261
00:55:27,120 --> 00:55:29,359
Speaker 4: to me, it's can we speak free?

1262
00:55:30,520 --> 00:55:30,640
Speaker 1: Bro?

1263
00:55:30,920 --> 00:55:33,839
Speaker 4: It's the wholest shit ever to try to tear down

1264
00:55:33,880 --> 00:55:35,080
Speaker 4: and knock somebody who helped you.

1265
00:55:35,280 --> 00:55:37,080
Speaker 1: Whenever I see that ship on the internet, Bro, that

1266
00:55:37,120 --> 00:55:38,000
Speaker 1: shit pitched me off.

1267
00:55:37,880 --> 00:55:39,600
Speaker 4: So bad because I'm like, Bro, you wouldn't even have

1268
00:55:39,719 --> 00:55:42,120
Speaker 4: this platform to say anything if it wasn't for that.

1269
00:55:42,239 --> 00:55:45,840
Speaker 1: Man. Do you feel like you do? You feel like

1270
00:55:45,920 --> 00:55:50,239
Speaker 1: as a exec of of hip hop artists, you should have.

1271
00:55:50,280 --> 00:55:53,560
Speaker 3: To disconnect, like cause a nigga can feel like me

1272
00:55:53,719 --> 00:55:56,320
Speaker 3: standing next to you, I'm not really getting I'm not

1273
00:55:56,440 --> 00:55:58,840
Speaker 3: being who I need. I'm not being an artist. You

1274
00:55:59,320 --> 00:56:01,839
Speaker 3: see how you how you pop your ship? You look

1275
00:56:01,960 --> 00:56:05,360
Speaker 3: like just keeping realized niggas think so a nigga start feeling.

1276
00:56:05,080 --> 00:56:07,960
Speaker 1: Like bro, Bro, you gotta earn that.

1277
00:56:08,040 --> 00:56:08,160
Speaker 11: Bro.

1278
00:56:08,280 --> 00:56:11,160
Speaker 1: Listen, I hurt me some people, Like for John O,

1279
00:56:11,320 --> 00:56:11,880
Speaker 1: he earned that.

1280
00:56:12,000 --> 00:56:12,799
Speaker 14: I'm not bro.

1281
00:56:13,040 --> 00:56:15,960
Speaker 4: He did Like, we can't make I can't make nobody

1282
00:56:16,040 --> 00:56:17,520
Speaker 4: a start what I'm saying. But do you feel that

1283
00:56:17,719 --> 00:56:20,719
Speaker 4: energy from people like of course, of course you feel that.

1284
00:56:20,840 --> 00:56:22,640
Speaker 1: You know what I'm saying. It's hard to stand next

1285
00:56:22,719 --> 00:56:25,719
Speaker 1: to it's hard to stand next to the sun and

1286
00:56:25,760 --> 00:56:28,279
Speaker 1: not get hurt. You you're gonna come from like that.

1287
00:56:28,800 --> 00:56:29,920
Speaker 1: It Just see what it is.

1288
00:56:30,120 --> 00:56:32,239
Speaker 4: But you have to be a start to see. If

1289
00:56:32,239 --> 00:56:35,160
Speaker 4: we both stars, you ain't gonna feel that way. You

1290
00:56:35,280 --> 00:56:37,080
Speaker 4: understand what I'm saying. If we both shine and you

1291
00:56:37,120 --> 00:56:39,120
Speaker 4: ain't gonna feel that way, you only gonna you only

1292
00:56:39,160 --> 00:56:41,520
Speaker 4: gonna feel that way when you feel like some kind

1293
00:56:41,520 --> 00:56:43,040
Speaker 4: of insecure, some kind of envious.

1294
00:56:43,080 --> 00:56:43,879
Speaker 1: You understand what I'm.

1295
00:56:43,760 --> 00:56:45,320
Speaker 4: Saying about all them niggas. You don't feel like you

1296
00:56:45,520 --> 00:56:48,359
Speaker 4: like now, when a nigga got a valid punt. If

1297
00:56:48,360 --> 00:56:51,520
Speaker 4: you're asking me, man, they couldn't. They got whatever point

1298
00:56:51,560 --> 00:56:53,400
Speaker 4: of that. Look man, I don't. I don't look at

1299
00:56:53,520 --> 00:56:55,480
Speaker 4: right and wrong you feel me. I look at it

1300
00:56:55,680 --> 00:56:58,879
Speaker 4: is my way in your way. Everybody got like people

1301
00:56:58,960 --> 00:57:00,560
Speaker 4: get on the internet and say it's the right way

1302
00:57:00,600 --> 00:57:02,000
Speaker 4: to do some stuff. That's the wrong way to do

1303
00:57:02,080 --> 00:57:04,000
Speaker 4: some stuff. Man, I don't agree with that. Only the

1304
00:57:04,080 --> 00:57:07,120
Speaker 4: universal laws. You feel me long as I ain't steal

1305
00:57:07,239 --> 00:57:09,799
Speaker 4: from you, rob you, kill you. You know what I'm saying,

1306
00:57:09,880 --> 00:57:12,040
Speaker 4: mess with your wife, you know, certain stuff that we

1307
00:57:12,239 --> 00:57:15,040
Speaker 4: just don't cross. Outside of that, that's just opinions, man, Like,

1308
00:57:15,480 --> 00:57:17,640
Speaker 4: that's my opinion. That's your opinion. But in my opinion,

1309
00:57:18,400 --> 00:57:19,200
Speaker 4: I don't feel.

1310
00:57:19,040 --> 00:57:20,120
Speaker 1: Like you got no bro.

1311
00:57:20,680 --> 00:57:23,280
Speaker 4: I invested in you. I'm gonna take the loss you

1312
00:57:23,560 --> 00:57:26,320
Speaker 4: want coming from you didn't invest in me. If I

1313
00:57:26,520 --> 00:57:29,440
Speaker 4: took from you, okay, cool, But if I ain't took

1314
00:57:29,480 --> 00:57:30,800
Speaker 4: nothing from you, what we're talking about?

1315
00:57:31,080 --> 00:57:34,000
Speaker 7: So three timon artists complaints, we're just throwing out what

1316
00:57:34,080 --> 00:57:37,120
Speaker 7: we're here, all right. They ain't pushing me like that,

1317
00:57:37,720 --> 00:57:39,640
Speaker 7: damn sure, because you ain't making me no money like that.

1318
00:57:41,400 --> 00:57:44,400
Speaker 4: It's a business. Next, what I'm gonna keep doing, I'm

1319
00:57:44,400 --> 00:57:46,200
Speaker 4: gonna just keep I'm not your daddy.

1320
00:57:46,600 --> 00:57:48,920
Speaker 1: What I'm gonna keep doing investing money is somebody amazing.

1321
00:57:49,400 --> 00:57:55,920
Speaker 1: But again, this is all I'm not debating with you.

1322
00:57:56,040 --> 00:57:58,520
Speaker 1: I'm putting myself.

1323
00:57:58,440 --> 00:58:01,560
Speaker 3: Because we don't have no rappers here, right, so put

1324
00:58:01,600 --> 00:58:03,840
Speaker 3: myself in the rapper seat, right cool?

1325
00:58:04,000 --> 00:58:06,360
Speaker 1: All right? But I signed that contract. Brush should be

1326
00:58:06,480 --> 00:58:08,080
Speaker 1: pushing me. Bruh said it was family.

1327
00:58:08,120 --> 00:58:09,000
Speaker 5: Why he pushing me?

1328
00:58:09,320 --> 00:58:12,040
Speaker 1: At he ain't doing for me what he did for food.

1329
00:58:12,840 --> 00:58:13,280
Speaker 4: I didn't.

1330
00:58:13,640 --> 00:58:15,960
Speaker 1: I can't do I do do for them what I

1331
00:58:16,040 --> 00:58:18,680
Speaker 1: did for food. I can't help it that people like

1332
00:58:18,800 --> 00:58:19,920
Speaker 1: food better than they like you.

1333
00:58:20,360 --> 00:58:23,160
Speaker 8: So at what point do you do you stop pushing

1334
00:58:23,360 --> 00:58:28,800
Speaker 8: or stop helping based upon whatever you feel like numbers

1335
00:58:28,920 --> 00:58:29,560
Speaker 8: not happening?

1336
00:58:30,000 --> 00:58:32,200
Speaker 1: Numbers? Man, what I'm saying when is when is it?

1337
00:58:32,400 --> 00:58:32,440
Speaker 9: Like?

1338
00:58:32,640 --> 00:58:35,480
Speaker 1: How long is he if we are making what period

1339
00:58:35,520 --> 00:58:35,960
Speaker 1: of time do.

1340
00:58:36,040 --> 00:58:39,720
Speaker 8: You give a person to be able to fucking do

1341
00:58:39,840 --> 00:58:42,280
Speaker 8: whatever they need to do to be able to satisfy

1342
00:58:42,440 --> 00:58:43,480
Speaker 8: your requires?

1343
00:58:43,480 --> 00:58:46,120
Speaker 1: Because we did just say development and it can't take time.

1344
00:58:48,160 --> 00:58:49,520
Speaker 5: So for me, right question?

1345
00:58:49,680 --> 00:58:53,080
Speaker 4: So for me, it's like this for me, and I'm

1346
00:58:53,120 --> 00:58:56,400
Speaker 4: pretty mean because, like you got to understand, I pushed

1347
00:58:56,520 --> 00:58:59,880
Speaker 4: artists when they don't have no Man, most of the time,

1348
00:59:00,000 --> 00:59:02,680
Speaker 4: I'm helping an artist develop a situation where they can

1349
00:59:02,760 --> 00:59:06,360
Speaker 4: get somebody. So a lot of time it's tiny. The

1350
00:59:06,480 --> 00:59:08,840
Speaker 4: problem is we got a lot of artists trying to

1351
00:59:08,920 --> 00:59:12,920
Speaker 4: do in three months will take three years you get on,

1352
00:59:13,120 --> 00:59:15,880
Speaker 4: so development takes time. You get where I'm coming from.

1353
00:59:16,000 --> 00:59:18,800
Speaker 4: So if you're can't get developed, if you stop pushing.

1354
00:59:21,160 --> 00:59:21,960
Speaker 1: But I'm not stopping.

1355
00:59:22,480 --> 00:59:25,320
Speaker 4: Listen, I don't stop pushing nobody's stuff. I just set

1356
00:59:25,400 --> 00:59:28,160
Speaker 4: up a whole system where you got to push yourself.

1357
00:59:28,280 --> 00:59:30,560
Speaker 4: Man Like, if I gotta go harder for you, then

1358
00:59:30,600 --> 00:59:33,120
Speaker 4: you go harder for you. I'm gonna quit every time

1359
00:59:33,280 --> 00:59:34,680
Speaker 4: I agree with that. You get where I come from.

1360
00:59:34,720 --> 00:59:37,080
Speaker 4: You gotta go harder for yourself. I can't go harder

1361
00:59:37,120 --> 00:59:40,320
Speaker 4: than you for your business, Like, this is your business,

1362
00:59:40,400 --> 00:59:42,680
Speaker 4: this is your life. Like if you're pushing and we

1363
00:59:42,840 --> 00:59:45,280
Speaker 4: both making money, it does why would I stop?

1364
00:59:46,680 --> 00:59:53,280
Speaker 1: They say anything else about when I got hold on.

1365
00:59:53,400 --> 00:59:53,840
Speaker 5: Let me say this.

1366
00:59:54,480 --> 00:59:55,320
Speaker 1: Do you feel like.

1367
00:59:57,000 --> 00:59:59,760
Speaker 3: The way you come in so aggressive for a nigga,

1368
01:00:00,160 --> 01:00:02,120
Speaker 3: you put a nigga in a state of entitlement?

1369
01:00:04,600 --> 01:00:07,600
Speaker 4: Features big by, big Boy, big Bud. Let's talk to

1370
01:00:07,640 --> 01:00:10,480
Speaker 4: big facts. Let's talk the big facts. Ain't nobody ever

1371
01:00:10,560 --> 01:00:12,520
Speaker 4: did what I did for independent artists ever?

1372
01:00:13,640 --> 01:00:14,640
Speaker 1: Ever? What you do?

1373
01:00:15,440 --> 01:00:18,800
Speaker 4: How many unknown artists you know with the biggest niggas

1374
01:00:18,840 --> 01:00:21,080
Speaker 4: in the world I'm talking about, I got independent.

1375
01:00:20,680 --> 01:00:23,200
Speaker 1: Artists with features with future, Little Dirk.

1376
01:00:23,360 --> 01:00:28,640
Speaker 4: Money bag Yo, little Baby Dub Baby Gunner, Roddy Rich Mulatto.

1377
01:00:28,800 --> 01:00:32,840
Speaker 4: You want to keep going. I'm missing somebody. I'm missing future.

1378
01:00:33,200 --> 01:00:36,480
Speaker 4: I'm missing simoo young dolf. You know what I'm saying, Like,

1379
01:00:38,160 --> 01:00:43,720
Speaker 4: like I done got unknown artists their dream features from

1380
01:00:44,000 --> 01:00:45,720
Speaker 4: that they wouldn't be able to get on their own.

1381
01:00:46,240 --> 01:00:48,280
Speaker 1: All I could do is give you a shot. I

1382
01:00:48,400 --> 01:00:51,640
Speaker 1: can't like, I can't. I can't take you up there,

1383
01:00:51,920 --> 01:00:52,520
Speaker 1: hold hold up.

1384
01:00:52,520 --> 01:00:54,520
Speaker 3: But so do you feel like once I did all

1385
01:00:54,600 --> 01:00:57,560
Speaker 3: that and spend the money radio and this ship started

1386
01:00:57,560 --> 01:00:59,240
Speaker 3: to crown back down but he ain't on start?

1387
01:00:59,400 --> 01:01:00,200
Speaker 1: Do you feel like that?

1388
01:01:00,440 --> 01:01:00,480
Speaker 3: No?

1389
01:01:00,680 --> 01:01:02,920
Speaker 1: I don't. I don't. I don't operate like that. Most

1390
01:01:02,960 --> 01:01:05,320
Speaker 1: of the time for me, it's like, let's keep pushing.

1391
01:01:05,800 --> 01:01:12,600
Speaker 1: I keep pushing. No, no, no, we pushed. We pushed.

1392
01:01:12,640 --> 01:01:13,600
Speaker 1: It ain't about that.

1393
01:01:13,720 --> 01:01:15,080
Speaker 4: It's not that it's like this.

1394
01:01:16,000 --> 01:01:21,360
Speaker 1: It's like this were just trying to get all the way.

1395
01:01:26,560 --> 01:01:30,720
Speaker 1: I don't put so much. I just sinking in. You

1396
01:01:31,640 --> 01:01:32,480
Speaker 1: don't going on over.

1397
01:01:33,000 --> 01:01:34,840
Speaker 4: So let me break it down like this, majority of

1398
01:01:34,920 --> 01:01:37,080
Speaker 4: the time, if we stopped pushing this because the artist

1399
01:01:37,120 --> 01:01:41,400
Speaker 4: became uncoached, that's what it is, okay, because I want

1400
01:01:41,440 --> 01:01:43,720
Speaker 4: to keep if we're making money, I want to keep

1401
01:01:43,800 --> 01:01:46,160
Speaker 4: making money. If we're pushing, I want to keep pushing.

1402
01:01:46,200 --> 01:01:49,280
Speaker 4: And like I said, I have stuff set up by default.

1403
01:01:51,040 --> 01:01:59,480
Speaker 1: A good answer you need to be copy Okay, this

1404
01:01:59,560 --> 01:02:00,680
Speaker 1: ship asked you a question.

1405
01:02:01,320 --> 01:02:03,480
Speaker 8: Let me ask you a question because I'm just I'm

1406
01:02:03,520 --> 01:02:05,080
Speaker 8: trying to pull it out, you know what I'm saying,

1407
01:02:05,160 --> 01:02:07,160
Speaker 8: this hold it trying to figure out what.

1408
01:02:10,360 --> 01:02:13,360
Speaker 1: Hold the questions industry that I need to know that

1409
01:02:16,800 --> 01:02:19,200
Speaker 1: the scammed that like, but we won't.

1410
01:02:19,560 --> 01:02:19,840
Speaker 14: This is.

1411
01:02:21,520 --> 01:02:23,800
Speaker 1: We want you to talk that. This is like you

1412
01:02:23,840 --> 01:02:28,520
Speaker 1: ain't got a clear name to us, it's just body.

1413
01:02:28,520 --> 01:02:30,400
Speaker 1: I'm just saying, this is the perfect platform.

1414
01:02:31,160 --> 01:02:33,560
Speaker 3: Yeah, No, for sure, this is the perfect platform to

1415
01:02:33,640 --> 01:02:34,680
Speaker 3: discuss that's always said.

1416
01:02:34,720 --> 01:02:42,000
Speaker 1: We are what you want to know the so like

1417
01:02:42,560 --> 01:02:45,480
Speaker 1: you just said, so you just said that you stop

1418
01:02:45,680 --> 01:02:48,120
Speaker 1: pushing when an artist becomes uncumfortable.

1419
01:02:48,240 --> 01:02:53,200
Speaker 8: Right when you say unculturable, because in general terms, when

1420
01:02:53,360 --> 01:02:56,040
Speaker 8: a person is uncomfortable, that means that you guys have

1421
01:02:56,440 --> 01:02:57,520
Speaker 8: a personal difference.

1422
01:02:57,960 --> 01:03:01,480
Speaker 4: Nah, nigga becomes un pastable when they feel like they

1423
01:03:01,720 --> 01:03:02,520
Speaker 4: n grow some nuts.

1424
01:03:02,880 --> 01:03:05,560
Speaker 1: That's how that ship goes. When personal different No, that

1425
01:03:05,720 --> 01:03:08,200
Speaker 1: is personal difference. That's a personal difference. But niggas and

1426
01:03:08,240 --> 01:03:13,440
Speaker 1: everything you say when they ain't gotten it. You know, bro,

1427
01:03:13,680 --> 01:03:15,880
Speaker 1: I know how to do this. Know what I'm saying

1428
01:03:15,960 --> 01:03:17,520
Speaker 1: is you got.

1429
01:03:18,160 --> 01:03:21,720
Speaker 8: An uncoachorable means that you guys are clashing on a

1430
01:03:21,800 --> 01:03:25,480
Speaker 8: personal level. It couldn't possibly be about the business, but

1431
01:03:25,720 --> 01:03:27,840
Speaker 8: you guys are clashing like on some persons.

1432
01:03:27,560 --> 01:03:28,200
Speaker 1: You don't want to hear.

1433
01:03:28,360 --> 01:03:28,960
Speaker 4: Sh Let me.

1434
01:03:30,440 --> 01:03:32,680
Speaker 1: Let me say this, Let me let me say this.

1435
01:03:33,080 --> 01:03:35,400
Speaker 1: Let me say this. I'm not perfect by by party?

1436
01:03:35,720 --> 01:03:35,840
Speaker 1: Is it?

1437
01:03:35,960 --> 01:03:38,280
Speaker 4: Some things I could either none of us are. I

1438
01:03:38,320 --> 01:03:40,560
Speaker 4: could do some things better. But when I mean cultural,

1439
01:03:40,600 --> 01:03:42,000
Speaker 4: it's like, hey man, I need you to post three

1440
01:03:42,040 --> 01:03:46,280
Speaker 4: times today. Come on, man, we were talking about we're

1441
01:03:46,280 --> 01:03:48,520
Speaker 4: talking about posting. Everybody needs you to get out here

1442
01:03:48,560 --> 01:03:50,920
Speaker 4: and work. They want me to work harder than them

1443
01:03:51,040 --> 01:03:54,200
Speaker 4: for them. Once you start getting lazy, I can't. It's like, no,

1444
01:03:54,480 --> 01:03:56,400
Speaker 4: I can't do it for you. Some people like this

1445
01:03:56,560 --> 01:03:58,480
Speaker 4: is the thing Fujiano. I'm gonna tell you why he

1446
01:03:58,640 --> 01:04:01,360
Speaker 4: talked I did. I didn't have to. He could move

1447
01:04:01,400 --> 01:04:04,560
Speaker 4: without the ball, like he'll go link up with his

1448
01:04:04,640 --> 01:04:05,880
Speaker 4: own artist, do his own features.

1449
01:04:05,880 --> 01:04:06,920
Speaker 1: I used to have to tell him. I said, Bro,

1450
01:04:07,000 --> 01:04:08,520
Speaker 1: you know you gotta pay for your studio time.

1451
01:04:08,920 --> 01:04:11,040
Speaker 4: He's like, man, boy, you know I just be working, bro,

1452
01:04:11,280 --> 01:04:15,000
Speaker 4: Like I don't have to hold his hand. You know,

1453
01:04:15,200 --> 01:04:17,040
Speaker 4: and some people are ready and some people are not.

1454
01:04:17,360 --> 01:04:20,560
Speaker 4: But at the end of the day, that's to me,

1455
01:04:21,160 --> 01:04:24,480
Speaker 4: that's a form of entitlement. I don't owe niggas nothing.

1456
01:04:24,520 --> 01:04:26,640
Speaker 4: If I spent my money and I pushed you and

1457
01:04:26,720 --> 01:04:27,720
Speaker 4: if you want to get let go.

1458
01:04:27,840 --> 01:04:29,480
Speaker 1: I told you I don't want to work with nobody

1459
01:04:29,480 --> 01:04:30,960
Speaker 1: who don't want to work with me. So how can

1460
01:04:31,040 --> 01:04:35,320
Speaker 1: I scam you? Are they still with me? You said

1461
01:04:35,480 --> 01:04:39,880
Speaker 1: you said, I can't no more. I don't scam my nigga.

1462
01:04:39,880 --> 01:04:41,720
Speaker 1: I paid one hundred thousand four feature for it. So

1463
01:04:41,800 --> 01:04:43,800
Speaker 1: you're saying, really, ain't made my money? Been saying? Really

1464
01:04:44,240 --> 01:04:44,480
Speaker 1: is you.

1465
01:04:44,560 --> 01:04:47,120
Speaker 3: Saying I ain't saying putting words? You're saying, Really niggas

1466
01:04:47,200 --> 01:04:48,400
Speaker 3: is upset cause they miss you.

1467
01:04:49,920 --> 01:04:52,840
Speaker 1: You said it's not me. That's what you really saying. Bro,

1468
01:04:53,040 --> 01:04:55,120
Speaker 1: You w and miss a nigga that spend more than you.

1469
01:04:55,360 --> 01:04:56,760
Speaker 1: Anybody's heard the things like this.

1470
01:04:58,920 --> 01:04:59,800
Speaker 5: You invested me and.

1471
01:05:00,760 --> 01:05:03,600
Speaker 1: And then it's like I'm like, okay, I'm entitled now.

1472
01:05:04,040 --> 01:05:07,120
Speaker 1: And then you start sucking with me because you're giving

1473
01:05:07,160 --> 01:05:09,400
Speaker 1: me your aster kids. I'm giving you my ass kids.

1474
01:05:09,880 --> 01:05:12,480
Speaker 4: You like, now I'm trying it on my own. And

1475
01:05:12,560 --> 01:05:16,680
Speaker 4: I realized oh damn home really was God damn pushing.

1476
01:05:16,800 --> 01:05:18,960
Speaker 4: He did some ship. They want to keep getting that

1477
01:05:19,080 --> 01:05:22,280
Speaker 4: same push, and I understand that, but I can't make it.

1478
01:05:22,680 --> 01:05:25,280
Speaker 4: If you got one hit in you, you got one hitting.

1479
01:05:25,960 --> 01:05:28,720
Speaker 4: It's got two hits you. You got to hit seeing

1480
01:05:28,760 --> 01:05:31,360
Speaker 4: you I'm not I'm not just your daddy. You get

1481
01:05:31,400 --> 01:05:33,040
Speaker 4: where I'm coming from, and I'm not trying to be

1482
01:05:33,800 --> 01:05:35,560
Speaker 4: I want to do business. I want to help you

1483
01:05:35,640 --> 01:05:37,920
Speaker 4: as much as I can, but I already created the

1484
01:05:38,000 --> 01:05:40,360
Speaker 4: platform for you to keep going on your own.

1485
01:05:40,520 --> 01:05:42,760
Speaker 1: Like I'm not telling you we're going to run all

1486
01:05:42,800 --> 01:05:47,000
Speaker 1: the x A artists on the face. I can't listen.

1487
01:05:47,080 --> 01:05:47,400
Speaker 1: I can't.

1488
01:05:47,480 --> 01:05:48,120
Speaker 4: That's what I can't.

1489
01:05:48,200 --> 01:05:50,920
Speaker 3: I can resonate with the ship he's saying. You know

1490
01:05:50,960 --> 01:05:53,440
Speaker 3: what I'm saying, But I don't know the situation. You

1491
01:05:53,440 --> 01:05:55,400
Speaker 3: know what I'm saying, Nigga, get like that, just like

1492
01:05:55,440 --> 01:05:57,600
Speaker 3: a bitch right when you leave your bitch. If she

1493
01:05:57,720 --> 01:05:59,200
Speaker 3: gone on by a bit, and that means she didn't

1494
01:05:59,200 --> 01:06:01,400
Speaker 3: give a fuck about it, dot, if she's.

1495
01:06:01,240 --> 01:06:04,240
Speaker 4: Cussing you out and cut woo woop that she misses you,

1496
01:06:04,960 --> 01:06:05,880
Speaker 4: she's upset that you.

1497
01:06:06,760 --> 01:06:11,360
Speaker 1: I don't care about her going on on I'm just

1498
01:06:11,520 --> 01:06:15,800
Speaker 1: being real. She kind of heard a nigga like that.

1499
01:06:15,960 --> 01:06:21,600
Speaker 1: They you ain't calling me a now, like is you good?

1500
01:06:22,640 --> 01:06:25,560
Speaker 1: You want to be missioned? You want to know where

1501
01:06:25,560 --> 01:06:28,640
Speaker 1: the whole scam neardy came from. Look, I want you

1502
01:06:28,720 --> 01:06:32,120
Speaker 1: to look at it like that, like this right, if

1503
01:06:33,240 --> 01:06:33,600
Speaker 1: you got.

1504
01:06:33,640 --> 01:06:37,960
Speaker 4: A saw with future, right, we get your song the

1505
01:06:38,040 --> 01:06:40,800
Speaker 4: future right and they don't do no notice.

1506
01:06:43,720 --> 01:06:45,160
Speaker 1: I want you to think about that. But did you

1507
01:06:45,240 --> 01:06:47,760
Speaker 1: put the money? Did you put money in my radio budget?

1508
01:06:47,840 --> 01:06:48,840
Speaker 4: Though? Boom?

1509
01:06:49,440 --> 01:06:50,040
Speaker 1: What hunter?

1510
01:06:50,840 --> 01:06:51,320
Speaker 4: I got you.

1511
01:06:53,000 --> 01:06:55,560
Speaker 1: To get you a song with future? But I'm saying

1512
01:06:55,600 --> 01:06:58,320
Speaker 1: you still got nigga, No, you don't. Niggas averybody with

1513
01:06:58,520 --> 01:07:03,480
Speaker 1: no radio sitting if you buy, if you buy.

1514
01:07:05,120 --> 01:07:08,600
Speaker 4: Say you're saying you're saying that feature alone should got

1515
01:07:08,640 --> 01:07:10,120
Speaker 4: me to the point the well, when the time I

1516
01:07:10,200 --> 01:07:13,840
Speaker 4: need to find someone, I'm gonna find exact it even

1517
01:07:13,960 --> 01:07:17,920
Speaker 4: just that it's this right here, Bro, I have I

1518
01:07:18,080 --> 01:07:21,440
Speaker 4: have something and a tool and a resource that niggas

1519
01:07:21,480 --> 01:07:26,200
Speaker 4: would kill somebody for what You a nigga kill a

1520
01:07:26,240 --> 01:07:27,320
Speaker 4: nigga for a future teacher.

1521
01:07:27,600 --> 01:07:29,280
Speaker 1: But let me let me ask you this though, Like

1522
01:07:35,240 --> 01:07:37,720
Speaker 1: like Bro, you have to be able to work your

1523
01:07:37,760 --> 01:07:42,240
Speaker 1: emotion like I can't do it all. So what I'm independed,

1524
01:07:42,400 --> 01:07:45,920
Speaker 1: I'm not major because that's the problem. Like I'm a

1525
01:07:46,000 --> 01:07:49,800
Speaker 1: major label, I'm independent. It was you. You don't had

1526
01:07:49,800 --> 01:07:53,120
Speaker 1: a future in a baby feature. Get the video as

1527
01:07:53,160 --> 01:07:57,480
Speaker 1: a video the video see listen bad. So let me

1528
01:07:57,560 --> 01:07:59,440
Speaker 1: let me ask you this when you're winny Okay, so

1529
01:07:59,600 --> 01:08:07,040
Speaker 1: like to let me let me ask you this. So

1530
01:08:07,240 --> 01:08:11,080
Speaker 1: like when you're when you're in the space of like,

1531
01:08:11,520 --> 01:08:12,800
Speaker 1: because getting the big.

1532
01:08:12,680 --> 01:08:14,400
Speaker 8: Features from the big artists is a part of your

1533
01:08:14,440 --> 01:08:15,960
Speaker 8: formula for the artists.

1534
01:08:15,680 --> 01:08:16,360
Speaker 1: To get right.

1535
01:08:17,040 --> 01:08:19,800
Speaker 8: So okay, So when you're in the space of getting

1536
01:08:19,880 --> 01:08:23,479
Speaker 8: these big features for these artists that you're signing, or

1537
01:08:23,520 --> 01:08:28,400
Speaker 8: these artists that you're grooming to become like stars or whatever,

1538
01:08:29,080 --> 01:08:33,320
Speaker 8: do you ever like, do you ever think or have

1539
01:08:33,520 --> 01:08:37,479
Speaker 8: you ever given them the option of Okay, you can

1540
01:08:37,600 --> 01:08:41,600
Speaker 8: either get this future feature or you can get a

1541
01:08:41,720 --> 01:08:47,040
Speaker 8: fucking well I'm not gonna say no names, but a

1542
01:08:47,160 --> 01:08:50,320
Speaker 8: feature with a less expensive nigga. And then take the

1543
01:08:50,400 --> 01:08:51,760
Speaker 8: difference into what you're saying.

1544
01:08:51,800 --> 01:08:53,200
Speaker 1: I give what you're saying. I give what you're saying.

1545
01:08:53,240 --> 01:08:55,280
Speaker 1: So basically, this would have Stawn come in.

1546
01:08:55,360 --> 01:09:05,640
Speaker 9: That boel like okay, boom, boom just tried me with

1547
01:09:05,760 --> 01:09:07,400
Speaker 9: a dress, really just put a dress on me.

1548
01:09:07,600 --> 01:09:09,559
Speaker 1: He put it on the future and see if she's gonna.

1549
01:09:09,560 --> 01:09:11,160
Speaker 1: So he didn't believe in me.

1550
01:09:12,800 --> 01:09:14,760
Speaker 4: He didn't spend that, don't know, instead of putting on

1551
01:09:14,880 --> 01:09:18,360
Speaker 4: future in one of my songs, because with all.

1552
01:09:18,320 --> 01:09:21,600
Speaker 1: Due respect, Mo already had his before then got on

1553
01:09:21,640 --> 01:09:23,760
Speaker 1: his song who did not need money Bag? You didn't

1554
01:09:23,760 --> 01:09:29,120
Speaker 1: need his songs was pushed, it was going, It was

1555
01:09:29,160 --> 01:09:30,360
Speaker 1: out for three years. What did it go?

1556
01:09:31,000 --> 01:09:34,639
Speaker 12: I'm saying that, Okay, it was for three years before

1557
01:09:34,680 --> 01:09:36,680
Speaker 12: I got it locally. It was it you need the

1558
01:09:36,760 --> 01:09:42,200
Speaker 12: money locally? Was ahead bad straight into money bag we go.

1559
01:09:49,400 --> 01:09:52,120
Speaker 8: It's not like if I'm the hardest you give me

1560
01:09:52,400 --> 01:09:55,000
Speaker 8: and you give me a future feature, I'm eternally grateful

1561
01:09:55,080 --> 01:09:55,559
Speaker 8: for the future.

1562
01:09:55,880 --> 01:10:01,120
Speaker 1: You're not talking about. Listen, if you give me, if

1563
01:10:01,120 --> 01:10:01,519
Speaker 1: I'm an.

1564
01:10:01,439 --> 01:10:03,599
Speaker 8: Artist, you give me a future feature, right, I'm eternally

1565
01:10:03,920 --> 01:10:05,439
Speaker 8: grateful for the future feature.

1566
01:10:05,880 --> 01:10:09,160
Speaker 1: But if if you're making.

1567
01:10:08,920 --> 01:10:13,040
Speaker 8: It seem like, okay, because you got me the future feature, okay,

1568
01:10:13,120 --> 01:10:15,720
Speaker 8: I don't need to ask you for radio money or

1569
01:10:15,760 --> 01:10:18,320
Speaker 8: fucking marketing money or anything else that I need to

1570
01:10:18,439 --> 01:10:20,800
Speaker 8: properly push this record. It's kind of like you're throwing

1571
01:10:20,840 --> 01:10:22,960
Speaker 8: me out there to the wolves with a meat piece

1572
01:10:22,960 --> 01:10:25,280
Speaker 8: of meat around my neck. You see what I'm saying, Like,

1573
01:10:25,800 --> 01:10:28,920
Speaker 8: it's not it's a lot of a future. Feature doesn't

1574
01:10:28,960 --> 01:10:30,479
Speaker 8: automatically guarantee success.

1575
01:10:30,720 --> 01:10:32,760
Speaker 1: No, I don't at the end of the day, did

1576
01:10:32,800 --> 01:10:33,519
Speaker 1: you have it before?

1577
01:10:33,720 --> 01:10:34,000
Speaker 4: Who is?

1578
01:10:34,200 --> 01:10:34,439
Speaker 1: Who is?

1579
01:10:34,680 --> 01:10:38,639
Speaker 4: At the fact, at the end of the day, why

1580
01:10:38,680 --> 01:10:42,200
Speaker 4: would I give a nigga the opportunity to tell me

1581
01:10:42,320 --> 01:10:42,600
Speaker 4: what to.

1582
01:10:42,640 --> 01:10:46,280
Speaker 1: Do with my landing? It's my career. You don't feel

1583
01:10:46,280 --> 01:10:48,760
Speaker 1: like I should have You can have input. Do you

1584
01:10:48,800 --> 01:10:49,519
Speaker 1: want the feature or not?

1585
01:10:52,640 --> 01:10:53,920
Speaker 4: I can give somebody.

1586
01:10:58,960 --> 01:11:02,760
Speaker 1: You like, I'm not obligated. I'm not obligated.

1587
01:11:02,840 --> 01:11:06,360
Speaker 4: It's an opportunity, and we're looking at opportunities like we

1588
01:11:06,600 --> 01:11:07,759
Speaker 4: owe these niggas dise.

1589
01:11:09,160 --> 01:11:16,800
Speaker 1: Like you are not. No, you have no leverage, so

1590
01:11:16,920 --> 01:11:19,360
Speaker 1: you are not happy. But listen to what I'm saying.

1591
01:11:19,680 --> 01:11:21,439
Speaker 1: Just playing Devil's advocate for a.

1592
01:11:21,479 --> 01:11:26,519
Speaker 8: Minute, it's coming off like just because whoever these artists

1593
01:11:26,520 --> 01:11:29,240
Speaker 8: are that you're signing don't have money or don't.

1594
01:11:29,040 --> 01:11:32,519
Speaker 1: Have money, then my company at the day, my money,

1595
01:11:32,600 --> 01:11:36,599
Speaker 1: my company, you go somewhere else. So they don't deserve

1596
01:11:36,640 --> 01:11:38,920
Speaker 1: to have a voice or nothing. They can ask are

1597
01:11:38,920 --> 01:11:41,760
Speaker 1: they spending their own money? Though you couldn't look, I

1598
01:11:41,800 --> 01:11:46,000
Speaker 1: don't stop emotions, emotions right now. I always said they

1599
01:11:46,040 --> 01:11:48,280
Speaker 1: could have said. They could have said. They could have said,

1600
01:11:48,320 --> 01:11:50,519
Speaker 1: I don't want that feature. I want to mud it

1601
01:11:50,560 --> 01:11:51,600
Speaker 1: out a little more. Yeah, let me.

1602
01:11:54,080 --> 01:11:54,280
Speaker 3: Don't.

1603
01:11:55,760 --> 01:11:57,160
Speaker 1: Whoever, No, that's what I'm saying.

1604
01:11:57,200 --> 01:12:00,360
Speaker 8: They don't have any kind of They couldn't say anything.

1605
01:12:00,400 --> 01:12:02,320
Speaker 3: You know, you said they said they took the feature,

1606
01:12:02,560 --> 01:12:05,719
Speaker 3: Anna saying I don't want it. But they might be thinking,

1607
01:12:05,840 --> 01:12:07,800
Speaker 3: but big brother, you shouldn't let me get that feature

1608
01:12:07,800 --> 01:12:08,519
Speaker 3: because you beat Bro.

1609
01:12:08,800 --> 01:12:13,200
Speaker 1: I'm not I'm I'm being a rapper, a rapper. I

1610
01:12:13,280 --> 01:12:15,800
Speaker 1: don't turn myself into a rapper. I'm not saying I

1611
01:12:15,960 --> 01:12:21,240
Speaker 1: agree with it. I'm thinking is what niggas thinking about?

1612
01:12:21,320 --> 01:12:23,839
Speaker 4: Bro, don't don't, don't, don't want shot showing me cholity,

1613
01:12:26,479 --> 01:12:28,800
Speaker 4: no break.

1614
01:12:29,760 --> 01:12:31,040
Speaker 1: That's how I need to go to feelings.

1615
01:12:31,120 --> 01:12:33,040
Speaker 11: How they think about to get you like they're not

1616
01:12:33,160 --> 01:12:37,320
Speaker 11: saying that money think this way or rand like you

1617
01:12:37,400 --> 01:12:41,280
Speaker 11: mean you buy a car. You can't not buy this

1618
01:12:41,320 --> 01:12:43,439
Speaker 11: whole No more calls man, car.

1619
01:12:44,360 --> 01:12:49,040
Speaker 1: I'm just saying that's what's matter. You gotta keeping you

1620
01:12:49,080 --> 01:12:51,040
Speaker 1: better keep it. I get the psyche.

1621
01:12:51,560 --> 01:12:52,280
Speaker 4: I don't agree.

1622
01:12:53,240 --> 01:12:55,360
Speaker 1: I don't agree either, but I get it. I get

1623
01:12:55,439 --> 01:12:57,320
Speaker 1: the nigga feel like I don't agree.

1624
01:12:57,560 --> 01:13:00,479
Speaker 4: At the end of the day, we're all free to

1625
01:13:00,560 --> 01:13:03,880
Speaker 4: do what we want, right, but you got your own money.

1626
01:13:04,520 --> 01:13:09,120
Speaker 1: I'm not sure. Ain't nobody It ain't them, Bro, I

1627
01:13:09,200 --> 01:13:11,599
Speaker 1: can't make you do nothing. I can't make you take

1628
01:13:11,640 --> 01:13:13,120
Speaker 1: a feature. I can't make you work.

1629
01:13:13,439 --> 01:13:17,320
Speaker 4: Once I realize I can't do look me, I'm gonna ask, hey, bro,

1630
01:13:17,560 --> 01:13:19,479
Speaker 4: you want to do this. I'm not a.

1631
01:13:19,520 --> 01:13:22,120
Speaker 1: Street nigga out here in the streets trying to Hey,

1632
01:13:22,520 --> 01:13:24,040
Speaker 1: you know, do it this way or else?

1633
01:13:24,200 --> 01:13:26,120
Speaker 4: Like that's the reason why they're doing all that. If

1634
01:13:26,160 --> 01:13:29,000
Speaker 4: I was on the streets, shit, nigga won't talk.

1635
01:13:29,560 --> 01:13:31,120
Speaker 1: They know, they know what's some of the ship. You

1636
01:13:31,160 --> 01:13:33,080
Speaker 1: don't heard that piss you out? Like from who.

1637
01:13:39,640 --> 01:13:40,240
Speaker 9: If it is? You?

1638
01:13:40,320 --> 01:13:40,719
Speaker 1: The fuck?

1639
01:13:41,120 --> 01:13:41,160
Speaker 9: Like?

1640
01:13:42,360 --> 01:13:45,040
Speaker 4: I really get more irritated than anything because I feel

1641
01:13:45,120 --> 01:13:47,840
Speaker 4: like a lot of people misstake blessing man because they

1642
01:13:47,960 --> 01:13:50,519
Speaker 4: feel so entitled bro. Like like, at the end of

1643
01:13:50,560 --> 01:13:52,960
Speaker 4: the day, it's niggas out here. If you don't want it,

1644
01:13:53,040 --> 01:13:55,360
Speaker 4: I know somebody will and not In the thing about

1645
01:13:55,360 --> 01:13:57,640
Speaker 4: it is everybody that that had a situation with me,

1646
01:13:57,880 --> 01:14:01,200
Speaker 4: that got paid, that got money, then got invested into,

1647
01:14:01,400 --> 01:14:07,120
Speaker 4: then got pushed. I'm independent, y'all act like thank y'all.

1648
01:14:07,200 --> 01:14:09,240
Speaker 4: I appreciate it, but I'm not at leantic. I don't

1649
01:14:09,280 --> 01:14:13,920
Speaker 4: have a billion dollar budget. I'm boomed from Southwest at Loma.

1650
01:14:14,560 --> 01:14:16,840
Speaker 4: I don't sell drugs. I don't kick those.

1651
01:14:17,160 --> 01:14:18,040
Speaker 1: I don't do none of that.

1652
01:14:18,720 --> 01:14:20,639
Speaker 4: I didn't get my money in the streets. I didn't

1653
01:14:20,640 --> 01:14:21,360
Speaker 4: get it out the trust.

1654
01:14:21,520 --> 01:14:23,400
Speaker 3: But when you're dealing with a nigga that look like you,

1655
01:14:23,400 --> 01:14:25,439
Speaker 3: you expect more. You know what I'm Sayingcause I'm letting

1656
01:14:25,439 --> 01:14:27,439
Speaker 3: the record labels on some real shit. The record label

1657
01:14:27,640 --> 01:14:29,000
Speaker 3: or ship you ass over there for y'am.

1658
01:14:29,120 --> 01:14:32,040
Speaker 4: Come on, bro, what a record at? Not know how

1659
01:14:32,439 --> 01:14:34,000
Speaker 4: how you're doing in the streets? So who listened to

1660
01:14:34,000 --> 01:14:34,360
Speaker 4: your ship?

1661
01:14:34,600 --> 01:14:36,560
Speaker 1: What a song? And what song can we get some

1662
01:14:36,600 --> 01:14:38,960
Speaker 1: money off of? That's the same thing he's saying.

1663
01:14:39,040 --> 01:14:42,080
Speaker 4: No, really right if it's making if it makes dollars,

1664
01:14:42,120 --> 01:14:44,400
Speaker 4: didn't make sense what we're talking about, bro, Like I

1665
01:14:44,439 --> 01:14:45,920
Speaker 4: don't understand what we're talking about.

1666
01:14:46,200 --> 01:14:48,880
Speaker 1: Like we're talking about a.

1667
01:14:48,880 --> 01:14:54,519
Speaker 4: Little bit, talking about talking about He's talking about title,

1668
01:14:54,600 --> 01:14:56,519
Speaker 4: like you owe him something because you put a nigga

1669
01:14:56,520 --> 01:14:58,320
Speaker 4: in that position. I don't give a damn what position

1670
01:14:58,360 --> 01:14:59,920
Speaker 4: I put them in. It's ow position to get your ass.

1671
01:15:00,160 --> 01:15:01,320
Speaker 4: You're grown ass man.

1672
01:15:01,400 --> 01:15:03,800
Speaker 1: These ain't kids and work. But you know, you know,

1673
01:15:04,040 --> 01:15:06,800
Speaker 1: you know what, you know, you know you know what

1674
01:15:06,920 --> 01:15:07,240
Speaker 1: would have.

1675
01:15:07,280 --> 01:15:10,519
Speaker 3: Made ship a little different. And again I'm not saying

1676
01:15:10,600 --> 01:15:15,200
Speaker 3: we agree with that if niggas ass? Do you think

1677
01:15:15,200 --> 01:15:17,200
Speaker 3: you jumping to what I felt like was right to do?

1678
01:15:17,920 --> 01:15:21,000
Speaker 3: And it's a blessing. I'm a blessing bro as an artist.

1679
01:15:21,320 --> 01:15:23,479
Speaker 3: As an artist though boom as an artist.

1680
01:15:23,560 --> 01:15:31,360
Speaker 1: Have you ever though? Like? Whatever, Bro? What have all

1681
01:15:31,400 --> 01:15:35,960
Speaker 1: of you? Niggas switch? Like that's what they do?

1682
01:15:36,240 --> 01:15:36,360
Speaker 3: Bro?

1683
01:15:36,600 --> 01:15:38,880
Speaker 4: Like this is the thing, Like I just played it earlier.

1684
01:15:39,280 --> 01:15:42,400
Speaker 4: A lot of these people are emotionally driven. Creative people

1685
01:15:42,439 --> 01:15:45,720
Speaker 4: are emotionally driven. And because artists are big, it's like,

1686
01:15:45,800 --> 01:15:48,760
Speaker 4: look at it like this right, because I pushed you

1687
01:15:48,920 --> 01:15:50,519
Speaker 4: and get you me as a follows and put you

1688
01:15:50,600 --> 01:15:53,439
Speaker 4: into fans, you tend to take the side because you're

1689
01:15:53,439 --> 01:15:53,760
Speaker 4: a fan.

1690
01:15:55,000 --> 01:15:57,840
Speaker 1: It's a whole other side. It's a whole nother What

1691
01:15:57,920 --> 01:16:00,360
Speaker 1: about I feel like I got scam. They said you

1692
01:16:00,439 --> 01:16:01,519
Speaker 1: ran out Roscal Dad money.

1693
01:16:02,120 --> 01:16:05,360
Speaker 4: You heard, I said, Roscoe, like, you got missing for

1694
01:16:05,360 --> 01:16:07,080
Speaker 4: about a few years with Roscoe dad.

1695
01:16:07,000 --> 01:16:10,360
Speaker 15: Whole bank rolland he just you heard that. I heard

1696
01:16:10,439 --> 01:16:18,280
Speaker 15: all type of ships were gonna give you the facts. Okay,

1697
01:16:18,520 --> 01:16:20,920
Speaker 15: so you here, so the facts?

1698
01:16:21,040 --> 01:16:23,479
Speaker 4: Is this right here? Roscoe wasn't known for his own song.

1699
01:16:26,920 --> 01:16:30,080
Speaker 4: I got him a million dollar deal. I got him

1700
01:16:30,120 --> 01:16:34,519
Speaker 4: a career. He became, He started working with the biggest

1701
01:16:34,560 --> 01:16:39,120
Speaker 4: niggas in the game, Kanye, big Shine, everybody. His mama

1702
01:16:39,160 --> 01:16:41,720
Speaker 4: wanted to be the manager. She felt like I wasn't

1703
01:16:41,760 --> 01:16:44,760
Speaker 4: doing a great enough job. I said, find me out.

1704
01:16:45,280 --> 01:16:47,840
Speaker 1: Okay. So he wasn't sign he wasn't signing you. You

1705
01:16:47,880 --> 01:16:50,360
Speaker 1: were just managing him. No, he was signing me. Oh

1706
01:16:50,400 --> 01:16:53,160
Speaker 1: he was signing you and you were manager. Yeah, just clarity.

1707
01:16:53,320 --> 01:16:56,120
Speaker 4: Got fired as a manager. Cool, and they bought me out,

1708
01:16:56,240 --> 01:16:57,479
Speaker 4: and I went on by my business.

1709
01:16:58,520 --> 01:17:02,719
Speaker 1: Oh that what they talking about? What I'm not supposed

1710
01:17:02,720 --> 01:17:03,320
Speaker 1: to get paid for.

1711
01:17:03,360 --> 01:17:03,800
Speaker 14: What I did?

1712
01:17:05,000 --> 01:17:09,360
Speaker 1: Like, I'm confuged, bro, It's hard, is it. They're not

1713
01:17:09,400 --> 01:17:12,920
Speaker 1: supposed to make no money. That would seem like, yeah,

1714
01:17:13,040 --> 01:17:14,960
Speaker 1: I'm not supposed to make money off of the work

1715
01:17:15,000 --> 01:17:16,280
Speaker 1: that I put in and the ship I created. I

1716
01:17:16,400 --> 01:17:20,000
Speaker 1: just told you he wasn't even known for his own song. Like,

1717
01:17:20,200 --> 01:17:22,840
Speaker 1: thinking about what I just said, he was not known

1718
01:17:22,920 --> 01:17:26,680
Speaker 1: for his own song. What are he mad about him?

1719
01:17:28,439 --> 01:17:30,800
Speaker 1: I don't know how these niggas is man. You have

1720
01:17:30,920 --> 01:17:32,880
Speaker 1: to ask them to be kind of you them and

1721
01:17:32,960 --> 01:17:37,320
Speaker 1: let the speak. They be hey and what they eat

1722
01:17:37,600 --> 01:17:39,760
Speaker 1: don't make me ship, don't go keep doing me.

1723
01:17:39,960 --> 01:17:42,760
Speaker 7: The only way we will completely completely be able to

1724
01:17:43,680 --> 01:17:45,920
Speaker 7: understand the rappers point of view is if we ever

1725
01:17:46,520 --> 01:17:49,760
Speaker 7: want like rappers and science that indeed.

1726
01:17:49,560 --> 01:17:51,800
Speaker 1: It's the problem that that's why you see both ways,

1727
01:17:52,040 --> 01:17:57,720
Speaker 1: that record problem that I have. The problem that I have, and.

1728
01:17:57,760 --> 01:17:59,840
Speaker 4: I know it's a mellion is that has stand up

1729
01:17:59,880 --> 01:18:01,880
Speaker 4: and screen right now, why we only want to.

1730
01:18:01,840 --> 01:18:04,080
Speaker 1: Take the rappers point of view? I'm trying to tell

1731
01:18:04,120 --> 01:18:09,160
Speaker 1: you the whole other side, y'all like that I've seen.

1732
01:18:09,320 --> 01:18:13,320
Speaker 1: Yeah that I'm just saying keeping because I've been on

1733
01:18:13,400 --> 01:18:16,040
Speaker 1: both sides. Listen. If we don't get the rappers and

1734
01:18:16,120 --> 01:18:19,120
Speaker 1: see what they're saying, listen, listen check this out.

1735
01:18:19,640 --> 01:18:22,479
Speaker 4: If I don't make my money at a profit, I'm

1736
01:18:22,640 --> 01:18:25,960
Speaker 4: the fucking victim, not them.

1737
01:18:27,840 --> 01:18:30,160
Speaker 1: If I let's st let's be big face. I just

1738
01:18:30,160 --> 01:18:33,599
Speaker 1: spent about eight hundred thousand on your Have I made

1739
01:18:33,640 --> 01:18:34,439
Speaker 1: eight hundred thousand?

1740
01:18:35,160 --> 01:18:39,360
Speaker 4: Should I keep spending money? Here's the reality that what

1741
01:18:39,360 --> 01:18:42,400
Speaker 4: I'm saying, don't even like the car nigga's names out

1742
01:18:42,400 --> 01:18:44,240
Speaker 4: because guests. Let me tell you something, I have no

1743
01:18:44,479 --> 01:18:48,599
Speaker 4: ill feeling towards bro at all, no ill feeling. Look,

1744
01:18:48,640 --> 01:18:51,280
Speaker 4: I invested into the folk because I was fans in them.

1745
01:18:52,200 --> 01:18:54,160
Speaker 4: I like they wasn't No, they didn't have a name.

1746
01:18:54,520 --> 01:18:56,400
Speaker 1: That's what I'm saying. If you got leverage and you

1747
01:18:56,600 --> 01:18:59,760
Speaker 1: popp it and you okay, you popp it, you're a nigga.

1748
01:19:00,080 --> 01:19:05,120
Speaker 1: Everybody they're hard. I'm listen. They hard, they talk. I look,

1749
01:19:05,200 --> 01:19:06,479
Speaker 1: why you think I messed so much?

1750
01:19:06,640 --> 01:19:07,040
Speaker 4: You feel like?

1751
01:19:07,640 --> 01:19:09,360
Speaker 1: Just feel like they feel like if I'm signed to

1752
01:19:09,439 --> 01:19:13,640
Speaker 1: a standing in their career, because now career, What the

1753
01:19:13,720 --> 01:19:18,120
Speaker 1: hell are you talking about? Bront You I got them

1754
01:19:18,720 --> 01:19:23,840
Speaker 1: from have no career? Broad When did you hear about

1755
01:19:23,840 --> 01:19:28,040
Speaker 1: your own guys? Before eight? When no brod heard?

1756
01:19:28,160 --> 01:19:28,799
Speaker 5: What's song.

1757
01:19:32,800 --> 01:19:34,439
Speaker 1: I'm I'm been knowing in the club.

1758
01:19:36,280 --> 01:19:36,519
Speaker 4: Song?

1759
01:19:36,960 --> 01:19:41,960
Speaker 1: Well tell the came? But said got a hard song?

1760
01:19:42,400 --> 01:19:43,360
Speaker 1: They do? What else?

1761
01:19:43,439 --> 01:19:43,599
Speaker 4: Song?

1762
01:19:43,680 --> 01:19:45,240
Speaker 1: You heard it? Make you a fan? I had already

1763
01:19:45,240 --> 01:19:54,479
Speaker 1: heard it too. Listen, listen, listen. I'm out.

1764
01:19:54,520 --> 01:19:57,080
Speaker 4: They're super talented artists. I wish all of them the

1765
01:19:57,120 --> 01:20:00,120
Speaker 4: best from I don't take a pitch. I hate that

1766
01:20:00,479 --> 01:20:02,800
Speaker 4: it didn't work out the way we both would life.

1767
01:20:03,680 --> 01:20:07,880
Speaker 4: But unfortunately, in business and in life, people part ways.

1768
01:20:08,320 --> 01:20:10,800
Speaker 4: People don't see out of eye. You get where I'm

1769
01:20:10,840 --> 01:20:14,280
Speaker 4: coming from. And it's not about who's right and who's wrong.

1770
01:20:14,320 --> 01:20:17,120
Speaker 4: It's just different perspectives. It's a lot more education that

1771
01:20:17,240 --> 01:20:19,760
Speaker 4: has to happen with artists, right and me. I'm an

1772
01:20:19,800 --> 01:20:22,760
Speaker 4: advocate of educating them. That's all I want to do

1773
01:20:22,920 --> 01:20:26,639
Speaker 4: is educate. So you understand. Like Pfe might might here,

1774
01:20:26,760 --> 01:20:29,679
Speaker 4: he just wanted Indy King, I'm all I'm answering questions

1775
01:20:29,720 --> 01:20:31,000
Speaker 4: like bro, let me tell you what this is.

1776
01:20:31,080 --> 01:20:31,960
Speaker 1: Let me explain this to you.

1777
01:20:32,120 --> 01:20:33,560
Speaker 4: Let me explain that to you. Because I don't do

1778
01:20:33,960 --> 01:20:37,560
Speaker 4: preparatory type deals. I don't do lifelong deals. I do

1779
01:20:37,720 --> 01:20:40,200
Speaker 4: contingency based deals. If I can't get you popping in

1780
01:20:40,280 --> 01:20:42,200
Speaker 4: a certain amount of time, I don't want to be

1781
01:20:42,240 --> 01:20:45,000
Speaker 4: connected just like you because I don't want negative energy

1782
01:20:45,080 --> 01:20:47,600
Speaker 4: attached to me. You get what I'm coming from the

1783
01:20:47,760 --> 01:20:51,160
Speaker 4: situation with move, I had a lot of situations that happened.

1784
01:20:51,200 --> 01:20:52,120
Speaker 1: I was pushing with Move.

1785
01:20:52,640 --> 01:20:54,519
Speaker 4: Look, we did a lot. We spent a lot of money,

1786
01:20:54,880 --> 01:20:56,960
Speaker 4: a lot of money with brou and he made a

1787
01:20:57,000 --> 01:20:58,920
Speaker 4: lot of money. You get what I'm coming from. Don't

1788
01:20:58,920 --> 01:21:02,439
Speaker 4: get it twisted. And Move was an amazing telling our

1789
01:21:02,520 --> 01:21:04,680
Speaker 4: contract ind it. He wanted me to do more, but

1790
01:21:04,800 --> 01:21:07,560
Speaker 4: by that time, I'm already dealing with the bullshit that

1791
01:21:07,680 --> 01:21:10,360
Speaker 4: came from another situation. And all it took for was

1792
01:21:10,439 --> 01:21:12,640
Speaker 4: one artist to stand up and be like, that's some

1793
01:21:12,760 --> 01:21:15,160
Speaker 4: boys shit and they would probably popped.

1794
01:21:15,520 --> 01:21:18,400
Speaker 1: But the thing is is a lot of times, uh

1795
01:21:19,640 --> 01:21:25,000
Speaker 1: people allowed. I don't know, man, I think reality.

1796
01:21:25,080 --> 01:21:27,160
Speaker 7: I think reality is when you when you get into

1797
01:21:28,120 --> 01:21:31,200
Speaker 7: an agreement for yourself and the artist, it might not

1798
01:21:31,320 --> 01:21:31,680
Speaker 7: work out.

1799
01:21:32,040 --> 01:21:33,000
Speaker 1: You have to take that to the.

1800
01:21:36,280 --> 01:21:38,400
Speaker 3: You're dealing with a nigga that's coming with nothing right

1801
01:21:38,640 --> 01:21:41,040
Speaker 3: and you already understand business and they don't.

1802
01:21:41,520 --> 01:21:44,679
Speaker 4: When it's time for business to come into play, that's

1803
01:21:44,760 --> 01:21:48,400
Speaker 4: when it becomes a problem. That's usually that's just what

1804
01:21:48,520 --> 01:21:49,080
Speaker 4: it is. It's like.

1805
01:21:49,160 --> 01:21:51,840
Speaker 3: And then when you start like because business is bri

1806
01:21:51,880 --> 01:21:53,160
Speaker 3: I ain't finna spend on money.

1807
01:21:53,600 --> 01:21:56,360
Speaker 4: That's business, no matter how you feel about it. How

1808
01:21:56,400 --> 01:21:59,080
Speaker 4: you how much I love you, I can my son,

1809
01:22:00,200 --> 01:22:01,040
Speaker 4: I love you to death.

1810
01:22:01,160 --> 01:22:02,840
Speaker 1: No, but Bro, you've beally got to.

1811
01:22:02,840 --> 01:22:05,080
Speaker 4: Play with your own studio. Time you got the man,

1812
01:22:05,200 --> 01:22:07,360
Speaker 4: you keep got there. I ain't finna that burning myself

1813
01:22:07,439 --> 01:22:11,040
Speaker 4: the fuck out come on. So, but niggas don't understand that.

1814
01:22:11,160 --> 01:22:13,320
Speaker 4: Niggas feel like Bro, niggas bro signed to you.

1815
01:22:15,040 --> 01:22:17,280
Speaker 1: You know what I'm saying. It's a learning experience for everybody.

1816
01:22:17,320 --> 01:22:19,360
Speaker 4: And the thing is is, I think my issue has

1817
01:22:19,400 --> 01:22:21,640
Speaker 4: been in the past is like even dealing with the

1818
01:22:21,720 --> 01:22:24,120
Speaker 4: Roscoe situation, I never spoke up because I'm.

1819
01:22:24,040 --> 01:22:25,200
Speaker 1: Such fans of the artist.

1820
01:22:25,479 --> 01:22:27,080
Speaker 4: I don't be wanting to do nothing to have people

1821
01:22:27,160 --> 01:22:30,479
Speaker 4: looking at them sideways like it's two sides, bro. And

1822
01:22:30,600 --> 01:22:32,760
Speaker 4: that's all I'm gonna keep saying. When it comes to

1823
01:22:32,880 --> 01:22:35,360
Speaker 4: dealing with an artist and exec It's always been that way.

1824
01:22:35,680 --> 01:22:38,400
Speaker 4: Now it's some exects that take advantage of the artist.

1825
01:22:38,520 --> 01:22:39,000
Speaker 4: That's not me.

1826
01:22:39,479 --> 01:22:41,920
Speaker 1: I'm not trying to take advantage of nobody. Nobody will

1827
01:22:41,960 --> 01:22:44,280
Speaker 1: say they tied up in the contract with Boom like

1828
01:22:44,400 --> 01:22:45,000
Speaker 1: I can't get out.

1829
01:22:45,240 --> 01:22:48,439
Speaker 3: Ain't nobody saying any nigga that was signed to you

1830
01:22:48,479 --> 01:22:50,240
Speaker 3: when they left, they was better off than when they came.

1831
01:22:50,320 --> 01:22:53,160
Speaker 4: Come on, man, anybody that ever approached me in my life,

1832
01:22:53,520 --> 01:22:56,639
Speaker 4: they was always better off when they left me in life.

1833
01:22:57,080 --> 01:23:01,000
Speaker 1: Not an artist in life, you said, you're a blessing,

1834
01:23:01,080 --> 01:23:08,400
Speaker 1: not a girl. Come on, bro, I've been that. I've

1835
01:23:08,439 --> 01:23:11,160
Speaker 1: been that bro. Anybody I can't wait money every day on.

1836
01:23:13,240 --> 01:23:15,400
Speaker 4: Anybody that come in contact with me. I'm always been.

1837
01:23:15,680 --> 01:23:18,559
Speaker 4: So what's what's the ship got to do his work too?

1838
01:23:19,080 --> 01:23:20,600
Speaker 4: When you teach the class what you be teaching in

1839
01:23:20,600 --> 01:23:23,720
Speaker 4: the class, you're talking about the men in the ninety days? Yeah, yeah,

1840
01:23:23,800 --> 01:23:25,280
Speaker 4: teach you how to get the men in the ninety days?

1841
01:23:25,520 --> 01:23:27,120
Speaker 1: What is it what you're gonna give us?

1842
01:23:27,160 --> 01:23:27,439
Speaker 4: None of it?

1843
01:23:27,520 --> 01:23:30,680
Speaker 1: On you get whatever? I said, like, what what is

1844
01:23:30,760 --> 01:23:37,080
Speaker 1: it consistent of? So what happened was, uh story right.

1845
01:23:39,240 --> 01:23:41,880
Speaker 4: I was down to my last like twenty bands in

1846
01:23:42,000 --> 01:23:46,439
Speaker 4: twenty nineteen, trying to do radio for your gut and.

1847
01:23:49,760 --> 01:23:53,640
Speaker 1: Giving you the big facts feel me and I had

1848
01:23:53,680 --> 01:23:56,240
Speaker 1: a partner. My energy came in.

1849
01:23:56,720 --> 01:23:58,560
Speaker 4: It was like, hey, you know, kind of woke me

1850
01:23:58,680 --> 01:24:01,560
Speaker 4: up on some on some information you know where I

1851
01:24:01,760 --> 01:24:04,200
Speaker 4: was already kind of doing it. But it clicked for

1852
01:24:04,320 --> 01:24:06,640
Speaker 4: me because I was doing it subconsciously, and that had

1853
01:24:06,720 --> 01:24:08,680
Speaker 4: already been taken doing a lot of reading, a lot

1854
01:24:08,720 --> 01:24:09,160
Speaker 4: of studying.

1855
01:24:09,439 --> 01:24:12,599
Speaker 1: But the problem is is a lot of times when.

1856
01:24:12,479 --> 01:24:15,800
Speaker 4: We read books, we read just to read, you know

1857
01:24:15,840 --> 01:24:19,840
Speaker 4: what I'm saying about, Jay, We don't read intentional and

1858
01:24:19,920 --> 01:24:20,519
Speaker 4: on purpose.

1859
01:24:20,920 --> 01:24:21,080
Speaker 1: Right.

1860
01:24:21,280 --> 01:24:25,400
Speaker 4: So you know, I read a book from Robert Kiwasaki

1861
01:24:25,880 --> 01:24:29,880
Speaker 4: and then I read right right Rich standport A, or

1862
01:24:29,920 --> 01:24:32,280
Speaker 4: I read something from like, let's say, Dave Ramsey.

1863
01:24:33,600 --> 01:24:33,760
Speaker 1: Right.

1864
01:24:34,000 --> 01:24:37,800
Speaker 4: So obviously it's two different ends of the spectrum. And

1865
01:24:38,400 --> 01:24:40,599
Speaker 4: what it happened is you'll get confused. One is telling

1866
01:24:40,640 --> 01:24:41,160
Speaker 4: you to get.

1867
01:24:41,000 --> 01:24:41,439
Speaker 1: Out of dick.

1868
01:24:41,600 --> 01:24:43,320
Speaker 4: One is telling you to get some dick. Get where

1869
01:24:43,320 --> 01:24:46,120
Speaker 4: I'm coming from. And so what happened was once I

1870
01:24:46,280 --> 01:24:49,160
Speaker 4: realized and I learned, like, hey, you, when you follow

1871
01:24:49,200 --> 01:24:51,919
Speaker 4: an author, it's about it's like they're really like mentors.

1872
01:24:51,960 --> 01:24:53,880
Speaker 1: You gotta understand where you want your life to go,

1873
01:24:54,200 --> 01:24:55,759
Speaker 1: you feel me, because everybody's different.

1874
01:24:56,000 --> 01:24:59,080
Speaker 4: Somebody might want to live a simple, peaceful, humble life

1875
01:24:59,280 --> 01:25:01,160
Speaker 4: and somebody might I want to live a piped up

1876
01:25:01,200 --> 01:25:02,599
Speaker 4: li like it. They want to you know what I'm saying.

1877
01:25:02,640 --> 01:25:04,280
Speaker 4: They want to get the chance and the bus down,

1878
01:25:04,680 --> 01:25:07,479
Speaker 4: you know, drive the rolls Royce's fly private JITs. That

1879
01:25:07,640 --> 01:25:10,040
Speaker 4: might be someone else's dream. But the thing is is

1880
01:25:10,200 --> 01:25:12,479
Speaker 4: you have to study those type of people that live

1881
01:25:12,520 --> 01:25:14,240
Speaker 4: that kind of lifestyle that you want to live, you

1882
01:25:14,320 --> 01:25:17,120
Speaker 4: feel me. So what happened was I started studying like

1883
01:25:17,400 --> 01:25:19,240
Speaker 4: one hundred millionaires and billionaires, you.

1884
01:25:19,240 --> 01:25:19,720
Speaker 1: Know what I'm saying.

1885
01:25:19,720 --> 01:25:21,720
Speaker 4: And I really just started digging into the information like

1886
01:25:21,960 --> 01:25:25,439
Speaker 4: like really really crazy and understanding the mindset. And when

1887
01:25:25,479 --> 01:25:29,840
Speaker 4: I started understanding the mindset, it was all about leveraging debt,

1888
01:25:30,160 --> 01:25:30,600
Speaker 4: you feel me.

1889
01:25:31,360 --> 01:25:32,680
Speaker 1: And I just went crazy with it.

1890
01:25:32,800 --> 01:25:35,960
Speaker 4: And you know, I generated over like thirty million in

1891
01:25:36,080 --> 01:25:39,040
Speaker 4: like three years, you feel me. And so that's why

1892
01:25:39,080 --> 01:25:41,280
Speaker 4: I was able to invest and do so much stuff

1893
01:25:41,360 --> 01:25:45,280
Speaker 4: to help other artists, because I generated the funds to

1894
01:25:45,360 --> 01:25:45,839
Speaker 4: be able.

1895
01:25:45,720 --> 01:25:46,719
Speaker 1: To do it, you know what I'm saying.

1896
01:25:46,960 --> 01:25:49,200
Speaker 4: And so now what I do is, like I said,

1897
01:25:49,520 --> 01:25:52,519
Speaker 4: because everybody thinks and they want to say something, So

1898
01:25:52,600 --> 01:25:54,640
Speaker 4: I said, look, let me start giving a class and

1899
01:25:54,680 --> 01:25:57,000
Speaker 4: I'll be giving free classes on how to get the

1900
01:25:57,080 --> 01:25:59,559
Speaker 4: money to invest into your business, how to fund your business.

1901
01:26:00,000 --> 01:26:01,840
Speaker 4: You know what I'm saying. Legit, you know what I'm saying.

1902
01:26:01,920 --> 01:26:05,600
Speaker 4: And you know that's a testimon You got people testimon.

1903
01:26:05,400 --> 01:26:08,479
Speaker 1: Forshall for sh'all for shall they partner some of them partners?

1904
01:26:08,520 --> 01:26:09,920
Speaker 1: Not for the new company? Do they write them on

1905
01:26:10,000 --> 01:26:10,280
Speaker 1: your help?

1906
01:26:15,000 --> 01:26:18,960
Speaker 4: I ain't got there far, but nah, it's it's definitely

1907
01:26:19,160 --> 01:26:21,080
Speaker 4: it's definitely real situation, real deal.

1908
01:26:21,160 --> 01:26:22,880
Speaker 1: Y'all should definitely come check me out. You know what

1909
01:26:22,880 --> 01:26:23,280
Speaker 1: I'm saying.

1910
01:26:24,840 --> 01:26:28,160
Speaker 4: Artist, Yeah, yeah, I got PF you, Mike, Mike. You

1911
01:26:28,160 --> 01:26:30,639
Speaker 4: know what I'm saying, Like, got PF you Mike too.

1912
01:26:30,760 --> 01:26:33,920
Speaker 4: Four mellow who we That's what we're working with right now.

1913
01:26:33,960 --> 01:26:36,479
Speaker 4: And then I got a whole little audition with Atlantic

1914
01:26:37,040 --> 01:26:39,679
Speaker 4: uh this weekend where I'm looking to do a distribution

1915
01:26:39,760 --> 01:26:42,000
Speaker 4: situation but another artist. So it's just like rebranding. But

1916
01:26:42,120 --> 01:26:43,680
Speaker 4: what I do is I try to what I try

1917
01:26:43,720 --> 01:26:45,800
Speaker 4: to do this time. And you know, let me tell

1918
01:26:45,800 --> 01:26:48,439
Speaker 4: you something what I realized. I understand why y'all asking

1919
01:26:48,439 --> 01:26:51,040
Speaker 4: me the questions, right, and so me being black and

1920
01:26:51,160 --> 01:26:53,200
Speaker 4: I ain't got no college degree. I feel the year

1921
01:26:53,240 --> 01:26:55,479
Speaker 4: in high school I graduated from theray you feel I'm

1922
01:26:55,479 --> 01:26:55,920
Speaker 4: coming from.

1923
01:26:56,000 --> 01:26:59,760
Speaker 1: So they say the parents stop when you start when

1924
01:26:59,800 --> 01:27:01,240
Speaker 1: you know what I'm saying.

1925
01:27:01,280 --> 01:27:02,960
Speaker 4: So I'm just learning how to maneuver a little bit

1926
01:27:03,040 --> 01:27:06,080
Speaker 4: better in the space because uh, and that's.

1927
01:27:05,920 --> 01:27:07,519
Speaker 1: Why I said I just big on education. But I

1928
01:27:07,680 --> 01:27:09,720
Speaker 1: understand sometimes when you're doing stuff.

1929
01:27:09,439 --> 01:27:12,080
Speaker 4: That people don't believe in, or people don't look at

1930
01:27:12,120 --> 01:27:13,840
Speaker 4: it the way they feel like, Oh, I only want

1931
01:27:13,880 --> 01:27:15,960
Speaker 4: to listen to the street nigga, respect the street nigg

1932
01:27:15,960 --> 01:27:18,280
Speaker 4: I'm doing something different that's never been done before. So

1933
01:27:18,560 --> 01:27:20,880
Speaker 4: you know, when you pioneer some stuff, usually the person

1934
01:27:20,920 --> 01:27:24,120
Speaker 4: that's pioneering you takes the beating you get where I'm

1935
01:27:24,120 --> 01:27:27,040
Speaker 4: coming from. You know, Martin Luther, King, Michael X, they

1936
01:27:27,080 --> 01:27:28,720
Speaker 4: took it the beating you get where I'm coming from.

1937
01:27:28,800 --> 01:27:31,400
Speaker 4: So I understand that nobody. You could say what you

1938
01:27:31,560 --> 01:27:34,000
Speaker 4: want to say about nobody, you know what I mean.

1939
01:27:34,120 --> 01:27:36,320
Speaker 1: Nobody has done what I've done for the culture.

1940
01:27:36,360 --> 01:27:37,960
Speaker 7: When to come to anything, when you think when you

1941
01:27:38,040 --> 01:27:41,080
Speaker 7: think of like have you had the have you have

1942
01:27:41,200 --> 01:27:45,120
Speaker 7: you had the the have you been able to talk

1943
01:27:45,160 --> 01:27:47,800
Speaker 7: to like other people who came through independent like a

1944
01:27:47,880 --> 01:27:49,559
Speaker 7: Tony Draper or j Prince a Bird.

1945
01:27:49,640 --> 01:27:51,519
Speaker 1: Have you ever talked to any of them? Just about

1946
01:27:51,520 --> 01:27:52,200
Speaker 1: getting some game?

1947
01:27:52,320 --> 01:27:54,760
Speaker 4: I talked to Yeah, I talked to him at his house.

1948
01:27:55,280 --> 01:27:56,800
Speaker 4: He taught me this story and stuff like that. When

1949
01:27:56,840 --> 01:27:58,720
Speaker 4: I was at his house in California. Okay, you know

1950
01:27:58,760 --> 01:28:00,599
Speaker 4: what I'm saying, but I said it outside.

1951
01:28:01,600 --> 01:28:06,760
Speaker 1: Master. Do you think do you think like, because no,

1952
01:28:06,920 --> 01:28:08,720
Speaker 1: what you just said made me think of something you do.

1953
01:28:09,080 --> 01:28:11,280
Speaker 3: You have did something that niggas ain't dead, like putting

1954
01:28:11,320 --> 01:28:13,000
Speaker 3: these niggas right beside these.

1955
01:28:12,880 --> 01:28:15,800
Speaker 4: Big as artists, right, But do you think that more

1956
01:28:15,880 --> 01:28:17,719
Speaker 4: than that? Do you think that she hurt a nigga?

1957
01:28:18,120 --> 01:28:20,120
Speaker 4: I think that she hurt me to because you.

1958
01:28:20,160 --> 01:28:22,479
Speaker 1: Put them right there. Then when when that ship gone,

1959
01:28:22,520 --> 01:28:25,200
Speaker 1: they can't stand, they can't stand. Yeah, what they gonna do?

1960
01:28:25,960 --> 01:28:32,760
Speaker 4: Listen, man, listen, I don't understand how. I understand how

1961
01:28:32,800 --> 01:28:34,439
Speaker 4: it can hurt. It's kind of like winning the lottery.

1962
01:28:35,080 --> 01:28:37,960
Speaker 1: Yes, yes, yeah, you don't put a nigga. You don't

1963
01:28:38,000 --> 01:28:40,120
Speaker 1: put me up here? So far I can't do that,

1964
01:28:40,240 --> 01:28:42,120
Speaker 1: but drop. It's like when you started at the top,

1965
01:28:42,200 --> 01:28:43,240
Speaker 1: the fall is inevitable.

1966
01:28:43,760 --> 01:28:49,000
Speaker 4: Exactly what so what should I do?

1967
01:28:49,240 --> 01:28:53,920
Speaker 1: I don't know. It's it's game.

1968
01:28:54,120 --> 01:28:57,080
Speaker 3: It's a game for the future, because yeah, listen, as

1969
01:28:57,120 --> 01:28:58,280
Speaker 3: a DJ talking to other.

1970
01:28:58,200 --> 01:29:01,479
Speaker 7: DJs, right, like, a real hit record is a hit record.

1971
01:29:02,000 --> 01:29:04,720
Speaker 7: Put this ship right there, and it's gonna grow, It's

1972
01:29:04,760 --> 01:29:05,160
Speaker 7: gonna do.

1973
01:29:05,240 --> 01:29:07,519
Speaker 3: Something now that you have to add to it for sure,

1974
01:29:07,920 --> 01:29:09,600
Speaker 3: about what like Lahara to see if he was up

1975
01:29:09,600 --> 01:29:11,479
Speaker 3: here shoutside of the hair he was like bro I

1976
01:29:11,520 --> 01:29:13,439
Speaker 3: got featured with all calend nigga, but it ain't time

1977
01:29:13,520 --> 01:29:16,400
Speaker 3: anything I want it look like supped to be on

1978
01:29:16,439 --> 01:29:18,120
Speaker 3: a song with Drake sactly what it'stead of me looking

1979
01:29:18,160 --> 01:29:20,240
Speaker 3: like damn the niggas Finn try Drake Fin to turn

1980
01:29:20,280 --> 01:29:25,479
Speaker 3: him up because if I when when Bruh had that

1981
01:29:25,600 --> 01:29:27,519
Speaker 3: song and I was on radio every day, then people

1982
01:29:27,520 --> 01:29:30,120
Speaker 3: will call up and ask for the future, right, they

1983
01:29:30,120 --> 01:29:32,400
Speaker 3: wouldn't always say his name the future record.

1984
01:29:33,680 --> 01:29:35,639
Speaker 1: I don't operate like this like that. You know I've

1985
01:29:35,640 --> 01:29:38,400
Speaker 1: been doing this like I don't do I don't do

1986
01:29:38,520 --> 01:29:39,120
Speaker 1: features like that.

1987
01:29:39,680 --> 01:29:42,360
Speaker 4: So typically what I do is this right here, like

1988
01:29:42,479 --> 01:29:45,280
Speaker 4: I'm breaking the artist right see people break records.

1989
01:29:45,600 --> 01:29:49,760
Speaker 1: I break artists. We're talking about artists. You listen. You

1990
01:29:49,960 --> 01:29:53,439
Speaker 1: know these artists because of what I did. What I'm

1991
01:29:53,479 --> 01:29:55,960
Speaker 1: doing is giving you a platform to build a career.

1992
01:29:56,320 --> 01:29:58,479
Speaker 4: You understand what I'm saying. So you looking at it

1993
01:29:58,560 --> 01:30:00,880
Speaker 4: one way, I'm looking at it another. You understand what

1994
01:30:00,960 --> 01:30:01,360
Speaker 4: I'm saying.

1995
01:30:01,760 --> 01:30:03,880
Speaker 1: Yeah, I give what you're saying. But I'm just looking

1996
01:30:03,880 --> 01:30:04,880
Speaker 1: at it from a different scenario.

1997
01:30:04,920 --> 01:30:08,080
Speaker 3: It's just like this, like unless you ride to your shows,

1998
01:30:08,160 --> 01:30:11,559
Speaker 3: no white van, you ain't gonna make appreciate the sprinkle then.

1999
01:30:11,439 --> 01:30:13,439
Speaker 1: The jet being the dish. I'm not saying, get that

2000
01:30:13,560 --> 01:30:16,439
Speaker 1: like your head jumped straight on the jets to god

2001
01:30:16,479 --> 01:30:23,960
Speaker 1: a fucking you don't complain about where we gotta be

2002
01:30:24,040 --> 01:30:24,679
Speaker 1: four deep.

2003
01:30:24,600 --> 01:30:27,040
Speaker 4: Five deep in calls and ship so we give like

2004
01:30:27,120 --> 01:30:29,400
Speaker 4: it's I just feel like the grinds gulation.

2005
01:30:30,240 --> 01:30:32,920
Speaker 1: It's not niggas entitle because you put them in a

2006
01:30:33,040 --> 01:30:36,280
Speaker 1: space to where it's nothing. You donna father. It's just

2007
01:30:36,400 --> 01:30:40,599
Speaker 1: like my bitch, I can't tell her about nothing. I'm

2008
01:30:40,640 --> 01:30:44,960
Speaker 1: just saying yes too much, saying keeping the red soul.

2009
01:30:45,040 --> 01:30:48,080
Speaker 1: I come in the car with no Now she's gonna

2010
01:30:48,120 --> 01:30:49,840
Speaker 1: feel like I just I'm the worst person in the world.

2011
01:30:49,920 --> 01:30:52,760
Speaker 1: So I can understand the resentment. You know what I'm saying.

2012
01:30:52,800 --> 01:30:55,800
Speaker 1: But if I've been bitch ho time, no no no.

2013
01:30:56,000 --> 01:30:58,000
Speaker 1: So when I tell you no, you you you, I

2014
01:30:58,080 --> 01:31:00,840
Speaker 1: may tell you, yes, you appreciate that motherfucker so much

2015
01:31:01,200 --> 01:31:04,320
Speaker 1: that you're doing whatever you can do to You'll know yes, yeah, yeah,

2016
01:31:04,479 --> 01:31:08,240
Speaker 1: and and I agree with you. But that's that's not

2017
01:31:08,360 --> 01:31:11,640
Speaker 1: exactly how it works. Ain't how it worked because you

2018
01:31:12,240 --> 01:31:14,479
Speaker 1: being and you just knowing like I got the money

2019
01:31:14,560 --> 01:31:15,519
Speaker 1: full that let's go up, let's go.

2020
01:31:15,960 --> 01:31:18,240
Speaker 3: We're finna, We're finna compete with the majors. That's how

2021
01:31:18,280 --> 01:31:18,960
Speaker 3: you're looking at it.

2022
01:31:19,280 --> 01:31:20,880
Speaker 4: But a nigga coming from nothing, you gonna put this

2023
01:31:20,960 --> 01:31:22,759
Speaker 4: nigga all the way up here to this glory.

2024
01:31:23,080 --> 01:31:26,440
Speaker 1: Now when when when I ain't doing this good? Them embarrassed?

2025
01:31:27,400 --> 01:31:28,960
Speaker 1: But see that's but see that's what you see.

2026
01:31:29,080 --> 01:31:32,799
Speaker 4: Never No, let me explain that if you're feeling embarrassed,

2027
01:31:32,800 --> 01:31:35,600
Speaker 4: that's because you're not being your authentic self, you know,

2028
01:31:35,800 --> 01:31:37,000
Speaker 4: and that and that's a problem.

2029
01:31:37,080 --> 01:31:40,960
Speaker 1: And I preached this man, you ain't gotta act cool

2030
01:31:41,640 --> 01:31:44,920
Speaker 1: to be cool. Just be cool, be cool like me.

2031
01:31:45,360 --> 01:31:47,559
Speaker 1: I might have money to they might not have money tomorrow.

2032
01:31:47,680 --> 01:31:50,240
Speaker 1: I don't care because it's an exception. Woryland. You already

2033
01:31:50,240 --> 01:31:52,280
Speaker 1: accepted that, you already tomorrow.

2034
01:31:52,320 --> 01:31:54,240
Speaker 3: But this show thirty six times around the block though

2035
01:31:54,240 --> 01:31:55,559
Speaker 3: you haven't been a muscle all your life.

2036
01:31:55,680 --> 01:31:56,040
Speaker 11: For sure.

2037
01:31:56,160 --> 01:31:57,880
Speaker 1: That's what I'm saying. With some niggas. You just you

2038
01:31:58,000 --> 01:31:59,880
Speaker 1: take a nigga, that never problem.

2039
01:32:00,439 --> 01:32:03,599
Speaker 4: Ten thousand dollars of their own money, facts and spending

2040
01:32:03,760 --> 01:32:06,200
Speaker 4: way more money than their whole family ever had on

2041
01:32:06,320 --> 01:32:08,200
Speaker 4: the feature. And you're gonna put me right, He'll not

2042
01:32:08,320 --> 01:32:10,280
Speaker 4: my whole family feeling like I'm dead when I ain't

2043
01:32:10,320 --> 01:32:11,000
Speaker 4: really that yet.

2044
01:32:11,320 --> 01:32:13,519
Speaker 1: That's what I can't shut up to that right now,

2045
01:32:13,640 --> 01:32:15,720
Speaker 1: something to mess your question. So I'm just trying to

2046
01:32:15,760 --> 01:32:19,160
Speaker 1: get you to see the side he decide. I just

2047
01:32:19,760 --> 01:32:23,800
Speaker 1: I don't know what to do. Yeah, I get what

2048
01:32:23,880 --> 01:32:26,040
Speaker 1: you said. I get read because the man is why

2049
01:32:26,120 --> 01:32:29,280
Speaker 1: going to American idols and now I'm on the biggest platform.

2050
01:32:30,880 --> 01:32:31,639
Speaker 1: I gotta be ready.

2051
01:32:31,840 --> 01:32:35,080
Speaker 3: You gotta be ready this way, you gotta ben You're

2052
01:32:35,080 --> 01:32:36,200
Speaker 3: trying to show you the dilemma of it.

2053
01:32:36,240 --> 01:32:38,000
Speaker 1: You're right when you when it go right and go

2054
01:32:38,160 --> 01:32:38,840
Speaker 1: right like foods.

2055
01:32:38,840 --> 01:32:40,160
Speaker 4: You don't know. He don't give a fuck what it

2056
01:32:40,240 --> 01:32:42,720
Speaker 4: is because he's still fool even locked up right, But

2057
01:32:42,840 --> 01:32:45,360
Speaker 4: when it go wrong, that when I gotta find somebody

2058
01:32:45,360 --> 01:32:47,040
Speaker 4: to blame because I ain't exactly.

2059
01:32:47,600 --> 01:32:49,479
Speaker 1: Exactly, but that's what I don't agree with.

2060
01:32:49,640 --> 01:32:52,240
Speaker 4: And that's and that's the thing that we got to change, man,

2061
01:32:52,320 --> 01:32:54,840
Speaker 4: because at the end of the day, if anybody do

2062
01:32:55,040 --> 01:32:56,600
Speaker 4: something for you more than you was able to do

2063
01:32:56,720 --> 01:32:57,240
Speaker 4: for yourself.

2064
01:32:57,320 --> 01:32:58,040
Speaker 1: That's a blessing.

2065
01:32:58,120 --> 01:32:58,240
Speaker 14: Bro.

2066
01:32:58,520 --> 01:33:01,880
Speaker 4: I don't understand how people even looking at that as

2067
01:33:01,920 --> 01:33:02,960
Speaker 4: a negative thing.

2068
01:33:03,240 --> 01:33:04,519
Speaker 1: I understand how you say.

2069
01:33:04,600 --> 01:33:07,160
Speaker 4: I understand how you say spoiling a child like, okay,

2070
01:33:07,200 --> 01:33:09,200
Speaker 4: of course, spoiling this child that can hurt the child

2071
01:33:09,240 --> 01:33:12,320
Speaker 4: in the lawn run, sure, I get I get that.

2072
01:33:12,439 --> 01:33:15,160
Speaker 1: So I'm in agreements. I'm in agreeance with you. But

2073
01:33:15,280 --> 01:33:17,639
Speaker 1: when you come through the door, you already understand.

2074
01:33:17,680 --> 01:33:20,000
Speaker 4: And they could tell you like it's a team already

2075
01:33:20,040 --> 01:33:21,920
Speaker 4: in place, but it's already expressed to you.

2076
01:33:22,080 --> 01:33:23,920
Speaker 1: Hey, man, you gotta earn this, you gotta work with this.

2077
01:33:24,120 --> 01:33:26,040
Speaker 4: And I tell you before I do this, I'm like, hey,

2078
01:33:26,520 --> 01:33:29,639
Speaker 4: I'm gonna do x y Z you sure, but hell,

2079
01:33:30,160 --> 01:33:31,719
Speaker 4: I make sure.

2080
01:33:31,600 --> 01:33:32,280
Speaker 1: You know what I'm saying.

2081
01:33:32,720 --> 01:33:34,760
Speaker 4: And that's just me being a blessing to that person

2082
01:33:34,800 --> 01:33:36,680
Speaker 4: because at the end of the day, that's more of

2083
01:33:36,680 --> 01:33:39,200
Speaker 4: a gamble on me because they're not guaranteed to make

2084
01:33:39,280 --> 01:33:39,840
Speaker 4: me that money.

2085
01:33:39,880 --> 01:33:40,000
Speaker 1: Man.

2086
01:33:40,160 --> 01:33:42,719
Speaker 3: I can see listen, trust me, I can see exactly

2087
01:33:42,760 --> 01:33:44,439
Speaker 3: where you're at with I can see where you come from.

2088
01:33:44,479 --> 01:33:46,000
Speaker 1: You saying at the end of the day, bro, we're

2089
01:33:46,000 --> 01:33:48,720
Speaker 1: gonna do it. They do it. Do it. Let's do it.

2090
01:33:48,760 --> 01:33:52,400
Speaker 3: But the thing about it is when a motherfucker think

2091
01:33:52,520 --> 01:33:55,080
Speaker 3: they ready for something and not ready for something, it's

2092
01:33:55,080 --> 01:33:57,599
Speaker 3: two different things. For sure, I can think I'm ready

2093
01:33:57,640 --> 01:33:59,840
Speaker 3: to be like niggas gotta know what they read it for.

2094
01:34:00,680 --> 01:34:02,400
Speaker 3: I command that you only when he said that, like, Bro,

2095
01:34:02,439 --> 01:34:04,200
Speaker 3: I got feats. I get fetched from any about it, Bro,

2096
01:34:04,479 --> 01:34:05,439
Speaker 3: But I ain't.

2097
01:34:05,240 --> 01:34:05,720
Speaker 1: Ready for that.

2098
01:34:06,479 --> 01:34:09,479
Speaker 3: I respect that because it's like I ain't finna go

2099
01:34:09,560 --> 01:34:11,599
Speaker 3: out here. And then a nigga can say, really, brouh,

2100
01:34:11,720 --> 01:34:13,559
Speaker 3: you ain't get turned up to you got on song

2101
01:34:13,640 --> 01:34:14,000
Speaker 3: such such.

2102
01:34:15,240 --> 01:34:15,960
Speaker 1: You get what I'm saying.

2103
01:34:16,200 --> 01:34:18,240
Speaker 4: Babies, By the time baby got a song with Drake,

2104
01:34:18,439 --> 01:34:19,680
Speaker 4: we already know, baby, you're out of here.

2105
01:34:20,920 --> 01:34:22,599
Speaker 1: You know what I'm saying. He was already God damn.

2106
01:34:23,320 --> 01:34:25,080
Speaker 4: The truth of the matter is just like this, bro,

2107
01:34:25,720 --> 01:34:29,000
Speaker 4: in every industry, man ten percent of the people get

2108
01:34:29,760 --> 01:34:31,840
Speaker 4: the money. It's a it's a ninety ten rule and

2109
01:34:31,920 --> 01:34:36,479
Speaker 4: everything right and everybody. That's why Drake and Drake futures

2110
01:34:36,520 --> 01:34:37,719
Speaker 4: for everybody ain't.

2111
01:34:37,520 --> 01:34:38,080
Speaker 1: Gonna be that.

2112
01:34:39,120 --> 01:34:41,360
Speaker 4: I don't care what you do, you say, but you

2113
01:34:41,439 --> 01:34:43,920
Speaker 4: gave them opportunity, opportunities all they just ain't that.

2114
01:34:44,840 --> 01:34:47,120
Speaker 1: I can't make you that. If you got it, you

2115
01:34:47,320 --> 01:34:51,120
Speaker 1: got it, even if you have to be mentally ready

2116
01:34:51,200 --> 01:34:53,439
Speaker 1: to that. You nigga might got it, but they just

2117
01:34:53,520 --> 01:34:56,160
Speaker 1: probably put out that too far. But that's a part

2118
01:34:56,240 --> 01:35:00,960
Speaker 1: of it. You gotta be ready with athlete. You're right,

2119
01:35:01,000 --> 01:35:03,360
Speaker 1: You're right. Refer it. It's like, bro, you got it,

2120
01:35:03,439 --> 01:35:05,040
Speaker 1: A bro, it's like call you know on that bench

2121
01:35:05,120 --> 01:35:09,479
Speaker 1: and you going that games you read or not reform?

2122
01:35:09,600 --> 01:35:11,240
Speaker 4: This is what you signed ship right up?

2123
01:35:11,320 --> 01:35:13,960
Speaker 1: Can't you know what I'm saying. I can't make excuses

2124
01:35:14,000 --> 01:35:16,840
Speaker 1: for niggas. I'm just trying to move.

2125
01:35:16,920 --> 01:35:17,320
Speaker 11: I don't know.

2126
01:35:18,640 --> 01:35:20,400
Speaker 1: Look at the stuff.

2127
01:35:20,720 --> 01:35:21,880
Speaker 4: I can't stop being me.

2128
01:35:22,040 --> 01:35:22,160
Speaker 14: Bro.

2129
01:35:22,720 --> 01:35:27,320
Speaker 11: I'm me, I'm him, and ain't nobody sucking with me

2130
01:35:27,439 --> 01:35:28,000
Speaker 11: when it come.

2131
01:35:27,960 --> 01:35:30,679
Speaker 1: To this ship real talk. You can hate all you want.

2132
01:35:31,520 --> 01:35:34,240
Speaker 1: I'm him. I want you to tell me another nigga

2133
01:35:34,240 --> 01:35:35,760
Speaker 1: that I did what I did, spit without a spit

2134
01:35:36,040 --> 01:35:39,880
Speaker 1: and made without made without selling no door. I ain't

2135
01:35:39,920 --> 01:35:42,400
Speaker 1: been locked up none of that ship. Give me a future.

2136
01:35:43,680 --> 01:35:47,600
Speaker 1: I'm trying to say you, bro, it's real and I

2137
01:35:47,600 --> 01:35:49,519
Speaker 1: don't even like to pop in my ship, but I'm

2138
01:35:49,600 --> 01:35:51,760
Speaker 1: him and I've been here. You deserve to prop it

2139
01:35:52,520 --> 01:35:54,240
Speaker 1: been here, Niggat gave you. Now you did it on

2140
01:35:54,320 --> 01:35:57,160
Speaker 1: your own. You come on bro the harder way for real.

2141
01:35:57,280 --> 01:35:59,320
Speaker 1: But do you understand what I'm staying about.

2142
01:36:00,080 --> 01:36:02,120
Speaker 4: You can put them that's not read it at they

2143
01:36:02,200 --> 01:36:05,120
Speaker 4: read it and then they blame you because they wasn't read.

2144
01:36:05,280 --> 01:36:07,639
Speaker 4: But the thing is is I get that and to them,

2145
01:36:07,800 --> 01:36:09,720
Speaker 4: you know what I'm saying, like, look, if I did

2146
01:36:09,760 --> 01:36:12,360
Speaker 4: something to hurt them, I apologize. I apologize to them,

2147
01:36:12,400 --> 01:36:14,280
Speaker 4: and I ain't because that's never Miami. I'm in a

2148
01:36:14,320 --> 01:36:16,040
Speaker 4: place of understanding. That's what trun.

2149
01:36:16,160 --> 01:36:16,840
Speaker 1: I get what you're saying.

2150
01:36:16,840 --> 01:36:18,840
Speaker 4: I can't understand a lot of shit too, But I'm

2151
01:36:18,880 --> 01:36:20,720
Speaker 4: in a I'm just the type of person I try

2152
01:36:20,760 --> 01:36:25,960
Speaker 4: to see ship from both sides. See that took nothing

2153
01:36:26,000 --> 01:36:28,960
Speaker 4: from them? Did I ain't took nothing from nobody. I

2154
01:36:29,000 --> 01:36:31,120
Speaker 4: ain't got to do no taking. You get where I'm

2155
01:36:31,120 --> 01:36:33,280
Speaker 4: coming from. How I do is give and a lot

2156
01:36:33,320 --> 01:36:35,040
Speaker 4: of times, like I said, man, you know people with

2157
01:36:35,120 --> 01:36:37,120
Speaker 4: good hearts, you know they you know they like to

2158
01:36:37,160 --> 01:36:38,639
Speaker 4: say the good guy finished last whatever.

2159
01:36:39,080 --> 01:36:39,920
Speaker 1: Yeah, it is what it is.

2160
01:36:40,040 --> 01:36:43,000
Speaker 4: It's just I know I ain't did nothing but try

2161
01:36:43,000 --> 01:36:45,960
Speaker 4: to help people. You feel me, And if when I

2162
01:36:46,439 --> 01:36:48,560
Speaker 4: if what I do to help you hurt you?

2163
01:36:49,040 --> 01:36:51,680
Speaker 7: How far back you know what I'm saying, How far

2164
01:36:51,840 --> 01:36:54,519
Speaker 7: back from what's next for your personal brand or what's

2165
01:36:54,680 --> 01:36:55,880
Speaker 7: next for the a brand?

2166
01:36:56,080 --> 01:36:58,400
Speaker 4: Like I said, I got the book coming, uh you know?

2167
01:36:59,120 --> 01:37:02,519
Speaker 4: Uh independent King a god to how I made millions

2168
01:37:02,760 --> 01:37:05,640
Speaker 4: and music independently. Because a lot of people talking at

2169
01:37:05,680 --> 01:37:07,560
Speaker 4: independent talk, which I think is the dumbest sh it

2170
01:37:07,600 --> 01:37:11,080
Speaker 4: on earth. You know what I'm saying, we could elaborate.

2171
01:37:11,240 --> 01:37:13,160
Speaker 4: That's some dumb ship to keep pushing on the brand,

2172
01:37:13,439 --> 01:37:16,040
Speaker 4: on the on the culture. Stop telling people to be independent.

2173
01:37:16,080 --> 01:37:21,080
Speaker 4: That ship isn't retarded. Curious job sitting up here talking

2174
01:37:21,080 --> 01:37:23,720
Speaker 4: about complaining, talking about the artists don't can't excelp the.

2175
01:37:24,960 --> 01:37:29,400
Speaker 1: Like they can't even tell the features. You want to

2176
01:37:29,840 --> 01:37:43,560
Speaker 1: run a business and god, there'll be independent future. My

2177
01:37:43,680 --> 01:37:47,960
Speaker 1: brother Nigga had three on the thigh. But I don't

2178
01:37:48,040 --> 01:37:50,880
Speaker 1: really feel like y'all.

2179
01:37:51,200 --> 01:37:57,080
Speaker 4: But what you said, it's like you want a nigga

2180
01:37:57,120 --> 01:37:59,880
Speaker 4: to be independent, but you you complaining about they don't

2181
01:37:59,880 --> 01:38:01,840
Speaker 4: know how to handle business, and they ain't ready for this,

2182
01:38:01,960 --> 01:38:03,799
Speaker 4: and they ain't ready for that, and they need development

2183
01:38:03,880 --> 01:38:04,080
Speaker 4: on this.

2184
01:38:04,640 --> 01:38:07,400
Speaker 1: How you gonna do that independently. So you ever thought

2185
01:38:07,400 --> 01:38:09,640
Speaker 1: about Lincoln up with a major? I would love to

2186
01:38:09,680 --> 01:38:10,519
Speaker 1: link up with a major.

2187
01:38:11,120 --> 01:38:14,839
Speaker 4: I just feel like sometimes with the majors man, sometimes

2188
01:38:14,920 --> 01:38:18,360
Speaker 4: with a major label man. Major labels tend to like

2189
01:38:18,439 --> 01:38:20,559
Speaker 4: to either you got to run that bag all way

2190
01:38:20,640 --> 01:38:22,800
Speaker 4: up or they like to benefit off the ignorance. You

2191
01:38:22,840 --> 01:38:24,640
Speaker 4: know what I'm saying. Like, I feel like that, and

2192
01:38:24,680 --> 01:38:26,800
Speaker 4: I'm not ignorant. You get where I'm coming from. But

2193
01:38:26,960 --> 01:38:29,320
Speaker 4: for me, I wouldn't. I wouldn't preach and keep telling

2194
01:38:29,439 --> 01:38:32,080
Speaker 4: artists to be independent. I wouldn't keep telling the sign

2195
01:38:32,160 --> 01:38:34,040
Speaker 4: theyself and do all that dumb shit. They don't have

2196
01:38:34,240 --> 01:38:37,160
Speaker 4: the funds, they don't have the information, they don't have

2197
01:38:37,320 --> 01:38:40,000
Speaker 4: the knowledge, they don't have the resources. Like that shit

2198
01:38:40,160 --> 01:38:43,280
Speaker 4: just sound good, it sound cool. It ain't what it is,

2199
01:38:43,439 --> 01:38:45,280
Speaker 4: bro like like this shit real.

2200
01:38:46,000 --> 01:38:49,160
Speaker 1: The run of business is real. This ain't easy.

2201
01:38:49,200 --> 01:38:51,160
Speaker 4: You can't just get up and just do that. You

2202
01:38:51,240 --> 01:38:53,400
Speaker 4: gotta find the right person that you know gonna do

2203
01:38:53,520 --> 01:38:56,280
Speaker 4: real good business with you. Hi, are you a good attorney?

2204
01:38:56,400 --> 01:38:58,439
Speaker 4: You feel I'm coming from that not going and that's

2205
01:38:58,479 --> 01:39:00,719
Speaker 4: a see, that's what we should be blaming. It's the attorneys.

2206
01:39:00,760 --> 01:39:02,760
Speaker 4: If you ask my opinion. You get where I'm coming from.

2207
01:39:02,880 --> 01:39:06,559
Speaker 4: It's not it's like the people say they signed bad deals.

2208
01:39:06,560 --> 01:39:07,400
Speaker 4: It's the attorney.

2209
01:39:07,560 --> 01:39:07,680
Speaker 1: Bro.

2210
01:39:07,880 --> 01:39:10,400
Speaker 4: You had an attorney. Most of the artists got attorneys.

2211
01:39:10,720 --> 01:39:12,920
Speaker 4: What was your attorney at why he didn't advise you

2212
01:39:13,040 --> 01:39:14,439
Speaker 4: or help you get an extra strategy?

2213
01:39:14,680 --> 01:39:16,240
Speaker 1: You understand, you understand what I'm saying.

2214
01:39:16,560 --> 01:39:19,240
Speaker 4: But they ain't able to do that, bro, Like we

2215
01:39:19,400 --> 01:39:22,240
Speaker 4: need to. We need to, you know, preach education on

2216
01:39:22,320 --> 01:39:24,960
Speaker 4: the both man, like they need to educate themself and

2217
01:39:25,080 --> 01:39:26,280
Speaker 4: find the right partner.

2218
01:39:26,520 --> 01:39:27,880
Speaker 1: You know what I'm saying, because you can't do this

2219
01:39:27,960 --> 01:39:28,800
Speaker 1: shit independently.

2220
01:39:29,040 --> 01:39:30,479
Speaker 4: Business is a team sport, bro.

2221
01:39:31,000 --> 01:39:33,760
Speaker 1: And as an artist, you're an independent artist. You are

2222
01:39:33,840 --> 01:39:36,240
Speaker 1: your business. You're a business.

2223
01:39:36,520 --> 01:39:38,479
Speaker 3: So so basically you saying out of all the shit

2224
01:39:38,560 --> 01:39:41,360
Speaker 3: we just said, just say a listen to you saying like, okay,

2225
01:39:41,439 --> 01:39:45,840
Speaker 3: I'm I'm a growing in this business shit trying to

2226
01:39:45,880 --> 01:39:47,840
Speaker 3: do the independence ship. Something never been done that you

2227
01:39:48,000 --> 01:39:51,679
Speaker 3: just did. Right, But you feel like no, niggas should't

2228
01:39:51,680 --> 01:39:53,519
Speaker 3: feel a way because everything you did came.

2229
01:39:53,400 --> 01:39:56,519
Speaker 4: Out of your pocket and out of your heart. Exactly

2230
01:39:56,960 --> 01:39:58,400
Speaker 4: how you're gonna feel. I didn't force you to do

2231
01:39:58,479 --> 01:40:02,080
Speaker 4: anything you said, and nobody took a loss with you. Basically,

2232
01:40:02,680 --> 01:40:04,479
Speaker 4: if they took a lot, they created their own loss.

2233
01:40:05,800 --> 01:40:08,360
Speaker 4: They created theyself. Like, I didn't do nothing to.

2234
01:40:08,439 --> 01:40:10,920
Speaker 1: Him, So what's the issues?

2235
01:40:11,000 --> 01:40:11,200
Speaker 9: Like what?

2236
01:40:11,360 --> 01:40:14,599
Speaker 1: I ain't never really heard the exactly what's the issues

2237
01:40:14,640 --> 01:40:16,519
Speaker 1: of people? Issues?

2238
01:40:16,720 --> 01:40:17,320
Speaker 4: You tell me.

2239
01:40:19,040 --> 01:40:19,080
Speaker 1: What?

2240
01:40:19,200 --> 01:40:19,360
Speaker 9: What? What?

2241
01:40:19,520 --> 01:40:21,920
Speaker 1: What? What was your own issue? Because he went published?

2242
01:40:21,920 --> 01:40:26,519
Speaker 1: So I don't remember what did I do? He said something,

2243
01:40:26,920 --> 01:40:29,400
Speaker 1: but I don't know. You got to ask him. I

2244
01:40:29,479 --> 01:40:31,120
Speaker 1: don't know did he say it? I don't know.

2245
01:40:31,640 --> 01:40:38,800
Speaker 7: Do anybody know? I don't remember, but he did come

2246
01:40:38,880 --> 01:40:41,000
Speaker 7: public and say something. I don't remember what it.

2247
01:40:41,120 --> 01:40:43,960
Speaker 4: Man, just just to me, it's just like, you know,

2248
01:40:44,960 --> 01:40:47,000
Speaker 4: I don't like keep bringing up a person man like

2249
01:40:47,080 --> 01:40:50,280
Speaker 4: it ain't it doesn't help the situation.

2250
01:40:50,479 --> 01:40:54,360
Speaker 1: It's just like for me, it's like, I don't know

2251
01:40:54,479 --> 01:40:59,840
Speaker 1: the issue. The issue is work. Since then there's nothing

2252
01:40:59,840 --> 01:41:03,080
Speaker 1: to talk about. Spoke with mood. You're saying the businesses

2253
01:41:03,160 --> 01:41:03,680
Speaker 1: came to end?

2254
01:41:03,720 --> 01:41:06,840
Speaker 4: It just can't Yeah, y'all, I ain't never heard him

2255
01:41:06,880 --> 01:41:13,080
Speaker 4: say nothing, no move he slid Nah what Roscoe dad saying?

2256
01:41:13,320 --> 01:41:16,280
Speaker 1: Man, I played Roscoe and Fanaduel all the time, all

2257
01:41:16,360 --> 01:41:16,639
Speaker 1: the time.

2258
01:41:17,280 --> 01:41:18,640
Speaker 4: Roscoe I got bought out.

2259
01:41:19,200 --> 01:41:21,800
Speaker 1: So it's no, it's I don't even understand business. So

2260
01:41:21,880 --> 01:41:22,560
Speaker 1: you guys do you?

2261
01:41:22,760 --> 01:41:27,240
Speaker 8: So basically, when Roscoe still have a relationship, it's just

2262
01:41:27,360 --> 01:41:28,520
Speaker 8: not a working relationship.

2263
01:41:28,600 --> 01:41:29,800
Speaker 1: Yeah, yeah, it ain't.

2264
01:41:29,880 --> 01:41:31,439
Speaker 4: It ain't no beef, it ain't no issue, it ain't

2265
01:41:31,479 --> 01:41:33,599
Speaker 4: no nothing like I don't. This is the thing, man,

2266
01:41:34,200 --> 01:41:37,640
Speaker 4: I'm gonna. I'm gonna be honest with y'all. I'm a

2267
01:41:37,720 --> 01:41:41,360
Speaker 4: lot of pressure and I realized that. So when you

2268
01:41:41,520 --> 01:41:44,200
Speaker 4: come this way, you feel me, you have to be

2269
01:41:44,320 --> 01:41:46,880
Speaker 4: prepared because I know a lot of artists. I'm not

2270
01:41:47,000 --> 01:41:51,200
Speaker 4: gonna leave my business in nobody else's hand. I'm going

2271
01:41:51,280 --> 01:41:54,040
Speaker 4: to be the face of my ship. You feel me,

2272
01:41:54,439 --> 01:41:57,920
Speaker 4: I rather brand myself because once you leave it, and

2273
01:41:57,960 --> 01:41:59,479
Speaker 4: then when a nigga feel away, now he got the

2274
01:41:59,520 --> 01:42:00,160
Speaker 4: power to take you.

2275
01:42:00,200 --> 01:42:02,320
Speaker 1: Feel like feel like Nigga gonna be all in the

2276
01:42:02,439 --> 01:42:05,760
Speaker 1: video all and I'm gonna I'm gonna do whatever the

2277
01:42:05,840 --> 01:42:08,120
Speaker 1: fuck I feel with my ship. But I don't care

2278
01:42:08,160 --> 01:42:09,200
Speaker 1: what nobody got insane.

2279
01:42:09,320 --> 01:42:10,320
Speaker 4: Listen, let me tell you something.

2280
01:42:10,560 --> 01:42:11,479
Speaker 1: Nigga got a problem with me.

2281
01:42:11,560 --> 01:42:13,400
Speaker 4: Guess what you gotta problem with your damnselfing you're gonna

2282
01:42:13,439 --> 01:42:15,640
Speaker 4: keep seeing me do me? I don't like I'm not

2283
01:42:16,000 --> 01:42:18,160
Speaker 4: suade in my streets, like I don't ain't with none

2284
01:42:18,160 --> 01:42:20,080
Speaker 4: of that stupid ass street ship. I don't listen to

2285
01:42:20,160 --> 01:42:22,439
Speaker 4: that ship that she don't make nobody no money. It

2286
01:42:22,560 --> 01:42:25,439
Speaker 4: just get niggas locked up. What we're talking about.

2287
01:42:27,240 --> 01:42:28,719
Speaker 1: That ain't making nobody no money.

2288
01:42:28,760 --> 01:42:31,439
Speaker 4: I don't play them rules ship dumb as hell. I

2289
01:42:31,520 --> 01:42:34,040
Speaker 4: don't play them street ass rules. It ain't getting noth

2290
01:42:34,120 --> 01:42:37,360
Speaker 4: niggas indicted and kill me. I ain't got time, man,

2291
01:42:37,400 --> 01:42:39,840
Speaker 4: I ain't influenced by this ship. I'm gonna do the influencing.

2292
01:42:40,400 --> 01:42:41,920
Speaker 3: But that was some rap ship when that when they

2293
01:42:41,960 --> 01:42:44,120
Speaker 3: said if you want to come, you don't want to

2294
01:42:44,120 --> 01:42:46,519
Speaker 3: be seeo all that rap.

2295
01:42:46,400 --> 01:42:49,200
Speaker 1: Ship, that street ship. It's all exciting to me.

2296
01:42:50,960 --> 01:42:51,800
Speaker 4: Just being the honey.

2297
01:42:52,400 --> 01:42:54,040
Speaker 1: So if you can say something to your with your

2298
01:42:54,080 --> 01:42:55,280
Speaker 1: tender nigga, let me let me.

2299
01:42:55,400 --> 01:42:56,360
Speaker 4: Let me let me say.

2300
01:42:58,800 --> 01:43:00,559
Speaker 1: Saying if you can say something, you ro what you took.

2301
01:43:00,880 --> 01:43:02,680
Speaker 4: I told we don't bring him on him. Okay, cool,

2302
01:43:02,720 --> 01:43:04,280
Speaker 4: that's what what you what you want him to say

2303
01:43:04,320 --> 01:43:06,880
Speaker 4: and to respond to? Noah, If I was saying that

2304
01:43:07,080 --> 01:43:08,760
Speaker 4: may keep pushing good luck. You know what I'm saying.

2305
01:43:08,760 --> 01:43:11,040
Speaker 4: With everything you got going on you know home lived

2306
01:43:11,080 --> 01:43:13,680
Speaker 4: in my crib, bro, like he stayed with me. So

2307
01:43:14,080 --> 01:43:17,000
Speaker 4: I understand when people get close to you, you feel me.

2308
01:43:17,240 --> 01:43:21,200
Speaker 4: I understand how uh you know.

2309
01:43:21,400 --> 01:43:23,240
Speaker 1: Relationships get bad they're close to you.

2310
01:43:23,400 --> 01:43:26,840
Speaker 4: You know what I'm saying. So you know that to me,

2311
01:43:27,040 --> 01:43:29,559
Speaker 4: when you last out like that, that's again self like me, Bro,

2312
01:43:29,920 --> 01:43:32,960
Speaker 4: I don't take I can't take it personally. I can't

2313
01:43:33,040 --> 01:43:36,800
Speaker 4: take what nobody else do personal because that's not about me,

2314
01:43:36,960 --> 01:43:39,559
Speaker 4: that's more about them. Yeah, you feel where I'm coming from.

2315
01:43:39,720 --> 01:43:42,320
Speaker 4: So I just look at stuff from a higher lens. Man,

2316
01:43:42,400 --> 01:43:45,080
Speaker 4: I ain't got time. We all got families. Life is short.

2317
01:43:46,120 --> 01:43:48,920
Speaker 3: Were in a place where trying it. That's when we're

2318
01:43:48,920 --> 01:43:50,640
Speaker 3: speaking on certain ship. We're trying to get into an

2319
01:43:50,680 --> 01:43:53,880
Speaker 3: understanding where y'all live. Brother never be busygither, but it's mutual.

2320
01:43:54,200 --> 01:43:55,560
Speaker 4: Like if you could say something to him and he

2321
01:43:55,560 --> 01:43:57,120
Speaker 4: could say something to you, he can make a respond

2322
01:43:57,200 --> 01:43:58,960
Speaker 4: to that because everybody got their opinion on.

2323
01:43:59,240 --> 01:44:01,760
Speaker 1: How they feel. You know what I'm saying. I see

2324
01:44:01,800 --> 01:44:04,040
Speaker 1: I see see the man he with his family.

2325
01:44:04,120 --> 01:44:07,400
Speaker 4: Now, you know, look he looked happy still, so I

2326
01:44:07,479 --> 01:44:10,040
Speaker 4: feel like he probably went through whatever he went through,

2327
01:44:10,080 --> 01:44:11,599
Speaker 4: and see what he said out of emotions.

2328
01:44:11,960 --> 01:44:14,120
Speaker 1: It might come on here and say something totally different. Yeah,

2329
01:44:14,640 --> 01:44:17,120
Speaker 1: and that's what's up. I would hope that he would

2330
01:44:17,200 --> 01:44:20,840
Speaker 1: appreciate what was done for because a lot I'm never

2331
01:44:20,880 --> 01:44:21,960
Speaker 1: gonna see my money back.

2332
01:44:23,640 --> 01:44:25,360
Speaker 4: I could invest that in my kids.

2333
01:44:27,240 --> 01:44:27,479
Speaker 1: Back.

2334
01:44:30,200 --> 01:44:32,800
Speaker 3: What's the biggest gym you want to give everybody watching

2335
01:44:32,840 --> 01:44:35,400
Speaker 3: big fast. It could be life gym, music, industry gym.

2336
01:44:35,560 --> 01:44:39,920
Speaker 3: Just give a big gym, Jim.

2337
01:44:40,560 --> 01:44:43,000
Speaker 1: Hmm, man.

2338
01:44:44,800 --> 01:44:49,160
Speaker 4: M, that's a good one. Turn yourself into a business man,

2339
01:44:50,200 --> 01:44:51,439
Speaker 4: turn your step into a business.

2340
01:44:52,280 --> 01:44:52,840
Speaker 1: You know what I'm saying.

2341
01:44:52,880 --> 01:44:54,519
Speaker 4: As long as you do stuff in the business, you'll

2342
01:44:54,600 --> 01:44:56,479
Speaker 4: never go bro. I would be able to get a

2343
01:44:56,560 --> 01:44:58,000
Speaker 4: bad in a business.

2344
01:44:58,040 --> 01:45:03,760
Speaker 7: First, good show, I appreciate the conversation boom Man, and

2345
01:45:03,960 --> 01:45:06,320
Speaker 7: then the empires a lout appreciation pills in the stod

2346
01:45:06,439 --> 01:45:08,799
Speaker 7: fat on the streets exactly.

2347
01:45:09,000 --> 01:45:13,400
Speaker 2: It's big facts, no captain bitch. Visit the new website today,

2348
01:45:13,680 --> 01:45:14,560
Speaker 2: Big Fatspod

2349
01:45:14,760 --> 01:45:16,080
Speaker 1: Dot com dot com