1 00:00:00,200 --> 00:00:05,480 Speaker 1: Now here's a highlight from Coast to Coast AM on iHeartRadio. 2 00:00:04,720 --> 00:00:07,560 Speaker 2: Richard Barth take us back to September nineteen sixty four. 3 00:00:07,760 --> 00:00:10,800 Speaker 2: You're guarding a minute Man missile that's being prepped for 4 00:00:10,920 --> 00:00:13,360 Speaker 2: a launch within the next day or so. You're out 5 00:00:13,360 --> 00:00:16,360 Speaker 2: there in the dark by yourself, after your sergeant leaves 6 00:00:16,360 --> 00:00:17,840 Speaker 2: you two o'clock in the morning. 7 00:00:18,000 --> 00:00:22,000 Speaker 3: What happens, Well, at two o'clock that's when the sergeant 8 00:00:22,120 --> 00:00:25,120 Speaker 3: usually comes in, brings us start launch and then takes 9 00:00:25,160 --> 00:00:27,440 Speaker 3: off and you don't see him again until you're relieved 10 00:00:27,440 --> 00:00:30,360 Speaker 3: in the morning. So he had brought me my lunch. 11 00:00:30,760 --> 00:00:34,760 Speaker 3: There's a very foggy night out there, and so the 12 00:00:34,880 --> 00:00:40,520 Speaker 3: style or the missile site is illuminated with a very 13 00:00:40,560 --> 00:00:43,320 Speaker 3: bright light like you might find on a sports field, 14 00:00:44,000 --> 00:00:46,640 Speaker 3: and so the effect was like a dome of light 15 00:00:46,720 --> 00:00:51,440 Speaker 3: around me for about twenty thirty feet and then it 16 00:00:51,479 --> 00:00:54,480 Speaker 3: was just a wall of fog. And so he had 17 00:00:54,560 --> 00:00:57,600 Speaker 3: just left, and about ten minutes later I see this 18 00:00:57,760 --> 00:01:01,520 Speaker 3: figure out in the fog, and I thought, well, sergeant 19 00:01:01,640 --> 00:01:04,440 Speaker 3: must have come back. But why did he walk back? 20 00:01:04,480 --> 00:01:08,400 Speaker 3: He didn't bring you know, there's no because we're we 21 00:01:08,520 --> 00:01:11,080 Speaker 3: are these Air Force trucks, but the figure was just 22 00:01:11,120 --> 00:01:15,240 Speaker 3: standing there, so I thought, well, why did he walk back? 23 00:01:15,319 --> 00:01:18,920 Speaker 3: And then as the figure came closer and it started 24 00:01:18,959 --> 00:01:23,000 Speaker 3: moving towards me, it was wearing a trench coat like 25 00:01:23,440 --> 00:01:28,200 Speaker 3: a raincoat that the Air Force officers would wear, and 26 00:01:28,319 --> 00:01:31,880 Speaker 3: it so I thought, well, this is some officer checking 27 00:01:31,959 --> 00:01:34,959 Speaker 3: up on me or something like that. But as it 28 00:01:35,160 --> 00:01:37,480 Speaker 3: continued coming towards me, and I'm going to call it 29 00:01:37,480 --> 00:01:41,200 Speaker 3: it at this point, because it continued coming towards me 30 00:01:42,080 --> 00:01:47,480 Speaker 3: and I could, I just all of a sudden became 31 00:01:47,560 --> 00:01:50,280 Speaker 3: very frightened because it didn't stop. And I had a 32 00:01:50,560 --> 00:01:53,560 Speaker 3: thirty eight pistol that we out here carried, so I 33 00:01:53,680 --> 00:01:58,040 Speaker 3: tried to draw that pistol and my right arm was paralyzed. 34 00:01:58,040 --> 00:02:01,520 Speaker 3: I couldn't move it, but really terrified me because it 35 00:02:01,640 --> 00:02:05,520 Speaker 3: kept coming at me, and as it got closer, now 36 00:02:05,520 --> 00:02:08,560 Speaker 3: I can't. I've been asking, do I see the face? 37 00:02:09,120 --> 00:02:12,600 Speaker 3: There's something about that face that was just terrifying, But 38 00:02:12,680 --> 00:02:16,400 Speaker 3: in my brain just will not pictures that picture anymore. 39 00:02:16,440 --> 00:02:19,160 Speaker 3: I just it's the I'd see the figure in just 40 00:02:19,280 --> 00:02:25,280 Speaker 3: a blank where the face would be. So I backed 41 00:02:25,280 --> 00:02:28,000 Speaker 3: into the guard shack. We call them guard shacks because 42 00:02:28,040 --> 00:02:31,680 Speaker 3: that's what they were. There was a shelf at the 43 00:02:31,720 --> 00:02:35,160 Speaker 3: back where there was a telephone we would call in periodically, 44 00:02:36,000 --> 00:02:42,160 Speaker 3: and I remember feeling trapped like an animal in a cage, 45 00:02:42,639 --> 00:02:46,840 Speaker 3: and I backed into that little shelf and I can 46 00:02:46,960 --> 00:02:49,760 Speaker 3: remember trying to push the wall out, trying to get 47 00:02:49,840 --> 00:02:51,440 Speaker 3: out of there, and the next thing I knew, I 48 00:02:51,520 --> 00:02:57,240 Speaker 3: just blacked out. And so next thing, now there's another 49 00:02:57,440 --> 00:02:59,600 Speaker 3: part that came. There's a blank in there, and the 50 00:02:59,639 --> 00:03:05,120 Speaker 3: next I'm that conscious again. But now I'm inside this 51 00:03:05,240 --> 00:03:10,000 Speaker 3: craft and it's about fifteen feet across. I would say 52 00:03:10,000 --> 00:03:12,760 Speaker 3: maybe less. It's hard for me to judge distance, but 53 00:03:12,880 --> 00:03:16,680 Speaker 3: I'm on my knees, I'm towards the center, and I'm 54 00:03:16,720 --> 00:03:19,919 Speaker 3: looking at this. It's a round window about three three 55 00:03:19,960 --> 00:03:23,480 Speaker 3: and a half fear cross and you could see the 56 00:03:23,720 --> 00:03:27,720 Speaker 3: gray through it, like the fog, and the creature or 57 00:03:27,800 --> 00:03:33,800 Speaker 3: figure is sitting to my right and telopathically it's giving 58 00:03:33,800 --> 00:03:36,200 Speaker 3: me the message, don't look at it, just keep looking 59 00:03:36,200 --> 00:03:41,800 Speaker 3: out the window. Now, the window itself was circular and clear, 60 00:03:42,840 --> 00:03:47,640 Speaker 3: but it didn't look like lass. It just looked just 61 00:03:47,640 --> 00:03:49,280 Speaker 3: to it looked like a hole in this craft. But 62 00:03:49,360 --> 00:03:52,000 Speaker 3: there was no air parks coming through. Obviously it was 63 00:03:52,760 --> 00:03:55,680 Speaker 3: very cold, but there's no aircarks coming through, so it 64 00:03:55,760 --> 00:04:00,520 Speaker 3: had to have a barrier on it. The so just 65 00:04:00,600 --> 00:04:03,640 Speaker 3: said don't don't look over at me, just look out 66 00:04:04,200 --> 00:04:07,440 Speaker 3: out the opening there. So I was looking up the 67 00:04:07,480 --> 00:04:12,120 Speaker 3: opening and then the fog separated, and now I was 68 00:04:12,160 --> 00:04:14,720 Speaker 3: on site D five, which is right on the coast, 69 00:04:14,800 --> 00:04:17,800 Speaker 3: and then across the street and about a quarter of 70 00:04:17,800 --> 00:04:21,360 Speaker 3: a mile down to the to the south was uh, 71 00:04:21,839 --> 00:04:26,320 Speaker 3: what we call post the eleven. We rotated all these posts, 72 00:04:26,360 --> 00:04:29,479 Speaker 3: so I knew which each one was like. And I 73 00:04:29,800 --> 00:04:32,240 Speaker 3: looking straight down from what appeared to be about one 74 00:04:32,320 --> 00:04:36,160 Speaker 3: hundred feet, Uh, it was just done. It was just 75 00:04:36,200 --> 00:04:42,600 Speaker 3: getting heard, just getting light. But the pod bought up 76 00:04:43,400 --> 00:04:48,640 Speaker 3: separated and I could see this this stuff truck drive up. 77 00:04:48,640 --> 00:04:51,320 Speaker 3: It was a flatbed truck. It was loaded with pipes, 78 00:04:52,120 --> 00:04:54,880 Speaker 3: and it stopped at the gate. The guard came out 79 00:04:55,080 --> 00:04:57,760 Speaker 3: to the to the right end window of the truck, 80 00:04:58,320 --> 00:05:02,640 Speaker 3: apparently checking the truck. Diver's id went and opened the gate, 81 00:05:03,320 --> 00:05:07,200 Speaker 3: went and drove. I got back into the his guard 82 00:05:07,279 --> 00:05:10,640 Speaker 3: check and the truck drove in and then the fog closed. 83 00:05:10,920 --> 00:05:14,239 Speaker 3: So why I was shown that I have no idea, 84 00:05:15,000 --> 00:05:19,960 Speaker 3: But so then I'm back sitting there and looking at 85 00:05:20,000 --> 00:05:23,600 Speaker 3: the fog again and again saying I just don't look 86 00:05:23,640 --> 00:05:27,000 Speaker 3: at me. But I kind of raised my eyes because 87 00:05:27,000 --> 00:05:28,839 Speaker 3: I wanted to see you around. I didn't turn my 88 00:05:28,920 --> 00:05:32,240 Speaker 3: head around. I kind of raised my eyes, and I 89 00:05:32,279 --> 00:05:36,840 Speaker 3: could see you across maybe five six feet away. There 90 00:05:36,880 --> 00:05:42,279 Speaker 3: were four little figures sitting on either side was a 91 00:05:42,560 --> 00:05:44,640 Speaker 3: gap in between, which I took to be kind of 92 00:05:44,640 --> 00:05:48,960 Speaker 3: an entrance to this circular room I was, and the 93 00:05:49,000 --> 00:05:51,640 Speaker 3: figures weren't doing anything. They were just looking at me, 94 00:05:51,720 --> 00:05:55,880 Speaker 3: and they were celebrated. Apparently, this room was quite dark, 95 00:05:56,520 --> 00:05:59,520 Speaker 3: and there was a little bit of illumination that was 96 00:06:00,160 --> 00:06:04,599 Speaker 3: coming apparently off these walls, which and the figures being 97 00:06:04,600 --> 00:06:08,200 Speaker 3: in front of these illuminated walls were just kind of dark. 98 00:06:08,240 --> 00:06:11,560 Speaker 3: There was enough I could see that they were small. 99 00:06:11,680 --> 00:06:14,160 Speaker 3: They were sitting, they had their hands on their knees. 100 00:06:14,960 --> 00:06:19,080 Speaker 3: They had small bodies and very large heads, which reminded 101 00:06:19,120 --> 00:06:23,320 Speaker 3: me of like a newborn baby at that type of proportion. 102 00:06:24,960 --> 00:06:30,080 Speaker 3: The knicks were short and fairly thick, and they had 103 00:06:30,200 --> 00:06:33,080 Speaker 3: large eyes, but they weren't almond shaped or any things. 104 00:06:33,080 --> 00:06:36,960 Speaker 3: They're just very large eyed in small nose, small mouth, 105 00:06:38,560 --> 00:06:41,320 Speaker 3: noysese that I can receive just a bald head looked 106 00:06:41,400 --> 00:06:45,800 Speaker 3: like a newborn baby's. And they weren't communicating or anything. 107 00:06:45,800 --> 00:06:47,800 Speaker 3: They were just watching me, that's all they were. Just 108 00:06:48,279 --> 00:06:54,560 Speaker 3: saw these four figures, just watching me. Then there's another blank. 109 00:06:55,440 --> 00:06:57,760 Speaker 3: The next thing I know, I'm laying on the floor 110 00:06:57,760 --> 00:07:01,800 Speaker 3: of the guard jack half in out and my head's 111 00:07:01,839 --> 00:07:06,400 Speaker 3: on the lap of some disentity whatever it is. And 112 00:07:06,520 --> 00:07:11,720 Speaker 3: the message is it's communication that it's not words, it's 113 00:07:11,760 --> 00:07:17,080 Speaker 3: it's just it's it's just communication. The communication is keep 114 00:07:17,120 --> 00:07:20,360 Speaker 3: your eyes, shet, don't open your eyes. And then the 115 00:07:20,400 --> 00:07:24,960 Speaker 3: communication was, you know, I'm sorry we scared you so badly. 116 00:07:26,080 --> 00:07:30,480 Speaker 3: It was kind of an apology almost that. But they 117 00:07:30,800 --> 00:07:34,280 Speaker 3: was necessary that they had to get into the missile 118 00:07:34,400 --> 00:07:38,560 Speaker 3: site now. And my assumption is there's an entrance to 119 00:07:38,720 --> 00:07:42,960 Speaker 3: the that goes to a crew tamer that circles the 120 00:07:43,440 --> 00:07:46,360 Speaker 3: missile that has a lot bunch of launch equipment and 121 00:07:46,400 --> 00:07:50,320 Speaker 3: their plus access to the missiles, so that apparently they 122 00:07:50,360 --> 00:07:53,160 Speaker 3: wanted to get in there and see what that equipment 123 00:07:53,400 --> 00:07:58,640 Speaker 3: was and probably or something whatever they needed to learn. 124 00:07:59,240 --> 00:08:04,400 Speaker 3: Then that communication it was that, uh, it was we 125 00:08:04,440 --> 00:08:07,679 Speaker 3: needed to get some information on that on the missile. 126 00:08:08,680 --> 00:08:12,720 Speaker 3: We're very concerned about what you guys are can do 127 00:08:12,840 --> 00:08:18,800 Speaker 3: to this planet with these nuclear weapons. And the other 128 00:08:18,880 --> 00:08:23,040 Speaker 3: thing was that he was very very kind the sense 129 00:08:23,360 --> 00:08:26,480 Speaker 3: just a very kind and almost loving. I felt very 130 00:08:26,560 --> 00:08:29,880 Speaker 3: very good, like a mother of a child of mother's 131 00:08:30,240 --> 00:08:33,280 Speaker 3: breast at the time. And he did say one thing, 132 00:08:33,360 --> 00:08:37,880 Speaker 3: he said, we can't allow you to to damage the 133 00:08:37,920 --> 00:08:43,800 Speaker 3: planet's and then but also that there's other species and 134 00:08:43,840 --> 00:08:49,120 Speaker 3: they weren't as benevolent as as his species was, so 135 00:08:49,880 --> 00:08:54,520 Speaker 3: that if we were to go to a nuclear war, uh, 136 00:08:54,559 --> 00:08:56,960 Speaker 3: you know, there would be a competition to see they 137 00:08:57,000 --> 00:09:00,480 Speaker 3: would that would be full disclosure, but there would be 138 00:09:00,520 --> 00:09:03,240 Speaker 3: a competition to who's going to run the show after that? 139 00:09:04,280 --> 00:09:08,920 Speaker 3: And then again he said he was leaving and to 140 00:09:09,000 --> 00:09:12,800 Speaker 3: keep my eyes shut. So I did, and I lay 141 00:09:12,840 --> 00:09:17,880 Speaker 3: there about ten minutes and I finally opened my eyes 142 00:09:18,120 --> 00:09:21,319 Speaker 3: got up. The sun was just there's a ridge of 143 00:09:21,400 --> 00:09:24,800 Speaker 3: mountains behind the minute Man sector and the sun was 144 00:09:24,880 --> 00:09:28,600 Speaker 3: just coming up. I can kind of lit up the ocean, 145 00:09:28,640 --> 00:09:31,040 Speaker 3: a beautiful scene. And I looked down at this little 146 00:09:32,080 --> 00:09:35,240 Speaker 3: like chickmunk, and I felt nothing but love for that 147 00:09:35,320 --> 00:09:39,680 Speaker 3: little chickmunk. I mean, I really felt whatever this creature did, 148 00:09:39,760 --> 00:09:43,040 Speaker 3: and the celepty just made me feel better than I 149 00:09:43,040 --> 00:09:45,520 Speaker 3: could ever feel the rest of my life. I would 150 00:09:45,559 --> 00:09:48,160 Speaker 3: never feel that way again, but because that's almost a 151 00:09:48,200 --> 00:09:53,760 Speaker 3: feeling of pure love. About ten or fifteen minutes later, 152 00:09:53,880 --> 00:09:59,680 Speaker 3: my relief came. I got back in the these dirt 153 00:09:59,720 --> 00:10:02,760 Speaker 3: please of pickup trucks. I got in the back, and 154 00:10:02,840 --> 00:10:06,840 Speaker 3: I was very silent, and I couldn't quite remember what 155 00:10:07,080 --> 00:10:10,400 Speaker 3: was going on. I knew something had happened, and as 156 00:10:10,880 --> 00:10:13,480 Speaker 3: everybody was asking me why I was so quiet, because 157 00:10:13,600 --> 00:10:17,320 Speaker 3: ugu when we're relieved, we're very jovial already, you know, 158 00:10:17,360 --> 00:10:20,040 Speaker 3: we're off shift. We can get back and get some 159 00:10:20,080 --> 00:10:23,199 Speaker 3: breakfast and go get some sleep, and so but I 160 00:10:23,280 --> 00:10:25,160 Speaker 3: was just kind of sitting there, very very quiet, and 161 00:10:25,160 --> 00:10:28,240 Speaker 3: they were questioning me on that, and I knew something 162 00:10:28,240 --> 00:10:32,240 Speaker 3: had happened, but the memory had faded. So when I 163 00:10:32,280 --> 00:10:36,760 Speaker 3: got back to the base, I really couldn't remember other 164 00:10:36,880 --> 00:10:41,120 Speaker 3: than just a sense that something had happened. And it 165 00:10:41,240 --> 00:10:46,480 Speaker 3: wasn't for a couple of weeks that I woke up. 166 00:10:46,800 --> 00:10:50,480 Speaker 3: And now you know, I'm well aware they have this 167 00:10:51,320 --> 00:10:55,120 Speaker 3: paralytics sleep or whatever that is, but this was not 168 00:10:55,240 --> 00:11:00,880 Speaker 3: paralytics sleep. I was awake, and all of a sudden, 169 00:11:01,160 --> 00:11:04,719 Speaker 3: everything flashed back on me. I mean in just full detail. 170 00:11:05,040 --> 00:11:07,760 Speaker 3: And I wasn't a dream, dreams fade. This thing was 171 00:11:07,880 --> 00:11:13,120 Speaker 3: just real. And and I looked over at my roommate 172 00:11:13,320 --> 00:11:16,600 Speaker 3: and uh, he was asleep because I wanted to say 173 00:11:16,640 --> 00:11:20,880 Speaker 3: something to him, and so I thought, somebody's got to 174 00:11:20,920 --> 00:11:23,360 Speaker 3: know what happens. Somebody's got to know that that these 175 00:11:24,000 --> 00:11:31,439 Speaker 3: this NESSIZ site was violated, and so but then there 176 00:11:31,480 --> 00:11:33,920 Speaker 3: was like, no, no, you're not supposed to tell anybody 177 00:11:33,920 --> 00:11:37,520 Speaker 3: about this. You're supposed to keep quiet. I remember getting up, 178 00:11:37,559 --> 00:11:40,280 Speaker 3: getting dressed, walking to the tower hall and thinking, well, 179 00:11:40,320 --> 00:11:44,120 Speaker 3: who I need. I should be telling something somebody about this, 180 00:11:44,240 --> 00:11:47,040 Speaker 3: And then I thought, no, they're going to think I'm crazy, 181 00:11:47,160 --> 00:11:50,480 Speaker 3: and then they're gonna that's not going to help my 182 00:11:51,280 --> 00:11:54,400 Speaker 3: military record or anything like that. But there was kind 183 00:11:54,400 --> 00:11:57,839 Speaker 3: of two things. I felt, No, they they're going to 184 00:11:57,920 --> 00:12:01,680 Speaker 3: take on crazy. But at the same time, like I 185 00:12:01,760 --> 00:12:04,280 Speaker 3: was commanded, no, you don't tell anybody about this. You 186 00:12:04,400 --> 00:12:07,840 Speaker 3: keep it to yourself, and so I just kind of 187 00:12:08,640 --> 00:12:11,680 Speaker 3: slet it go. You know. I carried it with me, 188 00:12:11,800 --> 00:12:14,600 Speaker 3: but I wasn't gonna do anything about it. 189 00:12:14,960 --> 00:12:18,800 Speaker 2: Let me bring Robert back in for a moment here, Richard, Robert, 190 00:12:18,840 --> 00:12:24,080 Speaker 2: what rings true and reflective of your long investigation into 191 00:12:24,080 --> 00:12:26,360 Speaker 2: the subject. What rings true about Richard's story? 192 00:12:27,160 --> 00:12:31,720 Speaker 4: Virtually everything. I mean, he's describing the first figure, even 193 00:12:31,760 --> 00:12:35,000 Speaker 4: though he can't see his face, it's definitely human in appearance, 194 00:12:35,640 --> 00:12:39,240 Speaker 4: and clearly what he saw on board this craft or 195 00:12:39,280 --> 00:12:41,920 Speaker 4: what we would call grays. I mean, that's the closest 196 00:12:42,280 --> 00:12:48,440 Speaker 4: species that we could relate to. But of the one 197 00:12:48,480 --> 00:12:51,000 Speaker 4: hundred and sixty nine, this is important to note that 198 00:12:51,080 --> 00:12:54,400 Speaker 4: of the one hundred and sixty nine witnesses that I've interviewed, eight, 199 00:12:54,679 --> 00:12:58,959 Speaker 4: including Richard, He's number eight, have had abduction experiences, either 200 00:12:59,280 --> 00:13:03,280 Speaker 4: at the time of their nuclear weapons related incident or 201 00:13:03,360 --> 00:13:07,240 Speaker 4: later in life. So some percentage of these people who 202 00:13:07,240 --> 00:13:10,280 Speaker 4: were having these experiences that are let's call him nuts 203 00:13:10,320 --> 00:13:14,520 Speaker 4: and bolts experience, are subsequently having abductions for whatever reason. 204 00:13:14,600 --> 00:13:18,120 Speaker 4: How it works, who knows, But many of your listeners 205 00:13:18,160 --> 00:13:21,360 Speaker 4: are going to know Robert Salas, that name Sallas, who 206 00:13:21,440 --> 00:13:24,000 Speaker 4: was involved at Malmstrom the same time my dad was 207 00:13:24,400 --> 00:13:27,760 Speaker 4: and had his missile shut down in nineteen eighty five. 208 00:13:27,880 --> 00:13:31,920 Speaker 4: He was abducted, and he kept that secret until twenty thirteen, 209 00:13:32,040 --> 00:13:35,000 Speaker 4: but he's now on the record about that. Bob Jacobs, 210 00:13:35,120 --> 00:13:37,320 Speaker 4: who I co wrote a book with when I came 211 00:13:37,360 --> 00:13:41,360 Speaker 4: out as an experiencer in twenty nineteen, he has had 212 00:13:41,480 --> 00:13:45,320 Speaker 4: multiple experiences with these entities and he was the one 213 00:13:45,320 --> 00:13:49,320 Speaker 4: that was involved in filming the UFO. Within the last 214 00:13:49,360 --> 00:13:52,560 Speaker 4: couple of years, I interviewed another security policeman like Richard, 215 00:13:53,080 --> 00:13:57,040 Speaker 4: named Mario Woods, who had an amazing incident and was abducted. 216 00:13:57,240 --> 00:13:59,599 Speaker 4: He and his partner at the time, they went to 217 00:13:59,720 --> 00:14:02,760 Speaker 4: check why a missile was acting up while there were 218 00:14:02,800 --> 00:14:07,360 Speaker 4: incursion alarms going off, and he long story Shart was 219 00:14:07,400 --> 00:14:13,280 Speaker 4: taken aboard. If your listeners google Mario Woods up or UFO, 220 00:14:13,400 --> 00:14:17,280 Speaker 4: you'll see his amazing account. He's given several interviews. So 221 00:14:17,760 --> 00:14:20,320 Speaker 4: the fact that some number of people who have these 222 00:14:20,400 --> 00:14:24,320 Speaker 4: experiences at missile sites or other nuclear sites are also 223 00:14:24,400 --> 00:14:29,440 Speaker 4: having abductions is now well established. The presence of human 224 00:14:29,440 --> 00:14:34,240 Speaker 4: looking aliens, which basically Richard encountered at first and then 225 00:14:34,360 --> 00:14:37,080 Speaker 4: later when he came back off the craft, that also 226 00:14:37,120 --> 00:14:41,400 Speaker 4: has been reported elsewhere. So Richard, I think everyone can tell, 227 00:14:41,560 --> 00:14:45,920 Speaker 4: is just being very sincere and very straightforward, and because 228 00:14:45,960 --> 00:14:50,160 Speaker 4: he was told in this telepathic communication that there are 229 00:14:50,240 --> 00:14:54,200 Speaker 4: multiple species of aliens working together to prevent us from 230 00:14:54,240 --> 00:14:58,120 Speaker 4: going to nuclear war. That's been my hypothesis from the 231 00:14:58,200 --> 00:15:03,080 Speaker 4: nineteen seventies. You know, the craft they fly are obviously 232 00:15:03,200 --> 00:15:06,840 Speaker 4: orders of magnitude beyond human technology. They do seem to 233 00:15:06,840 --> 00:15:10,080 Speaker 4: have an interest in our nuclear weapons. They're shutting them down. 234 00:15:10,160 --> 00:15:15,520 Speaker 4: Sometimes they're temporarily activating to them. Sometimes my hypothesis has 235 00:15:15,560 --> 00:15:19,000 Speaker 4: been that they're sending a message. They're dropping a heavy hint, 236 00:15:19,240 --> 00:15:21,680 Speaker 4: you know, get rid of nuclear weapons, do not use 237 00:15:21,760 --> 00:15:25,960 Speaker 4: nuclear weapons. And that essentially what was the message on 238 00:15:26,280 --> 00:15:29,040 Speaker 4: my article about Richard, where I quote him what he 239 00:15:29,080 --> 00:15:32,360 Speaker 4: wrote to me. I encourage everyone who's listening to read 240 00:15:32,360 --> 00:15:35,280 Speaker 4: the article I wrote. There's two the first ones the 241 00:15:35,320 --> 00:15:38,160 Speaker 4: most important, and you'll see what he was told in 242 00:15:38,200 --> 00:15:41,480 Speaker 4: more detail. That they're here, they're working together. They will 243 00:15:41,520 --> 00:15:43,760 Speaker 4: not let us use nuclear weapons, and if it looks 244 00:15:43,800 --> 00:15:46,880 Speaker 4: like we're going to, they're going to intervene to prevent that. 245 00:15:47,040 --> 00:15:49,680 Speaker 4: And that was the essence of the telepathic message that 246 00:15:49,720 --> 00:15:50,480 Speaker 4: he was receiving. 247 00:15:52,720 --> 00:15:55,960 Speaker 1: Listen to more Coast to Coast AM every weeknight at 248 00:15:56,000 --> 00:15:58,840 Speaker 1: one a m. Eastern and go to Coast to coastam 249 00:15:59,000 --> 00:16:00,520 Speaker 1: dot com for more UH