1 00:00:05,240 --> 00:00:07,520 Speaker 1: Hey, this is Anny and Samantha. We'll welcome to stuff 2 00:00:07,520 --> 00:00:18,840 Speaker 1: one ever told you production, but I heeartt you and 3 00:00:18,880 --> 00:00:22,439 Speaker 1: welcome again to another edition of Spiny Fiction. This is 4 00:00:22,480 --> 00:00:24,439 Speaker 1: a once a month thing that has a bit more 5 00:00:24,480 --> 00:00:27,760 Speaker 1: sound effects thanks to the amazing Christina, our super producer. 6 00:00:28,280 --> 00:00:31,880 Speaker 1: It is ongoing. We are in the second of a trilogy, 7 00:00:32,680 --> 00:00:35,120 Speaker 1: and this one was originally called Big Things Start Small, 8 00:00:35,200 --> 00:00:37,640 Speaker 1: but I just called them all Terminus, Part one, Part two, 9 00:00:37,680 --> 00:00:40,120 Speaker 1: Part three because otherwise I don't know what's going to 10 00:00:40,200 --> 00:00:45,159 Speaker 1: happen here. It's confusing enough when I'm titling things. So yeah, this, 11 00:00:45,560 --> 00:00:50,640 Speaker 1: I would suggest you listen to the other ones first, 12 00:00:50,680 --> 00:00:53,920 Speaker 1: but you too what you want. I can't tell you 13 00:00:53,960 --> 00:00:57,280 Speaker 1: what you do. This is something that I wrote for 14 00:00:57,560 --> 00:01:00,400 Speaker 1: National Novel Writing Month and twenty eleven, I believe is 15 00:01:00,440 --> 00:01:03,200 Speaker 1: when you try to write a novel in a month, 16 00:01:04,360 --> 00:01:09,800 Speaker 1: and it's a very dystopian end of the world thing 17 00:01:09,880 --> 00:01:14,720 Speaker 1: that looking back now, I'm like, oh, little did you 18 00:01:14,840 --> 00:01:20,280 Speaker 1: know what was to come? But I don't really edit 19 00:01:20,319 --> 00:01:26,240 Speaker 1: them that much because I like looking back at it 20 00:01:26,360 --> 00:01:28,920 Speaker 1: and talking about it. What was going on in my 21 00:01:29,000 --> 00:01:31,760 Speaker 1: head at the time. I remember exactly where I was 22 00:01:31,760 --> 00:01:34,840 Speaker 1: when I wrote this, which I wrote it on pin 23 00:01:35,040 --> 00:01:38,880 Speaker 1: I wrote with a pin on paper, and then I 24 00:01:38,920 --> 00:01:41,080 Speaker 1: had to submit it. You got to type it up. 25 00:01:41,200 --> 00:01:46,520 Speaker 1: I don't know what I was thinking, but if you 26 00:01:46,560 --> 00:01:50,520 Speaker 1: heard the last chapter, it was a very introspective chapter. 27 00:01:51,280 --> 00:01:55,200 Speaker 1: They had just had this really traumatic experience. This one 28 00:01:55,280 --> 00:02:01,240 Speaker 1: is them talking that out. So content learning for descriptions 29 00:02:01,280 --> 00:02:05,840 Speaker 1: of violence, description of murder, nothing too in depth memories 30 00:02:05,840 --> 00:02:11,519 Speaker 1: of violence, non explicit descriptions of panic and anxiety. I 31 00:02:11,560 --> 00:02:16,400 Speaker 1: would say of like low self worth, illness into the world, 32 00:02:17,120 --> 00:02:20,919 Speaker 1: projecting not a healthy not the healthiest relationship. I think 33 00:02:20,960 --> 00:02:26,000 Speaker 1: in light of the world they live in, it's understandable 34 00:02:26,040 --> 00:02:27,320 Speaker 1: and I'll talk about this a little bit more at 35 00:02:27,360 --> 00:02:31,560 Speaker 1: the end, but like, yeah, not the healthiest of relationships. 36 00:02:32,080 --> 00:02:36,480 Speaker 1: So a recap. Yes, there's this virus that's really decimated 37 00:02:36,520 --> 00:02:40,880 Speaker 1: the human population. It turns out it was released purposely 38 00:02:41,040 --> 00:02:46,880 Speaker 1: by the religious component of the US government, and they 39 00:02:47,400 --> 00:02:50,320 Speaker 1: had a vaccine, but they destroyed it all because they 40 00:02:50,320 --> 00:02:54,720 Speaker 1: were really they would rather have power than help people. 41 00:02:55,520 --> 00:02:59,639 Speaker 1: And they did have two vaccines. They saved one for Madison, 42 00:03:00,400 --> 00:03:04,440 Speaker 1: who is their grandson, and Tilda managed to get him 43 00:03:04,680 --> 00:03:10,000 Speaker 1: the vaccine and broadcast Tilda his mom broadcast to the 44 00:03:10,040 --> 00:03:14,440 Speaker 1: world like what they had done, and they flee and 45 00:03:14,560 --> 00:03:17,480 Speaker 1: now they're on the run, and they have recently been 46 00:03:17,520 --> 00:03:24,520 Speaker 1: confronted by a rogue group who attacked them and Tilda 47 00:03:24,600 --> 00:03:27,200 Speaker 1: was forced to kill them with the help of Madison. 48 00:03:27,240 --> 00:03:30,160 Speaker 1: It's the first time Madison has had to do something 49 00:03:30,200 --> 00:03:35,000 Speaker 1: like that, So they're dealing with the fallout of all 50 00:03:35,040 --> 00:03:38,680 Speaker 1: of that. On top of that, they've got this call 51 00:03:39,560 --> 00:03:45,320 Speaker 1: from the leader of this underground rebellion who's saying like, hey, 52 00:03:45,360 --> 00:03:49,440 Speaker 1: we need you to come back to DC because we 53 00:03:49,480 --> 00:03:52,600 Speaker 1: can make a vaccine, but we need your son, Madison 54 00:03:53,240 --> 00:03:56,560 Speaker 1: to do it. And Tilda and Madison have been on 55 00:03:56,560 --> 00:04:00,320 Speaker 1: the run their whole lives because she illegally in this world, 56 00:04:00,360 --> 00:04:04,840 Speaker 1: conception is controlled, children are controlled. So she ran away 57 00:04:04,840 --> 00:04:06,400 Speaker 1: with him, and so they've been on the run this 58 00:04:06,440 --> 00:04:09,120 Speaker 1: whole time, and she's really struggling with like trust and 59 00:04:09,200 --> 00:04:11,600 Speaker 1: I don't know what to believe about any of this. 60 00:04:13,200 --> 00:04:18,240 Speaker 1: They've found this place. They're exhausted, they're gonna stay the 61 00:04:18,320 --> 00:04:21,479 Speaker 1: night there. Tilda has been putting off this conversation she 62 00:04:21,560 --> 00:04:25,920 Speaker 1: needs to have with Madison about what happened, and that 63 00:04:26,000 --> 00:04:29,000 Speaker 1: is where we are. Let us get into the fiction. 64 00:04:42,720 --> 00:04:46,120 Speaker 1: Outside was brittle and crisp, the air sharp in her lungs. 65 00:04:46,640 --> 00:04:49,080 Speaker 1: The grass crunched beneath her feet as she crossed over 66 00:04:49,160 --> 00:04:53,159 Speaker 1: to the barn, unlatching the fence. Inside were two rows 67 00:04:53,200 --> 00:04:56,680 Speaker 1: of stables, outfitted with tools and pails and saddles. On 68 00:04:56,720 --> 00:04:58,719 Speaker 1: the other side was a big pen that looked like 69 00:04:58,880 --> 00:05:01,880 Speaker 1: ed once been used for and cows and other livestock, 70 00:05:02,560 --> 00:05:06,719 Speaker 1: long troughs. No feed, though one of these times she 71 00:05:06,800 --> 00:05:09,640 Speaker 1: hoped they'd find something for Scout in one of these barns. 72 00:05:10,560 --> 00:05:12,520 Speaker 1: Tilda went around the back of the farmhouse to the 73 00:05:12,560 --> 00:05:16,200 Speaker 1: silo on the opposite end. It was a looming, ominous structure, 74 00:05:16,320 --> 00:05:20,360 Speaker 1: menacing against the horizon. Tilda had never been inside a silo. 75 00:05:20,640 --> 00:05:23,400 Speaker 1: She wasn't entirely sure what one would look like. On 76 00:05:23,560 --> 00:05:27,480 Speaker 1: the inside. She located a discrete metal door in front 77 00:05:27,480 --> 00:05:29,920 Speaker 1: of the metal cylinder, having to use her weight to 78 00:05:30,000 --> 00:05:32,640 Speaker 1: leverage it open, not that it was that heavy, but 79 00:05:32,680 --> 00:05:34,960 Speaker 1: that it had been so long since it had been opened. 80 00:05:35,440 --> 00:05:38,560 Speaker 1: The creak of it wrenching open echoed loudly in the 81 00:05:38,600 --> 00:05:42,640 Speaker 1: metal canister. It released a breath of stale air. Tilda 82 00:05:42,720 --> 00:05:45,680 Speaker 1: blinked at the darkness within, not knowing what to expect. 83 00:05:47,400 --> 00:05:52,560 Speaker 1: It was empty, just a metal container of nothing. Everything 84 00:05:52,680 --> 00:05:56,360 Speaker 1: was muted, her footsteps on crystal granules of dirt, swallowed 85 00:05:56,360 --> 00:06:00,159 Speaker 1: by the emptinss she just released from its cage. She 86 00:06:00,200 --> 00:06:02,920 Speaker 1: felt like if she screamed, there would be no sound. 87 00:06:04,000 --> 00:06:07,240 Speaker 1: She tread a careful path to the center, spinning in place, 88 00:06:07,400 --> 00:06:10,880 Speaker 1: looking at the gleaming metal walls. The light from her 89 00:06:10,920 --> 00:06:13,960 Speaker 1: flashlight was absorbed by the rounded sheets of metal, and 90 00:06:14,000 --> 00:06:17,760 Speaker 1: what wasn't bounced meagerly around shimmered, almost like water on 91 00:06:17,800 --> 00:06:22,800 Speaker 1: a calm day. Claustrophobia welled up within her, and she 92 00:06:22,880 --> 00:06:25,560 Speaker 1: desperately sought out the door, retreating out and closing it 93 00:06:25,600 --> 00:06:29,800 Speaker 1: behind her. Hugging her middle, she could feel the nothingness 94 00:06:29,839 --> 00:06:34,359 Speaker 1: contained insides silently howling behind her. Trapped once again in 95 00:06:34,440 --> 00:06:38,680 Speaker 1: its box. She hurried back to the farmhouse, sliding the 96 00:06:38,720 --> 00:06:41,080 Speaker 1: lock into place behind her and striding back into the 97 00:06:41,080 --> 00:06:43,640 Speaker 1: main room, where Madison was finishing up with a makeshift 98 00:06:43,640 --> 00:06:46,760 Speaker 1: bed of especially comfy proportions from the blankets tilt it 99 00:06:46,800 --> 00:06:50,120 Speaker 1: had tossed down the flashlight she'd given him. Balancing on 100 00:06:50,200 --> 00:06:54,160 Speaker 1: a table, Scout had already closed her eyes, looking comfortable 101 00:06:54,240 --> 00:06:58,599 Speaker 1: under the handstown quilt tucked around her. Madison sat back 102 00:06:58,600 --> 00:07:01,600 Speaker 1: on the couch, sinking into the pile of blankets, watching 103 00:07:01,640 --> 00:07:05,960 Speaker 1: her intently, Tilda plopped down warily in the love seat adjacent. 104 00:07:06,120 --> 00:07:08,920 Speaker 1: Slipping off her pack, she pulled out a water bottle 105 00:07:08,960 --> 00:07:11,120 Speaker 1: and tossed it to Madison once she'd caught his attention, 106 00:07:11,320 --> 00:07:12,960 Speaker 1: and then a bag of trail mixed for him and 107 00:07:13,080 --> 00:07:15,920 Speaker 1: jar of canned fruit for herself. She thought it'd be 108 00:07:16,000 --> 00:07:20,160 Speaker 1: easiest on her throat. They worked their way through their 109 00:07:20,200 --> 00:07:24,280 Speaker 1: meals silently, Tilda parsing what she wanted to say, or 110 00:07:24,680 --> 00:07:27,840 Speaker 1: trying to at least her thoughts kept screeching to a halt. 111 00:07:27,960 --> 00:07:30,880 Speaker 1: Unable or unwilling to face what addressing them would mean. 112 00:07:32,240 --> 00:07:39,280 Speaker 1: Madison broke the festering silence. First, Are we safe? Tilda 113 00:07:39,320 --> 00:07:43,760 Speaker 1: couldn't lie as safe as we can be for now? 114 00:07:45,160 --> 00:07:48,080 Speaker 1: He bowed his head of shaggy hair, accepting her answer. 115 00:07:49,960 --> 00:07:55,920 Speaker 1: His place is really big, he tried, yeah, Tilda agreed roughly. 116 00:07:57,040 --> 00:08:02,040 Speaker 1: Madison inspected her, appraising. Are you all right? He asked, 117 00:08:02,200 --> 00:08:06,720 Speaker 1: his voice wavering delicately tilt. His throat tightened immediately in response, 118 00:08:08,280 --> 00:08:14,360 Speaker 1: I'm fine. Her voice was staggered with cracks and fissures. Look, Madison, 119 00:08:15,440 --> 00:08:19,880 Speaker 1: we need to talk about what happened. His wide gaze 120 00:08:19,920 --> 00:08:22,400 Speaker 1: held hers, wanting her to explain it, to make it 121 00:08:22,440 --> 00:08:30,120 Speaker 1: make sense. You killed them to protect me, Madison asserted 122 00:08:30,120 --> 00:08:39,040 Speaker 1: in a brave voice. Yes, Tilda agreed. I didn't want to, 123 00:08:39,880 --> 00:08:42,560 Speaker 1: but I had no choice. They were going to take 124 00:08:42,640 --> 00:08:46,880 Speaker 1: us in. She broke off on able to give voice 125 00:08:46,880 --> 00:08:51,559 Speaker 1: to what they had planned for Madison. They were dangerous, 126 00:08:52,120 --> 00:08:54,880 Speaker 1: she supplied, after she'd caught her breath. Her heart was 127 00:08:54,920 --> 00:09:01,360 Speaker 1: thumping violently. They would have killed us first. Those are them, 128 00:09:03,320 --> 00:09:07,960 Speaker 1: I know, Madison whispered quietly, staring at his feet. He 129 00:09:08,040 --> 00:09:12,560 Speaker 1: was hurting you, he was. I thought he was going 130 00:09:12,640 --> 00:09:17,079 Speaker 1: to kill you, Madison. Words became mangled, broken collisions of phrases. 131 00:09:17,920 --> 00:09:20,839 Speaker 1: He was sobbing, Tilda realized, and doing his best to 132 00:09:20,920 --> 00:09:25,720 Speaker 1: hide it from her. Cautiously, Tilda stood and approached him. 133 00:09:25,880 --> 00:09:28,920 Speaker 1: Sitting next to her son, the blankets comfortable and mushy 134 00:09:28,920 --> 00:09:32,080 Speaker 1: beneath her, He crawled into her lap almost the second 135 00:09:32,120 --> 00:09:36,880 Speaker 1: she sat down, surprising her. Stiffly, she started stroking his back, 136 00:09:37,000 --> 00:09:44,880 Speaker 1: kissing his forehead. It's okay, it's okay, she murmured, hot 137 00:09:44,920 --> 00:09:48,959 Speaker 1: tears soaked into her jacket. Tilda screwed up her courage. 138 00:09:49,320 --> 00:09:56,240 Speaker 1: She had to ask, are you are you afraid of me? Madison? 139 00:09:57,920 --> 00:10:00,959 Speaker 1: For a minute, he wept quietly. Tilda thought she might 140 00:10:01,000 --> 00:10:05,400 Speaker 1: dissolve into sobs as well, But then he said thickly, no, 141 00:10:06,400 --> 00:10:14,280 Speaker 1: you protect me, you you, you saved me. Tilda sagged 142 00:10:14,320 --> 00:10:17,439 Speaker 1: and shocked relief, and then hugged him more tightly, fiercely, 143 00:10:17,760 --> 00:10:22,280 Speaker 1: so grateful at the gift he'd given her. I stabbed him. 144 00:10:22,840 --> 00:10:28,640 Speaker 1: Madison choked out into her jacket. I stabbed him. Oh, honey, 145 00:10:29,360 --> 00:10:34,200 Speaker 1: Tilda breathed, you saved me. Ellis would have killed me 146 00:10:34,280 --> 00:10:37,400 Speaker 1: if not for you. She gave him a gentle shake. 147 00:10:39,960 --> 00:10:44,840 Speaker 1: You didn't kill him, just distracted him. He didn't kill him, baby, 148 00:10:45,440 --> 00:10:50,559 Speaker 1: She emphasized. Why they do that? He asked her, heart broken. 149 00:10:51,000 --> 00:10:54,800 Speaker 1: Why couldn't they just leave us alone? The world's a 150 00:10:54,880 --> 00:10:59,080 Speaker 1: dark place. People have been hammered and roughened into creatures 151 00:10:59,120 --> 00:11:04,200 Speaker 1: of survival, often depraved things driven by instinct. Kindness is 152 00:11:04,240 --> 00:11:08,600 Speaker 1: the exception, not the rule. They weren't safe. Safety didn't 153 00:11:08,600 --> 00:11:11,760 Speaker 1: exist anymore, not for them. There were people who wanted 154 00:11:11,760 --> 00:11:13,920 Speaker 1: to hunt them down and hurt them, and those people 155 00:11:14,000 --> 00:11:18,920 Speaker 1: were everywhere, lying in wait, watching, dying, and willing to 156 00:11:19,040 --> 00:11:22,760 Speaker 1: kill to have a child like Madison, someone untainted by 157 00:11:22,920 --> 00:11:28,120 Speaker 1: HSB five. Everyone's so scared. This is what fear does. 158 00:11:28,200 --> 00:11:31,320 Speaker 1: It strips away everything else and leaves a monster, and 159 00:11:31,360 --> 00:11:36,680 Speaker 1: it's awake, mindless. But of course she didn't say that, 160 00:11:37,800 --> 00:11:44,080 Speaker 1: she couldn't. She just stroked his hair. I'm sorry. I 161 00:11:44,120 --> 00:11:47,200 Speaker 1: wish things were different. You shouldn't have to grow up 162 00:11:47,200 --> 00:11:51,920 Speaker 1: in a world like this. It was worthless sentiment, but 163 00:11:51,960 --> 00:11:58,200 Speaker 1: Madison quieted a bit. I Tilda started and then stopped, 164 00:11:58,240 --> 00:12:01,240 Speaker 1: wondering how much she should confide in my Madison. He 165 00:12:01,360 --> 00:12:04,040 Speaker 1: was her only companion, the only person she could talk to, 166 00:12:04,800 --> 00:12:06,640 Speaker 1: and the fact that she had murdered two men in 167 00:12:06,679 --> 00:12:09,560 Speaker 1: cold blood earlier that day was eating her alive from 168 00:12:09,600 --> 00:12:13,160 Speaker 1: the inside out. Her skin was crawling with the memory 169 00:12:13,200 --> 00:12:16,199 Speaker 1: of it. But at the same time, and more importantly, 170 00:12:16,800 --> 00:12:20,320 Speaker 1: she was his mother. She shouldn't place her burdens on 171 00:12:20,360 --> 00:12:26,720 Speaker 1: her child, But where then could she place them? I 172 00:12:26,760 --> 00:12:30,960 Speaker 1: didn't want to kill them, She finally settled on a compromise. 173 00:12:32,440 --> 00:12:36,800 Speaker 1: Killing should always be the last resort. It takes something 174 00:12:36,960 --> 00:12:42,800 Speaker 1: from you, You lose a piece of yourself. He climbed 175 00:12:42,800 --> 00:12:44,920 Speaker 1: out of her lap to sit next to her so 176 00:12:45,000 --> 00:12:48,480 Speaker 1: he could better look her in the eye. He lost 177 00:12:48,480 --> 00:12:55,720 Speaker 1: a piece, Madison asked innocently, Yeah, I did, and it 178 00:12:55,840 --> 00:12:58,560 Speaker 1: was true. She did feel as though something inside her 179 00:12:58,559 --> 00:13:02,120 Speaker 1: had broken off. She'd felt the same way when she'd shot, 180 00:13:02,400 --> 00:13:04,840 Speaker 1: and if she was straight with herself, most likely killed 181 00:13:05,320 --> 00:13:09,400 Speaker 1: the man in Chicago. Madison seemed to think for a second, 182 00:13:10,400 --> 00:13:14,839 Speaker 1: I guess maybe I did too. He pulled his knees 183 00:13:14,880 --> 00:13:16,880 Speaker 1: up to his chest and rested his chin on top 184 00:13:16,920 --> 00:13:21,120 Speaker 1: of them. I feel different, and I'm worried if I 185 00:13:21,160 --> 00:13:26,080 Speaker 1: don't help with a vaccine, he specified, I'll just feel 186 00:13:26,120 --> 00:13:29,440 Speaker 1: guilty for the rest of my life. I'll be a bad, 187 00:13:29,640 --> 00:13:34,480 Speaker 1: selfish person responsible for the death of the human race 188 00:13:34,559 --> 00:13:37,880 Speaker 1: till the thought. But shoved the thought away. They had 189 00:13:37,880 --> 00:13:41,720 Speaker 1: a vaccine, she reminded herself forcefully. They were trying to 190 00:13:41,760 --> 00:13:44,480 Speaker 1: manipulate her Madison into coming back, but she wasn't going 191 00:13:44,520 --> 00:13:46,679 Speaker 1: to put Madison into any more danger than they were 192 00:13:46,720 --> 00:13:51,560 Speaker 1: already clearly in. You're a good kid, you know that, 193 00:13:52,280 --> 00:13:55,080 Speaker 1: she said fondly, and he flashed her a bewildered look. 194 00:13:56,040 --> 00:13:59,200 Speaker 1: You're so kind hearted, and you're always thinking of other people. 195 00:14:00,200 --> 00:14:03,280 Speaker 1: She paused, pondering the best way to frame what she 196 00:14:03,320 --> 00:14:08,280 Speaker 1: was going to say. You're not a bad person, you 197 00:14:08,320 --> 00:14:12,640 Speaker 1: are not selfish. They have a vaccine, and last time 198 00:14:12,679 --> 00:14:15,079 Speaker 1: we were here with Mark and his friends, they betrayed us. 199 00:14:15,960 --> 00:14:19,880 Speaker 1: Madison studied her intently. He had probably always suspected that, 200 00:14:20,000 --> 00:14:23,040 Speaker 1: but not known for sure. They were willing to use 201 00:14:23,080 --> 00:14:27,600 Speaker 1: you once, and they'd do it again. But if if 202 00:14:28,120 --> 00:14:32,200 Speaker 1: things change, if something happens that proves to me and 203 00:14:32,240 --> 00:14:35,240 Speaker 1: be safe to go back to DC, that they really 204 00:14:35,280 --> 00:14:38,880 Speaker 1: need us and we'd help by going back, then we'll 205 00:14:38,920 --> 00:14:44,120 Speaker 1: go back. I promise. She hoped she wouldn't regret making 206 00:14:44,160 --> 00:14:48,200 Speaker 1: that promise some day. But until then, I'm not going 207 00:14:48,240 --> 00:14:51,120 Speaker 1: to put you at risk again. We are in enough 208 00:14:51,200 --> 00:14:53,560 Speaker 1: danger as it is, and I don't think we can 209 00:14:53,600 --> 00:14:59,160 Speaker 1: trust Mark. Madison processed all of this, his brow wrinkled 210 00:14:59,160 --> 00:15:02,920 Speaker 1: with deep thought, his cheek smushed against his knee. Tilda 211 00:15:02,960 --> 00:15:05,920 Speaker 1: took a final swig from her water bottle, her throat 212 00:15:05,920 --> 00:15:12,280 Speaker 1: painfully dry. After her rather uninspiring speech. Okay, he finally said, 213 00:15:12,840 --> 00:15:15,800 Speaker 1: He looked back over to her. But how will we 214 00:15:15,840 --> 00:15:19,640 Speaker 1: ever know we can trust someone? Tilda exhaled, slowly, her 215 00:15:19,640 --> 00:15:25,080 Speaker 1: swollen face, giving a rather painful throb. Trust comes with time, 216 00:15:25,760 --> 00:15:28,920 Speaker 1: with actions. We'll have to wait and see what they do. 217 00:15:30,560 --> 00:15:33,080 Speaker 1: More shiny words that amounted to very little, but they 218 00:15:33,120 --> 00:15:36,440 Speaker 1: were true. He pressed the heels of his hands to 219 00:15:36,520 --> 00:15:40,240 Speaker 1: his eyes, a very adult gesture. He sucked in a 220 00:15:40,280 --> 00:15:47,760 Speaker 1: shaky breath. I'm sorry, he hiccuped, I'm so sorry. Tilda 221 00:15:47,800 --> 00:15:51,760 Speaker 1: cupped his cheeks, tilting his face toward hers. For what, baby, 222 00:15:52,040 --> 00:15:56,000 Speaker 1: for what? He stopped for a moment, fighting an internal battle, 223 00:15:56,040 --> 00:15:59,680 Speaker 1: before he burst out with you've lost the peace. You've 224 00:15:59,720 --> 00:16:04,160 Speaker 1: lost peace. His voice morphed into a bangled whisper. You 225 00:16:04,280 --> 00:16:09,520 Speaker 1: lost the piece because of me tilt. His eyes welled up. No, no, 226 00:16:09,680 --> 00:16:12,640 Speaker 1: I didn't. None of this was your fault. You're not 227 00:16:12,720 --> 00:16:18,240 Speaker 1: responsible for the actions of others. Madison looked away, sobbing quietly, 228 00:16:18,440 --> 00:16:21,160 Speaker 1: trying to shield her from his grief. But she wouldn't 229 00:16:21,200 --> 00:16:25,160 Speaker 1: let him escape her so easily. This she couldn't turn 230 00:16:25,160 --> 00:16:30,600 Speaker 1: away from you. Give me something to hold on to, 231 00:16:31,640 --> 00:16:36,040 Speaker 1: You make me whole. I would have lost everything, every piece. 232 00:16:36,920 --> 00:16:39,560 Speaker 1: She gave him a gentle shake of the shoulders. If 233 00:16:39,600 --> 00:16:43,520 Speaker 1: not for you, you gave me that, You give me that 234 00:16:44,480 --> 00:16:47,240 Speaker 1: something to live for, in a way to piece myself together. 235 00:16:49,120 --> 00:16:52,080 Speaker 1: Those bright blue eyes stared at her, an entire universe 236 00:16:52,160 --> 00:16:55,720 Speaker 1: contained behind their glassy surface, the universe to be lost in. 237 00:16:56,680 --> 00:16:58,640 Speaker 1: They watched her in that way that told her what 238 00:16:58,680 --> 00:17:01,280 Speaker 1: she was saying was something he was going to remember, 239 00:17:01,800 --> 00:17:04,160 Speaker 1: something he was trying to take in and figure out 240 00:17:04,200 --> 00:17:07,080 Speaker 1: the truth of how it fit in and assimilated into 241 00:17:07,119 --> 00:17:12,119 Speaker 1: what he knew and what he was shifting pieces, rearranging 242 00:17:13,480 --> 00:17:17,360 Speaker 1: the responsibility of it unnerved her. She pushed down the crawling, 243 00:17:17,480 --> 00:17:23,000 Speaker 1: insidious unworthiness that lived in her very skin. Without you, 244 00:17:24,600 --> 00:17:29,800 Speaker 1: I'd be nothing, I'd have nothing. So don't you dare 245 00:17:29,840 --> 00:17:32,800 Speaker 1: blame yourself for the actions of those two men. That's 246 00:17:32,840 --> 00:17:38,720 Speaker 1: giving them power they don't deserve. Tears cascaded over her fingers, 247 00:17:38,760 --> 00:17:41,359 Speaker 1: but he held her gaze, his hand coming up to 248 00:17:41,359 --> 00:17:45,119 Speaker 1: touch her face, taking in the bruising and the puffiness. 249 00:17:46,040 --> 00:17:49,560 Speaker 1: I'll be fine, til de reiterated, cursing the scratchiness of 250 00:17:49,600 --> 00:17:54,159 Speaker 1: her voice. What if they find us the people he 251 00:17:54,240 --> 00:17:57,359 Speaker 1: was talking about, he whispered to fear, like a stark 252 00:17:57,480 --> 00:18:02,280 Speaker 1: candle casting light on his face. We'll keep moving, We'll 253 00:18:02,280 --> 00:18:06,119 Speaker 1: take smaller roads. We've got scout, she indicated the sleeping 254 00:18:06,119 --> 00:18:10,560 Speaker 1: horse with a smile. They won't find us. She prayed 255 00:18:10,560 --> 00:18:15,040 Speaker 1: that was the case. Madison nodded hesitantly, wanting to believe. 256 00:18:16,520 --> 00:18:20,160 Speaker 1: Let's get some sleep, okay, Tilda suggested, even though they 257 00:18:20,200 --> 00:18:23,160 Speaker 1: both knew that any sleep they got would be haunted 258 00:18:23,160 --> 00:18:26,560 Speaker 1: with ghosts. Madison tightened his grip at her suggestion, a 259 00:18:26,560 --> 00:18:31,560 Speaker 1: spark of fear igniting behind his eyes. It's okay, she repeated, 260 00:18:31,680 --> 00:18:34,119 Speaker 1: switching off his light and gently laying him down on 261 00:18:34,200 --> 00:18:37,040 Speaker 1: the mountain of pillows and blankets. He dissembled, pulling him 262 00:18:37,040 --> 00:18:39,280 Speaker 1: close to her chest and tugging a comforter down over 263 00:18:39,320 --> 00:18:43,000 Speaker 1: both of them. Neither of them shut their eyes, each 264 00:18:43,160 --> 00:18:46,920 Speaker 1: staring into the darkness. The comforter pulled heat around them, 265 00:18:46,920 --> 00:18:50,400 Speaker 1: a net of warmth cocooning them. Tilda fought asleep, encroaching 266 00:18:50,440 --> 00:18:53,600 Speaker 1: upon her her brain buzzing until something heavy settled behind 267 00:18:53,640 --> 00:18:55,919 Speaker 1: her eyes and her brain shut off like a light switch. 268 00:18:56,880 --> 00:19:00,400 Speaker 1: She dreamt that Madison was gone. She didn't know where 269 00:19:00,400 --> 00:19:02,399 Speaker 1: he was or how long he had been missing, just 270 00:19:02,480 --> 00:19:04,960 Speaker 1: that he was gone and she needed to find him. 271 00:19:05,600 --> 00:19:08,880 Speaker 1: She'd been reduced to an automaton with only one purpose, 272 00:19:09,840 --> 00:19:14,200 Speaker 1: her need to find Madison, her compass, her being, everything, 273 00:19:14,280 --> 00:19:18,200 Speaker 1: her singular universe. It was cold, but she didn't notice 274 00:19:18,680 --> 00:19:21,480 Speaker 1: her body was dead. Her limbs hung limply and swung 275 00:19:21,520 --> 00:19:24,359 Speaker 1: as she stumbled forward in the never ending sea of nothing. 276 00:19:25,600 --> 00:19:30,080 Speaker 1: In her brain was a constant refrain, her catechism, Home 277 00:19:30,200 --> 00:19:32,320 Speaker 1: is where you are. Home is where you are, Home 278 00:19:32,440 --> 00:19:37,479 Speaker 1: is where you are, looping constant. A whimpering dredged her 279 00:19:37,480 --> 00:19:40,200 Speaker 1: from her sleep with a breathy gasp. It was dark, 280 00:19:40,400 --> 00:19:44,280 Speaker 1: the darkest part of the night. Madison was whippering, softly, squirming, 281 00:19:44,400 --> 00:19:47,200 Speaker 1: caught in the throes of a nightmare, her head heavy 282 00:19:47,240 --> 00:19:50,960 Speaker 1: and confused. Tilda murmured comforting words in Madison's ears, clumsily 283 00:19:51,000 --> 00:19:54,080 Speaker 1: petting his hair in his arm. Lost at sea, that's 284 00:19:54,119 --> 00:19:57,000 Speaker 1: how she felt, caught in the waves, not sure which 285 00:19:57,000 --> 00:20:00,000 Speaker 1: way was which, unable to catch her breath, dehydrated it 286 00:20:00,200 --> 00:20:04,600 Speaker 1: hungry and shriveled, seasick and homesick and desperate for solid ground, 287 00:20:05,600 --> 00:20:09,320 Speaker 1: And Madison was lost with her. She wondered what nightmares 288 00:20:09,320 --> 00:20:13,080 Speaker 1: haunted him tonight. She imagined Ellison Jake played a large role, 289 00:20:13,160 --> 00:20:18,320 Speaker 1: impossibly even herself. Her throat seared, her body throbbed, her 290 00:20:18,359 --> 00:20:22,280 Speaker 1: face burned. She felt weak and flimsy, stiff in some 291 00:20:22,440 --> 00:20:26,840 Speaker 1: places and soupy in others. Madison quieted and snuggled deeper 292 00:20:26,920 --> 00:20:29,800 Speaker 1: under the covers. Tilda shut her eyes but felt dizzy, 293 00:20:29,840 --> 00:20:31,920 Speaker 1: as though she was on a raft, rocking and careening 294 00:20:31,960 --> 00:20:35,480 Speaker 1: over cresting and troughing waves. She swallowed back the nausea 295 00:20:35,560 --> 00:20:39,000 Speaker 1: rising in her throat, the pain like a shard of glass. 296 00:20:39,080 --> 00:20:42,399 Speaker 1: She wheezed, opening eyes that were hot and her swollen face. 297 00:20:43,119 --> 00:20:45,919 Speaker 1: She could see shapes, shadows darting through the room, but 298 00:20:45,960 --> 00:20:49,159 Speaker 1: she knew she was hallucinating in her exhaustion, her tired 299 00:20:49,240 --> 00:20:52,679 Speaker 1: and stress added brain firing with all the excess nerves 300 00:20:52,680 --> 00:20:56,280 Speaker 1: generated by the day's events. Her eyes closed, a time 301 00:20:56,320 --> 00:20:59,200 Speaker 1: would pass and she'd open them again, not truly achieving 302 00:20:59,280 --> 00:21:19,439 Speaker 1: sleep for the rest of the night. And that brings 303 00:21:19,520 --> 00:21:22,640 Speaker 1: us to the end of this edition of spenty fiction. 304 00:21:22,720 --> 00:21:25,560 Speaker 1: I hope that you enjoyed it. As I hinted that before, 305 00:21:26,080 --> 00:21:28,800 Speaker 1: I apologize for my bad acting. I'm trying not to 306 00:21:28,920 --> 00:21:31,000 Speaker 1: like go overboard, but sometimes I feel like I go 307 00:21:31,240 --> 00:21:35,560 Speaker 1: underboard in a way. It's like kind of a mess. Really, 308 00:21:35,560 --> 00:21:37,240 Speaker 1: I'm just trying to narrate it in a way that 309 00:21:37,800 --> 00:21:44,280 Speaker 1: is not jarring, right, So apologies for that, thinks is 310 00:21:44,320 --> 00:21:48,399 Speaker 1: always to super producer Christina, who makes these amazing And 311 00:21:48,480 --> 00:21:50,840 Speaker 1: I did as I mentioned, I did want to say 312 00:21:50,880 --> 00:21:53,400 Speaker 1: before you yell at me, before you write in, I 313 00:21:53,480 --> 00:21:57,480 Speaker 1: know that this is not the healthiest relationship. I know. 314 00:21:57,960 --> 00:22:01,119 Speaker 1: And actually I've said this before. I'm really excited for 315 00:22:01,240 --> 00:22:03,880 Speaker 1: us to get to the ending of this story because 316 00:22:04,080 --> 00:22:08,480 Speaker 1: it's examined, it's like talked about, because she's basically defining 317 00:22:08,560 --> 00:22:13,520 Speaker 1: all of her worth through her son, all of her 318 00:22:14,280 --> 00:22:20,479 Speaker 1: everything is about Madison, and that will be dealt with later. 319 00:22:20,800 --> 00:22:24,000 Speaker 1: But I just want you to know I do know. Okay, 320 00:22:25,560 --> 00:22:30,960 Speaker 1: that's not the healthiest thing. And I think in terms 321 00:22:31,000 --> 00:22:35,639 Speaker 1: of the apocalypse, in the life they've lived, it makes 322 00:22:35,720 --> 00:22:42,240 Speaker 1: sense that they don't have the healthiest copying mechanisms. They're 323 00:22:42,400 --> 00:22:46,320 Speaker 1: very attached to each other in a way that's not 324 00:22:46,359 --> 00:22:49,560 Speaker 1: the healthiest thing. I think it makes sense, but it 325 00:22:49,600 --> 00:22:54,720 Speaker 1: will be confronted. We will get to it. And yeah, 326 00:22:54,720 --> 00:22:57,840 Speaker 1: this was a pretty It had a pretty intense conversation 327 00:22:57,960 --> 00:23:03,320 Speaker 1: in this one, and I had forgotten about how they 328 00:23:03,320 --> 00:23:08,719 Speaker 1: really talked it out. So I hope that you all 329 00:23:08,800 --> 00:23:11,800 Speaker 1: enjoyed it. I hope that you're continuing to enjoy this. 330 00:23:12,160 --> 00:23:15,760 Speaker 1: I love hearing from you all about it. And yeah, 331 00:23:15,800 --> 00:23:20,520 Speaker 1: if there's anything that is in this realm of fiction 332 00:23:20,640 --> 00:23:22,359 Speaker 1: that we could do that's in the public domain you 333 00:23:22,359 --> 00:23:24,600 Speaker 1: would like us to try, we do like doing these. 334 00:23:25,040 --> 00:23:28,040 Speaker 1: You can email us at Stephanie moms Stuff at iHeartMedia 335 00:23:28,080 --> 00:23:29,639 Speaker 1: dot com. You can find us on Twitter at mom 336 00:23:29,720 --> 00:23:32,560 Speaker 1: Stuff podcast, or on Instagram and TikTok at Stuff I've 337 00:23:32,600 --> 00:23:35,120 Speaker 1: Never told you. We're on YouTube, we have a tea 338 00:23:35,160 --> 00:23:37,120 Speaker 1: public store, and we have a book you can get 339 00:23:37,119 --> 00:23:40,240 Speaker 1: wherever you get in your books. Thanks as always too, 340 00:23:40,560 --> 00:23:42,600 Speaker 1: our super producer Christina are executive for us to Maya 341 00:23:42,680 --> 00:23:45,359 Speaker 1: and our contributor Joey, thank you and thanks to you 342 00:23:45,359 --> 00:23:47,320 Speaker 1: for listening Stuff I Never Told You the protection of 343 00:23:47,359 --> 00:23:49,120 Speaker 1: my Heart Radio. For more podcasts or my heart Radio, 344 00:23:49,160 --> 00:23:51,160 Speaker 1: you can check out the heart Radio app, Apple Podcasts, 345 00:23:51,240 --> 00:24:00,840 Speaker 1: or wherever you listen to your favorite shows. You're only 346 00:24:00,880 --> 00:24:01,359 Speaker 1: on you t