1 00:00:01,240 --> 00:00:05,160 Speaker 1: Hey guys, welcome to I've never said this before with 2 00:00:05,320 --> 00:00:08,760 Speaker 1: me Tommy di Dario. Today's guest is an actor who 3 00:00:08,800 --> 00:00:11,080 Speaker 1: has conquered the stage and the screen and who has 4 00:00:11,119 --> 00:00:14,200 Speaker 1: been making a smile for quite some time now. Joining 5 00:00:14,240 --> 00:00:17,120 Speaker 1: me today is actor Skyler Aston, who is perhaps best 6 00:00:17,160 --> 00:00:20,040 Speaker 1: known for his starmaking role as Jesse in the hit 7 00:00:20,079 --> 00:00:22,759 Speaker 1: Pitch Perfect franchise. And as a side note, if you 8 00:00:22,760 --> 00:00:24,880 Speaker 1: have never heard his rendition of since You've been Gone 9 00:00:24,920 --> 00:00:27,680 Speaker 1: from Pitch Perfect, just go download it and all I 10 00:00:27,720 --> 00:00:31,800 Speaker 1: will say is you are welcome. Skyler has so many 11 00:00:31,800 --> 00:00:34,320 Speaker 1: incredible credits to his name, but today we are talking 12 00:00:34,360 --> 00:00:37,440 Speaker 1: about one show that multi multi millions of people are 13 00:00:37,440 --> 00:00:40,600 Speaker 1: tuning into each week, and for good reason. He currently 14 00:00:40,680 --> 00:00:43,160 Speaker 1: stars on the hit CBS show So Help Me Todd. 15 00:00:43,280 --> 00:00:46,199 Speaker 1: Season two is out now, and this series is a 16 00:00:46,440 --> 00:00:50,159 Speaker 1: must watch. It is so relatable, especially because I'm an 17 00:00:50,159 --> 00:00:52,720 Speaker 1: Italian from New Jersey and I come from a family 18 00:00:52,800 --> 00:00:55,920 Speaker 1: where we have very, very funny things that have happened 19 00:00:55,920 --> 00:00:59,120 Speaker 1: throughout the course of my life. Skyler stars as Todd. 20 00:00:59,160 --> 00:01:02,360 Speaker 1: He's a direction but talented private investigator and he works 21 00:01:02,400 --> 00:01:05,839 Speaker 1: alongside his mom, played by the brilliant Marcia Gay Harden 22 00:01:06,280 --> 00:01:10,200 Speaker 1: at her successful law firm. So today we celebrate his 23 00:01:10,240 --> 00:01:12,320 Speaker 1: show So help Me Todd, and Skyler gives a little 24 00:01:12,400 --> 00:01:14,120 Speaker 1: hint as to what's coming down the line for the 25 00:01:14,160 --> 00:01:17,000 Speaker 1: rest of season two. I also really needed to know 26 00:01:17,040 --> 00:01:19,360 Speaker 1: what it's like pretending to sing badly when you really 27 00:01:19,400 --> 00:01:22,120 Speaker 1: are gifted with an incredible singing voice, which is a 28 00:01:22,120 --> 00:01:25,080 Speaker 1: moment that happens in season two. We celebrate some fan 29 00:01:25,120 --> 00:01:28,319 Speaker 1: favorite past credits, and then we go deep man. We 30 00:01:28,440 --> 00:01:30,800 Speaker 1: chat about how he leads his life with gratitude even 31 00:01:30,800 --> 00:01:33,160 Speaker 1: when doubt creeps in, how he keeps a humble mind 32 00:01:33,200 --> 00:01:35,920 Speaker 1: when he's receiving a lot of praise and attention, and 33 00:01:36,040 --> 00:01:38,360 Speaker 1: let me tell you his mentality on the importance of 34 00:01:38,480 --> 00:01:41,440 Speaker 1: encouraging his peers and a world's full of people that well, 35 00:01:41,600 --> 00:01:45,680 Speaker 1: quite often don't. It's really beautiful. So let's see if 36 00:01:45,680 --> 00:01:48,440 Speaker 1: today we can get Skyler to say something that he 37 00:01:48,480 --> 00:01:56,520 Speaker 1: has never said before. Now, Skyler, my man, how you 38 00:01:56,560 --> 00:02:01,200 Speaker 1: doing today. I'm doing, Tommy, I'm doing fantastic. I feel 39 00:02:01,240 --> 00:02:03,520 Speaker 1: like it's been a whirlwind for you lately. You hanging 40 00:02:03,600 --> 00:02:04,000 Speaker 1: in there? 41 00:02:04,560 --> 00:02:07,080 Speaker 2: Yeah, yeah, I live for this. I mean like I'm 42 00:02:07,120 --> 00:02:09,320 Speaker 2: right now on set filming and I'm kind of in 43 00:02:09,360 --> 00:02:12,560 Speaker 2: between scenes right now, but I love burning the candle 44 00:02:12,560 --> 00:02:14,480 Speaker 2: to both ends. And when you're on a TV schedule 45 00:02:14,520 --> 00:02:16,680 Speaker 2: like this, this is when you get to talk about 46 00:02:16,680 --> 00:02:18,560 Speaker 2: the show and kind of about like how you're doing 47 00:02:18,600 --> 00:02:21,040 Speaker 2: and check in. So I make sure that all of 48 00:02:21,080 --> 00:02:24,280 Speaker 2: my check ins are on air and with people like yourself. 49 00:02:24,600 --> 00:02:27,000 Speaker 1: Wait a minute, so you're actually filming the show two day, 50 00:02:27,080 --> 00:02:28,639 Speaker 1: like you're in between takes? 51 00:02:28,639 --> 00:02:32,320 Speaker 2: Correct, not quite takes, but in between scenes for sure? Yeah? 52 00:02:32,720 --> 00:02:34,640 Speaker 1: How do you do that? That doesn't mess you up? 53 00:02:34,639 --> 00:02:36,440 Speaker 1: I feel like i'd have to be like in my trailer, 54 00:02:36,560 --> 00:02:38,560 Speaker 1: we're going over my lines, ready to rock. 55 00:02:39,160 --> 00:02:41,240 Speaker 2: You know, I've learned a lot that, like with TV 56 00:02:41,400 --> 00:02:44,280 Speaker 2: and how it works, you kind of have to be malleable. 57 00:02:44,360 --> 00:02:47,440 Speaker 2: I mean there are some times where it rains and 58 00:02:47,480 --> 00:02:50,280 Speaker 2: now we're changing the scene order or you know, something 59 00:02:50,320 --> 00:02:53,080 Speaker 2: like that, and you know, I try to protect myself 60 00:02:53,120 --> 00:02:56,200 Speaker 2: as much as possible and be as prepared as possible. 61 00:02:56,200 --> 00:02:59,120 Speaker 2: But when you're lucky enough to be in every scene 62 00:02:59,160 --> 00:03:01,400 Speaker 2: like I am, you know, you kind of have to 63 00:03:01,400 --> 00:03:04,720 Speaker 2: budget your brain a bit, and sometimes you know, you're 64 00:03:06,080 --> 00:03:09,160 Speaker 2: I'm constantly working during lunch and learning, you know, next 65 00:03:09,200 --> 00:03:12,079 Speaker 2: half of the day's stuff, and our show prides itself 66 00:03:12,080 --> 00:03:14,840 Speaker 2: on being very chatty and you know, having a lot 67 00:03:14,919 --> 00:03:17,600 Speaker 2: of dialogue, so I kind of have to do a 68 00:03:17,600 --> 00:03:21,400 Speaker 2: lot of gymnastics. So this is actually a nice active 69 00:03:21,440 --> 00:03:22,000 Speaker 2: break for me. 70 00:03:22,400 --> 00:03:26,959 Speaker 1: Oh good, almost meditative exactly. Well, of course, the show 71 00:03:27,000 --> 00:03:29,720 Speaker 1: you're referring to, so help me, Todd, it is Oh 72 00:03:29,720 --> 00:03:32,320 Speaker 1: my god, it is so much fun. It is thrilling. 73 00:03:32,760 --> 00:03:37,560 Speaker 1: The banter between you and Marcia is so so funny. 74 00:03:37,560 --> 00:03:39,160 Speaker 1: I mean, there's no other way to describe it. It's 75 00:03:39,200 --> 00:03:41,680 Speaker 1: so comical. And the show is just really well done. 76 00:03:41,720 --> 00:03:44,640 Speaker 1: It's always interesting to me when primetime shows come out 77 00:03:44,680 --> 00:03:46,320 Speaker 1: and you're like, all right, how's this one going to be? 78 00:03:46,360 --> 00:03:48,960 Speaker 1: And there's so much content out there, but this show 79 00:03:49,080 --> 00:03:50,800 Speaker 1: nails it. So what made you want to be a 80 00:03:50,840 --> 00:03:52,040 Speaker 1: part of it from the beginning? 81 00:03:52,640 --> 00:03:54,440 Speaker 2: I think right from the get go, Like when I 82 00:03:54,520 --> 00:03:58,520 Speaker 2: read the pilot from page one, I just loved how 83 00:03:58,560 --> 00:04:02,160 Speaker 2: he spoke. I loved how he was like approaching, you know, 84 00:04:02,240 --> 00:04:05,960 Speaker 2: solving crimes kind of in unconventional way. It's a bit 85 00:04:06,000 --> 00:04:08,720 Speaker 2: of a black sheep in his family too, and a 86 00:04:08,760 --> 00:04:11,160 Speaker 2: bit of a disruptor. So he's like the one that 87 00:04:11,200 --> 00:04:14,240 Speaker 2: gets to comment on the case as it's happening, and 88 00:04:14,280 --> 00:04:16,400 Speaker 2: not that he doesn't take it seriously, but he's kind 89 00:04:16,440 --> 00:04:18,400 Speaker 2: of thinking outside the box. And I just love that. 90 00:04:18,839 --> 00:04:21,600 Speaker 2: I also just love like the razor sharp banter between 91 00:04:21,720 --> 00:04:24,960 Speaker 2: him and March's character, Margaret. I just thought there was 92 00:04:25,000 --> 00:04:28,080 Speaker 2: so much mileage there, and I thought it was really funny. 93 00:04:28,480 --> 00:04:31,720 Speaker 2: I mean, it was initially built as a drama before 94 00:04:32,000 --> 00:04:33,640 Speaker 2: you know, we were able to finally admit that it 95 00:04:33,720 --> 00:04:36,200 Speaker 2: is a dramedy. But I just knew that Todd is 96 00:04:36,279 --> 00:04:38,320 Speaker 2: whether or not this is a drama, a DRAMAEDI a 97 00:04:38,400 --> 00:04:43,279 Speaker 2: comedy whatever. He is funny and he's physical, unorthodox. That 98 00:04:43,440 --> 00:04:44,760 Speaker 2: really attracted me to the character. 99 00:04:45,320 --> 00:04:47,400 Speaker 1: Are you somebody who in real life likes to give 100 00:04:47,440 --> 00:04:49,200 Speaker 1: good banter? Do you give good banter? 101 00:04:49,920 --> 00:04:51,880 Speaker 2: I got a sharp wit. I'm a little quick on 102 00:04:51,880 --> 00:04:54,800 Speaker 2: the uptake. I've been told depending on how comfortable I 103 00:04:54,880 --> 00:04:57,599 Speaker 2: am with the person. But yeah, yeah, I'm fast with 104 00:04:57,640 --> 00:04:58,720 Speaker 2: my reflexes for sure. 105 00:04:58,960 --> 00:05:01,440 Speaker 1: Well, of course, you play a I've an investigator a PI. 106 00:05:01,920 --> 00:05:04,800 Speaker 1: Has that been a world you always wanted to explore? 107 00:05:04,800 --> 00:05:06,960 Speaker 1: Were you ever intrigued by that growing up? Or it's 108 00:05:07,000 --> 00:05:08,920 Speaker 1: just all totally new for you. 109 00:05:08,920 --> 00:05:12,000 Speaker 2: You know, I love things like Inspector Gadget growing up, 110 00:05:12,040 --> 00:05:13,880 Speaker 2: I thought that that was like I always love those 111 00:05:13,960 --> 00:05:18,560 Speaker 2: kind of Dick Tracy's and even Sherlock Holmes or Harriet 112 00:05:18,560 --> 00:05:21,360 Speaker 2: the Spies. I never knew that I would play one. 113 00:05:21,400 --> 00:05:23,159 Speaker 2: I mean, this kind of fell into my lap in 114 00:05:23,200 --> 00:05:27,200 Speaker 2: a way, and I just love like the musicality, even 115 00:05:27,200 --> 00:05:29,479 Speaker 2: though it's not a musical, but like the rhythm of 116 00:05:29,560 --> 00:05:31,760 Speaker 2: the dialogue. It felt like I could hear it when 117 00:05:31,800 --> 00:05:33,599 Speaker 2: I read it, and I could hear me doing it 118 00:05:33,600 --> 00:05:36,280 Speaker 2: when I read it. So I just understood it right away. 119 00:05:36,320 --> 00:05:39,200 Speaker 2: And Scott prendergassar creator, has like such an amazing way 120 00:05:39,680 --> 00:05:43,440 Speaker 2: of writing and communicating through his words, and so I 121 00:05:43,520 --> 00:05:45,360 Speaker 2: just I was super attracted to it. 122 00:05:46,000 --> 00:05:49,159 Speaker 1: And the relationship between you and Marcia Geharden, who of 123 00:05:49,160 --> 00:05:53,080 Speaker 1: course plays your mother on the show, is so well done. 124 00:05:53,360 --> 00:05:55,800 Speaker 1: There's such great chemistry between the two of you. How 125 00:05:55,839 --> 00:05:59,320 Speaker 1: has it been really mapping out that relationship and establishing 126 00:05:59,360 --> 00:06:01,960 Speaker 1: that Was it easy? Was it a little harder in 127 00:06:02,000 --> 00:06:03,640 Speaker 1: the beginning? Do you have to find your groove? Like 128 00:06:03,640 --> 00:06:05,320 Speaker 1: how did that all come to be? Because it seems 129 00:06:05,320 --> 00:06:06,400 Speaker 1: pretty flawless to me. 130 00:06:07,160 --> 00:06:10,040 Speaker 2: Yeah, I think we had instant chemistry for sure. I 131 00:06:10,080 --> 00:06:11,960 Speaker 2: just think that what we wanted to make sure of 132 00:06:12,000 --> 00:06:15,880 Speaker 2: in season one was that there was love underneath and 133 00:06:15,920 --> 00:06:20,480 Speaker 2: that there was warmth and vulnerability underneath, because if there's 134 00:06:20,520 --> 00:06:22,479 Speaker 2: just two people yelling at each other, there's kind of 135 00:06:22,480 --> 00:06:24,880 Speaker 2: no substance to it. So we wanted to layer that 136 00:06:24,960 --> 00:06:27,919 Speaker 2: in and really, you know, talk to the writers, not 137 00:06:27,960 --> 00:06:30,400 Speaker 2: that they weren't already going in that direction, but just 138 00:06:30,440 --> 00:06:32,279 Speaker 2: like even in these little moments, just to kind of 139 00:06:32,320 --> 00:06:34,560 Speaker 2: like pick up where we left off, because even though 140 00:06:34,560 --> 00:06:37,240 Speaker 2: we do have to start over at square one each episode, 141 00:06:37,240 --> 00:06:39,680 Speaker 2: being that it is kind of that procedural format, we 142 00:06:39,760 --> 00:06:41,640 Speaker 2: do want to kind of keep some of our biggest 143 00:06:41,680 --> 00:06:45,599 Speaker 2: wins intact when we approach the next scene. And of 144 00:06:45,600 --> 00:06:47,560 Speaker 2: course there can't be too much growth because if we're 145 00:06:47,640 --> 00:06:50,240 Speaker 2: just completely holding hands getting along the whole time, then 146 00:06:50,320 --> 00:06:54,279 Speaker 2: there's not enough kind of drama and conflict there. But 147 00:06:54,400 --> 00:06:57,080 Speaker 2: it's just kind of become their inherent dynamics. So we 148 00:06:57,200 --> 00:06:59,359 Speaker 2: just know them and we know that he would do 149 00:06:59,360 --> 00:07:02,640 Speaker 2: anything for us mom, but also he thinks she's doesn't 150 00:07:02,680 --> 00:07:04,200 Speaker 2: do anything right, and vice versa. 151 00:07:04,279 --> 00:07:05,919 Speaker 1: Why do you think people have fallen in love with 152 00:07:06,000 --> 00:07:07,880 Speaker 1: this show in such a big way, because I mean, 153 00:07:07,920 --> 00:07:10,640 Speaker 1: I see people talking about it all the time. It 154 00:07:10,680 --> 00:07:12,840 Speaker 1: clearly is doing well. We're in the thick of season 155 00:07:12,840 --> 00:07:15,800 Speaker 1: two and it's something that has a lot of conversation 156 00:07:15,920 --> 00:07:17,720 Speaker 1: around it. So why do you think that is. 157 00:07:18,360 --> 00:07:21,240 Speaker 2: I think there's like some inherent joy to the show 158 00:07:21,320 --> 00:07:25,040 Speaker 2: because it is a mother and son relationship, and so 159 00:07:25,040 --> 00:07:27,080 Speaker 2: so many people can relate to that, even if they 160 00:07:27,120 --> 00:07:29,080 Speaker 2: don't have a mother, Like I know so many people 161 00:07:29,080 --> 00:07:31,320 Speaker 2: who watch it with their father or fathers that watch 162 00:07:31,360 --> 00:07:33,120 Speaker 2: it with their sons. There's people like to watch it 163 00:07:33,200 --> 00:07:36,680 Speaker 2: with either friends or family because they just relate. I 164 00:07:36,720 --> 00:07:38,640 Speaker 2: have a friend who works with his mother and they're like, 165 00:07:38,800 --> 00:07:41,680 Speaker 2: this is literally us. But then have I know people 166 00:07:41,880 --> 00:07:44,440 Speaker 2: who are like I definitely would never work with my 167 00:07:44,520 --> 00:07:46,440 Speaker 2: mother and can't imagine it. But this show is so 168 00:07:46,480 --> 00:07:49,119 Speaker 2: funny because it's as if I do. And so people 169 00:07:49,160 --> 00:07:51,480 Speaker 2: are really able to kind of like put themselves in 170 00:07:51,520 --> 00:07:54,920 Speaker 2: the position of Todd or Margaret or Allison or somebody 171 00:07:54,960 --> 00:07:59,120 Speaker 2: in the family dynamic and either kind of play out 172 00:07:59,120 --> 00:08:01,840 Speaker 2: their real life or kind of imagine their real life. 173 00:08:01,880 --> 00:08:05,040 Speaker 2: And I think that has that kind of like physical 174 00:08:05,120 --> 00:08:05,840 Speaker 2: draw to it. 175 00:08:06,000 --> 00:08:07,480 Speaker 1: Do you think you would have been able to work 176 00:08:07,520 --> 00:08:09,480 Speaker 1: so closely with one of your parents. 177 00:08:09,800 --> 00:08:12,200 Speaker 2: You know, I like worship my parents and I love 178 00:08:12,240 --> 00:08:14,440 Speaker 2: them so much, so it's it's it would not be 179 00:08:14,560 --> 00:08:17,760 Speaker 2: the same show as this one. I just think I 180 00:08:17,800 --> 00:08:20,560 Speaker 2: could do no wrong in my mother's eyes. But I think, yes, 181 00:08:20,600 --> 00:08:23,440 Speaker 2: it would not come without its frustrations. And you know, 182 00:08:23,600 --> 00:08:27,080 Speaker 2: I think that I like to keep work separate. I 183 00:08:27,160 --> 00:08:29,480 Speaker 2: like to support them and they like to support me, 184 00:08:29,640 --> 00:08:33,280 Speaker 2: and I think that, you know, I I like to 185 00:08:33,360 --> 00:08:34,000 Speaker 2: keep it that way. 186 00:08:34,440 --> 00:08:36,280 Speaker 1: Yeah. I come from a big Italian family, and I 187 00:08:36,320 --> 00:08:38,280 Speaker 1: don't think we anyone would be able to get an 188 00:08:38,280 --> 00:08:39,079 Speaker 1: a word edgewise. 189 00:08:39,160 --> 00:08:43,000 Speaker 2: So that's exactly right. You Italian. We're very similar, a 190 00:08:43,000 --> 00:08:45,560 Speaker 2: lot of over talking, a lot of like no no no, no, no, no, no, 191 00:08:45,920 --> 00:08:47,040 Speaker 2: this is what we got to do. And it's like, 192 00:08:47,200 --> 00:08:50,120 Speaker 2: let me just you know, I get to kind of 193 00:08:50,240 --> 00:08:51,600 Speaker 2: know what I do and you get to know what 194 00:08:51,640 --> 00:08:53,520 Speaker 2: you do, and we'd love each other for that. 195 00:08:53,760 --> 00:08:57,240 Speaker 1: One hundred percent. So season two, we're loving it. What 196 00:08:57,360 --> 00:08:59,520 Speaker 1: can we expect throughout the rest of the season, anything 197 00:08:59,559 --> 00:09:00,720 Speaker 1: you can share. 198 00:09:00,960 --> 00:09:04,839 Speaker 2: Well, we have some incredible guest stars. We have Dean Winters, 199 00:09:05,440 --> 00:09:08,240 Speaker 2: we have Jennifer Lewis, Heather Morris has been on the show, 200 00:09:08,280 --> 00:09:12,040 Speaker 2: who's been spectacular. And then yeah, there's one episode in 201 00:09:12,080 --> 00:09:15,440 Speaker 2: particular I really love with Matthew Wilkes, who plays my 202 00:09:15,440 --> 00:09:18,120 Speaker 2: brother Lawrence on the show, and he actually employs me 203 00:09:18,760 --> 00:09:22,560 Speaker 2: to work on a case specifically for him. And it's 204 00:09:22,559 --> 00:09:24,720 Speaker 2: not a law firm case if you know our show, 205 00:09:24,760 --> 00:09:26,640 Speaker 2: Like I work at my mother's law firm as the 206 00:09:27,040 --> 00:09:30,160 Speaker 2: detective and investigator, but I now in season two, I'm 207 00:09:30,200 --> 00:09:33,240 Speaker 2: running my own boutique investigative firm outside of the office, 208 00:09:33,320 --> 00:09:36,760 Speaker 2: so this kind of falls in that category. And I 209 00:09:36,800 --> 00:09:40,400 Speaker 2: am working in the secrets with my brother and we 210 00:09:40,440 --> 00:09:43,640 Speaker 2: really get to explore that relationship and I just absolutely 211 00:09:43,640 --> 00:09:46,360 Speaker 2: love doing it. It was so funny. And then sneaks 212 00:09:46,440 --> 00:09:48,400 Speaker 2: up on you in the way that our show only 213 00:09:48,440 --> 00:09:52,000 Speaker 2: does and just really finds some beauty and never really 214 00:09:52,080 --> 00:09:54,280 Speaker 2: hits you over the head with its message, but we 215 00:09:54,360 --> 00:09:56,440 Speaker 2: get one in there, and I'm really excited about it. 216 00:09:56,520 --> 00:09:58,920 Speaker 1: And something else that's been exciting is I know you've 217 00:09:58,920 --> 00:10:01,040 Speaker 1: talked about how you sing in this series, but in 218 00:10:01,080 --> 00:10:03,440 Speaker 1: a different kind of way, not in a way that 219 00:10:03,480 --> 00:10:05,000 Speaker 1: people would expect. 220 00:10:04,640 --> 00:10:07,840 Speaker 2: Right exactly. I mean, I've definitely gotten to get some 221 00:10:07,880 --> 00:10:11,120 Speaker 2: Easter eggs in there if you're listening some jingles on 222 00:10:11,160 --> 00:10:14,720 Speaker 2: the AM radio stations. I've just written and done and 223 00:10:14,800 --> 00:10:17,840 Speaker 2: just sent, you know, emailed over to our post production 224 00:10:17,920 --> 00:10:20,000 Speaker 2: team and they kind of layer it in. But yeah, 225 00:10:20,000 --> 00:10:22,200 Speaker 2: there's a lot of like singing off screen, but when 226 00:10:22,240 --> 00:10:25,360 Speaker 2: Todd actually attempts to really sing as Todd, it doesn't 227 00:10:25,400 --> 00:10:26,400 Speaker 2: sound like myself. 228 00:10:27,400 --> 00:10:28,360 Speaker 1: Is that hard for you to do? 229 00:10:29,280 --> 00:10:30,839 Speaker 2: It's fun for me to do. I think it's a 230 00:10:30,840 --> 00:10:32,920 Speaker 2: little wink at the audience. There's actually one moment in 231 00:10:32,960 --> 00:10:36,800 Speaker 2: particular in episode five that's coming out in April, where 232 00:10:36,920 --> 00:10:40,199 Speaker 2: I it's an opera scene. So it's like a big 233 00:10:40,240 --> 00:10:42,440 Speaker 2: opera episode where at the opera and there's something that 234 00:10:42,440 --> 00:10:44,120 Speaker 2: happens at the opera, we have to explore it. So 235 00:10:44,120 --> 00:10:46,200 Speaker 2: there's a moment where Todd finds himself alone on the 236 00:10:46,200 --> 00:10:49,000 Speaker 2: stage and goes to belt out a note and let's 237 00:10:49,000 --> 00:10:51,080 Speaker 2: just say, it doesn't sound great. 238 00:10:51,360 --> 00:10:53,160 Speaker 1: I don't know how you can make yourself sound bad. 239 00:10:53,200 --> 00:10:55,040 Speaker 1: That seems like that would be a little challenging. 240 00:10:56,040 --> 00:10:57,959 Speaker 2: You know, if you know how to kind of hit 241 00:10:58,000 --> 00:10:59,880 Speaker 2: the notes, you also know how to fall just show 242 00:11:00,160 --> 00:11:03,040 Speaker 2: of them and kind of manipulated in that way. 243 00:11:03,480 --> 00:11:06,000 Speaker 1: So what do you think is the best part about 244 00:11:06,040 --> 00:11:08,840 Speaker 1: being you know, in a sitcom in a dramedy like this. 245 00:11:09,800 --> 00:11:12,360 Speaker 2: I just think, like all of the people that I 246 00:11:12,400 --> 00:11:14,200 Speaker 2: meet along the way, and I don't just mean like 247 00:11:14,240 --> 00:11:16,600 Speaker 2: the actors and actresses and crew members I come across, 248 00:11:16,920 --> 00:11:20,079 Speaker 2: but having new characters come in and how they kind 249 00:11:20,120 --> 00:11:22,080 Speaker 2: of relate to Todd and how they relate to Todd 250 00:11:22,080 --> 00:11:25,400 Speaker 2: and Margaret. I think that's like a really fun part 251 00:11:25,480 --> 00:11:27,760 Speaker 2: to perform. It keeps it fresh to me to have 252 00:11:27,800 --> 00:11:30,319 Speaker 2: the pace every week and then to also deep in 253 00:11:30,360 --> 00:11:32,600 Speaker 2: the character throughout the course of the seasons and the 254 00:11:32,679 --> 00:11:36,200 Speaker 2: series and have like some steady growth. But yeah, I 255 00:11:36,280 --> 00:11:38,439 Speaker 2: just love like kind of working with new directors too. 256 00:11:38,520 --> 00:11:41,760 Speaker 2: We have a nice roster and it's growing, you know, 257 00:11:41,960 --> 00:11:44,959 Speaker 2: and there's definitely people that are going to be coming 258 00:11:45,040 --> 00:11:47,680 Speaker 2: back and back for you know, hopefully seasons to come. 259 00:11:47,760 --> 00:11:50,040 Speaker 2: So I think it's kind of like making that little 260 00:11:50,040 --> 00:11:54,439 Speaker 2: core family. I absolutely adore our crew. They're so wonderful 261 00:11:54,480 --> 00:11:57,360 Speaker 2: and encouraging and so good at their jobs, and it 262 00:11:57,480 --> 00:12:00,560 Speaker 2: inspires me every day to you excel at mine. 263 00:12:00,720 --> 00:12:03,240 Speaker 1: And that's always good moral on set, and I feel 264 00:12:03,240 --> 00:12:05,600 Speaker 1: like it makes artists do even better work because you 265 00:12:05,600 --> 00:12:07,800 Speaker 1: actually are enjoying yourself right totally. 266 00:12:07,840 --> 00:12:10,319 Speaker 2: I mean everyone, you know, anytime I have like a 267 00:12:10,440 --> 00:12:12,800 Speaker 2: visitor come, whether it's family or friends come to set 268 00:12:12,840 --> 00:12:14,280 Speaker 2: and it's the first time ever in a film set, 269 00:12:14,280 --> 00:12:18,160 Speaker 2: they're always marveled at how many people and how many 270 00:12:18,240 --> 00:12:21,319 Speaker 2: things and departments you know, it takes to do this, 271 00:12:21,840 --> 00:12:24,880 Speaker 2: And I never lose sight of that. We can't do 272 00:12:24,960 --> 00:12:26,959 Speaker 2: this with any piece of the puzzle. Yes, we're very 273 00:12:26,960 --> 00:12:29,000 Speaker 2: front facing, being that we're the actors and that we're 274 00:12:29,040 --> 00:12:31,040 Speaker 2: on camera and we're on the posters and everything like that. 275 00:12:31,120 --> 00:12:33,920 Speaker 2: But you know, if it's not lit, if it's not recorded, 276 00:12:33,920 --> 00:12:36,839 Speaker 2: if it's not you know, miked, if it's there are 277 00:12:36,960 --> 00:12:39,200 Speaker 2: the props and the set design and the set decoration 278 00:12:39,280 --> 00:12:42,520 Speaker 2: and just everything you know that makes this such a machine, 279 00:12:43,280 --> 00:12:46,240 Speaker 2: it would fall apart. And so like everyone is equally 280 00:12:46,280 --> 00:12:49,000 Speaker 2: as important to this project as the next person. 281 00:12:55,880 --> 00:12:58,120 Speaker 1: Well, good on you for having that gratitude, because that's 282 00:12:58,160 --> 00:13:00,000 Speaker 1: one of the many reasons, in my opinion, you've had 283 00:13:00,040 --> 00:13:03,800 Speaker 1: that's such a long and successful career up to this point. 284 00:13:03,840 --> 00:13:06,440 Speaker 1: I mean, you've been working as an artist now for 285 00:13:06,559 --> 00:13:10,040 Speaker 1: most of your life, between Broadway, between TV, between film, 286 00:13:10,440 --> 00:13:12,960 Speaker 1: so what would you say is one of the best 287 00:13:13,000 --> 00:13:15,240 Speaker 1: parts about what you do, and what would you say 288 00:13:15,280 --> 00:13:16,800 Speaker 1: is one of the more difficult parts. 289 00:13:17,640 --> 00:13:20,640 Speaker 2: Man. First of all, I mean corny and typical, But 290 00:13:20,720 --> 00:13:22,640 Speaker 2: first thing that comes to mind is I'm living my dream. 291 00:13:22,960 --> 00:13:26,680 Speaker 2: I'm literally living my dream every day. Look what's the 292 00:13:26,679 --> 00:13:30,760 Speaker 2: most difficult, you know, working on no sleep and you know, 293 00:13:30,920 --> 00:13:33,720 Speaker 2: sometimes your brain is literally so exhausted at the end 294 00:13:33,720 --> 00:13:35,080 Speaker 2: of the day and all you want to do and 295 00:13:35,120 --> 00:13:37,079 Speaker 2: people go, oh, what are you gonna do for dinner? 296 00:13:37,120 --> 00:13:38,400 Speaker 2: You know, what are you gonna do tonight? When you 297 00:13:38,440 --> 00:13:40,720 Speaker 2: wrap and you're like prep the next day. Of course, 298 00:13:40,760 --> 00:13:43,000 Speaker 2: how the heck do you think I'm doing eight pages 299 00:13:43,040 --> 00:13:45,520 Speaker 2: a day and these you know, page long monologues. It's 300 00:13:45,880 --> 00:13:49,040 Speaker 2: it doesn't stop. But I asked for this, and you know, 301 00:13:49,360 --> 00:13:51,920 Speaker 2: I never lose sight of that. I want to have 302 00:13:51,960 --> 00:13:54,319 Speaker 2: a long career and I know what it takes. And 303 00:13:54,760 --> 00:13:59,000 Speaker 2: I also know that, like if I'm complaining, there's someone 304 00:13:59,040 --> 00:14:02,560 Speaker 2: to my left that has less of turnaround time, you know, 305 00:14:02,640 --> 00:14:05,960 Speaker 2: who doesn't get to have as cushy conditions as I 306 00:14:06,040 --> 00:14:09,200 Speaker 2: do on set, And you know, we're all in this together, 307 00:14:09,240 --> 00:14:11,920 Speaker 2: and so that kind of inspires me and keeps my 308 00:14:12,000 --> 00:14:14,640 Speaker 2: drive alive. But yeah, I think the best part. I 309 00:14:14,720 --> 00:14:17,480 Speaker 2: can't imagine doing anything else at this point. And I 310 00:14:17,559 --> 00:14:19,880 Speaker 2: really love to tell stories and I love to be 311 00:14:19,880 --> 00:14:23,560 Speaker 2: an escape for people, like especially on TV with this show, 312 00:14:23,600 --> 00:14:25,960 Speaker 2: with my previous shows that I've done. You know, what 313 00:14:26,000 --> 00:14:27,880 Speaker 2: I've heard a lot is like, you know, with everything 314 00:14:27,920 --> 00:14:30,600 Speaker 2: going on these days, I just love, you know, tuning 315 00:14:30,600 --> 00:14:32,600 Speaker 2: in to you guys who really brighten my day or 316 00:14:32,840 --> 00:14:35,720 Speaker 2: you've helped me breathe a certain loss, or you know, 317 00:14:36,160 --> 00:14:39,000 Speaker 2: really repaired my relationship with my own mother or whatever 318 00:14:39,040 --> 00:14:41,600 Speaker 2: it is like that is, I never lose sight of 319 00:14:41,680 --> 00:14:45,320 Speaker 2: how even though you know, it seemed like we're just 320 00:14:45,360 --> 00:14:47,480 Speaker 2: doing a fun, silly show, like it is important, like 321 00:14:47,520 --> 00:14:50,280 Speaker 2: this does have meaning and we are we are giving 322 00:14:50,320 --> 00:14:53,640 Speaker 2: people something that you know makes them feel comfortable and safe. 323 00:14:53,920 --> 00:14:57,320 Speaker 1: I imagine even on your toughest of days, knowing that 324 00:14:57,600 --> 00:14:59,040 Speaker 1: keeps you going right, it keeps you. 325 00:14:59,040 --> 00:15:02,920 Speaker 2: Motivated absolutely, and also just how lucky I am. I mean, 326 00:15:03,200 --> 00:15:05,960 Speaker 2: it's not just about the fan service, like I really know, 327 00:15:06,400 --> 00:15:08,400 Speaker 2: believe me, Like even though I've been doing most of 328 00:15:08,720 --> 00:15:11,000 Speaker 2: this most of my life, like it's not without it's 329 00:15:11,440 --> 00:15:14,400 Speaker 2: difficult moments where you know, you're out of work for 330 00:15:14,680 --> 00:15:17,360 Speaker 2: more time than you would prefer, and you start to 331 00:15:17,360 --> 00:15:19,000 Speaker 2: go when the hell am I ever going to work again? 332 00:15:19,040 --> 00:15:22,160 Speaker 2: And we're very lucky and we're very blessed to be 333 00:15:22,240 --> 00:15:24,640 Speaker 2: able to do this. I never lose sight of that, 334 00:15:24,760 --> 00:15:26,480 Speaker 2: and and it makes me work that much harder. 335 00:15:26,680 --> 00:15:28,320 Speaker 1: Well, I'm glad you brought that up, because I think 336 00:15:28,320 --> 00:15:30,400 Speaker 1: a lot of the time, when people think of their 337 00:15:30,440 --> 00:15:33,560 Speaker 1: favorite artists, you know, it's the glamorous side. It's the work, 338 00:15:33,600 --> 00:15:35,720 Speaker 1: it's the movies, it's the films, it's the shows, it's 339 00:15:35,720 --> 00:15:38,120 Speaker 1: the awards and the red carpets and all of the things. 340 00:15:38,200 --> 00:15:42,000 Speaker 1: But to your point, there are lows, likely in any profession, right, 341 00:15:42,040 --> 00:15:44,440 Speaker 1: and there are bad days. We all have a bad day. 342 00:15:44,520 --> 00:15:46,440 Speaker 1: So how do you just kind of keep on going? 343 00:15:46,480 --> 00:15:50,320 Speaker 1: Are you somebody that's generally a pretty optimistic kind of guy? 344 00:15:50,400 --> 00:15:52,680 Speaker 2: I think so. I mean, I try not to complain 345 00:15:52,960 --> 00:15:55,960 Speaker 2: because I know that the people you're complaining to, if 346 00:15:56,000 --> 00:15:57,680 Speaker 2: it's on set, like there are people like, well, I 347 00:15:57,720 --> 00:15:59,800 Speaker 2: hope you don't quit, because that would put me out 348 00:15:59,800 --> 00:16:01,560 Speaker 2: of it job. And you know what I mean, Like, 349 00:16:02,200 --> 00:16:04,600 Speaker 2: it's really a general perspective, and it's kind of how 350 00:16:04,640 --> 00:16:07,840 Speaker 2: I was raised there are so many more difficult and 351 00:16:07,960 --> 00:16:12,600 Speaker 2: challenging jobs than what I'm doing. So I also know that, 352 00:16:12,680 --> 00:16:16,320 Speaker 2: like starting out during theater, there was this interesting perspective 353 00:16:16,320 --> 00:16:17,800 Speaker 2: that it taught me. I was in this big hit 354 00:16:17,840 --> 00:16:23,880 Speaker 2: Broadway show and I awaken, yes, yes, shout out. But 355 00:16:24,080 --> 00:16:26,600 Speaker 2: when I and I was like the Beatles of forty 356 00:16:26,680 --> 00:16:28,440 Speaker 2: ninth Street, Like we would come out of that stage 357 00:16:28,480 --> 00:16:30,640 Speaker 2: door and people were tearing at our clothes and you know, 358 00:16:30,720 --> 00:16:33,400 Speaker 2: really people really connected on a deep level to that show. 359 00:16:33,560 --> 00:16:36,080 Speaker 2: And then I would walk up the street and no 360 00:16:36,120 --> 00:16:38,080 Speaker 2: one would know who I am, and that didn't disappoint me. 361 00:16:38,120 --> 00:16:41,920 Speaker 2: I just never relished in either of them. And I 362 00:16:41,920 --> 00:16:46,160 Speaker 2: think theater gives you that perspective of literally, you're famous 363 00:16:46,200 --> 00:16:49,280 Speaker 2: on this one street, and then you go home and 364 00:16:49,320 --> 00:16:51,560 Speaker 2: you take the same subway as everybody else, because you 365 00:16:51,600 --> 00:16:54,160 Speaker 2: know you're on that salary and you know people are 366 00:16:54,200 --> 00:16:56,200 Speaker 2: holding your playbill and you're kind of like, oh, yeah, 367 00:16:56,200 --> 00:16:58,640 Speaker 2: that's me on there. But here I am like, you know, 368 00:16:58,760 --> 00:17:02,640 Speaker 2: transferring with you, and I don't know that just the 369 00:17:02,640 --> 00:17:04,600 Speaker 2: fact that this could all kind of go away. I've 370 00:17:04,600 --> 00:17:07,119 Speaker 2: had shows and experiences where I thought we're going to 371 00:17:07,160 --> 00:17:09,080 Speaker 2: be a huge hit and then they ended up not 372 00:17:09,119 --> 00:17:11,840 Speaker 2: being a successful and vice versa, or shows that I 373 00:17:11,840 --> 00:17:13,280 Speaker 2: thought we're going to go the distance where I was 374 00:17:13,320 --> 00:17:15,600 Speaker 2: told would go the distance, and then for whatever reason, 375 00:17:15,960 --> 00:17:19,479 Speaker 2: they didn't continue. So I think like it's those kinds 376 00:17:19,600 --> 00:17:24,320 Speaker 2: of losses or disappointments that kind of make these moments 377 00:17:24,440 --> 00:17:26,520 Speaker 2: not only sweeter, but just give you perspective that this 378 00:17:26,520 --> 00:17:28,879 Speaker 2: could all go away, so you better like enjoy it 379 00:17:28,920 --> 00:17:29,680 Speaker 2: while you're doing it. 380 00:17:29,880 --> 00:17:31,080 Speaker 1: By the way, I think we were on the same 381 00:17:31,119 --> 00:17:33,040 Speaker 1: age and I saw you in Spring Awakening. It was 382 00:17:33,119 --> 00:17:35,440 Speaker 1: one of the first, you know, collection of shows when 383 00:17:35,440 --> 00:17:37,880 Speaker 1: I started getting into theater, and I just remember being 384 00:17:37,960 --> 00:17:41,280 Speaker 1: blown away by that experience. It was like mind blowing 385 00:17:41,320 --> 00:17:43,000 Speaker 1: to watch that. It was so cool. 386 00:17:43,480 --> 00:17:45,480 Speaker 2: Thank you. It was a lot to carry too, and 387 00:17:45,760 --> 00:17:47,840 Speaker 2: we talked about it. We did this amazing documentary for 388 00:17:48,000 --> 00:17:50,720 Speaker 2: HBO Max called Those You've Known, and it was like 389 00:17:50,760 --> 00:17:54,040 Speaker 2: this fifteen year retrospective on the show, and we also 390 00:17:54,080 --> 00:17:56,320 Speaker 2: did this fifteen year anniversary concert that they kind of 391 00:17:56,400 --> 00:17:58,600 Speaker 2: layer in. It was really well done. But what we 392 00:17:58,680 --> 00:18:00,520 Speaker 2: kind of all talked about was like it was a 393 00:18:00,520 --> 00:18:03,120 Speaker 2: lot to take on because we were that same age 394 00:18:03,200 --> 00:18:07,880 Speaker 2: as you carrying these really intense stories, and people really 395 00:18:07,920 --> 00:18:12,000 Speaker 2: felt like, you know, we were saving them in many ways. 396 00:18:12,040 --> 00:18:13,880 Speaker 2: I mean, I've had a lot of experiences where people 397 00:18:13,920 --> 00:18:15,280 Speaker 2: come up to me at the stage door and tell 398 00:18:15,320 --> 00:18:19,040 Speaker 2: me like, I was feeling a certain way in my 399 00:18:19,080 --> 00:18:21,520 Speaker 2: depression where I wanted to end it, and this show's saved. 400 00:18:21,560 --> 00:18:23,760 Speaker 2: You know, it's lots to take on, and it is 401 00:18:23,800 --> 00:18:26,000 Speaker 2: a privilege, but it's also you know, it's just a 402 00:18:26,040 --> 00:18:28,800 Speaker 2: lot when you're also do you don't have any separation 403 00:18:28,880 --> 00:18:31,199 Speaker 2: from that age and from that feeling yourself. And I 404 00:18:31,240 --> 00:18:34,040 Speaker 2: remember a lot of Broadway performers would tell me when 405 00:18:34,080 --> 00:18:37,320 Speaker 2: they would come backstage, they'd be like, Hey, this isn't 406 00:18:37,359 --> 00:18:39,720 Speaker 2: going to hit you the impact and the importance of 407 00:18:39,760 --> 00:18:42,919 Speaker 2: what you're doing for several years, maybe like ten, fifteen, 408 00:18:42,960 --> 00:18:45,760 Speaker 2: twenty years, And here I am, like year seventeen, being 409 00:18:45,800 --> 00:18:47,960 Speaker 2: like they could not have been more right. You know, 410 00:18:47,960 --> 00:18:49,679 Speaker 2: we're still all on the same group chat, and we 411 00:18:49,760 --> 00:18:52,240 Speaker 2: still all talk about not only just like the show 412 00:18:52,280 --> 00:18:54,720 Speaker 2: being performed in every country in the world, but just 413 00:18:54,800 --> 00:18:56,320 Speaker 2: kind of like what that all was and what that 414 00:18:56,440 --> 00:18:59,920 Speaker 2: meant and just funny stories and it's kind of it's 415 00:19:00,040 --> 00:19:03,720 Speaker 2: something that I carry with me so closely that experience specifically, 416 00:19:04,160 --> 00:19:07,240 Speaker 2: and even that I think informs what I'm doing today. 417 00:19:07,480 --> 00:19:09,720 Speaker 1: Yeah, I can't imagine. And it's so cool when you 418 00:19:09,880 --> 00:19:11,600 Speaker 1: get to be a part of something that does mean 419 00:19:11,680 --> 00:19:14,679 Speaker 1: so much to so many people and who as a viewer, 420 00:19:14,680 --> 00:19:16,560 Speaker 1: as an audience member, will carry that with them for 421 00:19:16,600 --> 00:19:18,159 Speaker 1: the rest of their lives. And you got to do that. 422 00:19:18,160 --> 00:19:20,240 Speaker 1: What's Spring Awakening? You get to do that with a 423 00:19:20,280 --> 00:19:22,560 Speaker 1: lot in your life. I know a million people ask 424 00:19:22,640 --> 00:19:24,480 Speaker 1: you would you do another Pitch Perfect and you always 425 00:19:24,520 --> 00:19:28,159 Speaker 1: seem enthusiastic and say yes. So instead of that, what 426 00:19:28,160 --> 00:19:29,679 Speaker 1: would you want to see if you were to do 427 00:19:29,760 --> 00:19:31,280 Speaker 1: something related to that genre? 428 00:19:31,359 --> 00:19:34,960 Speaker 2: Again, Like what kind of musical TV show or movie 429 00:19:34,960 --> 00:19:38,879 Speaker 2: would I like to take on? Absolutely I've said before 430 00:19:38,920 --> 00:19:40,640 Speaker 2: and like, thank you for doing your homework. I guess 431 00:19:40,640 --> 00:19:42,840 Speaker 2: you're like, well, everyone asks him this, and by the way, 432 00:19:43,080 --> 00:19:45,760 Speaker 2: that answer is true. I would do one. But I've 433 00:19:45,800 --> 00:19:48,480 Speaker 2: said before like a Billy Joel bilepick would be great. 434 00:19:49,040 --> 00:19:51,399 Speaker 2: But I think to like take on the life of 435 00:19:51,440 --> 00:19:54,159 Speaker 2: a musician performer, almost like one of those like inside 436 00:19:54,200 --> 00:19:57,480 Speaker 2: Lewin Davis movies that kind of broke out Oscar Isaac 437 00:19:57,800 --> 00:20:00,919 Speaker 2: or just something like I remember see like When I 438 00:20:00,960 --> 00:20:04,640 Speaker 2: saw Wonka with Timmy Shallomey, I was just like, not 439 00:20:04,720 --> 00:20:06,280 Speaker 2: like I want to be the next Wonka, but I 440 00:20:06,320 --> 00:20:09,560 Speaker 2: was definitely like, Wow, I'm so happy that this is happening, 441 00:20:09,600 --> 00:20:13,760 Speaker 2: because big musicals like this should be celebrated and should 442 00:20:13,800 --> 00:20:16,159 Speaker 2: be done. I think I have the skill set to 443 00:20:16,200 --> 00:20:18,840 Speaker 2: do one of these, and so I don't know, maybe 444 00:20:18,880 --> 00:20:21,199 Speaker 2: to tell like an original story. Maybe it's not you know, 445 00:20:21,240 --> 00:20:23,600 Speaker 2: a biopic or a remake, and it's just like an 446 00:20:23,640 --> 00:20:26,359 Speaker 2: original story where I get to really sink my teeth 447 00:20:26,400 --> 00:20:29,280 Speaker 2: into a role and do everything that I've grown to 448 00:20:29,680 --> 00:20:32,600 Speaker 2: be able to do, whether it's comedy, drama, emotion, but 449 00:20:32,720 --> 00:20:37,320 Speaker 2: also singing on camera and maybe even singing live on camera. 450 00:20:37,920 --> 00:20:39,520 Speaker 1: Did you ever think you would be able to do 451 00:20:39,560 --> 00:20:42,439 Speaker 1: it all? I mean, between theater, film, TV, like to 452 00:20:42,600 --> 00:20:46,359 Speaker 1: check off all the boxes and conquer each medium like that. 453 00:20:46,359 --> 00:20:47,800 Speaker 1: That's pretty badass. 454 00:20:48,240 --> 00:20:50,760 Speaker 2: I appreciate that. I honestly don't think I ever Really 455 00:20:50,840 --> 00:20:53,119 Speaker 2: It's not that I ever was like limiting myself. I 456 00:20:53,200 --> 00:20:54,960 Speaker 2: just think that I was just taking it a step 457 00:20:55,000 --> 00:20:58,280 Speaker 2: at a time. When I started doing theater, the dream 458 00:20:58,560 --> 00:21:00,879 Speaker 2: was to be on Broadway, and that was only dream. 459 00:21:01,560 --> 00:21:04,879 Speaker 2: And when I was on Broadway. I was like, great, 460 00:21:04,960 --> 00:21:07,320 Speaker 2: I just want to be in this community and stay 461 00:21:07,359 --> 00:21:09,479 Speaker 2: in this community and keep doing all the roles. And 462 00:21:09,520 --> 00:21:12,560 Speaker 2: then you know, I was lucky enough to put myself 463 00:21:12,600 --> 00:21:14,320 Speaker 2: on tape for a movie and then that happened, and 464 00:21:14,400 --> 00:21:18,320 Speaker 2: it's all kind of again like informed the next step. 465 00:21:18,359 --> 00:21:20,040 Speaker 2: And now when people ask me like, hey, what do 466 00:21:20,040 --> 00:21:22,120 Speaker 2: you prefer? What would you you know, if you could 467 00:21:22,119 --> 00:21:24,560 Speaker 2: pick one, I go, that's not even a reality for 468 00:21:24,640 --> 00:21:26,879 Speaker 2: me anymore. They all inform each other and I couldn't 469 00:21:26,880 --> 00:21:30,600 Speaker 2: part with either. I now like love what I love 470 00:21:30,640 --> 00:21:33,639 Speaker 2: about each medium, and I also embrace the challenges of 471 00:21:33,680 --> 00:21:35,879 Speaker 2: each medium, and that's why I like to kind of 472 00:21:36,320 --> 00:21:39,320 Speaker 2: sharpen my skills in either just to go back to 473 00:21:39,359 --> 00:21:41,680 Speaker 2: the other and excel at that one that much more. 474 00:21:41,920 --> 00:21:44,800 Speaker 1: Well, that's a really cool way to approach your artistry, 475 00:21:44,800 --> 00:21:46,920 Speaker 1: and I think that's what keeps everything so fresh and 476 00:21:47,320 --> 00:21:49,560 Speaker 1: at the tip of your fingers for You're You're such 477 00:21:49,560 --> 00:21:51,360 Speaker 1: a joy to watch and it's really cool to see 478 00:21:51,359 --> 00:21:54,359 Speaker 1: you across all the different mediums and anything that you do, 479 00:21:54,440 --> 00:22:06,040 Speaker 1: which is awesome. So the name of the show is 480 00:22:06,160 --> 00:22:09,120 Speaker 1: I've never said this before, so I'm wondering, is there 481 00:22:09,240 --> 00:22:12,359 Speaker 1: something either silly or deep or whatever comes to mind 482 00:22:12,359 --> 00:22:14,800 Speaker 1: that you've never said before that you want to share 483 00:22:14,800 --> 00:22:15,200 Speaker 1: it today. 484 00:22:16,200 --> 00:22:20,160 Speaker 2: The first thing that comes to mind, and I don't 485 00:22:20,160 --> 00:22:25,280 Speaker 2: mean this literally, is you can't do that. And obviously 486 00:22:25,320 --> 00:22:27,119 Speaker 2: I've said the words you can't do that. I mean, 487 00:22:27,119 --> 00:22:29,600 Speaker 2: if someone says, hey, I'm going to steal this gum 488 00:22:29,680 --> 00:22:31,479 Speaker 2: from this DELI, I'll be like, hey, you can't do that, 489 00:22:32,240 --> 00:22:34,560 Speaker 2: or you know, say this incredibly inappropriate thing that you 490 00:22:34,600 --> 00:22:35,919 Speaker 2: know should not be said. You can't do that. You 491 00:22:35,960 --> 00:22:38,719 Speaker 2: can't say that. But I think it's like when I 492 00:22:38,800 --> 00:22:44,320 Speaker 2: say that, when I'm like imagining, not saying that, I 493 00:22:44,359 --> 00:22:46,000 Speaker 2: feel like if somebody is trying to make some sort 494 00:22:46,000 --> 00:22:48,760 Speaker 2: of a positive change in their life, and even if 495 00:22:48,760 --> 00:22:51,480 Speaker 2: what they're saying is a bit, maybe in my own opinion, 496 00:22:51,560 --> 00:22:54,639 Speaker 2: deep down a bit unattainable for that person, I would 497 00:22:54,720 --> 00:22:57,320 Speaker 2: never ever want to be the person to limit someone's 498 00:22:57,960 --> 00:23:02,280 Speaker 2: potential or expectations for themselves. If someone said, hey, I 499 00:23:02,320 --> 00:23:04,760 Speaker 2: really you know, I've gotten sober and I really want 500 00:23:04,760 --> 00:23:08,080 Speaker 2: to get into singing and I really want to. I 501 00:23:08,119 --> 00:23:11,760 Speaker 2: think in three years, if I work every day, you 502 00:23:11,800 --> 00:23:14,040 Speaker 2: know I want to, I'll headline the met in ten 503 00:23:14,119 --> 00:23:16,639 Speaker 2: years you know, I wouldn't say you can't do that. 504 00:23:17,720 --> 00:23:20,240 Speaker 2: I mean, I might think, like I think you're highly 505 00:23:20,280 --> 00:23:22,960 Speaker 2: underestimating what it takes to get to that point, and 506 00:23:23,040 --> 00:23:25,520 Speaker 2: maybe I would even give some kind of friendly advice, 507 00:23:26,240 --> 00:23:28,679 Speaker 2: but it would be encouraging. And I just think that 508 00:23:28,840 --> 00:23:32,000 Speaker 2: like barbia from me, to ever tell someone something that 509 00:23:32,040 --> 00:23:35,120 Speaker 2: they can't do if they believe in themselves, and especially 510 00:23:35,119 --> 00:23:38,000 Speaker 2: if they're trying to again affect positive change in their life. 511 00:23:38,640 --> 00:23:41,600 Speaker 2: It's just not in my nature. And I just think 512 00:23:41,640 --> 00:23:43,440 Speaker 2: it says a lot about a person that would kind 513 00:23:43,480 --> 00:23:45,760 Speaker 2: of say that and doubt somebody. And I try not 514 00:23:45,840 --> 00:23:49,760 Speaker 2: to doubt people again, especially if what they're doing isn't 515 00:23:49,840 --> 00:23:52,520 Speaker 2: problematic or dangerous to them or dangerous to others. 516 00:23:53,040 --> 00:23:55,760 Speaker 1: Oh, I love that. I mean to kind of recap that, 517 00:23:55,840 --> 00:23:58,600 Speaker 1: it's basically you're saying it's not your job to say 518 00:23:58,680 --> 00:24:01,280 Speaker 1: what someone should or should do. Of course, as a human, 519 00:24:01,280 --> 00:24:03,879 Speaker 1: you might have an opinion, but you also will probably 520 00:24:03,920 --> 00:24:06,080 Speaker 1: keep that to yourself and encourage someone to go after 521 00:24:06,119 --> 00:24:06,720 Speaker 1: what makes. 522 00:24:06,520 --> 00:24:09,560 Speaker 2: Them happy exactly. That's exactly how I feel. 523 00:24:09,920 --> 00:24:12,080 Speaker 1: That's pretty cool. Thank you for sharing that. I love that. 524 00:24:12,119 --> 00:24:13,800 Speaker 1: I think that's a good reminder we need more and 525 00:24:13,840 --> 00:24:17,800 Speaker 1: more in this overly opinionated world we live in, especially 526 00:24:17,840 --> 00:24:20,800 Speaker 1: due to social media. So I appreciate that totally. 527 00:24:20,840 --> 00:24:23,160 Speaker 2: I think encouragement is something that is getting a little 528 00:24:23,200 --> 00:24:25,920 Speaker 2: lost these days, and I think people are constantly trying 529 00:24:25,920 --> 00:24:27,720 Speaker 2: to pick others apart and say what they can't do, 530 00:24:28,160 --> 00:24:30,360 Speaker 2: and I'd rather focus on what people can do. And 531 00:24:30,440 --> 00:24:32,720 Speaker 2: I think if we do give that encouragement to people, 532 00:24:32,960 --> 00:24:34,960 Speaker 2: they might even surprise us because who knows, maybe that 533 00:24:35,000 --> 00:24:37,000 Speaker 2: friend will headline the met in ten years. Maybe they'll 534 00:24:37,000 --> 00:24:39,399 Speaker 2: tap into something that I didn't know they could do 535 00:24:39,440 --> 00:24:40,879 Speaker 2: and they didn't know they could do. But I would 536 00:24:40,880 --> 00:24:42,800 Speaker 2: never want to be an obstacle for them to have 537 00:24:42,880 --> 00:24:43,440 Speaker 2: to overcome. 538 00:24:44,000 --> 00:24:47,000 Speaker 1: Well, speaking of encouraging someone, I'm going to keep encouraging 539 00:24:47,040 --> 00:24:49,119 Speaker 1: you to doing the badass job you're doing on So 540 00:24:49,240 --> 00:24:51,440 Speaker 1: help me, Todd, because we love it. It's a show 541 00:24:51,480 --> 00:24:54,439 Speaker 1: prime Time hasn't needed. It is so much fun for 542 00:24:54,520 --> 00:24:57,560 Speaker 1: everybody listening. It is out now, so keep enjoying it 543 00:24:57,640 --> 00:25:00,880 Speaker 1: week after week. Skyler. I mean, just awesome. I really 544 00:25:00,920 --> 00:25:03,359 Speaker 1: enjoy the conversation. I appreciate you for coming on in 545 00:25:03,440 --> 00:25:06,639 Speaker 1: between your sets and your takes today. I appreciate you 546 00:25:06,680 --> 00:25:07,200 Speaker 1: hanging out. 547 00:25:07,680 --> 00:25:10,320 Speaker 2: It's my pleasure. Honestly, you've made this an absolute joy 548 00:25:10,320 --> 00:25:13,320 Speaker 2: and a delight. You're a wonderful guy. Honestly, you brought 549 00:25:13,320 --> 00:25:15,200 Speaker 2: it all at me, so I really appreciate you having 550 00:25:15,240 --> 00:25:15,720 Speaker 2: me on the show. 551 00:25:16,080 --> 00:25:19,400 Speaker 1: Oh, thank you, and wishing your continued success on the series. 552 00:25:19,520 --> 00:25:21,359 Speaker 1: And until we meet again, my friend. 553 00:25:21,520 --> 00:25:22,880 Speaker 2: Definitely I will see you soon. 554 00:25:24,960 --> 00:25:28,520 Speaker 1: I've Never Said This Before is hosted by Me, Tommy Dedario. 555 00:25:29,200 --> 00:25:33,440 Speaker 1: This podcast is executive produced by Andrew Publisi at iHeartRadio 556 00:25:33,560 --> 00:25:37,880 Speaker 1: and by Me Tommy, with editing by Joshua Colaudney. I've 557 00:25:37,920 --> 00:25:40,320 Speaker 1: Never Said This Before is part of the Elvis Duran 558 00:25:40,400 --> 00:25:44,679 Speaker 1: podcast Network on iHeart Podcasts. For more, rate review and 559 00:25:44,760 --> 00:25:47,680 Speaker 1: subscribe to our show and if you liked this episode, 560 00:25:47,880 --> 00:25:51,240 Speaker 1: tell your friends. Until next time, I'm Tommy de Dario. 561 00:26:00,080 --> 00:26:01,399 Speaker 2: Yeah,