1 00:00:00,520 --> 00:00:04,880 Speaker 1: Hello the Internet, and welcome to Season to fifteen, episode 2 00:00:04,920 --> 00:00:09,080 Speaker 1: five of The Daily Like Guys production of by Heart Radio. 3 00:00:09,119 --> 00:00:10,680 Speaker 1: This is a podcast where we take a deep dive 4 00:00:10,720 --> 00:00:14,600 Speaker 1: into America's share consciousness. Than it is Friday, December seventeen, 5 00:00:14,960 --> 00:00:20,400 Speaker 1: twenty one, which means that you know it is national 6 00:00:21,000 --> 00:00:25,480 Speaker 1: My Brother's Day, National Right Brothers Day? Yeah, well, I 7 00:00:25,520 --> 00:00:30,280 Speaker 1: mean just Wright Brother's Day under National Underdog Day. Okay, 8 00:00:30,400 --> 00:00:33,440 Speaker 1: ugly Christmas Sweater Day, that makes more sense, and National 9 00:00:33,560 --> 00:00:39,200 Speaker 1: Maple Scissor Day as well. Oh they specified scissor. Yeah, 10 00:00:40,240 --> 00:00:42,720 Speaker 1: you're still drinking out of a star from cup. Came 11 00:00:42,720 --> 00:00:46,720 Speaker 1: from the five or four Boys. I think Mafia collaborated 12 00:00:46,720 --> 00:00:49,600 Speaker 1: on that one. Well, my name is Jack O'Brien ak 13 00:00:50,360 --> 00:00:55,040 Speaker 1: stuck in a well and you're a cat baby, you 14 00:00:55,120 --> 00:01:00,319 Speaker 1: make Jack the horny. Let's courtesy a met Dick at 15 00:01:00,360 --> 00:01:04,200 Speaker 1: back Dick, though it is a reference to me saying 16 00:01:05,200 --> 00:01:07,760 Speaker 1: this is where I don't even remember what we talked 17 00:01:07,760 --> 00:01:09,959 Speaker 1: about on the show, but I'm pretty sure I suggested 18 00:01:10,040 --> 00:01:13,119 Speaker 1: that I have a fetish for cat being stuck in wells. 19 00:01:13,120 --> 00:01:15,199 Speaker 1: Oh yeah, well cat, we thought it was a well 20 00:01:15,720 --> 00:01:20,160 Speaker 1: images not talking about my there it is, Well, Miles 21 00:01:20,560 --> 00:01:26,600 Speaker 1: I'm thrilled to be joined as always by you. It's 22 00:01:26,720 --> 00:01:31,440 Speaker 1: Miles Gray a k A. You know, as I'm known 23 00:01:31,480 --> 00:01:33,000 Speaker 1: in Japan. So I just wanted to give you know, 24 00:01:33,080 --> 00:01:35,200 Speaker 1: six Jack was handing all with his legal name. I'm 25 00:01:35,200 --> 00:01:38,200 Speaker 1: gonna hit you with my international name, so shout out 26 00:01:38,200 --> 00:01:44,600 Speaker 1: to Japan and you up with like two names basically 27 00:01:44,720 --> 00:01:48,840 Speaker 1: your Japanese I mean, you know, because Japanese, like the 28 00:01:48,880 --> 00:01:51,640 Speaker 1: alphabet is all syllable, so there's no way a Japanese 29 00:01:51,640 --> 00:01:55,000 Speaker 1: person is gonna say Miles. So we we have to 30 00:01:55,120 --> 00:01:57,400 Speaker 1: use the alphabet that we have. So it breaks down 31 00:01:57,440 --> 00:02:01,400 Speaker 1: to my utu or my uses like people. You know, 32 00:02:01,480 --> 00:02:03,360 Speaker 1: I don't do the ten thing on it. I go 33 00:02:03,520 --> 00:02:06,400 Speaker 1: for Sue, not Sup. But that's a personal decision. So 34 00:02:06,440 --> 00:02:08,640 Speaker 1: I was using to call like my was sort of 35 00:02:08,639 --> 00:02:15,400 Speaker 1: like my grandparents. Auntie's uncle's kind of saying that kind 36 00:02:15,400 --> 00:02:19,480 Speaker 1: of thing. Our boys have Korean names that were selected 37 00:02:19,480 --> 00:02:23,120 Speaker 1: by their Korean school, so but I think we're gonna 38 00:02:23,120 --> 00:02:25,880 Speaker 1: stick with them. Is that is there is there a 39 00:02:25,919 --> 00:02:31,399 Speaker 1: process like wouldn't wouldn't like your you're your family like us, 40 00:02:31,400 --> 00:02:36,160 Speaker 1: like you're dead, But it wasn't there like a person 41 00:02:36,160 --> 00:02:39,359 Speaker 1: who decides the name. Yeah, we just didn't bother until 42 00:02:39,400 --> 00:02:41,799 Speaker 1: they started Korean school and then they were like, all right, 43 00:02:41,840 --> 00:02:44,080 Speaker 1: well we'll we'll pick them for you. Okay, what are 44 00:02:44,120 --> 00:02:46,080 Speaker 1: their names? And they're very very cute. I'm not saying 45 00:02:46,200 --> 00:02:49,760 Speaker 1: my kids names on Wow podcast. You want saying my 46 00:02:49,840 --> 00:02:55,880 Speaker 1: kids Korean names on the Yeah, they're cute though, Suti 47 00:02:56,080 --> 00:03:01,600 Speaker 1: and Tuna. Okay, Okay, Well, my we are thrilled, fortunate, 48 00:03:01,720 --> 00:03:05,119 Speaker 1: and blessed to be joined in our third seat by 49 00:03:05,320 --> 00:03:07,640 Speaker 1: one of the smartest people I know. She's a producer 50 00:03:07,680 --> 00:03:10,400 Speaker 1: here in my Heart l a podcast studio, helping to 51 00:03:10,440 --> 00:03:14,600 Speaker 1: create shows like Fake Doctor's Real Friends. She's a fabulous 52 00:03:14,600 --> 00:03:16,359 Speaker 1: writer who you can read a Vulture, the A B 53 00:03:16,520 --> 00:03:20,040 Speaker 1: Club Team, vot Paste, The Advocate, many more. She is 54 00:03:20,040 --> 00:03:26,120 Speaker 1: the brilliant, the talented Joe Almony. I'm back in the 55 00:03:26,240 --> 00:03:28,760 Speaker 1: house still, the Marvel Defender is so excited to be 56 00:03:28,840 --> 00:03:32,400 Speaker 1: here today. How are you guys doing great? You have 57 00:03:32,480 --> 00:03:36,160 Speaker 1: a new microphone and it is it is covering your 58 00:03:36,160 --> 00:03:42,040 Speaker 1: eyes as though you are you had you had it 59 00:03:42,080 --> 00:03:45,360 Speaker 1: over one eye and you look like like fury. At 60 00:03:45,440 --> 00:03:47,800 Speaker 1: one point it was covering both eyes and you looked like, 61 00:03:48,960 --> 00:03:53,120 Speaker 1: you know, a witness on a special that is like 62 00:03:53,160 --> 00:03:55,640 Speaker 1: trying to cover up their identity. But they're they're just 63 00:03:55,680 --> 00:03:57,920 Speaker 1: like doing a real half past job. You know, it's 64 00:03:57,960 --> 00:04:00,360 Speaker 1: hard when your brother edits the show because if you 65 00:04:00,400 --> 00:04:03,880 Speaker 1: don't record right, you're gonna hear about it, hear about it. 66 00:04:04,000 --> 00:04:06,520 Speaker 1: So I'm trying to get the mic right. You know, 67 00:04:06,600 --> 00:04:09,160 Speaker 1: now that I got the professional mic, Like I've been 68 00:04:09,200 --> 00:04:13,480 Speaker 1: podcasting for eight years or something, I just got a 69 00:04:13,520 --> 00:04:15,880 Speaker 1: real mike. This is crazy. I'm gonna try to hold 70 00:04:15,920 --> 00:04:18,320 Speaker 1: it here so I can make eye contact. No, don't 71 00:04:18,839 --> 00:04:22,839 Speaker 1: do whatever I thought it was. It was fun. It 72 00:04:23,000 --> 00:04:27,279 Speaker 1: was fun. Yeah, well, we were thrilled to have you back. 73 00:04:27,320 --> 00:04:30,000 Speaker 1: How are you doing? How have you been since the 74 00:04:30,120 --> 00:04:33,000 Speaker 1: last you checked in? Was that gay Friday? One day? 75 00:04:33,120 --> 00:04:36,880 Speaker 1: Was that? You know? For business folks, it's que for 76 00:04:37,880 --> 00:04:41,880 Speaker 1: so everyone needs everything right this minute. Don't not later, 77 00:04:42,240 --> 00:04:44,880 Speaker 1: not thirty seconds from now. Do you not take a nap, 78 00:04:45,240 --> 00:04:48,160 Speaker 1: Do not do that other work, because their work is 79 00:04:48,200 --> 00:04:51,520 Speaker 1: most important. You know, the six people being like but 80 00:04:51,600 --> 00:04:55,400 Speaker 1: now like you have to wait, it's coming. Please believe me. 81 00:04:55,400 --> 00:04:57,279 Speaker 1: I'm working on it. I have not forgotten about you. 82 00:04:57,320 --> 00:04:59,919 Speaker 1: I've sent that email six times. You're still in my thoughts. 83 00:05:00,240 --> 00:05:03,560 Speaker 1: The actions are helping. Can you record this had three 84 00:05:03,640 --> 00:05:08,240 Speaker 1: days ago? I can't. I'm not a time traveler unsofinitely 85 00:05:08,839 --> 00:05:11,840 Speaker 1: damn it. Someone said you might be as a as 86 00:05:11,839 --> 00:05:15,560 Speaker 1: a minor podcast Celebrita if I can, if I call 87 00:05:15,640 --> 00:05:18,640 Speaker 1: myself that. Also, other networks are now bringing me up 88 00:05:18,680 --> 00:05:21,240 Speaker 1: and being like, so our regulars are not available, will 89 00:05:21,279 --> 00:05:23,599 Speaker 1: you come slide in and help us? And I'm like, 90 00:05:24,320 --> 00:05:26,160 Speaker 1: this is what I've been asking for all year. It 91 00:05:26,200 --> 00:05:28,080 Speaker 1: would be weird if I said no. But I just 92 00:05:28,080 --> 00:05:32,200 Speaker 1: don't sleep now. I went to bed it like eleven. 93 00:05:32,279 --> 00:05:34,400 Speaker 1: I was up at three. It's fine, listen, We're gonna 94 00:05:34,440 --> 00:05:36,239 Speaker 1: get all of it done and it's gonna be great. 95 00:05:36,800 --> 00:05:39,120 Speaker 1: And you know, I got the things I asked for, 96 00:05:39,279 --> 00:05:43,800 Speaker 1: so I'm gonna just rebel in that manifestation. I get 97 00:05:43,800 --> 00:05:46,839 Speaker 1: your work, Get your work. Yes, yes, all right, Joel. 98 00:05:46,960 --> 00:05:48,240 Speaker 1: We are going to get to know you a little 99 00:05:48,240 --> 00:05:50,720 Speaker 1: bit better in a moment. First, we're gonna tell our 100 00:05:50,720 --> 00:05:52,960 Speaker 1: listeners a few of the things we're talking about. We're 101 00:05:52,960 --> 00:05:55,840 Speaker 1: gonna check in with a macron because it seems like 102 00:05:56,279 --> 00:06:00,280 Speaker 1: it's been spreading fast relief for one day. Uh and 103 00:06:00,400 --> 00:06:03,320 Speaker 1: this this damn pandemic. What I do once again, what 104 00:06:03,320 --> 00:06:06,160 Speaker 1: would you do? Miles? So we'll just talk about, you know, 105 00:06:06,279 --> 00:06:08,640 Speaker 1: the latest on that. It's kind of a lot of 106 00:06:08,680 --> 00:06:11,039 Speaker 1: the same. But we're gonna talk about the new West 107 00:06:11,080 --> 00:06:15,480 Speaker 1: Side story getting raves but did not bring in Bafo 108 00:06:15,480 --> 00:06:19,599 Speaker 1: b Oh. So we're gonna ask why is that? Because 109 00:06:19,640 --> 00:06:22,279 Speaker 1: the right they have some answers for us, they have 110 00:06:22,320 --> 00:06:29,000 Speaker 1: some guesses, And we are gonna talk about the conspiracy 111 00:06:29,680 --> 00:06:34,039 Speaker 1: behind David Bowie's forgotten video game A Macron the Nomad 112 00:06:34,120 --> 00:06:38,960 Speaker 1: Soul that came out a lot of people forgot. We 113 00:06:39,000 --> 00:06:45,280 Speaker 1: did not, and we like the truth yea, to the 114 00:06:45,560 --> 00:06:48,960 Speaker 1: to the future, all that plenty more. But first, Joel, 115 00:06:49,320 --> 00:06:51,840 Speaker 1: we like to ask our guests, what is something from 116 00:06:51,880 --> 00:06:55,920 Speaker 1: your search history? Tell far plump feel words don't mean 117 00:06:55,960 --> 00:06:58,520 Speaker 1: anything to you, Miles, and Miles is aware height Beef 118 00:06:58,920 --> 00:07:01,520 Speaker 1: and through Miles only become a hype beast because he 119 00:07:01,560 --> 00:07:11,320 Speaker 1: taught Justin about stuff and now I'm learning about the stuff. Okay, Sorry, 120 00:07:11,840 --> 00:07:18,360 Speaker 1: who's gonna defend? First of all, just sorry, Justin very 121 00:07:18,480 --> 00:07:24,559 Speaker 1: much is his own hype beast. Yeah, like the seven 122 00:07:24,600 --> 00:07:27,400 Speaker 1: Days off Light after Virgil passed and I was like, oh, 123 00:07:28,080 --> 00:07:32,320 Speaker 1: keep it up, super producer justin. I just buy us. 124 00:07:32,560 --> 00:07:36,560 Speaker 1: Uh Saint Virgil pins that I'm really excited about. It's 125 00:07:36,600 --> 00:07:39,040 Speaker 1: like the Saint Hood with like Louis Baton symbols. It's 126 00:07:39,040 --> 00:07:42,200 Speaker 1: really cute. Any who tell fire plump? Okay, So if 127 00:07:42,280 --> 00:07:45,040 Speaker 1: y'all don't know, tell Far is really cool. Uh comes 128 00:07:45,080 --> 00:07:47,680 Speaker 1: from a guy named how Far. He's like beer, an American. 129 00:07:48,160 --> 00:07:51,400 Speaker 1: He designs handbags. He calls them like shopping bags. They 130 00:07:51,440 --> 00:07:54,320 Speaker 1: sort of look like plastic bags almost. They like just 131 00:07:54,480 --> 00:07:58,160 Speaker 1: your classic handbag too. Loop handles, one big shoulder handle, 132 00:07:58,720 --> 00:08:01,520 Speaker 1: big t e sim bowl in the center. They're simple, 133 00:08:01,560 --> 00:08:03,560 Speaker 1: but they're classy. They come in every color. But the 134 00:08:03,600 --> 00:08:05,680 Speaker 1: cool thing about them if they're like listen, we can't 135 00:08:05,680 --> 00:08:08,640 Speaker 1: be bothered with weight listing, and we don't feel like 136 00:08:08,640 --> 00:08:12,000 Speaker 1: our bags should cost eighty thousand dollars. That's ridiculous, So 137 00:08:12,000 --> 00:08:14,200 Speaker 1: we will always sell our bags for the same price. 138 00:08:14,280 --> 00:08:16,760 Speaker 1: It is first come first, so don't call us beforehand. 139 00:08:16,960 --> 00:08:19,760 Speaker 1: We're not sitting it aside. There's no raffles or drawings. 140 00:08:19,840 --> 00:08:22,080 Speaker 1: You just come here, you purchase, and you leave. I 141 00:08:22,160 --> 00:08:24,560 Speaker 1: love the system. I think it's really beautiful. All my 142 00:08:24,600 --> 00:08:27,080 Speaker 1: besties have one, and I was feeling left out, and 143 00:08:27,120 --> 00:08:30,360 Speaker 1: it's Christmas and I deserve nice things. I bought one 144 00:08:30,480 --> 00:08:34,000 Speaker 1: and clumb I can't. It's gonna be here tomorrow. I'm 145 00:08:34,040 --> 00:08:38,040 Speaker 1: so excited. I have already planned the outfits. It's I 146 00:08:38,080 --> 00:08:40,640 Speaker 1: got the cute, little tiny one. It's like enough for 147 00:08:40,760 --> 00:08:44,240 Speaker 1: maybe a journal and a telephone. That's all I need. 148 00:08:44,280 --> 00:08:46,080 Speaker 1: I can't be carry around big bags. I have a 149 00:08:46,120 --> 00:08:48,360 Speaker 1: bad back. I'm just excited. I've done. I have all 150 00:08:48,400 --> 00:08:51,679 Speaker 1: the shoes now, I've picked up my Instagram designer like 151 00:08:51,800 --> 00:08:54,280 Speaker 1: wardrobe throughout the last year. Now I have to tell 152 00:08:54,320 --> 00:08:58,400 Speaker 1: fur bad. Whenever the world decides it's safe to go out. Girls, ready, 153 00:08:58,559 --> 00:09:01,640 Speaker 1: you're doing like outfit grids. It yes in your mind, 154 00:09:01,800 --> 00:09:03,840 Speaker 1: you know, like that's how you getting organized with your drip. 155 00:09:03,880 --> 00:09:05,520 Speaker 1: You're like, okay, let me look at this real quick, 156 00:09:06,080 --> 00:09:09,000 Speaker 1: planning when and where I can wear things. You know, 157 00:09:09,240 --> 00:09:11,760 Speaker 1: like we're going out on Saturday to see the New 158 00:09:11,800 --> 00:09:15,280 Speaker 1: Spider Man. I'm already organizing the outfit in my mind. 159 00:09:15,559 --> 00:09:17,600 Speaker 1: Any time you leave the house, now it's time for 160 00:09:17,640 --> 00:09:19,440 Speaker 1: the drip. I know that because I went to brunch 161 00:09:19,480 --> 00:09:22,360 Speaker 1: a couple of days ago and literally everyone was dressed 162 00:09:22,440 --> 00:09:24,679 Speaker 1: to the nines for no other reason than we were 163 00:09:24,720 --> 00:09:27,559 Speaker 1: outside and that's this. This was something I was sort 164 00:09:27,600 --> 00:09:30,720 Speaker 1: of suspecting in the like when we were first early 165 00:09:30,720 --> 00:09:33,720 Speaker 1: in the lockdown and everyone had transitioned to just give 166 00:09:33,800 --> 00:09:37,920 Speaker 1: up are as a fashion choice. And now I was like, 167 00:09:38,040 --> 00:09:40,760 Speaker 1: but like the return of the drip is going because 168 00:09:40,800 --> 00:09:42,840 Speaker 1: I remember the first time I went out, I was like, 169 00:09:42,960 --> 00:09:46,760 Speaker 1: I'm wearing every single thing once. I don't care if 170 00:09:46,760 --> 00:09:49,200 Speaker 1: this doesn't even look like coolherent fit. I have to. 171 00:09:49,360 --> 00:09:51,280 Speaker 1: I have to get it out here. But it's nice 172 00:09:51,320 --> 00:09:55,760 Speaker 1: to see people really making Denny's feel like the fucking 173 00:09:55,760 --> 00:09:59,360 Speaker 1: met Gala. Sometimes we were at Posting Beam. It's a 174 00:09:59,360 --> 00:10:01,240 Speaker 1: black ounder us dry. If you're in the l area 175 00:10:02,720 --> 00:10:08,199 Speaker 1: by bald Hills, Yeah, so good. Hash A's next level insane, 176 00:10:08,360 --> 00:10:12,160 Speaker 1: so good. That place have to be what are Ita 177 00:10:12,240 --> 00:10:15,719 Speaker 1: Burger back in the early nineties, which I think he's 178 00:10:15,720 --> 00:10:18,920 Speaker 1: got that vibe. I think it has like a cameo 179 00:10:18,920 --> 00:10:21,520 Speaker 1: and boys in anyway that that that that piece of 180 00:10:21,520 --> 00:10:23,800 Speaker 1: property right there in that shopping center right there on 181 00:10:23,840 --> 00:10:28,160 Speaker 1: Stalker and Crenshaw has had many generations. How are they 182 00:10:28,520 --> 00:10:31,320 Speaker 1: keeping it so that it doesn't like get into the 183 00:10:31,360 --> 00:10:34,079 Speaker 1: resale world or it or it is in the resale 184 00:10:34,160 --> 00:10:36,800 Speaker 1: or okay, gotta go. You can get tell Fars on 185 00:10:36,800 --> 00:10:39,920 Speaker 1: stock x and like you know, the media and after 186 00:10:39,960 --> 00:10:42,480 Speaker 1: that it's out of their hands. They're mostly just concerned 187 00:10:42,480 --> 00:10:45,240 Speaker 1: about like when we sell it, it's like well, and 188 00:10:45,360 --> 00:10:46,960 Speaker 1: the thing is they come out with anyone every two weeks, 189 00:10:46,960 --> 00:10:48,640 Speaker 1: So if you miss the color you like, I feel 190 00:10:48,679 --> 00:10:51,280 Speaker 1: you shouldn't be that stressed like I have, although I 191 00:10:51,320 --> 00:10:54,240 Speaker 1: have been eyeing the mint one because it's meant that 192 00:10:57,160 --> 00:10:59,360 Speaker 1: do you have a Do you have one? No? But 193 00:10:59,480 --> 00:11:01,040 Speaker 1: you know, I like to keep my ear to the 194 00:11:01,080 --> 00:11:03,800 Speaker 1: street when it comes to hype pieces and like what 195 00:11:03,840 --> 00:11:07,920 Speaker 1: the what the youth them are into into? And to 196 00:11:08,040 --> 00:11:10,960 Speaker 1: tell Far, I just feel like a I hear it 197 00:11:11,000 --> 00:11:13,760 Speaker 1: just by osmosis from the chatter around me. But then 198 00:11:13,800 --> 00:11:16,760 Speaker 1: like on Twitter, I feel like so many like people 199 00:11:16,800 --> 00:11:20,400 Speaker 1: have like these like tortured posts of like uh do 200 00:11:20,480 --> 00:11:23,679 Speaker 1: I pay my bills or do I get this this 201 00:11:23,960 --> 00:11:27,760 Speaker 1: small tell Far and Cerulean because that color way is babe. 202 00:11:27,760 --> 00:11:32,000 Speaker 1: And then you're like causing some people some make making 203 00:11:32,000 --> 00:11:35,199 Speaker 1: some hard decisions. So Joel, you did mention the New 204 00:11:35,240 --> 00:11:39,560 Speaker 1: Spider Man, which is pulling strands from many different you know, 205 00:11:39,640 --> 00:11:43,760 Speaker 1: Marvel multiverses. I'm just gonna say it. You don't have 206 00:11:43,840 --> 00:11:46,320 Speaker 1: to confirm or den't. I I wouldn't be surprised if 207 00:11:46,360 --> 00:11:51,199 Speaker 1: the Marvel Defender made a made a cameo. But but 208 00:11:51,280 --> 00:11:56,679 Speaker 1: I'm I don't know my pop up, my might listen, 209 00:11:56,720 --> 00:11:59,800 Speaker 1: I've already seen Spider Man. I'm not saying I can't 210 00:11:59,800 --> 00:12:02,599 Speaker 1: say anything I can't do. But you know, if you 211 00:12:02,720 --> 00:12:05,679 Speaker 1: may be doing battle with hitters, like let's do it, 212 00:12:06,000 --> 00:12:09,679 Speaker 1: let's do it, what is something you think is overrated? 213 00:12:10,400 --> 00:12:13,240 Speaker 1: I'm totally it all out there now, Old Gaze. I've 214 00:12:13,280 --> 00:12:16,360 Speaker 1: had this conversation with you before, and I understand that 215 00:12:16,400 --> 00:12:19,000 Speaker 1: at a time where nobody was effing with y'all, here 216 00:12:19,040 --> 00:12:21,320 Speaker 1: came Madonna to be like, no, voguing is the ship, 217 00:12:22,559 --> 00:12:25,600 Speaker 1: and then she sort of stole it and then past it. 218 00:12:26,040 --> 00:12:31,960 Speaker 1: So I never met him, did not teach me to vogue. 219 00:12:32,320 --> 00:12:34,160 Speaker 1: I was just in the streets being a wild club girl. 220 00:12:34,480 --> 00:12:38,960 Speaker 1: I think at some point I get wanting b BL 221 00:12:39,160 --> 00:12:41,959 Speaker 1: the whole body lift situation. I get it. We live 222 00:12:42,000 --> 00:12:45,480 Speaker 1: in a society that really demands body perfection, particularly if 223 00:12:45,480 --> 00:12:48,240 Speaker 1: you're going to constantly be on camera. I just really 224 00:12:48,320 --> 00:12:51,040 Speaker 1: value women, and no let me rephrase that I value 225 00:12:51,040 --> 00:12:54,560 Speaker 1: people who can live at every age, at every age, 226 00:12:54,600 --> 00:12:56,640 Speaker 1: comfortably in their skin. I think that there's a lot 227 00:12:56,640 --> 00:12:57,800 Speaker 1: of value in that. I don't want to tell you 228 00:12:57,840 --> 00:12:59,520 Speaker 1: what to do and what not to do with your body, 229 00:12:59,559 --> 00:13:02,680 Speaker 1: But Madonna's new butt scares me. I think it's a 230 00:13:02,760 --> 00:13:05,040 Speaker 1: really unhealthy standard for a lot of people to try 231 00:13:05,080 --> 00:13:08,600 Speaker 1: to keep up with. I think the music has not 232 00:13:08,760 --> 00:13:13,120 Speaker 1: been hot since, you know, early two thousand. I'm just 233 00:13:13,200 --> 00:13:16,440 Speaker 1: ready to be like Madonna was in her time, and 234 00:13:16,520 --> 00:13:18,560 Speaker 1: she did that thing as she really angered some people 235 00:13:18,559 --> 00:13:21,520 Speaker 1: who probably needed to be angered, and that was good 236 00:13:22,000 --> 00:13:25,400 Speaker 1: and okay, and it's fine now, can we I just 237 00:13:25,400 --> 00:13:29,640 Speaker 1: want to move on for the Madonna conversation of it all. Yeah, 238 00:13:30,000 --> 00:13:33,240 Speaker 1: I think I counted myself in that number of seeing 239 00:13:33,240 --> 00:13:38,800 Speaker 1: those boudoir photos, like, well, but the heaps here and why? 240 00:13:39,000 --> 00:13:41,480 Speaker 1: And the butt should match the thighs. Everyone, if you're 241 00:13:41,480 --> 00:13:43,920 Speaker 1: gonna get one, like, just please match it. Like, just 242 00:13:44,040 --> 00:13:46,520 Speaker 1: ask your person whoever is doing it, to be like, 243 00:13:46,559 --> 00:13:50,120 Speaker 1: can you make sure these are proportional? Because otherwise you 244 00:13:50,200 --> 00:13:52,240 Speaker 1: constantly look like you have a diaper but under your skin. 245 00:13:52,320 --> 00:13:56,520 Speaker 1: And isn't that upsetting to you? It upsets me Yeah, well, look, 246 00:13:56,600 --> 00:13:58,920 Speaker 1: there's that they're still figured. They're still working the kinks 247 00:13:58,960 --> 00:14:01,280 Speaker 1: out on that to proceed, I guess, to make it 248 00:14:01,320 --> 00:14:05,119 Speaker 1: seem quite figured out. The blending of the two, like 249 00:14:05,160 --> 00:14:07,720 Speaker 1: when people that that hard makeup line below their chin. 250 00:14:08,679 --> 00:14:11,000 Speaker 1: It's not like the new facelift where they go in 251 00:14:11,080 --> 00:14:13,520 Speaker 1: through your cheek and lift it up so you don't 252 00:14:13,520 --> 00:14:15,840 Speaker 1: look like you've been stapled back, But it sounds like 253 00:14:15,880 --> 00:14:18,559 Speaker 1: it hurts a lot because they like they cut in 254 00:14:18,640 --> 00:14:20,400 Speaker 1: through your cheek, remove some of the fat, and then 255 00:14:20,440 --> 00:14:23,920 Speaker 1: lift up in there so all the weird pool stretchy 256 00:14:23,960 --> 00:14:27,200 Speaker 1: parts are hidden in your mouth. What oh my gosh. 257 00:14:27,440 --> 00:14:30,120 Speaker 1: I'm fascinated and disturbed by plastic surgery. I love that 258 00:14:30,200 --> 00:14:32,160 Speaker 1: it's an option for people. I think you should be 259 00:14:32,160 --> 00:14:34,600 Speaker 1: able to look and feel like however makes you feel best. 260 00:14:34,920 --> 00:14:37,280 Speaker 1: But I'm also deeply disturbed by the lengths we go 261 00:14:37,400 --> 00:14:41,200 Speaker 1: to to try that we have to feel comfortable, you 262 00:14:41,200 --> 00:14:43,120 Speaker 1: know what I mean. Like the fact that you like 263 00:14:43,240 --> 00:14:47,400 Speaker 1: you had to go under and get sliced up. It 264 00:14:47,400 --> 00:14:51,200 Speaker 1: says a lot about our standards beauty. Yeah, absolutely, that 265 00:14:51,200 --> 00:14:54,760 Speaker 1: they're unattainable to the point that merely existing isn't enough 266 00:14:54,920 --> 00:14:59,800 Speaker 1: because it's just specific look that like, yeah, it takes 267 00:15:00,120 --> 00:15:03,480 Speaker 1: medical intervention to arrive there. And like the other part, 268 00:15:03,520 --> 00:15:06,320 Speaker 1: like you're saying, like it's if only we can normalize 269 00:15:06,400 --> 00:15:10,800 Speaker 1: you know, self care, self love. Beauty isn't this thing 270 00:15:10,840 --> 00:15:13,359 Speaker 1: that is measured by how many fucking likes or followers 271 00:15:13,400 --> 00:15:16,080 Speaker 1: you have? Well, or I'm a kind of person who 272 00:15:16,120 --> 00:15:19,040 Speaker 1: finds such beauty and like the in a different face, 273 00:15:19,240 --> 00:15:22,720 Speaker 1: like all these girls the like Instagram face, like your 274 00:15:22,720 --> 00:15:26,920 Speaker 1: face just looks like everyone else's, right, and like all 275 00:15:26,920 --> 00:15:29,080 Speaker 1: the girls like trying to thin out their nose with makeup, 276 00:15:29,120 --> 00:15:31,440 Speaker 1: like I get listen, trans women taught us how to 277 00:15:31,480 --> 00:15:34,080 Speaker 1: contour and it was great. We thank you. As somebody 278 00:15:34,120 --> 00:15:37,280 Speaker 1: who's frequently trying to improve their contour, thank you. I 279 00:15:37,400 --> 00:15:40,360 Speaker 1: really appreciate it. But I am, like again, just weirdly 280 00:15:40,400 --> 00:15:42,240 Speaker 1: disturbed by the amount of people that are like what 281 00:15:42,320 --> 00:15:44,440 Speaker 1: I need is a pencil, thing knows and like big 282 00:15:44,520 --> 00:15:46,600 Speaker 1: noses is where it's at. I don't know where y'all 283 00:15:46,680 --> 00:15:50,080 Speaker 1: have been, but like distinct features like please give them 284 00:15:50,160 --> 00:15:51,720 Speaker 1: to me. I just don't want us all trying to 285 00:15:51,800 --> 00:15:55,000 Speaker 1: look the same. I think then then it becomes not 286 00:15:55,040 --> 00:15:59,400 Speaker 1: beautiful anymore. It's you've made your face a product. Don't 287 00:15:59,440 --> 00:16:02,320 Speaker 1: do it. Don't do a hoax like your face is gorgeous. 288 00:16:02,360 --> 00:16:04,640 Speaker 1: I promise you someone is looking at that face being like, 289 00:16:04,800 --> 00:16:08,560 Speaker 1: oh my god, amazing. Well, yeah, we're the we're our 290 00:16:08,600 --> 00:16:10,800 Speaker 1: own worst critics and the and the when we look 291 00:16:10,840 --> 00:16:12,960 Speaker 1: in the mirror. And I think that's the insidious part 292 00:16:13,040 --> 00:16:15,280 Speaker 1: that it's difficult for many people to get over. We 293 00:16:15,440 --> 00:16:17,920 Speaker 1: don't know what we look like in the mirror. Like 294 00:16:18,040 --> 00:16:20,440 Speaker 1: we we know what we look like to ourselves, but 295 00:16:20,520 --> 00:16:23,240 Speaker 1: we don't know what we look like to an objective person. 296 00:16:23,480 --> 00:16:26,840 Speaker 1: We are worse at judging that than other people are. Yeah, 297 00:16:26,920 --> 00:16:30,520 Speaker 1: we can't judge our voices on our voices objectively. Everyone 298 00:16:30,560 --> 00:16:34,440 Speaker 1: thinks their voice sucks. Everyone thinks their faces fucking sucks. 299 00:16:34,680 --> 00:16:37,200 Speaker 1: Like just like, come on, now, we have to we 300 00:16:37,280 --> 00:16:39,360 Speaker 1: have to realize that there's just that little bit inside 301 00:16:39,400 --> 00:16:41,800 Speaker 1: of us that is kind of giving you bullshit and 302 00:16:41,880 --> 00:16:44,400 Speaker 1: not the truth all the time. I will say one 303 00:16:45,320 --> 00:16:50,000 Speaker 1: bonus here is for people who are you know, do 304 00:16:50,200 --> 00:16:53,680 Speaker 1: find themselves wearing diapers underneath their clothes, You can now 305 00:16:53,840 --> 00:16:56,600 Speaker 1: be like, hey, I just got a butt lift, right right? 306 00:16:56,880 --> 00:17:00,960 Speaker 1: I got that excellent? Yes, like so and that's not 307 00:17:01,080 --> 00:17:05,479 Speaker 1: something I know about from personal experience, Grandpa looking dummy thing, 308 00:17:05,760 --> 00:17:12,200 Speaker 1: But what is something you think is underrated? So like 309 00:17:12,520 --> 00:17:15,080 Speaker 1: I know along the West coast, but I specifically went 310 00:17:15,119 --> 00:17:17,080 Speaker 1: to the one in l a Is the thing called 311 00:17:17,200 --> 00:17:20,280 Speaker 1: Unique Markets. My friend took me there last weekend. Miles 312 00:17:20,320 --> 00:17:25,200 Speaker 1: have you been. Oh my gosh. It's if it's a 313 00:17:25,280 --> 00:17:28,119 Speaker 1: thing that requires me to leave my home, two chances 314 00:17:28,200 --> 00:17:31,520 Speaker 1: are lower. You do have to go outside. That is 315 00:17:31,680 --> 00:17:38,280 Speaker 1: the downside. But imagine if you will, like an Etsy, 316 00:17:38,600 --> 00:17:42,919 Speaker 1: but in person, it's it's like an open air market 317 00:17:43,000 --> 00:17:47,560 Speaker 1: where they hold um shwork sport. Yeah yeah, so in 318 00:17:47,680 --> 00:17:51,000 Speaker 1: that same area. But it's like all of these independent 319 00:17:51,280 --> 00:17:53,800 Speaker 1: sellers around Christmas. I have a son like that. Casey 320 00:17:53,920 --> 00:17:57,720 Speaker 1: is obsessed with only buying direct for Christmas, so all 321 00:17:57,760 --> 00:18:01,600 Speaker 1: of her holiday gifts come from like unique Already small businesses, 322 00:18:01,720 --> 00:18:03,800 Speaker 1: that's her whole bag. You and I really like hopping 323 00:18:03,880 --> 00:18:06,000 Speaker 1: on that train because you know, small businesses, they're going 324 00:18:06,080 --> 00:18:08,080 Speaker 1: to need more money around the holidays at the end 325 00:18:08,119 --> 00:18:09,959 Speaker 1: of the year. They got your taxes next year. It's 326 00:18:10,000 --> 00:18:12,040 Speaker 1: a whole deal. Plus it's nice when you can get 327 00:18:12,080 --> 00:18:13,960 Speaker 1: someone a gift that year. For sure, no one else 328 00:18:14,080 --> 00:18:16,760 Speaker 1: got them. That's my favorite. Where did you find this? 329 00:18:17,119 --> 00:18:21,199 Speaker 1: Let me tell you? And it's just around you be shopping. 330 00:18:21,680 --> 00:18:25,639 Speaker 1: Uh so it's like six thirty to sixty of them. 331 00:18:25,720 --> 00:18:28,479 Speaker 1: If you do be. It's twelve dollars to enter thirty 332 00:18:28,520 --> 00:18:30,040 Speaker 1: six for v I P. We died v I P 333 00:18:30,119 --> 00:18:32,840 Speaker 1: because we're fancy. Now you get wine tickets so you 334 00:18:32,920 --> 00:18:38,159 Speaker 1: can drink a little day, walk breezily around, and then 335 00:18:38,200 --> 00:18:42,480 Speaker 1: you just shop. I bought so much good stuff at 336 00:18:42,520 --> 00:18:45,040 Speaker 1: what we're like, very reasonable price. I got a gold 337 00:18:45,160 --> 00:18:48,399 Speaker 1: ring for thirty dollars. It is beautiful. It is not 338 00:18:48,560 --> 00:18:51,080 Speaker 1: turning my finger green, and it looks like a Cuban 339 00:18:51,160 --> 00:18:53,360 Speaker 1: chain link. I don't want to take it off ever. 340 00:18:53,800 --> 00:18:56,399 Speaker 1: I bought a new net, like several new necklaces. I 341 00:18:56,480 --> 00:18:58,520 Speaker 1: spent too much money, but it just made me cook. 342 00:18:58,560 --> 00:19:01,200 Speaker 1: I got justin t shirts from like it was just 343 00:19:01,440 --> 00:19:03,960 Speaker 1: it's so nice to just like directly interact with somebody 344 00:19:04,000 --> 00:19:06,560 Speaker 1: who's so excited to sell a product that they worked 345 00:19:06,600 --> 00:19:09,000 Speaker 1: really hard on and then you're giving them money. And 346 00:19:09,040 --> 00:19:11,800 Speaker 1: there's so many black owned businesses there. If you happen 347 00:19:11,840 --> 00:19:13,560 Speaker 1: to be on any major city along the West coast, 348 00:19:13,560 --> 00:19:15,119 Speaker 1: I know they just had one Importland, and I think 349 00:19:15,119 --> 00:19:17,399 Speaker 1: they're doing one in San Francisco coming up. You should 350 00:19:17,440 --> 00:19:21,240 Speaker 1: check them out because you'll feel good after going. And yeah, 351 00:19:21,280 --> 00:19:23,080 Speaker 1: I feel like it's something I've seen like in other 352 00:19:23,160 --> 00:19:25,679 Speaker 1: cities too, though, Like I just look at people's posts 353 00:19:25,720 --> 00:19:27,280 Speaker 1: that like I know, live in other cities and like 354 00:19:27,400 --> 00:19:29,280 Speaker 1: it looks like they're like out of mall. But it's 355 00:19:29,320 --> 00:19:32,960 Speaker 1: a bunch of like independent vendors who are like selling 356 00:19:33,000 --> 00:19:35,800 Speaker 1: their wares. But yeah, like I feel like this is 357 00:19:36,480 --> 00:19:43,160 Speaker 1: a very very welcome eventjewelry, ceramics, candles. One woman was there. 358 00:19:43,280 --> 00:19:46,440 Speaker 1: All of her proceeds go to like helping like dig 359 00:19:46,560 --> 00:19:50,399 Speaker 1: clean water wells in Africa. You will find something that 360 00:19:50,480 --> 00:19:53,040 Speaker 1: you love. My friend ball of her Christmas gifts. I 361 00:19:53,119 --> 00:19:55,960 Speaker 1: was selfish and about gifts for myself. Mostly they can 362 00:19:56,000 --> 00:19:58,679 Speaker 1: do whatever, and it's just it's cute and fun shop hopeful. 363 00:19:58,680 --> 00:20:00,800 Speaker 1: If you guys are still trying to get your Christmas gifts, 364 00:20:00,880 --> 00:20:05,719 Speaker 1: it feels better m And so it's like a curated 365 00:20:06,760 --> 00:20:09,639 Speaker 1: like I guess not flea market, but like it's the 366 00:20:09,840 --> 00:20:13,320 Speaker 1: individual like he asks, right, like yeah, yeah, yeah, everyone 367 00:20:13,359 --> 00:20:16,160 Speaker 1: sets up their little stalls. It's been to any kind 368 00:20:16,200 --> 00:20:19,600 Speaker 1: of comic convention and done an artist alley. It's very similar. 369 00:20:19,960 --> 00:20:22,880 Speaker 1: It's like everyone's got there like two little card tables 370 00:20:23,000 --> 00:20:25,720 Speaker 1: and their wears are out, and I guess who could 371 00:20:25,720 --> 00:20:28,399 Speaker 1: try to bargain. I did not. It's not in my blood. 372 00:20:28,400 --> 00:20:30,320 Speaker 1: I just don't come from a family that knows how 373 00:20:30,359 --> 00:20:32,040 Speaker 1: to do that. I'm always impressed with my people being 374 00:20:32,080 --> 00:20:33,960 Speaker 1: like I'm gonna walk away. I'm like, but you really 375 00:20:34,000 --> 00:20:36,600 Speaker 1: want though, like buying I know that's the whole thing. 376 00:20:36,600 --> 00:20:38,360 Speaker 1: You gotta pretend like you don't want to go back. 377 00:20:38,880 --> 00:20:43,639 Speaker 1: They're gonna be like, oh, we could do down, it's impressive. 378 00:20:44,160 --> 00:20:46,640 Speaker 1: I just like, here's my money, Like thank you. Yeah. 379 00:20:46,840 --> 00:20:49,520 Speaker 1: I used to be like that until I sold cars 380 00:20:49,560 --> 00:20:52,960 Speaker 1: and I understood that, like what's what like the elasticity 381 00:20:53,040 --> 00:20:56,120 Speaker 1: of a deal actually is because I'm like, Okay, yeah, 382 00:20:56,200 --> 00:20:58,360 Speaker 1: overpaid for this. That's fine. If they would like laugh 383 00:20:58,440 --> 00:21:00,680 Speaker 1: at you when you walked away, and then I'm like, 384 00:21:00,880 --> 00:21:03,240 Speaker 1: now I have a I have a more dialed in 385 00:21:03,440 --> 00:21:05,600 Speaker 1: idea of like what things are worth or what I'm 386 00:21:05,600 --> 00:21:07,440 Speaker 1: willing to pay. But like in a situation like that, 387 00:21:07,560 --> 00:21:11,720 Speaker 1: if someone's actually selling you know, they're like handmade products, 388 00:21:12,200 --> 00:21:14,320 Speaker 1: and they said it at that price. The most I'll 389 00:21:14,359 --> 00:21:16,520 Speaker 1: do it is like, hey, is there like a cut? 390 00:21:16,640 --> 00:21:19,639 Speaker 1: If I get like three? And that's that's like the 391 00:21:19,760 --> 00:21:22,120 Speaker 1: most I'll bargain these, like in a in a context 392 00:21:22,200 --> 00:21:24,359 Speaker 1: like this, if I'm traveling and I'm in some tourist 393 00:21:24,480 --> 00:21:27,920 Speaker 1: trap type situation and I know that, like sometimes I'm 394 00:21:27,960 --> 00:21:30,479 Speaker 1: willing to pay, like what is the value? But typically 395 00:21:30,520 --> 00:21:31,840 Speaker 1: what I try to do is I like to bundle. 396 00:21:31,960 --> 00:21:33,800 Speaker 1: You know what I mean to say, let me get five, 397 00:21:33,880 --> 00:21:36,320 Speaker 1: but let me get it cut on that, mhm. Let 398 00:21:36,400 --> 00:21:41,120 Speaker 1: me get some points on the back end of the exactly. Yeah. 399 00:21:41,280 --> 00:21:43,000 Speaker 1: And I'm not going to be offended that you asked 400 00:21:43,040 --> 00:21:45,680 Speaker 1: Miles if you knew about this and not me, I 401 00:21:45,800 --> 00:21:50,320 Speaker 1: get it. I get it. You probably assumed I did, right, 402 00:21:50,520 --> 00:21:56,840 Speaker 1: You're like, Jack, have you heard because you probably saw 403 00:21:56,920 --> 00:21:59,240 Speaker 1: me there? Right? Is that why you didn't ask me? 404 00:21:59,320 --> 00:22:02,480 Speaker 1: Because you saw you know, and it was just cute. 405 00:22:03,080 --> 00:22:04,920 Speaker 1: I don't want to disturb you, so I kept it 406 00:22:05,040 --> 00:22:11,240 Speaker 1: plashing that you had your bags slacks, thanks true check slacks. 407 00:22:13,119 --> 00:22:17,560 Speaker 1: I like slacks. Oh boy, yeah, I go to I 408 00:22:17,680 --> 00:22:20,120 Speaker 1: go to a state sales. I find some real cool 409 00:22:20,240 --> 00:22:23,080 Speaker 1: slacks and I just recent I put my own tag 410 00:22:23,160 --> 00:22:28,680 Speaker 1: inside though alright, let's take a quick break. We'll be 411 00:22:29,080 --> 00:22:44,440 Speaker 1: right back, and we're back, and uh, I guess the 412 00:22:44,480 --> 00:22:52,880 Speaker 1: global pandemics back, you know, according to most of America. Yeah, 413 00:22:53,480 --> 00:22:55,919 Speaker 1: so you know, there are some things that are new 414 00:22:56,040 --> 00:22:59,480 Speaker 1: about this train. The one thing we know is that 415 00:22:59,640 --> 00:23:03,600 Speaker 1: it's reading fast. Right. Their speculation that this might be 416 00:23:04,640 --> 00:23:07,080 Speaker 1: like the right is really pushing the like this is 417 00:23:07,119 --> 00:23:10,200 Speaker 1: the last gasp of the pandemic, because as we discussed, 418 00:23:10,280 --> 00:23:14,159 Speaker 1: it's like more transmissible but less severe, and so that 419 00:23:14,359 --> 00:23:17,520 Speaker 1: just assumes that this is going to follow the same 420 00:23:17,600 --> 00:23:21,960 Speaker 1: path as all pandemics, which absolutely has not done to 421 00:23:22,200 --> 00:23:26,520 Speaker 1: this point. M And that's that's based on science. Yeah, 422 00:23:26,600 --> 00:23:29,440 Speaker 1: it's based on like one possible direction things could go. 423 00:23:30,040 --> 00:23:33,000 Speaker 1: And they're just like tripling down as they did at 424 00:23:33,040 --> 00:23:35,840 Speaker 1: the beginning of the pandemic, when libertarians were like, this 425 00:23:36,680 --> 00:23:40,159 Speaker 1: is not a big deal. It's big government trying to 426 00:23:40,320 --> 00:23:43,199 Speaker 1: scare you. And I think they still are. I mean, 427 00:23:43,240 --> 00:23:47,159 Speaker 1: I guess there's no version of libertarianism that works with 428 00:23:48,280 --> 00:23:52,720 Speaker 1: global pandemic. Right, It's just like I guess you'll die. Yeah, 429 00:23:53,359 --> 00:23:56,399 Speaker 1: but in a vacuum, you know, a very convenient vacuum. 430 00:23:56,600 --> 00:23:59,359 Speaker 1: And even if we see this rapid spread, which is 431 00:23:59,400 --> 00:24:02,160 Speaker 1: the one thing we do know is happening with less severity, 432 00:24:02,240 --> 00:24:03,800 Speaker 1: it's still a lot of people getting sick at the 433 00:24:03,840 --> 00:24:07,920 Speaker 1: same time, taxing hospitals, lots of deaths, it's all the 434 00:24:08,160 --> 00:24:12,400 Speaker 1: all the bed ships that's happened with previous waves. And yeah, 435 00:24:12,480 --> 00:24:15,879 Speaker 1: that the vaccine seems less effective at protecting against it, 436 00:24:16,359 --> 00:24:19,200 Speaker 1: at least for like kind of contracting it. But it 437 00:24:19,280 --> 00:24:22,760 Speaker 1: still seems like the cutting down the severity that's still 438 00:24:22,840 --> 00:24:25,520 Speaker 1: holding because that was always the intent of the vaccine 439 00:24:25,600 --> 00:24:29,840 Speaker 1: was to prevent serious severe illness. Yeah, less effective than 440 00:24:29,880 --> 00:24:33,640 Speaker 1: previous strands. Still it's not like useless for sure. Yeah, 441 00:24:33,720 --> 00:24:36,280 Speaker 1: I mean like on some level, like you hear epidemiologists 442 00:24:36,320 --> 00:24:38,320 Speaker 1: talk about it's like man like, when they saw the 443 00:24:38,520 --> 00:24:42,080 Speaker 1: mutations of the spike proteins, they were like, this is concerning. 444 00:24:42,200 --> 00:24:45,320 Speaker 1: But then they've you know, slightly dialed back that, like 445 00:24:45,440 --> 00:24:48,440 Speaker 1: it was completely monstrous. But the idea that this isn't 446 00:24:48,440 --> 00:24:51,760 Speaker 1: anything to worry about, or that it's because they believe 447 00:24:51,920 --> 00:24:54,680 Speaker 1: or because of the data so farmacic just it could 448 00:24:54,720 --> 00:24:58,040 Speaker 1: be milder that that's a reason to just like carry 449 00:24:58,119 --> 00:25:01,480 Speaker 1: on is completely backwards. And I think we're also seeing 450 00:25:01,520 --> 00:25:06,440 Speaker 1: this like huge I think conflict between what again, what 451 00:25:06,600 --> 00:25:09,480 Speaker 1: Joe Biden was saying would be his how he would 452 00:25:09,840 --> 00:25:13,359 Speaker 1: lead the country using science through a pandemic and what 453 00:25:13,480 --> 00:25:15,200 Speaker 1: we're seeing now. And like, I feel a lot of 454 00:25:15,240 --> 00:25:19,439 Speaker 1: people are like, we're not quite following what we need 455 00:25:19,520 --> 00:25:23,160 Speaker 1: to be doing suddenly, and we're becoming more relaxed about 456 00:25:23,280 --> 00:25:27,760 Speaker 1: things when really we should be again possibly reconsidering some 457 00:25:28,119 --> 00:25:32,639 Speaker 1: holiday plans or some indoor gatherings because many, like especially 458 00:25:32,720 --> 00:25:36,720 Speaker 1: experts of you know, rang a light alarm to say 459 00:25:37,480 --> 00:25:39,600 Speaker 1: is definitely worth something to think about. Like I get 460 00:25:39,640 --> 00:25:42,359 Speaker 1: that people are vaccinated, but to think that this isn't 461 00:25:42,680 --> 00:25:44,840 Speaker 1: like we're in the same situation you know, that we 462 00:25:44,920 --> 00:25:47,720 Speaker 1: were in, like the you know, early fall or late 463 00:25:47,800 --> 00:25:52,080 Speaker 1: summer is uh is not is not going to do well. Yeah, 464 00:25:52,200 --> 00:25:54,720 Speaker 1: it seems strange to me that the only thing we 465 00:25:54,800 --> 00:25:56,520 Speaker 1: seem is like they're like, oh, we'll go back to 466 00:25:56,520 --> 00:25:59,680 Speaker 1: wearing your maths indoors for sure, like definitely do that 467 00:26:00,320 --> 00:26:02,399 Speaker 1: and maybe outside too, if you're gonna sort of be 468 00:26:02,720 --> 00:26:05,879 Speaker 1: around people. I just it's like confusing and exactly, I 469 00:26:05,880 --> 00:26:08,160 Speaker 1: think we're all just very very tired, and it would 470 00:26:08,520 --> 00:26:10,919 Speaker 1: behoove us as a nation to be like, what if 471 00:26:10,960 --> 00:26:12,879 Speaker 1: they really did try to just take a knee for 472 00:26:13,000 --> 00:26:14,920 Speaker 1: a minute, but if we really did just say, you 473 00:26:14,960 --> 00:26:18,120 Speaker 1: know what, like to at least two months go indoors, 474 00:26:18,440 --> 00:26:21,520 Speaker 1: like let's really legitimately have some time to your boosters 475 00:26:21,800 --> 00:26:23,919 Speaker 1: will bring back the checks to help people who need 476 00:26:24,000 --> 00:26:26,280 Speaker 1: it through and like let's see if we can really 477 00:26:26,359 --> 00:26:29,600 Speaker 1: like bring this thing down. I just the but you 478 00:26:29,680 --> 00:26:31,080 Speaker 1: just sold her on and be like, oh more people 479 00:26:31,119 --> 00:26:35,480 Speaker 1: are dying. It happens. Is it's still hard for me 480 00:26:35,600 --> 00:26:37,879 Speaker 1: to like wrap my head around even if somebody who 481 00:26:37,920 --> 00:26:40,080 Speaker 1: again wants to go out and like has gone out, 482 00:26:40,240 --> 00:26:45,520 Speaker 1: it's still that's weird. Yeah, that's the thing that like 483 00:26:45,680 --> 00:26:49,240 Speaker 1: to your point, right of it sounds like we're not 484 00:26:49,480 --> 00:26:52,520 Speaker 1: much better off than we were when the first delta 485 00:26:52,560 --> 00:26:55,280 Speaker 1: wave hit, when we were first having lockdowns, that we're 486 00:26:55,400 --> 00:26:59,120 Speaker 1: looking at really bad outcomes like the with especially when 487 00:26:59,160 --> 00:27:01,359 Speaker 1: you look at how much the hospitals are overwhelmed and 488 00:27:01,400 --> 00:27:05,080 Speaker 1: how much that has affected care in every other dimension, 489 00:27:05,600 --> 00:27:09,119 Speaker 1: because hospitals are becoming places where you know, people are 490 00:27:09,160 --> 00:27:11,920 Speaker 1: even quitting because the job has become so difficult to 491 00:27:12,000 --> 00:27:15,240 Speaker 1: deal with on a daily basis. You'd hope that we 492 00:27:15,480 --> 00:27:19,200 Speaker 1: could have another breath to say, Okay, so it's still 493 00:27:19,280 --> 00:27:22,280 Speaker 1: a pandemic. We still have people who, because of their 494 00:27:22,320 --> 00:27:26,879 Speaker 1: workplace or their living situation, are massively more susceptible to 495 00:27:26,960 --> 00:27:30,399 Speaker 1: falling ill. We act, we need to begin to remedy that, 496 00:27:30,480 --> 00:27:32,480 Speaker 1: we need to begin to think of what our contingency 497 00:27:32,560 --> 00:27:36,639 Speaker 1: planning is. But the I mean, we saw the momentum 498 00:27:36,760 --> 00:27:42,240 Speaker 1: for enhanced unemployment benefits just slowly putter out. But along 499 00:27:42,320 --> 00:27:44,400 Speaker 1: with that, we never got to a point where like, Okay, 500 00:27:44,440 --> 00:27:46,800 Speaker 1: the pandemic is over well. And I don't know if you, 501 00:27:47,440 --> 00:27:50,040 Speaker 1: like either of you have like immuno compromised friends, but 502 00:27:50,200 --> 00:27:54,879 Speaker 1: like they can't do anything, like it's it's devastating. Like 503 00:27:55,000 --> 00:27:57,119 Speaker 1: the most we can do is like I quarantined for 504 00:27:57,160 --> 00:27:59,359 Speaker 1: two weeks, and I can come visit you, you know, 505 00:27:59,800 --> 00:28:01,400 Speaker 1: for a day because I'm sure I don't have It'll 506 00:28:01,440 --> 00:28:03,600 Speaker 1: come directly to you and expose some time with you. 507 00:28:03,800 --> 00:28:07,480 Speaker 1: Because like they can't go grocery shopping, they can't, like 508 00:28:08,440 --> 00:28:12,119 Speaker 1: we're afraid to even participate in outdoor activities because they 509 00:28:12,280 --> 00:28:16,720 Speaker 1: cannot fight off this disease. Like it's just it's just 510 00:28:16,880 --> 00:28:19,520 Speaker 1: very intense rous too. Again, just leave behind an entire 511 00:28:19,600 --> 00:28:21,720 Speaker 1: group of people and shrug and just be like, well, 512 00:28:22,080 --> 00:28:26,680 Speaker 1: you'll figure it out. Yeah. The just the point about, 513 00:28:27,600 --> 00:28:31,399 Speaker 1: you know, the our ability to just move on from 514 00:28:31,440 --> 00:28:34,639 Speaker 1: the deaths and you know, just ignore the fact that 515 00:28:34,760 --> 00:28:39,080 Speaker 1: hospitals are a text and quitting and like it does 516 00:28:39,480 --> 00:28:42,200 Speaker 1: kind of drive drive home again the ways that this 517 00:28:42,400 --> 00:28:48,120 Speaker 1: pandemic has i think highlighted aspects of late capitalism that 518 00:28:48,960 --> 00:28:53,040 Speaker 1: just no longer work or at least have turned so 519 00:28:53,320 --> 00:28:57,760 Speaker 1: monstrous and toxic that like the results are pretty pretty 520 00:28:58,000 --> 00:29:02,160 Speaker 1: fucking stark and kind of hard to ignore at this point, 521 00:29:02,280 --> 00:29:05,560 Speaker 1: which you know, the but all of that is examples 522 00:29:05,840 --> 00:29:11,440 Speaker 1: of our society and our systems ability to remove humans 523 00:29:11,960 --> 00:29:15,320 Speaker 1: from their context and just view them as the deaths 524 00:29:15,400 --> 00:29:19,440 Speaker 1: of statistics. The we view nurses who are quitting and 525 00:29:19,520 --> 00:29:21,440 Speaker 1: drows and doctors who are quitting and drows as like 526 00:29:21,600 --> 00:29:24,360 Speaker 1: a labor force that needs like replenishing, and it's like 527 00:29:24,480 --> 00:29:27,160 Speaker 1: written about as such, and it's like, you know, these 528 00:29:27,200 --> 00:29:31,120 Speaker 1: are people in your community like that, but we've just 529 00:29:31,720 --> 00:29:35,600 Speaker 1: the whole system, Like it used to be that this 530 00:29:35,800 --> 00:29:39,440 Speaker 1: was just work and like commerce, and now it's like 531 00:29:39,600 --> 00:29:42,520 Speaker 1: all culture is like kind of ruled by this. All 532 00:29:42,600 --> 00:29:47,360 Speaker 1: communication is now ruled by these massive corporations who are 533 00:29:47,520 --> 00:29:52,000 Speaker 1: just removing us from context and treating us as values 534 00:29:52,240 --> 00:29:55,880 Speaker 1: in a algorithm instead of human beings. And I think 535 00:29:55,920 --> 00:30:01,200 Speaker 1: it's more and more like both, like the society is 536 00:30:01,560 --> 00:30:05,000 Speaker 1: heading in a direction where like we're better and better 537 00:30:05,160 --> 00:30:08,240 Speaker 1: at removing people from context, but like the results are 538 00:30:08,280 --> 00:30:11,240 Speaker 1: getting so bad that I think it's harder and harder 539 00:30:11,320 --> 00:30:14,320 Speaker 1: for people to ignore it, right, Yeah, I mean you 540 00:30:14,400 --> 00:30:16,160 Speaker 1: know that there's a write up today, I think in 541 00:30:16,280 --> 00:30:18,720 Speaker 1: Box that was saying, like, how can people be expected 542 00:30:18,760 --> 00:30:22,160 Speaker 1: to work through the apocalypse? But we're like in an 543 00:30:22,240 --> 00:30:25,600 Speaker 1: omni crisis, you know whatever, You should pick a subject 544 00:30:26,120 --> 00:30:29,120 Speaker 1: and it's fucked up essentially as unless you're like very 545 00:30:29,240 --> 00:30:31,200 Speaker 1: narrowly looking at like, hey, at least you got that 546 00:30:31,240 --> 00:30:32,960 Speaker 1: plumb tell far, you know. And I think those are 547 00:30:33,000 --> 00:30:36,160 Speaker 1: the ways people find some semblance of a way to 548 00:30:36,280 --> 00:30:39,400 Speaker 1: feel fucking good or treat ourselves to something that isn't 549 00:30:39,480 --> 00:30:42,880 Speaker 1: merely looking straight into the void and not wanting our 550 00:30:42,920 --> 00:30:46,000 Speaker 1: heart to collapse in on itself. But I think it's 551 00:30:46,000 --> 00:30:48,800 Speaker 1: also again, I think with omicron, a lot of epidemiologists 552 00:30:48,800 --> 00:30:51,520 Speaker 1: to your point, are saying it will again reveal the 553 00:30:51,680 --> 00:30:55,520 Speaker 1: cracks in our system and our society where you're going 554 00:30:55,600 --> 00:30:59,680 Speaker 1: to see, like with boosters, certain areas based on socioeconomic 555 00:31:00,120 --> 00:31:03,080 Speaker 1: numbers aren't going to have better access to boosters. But 556 00:31:03,280 --> 00:31:08,080 Speaker 1: it's but also access for you know, communities with less resources. 557 00:31:08,280 --> 00:31:10,200 Speaker 1: That's going to be a problem, and that's gonna an 558 00:31:10,240 --> 00:31:13,280 Speaker 1: omicron is going to affect those communities. To to still 559 00:31:13,400 --> 00:31:16,160 Speaker 1: think that you might be fine because you got to 560 00:31:16,280 --> 00:31:18,200 Speaker 1: this point in the pandemic by doing this, That and 561 00:31:18,280 --> 00:31:21,280 Speaker 1: the other isn't gonna hold up necessarily because yes, this 562 00:31:21,480 --> 00:31:25,440 Speaker 1: is a very different variant, and yeah, I it is. 563 00:31:25,680 --> 00:31:27,280 Speaker 1: It is one of these things where you'd hope that 564 00:31:27,440 --> 00:31:29,680 Speaker 1: more people. It seems like most people who run a 565 00:31:29,760 --> 00:31:32,960 Speaker 1: corporation or company, they're playing like they run their ship, 566 00:31:33,080 --> 00:31:36,120 Speaker 1: like they're playing sim City, you know, like it's so zoomed, 567 00:31:36,240 --> 00:31:40,280 Speaker 1: the it's so zoomed the funk out that you're like that, Okay, 568 00:31:40,520 --> 00:31:43,160 Speaker 1: we need another fire department there, click click click click 569 00:31:43,160 --> 00:31:45,240 Speaker 1: click build it. I don't know, it just happens. I 570 00:31:45,320 --> 00:31:47,800 Speaker 1: don't I don't have the context to zoom in to 571 00:31:47,920 --> 00:31:51,040 Speaker 1: actually see what's happening on the street level, where it's 572 00:31:51,040 --> 00:31:54,239 Speaker 1: a completely different game and a completely different world. Well, 573 00:31:54,240 --> 00:31:56,120 Speaker 1: in the same way that we can't comprehend how much 574 00:31:56,200 --> 00:31:58,560 Speaker 1: money they actually have. I truly think that they cannot 575 00:31:58,640 --> 00:32:02,680 Speaker 1: comprehend out like people who live paycheck to paycheck actually live, 576 00:32:02,760 --> 00:32:05,040 Speaker 1: and what that existence is like, even if they at 577 00:32:05,120 --> 00:32:09,080 Speaker 1: one point experienced that, they're just so far again, as 578 00:32:09,120 --> 00:32:12,320 Speaker 1: you said, like removed from the reality of it. You know, 579 00:32:12,400 --> 00:32:14,000 Speaker 1: with bell Hook's dying, a lot of her work has 580 00:32:14,040 --> 00:32:16,720 Speaker 1: been circulating over the past couple of days, and she 581 00:32:16,840 --> 00:32:20,800 Speaker 1: had this belief that like fantasy as a as a genre, 582 00:32:21,360 --> 00:32:23,920 Speaker 1: as a form of escape, and she tied this also 583 00:32:24,080 --> 00:32:27,360 Speaker 1: to like just are purchasing of things, you know, is 584 00:32:27,960 --> 00:32:31,720 Speaker 1: actively destroying us as a society, And it made me 585 00:32:31,760 --> 00:32:33,960 Speaker 1: feel a little bit bad about my telefire purchase. But 586 00:32:34,040 --> 00:32:36,160 Speaker 1: she had this idea that, like, you know, by grounding 587 00:32:36,200 --> 00:32:40,720 Speaker 1: yourself in reality, it's the only way to bring about 588 00:32:40,880 --> 00:32:44,040 Speaker 1: radical change, right, And I've been thinking about that a 589 00:32:44,160 --> 00:32:46,080 Speaker 1: lot for the past couple of days, because we are 590 00:32:46,160 --> 00:32:50,760 Speaker 1: in a moment that requires radical change, radical being fast 591 00:32:50,920 --> 00:32:53,400 Speaker 1: and the exact opposite of what we've been doing, particularly 592 00:32:53,440 --> 00:32:55,600 Speaker 1: when it comes to you know, not just how we 593 00:32:55,680 --> 00:32:58,440 Speaker 1: treat this pandemic and not just how we're going to 594 00:32:58,680 --> 00:33:01,720 Speaker 1: ratify what copitalism has done to us as a people, 595 00:33:02,320 --> 00:33:07,280 Speaker 1: but also on like a global like um omni crisis, Yes, 596 00:33:07,840 --> 00:33:10,120 Speaker 1: back to the omni crisis, And I just I wonder 597 00:33:10,160 --> 00:33:13,959 Speaker 1: if we have the ability specifically as Americans to divorce 598 00:33:14,040 --> 00:33:16,480 Speaker 1: ourselves from that fantasy. As a person who's obsessed with 599 00:33:16,560 --> 00:33:20,400 Speaker 1: fantasy both as a genre and as a form of 600 00:33:20,480 --> 00:33:23,120 Speaker 1: a scape, by myself trying to escape from reality a lot, 601 00:33:23,240 --> 00:33:26,640 Speaker 1: whether it's through purchases, whether it's through my love of 602 00:33:26,680 --> 00:33:29,920 Speaker 1: Marvel and other television series, whether it's you know, even 603 00:33:30,000 --> 00:33:31,920 Speaker 1: through my work. You know, as much as I I 604 00:33:32,080 --> 00:33:35,560 Speaker 1: want to turn over capitalist system, I'm also obsessed with 605 00:33:35,640 --> 00:33:37,080 Speaker 1: my work. Has spent a lot, a lot, a lot 606 00:33:37,160 --> 00:33:39,520 Speaker 1: of hours on my work. And I just don't know 607 00:33:39,600 --> 00:33:42,360 Speaker 1: if we're prepared, and I don't know how fast we 608 00:33:42,400 --> 00:33:44,960 Speaker 1: can get prepared to actually make a difference to face 609 00:33:45,000 --> 00:33:48,040 Speaker 1: our reality, right, because on some level, right we need 610 00:33:48,440 --> 00:33:51,840 Speaker 1: the radical like you think about the radical change we 611 00:33:51,880 --> 00:33:55,240 Speaker 1: need at a governmental level, right just to even dial 612 00:33:55,360 --> 00:33:58,840 Speaker 1: back the idea that corporations can buy and sell Congress 613 00:33:58,880 --> 00:34:03,160 Speaker 1: people like that, that would require drastic change and change 614 00:34:03,240 --> 00:34:05,280 Speaker 1: that the people who are going to be affected by it. 615 00:34:05,800 --> 00:34:08,960 Speaker 1: It directly affects them. I don't have much faith that 616 00:34:09,040 --> 00:34:11,400 Speaker 1: they're going to be able to implement something that completely 617 00:34:11,520 --> 00:34:14,680 Speaker 1: changes the power dynamic in which like how elections are one. 618 00:34:14,960 --> 00:34:18,920 Speaker 1: So then you're like, m hmm, Okay, that's kind of difficult, 619 00:34:19,239 --> 00:34:22,280 Speaker 1: and I you'd hate that. Like the real grim nature 620 00:34:22,360 --> 00:34:26,400 Speaker 1: of how unforgiving and how brutal and barbaric like this 621 00:34:26,520 --> 00:34:29,319 Speaker 1: system is like has to touch you before you might 622 00:34:29,600 --> 00:34:33,200 Speaker 1: begin to have a change of heart about something, because 623 00:34:33,239 --> 00:34:35,759 Speaker 1: there are many people who are very invested in a 624 00:34:35,840 --> 00:34:39,440 Speaker 1: system that aren't able to see that it's directly contributing 625 00:34:39,520 --> 00:34:42,440 Speaker 1: to their lack of resources. And I gues think from 626 00:34:42,440 --> 00:34:44,720 Speaker 1: the system is so hard. It's going to take actual 627 00:34:45,560 --> 00:34:48,200 Speaker 1: like you have to You're going to have to sacrifice 628 00:34:48,840 --> 00:34:52,400 Speaker 1: and truly truly invest in that sacrifice in order to 629 00:34:52,520 --> 00:34:55,440 Speaker 1: divest from this system. And that's really hard asking people 630 00:34:55,480 --> 00:34:59,920 Speaker 1: to willingly take less, you know, asking people to will 631 00:35:00,000 --> 00:35:02,520 Speaker 1: only give up the status that they value in I 632 00:35:02,640 --> 00:35:04,799 Speaker 1: just I just don't know if we're going to get there. 633 00:35:05,160 --> 00:35:08,040 Speaker 1: I think a lot about the idea of like on 634 00:35:08,200 --> 00:35:12,720 Speaker 1: demand manufacturing, which is something I've only recently kind of learned, 635 00:35:12,880 --> 00:35:16,279 Speaker 1: is the new like model of capitalism is the new 636 00:35:16,320 --> 00:35:20,000 Speaker 1: way that people make things is that you have to 637 00:35:20,600 --> 00:35:24,719 Speaker 1: react quickly and start manufacturing like based on demand, but 638 00:35:24,880 --> 00:35:27,279 Speaker 1: you never have like a stockpile that's sitting in the 639 00:35:27,360 --> 00:35:31,319 Speaker 1: warehouse because it's like it cuts margins a little bit. 640 00:35:31,680 --> 00:35:35,920 Speaker 1: And this was adopted as like the more profitable way 641 00:35:35,960 --> 00:35:39,800 Speaker 1: to do things. And you know, we've been in a 642 00:35:39,920 --> 00:35:44,319 Speaker 1: global pandemic now for almost two years and the way 643 00:35:44,360 --> 00:35:48,640 Speaker 1: that the economy has reacted is to just stick with 644 00:35:48,760 --> 00:35:53,239 Speaker 1: that and still like not have the stockpile necessary for 645 00:35:54,160 --> 00:35:57,919 Speaker 1: like massive spikes. They basically just like baked the death 646 00:35:58,120 --> 00:36:01,520 Speaker 1: into the system and just been like all right, well, 647 00:36:01,560 --> 00:36:03,680 Speaker 1: I guess we're willing to live with that, rather than 648 00:36:04,320 --> 00:36:08,920 Speaker 1: you know, building the stockpiles that are needed adding a 649 00:36:09,040 --> 00:36:13,359 Speaker 1: bunch of nurses and doctors to the system to get 650 00:36:13,400 --> 00:36:17,000 Speaker 1: ready for the next pandemic or be ready when this 651 00:36:17,480 --> 00:36:21,000 Speaker 1: pandemic spikes spikes up again, like we've had the time 652 00:36:21,080 --> 00:36:24,640 Speaker 1: to do that. But like there's just the inertia of 653 00:36:25,680 --> 00:36:30,879 Speaker 1: like the this current system and like even like new 654 00:36:31,600 --> 00:36:36,120 Speaker 1: kind of versions of this system just get locked in 655 00:36:36,480 --> 00:36:39,920 Speaker 1: and like it's like you can't fucking break out of it. 656 00:36:40,320 --> 00:36:44,040 Speaker 1: It's it's really like the You know, some people talk 657 00:36:44,120 --> 00:36:50,200 Speaker 1: about capitalism being the like sort of artificial intelligence that 658 00:36:50,520 --> 00:36:54,360 Speaker 1: we we're afraid of in our sci fi movies, But 659 00:36:54,719 --> 00:36:58,640 Speaker 1: it's just it's already everywhere, it's already impossible to defeat, 660 00:36:58,719 --> 00:37:01,919 Speaker 1: and it's actually but it's like a system that can't 661 00:37:01,960 --> 00:37:07,440 Speaker 1: be controlled and anticipates any attempt to contain it. And 662 00:37:08,400 --> 00:37:13,919 Speaker 1: that that just that example specifically like makes me makes 663 00:37:13,960 --> 00:37:17,320 Speaker 1: me realize, like how how hard this is to to defeat. 664 00:37:17,400 --> 00:37:20,400 Speaker 1: Where we have a type of manufacturing that is like 665 00:37:20,520 --> 00:37:24,200 Speaker 1: marginally more profitable and we can't get people to stop 666 00:37:24,360 --> 00:37:25,759 Speaker 1: doing it even though we're in the middle of a 667 00:37:25,840 --> 00:37:29,640 Speaker 1: pandemic and it killed a bunch of people, and and 668 00:37:29,719 --> 00:37:31,880 Speaker 1: I think they just to sum that all up, and 669 00:37:32,000 --> 00:37:34,200 Speaker 1: you think about, like, okay, well who has the ability 670 00:37:34,239 --> 00:37:36,640 Speaker 1: to do it. It's elected officials, unfortunately, I guess in 671 00:37:36,680 --> 00:37:39,000 Speaker 1: a legislative sense. I mean, if we were more organized, 672 00:37:39,480 --> 00:37:42,560 Speaker 1: then who knows, there's really no limit to what people 673 00:37:42,600 --> 00:37:45,160 Speaker 1: could do collectively. But and currently the way things are 674 00:37:45,200 --> 00:37:46,920 Speaker 1: in we have to look at our the leaders in 675 00:37:47,040 --> 00:37:51,680 Speaker 1: d C who already are articulating that they cannot fucking 676 00:37:51,800 --> 00:37:55,680 Speaker 1: evolve at all, Like Nancy Pelosi was asked, very directly, 677 00:37:56,440 --> 00:38:00,640 Speaker 1: should fucking members of Congress and their spouse is be 678 00:38:00,880 --> 00:38:04,400 Speaker 1: allowed to hold and trade fucking stock while in office? 679 00:38:04,760 --> 00:38:07,200 Speaker 1: And she said, this is a free this quote, this 680 00:38:07,360 --> 00:38:10,239 Speaker 1: is a free market, and people, we are a free 681 00:38:10,320 --> 00:38:13,040 Speaker 1: market economy. They should be able to participate in that. 682 00:38:13,520 --> 00:38:16,480 Speaker 1: That's already you know, like that's already just like something 683 00:38:16,520 --> 00:38:18,480 Speaker 1: that seems like low hanging fruit. Hey, can you not 684 00:38:18,640 --> 00:38:21,360 Speaker 1: fucking trade stocks when you're in office and you maybe 685 00:38:21,719 --> 00:38:23,239 Speaker 1: have your ear to the street in a way that 686 00:38:23,360 --> 00:38:25,400 Speaker 1: other people might not and be able to profit off 687 00:38:25,440 --> 00:38:29,600 Speaker 1: of your position. The answer is, ah, come on, now, come, 688 00:38:30,280 --> 00:38:33,600 Speaker 1: we still have a generation stuck on equality and not equity, 689 00:38:34,040 --> 00:38:36,640 Speaker 1: and has that bridge this gap which I feel like 690 00:38:36,719 --> 00:38:39,399 Speaker 1: we've been talking about for at least the past fifteen years, 691 00:38:39,520 --> 00:38:42,920 Speaker 1: very openly, as sinctly and clearly so that school children 692 00:38:43,000 --> 00:38:46,359 Speaker 1: can understand it that there's a difference between everybody gets 693 00:38:46,400 --> 00:38:49,320 Speaker 1: to do something and this is a society that allows 694 00:38:49,400 --> 00:38:55,640 Speaker 1: everyone to live in a fair and consistent manner. Yeah, frustrating, nancy, frustrating, 695 00:38:57,520 --> 00:39:01,799 Speaker 1: not great, not great, great, find a new angle. All right, 696 00:39:01,880 --> 00:39:03,640 Speaker 1: let's take a quick break and we'll come back and 697 00:39:03,880 --> 00:39:17,520 Speaker 1: talk about some pop culture ship and we're back, and 698 00:39:18,480 --> 00:39:20,520 Speaker 1: so we do. We do like to keep an eye 699 00:39:20,560 --> 00:39:24,680 Speaker 1: on the box office, you know, to see what people 700 00:39:24,920 --> 00:39:28,400 Speaker 1: are watching and what they aren't watching. And this past weekend, 701 00:39:28,760 --> 00:39:32,600 Speaker 1: people were surprised by how few people rushed out to 702 00:39:32,680 --> 00:39:36,160 Speaker 1: the theaters to see Steven Spielberg's West Side Story, like 703 00:39:36,400 --> 00:39:40,279 Speaker 1: just great reviews, great word of mouth, and it got 704 00:39:40,400 --> 00:39:43,160 Speaker 1: it pulled in ten million in North America ticket sales, 705 00:39:43,760 --> 00:39:46,840 Speaker 1: which is you know, it cost over a hundred billions, 706 00:39:46,880 --> 00:39:50,000 Speaker 1: so they were definitely hoping for more than that, you know, 707 00:39:50,160 --> 00:39:54,239 Speaker 1: just from abroad like kind of entertainment reporting, since they 708 00:39:54,280 --> 00:39:57,919 Speaker 1: are comparing it to previous like Spielberg movies, which tend 709 00:39:58,000 --> 00:40:01,120 Speaker 1: to be like sci fi and not like he's never 710 00:40:01,160 --> 00:40:04,160 Speaker 1: done a musical before, and musicals tend to have really 711 00:40:04,239 --> 00:40:06,960 Speaker 1: long legs because people like to go see them or 712 00:40:07,040 --> 00:40:10,759 Speaker 1: they here start hearing the song. And that movie, The 713 00:40:10,840 --> 00:40:15,440 Speaker 1: Greatest Showman starring Hugh Grant was like started out somewhat 714 00:40:15,800 --> 00:40:18,239 Speaker 1: disappointing at the box office, and I think it ended 715 00:40:18,320 --> 00:40:20,960 Speaker 1: up making like three hundred something million, even more than 716 00:40:21,000 --> 00:40:24,440 Speaker 1: that four hundred thirty seven million and worldwide ticket sales 717 00:40:24,480 --> 00:40:26,719 Speaker 1: by the end, and it was a terrible movie. Yeah, 718 00:40:26,719 --> 00:40:29,960 Speaker 1: and it was bad, so maybe maybe there's hope for 719 00:40:30,040 --> 00:40:33,000 Speaker 1: this West Side Story movie. But of course, right wing 720 00:40:33,080 --> 00:40:36,320 Speaker 1: outlets like right bart were quick to lay the blame 721 00:40:36,440 --> 00:40:44,600 Speaker 1: solely on Steven Spielberg's raging wokeness because go on, well, 722 00:40:44,680 --> 00:40:52,480 Speaker 1: you know the guys, uh, you know, indeed people are 723 00:40:52,600 --> 00:40:57,080 Speaker 1: literal monsters. Uh, that guy is supposedly just too woke. 724 00:40:57,640 --> 00:41:05,240 Speaker 1: And yeah, I think they're pointing to the casting of actual, 725 00:41:05,760 --> 00:41:10,680 Speaker 1: like people who are Puerto Rican to play Puerto Ricans 726 00:41:11,239 --> 00:41:14,640 Speaker 1: except for Maria, right, except for Maria, which I know, Like, 727 00:41:14,840 --> 00:41:16,560 Speaker 1: I think a lot of people were feeling some type 728 00:41:16,560 --> 00:41:18,640 Speaker 1: of way about that where they're like, almost did it 729 00:41:19,080 --> 00:41:22,880 Speaker 1: almost so close? So close? I mean, she has Colombian Americans, 730 00:41:22,960 --> 00:41:25,920 Speaker 1: so I guess you know, it's not like having like 731 00:41:26,040 --> 00:41:31,520 Speaker 1: a white person in brown face or right. But I mean, 732 00:41:31,560 --> 00:41:33,120 Speaker 1: I think that was another thing where a lot of 733 00:41:33,160 --> 00:41:35,840 Speaker 1: people were like, you there for all the other points 734 00:41:35,920 --> 00:41:37,719 Speaker 1: that like they were hitting. I think other people were like, 735 00:41:37,960 --> 00:41:40,960 Speaker 1: if you know, if if we're gonna actually have like 736 00:41:41,160 --> 00:41:45,160 Speaker 1: advisors on making everything authentic as possible, like why not 737 00:41:45,440 --> 00:41:49,880 Speaker 1: you know, honor the character's origin and why not replace 738 00:41:49,960 --> 00:41:53,239 Speaker 1: Ansel L. Gore with Tig Nataro like we already did 739 00:41:53,320 --> 00:42:02,600 Speaker 1: with Christliah and that one actually movie absolutely Tony, oh 740 00:42:02,760 --> 00:42:14,800 Speaker 1: my goodness, yeah, just so dry. And the musical it 741 00:42:14,840 --> 00:42:19,879 Speaker 1: would you like, Charls completely upended what we even thought 742 00:42:19,920 --> 00:42:25,200 Speaker 1: of musical. Also, ansel Il Gordon is like already inadvertently 743 00:42:25,280 --> 00:42:28,840 Speaker 1: dead pan and dry. So sorry, go ahead, yeah, nope not, 744 00:42:29,360 --> 00:42:32,120 Speaker 1: You're not incorrect there what they have found a better 745 00:42:32,200 --> 00:42:34,400 Speaker 1: way to say that. They did not say it's eloquently 746 00:42:34,480 --> 00:42:38,200 Speaker 1: when Shoan Chi came out. But diversity doesn't sell. This 747 00:42:38,360 --> 00:42:40,439 Speaker 1: is what they're trying to say. And they've been seeing 748 00:42:40,560 --> 00:42:42,399 Speaker 1: it for a while and they I think they really 749 00:42:42,440 --> 00:42:45,520 Speaker 1: revel in the idea that if a movie has a 750 00:42:45,719 --> 00:42:49,279 Speaker 1: cast that is not predominantly Caucasian, that they're like, see, 751 00:42:49,960 --> 00:42:52,560 Speaker 1: no one wants your diverse bullshit. What we want it's 752 00:42:52,600 --> 00:42:55,879 Speaker 1: more white people, which is beyond ridiculous. I think there's 753 00:42:55,880 --> 00:42:58,759 Speaker 1: a number of reasons West Side Story isn't doing as 754 00:42:58,800 --> 00:43:00,840 Speaker 1: well as they hope straight out the gate. One. I 755 00:43:00,960 --> 00:43:03,400 Speaker 1: think the advertising for it has been that of a 756 00:43:03,480 --> 00:43:05,920 Speaker 1: traditional musical, which is the wrong way to go in 757 00:43:06,000 --> 00:43:09,200 Speaker 1: a YouTube generation. The theater kids have never stopped loving 758 00:43:09,200 --> 00:43:13,600 Speaker 1: theater ever, period, they will come see these movies. Grandmas 759 00:43:13,640 --> 00:43:16,960 Speaker 1: and moms are gonna come see this movie. But a 760 00:43:17,080 --> 00:43:18,800 Speaker 1: lot of things have changed over the course of the 761 00:43:18,840 --> 00:43:22,840 Speaker 1: pandemic one. As quickly as we were getting DVDs pre Pandemic, 762 00:43:23,080 --> 00:43:26,520 Speaker 1: we are getting streaming services so much faster. If this 763 00:43:26,600 --> 00:43:28,360 Speaker 1: is the movie you're gonna want to watch over Christmas 764 00:43:28,480 --> 00:43:30,279 Speaker 1: with your family if you can, you're not gonna be 765 00:43:30,280 --> 00:43:31,880 Speaker 1: able to watch this one at home, but you'll be 766 00:43:31,920 --> 00:43:33,440 Speaker 1: able to watch it in a few weeks after this, 767 00:43:33,680 --> 00:43:36,640 Speaker 1: and so like, why not just wait? It's fine too. 768 00:43:37,200 --> 00:43:39,400 Speaker 1: The way it was advertised was very like, here are 769 00:43:39,480 --> 00:43:42,360 Speaker 1: these big scenes, and it's like flashy, as if we 770 00:43:42,600 --> 00:43:45,759 Speaker 1: like just got CinemaScope or technicolor. These are not the 771 00:43:45,800 --> 00:43:48,440 Speaker 1: things that impress so much anymore. What you needed to 772 00:43:48,480 --> 00:43:51,680 Speaker 1: do was release a couple of key scenes, right. Everyone 773 00:43:51,800 --> 00:43:55,960 Speaker 1: says that um Maria not Maria h is the lead 774 00:43:56,239 --> 00:43:59,520 Speaker 1: Maria's bestie cousin, maybe if I remember the movie correctly. 775 00:43:59,760 --> 00:44:04,360 Speaker 1: But woman that plays her character, original character is supposed 776 00:44:04,400 --> 00:44:07,680 Speaker 1: to be like the standout, like the thing she is 777 00:44:08,080 --> 00:44:12,600 Speaker 1: incredible she was in Hamilton's She's Queer. Y'all should have 778 00:44:12,719 --> 00:44:15,160 Speaker 1: leaned with her scene and been like, look at these 779 00:44:15,239 --> 00:44:18,439 Speaker 1: below out stars. The girl play Maria has the loveliest voice. 780 00:44:18,440 --> 00:44:20,479 Speaker 1: I haven't heard a full song yet, I've heard little 781 00:44:20,520 --> 00:44:23,840 Speaker 1: clips of not the most musically impressive, Like as far 782 00:44:23,880 --> 00:44:26,320 Speaker 1: as vocal performance goes, it's it's the classic. On the 783 00:44:26,400 --> 00:44:29,479 Speaker 1: balcony scene, we don't have any of the fight scenes 784 00:44:29,480 --> 00:44:31,640 Speaker 1: which are supposed to be so good like all they 785 00:44:31,680 --> 00:44:34,200 Speaker 1: showed us. They advertise it like it's a superhero movie, 786 00:44:34,200 --> 00:44:35,440 Speaker 1: which is the thing. I think there is a problem 787 00:44:35,480 --> 00:44:39,440 Speaker 1: across our freaking landscape of cinema right now. Not everything 788 00:44:39,600 --> 00:44:41,840 Speaker 1: is a superhero movie, and we have to have to 789 00:44:41,960 --> 00:44:44,759 Speaker 1: have to stop. They make money, but they make money, 790 00:44:45,480 --> 00:44:48,960 Speaker 1: and no nobody else has been able to replicate this 791 00:44:49,239 --> 00:44:53,280 Speaker 1: process that Marvel has of like here's an entire cinematic universe, 792 00:44:53,320 --> 00:44:55,719 Speaker 1: and we've had twenty six thousand tries in the past 793 00:44:55,760 --> 00:44:58,160 Speaker 1: five years of people trying to do this, and these 794 00:44:58,200 --> 00:45:01,120 Speaker 1: like no spoiler release, get over a spoiler is not 795 00:45:01,239 --> 00:45:02,880 Speaker 1: that big of a deal because the spoiler is not 796 00:45:02,920 --> 00:45:05,640 Speaker 1: giving you the entire experience of sitting through a movie. 797 00:45:06,200 --> 00:45:08,000 Speaker 1: And because they didn't do any of those things, I 798 00:45:08,080 --> 00:45:09,600 Speaker 1: think a lot of people are just like, oh, I'll 799 00:45:09,600 --> 00:45:12,080 Speaker 1: see it shortly, I'll see it later. We are also 800 00:45:12,160 --> 00:45:14,320 Speaker 1: in another way of the pandemic. This is not a 801 00:45:14,400 --> 00:45:16,200 Speaker 1: Marvel movie in which you have to see things or 802 00:45:16,239 --> 00:45:19,279 Speaker 1: it will be spoiled. You know the story very very well. 803 00:45:19,640 --> 00:45:21,919 Speaker 1: There's just like a be jillionar reasons why this didn't sell. 804 00:45:22,000 --> 00:45:24,320 Speaker 1: But to blame it on anything other than it's a 805 00:45:24,360 --> 00:45:26,680 Speaker 1: crazy freaking time and we have to wait, I think 806 00:45:26,840 --> 00:45:29,239 Speaker 1: is shortsighted. A lot of people like, oh, the musical 807 00:45:29,320 --> 00:45:31,560 Speaker 1: is dead. No one wants to see musical. I know 808 00:45:32,040 --> 00:45:34,960 Speaker 1: that when Wicked comes out, it is going to cause 809 00:45:35,080 --> 00:45:37,840 Speaker 1: such a frenzy, such a stir in the box office, 810 00:45:38,360 --> 00:45:40,399 Speaker 1: because it's just that type of musical. It's a pop 811 00:45:40,640 --> 00:45:43,360 Speaker 1: musical which tends to lend itself better to film in 812 00:45:43,400 --> 00:45:46,360 Speaker 1: the first place. Right, I think they I think they 813 00:45:46,440 --> 00:45:48,840 Speaker 1: messed up by not having enough air force ones and 814 00:45:48,960 --> 00:45:55,279 Speaker 1: timberlands in the trailers more with or maybe it's just 815 00:45:55,400 --> 00:45:58,319 Speaker 1: what the right is saying, which they're blaming at all, 816 00:45:58,480 --> 00:46:02,239 Speaker 1: was subtitles or lack of subtitles. Yeah, that's why that's 817 00:46:02,239 --> 00:46:05,520 Speaker 1: the thing that is being called out, getting use subtitles 818 00:46:05,920 --> 00:46:11,760 Speaker 1: when Spanish that's spoken. M That's why I got entering 819 00:46:11,840 --> 00:46:18,000 Speaker 1: it on like the American non Spanish speaking person's perspective, 820 00:46:18,280 --> 00:46:22,040 Speaker 1: they have ruined it. But that's the the big failure there. 821 00:46:22,280 --> 00:46:26,560 Speaker 1: Oh look what they're okay, so everybody speaks Spanish year now, okay, 822 00:46:27,440 --> 00:46:32,120 Speaker 1: and that's the problem with Steven Spielberg, who's so damn woke. Yeah, 823 00:46:32,160 --> 00:46:35,040 Speaker 1: but that just feels like a like the easiest attack 824 00:46:35,160 --> 00:46:37,759 Speaker 1: from the right these days is like, oh, yeah, like 825 00:46:37,840 --> 00:46:42,359 Speaker 1: they're not doing well because they're against transphobia, right, huh 826 00:46:42,800 --> 00:46:46,040 Speaker 1: what Yeah, that's that's the I guess that's the dynamic 827 00:46:46,120 --> 00:46:51,120 Speaker 1: they're so desperate to establish. Is that considering other perspectives 828 00:46:51,320 --> 00:46:53,680 Speaker 1: is the you know, the recipe to go straight down 829 00:46:53,719 --> 00:46:56,920 Speaker 1: the tube. Another just point that people are making about 830 00:46:57,000 --> 00:46:59,880 Speaker 1: the box office, like actual people, not people in the 831 00:47:00,280 --> 00:47:03,640 Speaker 1: are saying that the reason it didn't do well in 832 00:47:03,680 --> 00:47:07,720 Speaker 1: the box office is clearly aimed at old people because 833 00:47:08,600 --> 00:47:11,200 Speaker 1: it's a remake of a fifty year old musical. That 834 00:47:11,360 --> 00:47:14,160 Speaker 1: definitely feels like when my dad told me that West 835 00:47:14,200 --> 00:47:16,640 Speaker 1: Side Story was his favorite movie as a kid, I 836 00:47:16,760 --> 00:47:19,440 Speaker 1: was like, oh, I was so surprised. I was so surprised. 837 00:47:19,640 --> 00:47:22,000 Speaker 1: But it's not like a movie that, like, you know, 838 00:47:22,160 --> 00:47:25,360 Speaker 1: everybody like knows the snapping and stuff like that, but 839 00:47:25,440 --> 00:47:28,880 Speaker 1: it's not a movie that I feel like people I 840 00:47:28,920 --> 00:47:31,400 Speaker 1: don't know talk that much about anymore. Like that had 841 00:47:31,440 --> 00:47:36,000 Speaker 1: a cultural like a huge cultural legacy, and I mean 842 00:47:36,239 --> 00:47:41,759 Speaker 1: it has a cultural legacy, but I guess it's I 843 00:47:41,800 --> 00:47:46,160 Speaker 1: would say it's the third favorite movie culture icon Ira 844 00:47:47,080 --> 00:47:49,200 Speaker 1: his favorite movie of all time. I really feel like 845 00:47:49,280 --> 00:47:51,960 Speaker 1: it has like a lasting It's it's really everyone loves 846 00:47:51,960 --> 00:47:54,480 Speaker 1: the story of Romeo and Juliette Jack, but I think 847 00:47:54,760 --> 00:47:58,400 Speaker 1: I've never heard of them. Romeo and Juliet. They sound 848 00:47:58,520 --> 00:48:02,520 Speaker 1: like a lovely couple. But I guess I'm just saying, 849 00:48:02,600 --> 00:48:05,200 Speaker 1: like it's not this thing that everyone was like, oh ship, 850 00:48:05,280 --> 00:48:08,600 Speaker 1: they're making West Side Story like other than like people 851 00:48:08,680 --> 00:48:11,440 Speaker 1: who are older, like that felt like a bigger or 852 00:48:11,560 --> 00:48:14,920 Speaker 1: of the palate and interest in musicals and things like that. 853 00:48:15,000 --> 00:48:18,160 Speaker 1: I mean, I I acknowledge how like gigantic West Side 854 00:48:18,160 --> 00:48:21,000 Speaker 1: Stories because I felt like in the eighties and nineties, 855 00:48:21,120 --> 00:48:24,480 Speaker 1: like in my school music classes, like that's all the 856 00:48:24,520 --> 00:48:28,000 Speaker 1: teacher would talk about, and then West Side Story You're like, okay, 857 00:48:28,200 --> 00:48:30,320 Speaker 1: like I'm trying to learn the trumpet, but that was 858 00:48:30,360 --> 00:48:34,600 Speaker 1: your teacher and all you keep talking about Yeah, right, right, 859 00:48:35,200 --> 00:48:38,040 Speaker 1: So all I'm saying is the pandemic. During the pandemic, 860 00:48:38,120 --> 00:48:43,640 Speaker 1: older audiences understandably haven't gone to movies, and so that 861 00:48:44,120 --> 00:48:48,120 Speaker 1: is like the very easy and obvious reason that this 862 00:48:48,320 --> 00:48:51,320 Speaker 1: didn't do that great. And it's not the thing that 863 00:48:51,680 --> 00:48:53,879 Speaker 1: Breitbart is going to tell you about, right and even 864 00:48:53,960 --> 00:48:56,279 Speaker 1: like to Joel's one, like, I'll watch it when it's 865 00:48:56,320 --> 00:48:59,719 Speaker 1: streaming because that the you know, the barrier to entry 866 00:48:59,800 --> 00:49:02,279 Speaker 1: is much lower, and it's just merely like, oh yeah, 867 00:49:02,360 --> 00:49:04,439 Speaker 1: like I actually kind of want to see this because 868 00:49:04,440 --> 00:49:07,279 Speaker 1: I'm really I'm really curious, Like visually it looks really 869 00:49:07,400 --> 00:49:10,160 Speaker 1: really cool. And that's the thing more than because I'm 870 00:49:10,160 --> 00:49:12,239 Speaker 1: not really a fan of musicals, but I'm like, no, no, 871 00:49:12,440 --> 00:49:14,200 Speaker 1: I like, I like how this looks. I like I 872 00:49:14,280 --> 00:49:16,640 Speaker 1: like the vibe I'm getting from the screen. So I 873 00:49:16,719 --> 00:49:20,239 Speaker 1: think the first musical, oh my gosh, like just from 874 00:49:20,400 --> 00:49:22,440 Speaker 1: as a cinophile, like you, like, I have to know 875 00:49:22,719 --> 00:49:27,520 Speaker 1: how what did he do? Yes? Yeah, alright, well real quick, 876 00:49:27,560 --> 00:49:31,160 Speaker 1: we do wanna explain the truth about the modern world 877 00:49:31,239 --> 00:49:35,600 Speaker 1: to you, and conspiracy theorists have cracked the code by 878 00:49:35,680 --> 00:49:40,840 Speaker 1: pointing out that there is a mostly forgotten game for 879 00:49:41,280 --> 00:49:45,839 Speaker 1: Dreamcast failed console that I think only released like one 880 00:49:45,920 --> 00:49:47,840 Speaker 1: wave of games, and then they were like, oh that 881 00:49:47,960 --> 00:49:50,839 Speaker 1: you're not will Hey, but shout out to Dreamcast because 882 00:49:50,880 --> 00:49:55,399 Speaker 1: those games are so pirate and it was everything. Yeah, 883 00:49:55,520 --> 00:49:58,160 Speaker 1: if you had it, I got one because the homies 884 00:49:58,200 --> 00:50:00,680 Speaker 1: at high school could get you any game for like 885 00:50:00,840 --> 00:50:04,960 Speaker 1: the cost of a CDR. Good. Anyway, I digress, but anyways, 886 00:50:05,000 --> 00:50:09,560 Speaker 1: in they kind of gave us a little peak, a 887 00:50:09,640 --> 00:50:14,920 Speaker 1: little pinhole look into the truth behind the veil the 888 00:50:15,280 --> 00:50:18,960 Speaker 1: world as the Illuminati know it with the game I'm 889 00:50:19,040 --> 00:50:24,040 Speaker 1: Acron the nomad soul I'm Kron. You're saying, how, how 890 00:50:24,520 --> 00:50:28,160 Speaker 1: the fun did they know the future? And you know, 891 00:50:28,880 --> 00:50:32,200 Speaker 1: the truth is that it's because they're the Illuminati is real, 892 00:50:32,640 --> 00:50:37,680 Speaker 1: or because it's an actual letter in the Greek alphabet. 893 00:50:38,560 --> 00:50:40,239 Speaker 1: Forget about that part. Go back to the part where 894 00:50:40,239 --> 00:50:43,879 Speaker 1: they predicted the future. Yeah, so I gotta low past 895 00:50:43,960 --> 00:50:46,880 Speaker 1: that detail that blows apart this conspiracy theory. So they 896 00:50:47,000 --> 00:50:49,040 Speaker 1: thought up of the world an go on. Yes, they 897 00:50:49,080 --> 00:50:51,799 Speaker 1: came up with the word and then and then also 898 00:50:51,960 --> 00:50:55,000 Speaker 1: the virus actually told scientists what its name was. Scientists 899 00:50:55,040 --> 00:50:57,920 Speaker 1: didn't give the virus that name, So that's what's so amazing. 900 00:50:58,000 --> 00:51:00,360 Speaker 1: It's like, how did they predict it? The because the 901 00:51:00,440 --> 00:51:04,000 Speaker 1: virus was like, Hey, what's up, I'm I'm acron mom. Yes, 902 00:51:04,120 --> 00:51:07,560 Speaker 1: like that game. Hint, hint. But so the thing that 903 00:51:07,680 --> 00:51:09,400 Speaker 1: was notable about the game at the time is that 904 00:51:09,520 --> 00:51:12,960 Speaker 1: David Bowie not only did the music, he's in it 905 00:51:13,440 --> 00:51:17,000 Speaker 1: kind of it's like a blue fact simile of his 906 00:51:17,120 --> 00:51:19,880 Speaker 1: face surrounded by what looks like a bunch of post 907 00:51:19,960 --> 00:51:23,640 Speaker 1: it notes, right, Like, it's just very poorly rendered. It 908 00:51:23,719 --> 00:51:27,960 Speaker 1: looks like Jack He's punched into the internet man, right, right, Yeah, 909 00:51:28,080 --> 00:51:30,319 Speaker 1: it looks like it looks like somebody was like Jack, 910 00:51:30,400 --> 00:51:33,200 Speaker 1: me into the game and U this is the result. 911 00:51:33,600 --> 00:51:37,719 Speaker 1: He plays a character called Bos and the players try 912 00:51:37,800 --> 00:51:40,520 Speaker 1: to save their own soul while hunting down a serial killer. 913 00:51:40,840 --> 00:51:45,560 Speaker 1: And it features demons, government conspiracies, and ancient religious orders. 914 00:51:45,880 --> 00:51:48,160 Speaker 1: So I mean, did Q and on write this game 915 00:51:48,480 --> 00:51:52,320 Speaker 1: or did this game? Right? Thank you? But people have 916 00:51:52,520 --> 00:51:58,160 Speaker 1: latched onto the fact that this game was released by 917 00:51:58,800 --> 00:52:05,879 Speaker 1: Bill Gates himself. He was the head of Microsoft. Well, 918 00:52:06,640 --> 00:52:10,800 Speaker 1: a company that was a subsidiary of Microsoft developed the game. No, no, no, 919 00:52:10,880 --> 00:52:14,560 Speaker 1: it's come on, no, I don't like that detail personally 920 00:52:14,800 --> 00:52:19,680 Speaker 1: designed this ship called Amicron because he's letting people know 921 00:52:20,160 --> 00:52:23,520 Speaker 1: his plans in advance through a video game that you 922 00:52:23,600 --> 00:52:25,480 Speaker 1: just have to stare out long enough for the details 923 00:52:25,520 --> 00:52:27,840 Speaker 1: to come up. Yeah, well I just gotta let him know. 924 00:52:27,960 --> 00:52:30,440 Speaker 1: You know, it's a little, a little trick he's playing 925 00:52:30,480 --> 00:52:32,560 Speaker 1: on us. You know, he's like, he's like one of 926 00:52:32,640 --> 00:52:35,120 Speaker 1: the villains in a Sherlock Holmes thing. Where are there 927 00:52:35,200 --> 00:52:37,400 Speaker 1: like within the game. I mean, there's always gonna be 928 00:52:37,480 --> 00:52:42,080 Speaker 1: stuff that conspiracy theorist point is like it's nailed on man. Well, yeah, 929 00:52:42,320 --> 00:52:48,520 Speaker 1: part how could you deny this? Yeah? Kind of even 930 00:52:48,600 --> 00:52:52,239 Speaker 1: that sort of I mean that's so tangentially. People have 931 00:52:52,440 --> 00:52:56,960 Speaker 1: pointed out that David Bowie also predicted the future because 932 00:52:57,239 --> 00:53:00,439 Speaker 1: on his Ziggy Stardust album cover he stay ending under 933 00:53:00,480 --> 00:53:04,360 Speaker 1: a sign that says k West on the cover okay, 934 00:53:04,960 --> 00:53:07,560 Speaker 1: which is obviously a reference to Kanye West, which he 935 00:53:08,520 --> 00:53:12,200 Speaker 1: like brought with him from the future to create and 936 00:53:12,360 --> 00:53:15,760 Speaker 1: change the face of music. Yeah, that's that's the best 937 00:53:15,960 --> 00:53:18,680 Speaker 1: that I got. There's also a theory that Bowie faked 938 00:53:18,719 --> 00:53:21,800 Speaker 1: his own death because you know, when he died. Sky 939 00:53:22,040 --> 00:53:25,240 Speaker 1: Sky News in the UK interviewed the music music industry 940 00:53:25,280 --> 00:53:30,799 Speaker 1: executive who looks exactly like David Bowie. Yeah, in a way, 941 00:53:31,400 --> 00:53:34,520 Speaker 1: it's almost like a joke. Yeah, it's like if David 942 00:53:34,560 --> 00:53:36,879 Speaker 1: Bowie tried to address as like a dude who had 943 00:53:37,040 --> 00:53:40,640 Speaker 1: no David Bowie swag at all. He even mentions that 944 00:53:40,880 --> 00:53:43,160 Speaker 1: the news of Bowie's death makes it feel like a 945 00:53:43,239 --> 00:53:46,560 Speaker 1: part of himself died too, which is just like all right, 946 00:53:47,200 --> 00:53:52,840 Speaker 1: and they're like, yeah, come on, y'all. I mean I 947 00:53:52,920 --> 00:53:56,040 Speaker 1: do like though that with the Ziggie Stardust thing is 948 00:53:56,120 --> 00:53:58,719 Speaker 1: that there's like that track five years on it and 949 00:53:58,760 --> 00:54:02,719 Speaker 1: they're being like, almost five years to the day after 950 00:54:02,920 --> 00:54:10,319 Speaker 1: Ziggy Stardust was released, Kanye Omari West was born. I mean, 951 00:54:10,400 --> 00:54:12,680 Speaker 1: now I do have Now I do have this bumps. Actually, 952 00:54:13,120 --> 00:54:18,439 Speaker 1: all right, that actually did it for me. But anyways, yeah, 953 00:54:19,080 --> 00:54:22,560 Speaker 1: David Bowie, Bill gets clearly teamed up to give us 954 00:54:23,120 --> 00:54:27,120 Speaker 1: just this strain of the coronavirus. Weird that they just 955 00:54:27,200 --> 00:54:32,520 Speaker 1: focused on this strain to tease. But anyways, Joel, you 956 00:54:32,600 --> 00:54:36,440 Speaker 1: seem stunned by by all the truth I'm dropping on 957 00:54:36,600 --> 00:54:39,480 Speaker 1: you here. I don't know if you guys know, I'm 958 00:54:39,520 --> 00:54:42,839 Speaker 1: a huge um fan of Bowie's last album, Black Star 959 00:54:43,320 --> 00:54:45,480 Speaker 1: Yea and so I was trying to see if I 960 00:54:45,520 --> 00:54:48,200 Speaker 1: could deepen the conspiracy because there's a lot of like 961 00:54:48,320 --> 00:54:52,680 Speaker 1: hidden messages about his death, particularly in the song Lazarous 962 00:54:53,400 --> 00:54:56,399 Speaker 1: Girl Loves Me has some very interesting themes that could 963 00:54:56,480 --> 00:54:59,840 Speaker 1: potentially you know, it's a lot about sort of hi 964 00:55:00,120 --> 00:55:01,640 Speaker 1: ing and all of a sudden, I couldn't do it. 965 00:55:01,680 --> 00:55:03,480 Speaker 1: I could, my brain is not as fast it's these 966 00:55:03,840 --> 00:55:06,320 Speaker 1: conspiracy folks. But I think that if you want to 967 00:55:06,360 --> 00:55:08,759 Speaker 1: deepen the conspiracy and you're interested in this, she just 968 00:55:08,840 --> 00:55:11,120 Speaker 1: definitely check out Black Star and just try to go 969 00:55:11,239 --> 00:55:14,360 Speaker 1: deeper on this. Bowie was leaving us messages everywhere. I 970 00:55:14,440 --> 00:55:16,319 Speaker 1: believe in the video game. I believe in Black Star. 971 00:55:17,800 --> 00:55:19,960 Speaker 1: I hope that Bowie is not part of them. Maybe 972 00:55:20,080 --> 00:55:21,719 Speaker 1: I think he was trying to warn us about it. 973 00:55:22,160 --> 00:55:24,600 Speaker 1: It was like, Yo, it's coming. It's gonna be the 974 00:55:24,640 --> 00:55:26,600 Speaker 1: one you really got to pay attention to, Like this 975 00:55:26,840 --> 00:55:29,160 Speaker 1: eighth version, fourth third, I don't know how many versions 976 00:55:29,200 --> 00:55:31,279 Speaker 1: in of Corona we're in, but whatever it is, he 977 00:55:31,440 --> 00:55:32,680 Speaker 1: was like, this is when you really need to be 978 00:55:32,719 --> 00:55:36,920 Speaker 1: paying attention. Well, Joel as always such a pleasure having you. 979 00:55:37,440 --> 00:55:39,960 Speaker 1: Where can people find you and follow you? Yeah? Let 980 00:55:40,000 --> 00:55:42,240 Speaker 1: me can follow me? All over the internet at dual Monique. 981 00:55:42,280 --> 00:55:44,400 Speaker 1: That's j O E L L E m O n 982 00:55:44,800 --> 00:55:48,280 Speaker 1: I q u E. I forgot to grab a tweet. 983 00:55:48,600 --> 00:55:51,600 Speaker 1: Damn it, hold on, oh I got it okay. Paramount 984 00:55:51,680 --> 00:55:55,040 Speaker 1: Pictures tweeted out book, Tatum and Radcliffe introduced the official 985 00:55:55,080 --> 00:55:58,000 Speaker 1: trailer for The Lost City. If you guys like Romancing 986 00:55:58,080 --> 00:56:02,000 Speaker 1: the Stone, it's back, but Sandra Bullock and Channing Tatum 987 00:56:02,040 --> 00:56:05,040 Speaker 1: and Dana Radcliffe in it. Danna Radcliffe plays a bad guy, 988 00:56:05,320 --> 00:56:09,160 Speaker 1: Book is the writer, and Tatum is a romance cover 989 00:56:09,320 --> 00:56:12,920 Speaker 1: star Alla Faggio who wants to save Sandra Bullock because 990 00:56:12,920 --> 00:56:14,840 Speaker 1: he's in love with her. My favorite part about this 991 00:56:14,920 --> 00:56:17,840 Speaker 1: tweet is Brad Pitt also makes a very important cameo 992 00:56:18,040 --> 00:56:20,040 Speaker 1: in this trailer, and he is not mentioned in this 993 00:56:20,200 --> 00:56:23,320 Speaker 1: tweet at all. If you haven't seen Romancing the Stone, 994 00:56:23,760 --> 00:56:26,600 Speaker 1: please go get your whole life. It is so so 995 00:56:27,080 --> 00:56:31,960 Speaker 1: it's deeply funny, like aside funny, and this trailer I 996 00:56:32,120 --> 00:56:35,400 Speaker 1: literally cannot wait for March twenty five. It feels like 997 00:56:35,480 --> 00:56:38,120 Speaker 1: an older like classic. You guys know, I'm really into 998 00:56:38,200 --> 00:56:41,600 Speaker 1: nineties and eighties films. Not to be that person, but 999 00:56:41,760 --> 00:56:44,960 Speaker 1: I am. And it has those vibes. It's like weird 1000 00:56:45,120 --> 00:56:47,440 Speaker 1: and cheesy and goofy but funny and also has a 1001 00:56:47,560 --> 00:56:51,480 Speaker 1: huge freaking budget. I can't wait. Velocity looks Look, It's 1002 00:56:51,480 --> 00:56:53,640 Speaker 1: gonna be so good. It's also about Velocity of d 1003 00:56:53,960 --> 00:56:55,920 Speaker 1: is the name of her book, which is funny if 1004 00:56:56,000 --> 00:56:58,120 Speaker 1: you like Selocity of Dick. It's a romance novel. It's 1005 00:56:58,160 --> 00:57:00,759 Speaker 1: gonna be great. It's gonna be so good. Miles, where 1006 00:57:00,800 --> 00:57:03,000 Speaker 1: can people find you? What is the tweet you've been enjoying? 1007 00:57:03,120 --> 00:57:05,719 Speaker 1: Find me on Twitter and Instagram at Miles of Gray 1008 00:57:05,760 --> 00:57:09,799 Speaker 1: and also the other podport twenty day Fiance with Alexandra 1009 00:57:09,960 --> 00:57:13,880 Speaker 1: talking ninety day. Um. Some tweets that I like, Uh, 1010 00:57:13,960 --> 00:57:17,560 Speaker 1: this is this one from at Jesse Case tweeting it 1011 00:57:17,560 --> 00:57:20,800 Speaker 1: would be hilarious if alcohol had gotten stronger since the sixties, 1012 00:57:20,880 --> 00:57:23,520 Speaker 1: like we did. Your dad tries to sip of cores 1013 00:57:23,600 --> 00:57:28,720 Speaker 1: light and passes out. It's like, since it's always the 1014 00:57:28,840 --> 00:57:31,640 Speaker 1: refrain whenever I've like burned up with older people, it's 1015 00:57:31,680 --> 00:57:35,360 Speaker 1: like like whoa, whoa, whoa, this isn't like back then. Um, 1016 00:57:36,040 --> 00:57:38,680 Speaker 1: and yeah, could you imagine if somehow our tolerance for 1017 00:57:38,960 --> 00:57:40,880 Speaker 1: now actually know that'd be a hellscape If you had 1018 00:57:40,960 --> 00:57:42,920 Speaker 1: a sip of a Coors light and then passed up. 1019 00:57:42,960 --> 00:57:46,600 Speaker 1: But anyway, I mean if it if it actually made 1020 00:57:46,640 --> 00:57:49,560 Speaker 1: them pass out instead of being insanely drunk, that would 1021 00:57:49,560 --> 00:57:52,320 Speaker 1: actually be not the worst thing in the world. Alright, 1022 00:57:52,440 --> 00:57:56,560 Speaker 1: that was actually mine. But I will also uh yeah, 1023 00:57:56,680 --> 00:58:02,640 Speaker 1: Michael Benjamin MF. Benji tweet me, it's cold, worst person 1024 00:58:02,720 --> 00:58:05,400 Speaker 1: you've ever met? You think this is cold? I'm from 1025 00:58:05,920 --> 00:58:08,000 Speaker 1: and the hin parentheses by this point, I've turned off 1026 00:58:08,280 --> 00:58:13,720 Speaker 1: from Chicago B And it is not that cold. I 1027 00:58:13,760 --> 00:58:17,040 Speaker 1: would be that worst person. I don't care. Are have 1028 00:58:17,120 --> 00:58:21,040 Speaker 1: you not been cold at all this since this? Uh? Okay? 1029 00:58:21,840 --> 00:58:24,040 Speaker 1: Because I bet it's relative right, because I bet part 1030 00:58:24,120 --> 00:58:26,720 Speaker 1: of you, your your body gets used to this Californian this, 1031 00:58:26,920 --> 00:58:29,120 Speaker 1: and you forget your miles. I was trying to make 1032 00:58:29,200 --> 00:58:32,280 Speaker 1: a point, but there was frost on the roofs yesterday. 1033 00:58:32,360 --> 00:58:35,280 Speaker 1: I had to turn the heater on. My father disowned me. 1034 00:58:35,520 --> 00:58:37,680 Speaker 1: I'm not allowed back in the city of Chicago. Now. 1035 00:58:38,480 --> 00:58:41,240 Speaker 1: It's over for me. But also I am like, I'm 1036 00:58:41,280 --> 00:58:43,680 Speaker 1: mentally aware that it's not that cold, but physically my 1037 00:58:43,720 --> 00:58:46,080 Speaker 1: body refuses to accept that that. I did have to 1038 00:58:46,120 --> 00:58:50,120 Speaker 1: put a blanket on there. You go okay appreciation. All right, Well, 1039 00:58:50,160 --> 00:58:52,400 Speaker 1: you can find me on Twitter at Jack Underscore O'Brien. 1040 00:58:52,440 --> 00:58:54,560 Speaker 1: You can find us on Twitter at daily Zi. Guys, 1041 00:58:54,560 --> 00:58:56,760 Speaker 1: we're at the Daily Like used on Instagram, we have 1042 00:58:56,920 --> 00:58:59,760 Speaker 1: Facebook fan page and website daily sis dot com where 1043 00:58:59,760 --> 00:59:03,600 Speaker 1: we put our episodes and our footnotes where we link 1044 00:59:03,640 --> 00:59:06,000 Speaker 1: off to the information that we talked about in today's episode, 1045 00:59:06,000 --> 00:59:08,680 Speaker 1: as well as a song that we think you might enjoy. Miles, 1046 00:59:08,720 --> 00:59:10,720 Speaker 1: What's song do we think people might enjoy? It? Just 1047 00:59:11,280 --> 00:59:16,360 Speaker 1: some good old fashioned instrumental music from the Jabs, James 1048 00:59:16,400 --> 00:59:21,960 Speaker 1: Brown's backing band. Uh. Shock full of fantastic musicians in 1049 00:59:22,040 --> 00:59:25,400 Speaker 1: their own right. I mean, you know Maceo Parker heard 1050 00:59:25,440 --> 00:59:28,680 Speaker 1: a Maco party, heard of Maco in the Max anyway, 1051 00:59:28,920 --> 00:59:31,800 Speaker 1: but yes, very talented band. But this track is called 1052 00:59:31,960 --> 00:59:35,560 Speaker 1: Theme from King Heroin and it's just a great track 1053 00:59:35,680 --> 00:59:38,160 Speaker 1: of just again with the with the weather and the 1054 00:59:38,720 --> 00:59:42,000 Speaker 1: indoor nature of our current season. This this is something 1055 00:59:42,080 --> 00:59:43,920 Speaker 1: nice to have in the background, has got sold to. 1056 00:59:44,080 --> 00:59:46,160 Speaker 1: It's got a little bit of funk to it. It's 1057 00:59:46,200 --> 00:59:49,280 Speaker 1: just just a great track. So Theme from King Harold. Alright, 1058 00:59:49,360 --> 00:59:51,240 Speaker 1: we'll go listen to that. The Daily Zey Gay is 1059 00:59:51,320 --> 00:59:53,480 Speaker 1: the production of iHeart Radio from our podcast from my 1060 00:59:53,560 --> 00:59:57,080 Speaker 1: heart Radio, visit the iHeart Radio app, Apple Podcaster, wherever 1061 00:59:57,080 --> 00:59:58,840 Speaker 1: you listen to your favorite shows. That's gonna do it 1062 00:59:58,920 --> 01:00:01,240 Speaker 1: for us this morning, quarterback this afternoon to tell you 1063 01:00:01,280 --> 01:00:03,320 Speaker 1: what's trending, and we'll talk to you all then. Bye 1064 01:00:03,680 --> 01:00:06,720 Speaker 1: bye bye m M.