WEBVTT - #59 - Twista

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<v Speaker 1>All right, another episode. All right, so check this out.

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<v Speaker 1>We got a great episode for you today with the

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<v Speaker 1>legend Twister. That's right. You know, I've been dming Twisted

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<v Speaker 1>for the better part of the last three or four years,

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<v Speaker 1>and we finally have linked up. I was trying to

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<v Speaker 1>get him to come on the radio show when I

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<v Speaker 1>was on with DJ Head, trying to get him go

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<v Speaker 1>on the podcast. He finally came to LA. We sat down.

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<v Speaker 1>He's got a new EP out, and man, we just

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<v Speaker 1>talk about history. Twist is a historical artist. He's a

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<v Speaker 1>legendary artist. He's been a part of a lot of

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<v Speaker 1>legendary moments in hip hop. So we discussed all of

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<v Speaker 1>that shit and much more. So that's coming up. A

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<v Speaker 1>shout out to our sponsor, odd Socks. Man. Listen, you

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<v Speaker 1>Use that keyword at checkout, save twenty percent off. Let's

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<v Speaker 1>talk to twist them, man, Let's get this thing started.

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<v Speaker 1>It's the Bootleg cap podcast. All right, look at Bootleg

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<v Speaker 1>cav podcast, Boutlet Cats show. We got a legend. I

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<v Speaker 1>don't say that lightly. Twist this here, and I appreciate that.

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<v Speaker 1>You're a fucking legend, bro, appreciate it. Hey, man, listen,

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<v Speaker 1>I just want to say I've been trying. I feel

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<v Speaker 1>like I've been dming you probably for about six months,

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<v Speaker 1>trying to be like, yeah when you come to LA man,

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<v Speaker 1>like it's been a while. Man, I know, we always

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<v Speaker 1>like trying to lock in GLA and then when I

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<v Speaker 1>was at the radio station, I mean I've probably been

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<v Speaker 1>dming you longer than that because were trying to get

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<v Speaker 1>you on the radio station and shit, and yeah, it's

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<v Speaker 1>good to have you here though. Bro. Man, man, it's

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<v Speaker 1>a hey, better late than never. Run one hundred percent, Man,

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<v Speaker 1>hundred percent. You have so much just historical legacy in

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<v Speaker 1>the game. Bro. You know what I'm saying, It's been

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<v Speaker 1>a long time. Let's started. Like obviously, I remember I

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<v Speaker 1>first heard you probably it was probably around like ninety

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<v Speaker 1>nine when I was like a kid and you already

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<v Speaker 1>you know, moving and shaking. But it was it was

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<v Speaker 1>a I think the first song I probably ever heard you,

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<v Speaker 1>I really it was probably pop Pemp Yeah, and then

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<v Speaker 1>digging into all the other shit, the speeding up mobsters

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<v Speaker 1>and all that, you know what I'm saying. So like

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<v Speaker 1>during that era in Chicago hip hop, this was before

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<v Speaker 1>the drill shit, I felt like it was like what

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<v Speaker 1>you were doing a crucial conflict was doing. And then

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<v Speaker 1>on the other side of the token, it was like

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<v Speaker 1>common sense in the Resurrection and you know, and Solt.

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<v Speaker 1>It always just felt like Chicago has always kind of

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<v Speaker 1>been two sides sonically at all times. It was like

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<v Speaker 1>like south side West side. You know, you have to

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<v Speaker 1>you know, shout to the north side too, but you know,

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<v Speaker 1>mostly like a south side West side thing, not really

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<v Speaker 1>intuit with each other, but just you know, two different

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<v Speaker 1>vibes a little bit when it came to music, Yeah,

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<v Speaker 1>what what is it that inspired you to wrap the

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<v Speaker 1>way you rap originally? Because you you know, I always

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<v Speaker 1>have this talk with UH, with the homie rints that

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<v Speaker 1>when it comes to the like Tech nine two, we've

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<v Speaker 1>we've talked about you a lot when it comes to chopping.

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<v Speaker 1>There's nobody who can UH really like you, like when

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<v Speaker 1>you wrap, it's so clean. Some people can rap fast,

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<v Speaker 1>but it's really hard to understand. Like you enunciate so

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<v Speaker 1>perfectly every single like it's it's like, to me, that's

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<v Speaker 1>what it's about. That that's that's the limit of it

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<v Speaker 1>is how clear can you say your words at a

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<v Speaker 1>certain pace or k you know, so to me, that's

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<v Speaker 1>what it's about. It's a complete package. And once once

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<v Speaker 1>one is over the other one, then you're not really

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<v Speaker 1>doing it the right way. But when did you start

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<v Speaker 1>to master that, like and what were the influences that

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<v Speaker 1>kind of made you decide to start rapping that way?

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<v Speaker 1>This was early on just really because I was doing

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<v Speaker 1>so many, so many rhymes where I'm having punchlines and

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<v Speaker 1>stuff like that, and like more into battles like the

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<v Speaker 1>younger stage, you know, and I wanted to sound different,

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<v Speaker 1>make something different, make a song, or just a new flow.

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<v Speaker 1>So I started like changing up the flow and making

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<v Speaker 1>different patterns. And then every once in a while, you were,

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<v Speaker 1>you know, uh, coming up the street and not be

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<v Speaker 1>backing into the beat, and then just a little more,

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<v Speaker 1>then a little more, and then you start to hear

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<v Speaker 1>a few other rappers doing it here and there, you know,

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<v Speaker 1>oh man. And then one day I just decided I

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<v Speaker 1>want to make a whole song like that. I'm like,

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<v Speaker 1>I always make little phrases like that. Let me make

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<v Speaker 1>a whole song like that, you know. And then I

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<v Speaker 1>started making songs like mister Tongue Twisters. That's crazy? So

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<v Speaker 1>what year? What year was mister tongue twister? Man? A

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<v Speaker 1>long time ago, like ninety one or something like that.

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<v Speaker 1>Ninety one. That's so crazy. You know, it's crazy too,

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<v Speaker 1>because I think it was ninety one. I was, I

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<v Speaker 1>was four now. But what's crazy is uh? Like I

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<v Speaker 1>remember as a kid like there was like this. I

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<v Speaker 1>don't know if it was a bee for weird energy

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<v Speaker 1>between you boys in Chicago and the Bone Thugs guys.

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<v Speaker 1>Mm hmm. It was kind of like I think they

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<v Speaker 1>might have said something on Art of War. Yeah, I

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<v Speaker 1>think it was Art of War, right, it was on

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<v Speaker 1>that album, like all of the all of the early

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<v Speaker 1>early app was that that had that style at some

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<v Speaker 1>form or time got out their body a little bit, right, yeah,

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<v Speaker 1>because it was like no, you bite me, you bite me?

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<v Speaker 1>Well I was doing it first. Yeah, we all got

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<v Speaker 1>out of our body a little bit about that type

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<v Speaker 1>of stuff. So that was that was early on when

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<v Speaker 1>you know, we all were trying to stay claim at

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<v Speaker 1>a certain vibe, not realizing that we were all the

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<v Speaker 1>founders of a certain sound facts people. You know, once

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<v Speaker 1>we started to realize how many people we influenced, then

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<v Speaker 1>that's when we realized that we were all brothers in

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<v Speaker 1>the sex who who who said something first? Back then,

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<v Speaker 1>like who took the first? So you were the first? Okay,

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<v Speaker 1>so it was you first? Yeah? Yeah, I think I

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<v Speaker 1>kicked it off first. I think I saw a crazy

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<v Speaker 1>bone when we was doing a video for Spit Your Game. Okay,

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<v Speaker 1>yeah I remember, Yo, that's crazy. Yeah, because years later

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<v Speaker 1>you guys end up working on that together. Yeah yeah, yeah,

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<v Speaker 1>shout out to crazy. You know, all of them are

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<v Speaker 1>eyes though you know, yeah, that's dope. Yeah, that's it's crazy.

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<v Speaker 1>As we think about like how rap beef is now,

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<v Speaker 1>it's like it's not a lot of mature and getting

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<v Speaker 1>PASTI it anymore, you know what I'm saying. Yeah, you know, uh,

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<v Speaker 1>and then then there is some you know, so hopefully

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<v Speaker 1>hopefully a lot of the younger cats look at the

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<v Speaker 1>way we moved a little bit and kind of kind

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<v Speaker 1>of follow suit. You know, when did you realize that

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<v Speaker 1>you had something like because we I think every rapper

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<v Speaker 1>has a you know, whether it's back then getting your

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<v Speaker 1>demo in the right person's hand, or hearing your record

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<v Speaker 1>on the radio, or when was the first instance where

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<v Speaker 1>you realize like, oh I could really like make real

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<v Speaker 1>money off this rap shit. Man, I probably can't remember

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<v Speaker 1>the first. The first probably entering entering h contests back then,

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<v Speaker 1>you know, because this was how I first got on.

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<v Speaker 1>It's like just getting in contests and stuff like that.

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<v Speaker 1>So I think it was maybe me and my guy

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<v Speaker 1>Creed getting in the show U one day or should

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<v Speaker 1>I say, a contest and did a song and got

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<v Speaker 1>the opportunity to record them. You know, once people start

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<v Speaker 1>paying for stuff, right, once you saw people paid money

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<v Speaker 1>for it to see me. Yeah, paid to see a

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<v Speaker 1>show or something like that. You know, things like that. Yeah,

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<v Speaker 1>that's wild. So you ended up putting out Adrenaline Rush. Uh.

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<v Speaker 1>You were kind of like a I don't want to

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<v Speaker 1>call you an underground favorite, but you were kind of

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<v Speaker 1>like a you had like a dope Colt following and

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<v Speaker 1>hip hop. I remember when the Uh Paid in full

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<v Speaker 1>soundtrack Slash Rock Rockefeller album came out. It was like

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<v Speaker 1>it was like a double disc album, and that was

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<v Speaker 1>the first time that I it was the We Are

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<v Speaker 1>the Champions record and the way the way Dame brought

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<v Speaker 1>you in on that record was so legendary. And you

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<v Speaker 1>just came. You caught a fucking body and I think

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<v Speaker 1>I might have saw it was like maybe a video

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<v Speaker 1>you or something in Chicago getting the Rockefeller chain put

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<v Speaker 1>on you. Uh, it wasn't Chicago. It was somewhere. It

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<v Speaker 1>was on stage though, right it was on stage, Yeah, yeah,

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<v Speaker 1>it was that was that was an a dope vibe

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<v Speaker 1>right there. Shout out to the homie. Dang. Yeah. How

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<v Speaker 1>did talk about how your relationship with Rockefeller started? Just

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<v Speaker 1>early on a little bit of everything. I will say

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<v Speaker 1>Kanye Dame and Jay all in some form of fashion

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<v Speaker 1>just just had something to do with me being involved

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<v Speaker 1>with Rockefeller of course Jay, you know, with him being

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<v Speaker 1>who he is and us doing what we did with

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<v Speaker 1>like uh you know, uh is that your chick popping tags? Right?

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<v Speaker 1>Just like that? And then of course Yay having that

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<v Speaker 1>vibe and bring bringing me along in that whole vibe,

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<v Speaker 1>and then even with that vibe, but like dang with

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<v Speaker 1>the Champions joint. So yeah, it was crazy. Everybody I

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<v Speaker 1>was cool with all of that. Was h Did you

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<v Speaker 1>have a relationship with Kanye first because of the Chicago

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<v Speaker 1>share or did you It's not really like have a relationship,

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<v Speaker 1>but before he became Kanye West per se, he was

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<v Speaker 1>already cool. He was already cool. Yeah. Yeah, we didn't

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<v Speaker 1>kick it a lot or nothing like that, but we

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<v Speaker 1>always was around each other, especially on the music scene,

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<v Speaker 1>you know in Chicago. So so yeah, yeah, it's crazy

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<v Speaker 1>because you mentioned is that your chicken and popping tags?

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<v Speaker 1>Those are some crazy joints, crazy features. Is that your

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<v Speaker 1>chick is Like I think that's one of those records

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<v Speaker 1>that it's forgotten it hip hop, you know what I'm saying,

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<v Speaker 1>Like we forgot rocking that joint. That joint is fucking

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<v Speaker 1>That ship is a classic, man, that's my joint. That's

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<v Speaker 1>the I think it's the hardest Memphis Bleak record. That ship. Okay,

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<v Speaker 1>shout out, I mean shout out to Bleak, but that's

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<v Speaker 1>shout out to the homie Bleak. So who So originally,

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<v Speaker 1>what made you decide to go to rock? I mean,

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<v Speaker 1>obviously at the time, it probably wasn't hard to make

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<v Speaker 1>the Rockefeller decision because it's the hardest crew and hip

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<v Speaker 1>hop at the moment, right, Yeah, yeah, we was rocking. Yeah, yeah,

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<v Speaker 1>I was loving it. You know, that whole vibe. To

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<v Speaker 1>be around that team at that time period was definitely

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<v Speaker 1>a plus, you know, and then to be vibing with

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<v Speaker 1>him was a whole other thing. So so it was cool.

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<v Speaker 1>What was give me like a Rockefeller story, man, one

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<v Speaker 1>that like just being being around that era, being around

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<v Speaker 1>Hole during that time something that we like people might

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<v Speaker 1>not know, just like a crazy experience that you had

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<v Speaker 1>back then. Just always weirded out at Jay's prediction ability,

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<v Speaker 1>how he would look up and say, you know that

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<v Speaker 1>slow Jams was gonna be a hit, and then it

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<v Speaker 1>would it would happen. And then like me writing Is

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<v Speaker 1>This the End? That song with P Diddy? And when

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<v Speaker 1>I did that song and walking in the room with

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<v Speaker 1>Jay and P Diddy chopping it up and we were talking.

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<v Speaker 1>We started talking about the is this the End joint?

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<v Speaker 1>And I remember how how I was doing that joint.

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<v Speaker 1>I was faded writing that joint, you know, so like

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<v Speaker 1>real faded, and I had some good weed that I

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<v Speaker 1>never had before. So I wrote that joint and everything.

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<v Speaker 1>So we was in there talking about it and was

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<v Speaker 1>looking at it, and he just looked at it. He

0:12:04.840 --> 0:12:07.600
<v Speaker 1>was he was high when you wrote that, So it

0:12:07.640 --> 0:12:10.600
<v Speaker 1>was just but it was strange because I was real

0:12:10.679 --> 0:12:13.720
<v Speaker 1>high when I wrote that, so for some reason about

0:12:13.760 --> 0:12:16.679
<v Speaker 1>the flow, he knew I was high. The Origin of

0:12:16.720 --> 0:12:19.800
<v Speaker 1>the Slow Jams is a record that I distinctly remember,

0:12:20.080 --> 0:12:22.680
<v Speaker 1>like being in high school and and that being like

0:12:23.160 --> 0:12:25.360
<v Speaker 1>my favorite record. You know, that was a record that

0:12:25.480 --> 0:12:29.800
<v Speaker 1>was it was early Kanye as far as you know,

0:12:29.840 --> 0:12:33.280
<v Speaker 1>that was like one of Kanye's early earliest records. I

0:12:33.280 --> 0:12:35.160
<v Speaker 1>feel like it was like through the Wire and then

0:12:35.200 --> 0:12:37.600
<v Speaker 1>that came and and that just kind of added to

0:12:37.640 --> 0:12:40.000
<v Speaker 1>his allure and that was really that was really like,

0:12:40.080 --> 0:12:41.959
<v Speaker 1>was that like your first hit record? As far as

0:12:41.960 --> 0:12:45.000
<v Speaker 1>like radio like solo radio level. Yeah, yeah, that was.

0:12:45.080 --> 0:12:47.520
<v Speaker 1>That was like the biggest record of my career, hands down.

0:12:48.559 --> 0:12:51.920
<v Speaker 1>Overnight Celebrity was nice too, though, Man, that was that

0:12:52.080 --> 0:12:54.480
<v Speaker 1>was the joint, you know, that was something to have

0:12:54.600 --> 0:12:58.160
<v Speaker 1>to come with. Yeah, the whole the vibe of that,

0:12:58.360 --> 0:13:00.880
<v Speaker 1>you know. So I got lucky being able to come

0:13:00.920 --> 0:13:03.440
<v Speaker 1>with that one and him going as hard on the

0:13:03.440 --> 0:13:05.800
<v Speaker 1>beat as he was able. It was crazy. Now, but

0:13:05.840 --> 0:13:07.880
<v Speaker 1>Slow Jams tell us about that record? How was it made?

0:13:07.920 --> 0:13:10.160
<v Speaker 1>Like what were the origins of that record? Like, like

0:13:10.160 --> 0:13:13.320
<v Speaker 1>like Slow Jams was something that was a vibe that

0:13:13.480 --> 0:13:17.960
<v Speaker 1>U Yay already had. He already just just had the

0:13:17.960 --> 0:13:20.439
<v Speaker 1>whole aura of it. He had the beat, He had

0:13:20.440 --> 0:13:22.679
<v Speaker 1>an idea of what he wanted me to do, so

0:13:23.000 --> 0:13:26.960
<v Speaker 1>you know, me obviously knowing what I'm hearing is like

0:13:26.960 --> 0:13:29.240
<v Speaker 1>like dope as hell, you know, not not knowing it

0:13:29.280 --> 0:13:31.800
<v Speaker 1>was gonna beat that fucking beat, but I'm I'm like, man,

0:13:31.800 --> 0:13:34.480
<v Speaker 1>I gotta body this, so I'm doing my thing on it.

0:13:34.520 --> 0:13:36.839
<v Speaker 1>But then he put Jamie on it and the way

0:13:36.920 --> 0:13:39.800
<v Speaker 1>it all came together and that was like right, that

0:13:39.920 --> 0:13:42.640
<v Speaker 1>was like peak Jamie as an artist too, or really

0:13:42.679 --> 0:13:44.400
<v Speaker 1>I feel like that is what really kind of kicked

0:13:44.400 --> 0:13:47.560
<v Speaker 1>off people taking Jamie serious as a singer. It was

0:13:47.640 --> 0:13:51.280
<v Speaker 1>that song. That song was because that was before Unpredictable,

0:13:51.520 --> 0:13:54.240
<v Speaker 1>that was before that his album. That was like the

0:13:54.360 --> 0:13:57.160
<v Speaker 1>very first time that we were like, oh Jamie Fox

0:13:57.200 --> 0:13:59.640
<v Speaker 1>could sing. Yeah, That's what turned it on to me

0:13:59.720 --> 0:14:02.880
<v Speaker 1>for us music career. He always was talented to of course,

0:14:03.240 --> 0:14:06.280
<v Speaker 1>of course that record coming out like turned it on

0:14:06.480 --> 0:14:09.480
<v Speaker 1>and launched that opportunity. And you say, Jay called that

0:14:09.559 --> 0:14:14.000
<v Speaker 1>record he knew it was gonna be a hit when

0:14:14.000 --> 0:14:16.240
<v Speaker 1>you were around Yay early did did? Did he? I mean,

0:14:16.240 --> 0:14:19.040
<v Speaker 1>because I always tell people who aren't like real hardcore

0:14:19.120 --> 0:14:23.120
<v Speaker 1>Kanye fans, is Kanye has always been oh you some

0:14:23.160 --> 0:14:28.680
<v Speaker 1>water something? Is there some water in there? I always

0:14:28.720 --> 0:14:31.520
<v Speaker 1>tell people who haven't followed Kanye West until recently over

0:14:31.520 --> 0:14:33.360
<v Speaker 1>the last ten years that, like, Kanye has always been

0:14:33.360 --> 0:14:38.600
<v Speaker 1>a very confident dude. Yeah, you know what I'm saying, Like,

0:14:38.640 --> 0:14:40.720
<v Speaker 1>I don't think I mean, it's obviously magnified a lot,

0:14:40.840 --> 0:14:42.680
<v Speaker 1>you know, but I feel like Kanye has always kind

0:14:42.680 --> 0:14:53.080
<v Speaker 1>of been a mad scientist. Yeah, yeah, for sure, mad scientists, right, Yeah,

0:14:53.120 --> 0:14:56.640
<v Speaker 1>Like working with him, because you were working with him

0:14:56.840 --> 0:14:59.200
<v Speaker 1>that was before college dropout right, Yeah, that was before

0:14:59.200 --> 0:15:02.840
<v Speaker 1>Slow James was BEFO calls dropout for that released. You know,

0:15:02.920 --> 0:15:05.800
<v Speaker 1>I already had a vibe of of how he worked

0:15:05.840 --> 0:15:07.960
<v Speaker 1>and and and just what he do because I was

0:15:08.000 --> 0:15:11.600
<v Speaker 1>around him when he was making beats early on, you know,

0:15:11.720 --> 0:15:14.720
<v Speaker 1>so I was I would always know that his sound

0:15:14.840 --> 0:15:19.080
<v Speaker 1>was very unique. His choice of music was like a

0:15:19.360 --> 0:15:22.080
<v Speaker 1>like a DJ, almost like a you know, it felt

0:15:22.120 --> 0:15:24.320
<v Speaker 1>like a DJ. I was like, man, he knows the records.

0:15:24.320 --> 0:15:29.640
<v Speaker 1>You So, yeah, he was always dope to talk about

0:15:29.640 --> 0:15:32.760
<v Speaker 1>to Cameron. So Cam has always paid homage to the

0:15:32.840 --> 0:15:37.080
<v Speaker 1>shy he used to live there. Yeah, he on Purple Haze,

0:15:37.160 --> 0:15:40.280
<v Speaker 1>he re redid adrenaline Rush and you you caught a

0:15:40.280 --> 0:15:44.920
<v Speaker 1>fucking body on that. What is it about Cam in Chicago?

0:15:44.960 --> 0:15:47.040
<v Speaker 1>And like just the homage and the and the respect

0:15:47.040 --> 0:15:48.920
<v Speaker 1>he's always shown. Man, it's it's been I mean, it's

0:15:48.920 --> 0:15:50.920
<v Speaker 1>been dope to see over the over the last however

0:15:50.960 --> 0:15:53.360
<v Speaker 1>many years. I just feel like, you know, it's an

0:15:53.400 --> 0:15:56.480
<v Speaker 1>old saying where they say real recognized real, you know,

0:15:56.520 --> 0:15:59.960
<v Speaker 1>and I just think, uh, you know, the vibes really

0:16:00.320 --> 0:16:03.120
<v Speaker 1>you know, like like like where he from and how

0:16:03.160 --> 0:16:06.240
<v Speaker 1>he get down and shot town people and how they

0:16:06.280 --> 0:16:08.720
<v Speaker 1>get down. And then just cam being a person that

0:16:08.800 --> 0:16:11.400
<v Speaker 1>moved around though he was in Ohio at one point,

0:16:11.520 --> 0:16:14.640
<v Speaker 1>chilling doing his thing too, like Chicago as well as

0:16:14.680 --> 0:16:18.360
<v Speaker 1>other places. So him being a fan of my music

0:16:18.400 --> 0:16:21.160
<v Speaker 1>as well me being a fan of his music. It

0:16:21.240 --> 0:16:23.080
<v Speaker 1>was real dope when he came because he was in

0:16:23.200 --> 0:16:26.680
<v Speaker 1>Chicago and we actually sat right there in each other's

0:16:26.680 --> 0:16:29.800
<v Speaker 1>face and talked about doing that record. So he did

0:16:29.840 --> 0:16:31.720
<v Speaker 1>he come to you? And when he when he came

0:16:31.800 --> 0:16:34.040
<v Speaker 1>to you, was he like, y'all, I want to remake

0:16:34.080 --> 0:16:36.680
<v Speaker 1>this for purple Hats. Yeah, he had a mastermind already.

0:16:36.720 --> 0:16:39.800
<v Speaker 1>He knew exactly what the fuck you wanted. Yeah, So

0:16:39.840 --> 0:16:41.760
<v Speaker 1>that's what made the record so fun, was because he

0:16:41.840 --> 0:16:45.760
<v Speaker 1>knew exactly how he wanted. That's wild, yo. Let me

0:16:45.760 --> 0:16:49.720
<v Speaker 1>ask you this. With Kamakazi being a classic record, right,

0:16:50.120 --> 0:16:54.600
<v Speaker 1>that was your only album on Rockefeller, I didn't actually

0:16:54.600 --> 0:16:57.760
<v Speaker 1>have an album, so that album wasn't So what was

0:16:57.800 --> 0:17:00.400
<v Speaker 1>your situation with him because you had to ain't on

0:17:00.640 --> 0:17:03.400
<v Speaker 1>you had the features you know that it was it

0:17:03.440 --> 0:17:08.639
<v Speaker 1>was It was pretty much more like a family vibe. Okay, okay, okay,

0:17:08.880 --> 0:17:10.640
<v Speaker 1>that we could have took further, but at the time.

0:17:10.680 --> 0:17:13.080
<v Speaker 1>I was on Atlantic Records, right, I knew that album

0:17:13.119 --> 0:17:15.800
<v Speaker 1>came out through Atlantic. I didn't know Rock, so it didn't.

0:17:15.920 --> 0:17:21.399
<v Speaker 1>So you technically never dropped an album album through Rockefeller. Damn,

0:17:22.000 --> 0:17:25.480
<v Speaker 1>that's crazy. So that was just some family ties ship,

0:17:25.520 --> 0:17:27.440
<v Speaker 1>like hey, you're part of the gang. Here's the change,

0:17:27.600 --> 0:17:30.040
<v Speaker 1>you know what I'm saying. Like, definitely, that was far

0:17:30.080 --> 0:17:31.520
<v Speaker 1>as far as we could take it. We would have

0:17:31.560 --> 0:17:34.359
<v Speaker 1>took it further if if the companies could have merged

0:17:34.359 --> 0:17:37.879
<v Speaker 1>the situation. But you know, unfortunately that couldn't happen. So

0:17:38.520 --> 0:17:42.160
<v Speaker 1>I had to keep it moving, keep it moving. Who

0:17:42.240 --> 0:17:44.680
<v Speaker 1>is who were you closest with on the roster because

0:17:44.680 --> 0:17:47.560
<v Speaker 1>there was such a large roster of artists. But you know,

0:17:47.640 --> 0:17:49.439
<v Speaker 1>we're talking about the young guns. Were talking about all

0:17:49.480 --> 0:17:52.640
<v Speaker 1>the state property beans Memphis, Like who was like your

0:17:52.680 --> 0:17:56.680
<v Speaker 1>your your closest comrade on the Rockefeller roster. Everybody was cool.

0:17:56.720 --> 0:17:59.480
<v Speaker 1>I had a vibe with everybody. I probably kicked it

0:17:59.480 --> 0:18:02.960
<v Speaker 1>the most with with a bleak and Freeway. Freeway is

0:18:03.000 --> 0:18:06.120
<v Speaker 1>a good dude man. Probably kicked it with the most

0:18:06.240 --> 0:18:11.840
<v Speaker 1>shouts to free It's crazy to see the evolution of

0:18:11.880 --> 0:18:15.360
<v Speaker 1>what you got started in the nineties with chopping and

0:18:15.359 --> 0:18:19.080
<v Speaker 1>and and and rapping that way. There's so many dope

0:18:19.200 --> 0:18:23.720
<v Speaker 1>artists who do it. Now, the you know, the logics

0:18:23.720 --> 0:18:26.240
<v Speaker 1>of the world. We mentioned Rits. You know, obviously tech

0:18:26.320 --> 0:18:28.880
<v Speaker 1>nines are o G text tech and getting that bag.

0:18:29.680 --> 0:18:32.200
<v Speaker 1>Who are some artists that that you respect what they

0:18:32.200 --> 0:18:38.040
<v Speaker 1>do when it comes to chopping like that? Damn? Who

0:18:38.160 --> 0:18:48.200
<v Speaker 1>was that I was talking about the day? Damn? Oh man,

0:18:48.240 --> 0:18:50.240
<v Speaker 1>you caught me up on that one too. It's I

0:18:50.280 --> 0:18:53.280
<v Speaker 1>want to remember so hard. I can't remember the name

0:18:53.320 --> 0:18:56.520
<v Speaker 1>of the group though, but definitely the people who you

0:18:56.640 --> 0:18:58.720
<v Speaker 1>name and are still people who I listened to, like

0:18:58.880 --> 0:19:01.320
<v Speaker 1>like Rits and stuff like that. Now, Hey, by the way,

0:19:01.400 --> 0:19:04.040
<v Speaker 1>rit Riz, you and Rich ever talk about doing the

0:19:04.080 --> 0:19:07.600
<v Speaker 1>EP together? Yeah, okay, okay, okay, because he's he's mentioned

0:19:07.600 --> 0:19:09.439
<v Speaker 1>that too, Yes, my boy. So he mentioned it that

0:19:09.680 --> 0:19:13.600
<v Speaker 1>in passing and I was like, hey, you that'd be crazy. Yeah, yeah, yeah,

0:19:13.640 --> 0:19:16.160
<v Speaker 1>we we mentioned it. It's gonna happen. It's gonna happen.

0:19:16.160 --> 0:19:17.920
<v Speaker 1>We're gonna be in the right space at the right time.

0:19:18.040 --> 0:19:21.320
<v Speaker 1>He's also another one of those guys that raps very fast,

0:19:21.400 --> 0:19:25.360
<v Speaker 1>but like enunciates his words so where it's just like

0:19:25.720 --> 0:19:29.040
<v Speaker 1>if you're listening. You understand every single thing he's saying. Yeah,

0:19:29.119 --> 0:19:32.200
<v Speaker 1>you know, like you some some some people got a

0:19:32.280 --> 0:19:34.919
<v Speaker 1>funk zoned with it, and then some people, you know,

0:19:35.000 --> 0:19:36.679
<v Speaker 1>they just do it. You know, you gotta have a

0:19:36.680 --> 0:19:39.120
<v Speaker 1>funk zone with it. You know. I want to talk. So,

0:19:39.119 --> 0:19:42.159
<v Speaker 1>so your boy had set me some talking points and

0:19:42.200 --> 0:19:47.920
<v Speaker 1>I had no idea that you a group that that

0:19:47.920 --> 0:19:50.400
<v Speaker 1>that it'll come to me. Okay, Okay, So I didn't

0:19:50.440 --> 0:19:56.520
<v Speaker 1>know that you are a concealed gun carry instructor. Yeahal carrier,

0:19:56.600 --> 0:19:59.520
<v Speaker 1>so official certified us c c A and n R

0:19:59.560 --> 0:20:02.479
<v Speaker 1>A cance Carry instructor. Yeah, and you started a new

0:20:02.520 --> 0:20:06.240
<v Speaker 1>gun safety company called the Gun Camp. This is in Chicago. Yeah.

0:20:06.760 --> 0:20:10.080
<v Speaker 1>So I'm because I'm I'm a proponent. I'm a pretty

0:20:10.080 --> 0:20:12.400
<v Speaker 1>liberal dude, but I'm very very you know, I feel

0:20:12.440 --> 0:20:14.320
<v Speaker 1>like we should all have a right to protect ourselves.

0:20:14.520 --> 0:20:17.960
<v Speaker 1>You know what I'm saying. How did you get involved

0:20:18.000 --> 0:20:20.480
<v Speaker 1>in in that? Because I would never in my wildest

0:20:20.520 --> 0:20:25.600
<v Speaker 1>dreams picture you know, man, Like, I've always been into firearms.

0:20:25.640 --> 0:20:27.680
<v Speaker 1>But then when I got my concealed carry, my boy

0:20:28.119 --> 0:20:31.639
<v Speaker 1>Eddie trained me to get my concealed carry license. And

0:20:31.680 --> 0:20:33.600
<v Speaker 1>then when I wanted to be an instructor. My boy

0:20:33.680 --> 0:20:37.119
<v Speaker 1>Creative Can trained me. Uh my Creative trained me to

0:20:37.200 --> 0:20:41.600
<v Speaker 1>be a concealed carry instructor really during that whole quarantine,

0:20:42.480 --> 0:20:45.560
<v Speaker 1>you know. So I think a lot of us got

0:20:45.600 --> 0:20:49.360
<v Speaker 1>an extra career in the quarantine around that quarantine thing.

0:20:49.520 --> 0:20:52.160
<v Speaker 1>So you know what happened with me was I got

0:20:52.200 --> 0:20:55.879
<v Speaker 1>into that whole industry very heavy, you know, and became

0:20:55.920 --> 0:20:58.720
<v Speaker 1>an instructor and just you know, just been going after

0:20:58.720 --> 0:21:02.520
<v Speaker 1>a lot of certifications, being a few extra ones, you know.

0:21:02.680 --> 0:21:06.000
<v Speaker 1>So that's something I'm into heavy. I'm an advocate for

0:21:06.960 --> 0:21:10.440
<v Speaker 1>Second Amendment. Yeah, definitely. I want to. I want to

0:21:10.480 --> 0:21:13.080
<v Speaker 1>teach people the right way when it comes to course

0:21:13.240 --> 0:21:16.960
<v Speaker 1>guns and guns safety and yeah, just that people's thought

0:21:17.000 --> 0:21:20.680
<v Speaker 1>process about guns. Yeah. I think that sometimes in hip

0:21:20.720 --> 0:21:23.159
<v Speaker 1>hop we get like a little like wrapped up in like, uh,

0:21:24.720 --> 0:21:29.199
<v Speaker 1>whatever the popular issue is at the time. And you know,

0:21:29.240 --> 0:21:31.280
<v Speaker 1>I always talk with Killer Mike about this because Killer

0:21:31.320 --> 0:21:34.040
<v Speaker 1>Mike's also very pro Second Amendment. He's gotten a lot

0:21:34.080 --> 0:21:36.480
<v Speaker 1>of ship for that, by the way, Like they came

0:21:36.720 --> 0:21:38.719
<v Speaker 1>came for him a lot. But I think that, uh,

0:21:39.960 --> 0:21:44.320
<v Speaker 1>you know, especially in La No, they've came for Mike

0:21:44.400 --> 0:21:47.880
<v Speaker 1>a lot. I know, that and it's it's wild. It's

0:21:48.000 --> 0:21:50.480
<v Speaker 1>like it doesn't make any sense. And you know, I

0:21:50.800 --> 0:21:54.560
<v Speaker 1>think that he would always say, like our people more

0:21:54.600 --> 0:21:57.480
<v Speaker 1>than anybody. We need to protect ourselves more than anybody,

0:21:57.520 --> 0:21:59.880
<v Speaker 1>you know what I'm saying, especially with what we're going

0:21:59.880 --> 0:22:01.679
<v Speaker 1>on in the world the last you know, with this

0:22:01.760 --> 0:22:03.600
<v Speaker 1>Trump ship and all this other wild ship, like you

0:22:03.640 --> 0:22:06.600
<v Speaker 1>never know, but it's never know what can happen. Like

0:22:06.640 --> 0:22:08.720
<v Speaker 1>we live in I live in California, and it's like

0:22:08.760 --> 0:22:11.440
<v Speaker 1>out here they pretty much make it as impossible as

0:22:11.440 --> 0:22:16.040
<v Speaker 1>possible for you to protect yourself. So it's like out here,

0:22:16.359 --> 0:22:22.240
<v Speaker 1>motherfuckers is getting robbed ships. I'm from Phoenix though, Phoenix

0:22:22.320 --> 0:22:26.320
<v Speaker 1>is anybody can have a gun, Yeah, but you can't

0:22:26.320 --> 0:22:30.600
<v Speaker 1>have a negligent discharge in Phoenix, right what you mean?

0:22:31.000 --> 0:22:34.199
<v Speaker 1>I think in Arizona, if you have a negligent discharge,

0:22:34.240 --> 0:22:35.880
<v Speaker 1>it's a little rough, you know, if you just fire

0:22:35.880 --> 0:22:38.000
<v Speaker 1>the gun with that Yeah, with that type of I

0:22:38.119 --> 0:22:42.520
<v Speaker 1>just know that. I know they're like I could literally

0:22:42.520 --> 0:22:45.520
<v Speaker 1>give you my gun and that's you. It's your gun now.

0:22:45.880 --> 0:22:47.760
<v Speaker 1>You don't have to worry about registering it. You don't

0:22:47.800 --> 0:22:49.480
<v Speaker 1>know what I mean? Like cats is really it's the

0:22:49.480 --> 0:22:53.240
<v Speaker 1>wild wild We No, I'm sure, I'm sure. Right two cars,

0:22:53.520 --> 0:22:55.720
<v Speaker 1>I was gonna says, it's like two sides of the coin.

0:22:55.720 --> 0:22:57.520
<v Speaker 1>Because if we think of Chicago and the gun violence

0:22:57.520 --> 0:23:01.960
<v Speaker 1>in Chicago, right, like you know, I see people are

0:23:01.960 --> 0:23:05.080
<v Speaker 1>gonna get guns no matter what. Right that That pretty

0:23:05.160 --> 0:23:08.840
<v Speaker 1>much says it, like, like, no matter how the gun

0:23:08.920 --> 0:23:12.680
<v Speaker 1>laws are different in the state, you still got violence. Yeah.

0:23:12.720 --> 0:23:14.920
<v Speaker 1>And the people who are who want those guns, who

0:23:14.960 --> 0:23:16.919
<v Speaker 1>are committing those crimes, they're gonna get those guns no

0:23:16.920 --> 0:23:20.160
<v Speaker 1>matter get no matter what. So why not be protected

0:23:21.000 --> 0:23:25.480
<v Speaker 1>like legally obviously you know what I'm saying. What they say,

0:23:25.760 --> 0:23:27.720
<v Speaker 1>the only thing that stops a bad guy with a

0:23:27.800 --> 0:23:29.560
<v Speaker 1>gun is a good guy with a gun. Ain't that

0:23:29.680 --> 0:23:33.199
<v Speaker 1>the truth? Ain't that the truth? Yeah, it's a very

0:23:33.240 --> 0:23:35.199
<v Speaker 1>It's just I just think, you know, it's interesting, Like

0:23:35.280 --> 0:23:38.080
<v Speaker 1>I think more more people like yourself and Mike should like,

0:23:38.280 --> 0:23:41.320
<v Speaker 1>you know, I think it's dope that you guys talk

0:23:41.359 --> 0:23:43.600
<v Speaker 1>about that because in hip hop, you know, and I'm,

0:23:43.960 --> 0:23:47.159
<v Speaker 1>like I said, I'm pretty much liberal on most things,

0:23:48.080 --> 0:23:51.240
<v Speaker 1>just the gun ship. I'm like, listen, man, like this

0:23:51.440 --> 0:23:57.080
<v Speaker 1>was America for a reason. It's it's in the constitution

0:23:57.320 --> 0:23:59.720
<v Speaker 1>that we could protect ourselves, you know what I mean?

0:24:00.119 --> 0:24:02.080
<v Speaker 1>And it is what it is. And you know a

0:24:02.119 --> 0:24:05.600
<v Speaker 1>lot of times we you know, we are conditioned to

0:24:05.840 --> 0:24:09.480
<v Speaker 1>have a perception of guns that make you go. You know,

0:24:10.440 --> 0:24:13.560
<v Speaker 1>well everybody else is going. So your your thing is

0:24:13.560 --> 0:24:15.879
<v Speaker 1>is to try to just educate people like yo, like

0:24:15.960 --> 0:24:18.600
<v Speaker 1>this is you know, because because guns a scary thing,

0:24:18.640 --> 0:24:21.000
<v Speaker 1>you know what I'm saying. So when you do these courses,

0:24:21.040 --> 0:24:23.280
<v Speaker 1>you're teaching people about the weapon. You're teaching people how

0:24:23.280 --> 0:24:25.840
<v Speaker 1>to take it apart, put it back, Like what are

0:24:25.840 --> 0:24:27.880
<v Speaker 1>you teaching people? Yeah, we're teaching all of that. We're

0:24:27.880 --> 0:24:30.159
<v Speaker 1>teaching people how to break a gun down, put it

0:24:30.200 --> 0:24:32.760
<v Speaker 1>back together, like you know, a field strip so you

0:24:32.800 --> 0:24:35.600
<v Speaker 1>can clean it and everything, the parts to a gun,

0:24:35.720 --> 0:24:39.320
<v Speaker 1>how to hold a gun, proper stance, proper grip, the

0:24:40.680 --> 0:24:43.280
<v Speaker 1>safety rules, you know, how to keep your finger off

0:24:43.280 --> 0:24:45.600
<v Speaker 1>the trigger, you know how to make sure you don't

0:24:45.640 --> 0:24:49.280
<v Speaker 1>muzzle anybody, the whole everything. So so not only just

0:24:49.359 --> 0:24:51.960
<v Speaker 1>the mentality of having a gun, but how to properly

0:24:52.680 --> 0:24:56.840
<v Speaker 1>uh care for a gun and handle it with safety. Right,

0:24:57.000 --> 0:24:59.240
<v Speaker 1>So you said during the during the pandemic, you pick

0:24:59.320 --> 0:25:01.639
<v Speaker 1>that up because I know you do a lot of

0:25:01.680 --> 0:25:05.200
<v Speaker 1>live shows like I know that you like under normal,

0:25:05.240 --> 0:25:08.840
<v Speaker 1>normal circumstances, you do a bunch of live shows every year.

0:25:08.840 --> 0:25:10.360
<v Speaker 1>How many live shows would you say you do year?

0:25:11.680 --> 0:25:15.720
<v Speaker 1>I don't know that's a question for somebody else. A lot,

0:25:15.760 --> 0:25:17.879
<v Speaker 1>but a lot, yeah, because I know you're in Phoenix

0:25:17.880 --> 0:25:19.639
<v Speaker 1>a lot. You know how many Justice books you're out there?

0:25:19.640 --> 0:25:23.960
<v Speaker 1>Shout out to Justice? But but uh, what did you

0:25:24.080 --> 0:25:27.560
<v Speaker 1>like like outside of learning this new this new trade?

0:25:27.640 --> 0:25:29.960
<v Speaker 1>What how did Holse did you handle the pandemic? Because

0:25:29.960 --> 0:25:32.000
<v Speaker 1>the ship was kind of you know, at first, it

0:25:32.080 --> 0:25:35.359
<v Speaker 1>was kind of like, I feel like the first couple

0:25:35.320 --> 0:25:38.560
<v Speaker 1>of months it felt like, oh well I could work

0:25:38.560 --> 0:25:41.199
<v Speaker 1>from home. I feel like I threw a lot. I

0:25:41.280 --> 0:25:44.199
<v Speaker 1>drew a lot of portraits and stuff like that. You

0:25:44.240 --> 0:25:47.399
<v Speaker 1>know really Yeah, that was actually the first thing that

0:25:47.480 --> 0:25:49.879
<v Speaker 1>I did as a kid. So you were always a

0:25:49.880 --> 0:25:53.200
<v Speaker 1>good artist. First talent that popped out was me drawing. Yeah,

0:25:53.000 --> 0:25:56.560
<v Speaker 1>so you was whipping up some portraits during the pandemic. Yeah,

0:25:57.000 --> 0:26:01.199
<v Speaker 1>you know, did you watch the Tiger what's the guy's name,

0:26:01.320 --> 0:26:04.679
<v Speaker 1>Tiger King? Did you watch Tiger King on Netflix? Oh?

0:26:04.760 --> 0:26:07.480
<v Speaker 1>You didn't watch that? You heard of that? Though I

0:26:07.520 --> 0:26:11.199
<v Speaker 1>heard of it. I ain't sitting on. It didn't grab me.

0:26:11.240 --> 0:26:14.960
<v Speaker 1>I wasn't. You know, it wasn't a time frame where

0:26:14.960 --> 0:26:17.320
<v Speaker 1>it grabbed me enough to say, let me watch. What

0:26:17.359 --> 0:26:22.400
<v Speaker 1>are your thoughts on on you know, Chicago's music seeing

0:26:22.400 --> 0:26:24.720
<v Speaker 1>the last eight years, nine years with the drill ship

0:26:25.520 --> 0:26:29.600
<v Speaker 1>because the drill the drill, So when it first came

0:26:29.640 --> 0:26:32.199
<v Speaker 1>out for me, I really wasn't because I'm like, I

0:26:32.240 --> 0:26:34.320
<v Speaker 1>love the lyrical ship, you know what I mean, Like

0:26:34.840 --> 0:26:38.320
<v Speaker 1>it was just it was, it wasn't for me. I

0:26:38.359 --> 0:26:40.080
<v Speaker 1>mean I loved it. You know, a lot of people

0:26:40.119 --> 0:26:44.280
<v Speaker 1>have different different perceptions of music at different times. So

0:26:44.400 --> 0:26:47.679
<v Speaker 1>at that time, me listening to the music, it's a

0:26:47.760 --> 0:26:50.199
<v Speaker 1>lot of different reasons. Like you could listen to some

0:26:50.280 --> 0:26:52.919
<v Speaker 1>of the drill music and you will see, like damn,

0:26:53.000 --> 0:26:55.720
<v Speaker 1>from a DJ perspective, adrenaline rush fits right on top

0:26:55.760 --> 0:26:59.840
<v Speaker 1>of it, right right, yeah, yeah, So definitely I'm locked

0:26:59.840 --> 0:27:04.400
<v Speaker 1>in from that perspective. Then I saw too as technology

0:27:04.680 --> 0:27:08.000
<v Speaker 1>advanced and people got a chance to open their laptops

0:27:08.000 --> 0:27:12.359
<v Speaker 1>and see how Chicago really was from a Chief Keith perspective,

0:27:12.400 --> 0:27:15.040
<v Speaker 1>and little Dirk and all of these guys right here

0:27:15.080 --> 0:27:17.840
<v Speaker 1>that's coming up doing anything and you're like, wow, you know,

0:27:18.000 --> 0:27:20.960
<v Speaker 1>so now you got something new that you never saw

0:27:21.080 --> 0:27:23.960
<v Speaker 1>that and now we got another element added on to

0:27:24.080 --> 0:27:27.600
<v Speaker 1>hip hop with this old drill ol vibe and it

0:27:27.680 --> 0:27:30.640
<v Speaker 1>and it kind of shifted the way everybody is doing

0:27:30.640 --> 0:27:34.760
<v Speaker 1>their music. So because you know, like, not only was

0:27:34.800 --> 0:27:37.840
<v Speaker 1>I waiting on Chicago to just come with that constant

0:27:37.880 --> 0:27:41.359
<v Speaker 1>quality music, man, once they started lighting it up, man,

0:27:41.600 --> 0:27:45.440
<v Speaker 1>I was like, yeah, I feel like whatever you want

0:27:45.480 --> 0:27:48.359
<v Speaker 1>to say. Man, Like all has influenced everything going on

0:27:48.440 --> 0:27:50.600
<v Speaker 1>right now. Like we just were in New York interviewing

0:27:50.880 --> 0:27:53.960
<v Speaker 1>all the Brooklyn Drill rappers and it was like all

0:27:54.000 --> 0:27:56.480
<v Speaker 1>of them are just straight. Yo. I grew up listening

0:27:56.480 --> 0:28:01.680
<v Speaker 1>to Chief Keith and Dirk and g Herbo and yeah,

0:28:01.720 --> 0:28:03.560
<v Speaker 1>and all those guys too, like shout out to Dirk,

0:28:03.560 --> 0:28:06.320
<v Speaker 1>shout out to g Herbo. Like those guys have evolved

0:28:06.400 --> 0:28:10.800
<v Speaker 1>musically too, that's right. Yeah, and their talents have young bulls.

0:28:10.800 --> 0:28:13.360
<v Speaker 1>They be killing it. Man, I love it. You love it?

0:28:14.040 --> 0:28:17.199
<v Speaker 1>What else out of Chicago or you check? Because you know,

0:28:17.240 --> 0:28:18.760
<v Speaker 1>like I said, there's the other side of Chicago. You

0:28:18.760 --> 0:28:21.080
<v Speaker 1>know there's guys like Vic Mensa. I mean, obviously Chance

0:28:21.480 --> 0:28:24.080
<v Speaker 1>has been on quite a run since about twenty thirteen.

0:28:24.119 --> 0:28:26.640
<v Speaker 1>You like like, yeah, Vic Spencer too. Is a guy

0:28:26.720 --> 0:28:29.520
<v Speaker 1>named Vic Spencer and Chicago to be killing it to really?

0:28:30.000 --> 0:28:31.919
<v Speaker 1>Oh Vic Spencer, I think you said Vic Spencer, like

0:28:32.720 --> 0:28:36.800
<v Speaker 1>Vic Spencer, no, the Chicago slang Vic Spencer. Yeah, Yo,

0:28:37.160 --> 0:28:40.080
<v Speaker 1>what's going on with uh? With the Crucial Conflict guys? Man,

0:28:40.560 --> 0:28:44.160
<v Speaker 1>the last time I heard I heard ah, I want

0:28:44.160 --> 0:28:46.840
<v Speaker 1>to say it was was a Wild Style or or

0:28:47.080 --> 0:28:50.200
<v Speaker 1>one of them dudes was on vic Mensa was a

0:28:50.240 --> 0:28:54.280
<v Speaker 1>part of a group called the Kids These Days and

0:28:54.360 --> 0:28:58.080
<v Speaker 1>the and they redid Hey okay, and I think the

0:28:58.160 --> 0:28:59.760
<v Speaker 1>dude was on and I was like, yo, I used

0:28:59.720 --> 0:29:02.600
<v Speaker 1>to love the Final Tick. They still do show Final

0:29:02.720 --> 0:29:06.200
<v Speaker 1>Tick was my ship. Yeah, and they still perform those records. Man,

0:29:06.240 --> 0:29:09.040
<v Speaker 1>you you you definitely need to check out a Crucial

0:29:09.080 --> 0:29:11.520
<v Speaker 1>Conflict show. One of the guy's names is wild Style

0:29:11.800 --> 0:29:14.360
<v Speaker 1>was one of his names? Was it never? Yeh Never?

0:29:14.600 --> 0:29:16.600
<v Speaker 1>I'm trying to remember if I remember Wild Style Never?

0:29:16.720 --> 0:29:24.040
<v Speaker 1>Cold Hart and Co. Yeah, that ship and that showdown record. Yeah,

0:29:24.240 --> 0:29:27.360
<v Speaker 1>that was to tell you that album was a Crucial

0:29:27.400 --> 0:29:30.480
<v Speaker 1>Conflict you did. What's up with the Do or Die? Guys?

0:29:31.040 --> 0:29:33.480
<v Speaker 1>Still doing shows, still doing their games. I do a

0:29:33.480 --> 0:29:36.280
<v Speaker 1>lot of records with them. You know what would you

0:29:36.320 --> 0:29:39.239
<v Speaker 1>like like like you know, because because uh, there was

0:29:39.320 --> 0:29:42.200
<v Speaker 1>definitely a vibe about that music y'all were making, Like,

0:29:43.040 --> 0:29:45.680
<v Speaker 1>uh it was some because you know, we think of

0:29:45.760 --> 0:29:49.840
<v Speaker 1>Chicago and I remember as a kid seeing the documentary,

0:29:49.920 --> 0:29:52.600
<v Speaker 1>like getting the documentary from Blockbuster that I forget which

0:29:52.640 --> 0:29:54.840
<v Speaker 1>pimpin documentary was, but you remember they was doing pimping

0:29:54.880 --> 0:29:58.000
<v Speaker 1>documentaries in the nineties. Yeah, And I remember Ice T

0:29:58.200 --> 0:30:01.360
<v Speaker 1>went to the Player's Ball in Chicago go and there

0:30:01.440 --> 0:30:04.880
<v Speaker 1>was like all kinds of famous pimps. There was like

0:30:05.160 --> 0:30:07.240
<v Speaker 1>mister White. I can't even remember all the pimps in

0:30:07.280 --> 0:30:11.280
<v Speaker 1>this movie, but Chicago's known for pimping for that culture,

0:30:11.400 --> 0:30:15.120
<v Speaker 1>right yeah. Yeah, and that vibe and that player Ship

0:30:15.120 --> 0:30:18.040
<v Speaker 1>record got made. Yeah, and I felt like that some

0:30:18.160 --> 0:30:20.680
<v Speaker 1>of those records were just they kind of just fit

0:30:20.800 --> 0:30:22.960
<v Speaker 1>that vibe and it was something it was like it's

0:30:23.000 --> 0:30:27.120
<v Speaker 1>like it almost was like a real Midwest Like at

0:30:27.200 --> 0:30:29.400
<v Speaker 1>the time, there was West Coast, there was East Coast,

0:30:29.800 --> 0:30:31.760
<v Speaker 1>and like like that was like to me, like what

0:30:31.920 --> 0:30:35.240
<v Speaker 1>I what I kind of computed as like Midwest ship. Yeah,

0:30:35.280 --> 0:30:37.600
<v Speaker 1>I mean it was everywhere though. You you you definitely had it,

0:30:37.760 --> 0:30:39.920
<v Speaker 1>you know out this way, you know, a lot of

0:30:40.760 --> 0:30:43.040
<v Speaker 1>the Bay. Yeah, yeah, yeah, but but so I just

0:30:43.040 --> 0:30:48.360
<v Speaker 1>feel like when you when you input that vibe in

0:30:48.440 --> 0:30:52.760
<v Speaker 1>a certain place, I think it's just the aura, you know,

0:30:52.880 --> 0:30:57.320
<v Speaker 1>the aura the swag of the whole pimp culture, you know,

0:30:57.560 --> 0:30:59.800
<v Speaker 1>more so than anything, just would affect the music and

0:30:59.840 --> 0:31:03.400
<v Speaker 1>the certain way, you know. One hundred. You got a

0:31:03.440 --> 0:31:07.880
<v Speaker 1>new project coming out for twenty Yeah, a joint project.

0:31:08.040 --> 0:31:10.440
<v Speaker 1>Yeah for twenty you know, like when you were speaking

0:31:10.440 --> 0:31:14.520
<v Speaker 1>of the young bulls in Chicago, definitely years. We can

0:31:14.560 --> 0:31:16.280
<v Speaker 1>talk about it. Man, we want to go grab him.

0:31:16.600 --> 0:31:21.240
<v Speaker 1>You're doing a joint album. It's my man, Relo. He

0:31:21.360 --> 0:31:24.400
<v Speaker 1>got some dope music. You know, in Chicago, we'd be

0:31:24.520 --> 0:31:27.640
<v Speaker 1>doing our thing. He'd be doing this thing in the studio.

0:31:28.000 --> 0:31:30.360
<v Speaker 1>You know, he's been working in my studio for a

0:31:30.400 --> 0:31:34.160
<v Speaker 1>long time, and uh, Relo' he'd be coming with it

0:31:35.320 --> 0:31:39.960
<v Speaker 1>all right. So for twenty what's what's the name of

0:31:39.960 --> 0:31:42.320
<v Speaker 1>the album? Man? The news and that news or nothing

0:31:42.440 --> 0:31:45.840
<v Speaker 1>news and nine? And how long have you guys been

0:31:45.840 --> 0:31:49.400
<v Speaker 1>making music together? He's been how long you've been working

0:31:50.280 --> 0:31:54.120
<v Speaker 1>like two years? Okay, you I gotta figure this out

0:31:54.160 --> 0:31:57.560
<v Speaker 1>because this guy's you've you've killed so many rappers on

0:31:57.640 --> 0:32:01.160
<v Speaker 1>so many songs. It's like embarrassing, like you got you

0:32:01.160 --> 0:32:03.120
<v Speaker 1>gotta hit list of guys you just put under the

0:32:03.160 --> 0:32:05.000
<v Speaker 1>dirt on their own records. You know what I'm saying,

0:32:05.480 --> 0:32:08.720
<v Speaker 1>How it's never that man, but it is, it's not

0:32:08.960 --> 0:32:13.360
<v Speaker 1>It might not be that on purpose. Yeah, yeah, yeah,

0:32:13.440 --> 0:32:15.480
<v Speaker 1>you pick up I pick up the energy of the

0:32:15.520 --> 0:32:18.040
<v Speaker 1>of the artists I'm working with. I'm always excited about

0:32:18.080 --> 0:32:20.640
<v Speaker 1>the music and I always try to try to please.

0:32:20.960 --> 0:32:23.760
<v Speaker 1>So you yeah, what kind of pressure is it hopping

0:32:23.760 --> 0:32:25.640
<v Speaker 1>on a record with this guy or doing a whole

0:32:25.680 --> 0:32:28.479
<v Speaker 1>album blood alone. It's a lot of pressure. But you know,

0:32:28.720 --> 0:32:31.760
<v Speaker 1>I create, so I make sure the music ain one.

0:32:31.920 --> 0:32:34.440
<v Speaker 1>Everything gotta be up the part. You know. It's like

0:32:34.440 --> 0:32:36.680
<v Speaker 1>you say, definitely a legend. So I step in the

0:32:36.720 --> 0:32:39.600
<v Speaker 1>booth gonna make sure I gotta have everything in order.

0:32:40.160 --> 0:32:42.960
<v Speaker 1>And then plus you know, see you might not be

0:32:42.960 --> 0:32:45.760
<v Speaker 1>be into his music as of yet, but once you

0:32:45.800 --> 0:32:49.040
<v Speaker 1>get into his music and see how you know, how

0:32:49.200 --> 0:32:51.800
<v Speaker 1>artistic and prolific he is with it, you will see

0:32:52.120 --> 0:32:54.320
<v Speaker 1>it's not a problem for him to get on the record,

0:32:54.880 --> 0:32:58.560
<v Speaker 1>if anything. In some In some ways it's reverse a

0:32:58.600 --> 0:33:02.800
<v Speaker 1>lot of times because remember I'm I'm from a certain era,

0:33:02.960 --> 0:33:05.280
<v Speaker 1>and I have to stay relevant and keep up. And

0:33:05.320 --> 0:33:08.680
<v Speaker 1>if I don't stay fresh and youthful thinking, then I

0:33:08.720 --> 0:33:11.840
<v Speaker 1>can't mesh into that whole vibe. Right So, if anything,

0:33:12.280 --> 0:33:15.080
<v Speaker 1>I'm hearing fabulous, fabulous music when I come into the

0:33:15.120 --> 0:33:17.400
<v Speaker 1>studio every day. So when I get off of the

0:33:17.440 --> 0:33:19.400
<v Speaker 1>opportunity to get on it, I got to make sure

0:33:19.720 --> 0:33:21.960
<v Speaker 1>that when I'm on it, I ain't coming with something

0:33:21.960 --> 0:33:25.600
<v Speaker 1>that's like, man, you got Musha sound and old as hello.

0:33:26.640 --> 0:33:29.200
<v Speaker 1>You get what I'm saying. So, if anything, I gotta

0:33:29.320 --> 0:33:31.600
<v Speaker 1>kill it and have that same mentality just as much

0:33:32.480 --> 0:33:34.840
<v Speaker 1>as he might. How many records it's on this projects?

0:33:34.880 --> 0:33:37.640
<v Speaker 1>Five records on that? Okay? So five piece nice? Still

0:33:37.680 --> 0:33:41.240
<v Speaker 1>five people? Are you from Chicago as well? South Side? Okay?

0:33:42.160 --> 0:33:44.120
<v Speaker 1>How would you say you described like you describe where

0:33:44.120 --> 0:33:48.240
<v Speaker 1>you fit into, like like the Chicago sound right now? Basically,

0:33:48.800 --> 0:33:50.600
<v Speaker 1>I'm just gonna usher in a new sound because, like

0:33:50.640 --> 0:33:52.840
<v Speaker 1>you say, it's a whole bunch of drill rappers. But

0:33:53.480 --> 0:33:57.040
<v Speaker 1>I'm coming. I'm telling the shorties to stay positive, create,

0:33:57.400 --> 0:33:59.120
<v Speaker 1>you know what I'm saying, dream and chase their gold.

0:33:59.240 --> 0:34:01.840
<v Speaker 1>So we trying to step outside of the drill and

0:34:01.960 --> 0:34:05.000
<v Speaker 1>just give them the real dig for show that's I

0:34:05.040 --> 0:34:10.120
<v Speaker 1>mean ship City for like that Birth Common and Hey,

0:34:10.400 --> 0:34:13.239
<v Speaker 1>I want to just acknowledge some of the most influential

0:34:13.280 --> 0:34:16.600
<v Speaker 1>guys that don't get love the cool kids. Shout out

0:34:16.640 --> 0:34:19.160
<v Speaker 1>to Chicago's on the cool Man, Shout out to Uck English,

0:34:20.280 --> 0:34:24.360
<v Speaker 1>Michael Rocks, you know those guys. Those guys have influenced

0:34:24.360 --> 0:34:27.080
<v Speaker 1>so much when it came to fashion and sonics and music,

0:34:27.120 --> 0:34:28.880
<v Speaker 1>and they they really get their credit, you know what

0:34:28.920 --> 0:34:31.799
<v Speaker 1>I'm saying. So those guys that are super legends, man,

0:34:31.840 --> 0:34:34.480
<v Speaker 1>So shout out to the cool kids much love. So

0:34:34.560 --> 0:34:39.640
<v Speaker 1>the album comes out on the twentieth. Yeah, that makes sense. Man.

0:34:41.040 --> 0:34:45.120
<v Speaker 1>It's a holiday holiday definitely a holiday Yeah, and it's

0:34:45.120 --> 0:34:47.000
<v Speaker 1>a dope record. You're gonna like it. You're gonna be surprised.

0:34:47.040 --> 0:34:52.919
<v Speaker 1>Any features Yeah yeah, yeah, the one two punch Man.

0:34:53.120 --> 0:34:55.279
<v Speaker 1>You're gonna be surprised. You're gonna enjoy it. You're gonna

0:34:55.280 --> 0:34:58.279
<v Speaker 1>be like, oh man, all right, well yo ghost, go

0:34:58.280 --> 0:35:01.359
<v Speaker 1>go get that. And then are you working on any

0:35:01.480 --> 0:35:04.359
<v Speaker 1>any more solo? Shiit Twists? Yeah? After that, we got

0:35:04.520 --> 0:35:06.880
<v Speaker 1>I got a project solo that's gonna be called shoot

0:35:06.880 --> 0:35:10.359
<v Speaker 1>a Ready, Shoot a Ready, shoot a Ready. Yeah, so

0:35:10.440 --> 0:35:13.480
<v Speaker 1>that how many records are you on that it's pretty

0:35:13.520 --> 0:35:15.680
<v Speaker 1>much done. I probably got like one record to do

0:35:15.920 --> 0:35:19.600
<v Speaker 1>just because you know, and it's like a combination. It's

0:35:19.680 --> 0:35:23.000
<v Speaker 1>it's flat out my original sound, but it's a combination

0:35:23.120 --> 0:35:26.520
<v Speaker 1>of what you would normally hear me do musically, me

0:35:26.640 --> 0:35:29.960
<v Speaker 1>attacking and beats and music. And then you got me.

0:35:30.760 --> 0:35:34.440
<v Speaker 1>You got me doing music from the perspective talking about

0:35:34.480 --> 0:35:37.799
<v Speaker 1>guns from a perspective that you've never heard. You used

0:35:37.800 --> 0:35:41.560
<v Speaker 1>to rah rah gun ship, but I'm talking about guns

0:35:41.560 --> 0:35:44.319
<v Speaker 1>from a perspective you never heard before. So you're talking

0:35:44.320 --> 0:35:46.520
<v Speaker 1>about guns from the perspective of a guy who teaches

0:35:46.520 --> 0:35:53.280
<v Speaker 1>a gun course. Now, not that it ain't that simple,

0:35:53.480 --> 0:35:55.440
<v Speaker 1>right right, right, right right, you know, but when you

0:35:55.480 --> 0:35:57.520
<v Speaker 1>know you ain't gonna hear me say clip, you gonna

0:35:57.520 --> 0:36:01.680
<v Speaker 1>hear me say magazine. Okay, you know, but it's dope,

0:36:01.719 --> 0:36:04.759
<v Speaker 1>you're gonna hear it. Uh. Talk about what you're doing

0:36:04.760 --> 0:36:06.520
<v Speaker 1>with the real estate ship right now, because I think

0:36:08.239 --> 0:36:10.480
<v Speaker 1>the real estate market is I don't know how it

0:36:10.520 --> 0:36:12.200
<v Speaker 1>is in Chicago, but I don't know everywhere else. It's

0:36:12.360 --> 0:36:15.120
<v Speaker 1>crazy right now? Yeah, I mean, is that something that

0:36:15.160 --> 0:36:17.960
<v Speaker 1>you've been investing in it for a while Yeah, I mean,

0:36:18.640 --> 0:36:21.200
<v Speaker 1>we definitely dabble in that area too. You know, I

0:36:21.280 --> 0:36:24.200
<v Speaker 1>try to have my hands and a few things. Right now.

0:36:24.239 --> 0:36:26.040
<v Speaker 1>They say, if you ain't got your hands in about

0:36:26.520 --> 0:36:28.919
<v Speaker 1>five if you ain't got income coming from like five

0:36:29.040 --> 0:36:32.560
<v Speaker 1>different sources, then you you lacking, you know, So we

0:36:32.680 --> 0:36:35.640
<v Speaker 1>definitely try to keep busy and things like real estate.

0:36:36.200 --> 0:36:38.920
<v Speaker 1>You know, what I do with the music, what I

0:36:38.960 --> 0:36:45.520
<v Speaker 1>do as far as the gun life, a bunch of things.

0:36:45.920 --> 0:36:48.880
<v Speaker 1>Has there ever been any talks because we got the

0:36:48.960 --> 0:36:55.239
<v Speaker 1>bad Boy Reunion tour, which was legendary, Yeah, there's been,

0:36:55.480 --> 0:36:58.880
<v Speaker 1>you know, so many dope, like it's kind of Has

0:36:58.960 --> 0:37:01.160
<v Speaker 1>there ever been anything kicked around about doing any sort

0:37:01.160 --> 0:37:05.040
<v Speaker 1>of like Rockefeller Reunion tour or show or anything like that.

0:37:05.120 --> 0:37:08.520
<v Speaker 1>I mean, I know that Dame Jay relationship is obviously

0:37:09.280 --> 0:37:13.120
<v Speaker 1>what it is. I don't know, but if they do it,

0:37:13.239 --> 0:37:16.200
<v Speaker 1>I gotta jump down. And if they do another Bad

0:37:16.239 --> 0:37:18.480
<v Speaker 1>Boy too, I'm gonna have to send a clip of

0:37:18.560 --> 0:37:20.759
<v Speaker 1>me doing is this the end of the Diddy so

0:37:20.800 --> 0:37:23.880
<v Speaker 1>he can see, like, damn, twist this ship like yesterday,

0:37:24.080 --> 0:37:26.680
<v Speaker 1>so he can be like, come on in, come on,

0:37:27.239 --> 0:37:31.280
<v Speaker 1>you still got your Rockefeller Jane. Of course, that's something

0:37:31.320 --> 0:37:34.239
<v Speaker 1>that like, that's like history, man. Yeah, I need to

0:37:34.280 --> 0:37:36.719
<v Speaker 1>bust it out of the show or someone day or

0:37:37.000 --> 0:37:40.439
<v Speaker 1>an occasion, you know, a great moment or something. Bust

0:37:40.480 --> 0:37:43.200
<v Speaker 1>it out. Who actually, Like, do you remember the actual

0:37:43.239 --> 0:37:45.359
<v Speaker 1>show where you got to change? Because I remember seeing it.

0:37:45.520 --> 0:37:47.120
<v Speaker 1>I just don't remember, like like you said, it wasn't

0:37:47.120 --> 0:37:49.800
<v Speaker 1>in Chicago. But what was the actual remember the actual

0:37:50.280 --> 0:37:54.040
<v Speaker 1>place I was? I can't remember, but I remember how

0:37:54.080 --> 0:37:57.320
<v Speaker 1>the stage looked and everything, when Dang walked on stage,

0:37:57.840 --> 0:38:00.279
<v Speaker 1>how he gave it to me, the whole presentation thing,

0:38:00.400 --> 0:38:02.640
<v Speaker 1>so I was real good. Do you think Dame gets

0:38:03.080 --> 0:38:06.480
<v Speaker 1>it's like misunderstood sometimes because I feel like Dame's I

0:38:06.520 --> 0:38:08.560
<v Speaker 1>feel like he's I feel like when I when I

0:38:08.560 --> 0:38:10.600
<v Speaker 1>hear him talk, I understand what he's trying to say.

0:38:11.000 --> 0:38:13.719
<v Speaker 1>I just think sometimes he says it in a way

0:38:13.760 --> 0:38:17.959
<v Speaker 1>that might be off footing to certain people, a little

0:38:18.000 --> 0:38:20.560
<v Speaker 1>too rough, but I understand what he's saying. I always

0:38:20.640 --> 0:38:23.480
<v Speaker 1>understand what he's saying. Like he's never really wrong, he

0:38:23.560 --> 0:38:28.040
<v Speaker 1>just might have say it a little rough. Yeah. Yeah,

0:38:28.200 --> 0:38:31.319
<v Speaker 1>I definitely think he gets misunderstood a lot. But if

0:38:31.360 --> 0:38:33.320
<v Speaker 1>you listen to him the right way, like you said,

0:38:34.080 --> 0:38:38.239
<v Speaker 1>there's nothing but gems, so many gems. Yeah, did you

0:38:38.280 --> 0:38:42.520
<v Speaker 1>ever have one of those experiences with Dame where maybe

0:38:42.560 --> 0:38:46.239
<v Speaker 1>he because you know, I always think back to watching backstage,

0:38:46.560 --> 0:38:48.719
<v Speaker 1>you know the movie where he was going off on

0:38:48.960 --> 0:38:52.440
<v Speaker 1>Clue and and Kevin Lyles, And I mean did you

0:38:52.480 --> 0:38:54.919
<v Speaker 1>ever were you ever like a witness or a part

0:38:54.960 --> 0:38:59.399
<v Speaker 1>of a go off moment? Yeah, I'm glad I miss all. Yeah,

0:38:59.520 --> 0:39:02.719
<v Speaker 1>I wouldn't round those, Yeah, because like I feel like,

0:39:03.880 --> 0:39:06.520
<v Speaker 1>what year did you What year was We Are the Champions?

0:39:06.560 --> 0:39:10.399
<v Speaker 1>Was that in two thousand and two? Two thousand and one?

0:39:10.600 --> 0:39:12.200
<v Speaker 1>You know you're gonna have a problem trying to give

0:39:12.200 --> 0:39:14.440
<v Speaker 1>me the guest these years the match up these records

0:39:14.719 --> 0:39:20.080
<v Speaker 1>that was paid in full soundtrack? Hey, when when they

0:39:20.160 --> 0:39:23.560
<v Speaker 1>sent you that record We Are the Champions? Was everyone's

0:39:23.560 --> 0:39:25.359
<v Speaker 1>else ship already on it? Were you like like like

0:39:25.640 --> 0:39:27.520
<v Speaker 1>like how did you hear it? I was actually in

0:39:27.600 --> 0:39:30.719
<v Speaker 1>New York. I was actually standing in the studio with

0:39:31.640 --> 0:39:36.080
<v Speaker 1>Beanie Siegel with them talking about the record with with

0:39:36.080 --> 0:39:38.480
<v Speaker 1>with Dame explaining to me how he wanted it to

0:39:38.560 --> 0:39:41.520
<v Speaker 1>sound and everything, and uh, why did I record that?

0:39:42.960 --> 0:39:48.840
<v Speaker 1>I can't remember recorded record? Did? I recorded in Chicago?

0:39:49.960 --> 0:39:51.960
<v Speaker 1>And I can't remember when I recorded it, but I

0:39:52.040 --> 0:39:57.239
<v Speaker 1>remember writing it and I remembering in New York vibe.

0:39:57.400 --> 0:40:04.120
<v Speaker 1>You remember where I recorded Champions at Well, we got

0:40:04.160 --> 0:40:06.160
<v Speaker 1>the record in New York and I took it back

0:40:06.200 --> 0:40:09.120
<v Speaker 1>to Chicago. That's what happened. Were you there? Because I

0:40:09.120 --> 0:40:11.600
<v Speaker 1>always what I loved about Beanie Siegus verse on that

0:40:11.680 --> 0:40:14.279
<v Speaker 1>song is it was really not it was just really him.

0:40:14.400 --> 0:40:18.880
<v Speaker 1>It was just him talking going off. Yeah, like it was.

0:40:18.920 --> 0:40:21.160
<v Speaker 1>It was just like energy. It wasn't so much about

0:40:21.239 --> 0:40:23.640
<v Speaker 1>his rapping as much as it was like, yeah, you

0:40:23.640 --> 0:40:26.040
<v Speaker 1>know what I mean, like he would stop. Yeah. I

0:40:26.080 --> 0:40:28.560
<v Speaker 1>love that vibe he put on that. Were you around, like,

0:40:28.560 --> 0:40:29.960
<v Speaker 1>like you said, you were in with Beanie when that

0:40:30.000 --> 0:40:32.480
<v Speaker 1>record got like explained was he did he record it

0:40:32.520 --> 0:40:35.719
<v Speaker 1>that night or I don't think he recorded it that night,

0:40:35.880 --> 0:40:40.920
<v Speaker 1>but uh yeah, I don't think he recorded that night,

0:40:40.960 --> 0:40:43.600
<v Speaker 1>but he was definitely around and just you know, the

0:40:43.640 --> 0:40:46.200
<v Speaker 1>whole vibe and everything. And then you know, I was

0:40:46.239 --> 0:40:48.319
<v Speaker 1>the new one to the team. So that's that was

0:40:48.320 --> 0:40:50.520
<v Speaker 1>the energy that I had on that record right there

0:40:50.600 --> 0:40:52.200
<v Speaker 1>on the Champion. Oh yeah, when they brought you on,

0:40:52.320 --> 0:40:54.319
<v Speaker 1>when Dame brought you on, it was like, oh man,

0:40:54.440 --> 0:40:56.359
<v Speaker 1>and then you just you hit the home run. Yo.

0:40:56.440 --> 0:40:59.200
<v Speaker 1>Who's somebody who you've recorded a song with or that

0:40:59.280 --> 0:41:00.719
<v Speaker 1>you hopped on a record or with where you were

0:41:00.719 --> 0:41:03.359
<v Speaker 1>intimidated when it came to like you know, you've worked

0:41:03.360 --> 0:41:05.880
<v Speaker 1>with a lot of legends, man, and like I said,

0:41:05.960 --> 0:41:08.520
<v Speaker 1>you've you've done your thing on a lot of people's

0:41:08.560 --> 0:41:10.640
<v Speaker 1>records and made them look crazy. But who's somebody who

0:41:10.640 --> 0:41:13.360
<v Speaker 1>you were like extra? Like, Man, I really got to

0:41:13.400 --> 0:41:21.879
<v Speaker 1>bring my ship. Damn. I don't know. I mean, I

0:41:21.920 --> 0:41:27.239
<v Speaker 1>love hate doing records with Tech nine. Ah yeah, I

0:41:27.280 --> 0:41:29.719
<v Speaker 1>love hate doing records with that dude. You guys got

0:41:29.719 --> 0:41:31.719
<v Speaker 1>some ship? Did you gotta work? It is like I

0:41:31.800 --> 0:41:33.759
<v Speaker 1>know he feel the same way. Trust me, if you

0:41:33.800 --> 0:41:39.080
<v Speaker 1>ask him, you feel the same. Yeah. If you if

0:41:39.080 --> 0:41:40.960
<v Speaker 1>you're in a lazy mode, you don't want to do

0:41:41.000 --> 0:41:43.520
<v Speaker 1>a record, you gotta be ready, you gotta you gotta

0:41:43.600 --> 0:41:46.200
<v Speaker 1>like miss the ship out of rap tech N. I

0:41:46.239 --> 0:41:48.200
<v Speaker 1>feel like Tech nine always has the biggest chip on

0:41:48.239 --> 0:41:49.840
<v Speaker 1>his shoulder or what he raps like, no matter what

0:41:49.920 --> 0:41:52.399
<v Speaker 1>he's like, always it's like it's just there's a chip

0:41:52.440 --> 0:41:56.200
<v Speaker 1>and it's just it's too much going on. You you

0:41:56.239 --> 0:41:59.160
<v Speaker 1>were on, you were on, you were on the Worldwide

0:41:59.200 --> 0:42:03.319
<v Speaker 1>Choppers with Buster Rhymes, yellow Wolf. There was a lot

0:42:03.360 --> 0:42:07.680
<v Speaker 1>of people on that record. Yeah, yeah, yeah, Like that

0:42:07.719 --> 0:42:11.479
<v Speaker 1>record was crazy, Like when you go back and listen

0:42:11.480 --> 0:42:13.520
<v Speaker 1>to that, that was like eight minutes straight of people

0:42:13.600 --> 0:42:15.919
<v Speaker 1>just from all over the word, people from Instant, from

0:42:15.960 --> 0:42:18.440
<v Speaker 1>Turkey on there, all kinds of it was yeah, tech

0:42:18.560 --> 0:42:22.120
<v Speaker 1>Nis Man tech Nis also for a lot of artists.

0:42:22.560 --> 0:42:24.200
<v Speaker 1>If you want to come up, go watch a tech

0:42:24.280 --> 0:42:26.120
<v Speaker 1>nine concerts so you can figure out how to perform too,

0:42:26.120 --> 0:42:29.040
<v Speaker 1>because that motherfucker's a beast live. Oh yeah, so who

0:42:29.040 --> 0:42:32.680
<v Speaker 1>are you? You got another guy? It's probably a bunch

0:42:32.719 --> 0:42:35.520
<v Speaker 1>of them, but I can't think of any right now

0:42:35.600 --> 0:42:40.320
<v Speaker 1>that uh pops right in my head of course, j

0:42:40.960 --> 0:42:48.440
<v Speaker 1>of course Jay yeah, hm hmm popping popping tags. Was

0:42:48.480 --> 0:42:51.440
<v Speaker 1>one man do this record with this person, and I

0:42:51.480 --> 0:42:58.840
<v Speaker 1>was like, damn god mh. I wouldn't say, uh, worried

0:42:58.960 --> 0:43:03.680
<v Speaker 1>or scared, but probably my thought process on how I

0:43:03.719 --> 0:43:06.680
<v Speaker 1>was gonna come with my delivery or what to do

0:43:06.760 --> 0:43:10.040
<v Speaker 1>with this particular person. You know, so like damn this

0:43:10.239 --> 0:43:12.600
<v Speaker 1>such and such or this so and something right, you know,

0:43:12.800 --> 0:43:18.800
<v Speaker 1>so like Mariah somebody like that, you know, yeah, like damn,

0:43:19.120 --> 0:43:21.520
<v Speaker 1>you know, but like like another rapper or something like that.

0:43:21.560 --> 0:43:24.359
<v Speaker 1>It's probably somebody. I just can't think of anybody right

0:43:24.400 --> 0:43:29.879
<v Speaker 1>now besides Tech Technicals that's the one that and probably Buster. Yeah,

0:43:30.120 --> 0:43:32.200
<v Speaker 1>it's the work. You gotta put some damn work in

0:43:32.520 --> 0:43:36.160
<v Speaker 1>you gonna feel like all that sometimes for sure? For sure?

0:43:36.320 --> 0:43:40.600
<v Speaker 1>What's your favorite personally? Like, what's your favorite album of yours?

0:43:42.239 --> 0:43:47.239
<v Speaker 1>Adrenaline Rush. Adrenaline Rush. That was ninety seven, right, I'm

0:43:47.280 --> 0:43:49.760
<v Speaker 1>over asking you about years and ship about about ninety

0:43:49.760 --> 0:43:54.080
<v Speaker 1>six Adrenaline Rush. Man should remember, But yeah, I said,

0:43:54.120 --> 0:43:56.160
<v Speaker 1>I feel like that's an album too. That's also like, uh,

0:43:56.239 --> 0:43:58.480
<v Speaker 1>you know, we don't. It's it's one of them. I

0:43:58.480 --> 0:44:00.560
<v Speaker 1>feel like it's like a cult classic. Like my favorite

0:44:00.560 --> 0:44:02.560
<v Speaker 1>movie is called The Big Lebowski is right up there.

0:44:03.000 --> 0:44:04.479
<v Speaker 1>A lot of a lot of people don't talk about

0:44:04.480 --> 0:44:06.719
<v Speaker 1>The Big Lebowski. I feel like Adrenaline Rush is a

0:44:06.719 --> 0:44:08.719
<v Speaker 1>cold claxic, like it's like if you know, you know,

0:44:09.160 --> 0:44:10.960
<v Speaker 1>you know what I mean, you had to be there

0:44:11.040 --> 0:44:13.880
<v Speaker 1>type shit. Yeah, that's my joint right there. Man. That's

0:44:13.920 --> 0:44:17.080
<v Speaker 1>you know, of course Kama Kazi and my first album.

0:44:17.120 --> 0:44:20.680
<v Speaker 1>But Kama Kazi was like your commercial peak as far

0:44:20.680 --> 0:44:23.759
<v Speaker 1>as like hit records on an album, right, just like

0:44:23.840 --> 0:44:26.480
<v Speaker 1>that was like, yeah, yeah, I would call it my

0:44:26.560 --> 0:44:29.440
<v Speaker 1>commercial peak. Yeah yeah, yeah yeah. Do you think what

0:44:29.480 --> 0:44:32.879
<v Speaker 1>do you think like kind of you know, because you've

0:44:32.960 --> 0:44:35.359
<v Speaker 1>you've had such a long career, obviously still doing your thing,

0:44:35.920 --> 0:44:40.640
<v Speaker 1>but what do you think worked against you kind of

0:44:40.960 --> 0:44:50.000
<v Speaker 1>extending that peak longer? Me? Me loving rap from a

0:44:50.000 --> 0:44:53.160
<v Speaker 1>certain angle, you know, I always love rap from a

0:44:53.320 --> 0:44:56.920
<v Speaker 1>rapper's perspective and not a be in the industry's perspective,

0:44:58.080 --> 0:45:00.960
<v Speaker 1>and so sometimes some of that may have hindered me.

0:45:01.160 --> 0:45:04.080
<v Speaker 1>You know, always had the will to want to be

0:45:05.360 --> 0:45:10.080
<v Speaker 1>half normal, half amazing or in this thing, you know,

0:45:10.880 --> 0:45:12.920
<v Speaker 1>so I gotta have a little bit of normal in

0:45:13.000 --> 0:45:15.640
<v Speaker 1>my life, and I think that thought process kind of

0:45:16.520 --> 0:45:20.279
<v Speaker 1>you know, hinders me. And because because to be in

0:45:20.320 --> 0:45:24.560
<v Speaker 1>the industry, man like successful people outside of it don't

0:45:24.600 --> 0:45:27.359
<v Speaker 1>realize how much hard work it is. It's it's way

0:45:27.400 --> 0:45:29.319
<v Speaker 1>harder than the nine to five, but they don't know

0:45:29.400 --> 0:45:32.080
<v Speaker 1>that until they try to get in it and do it,

0:45:32.200 --> 0:45:34.799
<v Speaker 1>you know. So so you're saying essentially, like you know,

0:45:35.040 --> 0:45:37.040
<v Speaker 1>like like you said, you know, if you're in an industry,

0:45:37.040 --> 0:45:39.640
<v Speaker 1>you gotta go to functions, you gotta kind of you gotta.

0:45:39.760 --> 0:45:42.520
<v Speaker 1>I mean, you gotta kind of have fake friends, like

0:45:42.640 --> 0:45:45.160
<v Speaker 1>people who you kind of talk to just because it's

0:45:45.160 --> 0:45:48.759
<v Speaker 1>a good like. You know, there's associates. There's a lot

0:45:48.800 --> 0:45:52.920
<v Speaker 1>of people who you might consider acquaintance has been not

0:45:53.040 --> 0:45:56.120
<v Speaker 1>friends in the music industry, right man, You gotta do,

0:45:56.239 --> 0:45:59.560
<v Speaker 1>you gotta do. It's a lot of bullshitting other people

0:45:59.600 --> 0:46:03.439
<v Speaker 1>in this an extremely lot of bullshitting yourself. And it's

0:46:03.480 --> 0:46:05.960
<v Speaker 1>just only so much I can bullshit myself, you know

0:46:05.960 --> 0:46:08.160
<v Speaker 1>what I mean? So I just got to keep it real.

0:46:08.360 --> 0:46:11.720
<v Speaker 1>I wanted to be a dope ass rapper, rock shows,

0:46:11.800 --> 0:46:14.360
<v Speaker 1>rock people, put out records, and there was a certain

0:46:14.440 --> 0:46:17.719
<v Speaker 1>extent of it, you know. So so to get to

0:46:17.760 --> 0:46:20.120
<v Speaker 1>a certain level, to have to act a certain way

0:46:20.200 --> 0:46:24.520
<v Speaker 1>or be a certain way, or fake a certain friendship

0:46:24.560 --> 0:46:26.560
<v Speaker 1>with certain people. And isn't that I just couldn't be

0:46:26.600 --> 0:46:31.640
<v Speaker 1>into all that. What was a feature that almost happened

0:46:31.640 --> 0:46:35.600
<v Speaker 1>that didn't happen for you? Damn? Oh, I know it's

0:46:35.640 --> 0:46:38.560
<v Speaker 1>gonna be one that come right in. I always think

0:46:38.600 --> 0:46:40.799
<v Speaker 1>back to like just being like a big, a big

0:46:40.840 --> 0:46:43.480
<v Speaker 1>fan of Biggie and thinking like how I got a

0:46:43.560 --> 0:46:45.640
<v Speaker 1>late when I got a late? When I first off

0:46:45.719 --> 0:46:48.520
<v Speaker 1>let me say I love all rappers in Texas. I'm

0:46:48.560 --> 0:46:51.839
<v Speaker 1>a fan of all rappers in Texas. And with that

0:46:51.880 --> 0:46:54.920
<v Speaker 1>being said, I was just about to do a feature

0:46:55.080 --> 0:47:00.240
<v Speaker 1>with Mo three. Oh yeah, we was like probably days away, right,

0:47:00.360 --> 0:47:03.080
<v Speaker 1>We were literally literally days away from working on a

0:47:03.120 --> 0:47:09.160
<v Speaker 1>record together. So he yeah, he passed. Was it this year?

0:47:09.960 --> 0:47:12.759
<v Speaker 1>Was it late last year? Most three is dope? Man?

0:47:12.760 --> 0:47:14.880
<v Speaker 1>He just put a new album out too, So that

0:47:15.040 --> 0:47:18.759
<v Speaker 1>just came out Friday. All of them guys dope man.

0:47:18.920 --> 0:47:20.279
<v Speaker 1>So you've always just been a big fan of the

0:47:20.280 --> 0:47:23.359
<v Speaker 1>Texas guys. Yeah, all the Texas got Dallas, Houston, all

0:47:23.400 --> 0:47:26.440
<v Speaker 1>of them. Yeah, hey shure, hey man. What was it

0:47:26.520 --> 0:47:28.160
<v Speaker 1>like coming up at the same time as Common in

0:47:28.200 --> 0:47:30.520
<v Speaker 1>the same city, because that's the common I mean I

0:47:30.520 --> 0:47:32.799
<v Speaker 1>loved Resurrection and like that era of Common, like when

0:47:32.840 --> 0:47:34.960
<v Speaker 1>he was common sense, like you guys kind of being

0:47:35.000 --> 0:47:37.640
<v Speaker 1>on like opposite sounds of the same like of the

0:47:37.680 --> 0:47:41.080
<v Speaker 1>same city. Like, did you guys have a good relationship

0:47:41.080 --> 0:47:43.680
<v Speaker 1>in the nineties, Like yeah, we was always cool. We

0:47:44.000 --> 0:47:46.680
<v Speaker 1>never really got a chance to like hang around each other,

0:47:46.719 --> 0:47:49.200
<v Speaker 1>like right as much as we probably could have, but

0:47:49.600 --> 0:47:52.200
<v Speaker 1>you know, just was on different vibes. You know, he

0:47:52.360 --> 0:47:54.799
<v Speaker 1>was a south Side guy was the West Side guy.

0:47:54.880 --> 0:47:59.040
<v Speaker 1>My music was, you know, more street orientated. His was

0:47:59.120 --> 0:48:02.239
<v Speaker 1>more hip hop orientated. You know, were you rooting for

0:48:02.320 --> 0:48:04.640
<v Speaker 1>him when he when he when he put out the

0:48:04.640 --> 0:48:09.439
<v Speaker 1>bitching you against Ice Cube? Oh yeah that was bad.

0:48:09.719 --> 0:48:12.640
<v Speaker 1>That was what was gonna happen, you know, but damn,

0:48:12.680 --> 0:48:14.680
<v Speaker 1>I didn't know what was gonna happen like that as

0:48:14.680 --> 0:48:18.040
<v Speaker 1>smooth as it happened. Yeah, I think Cube is self

0:48:18.080 --> 0:48:21.120
<v Speaker 1>even respected. I would out when I saw Cube too. Man,

0:48:21.360 --> 0:48:25.360
<v Speaker 1>I had a fan out moment of course. Yeah, like, damn,

0:48:25.520 --> 0:48:27.960
<v Speaker 1>there's a few of those guys ship. I mean, I

0:48:28.600 --> 0:48:30.920
<v Speaker 1>it's crazy because you know, losing DMX, that was one

0:48:30.920 --> 0:48:32.640
<v Speaker 1>of the few guys in hip hop I met who

0:48:32.640 --> 0:48:36.080
<v Speaker 1>I like, really was like starstruck, id like tell him, like, man,

0:48:36.080 --> 0:48:37.719
<v Speaker 1>you don't stand what you meant to me? Bro, Like

0:48:37.800 --> 0:48:39.520
<v Speaker 1>you know what I'm saying. I saw him at an

0:48:39.560 --> 0:48:42.920
<v Speaker 1>award show and I fanned out and didn't speak to him.

0:48:43.000 --> 0:48:45.000
<v Speaker 1>He was walking past, so he didn't really see me,

0:48:45.360 --> 0:48:47.920
<v Speaker 1>and I had the opportunity to probably speak to him,

0:48:48.080 --> 0:48:50.960
<v Speaker 1>but I just looked and fanned out. And because of

0:48:50.960 --> 0:48:53.640
<v Speaker 1>the current situation, that that's one moment I regret that

0:48:53.719 --> 0:48:59.640
<v Speaker 1>I didn't go straight at him. Yeah, yeah, it's crazy man. Yeah,

0:49:00.120 --> 0:49:03.080
<v Speaker 1>you know, he lived a good life. You know, there

0:49:03.120 --> 0:49:05.520
<v Speaker 1>was an interview clip that I saw recently on the

0:49:05.719 --> 0:49:08.400
<v Speaker 1>Drink Champs where he said, if I dropped dead tomorrow,

0:49:08.480 --> 0:49:09.880
<v Speaker 1>I lived a good life. And he did live a

0:49:09.880 --> 0:49:11.799
<v Speaker 1>good life man. Yeah, touched a lot of people. So

0:49:11.920 --> 0:49:14.240
<v Speaker 1>rest in peace to Dmax. Well, look, the new album

0:49:14.560 --> 0:49:18.919
<v Speaker 1>is out for twenty yeah, ep, and then a new

0:49:19.000 --> 0:49:21.520
<v Speaker 1>Twisted album will be coming shortly after its you said

0:49:21.520 --> 0:49:24.560
<v Speaker 1>it's pretty much done yep. For twenty we got News

0:49:24.600 --> 0:49:26.759
<v Speaker 1>at nine with Relo or Dreamer right here with your

0:49:27.040 --> 0:49:29.880
<v Speaker 1>Shot Town, and then we got Shoot Already that's coming

0:49:29.920 --> 0:49:32.320
<v Speaker 1>after that. We got a bunch of dope songs. You go.

0:49:32.480 --> 0:49:36.239
<v Speaker 1>It's like a mixture of Adrenaline Rush and Shooter song

0:49:36.480 --> 0:49:40.719
<v Speaker 1>features on that. Oh yeah, it's a few surprises on that.

0:49:41.200 --> 0:49:43.600
<v Speaker 1>I didn't go too hard with the features. It's a

0:49:43.640 --> 0:49:47.480
<v Speaker 1>few surprises. I kept it adrenaline Rush esque. Do you

0:49:47.600 --> 0:49:50.520
<v Speaker 1>enjoy being independent now, like as opposed to the major

0:49:50.600 --> 0:49:53.279
<v Speaker 1>label shit? Yeah, I've always enjoyed it once I got

0:49:53.320 --> 0:49:56.000
<v Speaker 1>into it, you know. Yeah, when we first started off,

0:49:56.000 --> 0:49:58.960
<v Speaker 1>we was killing it too, right. It's always like, you know,

0:49:59.120 --> 0:50:06.320
<v Speaker 1>it's I think nowadays, specifically back in the day, it

0:50:06.320 --> 0:50:08.319
<v Speaker 1>would makes sense to sign to a major label. Yeah.

0:50:08.400 --> 0:50:10.839
<v Speaker 1>I think once you learn, learn the ropes a little bit,

0:50:11.239 --> 0:50:13.520
<v Speaker 1>learn the business, got people on your team that can

0:50:13.640 --> 0:50:16.960
<v Speaker 1>kind of emulate what you would get from a record label,

0:50:17.040 --> 0:50:19.759
<v Speaker 1>and especially got some income. Well yeah, now I feel

0:50:19.760 --> 0:50:21.920
<v Speaker 1>like nowadays you get there, you go straight to the fans.

0:50:21.960 --> 0:50:23.680
<v Speaker 1>Back in the day, you kind of needed a label

0:50:23.719 --> 0:50:29.239
<v Speaker 1>to get to your fans. Yeah, because it's like technology

0:50:29.440 --> 0:50:33.319
<v Speaker 1>was expensive then. Yeah, now it's free labels they had

0:50:33.360 --> 0:50:36.960
<v Speaker 1>the money to do it. Right now, technology advanced to

0:50:37.000 --> 0:50:40.480
<v Speaker 1>the level where you know, it can't be controlled like that,

0:50:40.560 --> 0:50:44.000
<v Speaker 1>and and you know, in one way, so I think

0:50:44.040 --> 0:50:46.880
<v Speaker 1>a lot of artists today got an advantage. You know.

0:50:46.960 --> 0:50:50.960
<v Speaker 1>The advantage today is that you can use technology in

0:50:51.000 --> 0:50:54.080
<v Speaker 1>a way that we couldn't in the past. The other

0:50:54.160 --> 0:50:59.520
<v Speaker 1>difference though, is that the playing field you got so

0:50:59.600 --> 0:51:03.880
<v Speaker 1>many people to be up against that also have the

0:51:03.880 --> 0:51:06.440
<v Speaker 1>Internet for free, got you, and so it kind of

0:51:06.480 --> 0:51:10.040
<v Speaker 1>balances itself out. You have the ogs like, oh, y'all

0:51:10.040 --> 0:51:14.120
<v Speaker 1>got it easier than us, because not really, because Newcat's

0:51:14.160 --> 0:51:16.799
<v Speaker 1>got to go against a million other people. When you

0:51:16.840 --> 0:51:19.680
<v Speaker 1>were probably the only person rapping in your neighborhood, right,

0:51:19.719 --> 0:51:23.120
<v Speaker 1>because now everyone's rapping. Everyone can get fruity woops, everyone

0:51:23.120 --> 0:51:25.560
<v Speaker 1>can go buy a mic for one hundred dollars or so.

0:51:25.560 --> 0:51:27.879
<v Speaker 1>So it evens itself out. Yeah, it's like you got

0:51:27.880 --> 0:51:30.160
<v Speaker 1>the little perception, the gifting, the curses of each era

0:51:30.400 --> 0:51:33.200
<v Speaker 1>even themselves out for sure, because like now you got

0:51:33.280 --> 0:51:36.600
<v Speaker 1>like you said, it's the everything's so saturated. It's like

0:51:36.920 --> 0:51:39.319
<v Speaker 1>it's like DJing. You know, back in the day, you

0:51:39.320 --> 0:51:41.160
<v Speaker 1>had to buy records, you had to learn how to

0:51:41.200 --> 0:51:45.239
<v Speaker 1>actually mix. You know. Now you got a laptop, you

0:51:45.360 --> 0:51:49.120
<v Speaker 1>download some songs. Yeah, you get a little controller and

0:51:49.160 --> 0:51:50.759
<v Speaker 1>you go do a gig. Back in the day, it

0:51:50.880 --> 0:51:52.719
<v Speaker 1>was not like that. But now you know, you can

0:51:52.800 --> 0:51:58.719
<v Speaker 1>literally play a video of a DJ's old DJ set, right.

0:52:00.320 --> 0:52:02.920
<v Speaker 1>That shit crazy. Well, look Twisted, Thank you for coming through, man,

0:52:02.960 --> 0:52:06.920
<v Speaker 1>the legend Twister. Go get your new new project. Appreciate

0:52:06.960 --> 0:52:11.040
<v Speaker 1>you coming through. Man. Let's get to it. Boom perfect

0:52:11.440 --> 0:52:12.320
<v Speaker 1>much love y'all,