1
00:00:01,240 --> 00:00:06,040
Speaker 1: This is the boy so cool. So we're talking about

2
00:00:06,080 --> 00:00:08,760
Speaker 1: the journey too. I already music festival just for I

3
00:00:08,800 --> 00:00:10,160
Speaker 1: was looking back, and for me, the first time I

4
00:00:10,160 --> 00:00:11,680
Speaker 1: came to this festival is twenty eleven. I came to

5
00:00:11,720 --> 00:00:14,120
Speaker 1: the very first one and the Black Eyed Peas were

6
00:00:14,120 --> 00:00:15,880
Speaker 1: playing that festival and they're still playing now. So either

7
00:00:15,920 --> 00:00:17,279
Speaker 1: they've been good for a long time or they were

8
00:00:17,280 --> 00:00:19,160
Speaker 1: really good. They fell off and they came back. So

9
00:00:19,680 --> 00:00:21,560
Speaker 1: I think that's that the fact that they can be here.

10
00:00:22,200 --> 00:00:25,840
Speaker 1: It was eleven years, eleven years. Kenny Chesney was the

11
00:00:25,920 --> 00:00:28,800
Speaker 1: very first one, which I remember, and you know, with

12
00:00:28,880 --> 00:00:31,440
Speaker 1: this festival, it's gotten so big that they've actually moved it.

13
00:00:31,640 --> 00:00:34,800
Speaker 1: You know, now we're in this bigger arena. But um,

14
00:00:34,840 --> 00:00:37,840
Speaker 1: the second year is when the Green Day lead singer

15
00:00:37,840 --> 00:00:40,520
Speaker 1: Billy Joe Armstrong got so mad and he got upset

16
00:00:40,520 --> 00:00:42,640
Speaker 1: with what was happening on stage or sound. He started cursing,

17
00:00:42,800 --> 00:00:45,280
Speaker 1: and then one of the guys that I know was

18
00:00:45,320 --> 00:00:47,120
Speaker 1: like managing the audio feed and he's like having to

19
00:00:47,120 --> 00:00:49,800
Speaker 1: try to bleep at all as it was happening. So,

20
00:00:50,240 --> 00:00:52,000
Speaker 1: you know, I mean, just my journey here has been

21
00:00:53,080 --> 00:00:56,480
Speaker 1: pretty fun and exhausting and a lot of stories. Um,

22
00:00:56,720 --> 00:01:00,880
Speaker 1: but I've been here ten of the eleven and this

23
00:01:01,000 --> 00:01:05,679
Speaker 1: thing's gotten bigger and better every single time. Marion Morris.

24
00:01:05,720 --> 00:01:07,639
Speaker 1: I was with Marion a couple days ago. She's actually

25
00:01:07,640 --> 00:01:09,760
Speaker 1: playing here and she was on the show Boy also

26
00:01:09,800 --> 00:01:12,640
Speaker 1: flew up to New York together, and it's been crazy

27
00:01:12,640 --> 00:01:14,840
Speaker 1: to kind of see her her growth. And I know

28
00:01:14,840 --> 00:01:17,000
Speaker 1: a lot of times people talk about her on trying

29
00:01:17,040 --> 00:01:19,240
Speaker 1: out for American Idol or The Voice, but anybody now

30
00:01:19,600 --> 00:01:22,120
Speaker 1: who I would say, if they've been an artist for

31
00:01:22,120 --> 00:01:24,000
Speaker 1: the last four or five years. Everybody kind of tried

32
00:01:24,000 --> 00:01:26,120
Speaker 1: out for these shows, and most people didn't make it.

33
00:01:26,640 --> 00:01:28,920
Speaker 1: And I can tell you that they don't always look

34
00:01:29,080 --> 00:01:31,640
Speaker 1: especially working on American Idol for the last for four years,

35
00:01:31,720 --> 00:01:34,200
Speaker 1: then don't always look for the person that's just the

36
00:01:34,240 --> 00:01:36,120
Speaker 1: best singer. They look for someone who can sing. They

37
00:01:36,160 --> 00:01:38,280
Speaker 1: can also build a story around because it's a TV show.

38
00:01:38,480 --> 00:01:41,919
Speaker 1: But you know, Marin's journey here tonight has been pretty

39
00:01:41,920 --> 00:01:43,679
Speaker 1: cool because I mean, I remember when she was just

40
00:01:44,000 --> 00:01:46,400
Speaker 1: an artist without a record deal and then put a

41
00:01:46,440 --> 00:01:49,200
Speaker 1: song out I think my Church, and she was able

42
00:01:49,200 --> 00:01:50,919
Speaker 1: to go and chase a record deal with the success

43
00:01:50,960 --> 00:01:53,840
Speaker 1: of a song, which is very rare. Now, Amy, what

44
00:01:53,880 --> 00:01:55,520
Speaker 1: was first year you were here? Do you remember? Oh?

45
00:01:55,600 --> 00:01:57,520
Speaker 1: Same one with you? I think, or maybe even the

46
00:01:57,600 --> 00:02:00,600
Speaker 1: year after. Yeah, first year, I came by myself. The

47
00:02:00,640 --> 00:02:02,680
Speaker 1: first couple outs about myself. I'm being honest the letter.

48
00:02:02,920 --> 00:02:04,880
Speaker 1: I didn't know anybody, and that's how Charlomne and I

49
00:02:04,880 --> 00:02:07,880
Speaker 1: became friends. We were both like who are you? And

50
00:02:08,040 --> 00:02:11,880
Speaker 1: I was like, I'm Bobby. Well then probably twenty thirteen,

51
00:02:11,880 --> 00:02:13,800
Speaker 1: so maybe a couple of years after you. Yeah, that

52
00:02:13,919 --> 00:02:17,400
Speaker 1: was maybe the first year, and then I remember Keith

53
00:02:17,480 --> 00:02:20,280
Speaker 1: Urban Zag Brown Band, and then of course one of

54
00:02:20,280 --> 00:02:22,920
Speaker 1: my favorite memories is being with all of my girlfriends

55
00:02:23,040 --> 00:02:25,799
Speaker 1: and Kelly Clarkson was performing and we're like singing site

56
00:02:25,840 --> 00:02:28,280
Speaker 1: like on the platform, like jumping up and down, about

57
00:02:28,280 --> 00:02:30,799
Speaker 1: to break it, because what doesn't Kelly, you makes you stronger.

58
00:02:31,320 --> 00:02:33,560
Speaker 1: Of my favorite memories ever, Eddie's first year was like

59
00:02:33,600 --> 00:02:36,720
Speaker 1: ten minutes ago. No no, no, no. If you don't hey,

60
00:02:36,800 --> 00:02:39,360
Speaker 1: if you don't remember, I came the second year with you,

61
00:02:39,400 --> 00:02:41,520
Speaker 1: maybe the third year, and I was your photographer, Like,

62
00:02:41,600 --> 00:02:44,040
Speaker 1: so I followed you. Oh yeah, I took the iconic

63
00:02:44,080 --> 00:02:46,680
Speaker 1: picture of you and Weezer. Hold on, really, yeah, what

64
00:02:46,720 --> 00:02:48,399
Speaker 1: do you mean you're you weren't working with the show.

65
00:02:48,440 --> 00:02:50,480
Speaker 1: I was working with the show, but they brought me

66
00:02:50,520 --> 00:02:52,640
Speaker 1: as just like a photographer, like kind of just document

67
00:02:52,720 --> 00:02:55,320
Speaker 1: what you were doing. Okay when I was in Austin,

68
00:02:55,360 --> 00:02:58,120
Speaker 1: but you know, the second third year, because you didn't

69
00:02:58,160 --> 00:02:59,720
Speaker 1: work with us to time you move to Nashville, right,

70
00:02:59,720 --> 00:03:01,800
Speaker 1: which was ten years ago? No, no, I moved. I

71
00:03:01,840 --> 00:03:03,560
Speaker 1: did this. Do you want to argue with me right now?

72
00:03:03,760 --> 00:03:06,840
Speaker 1: So if you came and when I was working in Austin,

73
00:03:06,919 --> 00:03:09,600
Speaker 1: you were not working for the show. Yeah, yeah, Okay.

74
00:03:09,600 --> 00:03:11,120
Speaker 1: I feel like we all have really good memories of

75
00:03:11,120 --> 00:03:12,800
Speaker 1: our first year. You guys, I have four kids, all right,

76
00:03:13,160 --> 00:03:15,280
Speaker 1: My memories a little off, all right, But I did

77
00:03:15,360 --> 00:03:18,000
Speaker 1: follow you with a camera, and I remember justin Timberlake.

78
00:03:18,280 --> 00:03:20,919
Speaker 1: Oh dude, that was my favorite memory. Bobby's interview in

79
00:03:21,000 --> 00:03:23,880
Speaker 1: justin timber Lake in the back with Elvis Duran and

80
00:03:23,960 --> 00:03:27,160
Speaker 1: he and Justin is talking to Elvis for the most part,

81
00:03:27,200 --> 00:03:28,840
Speaker 1: and then you asked him, I'm right here too, bro,

82
00:03:29,040 --> 00:03:31,079
Speaker 1: right like I'm saying right in every side Elvis Duran.

83
00:03:31,360 --> 00:03:33,320
Speaker 1: He's like, who is this? Yeah? Yeah, Justin looks up

84
00:03:33,600 --> 00:03:35,960
Speaker 1: like where'd you get this guy from? Who is this?

85
00:03:36,040 --> 00:03:39,200
Speaker 1: Dude stuck him. Yeah, no you didn't, No, I didn't. Yeah,

86
00:03:39,200 --> 00:03:40,480
Speaker 1: that was that. That was the first time I met

87
00:03:40,520 --> 00:03:43,440
Speaker 1: the guy from Weeza Rivers Cuomo. Yeah, oh yeah. And

88
00:03:43,720 --> 00:03:46,680
Speaker 1: you took that picture, you did, and it's it's like

89
00:03:47,040 --> 00:03:48,840
Speaker 1: it's me standing next to my uncle who's about eight

90
00:03:48,960 --> 00:03:53,080
Speaker 1: eight in shorter. Yeah, but and also ten years older. Yeah. Um.

91
00:03:53,320 --> 00:03:55,520
Speaker 1: But yeah, there's also a lot of cool people that

92
00:03:55,520 --> 00:03:57,840
Speaker 1: we get to meet just showing up to this thing

93
00:03:57,960 --> 00:03:59,440
Speaker 1: lunch box. She said he met Poo Poo and Papa

94
00:03:59,520 --> 00:04:03,000
Speaker 1: or something. I met and Lulu or something. I don't know.

95
00:04:03,120 --> 00:04:05,200
Speaker 1: They worked for the company, but they were on Amazing Race,

96
00:04:05,240 --> 00:04:07,960
Speaker 1: and I saw the work for the company. Yeah, but

97
00:04:08,080 --> 00:04:10,160
Speaker 1: I don't even know their names. But they were an

98
00:04:10,160 --> 00:04:12,240
Speaker 1: amazing freaked out about somebody who you don't even know

99
00:04:12,280 --> 00:04:14,880
Speaker 1: their names. They were Amazing Race. They were on Amazing Race,

100
00:04:14,920 --> 00:04:16,960
Speaker 1: but you don't even know their names. I knew one

101
00:04:17,000 --> 00:04:19,919
Speaker 1: of them was Lulu is Lula I think that is,

102
00:04:21,360 --> 00:04:24,520
Speaker 1: And so I yelled amazing Race and then I took

103
00:04:24,520 --> 00:04:26,039
Speaker 1: a picture with them and walked away. Didn't sa anything

104
00:04:26,080 --> 00:04:27,680
Speaker 1: else to him, and then they were like, okay, but

105
00:04:27,720 --> 00:04:29,320
Speaker 1: I got to meet him. It was so cool. This

106
00:04:29,360 --> 00:04:33,560
Speaker 1: is where you met Wenstefani. No I no. I met

107
00:04:33,640 --> 00:04:36,960
Speaker 1: DJ Polyd when I was here. He the first. No, No,

108
00:04:37,320 --> 00:04:41,280
Speaker 1: here's the truth. First festival, I bought tickets and sat

109
00:04:41,360 --> 00:04:45,240
Speaker 1: in the audience and DJ Polyd was djaying and I

110
00:04:46,680 --> 00:04:49,000
Speaker 1: I bought tickets because I didn't realize you could ask

111
00:04:49,040 --> 00:04:53,880
Speaker 1: the company for tickets and times. And I shared a

112
00:04:53,880 --> 00:04:56,760
Speaker 1: hotel room with two other people because we were broke,

113
00:04:56,880 --> 00:04:59,320
Speaker 1: and we stayed at the luxerom. We were there, We're like,

114
00:04:59,360 --> 00:05:02,039
Speaker 1: this is amazing. And DJ P was DJ and this

115
00:05:02,040 --> 00:05:04,440
Speaker 1: is when Jersey shorem was huge. And I snuck down

116
00:05:04,440 --> 00:05:06,120
Speaker 1: and when he was leaving, he gave me a high five.

117
00:05:06,320 --> 00:05:08,040
Speaker 1: When he got done with this ever washed that hand sent.

118
00:05:08,200 --> 00:05:10,120
Speaker 1: I was like, wow. So I got to make DJ

119
00:05:10,240 --> 00:05:12,480
Speaker 1: poly D two. Once we came to Vegas, except for

120
00:05:12,520 --> 00:05:15,119
Speaker 1: the first two years, I guess it's always been in Vegas,

121
00:05:15,120 --> 00:05:18,440
Speaker 1: but they've moved places here in Vegas, and so we lunch.

122
00:05:18,760 --> 00:05:20,800
Speaker 1: We come to Vegas just randomly, and once there was

123
00:05:20,800 --> 00:05:23,040
Speaker 1: like six of us coming to Vegas and it was

124
00:05:23,080 --> 00:05:24,640
Speaker 1: we don't have to talk about a few months before

125
00:05:24,640 --> 00:05:27,480
Speaker 1: the festival. We were coming out and lunch, take care

126
00:05:27,480 --> 00:05:29,080
Speaker 1: of the room, and we didn't have any money, so

127
00:05:29,240 --> 00:05:32,039
Speaker 1: we were all booking it at the what's the oh yeah,

128
00:05:32,040 --> 00:05:35,039
Speaker 1: not circus. So we're like, we have I think we

129
00:05:35,080 --> 00:05:38,760
Speaker 1: had six people, and we said, hey, take he's he

130
00:05:38,760 --> 00:05:40,559
Speaker 1: wanted to get the rooms, like take care of the rooms,

131
00:05:40,880 --> 00:05:43,320
Speaker 1: and so he was being responsible and he booked all

132
00:05:43,360 --> 00:05:45,039
Speaker 1: six of us in a couple of rooms. Three in

133
00:05:45,040 --> 00:05:47,640
Speaker 1: a room. We'd split. You'd rotate bed, bed floor, so

134
00:05:47,720 --> 00:05:50,240
Speaker 1: each night you're rotated, right, And so we get there

135
00:05:50,279 --> 00:05:54,440
Speaker 1: and they're like, okay, I'm all six of you. You

136
00:05:54,520 --> 00:05:56,640
Speaker 1: got one room? Huh? Or like no, no no, no, no no,

137
00:05:56,960 --> 00:05:59,280
Speaker 1: there's two Lunch was on a flight or something. Bobby

138
00:05:59,360 --> 00:06:01,280
Speaker 1: was here before me, and so he's like, hey man,

139
00:06:01,320 --> 00:06:03,520
Speaker 1: they're saying you have one room. I'm like, no, no, no,

140
00:06:03,600 --> 00:06:05,960
Speaker 1: I got two rooms. Into the story. We had one

141
00:06:06,000 --> 00:06:08,400
Speaker 1: room for six people. And not only that, the air

142
00:06:08,440 --> 00:06:11,039
Speaker 1: conditioner went out in that room. Oh yeah, so the

143
00:06:11,080 --> 00:06:15,160
Speaker 1: one room we had was even broken and so good job, dude. Yeah,

144
00:06:14,880 --> 00:06:17,080
Speaker 1: that's what it is. That's our journey, just in Vegas,

145
00:06:17,520 --> 00:06:20,880
Speaker 1: the journey Luke Combs's journey as an artist. Ed do

146
00:06:20,880 --> 00:06:22,960
Speaker 1: you want to talk about that? Oh? What do you

147
00:06:23,040 --> 00:06:24,320
Speaker 1: want me to say about that I don't know. Did

148
00:06:24,400 --> 00:06:26,520
Speaker 1: you tell me what? Say that? Come on, dude, he

149
00:06:26,640 --> 00:06:29,080
Speaker 1: is like this whole podcast about a journey, So talk

150
00:06:29,080 --> 00:06:31,200
Speaker 1: about Luke Combs's journey from the first time he's on them. Well,

151
00:06:31,200 --> 00:06:33,800
Speaker 1: I think for us too. I remember somebody came into

152
00:06:33,839 --> 00:06:36,120
Speaker 1: our somebody that worked in our building and said, oh man,

153
00:06:36,200 --> 00:06:39,680
Speaker 1: there's a whiskey jam last night and Luke Combs saying

154
00:06:39,680 --> 00:06:42,480
Speaker 1: it and this guy is amazing. You need to check

155
00:06:42,520 --> 00:06:44,240
Speaker 1: him out. And I think that guy now works for

156
00:06:44,320 --> 00:06:46,640
Speaker 1: Luke Hombs, which is ironic, but I mean, yeah, when

157
00:06:46,640 --> 00:06:49,120
Speaker 1: we first heard him because they're from the same hometown. Correct, Yeah,

158
00:06:49,160 --> 00:06:50,560
Speaker 1: and then when we first heard him, you hear that

159
00:06:50,640 --> 00:06:52,640
Speaker 1: voice and you're like, wow, Okay, I get it, Like

160
00:06:52,720 --> 00:06:56,679
Speaker 1: this guy's really, really, really good. And now he's playing here. Yes, um,

161
00:06:57,120 --> 00:07:00,960
Speaker 1: the MS is here tonight, so I know from. He

162
00:07:01,000 --> 00:07:03,120
Speaker 1: has a show on USA Network, which is the network

163
00:07:03,160 --> 00:07:04,839
Speaker 1: my show is on right now. That's when I know

164
00:07:04,920 --> 00:07:07,240
Speaker 1: him from. And Lunchbox read that The Miss and I

165
00:07:07,279 --> 00:07:11,160
Speaker 1: were presenting tonight and geeked out more than Lulu and

166
00:07:11,200 --> 00:07:14,120
Speaker 1: La La. Yes, because the Miss he was on Real

167
00:07:14,160 --> 00:07:16,240
Speaker 1: World back to New York, so he was on there

168
00:07:16,240 --> 00:07:18,640
Speaker 1: with Kevin Dunn. He was on The Rachel, I mean

169
00:07:18,760 --> 00:07:21,080
Speaker 1: and so, and I think Malik was on that season,

170
00:07:21,320 --> 00:07:23,320
Speaker 1: and so to see him in person, I'm like, oh

171
00:07:23,360 --> 00:07:25,040
Speaker 1: my gosh, I'm gonna get to meet them is because

172
00:07:25,040 --> 00:07:26,680
Speaker 1: the real World I want him to go on the

173
00:07:26,800 --> 00:07:29,240
Speaker 1: Challenge All Stars. I really need to tell him we

174
00:07:29,320 --> 00:07:31,400
Speaker 1: need you back on the Challenge. Oh my god. If

175
00:07:31,400 --> 00:07:34,240
Speaker 1: you only have twenty seconds, because he's not gonna want

176
00:07:34,240 --> 00:07:36,000
Speaker 1: to sit down with you come week out and you

177
00:07:36,080 --> 00:07:39,320
Speaker 1: yell things like real world, Yeah, you have twenty seconds

178
00:07:39,320 --> 00:07:41,520
Speaker 1: to have a normal conversation with them is and that's

179
00:07:41,520 --> 00:07:43,680
Speaker 1: all twenty seconds. Yes, I want to later pitch or

180
00:07:43,760 --> 00:07:45,280
Speaker 1: whatever it is. What do you say? Is the real

181
00:07:45,320 --> 00:07:47,600
Speaker 1: world as awesome as it looks? Are you ever gonna

182
00:07:47,640 --> 00:07:49,360
Speaker 1: go back on the Challenge? That's all I need to know.

183
00:07:49,400 --> 00:07:51,400
Speaker 1: And he has about fifteen seconds to answer yes. Do

184
00:07:51,440 --> 00:07:53,120
Speaker 1: you wrap him up? If he's going no, no, no,

185
00:07:56,000 --> 00:07:57,840
Speaker 1: it's like rap. But I'm gonna try to keep it cool,

186
00:07:57,880 --> 00:08:00,880
Speaker 1: like I've been trying to like not be like ah,

187
00:08:00,880 --> 00:08:03,080
Speaker 1: but when I see him, it's gonna be like, holy crap.

188
00:08:03,120 --> 00:08:05,960
Speaker 1: We're talking about Journey. Do you know who Journey is?

189
00:08:06,840 --> 00:08:10,160
Speaker 1: The band? Yeah? I know the one song, but don't

190
00:08:10,160 --> 00:08:12,880
Speaker 1: stop believing? Do you know any other ones? That's all

191
00:08:12,880 --> 00:08:15,840
Speaker 1: they have, And they've Journey's played this before, yes, yeah, yeah,

192
00:08:15,920 --> 00:08:17,760
Speaker 1: last year. That's why they only have that hit, right?

193
00:08:17,800 --> 00:08:19,560
Speaker 1: No, no no, no, no, that's a lot of hits. Crazy, No,

194
00:08:19,680 --> 00:08:21,240
Speaker 1: I'm not. Can you tell me another one? I can't

195
00:08:21,320 --> 00:08:22,920
Speaker 1: exactly as soon as I said, are you crazy, I'm like,

196
00:08:22,960 --> 00:08:26,120
Speaker 1: I can't leave another one. I'm gonna get a rusped wagoners.

197
00:08:26,280 --> 00:08:30,440
Speaker 1: Hell do it here? I am with open arms wagon journal. No,

198
00:08:30,520 --> 00:08:33,240
Speaker 1: let's have no idea. They look it up here? Well,

199
00:08:33,480 --> 00:08:35,120
Speaker 1: is that the one that they're their lead singer is

200
00:08:35,120 --> 00:08:38,000
Speaker 1: not their lead singer anymore? Correct? Yeah? And now he's suing,

201
00:08:38,360 --> 00:08:40,480
Speaker 1: apparently to make sure they don't use the Journey name

202
00:08:40,520 --> 00:08:43,920
Speaker 1: for merch. Yeah, here we go. Don't stop believing, or

203
00:08:44,160 --> 00:08:47,800
Speaker 1: I can't to you the open arms anyway you want it.

204
00:08:47,920 --> 00:08:51,360
Speaker 1: That's the way I need. They get a bunch of songs. Okay,

205
00:08:51,400 --> 00:08:55,560
Speaker 1: let's go to from the eighties, seventies, eighties. Okay, Yeah,

206
00:08:56,559 --> 00:09:00,160
Speaker 1: that's pretty much about it. Know what the will? Then

207
00:09:00,240 --> 00:09:03,720
Speaker 1: this guy keeps on turn is that that's there? I

208
00:09:03,800 --> 00:09:05,760
Speaker 1: never heard that one. I've never heard that that one

209
00:09:06,400 --> 00:09:08,280
Speaker 1: who else is here tonight? Do you guys care to

210
00:09:08,320 --> 00:09:11,200
Speaker 1: see it all? Miss Real Fire Worldwide? That was quick. Okay,

211
00:09:12,400 --> 00:09:14,880
Speaker 1: tell me why you like Pittball. Dude, I love Pibble.

212
00:09:14,920 --> 00:09:20,160
Speaker 1: Who doesn't love people? Miss three five? I don't know.

213
00:09:20,240 --> 00:09:24,319
Speaker 1: I mean from like, you know, all the Minions movies

214
00:09:24,360 --> 00:09:26,240
Speaker 1: and everything, Like my kids listen to the People all

215
00:09:26,240 --> 00:09:29,319
Speaker 1: the time. That's your favorite Pitball memory? Minions, Minions? I

216
00:09:29,440 --> 00:09:31,240
Speaker 1: give you mine. I saw him do a live performance

217
00:09:31,240 --> 00:09:32,520
Speaker 1: at Dancing with the Stars in the middle of a

218
00:09:32,640 --> 00:09:34,719
Speaker 1: song and it was all a lip sync. It was

219
00:09:34,760 --> 00:09:36,440
Speaker 1: really weird, but it was super cool on TV. Watch

220
00:09:36,480 --> 00:09:39,760
Speaker 1: that back, because Pittball is like getting high, but lip

221
00:09:39,800 --> 00:09:42,679
Speaker 1: syncing high. It's pretty weird. It's pretty weird. I'm excited

222
00:09:42,679 --> 00:09:46,080
Speaker 1: about Lionel Richie. Are you well, I'm gonna see you know.

223
00:09:46,080 --> 00:09:48,120
Speaker 1: I'm gonna tell you why. I'm excited because I saw

224
00:09:48,200 --> 00:09:51,120
Speaker 1: him one time with Tina Turner back in two thousand

225
00:09:51,200 --> 00:09:52,800
Speaker 1: in San Antonio and he opened. I was like, this

226
00:09:52,840 --> 00:09:55,240
Speaker 1: guy is the most boring musician I've ever seen in

227
00:09:55,280 --> 00:09:57,480
Speaker 1: my life. And because I didn't know anything about him,

228
00:09:57,520 --> 00:09:59,080
Speaker 1: So now I know about him a little bit, so

229
00:09:59,120 --> 00:10:00,760
Speaker 1: I want to watch him and say is he still boring?

230
00:10:00,800 --> 00:10:01,960
Speaker 1: R now may mean you know about a little bit,

231
00:10:02,000 --> 00:10:04,480
Speaker 1: Like I literally worked for them for four years. Hey,

232
00:10:04,480 --> 00:10:06,079
Speaker 1: and if he's gonna get better since the first time

233
00:10:06,080 --> 00:10:08,800
Speaker 1: he saw him, what if he's still good? Yeah? Because

234
00:10:08,800 --> 00:10:10,360
Speaker 1: like he sat there and when we were in I

235
00:10:10,360 --> 00:10:12,079
Speaker 1: watched him in San Antonio. He just had his hangs,

236
00:10:12,240 --> 00:10:14,080
Speaker 1: the legs hanging over the stage. I was like, all right, man,

237
00:10:14,120 --> 00:10:16,160
Speaker 1: can we get to Tina Turner already? And so now

238
00:10:16,160 --> 00:10:17,880
Speaker 1: I want to give him a second chance. I would

239
00:10:17,920 --> 00:10:21,560
Speaker 1: say he's bigger than Tina Turner now, yeah, yeah, I

240
00:10:21,559 --> 00:10:25,720
Speaker 1: think by Far broke his heart. It was probably a

241
00:10:25,720 --> 00:10:29,800
Speaker 1: co headlining tour. Maybe that was a curtain. There was

242
00:10:29,840 --> 00:10:34,320
Speaker 1: a curtaine Okay, what lunch box? Nobody else? Don't make

243
00:10:34,320 --> 00:10:36,559
Speaker 1: a noise here. I'm gonna ask lunchboxes question. No help

244
00:10:36,640 --> 00:10:40,360
Speaker 1: from peanut gallery. Pat Benatar, like all of his songs.

245
00:10:40,400 --> 00:10:41,920
Speaker 1: If you had to guess one of his what would

246
00:10:41,920 --> 00:10:45,079
Speaker 1: you say, Pat Benatar, that's a guy and that's a girl.

247
00:10:47,400 --> 00:10:48,959
Speaker 1: I was like, oh my gosh, I've been thinking it

248
00:10:49,000 --> 00:10:51,559
Speaker 1: was a woman the whole time. That you are right?

249
00:10:52,440 --> 00:10:54,840
Speaker 1: Do you know any Pat Benatars No clue? I was

250
00:10:54,880 --> 00:10:57,960
Speaker 1: just with someone we were in the car and they

251
00:10:58,000 --> 00:11:00,439
Speaker 1: saw a guy pull up and get out. We're doing

252
00:11:00,480 --> 00:11:02,000
Speaker 1: COVID tests in the parking lot. By the way, it

253
00:11:02,040 --> 00:11:04,719
Speaker 1: was hot. I was outside sweating UM and this guy

254
00:11:04,760 --> 00:11:06,800
Speaker 1: get out and she goes, is that Pat Benatar? And

255
00:11:06,840 --> 00:11:08,640
Speaker 1: I was like, what do you mean? Was that him? Like?

256
00:11:08,720 --> 00:11:11,600
Speaker 1: That is not? No, it's not. She was also like

257
00:11:11,720 --> 00:11:16,600
Speaker 1: twenty two person with um. Diplow is tonight when we're

258
00:11:16,600 --> 00:11:19,960
Speaker 1: recording this, the black Keys are tonight in this and

259
00:11:20,000 --> 00:11:22,640
Speaker 1: so the I guess the craziest the hardest thing to

260
00:11:22,679 --> 00:11:25,520
Speaker 1: do is to figure out who's gonna close because they're

261
00:11:25,559 --> 00:11:27,160
Speaker 1: all headliners. I mean, if you take all of them

262
00:11:27,160 --> 00:11:29,720
Speaker 1: and you lay them all out, they're all headlining their

263
00:11:29,760 --> 00:11:34,600
Speaker 1: own shows and tours. But Black Eyed Peas, Diplow, Pitbull.

264
00:11:34,640 --> 00:11:36,360
Speaker 1: I wonder who's Gonnay? Is this the order they're gonna

265
00:11:36,360 --> 00:11:37,959
Speaker 1: go tonight? Do we know the order? Do we know

266
00:11:38,000 --> 00:11:40,160
Speaker 1: who opens it? Because the opener is a big deal

267
00:11:40,200 --> 00:11:41,960
Speaker 1: because they like send the message of the night who

268
00:11:42,960 --> 00:11:46,040
Speaker 1: Pitbow opens? Wow, that's how you turn a party. That's

269
00:11:46,040 --> 00:11:49,720
Speaker 1: that's April Levine will be here tomorrow night. And I'll

270
00:11:49,880 --> 00:11:53,040
Speaker 1: say that Avril Levine is alive. Oh yeah, well despite

271
00:11:53,040 --> 00:11:54,880
Speaker 1: the room. You remember the conspiracy theory, but like I

272
00:11:54,920 --> 00:11:57,280
Speaker 1: just remember she was saying that someone posing as her

273
00:11:57,280 --> 00:11:59,679
Speaker 1: correct well not posing that she had died. And then

274
00:11:59,800 --> 00:12:01,800
Speaker 1: some one now because the label didn't want to lose money,

275
00:12:01,840 --> 00:12:03,840
Speaker 1: so they replaced her. What they look alike? Have you

276
00:12:03,840 --> 00:12:06,800
Speaker 1: met her dance? I mean, anything cool has ever happened

277
00:12:06,800 --> 00:12:11,160
Speaker 1: with that one? Everything? Oh, we're gonna see Diddy tomorrow night. Yes,

278
00:12:11,520 --> 00:12:13,640
Speaker 1: I cannot believe. Yeah, yeah, he's shocked. He just saw

279
00:12:13,640 --> 00:12:15,240
Speaker 1: the list. No, I mean, but I hung out with

280
00:12:15,240 --> 00:12:17,040
Speaker 1: Diddy one time. I wonder if he remembers. Let's play

281
00:12:17,080 --> 00:12:18,560
Speaker 1: the game where I listen an artist and let's watch

282
00:12:18,559 --> 00:12:21,040
Speaker 1: you see one of their songs. Oh boys, that piece.

283
00:12:21,720 --> 00:12:26,520
Speaker 1: I got a feeling tonight's gonna be stop your Lionel

284
00:12:26,559 --> 00:12:33,600
Speaker 1: Richie open. Now that's Journey. We just did that. You're beautiful.

285
00:12:33,800 --> 00:12:39,320
Speaker 1: That's James Blonde. Okay, okay, Lionel Richie Hello, No, that's

286
00:12:39,440 --> 00:12:43,120
Speaker 1: Adele from the other songs similar ish, but Lionel Richie

287
00:12:43,200 --> 00:12:46,720
Speaker 1: was first. Uh you want to get another the Linel song? Yeah?

288
00:12:46,760 --> 00:12:53,040
Speaker 1: I just call that see dang it celing ceiling? Yeah,

289
00:12:53,160 --> 00:12:54,760
Speaker 1: or you can brick house? Can you do Commodores. Does

290
00:12:54,800 --> 00:12:57,600
Speaker 1: he do commodores? He did? Yes, he was. You know

291
00:12:57,679 --> 00:13:00,960
Speaker 1: she's a brick How I know that one? How about

292
00:13:01,000 --> 00:13:06,959
Speaker 1: Pat Benatar? Give me the first word? Hit hit me close,

293
00:13:07,120 --> 00:13:12,560
Speaker 1: so close, britty fierce, dang, okay, hit me, hit me

294
00:13:12,600 --> 00:13:14,360
Speaker 1: in the hull. No, no, no no, come on, you can

295
00:13:14,400 --> 00:13:17,320
Speaker 1: do it. Hit me think think sports games. Hit me

296
00:13:17,400 --> 00:13:22,120
Speaker 1: with your best shot. Yeah, t shirts got it. Let's do.

297
00:13:22,240 --> 00:13:25,360
Speaker 1: Avril Levine, I'm a skater girl. See you later. Boy,

298
00:13:27,080 --> 00:13:32,960
Speaker 1: I'm a skater. It's so complicated. Coja. Yes, oh man,

299
00:13:33,400 --> 00:13:35,360
Speaker 1: I'll give you a word. No, I can't say that.

300
00:13:35,720 --> 00:13:39,800
Speaker 1: What No, what are you talking about? Says the police.

301
00:13:40,600 --> 00:13:44,040
Speaker 1: No that's not him. Oh no that sorry sorry, I

302
00:13:45,760 --> 00:13:49,880
Speaker 1: can't say that. I'm not Colna say that. Sorry Okay.

303
00:13:50,600 --> 00:13:55,280
Speaker 1: Mama said, yeah, knock you out comes. I gotta scratch

304
00:13:55,360 --> 00:14:02,320
Speaker 1: off lottery tickets X modern law. Yeah, Marcus Mumford. There, Mumford,

305
00:14:02,400 --> 00:14:04,600
Speaker 1: he's from Mumford and Son. There we go. But I've

306
00:14:04,679 --> 00:14:07,200
Speaker 1: never heard their music in my life. Say one, Uh,

307
00:14:07,240 --> 00:14:15,800
Speaker 1: well we can do. What's the ted Lasso? Yeahs now yeah, No, no,

308
00:14:15,960 --> 00:14:18,880
Speaker 1: that's not it. Marion Morris, because these bones are good,

309
00:14:19,960 --> 00:14:22,920
Speaker 1: These bones are good. Did he oh diddy, Oh man,

310
00:14:23,720 --> 00:14:28,720
Speaker 1: I'll be missing every step I take, every breath I take.

311
00:14:29,200 --> 00:14:33,720
Speaker 1: I'll be missing you good. In high school, we thought, well,

312
00:14:33,800 --> 00:14:35,800
Speaker 1: let's play at our funeral. We talked about that. Yeah, yeah,

313
00:14:35,800 --> 00:14:37,640
Speaker 1: I don't need more. Oh you know that's not your funeral.

314
00:14:37,800 --> 00:14:39,240
Speaker 1: Counting Crows, I don't. I don't like my talking to

315
00:14:39,280 --> 00:14:42,640
Speaker 1: play Counting Crows for August and everything after. Just play

316
00:14:42,640 --> 00:14:44,480
Speaker 1: it the whole time. Okay, So this has been a

317
00:14:44,560 --> 00:14:48,920
Speaker 1: journey just to get to this point in the podcast. Yeah, Hey,

318
00:14:49,000 --> 00:14:52,720
Speaker 1: who's this person? That's Halsey. Dude. You know that they sing?

319
00:14:52,800 --> 00:14:54,760
Speaker 1: So what are they sing? What they sing? Is that

320
00:14:54,840 --> 00:14:56,920
Speaker 1: a boy or girl? It's a girl? Okay, you know

321
00:14:57,000 --> 00:15:00,680
Speaker 1: Halsey songs. Okay, let me sing a couple to you, Amy.

322
00:15:00,720 --> 00:15:05,000
Speaker 1: Do you know Amy was singing in the Uber ride. Halsey,

323
00:15:05,280 --> 00:15:08,240
Speaker 1: You're all kinds of pops on all of them. Maybe

324
00:15:08,440 --> 00:15:10,880
Speaker 1: you will know all of them. Bobby, we run an elevator.

325
00:15:12,960 --> 00:15:15,480
Speaker 1: That's it for us. Thanks to Hyundai for allowing us

326
00:15:15,520 --> 00:15:16,920
Speaker 1: to come out and make the journey out here on

327
00:15:17,000 --> 00:15:19,440
Speaker 1: the airplane where Lunchwoks flew by himself and paid for

328
00:15:19,480 --> 00:15:22,400
Speaker 1: his own ticket. This year something changed, Oh, my gosh,

329
00:15:22,680 --> 00:15:24,840
Speaker 1: he didn't have to, but something's never changed. He flew

330
00:15:24,880 --> 00:15:27,600
Speaker 1: out here on a different airline by himself and paid

331
00:15:27,640 --> 00:15:29,520
Speaker 1: for his own ticket, just like the very first time

332
00:15:29,520 --> 00:15:31,320
Speaker 1: he came. He flew out here and paid for his

333
00:15:31,400 --> 00:15:33,560
Speaker 1: own ticket. So as long as the journey takes you somewhere,

334
00:15:33,960 --> 00:15:35,640
Speaker 1: hopefully it takes you right back home, and then we

335
00:15:35,760 --> 00:15:37,240
Speaker 1: end with something just like that, like that man, Thank you.

336
00:15:37,280 --> 00:15:39,080
Speaker 1: It was very poignant. All right, Thank you, guys, And

337
00:15:39,440 --> 00:15:41,280
Speaker 1: we're looking forward to the show tonight and we hope

338
00:15:41,280 --> 00:15:43,120
Speaker 1: you guys will be able to look at some of

339
00:15:43,160 --> 00:15:44,920
Speaker 1: the videos and some of the pictures from the festival,

340
00:15:45,080 --> 00:15:47,600
Speaker 1: the twenty twenty two iHeartRadio Music Festival. Here we Go.

341
00:15:51,840 --> 00:15:52,440
Speaker 1: I think that's it.