WEBVTT - #133 - Cordae

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<v Speaker 1>Yeah, hey man, shout out to everyone locked in right now.

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<v Speaker 1>The fuck's going on out there anyway. We got a

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<v Speaker 1>dope interview with one of my favorite artists. His name

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<v Speaker 1>is core Day. He's got a new album out From

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<v Speaker 1>a Bird's Eye View. It's a great body of work.

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<v Speaker 1>Everyone should go check it out. We had a very,

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<v Speaker 1>very dope conversation, I would argue to say, one of

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<v Speaker 1>the best court a interviews that's ever been done. All right,

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<v Speaker 1>into the Court Day Interview Bootleg CAV Show special guests.

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<v Speaker 1>My guy, what's up a long time star Court Day?

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<v Speaker 1>What up? keV? How are you feeling? Wrong? To see you? Man?

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<v Speaker 1>Good to be here. I was just telling uh Dwight

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<v Speaker 1>the story about the time I, uh me and head

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<v Speaker 1>went to the Kanye event. Yep. We ran into you

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<v Speaker 1>at the bus little bus where you had to catch

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<v Speaker 1>a bus in Hollywood, yep, yep, And you were by yourself,

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<v Speaker 1>Del and you had just moved out to LA a

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<v Speaker 1>day or two before, like I think we you were

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<v Speaker 1>you had come on the show before that, but it

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<v Speaker 1>was like you were like just like enjoying the LA ship,

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<v Speaker 1>like you know what I'm saying. We ran new it

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<v Speaker 1>was the kids see Ghosts kits ghost and we took

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<v Speaker 1>a bus there and like, yeah, it was it was

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<v Speaker 1>pretty crazy. That was a crazy last night. Yeah, it

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<v Speaker 1>was a vibe and I think I tweeted you were

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<v Speaker 1>signing the waiver and it said good music on it. Yeah,

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<v Speaker 1>I took a picture of you, said oh yeah, yeah, yeah,

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<v Speaker 1>signed a good music. That was a real thing. That

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<v Speaker 1>was a real thing. That was a real thing. People

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<v Speaker 1>thought I was signed a good music. Yeah. So what's

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<v Speaker 1>up man? How's first of all, congrats because the album

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<v Speaker 1>is incredible. Thank you, bro. That mean the world to me.

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<v Speaker 1>Appreciate that. That's it, you know, as dope as the

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<v Speaker 1>first project was, I feel like you leveled up with

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<v Speaker 1>this one. I feel like it was more cohesive. It

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<v Speaker 1>feels just more personal, like, thank you, bro, thank you.

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<v Speaker 1>That means the world. Appreciate that for real. It took

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<v Speaker 1>your time, Yeah, I did, you know. I feel like

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<v Speaker 1>you could have followed up, you know, within a year

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<v Speaker 1>with the way the last album went. But yeah, I

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<v Speaker 1>feel like you really took your time with this project.

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<v Speaker 1>Obviously you gave us, I ad Epe gave us some taste,

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<v Speaker 1>but like what was for you, Like was that on

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<v Speaker 1>purpose to like really not rush the sophomore album? Yeah? Now,

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<v Speaker 1>it was a string of things. One, you know, this

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<v Speaker 1>pandemic right, I'm really a touring artist, like I make

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<v Speaker 1>music to perform it. And two is like I always

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<v Speaker 1>wanted to sort of set myself up to where I

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<v Speaker 1>have an expectation of taking my time with albums. Not

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<v Speaker 1>an expectation, but it's just patient myself career wise, career wise.

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<v Speaker 1>Excuse me. I know I could always deliver high quality

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<v Speaker 1>album every two years. You know, if I would have

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<v Speaker 1>dropped the album in twenty twenty, like back to back,

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<v Speaker 1>right after Lost Boy, it wouldn't have been good, you know,

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<v Speaker 1>in my opinion, it wouldn't have been at the level

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<v Speaker 1>to where I needed it to be. And so I

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<v Speaker 1>just really I had to live a bunch of life honestly,

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<v Speaker 1>to talk about some new things, you know, and go

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<v Speaker 1>through some shit in order to express that into music.

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<v Speaker 1>And yeah, it wasn't a purpose. It's funny though, the

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<v Speaker 1>day that Lost Boy came out, I remember I was like, yeah,

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<v Speaker 1>it's probably gonna be like another two years before I

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<v Speaker 1>drop another album. I'm like, nigga, what And I'm like, all,

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<v Speaker 1>you're gonna see but and but it's not like I'm

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<v Speaker 1>just sitting there for six months and then I'm like, Okay,

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<v Speaker 1>I got a year and a half left. Let's get

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<v Speaker 1>it done, like I'm working every all time, Yeah, the

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<v Speaker 1>whole time. But I just didn't want to rush shit

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<v Speaker 1>and just put some shit out just to put some

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<v Speaker 1>shit out, just to feed the algorithm. You know, I

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<v Speaker 1>just want it cause I know I would look back,

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<v Speaker 1>like twenty years from now, ten, fifteen years from now,

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<v Speaker 1>however long it may be, and be like, I'm so

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<v Speaker 1>glad that I took my time with this album, Versus

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<v Speaker 1>I'll regret it more if I just rushed and put

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<v Speaker 1>out an album Versus now I took this time out,

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<v Speaker 1>all this time and creating and cultivating this album and

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<v Speaker 1>putting all the energy, all my effort into it versus

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<v Speaker 1>just throwing some shit out, rushing it out just to

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<v Speaker 1>put it out. Plus, if we think of like the

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<v Speaker 1>all time greats, right we're thinking like Kendrick, we think

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<v Speaker 1>of a lot of these guys nahs, like, you know,

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<v Speaker 1>they took their time from it. I mean, these guys

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<v Speaker 1>take their time, Like, for sure, Hole's not dropping every

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<v Speaker 1>twelve months, you know what I'm saying. For sure, Yeah,

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<v Speaker 1>it's a couple. Everybody got their own path. J for

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<v Speaker 1>a while, he covers every year every summer. Jay Z.

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<v Speaker 1>When I was a kid. But you know, yeah, jay

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<v Speaker 1>Z's the greatest of all time. For Shure, everybody got

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<v Speaker 1>their own path. And it's not like I'm looking at

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<v Speaker 1>like a Kendrick blueprint or like, Okay, Kendrick dropped three

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<v Speaker 1>years in between his first and second now or two

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<v Speaker 1>years between. It's freaking seven out. So I got it.

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<v Speaker 1>It's just what naturally how I progress. Like I recorded

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<v Speaker 1>hundreds and hundreds of songs, but I knew what I

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<v Speaker 1>wanted to say, what point I wanted to get across,

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<v Speaker 1>And I just wanted to make a complete, cohesive body

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<v Speaker 1>of work. And I knew I just wanted to take

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<v Speaker 1>my time, not with like actually creating, but with just

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<v Speaker 1>finishing everything up. No, I feel like over the last

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<v Speaker 1>couple of years, we've seen you in the studio with

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<v Speaker 1>so many people, yeah, where it's like, oh shit, oh shit,

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<v Speaker 1>he's in with oh man, Like how much music did not?

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<v Speaker 1>Like you said you recorded hundreds of songs, Like, yeah,

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<v Speaker 1>how tough was it? Because twelve Like obviously there are

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<v Speaker 1>songs that are already out. Yeah, like when you put

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<v Speaker 1>when you when the album came out, you said, press

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<v Speaker 1>play from one to twelve consecutively. Yeah, that's how I

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<v Speaker 1>want you to listen to the album for sure. How

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<v Speaker 1>hard was it to keep it so tight, because you know,

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<v Speaker 1>it could have been twenty songs it could have been

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<v Speaker 1>you know, for sure, not as hard as you think,

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<v Speaker 1>because every song that's on the album, as soon as

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<v Speaker 1>I recorded it, I knew it made me feel a

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<v Speaker 1>certain way. I was like, yeah, I really like this one.

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<v Speaker 1>It was two songs that I left off the album

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<v Speaker 1>that I really three songs that I really really enjoyed.

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<v Speaker 1>I don't know if I'm going to deluxe some or

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<v Speaker 1>just wait and saving for a whole new like body

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<v Speaker 1>of work or a whole new idea, just put it

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<v Speaker 1>out there, whatever, but it was three songs that I

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<v Speaker 1>left out that I really like loved. But at one

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<v Speaker 1>point in time, every single song that's on the album

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<v Speaker 1>was like my favorite song that I made at the time,

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<v Speaker 1>if that makes sense. That makes sense. Yeah, And it

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<v Speaker 1>just they just happened to fit together. It's do that

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<v Speaker 1>you have to be put Freddy on the album because

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<v Speaker 1>you guys also did the record with NAS for Spotify?

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<v Speaker 1>What's that for Spotify? Life is like it was for Spotify?

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<v Speaker 1>Life is like a dice game, right, I'm super you

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<v Speaker 1>know what's crazy. I was really hoping you and Benny

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<v Speaker 1>would have worked together put you guys on the text

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<v Speaker 1>like yeah, but yeah yeah rock with Bro have to

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<v Speaker 1>get you and Freddie you know, to have him on

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<v Speaker 1>the record. How how was that, Like, how did you

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<v Speaker 1>guys relationship kind of grow from maybe that life is

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<v Speaker 1>like a dice game to you know, him hopping on

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<v Speaker 1>that joint. Uh. To be honest, like, I don't like

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<v Speaker 1>to say things are more than what they are, you

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<v Speaker 1>know what I'm saying. Freddy just it's always just been

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<v Speaker 1>a mutual respect as fellow artists and peers, and whenever

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<v Speaker 1>we see each other, it's just love and respect, you know.

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<v Speaker 1>And he seems like from you know, my interactions with him,

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<v Speaker 1>which haven't been like too many, but he seemed like

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<v Speaker 1>a stand up guy, you know what I'm saying. And

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<v Speaker 1>even more than that, I just knew his vocal tone

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<v Speaker 1>on Champagne Glasses would have sounded like really good, and

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<v Speaker 1>it did. For sure. He did. He delivered. He definitely

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<v Speaker 1>delivered on the album you talk of about you got

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<v Speaker 1>your Pops pressure Washer Van Yeah, yeah, which which is dope,

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<v Speaker 1>by the way, So explain that. So your your dad,

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<v Speaker 1>you set him up with a business. You hooked him

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<v Speaker 1>up with a little small business like tool. Yeah. Yeah,

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<v Speaker 1>he already had his business like going, and he didn't

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<v Speaker 1>and you know, he didn't like call me and asked

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<v Speaker 1>me anything. It's just something I wanted to sow a

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<v Speaker 1>seed into his business, you know. And but it's just

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<v Speaker 1>small things like that, that's just that makes me. That

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<v Speaker 1>makes what I do worthwhile to me to where I'm

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<v Speaker 1>able to just like, Okay, let me just sow a

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<v Speaker 1>seed in this business right here, invest more so like

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<v Speaker 1>invest into it, you know. And it's a dope thing. Yeah,

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<v Speaker 1>I mean, like I feel like family's obviously very important

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<v Speaker 1>to you. It's been a big theme of both your projects.

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<v Speaker 1>On Mama's Hood, you talk about your boy who you lost. Yeah,

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<v Speaker 1>for sure. I was just on the phone with his

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<v Speaker 1>mom too, literally yesterday, Juwan Ross, I was on the

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<v Speaker 1>phone with his mom and my bad. I was just

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<v Speaker 1>thinking out loud, you know, but I was just saying

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<v Speaker 1>like that that was like a kind of a crazy verse. Yeah.

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<v Speaker 1>I feel like there's so many people who probably have

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<v Speaker 1>been in that position where they got a friend who like,

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<v Speaker 1>you know, they like you know, did you like it

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<v Speaker 1>felt like you had some sort of guilt, Like, yeah,

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<v Speaker 1>for sure, survival's guilt. Yeah, I think that's a real thing,

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<v Speaker 1>and I think a lot of people go through that.

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<v Speaker 1>So to hear you talk about it and I don't

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<v Speaker 1>I don't think like people might have expected that from you,

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<v Speaker 1>because I think we look at you it's kind of like,

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<v Speaker 1>you know, like a not a street rapper. Yeah for sure.

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<v Speaker 1>Like to know that one of your best friends got

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<v Speaker 1>into a shootout and passed away, and like, yeah, that

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<v Speaker 1>made you feel it was like, you know, a pretty

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<v Speaker 1>vulnerable moment on the album. Was that something that like

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<v Speaker 1>happened and you knew right away, I gotta I gotta

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<v Speaker 1>make sure I share this with the world. It's it

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<v Speaker 1>was a kind of like therapy. Noah, it wasn't. More

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<v Speaker 1>so I got to share it with the world. It

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<v Speaker 1>just happened. I wrote that song the week, you know,

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<v Speaker 1>I found out he got killed, and U, this is

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<v Speaker 1>somebody I'm with every day in high school. We played

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<v Speaker 1>basketball together. Even when I go to college. You used

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<v Speaker 1>to always come up and visit me, and you know,

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<v Speaker 1>and all of these things. So when he got killed, man,

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<v Speaker 1>I just felt like guilty, Like, man, I could have

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<v Speaker 1>saved him, like I single handedly. I felt like, man,

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<v Speaker 1>I might as well have pulled the trigger because I

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<v Speaker 1>could have just saved him, you know. And when that

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<v Speaker 1>beat came on, it just gave me like those vibes.

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<v Speaker 1>And I say that to say that it's unfortunate that

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<v Speaker 1>it takes, you know, like I said, a lot of

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<v Speaker 1>my music, it's a real life experience just transmuted into

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<v Speaker 1>emotions and musical form, and unfortunately, sometimes it's something as

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<v Speaker 1>tragic as that sparks a song, you know, and yeah,

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<v Speaker 1>it's a crazy thing, man, It's an unfortunate part of life.

0:10:38.880 --> 0:10:40.400
<v Speaker 1>Like I lost a lot of people that I grew

0:10:40.480 --> 0:10:43.240
<v Speaker 1>up with. Rest in peace, a little Tony, Rest in peace,

0:10:43.240 --> 0:10:45.240
<v Speaker 1>Fly Brandon and one of my friends got killed in

0:10:45.240 --> 0:10:49.520
<v Speaker 1>middle school. Brandon Tony got killed right after we graduated, Juan.

0:10:49.960 --> 0:10:52.280
<v Speaker 1>And it's just so many people I grew up with,

0:10:52.520 --> 0:10:54.520
<v Speaker 1>you know, that I'm with day to day. We live

0:10:54.559 --> 0:10:56.360
<v Speaker 1>in the same neighborhood, this and that, and I'm like,

0:10:57.480 --> 0:10:59.040
<v Speaker 1>be a day later, I'm like, Damn, were just walking

0:10:59.040 --> 0:11:01.720
<v Speaker 1>home from school together. They get killed, you know, And

0:11:01.760 --> 0:11:04.720
<v Speaker 1>so it just really been bugging me because it's something

0:11:04.760 --> 0:11:08.600
<v Speaker 1>that I've gotten used to, you know, people that I'm

0:11:08.640 --> 0:11:12.160
<v Speaker 1>with every day and going to school with getting either

0:11:12.280 --> 0:11:16.240
<v Speaker 1>killed prematurely before they're eighteen years old in some cases,

0:11:17.360 --> 0:11:19.559
<v Speaker 1>or getting locked up for a super long time. And

0:11:19.600 --> 0:11:22.000
<v Speaker 1>it's something I've like grown accustomed to, it used to

0:11:22.000 --> 0:11:24.080
<v Speaker 1>to where like I may not even shed a tear,

0:11:24.360 --> 0:11:26.679
<v Speaker 1>you know, And it's not because I'm not empathetic or

0:11:26.679 --> 0:11:28.920
<v Speaker 1>I love him, I'll miss him, but because I'm just

0:11:29.160 --> 0:11:31.520
<v Speaker 1>so used to the shit, and I'm thinking it's normalized

0:11:31.559 --> 0:11:33.640
<v Speaker 1>to me. So I'm thinking it's normal. When I'm talking

0:11:33.679 --> 0:11:37.840
<v Speaker 1>to other people about they like, nah, you get desensitized. Yeah, exactly.

0:11:39.400 --> 0:11:42.360
<v Speaker 1>I mean keeping it with your homies, like talk about

0:11:42.400 --> 0:11:45.000
<v Speaker 1>how the intro and your boy Shiloh being part of

0:11:45.040 --> 0:11:47.120
<v Speaker 1>the album, how that like like kind of give people

0:11:47.160 --> 0:11:49.560
<v Speaker 1>the background on who Shiloh is, and yeah, you know

0:11:49.600 --> 0:11:53.240
<v Speaker 1>he's got the interlude and the Yeah, yeah, so shatout.

0:11:53.280 --> 0:11:58.080
<v Speaker 1>That's my brother. Like we we from and we're not blood,

0:11:58.120 --> 0:12:00.200
<v Speaker 1>but we always was with each other since day one.

0:12:00.240 --> 0:12:01.920
<v Speaker 1>So we always used to tell everybody who was brothers.

0:12:02.000 --> 0:12:04.920
<v Speaker 1>We was both like light skin or whatever, So this

0:12:05.040 --> 0:12:08.760
<v Speaker 1>is like my brother and he was rapping as well,

0:12:08.840 --> 0:12:11.079
<v Speaker 1>like before I was not before I was but at

0:12:11.080 --> 0:12:12.960
<v Speaker 1>the same time, but he was popping before I was,

0:12:13.600 --> 0:12:16.000
<v Speaker 1>and me seeing him like that close, but he was

0:12:16.000 --> 0:12:18.280
<v Speaker 1>still like super heavy in the street shit, you know.

0:12:19.000 --> 0:12:23.200
<v Speaker 1>And so me seeing him like glowing up in his

0:12:23.240 --> 0:12:26.320
<v Speaker 1>way just on some straight street. Buzz On didn't have

0:12:26.400 --> 0:12:29.000
<v Speaker 1>no manager, didn't I was his manager at one point

0:12:29.000 --> 0:12:32.080
<v Speaker 1>in time. Yeah, Yeah, I was managing him because I

0:12:32.160 --> 0:12:34.080
<v Speaker 1>just knew, like, Okay, I know how to upload shit

0:12:34.200 --> 0:12:36.960
<v Speaker 1>to like a tune corde, I know how to monetize it,

0:12:37.080 --> 0:12:42.360
<v Speaker 1>just the regular basic shit, small shit. And so me

0:12:42.440 --> 0:12:45.199
<v Speaker 1>seeing him go up that kind of a lot of times,

0:12:45.200 --> 0:12:47.680
<v Speaker 1>it just takes you seeing things, especially up close, to

0:12:48.480 --> 0:12:51.439
<v Speaker 1>understand that you can attain the same sort of things

0:12:51.559 --> 0:12:55.360
<v Speaker 1>even to a higher level. And us growing up together

0:12:56.080 --> 0:12:58.800
<v Speaker 1>and him getting locked up for twenty five twenty four years,

0:12:58.800 --> 0:13:01.600
<v Speaker 1>to be exact, for a murder, that's something that that

0:13:01.720 --> 0:13:03.960
<v Speaker 1>messed up with me psychologically because I end up blowing

0:13:04.040 --> 0:13:07.360
<v Speaker 1>up or getting on the scene or so the year

0:13:07.400 --> 0:13:09.520
<v Speaker 1>after he gets locked up. So I'm like, damn, if

0:13:09.559 --> 0:13:11.719
<v Speaker 1>I was able to, if I was at where I'm

0:13:11.720 --> 0:13:14.000
<v Speaker 1>at now, he might be in a whole different situation,

0:13:14.320 --> 0:13:17.400
<v Speaker 1>you know. But that's why I thought it was very

0:13:17.440 --> 0:13:20.000
<v Speaker 1>important to highlight where he's at, you know, on the

0:13:20.080 --> 0:13:23.440
<v Speaker 1>intro and in the loud as well, that's dope. I

0:13:23.480 --> 0:13:24.680
<v Speaker 1>was just on the phone with a matter of fact

0:13:24.679 --> 0:13:26.800
<v Speaker 1>when I came in here. Yeah, yeah, yeah, that's dope.

0:13:27.040 --> 0:13:29.160
<v Speaker 1>So when he like, yeah, I mean, how long is

0:13:29.200 --> 0:13:31.000
<v Speaker 1>he gonna be? Is he got a while? Or yeah

0:13:31.040 --> 0:13:34.520
<v Speaker 1>he got twenty four years? Shit? But we're working right now,

0:13:34.640 --> 0:13:36.840
<v Speaker 1>working with a bunch of he got a team of lawyers,

0:13:36.840 --> 0:13:40.680
<v Speaker 1>and I'm working with Robert Rooks from Reform and a

0:13:40.760 --> 0:13:43.920
<v Speaker 1>couple other guys to really put all the resources that

0:13:43.960 --> 0:13:45.720
<v Speaker 1>we have now and able to in order to get

0:13:45.800 --> 0:13:48.040
<v Speaker 1>him out, as well as my dog Mac, his cole defender,

0:13:48.040 --> 0:13:50.280
<v Speaker 1>who got thirty years, another one of my dogs. So

0:13:51.120 --> 0:13:54.880
<v Speaker 1>this is just just trying to utilize this access to

0:13:56.400 --> 0:13:59.400
<v Speaker 1>relationships I have to be able to help, especially so

0:13:59.480 --> 0:14:04.400
<v Speaker 1>close to hime. Do you with with what you know?

0:14:04.440 --> 0:14:06.960
<v Speaker 1>I feel like a lot of people during the pandemic,

0:14:07.040 --> 0:14:10.040
<v Speaker 1>during kind of what happened like in June of twenty twenty, like,

0:14:10.120 --> 0:14:14.160
<v Speaker 1>I feel like there was a lot of I feel

0:14:14.160 --> 0:14:16.280
<v Speaker 1>like there was a lot of fake wokeness, sure, a

0:14:17.000 --> 0:14:22.600
<v Speaker 1>lot of predatory you know, people were doing a lot

0:14:22.640 --> 0:14:25.000
<v Speaker 1>of posting and a lot of shit just for to

0:14:25.080 --> 0:14:29.720
<v Speaker 1>make themselves feel good. Sure it was very trendy. Absolutely, No,

0:14:29.840 --> 0:14:33.640
<v Speaker 1>that's one hundred percent all day. But you obviously ended

0:14:33.720 --> 0:14:36.400
<v Speaker 1>up getting arrested. I think my song was there, Yeah, Yeah,

0:14:36.840 --> 0:14:41.000
<v Speaker 1>was Trade there? Yeah? Yeah, Trade the Truth? Yeah. What

0:14:41.160 --> 0:14:43.040
<v Speaker 1>is your take on that? Man? Because I do feel

0:14:43.040 --> 0:14:45.880
<v Speaker 1>like we see it now right, Like there's hell of

0:14:45.880 --> 0:14:48.280
<v Speaker 1>shit that's still going on in the world, but it's

0:14:48.320 --> 0:14:51.800
<v Speaker 1>not as trendy it was because it's not as trendy

0:14:52.000 --> 0:14:54.160
<v Speaker 1>for sure. You'll see like a lot of artists like that,

0:14:54.400 --> 0:14:56.560
<v Speaker 1>like you were like, oh, a lot of people for

0:14:56.600 --> 0:15:00.120
<v Speaker 1>that matter, Like like like, what is your thought on that? Like,

0:15:00.160 --> 0:15:03.320
<v Speaker 1>you know, because as somebody who like really sacrificed their freedom, yeah,

0:15:03.640 --> 0:15:07.720
<v Speaker 1>to you know, push against injustice. You know, does it

0:15:07.800 --> 0:15:09.080
<v Speaker 1>kind of make you feel a certain type of way

0:15:09.080 --> 0:15:10.720
<v Speaker 1>when you when you kind of notice it's like there's

0:15:10.720 --> 0:15:12.720
<v Speaker 1>a lot of bullshit going on too. You know, at

0:15:12.760 --> 0:15:15.120
<v Speaker 1>first I did, because again, this is something I've been

0:15:15.120 --> 0:15:17.240
<v Speaker 1>doing since I was like a kid, and you know,

0:15:17.240 --> 0:15:19.640
<v Speaker 1>I'm far from an activist. I don't have all the answers.

0:15:19.640 --> 0:15:24.480
<v Speaker 1>I'm not perfect, but I was going to you know,

0:15:24.560 --> 0:15:29.320
<v Speaker 1>Filando Castill protests as a kid Mike Brown and as

0:15:29.360 --> 0:15:32.600
<v Speaker 1>a teenager on my own free will. And the only

0:15:32.640 --> 0:15:36.120
<v Speaker 1>difference now is actually have a platform. And I actually

0:15:36.160 --> 0:15:38.880
<v Speaker 1>got a felony from getting arrested that day, Like I

0:15:39.160 --> 0:15:41.440
<v Speaker 1>just got that removed, Like off my I couldn't even

0:15:41.480 --> 0:15:45.160
<v Speaker 1>like travel overseas or anything because I had a felony. Yeah, yeah,

0:15:45.200 --> 0:15:47.960
<v Speaker 1>I couldn't. And so I just got to remove, thank God.

0:15:48.680 --> 0:15:51.600
<v Speaker 1>And so I say all that to say, at first,

0:15:51.640 --> 0:15:53.160
<v Speaker 1>I used to get mad because I see a lot

0:15:53.160 --> 0:15:56.120
<v Speaker 1>of people just doing it because it's trendy and you know.

0:15:56.200 --> 0:15:58.520
<v Speaker 1>But I was like, you know, especially artists. You know

0:15:59.400 --> 0:16:06.040
<v Speaker 1>what the term that I use for it was. I

0:16:06.080 --> 0:16:07.840
<v Speaker 1>forgot the term I had for it, but I can't

0:16:07.880 --> 0:16:11.360
<v Speaker 1>remember off the top of the head. But I can't

0:16:11.400 --> 0:16:14.040
<v Speaker 1>really I forgot the term. I can't remember off AnyWho.

0:16:14.520 --> 0:16:17.200
<v Speaker 1>But at first I used to get real mad at like,

0:16:17.240 --> 0:16:20.520
<v Speaker 1>you know, all the fake actors, activism, the fake wokeness whatever,

0:16:20.640 --> 0:16:23.280
<v Speaker 1>especially from entertainers and things that nature, because I know

0:16:23.320 --> 0:16:25.880
<v Speaker 1>they're doing it for their own internal benefits so that

0:16:25.920 --> 0:16:27.600
<v Speaker 1>people can be like, oh, yeah, you're a real one,

0:16:27.680 --> 0:16:29.800
<v Speaker 1>you really. But then I thought about it, even if

0:16:29.840 --> 0:16:33.120
<v Speaker 1>they intentions aren't pure and coming from a real and

0:16:33.120 --> 0:16:36.040
<v Speaker 1>pure place, at least they are getting the message out

0:16:36.040 --> 0:16:39.080
<v Speaker 1>there the people that need to see it to that.

0:16:39.080 --> 0:16:41.800
<v Speaker 1>That's it. Even if you know, like even if you're

0:16:41.800 --> 0:16:44.720
<v Speaker 1>the biggest person on the planet and you don't really

0:16:44.760 --> 0:16:46.800
<v Speaker 1>believe in the cause and you're just doing it from

0:16:46.800 --> 0:16:51.640
<v Speaker 1>an impure place, well, at least you're you're showcasing the

0:16:52.000 --> 0:16:54.280
<v Speaker 1>problems that we got going on in the world in

0:16:54.320 --> 0:16:57.360
<v Speaker 1>general to your platform to where people may be educated

0:16:57.360 --> 0:16:59.520
<v Speaker 1>on it want to do something about it. So I

0:16:59.520 --> 0:17:01.640
<v Speaker 1>don't get add at it, honestly no more. I used to.

0:17:01.720 --> 0:17:04.800
<v Speaker 1>And you know, it's a James Baldwin quote. To be

0:17:04.960 --> 0:17:09.040
<v Speaker 1>black in America and just somewhat aware of what's going

0:17:09.080 --> 0:17:14.359
<v Speaker 1>on is to be enraged all the time. And I

0:17:14.440 --> 0:17:17.280
<v Speaker 1>try to stay aware of everything, but I try not

0:17:17.320 --> 0:17:19.960
<v Speaker 1>to let everything get me super enraged, if that makes sense.

0:17:20.600 --> 0:17:23.119
<v Speaker 1>If you really, like, if you really pay attention to everything,

0:17:23.119 --> 0:17:25.000
<v Speaker 1>that you're going to be mad all the time. It's

0:17:25.000 --> 0:17:27.520
<v Speaker 1>gonna penetrate your peace, No, it is for sure, and

0:17:27.560 --> 0:17:32.040
<v Speaker 1>it does. Like it's hard, especially it's again survivors remorse,

0:17:32.119 --> 0:17:35.840
<v Speaker 1>as in even you know, with just my immediate circle,

0:17:35.920 --> 0:17:39.159
<v Speaker 1>but just with the whole community as a whole. You know,

0:17:39.200 --> 0:17:42.040
<v Speaker 1>you want to do everything and give as much as

0:17:42.080 --> 0:17:45.600
<v Speaker 1>you can possibly to everybody, but it may not even

0:17:45.640 --> 0:17:49.040
<v Speaker 1>be possible. You know. On the project you talk a

0:17:49.080 --> 0:17:52.080
<v Speaker 1>bit about like signing like young, and you know, I

0:17:52.119 --> 0:17:55.680
<v Speaker 1>feel like you're one of the more smarter young artists

0:17:55.720 --> 0:17:58.360
<v Speaker 1>we have as far as I feel like you're very

0:17:58.359 --> 0:18:01.359
<v Speaker 1>self aware. Yeah, started on label high level. What you

0:18:01.400 --> 0:18:03.080
<v Speaker 1>got on your shirt right there. Appreciate you. I gotta

0:18:03.080 --> 0:18:06.800
<v Speaker 1>get you some gears. Well, you know, when you're a

0:18:06.880 --> 0:18:09.160
<v Speaker 1>kid like you, who I mean, when did you sign

0:18:09.200 --> 0:18:15.760
<v Speaker 1>officially our eighteen seventeen? I believe so like nineteen. I'm

0:18:15.840 --> 0:18:19.440
<v Speaker 1>assuming that, like you know, you probably have learned a

0:18:19.520 --> 0:18:22.320
<v Speaker 1>lot since then, for sure our business, maybe about your

0:18:22.359 --> 0:18:25.040
<v Speaker 1>own contract, and I'm sure like with your own label,

0:18:25.160 --> 0:18:27.040
<v Speaker 1>Like what are the things that you're applying to, like

0:18:28.440 --> 0:18:31.880
<v Speaker 1>being a CEO, having a label, having an imprint that

0:18:31.960 --> 0:18:35.200
<v Speaker 1>you've learned from your own path to you know, being

0:18:35.200 --> 0:18:38.000
<v Speaker 1>on a major label as a as a young unproven artist.

0:18:38.200 --> 0:18:42.120
<v Speaker 1>Now for sure, just freedom, creative freedom obviously it goes

0:18:42.160 --> 0:18:47.600
<v Speaker 1>without saying, right, allow our artists to control their own destiny,

0:18:47.760 --> 0:18:53.359
<v Speaker 1>you know, and given whatever knowledge we may have or

0:18:53.480 --> 0:18:55.120
<v Speaker 1>not that we may have that me and the team

0:18:55.200 --> 0:18:58.719
<v Speaker 1>have through our you know, years of experience to the industry,

0:18:58.760 --> 0:19:00.200
<v Speaker 1>because like, I'm not ever going to say here and

0:19:00.240 --> 0:19:02.360
<v Speaker 1>pretend like I got all the answers and I know everything,

0:19:02.440 --> 0:19:05.000
<v Speaker 1>but I will give the information and knowledge that I

0:19:05.040 --> 0:19:09.440
<v Speaker 1>have and utilize even more than that, the resources, the relationships,

0:19:09.480 --> 0:19:11.920
<v Speaker 1>the roller decks that we've been able to build through

0:19:11.960 --> 0:19:14.600
<v Speaker 1>operating at the level we've been operating that and used

0:19:14.600 --> 0:19:17.960
<v Speaker 1>that to build artists. We have our own team of

0:19:18.000 --> 0:19:23.840
<v Speaker 1>in house creatives, in house videoographers, photographers, creative directors, management,

0:19:25.600 --> 0:19:28.360
<v Speaker 1>in house A and r's just and everything we want

0:19:28.400 --> 0:19:31.520
<v Speaker 1>to utilize just to build you know, not just artists, producers,

0:19:31.840 --> 0:19:35.760
<v Speaker 1>creatives in any multifascets. Yeah, do you have a Have

0:19:35.880 --> 0:19:38.600
<v Speaker 1>you signed your first artist yet? Uh? No, we haven't. No,

0:19:38.720 --> 0:19:41.920
<v Speaker 1>no noes are actively looking. Man, I'm looking like crazy,

0:19:42.160 --> 0:19:44.040
<v Speaker 1>like I can't wait to go on the road for

0:19:44.119 --> 0:19:47.120
<v Speaker 1>people to come up to me and wrap and pitch

0:19:47.200 --> 0:19:48.960
<v Speaker 1>that stuff because I don't want to. It was a

0:19:48.960 --> 0:19:51.320
<v Speaker 1>couple of artists that I was like very close to signing,

0:19:51.760 --> 0:19:55.520
<v Speaker 1>but I was kind of getting anxious, if you will,

0:19:55.640 --> 0:19:58.199
<v Speaker 1>I just wanted to sign somebody just to sign somebody,

0:19:58.200 --> 0:20:00.840
<v Speaker 1>but it would be a disservice to them. Just breathe,

0:20:00.960 --> 0:20:03.439
<v Speaker 1>take your time. It's no rush, it's no rush. The

0:20:03.520 --> 0:20:05.840
<v Speaker 1>right person will come to you. Yeah. It's always works

0:20:05.840 --> 0:20:07.679
<v Speaker 1>out that way. It always works out that way. One

0:20:07.760 --> 0:20:11.400
<v Speaker 1>hundred you you're one of the few guys in your

0:20:12.640 --> 0:20:17.400
<v Speaker 1>generation that's got two songs with Eminem. Yeah, shout out

0:20:17.400 --> 0:20:19.760
<v Speaker 1>to Eminem killed the remix on the album Thank You

0:20:20.520 --> 0:20:22.960
<v Speaker 1>killed his remix. Yeah. Either way, I'd like to point

0:20:22.960 --> 0:20:24.600
<v Speaker 1>out your manager is a crazy person. He tried to

0:20:24.600 --> 0:20:26.359
<v Speaker 1>tell me Eminem is one of the biggest club artists

0:20:26.359 --> 0:20:29.760
<v Speaker 1>of all time. Club artists, he said, he said, club Ace,

0:20:30.000 --> 0:20:32.400
<v Speaker 1>your man's burnt out. He's right in there. Yea burn

0:20:32.640 --> 0:20:36.240
<v Speaker 1>that's burn the clubs you be going to, Yeah, that's crazy.

0:20:36.400 --> 0:20:39.520
<v Speaker 1>That's not shout out to Eminem, you know. Yeah, yeah,

0:20:39.560 --> 0:20:42.560
<v Speaker 1>he he does stadiums, you know, and you're not listening

0:20:42.640 --> 0:20:44.760
<v Speaker 1>to the club I say off to say, well that

0:20:44.880 --> 0:20:48.360
<v Speaker 1>a con record, Yeah, that one that I mean, Yeah, yeah,

0:20:48.400 --> 0:20:51.560
<v Speaker 1>the Nate Doug Shake. But these are also like still

0:20:51.600 --> 0:20:54.600
<v Speaker 1>getting played now. But like you know in like you know,

0:20:55.160 --> 0:20:57.960
<v Speaker 1>bars and ship. But yeah, yeah, for sure, another story.

0:20:58.200 --> 0:21:01.280
<v Speaker 1>Nice little slight to ace. Yeah, yeah, that's he burned.

0:21:01.560 --> 0:21:04.959
<v Speaker 1>But eminem As obviously put his arm around you. Man,

0:21:05.000 --> 0:21:07.720
<v Speaker 1>he's obviously a fan of what you're doing, Like talk

0:21:07.720 --> 0:21:10.240
<v Speaker 1>about your guys' relationship and has he given you any

0:21:10.280 --> 0:21:14.119
<v Speaker 1>advice or Yeah. So right before I did the Killer

0:21:14.119 --> 0:21:16.760
<v Speaker 1>remixed for him and we had like an hour and

0:21:16.840 --> 0:21:20.520
<v Speaker 1>a half conversation about just life, about music, hip hop,

0:21:20.880 --> 0:21:25.160
<v Speaker 1>all different types of things, and you know, just he's

0:21:25.160 --> 0:21:28.080
<v Speaker 1>always been showing me genuine love and support very early on.

0:21:28.200 --> 0:21:31.560
<v Speaker 1>And you know, I appreciate all love and public support

0:21:31.560 --> 0:21:34.200
<v Speaker 1>I get because it's not like, you know, I'm signed

0:21:34.240 --> 0:21:36.239
<v Speaker 1>to him, you know, so he doesn't have to do that.

0:21:36.320 --> 0:21:38.600
<v Speaker 1>I don't ever feel entitled for anybody to show me

0:21:38.640 --> 0:21:41.360
<v Speaker 1>any love. So whatever genuine love and support I get

0:21:41.359 --> 0:21:46.800
<v Speaker 1>publicly from any from fellow peers, fellow artists, DJ's such

0:21:46.840 --> 0:21:50.200
<v Speaker 1>as yourself and your platform as well, whatever love I get,

0:21:50.240 --> 0:21:52.840
<v Speaker 1>I really appreciate that. And I say that to say

0:21:52.840 --> 0:21:54.640
<v Speaker 1>he was just showing me a lot of love publicly,

0:21:55.320 --> 0:21:57.960
<v Speaker 1>and we had a dope conversation and he was just like, man,

0:21:58.000 --> 0:21:59.639
<v Speaker 1>we just got to get some work in whatever I

0:21:59.760 --> 0:22:02.280
<v Speaker 1>seen you something, and yeah, we gotta get something in

0:22:02.400 --> 0:22:05.840
<v Speaker 1>and I'm like beat and so we probably had that

0:22:05.880 --> 0:22:09.000
<v Speaker 1>convo like June twenty twenty wow. And I didn't send

0:22:09.040 --> 0:22:11.439
<v Speaker 1>him the record for him to get on until like

0:22:11.720 --> 0:22:15.040
<v Speaker 1>February twenty twenty one, and because I was just like

0:22:15.320 --> 0:22:16.879
<v Speaker 1>I was trying to find a song for him. But

0:22:16.920 --> 0:22:19.360
<v Speaker 1>I was like, Yo, this is eminem bro. It's been

0:22:19.400 --> 0:22:21.920
<v Speaker 1>like ten months since like he told me he got

0:22:21.960 --> 0:22:23.560
<v Speaker 1>me with a record. I'm like, let me just fucking

0:22:23.600 --> 0:22:27.400
<v Speaker 1>get this shit, you know, like and no waste that opportunity.

0:22:28.040 --> 0:22:30.879
<v Speaker 1>And so I knew Parables was the one automatically because

0:22:30.880 --> 0:22:33.800
<v Speaker 1>his vocal tone fits that's slim shady all day. His

0:22:33.880 --> 0:22:38.400
<v Speaker 1>vocal tone fits that perfectly, and he has a dope thing. Honestly,

0:22:38.480 --> 0:22:41.280
<v Speaker 1>So were you intimidated to get on that remix? Like

0:22:41.400 --> 0:22:43.320
<v Speaker 1>did you like like did you did you write harder?

0:22:43.560 --> 0:22:48.399
<v Speaker 1>Does that make sense? Like? Nah? Nah? Honestly, m M

0:22:48.880 --> 0:22:51.320
<v Speaker 1>he Oh you know what I did? I did my

0:22:51.440 --> 0:22:54.320
<v Speaker 1>first verse for Killer Remix, right, I sent it over

0:22:54.400 --> 0:22:56.560
<v Speaker 1>to him am and I did it and it was

0:22:56.560 --> 0:22:59.840
<v Speaker 1>more on some like three stacks he forty type of

0:23:00.320 --> 0:23:02.040
<v Speaker 1>and then him called, he was like, y'all, I wanted

0:23:02.080 --> 0:23:05.159
<v Speaker 1>you to be like a little more like lyrical like

0:23:05.400 --> 0:23:07.240
<v Speaker 1>on some rap rap shit on it, and I'm like,

0:23:07.880 --> 0:23:09.879
<v Speaker 1>all right, cool, like whatever. So I he had me

0:23:10.000 --> 0:23:12.159
<v Speaker 1>like redo my verse on some more rap because at

0:23:12.160 --> 0:23:14.160
<v Speaker 1>first I just wanted to because you know, that song

0:23:14.280 --> 0:23:17.080
<v Speaker 1>is more like a rap rap rapord. It's more of

0:23:17.160 --> 0:23:19.320
<v Speaker 1>like a vibe sort of thing, and so that's why

0:23:19.359 --> 0:23:21.320
<v Speaker 1>I gave that. He was like, I want you to

0:23:21.400 --> 0:23:23.480
<v Speaker 1>you know, like attack it. You know. So I'm like,

0:23:23.520 --> 0:23:25.400
<v Speaker 1>all right, cool, let's try that. If I'm goin ask

0:23:25.440 --> 0:23:27.400
<v Speaker 1>you to redo your verse, redo your verse for sure,

0:23:27.480 --> 0:23:31.720
<v Speaker 1>one hundred man, if anybody you know on they song,

0:23:31.840 --> 0:23:34.439
<v Speaker 1>I haven't. I haven't ever been asked that before, but

0:23:34.960 --> 0:23:37.440
<v Speaker 1>if anybody asked me to redo it, because I asked

0:23:37.440 --> 0:23:39.240
<v Speaker 1>people to redo their verses all the time for my

0:23:39.359 --> 0:23:42.679
<v Speaker 1>song for my album. Not all the time, but I

0:23:42.720 --> 0:23:45.640
<v Speaker 1>will in a heartbeat anyone on this album that you said, hey,

0:23:45.640 --> 0:23:49.359
<v Speaker 1>can you do something different? No, actually everybody was one

0:23:49.440 --> 0:23:53.000
<v Speaker 1>and done with this, but I've done it before, like like, okay,

0:23:53.000 --> 0:23:57.800
<v Speaker 1>I like this one because I just always want to

0:23:57.800 --> 0:23:59.840
<v Speaker 1>paint the best picture. Whenever you add an artist to

0:23:59.840 --> 0:24:02.120
<v Speaker 1>your song, where you get added to another artist song,

0:24:02.160 --> 0:24:04.760
<v Speaker 1>they already got the camvus it's like what color palette

0:24:04.960 --> 0:24:07.720
<v Speaker 1>you want to add to this, you know, and vice versa.

0:24:07.760 --> 0:24:11.480
<v Speaker 1>Do you feel the burden of like being like the

0:24:11.600 --> 0:24:14.520
<v Speaker 1>young Like I feel like when you came out and

0:24:14.560 --> 0:24:18.359
<v Speaker 1>that slim shady freestyle came out, and yeah, I feel

0:24:18.400 --> 0:24:20.639
<v Speaker 1>like you were like a much needed breath of fresh

0:24:20.640 --> 0:24:25.439
<v Speaker 1>air in the climate that was twenty eighteen, twenty nineteen,

0:24:25.560 --> 0:24:27.520
<v Speaker 1>because when was that? I was a twenty nineteen eighteen

0:24:27.640 --> 0:24:29.439
<v Speaker 1>twenty eighteen. So I feel like you kind of like

0:24:30.280 --> 0:24:32.919
<v Speaker 1>infused like some fresh air that was needed in a

0:24:32.960 --> 0:24:35.200
<v Speaker 1>real in my opinion, one of the worst fucking errors

0:24:35.240 --> 0:24:37.680
<v Speaker 1>of music was like twenty seventeen, twenty eighteen. Yeah, for sure.

0:24:38.800 --> 0:24:41.159
<v Speaker 1>But do you feel the burden of being like the

0:24:41.280 --> 0:24:43.760
<v Speaker 1>chosen One, the golden Child? If you will, because I

0:24:43.760 --> 0:24:46.879
<v Speaker 1>feel like that's kind of like what I think A

0:24:46.880 --> 0:24:48.840
<v Speaker 1>lot of people look at you like that, like you're

0:24:49.800 --> 0:24:52.680
<v Speaker 1>from a younger, younger generation, one of the only people

0:24:52.680 --> 0:24:55.359
<v Speaker 1>who are really pushing like bars and pushing like you know,

0:24:55.440 --> 0:24:58.200
<v Speaker 1>I think a lot of just quality and real you

0:24:58.240 --> 0:25:00.200
<v Speaker 1>know what I mean? Do you feel that not really?

0:25:00.240 --> 0:25:02.879
<v Speaker 1>To be honest, I always just wanted to be I

0:25:02.960 --> 0:25:05.000
<v Speaker 1>just want to be me, like honestly, And it's not

0:25:05.080 --> 0:25:08.399
<v Speaker 1>like I appreciate whatever, but are you aware that people

0:25:08.440 --> 0:25:10.920
<v Speaker 1>look at you that way? I try not to think

0:25:10.960 --> 0:25:13.160
<v Speaker 1>about it too much, you know, because I don't want

0:25:13.200 --> 0:25:15.560
<v Speaker 1>to go in the studio with that approach, like, oh,

0:25:15.600 --> 0:25:18.200
<v Speaker 1>I got to be the save you save this s

0:25:18.520 --> 0:25:21.200
<v Speaker 1>to keep this ship. They're like, Nah, that's not it.

0:25:21.640 --> 0:25:23.760
<v Speaker 1>I just go in and create music. I just want

0:25:23.800 --> 0:25:26.000
<v Speaker 1>to make good music, man like at a high level,

0:25:26.280 --> 0:25:29.760
<v Speaker 1>and I value good music and good songs over just

0:25:29.840 --> 0:25:33.280
<v Speaker 1>like trying to bar bar bar bar bar rap rap rap.

0:25:33.359 --> 0:25:35.040
<v Speaker 1>You know, we always gonna I love this hip hop show,

0:25:35.080 --> 0:25:37.000
<v Speaker 1>we always gonna get the raps off. But I'm just

0:25:37.000 --> 0:25:40.320
<v Speaker 1>trying to make good music. And I say that to

0:25:40.359 --> 0:25:43.159
<v Speaker 1>say I have my own expectations. I try not to

0:25:43.200 --> 0:25:46.760
<v Speaker 1>live into or fit into anybody else's expectations because that's

0:25:46.800 --> 0:25:48.439
<v Speaker 1>not what's going to make me happy. What's gonna make

0:25:48.480 --> 0:25:51.240
<v Speaker 1>me happy is being the best person, the best artist

0:25:51.520 --> 0:25:54.280
<v Speaker 1>that I can be. What was the bigger deal for

0:25:54.320 --> 0:25:57.680
<v Speaker 1>you a Wayne feature or an m feature? Hmm, because

0:25:57.680 --> 0:26:01.240
<v Speaker 1>they're both goats for sure. I don't know. They both

0:26:01.320 --> 0:26:03.439
<v Speaker 1>were like huge for me at the time, especially when

0:26:03.440 --> 0:26:06.880
<v Speaker 1>I did the Wayne video, Like a lot of times. Man,

0:26:06.920 --> 0:26:09.800
<v Speaker 1>My my new word for this year, past six months

0:26:09.800 --> 0:26:11.800
<v Speaker 1>is just gratitude, just living in the moment more and

0:26:11.880 --> 0:26:15.040
<v Speaker 1>just infinite gratitude. Because before it would just be like

0:26:15.280 --> 0:26:17.120
<v Speaker 1>I do some crazy dope shit. I'll be like, Okay,

0:26:17.119 --> 0:26:19.919
<v Speaker 1>what's next, Let's keep it going tunnel vision. Sometimes you

0:26:19.920 --> 0:26:22.760
<v Speaker 1>get wrapped up in like just the work that you

0:26:22.800 --> 0:26:25.560
<v Speaker 1>don't even realize what you're doing. Yeah. I always tell

0:26:25.600 --> 0:26:28.199
<v Speaker 1>people sometimes you got to stop and say, Man, if

0:26:28.240 --> 0:26:30.959
<v Speaker 1>you talk to yourself five years ago, he'll be like like,

0:26:31.119 --> 0:26:35.120
<v Speaker 1>what the fuck. Nah. For sure, it's a balance because

0:26:35.160 --> 0:26:38.480
<v Speaker 1>you can't take that and get complacent and smell your

0:26:38.520 --> 0:26:41.080
<v Speaker 1>own hot horse too much, like man, I'm shit, I'm not,

0:26:41.320 --> 0:26:44.040
<v Speaker 1>you know, but you got to appreciate it absolutely. And

0:26:44.160 --> 0:26:46.760
<v Speaker 1>so one of those moments was I was at the

0:26:46.760 --> 0:26:49.719
<v Speaker 1>the Wayne video shooting. We were shooting sinister shout out,

0:26:50.119 --> 0:26:53.040
<v Speaker 1>shout out, hit boyfriend the video goat right now, yah yeah, yeah,

0:26:53.040 --> 0:26:56.560
<v Speaker 1>he been doing that joint boy, And so I'm looking

0:26:56.600 --> 0:27:02.040
<v Speaker 1>at the video and I'm like, oh, wow, Like that's Wayne,

0:27:02.200 --> 0:27:05.000
<v Speaker 1>that's Wayne, bro. That's that was the biggest thing for

0:27:05.119 --> 0:27:07.159
<v Speaker 1>this is weezy. This is arguably you can argue the

0:27:07.160 --> 0:27:12.159
<v Speaker 1>best rapper whatever, like his his that eight run like

0:27:12.280 --> 0:27:15.480
<v Speaker 1>Carter three, no ceilings. I mean we can go with

0:27:15.560 --> 0:27:17.439
<v Speaker 1>card two. We can go on for days about this

0:27:17.520 --> 0:27:21.320
<v Speaker 1>man catalog and his impact and influences. He got too

0:27:21.400 --> 0:27:25.280
<v Speaker 1>many sons, Yo, stop of the interview. Got to tell

0:27:25.280 --> 0:27:27.879
<v Speaker 1>you about our good folks at odd Socks. Man. Listen,

0:27:27.920 --> 0:27:30.640
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0:27:30.640 --> 0:27:32.639
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0:27:32.680 --> 0:27:35.560
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0:27:35.720 --> 0:27:37.760
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0:27:37.800 --> 0:27:42.040
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0:27:48.720 --> 0:27:50.639
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0:27:50.680 --> 0:27:54.680
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0:27:55.440 --> 0:27:57.480
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<v Speaker 1>dot com, use the promo code Bootleg and save twenty

0:28:01.160 --> 0:28:04.800
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0:28:04.840 --> 0:28:06.840
<v Speaker 1>all that other bullshit you'all be wearing on your ass.

0:28:06.960 --> 0:28:09.880
<v Speaker 1>Throw all the methicas in the trash, all that PSD shit,

0:28:09.960 --> 0:28:12.880
<v Speaker 1>all that shit is all listen, man, put the odd

0:28:12.920 --> 0:28:15.439
<v Speaker 1>socks on your ass cheeks and think me later. Was

0:28:15.480 --> 0:28:18.360
<v Speaker 1>there somebody who you wanted to get on the album

0:28:18.680 --> 0:28:21.680
<v Speaker 1>that maybe just the schedules, didn't a line or you

0:28:21.720 --> 0:28:23.720
<v Speaker 1>couldn't get it turned in on time. Yeah, that was

0:28:23.760 --> 0:28:27.639
<v Speaker 1>really close to happening. Not really, man, Everybody who I

0:28:27.680 --> 0:28:30.800
<v Speaker 1>wanted on the album is ended up on there. You know,

0:28:30.920 --> 0:28:33.200
<v Speaker 1>because as soon as I make us, even like chronicles,

0:28:33.240 --> 0:28:34.879
<v Speaker 1>as soon as I make a song, I'll be like

0:28:35.440 --> 0:28:37.440
<v Speaker 1>because most of the time I try not to put

0:28:37.520 --> 0:28:41.440
<v Speaker 1>features because it's like, when it's features, you gotta if

0:28:41.480 --> 0:28:43.200
<v Speaker 1>you want to shoot a video, you gotta work around

0:28:43.240 --> 0:28:47.560
<v Speaker 1>everybody's schedule things of that nation multiple yeah, exactly, and so,

0:28:49.000 --> 0:28:51.000
<v Speaker 1>but every song that has a feature, as soon as

0:28:51.040 --> 0:28:52.480
<v Speaker 1>I made that song, I was like, Okay, I'm gonna

0:28:52.480 --> 0:28:54.280
<v Speaker 1>get this person on it. As soon as I made today,

0:28:54.360 --> 0:28:57.040
<v Speaker 1>I'm like, I'm getting gunned on this joint. And these

0:28:57.080 --> 0:29:00.000
<v Speaker 1>just all happen to be people I got genuine relationship

0:29:00.040 --> 0:29:02.760
<v Speaker 1>ships with. So it's not like I'm paying for any feature.

0:29:02.800 --> 0:29:05.200
<v Speaker 1>By the way, it's just straight swaps you know, all

0:29:05.240 --> 0:29:06.760
<v Speaker 1>of the features on the album, you didn't have to

0:29:06.800 --> 0:29:08.239
<v Speaker 1>pay for it, didn't have to pay it down for

0:29:08.600 --> 0:29:11.600
<v Speaker 1>straight swaps respect. So it's like, hey, Lna, I got

0:29:11.600 --> 0:29:14.040
<v Speaker 1>you when you need a feature, Yeah for sure. It's

0:29:14.120 --> 0:29:17.120
<v Speaker 1>love because I feel like if it's just a money

0:29:17.160 --> 0:29:21.080
<v Speaker 1>play for somebody, like I don't even charge anybody for features. Bro,

0:29:21.320 --> 0:29:23.600
<v Speaker 1>you know what I'm saying, Like, if you're doing a feature,

0:29:23.600 --> 0:29:26.080
<v Speaker 1>its because you're genuinely fuck with the artists. Yeah for sure.

0:29:26.720 --> 0:29:30.920
<v Speaker 1>And so I say all that to say that, and

0:29:30.960 --> 0:29:33.240
<v Speaker 1>these are people I'm actually like close with and like

0:29:33.360 --> 0:29:36.640
<v Speaker 1>have like genuine relationships with for the most part, and

0:29:36.720 --> 0:29:40.080
<v Speaker 1>so like Gunn, as soon as I made Today, I'm like, Gunna,

0:29:40.200 --> 0:29:41.920
<v Speaker 1>this is the one we made that join in Australia.

0:29:41.920 --> 0:29:44.280
<v Speaker 1>As soon as I made Chronicles, I don't know why,

0:29:44.320 --> 0:29:45.920
<v Speaker 1>I was like I got to get her and Dirk

0:29:45.960 --> 0:29:48.840
<v Speaker 1>on this. You know, those are both people I'm cool with,

0:29:49.000 --> 0:29:52.600
<v Speaker 1>like mad cool with every single song. You know, With

0:29:52.680 --> 0:29:54.720
<v Speaker 1>Stevie Wonder, I ended up cooking with him for like

0:29:54.760 --> 0:29:57.600
<v Speaker 1>a week before I got him to do Harmonica. Yeah.

0:29:57.640 --> 0:29:59.920
<v Speaker 1>When you say you were cooking with Stevie Wonder for

0:30:00.040 --> 0:30:02.360
<v Speaker 1>a week, Yeah, that's crazy. So you're in this like

0:30:03.000 --> 0:30:05.080
<v Speaker 1>I'm in the studio with him in person, hanging out

0:30:05.080 --> 0:30:08.520
<v Speaker 1>with Stevie, hanging out with getting the gym, studio, getting

0:30:08.520 --> 0:30:11.000
<v Speaker 1>the gym, the real gems, the real knowledge. They don't

0:30:11.000 --> 0:30:13.720
<v Speaker 1>make them like him anymow. This is Michael. His stories

0:30:13.760 --> 0:30:18.120
<v Speaker 1>that he got about like your icon's icon, you know,

0:30:18.920 --> 0:30:23.000
<v Speaker 1>like it's just the most unimaginable thing man Like for

0:30:23.160 --> 0:30:26.680
<v Speaker 1>he talks about like Obama pulling up on him at

0:30:26.720 --> 0:30:29.800
<v Speaker 1>the studio like before he was president. You know, like

0:30:30.000 --> 0:30:32.960
<v Speaker 1>his story is just different. Bro, No, he's talking about

0:30:32.960 --> 0:30:35.360
<v Speaker 1>Little Mike, you know, like, yeah, I remember one time

0:30:35.400 --> 0:30:38.160
<v Speaker 1>I was in there with Bro, what what was the

0:30:38.200 --> 0:30:41.479
<v Speaker 1>Little Mike's story? It wasn't. He just brings up like

0:30:41.640 --> 0:30:45.160
<v Speaker 1>small like things like like he's Michael Jackson's big homie.

0:30:45.480 --> 0:30:48.120
<v Speaker 1>That's so crazy. You gotta think that this is Michael

0:30:48.200 --> 0:30:52.640
<v Speaker 1>Jackson's big homie and now he's your big homie. Good company?

0:30:53.000 --> 0:30:56.080
<v Speaker 1>Hergo connection? Was he like just a fan of yours?

0:30:56.120 --> 0:30:57.920
<v Speaker 1>Like like that's a you know what's crazy because I've

0:30:57.920 --> 0:31:02.400
<v Speaker 1>seen Stevie Wonder pop out before, I want to say,

0:31:02.680 --> 0:31:06.120
<v Speaker 1>at a Anderson Pact show, Oh do, but he's out

0:31:06.320 --> 0:31:08.400
<v Speaker 1>like you I've seen Stevie Wonder three or four times

0:31:08.400 --> 0:31:10.880
<v Speaker 1>like a random ship, and I'd just be like, yeah,

0:31:10.920 --> 0:31:13.640
<v Speaker 1>he lived life, brother, he's living He lived a good life.

0:31:13.720 --> 0:31:15.840
<v Speaker 1>But he just was up on like like how did

0:31:15.880 --> 0:31:18.960
<v Speaker 1>that happen? Like so somebody from his team reached out

0:31:19.240 --> 0:31:22.000
<v Speaker 1>to somebody on my team to Dallas, I believe, shout

0:31:22.000 --> 0:31:25.480
<v Speaker 1>out Dallas and they was like, yo, like Stevie want

0:31:25.520 --> 0:31:27.560
<v Speaker 1>to like lock in with Corda And I was like,

0:31:28.040 --> 0:31:31.120
<v Speaker 1>what Dondal Dundale. So I pulled up on him and

0:31:31.160 --> 0:31:33.240
<v Speaker 1>we just started out. He had me work on the

0:31:33.280 --> 0:31:39.080
<v Speaker 1>record for his and Blase Bla, so we're working on

0:31:39.200 --> 0:31:41.280
<v Speaker 1>this can't put in the hands of Faith. We're working

0:31:41.320 --> 0:31:45.120
<v Speaker 1>on his record, and like day two or three, he's like, Yo,

0:31:45.120 --> 0:31:49.080
<v Speaker 1>if you want me something on your album, then I

0:31:49.120 --> 0:31:51.400
<v Speaker 1>got you. And I'm like I had my laptop and

0:31:51.480 --> 0:31:53.800
<v Speaker 1>my hard drive with me like say less, I was like, yo,

0:31:53.840 --> 0:31:56.360
<v Speaker 1>can I get you to play harmonica on this? Because

0:31:56.360 --> 0:32:00.000
<v Speaker 1>I like using people's like almost if you know Steve,

0:32:00.040 --> 0:32:01.920
<v Speaker 1>you want to you know him playing harmonica isn't a

0:32:02.000 --> 0:32:04.800
<v Speaker 1>hidden talent, but to like the average just music person,

0:32:04.800 --> 0:32:07.920
<v Speaker 1>they may not know him playing harmonica. Same with like

0:32:08.240 --> 0:32:10.440
<v Speaker 1>j Cole gave him to produce on him to make

0:32:10.480 --> 0:32:13.040
<v Speaker 1>a beat. You know, like I like using people's hitting

0:32:13.040 --> 0:32:16.280
<v Speaker 1>talents and and and highlighting him and so I say

0:32:16.280 --> 0:32:18.800
<v Speaker 1>that to say, yeah, just locking in with him, like

0:32:18.840 --> 0:32:20.920
<v Speaker 1>it's crazy, Like he just matter of fact he called

0:32:20.920 --> 0:32:24.480
<v Speaker 1>me to day the album drop. He facetimed me and yeah,

0:32:24.920 --> 0:32:26.920
<v Speaker 1>I'm not even trying to speak in my truth. May

0:32:27.080 --> 0:32:29.520
<v Speaker 1>speaking my truth. It's an interesting way for Stevie Wonder

0:32:29.560 --> 0:32:32.560
<v Speaker 1>to call somebody his FaceTime. He uses it pretty adept.

0:32:32.640 --> 0:32:34.720
<v Speaker 1>I didn't believe he was blind when I first met him.

0:32:34.840 --> 0:32:37.239
<v Speaker 1>I feel like when you he's been as blind as

0:32:37.280 --> 0:32:39.600
<v Speaker 1>he's been, like as long he's just been for sure,

0:32:39.680 --> 0:32:42.840
<v Speaker 1>he knows how to move. Yeah, for sure, he's definitely

0:32:42.840 --> 0:32:47.080
<v Speaker 1>blind by the way, but he's like super It's not

0:32:47.120 --> 0:32:49.600
<v Speaker 1>a crutch for him. It's just like Daredevil kind of

0:32:49.680 --> 0:32:53.240
<v Speaker 1>like on Netflix. You're like, this guy is not blind, Like, yeah, no,

0:32:53.360 --> 0:32:56.040
<v Speaker 1>he's just he's been blind for he's seventy years. I

0:32:56.080 --> 0:32:58.000
<v Speaker 1>don't know when he went blind, but he's been blind

0:32:58.000 --> 0:32:59.920
<v Speaker 1>for a long time. It probably also helps that he

0:33:00.120 --> 0:33:02.520
<v Speaker 1>was once not blind. And he's a rich blond man

0:33:02.800 --> 0:33:05.520
<v Speaker 1>rich blind like super rich. If you're gonna be blind.

0:33:05.520 --> 0:33:08.040
<v Speaker 1>You gotta be rich blind. So it's like it's so

0:33:08.240 --> 0:33:10.880
<v Speaker 1>much probably like in mind you this is just like

0:33:11.800 --> 0:33:15.040
<v Speaker 1>me inferring, me guessing. It's probably like so much technology

0:33:15.080 --> 0:33:17.479
<v Speaker 1>he has like access to to make him being blind

0:33:17.520 --> 0:33:20.600
<v Speaker 1>like super easy because he's just like filthy rich, you know,

0:33:21.240 --> 0:33:25.440
<v Speaker 1>so for real. So shout out to Stevie Wooder. You

0:33:25.640 --> 0:33:27.880
<v Speaker 1>I saw you allude that you you have an unreleased

0:33:27.920 --> 0:33:32.120
<v Speaker 1>Juice WRLD song. Yeah I do, yeah you obviously I

0:33:32.160 --> 0:33:35.480
<v Speaker 1>remember when that tour happened. Yeah, it was like super

0:33:35.520 --> 0:33:37.920
<v Speaker 1>early on, super early on. I feel like you didn't

0:33:37.920 --> 0:33:39.960
<v Speaker 1>even I don't even know if the WHITEBN mixtape was

0:33:39.960 --> 0:33:42.440
<v Speaker 1>out yet. No it wasn't. It sure wasn't. And it's

0:33:42.560 --> 0:33:47.000
<v Speaker 1>like all I had was three songs, all short, and

0:33:47.080 --> 0:33:50.320
<v Speaker 1>two of them was damn freestyles, you know yeah, and

0:33:51.080 --> 0:33:53.320
<v Speaker 1>that whole set was unreleased. But man, that was like

0:33:53.840 --> 0:33:57.320
<v Speaker 1>it's some real historical ship because just looking just at

0:33:57.320 --> 0:34:00.320
<v Speaker 1>my what I've done or just that's something all gonna

0:34:00.320 --> 0:34:01.760
<v Speaker 1>be able to tell my kids, Like mam, my first

0:34:01.800 --> 0:34:03.960
<v Speaker 1>time ever tour was on I was Torn with Juice

0:34:03.960 --> 0:34:05.800
<v Speaker 1>World and Juice This is his first tour too, So

0:34:05.880 --> 0:34:09.439
<v Speaker 1>this is both of all first time first, like being

0:34:09.480 --> 0:34:12.560
<v Speaker 1>that motherfucker like that was the first tour ever. Yeah,

0:34:12.560 --> 0:34:14.680
<v Speaker 1>it happened fast for him for sure. That was first

0:34:14.719 --> 0:34:16.759
<v Speaker 1>tour ever. So it was clever on that tour. No,

0:34:16.920 --> 0:34:20.799
<v Speaker 1>he wasn't clever. It was me Juice World and Little Mosey. Wow.

0:34:21.080 --> 0:34:23.880
<v Speaker 1>And I'll just be looking back even at like the

0:34:23.960 --> 0:34:27.560
<v Speaker 1>Marquis like Juice World cord under it, you know what

0:34:27.560 --> 0:34:32.120
<v Speaker 1>I'm saying. And so I say that to say, yeah,

0:34:32.120 --> 0:34:34.239
<v Speaker 1>we do. We definitely got to unreleased in a song

0:34:34.320 --> 0:34:37.640
<v Speaker 1>that you are interested in even releasing or in the

0:34:37.719 --> 0:34:40.080
<v Speaker 1>future probably you know. I never wanted like when he

0:34:40.239 --> 0:34:42.200
<v Speaker 1>came out. It wasn't like, man, I gotta put this

0:34:42.600 --> 0:34:46.080
<v Speaker 1>funny enough. Man. Our last text between each other was

0:34:46.160 --> 0:34:50.480
<v Speaker 1>like about the song, you know. And I say all

0:34:50.480 --> 0:34:52.680
<v Speaker 1>that to say that, you know, when he passed, it

0:34:52.719 --> 0:34:55.279
<v Speaker 1>wasn't like it's not something I want to capitalize on

0:34:55.400 --> 0:34:57.440
<v Speaker 1>and drop this record because I know it's going to

0:34:57.520 --> 0:35:01.520
<v Speaker 1>be it's gonna go up. Yeah. Yeah, one is a

0:35:01.560 --> 0:35:06.319
<v Speaker 1>great song, by the way. Two it's on some rap ship.

0:35:06.600 --> 0:35:10.319
<v Speaker 1>But I never wanted to like capitalize off of friend's death.

0:35:10.320 --> 0:35:13.520
<v Speaker 1>So if it never comes out, like, I'm cool with that.

0:35:13.640 --> 0:35:16.880
<v Speaker 1>He's yeah, he's rapping, like trying to tell people like

0:35:17.320 --> 0:35:20.360
<v Speaker 1>Juice WRLD was like one of the nicest still ill

0:35:20.680 --> 0:35:23.640
<v Speaker 1>like crazy. He chose to be like a fucking dude

0:35:23.680 --> 0:35:28.600
<v Speaker 1>the super hits like Gollly like Male off the Dome

0:35:28.680 --> 0:35:30.680
<v Speaker 1>we be Like. I remember when he came in freestyle

0:35:30.719 --> 0:35:33.040
<v Speaker 1>for me in head, I was just like floored. I

0:35:33.120 --> 0:35:36.080
<v Speaker 1>was like Jesus Christ, like this guy's you gotta tell

0:35:36.120 --> 0:35:38.520
<v Speaker 1>him to stop. He's a savant. You gotta tell him

0:35:38.560 --> 0:35:41.520
<v Speaker 1>to stop because you gonna keep going. But like I said,

0:35:41.520 --> 0:35:44.000
<v Speaker 1>it's just something that's more so like for my memories

0:35:44.040 --> 0:35:47.719
<v Speaker 1>and for the archives, and you know, God willing if

0:35:47.960 --> 0:35:52.800
<v Speaker 1>you know obviously when when it comes to postmis releasing

0:35:52.920 --> 0:35:55.600
<v Speaker 1>music whenever that time comes from. So why did you

0:35:55.640 --> 0:35:57.120
<v Speaker 1>said that that word right? Because I don't know how

0:35:57.120 --> 0:35:58.600
<v Speaker 1>to say it. Every time I read it, I don't

0:35:58.600 --> 0:36:01.200
<v Speaker 1>know if I said it coactly postmiss. Yeah, I don't

0:36:01.200 --> 0:36:04.200
<v Speaker 1>know how to. I honestly might have mispronounced it. Who knows. Yeah,

0:36:04.200 --> 0:36:06.839
<v Speaker 1>the comments let us we'll find out later. But yeah,

0:36:06.880 --> 0:36:08.640
<v Speaker 1>it's never something I want to be like I'm gonna

0:36:08.640 --> 0:36:10.480
<v Speaker 1>just release this. It might come out years from now,

0:36:10.520 --> 0:36:12.600
<v Speaker 1>I might not ever come out. You know, I'm just

0:36:12.760 --> 0:36:15.440
<v Speaker 1>always it's something that's the sacred to me, more than

0:36:15.440 --> 0:36:18.720
<v Speaker 1>anything more than JOHNA just you know, capitalize off of friends.

0:36:19.000 --> 0:36:21.840
<v Speaker 1>You are a part of like a generation of artists

0:36:21.840 --> 0:36:26.120
<v Speaker 1>where your peers are dying, are dying for sure at

0:36:26.160 --> 0:36:28.120
<v Speaker 1>like a rate that we've never seen in hip hop?

0:36:28.320 --> 0:36:32.759
<v Speaker 1>Is this more than like that ninety six ninety eight era? Right? Yeah,

0:36:32.800 --> 0:36:35.239
<v Speaker 1>for sure, it's not even close. Yeah, it's not even close. No,

0:36:35.440 --> 0:36:38.839
<v Speaker 1>for sure, Like does that like you know, I mean

0:36:38.840 --> 0:36:41.719
<v Speaker 1>I always tell like I have some close friends that

0:36:41.840 --> 0:36:43.879
<v Speaker 1>I you know, I'll just be like, yo, you gotta

0:36:43.960 --> 0:36:45.680
<v Speaker 1>chill cause like I don't want to wake up one

0:36:45.760 --> 0:36:47.200
<v Speaker 1>day and like you're out of town and you get

0:36:47.200 --> 0:36:50.160
<v Speaker 1>shot or something like, yeah, it's fucked up. It's a

0:36:50.239 --> 0:36:53.880
<v Speaker 1>wild time. Like and I feel like you're like I,

0:36:53.960 --> 0:36:55.160
<v Speaker 1>like I said, like you're kind of one of the

0:36:55.160 --> 0:36:59.640
<v Speaker 1>bright lights in our culture where it's like you're not

0:37:00.920 --> 0:37:05.000
<v Speaker 1>promoting certain things, You're you're not in the lot of bullshit,

0:37:05.120 --> 0:37:07.080
<v Speaker 1>you're not stirring up shit on the internet, you're not

0:37:07.120 --> 0:37:10.880
<v Speaker 1>talking about drug use shit like that. But like, like

0:37:11.120 --> 0:37:14.400
<v Speaker 1>is it like you know, these are your peers, these

0:37:14.400 --> 0:37:16.839
<v Speaker 1>are people you know, these are people who you've seen

0:37:16.840 --> 0:37:20.920
<v Speaker 1>at parties, Like yeah, for sure. It's sad because nobody

0:37:20.960 --> 0:37:23.959
<v Speaker 1>can relate to you like other artists can. We all

0:37:23.960 --> 0:37:27.480
<v Speaker 1>are our peers, like you said, we all appears and

0:37:27.560 --> 0:37:31.359
<v Speaker 1>coworkers in this ecosystem of music, and so to see

0:37:31.400 --> 0:37:36.600
<v Speaker 1>people that you're on like early shows we've done early towards,

0:37:36.600 --> 0:37:39.800
<v Speaker 1>whether you've seen them at festivals or you know, Juice

0:37:39.800 --> 0:37:42.640
<v Speaker 1>World was the only one I was like really like

0:37:42.760 --> 0:37:46.120
<v Speaker 1>genuine close with in a real real way, like really

0:37:46.160 --> 0:37:48.920
<v Speaker 1>my like one of my closest friends. But just seeing

0:37:49.120 --> 0:37:52.439
<v Speaker 1>you know, like the Doph situation that broke my heart

0:37:53.640 --> 0:37:56.480
<v Speaker 1>and how many other set I can't even think of

0:37:56.520 --> 0:37:58.840
<v Speaker 1>everybody at the top of my head, you know, crazy,

0:37:58.960 --> 0:38:02.000
<v Speaker 1>it's crazy. Yeah, It's like it feels like once every

0:38:02.080 --> 0:38:05.320
<v Speaker 1>like sixty days, it's like, what the fuck, what is happening?

0:38:05.360 --> 0:38:08.560
<v Speaker 1>It's a wild time, man, that's ridiculous. So there is

0:38:08.600 --> 0:38:11.719
<v Speaker 1>going to be a Deluxe possibly possibly, I don't know

0:38:11.760 --> 0:38:14.680
<v Speaker 1>everybody the Deluxe these days. Yeah, yeah, you know what's funny,

0:38:14.760 --> 0:38:16.760
<v Speaker 1>I don't know. I was going to do a Lost

0:38:16.800 --> 0:38:19.680
<v Speaker 1>Boy Deluxe like way way like when it first dropped

0:38:19.680 --> 0:38:21.640
<v Speaker 1>before everybody, Well, I can't even say, because people have

0:38:21.640 --> 0:38:24.120
<v Speaker 1>been doing deluxes for thirty five years. But I think

0:38:24.200 --> 0:38:26.439
<v Speaker 1>UZI kind of kicked off this new deluxe. Yeah, yeah,

0:38:26.440 --> 0:38:30.160
<v Speaker 1>for sure, it definitely did one hundred percent. And I

0:38:30.160 --> 0:38:32.080
<v Speaker 1>don't know, man, I kind of just like letting the

0:38:32.320 --> 0:38:34.960
<v Speaker 1>idea and the project just be an idea and what

0:38:35.000 --> 0:38:36.800
<v Speaker 1>it is as a complete body of work and just

0:38:37.640 --> 0:38:40.640
<v Speaker 1>going into something new. But I'm not sure, honestly, I

0:38:40.640 --> 0:38:44.200
<v Speaker 1>don't know. You've had a lot of big moments in

0:38:44.239 --> 0:38:46.840
<v Speaker 1>your career. You've been on records with the big people,

0:38:46.880 --> 0:38:49.480
<v Speaker 1>You've performed all the awards. I mean, you've had some

0:38:49.600 --> 0:38:52.120
<v Speaker 1>huge moments. What was the one moment that you can

0:38:52.200 --> 0:38:54.600
<v Speaker 1>reflect on that you felt either the most nervous or

0:38:54.600 --> 0:38:56.919
<v Speaker 1>where you really had to like kind of pinch yourself like, shit,

0:38:57.040 --> 0:38:59.080
<v Speaker 1>this is actually about to happen, or this is happening.

0:38:59.360 --> 0:39:00.960
<v Speaker 1>You know what? Man? It was probably the day I

0:39:01.000 --> 0:39:05.920
<v Speaker 1>got the Best Rap Album Grammy nomination, like Dad was

0:39:06.040 --> 0:39:08.520
<v Speaker 1>in and I can't wait to win them things in

0:39:08.560 --> 0:39:11.799
<v Speaker 1>the future, Like you know, nominations are great infinite gratitude,

0:39:11.840 --> 0:39:15.280
<v Speaker 1>but I'm gonna win them things. And were you nominated

0:39:15.320 --> 0:39:21.000
<v Speaker 1>alongside it was me? Tyler the Creator? Yeah, ego won it. Yep,

0:39:21.520 --> 0:39:23.920
<v Speaker 1>I wasn't. I think he should have won Album of

0:39:23.960 --> 0:39:26.360
<v Speaker 1>a Year, like you know, I'm not. I wasn't on

0:39:26.960 --> 0:39:30.000
<v Speaker 1>what he said after those awards is true, like yeah,

0:39:30.160 --> 0:39:31.960
<v Speaker 1>they should. They kind of just bunched them in with

0:39:32.040 --> 0:39:34.000
<v Speaker 1>hip hop. I mean, yeah, for sure, it wasn't a

0:39:34.080 --> 0:39:36.800
<v Speaker 1>rap album. It was a great album by the way, amazing,

0:39:37.120 --> 0:39:39.000
<v Speaker 1>amazing album. You should have won Album of a Year,

0:39:39.120 --> 0:39:41.799
<v Speaker 1>like for sure. And but I was happy to see

0:39:41.880 --> 0:39:43.600
<v Speaker 1>him win because he earned it. He's been in the

0:39:43.640 --> 0:39:45.680
<v Speaker 1>game for a minute. It was his time, you know.

0:39:47.400 --> 0:39:49.239
<v Speaker 1>And I was just like the wall, I just gotta

0:39:49.239 --> 0:39:51.280
<v Speaker 1>pay my dues, bro, Like he doesn't pay his dues.

0:39:51.320 --> 0:39:53.640
<v Speaker 1>He didn't put out great albums that didn't get recognized,

0:39:53.680 --> 0:39:55.360
<v Speaker 1>so it was just his time. But I think he

0:39:55.360 --> 0:39:57.680
<v Speaker 1>should have won at the highest level, which is Album

0:39:57.680 --> 0:40:03.000
<v Speaker 1>of a Year. I agree. And so yeah, like I

0:40:03.280 --> 0:40:05.759
<v Speaker 1>sailed that to say, probably getting nominated for Best Rap

0:40:05.800 --> 0:40:08.799
<v Speaker 1>Album at that I just remember, that's the most like

0:40:08.880 --> 0:40:11.200
<v Speaker 1>I lived in the moment. I was already on vacation

0:40:11.360 --> 0:40:13.680
<v Speaker 1>at the time. I was in Turks and Kko's and

0:40:13.719 --> 0:40:18.200
<v Speaker 1>then I watched like them announcing the Grammy nominations, and

0:40:18.760 --> 0:40:21.080
<v Speaker 1>I remember because they said my name last because they

0:40:21.080 --> 0:40:23.359
<v Speaker 1>say it in alphabetical order, so I heard the first

0:40:23.480 --> 0:40:25.520
<v Speaker 1>four names and then I ain't hit my name and

0:40:26.840 --> 0:40:30.640
<v Speaker 1>yeah exactly, and so Yan I was like because I thought,

0:40:30.760 --> 0:40:32.400
<v Speaker 1>I was like, I thought I wouldn't go because I

0:40:32.440 --> 0:40:33.960
<v Speaker 1>just knew I was going to get it for sure.

0:40:33.960 --> 0:40:36.680
<v Speaker 1>I knew I was gonna get it. And then when

0:40:36.719 --> 0:40:38.719
<v Speaker 1>they said my name, lad my heart sung. When I

0:40:38.760 --> 0:40:41.160
<v Speaker 1>think my name didn't get called it and I heard it,

0:40:41.200 --> 0:40:43.640
<v Speaker 1>I'm like, let's fucking go. I didn't even care about

0:40:43.640 --> 0:40:47.520
<v Speaker 1>the Best Rap Song nomination. I just wanted that album album.

0:40:48.040 --> 0:40:51.719
<v Speaker 1>That's what mattered. Bodies of work you want to be.

0:40:52.360 --> 0:40:55.799
<v Speaker 1>You know, people get Best Rap Song and nominations all

0:40:55.840 --> 0:40:57.600
<v Speaker 1>the time, but best Rap Album that's a big deal

0:40:57.719 --> 0:40:59.880
<v Speaker 1>now for sure, especially up against you know, like A

0:41:00.080 --> 0:41:02.880
<v Speaker 1>Coler and things of that nature. So I was like

0:41:03.560 --> 0:41:05.920
<v Speaker 1>that that was probably the most like I lived in

0:41:06.000 --> 0:41:09.200
<v Speaker 1>the moment, saw the moment for me. What were your expectations,

0:41:09.280 --> 0:41:12.160
<v Speaker 1>because there's your first week numbers are out right. Yeah,

0:41:12.200 --> 0:41:14.160
<v Speaker 1>it's just like a narrative that you know it might

0:41:14.160 --> 0:41:17.359
<v Speaker 1>have underperformed. How do you feel about that whole conversation? Man,

0:41:17.360 --> 0:41:21.480
<v Speaker 1>it's funny, man, because like, I don't I took the

0:41:21.560 --> 0:41:24.799
<v Speaker 1>label off anyway. I don't give a ship to Ralph's Water, right,

0:41:24.800 --> 0:41:27.000
<v Speaker 1>all right, that's what you got me drinking keviv. What

0:41:27.040 --> 0:41:29.680
<v Speaker 1>if it now fucking with you? Water's water baby? No

0:41:29.760 --> 0:41:32.319
<v Speaker 1>pH levels in this. But it's all good. It's all good.

0:41:32.360 --> 0:41:34.960
<v Speaker 1>I used to order like seven eleven water from Postmates

0:41:35.000 --> 0:41:37.680
<v Speaker 1>just from like just pure laziness of not going AnyWho.

0:41:37.719 --> 0:41:40.400
<v Speaker 1>That's a whole different story. But you know, with the

0:41:40.440 --> 0:41:44.120
<v Speaker 1>first week things, like, I'm at the the point of

0:41:44.160 --> 0:41:46.279
<v Speaker 1>my career to where I'm not worried about no first

0:41:46.280 --> 0:41:48.760
<v Speaker 1>week numbers and I know it's fucking oh he's saying

0:41:48.760 --> 0:41:50.360
<v Speaker 1>that because of now it's I said this with my

0:41:50.440 --> 0:41:53.200
<v Speaker 1>last album. I said it from the very beginning, you know,

0:41:53.360 --> 0:41:55.960
<v Speaker 1>like I'm not pressed about no ship like that. You know,

0:41:55.960 --> 0:41:58.360
<v Speaker 1>I'm worried about what my tour is going to do

0:41:58.400 --> 0:42:00.840
<v Speaker 1>because I'm a torn artist, you know. Oh, so I

0:42:00.960 --> 0:42:03.399
<v Speaker 1>make music to perform it. So when if my tour

0:42:03.480 --> 0:42:05.879
<v Speaker 1>is sold out off the album, then I know it's

0:42:05.880 --> 0:42:09.400
<v Speaker 1>done what it's supposed to do. And again, I waited

0:42:09.719 --> 0:42:12.200
<v Speaker 1>two and a half years in between it without like

0:42:12.280 --> 0:42:14.720
<v Speaker 1>any touring and not this ain't no excuse or anything.

0:42:14.760 --> 0:42:17.520
<v Speaker 1>I'm just saying, like, I make music to tour, So

0:42:17.560 --> 0:42:20.600
<v Speaker 1>as long as my tours are sold out and my

0:42:20.719 --> 0:42:23.439
<v Speaker 1>merch and people are like loving the music, That's what

0:42:23.480 --> 0:42:25.759
<v Speaker 1>I cared the most about. You know? Is it cause

0:42:25.840 --> 0:42:30.200
<v Speaker 1>like there is a truth right to artists these days

0:42:30.239 --> 0:42:32.719
<v Speaker 1>in major situations for the most part, do you make

0:42:32.920 --> 0:42:35.080
<v Speaker 1>your money? I mean we're gonna get to how you

0:42:35.080 --> 0:42:39.200
<v Speaker 1>made seven million dollars okay, allegedly, allegedly without dropping a

0:42:39.239 --> 0:42:42.840
<v Speaker 1>fucking song, but no, but like in general, you know,

0:42:43.040 --> 0:42:46.279
<v Speaker 1>yg was just talking about on he was doing the

0:42:46.280 --> 0:42:48.440
<v Speaker 1>Barbershop Talk with Lebron and he was saying how he

0:42:48.440 --> 0:42:50.279
<v Speaker 1>hasn't seen a cent off of any of his album

0:42:50.360 --> 0:42:53.000
<v Speaker 1>sales this whole time he's been on death Chat. Yeah,

0:42:53.080 --> 0:42:56.920
<v Speaker 1>So is it like, is it indeed like you're touring

0:42:57.000 --> 0:43:01.839
<v Speaker 1>your merch, your endorsement situation? Yeah, Puma Coulture, Yeah, you're

0:43:01.880 --> 0:43:05.120
<v Speaker 1>fucking everywhere. You know what I'm saying, you appreciate it?

0:43:05.200 --> 0:43:07.200
<v Speaker 1>Is that really where you're you're getting your bread and

0:43:07.239 --> 0:43:11.880
<v Speaker 1>butter financially for sure, unless you were like fully independent

0:43:11.920 --> 0:43:14.600
<v Speaker 1>and you own your masters, like you're going to get

0:43:14.640 --> 0:43:18.600
<v Speaker 1>most of your majority of your bread from uh, you know,

0:43:18.680 --> 0:43:23.200
<v Speaker 1>to out other entities. Do you own your masters? Nope, No,

0:43:23.280 --> 0:43:26.040
<v Speaker 1>not yet, not yet. That's what I was kind of

0:43:26.080 --> 0:43:29.040
<v Speaker 1>alluding to earlier, because you're when you sign men sign

0:43:29.120 --> 0:43:31.799
<v Speaker 1>young like you signed early. Yeah, for sure. So I

0:43:31.800 --> 0:43:36.120
<v Speaker 1>feel like you've already kind of leveled up where you

0:43:36.200 --> 0:43:38.480
<v Speaker 1>where you are mentally and kind of understood how I

0:43:38.600 --> 0:43:40.520
<v Speaker 1>own a percentage of them, but I don't. You own

0:43:40.640 --> 0:43:45.840
<v Speaker 1>your masters is like you percent und so the next

0:43:45.880 --> 0:43:48.560
<v Speaker 1>go round, that's got to be in the deal, right, Yeah,

0:43:48.600 --> 0:43:51.279
<v Speaker 1>for sure. I gotta. Look, I don't want to misquote

0:43:51.360 --> 0:43:54.120
<v Speaker 1>you know what my situation is anything, but I gotta

0:43:54.200 --> 0:43:56.319
<v Speaker 1>But it's on the way all the way. Would you

0:43:56.480 --> 0:43:59.239
<v Speaker 1>with the way the industry is kind of moving and

0:43:59.280 --> 0:44:02.040
<v Speaker 1>you're seeing like a lot of artists have real success independently,

0:44:02.280 --> 0:44:04.520
<v Speaker 1>would that be ever a route that you would explore

0:44:04.560 --> 0:44:07.439
<v Speaker 1>in the future. I don't know, honestly. I really fuck

0:44:07.520 --> 0:44:12.239
<v Speaker 1>with Atlantic Records, you know, at this point in time, right,

0:44:12.560 --> 0:44:15.720
<v Speaker 1>But I say that to say I really fuck with them, honestly,

0:44:15.920 --> 0:44:18.760
<v Speaker 1>Like it's high level under Atlantic. Now it's a whole separate,

0:44:18.760 --> 0:44:21.840
<v Speaker 1>instantly separate. Yeah. Yeah, Like I got full control on

0:44:21.880 --> 0:44:26.200
<v Speaker 1>my own ship. Like creative control on everything. It's like

0:44:26.480 --> 0:44:28.880
<v Speaker 1>they just do they just put it out honestly, you know.

0:44:29.200 --> 0:44:33.080
<v Speaker 1>They they're enthusiastic about your ship. Like like I talked

0:44:33.080 --> 0:44:35.640
<v Speaker 1>to everybody over there, so everyone's always talking about your ship.

0:44:35.719 --> 0:44:37.840
<v Speaker 1>Yeah for sure, And that's why I signed with Atlantic,

0:44:37.960 --> 0:44:42.440
<v Speaker 1>because that enthusiasm and that excitement and passion, you know what.

0:44:42.600 --> 0:44:46.080
<v Speaker 1>Julie Greenwald, Mike Causer, Dallas, so many other plan Rey,

0:44:47.400 --> 0:44:50.520
<v Speaker 1>so many Craig Common, all those people over there there

0:44:50.560 --> 0:44:54.880
<v Speaker 1>were like, you know, really enthusiastic and really excited about everything.

0:44:55.520 --> 0:44:58.520
<v Speaker 1>And so I say all that to say that I

0:44:58.840 --> 0:45:03.040
<v Speaker 1>like why, I'm honestly not even though no like politically

0:45:03.040 --> 0:45:05.800
<v Speaker 1>correct shit. It's like if it wasn't, i'd say it. Yeah.

0:45:06.080 --> 0:45:09.439
<v Speaker 1>Twenty twenty two, the album is out, Uh fucking you're

0:45:09.440 --> 0:45:13.239
<v Speaker 1>doing Coch Yep. The pandemic is still kind of going on. Yep,

0:45:13.760 --> 0:45:16.359
<v Speaker 1>we're still in the pandemic. Yeah. No, it's wild, Yeah,

0:45:16.480 --> 0:45:19.000
<v Speaker 1>one hundred percent. We just like, all right, it's just

0:45:19.040 --> 0:45:22.560
<v Speaker 1>because the for economic reasons that were not shut down. No,

0:45:22.600 --> 0:45:24.600
<v Speaker 1>for sure we should be shut down. If we were

0:45:24.600 --> 0:45:27.560
<v Speaker 1>still shut down, it might be the end of America

0:45:27.640 --> 0:45:31.360
<v Speaker 1>for sure, Like finance for sure. All the way, there'd

0:45:31.360 --> 0:45:33.919
<v Speaker 1>be so many people killing themselves and you know it'd

0:45:33.920 --> 0:45:37.200
<v Speaker 1>be done. I'd be pissed off personally. Yeah, I feel like, like, god,

0:45:37.280 --> 0:45:41.319
<v Speaker 1>damn I toured, Like, yeah, it's crazy. Are you? Are

0:45:41.320 --> 0:45:42.879
<v Speaker 1>you going to tour the album? Yeah? Yeah, I got

0:45:42.880 --> 0:45:44.480
<v Speaker 1>I tour in two weeks. It starts in two weeks.

0:45:44.880 --> 0:45:47.920
<v Speaker 1>Starts in two weeks. Who's opening I'm not sure yet. Honestly,

0:45:48.000 --> 0:45:49.560
<v Speaker 1>Oh shit, well, I mean for two weeks away. You

0:45:49.640 --> 0:45:51.440
<v Speaker 1>might want to figure that shit out. Absolutely. I was

0:45:51.440 --> 0:45:55.600
<v Speaker 1>hoping for high level artist honestly, yeah, exactly, like we

0:45:55.640 --> 0:46:02.680
<v Speaker 1>gotta find somebody. Ship ship. Yeah. I saw that Namir

0:46:02.800 --> 0:46:06.560
<v Speaker 1>was at the release party. Yeah, I appreciate you for

0:46:06.640 --> 0:46:08.799
<v Speaker 1>DJ and that you and zach VIIa. That was a

0:46:08.960 --> 0:46:12.080
<v Speaker 1>very random night because I go to the party and

0:46:12.280 --> 0:46:15.279
<v Speaker 1>Ace comes to me in a panic and he's like,

0:46:15.520 --> 0:46:18.279
<v Speaker 1>I need you to DJ, and I was like, I

0:46:18.280 --> 0:46:21.000
<v Speaker 1>don't have my laptop. He was like, get it here,

0:46:21.360 --> 0:46:24.560
<v Speaker 1>and I was like, all right, damn, you must really

0:46:24.560 --> 0:46:29.640
<v Speaker 1>fuck with a that's my dog. Yeah. So I got

0:46:29.680 --> 0:46:33.000
<v Speaker 1>I had, I got a laptop delivered, and my the

0:46:33.120 --> 0:46:36.520
<v Speaker 1>laptop that was delivered, Nico Blitz's, was not compatible with

0:46:36.560 --> 0:46:39.359
<v Speaker 1>whatever fucking dj. It was a struggle. Well I said

0:46:39.400 --> 0:46:41.840
<v Speaker 1>that to say the album release party was an incredible event.

0:46:42.200 --> 0:46:45.920
<v Speaker 1>You shout out Dave Chappelle. You had Dave Chappelle do

0:46:46.040 --> 0:46:50.200
<v Speaker 1>stand up. Yeah, he hosted, he jammed out. Yeah. There

0:46:50.239 --> 0:46:55.200
<v Speaker 1>was a blunt circle backstage. It was him, Steve Herkle, Simba,

0:46:56.120 --> 0:46:59.520
<v Speaker 1>somebody else was there. Oh sada baby. Yeah. It was

0:46:59.560 --> 0:47:03.160
<v Speaker 1>the most random blunt circle I've ever I was like, Yo,

0:47:03.200 --> 0:47:06.080
<v Speaker 1>this is Dave Chappelle, Steve Virkle, Jahill, is it Hill White? Yeah?

0:47:06.080 --> 0:47:08.839
<v Speaker 1>I can tell you got later that night too. Man,

0:47:09.120 --> 0:47:11.879
<v Speaker 1>the same day my album dropped, Me and Dave went

0:47:11.920 --> 0:47:15.439
<v Speaker 1>to go pull up on Kanye and yeah, so after

0:47:15.440 --> 0:47:17.520
<v Speaker 1>the album release party, you pulled up on Kanye with Dave.

0:47:17.680 --> 0:47:21.120
<v Speaker 1>Yeah yeah. And ab actually ab ab happened to be there.

0:47:21.120 --> 0:47:23.879
<v Speaker 1>That's my boy. Shout out a B and y'all got

0:47:23.880 --> 0:47:26.000
<v Speaker 1>to this is my first I met Kanye before, but

0:47:26.040 --> 0:47:27.640
<v Speaker 1>this is the first time I got to like chop

0:47:27.680 --> 0:47:31.000
<v Speaker 1>it up with him on some like you know, on conversation.

0:47:31.160 --> 0:47:33.440
<v Speaker 1>Yeah exactly, and like, you know, this is one of

0:47:33.480 --> 0:47:35.880
<v Speaker 1>my idols, one of my biggest idols, I said ever

0:47:36.160 --> 0:47:40.360
<v Speaker 1>for sure, Like I've said it a dozen times, and

0:47:40.400 --> 0:47:42.080
<v Speaker 1>he was like, oh, were you album just dropped now?

0:47:42.160 --> 0:47:45.440
<v Speaker 1>He's like, yeah, play it for me, and he was

0:47:45.480 --> 0:47:47.239
<v Speaker 1>just dope, man, just to sit play my album that

0:47:47.360 --> 0:47:50.760
<v Speaker 1>just came out thirty minutes ago with Kanye and Dave

0:47:50.880 --> 0:47:52.640
<v Speaker 1>and just kick it with him, you know what I'm

0:47:52.680 --> 0:47:55.239
<v Speaker 1>saying on some some chill shit? What what was? What was?

0:47:55.280 --> 0:47:56.880
<v Speaker 1>Did he give you any feedback on the album or

0:47:57.000 --> 0:47:59.839
<v Speaker 1>just any any gems at all? I didn't ask for it.

0:47:59.880 --> 0:48:03.879
<v Speaker 1>I just feel like Kanye's just when he talks, it's like, man, man,

0:48:03.920 --> 0:48:07.200
<v Speaker 1>he's the one. Yay he played like some unreleased music,

0:48:07.719 --> 0:48:09.680
<v Speaker 1>like we're just playing track for track, you know, like

0:48:09.880 --> 0:48:13.080
<v Speaker 1>unreleased stuff, and man, Yay's the one bro. I got.

0:48:13.080 --> 0:48:15.440
<v Speaker 1>I And I was a lot of times when I

0:48:15.480 --> 0:48:18.919
<v Speaker 1>meet like people I've idolized I would not be too

0:48:18.920 --> 0:48:22.480
<v Speaker 1>cool for school, but like, you know, cause I'm from Maryland. Bro.

0:48:22.600 --> 0:48:24.400
<v Speaker 1>We never we used to call it like man, you

0:48:24.520 --> 0:48:28.000
<v Speaker 1>on dick, like you dick riding whatever, whatever. And I

0:48:28.080 --> 0:48:30.360
<v Speaker 1>never was the type like I meet one of some

0:48:30.400 --> 0:48:32.399
<v Speaker 1>of the biggest people you can think of. I never

0:48:32.440 --> 0:48:34.440
<v Speaker 1>asked for a pick. I never like it just be

0:48:34.640 --> 0:48:39.080
<v Speaker 1>just chopping up on some human and human shit. But

0:48:39.120 --> 0:48:41.120
<v Speaker 1>one of my biggest regrets was when I met Kobe,

0:48:41.120 --> 0:48:42.920
<v Speaker 1>I didn't get to tell him like what he meant

0:48:42.920 --> 0:48:45.200
<v Speaker 1>to me, like growing up, how much of an idol

0:48:45.239 --> 0:48:47.080
<v Speaker 1>he was to me. So when I met Yay, I

0:48:47.160 --> 0:48:50.760
<v Speaker 1>just had like in a real way, I tell him like, man, like, Nigga,

0:48:50.800 --> 0:48:53.239
<v Speaker 1>you my biggest influence. I say that, I said when

0:48:53.239 --> 0:48:54.880
<v Speaker 1>I'm in an interview and they asked I say that.

0:48:54.920 --> 0:48:57.160
<v Speaker 1>He's like, yeah, you better tell him, nigga, Like you

0:48:57.200 --> 0:48:59.319
<v Speaker 1>know what. I moved to La, took a bus by

0:48:59.360 --> 0:49:02.439
<v Speaker 1>myself with thirty year old strangers. Blue le Kevin DJ

0:49:02.520 --> 0:49:05.000
<v Speaker 1>had to come to your release party for sure. Did

0:49:05.040 --> 0:49:06.799
<v Speaker 1>you get any free merch that night? Remember we're trying

0:49:06.800 --> 0:49:09.359
<v Speaker 1>to grab dud. Yeah I did get it. Yeah, good looks. Yeah,

0:49:09.400 --> 0:49:11.919
<v Speaker 1>I definitely got it that fire merch by the way,

0:49:12.040 --> 0:49:14.520
<v Speaker 1>Hell yeah, of course it's gonna be fire merch. How

0:49:14.520 --> 0:49:16.320
<v Speaker 1>did the Dave ship because obviously you and Ve shappardy

0:49:16.320 --> 0:49:18.359
<v Speaker 1>from the same region, you know for yeah DMV. Yeah

0:49:18.480 --> 0:49:21.279
<v Speaker 1>from the d MV. Like it's not a he sat

0:49:21.320 --> 0:49:25.640
<v Speaker 1>on stage that you call him to come and do this. Yeah,

0:49:25.680 --> 0:49:29.440
<v Speaker 1>and he came. He came, and you know, he was

0:49:29.480 --> 0:49:32.959
<v Speaker 1>like Yo, look, everyone have have their Nobody was allowed

0:49:32.960 --> 0:49:34.960
<v Speaker 1>to have their phone out. One's phones was in bags

0:49:34.960 --> 0:49:40.040
<v Speaker 1>except mine. Yeah wow, and whoever else that footage? Yeah?

0:49:40.120 --> 0:49:42.960
<v Speaker 1>But uh, in general, like it was a very like

0:49:43.040 --> 0:49:45.799
<v Speaker 1>he was doing it because he obviously genuinely fucks with

0:49:45.840 --> 0:49:47.520
<v Speaker 1>you as a person, as an artist, et cetera. But

0:49:47.520 --> 0:49:49.200
<v Speaker 1>how did that relationship Like what are the roots of

0:49:49.200 --> 0:49:53.680
<v Speaker 1>you and Dave Chappelle? We what did I first meet Davit?

0:49:54.520 --> 0:49:58.359
<v Speaker 1>I can't quite recall honestly when I first met him,

0:49:58.400 --> 0:50:02.960
<v Speaker 1>but again, we both from the same area. Whenever I

0:50:03.000 --> 0:50:05.320
<v Speaker 1>first I first met him, like we just we birthed

0:50:05.640 --> 0:50:09.760
<v Speaker 1>both virgos, excuse me, and like he's one of my idols.

0:50:09.800 --> 0:50:11.200
<v Speaker 1>You know what I'm saying. I saw you when you're

0:50:11.239 --> 0:50:12.759
<v Speaker 1>on stage and the way I feel like that was

0:50:12.800 --> 0:50:15.239
<v Speaker 1>one of those moments where you were, like, fucking Dave

0:50:15.320 --> 0:50:18.000
<v Speaker 1>Chappelle's next to me on my album release dage. Yeah, Nah,

0:50:18.000 --> 0:50:20.000
<v Speaker 1>he's the one, bro, Dave Chappelle is the one. But

0:50:20.480 --> 0:50:23.160
<v Speaker 1>like not even like he's It's not too many people

0:50:23.239 --> 0:50:26.080
<v Speaker 1>that like unequivocally who you can say they are the

0:50:26.120 --> 0:50:29.160
<v Speaker 1>best what they've done or what they do. He is

0:50:29.200 --> 0:50:31.200
<v Speaker 1>actually the best at what he does. He's the greatest

0:50:31.200 --> 0:50:35.279
<v Speaker 1>comedian of all like alive, you can argue of all time.

0:50:35.480 --> 0:50:38.319
<v Speaker 1>I would say he's top three. Yeah, I think it's

0:50:38.320 --> 0:50:41.720
<v Speaker 1>like him prior to George Carl But he's the greatest

0:50:41.760 --> 0:50:45.520
<v Speaker 1>comedian alive, correct, right, and to me anyway in my opinion.

0:50:45.960 --> 0:50:48.200
<v Speaker 1>But maybe I'm a little biased, right, But but even

0:50:48.239 --> 0:50:52.160
<v Speaker 1>before he's the greatest. But you know, the Chappelle Show,

0:50:52.200 --> 0:50:54.440
<v Speaker 1>even my sense of humor, man, it's like super like

0:50:54.560 --> 0:50:59.120
<v Speaker 1>Dave Chappelle influenced. And so we just continue to build.

0:50:59.160 --> 0:51:00.920
<v Speaker 1>I would even when I was making this album, I

0:51:00.920 --> 0:51:03.399
<v Speaker 1>will go up to Ohio to go see him. It's

0:51:03.440 --> 0:51:06.759
<v Speaker 1>because it's like in the middle of nowhere. I just

0:51:06.760 --> 0:51:10.000
<v Speaker 1>get timed for peace and quiet to think on things.

0:51:11.760 --> 0:51:14.439
<v Speaker 1>Because he's got like a compound. Yeah, yeah, he got

0:51:14.480 --> 0:51:16.759
<v Speaker 1>he got a town, he's got a little he got

0:51:16.760 --> 0:51:19.200
<v Speaker 1>a town he has Ohio. Did you go to any

0:51:19.200 --> 0:51:21.359
<v Speaker 1>of those comedy shows he was doing, Yeah I did, Yeah,

0:51:21.360 --> 0:51:24.759
<v Speaker 1>I did. I went to a couple actually, And he's

0:51:24.760 --> 0:51:26.480
<v Speaker 1>just always somebody that has shown me love, just been

0:51:26.520 --> 0:51:28.480
<v Speaker 1>He's always a phone call away, man. I just call

0:51:28.560 --> 0:51:32.120
<v Speaker 1>him ask him for advice about certain things. And you

0:51:32.160 --> 0:51:34.480
<v Speaker 1>know how to maneuver and how does he do this

0:51:34.640 --> 0:51:37.759
<v Speaker 1>and do that? You know, like he's really like the

0:51:37.800 --> 0:51:40.760
<v Speaker 1>greatest man. Like welling up on Kanye with Dave Chappelle

0:51:40.840 --> 0:51:43.600
<v Speaker 1>is like, kid, Dave is the one who introduced us.

0:51:43.640 --> 0:51:45.719
<v Speaker 1>By the way, I gotta make sure credit him on that.

0:51:45.920 --> 0:51:48.160
<v Speaker 1>I just think of like Kanye being on the Chappelle show.

0:51:48.320 --> 0:51:51.400
<v Speaker 1>The Double XL cover that Dave Chappelle curated. It was

0:51:51.560 --> 0:51:56.920
<v Speaker 1>dead press to quality. I think Kanye was on there too, anyway.

0:51:56.960 --> 0:51:59.359
<v Speaker 1>Do you remember that cover? You're probably a young child,

0:51:59.480 --> 0:52:03.920
<v Speaker 1>yeah that Yeah. Yeah, you're a big basketball guy. How

0:52:04.000 --> 0:52:07.080
<v Speaker 1>you feeling about this year so far? Because I know

0:52:07.120 --> 0:52:10.640
<v Speaker 1>you're not Wizards. I'm Wizards all day? Hey yeah addition

0:52:10.760 --> 0:52:15.200
<v Speaker 1>by subtraction, Yeah, Westbrook goes the Wizards are good. Yeah,

0:52:15.480 --> 0:52:18.560
<v Speaker 1>you know what I'm saying. Yeah, Bradley Bill's I know

0:52:18.680 --> 0:52:21.200
<v Speaker 1>you can correlate those two. But Bradley Bill is balling

0:52:21.440 --> 0:52:25.720
<v Speaker 1>and Kuzma's bawling. Yeah, boy, Kuzman is nice. Yeah. How'd

0:52:25.719 --> 0:52:28.080
<v Speaker 1>you ask something to prove? Yeah? Yeah, you and KD

0:52:28.200 --> 0:52:30.279
<v Speaker 1>got a cool relationship, right, Yeah, yeah, I would say

0:52:30.280 --> 0:52:31.880
<v Speaker 1>we were cool. I'm not like again, I don't like

0:52:31.960 --> 0:52:34.920
<v Speaker 1>to exaggerate anything. But that's like, that's the homie. You know,

0:52:34.960 --> 0:52:38.160
<v Speaker 1>he from the same area. He always show love and

0:52:38.160 --> 0:52:40.759
<v Speaker 1>support my music. He's a real nigga. Who is your

0:52:40.960 --> 0:52:43.360
<v Speaker 1>If you had to give me like your top five

0:52:43.600 --> 0:52:47.200
<v Speaker 1>d m V rappers of all time excluding Corday who Okay,

0:52:47.640 --> 0:52:52.000
<v Speaker 1>top d n V rappers of all time, Yep, gotta

0:52:52.040 --> 0:52:56.600
<v Speaker 1>go wide of course, gotta go Shot Lizzie, Okay, gotta

0:52:56.640 --> 0:53:00.320
<v Speaker 1>go Fat Trail, Free Fat Trail again, Free Fat Trailer again.

0:53:00.600 --> 0:53:02.319
<v Speaker 1>I did a record with him too when he was out.

0:53:02.360 --> 0:53:05.680
<v Speaker 1>We got some shit together, so boom boom, because those

0:53:05.680 --> 0:53:07.720
<v Speaker 1>are just the three that kicked in the door, kicked

0:53:07.719 --> 0:53:11.640
<v Speaker 1>open the door for me. Wile a Fat Trail, Shot Glizzie,

0:53:12.120 --> 0:53:15.040
<v Speaker 1>Big Flock, and Cue the Fool Okay, Yeah, and you

0:53:15.120 --> 0:53:17.520
<v Speaker 1>gotta put logic in there as well as far as

0:53:17.560 --> 0:53:22.240
<v Speaker 1>just massiveness, big selling records, selling out arenas. But those

0:53:22.280 --> 0:53:25.320
<v Speaker 1>five were like the most influential for sure. But you

0:53:25.520 --> 0:53:27.120
<v Speaker 1>definitely got to put logic in there for what he

0:53:27.239 --> 0:53:29.239
<v Speaker 1>done and opened up the doors. I'm trying to think

0:53:29.239 --> 0:53:31.120
<v Speaker 1>if there's anyone else that I'm thinking from the d

0:53:31.200 --> 0:53:35.839
<v Speaker 1>m V that I used to really, I mean, I mean,

0:53:35.840 --> 0:53:37.879
<v Speaker 1>you've got a lot of them. Yeah, that's it. Shout

0:53:37.920 --> 0:53:40.000
<v Speaker 1>out to the DMV man and then of course Corday.

0:53:40.080 --> 0:53:42.160
<v Speaker 1>Now yo, so the album is out. You know, Rico

0:53:42.239 --> 0:53:44.239
<v Speaker 1>Nasty's from the DNV as well. I did not know.

0:53:44.320 --> 0:53:48.320
<v Speaker 1>Yeah on the whole Brent Fayez, Oh yeah, Brent's fucking

0:53:48.440 --> 0:53:51.279
<v Speaker 1>Brent Fire and I was just going to you know,

0:53:51.360 --> 0:53:54.600
<v Speaker 1>but Brent Fayaz and Rico Nasty, those are the two

0:53:54.640 --> 0:53:57.919
<v Speaker 1>people honestly that in that like inspired me the most

0:53:58.000 --> 0:54:00.160
<v Speaker 1>coming out of dn V because we all not the

0:54:00.160 --> 0:54:02.360
<v Speaker 1>same age, but all was coming up. Well, they was

0:54:02.440 --> 0:54:04.640
<v Speaker 1>up way before I was. They was already like but

0:54:04.680 --> 0:54:08.840
<v Speaker 1>they weren't superstars quite yet in like twenty seventeen, twenty eighteen.

0:54:08.920 --> 0:54:11.040
<v Speaker 1>But they showed me because I thought you had to

0:54:11.080 --> 0:54:12.600
<v Speaker 1>be on some street shit to blow up out of

0:54:12.680 --> 0:54:14.440
<v Speaker 1>DNV because that's what everybody was doing, like you know,

0:54:14.480 --> 0:54:18.359
<v Speaker 1>the cute fool Shabaz, big Flop Gunu, all of these cats.

0:54:18.360 --> 0:54:20.120
<v Speaker 1>Shout out to all of them. I feel like Brent's

0:54:20.160 --> 0:54:21.880
<v Speaker 1>one of the more underrated guys. Like when we just

0:54:21.920 --> 0:54:25.080
<v Speaker 1>think of like how he came up, how he was independent,

0:54:25.520 --> 0:54:28.040
<v Speaker 1>just like now he's the ones business model. First of all,

0:54:28.239 --> 0:54:31.640
<v Speaker 1>the music is incredible, but high level everything else that

0:54:31.719 --> 0:54:35.920
<v Speaker 1>comes with, like his story, like how they were just

0:54:36.040 --> 0:54:38.400
<v Speaker 1>operating just so independent for so long as R and

0:54:38.440 --> 0:54:40.839
<v Speaker 1>B singers, Like, Yeah, we always think about all these

0:54:40.920 --> 0:54:43.359
<v Speaker 1>rappers that are independent as fuck. He shout out to Russ,

0:54:43.400 --> 0:54:45.799
<v Speaker 1>shout out to Dolph, shout out to all these independent dudes. YEA,

0:54:45.880 --> 0:54:50.120
<v Speaker 1>Like Brent Fires is really independent as a motherfucker. Yeah,

0:54:50.160 --> 0:54:52.879
<v Speaker 1>on a whole other level on some R and B shit. Yeah, nah,

0:54:52.920 --> 0:54:55.120
<v Speaker 1>He's one of the ones. And seeing him and Rico,

0:54:55.680 --> 0:55:00.400
<v Speaker 1>they both was in their own they whole like own lane,

0:55:00.520 --> 0:55:02.840
<v Speaker 1>you know, not following like the DMV trend, both on

0:55:02.880 --> 0:55:05.279
<v Speaker 1>their own lane doing the executing at a high level.

0:55:05.320 --> 0:55:08.040
<v Speaker 1>So those two motherfuckers right there was inspiring the shit

0:55:08.080 --> 0:55:10.919
<v Speaker 1>out of me. What is on the binge watch list

0:55:10.960 --> 0:55:13.319
<v Speaker 1>for Corday recent? Like, what are you binge watching at home?

0:55:13.360 --> 0:55:15.360
<v Speaker 1>If you're at home chilling with the lady, what do

0:55:15.360 --> 0:55:18.120
<v Speaker 1>you guys throwing on? I don't really binge watch anything,

0:55:18.160 --> 0:55:19.960
<v Speaker 1>to be honest, bro, I've been I'm even Like the

0:55:20.040 --> 0:55:22.640
<v Speaker 1>day my album came out, after I linked up with

0:55:22.719 --> 0:55:25.720
<v Speaker 1>Ya and after the album release party, I went straight

0:55:25.719 --> 0:55:28.080
<v Speaker 1>back home and got in the studio row but you

0:55:28.120 --> 0:55:33.000
<v Speaker 1>don't watch TV, not that your four Nah, don't. I

0:55:33.080 --> 0:55:37.960
<v Speaker 1>gotta tap into that, honestly, Like, I'll like watch I

0:55:38.000 --> 0:55:40.080
<v Speaker 1>Love to Be a Mess series. I got to watch that.

0:55:40.080 --> 0:55:42.720
<v Speaker 1>That ship was super fire. Shout out Little Meat fifty.

0:55:43.080 --> 0:55:46.240
<v Speaker 1>That shit was incredible. You ever watched Curby Enthusiasm? Nope?

0:55:46.440 --> 0:55:49.960
<v Speaker 1>Oh man, it's the funniest show ever. I've heard that

0:55:50.040 --> 0:55:52.759
<v Speaker 1>recently from somebody else, Larry David. He's just old. He's

0:55:52.760 --> 0:55:54.880
<v Speaker 1>a guy who wrote Seinfeld, so it's like a bro.

0:55:54.960 --> 0:55:57.399
<v Speaker 1>I just heard this from somebody. It's the funniest show

0:55:57.560 --> 0:56:00.200
<v Speaker 1>like all time. I don't know who recommended me this,

0:56:00.400 --> 0:56:04.279
<v Speaker 1>but somebody literally recommended me. Curb your enthusy as excuse me,

0:56:04.360 --> 0:56:06.959
<v Speaker 1>curb your enthusiasm within the last two weeks. You gotta

0:56:07.000 --> 0:56:10.799
<v Speaker 1>tap in. Yeah, I must have to. What about your

0:56:10.920 --> 0:56:15.560
<v Speaker 1>favorite movies ever? Give me three movies that come to mind. Okay,

0:56:15.640 --> 0:56:25.959
<v Speaker 1>top is top movies ever? Now this pornography count porn movies? Yeah? Sure, hmm,

0:56:26.800 --> 0:56:30.879
<v Speaker 1>you say, what who's this? We'll get to those. Who's

0:56:30.880 --> 0:56:34.800
<v Speaker 1>your favorite porn star everts of all time? All time? Oh? Okay,

0:56:35.120 --> 0:56:38.200
<v Speaker 1>you gotta go with the pop Eyes chick. Just for

0:56:38.320 --> 0:56:41.120
<v Speaker 1>the culture because like that was just a moment in time.

0:56:41.440 --> 0:56:47.080
<v Speaker 1>The Popes. You never seen the pop Oys jump? You

0:56:47.480 --> 0:56:51.439
<v Speaker 1>recommended curb your enthusiasm. I recommend the pop Eyes jump.

0:56:53.719 --> 0:56:58.279
<v Speaker 1>I don't know, like just top three. We'll do the

0:56:58.320 --> 0:57:00.759
<v Speaker 1>porn stars first, then the movie. Sorry, the movie. Let's

0:57:00.760 --> 0:57:04.000
<v Speaker 1>do the movie. Let's do the movie. Three movies Friday.

0:57:04.960 --> 0:57:07.400
<v Speaker 1>This is just some ultimate, just nigga shit, to be honest,

0:57:07.400 --> 0:57:09.920
<v Speaker 1>but it's just my truth, my top three. It's a

0:57:09.960 --> 0:57:15.680
<v Speaker 1>great movie, change my life. Great movie Friday, six years old,

0:57:15.680 --> 0:57:22.400
<v Speaker 1>talking like Smokey Damn. What's another movie I love? I love? Okay,

0:57:22.440 --> 0:57:24.240
<v Speaker 1>this is a random one because I just got asked

0:57:24.280 --> 0:57:28.400
<v Speaker 1>this question. But Glorious Bastards, Oh so good. I loved

0:57:28.440 --> 0:57:31.240
<v Speaker 1>that because I'm a history fucking fiend. I love history,

0:57:31.280 --> 0:57:34.560
<v Speaker 1>so whenever people incorporate like history and it's some shit.

0:57:34.600 --> 0:57:38.600
<v Speaker 1>I guess the most underappreciated Quentin Tarantino movie. Great movie.

0:57:38.760 --> 0:57:40.560
<v Speaker 1>I was at the comedy store a couple of days

0:57:40.560 --> 0:57:43.200
<v Speaker 1>ago and Quentin Tarantino was sitting in the booth next

0:57:43.200 --> 0:57:46.600
<v Speaker 1>to us by himself, fucking laughing his like, the guy

0:57:46.600 --> 0:57:48.680
<v Speaker 1>had the loudest fucking laugh in the whole place. But

0:57:48.720 --> 0:57:50.560
<v Speaker 1>it was like it was kind of surreal to be like,

0:57:50.560 --> 0:57:52.640
<v Speaker 1>oh shit, I live in LA and sometimes you go

0:57:52.680 --> 0:57:54.320
<v Speaker 1>to the comedy store and you're sitting next to the

0:57:54.320 --> 0:58:00.200
<v Speaker 1>greatest director of all time. Yeah, one more glorious Bastards Friday.

0:58:00.400 --> 0:58:03.480
<v Speaker 1>Can it be TV show or just strictly movies? Give

0:58:03.520 --> 0:58:06.040
<v Speaker 1>me a TV show? Fuck it? I would say the

0:58:06.120 --> 0:58:08.360
<v Speaker 1>Chappelle Show. But if I can't say the Chappelle Show,

0:58:08.360 --> 0:58:12.480
<v Speaker 1>I would say Boondocks. Boon Docks is amazing, amazing, Yeah,

0:58:12.680 --> 0:58:14.960
<v Speaker 1>boon Docks is up there. Okay, porn Stars, and then

0:58:14.960 --> 0:58:18.440
<v Speaker 1>the interview's over, Okay, porn Stars. I can't remember, honestly,

0:58:18.480 --> 0:58:21.520
<v Speaker 1>it's been such a minute because like I used to

0:58:21.560 --> 0:58:23.840
<v Speaker 1>love porn as a kid, as a teenager, but it's

0:58:23.880 --> 0:58:26.760
<v Speaker 1>like a vice bad. It's really bad for you. No, no, no,

0:58:26.800 --> 0:58:29.160
<v Speaker 1>it's like I like, after I've finished, I'd be like,

0:58:29.320 --> 0:58:31.440
<v Speaker 1>oh my god, what is wrong with me? I'm sure

0:58:31.720 --> 0:58:34.120
<v Speaker 1>terrible human? But it's like the most every time you

0:58:34.280 --> 0:58:37.800
<v Speaker 1>jerk off, and you know, sometimes you got porn Hub

0:58:37.800 --> 0:58:40.200
<v Speaker 1>open and you end up with like eleven tabs. Yeah,

0:58:40.240 --> 0:58:42.840
<v Speaker 1>for sure, you're gonna have some credit cards, get scammed

0:58:42.840 --> 0:58:47.360
<v Speaker 1>and ship and then you're like, damn, what did I ah,

0:58:47.560 --> 0:58:51.040
<v Speaker 1>like what about yeah for sure? Like yeah, no, it's

0:58:51.120 --> 0:58:53.520
<v Speaker 1>not the wave honestly, like I can you never know

0:58:53.560 --> 0:58:55.720
<v Speaker 1>what you're gonna get right because you just start like,

0:58:55.720 --> 0:58:57.800
<v Speaker 1>oh this is a cool tap, like a cool thumbnail.

0:58:59.040 --> 0:59:01.360
<v Speaker 1>You're like, then you just you end up in a

0:59:01.400 --> 0:59:03.160
<v Speaker 1>place that you didn't know you we're gonna end up

0:59:03.200 --> 0:59:07.040
<v Speaker 1>in thirty minutes prior and man thirty forty five or

0:59:07.760 --> 0:59:11.840
<v Speaker 1>like on a man man. I really can't name like

0:59:11.880 --> 0:59:13.720
<v Speaker 1>the names off the top because it's been a minute.

0:59:13.760 --> 0:59:15.440
<v Speaker 1>I'm not just trying to be on some cool nigga

0:59:15.440 --> 0:59:19.440
<v Speaker 1>shit like oh you know, I don't want but I

0:59:19.440 --> 0:59:22.240
<v Speaker 1>can't think of it. No one name not off the

0:59:22.280 --> 0:59:25.360
<v Speaker 1>door Popeyes, I forgot her name. I can just tell you,

0:59:25.440 --> 0:59:28.120
<v Speaker 1>like the scenario it was, it was shot up, was

0:59:28.240 --> 0:59:31.840
<v Speaker 1>shot in Adam Popeyes. This is like this is culture

0:59:31.960 --> 0:59:34.959
<v Speaker 1>keV like at like this is this is called many

0:59:35.040 --> 0:59:38.760
<v Speaker 1>years ago? Is this about five four to five years ago?

0:59:39.120 --> 0:59:41.640
<v Speaker 1>My prom he's a creep. You know what the Popeyes?

0:59:41.920 --> 0:59:48.360
<v Speaker 1>You know about the Popeyes, bro, you curb your enthusiasm.

0:59:48.480 --> 0:59:51.440
<v Speaker 1>Popeye'es porn for sure, It's gonna go on h X

0:59:51.560 --> 0:59:53.840
<v Speaker 1>videos and typing Popeyes and see what pop is maybe

0:59:53.920 --> 0:59:56.320
<v Speaker 1>on porn hub. I'm not sure about X videos. Shout out,

0:59:56.400 --> 0:59:59.360
<v Speaker 1>shout out to the hub of Hub is life, Hub

0:59:59.400 --> 1:00:02.360
<v Speaker 1>is life. Well, look, I appreciate you pulling up man,

1:00:02.360 --> 1:00:04.240
<v Speaker 1>the album is dope. Appreciate you having me. I was

1:00:04.240 --> 1:00:06.560
<v Speaker 1>telling this to Ace. I think I had the album

1:00:06.640 --> 1:00:11.840
<v Speaker 1>maybe like a week early, and cohesively is like perfect,

1:00:11.960 --> 1:00:13.680
<v Speaker 1>Like you know, thanks you back, Like I feel like,

1:00:13.800 --> 1:00:16.200
<v Speaker 1>you know, I love the first album, but I feel like,

1:00:16.360 --> 1:00:18.240
<v Speaker 1>you know you you improved on the second one. Man, Nah,

1:00:18.320 --> 1:00:20.080
<v Speaker 1>thank you. I appreciate that. That means the world to me.

1:00:20.120 --> 1:00:22.400
<v Speaker 1>Hopefully I got away three years to get the next. No, no, no,

1:00:22.480 --> 1:00:26.360
<v Speaker 1>I'm coming. I'm the world is back open like a pandemic.

1:00:26.920 --> 1:00:30.800
<v Speaker 1>I'm coming. You know every artist has their uh, their

1:00:30.800 --> 1:00:33.800
<v Speaker 1>era to where they just start dropping ship and start

1:00:33.800 --> 1:00:36.040
<v Speaker 1>going crazy. I think this is this is why I

1:00:36.160 --> 1:00:38.520
<v Speaker 1>like doing that. How'd you make seven million dollars? This

1:00:38.560 --> 1:00:41.040
<v Speaker 1>is the last question. Okay, you know, for all you know,

1:00:41.080 --> 1:00:43.000
<v Speaker 1>I could have been lying, man. I mean, you know

1:00:43.000 --> 1:00:45.600
<v Speaker 1>it's a nice flex. So how'd you make you know, uh,

1:00:46.360 --> 1:00:48.200
<v Speaker 1>less than seven million? I mean, how'd you get in

1:00:48.320 --> 1:00:52.520
<v Speaker 1>lessons without putting out music during the pandemic. Man, just

1:00:52.600 --> 1:00:55.720
<v Speaker 1>being more honestly, being more mindful of my business, more

1:00:55.760 --> 1:00:58.320
<v Speaker 1>mindful everything I do as a business expense, you know,

1:00:58.320 --> 1:01:01.680
<v Speaker 1>it's a write off. I'm investing in the real estate,

1:01:01.800 --> 1:01:03.919
<v Speaker 1>stocks and bond This is just how you attain wealth

1:01:03.960 --> 1:01:07.760
<v Speaker 1>in general. Just more so generalizing my turn, not saying

1:01:07.800 --> 1:01:10.720
<v Speaker 1>how I made more or less right but now, but

1:01:10.760 --> 1:01:13.840
<v Speaker 1>like you're actually putting money into yeah, yeah, in stocks, bonds,

1:01:13.960 --> 1:01:18.760
<v Speaker 1>real estate. I'm not too big on the crypto way

1:01:18.920 --> 1:01:22.320
<v Speaker 1>because I would have to do a lot more research

1:01:22.360 --> 1:01:25.640
<v Speaker 1>on that. But I'm super like old school more so

1:01:26.000 --> 1:01:28.240
<v Speaker 1>with my safe stocks. I found a couple of gold

1:01:28.280 --> 1:01:30.200
<v Speaker 1>mines like Neo and i Owe, which is like the

1:01:30.280 --> 1:01:35.000
<v Speaker 1>Chinese Tesla. And I got into the stock market at

1:01:35.000 --> 1:01:37.480
<v Speaker 1>a great time. This is when COVID first happened. When

1:01:37.480 --> 1:01:39.840
<v Speaker 1>it first happened, everything was super low. No no no, no,

1:01:40.360 --> 1:01:42.920
<v Speaker 1>dal Jones on the nineteen thousand. Right now it's at

1:01:42.960 --> 1:01:45.880
<v Speaker 1>like thirty seven or something like that. So I dumped

1:01:45.920 --> 1:01:47.800
<v Speaker 1>into it. I was just like, I have, I'm in

1:01:47.800 --> 1:01:50.680
<v Speaker 1>this blessed position to have access to all this extra capital,

1:01:51.000 --> 1:01:53.320
<v Speaker 1>So I just dumped in it. You know, doing certain

1:01:53.400 --> 1:01:56.320
<v Speaker 1>brand endorsement deals things of that, nature like, yeah, I

1:01:56.360 --> 1:01:59.280
<v Speaker 1>mean your fly ship with the latest one is coach right, No, no, no,

1:01:59.280 --> 1:02:01.800
<v Speaker 1>I'm not coach on Puma all day. Oh Puma. I

1:02:01.800 --> 1:02:03.919
<v Speaker 1>feel like I feel like someone told me you were coach.

1:02:04.200 --> 1:02:06.560
<v Speaker 1>Yeah I was, but you know how it didn't work

1:02:06.600 --> 1:02:08.280
<v Speaker 1>out and it's not and it didn't work out. But

1:02:08.280 --> 1:02:10.720
<v Speaker 1>I'm Puma all day, Puma, Pum all day. What is

1:02:10.760 --> 1:02:13.760
<v Speaker 1>their biggest non rap check been so far? Don't don't

1:02:13.760 --> 1:02:16.640
<v Speaker 1>tell us how much? Just yeah, where was it from? Puma?

1:02:16.880 --> 1:02:20.400
<v Speaker 1>Puma all day? Fucking poom man? They man, I had

1:02:20.400 --> 1:02:23.640
<v Speaker 1>to downgrade my lifestyle when the pandemic happened. I'm like, ship, nigga,

1:02:23.640 --> 1:02:26.880
<v Speaker 1>we might have to start motherfucking doing swipe up so

1:02:26.880 --> 1:02:29.480
<v Speaker 1>on the stories and promos and ship for It's like,

1:02:29.520 --> 1:02:31.320
<v Speaker 1>I'm like, ship nigga, how are we finna do this?

1:02:31.400 --> 1:02:33.800
<v Speaker 1>We ain't doing shows like ship now. But you know

1:02:34.160 --> 1:02:37.200
<v Speaker 1>I didn't have to downgrade my lifestyle at all. That's good.

1:02:37.240 --> 1:02:39.600
<v Speaker 1>They gonna give your own sneakers soon, yes, on the

1:02:39.640 --> 1:02:42.760
<v Speaker 1>works right now, Yeah, because Cole sneakers fire. Yeah, I

1:02:42.800 --> 1:02:45.040
<v Speaker 1>feel like you're you gotta get your sneaker man. You

1:02:45.240 --> 1:02:47.680
<v Speaker 1>know it's it's it's already. It's gonna be high level.

1:02:47.760 --> 1:02:51.120
<v Speaker 1>Are you be involved in the silhouette and the design? Yeah, yeah,

1:02:51.160 --> 1:02:53.880
<v Speaker 1>My boy Ian Rutlish, my boy I and Michael excuse me,

1:02:54.120 --> 1:02:56.080
<v Speaker 1>shout out to him has been helping on a design

1:02:56.840 --> 1:03:00.240
<v Speaker 1>as well. So it's gonna be imello. It was a

1:03:00.280 --> 1:03:02.560
<v Speaker 1>Puma guy. Yeah, yeah, now Puma and I've been with

1:03:02.560 --> 1:03:05.000
<v Speaker 1>Puma like Earth. They've been rocking with me early, like

1:03:05.160 --> 1:03:07.600
<v Speaker 1>remember a mellow before a bunch of not saying you

1:03:07.640 --> 1:03:09.440
<v Speaker 1>know whatever, but I remember a lot of these cats.

1:03:09.480 --> 1:03:12.120
<v Speaker 1>They've been rocking with me early early. You know. They

1:03:12.160 --> 1:03:15.320
<v Speaker 1>was in the location my Locations video Location Ships video

1:03:15.760 --> 1:03:18.600
<v Speaker 1>was paid for by Puma, you know. So I called

1:03:18.640 --> 1:03:22.520
<v Speaker 1>them like my fairy godmother man like, because they they're

1:03:22.640 --> 1:03:24.640
<v Speaker 1>just they treat me well over there, like no even

1:03:24.680 --> 1:03:27.120
<v Speaker 1>like for my the Hourum release, they sent me like

1:03:27.720 --> 1:03:31.320
<v Speaker 1>fucking Acespace bottle and like, man, they like they treat

1:03:31.320 --> 1:03:34.680
<v Speaker 1>me really well. Like when I'm doing things in conjunction

1:03:34.760 --> 1:03:37.400
<v Speaker 1>with Puma, they'll like fly me on like the Puma jet,

1:03:37.600 --> 1:03:40.760
<v Speaker 1>like I really fuck with that company. Man. Even more

1:03:40.800 --> 1:03:43.320
<v Speaker 1>than that, they're like very and I'm not just saying

1:03:43.320 --> 1:03:45.960
<v Speaker 1>this because I'm getting the check up for sure, this

1:03:46.000 --> 1:03:48.840
<v Speaker 1>and that, because with as an artist is a fine line.

1:03:48.880 --> 1:03:51.800
<v Speaker 1>You can't become like too brand heavy because you lose

1:03:51.920 --> 1:03:54.400
<v Speaker 1>like you're you'll just look like you'll do whatever for

1:03:54.480 --> 1:03:56.800
<v Speaker 1>a dollar, you know. So I try to remain like

1:03:56.960 --> 1:04:01.280
<v Speaker 1>very reclusive when it comes to brand alignment thing anybody.

1:04:01.880 --> 1:04:04.480
<v Speaker 1>And I think the less brand deals you have is

1:04:04.520 --> 1:04:06.760
<v Speaker 1>more cool because I could just because of like who

1:04:06.800 --> 1:04:10.000
<v Speaker 1>I am and the type of the lane I'm in,

1:04:10.040 --> 1:04:14.360
<v Speaker 1>I can fucking be cashing out brands all the day.

1:04:14.400 --> 1:04:18.680
<v Speaker 1>But but but I'd be sletting myself out in the

1:04:18.720 --> 1:04:21.479
<v Speaker 1>long term if I'm just taking every single brand deal

1:04:21.960 --> 1:04:24.720
<v Speaker 1>every Yeah, for sure. And so I say that to

1:04:24.760 --> 1:04:26.920
<v Speaker 1>say that Pulma has been in alignment with what I

1:04:27.000 --> 1:04:30.320
<v Speaker 1>have for my vision and they're always like helping with

1:04:30.480 --> 1:04:33.640
<v Speaker 1>community projects, things that I'll never like have on camera,

1:04:33.760 --> 1:04:36.400
<v Speaker 1>these things that's just for for my good karma and

1:04:36.720 --> 1:04:40.280
<v Speaker 1>to actually help people they really like into the community

1:04:40.560 --> 1:04:42.280
<v Speaker 1>and things of that nature. So they got to do

1:04:42.280 --> 1:04:47.560
<v Speaker 1>a commercial with you, LaMelo and the best Puma athlete,

1:04:47.840 --> 1:04:50.160
<v Speaker 1>the starting center for the best team in the NBA,

1:04:50.400 --> 1:04:54.640
<v Speaker 1>DeAndre Aiden. Yeah, oh you are shout out CP three.

1:04:54.680 --> 1:04:57.680
<v Speaker 1>That's my boy. Yeah, that's my dog. He's a grown

1:04:57.720 --> 1:05:00.320
<v Speaker 1>ass man. Now that's my boy. Like he'd be showing

1:05:00.360 --> 1:05:02.680
<v Speaker 1>me mad and mad mad love and he's just like

1:05:04.160 --> 1:05:07.480
<v Speaker 1>no, no no, no, we met? How did mean CP three meet?

1:05:08.280 --> 1:05:10.400
<v Speaker 1>We met? Oh? Because you know, my family lives in

1:05:10.440 --> 1:05:12.760
<v Speaker 1>North Carolina. You know, I was born in North Carolina.

1:05:12.800 --> 1:05:14.240
<v Speaker 1>You know, I was raised a lot of Maryland. But

1:05:14.280 --> 1:05:16.000
<v Speaker 1>my I talked to Rhapsody about that. She was like

1:05:16.000 --> 1:05:18.240
<v Speaker 1>that boy from Carolina. Yeah yeah, yeah for sure, but

1:05:18.400 --> 1:05:20.240
<v Speaker 1>but a lot I was I grew. I was born

1:05:20.280 --> 1:05:23.840
<v Speaker 1>in Raleigh, North Carolina. Like, my family lives in North Carolina,

1:05:24.520 --> 1:05:29.240
<v Speaker 1>and so it's that Carolina connection. And yeah, he just

1:05:29.280 --> 1:05:31.320
<v Speaker 1>shows like a lot of love. Man, gives a lot

1:05:31.320 --> 1:05:34.040
<v Speaker 1>of insight and whatever. Like he's one of the ones real.

1:05:34.120 --> 1:05:37.080
<v Speaker 1>He's probably the best point guard of Like I think

1:05:37.120 --> 1:05:40.440
<v Speaker 1>it's your point guard top five all time. Yeah, I mean,

1:05:40.480 --> 1:05:42.680
<v Speaker 1>like probably the best leader in the NBA over the

1:05:42.760 --> 1:05:45.440
<v Speaker 1>last like twenty years. Bro. Yeah, every team he goes

1:05:45.480 --> 1:05:49.360
<v Speaker 1>to gets instantly better, like playoff not even play off

1:05:49.360 --> 1:05:53.280
<v Speaker 1>the Thunder two years ago. Bro. Yes, yeah they're at

1:05:53.400 --> 1:05:57.600
<v Speaker 1>five seed. Yeah, like no, bro, because it's like a

1:05:57.600 --> 1:06:01.600
<v Speaker 1>piece of advice CP three is given. Man, just just

1:06:01.720 --> 1:06:05.880
<v Speaker 1>lock in and stay working, like and just realize what's

1:06:05.880 --> 1:06:08.480
<v Speaker 1>your goal and just stay true to yourself, and you'd

1:06:08.480 --> 1:06:10.200
<v Speaker 1>be fucking pulling up to these games. You flew to

1:06:10.240 --> 1:06:11.800
<v Speaker 1>Phoenix to go to the finals game. I was at

1:06:11.800 --> 1:06:14.960
<v Speaker 1>the finals. Yeah. I was late for it too, I

1:06:14.640 --> 1:06:16.680
<v Speaker 1>can I know. I was sitting like up above and

1:06:16.760 --> 1:06:20.440
<v Speaker 1>I saw you come in, like yeah, like end of them. No, no,

1:06:20.480 --> 1:06:22.480
<v Speaker 1>it was like five minutes left in the fourth court.

1:06:22.520 --> 1:06:24.360
<v Speaker 1>I was upset about it. I know. I had a

1:06:24.440 --> 1:06:25.680
<v Speaker 1>sent me He's like, Yo, do you want to go

1:06:25.720 --> 1:06:28.240
<v Speaker 1>to the Sun's game with Corda And I was like sure,

1:06:28.600 --> 1:06:30.280
<v Speaker 1>and then he was like, yo, he's gonna be super

1:06:30.320 --> 1:06:32.880
<v Speaker 1>fucking late. And I was like, well, I'm I'm gonna

1:06:32.920 --> 1:06:35.920
<v Speaker 1>just get my own ticket, yeah, because I can't miss.

1:06:36.040 --> 1:06:38.160
<v Speaker 1>I mean we ended up losing that game. Yeah, No,

1:06:38.240 --> 1:06:40.040
<v Speaker 1>I was there for Yeah, I went there. Really does

1:06:40.080 --> 1:06:42.920
<v Speaker 1>support CEP. Honestly, You're at a lot of games though

1:06:42.920 --> 1:06:45.920
<v Speaker 1>you're like a real fucking basketball and man, you know,

1:06:45.960 --> 1:06:47.800
<v Speaker 1>I'm in a blessed position. But I've never been to

1:06:47.800 --> 1:06:51.120
<v Speaker 1>an NBA game, not courtside really, like I've never my

1:06:51.200 --> 1:06:53.560
<v Speaker 1>first NBA game. No, no, no, no, I've never went

1:06:53.600 --> 1:06:55.920
<v Speaker 1>to an NBA game as a kid. So my first

1:06:56.080 --> 1:07:00.840
<v Speaker 1>NBA game was you know, me being an artist. So

1:07:00.880 --> 1:07:03.520
<v Speaker 1>I've always been courtside. Bro, it's a blessing you worked

1:07:03.520 --> 1:07:05.920
<v Speaker 1>into the plumid deal. No no, no no, no no, no,

1:07:05.920 --> 1:07:08.960
<v Speaker 1>no no no, this is this is just how you splurge. Now.

1:07:09.080 --> 1:07:11.200
<v Speaker 1>I don't spend no, I don't spend no money on it.

1:07:11.240 --> 1:07:15.320
<v Speaker 1>It's like either a player lookout or like somebody just

1:07:15.440 --> 1:07:16.920
<v Speaker 1>randomly called like yo, you want to go to the

1:07:17.000 --> 1:07:19.320
<v Speaker 1>you know what I'm saying. So like me having this

1:07:19.440 --> 1:07:21.440
<v Speaker 1>relationships with players, they'd be like, yo, pull up on

1:07:21.480 --> 1:07:23.800
<v Speaker 1>the game, bro, I got you doing doing amazing. We'll

1:07:23.800 --> 1:07:25.720
<v Speaker 1>shout out to my guy Corde. Appreciate you pulling up,

1:07:25.760 --> 1:07:28.600
<v Speaker 1>Appreciate you having me. I always love Yes, easy money

1:07:28.680 --> 1:07:29.200
<v Speaker 1>Yeah boom