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Speaker 1: Yeah, hey man, shout out to everyone locked in right now.

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Speaker 1: The fuck's going on out there anyway. We got a

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Speaker 1: dope interview with one of my favorite artists. His name

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Speaker 1: is core Day. He's got a new album out From

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Speaker 1: a Bird's Eye View. It's a great body of work.

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Speaker 1: Everyone should go check it out. We had a very,

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Speaker 1: very dope conversation, I would argue to say, one of

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Speaker 1: into the Court Day Interview Bootleg CAV Show special guests.

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Speaker 1: My guy, what's up a long time star Court Day?

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Speaker 1: What up? keV? How are you feeling? Wrong? To see you? Man?

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Speaker 1: Good to be here. I was just telling uh Dwight

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Speaker 1: the story about the time I, uh me and head

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Speaker 1: went to the Kanye event. Yep. We ran into you

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Speaker 1: at the bus little bus where you had to catch

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Speaker 1: a bus in Hollywood, yep, yep, And you were by yourself,

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Speaker 1: Del and you had just moved out to LA a

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Speaker 1: day or two before, like I think we you were

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Speaker 1: you had come on the show before that, but it

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Speaker 1: was like you were like just like enjoying the LA ship,

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Speaker 1: like you know what I'm saying. We ran new it

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Speaker 1: was the kids see Ghosts kits ghost and we took

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Speaker 1: a bus there and like, yeah, it was it was

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Speaker 1: pretty crazy. That was a crazy last night. Yeah, it

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Speaker 1: was a vibe and I think I tweeted you were

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Speaker 1: signing the waiver and it said good music on it. Yeah,

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Speaker 1: I took a picture of you, said oh yeah, yeah, yeah,

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Speaker 1: signed a good music. That was a real thing. That

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Speaker 1: was a real thing. That was a real thing. People

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Speaker 1: thought I was signed a good music. Yeah. So what's

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Speaker 1: up man? How's first of all, congrats because the album

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Speaker 1: is incredible. Thank you, bro. That mean the world to me.

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Speaker 1: Appreciate that. That's it, you know, as dope as the

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Speaker 1: first project was, I feel like you leveled up with

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Speaker 1: this one. I feel like it was more cohesive. It

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Speaker 1: feels just more personal, like, thank you, bro, thank you.

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Speaker 1: That means the world. Appreciate that for real. It took

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Speaker 1: your time, Yeah, I did, you know. I feel like

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Speaker 1: you could have followed up, you know, within a year

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Speaker 1: with the way the last album went. But yeah, I

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Speaker 1: feel like you really took your time with this project.

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Speaker 1: Obviously you gave us, I ad Epe gave us some taste,

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Speaker 1: but like what was for you, Like was that on

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Speaker 1: purpose to like really not rush the sophomore album? Yeah? Now,

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Speaker 1: it was a string of things. One, you know, this

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Speaker 1: pandemic right, I'm really a touring artist, like I make

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Speaker 1: music to perform it. And two is like I always

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Speaker 1: wanted to sort of set myself up to where I

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Speaker 1: have an expectation of taking my time with albums. Not

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Speaker 1: an expectation, but it's just patient myself career wise, career wise.

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Speaker 1: Excuse me. I know I could always deliver high quality

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Speaker 1: album every two years. You know, if I would have

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Speaker 1: dropped the album in twenty twenty, like back to back,

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Speaker 1: right after Lost Boy, it wouldn't have been good, you know,

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Speaker 1: in my opinion, it wouldn't have been at the level

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Speaker 1: to where I needed it to be. And so I

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Speaker 1: just really I had to live a bunch of life honestly,

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Speaker 1: to talk about some new things, you know, and go

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Speaker 1: through some shit in order to express that into music.

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Speaker 1: And yeah, it wasn't a purpose. It's funny though, the

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Speaker 1: day that Lost Boy came out, I remember I was like, yeah,

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Speaker 1: it's probably gonna be like another two years before I

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Speaker 1: drop another album. I'm like, nigga, what And I'm like, all,

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Speaker 1: you're gonna see but and but it's not like I'm

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Speaker 1: just sitting there for six months and then I'm like, Okay,

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Speaker 1: I got a year and a half left. Let's get

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Speaker 1: it done, like I'm working every all time, Yeah, the

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Speaker 1: whole time. But I just didn't want to rush shit

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Speaker 1: and just put some shit out just to put some

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Speaker 1: shit out, just to feed the algorithm. You know, I

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Speaker 1: just want it cause I know I would look back,

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Speaker 1: like twenty years from now, ten, fifteen years from now,

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Speaker 1: however long it may be, and be like, I'm so

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Speaker 1: glad that I took my time with this album, Versus

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Speaker 1: I'll regret it more if I just rushed and put

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Speaker 1: out an album Versus now I took this time out,

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Speaker 1: all this time and creating and cultivating this album and

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Speaker 1: putting all the energy, all my effort into it versus

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Speaker 1: just throwing some shit out, rushing it out just to

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Speaker 1: put it out. Plus, if we think of like the

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Speaker 1: all time greats, right we're thinking like Kendrick, we think

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Speaker 1: of a lot of these guys nahs, like, you know,

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Speaker 1: they took their time from it. I mean, these guys

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Speaker 1: take their time, Like, for sure, Hole's not dropping every

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Speaker 1: twelve months, you know what I'm saying. For sure, Yeah,

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Speaker 1: it's a couple. Everybody got their own path. J for

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Speaker 1: a while, he covers every year every summer. Jay Z.

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Speaker 1: When I was a kid. But you know, yeah, jay

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Speaker 1: Z's the greatest of all time. For Shure, everybody got

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Speaker 1: their own path. And it's not like I'm looking at

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Speaker 1: like a Kendrick blueprint or like, Okay, Kendrick dropped three

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Speaker 1: years in between his first and second now or two

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Speaker 1: years between. It's freaking seven out. So I got it.

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Speaker 1: It's just what naturally how I progress. Like I recorded

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Speaker 1: hundreds and hundreds of songs, but I knew what I

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Speaker 1: wanted to say, what point I wanted to get across,

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Speaker 1: And I just wanted to make a complete, cohesive body

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Speaker 1: of work. And I knew I just wanted to take

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Speaker 1: my time, not with like actually creating, but with just

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Speaker 1: finishing everything up. No, I feel like over the last

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Speaker 1: couple of years, we've seen you in the studio with

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Speaker 1: so many people, yeah, where it's like, oh shit, oh shit,

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Speaker 1: he's in with oh man, Like how much music did not?

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Speaker 1: Like you said you recorded hundreds of songs, Like, yeah,

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Speaker 1: how tough was it? Because twelve Like obviously there are

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Speaker 1: songs that are already out. Yeah, like when you put

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Speaker 1: when you when the album came out, you said, press

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Speaker 1: play from one to twelve consecutively. Yeah, that's how I

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Speaker 1: want you to listen to the album for sure. How

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Speaker 1: hard was it to keep it so tight, because you know,

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Speaker 1: it could have been twenty songs it could have been

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Speaker 1: you know, for sure, not as hard as you think,

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Speaker 1: because every song that's on the album, as soon as

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Speaker 1: I recorded it, I knew it made me feel a

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Speaker 1: certain way. I was like, yeah, I really like this one.

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Speaker 1: It was two songs that I left off the album

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Speaker 1: that I really three songs that I really really enjoyed.

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Speaker 1: I don't know if I'm going to deluxe some or

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Speaker 1: just wait and saving for a whole new like body

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Speaker 1: of work or a whole new idea, just put it

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Speaker 1: out there, whatever, but it was three songs that I

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Speaker 1: left out that I really like loved. But at one

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Speaker 1: point in time, every single song that's on the album

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Speaker 1: was like my favorite song that I made at the time,

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Speaker 1: if that makes sense. That makes sense. Yeah, And it

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Speaker 1: just they just happened to fit together. It's do that

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Speaker 1: you have to be put Freddy on the album because

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Speaker 1: you guys also did the record with NAS for Spotify?

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Speaker 1: What's that for Spotify? Life is like it was for Spotify?

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Speaker 1: Life is like a dice game, right, I'm super you

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Speaker 1: know what's crazy. I was really hoping you and Benny

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Speaker 1: would have worked together put you guys on the text

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Speaker 1: like yeah, but yeah yeah rock with Bro have to

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Speaker 1: get you and Freddie you know, to have him on

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Speaker 1: the record. How how was that, Like, how did you

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Speaker 1: guys relationship kind of grow from maybe that life is

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Speaker 1: like a dice game to you know, him hopping on

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Speaker 1: that joint. Uh. To be honest, like, I don't like

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Speaker 1: to say things are more than what they are, you

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Speaker 1: know what I'm saying. Freddy just it's always just been

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Speaker 1: a mutual respect as fellow artists and peers, and whenever

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Speaker 1: we see each other, it's just love and respect, you know.

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Speaker 1: And he seems like from you know, my interactions with him,

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Speaker 1: which haven't been like too many, but he seemed like

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Speaker 1: a stand up guy, you know what I'm saying. And

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Speaker 1: even more than that, I just knew his vocal tone

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Speaker 1: on Champagne Glasses would have sounded like really good, and

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Speaker 1: it did. For sure. He did. He delivered. He definitely

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Speaker 1: delivered on the album you talk of about you got

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Speaker 1: your Pops pressure Washer Van Yeah, yeah, which which is dope,

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Speaker 1: by the way, So explain that. So your your dad,

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Speaker 1: you set him up with a business. You hooked him

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Speaker 1: up with a little small business like tool. Yeah. Yeah,

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Speaker 1: he already had his business like going, and he didn't

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Speaker 1: and you know, he didn't like call me and asked

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Speaker 1: me anything. It's just something I wanted to sow a

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Speaker 1: seed into his business, you know. And but it's just

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Speaker 1: small things like that, that's just that makes me. That

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Speaker 1: makes what I do worthwhile to me to where I'm

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Speaker 1: able to just like, Okay, let me just sow a

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Speaker 1: seed in this business right here, invest more so like

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Speaker 1: invest into it, you know. And it's a dope thing. Yeah,

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Speaker 1: I mean, like I feel like family's obviously very important

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Speaker 1: to you. It's been a big theme of both your projects.

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Speaker 1: On Mama's Hood, you talk about your boy who you lost. Yeah,

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Speaker 1: for sure. I was just on the phone with his

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Speaker 1: mom too, literally yesterday, Juwan Ross, I was on the

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Speaker 1: phone with his mom and my bad. I was just

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Speaker 1: thinking out loud, you know, but I was just saying

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Speaker 1: like that that was like a kind of a crazy verse. Yeah.

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Speaker 1: I feel like there's so many people who probably have

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Speaker 1: been in that position where they got a friend who like,

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Speaker 1: you know, they like you know, did you like it

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Speaker 1: felt like you had some sort of guilt, Like, yeah,

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Speaker 1: for sure, survival's guilt. Yeah, I think that's a real thing,

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Speaker 1: and I think a lot of people go through that.

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Speaker 1: So to hear you talk about it and I don't

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Speaker 1: I don't think like people might have expected that from you,

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Speaker 1: because I think we look at you it's kind of like,

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Speaker 1: you know, like a not a street rapper. Yeah for sure.

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Speaker 1: Like to know that one of your best friends got

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Speaker 1: into a shootout and passed away, and like, yeah, that

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Speaker 1: made you feel it was like, you know, a pretty

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Speaker 1: vulnerable moment on the album. Was that something that like

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Speaker 1: happened and you knew right away, I gotta I gotta

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Speaker 1: make sure I share this with the world. It's it

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Speaker 1: was a kind of like therapy. Noah, it wasn't. More

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Speaker 1: so I got to share it with the world. It

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Speaker 1: just happened. I wrote that song the week, you know,

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Speaker 1: I found out he got killed, and U, this is

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Speaker 1: somebody I'm with every day in high school. We played

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Speaker 1: basketball together. Even when I go to college. You used

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Speaker 1: to always come up and visit me, and you know,

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Speaker 1: and all of these things. So when he got killed, man,

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Speaker 1: I just felt like guilty, Like, man, I could have

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Speaker 1: saved him, like I single handedly. I felt like, man,

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Speaker 1: I might as well have pulled the trigger because I

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Speaker 1: could have just saved him, you know. And when that

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Speaker 1: beat came on, it just gave me like those vibes.

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Speaker 1: And I say that to say that it's unfortunate that

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Speaker 1: it takes, you know, like I said, a lot of

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Speaker 1: my music, it's a real life experience just transmuted into

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Speaker 1: emotions and musical form, and unfortunately, sometimes it's something as

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Speaker 1: tragic as that sparks a song, you know, and yeah,

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Speaker 1: it's a crazy thing, man, It's an unfortunate part of life.

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Speaker 1: Like I lost a lot of people that I grew

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Speaker 1: up with. Rest in peace, a little Tony, Rest in peace,

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Speaker 1: Fly Brandon and one of my friends got killed in

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Speaker 1: middle school. Brandon Tony got killed right after we graduated, Juan.

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Speaker 1: And it's just so many people I grew up with,

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Speaker 1: you know, that I'm with day to day. We live

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Speaker 1: in the same neighborhood, this and that, and I'm like,

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Speaker 1: be a day later, I'm like, Damn, were just walking

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Speaker 1: home from school together. They get killed, you know, And

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Speaker 1: so it just really been bugging me because it's something

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Speaker 1: that I've gotten used to, you know, people that I'm

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Speaker 1: with every day and going to school with getting either

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Speaker 1: killed prematurely before they're eighteen years old in some cases,

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Speaker 1: or getting locked up for a super long time. And

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Speaker 1: it's something I've like grown accustomed to, it used to

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Speaker 1: to where like I may not even shed a tear,

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Speaker 1: you know, And it's not because I'm not empathetic or

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Speaker 1: I love him, I'll miss him, but because I'm just

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Speaker 1: so used to the shit, and I'm thinking it's normalized

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Speaker 1: to me. So I'm thinking it's normal. When I'm talking

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Speaker 1: to other people about they like, nah, you get desensitized. Yeah, exactly.

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Speaker 1: I mean keeping it with your homies, like talk about

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Speaker 1: how the intro and your boy Shiloh being part of

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Speaker 1: the album, how that like like kind of give people

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Speaker 1: the background on who Shiloh is, and yeah, you know

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Speaker 1: he's got the interlude and the Yeah, yeah, so shatout.

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Speaker 1: That's my brother. Like we we from and we're not blood,

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Speaker 1: but we always was with each other since day one.

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Speaker 1: So we always used to tell everybody who was brothers.

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Speaker 1: We was both like light skin or whatever, So this

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Speaker 1: is like my brother and he was rapping as well,

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Speaker 1: like before I was not before I was but at

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Speaker 1: the same time, but he was popping before I was,

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Speaker 1: and me seeing him like that close, but he was

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Speaker 1: still like super heavy in the street shit, you know.

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Speaker 1: And so me seeing him like glowing up in his

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Speaker 1: way just on some straight street. Buzz On didn't have

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Speaker 1: no manager, didn't I was his manager at one point

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Speaker 1: in time. Yeah, Yeah, I was managing him because I

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Speaker 1: just knew, like, Okay, I know how to upload shit

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Speaker 1: to like a tune corde, I know how to monetize it,

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Speaker 1: just the regular basic shit, small shit. And so me

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Speaker 1: seeing him go up that kind of a lot of times,

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Speaker 1: it just takes you seeing things, especially up close, to

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Speaker 1: understand that you can attain the same sort of things

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Speaker 1: even to a higher level. And us growing up together

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Speaker 1: and him getting locked up for twenty five twenty four years,

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Speaker 1: to be exact, for a murder, that's something that that

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Speaker 1: messed up with me psychologically because I end up blowing

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Speaker 1: up or getting on the scene or so the year

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Speaker 1: after he gets locked up. So I'm like, damn, if

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Speaker 1: I was able to, if I was at where I'm

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Speaker 1: at now, he might be in a whole different situation,

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Speaker 1: you know. But that's why I thought it was very

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Speaker 1: important to highlight where he's at, you know, on the

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Speaker 1: intro and in the loud as well, that's dope. I

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Speaker 1: was just on the phone with a matter of fact

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Speaker 1: when I came in here. Yeah, yeah, yeah, that's dope.

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Speaker 1: So when he like, yeah, I mean, how long is

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Speaker 1: he gonna be? Is he got a while? Or yeah

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Speaker 1: he got twenty four years? Shit? But we're working right now,

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Speaker 1: working with a bunch of he got a team of lawyers,

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Speaker 1: and I'm working with Robert Rooks from Reform and a

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Speaker 1: couple other guys to really put all the resources that

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Speaker 1: we have now and able to in order to get

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Speaker 1: him out, as well as my dog Mac, his cole defender,

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Speaker 1: who got thirty years, another one of my dogs. So

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Speaker 1: this is just just trying to utilize this access to

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Speaker 1: relationships I have to be able to help, especially so

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Speaker 1: close to hime. Do you with with what you know?

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Speaker 1: I feel like a lot of people during the pandemic,

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Speaker 1: during kind of what happened like in June of twenty twenty, like,

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Speaker 1: I feel like there was a lot of I feel

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Speaker 1: like there was a lot of fake wokeness, sure, a

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Speaker 1: lot of predatory you know, people were doing a lot

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Speaker 1: of posting and a lot of shit just for to

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Speaker 1: make themselves feel good. Sure it was very trendy. Absolutely, No,

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Speaker 1: that's one hundred percent all day. But you obviously ended

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Speaker 1: up getting arrested. I think my song was there, Yeah, Yeah,

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Speaker 1: was Trade there? Yeah? Yeah, Trade the Truth? Yeah. What

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Speaker 1: is your take on that? Man? Because I do feel

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Speaker 1: like we see it now right, Like there's hell of

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Speaker 1: shit that's still going on in the world, but it's

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Speaker 1: not as trendy it was because it's not as trendy

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Speaker 1: for sure. You'll see like a lot of artists like that,

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Speaker 1: like you were like, oh, a lot of people for

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Speaker 1: that matter, Like like like, what is your thought on that? Like,

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Speaker 1: you know, because as somebody who like really sacrificed their freedom, yeah,

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Speaker 1: to you know, push against injustice. You know, does it

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Speaker 1: kind of make you feel a certain type of way

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Speaker 1: when you when you kind of notice it's like there's

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Speaker 1: a lot of bullshit going on too. You know, at

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Speaker 1: first I did, because again, this is something I've been

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Speaker 1: doing since I was like a kid, and you know,

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Speaker 1: I'm far from an activist. I don't have all the answers.

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Speaker 1: I'm not perfect, but I was going to you know,

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Speaker 1: Filando Castill protests as a kid Mike Brown and as

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Speaker 1: a teenager on my own free will. And the only

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Speaker 1: difference now is actually have a platform. And I actually

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Speaker 1: got a felony from getting arrested that day, Like I

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Speaker 1: just got that removed, Like off my I couldn't even

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Speaker 1: like travel overseas or anything because I had a felony. Yeah, yeah,

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Speaker 1: I couldn't. And so I just got to remove, thank God.

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Speaker 1: And so I say all that to say, at first,

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Speaker 1: I used to get mad because I see a lot

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Speaker 1: of people just doing it because it's trendy and you know.

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Speaker 1: But I was like, you know, especially artists. You know

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Speaker 1: what the term that I use for it was. I

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Speaker 1: forgot the term I had for it, but I can't

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Speaker 1: remember off the top of the head. But I can't

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Speaker 1: really I forgot the term. I can't remember off AnyWho.

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Speaker 1: But at first I used to get real mad at like,

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00:16:17,240 --> 00:16:20,520
Speaker 1: you know, all the fake actors, activism, the fake wokeness whatever,

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00:16:20,640 --> 00:16:23,280
Speaker 1: especially from entertainers and things that nature, because I know

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00:16:23,320 --> 00:16:25,880
Speaker 1: they're doing it for their own internal benefits so that

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00:16:25,920 --> 00:16:27,600
Speaker 1: people can be like, oh, yeah, you're a real one,

338
00:16:27,680 --> 00:16:29,800
Speaker 1: you really. But then I thought about it, even if

339
00:16:29,840 --> 00:16:33,120
Speaker 1: they intentions aren't pure and coming from a real and

340
00:16:33,120 --> 00:16:36,040
Speaker 1: pure place, at least they are getting the message out

341
00:16:36,040 --> 00:16:39,080
Speaker 1: there the people that need to see it to that.

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Speaker 1: That's it. Even if you know, like even if you're

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Speaker 1: the biggest person on the planet and you don't really

344
00:16:44,760 --> 00:16:46,800
Speaker 1: believe in the cause and you're just doing it from

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00:16:46,800 --> 00:16:51,640
Speaker 1: an impure place, well, at least you're you're showcasing the

346
00:16:52,000 --> 00:16:54,280
Speaker 1: problems that we got going on in the world in

347
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Speaker 1: general to your platform to where people may be educated

348
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Speaker 1: on it want to do something about it. So I

349
00:16:59,520 --> 00:17:01,640
Speaker 1: don't get add at it, honestly no more. I used to.

350
00:17:01,720 --> 00:17:04,800
Speaker 1: And you know, it's a James Baldwin quote. To be

351
00:17:04,960 --> 00:17:09,040
Speaker 1: black in America and just somewhat aware of what's going

352
00:17:09,080 --> 00:17:14,359
Speaker 1: on is to be enraged all the time. And I

353
00:17:14,440 --> 00:17:17,280
Speaker 1: try to stay aware of everything, but I try not

354
00:17:17,320 --> 00:17:19,960
Speaker 1: to let everything get me super enraged, if that makes sense.

355
00:17:20,600 --> 00:17:23,119
Speaker 1: If you really, like, if you really pay attention to everything,

356
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Speaker 1: that you're going to be mad all the time. It's

357
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Speaker 1: gonna penetrate your peace, No, it is for sure, and

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Speaker 1: it does. Like it's hard, especially it's again survivors remorse,

359
00:17:32,119 --> 00:17:35,840
Speaker 1: as in even you know, with just my immediate circle,

360
00:17:35,920 --> 00:17:39,159
Speaker 1: but just with the whole community as a whole. You know,

361
00:17:39,200 --> 00:17:42,040
Speaker 1: you want to do everything and give as much as

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00:17:42,080 --> 00:17:45,600
Speaker 1: you can possibly to everybody, but it may not even

363
00:17:45,640 --> 00:17:49,040
Speaker 1: be possible. You know. On the project you talk a

364
00:17:49,080 --> 00:17:52,080
Speaker 1: bit about like signing like young, and you know, I

365
00:17:52,119 --> 00:17:55,680
Speaker 1: feel like you're one of the more smarter young artists

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Speaker 1: we have as far as I feel like you're very

367
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Speaker 1: self aware. Yeah, started on label high level. What you

368
00:18:01,400 --> 00:18:03,080
Speaker 1: got on your shirt right there. Appreciate you. I gotta

369
00:18:03,080 --> 00:18:06,800
Speaker 1: get you some gears. Well, you know, when you're a

370
00:18:06,880 --> 00:18:09,160
Speaker 1: kid like you, who I mean, when did you sign

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00:18:09,200 --> 00:18:15,760
Speaker 1: officially our eighteen seventeen? I believe so like nineteen. I'm

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00:18:15,840 --> 00:18:19,440
Speaker 1: assuming that, like you know, you probably have learned a

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00:18:19,520 --> 00:18:22,320
Speaker 1: lot since then, for sure our business, maybe about your

374
00:18:22,359 --> 00:18:25,040
Speaker 1: own contract, and I'm sure like with your own label,

375
00:18:25,160 --> 00:18:27,040
Speaker 1: Like what are the things that you're applying to, like

376
00:18:28,440 --> 00:18:31,880
Speaker 1: being a CEO, having a label, having an imprint that

377
00:18:31,960 --> 00:18:35,200
Speaker 1: you've learned from your own path to you know, being

378
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Speaker 1: on a major label as a as a young unproven artist.

379
00:18:38,200 --> 00:18:42,120
Speaker 1: Now for sure, just freedom, creative freedom obviously it goes

380
00:18:42,160 --> 00:18:47,600
Speaker 1: without saying, right, allow our artists to control their own destiny,

381
00:18:47,760 --> 00:18:53,359
Speaker 1: you know, and given whatever knowledge we may have or

382
00:18:53,480 --> 00:18:55,120
Speaker 1: not that we may have that me and the team

383
00:18:55,200 --> 00:18:58,719
Speaker 1: have through our you know, years of experience to the industry,

384
00:18:58,760 --> 00:19:00,200
Speaker 1: because like, I'm not ever going to say here and

385
00:19:00,240 --> 00:19:02,360
Speaker 1: pretend like I got all the answers and I know everything,

386
00:19:02,440 --> 00:19:05,000
Speaker 1: but I will give the information and knowledge that I

387
00:19:05,040 --> 00:19:09,440
Speaker 1: have and utilize even more than that, the resources, the relationships,

388
00:19:09,480 --> 00:19:11,920
Speaker 1: the roller decks that we've been able to build through

389
00:19:11,960 --> 00:19:14,600
Speaker 1: operating at the level we've been operating that and used

390
00:19:14,600 --> 00:19:17,960
Speaker 1: that to build artists. We have our own team of

391
00:19:18,000 --> 00:19:23,840
Speaker 1: in house creatives, in house videoographers, photographers, creative directors, management,

392
00:19:25,600 --> 00:19:28,360
Speaker 1: in house A and r's just and everything we want

393
00:19:28,400 --> 00:19:31,520
Speaker 1: to utilize just to build you know, not just artists, producers,

394
00:19:31,840 --> 00:19:35,760
Speaker 1: creatives in any multifascets. Yeah, do you have a Have

395
00:19:35,880 --> 00:19:38,600
Speaker 1: you signed your first artist yet? Uh? No, we haven't. No,

396
00:19:38,720 --> 00:19:41,920
Speaker 1: no noes are actively looking. Man, I'm looking like crazy,

397
00:19:42,160 --> 00:19:44,040
Speaker 1: like I can't wait to go on the road for

398
00:19:44,119 --> 00:19:47,120
Speaker 1: people to come up to me and wrap and pitch

399
00:19:47,200 --> 00:19:48,960
Speaker 1: that stuff because I don't want to. It was a

400
00:19:48,960 --> 00:19:51,320
Speaker 1: couple of artists that I was like very close to signing,

401
00:19:51,760 --> 00:19:55,520
Speaker 1: but I was kind of getting anxious, if you will,

402
00:19:55,640 --> 00:19:58,199
Speaker 1: I just wanted to sign somebody just to sign somebody,

403
00:19:58,200 --> 00:20:00,840
Speaker 1: but it would be a disservice to them. Just breathe,

404
00:20:00,960 --> 00:20:03,439
Speaker 1: take your time. It's no rush, it's no rush. The

405
00:20:03,520 --> 00:20:05,840
Speaker 1: right person will come to you. Yeah. It's always works

406
00:20:05,840 --> 00:20:07,679
Speaker 1: out that way. It always works out that way. One

407
00:20:07,760 --> 00:20:11,400
Speaker 1: hundred you you're one of the few guys in your

408
00:20:12,640 --> 00:20:17,400
Speaker 1: generation that's got two songs with Eminem. Yeah, shout out

409
00:20:17,400 --> 00:20:19,760
Speaker 1: to Eminem killed the remix on the album Thank You

410
00:20:20,520 --> 00:20:22,960
Speaker 1: killed his remix. Yeah. Either way, I'd like to point

411
00:20:22,960 --> 00:20:24,600
Speaker 1: out your manager is a crazy person. He tried to

412
00:20:24,600 --> 00:20:26,359
Speaker 1: tell me Eminem is one of the biggest club artists

413
00:20:26,359 --> 00:20:29,760
Speaker 1: of all time. Club artists, he said, he said, club Ace,

414
00:20:30,000 --> 00:20:32,400
Speaker 1: your man's burnt out. He's right in there. Yea burn

415
00:20:32,640 --> 00:20:36,240
Speaker 1: that's burn the clubs you be going to, Yeah, that's crazy.

416
00:20:36,400 --> 00:20:39,520
Speaker 1: That's not shout out to Eminem, you know. Yeah, yeah,

417
00:20:39,560 --> 00:20:42,560
Speaker 1: he he does stadiums, you know, and you're not listening

418
00:20:42,640 --> 00:20:44,760
Speaker 1: to the club I say off to say, well that

419
00:20:44,880 --> 00:20:48,360
Speaker 1: a con record, Yeah, that one that I mean, Yeah, yeah,

420
00:20:48,400 --> 00:20:51,560
Speaker 1: the Nate Doug Shake. But these are also like still

421
00:20:51,600 --> 00:20:54,600
Speaker 1: getting played now. But like you know in like you know,

422
00:20:55,160 --> 00:20:57,960
Speaker 1: bars and ship. But yeah, yeah, for sure, another story.

423
00:20:58,200 --> 00:21:01,280
Speaker 1: Nice little slight to ace. Yeah, yeah, that's he burned.

424
00:21:01,560 --> 00:21:04,959
Speaker 1: But eminem As obviously put his arm around you. Man,

425
00:21:05,000 --> 00:21:07,720
Speaker 1: he's obviously a fan of what you're doing, Like talk

426
00:21:07,720 --> 00:21:10,240
Speaker 1: about your guys' relationship and has he given you any

427
00:21:10,280 --> 00:21:14,119
Speaker 1: advice or Yeah. So right before I did the Killer

428
00:21:14,119 --> 00:21:16,760
Speaker 1: remixed for him and we had like an hour and

429
00:21:16,840 --> 00:21:20,520
Speaker 1: a half conversation about just life, about music, hip hop,

430
00:21:20,880 --> 00:21:25,160
Speaker 1: all different types of things, and you know, just he's

431
00:21:25,160 --> 00:21:28,080
Speaker 1: always been showing me genuine love and support very early on.

432
00:21:28,200 --> 00:21:31,560
Speaker 1: And you know, I appreciate all love and public support

433
00:21:31,560 --> 00:21:34,200
Speaker 1: I get because it's not like, you know, I'm signed

434
00:21:34,240 --> 00:21:36,239
Speaker 1: to him, you know, so he doesn't have to do that.

435
00:21:36,320 --> 00:21:38,600
Speaker 1: I don't ever feel entitled for anybody to show me

436
00:21:38,640 --> 00:21:41,360
Speaker 1: any love. So whatever genuine love and support I get

437
00:21:41,359 --> 00:21:46,800
Speaker 1: publicly from any from fellow peers, fellow artists, DJ's such

438
00:21:46,840 --> 00:21:50,200
Speaker 1: as yourself and your platform as well, whatever love I get,

439
00:21:50,240 --> 00:21:52,840
Speaker 1: I really appreciate that. And I say that to say

440
00:21:52,840 --> 00:21:54,640
Speaker 1: he was just showing me a lot of love publicly,

441
00:21:55,320 --> 00:21:57,960
Speaker 1: and we had a dope conversation and he was just like, man,

442
00:21:58,000 --> 00:21:59,639
Speaker 1: we just got to get some work in whatever I

443
00:21:59,760 --> 00:22:02,280
Speaker 1: seen you something, and yeah, we gotta get something in

444
00:22:02,400 --> 00:22:05,840
Speaker 1: and I'm like beat and so we probably had that

445
00:22:05,880 --> 00:22:09,000
Speaker 1: convo like June twenty twenty wow. And I didn't send

446
00:22:09,040 --> 00:22:11,439
Speaker 1: him the record for him to get on until like

447
00:22:11,720 --> 00:22:15,040
Speaker 1: February twenty twenty one, and because I was just like

448
00:22:15,320 --> 00:22:16,879
Speaker 1: I was trying to find a song for him. But

449
00:22:16,920 --> 00:22:19,360
Speaker 1: I was like, Yo, this is eminem bro. It's been

450
00:22:19,400 --> 00:22:21,920
Speaker 1: like ten months since like he told me he got

451
00:22:21,960 --> 00:22:23,560
Speaker 1: me with a record. I'm like, let me just fucking

452
00:22:23,600 --> 00:22:27,400
Speaker 1: get this shit, you know, like and no waste that opportunity.

453
00:22:28,040 --> 00:22:30,879
Speaker 1: And so I knew Parables was the one automatically because

454
00:22:30,880 --> 00:22:33,800
Speaker 1: his vocal tone fits that's slim shady all day. His

455
00:22:33,880 --> 00:22:38,400
Speaker 1: vocal tone fits that perfectly, and he has a dope thing. Honestly,

456
00:22:38,480 --> 00:22:41,280
Speaker 1: So were you intimidated to get on that remix? Like

457
00:22:41,400 --> 00:22:43,320
Speaker 1: did you like like did you did you write harder?

458
00:22:43,560 --> 00:22:48,399
Speaker 1: Does that make sense? Like? Nah? Nah? Honestly, m M

459
00:22:48,880 --> 00:22:51,320
Speaker 1: he Oh you know what I did? I did my

460
00:22:51,440 --> 00:22:54,320
Speaker 1: first verse for Killer Remix, right, I sent it over

461
00:22:54,400 --> 00:22:56,560
Speaker 1: to him am and I did it and it was

462
00:22:56,560 --> 00:22:59,840
Speaker 1: more on some like three stacks he forty type of

463
00:23:00,320 --> 00:23:02,040
Speaker 1: and then him called, he was like, y'all, I wanted

464
00:23:02,080 --> 00:23:05,159
Speaker 1: you to be like a little more like lyrical like

465
00:23:05,400 --> 00:23:07,240
Speaker 1: on some rap rap shit on it, and I'm like,

466
00:23:07,880 --> 00:23:09,879
Speaker 1: all right, cool, like whatever. So I he had me

467
00:23:10,000 --> 00:23:12,159
Speaker 1: like redo my verse on some more rap because at

468
00:23:12,160 --> 00:23:14,160
Speaker 1: first I just wanted to because you know, that song

469
00:23:14,280 --> 00:23:17,080
Speaker 1: is more like a rap rap rapord. It's more of

470
00:23:17,160 --> 00:23:19,320
Speaker 1: like a vibe sort of thing, and so that's why

471
00:23:19,359 --> 00:23:21,320
Speaker 1: I gave that. He was like, I want you to

472
00:23:21,400 --> 00:23:23,480
Speaker 1: you know, like attack it. You know. So I'm like,

473
00:23:23,520 --> 00:23:25,400
Speaker 1: all right, cool, let's try that. If I'm goin ask

474
00:23:25,440 --> 00:23:27,400
Speaker 1: you to redo your verse, redo your verse for sure,

475
00:23:27,480 --> 00:23:31,720
Speaker 1: one hundred man, if anybody you know on they song,

476
00:23:31,840 --> 00:23:34,439
Speaker 1: I haven't. I haven't ever been asked that before, but

477
00:23:34,960 --> 00:23:37,440
Speaker 1: if anybody asked me to redo it, because I asked

478
00:23:37,440 --> 00:23:39,240
Speaker 1: people to redo their verses all the time for my

479
00:23:39,359 --> 00:23:42,679
Speaker 1: song for my album. Not all the time, but I

480
00:23:42,720 --> 00:23:45,640
Speaker 1: will in a heartbeat anyone on this album that you said, hey,

481
00:23:45,640 --> 00:23:49,359
Speaker 1: can you do something different? No, actually everybody was one

482
00:23:49,440 --> 00:23:53,000
Speaker 1: and done with this, but I've done it before, like like, okay,

483
00:23:53,000 --> 00:23:57,800
Speaker 1: I like this one because I just always want to

484
00:23:57,800 --> 00:23:59,840
Speaker 1: paint the best picture. Whenever you add an artist to

485
00:23:59,840 --> 00:24:02,120
Speaker 1: your song, where you get added to another artist song,

486
00:24:02,160 --> 00:24:04,760
Speaker 1: they already got the camvus it's like what color palette

487
00:24:04,960 --> 00:24:07,720
Speaker 1: you want to add to this, you know, and vice versa.

488
00:24:07,760 --> 00:24:11,480
Speaker 1: Do you feel the burden of like being like the

489
00:24:11,600 --> 00:24:14,520
Speaker 1: young Like I feel like when you came out and

490
00:24:14,560 --> 00:24:18,359
Speaker 1: that slim shady freestyle came out, and yeah, I feel

491
00:24:18,400 --> 00:24:20,639
Speaker 1: like you were like a much needed breath of fresh

492
00:24:20,640 --> 00:24:25,439
Speaker 1: air in the climate that was twenty eighteen, twenty nineteen,

493
00:24:25,560 --> 00:24:27,520
Speaker 1: because when was that? I was a twenty nineteen eighteen

494
00:24:27,640 --> 00:24:29,439
Speaker 1: twenty eighteen. So I feel like you kind of like

495
00:24:30,280 --> 00:24:32,919
Speaker 1: infused like some fresh air that was needed in a

496
00:24:32,960 --> 00:24:35,200
Speaker 1: real in my opinion, one of the worst fucking errors

497
00:24:35,240 --> 00:24:37,680
Speaker 1: of music was like twenty seventeen, twenty eighteen. Yeah, for sure.

498
00:24:38,800 --> 00:24:41,159
Speaker 1: But do you feel the burden of being like the

499
00:24:41,280 --> 00:24:43,760
Speaker 1: chosen One, the golden Child? If you will, because I

500
00:24:43,760 --> 00:24:46,879
Speaker 1: feel like that's kind of like what I think A

501
00:24:46,880 --> 00:24:48,840
Speaker 1: lot of people look at you like that, like you're

502
00:24:49,800 --> 00:24:52,680
Speaker 1: from a younger, younger generation, one of the only people

503
00:24:52,680 --> 00:24:55,359
Speaker 1: who are really pushing like bars and pushing like you know,

504
00:24:55,440 --> 00:24:58,200
Speaker 1: I think a lot of just quality and real you

505
00:24:58,240 --> 00:25:00,200
Speaker 1: know what I mean? Do you feel that not really?

506
00:25:00,240 --> 00:25:02,879
Speaker 1: To be honest, I always just wanted to be I

507
00:25:02,960 --> 00:25:05,000
Speaker 1: just want to be me, like honestly, And it's not

508
00:25:05,080 --> 00:25:08,399
Speaker 1: like I appreciate whatever, but are you aware that people

509
00:25:08,440 --> 00:25:10,920
Speaker 1: look at you that way? I try not to think

510
00:25:10,960 --> 00:25:13,160
Speaker 1: about it too much, you know, because I don't want

511
00:25:13,200 --> 00:25:15,560
Speaker 1: to go in the studio with that approach, like, oh,

512
00:25:15,600 --> 00:25:18,200
Speaker 1: I got to be the save you save this s

513
00:25:18,520 --> 00:25:21,200
Speaker 1: to keep this ship. They're like, Nah, that's not it.

514
00:25:21,640 --> 00:25:23,760
Speaker 1: I just go in and create music. I just want

515
00:25:23,800 --> 00:25:26,000
Speaker 1: to make good music, man like at a high level,

516
00:25:26,280 --> 00:25:29,760
Speaker 1: and I value good music and good songs over just

517
00:25:29,840 --> 00:25:33,280
Speaker 1: like trying to bar bar bar bar bar rap rap rap.

518
00:25:33,359 --> 00:25:35,040
Speaker 1: You know, we always gonna I love this hip hop show,

519
00:25:35,080 --> 00:25:37,000
Speaker 1: we always gonna get the raps off. But I'm just

520
00:25:37,000 --> 00:25:40,320
Speaker 1: trying to make good music. And I say that to

521
00:25:40,359 --> 00:25:43,159
Speaker 1: say I have my own expectations. I try not to

522
00:25:43,200 --> 00:25:46,760
Speaker 1: live into or fit into anybody else's expectations because that's

523
00:25:46,800 --> 00:25:48,439
Speaker 1: not what's going to make me happy. What's gonna make

524
00:25:48,480 --> 00:25:51,240
Speaker 1: me happy is being the best person, the best artist

525
00:25:51,520 --> 00:25:54,280
Speaker 1: that I can be. What was the bigger deal for

526
00:25:54,320 --> 00:25:57,680
Speaker 1: you a Wayne feature or an m feature? Hmm, because

527
00:25:57,680 --> 00:26:01,240
Speaker 1: they're both goats for sure. I don't know. They both

528
00:26:01,320 --> 00:26:03,439
Speaker 1: were like huge for me at the time, especially when

529
00:26:03,440 --> 00:26:06,880
Speaker 1: I did the Wayne video, Like a lot of times. Man,

530
00:26:06,920 --> 00:26:09,800
Speaker 1: My my new word for this year, past six months

531
00:26:09,800 --> 00:26:11,800
Speaker 1: is just gratitude, just living in the moment more and

532
00:26:11,880 --> 00:26:15,040
Speaker 1: just infinite gratitude. Because before it would just be like

533
00:26:15,280 --> 00:26:17,120
Speaker 1: I do some crazy dope shit. I'll be like, Okay,

534
00:26:17,119 --> 00:26:19,919
Speaker 1: what's next, Let's keep it going tunnel vision. Sometimes you

535
00:26:19,920 --> 00:26:22,760
Speaker 1: get wrapped up in like just the work that you

536
00:26:22,800 --> 00:26:25,560
Speaker 1: don't even realize what you're doing. Yeah. I always tell

537
00:26:25,600 --> 00:26:28,199
Speaker 1: people sometimes you got to stop and say, Man, if

538
00:26:28,240 --> 00:26:30,959
Speaker 1: you talk to yourself five years ago, he'll be like like,

539
00:26:31,119 --> 00:26:35,120
Speaker 1: what the fuck. Nah. For sure, it's a balance because

540
00:26:35,160 --> 00:26:38,480
Speaker 1: you can't take that and get complacent and smell your

541
00:26:38,520 --> 00:26:41,080
Speaker 1: own hot horse too much, like man, I'm shit, I'm not,

542
00:26:41,320 --> 00:26:44,040
Speaker 1: you know, but you got to appreciate it absolutely. And

543
00:26:44,160 --> 00:26:46,760
Speaker 1: so one of those moments was I was at the

544
00:26:46,760 --> 00:26:49,719
Speaker 1: the Wayne video shooting. We were shooting sinister shout out,

545
00:26:50,119 --> 00:26:53,040
Speaker 1: shout out, hit boyfriend the video goat right now, yah yeah, yeah,

546
00:26:53,040 --> 00:26:56,560
Speaker 1: he been doing that joint boy, And so I'm looking

547
00:26:56,600 --> 00:27:02,040
Speaker 1: at the video and I'm like, oh, wow, Like that's Wayne,

548
00:27:02,200 --> 00:27:05,000
Speaker 1: that's Wayne, bro. That's that was the biggest thing for

549
00:27:05,119 --> 00:27:07,159
Speaker 1: this is weezy. This is arguably you can argue the

550
00:27:07,160 --> 00:27:12,159
Speaker 1: best rapper whatever, like his his that eight run like

551
00:27:12,280 --> 00:27:15,480
Speaker 1: Carter three, no ceilings. I mean we can go with

552
00:27:15,560 --> 00:27:17,439
Speaker 1: card two. We can go on for days about this

553
00:27:17,520 --> 00:27:21,320
Speaker 1: man catalog and his impact and influences. He got too

554
00:27:21,400 --> 00:27:25,280
Speaker 1: many sons, Yo, stop of the interview. Got to tell

555
00:27:25,280 --> 00:27:27,879
Speaker 1: you about our good folks at odd Socks. Man. Listen,

556
00:27:27,920 --> 00:27:30,640
Speaker 1: Go to odd socksofficial dot com. Use the promo code

557
00:27:30,640 --> 00:27:32,639
Speaker 1: twenty percent off. Save twenty percent off some of the

558
00:27:32,680 --> 00:27:35,560
Speaker 1: craziest socks. You know. They got the Ninja turtle joints. Uh,

559
00:27:35,720 --> 00:27:37,760
Speaker 1: shout out to kool Aid. You know what I'm saying,

560
00:27:37,800 --> 00:27:42,040
Speaker 1: Shout out a SpongeBob. Plus, they got the odd Socks basics.

561
00:27:43,040 --> 00:27:45,240
Speaker 1: These are my boys right here. I love these right here.

562
00:27:45,240 --> 00:27:48,480
Speaker 1: You get the plain black, the plain white, very comfortable,

563
00:27:48,720 --> 00:27:50,639
Speaker 1: most comfortable socks in the world, to be honest, you

564
00:27:50,680 --> 00:27:54,680
Speaker 1: know what I'm saying. Plus underwear, y'all cheese it draws.

565
00:27:55,440 --> 00:27:57,480
Speaker 1: Come on, what are we doing. Go to odd socksofficial

566
00:27:57,520 --> 00:28:01,040
Speaker 1: dot com, use the promo code Bootleg and save twenty

567
00:28:01,160 --> 00:28:04,800
Speaker 1: percent off the most comfortable underwear in the world. Fuck

568
00:28:04,840 --> 00:28:06,840
Speaker 1: all that other bullshit you'all be wearing on your ass.

569
00:28:06,960 --> 00:28:09,880
Speaker 1: Throw all the methicas in the trash, all that PSD shit,

570
00:28:09,960 --> 00:28:12,880
Speaker 1: all that shit is all listen, man, put the odd

571
00:28:12,920 --> 00:28:15,439
Speaker 1: socks on your ass cheeks and think me later. Was

572
00:28:15,480 --> 00:28:18,360
Speaker 1: there somebody who you wanted to get on the album

573
00:28:18,680 --> 00:28:21,680
Speaker 1: that maybe just the schedules, didn't a line or you

574
00:28:21,720 --> 00:28:23,720
Speaker 1: couldn't get it turned in on time. Yeah, that was

575
00:28:23,760 --> 00:28:27,639
Speaker 1: really close to happening. Not really, man, Everybody who I

576
00:28:27,680 --> 00:28:30,800
Speaker 1: wanted on the album is ended up on there. You know,

577
00:28:30,920 --> 00:28:33,200
Speaker 1: because as soon as I make us, even like chronicles,

578
00:28:33,240 --> 00:28:34,879
Speaker 1: as soon as I make a song, I'll be like

579
00:28:35,440 --> 00:28:37,440
Speaker 1: because most of the time I try not to put

580
00:28:37,520 --> 00:28:41,440
Speaker 1: features because it's like, when it's features, you gotta if

581
00:28:41,480 --> 00:28:43,200
Speaker 1: you want to shoot a video, you gotta work around

582
00:28:43,240 --> 00:28:47,560
Speaker 1: everybody's schedule things of that nation multiple yeah, exactly, and so,

583
00:28:49,000 --> 00:28:51,000
Speaker 1: but every song that has a feature, as soon as

584
00:28:51,040 --> 00:28:52,480
Speaker 1: I made that song, I was like, Okay, I'm gonna

585
00:28:52,480 --> 00:28:54,280
Speaker 1: get this person on it. As soon as I made today,

586
00:28:54,360 --> 00:28:57,040
Speaker 1: I'm like, I'm getting gunned on this joint. And these

587
00:28:57,080 --> 00:29:00,000
Speaker 1: just all happen to be people I got genuine relationship

588
00:29:00,040 --> 00:29:02,760
Speaker 1: ships with. So it's not like I'm paying for any feature.

589
00:29:02,800 --> 00:29:05,200
Speaker 1: By the way, it's just straight swaps you know, all

590
00:29:05,240 --> 00:29:06,760
Speaker 1: of the features on the album, you didn't have to

591
00:29:06,800 --> 00:29:08,239
Speaker 1: pay for it, didn't have to pay it down for

592
00:29:08,600 --> 00:29:11,600
Speaker 1: straight swaps respect. So it's like, hey, Lna, I got

593
00:29:11,600 --> 00:29:14,040
Speaker 1: you when you need a feature, Yeah for sure. It's

594
00:29:14,120 --> 00:29:17,120
Speaker 1: love because I feel like if it's just a money

595
00:29:17,160 --> 00:29:21,080
Speaker 1: play for somebody, like I don't even charge anybody for features. Bro,

596
00:29:21,320 --> 00:29:23,600
Speaker 1: you know what I'm saying, Like, if you're doing a feature,

597
00:29:23,600 --> 00:29:26,080
Speaker 1: its because you're genuinely fuck with the artists. Yeah for sure.

598
00:29:26,720 --> 00:29:30,920
Speaker 1: And so I say all that to say that, and

599
00:29:30,960 --> 00:29:33,240
Speaker 1: these are people I'm actually like close with and like

600
00:29:33,360 --> 00:29:36,640
Speaker 1: have like genuine relationships with for the most part, and

601
00:29:36,720 --> 00:29:40,080
Speaker 1: so like Gunn, as soon as I made Today, I'm like, Gunna,

602
00:29:40,200 --> 00:29:41,920
Speaker 1: this is the one we made that join in Australia.

603
00:29:41,920 --> 00:29:44,280
Speaker 1: As soon as I made Chronicles, I don't know why,

604
00:29:44,320 --> 00:29:45,920
Speaker 1: I was like I got to get her and Dirk

605
00:29:45,960 --> 00:29:48,840
Speaker 1: on this. You know, those are both people I'm cool with,

606
00:29:49,000 --> 00:29:52,600
Speaker 1: like mad cool with every single song. You know, With

607
00:29:52,680 --> 00:29:54,720
Speaker 1: Stevie Wonder, I ended up cooking with him for like

608
00:29:54,760 --> 00:29:57,600
Speaker 1: a week before I got him to do Harmonica. Yeah.

609
00:29:57,640 --> 00:29:59,920
Speaker 1: When you say you were cooking with Stevie Wonder for

610
00:30:00,040 --> 00:30:02,360
Speaker 1: a week, Yeah, that's crazy. So you're in this like

611
00:30:03,000 --> 00:30:05,080
Speaker 1: I'm in the studio with him in person, hanging out

612
00:30:05,080 --> 00:30:08,520
Speaker 1: with Stevie, hanging out with getting the gym, studio, getting

613
00:30:08,520 --> 00:30:11,000
Speaker 1: the gym, the real gems, the real knowledge. They don't

614
00:30:11,000 --> 00:30:13,720
Speaker 1: make them like him anymow. This is Michael. His stories

615
00:30:13,760 --> 00:30:18,120
Speaker 1: that he got about like your icon's icon, you know,

616
00:30:18,920 --> 00:30:23,000
Speaker 1: like it's just the most unimaginable thing man Like for

617
00:30:23,160 --> 00:30:26,680
Speaker 1: he talks about like Obama pulling up on him at

618
00:30:26,720 --> 00:30:29,800
Speaker 1: the studio like before he was president. You know, like

619
00:30:30,000 --> 00:30:32,960
Speaker 1: his story is just different. Bro, No, he's talking about

620
00:30:32,960 --> 00:30:35,360
Speaker 1: Little Mike, you know, like, yeah, I remember one time

621
00:30:35,400 --> 00:30:38,160
Speaker 1: I was in there with Bro, what what was the

622
00:30:38,200 --> 00:30:41,479
Speaker 1: Little Mike's story? It wasn't. He just brings up like

623
00:30:41,640 --> 00:30:45,160
Speaker 1: small like things like like he's Michael Jackson's big homie.

624
00:30:45,480 --> 00:30:48,120
Speaker 1: That's so crazy. You gotta think that this is Michael

625
00:30:48,200 --> 00:30:52,640
Speaker 1: Jackson's big homie and now he's your big homie. Good company?

626
00:30:53,000 --> 00:30:56,080
Speaker 1: Hergo connection? Was he like just a fan of yours?

627
00:30:56,120 --> 00:30:57,920
Speaker 1: Like like that's a you know what's crazy because I've

628
00:30:57,920 --> 00:31:02,400
Speaker 1: seen Stevie Wonder pop out before, I want to say,

629
00:31:02,680 --> 00:31:06,120
Speaker 1: at a Anderson Pact show, Oh do, but he's out

630
00:31:06,320 --> 00:31:08,400
Speaker 1: like you I've seen Stevie Wonder three or four times

631
00:31:08,400 --> 00:31:10,880
Speaker 1: like a random ship, and I'd just be like, yeah,

632
00:31:10,920 --> 00:31:13,640
Speaker 1: he lived life, brother, he's living He lived a good life.

633
00:31:13,720 --> 00:31:15,840
Speaker 1: But he just was up on like like how did

634
00:31:15,880 --> 00:31:18,960
Speaker 1: that happen? Like so somebody from his team reached out

635
00:31:19,240 --> 00:31:22,000
Speaker 1: to somebody on my team to Dallas, I believe, shout

636
00:31:22,000 --> 00:31:25,480
Speaker 1: out Dallas and they was like, yo, like Stevie want

637
00:31:25,520 --> 00:31:27,560
Speaker 1: to like lock in with Corda And I was like,

638
00:31:28,040 --> 00:31:31,120
Speaker 1: what Dondal Dundale. So I pulled up on him and

639
00:31:31,160 --> 00:31:33,240
Speaker 1: we just started out. He had me work on the

640
00:31:33,280 --> 00:31:39,080
Speaker 1: record for his and Blase Bla, so we're working on

641
00:31:39,200 --> 00:31:41,280
Speaker 1: this can't put in the hands of Faith. We're working

642
00:31:41,320 --> 00:31:45,120
Speaker 1: on his record, and like day two or three, he's like, Yo,

643
00:31:45,120 --> 00:31:49,080
Speaker 1: if you want me something on your album, then I

644
00:31:49,120 --> 00:31:51,400
Speaker 1: got you. And I'm like I had my laptop and

645
00:31:51,480 --> 00:31:53,800
Speaker 1: my hard drive with me like say less, I was like, yo,

646
00:31:53,840 --> 00:31:56,360
Speaker 1: can I get you to play harmonica on this? Because

647
00:31:56,360 --> 00:32:00,000
Speaker 1: I like using people's like almost if you know Steve,

648
00:32:00,040 --> 00:32:01,920
Speaker 1: you want to you know him playing harmonica isn't a

649
00:32:02,000 --> 00:32:04,800
Speaker 1: hidden talent, but to like the average just music person,

650
00:32:04,800 --> 00:32:07,920
Speaker 1: they may not know him playing harmonica. Same with like

651
00:32:08,240 --> 00:32:10,440
Speaker 1: j Cole gave him to produce on him to make

652
00:32:10,480 --> 00:32:13,040
Speaker 1: a beat. You know, like I like using people's hitting

653
00:32:13,040 --> 00:32:16,280
Speaker 1: talents and and and highlighting him and so I say

654
00:32:16,280 --> 00:32:18,800
Speaker 1: that to say, yeah, just locking in with him, like

655
00:32:18,840 --> 00:32:20,920
Speaker 1: it's crazy, Like he just matter of fact he called

656
00:32:20,920 --> 00:32:24,480
Speaker 1: me to day the album drop. He facetimed me and yeah,

657
00:32:24,920 --> 00:32:26,920
Speaker 1: I'm not even trying to speak in my truth. May

658
00:32:27,080 --> 00:32:29,520
Speaker 1: speaking my truth. It's an interesting way for Stevie Wonder

659
00:32:29,560 --> 00:32:32,560
Speaker 1: to call somebody his FaceTime. He uses it pretty adept.

660
00:32:32,640 --> 00:32:34,720
Speaker 1: I didn't believe he was blind when I first met him.

661
00:32:34,840 --> 00:32:37,239
Speaker 1: I feel like when you he's been as blind as

662
00:32:37,280 --> 00:32:39,600
Speaker 1: he's been, like as long he's just been for sure,

663
00:32:39,680 --> 00:32:42,840
Speaker 1: he knows how to move. Yeah, for sure, he's definitely

664
00:32:42,840 --> 00:32:47,080
Speaker 1: blind by the way, but he's like super It's not

665
00:32:47,120 --> 00:32:49,600
Speaker 1: a crutch for him. It's just like Daredevil kind of

666
00:32:49,680 --> 00:32:53,240
Speaker 1: like on Netflix. You're like, this guy is not blind, Like, yeah, no,

667
00:32:53,360 --> 00:32:56,040
Speaker 1: he's just he's been blind for he's seventy years. I

668
00:32:56,080 --> 00:32:58,000
Speaker 1: don't know when he went blind, but he's been blind

669
00:32:58,000 --> 00:32:59,920
Speaker 1: for a long time. It probably also helps that he

670
00:33:00,120 --> 00:33:02,520
Speaker 1: was once not blind. And he's a rich blond man

671
00:33:02,800 --> 00:33:05,520
Speaker 1: rich blind like super rich. If you're gonna be blind.

672
00:33:05,520 --> 00:33:08,040
Speaker 1: You gotta be rich blind. So it's like it's so

673
00:33:08,240 --> 00:33:10,880
Speaker 1: much probably like in mind you this is just like

674
00:33:11,800 --> 00:33:15,040
Speaker 1: me inferring, me guessing. It's probably like so much technology

675
00:33:15,080 --> 00:33:17,479
Speaker 1: he has like access to to make him being blind

676
00:33:17,520 --> 00:33:20,600
Speaker 1: like super easy because he's just like filthy rich, you know,

677
00:33:21,240 --> 00:33:25,440
Speaker 1: so for real. So shout out to Stevie Wooder. You

678
00:33:25,640 --> 00:33:27,880
Speaker 1: I saw you allude that you you have an unreleased

679
00:33:27,920 --> 00:33:32,120
Speaker 1: Juice WRLD song. Yeah I do, yeah you obviously I

680
00:33:32,160 --> 00:33:35,480
Speaker 1: remember when that tour happened. Yeah, it was like super

681
00:33:35,520 --> 00:33:37,920
Speaker 1: early on, super early on. I feel like you didn't

682
00:33:37,920 --> 00:33:39,960
Speaker 1: even I don't even know if the WHITEBN mixtape was

683
00:33:39,960 --> 00:33:42,440
Speaker 1: out yet. No it wasn't. It sure wasn't. And it's

684
00:33:42,560 --> 00:33:47,000
Speaker 1: like all I had was three songs, all short, and

685
00:33:47,080 --> 00:33:50,320
Speaker 1: two of them was damn freestyles, you know yeah, and

686
00:33:51,080 --> 00:33:53,320
Speaker 1: that whole set was unreleased. But man, that was like

687
00:33:53,840 --> 00:33:57,320
Speaker 1: it's some real historical ship because just looking just at

688
00:33:57,320 --> 00:34:00,320
Speaker 1: my what I've done or just that's something all gonna

689
00:34:00,320 --> 00:34:01,760
Speaker 1: be able to tell my kids, Like mam, my first

690
00:34:01,800 --> 00:34:03,960
Speaker 1: time ever tour was on I was Torn with Juice

691
00:34:03,960 --> 00:34:05,800
Speaker 1: World and Juice This is his first tour too, So

692
00:34:05,880 --> 00:34:09,439
Speaker 1: this is both of all first time first, like being

693
00:34:09,480 --> 00:34:12,560
Speaker 1: that motherfucker like that was the first tour ever. Yeah,

694
00:34:12,560 --> 00:34:14,680
Speaker 1: it happened fast for him for sure. That was first

695
00:34:14,719 --> 00:34:16,759
Speaker 1: tour ever. So it was clever on that tour. No,

696
00:34:16,920 --> 00:34:20,799
Speaker 1: he wasn't clever. It was me Juice World and Little Mosey. Wow.

697
00:34:21,080 --> 00:34:23,880
Speaker 1: And I'll just be looking back even at like the

698
00:34:23,960 --> 00:34:27,560
Speaker 1: Marquis like Juice World cord under it, you know what

699
00:34:27,560 --> 00:34:32,120
Speaker 1: I'm saying. And so I say that to say, yeah,

700
00:34:32,120 --> 00:34:34,239
Speaker 1: we do. We definitely got to unreleased in a song

701
00:34:34,320 --> 00:34:37,640
Speaker 1: that you are interested in even releasing or in the

702
00:34:37,719 --> 00:34:40,080
Speaker 1: future probably you know. I never wanted like when he

703
00:34:40,239 --> 00:34:42,200
Speaker 1: came out. It wasn't like, man, I gotta put this

704
00:34:42,600 --> 00:34:46,080
Speaker 1: funny enough. Man. Our last text between each other was

705
00:34:46,160 --> 00:34:50,480
Speaker 1: like about the song, you know. And I say all

706
00:34:50,480 --> 00:34:52,680
Speaker 1: that to say that, you know, when he passed, it

707
00:34:52,719 --> 00:34:55,279
Speaker 1: wasn't like it's not something I want to capitalize on

708
00:34:55,400 --> 00:34:57,440
Speaker 1: and drop this record because I know it's going to

709
00:34:57,520 --> 00:35:01,520
Speaker 1: be it's gonna go up. Yeah. Yeah, one is a

710
00:35:01,560 --> 00:35:06,319
Speaker 1: great song, by the way. Two it's on some rap ship.

711
00:35:06,600 --> 00:35:10,319
Speaker 1: But I never wanted to like capitalize off of friend's death.

712
00:35:10,320 --> 00:35:13,520
Speaker 1: So if it never comes out, like, I'm cool with that.

713
00:35:13,640 --> 00:35:16,880
Speaker 1: He's yeah, he's rapping, like trying to tell people like

714
00:35:17,320 --> 00:35:20,360
Speaker 1: Juice WRLD was like one of the nicest still ill

715
00:35:20,680 --> 00:35:23,640
Speaker 1: like crazy. He chose to be like a fucking dude

716
00:35:23,680 --> 00:35:28,600
Speaker 1: the super hits like Gollly like Male off the Dome

717
00:35:28,680 --> 00:35:30,680
Speaker 1: we be Like. I remember when he came in freestyle

718
00:35:30,719 --> 00:35:33,040
Speaker 1: for me in head, I was just like floored. I

719
00:35:33,120 --> 00:35:36,080
Speaker 1: was like Jesus Christ, like this guy's you gotta tell

720
00:35:36,120 --> 00:35:38,520
Speaker 1: him to stop. He's a savant. You gotta tell him

721
00:35:38,560 --> 00:35:41,520
Speaker 1: to stop because you gonna keep going. But like I said,

722
00:35:41,520 --> 00:35:44,000
Speaker 1: it's just something that's more so like for my memories

723
00:35:44,040 --> 00:35:47,719
Speaker 1: and for the archives, and you know, God willing if

724
00:35:47,960 --> 00:35:52,800
Speaker 1: you know obviously when when it comes to postmis releasing

725
00:35:52,920 --> 00:35:55,600
Speaker 1: music whenever that time comes from. So why did you

726
00:35:55,640 --> 00:35:57,120
Speaker 1: said that that word right? Because I don't know how

727
00:35:57,120 --> 00:35:58,600
Speaker 1: to say it. Every time I read it, I don't

728
00:35:58,600 --> 00:36:01,200
Speaker 1: know if I said it coactly postmiss. Yeah, I don't

729
00:36:01,200 --> 00:36:04,200
Speaker 1: know how to. I honestly might have mispronounced it. Who knows. Yeah,

730
00:36:04,200 --> 00:36:06,839
Speaker 1: the comments let us we'll find out later. But yeah,

731
00:36:06,880 --> 00:36:08,640
Speaker 1: it's never something I want to be like I'm gonna

732
00:36:08,640 --> 00:36:10,480
Speaker 1: just release this. It might come out years from now,

733
00:36:10,520 --> 00:36:12,600
Speaker 1: I might not ever come out. You know, I'm just

734
00:36:12,760 --> 00:36:15,440
Speaker 1: always it's something that's the sacred to me, more than

735
00:36:15,440 --> 00:36:18,720
Speaker 1: anything more than JOHNA just you know, capitalize off of friends.

736
00:36:19,000 --> 00:36:21,840
Speaker 1: You are a part of like a generation of artists

737
00:36:21,840 --> 00:36:26,120
Speaker 1: where your peers are dying, are dying for sure at

738
00:36:26,160 --> 00:36:28,120
Speaker 1: like a rate that we've never seen in hip hop?

739
00:36:28,320 --> 00:36:32,759
Speaker 1: Is this more than like that ninety six ninety eight era? Right? Yeah,

740
00:36:32,800 --> 00:36:35,239
Speaker 1: for sure, it's not even close. Yeah, it's not even close. No,

741
00:36:35,440 --> 00:36:38,839
Speaker 1: for sure, Like does that like you know, I mean

742
00:36:38,840 --> 00:36:41,719
Speaker 1: I always tell like I have some close friends that

743
00:36:41,840 --> 00:36:43,879
Speaker 1: I you know, I'll just be like, yo, you gotta

744
00:36:43,960 --> 00:36:45,680
Speaker 1: chill cause like I don't want to wake up one

745
00:36:45,760 --> 00:36:47,200
Speaker 1: day and like you're out of town and you get

746
00:36:47,200 --> 00:36:50,160
Speaker 1: shot or something like, yeah, it's fucked up. It's a

747
00:36:50,239 --> 00:36:53,880
Speaker 1: wild time. Like and I feel like you're like I,

748
00:36:53,960 --> 00:36:55,160
Speaker 1: like I said, like you're kind of one of the

749
00:36:55,160 --> 00:36:59,640
Speaker 1: bright lights in our culture where it's like you're not

750
00:37:00,920 --> 00:37:05,000
Speaker 1: promoting certain things, You're you're not in the lot of bullshit,

751
00:37:05,120 --> 00:37:07,080
Speaker 1: you're not stirring up shit on the internet, you're not

752
00:37:07,120 --> 00:37:10,880
Speaker 1: talking about drug use shit like that. But like, like

753
00:37:11,120 --> 00:37:14,400
Speaker 1: is it like you know, these are your peers, these

754
00:37:14,400 --> 00:37:16,839
Speaker 1: are people you know, these are people who you've seen

755
00:37:16,840 --> 00:37:20,920
Speaker 1: at parties, Like yeah, for sure. It's sad because nobody

756
00:37:20,960 --> 00:37:23,959
Speaker 1: can relate to you like other artists can. We all

757
00:37:23,960 --> 00:37:27,480
Speaker 1: are our peers, like you said, we all appears and

758
00:37:27,560 --> 00:37:31,359
Speaker 1: coworkers in this ecosystem of music, and so to see

759
00:37:31,400 --> 00:37:36,600
Speaker 1: people that you're on like early shows we've done early towards,

760
00:37:36,600 --> 00:37:39,800
Speaker 1: whether you've seen them at festivals or you know, Juice

761
00:37:39,800 --> 00:37:42,640
Speaker 1: World was the only one I was like really like

762
00:37:42,760 --> 00:37:46,120
Speaker 1: genuine close with in a real real way, like really

763
00:37:46,160 --> 00:37:48,920
Speaker 1: my like one of my closest friends. But just seeing

764
00:37:49,120 --> 00:37:52,439
Speaker 1: you know, like the Doph situation that broke my heart

765
00:37:53,640 --> 00:37:56,480
Speaker 1: and how many other set I can't even think of

766
00:37:56,520 --> 00:37:58,840
Speaker 1: everybody at the top of my head, you know, crazy,

767
00:37:58,960 --> 00:38:02,000
Speaker 1: it's crazy. Yeah, It's like it feels like once every

768
00:38:02,080 --> 00:38:05,320
Speaker 1: like sixty days, it's like, what the fuck, what is happening?

769
00:38:05,360 --> 00:38:08,560
Speaker 1: It's a wild time, man, that's ridiculous. So there is

770
00:38:08,600 --> 00:38:11,719
Speaker 1: going to be a Deluxe possibly possibly, I don't know

771
00:38:11,760 --> 00:38:14,680
Speaker 1: everybody the Deluxe these days. Yeah, yeah, you know what's funny,

772
00:38:14,760 --> 00:38:16,760
Speaker 1: I don't know. I was going to do a Lost

773
00:38:16,800 --> 00:38:19,680
Speaker 1: Boy Deluxe like way way like when it first dropped

774
00:38:19,680 --> 00:38:21,640
Speaker 1: before everybody, Well, I can't even say, because people have

775
00:38:21,640 --> 00:38:24,120
Speaker 1: been doing deluxes for thirty five years. But I think

776
00:38:24,200 --> 00:38:26,439
Speaker 1: UZI kind of kicked off this new deluxe. Yeah, yeah,

777
00:38:26,440 --> 00:38:30,160
Speaker 1: for sure, it definitely did one hundred percent. And I

778
00:38:30,160 --> 00:38:32,080
Speaker 1: don't know, man, I kind of just like letting the

779
00:38:32,320 --> 00:38:34,960
Speaker 1: idea and the project just be an idea and what

780
00:38:35,000 --> 00:38:36,800
Speaker 1: it is as a complete body of work and just

781
00:38:37,640 --> 00:38:40,640
Speaker 1: going into something new. But I'm not sure, honestly, I

782
00:38:40,640 --> 00:38:44,200
Speaker 1: don't know. You've had a lot of big moments in

783
00:38:44,239 --> 00:38:46,840
Speaker 1: your career. You've been on records with the big people,

784
00:38:46,880 --> 00:38:49,480
Speaker 1: You've performed all the awards. I mean, you've had some

785
00:38:49,600 --> 00:38:52,120
Speaker 1: huge moments. What was the one moment that you can

786
00:38:52,200 --> 00:38:54,600
Speaker 1: reflect on that you felt either the most nervous or

787
00:38:54,600 --> 00:38:56,919
Speaker 1: where you really had to like kind of pinch yourself like, shit,

788
00:38:57,040 --> 00:38:59,080
Speaker 1: this is actually about to happen, or this is happening.

789
00:38:59,360 --> 00:39:00,960
Speaker 1: You know what? Man? It was probably the day I

790
00:39:01,000 --> 00:39:05,920
Speaker 1: got the Best Rap Album Grammy nomination, like Dad was

791
00:39:06,040 --> 00:39:08,520
Speaker 1: in and I can't wait to win them things in

792
00:39:08,560 --> 00:39:11,799
Speaker 1: the future, Like you know, nominations are great infinite gratitude,

793
00:39:11,840 --> 00:39:15,280
Speaker 1: but I'm gonna win them things. And were you nominated

794
00:39:15,320 --> 00:39:21,000
Speaker 1: alongside it was me? Tyler the Creator? Yeah, ego won it. Yep,

795
00:39:21,520 --> 00:39:23,920
Speaker 1: I wasn't. I think he should have won Album of

796
00:39:23,960 --> 00:39:26,360
Speaker 1: a Year, like you know, I'm not. I wasn't on

797
00:39:26,960 --> 00:39:30,000
Speaker 1: what he said after those awards is true, like yeah,

798
00:39:30,160 --> 00:39:31,960
Speaker 1: they should. They kind of just bunched them in with

799
00:39:32,040 --> 00:39:34,000
Speaker 1: hip hop. I mean, yeah, for sure, it wasn't a

800
00:39:34,080 --> 00:39:36,800
Speaker 1: rap album. It was a great album by the way, amazing,

801
00:39:37,120 --> 00:39:39,000
Speaker 1: amazing album. You should have won Album of a Year,

802
00:39:39,120 --> 00:39:41,799
Speaker 1: like for sure. And but I was happy to see

803
00:39:41,880 --> 00:39:43,600
Speaker 1: him win because he earned it. He's been in the

804
00:39:43,640 --> 00:39:45,680
Speaker 1: game for a minute. It was his time, you know.

805
00:39:47,400 --> 00:39:49,239
Speaker 1: And I was just like the wall, I just gotta

806
00:39:49,239 --> 00:39:51,280
Speaker 1: pay my dues, bro, Like he doesn't pay his dues.

807
00:39:51,320 --> 00:39:53,640
Speaker 1: He didn't put out great albums that didn't get recognized,

808
00:39:53,680 --> 00:39:55,360
Speaker 1: so it was just his time. But I think he

809
00:39:55,360 --> 00:39:57,680
Speaker 1: should have won at the highest level, which is Album

810
00:39:57,680 --> 00:40:03,000
Speaker 1: of a Year. I agree. And so yeah, like I

811
00:40:03,280 --> 00:40:05,759
Speaker 1: sailed that to say, probably getting nominated for Best Rap

812
00:40:05,800 --> 00:40:08,799
Speaker 1: Album at that I just remember, that's the most like

813
00:40:08,880 --> 00:40:11,200
Speaker 1: I lived in the moment. I was already on vacation

814
00:40:11,360 --> 00:40:13,680
Speaker 1: at the time. I was in Turks and Kko's and

815
00:40:13,719 --> 00:40:18,200
Speaker 1: then I watched like them announcing the Grammy nominations, and

816
00:40:18,760 --> 00:40:21,080
Speaker 1: I remember because they said my name last because they

817
00:40:21,080 --> 00:40:23,359
Speaker 1: say it in alphabetical order, so I heard the first

818
00:40:23,480 --> 00:40:25,520
Speaker 1: four names and then I ain't hit my name and

819
00:40:26,840 --> 00:40:30,640
Speaker 1: yeah exactly, and so Yan I was like because I thought,

820
00:40:30,760 --> 00:40:32,400
Speaker 1: I was like, I thought I wouldn't go because I

821
00:40:32,440 --> 00:40:33,960
Speaker 1: just knew I was going to get it for sure.

822
00:40:33,960 --> 00:40:36,680
Speaker 1: I knew I was gonna get it. And then when

823
00:40:36,719 --> 00:40:38,719
Speaker 1: they said my name, lad my heart sung. When I

824
00:40:38,760 --> 00:40:41,160
Speaker 1: think my name didn't get called it and I heard it,

825
00:40:41,200 --> 00:40:43,640
Speaker 1: I'm like, let's fucking go. I didn't even care about

826
00:40:43,640 --> 00:40:47,520
Speaker 1: the Best Rap Song nomination. I just wanted that album album.

827
00:40:48,040 --> 00:40:51,719
Speaker 1: That's what mattered. Bodies of work you want to be.

828
00:40:52,360 --> 00:40:55,799
Speaker 1: You know, people get Best Rap Song and nominations all

829
00:40:55,840 --> 00:40:57,600
Speaker 1: the time, but best Rap Album that's a big deal

830
00:40:57,719 --> 00:40:59,880
Speaker 1: now for sure, especially up against you know, like A

831
00:41:00,080 --> 00:41:02,880
Speaker 1: Coler and things of that nature. So I was like

832
00:41:03,560 --> 00:41:05,920
Speaker 1: that that was probably the most like I lived in

833
00:41:06,000 --> 00:41:09,200
Speaker 1: the moment, saw the moment for me. What were your expectations,

834
00:41:09,280 --> 00:41:12,160
Speaker 1: because there's your first week numbers are out right. Yeah,

835
00:41:12,200 --> 00:41:14,160
Speaker 1: it's just like a narrative that you know it might

836
00:41:14,160 --> 00:41:17,359
Speaker 1: have underperformed. How do you feel about that whole conversation? Man,

837
00:41:17,360 --> 00:41:21,480
Speaker 1: it's funny, man, because like, I don't I took the

838
00:41:21,560 --> 00:41:24,799
Speaker 1: label off anyway. I don't give a ship to Ralph's Water, right,

839
00:41:24,800 --> 00:41:27,000
Speaker 1: all right, that's what you got me drinking keviv. What

840
00:41:27,040 --> 00:41:29,680
Speaker 1: if it now fucking with you? Water's water baby? No

841
00:41:29,760 --> 00:41:32,319
Speaker 1: pH levels in this. But it's all good. It's all good.

842
00:41:32,360 --> 00:41:34,960
Speaker 1: I used to order like seven eleven water from Postmates

843
00:41:35,000 --> 00:41:37,680
Speaker 1: just from like just pure laziness of not going AnyWho.

844
00:41:37,719 --> 00:41:40,400
Speaker 1: That's a whole different story. But you know, with the

845
00:41:40,440 --> 00:41:44,120
Speaker 1: first week things, like, I'm at the the point of

846
00:41:44,160 --> 00:41:46,279
Speaker 1: my career to where I'm not worried about no first

847
00:41:46,280 --> 00:41:48,760
Speaker 1: week numbers and I know it's fucking oh he's saying

848
00:41:48,760 --> 00:41:50,360
Speaker 1: that because of now it's I said this with my

849
00:41:50,440 --> 00:41:53,200
Speaker 1: last album. I said it from the very beginning, you know,

850
00:41:53,360 --> 00:41:55,960
Speaker 1: like I'm not pressed about no ship like that. You know,

851
00:41:55,960 --> 00:41:58,360
Speaker 1: I'm worried about what my tour is going to do

852
00:41:58,400 --> 00:42:00,840
Speaker 1: because I'm a torn artist, you know. Oh, so I

853
00:42:00,960 --> 00:42:03,399
Speaker 1: make music to perform it. So when if my tour

854
00:42:03,480 --> 00:42:05,879
Speaker 1: is sold out off the album, then I know it's

855
00:42:05,880 --> 00:42:09,400
Speaker 1: done what it's supposed to do. And again, I waited

856
00:42:09,719 --> 00:42:12,200
Speaker 1: two and a half years in between it without like

857
00:42:12,280 --> 00:42:14,720
Speaker 1: any touring and not this ain't no excuse or anything.

858
00:42:14,760 --> 00:42:17,520
Speaker 1: I'm just saying, like, I make music to tour, So

859
00:42:17,560 --> 00:42:20,600
Speaker 1: as long as my tours are sold out and my

860
00:42:20,719 --> 00:42:23,439
Speaker 1: merch and people are like loving the music, That's what

861
00:42:23,480 --> 00:42:25,759
Speaker 1: I cared the most about. You know? Is it cause

862
00:42:25,840 --> 00:42:30,200
Speaker 1: like there is a truth right to artists these days

863
00:42:30,239 --> 00:42:32,719
Speaker 1: in major situations for the most part, do you make

864
00:42:32,920 --> 00:42:35,080
Speaker 1: your money? I mean we're gonna get to how you

865
00:42:35,080 --> 00:42:39,200
Speaker 1: made seven million dollars okay, allegedly, allegedly without dropping a

866
00:42:39,239 --> 00:42:42,840
Speaker 1: fucking song, but no, but like in general, you know,

867
00:42:43,040 --> 00:42:46,279
Speaker 1: yg was just talking about on he was doing the

868
00:42:46,280 --> 00:42:48,440
Speaker 1: Barbershop Talk with Lebron and he was saying how he

869
00:42:48,440 --> 00:42:50,279
Speaker 1: hasn't seen a cent off of any of his album

870
00:42:50,360 --> 00:42:53,000
Speaker 1: sales this whole time he's been on death Chat. Yeah,

871
00:42:53,080 --> 00:42:56,920
Speaker 1: So is it like, is it indeed like you're touring

872
00:42:57,000 --> 00:43:01,839
Speaker 1: your merch, your endorsement situation? Yeah, Puma Coulture, Yeah, you're

873
00:43:01,880 --> 00:43:05,120
Speaker 1: fucking everywhere. You know what I'm saying, you appreciate it?

874
00:43:05,200 --> 00:43:07,200
Speaker 1: Is that really where you're you're getting your bread and

875
00:43:07,239 --> 00:43:11,880
Speaker 1: butter financially for sure, unless you were like fully independent

876
00:43:11,920 --> 00:43:14,600
Speaker 1: and you own your masters, like you're going to get

877
00:43:14,640 --> 00:43:18,600
Speaker 1: most of your majority of your bread from uh, you know,

878
00:43:18,680 --> 00:43:23,200
Speaker 1: to out other entities. Do you own your masters? Nope, No,

879
00:43:23,280 --> 00:43:26,040
Speaker 1: not yet, not yet. That's what I was kind of

880
00:43:26,080 --> 00:43:29,040
Speaker 1: alluding to earlier, because you're when you sign men sign

881
00:43:29,120 --> 00:43:31,799
Speaker 1: young like you signed early. Yeah, for sure. So I

882
00:43:31,800 --> 00:43:36,120
Speaker 1: feel like you've already kind of leveled up where you

883
00:43:36,200 --> 00:43:38,480
Speaker 1: where you are mentally and kind of understood how I

884
00:43:38,600 --> 00:43:40,520
Speaker 1: own a percentage of them, but I don't. You own

885
00:43:40,640 --> 00:43:45,840
Speaker 1: your masters is like you percent und so the next

886
00:43:45,880 --> 00:43:48,560
Speaker 1: go round, that's got to be in the deal, right, Yeah,

887
00:43:48,600 --> 00:43:51,279
Speaker 1: for sure. I gotta. Look, I don't want to misquote

888
00:43:51,360 --> 00:43:54,120
Speaker 1: you know what my situation is anything, but I gotta

889
00:43:54,200 --> 00:43:56,319
Speaker 1: But it's on the way all the way. Would you

890
00:43:56,480 --> 00:43:59,239
Speaker 1: with the way the industry is kind of moving and

891
00:43:59,280 --> 00:44:02,040
Speaker 1: you're seeing like a lot of artists have real success independently,

892
00:44:02,280 --> 00:44:04,520
Speaker 1: would that be ever a route that you would explore

893
00:44:04,560 --> 00:44:07,439
Speaker 1: in the future. I don't know, honestly. I really fuck

894
00:44:07,520 --> 00:44:12,239
Speaker 1: with Atlantic Records, you know, at this point in time, right,

895
00:44:12,560 --> 00:44:15,720
Speaker 1: But I say that to say I really fuck with them, honestly,

896
00:44:15,920 --> 00:44:18,760
Speaker 1: Like it's high level under Atlantic. Now it's a whole separate,

897
00:44:18,760 --> 00:44:21,840
Speaker 1: instantly separate. Yeah. Yeah, Like I got full control on

898
00:44:21,880 --> 00:44:26,200
Speaker 1: my own ship. Like creative control on everything. It's like

899
00:44:26,480 --> 00:44:28,880
Speaker 1: they just do they just put it out honestly, you know.

900
00:44:29,200 --> 00:44:33,080
Speaker 1: They they're enthusiastic about your ship. Like like I talked

901
00:44:33,080 --> 00:44:35,640
Speaker 1: to everybody over there, so everyone's always talking about your ship.

902
00:44:35,719 --> 00:44:37,840
Speaker 1: Yeah for sure, And that's why I signed with Atlantic,

903
00:44:37,960 --> 00:44:42,440
Speaker 1: because that enthusiasm and that excitement and passion, you know what.

904
00:44:42,600 --> 00:44:46,080
Speaker 1: Julie Greenwald, Mike Causer, Dallas, so many other plan Rey,

905
00:44:47,400 --> 00:44:50,520
Speaker 1: so many Craig Common, all those people over there there

906
00:44:50,560 --> 00:44:54,880
Speaker 1: were like, you know, really enthusiastic and really excited about everything.

907
00:44:55,520 --> 00:44:58,520
Speaker 1: And so I say all that to say that I

908
00:44:58,840 --> 00:45:03,040
Speaker 1: like why, I'm honestly not even though no like politically

909
00:45:03,040 --> 00:45:05,800
Speaker 1: correct shit. It's like if it wasn't, i'd say it. Yeah.

910
00:45:06,080 --> 00:45:09,439
Speaker 1: Twenty twenty two, the album is out, Uh fucking you're

911
00:45:09,440 --> 00:45:13,239
Speaker 1: doing Coch Yep. The pandemic is still kind of going on. Yep,

912
00:45:13,760 --> 00:45:16,359
Speaker 1: we're still in the pandemic. Yeah. No, it's wild, Yeah,

913
00:45:16,480 --> 00:45:19,000
Speaker 1: one hundred percent. We just like, all right, it's just

914
00:45:19,040 --> 00:45:22,560
Speaker 1: because the for economic reasons that were not shut down. No,

915
00:45:22,600 --> 00:45:24,600
Speaker 1: for sure we should be shut down. If we were

916
00:45:24,600 --> 00:45:27,560
Speaker 1: still shut down, it might be the end of America

917
00:45:27,640 --> 00:45:31,360
Speaker 1: for sure, Like finance for sure. All the way, there'd

918
00:45:31,360 --> 00:45:33,919
Speaker 1: be so many people killing themselves and you know it'd

919
00:45:33,920 --> 00:45:37,200
Speaker 1: be done. I'd be pissed off personally. Yeah, I feel like, like, god,

920
00:45:37,280 --> 00:45:41,319
Speaker 1: damn I toured, Like, yeah, it's crazy. Are you? Are

921
00:45:41,320 --> 00:45:42,879
Speaker 1: you going to tour the album? Yeah? Yeah, I got

922
00:45:42,880 --> 00:45:44,480
Speaker 1: I tour in two weeks. It starts in two weeks.

923
00:45:44,880 --> 00:45:47,920
Speaker 1: Starts in two weeks. Who's opening I'm not sure yet. Honestly,

924
00:45:48,000 --> 00:45:49,560
Speaker 1: Oh shit, well, I mean for two weeks away. You

925
00:45:49,640 --> 00:45:51,440
Speaker 1: might want to figure that shit out. Absolutely. I was

926
00:45:51,440 --> 00:45:55,600
Speaker 1: hoping for high level artist honestly, yeah, exactly, like we

927
00:45:55,640 --> 00:46:02,680
Speaker 1: gotta find somebody. Ship ship. Yeah. I saw that Namir

928
00:46:02,800 --> 00:46:06,560
Speaker 1: was at the release party. Yeah, I appreciate you for

929
00:46:06,640 --> 00:46:08,799
Speaker 1: DJ and that you and zach VIIa. That was a

930
00:46:08,960 --> 00:46:12,080
Speaker 1: very random night because I go to the party and

931
00:46:12,280 --> 00:46:15,279
Speaker 1: Ace comes to me in a panic and he's like,

932
00:46:15,520 --> 00:46:18,279
Speaker 1: I need you to DJ, and I was like, I

933
00:46:18,280 --> 00:46:21,000
Speaker 1: don't have my laptop. He was like, get it here,

934
00:46:21,360 --> 00:46:24,560
Speaker 1: and I was like, all right, damn, you must really

935
00:46:24,560 --> 00:46:29,640
Speaker 1: fuck with a that's my dog. Yeah. So I got

936
00:46:29,680 --> 00:46:33,000
Speaker 1: I had, I got a laptop delivered, and my the

937
00:46:33,120 --> 00:46:36,520
Speaker 1: laptop that was delivered, Nico Blitz's, was not compatible with

938
00:46:36,560 --> 00:46:39,359
Speaker 1: whatever fucking dj. It was a struggle. Well I said

939
00:46:39,400 --> 00:46:41,840
Speaker 1: that to say the album release party was an incredible event.

940
00:46:42,200 --> 00:46:45,920
Speaker 1: You shout out Dave Chappelle. You had Dave Chappelle do

941
00:46:46,040 --> 00:46:50,200
Speaker 1: stand up. Yeah, he hosted, he jammed out. Yeah. There

942
00:46:50,239 --> 00:46:55,200
Speaker 1: was a blunt circle backstage. It was him, Steve Herkle, Simba,

943
00:46:56,120 --> 00:46:59,520
Speaker 1: somebody else was there. Oh sada baby. Yeah. It was

944
00:46:59,560 --> 00:47:03,160
Speaker 1: the most random blunt circle I've ever I was like, Yo,

945
00:47:03,200 --> 00:47:06,080
Speaker 1: this is Dave Chappelle, Steve Virkle, Jahill, is it Hill White? Yeah?

946
00:47:06,080 --> 00:47:08,839
Speaker 1: I can tell you got later that night too. Man,

947
00:47:09,120 --> 00:47:11,879
Speaker 1: the same day my album dropped, Me and Dave went

948
00:47:11,920 --> 00:47:15,439
Speaker 1: to go pull up on Kanye and yeah, so after

949
00:47:15,440 --> 00:47:17,520
Speaker 1: the album release party, you pulled up on Kanye with Dave.

950
00:47:17,680 --> 00:47:21,120
Speaker 1: Yeah yeah. And ab actually ab ab happened to be there.

951
00:47:21,120 --> 00:47:23,879
Speaker 1: That's my boy. Shout out a B and y'all got

952
00:47:23,880 --> 00:47:26,000
Speaker 1: to this is my first I met Kanye before, but

953
00:47:26,040 --> 00:47:27,640
Speaker 1: this is the first time I got to like chop

954
00:47:27,680 --> 00:47:31,000
Speaker 1: it up with him on some like you know, on conversation.

955
00:47:31,160 --> 00:47:33,440
Speaker 1: Yeah exactly, and like, you know, this is one of

956
00:47:33,480 --> 00:47:35,880
Speaker 1: my idols, one of my biggest idols, I said ever

957
00:47:36,160 --> 00:47:40,360
Speaker 1: for sure, Like I've said it a dozen times, and

958
00:47:40,400 --> 00:47:42,080
Speaker 1: he was like, oh, were you album just dropped now?

959
00:47:42,160 --> 00:47:45,440
Speaker 1: He's like, yeah, play it for me, and he was

960
00:47:45,480 --> 00:47:47,239
Speaker 1: just dope, man, just to sit play my album that

961
00:47:47,360 --> 00:47:50,760
Speaker 1: just came out thirty minutes ago with Kanye and Dave

962
00:47:50,880 --> 00:47:52,640
Speaker 1: and just kick it with him, you know what I'm

963
00:47:52,680 --> 00:47:55,239
Speaker 1: saying on some some chill shit? What what was? What was?

964
00:47:55,280 --> 00:47:56,880
Speaker 1: Did he give you any feedback on the album or

965
00:47:57,000 --> 00:47:59,839
Speaker 1: just any any gems at all? I didn't ask for it.

966
00:47:59,880 --> 00:48:03,879
Speaker 1: I just feel like Kanye's just when he talks, it's like, man, man,

967
00:48:03,920 --> 00:48:07,200
Speaker 1: he's the one. Yay he played like some unreleased music,

968
00:48:07,719 --> 00:48:09,680
Speaker 1: like we're just playing track for track, you know, like

969
00:48:09,880 --> 00:48:13,080
Speaker 1: unreleased stuff, and man, Yay's the one bro. I got.

970
00:48:13,080 --> 00:48:15,440
Speaker 1: I And I was a lot of times when I

971
00:48:15,480 --> 00:48:18,919
Speaker 1: meet like people I've idolized I would not be too

972
00:48:18,920 --> 00:48:22,480
Speaker 1: cool for school, but like, you know, cause I'm from Maryland. Bro.

973
00:48:22,600 --> 00:48:24,400
Speaker 1: We never we used to call it like man, you

974
00:48:24,520 --> 00:48:28,000
Speaker 1: on dick, like you dick riding whatever, whatever. And I

975
00:48:28,080 --> 00:48:30,360
Speaker 1: never was the type like I meet one of some

976
00:48:30,400 --> 00:48:32,399
Speaker 1: of the biggest people you can think of. I never

977
00:48:32,440 --> 00:48:34,440
Speaker 1: asked for a pick. I never like it just be

978
00:48:34,640 --> 00:48:39,080
Speaker 1: just chopping up on some human and human shit. But

979
00:48:39,120 --> 00:48:41,120
Speaker 1: one of my biggest regrets was when I met Kobe,

980
00:48:41,120 --> 00:48:42,920
Speaker 1: I didn't get to tell him like what he meant

981
00:48:42,920 --> 00:48:45,200
Speaker 1: to me, like growing up, how much of an idol

982
00:48:45,239 --> 00:48:47,080
Speaker 1: he was to me. So when I met Yay, I

983
00:48:47,160 --> 00:48:50,760
Speaker 1: just had like in a real way, I tell him like, man, like, Nigga,

984
00:48:50,800 --> 00:48:53,239
Speaker 1: you my biggest influence. I say that, I said when

985
00:48:53,239 --> 00:48:54,880
Speaker 1: I'm in an interview and they asked I say that.

986
00:48:54,920 --> 00:48:57,160
Speaker 1: He's like, yeah, you better tell him, nigga, Like you

987
00:48:57,200 --> 00:48:59,319
Speaker 1: know what. I moved to La, took a bus by

988
00:48:59,360 --> 00:49:02,439
Speaker 1: myself with thirty year old strangers. Blue le Kevin DJ

989
00:49:02,520 --> 00:49:05,000
Speaker 1: had to come to your release party for sure. Did

990
00:49:05,040 --> 00:49:06,799
Speaker 1: you get any free merch that night? Remember we're trying

991
00:49:06,800 --> 00:49:09,359
Speaker 1: to grab dud. Yeah I did get it. Yeah, good looks. Yeah,

992
00:49:09,400 --> 00:49:11,919
Speaker 1: I definitely got it that fire merch by the way,

993
00:49:12,040 --> 00:49:14,520
Speaker 1: Hell yeah, of course it's gonna be fire merch. How

994
00:49:14,520 --> 00:49:16,320
Speaker 1: did the Dave ship because obviously you and Ve shappardy

995
00:49:16,320 --> 00:49:18,359
Speaker 1: from the same region, you know for yeah DMV. Yeah

996
00:49:18,480 --> 00:49:21,279
Speaker 1: from the d MV. Like it's not a he sat

997
00:49:21,320 --> 00:49:25,640
Speaker 1: on stage that you call him to come and do this. Yeah,

998
00:49:25,680 --> 00:49:29,440
Speaker 1: and he came. He came, and you know, he was

999
00:49:29,480 --> 00:49:32,959
Speaker 1: like Yo, look, everyone have have their Nobody was allowed

1000
00:49:32,960 --> 00:49:34,960
Speaker 1: to have their phone out. One's phones was in bags

1001
00:49:34,960 --> 00:49:40,040
Speaker 1: except mine. Yeah wow, and whoever else that footage? Yeah?

1002
00:49:40,120 --> 00:49:42,960
Speaker 1: But uh, in general, like it was a very like

1003
00:49:43,040 --> 00:49:45,799
Speaker 1: he was doing it because he obviously genuinely fucks with

1004
00:49:45,840 --> 00:49:47,520
Speaker 1: you as a person, as an artist, et cetera. But

1005
00:49:47,520 --> 00:49:49,200
Speaker 1: how did that relationship Like what are the roots of

1006
00:49:49,200 --> 00:49:53,680
Speaker 1: you and Dave Chappelle? We what did I first meet Davit?

1007
00:49:54,520 --> 00:49:58,359
Speaker 1: I can't quite recall honestly when I first met him,

1008
00:49:58,400 --> 00:50:02,960
Speaker 1: but again, we both from the same area. Whenever I

1009
00:50:03,000 --> 00:50:05,320
Speaker 1: first I first met him, like we just we birthed

1010
00:50:05,640 --> 00:50:09,760
Speaker 1: both virgos, excuse me, and like he's one of my idols.

1011
00:50:09,800 --> 00:50:11,200
Speaker 1: You know what I'm saying. I saw you when you're

1012
00:50:11,239 --> 00:50:12,759
Speaker 1: on stage and the way I feel like that was

1013
00:50:12,800 --> 00:50:15,239
Speaker 1: one of those moments where you were, like, fucking Dave

1014
00:50:15,320 --> 00:50:18,000
Speaker 1: Chappelle's next to me on my album release dage. Yeah, Nah,

1015
00:50:18,000 --> 00:50:20,000
Speaker 1: he's the one, bro, Dave Chappelle is the one. But

1016
00:50:20,480 --> 00:50:23,160
Speaker 1: like not even like he's It's not too many people

1017
00:50:23,239 --> 00:50:26,080
Speaker 1: that like unequivocally who you can say they are the

1018
00:50:26,120 --> 00:50:29,160
Speaker 1: best what they've done or what they do. He is

1019
00:50:29,200 --> 00:50:31,200
Speaker 1: actually the best at what he does. He's the greatest

1020
00:50:31,200 --> 00:50:35,279
Speaker 1: comedian of all like alive, you can argue of all time.

1021
00:50:35,480 --> 00:50:38,319
Speaker 1: I would say he's top three. Yeah, I think it's

1022
00:50:38,320 --> 00:50:41,720
Speaker 1: like him prior to George Carl But he's the greatest

1023
00:50:41,760 --> 00:50:45,520
Speaker 1: comedian alive, correct, right, and to me anyway in my opinion.

1024
00:50:45,960 --> 00:50:48,200
Speaker 1: But maybe I'm a little biased, right, But but even

1025
00:50:48,239 --> 00:50:52,160
Speaker 1: before he's the greatest. But you know, the Chappelle Show,

1026
00:50:52,200 --> 00:50:54,440
Speaker 1: even my sense of humor, man, it's like super like

1027
00:50:54,560 --> 00:50:59,120
Speaker 1: Dave Chappelle influenced. And so we just continue to build.

1028
00:50:59,160 --> 00:51:00,920
Speaker 1: I would even when I was making this album, I

1029
00:51:00,920 --> 00:51:03,399
Speaker 1: will go up to Ohio to go see him. It's

1030
00:51:03,440 --> 00:51:06,759
Speaker 1: because it's like in the middle of nowhere. I just

1031
00:51:06,760 --> 00:51:10,000
Speaker 1: get timed for peace and quiet to think on things.

1032
00:51:11,760 --> 00:51:14,439
Speaker 1: Because he's got like a compound. Yeah, yeah, he got

1033
00:51:14,480 --> 00:51:16,759
Speaker 1: he got a town, he's got a little he got

1034
00:51:16,760 --> 00:51:19,200
Speaker 1: a town he has Ohio. Did you go to any

1035
00:51:19,200 --> 00:51:21,359
Speaker 1: of those comedy shows he was doing, Yeah I did, Yeah,

1036
00:51:21,360 --> 00:51:24,759
Speaker 1: I did. I went to a couple actually, And he's

1037
00:51:24,760 --> 00:51:26,480
Speaker 1: just always somebody that has shown me love, just been

1038
00:51:26,520 --> 00:51:28,480
Speaker 1: He's always a phone call away, man. I just call

1039
00:51:28,560 --> 00:51:32,120
Speaker 1: him ask him for advice about certain things. And you

1040
00:51:32,160 --> 00:51:34,480
Speaker 1: know how to maneuver and how does he do this

1041
00:51:34,640 --> 00:51:37,759
Speaker 1: and do that? You know, like he's really like the

1042
00:51:37,800 --> 00:51:40,760
Speaker 1: greatest man. Like welling up on Kanye with Dave Chappelle

1043
00:51:40,840 --> 00:51:43,600
Speaker 1: is like, kid, Dave is the one who introduced us.

1044
00:51:43,640 --> 00:51:45,719
Speaker 1: By the way, I gotta make sure credit him on that.

1045
00:51:45,920 --> 00:51:48,160
Speaker 1: I just think of like Kanye being on the Chappelle show.

1046
00:51:48,320 --> 00:51:51,400
Speaker 1: The Double XL cover that Dave Chappelle curated. It was

1047
00:51:51,560 --> 00:51:56,920
Speaker 1: dead press to quality. I think Kanye was on there too, anyway.

1048
00:51:56,960 --> 00:51:59,359
Speaker 1: Do you remember that cover? You're probably a young child,

1049
00:51:59,480 --> 00:52:03,920
Speaker 1: yeah that Yeah. Yeah, you're a big basketball guy. How

1050
00:52:04,000 --> 00:52:07,080
Speaker 1: you feeling about this year so far? Because I know

1051
00:52:07,120 --> 00:52:10,640
Speaker 1: you're not Wizards. I'm Wizards all day? Hey yeah addition

1052
00:52:10,760 --> 00:52:15,200
Speaker 1: by subtraction, Yeah, Westbrook goes the Wizards are good. Yeah,

1053
00:52:15,480 --> 00:52:18,560
Speaker 1: you know what I'm saying. Yeah, Bradley Bill's I know

1054
00:52:18,680 --> 00:52:21,200
Speaker 1: you can correlate those two. But Bradley Bill is balling

1055
00:52:21,440 --> 00:52:25,720
Speaker 1: and Kuzma's bawling. Yeah, boy, Kuzman is nice. Yeah. How'd

1056
00:52:25,719 --> 00:52:28,080
Speaker 1: you ask something to prove? Yeah? Yeah, you and KD

1057
00:52:28,200 --> 00:52:30,279
Speaker 1: got a cool relationship, right, Yeah, yeah, I would say

1058
00:52:30,280 --> 00:52:31,880
Speaker 1: we were cool. I'm not like again, I don't like

1059
00:52:31,960 --> 00:52:34,920
Speaker 1: to exaggerate anything. But that's like, that's the homie. You know,

1060
00:52:34,960 --> 00:52:38,160
Speaker 1: he from the same area. He always show love and

1061
00:52:38,160 --> 00:52:40,759
Speaker 1: support my music. He's a real nigga. Who is your

1062
00:52:40,960 --> 00:52:43,360
Speaker 1: If you had to give me like your top five

1063
00:52:43,600 --> 00:52:47,200
Speaker 1: d m V rappers of all time excluding Corday who Okay,

1064
00:52:47,640 --> 00:52:52,000
Speaker 1: top d n V rappers of all time, Yep, gotta

1065
00:52:52,040 --> 00:52:56,600
Speaker 1: go wide of course, gotta go Shot Lizzie, Okay, gotta

1066
00:52:56,640 --> 00:53:00,320
Speaker 1: go Fat Trail, Free Fat Trail again, Free Fat Trailer again.

1067
00:53:00,600 --> 00:53:02,319
Speaker 1: I did a record with him too when he was out.

1068
00:53:02,360 --> 00:53:05,680
Speaker 1: We got some shit together, so boom boom, because those

1069
00:53:05,680 --> 00:53:07,720
Speaker 1: are just the three that kicked in the door, kicked

1070
00:53:07,719 --> 00:53:11,640
Speaker 1: open the door for me. Wile a Fat Trail, Shot Glizzie,

1071
00:53:12,120 --> 00:53:15,040
Speaker 1: Big Flock, and Cue the Fool Okay, Yeah, and you

1072
00:53:15,120 --> 00:53:17,520
Speaker 1: gotta put logic in there as well as far as

1073
00:53:17,560 --> 00:53:22,240
Speaker 1: just massiveness, big selling records, selling out arenas. But those

1074
00:53:22,280 --> 00:53:25,320
Speaker 1: five were like the most influential for sure. But you

1075
00:53:25,520 --> 00:53:27,120
Speaker 1: definitely got to put logic in there for what he

1076
00:53:27,239 --> 00:53:29,239
Speaker 1: done and opened up the doors. I'm trying to think

1077
00:53:29,239 --> 00:53:31,120
Speaker 1: if there's anyone else that I'm thinking from the d

1078
00:53:31,200 --> 00:53:35,839
Speaker 1: m V that I used to really, I mean, I mean,

1079
00:53:35,840 --> 00:53:37,879
Speaker 1: you've got a lot of them. Yeah, that's it. Shout

1080
00:53:37,920 --> 00:53:40,000
Speaker 1: out to the DMV man and then of course Corday.

1081
00:53:40,080 --> 00:53:42,160
Speaker 1: Now yo, so the album is out. You know, Rico

1082
00:53:42,239 --> 00:53:44,239
Speaker 1: Nasty's from the DNV as well. I did not know.

1083
00:53:44,320 --> 00:53:48,320
Speaker 1: Yeah on the whole Brent Fayez, Oh yeah, Brent's fucking

1084
00:53:48,440 --> 00:53:51,279
Speaker 1: Brent Fire and I was just going to you know,

1085
00:53:51,360 --> 00:53:54,600
Speaker 1: but Brent Fayaz and Rico Nasty, those are the two

1086
00:53:54,640 --> 00:53:57,919
Speaker 1: people honestly that in that like inspired me the most

1087
00:53:58,000 --> 00:54:00,160
Speaker 1: coming out of dn V because we all not the

1088
00:54:00,160 --> 00:54:02,360
Speaker 1: same age, but all was coming up. Well, they was

1089
00:54:02,440 --> 00:54:04,640
Speaker 1: up way before I was. They was already like but

1090
00:54:04,680 --> 00:54:08,840
Speaker 1: they weren't superstars quite yet in like twenty seventeen, twenty eighteen.

1091
00:54:08,920 --> 00:54:11,040
Speaker 1: But they showed me because I thought you had to

1092
00:54:11,080 --> 00:54:12,600
Speaker 1: be on some street shit to blow up out of

1093
00:54:12,680 --> 00:54:14,440
Speaker 1: DNV because that's what everybody was doing, like you know,

1094
00:54:14,480 --> 00:54:18,359
Speaker 1: the cute fool Shabaz, big Flop Gunu, all of these cats.

1095
00:54:18,360 --> 00:54:20,120
Speaker 1: Shout out to all of them. I feel like Brent's

1096
00:54:20,160 --> 00:54:21,880
Speaker 1: one of the more underrated guys. Like when we just

1097
00:54:21,920 --> 00:54:25,080
Speaker 1: think of like how he came up, how he was independent,

1098
00:54:25,520 --> 00:54:28,040
Speaker 1: just like now he's the ones business model. First of all,

1099
00:54:28,239 --> 00:54:31,640
Speaker 1: the music is incredible, but high level everything else that

1100
00:54:31,719 --> 00:54:35,920
Speaker 1: comes with, like his story, like how they were just

1101
00:54:36,040 --> 00:54:38,400
Speaker 1: operating just so independent for so long as R and

1102
00:54:38,440 --> 00:54:40,839
Speaker 1: B singers, Like, Yeah, we always think about all these

1103
00:54:40,920 --> 00:54:43,359
Speaker 1: rappers that are independent as fuck. He shout out to Russ,

1104
00:54:43,400 --> 00:54:45,799
Speaker 1: shout out to Dolph, shout out to all these independent dudes. YEA,

1105
00:54:45,880 --> 00:54:50,120
Speaker 1: Like Brent Fires is really independent as a motherfucker. Yeah,

1106
00:54:50,160 --> 00:54:52,879
Speaker 1: on a whole other level on some R and B shit. Yeah, nah,

1107
00:54:52,920 --> 00:54:55,120
Speaker 1: He's one of the ones. And seeing him and Rico,

1108
00:54:55,680 --> 00:55:00,400
Speaker 1: they both was in their own they whole like own lane,

1109
00:55:00,520 --> 00:55:02,840
Speaker 1: you know, not following like the DMV trend, both on

1110
00:55:02,880 --> 00:55:05,279
Speaker 1: their own lane doing the executing at a high level.

1111
00:55:05,320 --> 00:55:08,040
Speaker 1: So those two motherfuckers right there was inspiring the shit

1112
00:55:08,080 --> 00:55:10,919
Speaker 1: out of me. What is on the binge watch list

1113
00:55:10,960 --> 00:55:13,319
Speaker 1: for Corday recent? Like, what are you binge watching at home?

1114
00:55:13,360 --> 00:55:15,360
Speaker 1: If you're at home chilling with the lady, what do

1115
00:55:15,360 --> 00:55:18,120
Speaker 1: you guys throwing on? I don't really binge watch anything,

1116
00:55:18,160 --> 00:55:19,960
Speaker 1: to be honest, bro, I've been I'm even Like the

1117
00:55:20,040 --> 00:55:22,640
Speaker 1: day my album came out, after I linked up with

1118
00:55:22,719 --> 00:55:25,720
Speaker 1: Ya and after the album release party, I went straight

1119
00:55:25,719 --> 00:55:28,080
Speaker 1: back home and got in the studio row but you

1120
00:55:28,120 --> 00:55:33,000
Speaker 1: don't watch TV, not that your four Nah, don't. I

1121
00:55:33,080 --> 00:55:37,960
Speaker 1: gotta tap into that, honestly, Like, I'll like watch I

1122
00:55:38,000 --> 00:55:40,080
Speaker 1: Love to Be a Mess series. I got to watch that.

1123
00:55:40,080 --> 00:55:42,720
Speaker 1: That ship was super fire. Shout out Little Meat fifty.

1124
00:55:43,080 --> 00:55:46,240
Speaker 1: That shit was incredible. You ever watched Curby Enthusiasm? Nope?

1125
00:55:46,440 --> 00:55:49,960
Speaker 1: Oh man, it's the funniest show ever. I've heard that

1126
00:55:50,040 --> 00:55:52,759
Speaker 1: recently from somebody else, Larry David. He's just old. He's

1127
00:55:52,760 --> 00:55:54,880
Speaker 1: a guy who wrote Seinfeld, so it's like a bro.

1128
00:55:54,960 --> 00:55:57,399
Speaker 1: I just heard this from somebody. It's the funniest show

1129
00:55:57,560 --> 00:56:00,200
Speaker 1: like all time. I don't know who recommended me this,

1130
00:56:00,400 --> 00:56:04,279
Speaker 1: but somebody literally recommended me. Curb your enthusy as excuse me,

1131
00:56:04,360 --> 00:56:06,959
Speaker 1: curb your enthusiasm within the last two weeks. You gotta

1132
00:56:07,000 --> 00:56:10,799
Speaker 1: tap in. Yeah, I must have to. What about your

1133
00:56:10,920 --> 00:56:15,560
Speaker 1: favorite movies ever? Give me three movies that come to mind. Okay,

1134
00:56:15,640 --> 00:56:25,959
Speaker 1: top is top movies ever? Now this pornography count porn movies? Yeah? Sure, hmm,

1135
00:56:26,800 --> 00:56:30,879
Speaker 1: you say, what who's this? We'll get to those. Who's

1136
00:56:30,880 --> 00:56:34,800
Speaker 1: your favorite porn star everts of all time? All time? Oh? Okay,

1137
00:56:35,120 --> 00:56:38,200
Speaker 1: you gotta go with the pop Eyes chick. Just for

1138
00:56:38,320 --> 00:56:41,120
Speaker 1: the culture because like that was just a moment in time.

1139
00:56:41,440 --> 00:56:47,080
Speaker 1: The Popes. You never seen the pop Oys jump? You

1140
00:56:47,480 --> 00:56:51,439
Speaker 1: recommended curb your enthusiasm. I recommend the pop Eyes jump.

1141
00:56:53,719 --> 00:56:58,279
Speaker 1: I don't know, like just top three. We'll do the

1142
00:56:58,320 --> 00:57:00,759
Speaker 1: porn stars first, then the movie. Sorry, the movie. Let's

1143
00:57:00,760 --> 00:57:04,000
Speaker 1: do the movie. Let's do the movie. Three movies Friday.

1144
00:57:04,960 --> 00:57:07,400
Speaker 1: This is just some ultimate, just nigga shit, to be honest,

1145
00:57:07,400 --> 00:57:09,920
Speaker 1: but it's just my truth, my top three. It's a

1146
00:57:09,960 --> 00:57:15,680
Speaker 1: great movie, change my life. Great movie Friday, six years old,

1147
00:57:15,680 --> 00:57:22,400
Speaker 1: talking like Smokey Damn. What's another movie I love? I love? Okay,

1148
00:57:22,440 --> 00:57:24,240
Speaker 1: this is a random one because I just got asked

1149
00:57:24,280 --> 00:57:28,400
Speaker 1: this question. But Glorious Bastards, Oh so good. I loved

1150
00:57:28,440 --> 00:57:31,240
Speaker 1: that because I'm a history fucking fiend. I love history,

1151
00:57:31,280 --> 00:57:34,560
Speaker 1: so whenever people incorporate like history and it's some shit.

1152
00:57:34,600 --> 00:57:38,600
Speaker 1: I guess the most underappreciated Quentin Tarantino movie. Great movie.

1153
00:57:38,760 --> 00:57:40,560
Speaker 1: I was at the comedy store a couple of days

1154
00:57:40,560 --> 00:57:43,200
Speaker 1: ago and Quentin Tarantino was sitting in the booth next

1155
00:57:43,200 --> 00:57:46,600
Speaker 1: to us by himself, fucking laughing his like, the guy

1156
00:57:46,600 --> 00:57:48,680
Speaker 1: had the loudest fucking laugh in the whole place. But

1157
00:57:48,720 --> 00:57:50,560
Speaker 1: it was like it was kind of surreal to be like,

1158
00:57:50,560 --> 00:57:52,640
Speaker 1: oh shit, I live in LA and sometimes you go

1159
00:57:52,680 --> 00:57:54,320
Speaker 1: to the comedy store and you're sitting next to the

1160
00:57:54,320 --> 00:58:00,200
Speaker 1: greatest director of all time. Yeah, one more glorious Bastards Friday.

1161
00:58:00,400 --> 00:58:03,480
Speaker 1: Can it be TV show or just strictly movies? Give

1162
00:58:03,520 --> 00:58:06,040
Speaker 1: me a TV show? Fuck it? I would say the

1163
00:58:06,120 --> 00:58:08,360
Speaker 1: Chappelle Show. But if I can't say the Chappelle Show,

1164
00:58:08,360 --> 00:58:12,480
Speaker 1: I would say Boondocks. Boon Docks is amazing, amazing, Yeah,

1165
00:58:12,680 --> 00:58:14,960
Speaker 1: boon Docks is up there. Okay, porn Stars, and then

1166
00:58:14,960 --> 00:58:18,440
Speaker 1: the interview's over, Okay, porn Stars. I can't remember, honestly,

1167
00:58:18,480 --> 00:58:21,520
Speaker 1: it's been such a minute because like I used to

1168
00:58:21,560 --> 00:58:23,840
Speaker 1: love porn as a kid, as a teenager, but it's

1169
00:58:23,880 --> 00:58:26,760
Speaker 1: like a vice bad. It's really bad for you. No, no, no,

1170
00:58:26,800 --> 00:58:29,160
Speaker 1: it's like I like, after I've finished, I'd be like,

1171
00:58:29,320 --> 00:58:31,440
Speaker 1: oh my god, what is wrong with me? I'm sure

1172
00:58:31,720 --> 00:58:34,120
Speaker 1: terrible human? But it's like the most every time you

1173
00:58:34,280 --> 00:58:37,800
Speaker 1: jerk off, and you know, sometimes you got porn Hub

1174
00:58:37,800 --> 00:58:40,200
Speaker 1: open and you end up with like eleven tabs. Yeah,

1175
00:58:40,240 --> 00:58:42,840
Speaker 1: for sure, you're gonna have some credit cards, get scammed

1176
00:58:42,840 --> 00:58:47,360
Speaker 1: and ship and then you're like, damn, what did I ah,

1177
00:58:47,560 --> 00:58:51,040
Speaker 1: like what about yeah for sure? Like yeah, no, it's

1178
00:58:51,120 --> 00:58:53,520
Speaker 1: not the wave honestly, like I can you never know

1179
00:58:53,560 --> 00:58:55,720
Speaker 1: what you're gonna get right because you just start like,

1180
00:58:55,720 --> 00:58:57,800
Speaker 1: oh this is a cool tap, like a cool thumbnail.

1181
00:58:59,040 --> 00:59:01,360
Speaker 1: You're like, then you just you end up in a

1182
00:59:01,400 --> 00:59:03,160
Speaker 1: place that you didn't know you we're gonna end up

1183
00:59:03,200 --> 00:59:07,040
Speaker 1: in thirty minutes prior and man thirty forty five or

1184
00:59:07,760 --> 00:59:11,840
Speaker 1: like on a man man. I really can't name like

1185
00:59:11,880 --> 00:59:13,720
Speaker 1: the names off the top because it's been a minute.

1186
00:59:13,760 --> 00:59:15,440
Speaker 1: I'm not just trying to be on some cool nigga

1187
00:59:15,440 --> 00:59:19,440
Speaker 1: shit like oh you know, I don't want but I

1188
00:59:19,440 --> 00:59:22,240
Speaker 1: can't think of it. No one name not off the

1189
00:59:22,280 --> 00:59:25,360
Speaker 1: door Popeyes, I forgot her name. I can just tell you,

1190
00:59:25,440 --> 00:59:28,120
Speaker 1: like the scenario it was, it was shot up, was

1191
00:59:28,240 --> 00:59:31,840
Speaker 1: shot in Adam Popeyes. This is like this is culture

1192
00:59:31,960 --> 00:59:34,959
Speaker 1: keV like at like this is this is called many

1193
00:59:35,040 --> 00:59:38,760
Speaker 1: years ago? Is this about five four to five years ago?

1194
00:59:39,120 --> 00:59:41,640
Speaker 1: My prom he's a creep. You know what the Popeyes?

1195
00:59:41,920 --> 00:59:48,360
Speaker 1: You know about the Popeyes, bro, you curb your enthusiasm.

1196
00:59:48,480 --> 00:59:51,440
Speaker 1: Popeye'es porn for sure, It's gonna go on h X

1197
00:59:51,560 --> 00:59:53,840
Speaker 1: videos and typing Popeyes and see what pop is maybe

1198
00:59:53,920 --> 00:59:56,320
Speaker 1: on porn hub. I'm not sure about X videos. Shout out,

1199
00:59:56,400 --> 00:59:59,360
Speaker 1: shout out to the hub of Hub is life, Hub

1200
00:59:59,400 --> 01:00:02,360
Speaker 1: is life. Well, look, I appreciate you pulling up man,

1201
01:00:02,360 --> 01:00:04,240
Speaker 1: the album is dope. Appreciate you having me. I was

1202
01:00:04,240 --> 01:00:06,560
Speaker 1: telling this to Ace. I think I had the album

1203
01:00:06,640 --> 01:00:11,840
Speaker 1: maybe like a week early, and cohesively is like perfect,

1204
01:00:11,960 --> 01:00:13,680
Speaker 1: Like you know, thanks you back, Like I feel like,

1205
01:00:13,800 --> 01:00:16,200
Speaker 1: you know, I love the first album, but I feel like,

1206
01:00:16,360 --> 01:00:18,240
Speaker 1: you know you you improved on the second one. Man, Nah,

1207
01:00:18,320 --> 01:00:20,080
Speaker 1: thank you. I appreciate that. That means the world to me.

1208
01:00:20,120 --> 01:00:22,400
Speaker 1: Hopefully I got away three years to get the next. No, no, no,

1209
01:00:22,480 --> 01:00:26,360
Speaker 1: I'm coming. I'm the world is back open like a pandemic.

1210
01:00:26,920 --> 01:00:30,800
Speaker 1: I'm coming. You know every artist has their uh, their

1211
01:00:30,800 --> 01:00:33,800
Speaker 1: era to where they just start dropping ship and start

1212
01:00:33,800 --> 01:00:36,040
Speaker 1: going crazy. I think this is this is why I

1213
01:00:36,160 --> 01:00:38,520
Speaker 1: like doing that. How'd you make seven million dollars? This

1214
01:00:38,560 --> 01:00:41,040
Speaker 1: is the last question. Okay, you know, for all you know,

1215
01:00:41,080 --> 01:00:43,000
Speaker 1: I could have been lying, man. I mean, you know

1216
01:00:43,000 --> 01:00:45,600
Speaker 1: it's a nice flex. So how'd you make you know, uh,

1217
01:00:46,360 --> 01:00:48,200
Speaker 1: less than seven million? I mean, how'd you get in

1218
01:00:48,320 --> 01:00:52,520
Speaker 1: lessons without putting out music during the pandemic. Man, just

1219
01:00:52,600 --> 01:00:55,720
Speaker 1: being more honestly, being more mindful of my business, more

1220
01:00:55,760 --> 01:00:58,320
Speaker 1: mindful everything I do as a business expense, you know,

1221
01:00:58,320 --> 01:01:01,680
Speaker 1: it's a write off. I'm investing in the real estate,

1222
01:01:01,800 --> 01:01:03,919
Speaker 1: stocks and bond This is just how you attain wealth

1223
01:01:03,960 --> 01:01:07,760
Speaker 1: in general. Just more so generalizing my turn, not saying

1224
01:01:07,800 --> 01:01:10,720
Speaker 1: how I made more or less right but now, but

1225
01:01:10,760 --> 01:01:13,840
Speaker 1: like you're actually putting money into yeah, yeah, in stocks, bonds,

1226
01:01:13,960 --> 01:01:18,760
Speaker 1: real estate. I'm not too big on the crypto way

1227
01:01:18,920 --> 01:01:22,320
Speaker 1: because I would have to do a lot more research

1228
01:01:22,360 --> 01:01:25,640
Speaker 1: on that. But I'm super like old school more so

1229
01:01:26,000 --> 01:01:28,240
Speaker 1: with my safe stocks. I found a couple of gold

1230
01:01:28,280 --> 01:01:30,200
Speaker 1: mines like Neo and i Owe, which is like the

1231
01:01:30,280 --> 01:01:35,000
Speaker 1: Chinese Tesla. And I got into the stock market at

1232
01:01:35,000 --> 01:01:37,480
Speaker 1: a great time. This is when COVID first happened. When

1233
01:01:37,480 --> 01:01:39,840
Speaker 1: it first happened, everything was super low. No no no, no,

1234
01:01:40,360 --> 01:01:42,920
Speaker 1: dal Jones on the nineteen thousand. Right now it's at

1235
01:01:42,960 --> 01:01:45,880
Speaker 1: like thirty seven or something like that. So I dumped

1236
01:01:45,920 --> 01:01:47,800
Speaker 1: into it. I was just like, I have, I'm in

1237
01:01:47,800 --> 01:01:50,680
Speaker 1: this blessed position to have access to all this extra capital,

1238
01:01:51,000 --> 01:01:53,320
Speaker 1: So I just dumped in it. You know, doing certain

1239
01:01:53,400 --> 01:01:56,320
Speaker 1: brand endorsement deals things of that, nature like, yeah, I

1240
01:01:56,360 --> 01:01:59,280
Speaker 1: mean your fly ship with the latest one is coach right, No, no, no,

1241
01:01:59,280 --> 01:02:01,800
Speaker 1: I'm not coach on Puma all day. Oh Puma. I

1242
01:02:01,800 --> 01:02:03,919
Speaker 1: feel like I feel like someone told me you were coach.

1243
01:02:04,200 --> 01:02:06,560
Speaker 1: Yeah I was, but you know how it didn't work

1244
01:02:06,600 --> 01:02:08,280
Speaker 1: out and it's not and it didn't work out. But

1245
01:02:08,280 --> 01:02:10,720
Speaker 1: I'm Puma all day, Puma, Pum all day. What is

1246
01:02:10,760 --> 01:02:13,760
Speaker 1: their biggest non rap check been so far? Don't don't

1247
01:02:13,760 --> 01:02:16,640
Speaker 1: tell us how much? Just yeah, where was it from? Puma?

1248
01:02:16,880 --> 01:02:20,400
Speaker 1: Puma all day? Fucking poom man? They man, I had

1249
01:02:20,400 --> 01:02:23,640
Speaker 1: to downgrade my lifestyle when the pandemic happened. I'm like, ship, nigga,

1250
01:02:23,640 --> 01:02:26,880
Speaker 1: we might have to start motherfucking doing swipe up so

1251
01:02:26,880 --> 01:02:29,480
Speaker 1: on the stories and promos and ship for It's like,

1252
01:02:29,520 --> 01:02:31,320
Speaker 1: I'm like, ship nigga, how are we finna do this?

1253
01:02:31,400 --> 01:02:33,800
Speaker 1: We ain't doing shows like ship now. But you know

1254
01:02:34,160 --> 01:02:37,200
Speaker 1: I didn't have to downgrade my lifestyle at all. That's good.

1255
01:02:37,240 --> 01:02:39,600
Speaker 1: They gonna give your own sneakers soon, yes, on the

1256
01:02:39,640 --> 01:02:42,760
Speaker 1: works right now, Yeah, because Cole sneakers fire. Yeah, I

1257
01:02:42,800 --> 01:02:45,040
Speaker 1: feel like you're you gotta get your sneaker man. You

1258
01:02:45,240 --> 01:02:47,680
Speaker 1: know it's it's it's already. It's gonna be high level.

1259
01:02:47,760 --> 01:02:51,120
Speaker 1: Are you be involved in the silhouette and the design? Yeah, yeah,

1260
01:02:51,160 --> 01:02:53,880
Speaker 1: My boy Ian Rutlish, my boy I and Michael excuse me,

1261
01:02:54,120 --> 01:02:56,080
Speaker 1: shout out to him has been helping on a design

1262
01:02:56,840 --> 01:03:00,240
Speaker 1: as well. So it's gonna be imello. It was a

1263
01:03:00,280 --> 01:03:02,560
Speaker 1: Puma guy. Yeah, yeah, now Puma and I've been with

1264
01:03:02,560 --> 01:03:05,000
Speaker 1: Puma like Earth. They've been rocking with me early, like

1265
01:03:05,160 --> 01:03:07,600
Speaker 1: remember a mellow before a bunch of not saying you

1266
01:03:07,640 --> 01:03:09,440
Speaker 1: know whatever, but I remember a lot of these cats.

1267
01:03:09,480 --> 01:03:12,120
Speaker 1: They've been rocking with me early early. You know. They

1268
01:03:12,160 --> 01:03:15,320
Speaker 1: was in the location my Locations video Location Ships video

1269
01:03:15,760 --> 01:03:18,600
Speaker 1: was paid for by Puma, you know. So I called

1270
01:03:18,640 --> 01:03:22,520
Speaker 1: them like my fairy godmother man like, because they they're

1271
01:03:22,640 --> 01:03:24,640
Speaker 1: just they treat me well over there, like no even

1272
01:03:24,680 --> 01:03:27,120
Speaker 1: like for my the Hourum release, they sent me like

1273
01:03:27,720 --> 01:03:31,320
Speaker 1: fucking Acespace bottle and like, man, they like they treat

1274
01:03:31,320 --> 01:03:34,680
Speaker 1: me really well. Like when I'm doing things in conjunction

1275
01:03:34,760 --> 01:03:37,400
Speaker 1: with Puma, they'll like fly me on like the Puma jet,

1276
01:03:37,600 --> 01:03:40,760
Speaker 1: like I really fuck with that company. Man. Even more

1277
01:03:40,800 --> 01:03:43,320
Speaker 1: than that, they're like very and I'm not just saying

1278
01:03:43,320 --> 01:03:45,960
Speaker 1: this because I'm getting the check up for sure, this

1279
01:03:46,000 --> 01:03:48,840
Speaker 1: and that, because with as an artist is a fine line.

1280
01:03:48,880 --> 01:03:51,800
Speaker 1: You can't become like too brand heavy because you lose

1281
01:03:51,920 --> 01:03:54,400
Speaker 1: like you're you'll just look like you'll do whatever for

1282
01:03:54,480 --> 01:03:56,800
Speaker 1: a dollar, you know. So I try to remain like

1283
01:03:56,960 --> 01:04:01,280
Speaker 1: very reclusive when it comes to brand alignment thing anybody.

1284
01:04:01,880 --> 01:04:04,480
Speaker 1: And I think the less brand deals you have is

1285
01:04:04,520 --> 01:04:06,760
Speaker 1: more cool because I could just because of like who

1286
01:04:06,800 --> 01:04:10,000
Speaker 1: I am and the type of the lane I'm in,

1287
01:04:10,040 --> 01:04:14,360
Speaker 1: I can fucking be cashing out brands all the day.

1288
01:04:14,400 --> 01:04:18,680
Speaker 1: But but but I'd be sletting myself out in the

1289
01:04:18,720 --> 01:04:21,479
Speaker 1: long term if I'm just taking every single brand deal

1290
01:04:21,960 --> 01:04:24,720
Speaker 1: every Yeah, for sure. And so I say that to

1291
01:04:24,760 --> 01:04:26,920
Speaker 1: say that Pulma has been in alignment with what I

1292
01:04:27,000 --> 01:04:30,320
Speaker 1: have for my vision and they're always like helping with

1293
01:04:30,480 --> 01:04:33,640
Speaker 1: community projects, things that I'll never like have on camera,

1294
01:04:33,760 --> 01:04:36,400
Speaker 1: these things that's just for for my good karma and

1295
01:04:36,720 --> 01:04:40,280
Speaker 1: to actually help people they really like into the community

1296
01:04:40,560 --> 01:04:42,280
Speaker 1: and things of that nature. So they got to do

1297
01:04:42,280 --> 01:04:47,560
Speaker 1: a commercial with you, LaMelo and the best Puma athlete,

1298
01:04:47,840 --> 01:04:50,160
Speaker 1: the starting center for the best team in the NBA,

1299
01:04:50,400 --> 01:04:54,640
Speaker 1: DeAndre Aiden. Yeah, oh you are shout out CP three.

1300
01:04:54,680 --> 01:04:57,680
Speaker 1: That's my boy. Yeah, that's my dog. He's a grown

1301
01:04:57,720 --> 01:05:00,320
Speaker 1: ass man. Now that's my boy. Like he'd be showing

1302
01:05:00,360 --> 01:05:02,680
Speaker 1: me mad and mad mad love and he's just like

1303
01:05:04,160 --> 01:05:07,480
Speaker 1: no, no no, no, we met? How did mean CP three meet?

1304
01:05:08,280 --> 01:05:10,400
Speaker 1: We met? Oh? Because you know, my family lives in

1305
01:05:10,440 --> 01:05:12,760
Speaker 1: North Carolina. You know, I was born in North Carolina.

1306
01:05:12,800 --> 01:05:14,240
Speaker 1: You know, I was raised a lot of Maryland. But

1307
01:05:14,280 --> 01:05:16,000
Speaker 1: my I talked to Rhapsody about that. She was like

1308
01:05:16,000 --> 01:05:18,240
Speaker 1: that boy from Carolina. Yeah yeah, yeah for sure, but

1309
01:05:18,400 --> 01:05:20,240
Speaker 1: but a lot I was I grew. I was born

1310
01:05:20,280 --> 01:05:23,840
Speaker 1: in Raleigh, North Carolina. Like, my family lives in North Carolina,

1311
01:05:24,520 --> 01:05:29,240
Speaker 1: and so it's that Carolina connection. And yeah, he just

1312
01:05:29,280 --> 01:05:31,320
Speaker 1: shows like a lot of love. Man, gives a lot

1313
01:05:31,320 --> 01:05:34,040
Speaker 1: of insight and whatever. Like he's one of the ones real.

1314
01:05:34,120 --> 01:05:37,080
Speaker 1: He's probably the best point guard of Like I think

1315
01:05:37,120 --> 01:05:40,440
Speaker 1: it's your point guard top five all time. Yeah, I mean,

1316
01:05:40,480 --> 01:05:42,680
Speaker 1: like probably the best leader in the NBA over the

1317
01:05:42,760 --> 01:05:45,440
Speaker 1: last like twenty years. Bro. Yeah, every team he goes

1318
01:05:45,480 --> 01:05:49,360
Speaker 1: to gets instantly better, like playoff not even play off

1319
01:05:49,360 --> 01:05:53,280
Speaker 1: the Thunder two years ago. Bro. Yes, yeah they're at

1320
01:05:53,400 --> 01:05:57,600
Speaker 1: five seed. Yeah, like no, bro, because it's like a

1321
01:05:57,600 --> 01:06:01,600
Speaker 1: piece of advice CP three is given. Man, just just

1322
01:06:01,720 --> 01:06:05,880
Speaker 1: lock in and stay working, like and just realize what's

1323
01:06:05,880 --> 01:06:08,480
Speaker 1: your goal and just stay true to yourself, and you'd

1324
01:06:08,480 --> 01:06:10,200
Speaker 1: be fucking pulling up to these games. You flew to

1325
01:06:10,240 --> 01:06:11,800
Speaker 1: Phoenix to go to the finals game. I was at

1326
01:06:11,800 --> 01:06:14,960
Speaker 1: the finals. Yeah. I was late for it too, I

1327
01:06:14,640 --> 01:06:16,680
Speaker 1: can I know. I was sitting like up above and

1328
01:06:16,760 --> 01:06:20,440
Speaker 1: I saw you come in, like yeah, like end of them. No, no,

1329
01:06:20,480 --> 01:06:22,480
Speaker 1: it was like five minutes left in the fourth court.

1330
01:06:22,520 --> 01:06:24,360
Speaker 1: I was upset about it. I know. I had a

1331
01:06:24,440 --> 01:06:25,680
Speaker 1: sent me He's like, Yo, do you want to go

1332
01:06:25,720 --> 01:06:28,240
Speaker 1: to the Sun's game with Corda And I was like sure,

1333
01:06:28,600 --> 01:06:30,280
Speaker 1: and then he was like, yo, he's gonna be super

1334
01:06:30,320 --> 01:06:32,880
Speaker 1: fucking late. And I was like, well, I'm I'm gonna

1335
01:06:32,920 --> 01:06:35,920
Speaker 1: just get my own ticket, yeah, because I can't miss.

1336
01:06:36,040 --> 01:06:38,160
Speaker 1: I mean we ended up losing that game. Yeah, No,

1337
01:06:38,240 --> 01:06:40,040
Speaker 1: I was there for Yeah, I went there. Really does

1338
01:06:40,080 --> 01:06:42,920
Speaker 1: support CEP. Honestly, You're at a lot of games though

1339
01:06:42,920 --> 01:06:45,920
Speaker 1: you're like a real fucking basketball and man, you know,

1340
01:06:45,960 --> 01:06:47,800
Speaker 1: I'm in a blessed position. But I've never been to

1341
01:06:47,800 --> 01:06:51,120
Speaker 1: an NBA game, not courtside really, like I've never my

1342
01:06:51,200 --> 01:06:53,560
Speaker 1: first NBA game. No, no, no, no, I've never went

1343
01:06:53,600 --> 01:06:55,920
Speaker 1: to an NBA game as a kid. So my first

1344
01:06:56,080 --> 01:07:00,840
Speaker 1: NBA game was you know, me being an artist. So

1345
01:07:00,880 --> 01:07:03,520
Speaker 1: I've always been courtside. Bro, it's a blessing you worked

1346
01:07:03,520 --> 01:07:05,920
Speaker 1: into the plumid deal. No no, no no, no no, no,

1347
01:07:05,920 --> 01:07:08,960
Speaker 1: no no no, this is this is just how you splurge. Now.

1348
01:07:09,080 --> 01:07:11,200
Speaker 1: I don't spend no, I don't spend no money on it.

1349
01:07:11,240 --> 01:07:15,320
Speaker 1: It's like either a player lookout or like somebody just

1350
01:07:15,440 --> 01:07:16,920
Speaker 1: randomly called like yo, you want to go to the

1351
01:07:17,000 --> 01:07:19,320
Speaker 1: you know what I'm saying. So like me having this

1352
01:07:19,440 --> 01:07:21,440
Speaker 1: relationships with players, they'd be like, yo, pull up on

1353
01:07:21,480 --> 01:07:23,800
Speaker 1: the game, bro, I got you doing doing amazing. We'll

1354
01:07:23,800 --> 01:07:25,720
Speaker 1: shout out to my guy Corde. Appreciate you pulling up,

1355
01:07:25,760 --> 01:07:28,600
Speaker 1: Appreciate you having me. I always love Yes, easy money

1356
01:07:28,680 --> 01:07:29,200
Speaker 1: Yeah boom