1 00:00:00,200 --> 00:00:24,240 Speaker 1: Now here's a highlight from Coast to Coast am on iHeartRadio. Oh, 2 00:00:24,320 --> 00:00:27,040 Speaker 1: I love that song. I've always loved that since nineteen 3 00:00:27,160 --> 00:00:30,720 Speaker 1: fifty nine. I've always loved that twilight Zone. I feel 4 00:00:30,760 --> 00:00:33,360 Speaker 1: like Rod Sterling when you walk out and do that, well, 5 00:00:33,400 --> 00:00:36,440 Speaker 1: almost somebody like Rod Sterling. Mark Zacree with us the 6 00:00:36,479 --> 00:00:39,560 Speaker 1: author of The twilight Zone Companion. He's a science fiction author, 7 00:00:39,840 --> 00:00:43,479 Speaker 1: television writer, screenwriter. He has been nominated for several of 8 00:00:43,520 --> 00:00:47,160 Speaker 1: the industry's awards, and here he is back on Coast 9 00:00:47,200 --> 00:00:49,320 Speaker 1: to Coast. Mark, always a pleasure of my friend. How 10 00:00:49,440 --> 00:00:51,839 Speaker 1: you band really well? George. It's terrific to be with 11 00:00:51,960 --> 00:00:53,800 Speaker 1: you tonight. What do you think every time you hear 12 00:00:53,840 --> 00:00:56,040 Speaker 1: that twilight Zone thing? Oh, it's you know, siver goes 13 00:00:56,120 --> 00:00:57,959 Speaker 1: up my spine. It was like like you. I saw 14 00:00:58,160 --> 00:01:00,320 Speaker 1: the show when it was on the Era and on 15 00:01:00,360 --> 00:01:03,160 Speaker 1: the network, and it was one of the greatest shows 16 00:01:03,160 --> 00:01:05,600 Speaker 1: ever made, and it made me who I am? So 17 00:01:06,480 --> 00:01:10,160 Speaker 1: so it's It's an amazing, unique, wonderful show. Earlier this 18 00:01:10,200 --> 00:01:12,640 Speaker 1: week I have a feature on It's called Who's Behind 19 00:01:12,680 --> 00:01:14,960 Speaker 1: the Secret Door. A number of the guests are on 20 00:01:15,000 --> 00:01:18,720 Speaker 1: the show, and unlike you tonight, where I know it's you. Yes, 21 00:01:19,000 --> 00:01:21,200 Speaker 1: I don't know who they are and I have to 22 00:01:21,240 --> 00:01:23,080 Speaker 1: guess who they are. And one of them was Billy 23 00:01:23,160 --> 00:01:25,399 Speaker 1: Mooey Wow, and he tricked me and I didn't get 24 00:01:25,440 --> 00:01:27,800 Speaker 1: it right. But we want to talk. We talked about 25 00:01:27,800 --> 00:01:30,720 Speaker 1: you a little bit and what a great talent. But 26 00:01:30,800 --> 00:01:33,319 Speaker 1: he was in three Twilight Zones. Yes, he was in 27 00:01:33,360 --> 00:01:36,720 Speaker 1: three great episodes. He was in then of course the 28 00:01:37,680 --> 00:01:40,080 Speaker 1: best one. Of course It's a good Life where he 29 00:01:40,120 --> 00:01:42,320 Speaker 1: sends people to the cornfield. Of course You're a bad 30 00:01:42,400 --> 00:01:44,880 Speaker 1: bad man. Phenomenal, and then he praise a tip with 31 00:01:44,959 --> 00:01:47,560 Speaker 1: Jack Lugman, which is great. And then Long Distance Call, 32 00:01:47,640 --> 00:01:50,400 Speaker 1: which was one of six Twilights On episodes shot on 33 00:01:50,440 --> 00:01:52,840 Speaker 1: black and white videotape. All the other episodes were shot 34 00:01:52,880 --> 00:01:55,920 Speaker 1: on thirty five millimeter films. So that's really interesting to 35 00:01:55,960 --> 00:01:59,120 Speaker 1: see how different those those six look. And the Billy 36 00:01:59,160 --> 00:02:01,360 Speaker 1: Moviey was just in the amazing actor. This is before 37 00:02:01,680 --> 00:02:03,680 Speaker 1: he did Lost in Space, and then I worked with 38 00:02:03,760 --> 00:02:06,240 Speaker 1: him on Babylon five and now on Space Command, the 39 00:02:06,280 --> 00:02:08,800 Speaker 1: show I've been shooting. But he's one of a kind. 40 00:02:09,120 --> 00:02:11,000 Speaker 1: Did you ever think when you were a youngster that 41 00:02:11,080 --> 00:02:14,280 Speaker 1: you would be dealing with episodes like The Twilight Zone 42 00:02:14,320 --> 00:02:16,720 Speaker 1: and writing about it and doing books on it and 43 00:02:16,800 --> 00:02:19,360 Speaker 1: things like that. Well, I you know, I dreamed of 44 00:02:19,800 --> 00:02:21,840 Speaker 1: working in television when I was a kid. You know, 45 00:02:21,840 --> 00:02:24,440 Speaker 1: these were the writers writing those shows were my heroes. 46 00:02:24,480 --> 00:02:26,040 Speaker 1: And as soon as I was a teenager, I started 47 00:02:26,040 --> 00:02:29,080 Speaker 1: going to science fiction convention and conventions and meeting people 48 00:02:29,120 --> 00:02:32,400 Speaker 1: like Ray Bradbury and so forth, and they became friends 49 00:02:32,400 --> 00:02:35,080 Speaker 1: and mentors. So I've been just blessed by that. It was, 50 00:02:35,160 --> 00:02:37,280 Speaker 1: and I'll tell you, George today, I had one of 51 00:02:37,320 --> 00:02:39,600 Speaker 1: the greatest experiences of my life. I shot a scene 52 00:02:39,600 --> 00:02:42,480 Speaker 1: for Space Command list Michelle Nichols, who played a Horra 53 00:02:42,600 --> 00:02:44,720 Speaker 1: on Star Trek, and I first met her when I 54 00:02:44,760 --> 00:02:47,800 Speaker 1: was ten years old and Star Trek was on the air. Wow, 55 00:02:47,880 --> 00:02:50,600 Speaker 1: that's amazing, your Twilight Zone companion, that you were at 56 00:02:50,639 --> 00:02:53,799 Speaker 1: the first edition that was back in nineteen eighty two 57 00:02:53,880 --> 00:02:55,840 Speaker 1: or something. Yeah. I started writing the book when I 58 00:02:55,880 --> 00:02:57,079 Speaker 1: was twenty two years old, and it came out in 59 00:02:57,120 --> 00:02:59,280 Speaker 1: nineteen eighty two. It's been in print ever since. But 60 00:02:59,320 --> 00:03:02,359 Speaker 1: I really wanted to do a new edition that would 61 00:03:02,360 --> 00:03:05,280 Speaker 1: expand upon the book. The new addition that's over one 62 00:03:05,320 --> 00:03:08,560 Speaker 1: hundred pages of new material has got five hundred new photos, 63 00:03:08,639 --> 00:03:11,720 Speaker 1: and it's it's got links to audio and videos, so 64 00:03:11,760 --> 00:03:14,920 Speaker 1: you can watch and listen to some great stuff, like 65 00:03:14,960 --> 00:03:17,960 Speaker 1: some of the TV shows Sterling written in fifties. But 66 00:03:17,960 --> 00:03:19,720 Speaker 1: you can also watch a new interview I just did 67 00:03:19,720 --> 00:03:21,920 Speaker 1: with George Kay and listen to an interview a new 68 00:03:21,960 --> 00:03:24,679 Speaker 1: interview I just did with Rod starter Jody, So that 69 00:03:25,000 --> 00:03:27,880 Speaker 1: the ability to do that was what really made me 70 00:03:27,919 --> 00:03:29,800 Speaker 1: want to write the book. Well, good for you, and 71 00:03:29,919 --> 00:03:33,240 Speaker 1: this new edition is out now. YEP. It's available from 72 00:03:33,280 --> 00:03:36,240 Speaker 1: Amazon and Barnes and Noble and everywhere good books are sold. Well, 73 00:03:36,240 --> 00:03:38,040 Speaker 1: you know, if you love the twilight Zone, you're gonna 74 00:03:38,040 --> 00:03:41,200 Speaker 1: love your Twilight Zone companions, that's for sure. That's exciting. 75 00:03:41,240 --> 00:03:43,320 Speaker 1: What do you think of the new TV twilight Zone. 76 00:03:43,480 --> 00:03:46,680 Speaker 1: We know it's really interesting because I really liked Jordan 77 00:03:46,760 --> 00:03:49,640 Speaker 1: Peel's movies. I thought Get Out and Us were really 78 00:03:49,680 --> 00:03:51,480 Speaker 1: in the tradition of what Rod Sterling was up to. 79 00:03:52,080 --> 00:03:54,680 Speaker 1: But the first two episodes that I've seen of the 80 00:03:54,720 --> 00:03:57,760 Speaker 1: new Twilight Zone serious that he's hosting. He didn't write 81 00:03:57,840 --> 00:03:59,840 Speaker 1: or direct those episodes, and I felt they were they 82 00:04:00,000 --> 00:04:02,280 Speaker 1: were not as strong as his movies have been. I 83 00:04:02,320 --> 00:04:05,040 Speaker 1: was rather disappointed. I'm hoping that as the show continues, 84 00:04:05,120 --> 00:04:07,840 Speaker 1: he'll have much more of a personal stamp on the 85 00:04:07,880 --> 00:04:10,280 Speaker 1: new Twilight Zone because, of course, in the original show, 86 00:04:10,320 --> 00:04:12,360 Speaker 1: Rod Serling wrote ninety two out of one hundred and 87 00:04:12,360 --> 00:04:15,560 Speaker 1: fifty six episodes himself, so it was very much his show. 88 00:04:15,720 --> 00:04:19,080 Speaker 1: There was a very strong authorial voice. Rod was inseparable 89 00:04:19,120 --> 00:04:22,800 Speaker 1: from Twilight Zone. Well, you know, maybe you can't duplicate that. 90 00:04:23,360 --> 00:04:25,520 Speaker 1: Maybe not, But I think if Jordan Pille were writing 91 00:04:25,760 --> 00:04:27,880 Speaker 1: and directing the shows and have much more of a 92 00:04:27,880 --> 00:04:31,760 Speaker 1: hand on them, they would have that quality that's made 93 00:04:31,760 --> 00:04:33,880 Speaker 1: his film so strong. And we'll see and perhaps as 94 00:04:33,880 --> 00:04:35,760 Speaker 1: the show goes on that will come to be the case. 95 00:04:35,800 --> 00:04:37,640 Speaker 1: I'm rooting for it. I'm definitely rooting for it. Is 96 00:04:37,680 --> 00:04:41,200 Speaker 1: this show primarily streamed. It's on CBS All Access, so 97 00:04:41,240 --> 00:04:43,600 Speaker 1: you have to subscribe to it. Just like Star Trek Discovery, 98 00:04:43,760 --> 00:04:45,960 Speaker 1: CBS is basically taking sort of some of their more 99 00:04:46,240 --> 00:04:49,560 Speaker 1: successful properties and making new versions that people have to 100 00:04:49,600 --> 00:04:52,159 Speaker 1: pay to see. It's sort of the new wave of 101 00:04:52,200 --> 00:04:55,479 Speaker 1: how television is being delivered. It is remarkable what's happening. 102 00:04:55,560 --> 00:04:58,040 Speaker 1: Let's talk for a moment about that. With Netflix and 103 00:04:58,160 --> 00:05:01,000 Speaker 1: Amazon Prime and things like that, where people are paying 104 00:05:01,080 --> 00:05:05,240 Speaker 1: premiums every month to be able to watch some premium shows. 105 00:05:05,720 --> 00:05:08,200 Speaker 1: The days of the old three networks. I remember that 106 00:05:08,279 --> 00:05:11,280 Speaker 1: a long time ago. That's gone. It's over now, isn't it. 107 00:05:11,279 --> 00:05:14,960 Speaker 1: It's true, it's astonishing. There's over five hundred scripted comedy 108 00:05:15,000 --> 00:05:17,960 Speaker 1: and drama series on all the networks and platforms right 109 00:05:18,000 --> 00:05:20,480 Speaker 1: now that it's impossibly even know what shows are on 110 00:05:20,560 --> 00:05:22,920 Speaker 1: the air. But you and I of course remember when 111 00:05:22,920 --> 00:05:25,600 Speaker 1: we were kids that there were only three networks and 112 00:05:25,800 --> 00:05:26,960 Speaker 1: you had to watch a show when it was on 113 00:05:27,080 --> 00:05:29,400 Speaker 1: you couldn't. In fact, when the original Star Trek aired 114 00:05:29,440 --> 00:05:31,520 Speaker 1: and I was ten years old, I recorded the original 115 00:05:31,600 --> 00:05:34,400 Speaker 1: Star Trek on Real Threal audiotape just in case of 116 00:05:34,720 --> 00:05:38,279 Speaker 1: Star Trek never showed again. So we've come a long way. 117 00:05:38,680 --> 00:05:41,919 Speaker 1: I remember when originally we just had CBS and NBC 118 00:05:42,120 --> 00:05:45,120 Speaker 1: pounding each other and the ratings. ABC was a way 119 00:05:45,160 --> 00:05:48,360 Speaker 1: distant third, And all of a sudden, Fred Silverman took 120 00:05:48,400 --> 00:05:52,200 Speaker 1: over and ABC started coming up with some incredible programming, 121 00:05:52,360 --> 00:05:55,760 Speaker 1: primarily gear gearing themselves to a younger, newer audience. Yes, 122 00:05:55,839 --> 00:05:57,919 Speaker 1: and it worked for them, yes, And I think I 123 00:05:57,920 --> 00:06:00,640 Speaker 1: think with Netflix and Amazon, on Time and a lot 124 00:06:00,680 --> 00:06:04,760 Speaker 1: of these new udd platforms. They are appealing to younger 125 00:06:04,760 --> 00:06:06,640 Speaker 1: people because people a lot of young people have no 126 00:06:06,680 --> 00:06:09,919 Speaker 1: idea what network or what studio is making giving given show. 127 00:06:10,279 --> 00:06:12,200 Speaker 1: So you know, for instance, you know, if they're watching 128 00:06:12,240 --> 00:06:14,400 Speaker 1: Walking Dead or whatever, they may not be aware where 129 00:06:14,520 --> 00:06:17,480 Speaker 1: where it originated, and that that's fine. So it's really 130 00:06:17,520 --> 00:06:20,880 Speaker 1: deliverable content. And many people don't even have a TV set. 131 00:06:20,880 --> 00:06:23,920 Speaker 1: They're watching them on their their tablets, are on their phones, 132 00:06:24,080 --> 00:06:26,320 Speaker 1: you know, and so you really have to it's a 133 00:06:26,400 --> 00:06:28,800 Speaker 1: very new medium and it's a very different way of 134 00:06:28,800 --> 00:06:32,400 Speaker 1: watching television. And what I think really made, really made 135 00:06:32,440 --> 00:06:35,120 Speaker 1: ABC back in the late seventies was when they came 136 00:06:35,160 --> 00:06:38,040 Speaker 1: out with the Roots mini series. Yes, that was an 137 00:06:38,080 --> 00:06:40,359 Speaker 1: amazing show. And again it's one of those shows that, 138 00:06:40,640 --> 00:06:42,560 Speaker 1: just like a Game of Thrones nowadays, it's one of 139 00:06:42,560 --> 00:06:45,200 Speaker 1: those shows that everyone was talking about, everyone was watching, 140 00:06:45,560 --> 00:06:47,960 Speaker 1: and it really sees the imagination of the public. It 141 00:06:48,000 --> 00:06:50,720 Speaker 1: was a terrific show. Mark with cable going on these days, 142 00:06:50,839 --> 00:06:54,520 Speaker 1: is anybody watching the network evening news anymore? Well, you know, 143 00:06:54,520 --> 00:06:56,880 Speaker 1: it's really on the fade, you know. I think most 144 00:06:56,920 --> 00:06:59,920 Speaker 1: people get their their news from from the Internet or 145 00:07:00,120 --> 00:07:02,040 Speaker 1: or from you know, their phone, something dings and you 146 00:07:02,360 --> 00:07:05,320 Speaker 1: read a little capsule comment. And so it's very much changed. 147 00:07:05,320 --> 00:07:08,240 Speaker 1: I mean the days when Walter Cronkite was basically sort 148 00:07:08,240 --> 00:07:10,560 Speaker 1: of the conscience of America and everyone turned to him 149 00:07:10,800 --> 00:07:13,000 Speaker 1: to get it. Well. For instance, when when Walter Cronkite 150 00:07:13,000 --> 00:07:16,280 Speaker 1: went to Vietnam and turned against the war, Lynda Johnson said, 151 00:07:16,280 --> 00:07:18,920 Speaker 1: we've if we've lost Walter Cronkite, we've lost the war. 152 00:07:19,400 --> 00:07:21,400 Speaker 1: And and that kind of power you really don't see 153 00:07:21,400 --> 00:07:23,520 Speaker 1: in these news these news people in the same way 154 00:07:23,560 --> 00:07:25,800 Speaker 1: that you used to. That's right. I'll always remember back 155 00:07:25,840 --> 00:07:30,480 Speaker 1: in nineteen sixty three when Kronkite broadcast John if Kennedy's assassination. 156 00:07:30,960 --> 00:07:33,480 Speaker 1: I mean, and you know he teared up. Man, it 157 00:07:33,560 --> 00:07:37,160 Speaker 1: was just unbelievable television. Yes, and yet the fun part 158 00:07:37,280 --> 00:07:39,840 Speaker 1: is those moments of authenticity that stick with us from 159 00:07:39,880 --> 00:07:43,679 Speaker 1: back then now the younger people or just anyone who's 160 00:07:43,680 --> 00:07:46,600 Speaker 1: watching things on their computers or on their tablets. Authenticity 161 00:07:47,080 --> 00:07:49,600 Speaker 1: with the creator and with the personalities that we're watching. 162 00:07:49,640 --> 00:07:53,880 Speaker 1: Authenticities what gets loyalty. But with the fans, We've had 163 00:07:53,920 --> 00:07:56,960 Speaker 1: Dan Rather on the show, who took Kronkite's place on CBS. 164 00:07:57,360 --> 00:08:00,160 Speaker 1: And now, of course he's been retired, yes, yeah, and 165 00:08:00,760 --> 00:08:03,080 Speaker 1: you know, and time moves on, and you know, it 166 00:08:03,480 --> 00:08:06,800 Speaker 1: is a different world. I actually prefer the way media 167 00:08:06,840 --> 00:08:09,560 Speaker 1: works now. I wouldn't go back to writing for the 168 00:08:09,560 --> 00:08:11,640 Speaker 1: studios and networks the way it was when I started. 169 00:08:11,680 --> 00:08:13,360 Speaker 1: I've been writing for TV since I was twenty two 170 00:08:13,400 --> 00:08:15,840 Speaker 1: years old. But but I love the way things are now. 171 00:08:15,960 --> 00:08:17,960 Speaker 1: You do You don't think it's too much? No, no, 172 00:08:18,080 --> 00:08:20,080 Speaker 1: I don't. Well not for me, because my audience gave 173 00:08:20,080 --> 00:08:22,520 Speaker 1: me over a million dollars to shoot the Space Command Pilot, 174 00:08:22,720 --> 00:08:25,120 Speaker 1: and I'm in a very direct communication with him now 175 00:08:25,280 --> 00:08:27,400 Speaker 1: and I love it because I'll tell you funny story. 176 00:08:27,440 --> 00:08:29,720 Speaker 1: I went to London to meet with the BBC and 177 00:08:29,760 --> 00:08:32,160 Speaker 1: I came out of the underground the subway, and someone 178 00:08:32,200 --> 00:08:34,360 Speaker 1: behind me on the street on the sidewalk said Mark 179 00:08:34,440 --> 00:08:36,640 Speaker 1: zich Reed, I love it Command, and he knew me 180 00:08:36,720 --> 00:08:38,840 Speaker 1: from I Love It channel, you know, And so that's 181 00:08:38,960 --> 00:08:41,720 Speaker 1: I love that stuff. Listen to more Coast to Coast 182 00:08:41,760 --> 00:08:45,440 Speaker 1: AM every weeknight at one am Eastern and go to 183 00:08:45,480 --> 00:08:47,600 Speaker 1: Coast to Coast am dot com for more