1 00:00:00,040 --> 00:00:21,599 Speaker 1: Our wild vegasin consisted mostly of Will and me and 2 00:00:21,640 --> 00:00:25,080 Speaker 1: his wife Sue talking. It was it was us. Easton 3 00:00:25,160 --> 00:00:27,880 Speaker 1: came coming over and hanging out with his wife. Um. 4 00:00:27,920 --> 00:00:30,760 Speaker 1: But other than that, we were at an iHeart kickoff 5 00:00:30,840 --> 00:00:33,839 Speaker 1: party for the I Heart Music Festival here. Um. But yeah, 6 00:00:33,920 --> 00:00:35,240 Speaker 1: by the time it wound down, it was just a 7 00:00:35,280 --> 00:00:37,800 Speaker 1: three of us pretty much. We're you know, we're big 8 00:00:37,840 --> 00:00:42,440 Speaker 1: partiers in our boys. Do either of you gamble? No? No, 9 00:00:43,240 --> 00:00:45,239 Speaker 1: it was so funny. I you know, I used to 10 00:00:45,240 --> 00:00:49,320 Speaker 1: play like poker and blackjack back in the day, and then, um, 11 00:00:49,320 --> 00:00:51,200 Speaker 1: I recently, I was in Vegas on a road trip 12 00:00:51,320 --> 00:00:55,440 Speaker 1: last year and um, my brother was watching my son 13 00:00:55,640 --> 00:00:57,560 Speaker 1: for a minute, and my wife and I had like 14 00:00:57,600 --> 00:01:00,200 Speaker 1: free time in a casine and we sat down for 15 00:01:00,760 --> 00:01:02,600 Speaker 1: five minutes and I lost forty dollars. I was like, 16 00:01:02,640 --> 00:01:06,119 Speaker 1: this is dumb. Yes, it's just I'm walking away from 17 00:01:06,120 --> 00:01:09,319 Speaker 1: this situation rather just have a drink and talk to you. 18 00:01:09,319 --> 00:01:11,760 Speaker 1: You're You're way more fun than me losing money, so 19 00:01:11,840 --> 00:01:15,600 Speaker 1: I'm frustrated and poorer. Yeah, this is awesome. Like what 20 00:01:15,720 --> 00:01:17,520 Speaker 1: I don't get it. I mean, poker, I get because 21 00:01:17,520 --> 00:01:20,679 Speaker 1: you're actually playing the other people. But but I would 22 00:01:20,680 --> 00:01:22,319 Speaker 1: just rather play at home. The idea of playing like 23 00:01:22,360 --> 00:01:24,280 Speaker 1: in a casino. Order. You went through a poker phase, 24 00:01:24,319 --> 00:01:29,559 Speaker 1: didn't you, Danielle Um. Yeah, it's not necessarily the proudest 25 00:01:29,600 --> 00:01:31,920 Speaker 1: time of my life, made like drive to commerce and 26 00:01:31,959 --> 00:01:35,319 Speaker 1: like I remember you, yeah, well yeah, I was really 27 00:01:35,360 --> 00:01:38,559 Speaker 1: into it. I played at all the l a local casinos. 28 00:01:39,040 --> 00:01:42,040 Speaker 1: I played in multiple different events, and then I used 29 00:01:42,040 --> 00:01:45,480 Speaker 1: to host poker nights at my house. Uh, and would 30 00:01:45,520 --> 00:01:48,640 Speaker 1: play until the sun came up. So would you get 31 00:01:48,680 --> 00:01:52,360 Speaker 1: recognized at these casinos? Yes, yes, yes, of course. Was 32 00:01:52,400 --> 00:02:00,560 Speaker 1: that intimidating for people? I don't know. It's when I 33 00:02:00,600 --> 00:02:02,880 Speaker 1: think it actually was the opposite. People would see me 34 00:02:03,080 --> 00:02:06,000 Speaker 1: and think, uh, oh wow, I'm gonna be able to 35 00:02:06,360 --> 00:02:08,840 Speaker 1: you know, take her for all of her money. Yeah, 36 00:02:09,480 --> 00:02:12,000 Speaker 1: my wife had the same advantage like women. I mean, 37 00:02:12,000 --> 00:02:14,079 Speaker 1: I'm sure it's changed now, but back when we used 38 00:02:14,120 --> 00:02:16,400 Speaker 1: to play in like two thousand and eight, it was 39 00:02:16,440 --> 00:02:18,160 Speaker 1: still like a weird thing for a woman to be 40 00:02:18,160 --> 00:02:20,840 Speaker 1: playing poke and they would always underestimate her and that 41 00:02:20,960 --> 00:02:22,919 Speaker 1: she would use that to her advantage every time. It 42 00:02:23,000 --> 00:02:25,160 Speaker 1: was so good. Yeah, yeah, it's great. It's great when 43 00:02:25,200 --> 00:02:27,160 Speaker 1: that happens, for sure, And then it's all. It also 44 00:02:27,200 --> 00:02:29,120 Speaker 1: sucks when it doesn't work out, when you're like, oh, man, 45 00:02:29,160 --> 00:02:31,119 Speaker 1: I've got a great hand, and then like on the river, 46 00:02:31,280 --> 00:02:33,600 Speaker 1: you get taken and you're like, now they think now 47 00:02:33,680 --> 00:02:35,600 Speaker 1: that I like played into it. Now they think that 48 00:02:35,680 --> 00:02:37,040 Speaker 1: is true, and then you have to stick around long 49 00:02:37,120 --> 00:02:38,880 Speaker 1: enough to prove them wrong. It just becomes a whole thing. 50 00:02:38,919 --> 00:02:42,480 Speaker 1: I'm glad I don't live. I mean I would still play, 51 00:02:42,480 --> 00:02:46,840 Speaker 1: Don't get me wrong. They would definitely still play, and 52 00:02:46,840 --> 00:02:48,840 Speaker 1: I do still play. I like playing. I just have 53 00:02:48,919 --> 00:02:51,880 Speaker 1: a more um like healthy relationship with it now. It 54 00:02:51,960 --> 00:02:54,919 Speaker 1: used to be like my number one favorite thing to do, 55 00:02:55,080 --> 00:02:58,000 Speaker 1: and anytime I could get people together to play, I 56 00:02:58,000 --> 00:02:59,440 Speaker 1: would I would do it. And I used to just 57 00:02:59,480 --> 00:03:05,880 Speaker 1: like watch it also on TV. No, I didn't know 58 00:03:05,919 --> 00:03:08,200 Speaker 1: anything about poker whatsoever, to the point where when people 59 00:03:08,240 --> 00:03:10,320 Speaker 1: were telling me about it, I was literally one of 60 00:03:10,320 --> 00:03:13,119 Speaker 1: the first questions I asked was why are you all 61 00:03:13,200 --> 00:03:15,600 Speaker 1: playing on a river? Like where do you have to go? 62 00:03:17,160 --> 00:03:19,000 Speaker 1: And they're like no, no, no, Like because I, well, 63 00:03:19,000 --> 00:03:21,040 Speaker 1: I hit it on the river. I'm like, that's hip 64 00:03:22,440 --> 00:03:24,959 Speaker 1: the river that you gotta play in. People do play 65 00:03:24,960 --> 00:03:27,200 Speaker 1: on river boats. That is like a thing writer and 66 00:03:27,240 --> 00:03:30,359 Speaker 1: I just had an interesting experience in the elevator on 67 00:03:30,440 --> 00:03:32,400 Speaker 1: the way up. Well, I can't wait to hear this 68 00:03:32,440 --> 00:03:35,440 Speaker 1: story somebody who recognized us. We can Yeah, I'm pretty 69 00:03:35,440 --> 00:03:38,480 Speaker 1: sure that's what this poor woman the elevator doors opened jo. 70 00:03:38,640 --> 00:03:41,240 Speaker 1: She was holding a giant full cup of Starbucks coffee, 71 00:03:41,240 --> 00:03:42,960 Speaker 1: which I was immediately about to ask her about, because 72 00:03:43,040 --> 00:03:45,040 Speaker 1: you find coffee. I was like, where did you find this? 73 00:03:45,480 --> 00:03:48,320 Speaker 1: And then she walked in and was looking at us 74 00:03:48,320 --> 00:03:51,200 Speaker 1: and let the doors close on her and just dropped 75 00:03:51,280 --> 00:03:55,800 Speaker 1: the coffee all over the elevator and we we were fine, 76 00:03:55,880 --> 00:03:58,680 Speaker 1: but she was like it was just so clear. I 77 00:03:58,680 --> 00:04:01,200 Speaker 1: was watching her face. I was like, she recognized us 78 00:04:01,240 --> 00:04:03,080 Speaker 1: and then like kind of lost control of her body 79 00:04:03,080 --> 00:04:04,920 Speaker 1: for a moment or like forgot where she was. And 80 00:04:04,960 --> 00:04:07,880 Speaker 1: I mean the door slum and she is hip checked 81 00:04:07,920 --> 00:04:10,840 Speaker 1: by the door and and her poor friend is like, 82 00:04:10,840 --> 00:04:12,280 Speaker 1: oh my god. And then they have to get in 83 00:04:12,320 --> 00:04:15,000 Speaker 1: the elevator dripping with so she's next to us like, 84 00:04:15,040 --> 00:04:16,880 Speaker 1: I'm so sorry I didn't get you, guys, I didn't. 85 00:04:16,880 --> 00:04:20,040 Speaker 1: There's a puddle of copy on the on the elevator floor. Yeah, 86 00:04:20,120 --> 00:04:22,440 Speaker 1: we felt that about Oh my gosh, and then did 87 00:04:22,440 --> 00:04:24,039 Speaker 1: you guys get off on the same floor, did you 88 00:04:24,040 --> 00:04:27,040 Speaker 1: guys like follow them down the hallway to get here 89 00:04:27,040 --> 00:04:32,000 Speaker 1: to the Presidential Like I'm like, she's probably crying right 90 00:04:32,040 --> 00:04:36,520 Speaker 1: now after she was dying for to be alone for 91 00:04:36,560 --> 00:04:38,839 Speaker 1: just two seconds to say to her friend, this is 92 00:04:38,880 --> 00:04:41,400 Speaker 1: the this is the moment of my life. Do you 93 00:04:41,400 --> 00:04:43,719 Speaker 1: have a do you have a favorite getting recognized as 94 00:04:43,760 --> 00:04:46,719 Speaker 1: somebody making a mistake or doing something embarrassing story, Danielle, 95 00:04:46,800 --> 00:04:48,000 Speaker 1: because I feel like this has happened to be a 96 00:04:48,040 --> 00:04:52,359 Speaker 1: bunch of introduced themselves with my name or like you know, 97 00:04:52,400 --> 00:04:56,240 Speaker 1: like just people they don't understand, like their brain, you know, 98 00:04:56,279 --> 00:04:58,800 Speaker 1: short circuits, because they're like a TV person in front 99 00:04:58,800 --> 00:05:02,360 Speaker 1: of me. Like my favorite one that happens fairly regularly 100 00:05:02,600 --> 00:05:05,000 Speaker 1: is high. I just wanted to say, you're a really 101 00:05:05,000 --> 00:05:08,480 Speaker 1: big fan of mine. Just it's always word order. Yeah. 102 00:05:08,720 --> 00:05:11,279 Speaker 1: I also, have you guys ever noticed like everybody calls 103 00:05:11,279 --> 00:05:15,880 Speaker 1: it Boys Meet World? You know what else? I get 104 00:05:15,960 --> 00:05:23,080 Speaker 1: sometime to Panga Meets World. I wasn't, but I should. 105 00:05:24,360 --> 00:05:27,520 Speaker 1: I often get. I'm such a fan of yours. You 106 00:05:27,760 --> 00:05:30,760 Speaker 1: stole that show absolutely amazing. What was it like to 107 00:05:30,800 --> 00:05:33,760 Speaker 1: be Corey's best friend? Oh, oh yeah. I get that 108 00:05:34,000 --> 00:05:36,680 Speaker 1: all the time, like you Nope, that wasn't people asked 109 00:05:36,680 --> 00:05:43,320 Speaker 1: me to do. They're they're wrong me really big. Another 110 00:05:43,400 --> 00:05:46,360 Speaker 1: one another one is excuse me, were you on full House? 111 00:05:46,960 --> 00:05:49,640 Speaker 1: I get yeah, yeah, And I think it's just because 112 00:05:49,640 --> 00:05:51,719 Speaker 1: they get the they get Boy Meets World, and to 113 00:05:51,800 --> 00:05:54,239 Speaker 1: them it's they get that trigger of like, oh, Comfort 114 00:05:54,240 --> 00:05:58,240 Speaker 1: TV Friday nights. It must have been full I thought 115 00:05:58,320 --> 00:06:01,920 Speaker 1: you were Candice Cameron Toil like a week ago. Oh yeah, 116 00:06:03,120 --> 00:06:06,320 Speaker 1: I can understand that. Well. Our guest today is somebody 117 00:06:06,360 --> 00:06:08,960 Speaker 1: we have talked about for a very long time. But 118 00:06:09,000 --> 00:06:10,720 Speaker 1: before I get into our guest today, I'm going to 119 00:06:10,839 --> 00:06:14,719 Speaker 1: say welcome to Pod Meets World. I'm Danielle Fish and 120 00:06:14,760 --> 00:06:22,040 Speaker 1: I'm wilfrid L. Hey everyone, I'm wilfrid L also known 121 00:06:22,080 --> 00:06:24,839 Speaker 1: as a voice behind ron Stoppable. Hey, and I'm Christie 122 00:06:24,839 --> 00:06:28,000 Speaker 1: Carlson er model, also known as the voice behind Kim Possible. 123 00:06:28,120 --> 00:06:30,040 Speaker 1: And we have teamed up again, but this time as 124 00:06:30,080 --> 00:06:32,640 Speaker 1: the host of I Hear Voices. Have you ever wanted 125 00:06:32,640 --> 00:06:35,799 Speaker 1: to go behind the scenes of your favorite cartoons, video games, 126 00:06:35,800 --> 00:06:39,320 Speaker 1: and animated movies. If so, we have the podcast for you. 127 00:06:39,680 --> 00:06:41,800 Speaker 1: Every week We're gonna be talking to the biggest stars 128 00:06:41,800 --> 00:06:45,000 Speaker 1: of voice over like Alan Tutick, Vette Nicole Brown, Steve Downs, 129 00:06:45,040 --> 00:06:48,080 Speaker 1: Dietrich Bader, and even reuniting with our Kim Possible co 130 00:06:48,160 --> 00:06:51,440 Speaker 1: star Taj Maury. They tell us everything from how they 131 00:06:51,480 --> 00:06:54,000 Speaker 1: got started, two things we didn't even know about some 132 00:06:54,040 --> 00:06:57,000 Speaker 1: of our favorite animated characters. You're also going to hear 133 00:06:57,000 --> 00:06:59,520 Speaker 1: about new shows, games, and movies from all of these 134 00:06:59,560 --> 00:07:02,560 Speaker 1: actors bring them to life. So if you want to laugh, learn, 135 00:07:02,680 --> 00:07:05,800 Speaker 1: and here's someone launch into characters like Bugs, Bunny, and 136 00:07:05,920 --> 00:07:08,919 Speaker 1: Batman all in the same episode, then this is the 137 00:07:09,000 --> 00:07:11,800 Speaker 1: podcast for you. Download the free I Heart Radio app 138 00:07:11,840 --> 00:07:14,800 Speaker 1: and check out the I Hear Voices podcast today. It's 139 00:07:14,880 --> 00:07:18,400 Speaker 1: free and you can even listen offline. Discover music radio 140 00:07:18,480 --> 00:07:27,040 Speaker 1: and podcasts you'll love, especially ours. So our guest today 141 00:07:27,160 --> 00:07:29,960 Speaker 1: is somebody we have talked about a lot so far 142 00:07:30,040 --> 00:07:32,320 Speaker 1: in this first season. And I don't know about you guys, 143 00:07:32,360 --> 00:07:33,720 Speaker 1: but I'm going to assume it's the same for you 144 00:07:33,760 --> 00:07:36,120 Speaker 1: as it is for me. He is such um and 145 00:07:36,320 --> 00:07:39,200 Speaker 1: like he's such a memorable part of these first few 146 00:07:39,240 --> 00:07:44,680 Speaker 1: seasons especially, and he his name is Chris Kayer, Christopher Kier, 147 00:07:44,720 --> 00:07:48,000 Speaker 1: who was our beloved onset dialogue coach for many seasons 148 00:07:48,000 --> 00:07:50,840 Speaker 1: of Boy Meat's World. He started in season one, and 149 00:07:51,000 --> 00:07:53,760 Speaker 1: he also appears a few times on our show. We 150 00:07:53,880 --> 00:07:56,560 Speaker 1: saw him recently in the episode where will was a 151 00:07:56,560 --> 00:08:00,320 Speaker 1: lobster model, of course, saw him in the mall, and 152 00:08:00,360 --> 00:08:02,480 Speaker 1: then we also he He did a lot of voices 153 00:08:02,520 --> 00:08:05,920 Speaker 1: for us on Boy Meets World. Um, so I'm really 154 00:08:05,960 --> 00:08:09,720 Speaker 1: excited to please welcome Chris Kaire. The Willie Walk of 155 00:08:09,800 --> 00:08:16,800 Speaker 1: Christmas has a rod. I'm gonna get to that exactly. 156 00:08:17,000 --> 00:08:18,800 Speaker 1: You guys. I don't know if you know this, but 157 00:08:18,920 --> 00:08:22,400 Speaker 1: Chris Kaire is like he has a Christmas store in Pasadena. 158 00:08:22,640 --> 00:08:26,200 Speaker 1: I did not know that. I didn't know that. I 159 00:08:26,240 --> 00:08:29,240 Speaker 1: can't wait to talk about it. Chris, welcome, all right. 160 00:08:29,360 --> 00:08:31,360 Speaker 1: First have to tell you, guys, thank you, thank you, 161 00:08:31,440 --> 00:08:33,840 Speaker 1: thank you for inviting me, because I was a small 162 00:08:33,880 --> 00:08:35,880 Speaker 1: part of your career on that show, just the first season. 163 00:08:35,920 --> 00:08:37,760 Speaker 1: There were so many people came in after me. But 164 00:08:37,800 --> 00:08:39,960 Speaker 1: I want to know, it really means a lot that 165 00:08:40,040 --> 00:08:41,560 Speaker 1: you thought about me and bring me down the show 166 00:08:42,559 --> 00:08:45,040 Speaker 1: of a huge part of the show. You we're only 167 00:08:45,080 --> 00:08:47,440 Speaker 1: there for the first season, because you seem like you 168 00:08:47,440 --> 00:08:51,040 Speaker 1: were there for so much longer and the reason we'll 169 00:08:51,040 --> 00:08:53,600 Speaker 1: talk about that later. Why when I moved on. It's 170 00:08:53,679 --> 00:08:56,160 Speaker 1: very interesting. But you guys, I can lead the conversation. 171 00:08:56,280 --> 00:08:59,120 Speaker 1: You can't. You know I can talk. Yes, well, we're 172 00:08:59,160 --> 00:09:01,520 Speaker 1: really excited about you being able to talk. I do 173 00:09:01,600 --> 00:09:03,640 Speaker 1: have a question, how did you get the job as 174 00:09:03,640 --> 00:09:05,720 Speaker 1: our dialogue coach? What was that process? How did you 175 00:09:05,760 --> 00:09:08,120 Speaker 1: get to us? That's a great way to start. Okay, 176 00:09:08,320 --> 00:09:10,720 Speaker 1: As some of you know, I am an acting coach. 177 00:09:10,760 --> 00:09:13,840 Speaker 1: I've taught twenty thousand kids of this series of twenty 178 00:09:13,920 --> 00:09:17,600 Speaker 1: years and personally my actings to school literally started in 179 00:09:17,640 --> 00:09:19,319 Speaker 1: my garage in North Hollywood when it first got to 180 00:09:19,400 --> 00:09:21,959 Speaker 1: l a from New York. And one of my students, 181 00:09:21,960 --> 00:09:24,200 Speaker 1: the mother Bobby I remember her, was best friends with 182 00:09:24,240 --> 00:09:29,400 Speaker 1: April Kelly. So he said to me that you show 183 00:09:29,480 --> 00:09:32,480 Speaker 1: come out called the Ben Savage Project. Yeah, okay, but 184 00:09:32,679 --> 00:09:34,600 Speaker 1: I don't like going to parties. I do not. I 185 00:09:34,600 --> 00:09:36,560 Speaker 1: still don't like going to parts, but she's like the 186 00:09:36,679 --> 00:09:40,680 Speaker 1: party I went and I met one April April Kelly 187 00:09:40,720 --> 00:09:42,640 Speaker 1: that you all know April as the co creator of 188 00:09:42,760 --> 00:09:45,760 Speaker 1: boy Me's World. And uh so we hit it off. 189 00:09:45,800 --> 00:09:47,240 Speaker 1: Because you really need to come down and meet our 190 00:09:47,280 --> 00:09:50,880 Speaker 1: director on the lot and they're looking for a dialogue coach, 191 00:09:50,960 --> 00:09:52,760 Speaker 1: which is an acting coach on the set. For those 192 00:09:52,800 --> 00:09:54,839 Speaker 1: that don't know what a dialogue coaches. I help young 193 00:09:54,840 --> 00:09:56,600 Speaker 1: people as well as the adult actors. They have them 194 00:09:56,600 --> 00:09:59,280 Speaker 1: on sets. It was they've been on for decades movies, 195 00:09:59,440 --> 00:10:05,520 Speaker 1: television set, especially when it's uh a youth oriented cast. 196 00:10:05,679 --> 00:10:07,800 Speaker 1: They need a dialogue coach. And there's a lot of 197 00:10:07,840 --> 00:10:10,320 Speaker 1: you green people. You people have never done it before. 198 00:10:10,360 --> 00:10:12,160 Speaker 1: So anyways, at the party I talked to I go 199 00:10:12,240 --> 00:10:15,920 Speaker 1: down and I meet one David Trainer my podcast. So 200 00:10:15,960 --> 00:10:19,040 Speaker 1: I meet David, we talked, we hit it off, and 201 00:10:19,679 --> 00:10:22,040 Speaker 1: wail I became the dialogue coach for the very first 202 00:10:22,080 --> 00:10:25,959 Speaker 1: season A boy meets Wow. That's amazing, which means your 203 00:10:26,080 --> 00:10:31,560 Speaker 1: number one job was miss Lily Nick right, Yeah, yeah, 204 00:10:31,559 --> 00:10:33,319 Speaker 1: I mean how old was she she was only we 205 00:10:33,400 --> 00:10:39,240 Speaker 1: got a five year old on the one Morgan And yes, specifically, 206 00:10:39,280 --> 00:10:41,319 Speaker 1: I really was brought on because she was breeding and 207 00:10:41,360 --> 00:10:43,839 Speaker 1: never done anything before, so they wanted me to grrawl 208 00:10:43,920 --> 00:10:47,280 Speaker 1: her and teach her every week. Wow, we have been 209 00:10:47,320 --> 00:10:50,120 Speaker 1: singing your praises now for weeks as we go through 210 00:10:50,160 --> 00:10:52,079 Speaker 1: these episodes, and we talked about it when we when 211 00:10:52,120 --> 00:10:55,480 Speaker 1: we talked about Lily. We've talked about you multiple different times, 212 00:10:55,800 --> 00:10:58,800 Speaker 1: and it's come up that at twenty seven years old, 213 00:10:59,120 --> 00:11:03,760 Speaker 1: you were the youngest ring master for Ringling Brothers. Like, 214 00:11:04,440 --> 00:11:07,000 Speaker 1: how did you? How? What is that story? You have 215 00:11:07,080 --> 00:11:09,760 Speaker 1: the craziest life. I was doing research on you and 216 00:11:09,760 --> 00:11:14,840 Speaker 1: I was like Christmas Store youngest ring Master dialogue. I'd 217 00:11:14,920 --> 00:11:18,120 Speaker 1: like to jump in here because I remember, I remember 218 00:11:18,240 --> 00:11:21,680 Speaker 1: this story that you told me about how you got 219 00:11:21,679 --> 00:11:23,360 Speaker 1: the job, and I'd like to see if I'm right 220 00:11:23,480 --> 00:11:26,360 Speaker 1: that you told me this story. The story will remember 221 00:11:26,400 --> 00:11:30,400 Speaker 1: it exactly, it's gotten bigger. Let me see. Let me 222 00:11:30,400 --> 00:11:35,280 Speaker 1: see if I remember you were home exactly. You were 223 00:11:35,320 --> 00:11:39,000 Speaker 1: a fighter pilot. You just landed a cripple F four. 224 00:11:43,880 --> 00:11:46,440 Speaker 1: I do. I embellished like a hundred million times, but 225 00:11:47,760 --> 00:11:51,280 Speaker 1: I he So, if memory serves it was you heard 226 00:11:51,280 --> 00:11:53,600 Speaker 1: about the audition for the Ringling Brothers, and the reason 227 00:11:53,679 --> 00:11:57,000 Speaker 1: you thought you got it is you were in the 228 00:11:57,040 --> 00:12:01,280 Speaker 1: final audition phase and you were on the microphone and 229 00:12:01,480 --> 00:12:07,480 Speaker 1: gunther Gable Williams actually walked on to the area and 230 00:12:07,600 --> 00:12:12,199 Speaker 1: you referenced him and said, and of course gunther Gable Williams, 231 00:12:12,640 --> 00:12:16,559 Speaker 1: and he saw that you had instantly recognized him, knew 232 00:12:16,559 --> 00:12:19,760 Speaker 1: who he was. You announced that he was there, incorporated 233 00:12:19,800 --> 00:12:22,959 Speaker 1: him essentially into our audition, and that helped you get 234 00:12:22,960 --> 00:12:31,680 Speaker 1: the job. Am I remembering that correctly? One entle was 235 00:12:31,720 --> 00:12:36,719 Speaker 1: the invested animal trainer, he had all the tires, He 236 00:12:36,800 --> 00:12:39,560 Speaker 1: was the guy at Ringing. We don't have enough time 237 00:12:39,720 --> 00:12:41,800 Speaker 1: to cover every chapter in my life, but I am 238 00:12:41,800 --> 00:12:45,679 Speaker 1: the ultimate impresario, showman, entrepreneur you could ever meet. I 239 00:12:45,720 --> 00:12:49,160 Speaker 1: don't when somebody says I can't, That's the reason why 240 00:12:49,200 --> 00:12:51,920 Speaker 1: I do. But yes, indeed, that auditions all of thom 241 00:12:51,920 --> 00:12:54,400 Speaker 1: in the United States, through seven finalists to the greatest 242 00:12:54,440 --> 00:12:57,599 Speaker 1: showner from Chicago Auditions Center ring right to sing and 243 00:12:57,600 --> 00:13:00,760 Speaker 1: announced ladies and gentlemen to the VOLLI in the centering. 244 00:13:01,000 --> 00:13:03,880 Speaker 1: It was in Chicago, and he Gunther was there. He 245 00:13:03,960 --> 00:13:06,599 Speaker 1: Wall had meandered in an incogito. And I acknowledged that 246 00:13:06,640 --> 00:13:09,360 Speaker 1: when I was an out the guns Gunther and lo 247 00:13:09,440 --> 00:13:11,840 Speaker 1: and behold, I'm the national Press. I was the twenty 248 00:13:11,960 --> 00:13:14,439 Speaker 1: seven in the history fifty history of the great shown Earth, 249 00:13:14,600 --> 00:13:16,559 Speaker 1: and the youngest at the time. And after I did 250 00:13:16,559 --> 00:13:19,319 Speaker 1: that to her, of course, I wrote a book autobiography. 251 00:13:19,400 --> 00:13:22,280 Speaker 1: It's a great book. I still have my signed copy. 252 00:13:22,640 --> 00:13:25,520 Speaker 1: It's awesome. But the book is this The entrepreneur in 253 00:13:25,559 --> 00:13:28,199 Speaker 1: me is I started looking something you guys don't know 254 00:13:28,280 --> 00:13:30,679 Speaker 1: called the Yellow Pages, and I looked under publishers, and 255 00:13:30,760 --> 00:13:32,040 Speaker 1: I started calling, and I said I was the youngest 256 00:13:32,080 --> 00:13:33,920 Speaker 1: ring master with the greatest showner. And this editor went, 257 00:13:34,360 --> 00:13:36,600 Speaker 1: tell me, I love the circus. I sold my whole book, 258 00:13:36,600 --> 00:13:39,360 Speaker 1: never written, the book on the idea and some photographs 259 00:13:39,360 --> 00:13:42,480 Speaker 1: of my energy, and here we are at the startup. 260 00:13:42,520 --> 00:13:45,800 Speaker 1: I'm an active performer many many years television, film, uh commercials, 261 00:13:45,840 --> 00:13:48,560 Speaker 1: but that ringmaster credit is probably the most unique and 262 00:13:48,640 --> 00:13:51,840 Speaker 1: most responsible job I've ever had the show business. So 263 00:13:52,040 --> 00:13:58,160 Speaker 1: what was harder wrangling lions or wrangling us? Wrangling Morgan, 264 00:13:58,280 --> 00:14:02,920 Speaker 1: let's put it. Let me tell you a few things 265 00:14:02,960 --> 00:14:05,120 Speaker 1: about your beginnings. Okay, I know you talked about in 266 00:14:05,200 --> 00:14:07,360 Speaker 1: the past, but piece we'll talk about peace in a minute. 267 00:14:07,559 --> 00:14:11,440 Speaker 1: But here's the few things I remember about each of you. 268 00:14:11,480 --> 00:14:15,000 Speaker 1: How's that will have just come from Hartford, Connectic area. 269 00:14:15,280 --> 00:14:17,520 Speaker 1: No one could pronounce fordel number one. But I'm at 270 00:14:17,559 --> 00:14:20,200 Speaker 1: Will who was sixteen, and they're a not a kid 271 00:14:20,200 --> 00:14:21,960 Speaker 1: that hired it for the other for the pilot. We 272 00:14:21,960 --> 00:14:25,680 Speaker 1: all know that story. Anyways, Will was green green I mean, 273 00:14:25,960 --> 00:14:28,000 Speaker 1: and I've used this story many times in my class, 274 00:14:28,080 --> 00:14:30,160 Speaker 1: over and over and over since then. By the way, 275 00:14:30,360 --> 00:14:32,240 Speaker 1: Will thank you. He came to my garage one time 276 00:14:32,280 --> 00:14:36,520 Speaker 1: and talk to my students. How about that is that's 277 00:14:36,560 --> 00:14:39,160 Speaker 1: such a will thing to do. You taught me how 278 00:14:39,200 --> 00:14:45,160 Speaker 1: to play Canasta? Well, oh, my Atlanta, whether the will, 279 00:14:45,400 --> 00:14:48,400 Speaker 1: there's the ways, And I can't believe. I tell you, 280 00:14:48,720 --> 00:14:51,000 Speaker 1: I'm shocked. I don't that. I don't. So Will is 281 00:14:51,040 --> 00:14:53,440 Speaker 1: on the set and he is being green this. I 282 00:14:53,480 --> 00:14:55,200 Speaker 1: tell this over and over because it happens to all 283 00:14:55,240 --> 00:14:58,040 Speaker 1: my actors who are starting out in my past. They 284 00:14:58,080 --> 00:15:00,800 Speaker 1: tend to use the words I mean, I mean, I mean, 285 00:15:00,840 --> 00:15:03,440 Speaker 1: I mean, I'll tell you something. I had my script 286 00:15:03,480 --> 00:15:05,520 Speaker 1: and I went out there and taping night. I go Will, 287 00:15:06,120 --> 00:15:09,120 Speaker 1: and I circle in my script eight ten, twenty times, 288 00:15:09,160 --> 00:15:11,480 Speaker 1: because I really I did. I didn't think yes Will, 289 00:15:12,160 --> 00:15:13,840 Speaker 1: I mean Well. I had to get in that habit 290 00:15:13,840 --> 00:15:15,760 Speaker 1: of what I means. But you mean everything you say 291 00:15:15,840 --> 00:15:17,680 Speaker 1: unless it's written in the script. You mean everything you say. 292 00:15:17,920 --> 00:15:19,720 Speaker 1: But the Green people tell you what I mean, I mean, 293 00:15:19,840 --> 00:15:22,720 Speaker 1: I mean. It buys them times for this month that one. 294 00:15:23,160 --> 00:15:25,720 Speaker 1: Not only that, but very quickly. Michael Jacobs at one 295 00:15:25,760 --> 00:15:28,920 Speaker 1: point wrote it into the script, wrote, I mean and 296 00:15:28,960 --> 00:15:32,240 Speaker 1: I cut it and he's like, really, you say I 297 00:15:32,320 --> 00:15:36,640 Speaker 1: mean nineties? Three times I write cut it out. Will 298 00:15:36,680 --> 00:15:38,520 Speaker 1: do you remember that I do? I mean yeah, I 299 00:15:39,520 --> 00:15:44,240 Speaker 1: mean er yeah, Spider, Mr Cool laid back rider all 300 00:15:44,280 --> 00:15:47,080 Speaker 1: the time. The sound guy with the boom, he called 301 00:15:47,080 --> 00:15:51,120 Speaker 1: me over, he's sitting on that brain another way kid 302 00:15:51,120 --> 00:15:52,560 Speaker 1: to speak. You gotta tell that kid to speak up. 303 00:15:52,920 --> 00:15:56,120 Speaker 1: I did not. You know, wider Is comes from film 304 00:15:56,120 --> 00:15:57,600 Speaker 1: and very laid back kind of dude. He did some 305 00:15:57,600 --> 00:15:59,520 Speaker 1: stage and God roach and all of those things. But 306 00:16:00,120 --> 00:16:01,320 Speaker 1: what do you except to me? When I said that 307 00:16:01,360 --> 00:16:02,880 Speaker 1: to him? You're sitting in the cafeteria, you remember, he 308 00:16:02,920 --> 00:16:05,360 Speaker 1: looked up and he goes, I just don't want to 309 00:16:05,360 --> 00:16:07,800 Speaker 1: be fake. I want to come on from Yeah, I said, 310 00:16:08,560 --> 00:16:16,960 Speaker 1: this is what do you re real? That is so funny? 311 00:16:17,000 --> 00:16:20,120 Speaker 1: I was, yes, I was definitely like intentionally like mumbling 312 00:16:20,160 --> 00:16:24,520 Speaker 1: makes it really was the brand noticed especially in the 313 00:16:24,640 --> 00:16:27,080 Speaker 1: Fugitive episode. Then you were I mean you were supposed 314 00:16:27,080 --> 00:16:29,400 Speaker 1: to because it was more dramatic, but I really noticed 315 00:16:29,760 --> 00:16:32,840 Speaker 1: that you were talking very loud. I just want to 316 00:16:33,080 --> 00:16:37,720 Speaker 1: do I feel like I'm being fake. Alright, that's funny. Alright, 317 00:16:37,760 --> 00:16:40,960 Speaker 1: are you wearing makeup? Right now? Did somebody do your hair? 318 00:16:41,200 --> 00:16:44,720 Speaker 1: Did you just wander in the air? You put on wordrobe? 319 00:16:44,920 --> 00:16:48,760 Speaker 1: We're what, we're your fake cafeteria for Christ's say, kids 320 00:16:48,840 --> 00:16:51,840 Speaker 1: speak up. I would talk about Danielle so oh no, 321 00:16:52,760 --> 00:16:54,240 Speaker 1: I've in the other episodes. How you told I just 322 00:16:54,360 --> 00:16:56,560 Speaker 1: got the part, etcetera. Um, we did have a girl 323 00:16:56,600 --> 00:16:59,120 Speaker 1: that they had cast and David Trainer and I we 324 00:16:59,240 --> 00:17:01,120 Speaker 1: talked about we did it the paper read on a 325 00:17:01,160 --> 00:17:02,760 Speaker 1: table read for everyone that does know you sit around 326 00:17:02,760 --> 00:17:04,880 Speaker 1: the table every week just before you start to put 327 00:17:04,960 --> 00:17:07,520 Speaker 1: on the feet and going to the studio U sound 328 00:17:07,560 --> 00:17:10,920 Speaker 1: stage and set up set the blocking each set. But 329 00:17:11,040 --> 00:17:13,399 Speaker 1: this girl had attitude and she wasn't really right for 330 00:17:13,440 --> 00:17:14,959 Speaker 1: the part. But there was one line which she had 331 00:17:14,960 --> 00:17:16,760 Speaker 1: to be a flower child. As we know, Panga is 332 00:17:17,240 --> 00:17:19,360 Speaker 1: one episode she was gonna be in, but she looked 333 00:17:19,400 --> 00:17:21,720 Speaker 1: over it. When she left her left lins went. She 334 00:17:21,800 --> 00:17:26,440 Speaker 1: put this piece items right that sticks out to me 335 00:17:26,880 --> 00:17:32,200 Speaker 1: and David capt She just wanted her to say peace. Well, 336 00:17:33,080 --> 00:17:37,240 Speaker 1: David tell me we gotta get rid of that. So anyways, 337 00:17:37,280 --> 00:17:40,560 Speaker 1: that's how we uh we replaced her butt. Here's the story, 338 00:17:40,680 --> 00:17:44,840 Speaker 1: daniel Her mother told me, we almost didn't go that 339 00:17:44,880 --> 00:17:47,760 Speaker 1: audition because just so you know, and you said an 340 00:17:47,800 --> 00:17:51,320 Speaker 1: earlier episode, Danielle and Marl had two lines in the 341 00:17:51,359 --> 00:17:54,320 Speaker 1: show Small Little Park. Her they lived in thousand Notes. 342 00:17:54,400 --> 00:17:55,920 Speaker 1: We just didn't want to drive down for two lines. 343 00:17:55,960 --> 00:17:58,200 Speaker 1: I looked at her, I said, any chance you get 344 00:17:58,240 --> 00:18:00,840 Speaker 1: to be on a set. You learned your lesson, didn't you, 345 00:18:01,000 --> 00:18:03,760 Speaker 1: because I'll end up being eight years isn't amazing? She 346 00:18:03,840 --> 00:18:06,600 Speaker 1: won't go, right, Danielle, Yeah, I don't. I don't remember that, 347 00:18:06,680 --> 00:18:09,080 Speaker 1: but that I mean, I know that I had done 348 00:18:09,240 --> 00:18:12,119 Speaker 1: the audition for Topanga just either the day before or 349 00:18:12,160 --> 00:18:15,359 Speaker 1: two days before, and we were living in Calabasas at 350 00:18:15,400 --> 00:18:16,879 Speaker 1: the time, and I don't remember where the audition was, 351 00:18:16,920 --> 00:18:18,400 Speaker 1: but I know that we spent a lot of time 352 00:18:18,440 --> 00:18:20,399 Speaker 1: in traffic to get there. So when I didn't get 353 00:18:20,440 --> 00:18:22,399 Speaker 1: the audition for Topanga and then the next day, they 354 00:18:22,440 --> 00:18:24,160 Speaker 1: were like, can you come back out to audition again? 355 00:18:24,359 --> 00:18:25,840 Speaker 1: And this time it's for two lines? I think my 356 00:18:25,920 --> 00:18:28,480 Speaker 1: mom and I were like, oh my gosh again in 357 00:18:28,600 --> 00:18:30,920 Speaker 1: the car, but we did it, thankfully. I heard that 358 00:18:31,240 --> 00:18:33,359 Speaker 1: It was great when it was just if I didn't 359 00:18:33,359 --> 00:18:34,720 Speaker 1: know some of that, it was great. It must have 360 00:18:34,720 --> 00:18:36,880 Speaker 1: been Disney, right, it must have been Disney. It must 361 00:18:36,880 --> 00:18:39,680 Speaker 1: have been the Disney lot is where you would have audition. Yeah, 362 00:18:40,840 --> 00:18:44,040 Speaker 1: they filmed just those listeners. No, they actually filmed scenes 363 00:18:44,160 --> 00:18:47,159 Speaker 1: of Mary Poppins on the sound stage. The film on 364 00:18:47,240 --> 00:18:49,840 Speaker 1: the sound stage. Because one of our writers, Jeffrey Sherman, 365 00:18:49,960 --> 00:18:53,400 Speaker 1: we all love. His father was Robert Sherman, who wrote 366 00:18:53,440 --> 00:18:55,479 Speaker 1: the songs the Very Poppins, and his father came one 367 00:18:55,520 --> 00:18:56,600 Speaker 1: day of the stet and I had my book all 368 00:18:56,640 --> 00:18:58,040 Speaker 1: signed for him because I was like an idol of 369 00:18:58,119 --> 00:18:59,840 Speaker 1: the Sherman brothers. And he looked around. He goes, you 370 00:18:59,880 --> 00:19:03,080 Speaker 1: know this sound stage film Poppins, and my eyes got 371 00:19:03,160 --> 00:19:05,359 Speaker 1: so big. I had no idea. Yeah, yeah, it was that. 372 00:19:05,480 --> 00:19:07,520 Speaker 1: That's their big film stage. Stage two was their big 373 00:19:07,560 --> 00:19:10,440 Speaker 1: film stage. All the big stuff they would do. The commissary. 374 00:19:10,560 --> 00:19:12,280 Speaker 1: We have a little commissary before we remodeled it. It 375 00:19:12,359 --> 00:19:14,320 Speaker 1: was a lot of traditional So on the set there 376 00:19:14,320 --> 00:19:16,720 Speaker 1: I'm as the dialogue coach was helping out and it 377 00:19:16,880 --> 00:19:19,640 Speaker 1: was the first episode and Michael Jacobs, the producer, says, 378 00:19:19,800 --> 00:19:23,480 Speaker 1: get anti, my real name is Christopher Anti Chaire. It's 379 00:19:23,520 --> 00:19:27,200 Speaker 1: German like fredl all right, and uh, they couldn't pronounce it, 380 00:19:27,280 --> 00:19:29,480 Speaker 1: so David said, I said, just say Chris Kier. I 381 00:19:29,600 --> 00:19:31,920 Speaker 1: made it up on the spot. It was the best 382 00:19:32,000 --> 00:19:34,760 Speaker 1: thing I did when I got to Hollywood that I 383 00:19:34,800 --> 00:19:37,440 Speaker 1: said Chris kier As, I said, said Chris Kier. Michael 384 00:19:37,480 --> 00:19:40,000 Speaker 1: Jacobs would say it. Then David said, they all remembered it. 385 00:19:40,080 --> 00:19:43,680 Speaker 1: Isn't amazing. Became on the first episode of boy Me's 386 00:19:43,720 --> 00:19:46,280 Speaker 1: World on the set. You were named on the show. 387 00:19:46,400 --> 00:19:49,200 Speaker 1: That's so great, I know, isn't that cool. It's also 388 00:19:49,320 --> 00:19:51,520 Speaker 1: very similar to Chris Kringle, which I'd like to get into. 389 00:19:52,000 --> 00:20:00,600 Speaker 1: You have a hollow store and very interesting see behind 390 00:20:00,680 --> 00:20:04,239 Speaker 1: you Halloween. Okay, so you guys so much you can 391 00:20:04,240 --> 00:20:06,399 Speaker 1: talk about. I want to do a movie that's a 392 00:20:06,440 --> 00:20:08,800 Speaker 1: war between a Halloween story and a Christmas story. That's 393 00:20:08,800 --> 00:20:10,639 Speaker 1: actually a great, great idea. And they brought up a 394 00:20:10,720 --> 00:20:13,280 Speaker 1: Christmas store. Here's the thing. I have a habit and 395 00:20:13,280 --> 00:20:15,480 Speaker 1: addiction like everything, and this is a good one because 396 00:20:15,600 --> 00:20:18,840 Speaker 1: I collect handblown more ornaments from the Germany and Italy 397 00:20:18,920 --> 00:20:20,720 Speaker 1: and around the world, pulling and I just got back 398 00:20:20,760 --> 00:20:22,840 Speaker 1: from a three week buying trip in Prague and Italy, 399 00:20:23,000 --> 00:20:25,439 Speaker 1: Germany and Austin, so over there, and I bring these 400 00:20:25,480 --> 00:20:29,399 Speaker 1: treasures back to California. So what I did is as 401 00:20:29,680 --> 00:20:31,600 Speaker 1: as I'm growing, I get in twelve trees in my house. 402 00:20:31,680 --> 00:20:34,080 Speaker 1: I had offset the habit. Well, I bought a building 403 00:20:34,240 --> 00:20:36,840 Speaker 1: in Burbank, California, and I had my acting school, and 404 00:20:36,920 --> 00:20:39,359 Speaker 1: I had a not mine, but a gift shop. I 405 00:20:39,400 --> 00:20:41,680 Speaker 1: read it out to the other side of the building. Well, 406 00:20:41,720 --> 00:20:43,159 Speaker 1: she left in the night, and I thought, what am 407 00:20:43,160 --> 00:20:45,159 Speaker 1: I gonna do? I went to my storage unit. I 408 00:20:45,600 --> 00:20:47,800 Speaker 1: put half of stuff in that store and it went 409 00:20:47,840 --> 00:20:49,560 Speaker 1: through the roof. So I was doing my acting classes 410 00:20:49,680 --> 00:20:51,879 Speaker 1: and running a store to pay the rent. And then 411 00:20:51,920 --> 00:20:54,320 Speaker 1: it grew from there, and it grew. But unfortunately, I 412 00:20:54,400 --> 00:20:56,399 Speaker 1: stupidly the biggest mistake in my life. I killed myself 413 00:20:56,400 --> 00:21:00,280 Speaker 1: all the time about it. I sold the building. Year. 414 00:21:00,560 --> 00:21:04,919 Speaker 1: I have it for a location for the Christopher Chire's 415 00:21:04,960 --> 00:21:08,720 Speaker 1: Christmas Corner. This year. It's ninety nine East Colorado in Pasadena. 416 00:21:08,920 --> 00:21:11,119 Speaker 1: But here's the fascinating thing. Everybody's love this, and you 417 00:21:11,200 --> 00:21:13,600 Speaker 1: all love this. So one of your tech this comes 418 00:21:13,640 --> 00:21:15,680 Speaker 1: up every year in my store. One of your crew 419 00:21:16,160 --> 00:21:18,560 Speaker 1: years later, gave me this, and it's in the store 420 00:21:18,600 --> 00:21:20,720 Speaker 1: every year, and I tell the story. It is the 421 00:21:20,760 --> 00:21:23,080 Speaker 1: episode where Will goes the mall to be Santa. This 422 00:21:23,240 --> 00:21:28,760 Speaker 1: is about that. One of your remember, gave me that 423 00:21:28,880 --> 00:21:30,840 Speaker 1: they signed in the back Boy Meets World, And so 424 00:21:31,000 --> 00:21:33,200 Speaker 1: I haven't in the store hanging every year somewhere in 425 00:21:33,200 --> 00:21:34,920 Speaker 1: the store, and I tell the story. And it's not 426 00:21:35,040 --> 00:21:36,920 Speaker 1: for sale. It's not for sale. It's not for sale, 427 00:21:36,960 --> 00:21:41,520 Speaker 1: but it's from So that's how I'm talking about. And 428 00:21:41,680 --> 00:21:47,160 Speaker 1: I'm open just till out. I opened it last week. 429 00:21:47,600 --> 00:21:50,680 Speaker 1: Behind me its thousands of thousands of treasures and there's 430 00:21:50,680 --> 00:21:52,800 Speaker 1: tons more in the storage room. I did this with 431 00:21:52,920 --> 00:21:56,359 Speaker 1: one friend in fifteen days, three weeks ago. This was empty. 432 00:21:58,119 --> 00:22:00,840 Speaker 1: We did it and four heat that on a fourtement. 433 00:22:00,840 --> 00:22:02,400 Speaker 1: We were so hot and here it was so hot. 434 00:22:05,119 --> 00:22:08,960 Speaker 1: Arrival Christmas Shop right across the street. It's gonna be 435 00:22:13,520 --> 00:22:16,480 Speaker 1: Oh my gosh, Chris, what are some of your favorite 436 00:22:16,640 --> 00:22:21,639 Speaker 1: onset memories? Okay, this is great. So when we started 437 00:22:21,680 --> 00:22:24,879 Speaker 1: the show, Bill had come from tape. He did the stage. 438 00:22:24,920 --> 00:22:26,800 Speaker 1: Bill Daniels to the stage and he came from tell 439 00:22:26,920 --> 00:22:29,240 Speaker 1: the tape show, I mean not tape shows, film shows, 440 00:22:29,400 --> 00:22:33,720 Speaker 1: singular camera shows, and these writers were putting him through 441 00:22:33,760 --> 00:22:36,840 Speaker 1: the worst by baking flowery language about his flowers, the 442 00:22:37,880 --> 00:22:40,000 Speaker 1: arya bouga filia, and it was just so hard. I 443 00:22:40,040 --> 00:22:43,080 Speaker 1: couldn't remember. It's like mamalizing. He got grocery list in Greek. 444 00:22:43,160 --> 00:22:45,320 Speaker 1: I couldn't do it. And I've always felt sorry for him, 445 00:22:45,440 --> 00:22:48,000 Speaker 1: so pure enough. The first episode he dealt there blooming, 446 00:22:48,040 --> 00:22:51,040 Speaker 1: the grooming the flowers, and he goes up and for 447 00:22:51,119 --> 00:22:52,800 Speaker 1: those that don't know what goes up and for out 448 00:22:52,840 --> 00:22:55,720 Speaker 1: his line. And I felt so vulnerable, and he felt vulnerable, 449 00:22:55,880 --> 00:22:57,840 Speaker 1: and the audience is there and just like got real quiet. 450 00:22:58,000 --> 00:22:59,760 Speaker 1: I walked over and just showing the line script and 451 00:22:59,800 --> 00:23:02,800 Speaker 1: we move done. Then after I'll never forget this. After 452 00:23:02,880 --> 00:23:04,920 Speaker 1: the show, he sat there on that set and he 453 00:23:05,000 --> 00:23:06,600 Speaker 1: looked at me as I'll just never get used to 454 00:23:06,720 --> 00:23:09,400 Speaker 1: pour camera. I'm just used. And I felt so bad 455 00:23:09,520 --> 00:23:11,560 Speaker 1: for Bill. They lightened it up. They lighted all that 456 00:23:11,680 --> 00:23:13,639 Speaker 1: dialogue out because it was just so heavy. Bill has 457 00:23:13,680 --> 00:23:15,320 Speaker 1: a great memory and he's a pro. It was just 458 00:23:15,440 --> 00:23:18,560 Speaker 1: that first episode when they laid on all of these adjectives. 459 00:23:18,600 --> 00:23:21,159 Speaker 1: It was a list of you know, alliteration that come on. 460 00:23:21,520 --> 00:23:22,879 Speaker 1: I couldn't even do it, you know, in the circus, 461 00:23:22,920 --> 00:23:25,280 Speaker 1: I couldn't do it. So that was one of them. Remember, 462 00:23:25,359 --> 00:23:33,600 Speaker 1: and I love Bill Daniels, and and is he will 463 00:23:33,640 --> 00:23:35,520 Speaker 1: he come? The thing that's incredible is that he can 464 00:23:36,080 --> 00:23:37,800 Speaker 1: coming from film. You do get more time with your 465 00:23:37,840 --> 00:23:39,320 Speaker 1: dialogue and you can work on all the more. But 466 00:23:39,400 --> 00:23:42,120 Speaker 1: he was also coming from a medical show where gonna 467 00:23:42,119 --> 00:23:44,040 Speaker 1: talk about dialogue that you're gonna have to re member. 468 00:23:44,080 --> 00:23:46,480 Speaker 1: I mean, he was memorizing all these medical speech. But 469 00:23:46,480 --> 00:23:50,320 Speaker 1: it's not or or on the same sitcoms those I 470 00:23:50,359 --> 00:23:52,720 Speaker 1: don't know what sitcoms, you have to stay the line 471 00:23:52,840 --> 00:23:55,119 Speaker 1: in order, and you sometimes most of the time you 472 00:23:55,200 --> 00:23:57,720 Speaker 1: filmed in order. In film shows you don't. And Michel 473 00:23:57,800 --> 00:23:59,680 Speaker 1: always changed it on the set. In the middle of 474 00:23:59,720 --> 00:24:01,680 Speaker 1: this year, he come in, now, we're not doing this scene. 475 00:24:01,720 --> 00:24:04,760 Speaker 1: We're not doing this. I'm telling you. For those that 476 00:24:04,800 --> 00:24:07,040 Speaker 1: don't know, you talk this on episodes. You start with 477 00:24:07,119 --> 00:24:09,520 Speaker 1: one script on Monday, and by the time you tape 478 00:24:09,520 --> 00:24:13,680 Speaker 1: on Thursday, and every day it's a different colored page, 479 00:24:13,720 --> 00:24:15,480 Speaker 1: so you know the new pages that are on there. 480 00:24:15,760 --> 00:24:18,320 Speaker 1: So by we get to tape night and there we 481 00:24:18,400 --> 00:24:20,480 Speaker 1: are on tape their hand and pages these kids in 482 00:24:20,600 --> 00:24:22,920 Speaker 1: in in the makeup. Oh, here's the new line line. 483 00:24:23,119 --> 00:24:25,280 Speaker 1: Then we get on the set, you guys, literally in 484 00:24:25,280 --> 00:24:27,720 Speaker 1: front of studio audience. They walk over, they run over, 485 00:24:27,920 --> 00:24:30,160 Speaker 1: will say this, insteps say this is They're changing lines 486 00:24:30,200 --> 00:24:32,679 Speaker 1: in front of a studio audience. So that's the fascinating thing. 487 00:24:32,760 --> 00:24:36,159 Speaker 1: But let's go talk about Morgan. Those are the want 488 00:24:36,200 --> 00:24:38,240 Speaker 1: to know about Morgan. You all know the Morgan story. 489 00:24:38,240 --> 00:24:39,920 Speaker 1: I don't know how much you can bauld you guys. 490 00:24:40,080 --> 00:24:42,040 Speaker 1: I heard you allude to it with David Trainer. But 491 00:24:42,160 --> 00:24:46,080 Speaker 1: let's go to a Morgan story. They hired this young 492 00:24:46,119 --> 00:24:49,960 Speaker 1: actress five and shoote as a But when I say cute, 493 00:24:49,960 --> 00:24:53,679 Speaker 1: you guys watch their first the first season. She's durable, vocable. 494 00:24:54,520 --> 00:24:56,600 Speaker 1: I guess it's hot behind the Bronco League. She was 495 00:24:56,640 --> 00:25:01,080 Speaker 1: so cute. We're on this set and it takes me 496 00:25:01,200 --> 00:25:03,080 Speaker 1: five days to make sure she hits her marks. For 497 00:25:03,160 --> 00:25:06,000 Speaker 1: those listening, that means moved the right place for the camera, 498 00:25:06,200 --> 00:25:07,960 Speaker 1: so we put an XX on there, or I say 499 00:25:08,160 --> 00:25:10,600 Speaker 1: put your hand. My real strip was put your hand 500 00:25:10,960 --> 00:25:12,520 Speaker 1: on the couch, on the end of the couch. That 501 00:25:12,640 --> 00:25:16,080 Speaker 1: always got her right where she belonged. Well, of course, invariably, 502 00:25:16,840 --> 00:25:19,399 Speaker 1: I don't know, maybe third third episode. I mean, she 503 00:25:19,520 --> 00:25:21,200 Speaker 1: was belligerent to she didn't really want to be there, 504 00:25:21,280 --> 00:25:23,760 Speaker 1: just so you know, and Mother's like, you know, agree 505 00:25:23,920 --> 00:25:26,960 Speaker 1: and okay, like bruk assaults mom almost like yes, yes, yes, 506 00:25:27,200 --> 00:25:29,040 Speaker 1: you know, we'll do it for you, and she want 507 00:25:29,080 --> 00:25:33,480 Speaker 1: to make her happy. And uh, Michael, tell somebody to 508 00:25:33,560 --> 00:25:35,680 Speaker 1: run over to me and say get her to do this. 509 00:25:36,200 --> 00:25:38,159 Speaker 1: I said, give me a minute here. Five days that 510 00:25:38,200 --> 00:25:40,720 Speaker 1: took me just to get this dialogue set well, but 511 00:25:40,800 --> 00:25:42,200 Speaker 1: we want to change me want this, I said, give 512 00:25:42,240 --> 00:25:44,440 Speaker 1: me a minute, but the studio audience is there. So 513 00:25:44,920 --> 00:25:46,440 Speaker 1: I got down on my knees and from the couch. 514 00:25:46,480 --> 00:25:49,720 Speaker 1: She's sitting on the couch, I said, Lily, they want 515 00:25:49,760 --> 00:25:51,399 Speaker 1: you to Before I said they want you to do this, 516 00:25:51,960 --> 00:25:54,200 Speaker 1: she took her hand and she slapped my face in 517 00:25:54,320 --> 00:25:59,120 Speaker 1: front of the studio auto. All that just came back 518 00:25:59,200 --> 00:26:02,040 Speaker 1: to me. Jeff's seron Surman still breaks it up. Every 519 00:26:02,040 --> 00:26:03,320 Speaker 1: time I see him. He brings it up or talk 520 00:26:03,359 --> 00:26:06,560 Speaker 1: to him. But I was like, that was the beginning 521 00:26:06,600 --> 00:26:09,399 Speaker 1: of the end. I mean, definitely, even though she was 522 00:26:09,480 --> 00:26:13,040 Speaker 1: great the shows, like the most child actor moment ever, 523 00:26:13,680 --> 00:26:16,840 Speaker 1: right like in front of an audience slapping somebody giving 524 00:26:16,840 --> 00:26:19,560 Speaker 1: you a note. Ye, But I got her to do it. 525 00:26:19,640 --> 00:26:22,000 Speaker 1: But the reason I left after the first season was 526 00:26:22,040 --> 00:26:23,760 Speaker 1: I waited. It was July and the first season we're 527 00:26:23,760 --> 00:26:25,560 Speaker 1: about to get ready to last week July, and I 528 00:26:25,640 --> 00:26:27,880 Speaker 1: get a call from Lovely Arlene Grace and our producer, 529 00:26:28,640 --> 00:26:31,440 Speaker 1: and Arlen said, unfortunately, and I know how television works, 530 00:26:31,560 --> 00:26:34,040 Speaker 1: we don't have the Baiolo coach in the budget. So 531 00:26:34,200 --> 00:26:35,919 Speaker 1: I was the first to go how it works at 532 00:26:35,920 --> 00:26:38,800 Speaker 1: you guys, there's raises give the second year, and those 533 00:26:38,800 --> 00:26:40,760 Speaker 1: stars get a lot more than I did. They raised 534 00:26:40,800 --> 00:26:42,560 Speaker 1: the money and as they spread it around to the crew, 535 00:26:42,720 --> 00:26:44,600 Speaker 1: so mine was the most money money they could use 536 00:26:44,800 --> 00:26:47,040 Speaker 1: at that time. It's expendable money. I'm saying. So that's 537 00:26:47,080 --> 00:26:48,480 Speaker 1: how he lost the job, and that's why I didn't 538 00:26:48,480 --> 00:26:50,560 Speaker 1: go back. But our dear David Trader got me on 539 00:26:50,640 --> 00:26:55,159 Speaker 1: Grace under Fire with Dylan Pulse Trader Um maybe this 540 00:26:55,320 --> 00:26:58,720 Speaker 1: time with Bett Betty White. And also he also got 541 00:26:58,800 --> 00:27:02,840 Speaker 1: me on that seventies show. I was the one who 542 00:27:02,920 --> 00:27:08,560 Speaker 1: taught Um Simpson just Simpson to act. He called me 543 00:27:08,640 --> 00:27:10,760 Speaker 1: in told past and you gotta brings the Adams was 544 00:27:10,800 --> 00:27:12,760 Speaker 1: the casting. You gotta ring Chris Kyer and to get 545 00:27:12,760 --> 00:27:14,720 Speaker 1: her to act, and we got already by bye. You 546 00:27:14,760 --> 00:27:15,959 Speaker 1: know how I had a lot of people like Jim 547 00:27:16,000 --> 00:27:18,760 Speaker 1: Abbott and episodes appointments for not acting. They bring on, 548 00:27:19,119 --> 00:27:20,600 Speaker 1: but I had to teach them to act quickly. So 549 00:27:20,680 --> 00:27:22,880 Speaker 1: I gave my little technique to get there. Somebody else. 550 00:27:22,960 --> 00:27:29,760 Speaker 1: You were an acting coach for Anton Yelchin. Really Anton 551 00:27:29,880 --> 00:27:32,159 Speaker 1: yell Shin. I've got Ammon's night through the years, all 552 00:27:32,200 --> 00:27:35,120 Speaker 1: these wonderful stars and Anton at twenty seven years old, 553 00:27:35,119 --> 00:27:36,960 Speaker 1: I mean Anton when here's the break story. He came 554 00:27:37,000 --> 00:27:39,879 Speaker 1: to me. He was eight years old, I believe, and 555 00:27:39,960 --> 00:27:42,399 Speaker 1: for the first six months he looked down at his shoes. 556 00:27:42,680 --> 00:27:45,240 Speaker 1: He couldn't look up. He was so scared and shocked. 557 00:27:45,520 --> 00:27:47,520 Speaker 1: So I in my classes, I'll take on the underdog, 558 00:27:47,760 --> 00:27:49,920 Speaker 1: just to My classes are good for confidence building too, 559 00:27:50,080 --> 00:27:51,920 Speaker 1: because I have odd come back to me over the years. 560 00:27:51,920 --> 00:27:53,800 Speaker 1: They have kids now and they tell me your classes 561 00:27:53,960 --> 00:27:55,359 Speaker 1: taught me to be unique. It was okay to be 562 00:27:55,440 --> 00:27:57,880 Speaker 1: myself because I would get in, but when anybody picked 563 00:27:57,920 --> 00:27:59,680 Speaker 1: on somebody else for being shy like that, I was 564 00:27:59,840 --> 00:28:01,520 Speaker 1: very shy, I believe, not at his age. Believe it 565 00:28:01,600 --> 00:28:04,560 Speaker 1: or not. When I had the struggled puppetry and show business, 566 00:28:04,600 --> 00:28:07,480 Speaker 1: I was fine. But he got the lead in a 567 00:28:07,520 --> 00:28:09,480 Speaker 1: movie called Hearts in Atlantis, and he was chosen by 568 00:28:09,480 --> 00:28:13,240 Speaker 1: Anthony Hoping that role. I'm leaders. I mean, just so 569 00:28:13,320 --> 00:28:16,920 Speaker 1: you know. And Anton Yellston and many celebrities were taught 570 00:28:17,000 --> 00:28:19,200 Speaker 1: in my garage in North Hollywood. It doesn't matter what 571 00:28:19,240 --> 00:28:22,600 Speaker 1: the building you're in, That's where I taught. And Anton 572 00:28:23,920 --> 00:28:25,800 Speaker 1: came about a year and a half later at the 573 00:28:25,800 --> 00:28:27,440 Speaker 1: film came out and he brought me the big poster 574 00:28:27,520 --> 00:28:30,520 Speaker 1: with his mother, Hearts Atlantis, and on the poster he wrote, 575 00:28:31,080 --> 00:28:33,840 Speaker 1: UH to Chris, thank you for let me see something 576 00:28:33,880 --> 00:28:38,600 Speaker 1: other than my shoes. But a little Anton passed away 577 00:28:39,040 --> 00:28:42,480 Speaker 1: around twenty seven years old. It was a sad story. 578 00:28:42,920 --> 00:28:45,719 Speaker 1: But his car unfortunately one late night he was going 579 00:28:45,760 --> 00:28:49,280 Speaker 1: to his UH rock practice and I heard it on 580 00:28:49,360 --> 00:28:51,360 Speaker 1: the news and I called. Everybody was just devastating. But 581 00:28:51,440 --> 00:28:53,440 Speaker 1: Anton Yellaston was a wonder. But he went on to 582 00:28:53,760 --> 00:28:56,680 Speaker 1: he played check off and in the such a he 583 00:28:56,760 --> 00:28:58,800 Speaker 1: had he had Star Trek at the time. He had 584 00:28:58,840 --> 00:29:02,200 Speaker 1: Star Trek and terminated in theaters at the same time. 585 00:29:02,320 --> 00:29:05,800 Speaker 1: It was like you invited me to the I want 586 00:29:05,800 --> 00:29:09,080 Speaker 1: to see his his UH his site over Hollywood Forever 587 00:29:09,120 --> 00:29:11,120 Speaker 1: and Hollywood. I live in Hollywood and there's just I 588 00:29:11,160 --> 00:29:13,120 Speaker 1: go once the while to see him there. They have 589 00:29:13,240 --> 00:29:16,800 Speaker 1: this big giant bronze statue of him right over his market, 590 00:29:17,680 --> 00:29:19,920 Speaker 1: so it was beautiful. They invited me to the funeral 591 00:29:19,920 --> 00:29:22,080 Speaker 1: and also to that which was a touching story. So yes, 592 00:29:22,240 --> 00:29:24,520 Speaker 1: Anton was one of my one of my prize kids 593 00:29:24,560 --> 00:29:37,120 Speaker 1: that I really enjoyed working. Now, if they're if there 594 00:29:37,160 --> 00:29:39,760 Speaker 1: are people who are listening who are thinking about getting 595 00:29:39,760 --> 00:29:43,800 Speaker 1: their kids into the entertainment industry, what is your best 596 00:29:43,960 --> 00:29:48,840 Speaker 1: advice for parents and what's your best advice for the kids. Well, 597 00:29:49,560 --> 00:29:51,640 Speaker 1: the industry has changed a lot since the nineties when 598 00:29:51,640 --> 00:29:53,800 Speaker 1: we were working, and when you were working, we would 599 00:29:53,800 --> 00:29:55,600 Speaker 1: have to go like Danielle and all of you would 600 00:29:55,600 --> 00:29:57,400 Speaker 1: go to an audition trak an hour and a half 601 00:29:57,440 --> 00:30:00,440 Speaker 1: in traffic. Well, since COVID, it's all gone to zooming 602 00:30:00,560 --> 00:30:03,200 Speaker 1: as we're doing now, so the kids don't get the 603 00:30:03,240 --> 00:30:05,040 Speaker 1: one on one now. Just in the last year, I 604 00:30:05,120 --> 00:30:08,160 Speaker 1: started doing that on UH in person as well as online. 605 00:30:08,160 --> 00:30:10,760 Speaker 1: I had learned the whole animal doing zooming teaching online, 606 00:30:11,080 --> 00:30:13,160 Speaker 1: but I like to teach in person Proba his reasons 607 00:30:13,200 --> 00:30:15,080 Speaker 1: my energy and the kids because there's a different animal 608 00:30:15,160 --> 00:30:18,680 Speaker 1: when you're with the other person. So acting classes are 609 00:30:18,680 --> 00:30:19,960 Speaker 1: the first start, and then you have to fund an 610 00:30:20,000 --> 00:30:23,040 Speaker 1: agent or a manager. But you have to first ask 611 00:30:23,320 --> 00:30:25,280 Speaker 1: does your child really want to do this? Because I 612 00:30:25,360 --> 00:30:27,480 Speaker 1: can't tell you how many times during the decades I've 613 00:30:27,680 --> 00:30:29,360 Speaker 1: told the parents they don't really want to be Oh, yes, 614 00:30:29,400 --> 00:30:32,840 Speaker 1: they don't know. They don't try football, try wrestling, tribe art, 615 00:30:33,360 --> 00:30:36,200 Speaker 1: whatever is sewing. But they don't they say, do we 616 00:30:36,320 --> 00:30:38,360 Speaker 1: all know? They didn't want to be there, just like 617 00:30:39,120 --> 00:30:41,200 Speaker 1: they didn't want to hear at that age they wanted 618 00:30:41,560 --> 00:30:43,280 Speaker 1: it was the parents wanted them to do it. So 619 00:30:43,360 --> 00:30:45,680 Speaker 1: I have a lot of zooming classes, still in person classes, 620 00:30:45,720 --> 00:30:47,480 Speaker 1: but zooming from all of the country now a lot 621 00:30:47,520 --> 00:30:50,160 Speaker 1: of kids. But that's the first start, is to get 622 00:30:50,200 --> 00:30:52,560 Speaker 1: them trained and though exactly what to do because the 623 00:30:52,640 --> 00:30:55,760 Speaker 1: agents want these kids ready to go on auditions. Yeah, 624 00:30:57,440 --> 00:31:00,360 Speaker 1: but the the the idea of being in a show 625 00:31:00,960 --> 00:31:03,600 Speaker 1: that is mortalized. You guys, when you see yourselves young 626 00:31:03,640 --> 00:31:06,520 Speaker 1: and your people identify you with those roles they grew 627 00:31:06,600 --> 00:31:08,880 Speaker 1: up with, you get my store I mentioned meets world. 628 00:31:08,960 --> 00:31:10,480 Speaker 1: You know who works from me here Kathy g and 629 00:31:10,520 --> 00:31:19,640 Speaker 1: Ggoria right here next time. So the episode will goes 630 00:31:19,680 --> 00:31:21,840 Speaker 1: to the mall with with that Kathy Ireland to be 631 00:31:22,000 --> 00:31:24,920 Speaker 1: the model or just model falt statue was and he 632 00:31:25,000 --> 00:31:26,920 Speaker 1: wants to be a model or will they have and 633 00:31:26,960 --> 00:31:29,000 Speaker 1: they tried to sign up for modey. Well you hear 634 00:31:29,120 --> 00:31:31,560 Speaker 1: this voice in the background. You want to be a model, 635 00:31:31,640 --> 00:31:33,920 Speaker 1: all you have to do is doc Hilary the lobster, 636 00:31:34,000 --> 00:31:36,640 Speaker 1: the giant tub of butter. And that was my boy. Yes, 637 00:31:36,920 --> 00:31:38,560 Speaker 1: I got a little like at Perk, a little extra 638 00:31:38,600 --> 00:31:41,320 Speaker 1: pay for that. But in rehearsal they had a moment 639 00:31:41,400 --> 00:31:44,600 Speaker 1: in the script that said, uh, shopper walks by and 640 00:31:44,640 --> 00:31:47,120 Speaker 1: looks at Will and Will have online Eric Elin and says, 641 00:31:47,280 --> 00:31:50,400 Speaker 1: what are you looking at? Right? And so I I 642 00:31:50,480 --> 00:31:52,360 Speaker 1: was doing rehearsal because they needed somebody and I walked 643 00:31:52,400 --> 00:31:53,880 Speaker 1: by this with my long hair. I was almost like 644 00:31:53,920 --> 00:31:56,480 Speaker 1: a shagm ting I'm talking about because I'm staring. I'm like, 645 00:31:56,520 --> 00:31:57,560 Speaker 1: this is what are you looking at it? And I 646 00:31:57,600 --> 00:32:02,400 Speaker 1: go So Michael Jacobs wants me to stay in in 647 00:32:02,440 --> 00:32:10,959 Speaker 1: the episode we saw recently, there's Chris and so everyone 648 00:32:11,080 --> 00:32:15,240 Speaker 1: knows Kathy Gan Grigorio, who was mentioned that works in 649 00:32:15,320 --> 00:32:18,680 Speaker 1: your store, is our script supervisor, was our script supervisor 650 00:32:18,760 --> 00:32:21,720 Speaker 1: for Boy Meets World and then and then was also 651 00:32:21,840 --> 00:32:25,160 Speaker 1: the script supervisor for Girl Meats World every episode. I 652 00:32:25,200 --> 00:32:27,480 Speaker 1: mean she was Kathew. We love Kathy, we love her. 653 00:32:27,480 --> 00:32:29,120 Speaker 1: I love her. That's why I can't touch all these years. 654 00:32:29,320 --> 00:32:31,120 Speaker 1: But she lives right here near my house and past 655 00:32:31,600 --> 00:32:34,040 Speaker 1: store in Pasadena. But last year we're working in the store, 656 00:32:34,120 --> 00:32:37,240 Speaker 1: Kathin are there. Who walks in? But Rusty Russell walks 657 00:32:37,720 --> 00:32:40,160 Speaker 1: the father You looked at both of us. You didn't 658 00:32:40,200 --> 00:32:43,920 Speaker 1: quite understand what's going on here. And he walks into 659 00:32:44,040 --> 00:32:46,160 Speaker 1: Christmas store. But he did say that in Christopher Caire's 660 00:32:46,200 --> 00:32:48,840 Speaker 1: Christmas Corner, so I think he Well, that's the Rusty 661 00:32:49,000 --> 00:32:52,200 Speaker 1: fans for that. Rusty just finds Christmas stores all across 662 00:32:52,240 --> 00:32:56,720 Speaker 1: the world and wanders in and sometimes we're safe for 663 00:32:56,840 --> 00:32:59,960 Speaker 1: hours or days. They have to call people to remove him. 664 00:33:00,400 --> 00:33:02,600 Speaker 1: Big Christmas store guy, Rusty. A lot of people don't 665 00:33:02,640 --> 00:33:06,360 Speaker 1: know that. Now, Chris, you are obviously very busy. So 666 00:33:06,880 --> 00:33:09,440 Speaker 1: how when was the last time you watched Boy Meets 667 00:33:09,480 --> 00:33:11,560 Speaker 1: World like you have? Have you ever sat down and 668 00:33:11,680 --> 00:33:15,200 Speaker 1: just like rewatched it? Picked up I'm still CD kind 669 00:33:15,200 --> 00:33:16,640 Speaker 1: of person. I picked up all the DVDs of the 670 00:33:16,880 --> 00:33:19,840 Speaker 1: entire first season. I haven't watched it. I've watched it 671 00:33:19,920 --> 00:33:22,760 Speaker 1: maybe four years ago, a few of the first that 672 00:33:23,080 --> 00:33:24,880 Speaker 1: it was such a great time in my life. But 673 00:33:25,680 --> 00:33:27,720 Speaker 1: you are like you. I'm a busy person, and I 674 00:33:27,760 --> 00:33:30,160 Speaker 1: mean I think the Boy Meets World. It was my 675 00:33:30,600 --> 00:33:33,720 Speaker 1: college for television television. When paper said we go to 676 00:33:33,760 --> 00:33:35,959 Speaker 1: the table on Monday. I don't know what's the table? Man? 677 00:33:36,200 --> 00:33:38,320 Speaker 1: I was learning was an acting coach. I wasn't on 678 00:33:38,440 --> 00:33:40,320 Speaker 1: the set, so I learned. I was paid to learn 679 00:33:40,480 --> 00:33:43,080 Speaker 1: on the set of how Sitcom's running. For those that 680 00:33:43,200 --> 00:33:45,200 Speaker 1: know it, it really runs almost like a place the 681 00:33:45,240 --> 00:33:47,360 Speaker 1: closest nine to five job you'll get in show business, 682 00:33:47,880 --> 00:33:50,760 Speaker 1: you know. And it was very interesting, so as I 683 00:33:50,920 --> 00:33:52,640 Speaker 1: as I did Boy Meets when I watched it, and 684 00:33:52,760 --> 00:33:54,080 Speaker 1: those that don't know, I was an actor and I 685 00:33:54,160 --> 00:33:56,120 Speaker 1: am an actor. I have a performer. And after that 686 00:33:56,560 --> 00:33:58,880 Speaker 1: I got so much confidence through that show that myself 687 00:33:58,960 --> 00:34:01,080 Speaker 1: I was Bookie right up that an episode of Quantum 688 00:34:01,160 --> 00:34:04,600 Speaker 1: Leap right after that. I did never sign build the 689 00:34:04,640 --> 00:34:07,320 Speaker 1: Gym Gymnast where they need to remaster that, but I'm 690 00:34:07,400 --> 00:34:11,200 Speaker 1: known as the youngest and look alike I am. They 691 00:34:11,239 --> 00:34:15,200 Speaker 1: call a Dick Van Dyck alike. So one of my 692 00:34:15,360 --> 00:34:18,680 Speaker 1: one of my auditions on my agent, I a lesser soul. 693 00:34:18,960 --> 00:34:23,120 Speaker 1: Risk I have I got an audation for you. I 694 00:34:23,239 --> 00:34:25,800 Speaker 1: got it. They're looking for Dick van doc in nineteen 695 00:34:25,960 --> 00:34:28,720 Speaker 1: sixty four as cheat Cheety Bang Bang. I said, okay, 696 00:34:29,080 --> 00:34:31,040 Speaker 1: So I went down running the custom around from his studio, 697 00:34:31,160 --> 00:34:32,759 Speaker 1: put a little gray in my hair and I looked 698 00:34:32,800 --> 00:34:36,719 Speaker 1: in the mirror wand I couldn't leave it like Dick 699 00:34:36,800 --> 00:34:38,800 Speaker 1: Van Dyke. So I went an audition. Next thing I know, 700 00:34:39,000 --> 00:34:40,560 Speaker 1: you had to have a passport, you had to have this. 701 00:34:40,800 --> 00:34:43,680 Speaker 1: They were whisked me off to Australia for eleven days. 702 00:34:44,080 --> 00:34:46,440 Speaker 1: They flew the actual car from the movie and I 703 00:34:46,560 --> 00:34:49,000 Speaker 1: got to drive the car from Chitty Cheety Bang Bang. 704 00:34:49,160 --> 00:34:53,480 Speaker 1: And in this concial advert it was an advertisement for 705 00:34:53,640 --> 00:34:55,759 Speaker 1: a d v l A, which is a department of 706 00:34:55,840 --> 00:34:59,239 Speaker 1: vehicles in England. If you don't pay your registration like 707 00:34:59,320 --> 00:35:01,239 Speaker 1: you do here, they take a picture of your license plate, 708 00:35:01,280 --> 00:35:03,720 Speaker 1: get the your car gets booted. Were the most famous 709 00:35:03,760 --> 00:35:06,080 Speaker 1: cars Chi Bay and in the commercial I'm trying to 710 00:35:06,160 --> 00:35:08,040 Speaker 1: take off and the car gets booted and we're trying 711 00:35:08,040 --> 00:35:11,400 Speaker 1: to fly away on YouTube on YouTube, so wait you did, 712 00:35:11,480 --> 00:35:13,320 Speaker 1: I'm sorry, I know sign fell backward and forward. You 713 00:35:13,360 --> 00:35:15,880 Speaker 1: did the episode of the Gymnast. Yes, when he's up 714 00:35:15,920 --> 00:35:23,280 Speaker 1: on the top Greemaster, Ladies and gentlemen, the flying amazing, okay, 715 00:35:23,440 --> 00:35:28,120 Speaker 1: gymnas the adult stone you also, if memory served, I 716 00:35:28,200 --> 00:35:30,600 Speaker 1: think while we were doing Boy Me Tworld, you were 717 00:35:30,760 --> 00:35:37,120 Speaker 1: almost Waldo. Almost I was Waldo, but you're seeing the 718 00:35:37,160 --> 00:35:39,879 Speaker 1: feature in the feature film as in wear Waldo. Yeah, 719 00:35:39,880 --> 00:35:44,960 Speaker 1: because you I was looking like that. I had auditioned 720 00:35:45,000 --> 00:35:46,480 Speaker 1: for another job and I played wall to all of 721 00:35:46,520 --> 00:35:49,440 Speaker 1: the country appearing and I was signed to do it. 722 00:35:49,480 --> 00:36:00,520 Speaker 1: Wait wait, wait, hold him we found him there passed this. 723 00:36:00,680 --> 00:36:03,680 Speaker 1: Oh my god, I'm sorry. What were you doing as well? 724 00:36:03,800 --> 00:36:05,600 Speaker 1: Day I saw the trade papers like I did the 725 00:36:05,640 --> 00:36:08,160 Speaker 1: remaster job. They were looking for a wal Though look alike. 726 00:36:08,239 --> 00:36:10,320 Speaker 1: So I went and got a striped shirt the glasses on, 727 00:36:10,719 --> 00:36:12,799 Speaker 1: and I walked an audition and they needed a wal 728 00:36:12,920 --> 00:36:14,440 Speaker 1: Though and at the time I was really skinny, like 729 00:36:14,440 --> 00:36:17,719 Speaker 1: when you guys have a phone. And I got the job. 730 00:36:17,800 --> 00:36:21,040 Speaker 1: Then they cast me as Waldo in the feature film, 731 00:36:21,360 --> 00:36:31,080 Speaker 1: which moment, which which film was it? It was never 732 00:36:32,719 --> 00:36:35,000 Speaker 1: the pan pass it and there's Waldo's sitting on the 733 00:36:35,040 --> 00:36:36,600 Speaker 1: guy that did it was but he was a friend 734 00:36:36,680 --> 00:36:40,680 Speaker 1: of But here's the part I did get. So after 735 00:36:40,760 --> 00:36:42,839 Speaker 1: I did my chech band Bang, I was lucky enough 736 00:36:42,840 --> 00:36:45,040 Speaker 1: to get the video from my audition from the Cassie 737 00:36:45,040 --> 00:36:47,120 Speaker 1: director and they were looking for a Dick Van di 738 00:36:47,239 --> 00:36:52,400 Speaker 1: canect and a movie called Saving Mr. Bank. Chris Clark 739 00:36:52,480 --> 00:36:55,520 Speaker 1: gets in there auditions and I played in the feature 740 00:36:55,560 --> 00:36:57,920 Speaker 1: film when they have Julie Andrews Dick Van at the 741 00:36:58,239 --> 00:37:00,759 Speaker 1: red carpet of the opening in front of Man's shines Steter. 742 00:37:00,800 --> 00:37:02,640 Speaker 1: We shot a five minutes from house, late at night. 743 00:37:02,840 --> 00:37:04,800 Speaker 1: Richard Sherman was there and just shaking his head. He 744 00:37:04,880 --> 00:37:07,120 Speaker 1: was just feels like it was yesterday, fifty years ago 745 00:37:07,200 --> 00:37:08,799 Speaker 1: and we're sitting here and you looked like Dick Vanda. 746 00:37:08,960 --> 00:37:10,759 Speaker 1: It was just it was chilled for all of a 747 00:37:10,800 --> 00:37:14,319 Speaker 1: sudden set. So Saving Mr Banks was the other one. Yeah, 748 00:37:14,480 --> 00:37:17,799 Speaker 1: you do. You have the most interesting careers ever. As 749 00:37:17,840 --> 00:37:21,279 Speaker 1: you're sitting there surrounded by Christmas, it's so great, you know. Yeah, 750 00:37:21,440 --> 00:37:23,440 Speaker 1: I just I'll do anything, you know what I started 751 00:37:23,480 --> 00:37:26,200 Speaker 1: to as a kid. I was shy, so I started 752 00:37:26,200 --> 00:37:28,879 Speaker 1: worked with puppets and I became a puppeteer At twelve 753 00:37:29,000 --> 00:37:31,480 Speaker 1: years old. I put an ad in the paper and 754 00:37:32,000 --> 00:37:33,600 Speaker 1: for seventy five dollars you could pick me up at 755 00:37:33,600 --> 00:37:35,840 Speaker 1: your station wagon and I would entertain her birthday parties, 756 00:37:36,560 --> 00:37:39,239 Speaker 1: father daughter, Baker, and I booked myself. I may, I 757 00:37:39,360 --> 00:37:41,319 Speaker 1: booked all the time. What kid could do that? Now 758 00:37:41,400 --> 00:37:43,480 Speaker 1: you can't be picked up by strangers in a car 759 00:37:44,320 --> 00:37:47,040 Speaker 1: for the party. But that was my entrepreneurial state back then. 760 00:37:47,480 --> 00:37:49,520 Speaker 1: And then there's so many things that in my mind. 761 00:37:49,719 --> 00:37:51,840 Speaker 1: When I get an idea, I'm a doer, so it 762 00:37:51,920 --> 00:37:54,640 Speaker 1: doesn't matter what it is. And I hate when people say, oh, 763 00:37:54,680 --> 00:37:56,640 Speaker 1: that will never work. I can't stand there so un 764 00:37:56,680 --> 00:37:58,880 Speaker 1: last the last ten years, I've been directing musicals all 765 00:37:58,920 --> 00:38:02,000 Speaker 1: over the world, all over the country, and also starring 766 00:38:02,040 --> 00:38:04,560 Speaker 1: as Captain Hook and Peter Pan's my my go to role, 767 00:38:04,680 --> 00:38:07,120 Speaker 1: and the show that I directed seven times now, So 768 00:38:07,360 --> 00:38:10,640 Speaker 1: I think I've been doing my things, still teaching. I 769 00:38:10,880 --> 00:38:13,880 Speaker 1: just think that anybody out there, when you think of 770 00:38:13,960 --> 00:38:16,200 Speaker 1: that idea, that little morsel, the germ of an idea, 771 00:38:17,120 --> 00:38:20,120 Speaker 1: do it. I had this great idea for a TV 772 00:38:20,239 --> 00:38:22,959 Speaker 1: pilot called Master Motive, and this is the way before 773 00:38:23,040 --> 00:38:25,160 Speaker 1: its computers just come out. But this little boy comes 774 00:38:25,200 --> 00:38:27,319 Speaker 1: in and he has a new video game. He pops 775 00:38:27,360 --> 00:38:29,360 Speaker 1: it in and he spills his jews on the Internet 776 00:38:29,400 --> 00:38:32,480 Speaker 1: on the computer pad, and it sucks him into the 777 00:38:32,520 --> 00:38:34,719 Speaker 1: world of Master Motive. And I played Master Modem very 778 00:38:34,719 --> 00:38:36,840 Speaker 1: Willy Wonka. Well, I did this because I had just 779 00:38:36,880 --> 00:38:39,160 Speaker 1: done a serious of leading a series called Boint Barnyard Place, 780 00:38:39,200 --> 00:38:40,759 Speaker 1: and I knew the crew and I knewhere was filmed it. 781 00:38:40,960 --> 00:38:43,440 Speaker 1: So I spent a hundred thousand dollars with somebody else 782 00:38:43,560 --> 00:38:46,919 Speaker 1: going in and we filmed this, this this wonderful pilot. Well, 783 00:38:46,960 --> 00:38:49,200 Speaker 1: I've taken to NAPY convention to try to get booked 784 00:38:49,239 --> 00:38:51,440 Speaker 1: and it was really good. David Trayner taught me well 785 00:38:51,480 --> 00:38:53,359 Speaker 1: in direction and shots and everything, and we got Lynn 786 00:38:53,400 --> 00:38:55,719 Speaker 1: McCracken to come in and Captain Jim Gloria. They were 787 00:38:55,800 --> 00:39:00,239 Speaker 1: doing our personal did the shots so and those I 788 00:39:00,239 --> 00:39:04,560 Speaker 1: don't know. Lind was a stage manager on. Yeah. So anyways, 789 00:39:04,560 --> 00:39:06,040 Speaker 1: boy me's role, I can't tell you who it was, 790 00:39:06,120 --> 00:39:08,719 Speaker 1: but there was a celebrity's father who had taken the 791 00:39:08,840 --> 00:39:12,400 Speaker 1: idea decided to do a film on it still the 792 00:39:12,480 --> 00:39:14,799 Speaker 1: idea and the kid that I cast in the lead. 793 00:39:14,960 --> 00:39:18,279 Speaker 1: I founded them all. They had auditions. They literally cast 794 00:39:18,360 --> 00:39:21,640 Speaker 1: the same board. Oh come on hello. I had a lawyer. 795 00:39:21,719 --> 00:39:23,920 Speaker 1: We went into it. My partner she was very wealthy 796 00:39:23,960 --> 00:39:26,640 Speaker 1: and she did not want to go through the litigation. 797 00:39:26,920 --> 00:39:28,759 Speaker 1: So we had to fold because we didn't have the 798 00:39:28,800 --> 00:39:30,279 Speaker 1: money that they had. She had a lot, but I 799 00:39:30,320 --> 00:39:33,000 Speaker 1: said no, so we folded. So that's the story. But 800 00:39:33,239 --> 00:39:35,360 Speaker 1: more of the stories the film was never released. But 801 00:39:35,520 --> 00:39:38,000 Speaker 1: my unfortunately master modem, which was I was the keeper 802 00:39:38,040 --> 00:39:39,680 Speaker 1: of the keys. Every week we would log onto a 803 00:39:39,719 --> 00:39:41,880 Speaker 1: new episode. He would travel to a new place, we 804 00:39:42,160 --> 00:39:44,640 Speaker 1: take a key, put it in, we traveled someplace else 805 00:39:44,880 --> 00:39:46,399 Speaker 1: it was and I was really wonk. It was really 806 00:39:46,520 --> 00:39:49,000 Speaker 1: was this madman trying to get the kid home. This 807 00:39:49,080 --> 00:39:51,520 Speaker 1: whole thing was home. So that's what I've been doing. 808 00:39:51,880 --> 00:39:54,000 Speaker 1: I just I just do I do. I'm gonna do it. 809 00:39:54,080 --> 00:39:58,200 Speaker 1: That's amazing. Where can people find you? Because like you said, 810 00:39:58,239 --> 00:40:00,680 Speaker 1: I know you like to do acting. This is in person. 811 00:40:00,840 --> 00:40:02,600 Speaker 1: It's a totally different thing when you're able to be 812 00:40:02,680 --> 00:40:05,520 Speaker 1: in person. But I'm sure there are people all across 813 00:40:05,600 --> 00:40:08,000 Speaker 1: the country and across the world who would love to 814 00:40:08,120 --> 00:40:11,080 Speaker 1: take an acting class with you. Where can people find you, 815 00:40:11,320 --> 00:40:13,680 Speaker 1: reach out to you, try to get your help any 816 00:40:13,760 --> 00:40:17,319 Speaker 1: of that stuff. Well, Danielle, just recently, my two months ago, 817 00:40:17,360 --> 00:40:19,000 Speaker 1: I had a girl from New York in my zoom 818 00:40:19,080 --> 00:40:21,160 Speaker 1: class and she hadn't heard me on another podcast and 819 00:40:21,239 --> 00:40:23,560 Speaker 1: I'm not really in tune to the internet and all 820 00:40:23,600 --> 00:40:25,680 Speaker 1: of the podcasting it, but she had heard about my 821 00:40:25,760 --> 00:40:28,480 Speaker 1: classes on a podcast. So what I do is I 822 00:40:28,719 --> 00:40:31,520 Speaker 1: not only teach confidence, but teach on camera commercial technique 823 00:40:31,760 --> 00:40:35,640 Speaker 1: as well as UH technique for television and film. And 824 00:40:36,000 --> 00:40:38,719 Speaker 1: what it is is my school is very exclusive and 825 00:40:38,800 --> 00:40:40,439 Speaker 1: I teach all the technique I've learned through the years. 826 00:40:40,719 --> 00:40:42,799 Speaker 1: And to get in touch with me, it's www Chris 827 00:40:42,920 --> 00:40:45,000 Speaker 1: Kire dot com, k R I s K y e 828 00:40:45,200 --> 00:40:47,560 Speaker 1: R Chris Kire dot com. And then they could just 829 00:40:47,640 --> 00:40:49,200 Speaker 1: get from there and email me and let me know 830 00:40:49,320 --> 00:40:51,759 Speaker 1: that they're interested in classes. And again, I have kids 831 00:40:51,800 --> 00:40:54,920 Speaker 1: from all over the country. My class this afternoon and 832 00:40:54,920 --> 00:40:57,440 Speaker 1: it will be ten kids from around the United States. 833 00:40:57,600 --> 00:41:01,000 Speaker 1: Not interesting? Are we just start there? So to get 834 00:41:01,040 --> 00:41:02,360 Speaker 1: in touch with me for the class, But that's the 835 00:41:02,400 --> 00:41:04,480 Speaker 1: best way to do, go to the website and where 836 00:41:04,600 --> 00:41:08,120 Speaker 1: is your Christmas store right now? Okay, So it's pop up, 837 00:41:08,120 --> 00:41:10,800 Speaker 1: as I said, different year every year, and uh different 838 00:41:10,800 --> 00:41:12,680 Speaker 1: places every year. And this is on the corner of 839 00:41:12,719 --> 00:41:16,839 Speaker 1: Altadena in Colorado Boulevard in Pasadena, East Pasadena, and it's 840 00:41:17,000 --> 00:41:19,919 Speaker 1: uh at empty space. And it's been harder and harder 841 00:41:19,920 --> 00:41:22,520 Speaker 1: than the first month of August. First of August, I 842 00:41:22,760 --> 00:41:26,800 Speaker 1: first today of August, I traveled city and burbank in 843 00:41:26,880 --> 00:41:30,440 Speaker 1: the heat, walking behind Ally's trying to get numbers. Brochers 844 00:41:30,480 --> 00:41:32,600 Speaker 1: won't call me back. I have to be pushy to 845 00:41:32,600 --> 00:41:35,200 Speaker 1: get to a landlord to give me that four month lease. 846 00:41:35,560 --> 00:41:38,080 Speaker 1: That's so this worked out, preeb. Still, I had no 847 00:41:38,160 --> 00:41:39,680 Speaker 1: place this year, and all these things I just bought 848 00:41:39,719 --> 00:41:41,920 Speaker 1: back from Europe. I was in trouble and my landlord 849 00:41:41,960 --> 00:41:43,520 Speaker 1: from last year put me in touch with this and 850 00:41:43,600 --> 00:41:47,440 Speaker 1: here we are. So the store is East Colorado in Pasadena, 851 00:41:47,520 --> 00:41:50,719 Speaker 1: and I don't ship and I'm not online. People. You 852 00:41:50,800 --> 00:41:53,279 Speaker 1: have to get the treasures in person. I then wiped 853 00:41:53,280 --> 00:41:55,800 Speaker 1: out all this stuff to see the people. Yes, Jensen, 854 00:41:55,920 --> 00:41:58,160 Speaker 1: Jensen and I are gonna bring our kids and we're 855 00:41:58,200 --> 00:42:00,280 Speaker 1: gonna we're gonna come in and we're gonna buy stuff. 856 00:42:00,320 --> 00:42:01,919 Speaker 1: Will writer, if you guys want to make a little 857 00:42:01,960 --> 00:42:05,640 Speaker 1: road trip out because I think this will be my 858 00:42:05,760 --> 00:42:08,440 Speaker 1: last year because it's been so difficult. I've been doing 859 00:42:08,480 --> 00:42:10,680 Speaker 1: this since two thousand and eight, and because it was 860 00:42:10,719 --> 00:42:13,240 Speaker 1: stressed out, I can't find the four months least anymore. 861 00:42:13,280 --> 00:42:15,480 Speaker 1: So I have to come in definitely my last year. 862 00:42:15,800 --> 00:42:17,320 Speaker 1: Can you can I ask you? Can? I ask a 863 00:42:17,400 --> 00:42:23,000 Speaker 1: personal question? Are you wearing Christmas pants? Because that would 864 00:42:23,400 --> 00:42:26,319 Speaker 1: be awesome if you were. No. I got my top 865 00:42:26,400 --> 00:42:29,040 Speaker 1: hat which I wear the store every day. We're gonna 866 00:42:29,080 --> 00:42:30,719 Speaker 1: put on where's your top hat? People say to me, 867 00:42:31,440 --> 00:42:33,439 Speaker 1: Pop had the greatest show on Earth? All these rules 868 00:42:33,480 --> 00:42:35,920 Speaker 1: that I wear a top hat, but I have a 869 00:42:36,480 --> 00:42:39,920 Speaker 1: shirt on, and I seldom in the store. I have shirts. 870 00:42:39,960 --> 00:42:41,680 Speaker 1: Of course, to the store when people want the shirts 871 00:42:41,680 --> 00:42:43,200 Speaker 1: that I'm wearing, they bought those kind of shirts. I 872 00:42:43,239 --> 00:42:47,320 Speaker 1: have those two. My last question for you, and I 873 00:42:47,400 --> 00:42:49,880 Speaker 1: think you're the perfect person to answer this. What is 874 00:42:49,920 --> 00:42:54,520 Speaker 1: the secret to being happy? Okay? This is what I 875 00:42:54,560 --> 00:42:56,279 Speaker 1: tell when I lecture is my class and everything. This 876 00:42:56,360 --> 00:42:58,799 Speaker 1: is me carefully everybody. This is the most insightful thing 877 00:42:58,840 --> 00:43:01,520 Speaker 1: you can know. And I know this from experience. I'll 878 00:43:01,560 --> 00:43:06,719 Speaker 1: be thirty nine in May that I just um, I 879 00:43:06,840 --> 00:43:09,520 Speaker 1: just know that this is important. No, this is serious. 880 00:43:14,200 --> 00:43:15,960 Speaker 1: People say you're thirty nine on nice and not yet, 881 00:43:16,000 --> 00:43:19,719 Speaker 1: not till May. Every year my friends on Facebook they say, oh, 882 00:43:19,760 --> 00:43:21,239 Speaker 1: you're thirty nine, and I said, don't push on. Not 883 00:43:21,280 --> 00:43:24,560 Speaker 1: thirty nine yet. So the thing is, this is what 884 00:43:24,640 --> 00:43:26,560 Speaker 1: I say, and this is what makes one happy. And 885 00:43:26,640 --> 00:43:28,799 Speaker 1: I have the I have the downs as much as 886 00:43:28,840 --> 00:43:32,279 Speaker 1: the adversity, as much as everybody out there. But my 887 00:43:32,320 --> 00:43:34,640 Speaker 1: best friend passed away about seven years ago with a 888 00:43:34,680 --> 00:43:37,359 Speaker 1: lot of regrets. He didn't he was the most masterful writer. 889 00:43:37,600 --> 00:43:40,000 Speaker 1: He wrote the music to many things, my Master Modem show. 890 00:43:40,520 --> 00:43:42,799 Speaker 1: And he sat there on his bed and he had 891 00:43:42,840 --> 00:43:45,400 Speaker 1: all these regrets. And I looked at him. I thought, Michael, 892 00:43:45,400 --> 00:43:47,040 Speaker 1: I wouldn't be the remaster with the great shown had 893 00:43:47,080 --> 00:43:48,520 Speaker 1: you not been my mentor and taught me in the 894 00:43:48,560 --> 00:43:51,239 Speaker 1: first class I did at eighteen years old, my first show. 895 00:43:51,680 --> 00:43:55,279 Speaker 1: But the inside is this, You go for every darn 896 00:43:55,400 --> 00:43:58,160 Speaker 1: dream you have, every one of them. They're not gonna 897 00:43:58,200 --> 00:43:59,920 Speaker 1: all come true. Not all of them will come to 898 00:44:00,120 --> 00:44:02,719 Speaker 1: I guarantee you they won't. But having gone for them 899 00:44:03,320 --> 00:44:05,640 Speaker 1: is what's gonna leave you the most fulfilled person in 900 00:44:05,680 --> 00:44:09,279 Speaker 1: the world. Because I have had riches beyond, because I 901 00:44:09,400 --> 00:44:12,719 Speaker 1: have pursued everything, I have no regrets. If I want 902 00:44:12,760 --> 00:44:14,520 Speaker 1: the full quarter ice cream, I eat it. I'm just 903 00:44:14,640 --> 00:44:17,719 Speaker 1: saying you literally and things you're doing life. If you're 904 00:44:17,719 --> 00:44:20,279 Speaker 1: going for something, there's a satisfaction. But having gone for 905 00:44:20,360 --> 00:44:22,680 Speaker 1: master motive, even though I lost tons of money and fly, 906 00:44:23,560 --> 00:44:25,840 Speaker 1: I'm so satisfied that I did it. So all I 907 00:44:25,880 --> 00:44:27,680 Speaker 1: can say is, when the opportunity comes, or you come 908 00:44:27,760 --> 00:44:30,600 Speaker 1: up with an idea, do it. Just remember this. A 909 00:44:30,719 --> 00:44:32,760 Speaker 1: dream is just a dream until you make it a reality. 910 00:44:33,760 --> 00:44:37,200 Speaker 1: That's right. That's what keeps me going and very And 911 00:44:37,280 --> 00:44:39,680 Speaker 1: I've never tried a cup of coffee. Can you imagine 912 00:44:39,719 --> 00:44:42,160 Speaker 1: me on coffee. I've never tried to cigarette in my life, 913 00:44:42,280 --> 00:44:44,799 Speaker 1: no drugs. This is natural energy, and my energy has 914 00:44:44,840 --> 00:44:46,920 Speaker 1: got me everything I need. If you do your passion 915 00:44:47,000 --> 00:44:49,759 Speaker 1: and go for your passion with sincere energy, you will 916 00:44:49,800 --> 00:44:52,880 Speaker 1: be the happiest person on this planet. That's amazing. Unfortunately, 917 00:44:52,920 --> 00:44:57,080 Speaker 1: my passion was caffeine and cigarettes. We all followed the dream, 918 00:44:58,400 --> 00:45:01,479 Speaker 1: all have our addictions. Go Awa, I have a friend Bruce, 919 00:45:01,520 --> 00:45:04,080 Speaker 1: She says, m and the armament is good. One man boy, 920 00:45:04,560 --> 00:45:07,800 Speaker 1: that person. He drinks a few drink every night. And 921 00:45:07,840 --> 00:45:10,120 Speaker 1: I said, each one of these Ornams the martini for me, 922 00:45:10,200 --> 00:45:16,279 Speaker 1: and I said, my martinis, that's the secret to being happy. 923 00:45:17,400 --> 00:45:21,719 Speaker 1: I am so thrilled that you are exactly the way 924 00:45:21,760 --> 00:45:26,360 Speaker 1: I remember you. Let one last question, what do you 925 00:45:26,440 --> 00:45:29,160 Speaker 1: remember about me? I'm really curious what you remember about 926 00:45:29,200 --> 00:45:34,759 Speaker 1: me back then. I remember you being energetic, poised, um 927 00:45:35,160 --> 00:45:39,160 Speaker 1: and um, very I mean confident. I remember you being 928 00:45:39,200 --> 00:45:43,799 Speaker 1: confident and yeah, exactly. Were so encouraging and you were 929 00:45:43,880 --> 00:45:46,000 Speaker 1: such a support network on a set that you know, 930 00:45:46,360 --> 00:45:49,120 Speaker 1: at times could be very destabilizing. They were. There was yelling, 931 00:45:49,200 --> 00:45:51,440 Speaker 1: there was there was a sense that you know, we 932 00:45:51,560 --> 00:45:55,200 Speaker 1: were going to disappoint adults that like there was an 933 00:45:55,320 --> 00:45:58,200 Speaker 1: energy and you were, I mean, along with David Trainer, 934 00:45:58,239 --> 00:46:01,239 Speaker 1: you were a source of uh strength and confidence and 935 00:46:01,440 --> 00:46:03,839 Speaker 1: and and it was honest, it was earnest. It wasn't 936 00:46:04,000 --> 00:46:06,720 Speaker 1: It didn't feel fake. It felt like you genuinely cared 937 00:46:06,760 --> 00:46:09,560 Speaker 1: for us and we needed that. I needed that. Yeah, yeah, 938 00:46:09,719 --> 00:46:12,880 Speaker 1: I remember you know what I remember. I remember that 939 00:46:13,040 --> 00:46:17,920 Speaker 1: I was trapped kind of in the in between of 940 00:46:20,040 --> 00:46:22,160 Speaker 1: no no of my age as a person, where I 941 00:46:22,360 --> 00:46:24,279 Speaker 1: was I was too old to really hang out with 942 00:46:24,360 --> 00:46:26,520 Speaker 1: Danielle and Rider right at the beginning, and I was 943 00:46:26,600 --> 00:46:29,239 Speaker 1: too young to hang out with Rusty and Betsy. And 944 00:46:30,000 --> 00:46:32,400 Speaker 1: you became my friend. You you like you saw that 945 00:46:32,600 --> 00:46:35,120 Speaker 1: and you actually you befriended me and I would hang 946 00:46:35,160 --> 00:46:37,120 Speaker 1: out at your house and you taught me Canasta and 947 00:46:37,200 --> 00:46:39,759 Speaker 1: we would play cards, and you would help me on 948 00:46:39,920 --> 00:46:42,680 Speaker 1: different auditions and stuff. You like, you became my friend. 949 00:46:42,800 --> 00:46:44,360 Speaker 1: That's what I remember the most is you saw a 950 00:46:44,480 --> 00:46:47,279 Speaker 1: kid that was kind of in limbo a little bit, 951 00:46:47,320 --> 00:46:49,080 Speaker 1: and you were like, he just needs a friend, and 952 00:46:49,200 --> 00:46:51,200 Speaker 1: you took on that role. That's what I remember the most. 953 00:46:51,239 --> 00:46:52,719 Speaker 1: So you held me at the acting, but more you 954 00:46:52,800 --> 00:46:55,120 Speaker 1: helped me as a person. And when you tell me this, 955 00:46:55,280 --> 00:46:57,520 Speaker 1: I love you. Guys. Tell me this especialists well, because 956 00:46:57,760 --> 00:47:00,440 Speaker 1: as a child I was incredibly neglected. My my mother 957 00:47:00,520 --> 00:47:02,520 Speaker 1: had three kids. I was she was twenty one the 958 00:47:02,600 --> 00:47:04,960 Speaker 1: time she had me. So I was shoved aside and 959 00:47:05,000 --> 00:47:07,239 Speaker 1: I went to my world, my fantasy world. So now 960 00:47:08,360 --> 00:47:10,280 Speaker 1: that's why I took the lemons and turn the lemonade. 961 00:47:10,760 --> 00:47:13,719 Speaker 1: Why my kids book, thousands of kids a book? Why 962 00:47:13,800 --> 00:47:17,040 Speaker 1: and still imagination? I get just short notes. Some people 963 00:47:17,200 --> 00:47:19,000 Speaker 1: like this will say you were there for me as 964 00:47:19,040 --> 00:47:21,320 Speaker 1: a friend, you'd be friend to me. You made me 965 00:47:21,400 --> 00:47:24,239 Speaker 1: feel good. Yeah, you did feel good. And there's a 966 00:47:24,280 --> 00:47:26,920 Speaker 1: lot of conflict with teenagers in my class. You know, 967 00:47:26,960 --> 00:47:28,680 Speaker 1: they're going through a lot at the time, and I 968 00:47:28,840 --> 00:47:31,439 Speaker 1: just it's it's it's grounding young people, and I love 969 00:47:31,560 --> 00:47:33,920 Speaker 1: I still love it. I still love it. Well, like 970 00:47:34,560 --> 00:47:36,239 Speaker 1: I thank you for staying. I really appreciate it. It 971 00:47:36,360 --> 00:47:40,319 Speaker 1: was great. And also I've read your book. It's really fascinating. 972 00:47:40,719 --> 00:47:43,080 Speaker 1: It is a really interesting look at the other side 973 00:47:43,120 --> 00:47:46,239 Speaker 1: of of circus life. So everyone should pick it up. 974 00:47:46,320 --> 00:47:48,719 Speaker 1: It is Ring Master, my year on the road with 975 00:47:48,840 --> 00:47:53,399 Speaker 1: the greatest show on Earth. It is incredible. Chris. Thank 976 00:47:53,480 --> 00:47:55,960 Speaker 1: you for being there for us when we were children, 977 00:47:56,160 --> 00:47:58,759 Speaker 1: as a as a tent pole of stability, and thank 978 00:47:58,840 --> 00:48:01,680 Speaker 1: you for being here with us now. It's uh really 979 00:48:01,719 --> 00:48:04,080 Speaker 1: beautiful to reunite with you. And we can't wait to 980 00:48:04,120 --> 00:48:05,799 Speaker 1: pop into the Christmas store and give you a big 981 00:48:05,920 --> 00:48:08,520 Speaker 1: hug in person. And I will for sure be buying 982 00:48:08,560 --> 00:48:11,719 Speaker 1: Christmas stuff you guys. I'm just amazed. I just thank 983 00:48:11,800 --> 00:48:13,960 Speaker 1: you so much for thinking on me. I really appreciate it. 984 00:48:14,320 --> 00:48:16,600 Speaker 1: Thank you, Thank you, Chris. It's awesome, Chris, thank you 985 00:48:17,560 --> 00:48:21,920 Speaker 1: you're going for those dreams. Everybody. That was so much fun. 986 00:48:22,080 --> 00:48:23,640 Speaker 1: We we really do have to plan that day to 987 00:48:23,680 --> 00:48:26,360 Speaker 1: go to the Christmas store because, uh, it looks incredible, 988 00:48:26,680 --> 00:48:31,080 Speaker 1: totally cool. I say, let's meet January seven. Okay, I 989 00:48:31,200 --> 00:48:34,239 Speaker 1: love it. Let's do that right after, right after the holidays, 990 00:48:35,280 --> 00:48:37,239 Speaker 1: his last year doing it. I hope that's not true. 991 00:48:37,719 --> 00:48:39,839 Speaker 1: I hope not either. It seems like the perfect person 992 00:48:39,960 --> 00:48:42,040 Speaker 1: for that man talk about a living Willy Wonka. He 993 00:48:42,520 --> 00:48:45,600 Speaker 1: is that. It's great. I know that's true. Well, thank 994 00:48:45,600 --> 00:48:47,319 Speaker 1: you guys for being here with us. We will see 995 00:48:47,320 --> 00:48:51,120 Speaker 1: you for the next episode. We love you all. Pod dismissed. 996 00:48:53,160 --> 00:48:55,480 Speaker 1: Pod Meats World is an I heart podcast produced and 997 00:48:55,560 --> 00:48:58,240 Speaker 1: hosted by Daniel Fishel Wilford, L and Right Or Strong. 998 00:48:58,400 --> 00:49:01,719 Speaker 1: Executive producers Jensen Carp and Amy Sugarman, Executive in charge 999 00:49:01,760 --> 00:49:05,400 Speaker 1: of production, Daniel Romo, producer and editor, Taara soup Box producer, 1000 00:49:05,480 --> 00:49:08,919 Speaker 1: Jackie Rodriguez, engineer and Boy Meets World super fan Eastern Allen. 1001 00:49:09,000 --> 00:49:11,279 Speaker 1: Our theme song is by Kyle Morton of Typhoon and 1002 00:49:11,360 --> 00:49:13,600 Speaker 1: you can follow us on Instagram at Pod Meets World 1003 00:49:13,640 --> 00:49:16,480 Speaker 1: Show or email us at pod meets World Show at 1004 00:49:16,560 --> 00:49:17,399 Speaker 1: gmail dot com.