1 00:00:02,200 --> 00:00:06,400 Speaker 1: Ninety three was like my jam like, so I'd like 2 00:00:06,600 --> 00:00:08,640 Speaker 1: I fully like, I'm like, oh ninety three, I could 3 00:00:08,640 --> 00:00:10,200 Speaker 1: have been at this party, like literally, I was living 4 00:00:10,240 --> 00:00:11,959 Speaker 1: in New York. I could have been there. I probably 5 00:00:12,080 --> 00:00:16,880 Speaker 1: was there. I bet I snog bis I am in 6 00:00:16,880 --> 00:00:17,319 Speaker 1: her book. 7 00:00:18,640 --> 00:00:20,040 Speaker 2: Maybe you are exite. 8 00:00:22,400 --> 00:00:27,040 Speaker 1: Hello, I'm mini driver. I've always loved Preust's questionnaire. It 9 00:00:27,160 --> 00:00:31,360 Speaker 1: was originally in nineteenth century parlor game where players would 10 00:00:31,360 --> 00:00:34,720 Speaker 1: ask each other thirty five questions aimed at revealing the 11 00:00:34,760 --> 00:00:38,600 Speaker 1: other player's true nature. In asking different people the same 12 00:00:38,640 --> 00:00:42,160 Speaker 1: set of questions, you can make observations about which truths 13 00:00:42,159 --> 00:00:44,879 Speaker 1: appear to be universal. And it made me wonder, what 14 00:00:44,960 --> 00:00:47,640 Speaker 1: if these questions were just the jumping off point, what 15 00:00:47,840 --> 00:00:51,160 Speaker 1: greater depths would be revealed if I asked these questions 16 00:00:51,200 --> 00:00:55,160 Speaker 1: as conversation starters. So I adapted Prus's questionnaire and I 17 00:00:55,160 --> 00:00:57,960 Speaker 1: wrote my own seven questions that I personally think are 18 00:00:57,960 --> 00:01:01,160 Speaker 1: pertinent to a person's story. They are when and where 19 00:01:01,160 --> 00:01:04,000 Speaker 1: were you happiest? What is the quality you like least 20 00:01:04,000 --> 00:01:08,520 Speaker 1: about yourself? What relationship, real or fictionalized, defines love for you? 21 00:01:09,000 --> 00:01:12,639 Speaker 1: What question would you most like answered? What person, place, 22 00:01:12,800 --> 00:01:15,640 Speaker 1: or experience has shaped you the most, what would be 23 00:01:15,680 --> 00:01:18,320 Speaker 1: your last meal? And can you tell me something in 24 00:01:18,360 --> 00:01:21,959 Speaker 1: your life that's grown out of a personal disaster? And 25 00:01:22,040 --> 00:01:26,480 Speaker 1: I've gathered a group of really remarkable people, ones that 26 00:01:26,560 --> 00:01:29,080 Speaker 1: I am honored and humbled to have had the chance 27 00:01:29,080 --> 00:01:31,720 Speaker 1: to engage with. You may not hear their answers to 28 00:01:31,800 --> 00:01:35,120 Speaker 1: all seven of these questions. We've whittled it down to 29 00:01:35,319 --> 00:01:39,520 Speaker 1: which questions felt closest to their experience, or the most surprising, 30 00:01:39,920 --> 00:01:45,720 Speaker 1: or created the most fertile ground to connect. My guest 31 00:01:45,720 --> 00:01:49,960 Speaker 1: today is the multiple awards winning writer Jennifer Egan. I 32 00:01:50,040 --> 00:01:53,360 Speaker 1: try not to fanger on this podcast. It is hard, 33 00:01:53,840 --> 00:01:56,840 Speaker 1: but usually I can hustle my stammering enthusiast into another 34 00:01:56,920 --> 00:01:59,960 Speaker 1: room and present a slightly more implacable version of myself. 35 00:02:00,640 --> 00:02:03,960 Speaker 1: I didn't really manage to do that with Jennifer because 36 00:02:04,600 --> 00:02:09,880 Speaker 1: her work, her words, and characters, live so presently in 37 00:02:09,919 --> 00:02:13,600 Speaker 1: my own life. Her bullet Surprise winning novel A Visit 38 00:02:13,639 --> 00:02:16,440 Speaker 1: from the Goon Squad lives permanently on my nightstand, and 39 00:02:16,520 --> 00:02:19,280 Speaker 1: I constantly reference it when I can't sleep, when I'm 40 00:02:19,320 --> 00:02:22,440 Speaker 1: stuck with something i'm writing, or when I'm turning over 41 00:02:22,480 --> 00:02:25,239 Speaker 1: the idea of a character I'm going to play. Jennifer, 42 00:02:25,800 --> 00:02:28,440 Speaker 1: like a lot of the characters she writes, has this 43 00:02:28,600 --> 00:02:32,160 Speaker 1: kind of briny brilliance. Each answer she gave to a 44 00:02:32,240 --> 00:02:35,440 Speaker 1: question I asked hinted at a far bigger mechanism at play, 45 00:02:35,520 --> 00:02:39,160 Speaker 1: and I literally could have asked her a million questions more. 46 00:02:39,880 --> 00:02:41,680 Speaker 1: She has a brain you want to spend time in, 47 00:02:42,160 --> 00:02:44,960 Speaker 1: and a way of speaking and writing that cuts precisely 48 00:02:45,000 --> 00:02:47,359 Speaker 1: to what is most revealing and to me, most interesting. 49 00:02:47,919 --> 00:02:51,600 Speaker 1: Her books are fantastic. I encourage you to read all 50 00:02:51,639 --> 00:02:57,360 Speaker 1: of them, by the way I just said it, and 51 00:02:57,440 --> 00:02:59,800 Speaker 1: I now think that that is exactly what I'm going 52 00:02:59,840 --> 00:03:03,440 Speaker 1: to That's not my new fantasy. I was actually in 53 00:03:03,480 --> 00:03:03,919 Speaker 1: your book. 54 00:03:04,160 --> 00:03:05,600 Speaker 2: I bet we passed each other. 55 00:03:06,120 --> 00:03:09,320 Speaker 3: We passed each other on Avenue Age countless times. 56 00:03:09,480 --> 00:03:11,200 Speaker 2: I'm sure I'm. 57 00:03:11,080 --> 00:03:13,000 Speaker 1: Going to get in trouble if I keep asking you 58 00:03:13,120 --> 00:03:16,120 Speaker 1: questions like can I come over? Do you think I 59 00:03:16,160 --> 00:03:18,800 Speaker 1: was in your book? It sounds like I was, but 60 00:03:18,880 --> 00:03:22,560 Speaker 1: the answer is yes, come every time. We know that excellent, 61 00:03:22,720 --> 00:03:24,640 Speaker 1: I will. I'm going to get on and ask you 62 00:03:24,680 --> 00:03:26,880 Speaker 1: these questions because I also want to know what you 63 00:03:26,919 --> 00:03:34,000 Speaker 1: think about these. So my first question to you is 64 00:03:34,200 --> 00:03:36,720 Speaker 1: where and when were you happiest. 65 00:03:37,000 --> 00:03:38,920 Speaker 3: I mean, it's always hard, it always feel a little 66 00:03:38,960 --> 00:03:42,160 Speaker 3: artificial to pick one moment, and so I usually go 67 00:03:42,240 --> 00:03:44,360 Speaker 3: with the first one that comes to mind, because I 68 00:03:44,360 --> 00:03:48,040 Speaker 3: guess I'm all about trusting instants in first drafts. So 69 00:03:48,200 --> 00:03:50,840 Speaker 3: I'm going to say when I went with my husband 70 00:03:50,840 --> 00:03:54,200 Speaker 3: and kids to Galway in Ireland in the summer of 71 00:03:54,200 --> 00:03:57,640 Speaker 3: twenty eleven, and we were staying in a little bed 72 00:03:57,640 --> 00:04:00,960 Speaker 3: and breakfast, and we were actually all in one tiny room. 73 00:04:01,040 --> 00:04:03,760 Speaker 3: It was much tinier than we had expected. Our beds 74 00:04:03,800 --> 00:04:07,960 Speaker 3: were almost jammed together, and our kids were eight and ten, 75 00:04:08,320 --> 00:04:12,880 Speaker 3: and there was just something about that intimacy and that closeness, 76 00:04:12,920 --> 00:04:17,000 Speaker 3: that feeling of our bodies just being so close together 77 00:04:17,040 --> 00:04:20,040 Speaker 3: that it was like we were one being that I 78 00:04:20,120 --> 00:04:24,040 Speaker 3: absolutely loved. And maybe because they were eight and ten, 79 00:04:24,880 --> 00:04:27,560 Speaker 3: I thought that would never change, of course, but you know, 80 00:04:27,680 --> 00:04:30,039 Speaker 3: they're twenty two and twenty now would be pretty weird 81 00:04:30,120 --> 00:04:33,159 Speaker 3: if we were still sharing rooms that size, et cetera. 82 00:04:33,800 --> 00:04:35,680 Speaker 3: And so I think there was just this sense of 83 00:04:35,720 --> 00:04:39,720 Speaker 3: the preciousness of that proximity, of that sense. 84 00:04:39,480 --> 00:04:41,839 Speaker 1: Of I was going to say, what is it about 85 00:04:41,880 --> 00:04:46,400 Speaker 1: proximity that is the engenders that feeling of deep, abiding 86 00:04:47,040 --> 00:04:50,440 Speaker 1: peace and happiness. Is it because you think you had 87 00:04:50,440 --> 00:04:52,760 Speaker 1: a subconscious idea that there was a timestamp on it. 88 00:04:53,040 --> 00:04:54,960 Speaker 3: I think it probably was just that I never had 89 00:04:55,040 --> 00:04:57,719 Speaker 3: that in my nuclear family. My mother and father, I 90 00:04:57,760 --> 00:05:00,280 Speaker 3: have no memory of them together. They divorced when I 91 00:05:00,320 --> 00:05:03,920 Speaker 3: was two. I grew up apart from my father, and 92 00:05:04,240 --> 00:05:05,640 Speaker 3: there were more children. 93 00:05:05,320 --> 00:05:06,240 Speaker 2: On both sides. 94 00:05:06,320 --> 00:05:10,479 Speaker 3: But that sense of being physically linked to a small 95 00:05:10,720 --> 00:05:14,440 Speaker 3: unit and deeply bound to that unit and having them 96 00:05:14,480 --> 00:05:17,040 Speaker 3: all around me, I don't think I had actually ever 97 00:05:17,160 --> 00:05:20,840 Speaker 3: experienced it, So it was just so moving. And I 98 00:05:20,839 --> 00:05:23,240 Speaker 3: also just think the fact that we were in Ireland 99 00:05:23,320 --> 00:05:26,160 Speaker 3: was important too, because I had never been there, but 100 00:05:26,200 --> 00:05:30,640 Speaker 3: my father was proudly Irish American. And on that same trip, 101 00:05:30,680 --> 00:05:33,800 Speaker 3: we went to the town where some of my ancestors 102 00:05:33,800 --> 00:05:36,760 Speaker 3: had come from, and we went to a graveyard where 103 00:05:36,839 --> 00:05:39,640 Speaker 3: it seemed like every other name was Egan spelled the 104 00:05:39,680 --> 00:05:43,359 Speaker 3: same way. And so the sense of connection to my 105 00:05:43,440 --> 00:05:49,240 Speaker 3: own past, coupled with this tremendous physical proximity to my 106 00:05:49,640 --> 00:05:53,720 Speaker 3: immediate nuclear family, was just intoxicating and so beautiful. 107 00:05:53,960 --> 00:05:56,240 Speaker 1: I love that. I love that you going to a 108 00:05:56,240 --> 00:06:00,640 Speaker 1: place where you're seeking to reconnect and finding that, but 109 00:06:00,800 --> 00:06:05,000 Speaker 1: also just being packed into a little tiny room like 110 00:06:05,040 --> 00:06:08,000 Speaker 1: a wolf pack. I think that's really beautiful and I 111 00:06:08,040 --> 00:06:11,039 Speaker 1: really like that. I must say that pack feeling, not 112 00:06:11,200 --> 00:06:15,279 Speaker 1: having had physical proximity much as a kid either, that's 113 00:06:15,320 --> 00:06:18,760 Speaker 1: the feeling that I love with my dog, my boyfriend 114 00:06:18,800 --> 00:06:19,320 Speaker 1: and my son. 115 00:06:19,640 --> 00:06:24,279 Speaker 3: There's something about the bodies together that is so immediate. 116 00:06:24,560 --> 00:06:27,080 Speaker 1: I wonder if that is like reptilian brain, which is like, 117 00:06:27,600 --> 00:06:31,200 Speaker 1: when we are all together, we're safe. The sabertooth tiger 118 00:06:31,240 --> 00:06:32,760 Speaker 1: can't get us. The rock is rolled in front of 119 00:06:32,800 --> 00:06:37,320 Speaker 1: the cave, nobody's out, we're here. Everybody smells right, and 120 00:06:37,560 --> 00:06:39,400 Speaker 1: it's sort of hermetically. 121 00:06:38,800 --> 00:06:42,520 Speaker 3: Sealed exactly, and you're not doing that tiny calculation that 122 00:06:42,600 --> 00:06:44,840 Speaker 3: I think we all do all the time of where 123 00:06:44,920 --> 00:06:47,040 Speaker 3: is so and so and where is so and so? Well, 124 00:06:47,600 --> 00:06:49,760 Speaker 3: I didn't have to ask that question because I could 125 00:06:49,760 --> 00:06:52,560 Speaker 3: reach out and physically touch every person in the room. 126 00:06:52,680 --> 00:06:54,120 Speaker 3: And I remember there was one point where we were 127 00:06:54,120 --> 00:06:56,240 Speaker 3: all lying in bed. Each of us had our own book, 128 00:06:56,760 --> 00:06:59,080 Speaker 3: and we were lying there in silence in this tiny 129 00:06:59,160 --> 00:07:01,719 Speaker 3: little room and it was just it was heaven God. 130 00:07:01,760 --> 00:07:02,960 Speaker 3: I love that. 131 00:07:03,920 --> 00:07:07,719 Speaker 1: I just love the little, tiny, sort of maybe cultural 132 00:07:07,760 --> 00:07:09,560 Speaker 1: stereotype about Ireland. 133 00:07:09,240 --> 00:07:13,400 Speaker 4: Like this, this teeny weeny. 134 00:07:13,120 --> 00:07:16,920 Speaker 1: Beds just all packed in together, the baby sardines. 135 00:07:19,280 --> 00:07:22,760 Speaker 3: Yeah, it's true, and it was just a wonderful little interlude. 136 00:07:22,840 --> 00:07:30,360 Speaker 1: It really was how lovely. What quality do you like 137 00:07:30,480 --> 00:07:31,600 Speaker 1: least about yourself? 138 00:07:33,160 --> 00:07:35,880 Speaker 3: That's a tough one because there's so many choices. I 139 00:07:35,920 --> 00:07:39,040 Speaker 3: think that the quality I like least is my tendency 140 00:07:39,080 --> 00:07:44,320 Speaker 3: to compare myself to others. Because it's one of these 141 00:07:44,360 --> 00:07:50,560 Speaker 3: exercises that feels useful. It's actually self denigration disguised as 142 00:07:50,640 --> 00:07:51,840 Speaker 3: information gathering. 143 00:07:52,240 --> 00:07:54,960 Speaker 1: That's very good. I'm writing that down, so. 144 00:07:55,400 --> 00:07:58,000 Speaker 3: It's like, what are other people doing? But that's not 145 00:07:58,120 --> 00:08:01,120 Speaker 3: really what I'm asking. What I'm looking for is a 146 00:08:01,160 --> 00:08:05,280 Speaker 3: way to undermine what I am doing and have done. So, 147 00:08:05,520 --> 00:08:08,640 Speaker 3: just a one tangible example, every time I have a 148 00:08:08,640 --> 00:08:12,560 Speaker 3: book come out, I pick some other book that's doing better, 149 00:08:13,000 --> 00:08:14,360 Speaker 3: because there always. 150 00:08:14,040 --> 00:08:16,520 Speaker 2: Is a book that's doing better, usually many. 151 00:08:16,840 --> 00:08:21,280 Speaker 3: And I basically deem my effort a failure based on 152 00:08:21,560 --> 00:08:25,760 Speaker 3: that success. And it's so arbitrary that later I sometimes 153 00:08:25,760 --> 00:08:28,800 Speaker 3: you can't even remember what book I was using as 154 00:08:28,920 --> 00:08:31,200 Speaker 3: my instrument of infliction. 155 00:08:31,440 --> 00:08:32,920 Speaker 1: You flatch a book. 156 00:08:33,360 --> 00:08:35,360 Speaker 2: Exactly long ago. 157 00:08:35,520 --> 00:08:39,120 Speaker 3: I would look at Amazon reviews, for example, a terrible mistake, 158 00:08:39,640 --> 00:08:44,400 Speaker 3: and I always would obsess over the mean ones, and 159 00:08:44,440 --> 00:08:46,280 Speaker 3: of course a lot of them are mean because I'm 160 00:08:46,280 --> 00:08:48,920 Speaker 3: not the audience for those reviews. They're writing for each other, 161 00:08:49,080 --> 00:08:51,520 Speaker 3: and as well they should, that's what it's for. 162 00:08:52,200 --> 00:08:55,640 Speaker 2: And I'm seeing a therapist then, and he said, I 163 00:08:55,640 --> 00:08:58,000 Speaker 2: think you should call this what it is. 164 00:08:58,120 --> 00:09:00,640 Speaker 3: When you go on Amazon and you read those, you 165 00:09:00,720 --> 00:09:02,559 Speaker 3: are going to read bad reviews. 166 00:09:02,600 --> 00:09:05,200 Speaker 2: That's why you're going. So you have to ask yourself 167 00:09:05,240 --> 00:09:07,040 Speaker 2: before you do that, why am I doing that? 168 00:09:07,320 --> 00:09:09,480 Speaker 3: And I have to tell you I have not looked 169 00:09:09,720 --> 00:09:13,080 Speaker 3: at an Amazon review. It's got to have been fifteen years. 170 00:09:13,720 --> 00:09:16,760 Speaker 3: So I'm trying to work on this quality of mine, 171 00:09:16,800 --> 00:09:18,640 Speaker 3: but it's difficult to eradicate it is. 172 00:09:18,679 --> 00:09:21,720 Speaker 1: It's the worst, It's the absolute worst. I read a 173 00:09:21,720 --> 00:09:23,600 Speaker 1: review once of something I did, and I just said, 174 00:09:23,960 --> 00:09:31,560 Speaker 1: mini driver dash tripe explanation point, which has now become 175 00:09:31,679 --> 00:09:34,440 Speaker 1: how can you respond? It's now become like whenever anything 176 00:09:34,480 --> 00:09:36,760 Speaker 1: goes wrong, I do sort of say, rather sadly to myself, 177 00:09:36,840 --> 00:09:41,280 Speaker 1: mini driver tripe, like from dropping a bottle of ketchup 178 00:09:41,520 --> 00:09:45,120 Speaker 1: to larger and more important things. But I think sticking 179 00:09:45,160 --> 00:09:47,800 Speaker 1: away from them is a very good idea. Let me 180 00:09:47,840 --> 00:09:52,480 Speaker 1: ask you this, When you're comparing yourself, do you honestly 181 00:09:52,600 --> 00:09:56,280 Speaker 1: tune out the accolades and the reviews and all the 182 00:09:56,320 --> 00:09:59,000 Speaker 1: other stuff, like you've won a pulitzerprise. 183 00:09:59,600 --> 00:10:02,880 Speaker 3: I think in that negative state of mind, whose goal 184 00:10:03,160 --> 00:10:09,560 Speaker 3: is self undermining, any accolades feel like good luck and 185 00:10:09,880 --> 00:10:13,319 Speaker 3: things that I can't match, in other words, expectations I 186 00:10:13,360 --> 00:10:17,720 Speaker 3: could no longer fulfill. So they actually add to the 187 00:10:17,760 --> 00:10:20,960 Speaker 3: sense of in this state of mind, all the good 188 00:10:20,960 --> 00:10:24,920 Speaker 3: things from the past just feel like more evidence that 189 00:10:25,280 --> 00:10:28,079 Speaker 3: the present is falling short, like I can't match that. 190 00:10:28,600 --> 00:10:30,440 Speaker 1: I so feel that. 191 00:10:30,920 --> 00:10:33,160 Speaker 2: Yes, So that's the hard party. 192 00:10:33,559 --> 00:10:37,160 Speaker 3: Nothing helps in that mindset because the mindset is leading 193 00:10:37,200 --> 00:10:37,560 Speaker 3: the way. 194 00:10:37,720 --> 00:10:39,120 Speaker 2: That's another part of the trick. 195 00:10:39,240 --> 00:10:41,520 Speaker 3: It feels like, well, I'm just looking at hard evidence 196 00:10:41,520 --> 00:10:44,280 Speaker 3: that I'm drawing my conclusions. Not at all, I am 197 00:10:44,679 --> 00:10:48,720 Speaker 3: looking in a slanted way at my achievements in life 198 00:10:49,000 --> 00:10:54,160 Speaker 3: and deeming them all insufficient, because that was always the 199 00:10:54,200 --> 00:10:56,360 Speaker 3: conclusion I was going to come to, because the conclusion 200 00:10:56,720 --> 00:10:58,080 Speaker 3: led the discovery. 201 00:10:58,400 --> 00:11:02,560 Speaker 1: God, that's some really clever, awful self battery right there, 202 00:11:02,600 --> 00:11:06,480 Speaker 1: and I recognize it fully, really interesting I'm so glad 203 00:11:06,520 --> 00:11:09,200 Speaker 1: you've said that out loud. I'm going to share that 204 00:11:09,240 --> 00:11:11,440 Speaker 1: with everybody and then listen to it back when I 205 00:11:11,440 --> 00:11:13,560 Speaker 1: feel like doing the same thing, or if anybody does. 206 00:11:13,880 --> 00:11:16,360 Speaker 3: I don't know what the solution is though. For me, 207 00:11:16,559 --> 00:11:18,960 Speaker 3: I just I think of it as weather. It's like, okay, 208 00:11:19,000 --> 00:11:22,000 Speaker 3: it's that kind of day. Okay, So all of my 209 00:11:22,120 --> 00:11:24,439 Speaker 3: thinking is going to be like that, and I'm going 210 00:11:24,440 --> 00:11:26,680 Speaker 3: to try to just think about other things if I can, 211 00:11:26,840 --> 00:11:28,520 Speaker 3: and then I wait for it to pass. 212 00:11:28,800 --> 00:11:31,839 Speaker 1: I think looking at it like whether, yes, a friend 213 00:11:31,840 --> 00:11:35,560 Speaker 1: of mine was blue and we were talking about that. 214 00:11:36,080 --> 00:11:38,040 Speaker 1: Sometimes you just have to stay the course. You just 215 00:11:38,080 --> 00:11:41,120 Speaker 1: have to put your raincoat on and go below deck 216 00:11:41,120 --> 00:11:45,280 Speaker 1: for a minute. That's it. I'm wait. But I think 217 00:11:45,360 --> 00:11:48,960 Speaker 1: naming it is really good too. I'm just going sometimes 218 00:11:49,000 --> 00:11:51,880 Speaker 1: I do this thing. It looks like this. It gets 219 00:11:52,000 --> 00:11:53,920 Speaker 1: rid of all of this other thinking because I think 220 00:11:53,920 --> 00:11:56,520 Speaker 1: it's so recognizable. I think we all do it. 221 00:11:57,040 --> 00:11:59,520 Speaker 3: Yeah. I think if I were someone who meditated, that 222 00:11:59,559 --> 00:12:02,280 Speaker 3: would help, but at this point I'm not sure that's 223 00:12:02,320 --> 00:12:04,960 Speaker 3: ever going to be me. But for me, reading is 224 00:12:04,960 --> 00:12:08,360 Speaker 3: a huge help because it somehow occupies more parts of 225 00:12:08,360 --> 00:12:10,800 Speaker 3: my brain than most other activities. So if I can 226 00:12:10,840 --> 00:12:13,440 Speaker 3: really engage with that, I can let go of some 227 00:12:13,559 --> 00:12:16,280 Speaker 3: of that thinking and noticing. Okay, this is just a 228 00:12:16,360 --> 00:12:19,840 Speaker 3: day where every thought ends on this negative node. 229 00:12:20,040 --> 00:12:21,160 Speaker 2: Sometimes it's not even. 230 00:12:20,960 --> 00:12:23,800 Speaker 3: Comparison, it's just failure, a feeling like I could have 231 00:12:23,880 --> 00:12:26,280 Speaker 3: done this better, I could have done that better, and 232 00:12:26,320 --> 00:12:28,319 Speaker 3: then I just wait for that to pass. 233 00:12:28,720 --> 00:12:31,200 Speaker 1: Do you prescribe that to your kids? Have you said 234 00:12:31,240 --> 00:12:34,040 Speaker 1: that to them? Just wait it out, just hold on 235 00:12:34,400 --> 00:12:37,960 Speaker 1: and see where you are at tomorrow. 236 00:12:38,400 --> 00:12:41,079 Speaker 3: Luckily, they're not this as much this way as I am, 237 00:12:41,280 --> 00:12:44,160 Speaker 3: which is really good, or at least not so far 238 00:12:44,640 --> 00:12:47,559 Speaker 3: good for them. But I do try to remind them 239 00:12:47,559 --> 00:12:51,360 Speaker 3: in moments where I feel like their anxiety is really 240 00:12:51,400 --> 00:12:55,720 Speaker 3: what's dictating their perceptions, I'll try to point to the 241 00:12:55,760 --> 00:12:59,960 Speaker 3: fact that in this anxious state, the anxiety looks for 242 00:13:00,160 --> 00:13:04,640 Speaker 3: something to kind of dig into, and so just know 243 00:13:04,760 --> 00:13:08,199 Speaker 3: that because you feel like this thing is going terribly wrong, 244 00:13:08,240 --> 00:13:10,000 Speaker 3: but in fact, all that's really going wrong is that 245 00:13:10,040 --> 00:13:13,200 Speaker 3: you're terribly anxious and you've found a thing to express that. 246 00:13:14,040 --> 00:13:16,240 Speaker 1: Yeah, to hang it on. God, that really is so 247 00:13:16,360 --> 00:13:18,600 Speaker 1: exactly what I've been trying to put it into words. 248 00:13:18,640 --> 00:13:21,120 Speaker 1: It's good. It's like descaling your brain, actually hearing somebody 249 00:13:21,160 --> 00:13:23,800 Speaker 1: else say things that you haven't been able to put 250 00:13:23,840 --> 00:13:24,400 Speaker 1: into words. 251 00:13:24,679 --> 00:13:28,240 Speaker 2: I like descaling the brain. That's cool. I need a 252 00:13:28,280 --> 00:13:29,720 Speaker 2: good descaling. 253 00:13:29,559 --> 00:13:46,880 Speaker 1: Seriously in your life. Can you tell me about something 254 00:13:46,920 --> 00:13:49,840 Speaker 1: that has grown out of a personal disaster? 255 00:13:51,160 --> 00:13:52,280 Speaker 2: I can so. 256 00:13:52,360 --> 00:13:55,920 Speaker 3: I mentioned my father earlier, the Irish American guy whom 257 00:13:55,960 --> 00:13:57,920 Speaker 3: I loved so much, but I really didn't know him 258 00:13:57,920 --> 00:14:00,640 Speaker 3: well because my mother and stepfather moved moved with me 259 00:14:01,320 --> 00:14:03,679 Speaker 3: and my little brother who was their son, to San 260 00:14:03,720 --> 00:14:07,160 Speaker 3: Francisco when I was seven, and my father remained in Chicago. 261 00:14:07,280 --> 00:14:09,760 Speaker 3: He had three more kids. They're much younger than I am. 262 00:14:09,800 --> 00:14:11,760 Speaker 3: I knew them when they were little, but then for 263 00:14:12,000 --> 00:14:15,240 Speaker 3: many reasons, I really didn't know them at all after 264 00:14:15,280 --> 00:14:18,240 Speaker 3: a certain point, and I really had almost no contact 265 00:14:18,280 --> 00:14:21,360 Speaker 3: with my father's family. I did see him now and then, 266 00:14:21,440 --> 00:14:23,640 Speaker 3: but there was a bit of a chasm there. 267 00:14:24,360 --> 00:14:26,000 Speaker 2: And my father, when he. 268 00:14:25,880 --> 00:14:28,520 Speaker 3: Was actually younger than I am, he had just turned sixty, 269 00:14:28,680 --> 00:14:31,400 Speaker 3: he was hit by a truck while he was bicycling 270 00:14:31,560 --> 00:14:36,840 Speaker 3: and he was killed. And so I was reunited with 271 00:14:36,960 --> 00:14:41,200 Speaker 3: my now adult siblings, and it was obviously just so 272 00:14:41,480 --> 00:14:43,440 Speaker 3: unexpected such a catastrophe. 273 00:14:43,520 --> 00:14:44,320 Speaker 2: I mean, he was going to be. 274 00:14:44,280 --> 00:14:46,520 Speaker 3: Running in a marathon the next week. He was in 275 00:14:46,560 --> 00:14:50,760 Speaker 3: the peak of health, and it was a disastrous loss. 276 00:14:50,840 --> 00:14:53,000 Speaker 3: And for me, it really meant that I would never 277 00:14:53,240 --> 00:14:57,160 Speaker 3: really know my father. But I did reconnect with my 278 00:14:57,200 --> 00:15:00,880 Speaker 3: siblings and we have been close ever since. Really, and 279 00:15:00,920 --> 00:15:04,360 Speaker 3: that was nineteen ninety six, So wow, it's meant that 280 00:15:04,600 --> 00:15:07,400 Speaker 3: our kids know each other. They are a big part 281 00:15:07,440 --> 00:15:10,120 Speaker 3: of my life. And in fact, that brother that I 282 00:15:10,200 --> 00:15:12,120 Speaker 3: moved to San Francisco with, the son of my mother 283 00:15:12,160 --> 00:15:16,120 Speaker 3: and stepfather, ended up passing away very early in his life. 284 00:15:16,320 --> 00:15:19,400 Speaker 3: So these are my siblings and I'm so grateful to 285 00:15:19,480 --> 00:15:23,160 Speaker 3: have them, and I'm not sure that reunion would have 286 00:15:23,240 --> 00:15:28,840 Speaker 3: happened without this absolute catastrophe of my father losing his life. 287 00:15:28,920 --> 00:15:30,920 Speaker 3: I mean, I wish you were here. I wish he'd 288 00:15:30,960 --> 00:15:34,200 Speaker 3: gotten to do all the things he missed. I feel 289 00:15:34,280 --> 00:15:36,640 Speaker 3: so sad for him when I think that he never 290 00:15:36,680 --> 00:15:39,720 Speaker 3: saw his youngest child graduate from college, he never met 291 00:15:39,720 --> 00:15:43,080 Speaker 3: a grandchild. I mean, it's bad, but you know, there 292 00:15:43,080 --> 00:15:45,560 Speaker 3: are some good things at least we've been able to 293 00:15:45,680 --> 00:15:46,720 Speaker 3: enjoy in the wake of that. 294 00:15:47,440 --> 00:15:52,040 Speaker 1: God. Yeah, I have a strange siblings who, Yeah, not 295 00:15:52,120 --> 00:15:54,600 Speaker 1: even the death of my father was enough to bring 296 00:15:54,680 --> 00:15:56,920 Speaker 1: us all back together. But I do wonder about them 297 00:15:56,960 --> 00:16:00,000 Speaker 1: an awful lot. Maybe one day. I like the idea 298 00:16:00,160 --> 00:16:03,360 Speaker 1: that there's I think everything is possible. I really do. 299 00:16:03,760 --> 00:16:05,280 Speaker 1: That's my most hopeful thought. 300 00:16:05,520 --> 00:16:07,280 Speaker 2: As long as we're all here, As long as as 301 00:16:07,320 --> 00:16:07,640 Speaker 2: long as. 302 00:16:07,600 --> 00:16:11,480 Speaker 1: We're all here, everything is possible. Truly, sometimes I find 303 00:16:11,520 --> 00:16:13,520 Speaker 1: that to be a really edifying thought, like when things 304 00:16:13,560 --> 00:16:17,200 Speaker 1: are particularly dark, so everything is possible. Yes, everything awful 305 00:16:17,200 --> 00:16:21,600 Speaker 1: that you're currently thinking about, but also the turnaround and 306 00:16:21,720 --> 00:16:25,960 Speaker 1: the slightness of a solution to a gigantic problem. It's 307 00:16:26,040 --> 00:16:28,480 Speaker 1: never commensurate. Again, I don't remember whoever said that to 308 00:16:28,560 --> 00:16:30,880 Speaker 1: me when I was younger, but it was true. The 309 00:16:30,880 --> 00:16:33,360 Speaker 1: solution to a problem is never commensurate with the size 310 00:16:33,680 --> 00:16:35,720 Speaker 1: of the feeling around the problem. Hm. 311 00:16:36,520 --> 00:16:37,560 Speaker 2: Yes, it's true. 312 00:16:37,800 --> 00:16:42,720 Speaker 3: I feel so sad about those kinds of chasms and divisions, 313 00:16:43,320 --> 00:16:46,880 Speaker 3: given just how short life is and how hard it is. 314 00:16:47,000 --> 00:16:51,000 Speaker 3: It feels so unnecessary, like it's sort of bad for everyone. 315 00:16:51,800 --> 00:16:53,200 Speaker 2: But I also know that. 316 00:16:53,160 --> 00:16:57,880 Speaker 3: Sometimes people just cannot overcome these bad feelings. 317 00:16:58,280 --> 00:16:58,640 Speaker 2: I don't know. 318 00:16:58,680 --> 00:17:03,040 Speaker 3: My disposition is always to try to connect with everyone. 319 00:17:03,280 --> 00:17:05,680 Speaker 3: That's always my thought like, let's see if we can 320 00:17:05,760 --> 00:17:09,080 Speaker 3: work it out. But I know that's sometimes simplistic and 321 00:17:09,119 --> 00:17:11,880 Speaker 3: it doesn't always solve things. But I'm just a believer 322 00:17:12,000 --> 00:17:14,359 Speaker 3: in trying to, I don't know, try to find as 323 00:17:14,440 --> 00:17:18,560 Speaker 3: much joy together as we can while we're here. I 324 00:17:18,560 --> 00:17:23,040 Speaker 3: can't think of any more useful philosophy than that. 325 00:17:23,160 --> 00:17:25,879 Speaker 2: In a way, like here we are, who knows exactly, 326 00:17:26,000 --> 00:17:29,399 Speaker 2: Let's try and have fun and make each other happy if. 327 00:17:29,240 --> 00:17:32,960 Speaker 1: We can, exactly, Let's do as much as we can. 328 00:17:37,920 --> 00:17:41,639 Speaker 1: What relationship, real or fictionalized, defines love for you? 329 00:17:42,800 --> 00:17:44,840 Speaker 2: So funny. I'm one of these people who's not great 330 00:17:44,880 --> 00:17:45,480 Speaker 2: at talking. 331 00:17:45,280 --> 00:17:48,159 Speaker 3: About things like love because it always seems corny. But 332 00:17:48,600 --> 00:17:52,359 Speaker 3: I guess this is a very American of this moment answer. 333 00:17:52,480 --> 00:17:54,919 Speaker 3: But I can't help but think of Rosalind and Jimmy 334 00:17:55,040 --> 00:18:03,760 Speaker 3: Carter because super insanely long marriage which both real doers 335 00:18:03,840 --> 00:18:10,199 Speaker 3: and believers, you know, this long, rich, varied experience in 336 00:18:10,240 --> 00:18:14,239 Speaker 3: which they both remained so relevant kind of culturally and 337 00:18:14,280 --> 00:18:17,160 Speaker 3: to each other. I guess there's just an a liveness 338 00:18:17,200 --> 00:18:22,000 Speaker 3: about that in every conceivable way that is really exciting 339 00:18:22,080 --> 00:18:23,080 Speaker 3: and inspiring to me. 340 00:18:23,720 --> 00:18:25,320 Speaker 2: You know, I hope to live a really long life. 341 00:18:25,359 --> 00:18:27,400 Speaker 3: I hope my husband will live a really long life, 342 00:18:27,400 --> 00:18:30,160 Speaker 3: and I hope we can be that way. 343 00:18:30,280 --> 00:18:32,080 Speaker 2: But they're a role model there, really are. 344 00:18:32,160 --> 00:18:35,520 Speaker 3: I mean, it's just extraordinary, and I love she at 345 00:18:35,520 --> 00:18:40,800 Speaker 3: a time when men didn't necessarily, certainly not presidents, privilege 346 00:18:40,800 --> 00:18:44,520 Speaker 3: and prioritize their wives' views so much, she really had 347 00:18:44,600 --> 00:18:47,360 Speaker 3: such a strong voice. And I also love the way, 348 00:18:47,400 --> 00:18:49,600 Speaker 3: even though he was a one term president and sort 349 00:18:49,640 --> 00:18:53,520 Speaker 3: of ended in humiliation in a certain way, they just 350 00:18:53,920 --> 00:18:56,520 Speaker 3: use that as a starting point to do the kind 351 00:18:56,560 --> 00:18:58,440 Speaker 3: of work they wanted to do, and they did that 352 00:18:58,680 --> 00:19:02,720 Speaker 3: individually and together forever, and I just what more can 353 00:19:02,760 --> 00:19:04,520 Speaker 3: you really ask for from a love? 354 00:19:04,800 --> 00:19:06,360 Speaker 2: I'm not sure, No, I agree. 355 00:19:06,520 --> 00:19:10,520 Speaker 1: I agree that there was such dynamic humility in their 356 00:19:10,640 --> 00:19:15,520 Speaker 1: relationship that was pretty astonishing, because you're right where it 357 00:19:15,680 --> 00:19:18,520 Speaker 1: ended was just the beginning of what their life's work 358 00:19:18,560 --> 00:19:21,960 Speaker 1: was actually going to be. In actual fact, his presidentship 359 00:19:22,080 --> 00:19:27,400 Speaker 1: was the addendum to what was this unbelievably full, amazing life. 360 00:19:28,040 --> 00:19:29,959 Speaker 1: I mean, remember when they put the solar panels up, 361 00:19:30,160 --> 00:19:33,560 Speaker 1: Remember when there was the whole kind of ecoization of 362 00:19:33,600 --> 00:19:35,280 Speaker 1: the White House, and how that was just sort of 363 00:19:35,600 --> 00:19:38,080 Speaker 1: torn down at the end of his presidency, but they 364 00:19:38,119 --> 00:19:40,840 Speaker 1: carried it all on. I think you're right. I think 365 00:19:40,840 --> 00:19:44,720 Speaker 1: that's a really beautiful testament to love. I love that 366 00:19:44,800 --> 00:19:45,840 Speaker 1: you think love is corny. 367 00:19:45,920 --> 00:19:49,920 Speaker 3: That's so funny, well talking about it, I mean as 368 00:19:49,960 --> 00:19:52,400 Speaker 3: a subject, it's just not something I would ever say. 369 00:19:52,440 --> 00:19:54,119 Speaker 2: I'm writing about love. 370 00:19:54,440 --> 00:19:56,920 Speaker 1: I can't wait because I bet you do. Oh my god, 371 00:19:56,960 --> 00:19:59,480 Speaker 1: I really want you to write about love. Now, come on, 372 00:19:59,640 --> 00:20:01,520 Speaker 1: it would be He's so good. I'll be in it. 373 00:20:02,160 --> 00:20:05,280 Speaker 1: I'll be in your awful, corny book about love. I'll 374 00:20:05,320 --> 00:20:06,360 Speaker 1: be a minor character. 375 00:20:08,320 --> 00:20:11,119 Speaker 3: Please come and inspire me Mannie, because right now I 376 00:20:11,200 --> 00:20:11,880 Speaker 3: got nothing. 377 00:20:13,240 --> 00:20:15,399 Speaker 1: Oh I got I love. I just keep trying to 378 00:20:15,400 --> 00:20:18,520 Speaker 1: insert myself in your books. It's really weird and great. 379 00:20:18,760 --> 00:20:21,119 Speaker 1: I think that's cool. Everybody writes about love. I like 380 00:20:21,200 --> 00:20:23,439 Speaker 1: that you don't want to write about it. The thing is, 381 00:20:24,000 --> 00:20:26,239 Speaker 1: I keep thinking that you have written about love, like 382 00:20:26,280 --> 00:20:30,920 Speaker 1: when I think about Goon Squad, like it's full of love. Yeah, 383 00:20:31,040 --> 00:20:33,480 Speaker 1: love is there, right, But you're not writing about love 384 00:20:33,520 --> 00:20:35,160 Speaker 1: and people being in love as it were. 385 00:20:36,000 --> 00:20:39,200 Speaker 3: Yeah for me, I mean, of course, anything that anyone 386 00:20:39,280 --> 00:20:42,200 Speaker 3: thinks my work is about is true. You know, it's 387 00:20:42,240 --> 00:20:45,320 Speaker 3: in the hands of the reader. But in my mind, 388 00:20:46,040 --> 00:20:50,200 Speaker 3: love is something that happens while you're writing about other things. 389 00:20:50,520 --> 00:20:50,760 Speaker 1: Right. 390 00:20:52,359 --> 00:20:54,760 Speaker 2: I don't know why, but that's how I think of it. 391 00:20:54,760 --> 00:20:57,520 Speaker 2: It can't be a subject unto itself. It almost feels 392 00:20:57,520 --> 00:20:58,960 Speaker 2: like it's not interesting enough. 393 00:20:59,200 --> 00:21:00,400 Speaker 1: Huh, has to. 394 00:21:00,359 --> 00:21:06,400 Speaker 3: Be there alongside something more complicated, more challenging. 395 00:21:06,880 --> 00:21:09,200 Speaker 1: Yeah. I mean maybe it's because love isn't a thing. 396 00:21:09,480 --> 00:21:12,320 Speaker 1: It's an amalgam of all these different things, which I 397 00:21:12,440 --> 00:21:15,120 Speaker 1: only realized that quite recently. 398 00:21:15,320 --> 00:21:17,440 Speaker 3: You know, my husband and I had in exchange when 399 00:21:17,560 --> 00:21:20,680 Speaker 3: our older son was really little, and I said, he said, 400 00:21:21,160 --> 00:21:23,679 Speaker 3: I love you, And I said to my husband, but 401 00:21:23,760 --> 00:21:25,520 Speaker 3: I don't think he knows what it means. 402 00:21:26,000 --> 00:21:27,399 Speaker 2: And my husband said, do you. 403 00:21:30,359 --> 00:21:34,080 Speaker 1: Oh my god, your husband said that to you. That's hysterical. 404 00:21:34,560 --> 00:21:36,000 Speaker 1: Your husband's funny. 405 00:21:35,840 --> 00:21:37,960 Speaker 2: Who is so laugh about it. He's very funny. 406 00:21:38,040 --> 00:21:39,440 Speaker 1: It's really funny. 407 00:21:39,680 --> 00:21:41,440 Speaker 2: So now they'll say, I love you, but I don't 408 00:21:41,520 --> 00:21:42,120 Speaker 2: know what it means. 409 00:21:42,160 --> 00:21:54,200 Speaker 4: Which is true? 410 00:21:57,800 --> 00:22:01,920 Speaker 1: What person, place, or experience most altered your life. 411 00:22:02,119 --> 00:22:05,440 Speaker 3: I think it would be New York City actually, because 412 00:22:06,040 --> 00:22:08,320 Speaker 3: I'm from the Midwest. I was born in Chicago, and 413 00:22:08,359 --> 00:22:10,760 Speaker 3: I grew up in San Francisco. I knew I wanted 414 00:22:10,760 --> 00:22:12,560 Speaker 3: to move to New York before I'd ever been to 415 00:22:12,640 --> 00:22:15,480 Speaker 3: New York. And I've lived here really my whole adult life, 416 00:22:15,880 --> 00:22:19,000 Speaker 3: and it's just the perfect place for me. 417 00:22:19,119 --> 00:22:21,800 Speaker 2: I mean, I'm very curious. I'm nosy I would go 418 00:22:21,920 --> 00:22:22,320 Speaker 2: that far. 419 00:22:22,960 --> 00:22:26,240 Speaker 3: I love street life, I like watching people. I like 420 00:22:26,320 --> 00:22:30,399 Speaker 3: to be invisible and just watch the rest of the world. 421 00:22:30,680 --> 00:22:34,280 Speaker 3: It's just full of life. It's full of so many industries, 422 00:22:34,760 --> 00:22:38,359 Speaker 3: and ninety percent of them or more couldn't care less 423 00:22:38,400 --> 00:22:41,840 Speaker 3: about the publishing industry, or rarely even know that it exists. 424 00:22:42,400 --> 00:22:46,080 Speaker 3: And I love that that there's so much happening, and 425 00:22:46,119 --> 00:22:50,920 Speaker 3: there's interesting stuff everywhere I look and listen. And I've 426 00:22:50,960 --> 00:22:53,800 Speaker 3: also gotten very involved in New York history, and I 427 00:22:53,800 --> 00:22:55,720 Speaker 3: think some of that was a result of nine to 428 00:22:55,760 --> 00:22:58,600 Speaker 3: eleven because I lived here and during that time and 429 00:22:58,600 --> 00:23:00,440 Speaker 3: actually heard one of the planes hit. 430 00:23:00,680 --> 00:23:01,399 Speaker 1: Oh my God. 431 00:23:01,840 --> 00:23:04,240 Speaker 3: And I think that led me and many others to 432 00:23:04,240 --> 00:23:05,800 Speaker 3: think about what it was like to live in New 433 00:23:05,840 --> 00:23:08,120 Speaker 3: York during World War Two, and that led me down 434 00:23:08,160 --> 00:23:12,000 Speaker 3: a massive research rabbit hole, and I ended up writing 435 00:23:12,000 --> 00:23:15,800 Speaker 3: Manhattan Beach. Now I'm interested in nineteenth century New York, 436 00:23:16,200 --> 00:23:18,360 Speaker 3: so I think it's fair to say that New York 437 00:23:18,400 --> 00:23:20,199 Speaker 3: has kind of become a muse for me. 438 00:23:20,680 --> 00:23:22,720 Speaker 1: It's pretty extraordinary to have known that you're going to 439 00:23:22,720 --> 00:23:25,080 Speaker 1: move to a place like do you think that that 440 00:23:25,400 --> 00:23:28,880 Speaker 1: is a prescient knowledge that if we tune in hard 441 00:23:29,000 --> 00:23:32,160 Speaker 1: enough we can find these guide posts, that they're actually there, 442 00:23:32,160 --> 00:23:35,400 Speaker 1: these signposts, and we just maybe don't listen to them. 443 00:23:35,920 --> 00:23:36,480 Speaker 4: I don't know. 444 00:23:36,800 --> 00:23:39,119 Speaker 3: There must be some that I didn't listen to, or 445 00:23:39,160 --> 00:23:40,240 Speaker 3: that I did listen. 446 00:23:40,000 --> 00:23:41,000 Speaker 2: To and were wrong. 447 00:23:41,640 --> 00:23:46,160 Speaker 3: But there's just something about New York. It feels inexhaustible. 448 00:23:46,880 --> 00:23:50,119 Speaker 3: And I'm a very place driven person. Like even in 449 00:23:50,160 --> 00:23:52,959 Speaker 3: my work, I really start with a time and a place, 450 00:23:53,119 --> 00:23:56,480 Speaker 3: not people or any kind of plot. 451 00:23:57,040 --> 00:24:01,879 Speaker 2: So physical circumstances mean an enormous amount to me. 452 00:24:02,160 --> 00:24:07,640 Speaker 3: And somehow New York with its depth of history, which 453 00:24:07,680 --> 00:24:10,320 Speaker 3: we have so much less of here in the United 454 00:24:10,320 --> 00:24:13,199 Speaker 3: States than, for example, you do in Britain. But in 455 00:24:13,240 --> 00:24:17,000 Speaker 3: New York there is actually enough history on this place 456 00:24:17,600 --> 00:24:21,200 Speaker 3: that you can feel it in the buildings, in the streets, 457 00:24:21,600 --> 00:24:24,879 Speaker 3: there are cobblestones sort of coming up here and there, 458 00:24:25,280 --> 00:24:29,120 Speaker 3: and I like that sense of embedded history in this place. 459 00:24:29,160 --> 00:24:31,240 Speaker 3: I mean, by the way, what I just said ignores 460 00:24:31,320 --> 00:24:34,440 Speaker 3: the fact that there is a long history of Native 461 00:24:34,440 --> 00:24:39,040 Speaker 3: Americans in what became the United States, whose presence we 462 00:24:39,400 --> 00:24:43,880 Speaker 3: eradicated by essentially destroying them. So obviously what I'm talking 463 00:24:43,920 --> 00:24:46,919 Speaker 3: about is the history of Western Europeans here and not 464 00:24:47,160 --> 00:24:49,480 Speaker 3: the original inhabitants of America. 465 00:24:50,119 --> 00:24:52,040 Speaker 2: But New York holds a lot for me. 466 00:24:52,240 --> 00:24:55,080 Speaker 3: It holds a lot of its own history, and then 467 00:24:55,119 --> 00:24:58,200 Speaker 3: also my personal history because it's a relatively small place 468 00:24:58,240 --> 00:25:01,719 Speaker 3: where I've now lived since the late eighties, and I 469 00:25:01,840 --> 00:25:07,920 Speaker 3: feel my own memories embedded in all of its different neighborhoods, 470 00:25:08,080 --> 00:25:10,800 Speaker 3: and then I also feel this kind of collective memory 471 00:25:10,960 --> 00:25:14,240 Speaker 3: of so much life that's happened here, really for hundreds 472 00:25:14,240 --> 00:25:14,640 Speaker 3: of years. 473 00:25:14,680 --> 00:25:18,159 Speaker 1: Now. Ah, Jennifer, thank you so much for talking to me. 474 00:25:18,480 --> 00:25:20,560 Speaker 1: Thank you so much. I mean, I could honestly ask 475 00:25:20,640 --> 00:25:23,520 Speaker 1: you a goodjillion more questions, and I will when I'm 476 00:25:23,560 --> 00:25:25,639 Speaker 1: next stalking you in Brooklyn. 477 00:25:25,840 --> 00:25:28,040 Speaker 3: I'm going to look for you in my neighborhood and 478 00:25:28,080 --> 00:25:29,720 Speaker 3: we'll have some tea and we'll feel be. 479 00:25:29,720 --> 00:25:34,040 Speaker 1: Having coffee, and Jennifer, Hi, it'll be like the end 480 00:25:34,040 --> 00:25:37,680 Speaker 1: of Saltburn. If you haven't seen that, I can't believe 481 00:25:37,720 --> 00:25:39,360 Speaker 1: that you get your coffee here. 482 00:25:40,000 --> 00:25:41,679 Speaker 3: Well, then you're going to come over and you're going 483 00:25:41,760 --> 00:25:43,639 Speaker 3: to enter into my book. 484 00:25:44,040 --> 00:25:48,400 Speaker 1: Hoah, got a plan. So excited. Thank you really, thank 485 00:25:48,400 --> 00:25:49,160 Speaker 1: you so much. 486 00:25:49,400 --> 00:25:50,720 Speaker 2: It was such a pleasure. 487 00:25:53,359 --> 00:25:56,600 Speaker 1: Mini Questions is hosted and written by Me, Mini Driver, 488 00:25:57,480 --> 00:26:00,600 Speaker 1: Executive produced by Me and Aaron Cole from Me, with 489 00:26:00,720 --> 00:26:05,119 Speaker 1: production support from Jennifer Bassett, Zoe Denkler and Ali Perry. 490 00:26:05,680 --> 00:26:09,520 Speaker 1: The theme music is also by Me and additional music 491 00:26:09,920 --> 00:26:14,439 Speaker 1: by Aaron Kaufman. Special banks to Jim Nikolay Addison, O'Day, 492 00:26:15,000 --> 00:26:19,720 Speaker 1: Henry Driver, Lisa Castella, Annick Oppenheim, a, Nick Mueller, and 493 00:26:19,720 --> 00:26:25,040 Speaker 1: Annette Wolfe, a w kPr, Will Pearson, Nicki Etoor, Morgan 494 00:26:25,119 --> 00:26:27,720 Speaker 1: Levoy and Mangesh had Tigadore