WEBVTT - Just One Of Those Weird Lulls (S2, E14 "It Should've Been Lorelai")

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<v Speaker 1>I Am all In. Hello, let's just Doro, I Am

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<v Speaker 1>all in with Scott Patterson and I Heart Radio Podcast. Everybody, Hi,

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<v Speaker 1>Welcome to season two, episode fourteen. It should have been

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<v Speaker 1>Laurel I right. Oh man, um yeah. First of all,

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<v Speaker 1>let me say hello, It's Scott Patterson. This is I

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<v Speaker 1>Am I Am all In Podcast, I Heart Radio one

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<v Speaker 1>eleven Productions. We have Danielle Romo joining us. Hello, Danielle.

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<v Speaker 1>We have Riley pelusis coming off a huge, huge debut.

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<v Speaker 1>The after party after the premiere was crazy. We'll get

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<v Speaker 1>into that. I mean people were hanging off the rafters.

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<v Speaker 1>I mean it was unbelievable. Amy Sugarman has joined us.

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<v Speaker 1>Hello Amy. Riley got renewed for a second She got

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<v Speaker 1>renewed for a second episode because the first uh pop

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<v Speaker 1>culture minisod was huge success. Huge commenters liked her, so

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<v Speaker 1>she gets to try again. That's you know what, that's

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<v Speaker 1>pretty dark good. That's pretty dark good. So congratulations Riley. Hey,

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<v Speaker 1>we're riding shotgun with you through uh the peaks and

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<v Speaker 1>valleys of success. We got you that kiddo. Valleys will

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<v Speaker 1>come yay, you know, but you know they're not going

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<v Speaker 1>to feel like valleys they actually feel like, you know,

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<v Speaker 1>the best times you're ever gonna have because we're all

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<v Speaker 1>trying to make everybody feel better. I did. I did

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<v Speaker 1>a lunge at the gym, and somebody's like, was that

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<v Speaker 1>you stilly walking? Really, you're getting recognized already. Nice a

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<v Speaker 1>lunge at the gym. Now it's Danielle's turn. But do

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<v Speaker 1>you prefer to be the power behind the thrown the hand?

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<v Speaker 1>I loving behind you? Like being that power, right, I know?

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<v Speaker 1>I like me behind the scenes. I let Riley do

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<v Speaker 1>the silly walking. You know, yeah, I know you know

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<v Speaker 1>what you're doing. You're just you know, we're puppets on

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<v Speaker 1>a string and you were over there anyway. Um, what

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<v Speaker 1>an episode? Good lord? Uh, you know what I loved.

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<v Speaker 1>First of all, I think this is the best, best

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<v Speaker 1>written episode, best act. I think this was number one

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<v Speaker 1>for me. This replaces the dinner party so far. This

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<v Speaker 1>had me so deeply engaged. Every single second. I did

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<v Speaker 1>not waiver, I did not waver, And I know why.

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<v Speaker 1>I just figured it out. Um because it was an

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<v Speaker 1>adult themed show and the kids stuff doesn't interest me

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<v Speaker 1>that much. And I love working. I love all these guys.

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<v Speaker 1>I love Jared and Matt and Milow. I love working

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<v Speaker 1>with him, but I tell you that stuff, and it's

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<v Speaker 1>a c W dictate, right, Like it's a younger skewing audience.

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<v Speaker 1>We've got to ramp up the rory stuff. We've got

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<v Speaker 1>to give her some some pretty guys get around a

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<v Speaker 1>love triangle. Uh And and that's not my demo, so

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<v Speaker 1>I'm not as engaged when that comes on. Guess what

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<v Speaker 1>the median age is for a c W viewer? Yeah,

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<v Speaker 1>what is it? Forty or fourteen? Really? Everyone thinks c

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<v Speaker 1>W viewers are so much younger. They're actually like a

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<v Speaker 1>thirty five year old woman. Huh. Well, then continue, you know,

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<v Speaker 1>then the kids stuff still works for them, right, I

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<v Speaker 1>suppose it'd be interesting to sort of ask around if

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<v Speaker 1>people like the lorelized stuff or if they really like

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<v Speaker 1>the ror stuff. For me, it's all yeah, I personally

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<v Speaker 1>I could do without it. I still like it, and

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<v Speaker 1>I still love working with those guys, and I think

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<v Speaker 1>they add a lot to the show, But me personally

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<v Speaker 1>as an audience don't need it. What did you think

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<v Speaker 1>of Paris? Because we'll get into the meat, but I

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<v Speaker 1>just need to know off the top, what do you

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<v Speaker 1>think of Paris? I think Paris is a very well

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<v Speaker 1>established character, and I think whatever I was turned off

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<v Speaker 1>by actually sort of clicked in for this episode because

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<v Speaker 1>I knew what to expect, and I found myself kind

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<v Speaker 1>of rooting for her. You know, I wanted her to win, um,

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<v Speaker 1>and I thought that that boy that was melting down

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<v Speaker 1>from Hillsdale School that was at Chiltern and transferred, I thought,

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<v Speaker 1>you know, he deserves to be crushed, for God's sake.

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<v Speaker 1>I mean, if that's if he's gonna pale like that

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<v Speaker 1>at a high school debate, I mean, buck up, dude,

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<v Speaker 1>come on. Always ultimately feel sorry for Paris, Like just

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<v Speaker 1>when you're like she's so irritating and nuts, then you

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<v Speaker 1>see like she really just wanted to hang out with

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<v Speaker 1>Rory after she just wants a friend. Yeah, she's not

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<v Speaker 1>gonna she's not she's not gonna have any friends, Like

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<v Speaker 1>she doesn't have family there, everybody there. Yeah. Yeah, So

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<v Speaker 1>ultimately I was kind of feel bad for but she

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<v Speaker 1>is irritating, like she isn't hidden irritating. But I didn't

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<v Speaker 1>find her irritating in this episode. I found her with

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<v Speaker 1>a real purpose and I relate to people that want

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<v Speaker 1>to win and want to win badly, because that's how

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<v Speaker 1>that's how I used to be. You've come around, Yeah, well, yeah,

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<v Speaker 1>I think I have come around a little bit to

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<v Speaker 1>Paris because God, I think maybe I was reacting so

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<v Speaker 1>strongly in a negative way because I just related to

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<v Speaker 1>her too much. That's funny, you know, I decided to go.

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<v Speaker 1>I decided to put myself on the couch and uh

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<v Speaker 1>and you know, have a clubhouse meeting with myself and

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<v Speaker 1>and and really think about it, you know, like, why

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<v Speaker 1>am I having this adverse reaction to Paris? And and

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<v Speaker 1>I realized it's because I'm a lot like her. I

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<v Speaker 1>used to be a lot like that. She's much more

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<v Speaker 1>complicated than just being nuts. Yeah, and it's not fair

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<v Speaker 1>of me to to apply those labels to her. But

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<v Speaker 1>the behavior is screaming out for some assistance, for sure. Um.

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<v Speaker 1>But I do have a little more empathy for her

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<v Speaker 1>now because I was her, So, I mean I used

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<v Speaker 1>to really really push push push people and really want

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<v Speaker 1>to win, and it was all it was just all

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<v Speaker 1>about winning. And that does come And maybe we'll talk

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<v Speaker 1>to the psychologist about this. That does come from a

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<v Speaker 1>deficit on the family side. Yeah, we should do another

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<v Speaker 1>therapy session like we did before. You've healed a lot,

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<v Speaker 1>so you don't have as much growing to do. But

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<v Speaker 1>I think she could still help everybody sort of come

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<v Speaker 1>to understand Paris. Yeah, I think one of the very

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<v Speaker 1>positive things about her she she does what it takes

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<v Speaker 1>to win, leaves no stone unturned. I do think perfectionism

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<v Speaker 1>like that is it's really just you know, anxiety run

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<v Speaker 1>amuck um, and to be around that can be really annoying.

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<v Speaker 1>But if you're in a debate, you do want to win.

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<v Speaker 1>You do want to talk fast, you do want to

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<v Speaker 1>crush the opposition. You don't want to give him a

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<v Speaker 1>chance to get up off the mat. And that's how

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<v Speaker 1>you want to debate. So here's a little segue for you.

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<v Speaker 1>Because as I'm thinking about Paris, like Paris is a

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<v Speaker 1>little bit about Paris, you know, she's always sort of

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<v Speaker 1>fighting for herself, gotta win, gotta win. Like you said

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<v Speaker 1>to me, what was not shocking because we've known it

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<v Speaker 1>was the true flaw we saw in Lower Lie. At

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<v Speaker 1>the end of this episode, Man, that was just a

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<v Speaker 1>knockout punch, wasn't it. Because I know we'll go out

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<v Speaker 1>of order, so we need to get to it, but

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<v Speaker 1>I had to agree with Christopher. It was heartbreaking for

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<v Speaker 1>me because now I see and I'm listen, I'm not

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<v Speaker 1>watching this as Luke anymore. I'm watching this as a fan, now, okay.

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<v Speaker 1>And um, not that Luke wasn't a fan of the show.

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<v Speaker 1>Luke wasn't aware of the show. He's in the show.

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<v Speaker 1>He's not aware of the show. We'd like to ask

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<v Speaker 1>you a question, is Luke, did you go home and

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<v Speaker 1>watch you while I was I was in the show.

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<v Speaker 1>I wasn't aware of the show. It's a different It's

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<v Speaker 1>not it's a different reality. It's like I'm a hologram.

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<v Speaker 1>What who me? Um? I was a little taken aback

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<v Speaker 1>by that. I thought I thought it had a real,

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<v Speaker 1>real dramatic impact. I mean it was it was unexpected,

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<v Speaker 1>and I mean he was kind of right, and that

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<v Speaker 1>he was also wrong. Um. And she was also full

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<v Speaker 1>of full of bleep. She is full of crap. She's

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<v Speaker 1>trying to convince herself. But she was still in a

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<v Speaker 1>mode where she was in pain from the drubbing she

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<v Speaker 1>took from her mother. And I think she was reaching

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<v Speaker 1>out to Christopher for an answer, to to somebody please

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<v Speaker 1>comfort me somehow, and this is how I'm going to

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<v Speaker 1>try to do it. And I think all her I

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<v Speaker 1>think her intentions were pure, and I think they were good.

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<v Speaker 1>But she the blind spot she had was that dysfunction

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<v Speaker 1>with her mother, and it made her say that. It

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<v Speaker 1>put her in a position to say that and not

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<v Speaker 1>consider his feelings. She had to figure out some way

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<v Speaker 1>like how do I make peace with this? How do

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<v Speaker 1>I not make my mother be right? Even though she

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<v Speaker 1>I know she's right. It's like, Okay, I'm gonna try

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<v Speaker 1>and twist this and say, well, she was right, but

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<v Speaker 1>now she's not right because I'm moving on. And it's like, dude,

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<v Speaker 1>you love him? Yeah, I think not. I think she

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<v Speaker 1>wanted Christopher to say, yeah, you're right. I had to

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<v Speaker 1>go through that same feeling. But now that I'm with Sherry,

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<v Speaker 1>I'm finally over you. Like she wanted him to comfort

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<v Speaker 1>her during that time and she was seeking and she

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<v Speaker 1>and he did he did not do that. That was

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<v Speaker 1>I was heartbroken for her. I really was, because I

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<v Speaker 1>was heartbroken for him as an audience, you know, as

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<v Speaker 1>an audience, I'm looking at this like, Wow, these two

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<v Speaker 1>are are good together. They're kind of right, and and yeah,

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<v Speaker 1>I mean again. Um, you know, it's a searing pain

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<v Speaker 1>for a child to see their parents apart. They do

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<v Speaker 1>want their parents together. No matter what Rory said or

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<v Speaker 1>how she tried to play it off, you know, Um,

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<v Speaker 1>she's she was a little bit in denial. She does

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<v Speaker 1>want her parents together. Of course she does. It is

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<v Speaker 1>a big deal to her. But she's not gonna, you know,

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<v Speaker 1>she's not like Laurea la in that sense where she's

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<v Speaker 1>gonna you know, she's wearing her heart on her sleeve necessarily. Um.

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<v Speaker 1>But um, you know, I it was just so sad

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<v Speaker 1>to see it end like that, in in another bitter fight. Well,

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<v Speaker 1>and Christopher's right, although maybe he could have reacted to

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<v Speaker 1>it differently, I'm not saying him just like blowing up

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<v Speaker 1>was that was the best thing to do. But he

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<v Speaker 1>always loved lorli He wanted to be with lor Lai

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<v Speaker 1>from the start. She was the one that said no,

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<v Speaker 1>you know, he would have stayed and raised the baby

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<v Speaker 1>with her and then you know, beholden to the parents whatever.

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<v Speaker 1>But she knew he didn't have it in it. But

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<v Speaker 1>she always loved him. He always loved her, and in

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<v Speaker 1>a sense he wasn't wrong to interpret what she was

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<v Speaker 1>saying as blaming him, So I get why he was like,

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<v Speaker 1>screw you, but he but he but he, but he

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<v Speaker 1>has sounded needy in past episodes when he has called,

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<v Speaker 1>and it always sounds like for him, the doors open

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<v Speaker 1>to maybe giving it another shot. I'm not he's not

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<v Speaker 1>saying that, and maybe he is. And I've missed it

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<v Speaker 1>but or forgot about it already my short term memory.

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<v Speaker 1>But you know, he always sounds like he's kind of

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<v Speaker 1>her guy and still still wants to be her guy.

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<v Speaker 1>And I'm open to it. And did it not long ago?

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<v Speaker 1>And yes? And that's what's so shocking about that final scene.

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<v Speaker 1>It's the last thing I expected to happen. I thought

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<v Speaker 1>he would show a little more compassion, but I think

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<v Speaker 1>he saw it as maybe a little bit of manipulation

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<v Speaker 1>on her part, an attack on him to try to

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<v Speaker 1>mess up his relationship with maian Aman. Right, Well, he

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<v Speaker 1>said it himself. So she has brought guys around, She

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<v Speaker 1>was even engaged the girl around, and she's going to

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<v Speaker 1>act like this. He's kind of like, what the hell

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<v Speaker 1>do you not when I'm happy? Right? And he made

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<v Speaker 1>that point to her when he picked her up and

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<v Speaker 1>they were getting into the car said, you were engaged

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<v Speaker 1>in Max mctina. You didn't tell me. I wasn't a

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<v Speaker 1>part of that equation. I wasn't a part and she said, well,

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<v Speaker 1>you eventually would have been. It's like, what, screw you?

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<v Speaker 1>I mean, I think I think that's what pissed him off.

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<v Speaker 1>That's why I'm calling yeah, because she is not that

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<v Speaker 1>what she said at the diner, even though I think

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<v Speaker 1>she is trying to convince herself, I don't think it

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<v Speaker 1>was true. I think what she wanted to say was like,

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<v Speaker 1>am I going to be with this chip? Right or wrong?

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<v Speaker 1>M h. I agree, and so so it was wrong

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<v Speaker 1>multiple level. Yeah, And it's like I get it what

0:13:37.440 --> 0:13:39.600
<v Speaker 1>she was sort of trying. And I think she's trying

0:13:39.600 --> 0:13:42.320
<v Speaker 1>to convince herself, Okay, now that he is with this person,

0:13:42.400 --> 0:13:45.040
<v Speaker 1>I can move on. But she should have just said

0:13:45.080 --> 0:13:50.640
<v Speaker 1>it to her bathroom mirror, not him. I think she

0:13:50.720 --> 0:13:54.880
<v Speaker 1>has I think she is so much stronger and Christopher,

0:13:55.640 --> 0:13:58.720
<v Speaker 1>and I think she has matured at a faster rate

0:13:58.800 --> 0:14:03.840
<v Speaker 1>than Christopher. And she was waiting for Christopher for years

0:14:03.920 --> 0:14:06.320
<v Speaker 1>to get it together. He never got it together. He

0:14:06.440 --> 0:14:09.760
<v Speaker 1>always tried something right. This is what I do remember

0:14:09.800 --> 0:14:12.720
<v Speaker 1>about the show what I do remember about his character

0:14:13.559 --> 0:14:16.680
<v Speaker 1>is that he was you know, he tried something for

0:14:16.720 --> 0:14:20.040
<v Speaker 1>six months and then leave. He'd go to California's a

0:14:20.040 --> 0:14:22.240
<v Speaker 1>great opportunity. Then he can be back, you know, so

0:14:22.280 --> 0:14:24.040
<v Speaker 1>on and so forth. So this was his pattern. How

0:14:24.080 --> 0:14:27.560
<v Speaker 1>can how can she have a life with somebody like that? Right?

0:14:27.640 --> 0:14:29.760
<v Speaker 1>How can she depend on that kind of a guy?

0:14:29.960 --> 0:14:33.000
<v Speaker 1>She can't. He's bouncing all over the country. He's got

0:14:33.040 --> 0:14:34.560
<v Speaker 1>this idea, and now he's got six months later he's

0:14:34.560 --> 0:14:36.840
<v Speaker 1>got another ideas, and it's like, at a certain point

0:14:36.880 --> 0:14:40.120
<v Speaker 1>you just throw up your hands. Um. But at the

0:14:40.200 --> 0:14:46.040
<v Speaker 1>same time, to me, the only person that she has

0:14:46.480 --> 0:14:51.200
<v Speaker 1>chemistry with like she has with you, Luke, is Christopher.

0:14:51.240 --> 0:14:55.880
<v Speaker 1>There's no sorry, there's no there can be only one.

0:14:56.120 --> 0:14:59.240
<v Speaker 1>There can be only one. But if you were just

0:14:59.440 --> 0:15:03.120
<v Speaker 1>looking for the outside, the only one that has a

0:15:03.160 --> 0:15:06.800
<v Speaker 1>close second to Luke is Christopher. I see it in

0:15:06.840 --> 0:15:09.560
<v Speaker 1>their banter, I see it in their chemistry. It's Luke's

0:15:09.640 --> 0:15:13.920
<v Speaker 1>up here, okay, and then Christopher's will okay, But then

0:15:14.000 --> 0:15:18.640
<v Speaker 1>show me where Max is lower than Christopher? Right, Gosh,

0:15:18.680 --> 0:15:22.680
<v Speaker 1>you know what I don't know. I agree with you

0:15:22.720 --> 0:15:27.960
<v Speaker 1>Amy about Leonard, like he knows her a little. He

0:15:28.040 --> 0:15:32.760
<v Speaker 1>knows those things correct, right, But I think that just

0:15:32.800 --> 0:15:35.240
<v Speaker 1>because he's from the same social class. I mean, he

0:15:35.600 --> 0:15:37.680
<v Speaker 1>gets it. And how could you not hear her from

0:15:37.720 --> 0:15:40.440
<v Speaker 1>the kitchen by the way he knows her. That's the thing.

0:15:41.160 --> 0:15:44.080
<v Speaker 1>We can debate it. But I know, I know, I

0:15:44.080 --> 0:15:48.080
<v Speaker 1>know the only other one that really knows her. And

0:15:48.120 --> 0:15:51.280
<v Speaker 1>I'm not saying she's meant to be with him. I'm

0:15:51.320 --> 0:15:54.520
<v Speaker 1>just saying he's the only one that has a shot

0:15:54.560 --> 0:15:58.080
<v Speaker 1>at it other than you know, Luke did seem like

0:15:58.120 --> 0:16:02.080
<v Speaker 1>an outsider in this situation, didn't he. He really did.

0:16:02.280 --> 0:16:06.640
<v Speaker 1>I mean, especially Emily doesn't want Luke around. Laurel I

0:16:06.720 --> 0:16:11.200
<v Speaker 1>doesn't seem to want Luke around. It's like he's just

0:16:11.320 --> 0:16:14.760
<v Speaker 1>the guy that brings us to you know. He really

0:16:14.800 --> 0:16:18.400
<v Speaker 1>felt h neutralized and even minimized in this episode. I

0:16:18.400 --> 0:16:20.720
<v Speaker 1>thought a little bit. Well, but remember it was only

0:16:20.800 --> 0:16:24.200
<v Speaker 1>last week, so in in Gilmore time, that could have

0:16:24.240 --> 0:16:26.280
<v Speaker 1>been just a few days ago that you two are

0:16:26.320 --> 0:16:28.360
<v Speaker 1>having the moment with the with the tis get a

0:16:28.440 --> 0:16:32.120
<v Speaker 1>task at basket. So like that's what I always love too,

0:16:32.160 --> 0:16:34.120
<v Speaker 1>is like we didn't even see Jess this week too,

0:16:34.120 --> 0:16:36.840
<v Speaker 1>and we just had that huge Jess episode so they

0:16:36.880 --> 0:16:39.280
<v Speaker 1>just never pound us over the head with things. That's

0:16:39.280 --> 0:16:43.600
<v Speaker 1>why we are so cooked. Boy, it's you know, it's

0:16:43.600 --> 0:16:47.920
<v Speaker 1>a very complex, very layered situation walking into any kind

0:16:47.920 --> 0:16:50.920
<v Speaker 1>of a situation with Laurel I, with her history and

0:16:50.920 --> 0:16:52.320
<v Speaker 1>what she's been through. I mean, if you want to

0:16:52.320 --> 0:16:55.480
<v Speaker 1>get involved with her romantically, wow, I mean you're gonna

0:16:55.520 --> 0:16:58.080
<v Speaker 1>have to deal with a lot of baggage. And should

0:16:58.120 --> 0:17:01.560
<v Speaker 1>we talk about Sherry? Should we take a break and

0:17:01.560 --> 0:17:04.119
<v Speaker 1>talk about Cherry and talking about sharing a little bit?

0:17:04.200 --> 0:17:06.480
<v Speaker 1>I want to think of sharing. All right, We're gonna

0:17:06.520 --> 0:17:09.280
<v Speaker 1>take a little pause here, and when we come back,

0:17:09.280 --> 0:17:13.040
<v Speaker 1>we'll talk about Sherry, the lovely and talented Mansion Amick.

0:17:13.480 --> 0:17:20.720
<v Speaker 1>All right, we'll be back after these words. Yeah, okay, everybody,

0:17:20.720 --> 0:17:25.720
<v Speaker 1>we're back. We're gonna talk about Sherry played by Mansion Amock, who, um,

0:17:25.760 --> 0:17:29.720
<v Speaker 1>I think was considered uh to play uh Laura I

0:17:29.800 --> 0:17:35.320
<v Speaker 1>Gilmore originally. Yes, I think that's uh. I think that

0:17:35.480 --> 0:17:38.440
<v Speaker 1>is true. Yeah, And she wasn't available and they kept

0:17:38.640 --> 0:17:43.760
<v Speaker 1>looking looking looking, um, but yeah, she's she's something, isn't

0:17:43.760 --> 0:17:46.320
<v Speaker 1>she on screen? Wow? What a face? What a what

0:17:46.400 --> 0:17:51.119
<v Speaker 1>a talent? What a just a wow factor? There? Um right,

0:17:51.119 --> 0:17:54.080
<v Speaker 1>I mean she's still just works so much. Oh yeah,

0:17:54.119 --> 0:18:00.680
<v Speaker 1>she's great. Um and uh, completely different type of personality

0:18:00.880 --> 0:18:03.639
<v Speaker 1>from Laurela. And you know what, I can you know

0:18:03.680 --> 0:18:05.639
<v Speaker 1>if you compare the two. And I think this is

0:18:05.680 --> 0:18:09.280
<v Speaker 1>one of the things that I think Laurelai was really

0:18:09.920 --> 0:18:13.320
<v Speaker 1>afraid at the end of this episode that gosh, darn it,

0:18:13.440 --> 0:18:18.880
<v Speaker 1>maybe there's something wrong with me. Maybe maybe he I'm

0:18:18.920 --> 0:18:21.800
<v Speaker 1>just not good enough for him. Maybe I never was.

0:18:22.200 --> 0:18:25.119
<v Speaker 1>Do you think she is experiencing some self doubt on

0:18:25.160 --> 0:18:30.600
<v Speaker 1>that level because now that she's seen Sherry, and Sherry

0:18:30.720 --> 0:18:34.639
<v Speaker 1>is a completely different animal from her, thinks different than

0:18:35.000 --> 0:18:37.440
<v Speaker 1>I mean Sherry. Sherry is like one of the most

0:18:37.480 --> 0:18:42.879
<v Speaker 1>considerate people. And I'm not saying she's as multifaceted or

0:18:43.000 --> 0:18:47.480
<v Speaker 1>entertaining as Laura La. She's very successful, she's very right,

0:18:47.560 --> 0:18:50.359
<v Speaker 1>she's very she's kind of corporate, she's very successful. She

0:18:50.400 --> 0:18:52.600
<v Speaker 1>says the right thing, she dresses in the right way.

0:18:52.600 --> 0:18:57.639
<v Speaker 1>She's perfect. It's like she's this perfect person. Would you

0:18:57.640 --> 0:19:00.640
<v Speaker 1>say it's the first person that Laurela has been sort

0:19:00.640 --> 0:19:04.920
<v Speaker 1>of jealous of. Yeah, she was jealous of her right away.

0:19:05.320 --> 0:19:09.880
<v Speaker 1>And uh, um, I mean that is a fully formed,

0:19:10.040 --> 0:19:16.440
<v Speaker 1>mature adult woman who has who's responsible, who wants children?

0:19:16.800 --> 0:19:20.439
<v Speaker 1>Who wants a good man? And I don't know if

0:19:20.520 --> 0:19:24.080
<v Speaker 1>Christopher is going to make it well his weakness his

0:19:24.160 --> 0:19:28.639
<v Speaker 1>surface eventually that will be interesting to say. Uh, but

0:19:29.440 --> 0:19:34.119
<v Speaker 1>that is I mean that character, her character, Sherry is

0:19:34.160 --> 0:19:39.119
<v Speaker 1>is a substantial person. I mean that is a well bred,

0:19:39.359 --> 0:19:45.960
<v Speaker 1>well educated, professional, considerate, courteous um. I mean she was

0:19:46.119 --> 0:19:48.960
<v Speaker 1>letter perfect on everything, even to the point where she

0:19:49.040 --> 0:19:52.840
<v Speaker 1>was disarming Lee honest about isn't this awkward? And you know,

0:19:52.880 --> 0:19:54.600
<v Speaker 1>I just want you to know there's no pressure on

0:19:54.640 --> 0:19:56.040
<v Speaker 1>you to be friends with me or spect. I mean

0:19:56.080 --> 0:19:59.520
<v Speaker 1>it was just like what you think of that scene.

0:19:59.320 --> 0:20:03.040
<v Speaker 1>I thought it was an adult, uh, taking the reins

0:20:03.840 --> 0:20:08.280
<v Speaker 1>and trying to make things easy for Laura la Let's

0:20:08.280 --> 0:20:10.879
<v Speaker 1>acknowledge that it's an awkward situation and let's talk about it.

0:20:10.920 --> 0:20:13.720
<v Speaker 1>But she she was so direct with it. And I

0:20:13.760 --> 0:20:16.320
<v Speaker 1>think she's so used to coming from the sales sales

0:20:16.359 --> 0:20:18.600
<v Speaker 1>e world where she's she's great at if she's the

0:20:18.600 --> 0:20:21.320
<v Speaker 1>East Coast rep for Laurel. For God's sake, she's a

0:20:21.520 --> 0:20:24.760
<v Speaker 1>heck of a salesperson, right. I mean she knows how

0:20:24.800 --> 0:20:27.399
<v Speaker 1>to charm the pants off of anybody. I mean for

0:20:27.480 --> 0:20:31.160
<v Speaker 1>God's sake. I mean, they only hire the most talented people,

0:20:31.240 --> 0:20:33.840
<v Speaker 1>and there are people out there like that who can

0:20:34.040 --> 0:20:37.639
<v Speaker 1>you know they can sell ice to an eskimo. Um,

0:20:37.720 --> 0:20:39.600
<v Speaker 1>what did you guys think of that scene in the kitchen.

0:20:40.200 --> 0:20:43.520
<v Speaker 1>It's hard for me because I feel like I know

0:20:43.680 --> 0:20:47.960
<v Speaker 1>too much what I thought. I thought Laura la got

0:20:48.000 --> 0:20:50.360
<v Speaker 1>into the ring with somebody who had who had more

0:20:50.359 --> 0:20:53.880
<v Speaker 1>punching power. She got into the ring with an adult,

0:20:54.080 --> 0:20:59.600
<v Speaker 1>I mean, a real adult, and it's like she was outmatched. Yeah,

0:20:59.720 --> 0:21:01.520
<v Speaker 1>you say, and then I'll say, because I don't want to,

0:21:02.040 --> 0:21:05.120
<v Speaker 1>I don't know if other things are clouding my opinion,

0:21:05.200 --> 0:21:08.920
<v Speaker 1>go ahead. I appreciated where Sherry was going, like trying

0:21:08.960 --> 0:21:14.280
<v Speaker 1>to be quote unquote cool, but I thought she she

0:21:14.280 --> 0:21:18.120
<v Speaker 1>she like tried going too much. Like she just kept

0:21:18.160 --> 0:21:20.760
<v Speaker 1>repeating herself and repeating herself. We don't need to be friends.

0:21:21.040 --> 0:21:23.320
<v Speaker 1>I just want to be cool with Rory. You know.

0:21:23.400 --> 0:21:25.959
<v Speaker 1>It's just like it was too much. I don't know.

0:21:26.400 --> 0:21:29.320
<v Speaker 1>One time was to say that was great, and then

0:21:29.680 --> 0:21:32.000
<v Speaker 1>she just lost me after the fifth time. You can

0:21:32.040 --> 0:21:34.960
<v Speaker 1>only imagine what Christopher said behind Laurel ized back to

0:21:35.200 --> 0:21:39.000
<v Speaker 1>Sherry about her personality, and it's like you know, you're

0:21:39.000 --> 0:21:41.800
<v Speaker 1>walking into a bunch of landmines. Be careful. She's a

0:21:41.840 --> 0:21:46.720
<v Speaker 1>little off center. Um, she may be crazy. She'll say

0:21:46.720 --> 0:21:49.800
<v Speaker 1>anything at any time. She's got a she's an extremely smart,

0:21:50.400 --> 0:21:55.159
<v Speaker 1>very complex person, you know. So it's like this this

0:21:55.280 --> 0:21:58.800
<v Speaker 1>disconnect where Laurel I thinks that she's got some kind

0:21:58.800 --> 0:22:01.840
<v Speaker 1>of relationship or even chance with Christopher and he's like, man,

0:22:01.880 --> 0:22:05.119
<v Speaker 1>I finally found somebody that isn't nuts, you know, I

0:22:05.119 --> 0:22:10.280
<v Speaker 1>think us. Yeah, And what I don't know is if

0:22:10.320 --> 0:22:13.840
<v Speaker 1>it's because of something I know. And everyone listening is

0:22:13.880 --> 0:22:17.280
<v Speaker 1>probably with me on this, So like, you guys, aren't

0:22:17.600 --> 0:22:22.000
<v Speaker 1>she seemed nuts? Yeah, I'm with you, and it's my

0:22:22.000 --> 0:22:24.760
<v Speaker 1>first time watching it. One thing I did want to say,

0:22:24.960 --> 0:22:26.800
<v Speaker 1>back to what you were saying, Scott about how you

0:22:26.840 --> 0:22:31.680
<v Speaker 1>felt that Lorala was a little jealous. I I don't

0:22:31.680 --> 0:22:33.919
<v Speaker 1>think she was a little jealous. But I think she

0:22:34.000 --> 0:22:39.240
<v Speaker 1>had this realization that Christopher's going somewhere, like he's going places,

0:22:39.359 --> 0:22:43.360
<v Speaker 1>he has this superstar girlfriend, like things are panning out

0:22:43.400 --> 0:22:45.840
<v Speaker 1>for him, and I think she kind of had this

0:22:45.920 --> 0:22:49.960
<v Speaker 1>realization that where am I going? What's what? What am

0:22:49.960 --> 0:22:52.680
<v Speaker 1>I adding to my life? Like, what's what's going on

0:22:53.240 --> 0:22:59.560
<v Speaker 1>and she's not where he is, and he's kind of yeah, yeah, okay, alright,

0:22:59.760 --> 0:23:01.880
<v Speaker 1>I is jos of the situation, but not so much

0:23:02.000 --> 0:23:06.280
<v Speaker 1>jealous of Sherry. Sure she was are you kidding? Oh god,

0:23:06.359 --> 0:23:10.240
<v Speaker 1>she looked great. I mean she looked letter perfect, perfect,

0:23:10.920 --> 0:23:13.480
<v Speaker 1>She looked like she I mean, she just looked like

0:23:13.520 --> 0:23:18.719
<v Speaker 1>a really classy woman. I agree with you, and beautiful.

0:23:19.320 --> 0:23:22.200
<v Speaker 1>She seemed a little nuts. What do you mean, Wait

0:23:22.240 --> 0:23:25.040
<v Speaker 1>a minute, come on, nuts, what are you talking about?

0:23:25.640 --> 0:23:29.000
<v Speaker 1>What pushy? She was too pushy. She was being a

0:23:29.000 --> 0:23:31.919
<v Speaker 1>little aggressive, and so therefore she's nuts. I don't know,

0:23:32.160 --> 0:23:35.800
<v Speaker 1>aggressive because it's like she you're right, aggressive, but she's

0:23:35.800 --> 0:23:39.560
<v Speaker 1>not like aggressive about it. It's like she's a little

0:23:39.560 --> 0:23:43.960
<v Speaker 1>to ask KISSI to Rory. She's a little too hashtag

0:23:44.000 --> 0:23:48.040
<v Speaker 1>trying too hard, which I get because if you're in

0:23:48.080 --> 0:23:51.560
<v Speaker 1>that position, that is a super difficult position to navigate.

0:23:51.760 --> 0:23:56.280
<v Speaker 1>But if, but if Christopher prepped her about what she

0:23:56.440 --> 0:24:01.399
<v Speaker 1>was really walking into, and of course she's going to

0:24:01.480 --> 0:24:06.119
<v Speaker 1>be disarmingly charming and actually aggressive about it, just to

0:24:06.240 --> 0:24:11.440
<v Speaker 1>diffuse any potential situation that could arise, because you know,

0:24:11.760 --> 0:24:14.640
<v Speaker 1>the wild card is what is Laura? Like? How's Laura?

0:24:14.720 --> 0:24:17.720
<v Speaker 1>I gonna react. What's she gonna say? I mean, there

0:24:17.720 --> 0:24:19.399
<v Speaker 1>was a moment there on a couch when Laura la

0:24:19.760 --> 0:24:22.439
<v Speaker 1>had a couple of quippy, very funny things, and Sherry

0:24:22.440 --> 0:24:25.919
<v Speaker 1>just looked at her said, excuse me, she doesn't right,

0:24:26.000 --> 0:24:29.760
<v Speaker 1>she doesn't get you, don't look. Rory summed her up

0:24:29.760 --> 0:24:32.280
<v Speaker 1>really well at breakfast, like she drives the speed limit

0:24:32.320 --> 0:24:37.400
<v Speaker 1>and uses her blinker. I'll say it like this because

0:24:37.400 --> 0:24:40.080
<v Speaker 1>I don't want to ruin too much. She's not an artist.

0:24:40.359 --> 0:24:44.840
<v Speaker 1>In other words, she's not fun like Laurea la Is.

0:24:45.320 --> 0:24:49.560
<v Speaker 1>It's very mom like. I think that also makes Lorelai

0:24:49.560 --> 0:24:53.879
<v Speaker 1>I think, well, this is Christopher's type. I might not

0:24:54.000 --> 0:24:58.080
<v Speaker 1>Christopher's type because I'm completely different than Sherry right exactly.

0:24:58.560 --> 0:25:01.320
<v Speaker 1>It puts her in It puts her in a very

0:25:01.320 --> 0:25:05.680
<v Speaker 1>precarious position psychologically speaking, because she just never imagined that

0:25:06.359 --> 0:25:09.159
<v Speaker 1>she wasn't even being considered all those years, you know

0:25:09.160 --> 0:25:12.600
<v Speaker 1>what I'm saying. And and why was Christopher sleeping with me?

0:25:12.600 --> 0:25:17.600
<v Speaker 1>And why was he you know, laurelized just confused. I

0:25:17.640 --> 0:25:20.639
<v Speaker 1>think it was just all out of confusion. Uh. And

0:25:20.720 --> 0:25:22.920
<v Speaker 1>then he drops the hammer on her like that. Man,

0:25:23.000 --> 0:25:26.600
<v Speaker 1>what a moment to have for I felt really bad

0:25:26.640 --> 0:25:30.520
<v Speaker 1>for her. You know, I'm not sure Sherry is Christopher's type.

0:25:31.040 --> 0:25:34.160
<v Speaker 1>I think Christopher thinks he needs to have a girl

0:25:34.240 --> 0:25:38.240
<v Speaker 1>like Sherry. I think Sherry's a lot like Emily, which

0:25:38.280 --> 0:25:42.520
<v Speaker 1>is kind of weird. Yeah, that's not that she's more

0:25:42.600 --> 0:25:46.760
<v Speaker 1>like Emily that she uh than she is Laurela. And look,

0:25:46.840 --> 0:25:51.439
<v Speaker 1>Laurela is you know, she has the personality of an

0:25:51.520 --> 0:25:55.960
<v Speaker 1>artist and um, you know, a free spirit, a rebel

0:25:55.960 --> 0:26:01.520
<v Speaker 1>of Maverick, a loner, you know, but she's sotistic and everything.

0:26:01.800 --> 0:26:03.960
<v Speaker 1>You know, her life is like this this work of

0:26:04.080 --> 0:26:06.840
<v Speaker 1>art that's in progress and she's adding colors and she's

0:26:06.880 --> 0:26:11.000
<v Speaker 1>being entertaining and vibrant. She's she really is a live wire.

0:26:11.080 --> 0:26:15.400
<v Speaker 1>She's very, very compelling. And I I don't think she's crazy.

0:26:15.560 --> 0:26:20.880
<v Speaker 1>I just think that she's she just found herself wanting

0:26:21.040 --> 0:26:25.040
<v Speaker 1>more as a kid and it wasn't that life. And

0:26:25.080 --> 0:26:29.280
<v Speaker 1>I just think I just think she could write a novel,

0:26:29.480 --> 0:26:33.119
<v Speaker 1>or she could paint, or she could write poetry. Just

0:26:33.280 --> 0:26:38.200
<v Speaker 1>she's got such poetry inside her. She's got artistic expression

0:26:38.280 --> 0:26:41.520
<v Speaker 1>and and and and subtleties inside her. You know, she's

0:26:41.560 --> 0:26:47.600
<v Speaker 1>so here's she's so literate, and you So here's the question.

0:26:47.960 --> 0:26:49.600
<v Speaker 1>That's what I want to know. And you really need

0:26:49.640 --> 0:26:52.240
<v Speaker 1>to be Scott, like you've got to be the ultimate Scott.

0:26:52.280 --> 0:26:53.600
<v Speaker 1>Although it I know it's hard for you to like

0:26:53.640 --> 0:26:57.440
<v Speaker 1>separate fully from Luke if you had to date. So

0:26:58.040 --> 0:27:01.119
<v Speaker 1>you're Scott, You're not Luke and Danielle and Riley. This

0:27:01.200 --> 0:27:04.240
<v Speaker 1>question is for you too. You have to dates. Got

0:27:04.320 --> 0:27:08.320
<v Speaker 1>either Lorely or Sherry and Danielle and Riley. You have

0:27:08.440 --> 0:27:12.120
<v Speaker 1>to be best friends with Lorelei or Sherry? Only one?

0:27:12.400 --> 0:27:19.960
<v Speaker 1>Who are you picking? H I mean friends Lordly. I

0:27:20.040 --> 0:27:21.720
<v Speaker 1>wanna have fun. Yeah, you want to have a lot

0:27:21.720 --> 0:27:25.879
<v Speaker 1>of laughs because you can enter, you know, and it

0:27:25.880 --> 0:27:29.320
<v Speaker 1>would be it's just fun to engage that. You know.

0:27:29.680 --> 0:27:37.160
<v Speaker 1>As perfect as Sherry is, she's not Laura and vice versa.

0:27:39.000 --> 0:27:43.240
<v Speaker 1>You know. Yeah, yeah, I I think after a while,

0:27:44.160 --> 0:27:46.840
<v Speaker 1>anybody can get on your nerves. It's just like, how

0:27:47.200 --> 0:27:49.159
<v Speaker 1>how long would it take for Sherry to get on

0:27:49.200 --> 0:27:53.879
<v Speaker 1>your nerves? So let her perfect, right, She's so let

0:27:53.920 --> 0:27:56.840
<v Speaker 1>her perfect her approach in life. She's already on my

0:27:56.920 --> 0:28:04.080
<v Speaker 1>nerves marked for death. And I don't know if it's

0:28:04.080 --> 0:28:07.720
<v Speaker 1>because I am such a fan of lor Lie, like

0:28:07.880 --> 0:28:10.879
<v Speaker 1>I want to be lor lie to me like I

0:28:10.920 --> 0:28:13.879
<v Speaker 1>want to be lor Lie. I love everything about lord Lye.

0:28:14.000 --> 0:28:16.359
<v Speaker 1>I love the way she is with men, I love

0:28:16.400 --> 0:28:18.640
<v Speaker 1>the way she is with friends. I love everything about her.

0:28:19.240 --> 0:28:22.919
<v Speaker 1>And yeah, like I would say, Sherry is probably the

0:28:22.960 --> 0:28:27.320
<v Speaker 1>first character that I don't love. I was a little

0:28:27.359 --> 0:28:30.800
<v Speaker 1>surprised that she agreed so quickly to let her skip

0:28:30.960 --> 0:28:33.040
<v Speaker 1>Friday night dinner and go out with Sherry. I mean

0:28:33.080 --> 0:28:35.119
<v Speaker 1>that was a little inappropriate. I thought. I thought it

0:28:35.160 --> 0:28:38.280
<v Speaker 1>was a little pushy. It was a little abrupt, and like, well,

0:28:38.360 --> 0:28:41.480
<v Speaker 1>let's talk about it next time. But but there's Sherry,

0:28:41.640 --> 0:28:45.880
<v Speaker 1>the expert salesperson, just selling her side, and it's such

0:28:45.880 --> 0:28:47.959
<v Speaker 1>a rare opportunity. We're never down this way, you know,

0:28:48.000 --> 0:28:50.240
<v Speaker 1>So can you just make it happen for me? You

0:28:50.280 --> 0:28:54.320
<v Speaker 1>know she got the sale. This is so complicated for

0:28:54.360 --> 0:28:58.240
<v Speaker 1>me because I also love Christopher. I love Look, Luke

0:28:58.400 --> 0:29:00.200
<v Speaker 1>is my guy, you know that. Like, I have a

0:29:00.240 --> 0:29:03.480
<v Speaker 1>total crush on Luke. It's embarrassing when I watch it.

0:29:03.520 --> 0:29:06.560
<v Speaker 1>I'm like, I am able to separate Scott from Luke

0:29:06.600 --> 0:29:09.320
<v Speaker 1>because I am like hot for Luke and I know

0:29:09.440 --> 0:29:12.320
<v Speaker 1>that's creepy, but I am no, it's why is it creepy.

0:29:12.400 --> 0:29:15.720
<v Speaker 1>It's not creepy, but because you're still the guy who

0:29:15.760 --> 0:29:21.080
<v Speaker 1>played Luke is fascinating. Of course you're smitten. But I

0:29:21.120 --> 0:29:25.440
<v Speaker 1>love Christopher. I love everything about Christopher. There's one fashion

0:29:25.520 --> 0:29:28.280
<v Speaker 1>moment that I didn't like, which i'll reveal at the end.

0:29:28.280 --> 0:29:31.080
<v Speaker 1>But I love Christopher. I love the way he banters,

0:29:31.080 --> 0:29:34.480
<v Speaker 1>I love the I love that Richard and Emily adore him.

0:29:34.520 --> 0:29:37.600
<v Speaker 1>I love everything about Christopher. So maybe that's also why

0:29:37.640 --> 0:29:40.560
<v Speaker 1>I don't like Sherry, because I don't want Sherry with Christopher.

0:29:40.680 --> 0:29:42.680
<v Speaker 1>I don't. I'm gonna say it right now. I don't

0:29:42.680 --> 0:29:45.520
<v Speaker 1>want her with him at all. And I didn't like

0:29:45.600 --> 0:29:48.560
<v Speaker 1>it when he had her before we saw her and

0:29:48.600 --> 0:29:51.800
<v Speaker 1>I and I I don't want it. But he can't

0:29:51.840 --> 0:29:57.200
<v Speaker 1>handle Laurela. He will never be able to handle Laurela.

0:29:57.920 --> 0:30:04.280
<v Speaker 1>He can't. He needs Sherry. He needs Sherry. He's the

0:30:04.440 --> 0:30:10.600
<v Speaker 1>unstable one. He needs a stable adult woman to guide him.

0:30:10.760 --> 0:30:13.960
<v Speaker 1>That's exactly he needs a mommy, and that's that's exactly

0:30:14.000 --> 0:30:18.920
<v Speaker 1>what he got. That's what he needs. They aren't equals,

0:30:18.920 --> 0:30:22.280
<v Speaker 1>in my opinion, from what I have seen, personality wise.

0:30:23.200 --> 0:30:29.680
<v Speaker 1>Mm hmmm, I don't know, but she's making him grow up.

0:30:30.360 --> 0:30:33.240
<v Speaker 1>She's forcing him to grow up. And it doesn't seem

0:30:33.360 --> 0:30:36.640
<v Speaker 1>natural for us to see Christopher that way. I mean,

0:30:36.640 --> 0:30:39.600
<v Speaker 1>he's really got it together. He's dressed really sharp, he's

0:30:39.640 --> 0:30:42.120
<v Speaker 1>looking good, he's saying all the right things. He's being

0:30:42.200 --> 0:30:50.000
<v Speaker 1>cool right Volvo motorcycle. Christopher's changing, She's affecting these changes.

0:30:50.680 --> 0:30:57.000
<v Speaker 1>I'm not going to be sad if she goes. I'm saying, Laura,

0:30:57.000 --> 0:30:59.000
<v Speaker 1>I needs a guy that's just going to allow her

0:30:59.040 --> 0:31:03.520
<v Speaker 1>to be her, not getting her way. It's obviously Luke,

0:31:03.600 --> 0:31:07.760
<v Speaker 1>but we have to be patient. Laurla is grounded and

0:31:07.800 --> 0:31:10.760
<v Speaker 1>who she is. She's very comfortable in her own skain.

0:31:10.880 --> 0:31:14.479
<v Speaker 1>She's there's not a lot of self doubt in her life.

0:31:15.160 --> 0:31:19.160
<v Speaker 1>I mean she's already sort of gazed at her navel

0:31:19.640 --> 0:31:23.600
<v Speaker 1>for you know, ten thousand hours and contemplated, undazed her

0:31:23.640 --> 0:31:26.440
<v Speaker 1>fate right and how she got there. I mean, she's

0:31:26.280 --> 0:31:29.560
<v Speaker 1>a she's a you know, she's a she's a self

0:31:29.640 --> 0:31:35.080
<v Speaker 1>self analytical person. She's highly intelligent. She Christopher cannot hang

0:31:35.160 --> 0:31:40.640
<v Speaker 1>with her, and he never could. It doesn't matter. But

0:31:40.720 --> 0:31:44.640
<v Speaker 1>it's so far off. And look, I'm not saying Looke's

0:31:44.640 --> 0:31:47.040
<v Speaker 1>a perfect guy. I'm not this is not me advocating

0:31:47.040 --> 0:31:49.120
<v Speaker 1>for Look, I'm just saying that she needs somebody to

0:31:49.280 --> 0:31:52.440
<v Speaker 1>let her be herself. Okay, so let me ask you this.

0:31:52.600 --> 0:31:55.400
<v Speaker 1>Let me ask you this. There're on a lot of

0:31:55.400 --> 0:31:59.960
<v Speaker 1>guys out there like that, Max or Christopher. Forget Luke again,

0:32:00.080 --> 0:32:02.560
<v Speaker 1>there is no Luke. Who do you think was better

0:32:02.800 --> 0:32:08.720
<v Speaker 1>or is better for Lorlie? Max or Christopher? Yeah? Yeah,

0:32:09.000 --> 0:32:12.640
<v Speaker 1>no because because Max, I don't know. I loved Max,

0:32:12.920 --> 0:32:17.720
<v Speaker 1>but no, Christopher is way more for her. Thanks, No,

0:32:17.920 --> 0:32:21.320
<v Speaker 1>I don't know. So I have a seriously hot topic

0:32:21.320 --> 0:32:25.200
<v Speaker 1>I want to talk about. But first, how heck funny

0:32:25.400 --> 0:32:29.320
<v Speaker 1>wasn't when they were trying to get a look see

0:32:29.960 --> 0:32:37.680
<v Speaker 1>at share the tissue? Yeah, Melissa, Melissa was very funny.

0:32:37.360 --> 0:32:40.440
<v Speaker 1>I thought that. I thought the way she held her

0:32:40.480 --> 0:32:42.600
<v Speaker 1>hand out and dropped the tissue was a little obvious

0:32:42.640 --> 0:32:44.920
<v Speaker 1>because if Sherry saw it, it it would be like, Okay,

0:32:44.920 --> 0:32:50.360
<v Speaker 1>she's checking out. Wanted to do you think that choice?

0:32:52.440 --> 0:32:56.200
<v Speaker 1>She was so genius? Ohlisa, Yeah, it's the first time

0:32:56.240 --> 0:32:58.560
<v Speaker 1>I left in the episode was one Melissa said that

0:32:59.200 --> 0:33:02.440
<v Speaker 1>the first line She's then, oh, I forget Oh you

0:33:02.520 --> 0:33:09.600
<v Speaker 1>have a very smooth dress. So good. Do you want

0:33:09.600 --> 0:33:11.719
<v Speaker 1>my hot topic now or like, do you want to

0:33:11.760 --> 0:33:13.880
<v Speaker 1>go to commercial? And then I'll tell you. Now, let's

0:33:13.920 --> 0:33:16.800
<v Speaker 1>go to commercial. All right, we'll be back after these words, ladies,

0:33:16.800 --> 0:33:23.760
<v Speaker 1>and gent's yea all everybody, We're back to Amy's got

0:33:23.800 --> 0:33:26.520
<v Speaker 1>a hot topic. She's gonna share it with us. We've

0:33:26.560 --> 0:33:28.600
<v Speaker 1>been waiting with baby breath. What is it? This is

0:33:28.640 --> 0:33:32.000
<v Speaker 1>not it? But also, did anyone notice how does Lorela

0:33:32.160 --> 0:33:35.640
<v Speaker 1>always get such amazing parking at Chilton? Like? I don't

0:33:35.680 --> 0:33:39.960
<v Speaker 1>buy it? Why is that jeep always literally parked right

0:33:39.960 --> 0:33:41.760
<v Speaker 1>in front of because it's not a parking space and

0:33:41.800 --> 0:33:46.240
<v Speaker 1>she's parking there illegally. She's just making it. Yes, because

0:33:46.240 --> 0:33:49.920
<v Speaker 1>she's Laurela and she's good. She's gonna park anywhere she wants.

0:33:49.920 --> 0:33:53.360
<v Speaker 1>See what I mean, that's her personality. I'm gonna park

0:33:53.440 --> 0:33:57.440
<v Speaker 1>anywhere I want. I hope I find a guy that

0:33:57.560 --> 0:34:00.840
<v Speaker 1>lets me park anywhere I want. There my hot topic

0:34:00.880 --> 0:34:04.680
<v Speaker 1>for you. I need you all to discuss this. Emily.

0:34:06.760 --> 0:34:11.919
<v Speaker 1>What do we make of her meltdown? Was it so like? Yes,

0:34:12.000 --> 0:34:15.520
<v Speaker 1>it was totally over the top, But what do you

0:34:15.760 --> 0:34:17.920
<v Speaker 1>make of it? Break it down? I need to know

0:34:17.960 --> 0:34:21.160
<v Speaker 1>what Emily is on her track? She wants what she

0:34:21.280 --> 0:34:24.600
<v Speaker 1>wants she's disappointed. She's holding out hope for all these years,

0:34:24.640 --> 0:34:29.160
<v Speaker 1>fifteen years. She can't make adjustments. People that age just

0:34:29.320 --> 0:34:33.479
<v Speaker 1>do not make those kinds of adjustments. Um, a mother,

0:34:34.360 --> 0:34:36.359
<v Speaker 1>maybe it doesn't even anything to do with age, it's just,

0:34:36.640 --> 0:34:41.360
<v Speaker 1>you know, her heart wants her daughter her. Emily's definition

0:34:41.360 --> 0:34:43.920
<v Speaker 1>of success is raising a daughter that ends up with

0:34:43.960 --> 0:34:47.920
<v Speaker 1>a guy Christopher, and they have Friday night dinners and

0:34:47.920 --> 0:34:49.480
<v Speaker 1>they have children, and they all go to the country

0:34:49.480 --> 0:34:51.000
<v Speaker 1>club and they play golf, and then they go to

0:34:51.000 --> 0:34:53.279
<v Speaker 1>Switzerland in the winter for a week ist gang and

0:34:54.000 --> 0:34:55.880
<v Speaker 1>you know that, they go down to Palm Beach for

0:34:55.920 --> 0:34:58.160
<v Speaker 1>a week and they you know what, they hopped up.

0:34:58.239 --> 0:35:03.319
<v Speaker 1>So it's if that, I mean, that is the good life.

0:35:03.360 --> 0:35:05.360
<v Speaker 1>She wants the good life for her daughter because she

0:35:05.400 --> 0:35:08.040
<v Speaker 1>wants the good life for herself, because she can't enjoy

0:35:08.120 --> 0:35:12.040
<v Speaker 1>her life fully without her daughter involved. That's her daughter. Mhmm,

0:35:12.680 --> 0:35:15.560
<v Speaker 1>she doesn't have it. I mean, Laurel is an only child, right,

0:35:16.640 --> 0:35:18.560
<v Speaker 1>So you know what you were talking about Rory wanting

0:35:18.560 --> 0:35:23.000
<v Speaker 1>her parents together absolutely more than Rory. Emily wants those

0:35:23.040 --> 0:35:25.839
<v Speaker 1>two together exactly. She is just holding on to every

0:35:25.840 --> 0:35:29.240
<v Speaker 1>bit of hope that it can happen. Yeah, Emily doesn't

0:35:29.280 --> 0:35:32.279
<v Speaker 1>see that those two are not suited for one of them.

0:35:32.440 --> 0:35:36.080
<v Speaker 1>That it was truly that, it was truly understand. I

0:35:36.120 --> 0:35:41.319
<v Speaker 1>apologize for saying, but she lost her when she realized

0:35:42.000 --> 0:35:48.359
<v Speaker 1>what the He's got another girlfriend and it's like her

0:35:48.440 --> 0:35:51.200
<v Speaker 1>dream was like slipping away from her in front of

0:35:51.200 --> 0:35:55.680
<v Speaker 1>her eyes, and she lost it. I don't blame her first,

0:35:55.719 --> 0:35:58.960
<v Speaker 1>it was the lack of courtesy for not calling her

0:35:59.000 --> 0:36:02.640
<v Speaker 1>and telling her about or not attending um it's it's

0:36:02.680 --> 0:36:07.880
<v Speaker 1>just another example of Yeah, she did. She cared that

0:36:07.960 --> 0:36:11.800
<v Speaker 1>her daughter deceptively behind her back change plans, didn't consult

0:36:11.880 --> 0:36:15.240
<v Speaker 1>her and didn't Christopher didn't have a girlfriend. She wouldn't

0:36:15.239 --> 0:36:19.400
<v Speaker 1>have cared. She cared only she would have cared. She

0:36:19.400 --> 0:36:21.440
<v Speaker 1>wouldn't have cared that much, but she would have cared.

0:36:22.040 --> 0:36:27.760
<v Speaker 1>She was pissed because she doesn't want Rory with this woman. Yeah.

0:36:28.000 --> 0:36:32.960
<v Speaker 1>One it's shattering her dream of Christopher and Laura being together,

0:36:33.040 --> 0:36:35.799
<v Speaker 1>and two, she doesn't want this woman having anything to

0:36:35.840 --> 0:36:38.680
<v Speaker 1>do with her granddaughter. Look, Sherry is not stupid. She

0:36:38.800 --> 0:36:41.480
<v Speaker 1>got warned, She knew what she was walking into, she

0:36:41.600 --> 0:36:44.040
<v Speaker 1>knew she had to get As Emily said, her claws

0:36:44.200 --> 0:36:48.120
<v Speaker 1>into Rory fast because Rory is the key to this, right,

0:36:49.040 --> 0:36:55.200
<v Speaker 1>and she wanted to and and she executed. She's Sherry

0:36:55.239 --> 0:36:57.280
<v Speaker 1>is just trying to survive because she wants that man.

0:36:57.719 --> 0:37:00.880
<v Speaker 1>She wants Christopher, she really does. That might be a

0:37:00.960 --> 0:37:06.719
<v Speaker 1>step up for her, right in class, never know, right

0:37:06.840 --> 0:37:09.760
<v Speaker 1>everything of that. You know, Christopher's cute. I mean Christopher,

0:37:10.040 --> 0:37:14.240
<v Speaker 1>Christopher comes from real money, doesn't he That fact doesn't

0:37:14.320 --> 0:37:17.279
<v Speaker 1>change because he's, you know, a little bit of a loser, right,

0:37:17.920 --> 0:37:24.319
<v Speaker 1>He's not because because Sherry came into his life and

0:37:24.800 --> 0:37:28.360
<v Speaker 1>change at listen, the right woman really changes your perspective

0:37:28.360 --> 0:37:32.000
<v Speaker 1>on things, and can really, you know, can really really

0:37:32.320 --> 0:37:35.960
<v Speaker 1>make your life happen. You know, it's it's hugely important

0:37:36.000 --> 0:37:38.440
<v Speaker 1>to have a healthy, happy relationship. And if you're how

0:37:38.520 --> 0:37:43.600
<v Speaker 1>did Emily's meltdown land on you, guys? I think I think, honestly,

0:37:43.719 --> 0:37:46.760
<v Speaker 1>it may have been triggering for Emily because she thought

0:37:46.760 --> 0:37:50.600
<v Speaker 1>of Laura La and Mia. Maybe she was thinking Rory

0:37:50.680 --> 0:37:54.920
<v Speaker 1>would go with Sherry and like Laura Lee would lose Rory.

0:37:56.160 --> 0:37:58.600
<v Speaker 1>Like she maybe thought it was like history repeating itself

0:37:58.640 --> 0:38:04.480
<v Speaker 1>of Laura Lee maybe losing Rory to Sherry. It's not

0:38:04.640 --> 0:38:09.880
<v Speaker 1>a terrible like observation. Yeah, and she did say the

0:38:09.920 --> 0:38:12.279
<v Speaker 1>next thing, you know, I'll never see Rory again. I mean,

0:38:12.320 --> 0:38:15.080
<v Speaker 1>the real key to this is seeing Rory. She wants

0:38:15.080 --> 0:38:18.520
<v Speaker 1>to see your granddaughter. I had two theories so that

0:38:18.719 --> 0:38:21.840
<v Speaker 1>you hit the nail on the head. Um. She is

0:38:21.880 --> 0:38:26.000
<v Speaker 1>finally close with Rory and now she doesn't want another

0:38:26.160 --> 0:38:29.360
<v Speaker 1>woman getting in the way, you know, like stealing that time,

0:38:29.400 --> 0:38:33.080
<v Speaker 1>stealing that attention, hanging out with her like she wants

0:38:33.160 --> 0:38:36.560
<v Speaker 1>that with Rory, and she feels threatened a little bit. Listen,

0:38:36.760 --> 0:38:41.120
<v Speaker 1>she's justified and getting pisted laure Ali for that. That

0:38:41.320 --> 0:38:43.880
<v Speaker 1>is her time. She made a deal on paying for

0:38:43.920 --> 0:38:47.560
<v Speaker 1>your daughter's school. It's probably fifty bucks fifty thousand bucks

0:38:47.560 --> 0:38:52.040
<v Speaker 1>a year plus plus, right, so we're talking seventy because

0:38:52.080 --> 0:38:53.799
<v Speaker 1>you know they're going to donate money to make sure

0:38:53.880 --> 0:38:57.200
<v Speaker 1>Rory gets into Harvard. Yeah, you can be at a

0:38:57.239 --> 0:39:02.840
<v Speaker 1>hundred veries even back then. So you know that is

0:39:02.880 --> 0:39:05.640
<v Speaker 1>her time. You're right, Danielle, that is her time that

0:39:05.880 --> 0:39:10.040
<v Speaker 1>she paid for, that she deserves, that she earned. And

0:39:10.080 --> 0:39:13.920
<v Speaker 1>how dare somebody just ripped Rory away from her for

0:39:14.000 --> 0:39:16.400
<v Speaker 1>some strange woman that's after Christophy. I mean, it was

0:39:16.480 --> 0:39:20.520
<v Speaker 1>just like, yeah, that's the ticket. It's Emily would not

0:39:20.560 --> 0:39:23.600
<v Speaker 1>have been mad. If Rory had a school thing or

0:39:23.719 --> 0:39:26.000
<v Speaker 1>was with Paris, she would have liked. She wouldn't have

0:39:26.000 --> 0:39:28.480
<v Speaker 1>liked it, but she wouldn't have cared. I think if

0:39:28.520 --> 0:39:30.080
<v Speaker 1>there's a school dance, she would have been fine with it.

0:39:30.360 --> 0:39:32.880
<v Speaker 1>She doesn't want Rory with this other woman. She doesn't

0:39:32.880 --> 0:39:34.960
<v Speaker 1>want Christopher this with this other woman, and she doesn't

0:39:34.960 --> 0:39:37.879
<v Speaker 1>want la allowing this right. She doesn't want Laura allowed

0:39:37.880 --> 0:39:41.040
<v Speaker 1>to be so blind she doesn't even see what's going on. Yeah,

0:39:41.080 --> 0:39:44.440
<v Speaker 1>I mean, first of all, it was hilarious, the slow

0:39:44.520 --> 0:39:47.160
<v Speaker 1>build to the meltdown when she's like, I had hold

0:39:47.200 --> 0:39:50.919
<v Speaker 1>off on buying a place with this one and lots

0:39:50.960 --> 0:39:54.360
<v Speaker 1>of mold. You know, then those scores kill you very slowly.

0:39:55.880 --> 0:40:03.440
<v Speaker 1>Do you how much Richard and Emily love Christopher. No,

0:40:04.640 --> 0:40:08.680
<v Speaker 1>not at all. I mean, it's the it's in their minds.

0:40:08.719 --> 0:40:11.760
<v Speaker 1>It's the best thing for Rory, and it's the probably

0:40:12.000 --> 0:40:15.200
<v Speaker 1>it's the only way to keep Laurel I on straight

0:40:15.200 --> 0:40:19.200
<v Speaker 1>and narrow right. And Richard is just waiting, waiting to

0:40:19.239 --> 0:40:22.200
<v Speaker 1>help Christopher, waiting to get him into the family so

0:40:22.239 --> 0:40:23.920
<v Speaker 1>that he can get him in the insurance business at

0:40:23.920 --> 0:40:27.040
<v Speaker 1>a higher level than he would normally go in and begin.

0:40:27.880 --> 0:40:31.560
<v Speaker 1>Richard would would have guaranteed Christopher be successful in that

0:40:31.640 --> 0:40:35.280
<v Speaker 1>field and give Laureli. They go to the country club together,

0:40:35.320 --> 0:40:38.440
<v Speaker 1>they play golf together. He and he likes Christopher, He

0:40:38.560 --> 0:40:46.080
<v Speaker 1>really likes them. So yes, yeah, he's he's their breed,

0:40:46.440 --> 0:40:55.440
<v Speaker 1>you know, of the manner Born And uh wow, what

0:40:55.520 --> 0:40:57.719
<v Speaker 1>a good episode it really was. And you know, we

0:40:57.800 --> 0:41:00.880
<v Speaker 1>haven't even got to the funny stuff. I mean it was.

0:41:00.960 --> 0:41:09.719
<v Speaker 1>It was the most deliciously funny smart stuff hit him

0:41:09.800 --> 0:41:15.880
<v Speaker 1>the home run running around, what the what the c

0:41:16.080 --> 0:41:18.719
<v Speaker 1>D drop? Yeah, they borrowed it from a film, right,

0:41:18.800 --> 0:41:20.719
<v Speaker 1>I mean I love it when they do that and

0:41:20.760 --> 0:41:23.359
<v Speaker 1>they take these iconic film scenes and they put him

0:41:23.360 --> 0:41:26.040
<v Speaker 1>in the show. I mean, it's it really isn't homage.

0:41:26.040 --> 0:41:31.160
<v Speaker 1>It's not stealing Kirk. I mean, but can we talk

0:41:31.200 --> 0:41:34.280
<v Speaker 1>wait a minute, can we talk about how flipping crazy

0:41:34.440 --> 0:41:37.840
<v Speaker 1>Mrs Kim is. She doubles down. I mean, after that

0:41:37.960 --> 0:41:42.480
<v Speaker 1>impactful scene with her daughter realizing, I mean she didn't

0:41:42.560 --> 0:41:45.320
<v Speaker 1>she didn't even have a moment of reflection. Thing. Maybe

0:41:45.360 --> 0:41:47.160
<v Speaker 1>I'm I need to pull back on this stuff a

0:41:47.200 --> 0:41:49.920
<v Speaker 1>little bit. As she doubles down and punishes her in

0:41:49.960 --> 0:41:52.280
<v Speaker 1>grounds or for how long pulled her out of school?

0:41:53.880 --> 0:41:56.560
<v Speaker 1>And it's playing records of psalms. I mean, what what

0:41:56.719 --> 0:41:59.640
<v Speaker 1>is happening? That woman is out of her off her

0:41:59.719 --> 0:42:02.839
<v Speaker 1>go word? What was the first thing that came into

0:42:02.840 --> 0:42:06.200
<v Speaker 1>your mind when Lane says like her mom mentioned she

0:42:06.280 --> 0:42:11.239
<v Speaker 1>was contagious, all of a sudden, I was like, she's coronavirus. Well,

0:42:16.080 --> 0:42:19.239
<v Speaker 1>what about the debate topic? You know, I'm worried about Lane.

0:42:19.440 --> 0:42:20.719
<v Speaker 1>I mean, I don't know what's going to happen in

0:42:20.719 --> 0:42:22.879
<v Speaker 1>the future, but I'm and I know nothing really bad

0:42:22.920 --> 0:42:25.000
<v Speaker 1>can happen in the future, but you know, these are

0:42:25.040 --> 0:42:28.120
<v Speaker 1>the kinds of kids that sort of contemplate taking their

0:42:28.160 --> 0:42:31.880
<v Speaker 1>own lives to get Yeah, but I mean if you

0:42:31.960 --> 0:42:36.839
<v Speaker 1>have a parent like that, who's that oppressive? I mean,

0:42:36.960 --> 0:42:42.600
<v Speaker 1>my god, it where it really worries me. And uh,

0:42:42.640 --> 0:42:44.279
<v Speaker 1>you know, I know nothing bad is going to happen,

0:42:44.360 --> 0:42:46.960
<v Speaker 1>But that's the form that's a recipe right there for disaster,

0:42:47.360 --> 0:42:50.960
<v Speaker 1>not not Yeah, I think that you are being very

0:42:51.000 --> 0:42:54.880
<v Speaker 1>accurate about that. That like, because this is a comedy

0:42:55.000 --> 0:42:58.560
<v Speaker 1>drama and that's the comedy part. We can make light

0:42:58.600 --> 0:43:02.440
<v Speaker 1>of it. But like in the the world. Yeah, that's

0:43:02.480 --> 0:43:06.239
<v Speaker 1>a different movie. And as an independent film, that relationship

0:43:06.320 --> 0:43:11.280
<v Speaker 1>right there, that's a very heavy movie. That's a tax

0:43:11.920 --> 0:43:16.800
<v Speaker 1>having minding these plumbing, these emotional depths in this show.

0:43:16.960 --> 0:43:23.000
<v Speaker 1>It's comedic relief, like comic really, yeah, comic relief, comic.

0:43:25.360 --> 0:43:27.920
<v Speaker 1>But yeah, you're right because I'm not making light of

0:43:27.920 --> 0:43:32.320
<v Speaker 1>what you just said, like you're accurate. In a different circumstance,

0:43:32.400 --> 0:43:34.400
<v Speaker 1>that would be a little bit. You know, she's literally

0:43:34.440 --> 0:43:38.000
<v Speaker 1>trapped in her room. It's very strange. It's very strange.

0:43:38.040 --> 0:43:40.760
<v Speaker 1>I mean, Mrs Kim doubled down on the punishment instead

0:43:40.800 --> 0:43:42.960
<v Speaker 1>of saying, oh, I screwed up and had a moment

0:43:42.960 --> 0:43:46.879
<v Speaker 1>of a real honesty with herself like this, I did

0:43:46.880 --> 0:43:49.400
<v Speaker 1>this to my daughter, and I screwed my daughter up,

0:43:49.400 --> 0:43:51.880
<v Speaker 1>and I screwed myself up. And Henry Cho was gone

0:43:51.880 --> 0:44:00.000
<v Speaker 1>and debate topic what a very serious debate coating assistant

0:44:00.040 --> 0:44:05.000
<v Speaker 1>soon settled, right. I don't know I would have been

0:44:05.040 --> 0:44:09.439
<v Speaker 1>sweating like that kid when when Paris said and we're pro,

0:44:09.840 --> 0:44:12.760
<v Speaker 1>and you know the kid that was melting down says shocker.

0:44:18.400 --> 0:44:22.040
<v Speaker 1>You know, yeah, I thought the quippy, funny lines were

0:44:22.080 --> 0:44:25.520
<v Speaker 1>so beautifully set up in this episode because the drama.

0:44:25.600 --> 0:44:28.160
<v Speaker 1>The drama was so heightened in this episode. Everything was

0:44:28.200 --> 0:44:32.600
<v Speaker 1>so taught that those jokes really really resonated. I mean

0:44:32.640 --> 0:44:36.400
<v Speaker 1>they're running around cleaning, cleaning, the house closing. Do you

0:44:36.440 --> 0:44:38.440
<v Speaker 1>have anything to serve them? You have to serve people things.

0:44:38.440 --> 0:44:40.239
<v Speaker 1>We had the leftover Halloween candy. We don't want to

0:44:40.239 --> 0:44:43.600
<v Speaker 1>waste that on that, and then it was out. Did

0:44:43.600 --> 0:44:48.279
<v Speaker 1>you guys see that it was out? Anything like he

0:44:48.320 --> 0:44:52.280
<v Speaker 1>didn't want anything? Yeah, at the candy like an okay

0:44:52.360 --> 0:44:59.040
<v Speaker 1>date on that? Okay, what else before we wrapped this?

0:44:59.120 --> 0:45:03.200
<v Speaker 1>What else? What else? Okay, here's my question. Should it

0:45:03.480 --> 0:45:06.160
<v Speaker 1>have been Laurel? So that's the title of the episode.

0:45:06.200 --> 0:45:08.160
<v Speaker 1>It should have been Laurel. Yes, it should have been

0:45:08.239 --> 0:45:10.360
<v Speaker 1>Laurel I. But then there wouldn't have been a show.

0:45:11.920 --> 0:45:16.120
<v Speaker 1>It would have been a really boring, major network sort

0:45:16.120 --> 0:45:19.080
<v Speaker 1>of drama or something that was so light in the

0:45:19.080 --> 0:45:21.279
<v Speaker 1>asset nobody could wash it. That would probably been a

0:45:21.280 --> 0:45:22.560
<v Speaker 1>big hit. It would be you know, you know what

0:45:22.640 --> 0:45:24.680
<v Speaker 1>I mean, what would it have been. It would have

0:45:24.760 --> 0:45:27.200
<v Speaker 1>been called you know, I don't know. It would have

0:45:27.200 --> 0:45:29.719
<v Speaker 1>been called the Gilmore's or something like that. You know,

0:45:30.600 --> 0:45:33.960
<v Speaker 1>opening scene would be at the eighteenth hole. Oh Richard,

0:45:34.080 --> 0:45:38.279
<v Speaker 1>you know I, oh yeah, another hundred grand on that one,

0:45:38.400 --> 0:45:42.160
<v Speaker 1>nice pot pal. You know, how's Laurela doing. She's fantatic.

0:45:42.600 --> 0:45:45.000
<v Speaker 1>You know, it would have been that show, right, It

0:45:45.040 --> 0:45:47.920
<v Speaker 1>would not have been a quirky mother daughter drama. It

0:45:47.920 --> 0:45:51.680
<v Speaker 1>would not have been as delightful and charming as this show.

0:45:52.719 --> 0:45:55.719
<v Speaker 1>So it should not have been Laurel. I that's the

0:45:55.800 --> 0:45:59.480
<v Speaker 1>point of Gilmore Girls. I was just about to say that.

0:45:59.600 --> 0:46:02.799
<v Speaker 1>I've it shouldn't have been Lorelie. And the reason why

0:46:02.880 --> 0:46:07.360
<v Speaker 1>I vote that way is I think they're great young

0:46:07.600 --> 0:46:11.239
<v Speaker 1>love story. Like I love that story, and I just

0:46:11.480 --> 0:46:14.719
<v Speaker 1>I don't think I see them in their forties. I

0:46:14.800 --> 0:46:18.800
<v Speaker 1>think it was young love. They had a baby, and

0:46:19.120 --> 0:46:21.600
<v Speaker 1>they get each other and they get all their you know,

0:46:21.719 --> 0:46:25.480
<v Speaker 1>little little things about them, and they know each other

0:46:25.560 --> 0:46:28.359
<v Speaker 1>more than anyone else, like childhood friends do. But that's

0:46:28.360 --> 0:46:32.160
<v Speaker 1>where it ends. That's where it ends. It's almost too familiar, right,

0:46:33.080 --> 0:46:36.160
<v Speaker 1>it's too familiar. There's a big, big world out there

0:46:36.200 --> 0:46:39.600
<v Speaker 1>full of really interesting people. And you know, he's you know,

0:46:39.640 --> 0:46:43.400
<v Speaker 1>the show should have been called um should it should

0:46:43.440 --> 0:46:45.759
<v Speaker 1>have been Christopher? And no, it should not have been

0:46:46.400 --> 0:46:48.200
<v Speaker 1>It's kind of an insult to Laurel life. Yeah, I

0:46:48.280 --> 0:46:51.680
<v Speaker 1>think I think yes. I think you say yes to Laurel,

0:46:51.719 --> 0:46:54.520
<v Speaker 1>I you know at the time, but you say no

0:46:54.640 --> 0:47:04.759
<v Speaker 1>to Christopher about the same same amount of times. I think.

0:47:04.760 --> 0:47:07.240
<v Speaker 1>My take on it is it should have been Laurelie.

0:47:08.120 --> 0:47:14.200
<v Speaker 1>My response is too soon to tell. I don't think so.

0:47:15.040 --> 0:47:19.440
<v Speaker 1>I think the jury is in. Riley, you have the

0:47:19.520 --> 0:47:24.160
<v Speaker 1>final vote. I agree with Danielle on this one, three

0:47:24.200 --> 0:47:28.280
<v Speaker 1>to one against the sugar shark Amy. Sugar shack opening.

0:47:28.280 --> 0:47:34.680
<v Speaker 1>And you can still be best friends, best friends, you know,

0:47:35.160 --> 0:47:39.080
<v Speaker 1>but things, best friends, co parenting. Just you know that

0:47:40.000 --> 0:47:42.479
<v Speaker 1>the relationship had its moment. He leads with her heart.

0:47:42.800 --> 0:47:46.120
<v Speaker 1>Don't falter for that. She leads with her heart. Yeah,

0:47:46.160 --> 0:47:53.200
<v Speaker 1>I stand strong on it. To be continued, Amy's mad,

0:47:53.560 --> 0:48:00.000
<v Speaker 1>She's like, whatever, guys favorite lines? Amy, what's your favorite line?

0:48:01.920 --> 0:48:06.400
<v Speaker 1>I wonder? I mean, I really that tickled me. But

0:48:06.480 --> 0:48:08.920
<v Speaker 1>there are a lot of them, and you know, just

0:48:08.960 --> 0:48:12.200
<v Speaker 1>one of those weird lulls happens occasionally. I was in

0:48:12.239 --> 0:48:16.080
<v Speaker 1>there on that one too. Right. Oh, I'm sorry, I

0:48:16.080 --> 0:48:22.960
<v Speaker 1>don't speak geek right right right, outer limits Riley favorite

0:48:22.960 --> 0:48:25.719
<v Speaker 1>line I love When I was talking about her humor

0:48:25.760 --> 0:48:27.440
<v Speaker 1>and she goes. Yeah, it comes and goes. You'll learn,

0:48:27.680 --> 0:48:33.960
<v Speaker 1>You'll learn to see the signs. Danielle, I stand by.

0:48:34.040 --> 0:48:40.520
<v Speaker 1>You have a very smooth dress, smooth address. Yeah. Suk's line, Um, god,

0:48:40.600 --> 0:48:44.440
<v Speaker 1>I don't know favorite line. There were so many, there

0:48:44.480 --> 0:48:48.560
<v Speaker 1>were so many. I Kenny, what was what was? You know?

0:48:48.640 --> 0:48:52.720
<v Speaker 1>It's gotta It's gotta be Michelle. I thought, Michelle showed

0:48:52.800 --> 0:48:56.439
<v Speaker 1>up and stole the episode. It's like the Evil Girl

0:48:56.560 --> 0:49:01.960
<v Speaker 1>get Away from the Evil Girl. Absolutely absolutely loved Paris

0:49:02.000 --> 0:49:03.600
<v Speaker 1>at the door and she's all, can I come in

0:49:03.640 --> 0:49:10.680
<v Speaker 1>and guess? And then Laurel I went to the bedroom

0:49:10.719 --> 0:49:13.800
<v Speaker 1>to see what was going on, and and and Paris

0:49:13.800 --> 0:49:22.880
<v Speaker 1>got This was by far the most layer, the most intricate,

0:49:23.040 --> 0:49:28.560
<v Speaker 1>the funniest, the most dramatic, the highest level of drama,

0:49:28.560 --> 0:49:31.080
<v Speaker 1>the highest level of comedy of any episode I've seen

0:49:31.120 --> 0:49:36.800
<v Speaker 1>so far. I thought this was the ultimate episode. Um,

0:49:36.840 --> 0:49:40.920
<v Speaker 1>are they actually going to top this? I mean, does

0:49:40.960 --> 0:49:46.560
<v Speaker 1>this show this good? Yes? It is. Wow, I'm very impressed.

0:49:46.640 --> 0:49:50.359
<v Speaker 1>I am very very impressed. Well, the next episode we're

0:49:50.360 --> 0:49:54.120
<v Speaker 1>gonna get into, number fifteen is called Lost and Found,

0:49:55.239 --> 0:49:58.720
<v Speaker 1>So everybody out there, best fans in the world, please

0:49:58.800 --> 0:50:05.680
<v Speaker 1>watch that. And we will opine on it UH soon anyway,

0:50:05.760 --> 0:50:10.480
<v Speaker 1>I want to thank uh Danielle Romo, Riley pelusis the

0:50:10.560 --> 0:50:16.080
<v Speaker 1>newly crowned queen a podcasting pop culture UH, and Amy Sugarman,

0:50:16.160 --> 0:50:19.320
<v Speaker 1>who is still putting the flames out around her in

0:50:19.440 --> 0:50:30.520
<v Speaker 1>her own house. Be okay, alright, guys, have a good one, uh,

0:50:30.560 --> 0:51:00.080
<v Speaker 1>and everybody stay safe out there. All the best m

0:51:00.280 --> 0:51:05.240
<v Speaker 1>h hey everybody, and don't forget follow us on Instagram

0:51:05.239 --> 0:51:09.080
<v Speaker 1>at I Am All In podcast and email us at

0:51:09.160 --> 0:51:13.680
<v Speaker 1>Gilmore at I heart radio dot com. Oh you Gilmore fans.

0:51:13.680 --> 0:51:15.360
<v Speaker 1>If you're looking for the best cup of coffee in

0:51:15.400 --> 0:51:18.840
<v Speaker 1>the world, go to my website for my company scott

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0:51:21.239 --> 0:51:32.960
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