WEBVTT - INTERVIEW: Malie Donn on His New Album + His Journey Thus Far

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<v Speaker 1>What's up his way up at the ANGELA.

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<v Speaker 2>Yeah, I'm here with DJ Nick Sill and we got

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<v Speaker 2>finally Maley down in the building.

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<v Speaker 1>What's up on? I love seeing you in New York.

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<v Speaker 3>Yeah, you know, had a place to be.

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<v Speaker 2>Listen, you got a big week coming up too for you.

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<v Speaker 2>The Golden Child definitely all right. So I love the artwork,

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<v Speaker 2>but I want to talk about that a little bit

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<v Speaker 2>because it's you know, you are the Golden Child, So

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<v Speaker 2>talk about what made you even do that, and then

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<v Speaker 2>we'll talk about the title track.

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<v Speaker 3>Well, I think that my career has been such a

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<v Speaker 3>rough journey. A lot of obstacles that came before me

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<v Speaker 3>coming up. I just think that a lot of fight

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<v Speaker 3>that I get is got just build me up.

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<v Speaker 1>You don't back down either.

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<v Speaker 3>I don't know some of us feel like, say, he's

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<v Speaker 3>a true in person. So it just give me Daddy

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<v Speaker 3>for coming up with a child. Let's see it.

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<v Speaker 1>I feel that you feel blessed.

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<v Speaker 3>I feel blessed. So that's that's that's what our Golden

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<v Speaker 3>Child comes from. It's just the journey.

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<v Speaker 2>As what would you say when you talk about obsticles,

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<v Speaker 2>do you mean just coming where you're from, or like

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<v Speaker 2>just to give us some insights as to what those

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<v Speaker 2>obstacles are.

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<v Speaker 3>Like, Like where we're coming from. It wasn't really easy

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<v Speaker 3>to get out there and for people to know and

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<v Speaker 3>be able to show your talent that you have resources.

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<v Speaker 3>A lot of politics in I gem A lot of

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<v Speaker 3>people try Black Valley and them type. I think sophysics

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<v Speaker 3>we overcome certain things and reach to a point where

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<v Speaker 3>voice can be heard and people know who is most

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<v Speaker 3>definitely it is a It is a it is a

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<v Speaker 3>chosen feeling, our golden feeling. So right now the journey

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<v Speaker 3>not done yet, but we're right area.

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<v Speaker 2>And when did you feel was that time when you

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<v Speaker 2>were like, Okay, I can see I'm getting over this

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<v Speaker 2>mountain because you know, yeah, I'll tell you what I

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<v Speaker 2>think it was the first you tell me when you

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<v Speaker 2>think was the time that you were finally like, okay,

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<v Speaker 2>we're breaking through.

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<v Speaker 3>I think it's around like v sic. Yeah, because when

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<v Speaker 3>when I got my first hot sound, which was crooked

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<v Speaker 3>in Jamaica, I did get ahead of myself because I say,

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<v Speaker 3>we get that tip out of iceberg, it wasn't all

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<v Speaker 3>sweet after that. It got even before getting the first

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<v Speaker 3>at song, some men I said, all right, you know,

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<v Speaker 3>I said, this is now gonna be an easy journey,

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<v Speaker 3>so I just pressure.

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<v Speaker 1>What do you mean? It got rougher though? Like how

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<v Speaker 1>did it?

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<v Speaker 3>Like? Like when people seeing your potential, No, and you

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<v Speaker 3>have competitors and not everybody gonna like you, it just

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<v Speaker 3>got rough because now they see that you're forced to

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<v Speaker 3>be reckoned with them. The I tried and based film

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<v Speaker 3>the force, I get an leashed as me. So that's

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<v Speaker 3>what I mean.

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<v Speaker 2>Even V six was a bit of a challenge because

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<v Speaker 2>I know you didn't own that song right or there

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<v Speaker 2>was an issue with.

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<v Speaker 3>Like I just didn't get any any shares in the song.

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<v Speaker 3>I write the song, I sing the song. I always

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<v Speaker 3>though one engineered the song I recorded and that sung

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<v Speaker 3>myself everything. It was only me there so but I

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<v Speaker 3>don't know, I mean ilopon that. That's not something to

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<v Speaker 3>delop and no one more. It's more and more it's an.

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<v Speaker 1>And I guess it did what it did for you too.

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<v Speaker 3>I put that behind me, I know, yeah, because right

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<v Speaker 3>now I'm more popular. A lot of people know me more. Right, No,

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<v Speaker 3>so obviously they didn't stop at music, so I can't

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<v Speaker 3>do it on that.

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<v Speaker 2>Yeah, No, of course not. And I do think sometimes

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<v Speaker 2>things happen for a reason, Like you said, as the

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<v Speaker 2>Golden Child, there's always gonna be things and you learn

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<v Speaker 2>from those things too. Yeah, right, because like you said,

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<v Speaker 2>you did all of that, but it also teaches you

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<v Speaker 2>some business aspects that.

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<v Speaker 1>You had to hear.

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<v Speaker 3>And most definitely it opened my eye. And no, I'm

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<v Speaker 3>more educated about the business. So for something like that

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<v Speaker 3>to happen again, it least it really, you know, it

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<v Speaker 3>least likely for it helped to me again. So I like

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<v Speaker 3>what I journey and is a learning process and it

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<v Speaker 3>just a be left for the big idea. You know,

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<v Speaker 3>at that moment.

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<v Speaker 1>That you were about to say something.

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<v Speaker 4>No, I was intrigued. I know you engineered the record too, Yeah,

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<v Speaker 4>I engineered the record.

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<v Speaker 2>Did you have to teach yourself how to do all that?

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<v Speaker 2>Because you were like nobody's.

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<v Speaker 3>It's It's like I'm always in the studio watching my manager,

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<v Speaker 3>watching the producer as an engineer doing everything, so and

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<v Speaker 3>I wasn't afraid to ask questions like what's that? What

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<v Speaker 3>does that do? What does that plugging do? So I

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<v Speaker 3>just end up learning the pro tools just by observing

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<v Speaker 3>and asking questions, till one day I just get up

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<v Speaker 3>started the record myself, and I keep getting better at it.

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<v Speaker 3>Until I can mix the beat. I can't do anything

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<v Speaker 3>I want with it. But I don't focus much and

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<v Speaker 3>that I just want to know that I could lay

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<v Speaker 3>my own record down, so inky somebody now I can

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<v Speaker 3>do it.

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<v Speaker 1>You just feel like recording something?

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<v Speaker 3>Yeah, yeah, majority my biggest songs, I'm the one who

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<v Speaker 3>engineered them. They hit songs.

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<v Speaker 1>That's dope.

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<v Speaker 3>That's the majority of them.

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<v Speaker 2>That's a great skill. That's a great way to say

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<v Speaker 2>some money.

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<v Speaker 3>I have a good team though they don't mind doing it.

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<v Speaker 3>But sometimes sometimes you just want to go in there.

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<v Speaker 3>Just in my element. I'm just so I'm going there

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<v Speaker 3>and just the more things.

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<v Speaker 2>As far as artists, who was the first person that

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<v Speaker 2>was like, let me take you under my wing or

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<v Speaker 2>even support you publicly?

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<v Speaker 3>It was at all like automatic records. He produced a

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<v Speaker 3>lot of squash, a lot of He produced a lot

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<v Speaker 3>of chronic He produce Vibe Cartle. You know at all

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<v Speaker 3>is a really well known producer. He was actually the

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<v Speaker 3>first one who because at the time there was a

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<v Speaker 3>lot of war in the place where I came from,

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<v Speaker 3>a lot of crime and violence, a lot of terf

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<v Speaker 3>for so he was there getting caught up in it.

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<v Speaker 3>And one day he just he just he just showed

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<v Speaker 3>up or don't nowhere and was like yo yo. Because

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<v Speaker 3>a friend of mine named by the name attached him

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<v Speaker 3>and Dandan made the canic because they were friends with

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<v Speaker 3>Squash dance artists Squash and Squash was doing work with Ato.

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<v Speaker 3>So they had told Squash that this new artist see

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<v Speaker 3>him and he ripping the thing and he don't even

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<v Speaker 3>know the thing. So he now told Squash that and

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<v Speaker 3>Squashed Ato say, yo him, take him up. He'sier artist now.

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<v Speaker 3>And from that day I'm still with Ato. He's still

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<v Speaker 3>my manager.

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<v Speaker 1>And squashes on yeah.

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<v Speaker 3>And Dan Sky and the team keeps getting stronger. You know,

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<v Speaker 3>we add on new people to the team. Sulky plays

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<v Speaker 3>a big part on the team to say, you don't know,

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<v Speaker 3>the management team is strong. We just got to, you know,

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<v Speaker 3>put our brains together to be the greatest.

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<v Speaker 2>Now, what is some things that your management is like, Maladan,

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<v Speaker 2>you gotta do they ever be like?

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<v Speaker 3>And as an artist, you gotta take take telling one

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<v Speaker 3>time back then, like a couple of years back, I

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<v Speaker 3>used to wear some big rings on my finger like

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<v Speaker 3>culs and and They were like, Yo, we don't want

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<v Speaker 3>that for the brand. Those you're a brand. We don't

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<v Speaker 3>want people to have that image that you. I want

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<v Speaker 3>you to be market. I will get rid of those rings.

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<v Speaker 3>And one time I was stubborn towards it till they

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<v Speaker 3>had to throw them ring throw the rings rings away.

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<v Speaker 3>When I wasn't there, I still went and bought. Yeah,

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<v Speaker 3>I bought back some more and they were like.

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<v Speaker 1>You're just being a stubborn too.

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<v Speaker 3>You just gotta it was like, yo, what do you

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<v Speaker 3>want for yourself? What what is the image you want

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<v Speaker 3>to portray the people? And looking to myself, I wasn't

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<v Speaker 3>you know.

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<v Speaker 2>Yeah, it's funny me and Nick Nick Sale we're talking

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<v Speaker 2>about because I was like, he do have songs that

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<v Speaker 2>the ladies like, but it's still rough, you know what

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<v Speaker 2>I'm saying, Like, I'm like, this.

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<v Speaker 1>Is a song for the ladies. Aggressive, but women like

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<v Speaker 1>that too.

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<v Speaker 3>Believe, And that's and that's what set me aside from

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<v Speaker 3>the artist them too, because you said the board and

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<v Speaker 3>so I'm gonna bring it to the table. I'll say

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<v Speaker 3>what's on your mind that you're afraid? They say, yeah,

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<v Speaker 3>that's just you know.

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<v Speaker 2>I'm like, because when I listen to it, you know,

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<v Speaker 2>I'm visualizing, like Maladan dating someone, Yeah, what is that like? Like,

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<v Speaker 2>what's like what makes what are some of the things

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<v Speaker 2>that you do to court a woman or to kind

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<v Speaker 2>of like on a date.

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<v Speaker 1>What is mally done take a woman on a date, Like,

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<v Speaker 1>what are some things that well? Because I'm trying to

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<v Speaker 1>figure out listening to music, it is.

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<v Speaker 3>The music, you know most definitely, I can't. I can't pretrot,

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<v Speaker 3>I don't practice. You know, it doesn't feel right and

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<v Speaker 3>it feels less connected to the audience if I do

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<v Speaker 3>music that that don't really to me. My lifestyle are

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<v Speaker 3>my surrounding, all the people around me. So when it

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<v Speaker 3>comme ons to that when I hear me, so just know,

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<v Speaker 3>say some of the pre for true. So I saw

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<v Speaker 3>something do it for true? So when they come on

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<v Speaker 3>to like romance and them think girl like the bad romance.

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<v Speaker 1>Where would you take her?

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<v Speaker 2>I need you to be specific, Like let's just say

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<v Speaker 2>you meet a young lady, you want to take her out?

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<v Speaker 1>No, what's it looking like?

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<v Speaker 3>I'm not real. I'm not really the type to be

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<v Speaker 3>outside like tying in no place because like I don't

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<v Speaker 3>wanna I don't wanna I don't want to steal out myself.

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<v Speaker 3>Like when people save it for free, they won't pay

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<v Speaker 3>for See, they don't like.

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<v Speaker 1>A page he got the eat.

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<v Speaker 3>No, it depends if it's something low key and like

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<v Speaker 3>that's not gonna drive that much attention. Fine, we could

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<v Speaker 3>do something sweet like that. I could set up an airbnb,

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<v Speaker 3>get a chef, personal chef, all of us and we

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<v Speaker 3>have a good time and we vibe. We know. It

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<v Speaker 3>don't necessarily got to be something out in the public,

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<v Speaker 3>you know.

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<v Speaker 2>Okay, so that is actually impressive.

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<v Speaker 1>You get an airbnb, get a.

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<v Speaker 3>Chef, private chef, get flowers, candles, whatever. You know.

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<v Speaker 4>You're not going towhere. Yeah, you're not going awhere.

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<v Speaker 3>No, I don't want to try to lose salt.

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<v Speaker 1>You know, you don't want to end up on the blogs.

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<v Speaker 2>Yeah, yeah no, Because I'm saying we just really He

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<v Speaker 2>was like he really do songs that's more hard coordinate,

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<v Speaker 2>And I'm like, nah, but I can see why you no.

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<v Speaker 3>Softness though before all, before I started to express myself

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<v Speaker 3>in like female songs, like songs for the ladies, I

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<v Speaker 3>was always a hardcore artist. But when I I took

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<v Speaker 3>a look at my career and what did I And

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<v Speaker 3>I asked my question, asked myself what did I want

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<v Speaker 3>for myself? What is the image I wanted my career?

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<v Speaker 3>And it just feels more better towards the leadies, more

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<v Speaker 3>than violence and more than you know. Yeah, so transfer

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<v Speaker 3>that aggression into the music for the ladies.

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<v Speaker 1>Like an aggressive lover.

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<v Speaker 5>Yeah, in life, so speak of brand. This past week

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<v Speaker 5>has been crazy, crazy to say the least. Is there

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<v Speaker 5>a chance of peace coming from this?

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<v Speaker 3>Oh that's what you're talking.

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<v Speaker 1>He's like, I'm talking about my alb.

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<v Speaker 3>Peace. Peace, peace when the commands. So, yeah, it's all

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<v Speaker 3>it's always peace. I'm at peace right now.

0:11:51.760 --> 0:11:52.680
<v Speaker 4>Okay, it's me.

0:11:52.960 --> 0:11:57.199
<v Speaker 3>So there's no no, no, no real obstacle, real a

0:11:57.360 --> 0:12:05.839
<v Speaker 3>reel trait towards me in within myself, within myself. We

0:12:06.120 --> 0:12:09.360
<v Speaker 3>we the one who is out there and putting our foot.

0:12:11.720 --> 0:12:15.320
<v Speaker 3>No one never share your outside you see out there.

0:12:15.880 --> 0:12:17.599
<v Speaker 2>I want to say this when it comes to like

0:12:17.640 --> 0:12:20.320
<v Speaker 2>because we've had like our fair share hip hop battles.

0:12:20.720 --> 0:12:22.360
<v Speaker 1>This is a whole other level because you know, we

0:12:22.400 --> 0:12:22.960
<v Speaker 1>always are.

0:12:22.840 --> 0:12:25.160
<v Speaker 2>Like, Okay, you can't say this, you can't say that

0:12:25.320 --> 0:12:27.559
<v Speaker 2>the creativity say sucking anything.

0:12:28.200 --> 0:12:29.680
<v Speaker 1>I'd be like, oh my gosh.

0:12:29.760 --> 0:12:32.000
<v Speaker 2>Like in a hip hop battle, you know, they're like, oh,

0:12:32.200 --> 0:12:34.760
<v Speaker 2>you know that's crossing a line, crossing a boundary. Are

0:12:34.760 --> 0:12:37.000
<v Speaker 2>there lines or boundaries that don't get crossed?

0:12:37.320 --> 0:12:42.320
<v Speaker 3>It's always fearing. If you're gonna say something about somebody

0:12:42.440 --> 0:12:48.200
<v Speaker 3>sentimental to me, our figure sentimental to me, I'm going

0:12:48.280 --> 0:12:51.360
<v Speaker 3>to do to see them. And when you do it,

0:12:52.120 --> 0:12:54.240
<v Speaker 3>what am I going to say? I did it too?

0:12:54.880 --> 0:13:00.800
<v Speaker 3>So I won't let people. I don't believe even oppression

0:13:00.840 --> 0:13:04.480
<v Speaker 3>and no boy can drive heear and me, I say

0:13:04.520 --> 0:13:07.000
<v Speaker 3>what put my mind? So I won't. I won't be

0:13:07.080 --> 0:13:10.559
<v Speaker 3>a puppet to the industry or a puppet to nobody

0:13:10.600 --> 0:13:16.040
<v Speaker 3>at all. So maybe the consequence for that is nobody

0:13:16.080 --> 0:13:19.520
<v Speaker 3>will like and nobody will ray, but nobody don't get

0:13:19.559 --> 0:13:21.920
<v Speaker 3>to like it for you to be successful, and people

0:13:21.960 --> 0:13:25.440
<v Speaker 3>who turn out to be the biggest nobody normally like them.

0:13:25.480 --> 0:13:31.760
<v Speaker 3>They end up jump on a train. So so ultimately,

0:13:32.120 --> 0:13:36.000
<v Speaker 3>mm hmm, I'm just a force to be reckoned with.

0:13:36.040 --> 0:13:38.440
<v Speaker 3>And people know that, and they know that I don't care,

0:13:38.559 --> 0:13:41.320
<v Speaker 3>so they're not gonna like me. Like, for instance, I

0:13:41.320 --> 0:13:44.720
<v Speaker 3>don't really play in parties. Selectors don't play myselngs even

0:13:44.720 --> 0:13:47.439
<v Speaker 3>when I'm that it's if it's an instance where I'm

0:13:47.480 --> 0:13:51.240
<v Speaker 3>the artist artist in the in in in in Jamaica,

0:13:51.559 --> 0:13:54.040
<v Speaker 3>I still don't play the parties. I could be number

0:13:54.080 --> 0:13:57.080
<v Speaker 3>one and all charts in the Caribbean, and there are

0:13:57.240 --> 0:14:00.240
<v Speaker 3>multiple instances where I'm number one all carib be on

0:14:00.400 --> 0:14:04.520
<v Speaker 3>islands with different songs, not just one songs, you still

0:14:04.559 --> 0:14:06.560
<v Speaker 3>won't hear me playing the party. I don't kill up

0:14:06.559 --> 0:14:09.520
<v Speaker 3>myself about that. I don't be tough myself about that

0:14:09.600 --> 0:14:14.040
<v Speaker 3>because manure and we know agree this way, Well, what

0:14:14.120 --> 0:14:16.520
<v Speaker 3>would be who type.

0:14:17.520 --> 0:14:21.200
<v Speaker 4>You in New York definitely appreciate you in the club?

0:14:22.040 --> 0:14:24.920
<v Speaker 3>Yeah yeah, yeah. You see, we did a show by

0:14:24.960 --> 0:14:28.120
<v Speaker 3>myself the other day and we got over six thousand

0:14:28.160 --> 0:14:31.240
<v Speaker 3>people just me alone. I just brought out some of

0:14:31.360 --> 0:14:33.720
<v Speaker 3>my friends, you know, as guests. They could sing a

0:14:33.800 --> 0:14:36.320
<v Speaker 3>one two song. But really and truly I was the

0:14:36.400 --> 0:14:39.320
<v Speaker 3>only one on that on that show, it was our show.

0:14:41.840 --> 0:14:42.480
<v Speaker 1>Seven thousand.

0:14:43.400 --> 0:14:43.920
<v Speaker 3>Yeah.

0:14:44.040 --> 0:14:46.000
<v Speaker 2>I want to ask you this that what does management say,

0:14:46.000 --> 0:14:48.200
<v Speaker 2>because you know, like you said, people weigh in on

0:14:48.280 --> 0:14:50.440
<v Speaker 2>things and that is something that is part of growth

0:14:50.440 --> 0:14:53.160
<v Speaker 2>as an artist. But I understand also not wanting to

0:14:53.160 --> 0:14:55.760
<v Speaker 2>compromise who you are. But when it comes to that.

0:14:56.000 --> 0:14:58.680
<v Speaker 2>I'm just curious. On the other side of things is

0:14:58.960 --> 0:15:02.560
<v Speaker 2>what does management say to you about like different you

0:15:02.680 --> 0:15:08.000
<v Speaker 2>being extremely vocal, uncensored and it does go very viral.

0:15:08.240 --> 0:15:12.280
<v Speaker 3>Yeah, yeah, because our lives and us so you know,

0:15:12.520 --> 0:15:16.320
<v Speaker 3>the least thing that we say is go viral. So management,

0:15:17.120 --> 0:15:19.120
<v Speaker 3>you know, I mean, I really do much interviews like

0:15:19.200 --> 0:15:22.800
<v Speaker 3>that right now. Me doing a lot of interviews lately

0:15:23.160 --> 0:15:25.240
<v Speaker 3>is just because I have an album coming up. I

0:15:25.240 --> 0:15:25.800
<v Speaker 3>don't say that.

0:15:26.040 --> 0:15:27.320
<v Speaker 1>I said, you know, his alms coming up.

0:15:28.120 --> 0:15:30.120
<v Speaker 3>I don't really. I don't really be on the press,

0:15:30.160 --> 0:15:33.040
<v Speaker 3>so what's there to say. You're not gonna hear nothing

0:15:33.040 --> 0:15:35.360
<v Speaker 3>from Malid and I don't be going live, chatting off,

0:15:35.560 --> 0:15:40.280
<v Speaker 3>chat chatting up my fierce like some man. But when

0:15:40.480 --> 0:15:45.760
<v Speaker 3>I do have an interview, I'm still vocal. But you know,

0:15:46.160 --> 0:15:49.800
<v Speaker 3>time and place and as we say, is a product.

0:15:49.840 --> 0:15:53.600
<v Speaker 3>So we have more for control ourselves, control our emotions,

0:15:53.920 --> 0:15:57.960
<v Speaker 3>and supportate business from feelings. And that's that's exactly what

0:15:58.040 --> 0:16:01.800
<v Speaker 3>I do. You won't be seeing me on a podcast

0:16:01.920 --> 0:16:07.240
<v Speaker 3>dissen a artists, crossing up artists. Obviously, that's not the

0:16:07.440 --> 0:16:10.720
<v Speaker 3>that's not the picture image that I want to be

0:16:10.760 --> 0:16:13.720
<v Speaker 3>paint off Maladan. I want to. I want to can

0:16:13.840 --> 0:16:19.560
<v Speaker 3>do endorsements. I want to can get sponsors from big companies.

0:16:20.120 --> 0:16:25.040
<v Speaker 3>I want to be carporate. Yeah, but without corporate Madan,

0:16:25.160 --> 0:16:28.560
<v Speaker 3>without without Yes, we know we're from the streets, we

0:16:28.640 --> 0:16:30.320
<v Speaker 3>grew up in the streets and all of that, but

0:16:31.120 --> 0:16:33.160
<v Speaker 3>we don't got to let that define the carrier.

0:16:33.240 --> 0:16:35.480
<v Speaker 2>And you know, and I think that's great for people

0:16:35.520 --> 0:16:38.040
<v Speaker 2>to see that who have come from where you come from,

0:16:38.440 --> 0:16:41.280
<v Speaker 2>to see what's passable, because there are people that are

0:16:41.320 --> 0:16:43.720
<v Speaker 2>young that are watching you, that are like Maidans from

0:16:43.720 --> 0:16:44.240
<v Speaker 2>where I'm from.

0:16:44.320 --> 0:16:46.360
<v Speaker 3>And a lot of people get defined by the place

0:16:46.400 --> 0:16:49.080
<v Speaker 3>they come from. And I want to I want to

0:16:49.760 --> 0:16:53.560
<v Speaker 3>dismiss off that tart in any head when it commands

0:16:53.640 --> 0:16:58.080
<v Speaker 3>to me. Not because we came from from poverty, not

0:16:58.160 --> 0:17:00.960
<v Speaker 3>because we came from the garys so the ghetto, that

0:17:01.080 --> 0:17:07.120
<v Speaker 3>doesn't determine your future. We got to be young black entrepreneurs.

0:17:07.119 --> 0:17:10.040
<v Speaker 3>We got to be you know. I like seeing young

0:17:10.080 --> 0:17:13.560
<v Speaker 3>people own businesses and stuff like that and that. Right now,

0:17:13.600 --> 0:17:16.480
<v Speaker 3>that's my main focus. I want to venture in some

0:17:16.640 --> 0:17:20.679
<v Speaker 3>business like right now, and we mainly focus on the

0:17:20.800 --> 0:17:24.800
<v Speaker 3>music because right now it's the time for me, you know. Yeah,

0:17:25.200 --> 0:17:27.800
<v Speaker 3>But at the same time, we still have a business

0:17:27.800 --> 0:17:32.160
<v Speaker 3>start in my head with like you know, make happen

0:17:32.560 --> 0:17:35.720
<v Speaker 3>and like venturing. So right now I'm just it's all

0:17:35.840 --> 0:17:36.080
<v Speaker 3>in there.

0:17:36.840 --> 0:17:38.480
<v Speaker 1>What businesses do you think?

0:17:39.760 --> 0:17:42.399
<v Speaker 3>As I say, I'm not. I haven't ventured in it

0:17:42.440 --> 0:17:46.200
<v Speaker 3>as yet, but I'm trying to think of different ideas

0:17:46.200 --> 0:17:50.120
<v Speaker 3>and different things to venture in as an artist because

0:17:50.560 --> 0:17:52.040
<v Speaker 3>I don't just want to be an artist.

0:17:52.440 --> 0:17:54.000
<v Speaker 1>Yeah, your business, your brand.

0:17:54.040 --> 0:17:57.040
<v Speaker 3>I want to be a CEO. I'm already a CEO

0:17:57.200 --> 0:18:00.439
<v Speaker 3>to the malad and brand, but I want to have

0:18:00.560 --> 0:18:03.280
<v Speaker 3>other things do for you to know me for not

0:18:03.440 --> 0:18:04.240
<v Speaker 3>just you know.

0:18:04.680 --> 0:18:07.240
<v Speaker 1>You have two sons as well, right, three sons.

0:18:07.720 --> 0:18:10.040
<v Speaker 2>So how when you think about your career and you

0:18:10.040 --> 0:18:13.640
<v Speaker 2>think about because you are always your children and everything,

0:18:14.000 --> 0:18:15.400
<v Speaker 2>what is that like for you?

0:18:15.400 --> 0:18:17.720
<v Speaker 1>You know, raising boys? You don't have any girls yet,

0:18:19.240 --> 0:18:20.240
<v Speaker 1>Wait till you have a girl.

0:18:20.480 --> 0:18:24.200
<v Speaker 3>Yeah, that's gonna be so different for you. But maybe

0:18:24.240 --> 0:18:27.240
<v Speaker 3>you know, God, just all up and the girl. Because

0:18:27.240 --> 0:18:29.240
<v Speaker 3>I know, I say, if we get the girl, it

0:18:29.359 --> 0:18:32.680
<v Speaker 3>probably changed my mindset and change or go about things

0:18:32.720 --> 0:18:35.720
<v Speaker 3>and the ruthless next summer put towards the music and

0:18:35.880 --> 0:18:40.159
<v Speaker 3>dance because that somebody said to me, Yo, you have

0:18:40.280 --> 0:18:44.640
<v Speaker 3>so many energy enemy enemies in music. You don't You're

0:18:44.640 --> 0:18:47.000
<v Speaker 3>no freid yo, You're no freed for dead man. I

0:18:47.040 --> 0:18:50.160
<v Speaker 3>said freed for dead. Everybody going dead, but my freid

0:18:50.240 --> 0:18:52.840
<v Speaker 3>for dead without setting it for my kids them that

0:18:53.160 --> 0:18:56.639
<v Speaker 3>my death is not the fear because everybody have for die.

0:18:57.040 --> 0:19:00.840
<v Speaker 3>So when you see the rut listening and the anger

0:19:01.000 --> 0:19:03.919
<v Speaker 3>and the drive woman putting, all this is because they

0:19:03.960 --> 0:19:07.040
<v Speaker 3>want hurry up and make sure my kids them good,

0:19:07.160 --> 0:19:11.240
<v Speaker 3>because them, after all, right, we bring them the earth.

0:19:11.840 --> 0:19:15.639
<v Speaker 3>Them never asks for coming. So I just that, man,

0:19:15.640 --> 0:19:21.240
<v Speaker 3>I've said it. So I'm not believe that I can

0:19:21.440 --> 0:19:24.720
<v Speaker 3>approach things with fear when it commands to this, because

0:19:24.920 --> 0:19:28.720
<v Speaker 3>the anger or the anger will outfit. We'll just have a.

0:19:30.359 --> 0:19:32.399
<v Speaker 1>You feel like your sons might want to do music?

0:19:32.520 --> 0:19:32.800
<v Speaker 1>Do they?

0:19:33.200 --> 0:19:38.119
<v Speaker 3>Yea becau they watch on the TV is my music

0:19:38.160 --> 0:19:40.879
<v Speaker 3>and my music is slack. I try I try and

0:19:40.920 --> 0:19:42.000
<v Speaker 3>not try not to.

0:19:42.280 --> 0:19:44.240
<v Speaker 1>You know, they're not gonna watch you.

0:19:45.240 --> 0:19:48.399
<v Speaker 3>They still find ways so they want to see their father.

0:19:48.600 --> 0:19:53.520
<v Speaker 3>So I try to get the clean versions and the

0:19:53.520 --> 0:19:58.040
<v Speaker 3>TV and stuff. They be singing some crazy stuff. Sometimes

0:19:58.040 --> 0:20:00.359
<v Speaker 3>I gotta just like yeah, chill, like how to do

0:20:00.440 --> 0:20:07.960
<v Speaker 3>some kids well that's that's that's that's the direction that

0:20:08.040 --> 0:20:11.720
<v Speaker 3>I think about the venture and something. Yeah, but for

0:20:11.840 --> 0:20:15.439
<v Speaker 3>no right, no, just hardcore and you know, you just

0:20:15.440 --> 0:20:17.680
<v Speaker 3>got to grow the kids how they should be grown

0:20:17.720 --> 0:20:20.880
<v Speaker 3>and teach them around from right as parents. You know that.

0:20:21.680 --> 0:20:23.639
<v Speaker 2>You know you mentioned that somebody said to you the

0:20:23.680 --> 0:20:25.600
<v Speaker 2>other day that you have a lot of enemies. Do

0:20:25.640 --> 0:20:28.399
<v Speaker 2>you think these enemies are just in the music business

0:20:28.440 --> 0:20:31.159
<v Speaker 2>where they may try to prevent things, or do you

0:20:31.160 --> 0:20:33.840
<v Speaker 2>feel like even outside of that, because you know there's

0:20:33.840 --> 0:20:37.240
<v Speaker 2>a difference between we don't like each other in this

0:20:37.400 --> 0:20:40.399
<v Speaker 2>music industry and outside of it is different.

0:20:40.720 --> 0:20:45.920
<v Speaker 3>Well, well, I'm a musician, so obviously I'm I'm thinking musically,

0:20:46.320 --> 0:20:52.160
<v Speaker 3>but I won't put nothing past a person or had

0:20:52.160 --> 0:20:56.400
<v Speaker 3>an individual apart from myself, I can swear for nobody.

0:20:56.480 --> 0:20:59.480
<v Speaker 3>So with that being said, I can't take no check,

0:20:59.520 --> 0:21:03.479
<v Speaker 3>I can't be loose, I can't be underestimating people that

0:21:03.520 --> 0:21:07.679
<v Speaker 3>I don't know. So whether or not it's music are

0:21:07.720 --> 0:21:13.719
<v Speaker 3>it's that enemies are enemies and you get treated like enemies.

0:21:13.720 --> 0:21:16.639
<v Speaker 3>You know, I don't have to be going in a

0:21:16.720 --> 0:21:21.959
<v Speaker 3>space sorry, you know, because men, I know we'll got

0:21:22.000 --> 0:21:26.520
<v Speaker 3>your niggas head. I don't know what be going through people,

0:21:26.800 --> 0:21:30.359
<v Speaker 3>So we're not trusting nobody to be on point. Just

0:21:30.400 --> 0:21:32.600
<v Speaker 3>be on portant and just do music.

0:21:33.800 --> 0:21:37.320
<v Speaker 2>Has anybody behind the scenes try to like to bring

0:21:37.359 --> 0:21:39.760
<v Speaker 2>you together or have a conversation behind the.

0:21:39.680 --> 0:21:42.240
<v Speaker 3>Scenes, who together like with with with Apps?

0:21:42.440 --> 0:21:44.879
<v Speaker 2>Yeah, Apps, it could be anybody because you were like

0:21:44.880 --> 0:21:45.520
<v Speaker 2>you said you are.

0:21:46.280 --> 0:21:48.359
<v Speaker 5>Maybe I could do a sting and just let it

0:21:48.400 --> 0:21:50.320
<v Speaker 5>be the music and the music be done well.

0:21:50.359 --> 0:21:52.520
<v Speaker 2>No, But I mean sometimes people are cool with each

0:21:52.520 --> 0:21:54.120
<v Speaker 2>other behind and they're like, you need to talk.

0:21:54.280 --> 0:21:57.800
<v Speaker 3>I don't. I don't. I don't. I don't support violence,

0:21:57.920 --> 0:22:02.440
<v Speaker 3>you know, support music. I'm a musician, so that's I'm

0:22:02.520 --> 0:22:06.359
<v Speaker 3>mainly for focused on music. But I don't I don't

0:22:06.400 --> 0:22:10.040
<v Speaker 3>be putting myself accessible to people like that to be

0:22:10.160 --> 0:22:13.280
<v Speaker 3>just calling and trying to do all that. Maybe my

0:22:13.359 --> 0:22:16.560
<v Speaker 3>management Instagram, Yeah man, maybe my management.

0:22:17.080 --> 0:22:19.440
<v Speaker 1>That wouldn't be big for Jamaica. I want to say that.

0:22:19.560 --> 0:22:22.640
<v Speaker 3>You think about its peace over water all the time.

0:22:23.800 --> 0:22:27.720
<v Speaker 3>But maybe my managers. I don't know. But like when

0:22:27.760 --> 0:22:29.560
<v Speaker 3>it come ons to d m s and them stuff,

0:22:29.560 --> 0:22:34.120
<v Speaker 3>I don't be really going because it's a lot. It's

0:22:34.119 --> 0:22:36.600
<v Speaker 3>a lot, it's a lot, it's a lot. So what

0:22:36.600 --> 0:22:38.760
<v Speaker 3>what I see, I see. If I don't see something,

0:22:38.920 --> 0:22:42.280
<v Speaker 3>I just miss it because there's so many notifications coming in.

0:22:42.600 --> 0:22:43.680
<v Speaker 1>Have you ever been catfished?

0:22:45.040 --> 0:22:46.959
<v Speaker 2>We're like a girl was in your DMS and then

0:22:46.960 --> 0:22:49.480
<v Speaker 2>you saw her in real life and that's not the person.

0:22:50.000 --> 0:22:52.960
<v Speaker 3>Crazy, crazy, crazy.

0:22:52.760 --> 0:22:54.160
<v Speaker 1>So several times.

0:22:54.359 --> 0:22:57.720
<v Speaker 3>It happened, it happened, It happened before, like some of

0:22:57.760 --> 0:23:00.560
<v Speaker 3>them be editing there there there, you know, it's.

0:23:00.480 --> 0:23:04.600
<v Speaker 1>Crazy filters, the photoshop crazy. Yeah.

0:23:05.119 --> 0:23:07.159
<v Speaker 2>So what would you do in a situation where somebody

0:23:07.200 --> 0:23:08.840
<v Speaker 2>shows up and it's not what you expected?

0:23:09.080 --> 0:23:11.880
<v Speaker 3>Yeah, I just smoothed it off just you know, yeah,

0:23:12.480 --> 0:23:15.199
<v Speaker 3>I don't if I had it is my intention to

0:23:15.240 --> 0:23:21.280
<v Speaker 3>apply pressure. I just smoothed it off. Yeah, just be

0:23:21.359 --> 0:23:26.320
<v Speaker 3>straight up disrespectfully. You edit your picture, you ugly. I

0:23:26.320 --> 0:23:28.280
<v Speaker 3>ain't going to do that. I don't want to hurt

0:23:28.320 --> 0:23:37.680
<v Speaker 3>no girls. You're so bold. Yeah, women, So.

0:23:37.680 --> 0:23:41.399
<v Speaker 2>You just be like, well, it was nice to meet you.

0:23:41.480 --> 0:23:44.119
<v Speaker 2>Believe no one, but now you know what people got

0:23:44.240 --> 0:23:46.640
<v Speaker 2>to like FaceTime and stuff like that, because you can't

0:23:46.800 --> 0:23:47.680
<v Speaker 2>just pop out.

0:23:47.520 --> 0:23:50.680
<v Speaker 3>Yeah off of believe We're not going to just meet

0:23:50.760 --> 0:23:54.600
<v Speaker 3>up like that. I got to see who I'm talking now.

0:23:54.600 --> 0:23:56.920
<v Speaker 2>You did same time. It's kind of we were talking

0:23:56.920 --> 0:23:59.440
<v Speaker 2>about that. How is that for you?

0:23:59.560 --> 0:24:03.199
<v Speaker 3>Yo? That that show was so so great. It was

0:24:03.280 --> 0:24:06.919
<v Speaker 3>so great when I ran out on the stage in

0:24:06.960 --> 0:24:09.480
<v Speaker 3>front of thousands of people. It just gave me a

0:24:09.480 --> 0:24:13.840
<v Speaker 3>related feeling to see how accepted we are in the

0:24:13.840 --> 0:24:18.720
<v Speaker 3>world and all people admire us. Because majority majority of

0:24:18.800 --> 0:24:21.840
<v Speaker 3>the songs that we sang, we didn't have to sing it.

0:24:22.000 --> 0:24:22.760
<v Speaker 3>I had to just.

0:24:22.720 --> 0:24:29.440
<v Speaker 6>Put the that's nice, Ago, crazy love, the love over

0:24:29.520 --> 0:24:33.320
<v Speaker 6>at the Virgin Islands, both the B v I and

0:24:33.520 --> 0:24:34.159
<v Speaker 6>U s v I.

0:24:34.680 --> 0:24:40.119
<v Speaker 3>It's crazy sent tamas startoller, same cry. All of those places,

0:24:41.000 --> 0:24:43.720
<v Speaker 3>it's all love. It's just crazy over there and they

0:24:43.800 --> 0:24:46.720
<v Speaker 3>just give you a warm feeling. You know, you feel

0:24:46.760 --> 0:24:48.960
<v Speaker 3>like you live there when you're over there, and then.

0:24:49.200 --> 0:24:49.679
<v Speaker 1>I love it.

0:24:49.760 --> 0:24:54.520
<v Speaker 4>Do you have a favorite show that you've done, Yo?

0:24:54.640 --> 0:24:58.160
<v Speaker 3>That was crazy that show the other day, crazier show.

0:24:58.480 --> 0:25:01.080
<v Speaker 2>Perfect timing for something like that. You know, this is

0:25:01.160 --> 0:25:04.480
<v Speaker 2>your your quote debut album, which feels a little weird

0:25:04.480 --> 0:25:06.000
<v Speaker 2>because you've had projects.

0:25:06.000 --> 0:25:10.680
<v Speaker 3>Projects, but when I say debut, this one means more

0:25:10.720 --> 0:25:13.680
<v Speaker 3>to me as an album. Those were just I call

0:25:13.720 --> 0:25:17.879
<v Speaker 3>them EPs. You know, those was like the warm up

0:25:17.880 --> 0:25:22.520
<v Speaker 3>for this, so what does mean to you? It means

0:25:22.560 --> 0:25:24.960
<v Speaker 3>everything to me. It's it's the journey. As I said,

0:25:25.440 --> 0:25:30.000
<v Speaker 3>like all the work that I've been putting in over

0:25:30.040 --> 0:25:32.840
<v Speaker 3>these years as a juvenile, as a as a as

0:25:32.840 --> 0:25:36.960
<v Speaker 3>a as a young artist, all of them work, they've

0:25:37.040 --> 0:25:40.080
<v Speaker 3>all been put in. It's our time. It always the

0:25:40.160 --> 0:25:46.320
<v Speaker 3>time to show different sides of me, our language of Maladan.

0:25:46.920 --> 0:25:49.520
<v Speaker 3>So it most definitely me in the world to me

0:25:50.720 --> 0:25:56.480
<v Speaker 3>showing like expressing myself through music to my audience. So

0:25:58.040 --> 0:26:01.520
<v Speaker 3>this album just be a standsho different sides of Maladan

0:26:03.200 --> 0:26:07.400
<v Speaker 3>different fever. You have some people who like my female

0:26:07.480 --> 0:26:09.840
<v Speaker 3>song the more. You have some people who would want

0:26:09.920 --> 0:26:14.399
<v Speaker 3>to hear Maladan single reality song. You have people who

0:26:14.440 --> 0:26:17.639
<v Speaker 3>would like to hear Maladan single rap song. You have

0:26:17.760 --> 0:26:22.040
<v Speaker 3>people who like the likes the street music that side

0:26:22.040 --> 0:26:24.639
<v Speaker 3>of Maladan and they don't. You have people who do

0:26:24.680 --> 0:26:25.959
<v Speaker 3>not like the girls songs.

0:26:26.359 --> 0:26:28.920
<v Speaker 2>So even the girl songs that will still be yeah

0:26:29.040 --> 0:26:32.640
<v Speaker 2>they yeah, it's fine, I like it, but it's nine.

0:26:33.040 --> 0:26:39.119
<v Speaker 3>But not everybody loves a specific side of Maladan. Right,

0:26:39.320 --> 0:26:42.560
<v Speaker 3>So with the album, now, this is my my means,

0:26:42.600 --> 0:26:45.960
<v Speaker 3>this is my tool in order to kita for everybody.

0:26:46.560 --> 0:26:49.120
<v Speaker 2>How did you figure out what to put on this album,

0:26:49.160 --> 0:26:51.720
<v Speaker 2>because there's twenty songs on here, and I have to

0:26:51.720 --> 0:26:53.560
<v Speaker 2>feel like you ain't want to leave nothing off. And

0:26:53.600 --> 0:26:56.159
<v Speaker 2>I'm sure it was hard to even come up with

0:26:56.200 --> 0:26:57.120
<v Speaker 2>that twenty.

0:26:57.040 --> 0:27:00.840
<v Speaker 3>Yeah, even the week, even last week, couple songs got

0:27:00.880 --> 0:27:07.919
<v Speaker 3>switched out because they're not wanting to fail. Maybe you

0:27:08.000 --> 0:27:12.439
<v Speaker 3>overthink sometime. Yes me, so a lot of songs that

0:27:12.480 --> 0:27:14.960
<v Speaker 3>were scheduled to be on the album got swapped out

0:27:15.000 --> 0:27:17.879
<v Speaker 3>because I think I could could have done better. So

0:27:17.960 --> 0:27:22.240
<v Speaker 3>I just hit the studio and did better. And yes, me,

0:27:23.040 --> 0:27:25.600
<v Speaker 3>we just gotta just you know, put that a sole

0:27:25.720 --> 0:27:29.400
<v Speaker 3>and anything or they say more connected to the audience.

0:27:30.119 --> 0:27:31.800
<v Speaker 4>So in terms of says, what do you hope in

0:27:31.840 --> 0:27:32.840
<v Speaker 4>this album accomplishes?

0:27:33.920 --> 0:27:39.760
<v Speaker 3>You know, I I honestly do not do not do

0:27:39.880 --> 0:27:43.199
<v Speaker 3>not set any limits on this. So that's why I

0:27:43.240 --> 0:27:47.720
<v Speaker 3>can't just give you a figure expectation for it. ME

0:27:48.400 --> 0:27:51.120
<v Speaker 3>just want it to do what I wanted it to do.

0:27:51.359 --> 0:27:55.760
<v Speaker 3>And my main goal for this album is showing versatility,

0:27:56.040 --> 0:27:59.800
<v Speaker 3>different style, different sides a malidan. I you see, as

0:27:59.840 --> 0:28:02.400
<v Speaker 3>long as I get that point across to the audience

0:28:03.119 --> 0:28:05.960
<v Speaker 3>and it's and it gets connected to my fans, I

0:28:06.000 --> 0:28:08.439
<v Speaker 3>feel I'll be satisfied regardless of the numbers.

0:28:09.760 --> 0:28:12.160
<v Speaker 4>Yeah, it wasn't talking about numbers. You want to be corporate.

0:28:12.840 --> 0:28:16.919
<v Speaker 3>I just go in America, Tom, You know, I just

0:28:16.960 --> 0:28:19.840
<v Speaker 3>wanted to touch the art some of my support as

0:28:19.880 --> 0:28:22.920
<v Speaker 3>them and gear and new support as to it in

0:28:22.960 --> 0:28:23.720
<v Speaker 3>our red life.

0:28:25.080 --> 0:28:26.840
<v Speaker 2>And yeah, I want to say that what are you

0:28:26.880 --> 0:28:28.800
<v Speaker 2>going to do with those songs that didn't make it?

0:28:28.800 --> 0:28:30.560
<v Speaker 2>That you were like, I'm gonna go back in And

0:28:30.720 --> 0:28:33.280
<v Speaker 2>because sometimes we gotta think overthinking and go on with

0:28:33.320 --> 0:28:35.560
<v Speaker 2>our first instinct kind of clash with each other.

0:28:35.640 --> 0:28:38.479
<v Speaker 3>Clash with each other because most time I felicity your

0:28:38.520 --> 0:28:44.080
<v Speaker 3>first instinct sometimes and a lot of times we overthink stuff.

0:28:44.320 --> 0:28:48.400
<v Speaker 3>And the one that we turned our back and it

0:28:48.640 --> 0:28:51.280
<v Speaker 3>ended up being a hit because enough of them sang

0:28:51.360 --> 0:28:54.560
<v Speaker 3>and come on for the album we could drop them

0:28:54.600 --> 0:28:58.360
<v Speaker 3>as single. And when we drop them as single, it

0:28:58.520 --> 0:29:01.960
<v Speaker 3>does more than a lot of songs that was under

0:29:02.000 --> 0:29:04.560
<v Speaker 3>out right. So it's just you know, you can to

0:29:04.800 --> 0:29:07.720
<v Speaker 3>beat yourself off for just the one with the music

0:29:07.760 --> 0:29:10.040
<v Speaker 3>and just do it as a listen.

0:29:10.120 --> 0:29:13.560
<v Speaker 2>You put out that song sweets Man and and a

0:29:13.680 --> 0:29:16.840
<v Speaker 2>video and even the beginning that was AI in the

0:29:16.840 --> 0:29:19.040
<v Speaker 2>beginning a little introduction.

0:29:19.440 --> 0:29:21.440
<v Speaker 3>I just I just told it what I wanted it

0:29:21.480 --> 0:29:22.840
<v Speaker 3>to say that.

0:29:23.160 --> 0:29:25.120
<v Speaker 2>I mean, how long did it take you to do that?

0:29:25.120 --> 0:29:27.200
<v Speaker 2>Because it feels like you responded.

0:29:27.600 --> 0:29:31.880
<v Speaker 3>Yeah, because I know what, I know what exactly is

0:29:31.920 --> 0:29:36.200
<v Speaker 3>on my mind, So it really doesn't it really doesn't

0:29:36.240 --> 0:29:38.960
<v Speaker 3>take long for me to lial what's on my mind

0:29:39.000 --> 0:29:43.920
<v Speaker 3>and a record because yeah, I don't know. I was like,

0:29:45.200 --> 0:29:48.400
<v Speaker 3>I just I then I need to take weeks for

0:29:48.480 --> 0:29:51.720
<v Speaker 3>your tea kind of make up things because when I said,

0:29:51.720 --> 0:29:53.840
<v Speaker 3>I already depart my mind, I saw review with you.

0:29:54.680 --> 0:29:57.480
<v Speaker 3>So if I got tell us your review, your review,

0:29:57.520 --> 0:30:00.200
<v Speaker 3>your for true. Whenever, FA, what.

0:30:00.160 --> 0:30:02.920
<v Speaker 1>Do you think about the response so far?

0:30:03.480 --> 0:30:05.840
<v Speaker 2>People like just people who have been watching it and

0:30:05.840 --> 0:30:06.880
<v Speaker 2>how they've been responding.

0:30:07.040 --> 0:30:11.040
<v Speaker 3>Listen to me when they commented clash and name things

0:30:11.800 --> 0:30:17.320
<v Speaker 3>are ran name thing. You can't feed into the comments

0:30:17.400 --> 0:30:20.440
<v Speaker 3>and thing because you know, everybody have their own fans,

0:30:20.560 --> 0:30:24.640
<v Speaker 3>diarted fans. People are gonna be biased to their to

0:30:24.680 --> 0:30:29.640
<v Speaker 3>whichever side they're ripping. So you just gotta just I

0:30:29.640 --> 0:30:36.880
<v Speaker 3>forget whatever. I just know because and I sung me,

0:30:36.960 --> 0:30:39.680
<v Speaker 3>I look, if you want to eat sung can't go

0:30:39.720 --> 0:30:43.960
<v Speaker 3>a nice to the record, I sang menamic because because

0:30:44.080 --> 0:30:46.920
<v Speaker 3>the war the clashing thing. I said, all right, may

0:30:46.920 --> 0:30:49.720
<v Speaker 3>I capitalized span this sun, try squeeze, and I sung,

0:30:49.800 --> 0:30:52.640
<v Speaker 3>I try. You know, when I made the thing that

0:30:52.720 --> 0:30:57.080
<v Speaker 3>we're there for, if I eat, I just eat. Pressure

0:30:58.640 --> 0:31:01.720
<v Speaker 3>of them when I made them were a fear. Really

0:31:02.120 --> 0:31:04.240
<v Speaker 3>take it into a people said it isn't.

0:31:05.040 --> 0:31:07.560
<v Speaker 2>I mean, it's gonna quite a response and and a

0:31:07.560 --> 0:31:08.680
<v Speaker 2>lot of views already.

0:31:08.960 --> 0:31:14.480
<v Speaker 3>Yeah crazy. Just for sure, if we drop a regular song,

0:31:14.640 --> 0:31:17.200
<v Speaker 3>you won't see it gets seven hundred to in two days.

0:31:17.760 --> 0:31:21.800
<v Speaker 3>But just because every war and things, so that for sure,

0:31:21.840 --> 0:31:26.920
<v Speaker 3>like either the world, the whole world, they the world

0:31:27.080 --> 0:31:28.840
<v Speaker 3>like they love war more than peace.

0:31:28.960 --> 0:31:32.120
<v Speaker 1>They do. That's a fact to me. That's why beef

0:31:32.200 --> 0:31:33.720
<v Speaker 1>is going for labels because they like to.

0:31:33.720 --> 0:31:37.000
<v Speaker 3>See It's like it's like they love war more than peace,

0:31:37.200 --> 0:31:41.520
<v Speaker 3>isn't me. So it's dance. Sometimes you got to just

0:31:41.560 --> 0:31:43.160
<v Speaker 3>give the people what they want, you know.

0:31:43.840 --> 0:31:46.320
<v Speaker 2>Because that is within the history of dancers, a lot

0:31:46.360 --> 0:31:46.920
<v Speaker 2>of clashes.

0:31:47.120 --> 0:31:50.520
<v Speaker 3>It's a business and Dan Sall is known for clash

0:31:50.600 --> 0:31:53.440
<v Speaker 3>and everything. You know, and if you have a business

0:31:53.520 --> 0:31:56.680
<v Speaker 3>and you have a product that everybody wants, your business

0:31:56.800 --> 0:32:00.640
<v Speaker 3>is gonna work more because your product is selling. So Therefore,

0:32:00.720 --> 0:32:04.240
<v Speaker 3>if you don't have what it takes to make the product,

0:32:04.840 --> 0:32:10.400
<v Speaker 3>you know people wanting to buy the product, you can't

0:32:10.400 --> 0:32:13.520
<v Speaker 3>go up on the level where you want a fee.

0:32:13.560 --> 0:32:17.600
<v Speaker 3>This is something important, Afeel defend yourself and the answer.

0:32:17.440 --> 0:32:19.800
<v Speaker 2>What about picking a side when it comes to because

0:32:19.960 --> 0:32:22.440
<v Speaker 2>it feels like some of it is also it was

0:32:22.440 --> 0:32:24.840
<v Speaker 2>cool you can't work with this person and work with me,

0:32:25.160 --> 0:32:27.440
<v Speaker 2>but some people may not have anything to do with anything.

0:32:27.760 --> 0:32:29.000
<v Speaker 1>How does that work for you?

0:32:29.080 --> 0:32:33.840
<v Speaker 3>Picking aside is inevitable because you know, as we say

0:32:34.160 --> 0:32:36.400
<v Speaker 3>at the starting of the podcast, there's a lot of

0:32:36.440 --> 0:32:40.560
<v Speaker 3>politics in this and many people that you use a link,

0:32:40.600 --> 0:32:44.240
<v Speaker 3>but we don't link anymore because they go around new people.

0:32:45.600 --> 0:32:51.640
<v Speaker 3>That's not cool with we and every it all comes

0:32:51.680 --> 0:32:54.680
<v Speaker 3>down to picking a side. You know, it's one music,

0:32:55.320 --> 0:32:58.959
<v Speaker 3>it's one dancer and all that you know about. At

0:32:59.000 --> 0:33:01.920
<v Speaker 3>the end of the day, it's comes down to picking

0:33:02.000 --> 0:33:05.840
<v Speaker 3>aside because there is their side. If their side's to

0:33:05.880 --> 0:33:09.680
<v Speaker 3>be picked, it has to be picked. So I'm in

0:33:09.760 --> 0:33:11.880
<v Speaker 3>afraid to pick my inside.

0:33:11.800 --> 0:33:13.600
<v Speaker 2>Twenty years from now, I can't wait for us to

0:33:13.680 --> 0:33:17.240
<v Speaker 2>have another conversation and flashbacks and when we talked, because

0:33:17.280 --> 0:33:19.360
<v Speaker 2>I just think about when people you know, we've seen

0:33:19.400 --> 0:33:22.280
<v Speaker 2>a lot of instances where people later on in life

0:33:22.280 --> 0:33:25.040
<v Speaker 2>they're like, Okay, we're you know, so I think that'll

0:33:25.040 --> 0:33:27.040
<v Speaker 2>be interesting because I know you're still going to be

0:33:27.120 --> 0:33:29.000
<v Speaker 2>doing this twenty years and now I want to say

0:33:29.000 --> 0:33:29.320
<v Speaker 2>that too.

0:33:29.360 --> 0:33:31.840
<v Speaker 1>You got a long we have a long career career

0:33:31.880 --> 0:33:32.320
<v Speaker 1>ahead of you.

0:33:32.480 --> 0:33:36.760
<v Speaker 3>I'm one God spear h we now we we're now

0:33:36.840 --> 0:33:42.920
<v Speaker 3>doing the fin God's spear life. We just em top

0:33:43.360 --> 0:33:45.960
<v Speaker 3>top of the world. I just got at them because

0:33:46.040 --> 0:33:49.800
<v Speaker 3>the possibilities them, analysts no limits. Is on the music

0:33:50.440 --> 0:33:52.200
<v Speaker 3>every day, new songs, new.

0:33:53.880 --> 0:33:54.760
<v Speaker 4>Corporate dawn coming.

0:33:55.000 --> 0:33:57.560
<v Speaker 2>Oh god, yeah, what did it mean for you to

0:33:57.640 --> 0:34:00.400
<v Speaker 2>have squash on Golden Child too? Because I know he's

0:34:00.720 --> 0:34:01.360
<v Speaker 2>very important.

0:34:02.040 --> 0:34:03.920
<v Speaker 3>It means a lot because I know he played a

0:34:04.000 --> 0:34:07.000
<v Speaker 3>big part in this world thing. To remember, I was

0:34:07.080 --> 0:34:11.600
<v Speaker 3>telling you. Automatic arm came for me when I was

0:34:11.680 --> 0:34:17.520
<v Speaker 3>living in Waterford and Port More, a little juvenile freshot

0:34:17.760 --> 0:34:20.879
<v Speaker 3>fresh showt at school and I went on the road

0:34:21.080 --> 0:34:23.840
<v Speaker 3>right from there when I when I moved, when I

0:34:23.960 --> 0:34:28.000
<v Speaker 3>left my house at seventeen, I moved out at seventeen

0:34:28.040 --> 0:34:31.120
<v Speaker 3>autumn of people in place, and never I just carry

0:34:31.239 --> 0:34:33.839
<v Speaker 3>one bag, like one bag and I never go back

0:34:33.920 --> 0:34:38.200
<v Speaker 3>one from that one bag pack up. I left all

0:34:38.360 --> 0:34:41.279
<v Speaker 3>my clothes, all my shoes, everything. I just carry one bag.

0:34:41.760 --> 0:34:44.359
<v Speaker 3>And he said to me that you don't need more

0:34:44.440 --> 0:34:47.200
<v Speaker 3>than one bag because you're gonna make the money where

0:34:47.200 --> 0:34:49.160
<v Speaker 3>you're gonna make you you go buy a back. All

0:34:49.360 --> 0:34:54.040
<v Speaker 3>them think it's an hoorryboat. That me walletpaning floor in

0:34:54.320 --> 0:34:58.319
<v Speaker 3>floor with some sponge to sponge wallypaning floor for six

0:34:58.440 --> 0:35:01.839
<v Speaker 3>months and after six month after leaving water afford, MU

0:35:01.880 --> 0:35:04.120
<v Speaker 3>start my own money, so someone could I rent a

0:35:04.200 --> 0:35:05.200
<v Speaker 3>place for myself?

0:35:05.320 --> 0:35:05.560
<v Speaker 1>Wow?

0:35:06.040 --> 0:35:08.200
<v Speaker 3>Someone just stay up on the floor for six months

0:35:08.600 --> 0:35:12.200
<v Speaker 3>and just put in the work and then sorry, I'm

0:35:12.239 --> 0:35:14.879
<v Speaker 3>a big up at the When is he coming home?

0:35:15.560 --> 0:35:18.759
<v Speaker 3>When six coming home? You know? Yeah, you know seud

0:35:18.760 --> 0:35:20.759
<v Speaker 3>of me that it's a boxing there.

0:35:24.080 --> 0:35:24.600
<v Speaker 6>I know that.

0:35:26.200 --> 0:35:30.000
<v Speaker 3>You also have by on here and big up Byron too.

0:35:30.400 --> 0:35:31.000
<v Speaker 1>Yeah, talk to me.

0:35:31.000 --> 0:35:33.400
<v Speaker 2>About that because I feel like there was He was

0:35:33.440 --> 0:35:35.800
<v Speaker 2>having some issues with getting black Ball.

0:35:36.040 --> 0:35:39.399
<v Speaker 3>Yeah because you know he under a label. He under

0:35:39.520 --> 0:35:42.560
<v Speaker 3>he signed to a label, so we did a lot

0:35:42.600 --> 0:35:45.600
<v Speaker 3>of songs, but a lot of songs never get to

0:35:45.880 --> 0:35:49.160
<v Speaker 3>be released because you know he'd be under a label.

0:35:50.160 --> 0:35:54.480
<v Speaker 3>So having him on this album, it means a lot

0:35:54.600 --> 0:35:59.759
<v Speaker 3>because this this song that we did was in his

0:36:00.080 --> 0:36:04.000
<v Speaker 3>place in sent Kits. We recorded it with the whole

0:36:04.120 --> 0:36:07.400
<v Speaker 3>sent Kits energy and everything. He's pole planting. My people

0:36:07.600 --> 0:36:11.440
<v Speaker 3>flew there, so it was a great chemistry. And you

0:36:11.560 --> 0:36:14.439
<v Speaker 3>know that song is name free. It's called free six

0:36:14.560 --> 0:36:17.360
<v Speaker 3>bars to say, I don't know. It's tribute to Squash,

0:36:17.440 --> 0:36:21.359
<v Speaker 3>you know, and Squash is coming home soon, so it's

0:36:21.480 --> 0:36:25.080
<v Speaker 3>just the right time. Everything is just well, you know.

0:36:25.320 --> 0:36:26.160
<v Speaker 1>Yeah, so big.

0:36:26.760 --> 0:36:30.800
<v Speaker 2>It's not crazy when he comes home. Believe, do you

0:36:30.920 --> 0:36:35.040
<v Speaker 2>feel the that you're this international star? Do you feel

0:36:35.080 --> 0:36:37.400
<v Speaker 2>that because you are definitely believe.

0:36:37.520 --> 0:36:41.400
<v Speaker 3>That's before before I'm even known internationally. That was my

0:36:41.600 --> 0:36:45.759
<v Speaker 3>image and view of myself as and that was the

0:36:45.880 --> 0:36:49.480
<v Speaker 3>look that I wanted. And most definitely people are showing

0:36:49.560 --> 0:36:53.520
<v Speaker 3>us love internationally world wide. All over last year we

0:36:53.680 --> 0:36:57.960
<v Speaker 3>got booked for Greece and Curveful. We were surprised how

0:36:58.040 --> 0:37:00.120
<v Speaker 3>many people know. They were like you, oh, Molly, and

0:37:00.280 --> 0:37:04.000
<v Speaker 3>we're like yo, so many, so many people in Greece

0:37:04.080 --> 0:37:07.800
<v Speaker 3>nor it was. It's just crazy and it's a elated

0:37:07.880 --> 0:37:09.440
<v Speaker 3>feeling whenever it happens.

0:37:11.120 --> 0:37:12.759
<v Speaker 4>How do you think those kind of environments change you,

0:37:13.200 --> 0:37:14.200
<v Speaker 4>like the more places you go.

0:37:15.719 --> 0:37:19.520
<v Speaker 3>I always tell my friends, like my dogs from the ghetto,

0:37:19.840 --> 0:37:23.160
<v Speaker 3>that you see, whenever you start going to some places

0:37:23.200 --> 0:37:26.600
<v Speaker 3>and traveling, you're gonna you're gonna look and life different.

0:37:27.360 --> 0:37:31.600
<v Speaker 3>And when I started to bring all my dogs with

0:37:31.840 --> 0:37:34.799
<v Speaker 3>me to shows, each show I bring a different set

0:37:35.120 --> 0:37:39.000
<v Speaker 3>for they can have a have a feel outside in

0:37:39.080 --> 0:37:41.560
<v Speaker 3>the world field. You see each time I bring them

0:37:41.600 --> 0:37:45.120
<v Speaker 3>to bring them overseas, when they come back, they all

0:37:45.800 --> 0:37:49.360
<v Speaker 3>behavior is different, their all maids and life. Their attitude

0:37:49.480 --> 0:37:52.080
<v Speaker 3>is different because now they see that the world is

0:37:52.200 --> 0:37:56.200
<v Speaker 3>big and the possibilities are endless and there there there

0:37:56.239 --> 0:37:59.640
<v Speaker 3>are so many things that you haven't experienced in just

0:37:59.760 --> 0:38:02.000
<v Speaker 3>in the box that we were in. So the minute

0:38:02.000 --> 0:38:05.440
<v Speaker 3>to step over to the box and see see the

0:38:05.600 --> 0:38:09.400
<v Speaker 3>things that are they're waiting for us and the greatness

0:38:09.480 --> 0:38:14.040
<v Speaker 3>for the world behold it just start move different. Certain

0:38:14.080 --> 0:38:16.080
<v Speaker 3>things that used to do you don't do it anymore.

0:38:17.719 --> 0:38:19.800
<v Speaker 2>What about how good are you are trying foods? Because

0:38:19.840 --> 0:38:22.320
<v Speaker 2>you know, different food in different places. Some of it

0:38:22.400 --> 0:38:23.320
<v Speaker 2>it would be like what is this?

0:38:23.800 --> 0:38:27.520
<v Speaker 3>Yeah, yeah, open mind into that because we travel all

0:38:27.600 --> 0:38:29.759
<v Speaker 3>over everybody of different cultures.

0:38:30.880 --> 0:38:31.640
<v Speaker 1>What's something you ate?

0:38:31.719 --> 0:38:32.080
<v Speaker 3>This? You like?

0:38:32.160 --> 0:38:34.520
<v Speaker 1>I can't believe I tried this, but.

0:38:36.640 --> 0:38:40.120
<v Speaker 3>What's some lenium? Maybe it's man? If I want a

0:38:40.200 --> 0:38:47.239
<v Speaker 3>calam Maria? Was quid calamybody, you don't know what it was,

0:38:47.560 --> 0:38:50.640
<v Speaker 3>if New York was the first place, or calamaries big

0:38:50.680 --> 0:38:53.120
<v Speaker 3>in New York. Man, but I heard it, they say

0:38:53.200 --> 0:38:57.000
<v Speaker 3>klam Maria. I was like, what's that? I'm a TSA

0:38:57.520 --> 0:38:59.200
<v Speaker 3>and they say, you know this is quid. I mean

0:38:59.239 --> 0:39:02.040
<v Speaker 3>I say, if on a regular deal I'm in drumming

0:39:02.160 --> 0:39:05.640
<v Speaker 3>and somebody come, hey, here's some squid, only I would try. Yeah,

0:39:06.280 --> 0:39:09.440
<v Speaker 3>So traveling really does that? There's a man.

0:39:10.880 --> 0:39:13.000
<v Speaker 5>On last question, I'm sorry you talk about traveling and

0:39:13.080 --> 0:39:15.760
<v Speaker 5>bringing your people them with you. So like, how important

0:39:15.760 --> 0:39:17.440
<v Speaker 5>is it for you to be a blessing to your people?

0:39:19.280 --> 0:39:22.400
<v Speaker 3>That that that that being a blessing to my people

0:39:23.200 --> 0:39:27.000
<v Speaker 3>is the is the is the is the best part

0:39:27.120 --> 0:39:32.759
<v Speaker 3>of the word thing sophy because everybody coming from humble beginnings,

0:39:33.880 --> 0:39:36.359
<v Speaker 3>I'm not being able to get whatever we want when

0:39:36.400 --> 0:39:39.160
<v Speaker 3>if I want it, Seeing that time the person who

0:39:39.400 --> 0:39:41.759
<v Speaker 3>really kick off a door for my people and it

0:39:42.000 --> 0:39:46.319
<v Speaker 3>just feel good. It just the same golden feeling teller.

0:39:46.760 --> 0:39:49.360
<v Speaker 3>And so why the album is called Golding Child because

0:39:49.480 --> 0:39:53.680
<v Speaker 3>that's the feeling. Give me a kick. I may I

0:39:53.760 --> 0:39:56.640
<v Speaker 3>bring my dogs them with me, may ensure my family

0:39:56.719 --> 0:40:02.680
<v Speaker 3>I'm good because yeah, I know I re man until yeah, yeah,

0:40:03.000 --> 0:40:05.600
<v Speaker 3>until you cannot be a real man if you're not

0:40:06.200 --> 0:40:08.920
<v Speaker 3>do it for your family got you, no matter how

0:40:09.000 --> 0:40:11.200
<v Speaker 3>much money I am making a life. Niggas like to

0:40:11.320 --> 0:40:13.680
<v Speaker 3>hype over money and how much money they got. Yet

0:40:13.719 --> 0:40:17.080
<v Speaker 3>still their family ain't their kid an't go me will

0:40:17.200 --> 0:40:20.759
<v Speaker 3>use up everything to make sure I'm kids them good,

0:40:21.000 --> 0:40:25.160
<v Speaker 3>even familyleft with nothing. So when it come on to

0:40:25.239 --> 0:40:31.320
<v Speaker 3>being a man, are being the man, that's where it

0:40:31.480 --> 0:40:35.719
<v Speaker 3>lies almost definitely being there for people. It's just the

0:40:35.800 --> 0:40:38.000
<v Speaker 3>beast feeling. It gives me a feeling like you know,

0:40:38.520 --> 0:40:43.200
<v Speaker 3>completion whenever that that that in our real life.

0:40:43.400 --> 0:40:44.200
<v Speaker 1>And that's about you to go.

0:40:44.320 --> 0:40:49.240
<v Speaker 2>The child believe all right, well Mala Dan always appreciate

0:40:49.320 --> 0:40:53.080
<v Speaker 2>you so much. You'll be showing up and I appreciate you, yes,

0:40:53.239 --> 0:40:55.160
<v Speaker 2>So make sure you get the problem child.

0:40:55.320 --> 0:40:56.600
<v Speaker 1>It is out Friday.

0:40:57.000 --> 0:41:02.240
<v Speaker 3>It's a problem child. That good though, maybe, but listen,

0:41:02.680 --> 0:41:07.800
<v Speaker 3>but listen scept them before rest, Yeah, they easy to

0:41:07.840 --> 0:41:12.839
<v Speaker 3>accept them afore the golden child scept them before. Yeah,

0:41:12.880 --> 0:41:15.080
<v Speaker 3>it preordis Lincoln.

0:41:15.920 --> 0:41:16.560
<v Speaker 1>It's way up