WEBVTT - The Penguin 104: Welcome to Arkham Asylum

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<v Speaker 1>Warning.

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<v Speaker 2>Today's episode Katay spoilers for The Penguin episode four Shintan,

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<v Speaker 2>so watch that before you listen to this ah Shantani.

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<v Speaker 1>Hello.

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<v Speaker 2>My name is Jason Ecepcion and I'm Ersday Night and

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<v Speaker 2>welcome back to X. Review of the podcast will be

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<v Speaker 2>done dee bit to your favorite shows, movies, comics and

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<v Speaker 2>pop culture coming to you from our podcast where we're

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<v Speaker 2>bringing you three episode every Tuesday Thursday, with extras on Wednesday.

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<v Speaker 3>In today's episode, we are talking about maybe my favorite

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<v Speaker 3>episode of TV I've seen this year, Absolutely heartbreaking stuff

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<v Speaker 3>in Penguin one O four. It's a Sophia Falcone episode

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<v Speaker 3>and get ready to hear me absolutely take back anything

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<v Speaker 3>nice I've said about Oz because I am fucking pissed off.

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<v Speaker 4>But before.

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<v Speaker 3>It's going to be fun, let's mention the success that

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<v Speaker 3>HBO is having with this series.

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<v Speaker 2>First, wonderful viewership numbers for The Penguin the premiere from

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<v Speaker 2>September nineteenth through ten point four million viewers across platforms

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<v Speaker 2>HBO Max and other streaming platforms and online and including

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<v Speaker 2>cable platforms. I would assume this is nearly double the

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<v Speaker 2>viewership from opening weekend, which saw five point three million viewers,

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<v Speaker 2>and it's just great. That's great news.

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<v Speaker 3>And I think it's got a wider viewership than ill

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<v Speaker 3>usual superhero shows.

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<v Speaker 1>That's right.

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<v Speaker 2>My partner is watching it, despite the fact that she

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<v Speaker 2>is not a comic book person. I think that there's

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<v Speaker 2>a lot of you know, the dramatic weight and the

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<v Speaker 2>fact that this is a very high quality, well written,

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<v Speaker 2>well acted show is drawing people in. And the fact

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<v Speaker 2>that there are the connections to the broader DC universe

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<v Speaker 2>and Batman himself, that they're only that they're better if you.

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<v Speaker 4>Want to find there, if you want them, but you

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<v Speaker 4>don't need to not.

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<v Speaker 2>That's right, and I think that has helped widen the

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<v Speaker 2>audience for this. So let's get into the episode.

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<v Speaker 3>Okay, Episode four, Tantani Tantani.

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<v Speaker 2>We open with the final moments from episode three. From

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<v Speaker 2>Sophia's perspective. Oz is pleading with Nadia Falcone as the

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<v Speaker 2>mafia boss's wife, airs.

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<v Speaker 4>Out all of his dirty and she's taughting him up.

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<v Speaker 4>She's telling him everything.

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<v Speaker 1>All the laundry.

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<v Speaker 2>Sophia learns that Oz pitched murdering Alberto to the Falcones,

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<v Speaker 2>with him taking over as the new boss. She learns

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<v Speaker 2>that you know, Oz has been working with the Falcones.

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<v Speaker 2>Oz says that he was getting the new drug for

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<v Speaker 2>the Falcones and that Sophia was just his dupie. Says

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<v Speaker 2>this with her right there, and then Vic comes crashing

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<v Speaker 2>in as we saw at the end of the episode,

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<v Speaker 2>and we understand why Oz says, just leave Sophia, just go.

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<v Speaker 4>Yeah, because she's onto him now.

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<v Speaker 2>And as this is occurring, Sophia has like a psychological break.

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<v Speaker 2>She's crashing out. She calls doctor Rush and we flash

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<v Speaker 2>back to over ten years earlier, before her stay at Arkham.

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<v Speaker 2>Sofia is giving a speech in front of the mental

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<v Speaker 2>Health Foundation that she founded with her father, Carmine Falcone,

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<v Speaker 2>boss of the Falcon family. As her driver, Oz looks

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<v Speaker 2>on and it's very clear at this point in time

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<v Speaker 2>that their relationship is very different. She is very much

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<v Speaker 2>the power player. He is very much just a guy

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<v Speaker 2>in the world.

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<v Speaker 3>Yeah, just the little guy bought. She's kind to him,

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<v Speaker 3>that's what we learn. She's kind to him.

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<v Speaker 4>She's kind kind of is like she's kind of everyone and.

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<v Speaker 2>Then everybody else.

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<v Speaker 3>Certainly she'll tell she'll correct people say don't call him that,

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<v Speaker 3>don't call him the penguin. Yeah you know, and uh yeah,

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<v Speaker 3>we get. This is a very interesting episode because, as always,

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<v Speaker 3>very feels very disconnected from the wider world, but is

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<v Speaker 3>actually our most connected episode, not only to the Batman.

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<v Speaker 3>And it also made me realize, wow, like they're doing

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<v Speaker 3>such a good job separating these things that I never

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<v Speaker 3>even put together.

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<v Speaker 4>Who she was obviously the patsy for.

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<v Speaker 3>And also we get some really deep cut connections here,

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<v Speaker 3>like what basically what happens next is, Sofia gets approached

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<v Speaker 3>by a woman called Summer Gleason with a reporter, and

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<v Speaker 3>this is so great because this is a character who

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<v Speaker 3>has only appeared in the New Adventures of Batman, the

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<v Speaker 3>sequel series to Batman the animated series, and some like

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<v Speaker 3>noncninical comics since then. But I thought this was a

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<v Speaker 3>great example of how they pepper those little names and

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<v Speaker 3>stuff in there for people, but they bang you over

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<v Speaker 3>the head with it. So if you don't know this stuff,

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<v Speaker 3>it doesn't matter.

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<v Speaker 4>It's just a name.

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<v Speaker 3>But if you do, you can kind of go, oh,

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<v Speaker 3>I think I recognize that, and do your research. So

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<v Speaker 3>I thought that was really cool.

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<v Speaker 2>So from miss Gleeson, Sofia learns that there has been

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<v Speaker 2>a recent death of a young woman at her father's

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<v Speaker 2>club forty four below. She died apparently of a suicide

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<v Speaker 2>by hanging, that's the official story, and that this death

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<v Speaker 2>is quite similar to other deaths that have occurred at

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<v Speaker 2>other places, namely the Iceberg Lounge owned by her father,

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<v Speaker 2>deaths of young women who worked at these clubs who

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<v Speaker 2>died by asphyxiation in some form of fashion and that

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<v Speaker 2>have been ruled suicides. This makes Sophia think about her mother,

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<v Speaker 2>her mother's apparent suicide and the day that she found

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<v Speaker 2>her mother's body, she found her hanging in the master bedroom.

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<v Speaker 2>After the foundation event, Sofia and her brother Alberto have dinner,

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<v Speaker 2>family dinner with their father, Krma and Carmean Falcone, who

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<v Speaker 2>always wears sunglasses.

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<v Speaker 3>Also, I want to say great casting here because in

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<v Speaker 3>the Batman movie that elder Falcone, Carmen Falcone, is played

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<v Speaker 3>by John Taturo.

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<v Speaker 4>But here they cast Mark Strong as young.

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<v Speaker 2>These wonderful marks, and I just think.

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<v Speaker 3>This is such good casting. I think I totally bought it.

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<v Speaker 3>It really gives a similar vibe. And I had this moment,

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<v Speaker 3>this just heart wrenching moment because earlier in our coverage

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<v Speaker 3>of this, I had guessed that, unlike the comics where

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<v Speaker 3>Sophia really is the Hangman, I had guessed she was

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<v Speaker 3>probably a patsy, maybe for Alberto, because she loved him

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<v Speaker 3>and she wanted to take But I.

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<v Speaker 4>Completely forgot that.

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<v Speaker 3>In the end of the Batman Movie by Matt Reeves,

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<v Speaker 3>we learn that Carmi and Falcone has been killing women.

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<v Speaker 4>He tries to kill catwomen. He killed her mother, And.

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<v Speaker 3>I never even put the fact that those two things

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<v Speaker 3>would be connected into this version of the Hangman, And

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<v Speaker 3>just seeing him reappear here, I suddenly kind of started

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<v Speaker 3>coming together, and I was just so impressed by how

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<v Speaker 3>distinct this show has made itself.

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<v Speaker 4>In three episodes. I literally had never even made that connection.

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<v Speaker 2>So they're having dinner with Carmea and Falcone. The wonderful

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<v Speaker 2>Mark Strong arsenal supporters is good in everything, even if

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<v Speaker 2>the movie's bad, Mark Strong is good. Carmine wonders why

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<v Speaker 2>Alberto is such a moron while Sophia always seems so

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<v Speaker 2>squared away and Carmine, when Alberto leaves, Carmine tells Sophia, listen,

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<v Speaker 2>why don't we break with years of mafia tradition? I

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<v Speaker 2>will name you as my successor to the family, and

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<v Speaker 2>we'll push Alberto, who is often an embarrassment to the side.

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<v Speaker 2>Sophia's like, what will the family say that, and he says,

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<v Speaker 2>they'll say they'll do whatever they I tell them to do,

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<v Speaker 2>because I'm the boss. Sophia then takes this opportunity to

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<v Speaker 2>kind of ask questions about her mom's death, noting, you know,

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<v Speaker 2>she didn't seem depressed, and Carmin is like, yeah, she

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<v Speaker 2>was great at hiding it.

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<v Speaker 4>Uh.

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<v Speaker 2>And it's clear that Sophia has some niggling suspicions and

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<v Speaker 2>that maybe those suspicions have been there for quite a while,

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<v Speaker 2>but Carmine very strongly shuts down the questioning. Later, Sophia

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<v Speaker 2>asks Alberto as they're driving off somewhere with Oz behind

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<v Speaker 2>the wheel, if their dad was involved in any way

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<v Speaker 2>with women at any of the clubs.

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<v Speaker 4>His face is just like are you dumb?

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<v Speaker 2>Like, yeah, are you dumb? What you why are you asking?

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<v Speaker 4>What do you think?

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<v Speaker 2>She says, you know, how much do we really know

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<v Speaker 2>about him? You know, because he's the line of work

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<v Speaker 2>that he's in. Alberto is like yeah, again, He's like,

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<v Speaker 2>what the fuck are you? What don't ask this meanwhile

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<v Speaker 2>Oz listening the entire time.

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<v Speaker 1>Yeah.

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<v Speaker 2>Sophia then meets with Summer Gleason secretly at night, late

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<v Speaker 2>at night, and.

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<v Speaker 4>She tries odds enough to have him drive. He's there,

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<v Speaker 4>he is.

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<v Speaker 2>He is not like in the meeting, but he's like

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<v Speaker 2>across the street in the car watching and Gleason has

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<v Speaker 2>the autopsy photos. She notes that the physical evidence does

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<v Speaker 2>not match the official cause of death. There are there's

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<v Speaker 2>evidence of defensive wounds, broken nails, et cetera. She says, like,

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<v Speaker 2>how about you go into the forty four below wearing

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<v Speaker 2>a wire? So if he's like you fucking crazy, absolutely not.

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<v Speaker 2>She's like, okay, well, how about can you get the

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<v Speaker 2>employment file so at least I can prove that they

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<v Speaker 2>that they will work there. Again, Sophia flashes back to

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<v Speaker 2>the day that she found her mom, and she notes

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<v Speaker 2>that her mom had a broken nail, showing that that

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<v Speaker 2>maybe there was some sort of struggle that happened. And

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<v Speaker 2>you can tell that she's increasingly convinced that her father

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<v Speaker 2>was involved. But our, she says, just to Gleason, absolutely not.

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<v Speaker 2>You have no evidence. I don't believe any of this.

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<v Speaker 2>You're this is really a reach goodbye, and that's it,

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<v Speaker 2>and she goes back to the car. Maybe that was

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<v Speaker 2>for Oz's public consumption, but that's what she does.

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<v Speaker 3>I think she's like so in shock at the realization

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<v Speaker 3>she's having, because we get to see that when she

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<v Speaker 3>found her mom, she saw the broken nails, and then

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<v Speaker 3>when her dad came and kind of swept her.

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<v Speaker 4>Up and was like, no, no, you don't need to notice, like.

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<v Speaker 3>She noticed that he has scratches on his face. So

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<v Speaker 3>I think she's aware, but she's in that mid space

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<v Speaker 3>between like should I be telling my dad?

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<v Speaker 4>Should I like? What should I do?

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<v Speaker 3>This is basically an unenviable situation, Pacivia.

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<v Speaker 1>We'll be right back after a quick break.

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<v Speaker 2>And we're about Oz tells Sophia when she gets back

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<v Speaker 2>in the car, Hey, you gotta be careful meeting with reporter.

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<v Speaker 2>People are gonna think a certain way, and she rebukes

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<v Speaker 2>him quite sharply, saying, shut up, no one cares what

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<v Speaker 2>he thinks.

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<v Speaker 4>Yeah, and this is like, this is like a fateful

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<v Speaker 4>moment in that relation.

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<v Speaker 2>It's a it's a feels like a very very faithful moment.

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<v Speaker 2>Later at Falcone manor big party for Carmine. It's his birthday,

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<v Speaker 2>all the important people are there. Oz comes up to her.

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<v Speaker 2>He's inside wearing a nice jacket. She's like, what the

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<v Speaker 2>fuck are you doing inside? You should be outside with Cark.

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<v Speaker 2>But he tells her, hey, your dad wants to see her,

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<v Speaker 2>and she it has a bad feeling, so she goes

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<v Speaker 2>with a present to try and break the ice. But

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<v Speaker 2>Carmine knows about the reporter. It's very clear that Oz

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<v Speaker 2>rated her out. He's very mad. He says that reporter

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<v Speaker 2>has been working with the cops investigating him for the

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<v Speaker 2>murder of quote, some hookers at the club. Is the

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<v Speaker 2>way he phrases.

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<v Speaker 3>Nice, so you can guess like he definitely really respects

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<v Speaker 3>these women's life.

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<v Speaker 2>Yeah, he wants to know if Sophia thinks that he

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<v Speaker 2>killed them, and she says, no, what I never doubted you.

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<v Speaker 2>And she says again, faithfully, there must be some explanation,

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<v Speaker 2>explanation for what he says for the scratches on you

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<v Speaker 2>in the and Mom's nail when she died, those the

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<v Speaker 2>scratches weren't from Mom, right, And Carmi now gets very spooking,

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<v Speaker 2>very scary. And this is where I'm like, whoa this?

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<v Speaker 2>I feel very bad.

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<v Speaker 4>Bad, bad, bad stuff. This was the moment very bad vibes.

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<v Speaker 3>Oh.

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<v Speaker 4>I was like, oh, dear, I shall say, I gotta say.

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<v Speaker 3>I want to call myself out here because in the

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<v Speaker 3>previous coverage of the Penguin on HBO and Max, I

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<v Speaker 3>had been an Oswald supporter.

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<v Speaker 4>I had said, I love this little guy. He's just

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<v Speaker 4>doing things.

0:12:48.960 --> 0:12:50.840
<v Speaker 2>He's just you know, he's a bad guy, but he's

0:12:50.920 --> 0:12:53.640
<v Speaker 2>just trying his best to like climb up the ladder

0:12:53.640 --> 0:12:54.120
<v Speaker 2>of Gotham.

0:12:54.160 --> 0:12:56.960
<v Speaker 4>I take you back. I am now Oswald hater. I

0:12:56.960 --> 0:13:01.599
<v Speaker 4>am an Oscarp hater. I understand his mentality.

0:13:01.960 --> 0:13:04.400
<v Speaker 3>But the point of this episode is to show how like,

0:13:04.920 --> 0:13:09.040
<v Speaker 3>whether it's some aglesum, whether it is Sofia, whether it's Oz,

0:13:09.240 --> 0:13:14.280
<v Speaker 3>these tiny moments that people act almost like impulsively on.

0:13:14.480 --> 0:13:16.840
<v Speaker 3>Whether it was Sophia, you know, snapping at Oz when

0:13:16.840 --> 0:13:19.880
<v Speaker 3>she's usually patient with him, whether it's Oz deciding to

0:13:20.400 --> 0:13:22.960
<v Speaker 3>you know, snitch on her to her dad. These moments

0:13:23.000 --> 0:13:26.640
<v Speaker 3>have like massive implications that are going to be going

0:13:26.679 --> 0:13:28.320
<v Speaker 3>on in Gotham for like decades.

0:13:28.679 --> 0:13:31.920
<v Speaker 2>I'm not going to defend ours, but I will, I mean,

0:13:32.520 --> 0:13:36.080
<v Speaker 2>I'll talk about my view on this after we do

0:13:36.120 --> 0:13:39.880
<v Speaker 2>the recap, after we go through the recap. So on

0:13:39.920 --> 0:13:42.080
<v Speaker 2>the ride home, Oz is like, hey, I'm sorry, you know,

0:13:42.080 --> 0:13:44.600
<v Speaker 2>what do you expect me to do? It's Carmen's the boss.

0:13:44.600 --> 0:13:49.240
<v Speaker 2>He pays my salary. I'm doing my job, she warns him.

0:13:49.240 --> 0:13:52.800
<v Speaker 2>Then again, it feels like a very faithful moment that

0:13:53.440 --> 0:13:56.439
<v Speaker 2>you're on his radar now and your family his radar,

0:13:56.520 --> 0:14:00.760
<v Speaker 2>which everyone you lie. Probably why Oz moved his mom,

0:14:01.520 --> 0:14:03.800
<v Speaker 2>faked her death and moved her out to the suburbs.

0:14:04.480 --> 0:14:07.000
<v Speaker 4>Oh yeah, great, cool. I didn't even think about that.

0:14:07.000 --> 0:14:07.840
<v Speaker 4>That's obviously.

0:14:08.360 --> 0:14:11.360
<v Speaker 2>Yeah, that moment they get pulled over, the cops want

0:14:11.440 --> 0:14:14.720
<v Speaker 2>Sophia and they arrest her for the murder of Summer

0:14:14.760 --> 0:14:20.000
<v Speaker 2>Gleason and all the women who died at her dad's clubs.

0:14:20.440 --> 0:14:23.680
<v Speaker 4>And obviously, I will say Oz did not know about this.

0:14:23.880 --> 0:14:25.720
<v Speaker 2>I do need not know that that was going.

0:14:25.800 --> 0:14:28.880
<v Speaker 3>He didn't know that she was that fucked like he

0:14:29.080 --> 0:14:31.440
<v Speaker 3>thought he would just scare her a little bit, be

0:14:31.520 --> 0:14:33.320
<v Speaker 3>able to be there for her as a driver.

0:14:33.840 --> 0:14:37.320
<v Speaker 4>He definitely in that moment you see the connection between

0:14:37.320 --> 0:14:40.320
<v Speaker 4>them because he is in the cops.

0:14:40.480 --> 0:14:43.200
<v Speaker 2>Yeah, he's he's like, what are you doing? Yeah, So

0:14:43.840 --> 0:14:47.320
<v Speaker 2>her dad and other family members including uncle Luca. They

0:14:47.360 --> 0:14:50.840
<v Speaker 2>write sworn declarations that Sophia has been mentally ill for

0:14:50.880 --> 0:14:54.200
<v Speaker 2>a long time. They get her put into Arkham for

0:14:54.760 --> 0:14:57.400
<v Speaker 2>what appears at first to be just an observation period

0:14:57.440 --> 0:14:59.280
<v Speaker 2>of six months to see if she can stand trial,

0:14:59.600 --> 0:15:04.000
<v Speaker 2>but obviously ends up being much much longer. Alberto is

0:15:04.000 --> 0:15:06.680
<v Speaker 2>the only one who visits her during this time and

0:15:06.800 --> 0:15:10.200
<v Speaker 2>really tries to tell her that she can do this.

0:15:10.280 --> 0:15:12.440
<v Speaker 2>She's a Falcone, she's strong, she can do this. And

0:15:12.600 --> 0:15:16.640
<v Speaker 2>Arkham is as excruciating as you expect it is. She's

0:15:16.680 --> 0:15:20.080
<v Speaker 2>stripped shirt, she's examined, she's chained in manacle. This is

0:15:20.120 --> 0:15:23.360
<v Speaker 2>where she meets doctor Rush. She also meets doctor Ventris,

0:15:23.400 --> 0:15:27.680
<v Speaker 2>who runs the place, and they lead her, you know,

0:15:27.800 --> 0:15:31.760
<v Speaker 2>through the haunted halls, past hollow eyed patients, to her

0:15:31.800 --> 0:15:36.240
<v Speaker 2>isolation cell. In her cell, she hears a voice from

0:15:36.600 --> 0:15:42.800
<v Speaker 2>the neighboring room. It is a patient that apparently is Magpie,

0:15:43.360 --> 0:15:44.000
<v Speaker 2>the Claw.

0:15:43.880 --> 0:15:49.160
<v Speaker 4>Nail fun creation DC jewel thief who likes.

0:15:49.040 --> 0:15:52.760
<v Speaker 3>To make like booby trapped versions of jewels to kill people.

0:15:53.080 --> 0:15:55.960
<v Speaker 4>Again, very fun play on expectations.

0:15:55.960 --> 0:15:58.680
<v Speaker 3>Here. The actress who plays Magpie does a very good

0:15:58.680 --> 0:16:01.920
<v Speaker 3>Holly Quinn impression. You'll supposed to think that's who it is.

0:16:02.520 --> 0:16:06.560
<v Speaker 3>And I think that there's just a lot here that

0:16:06.680 --> 0:16:09.960
<v Speaker 3>for me personally, this is a very hard episode.

0:16:09.560 --> 0:16:11.520
<v Speaker 4>To watch because like it is actually hard.

0:16:11.560 --> 0:16:15.480
<v Speaker 3>It's so hard to watch because Kristin Malotti is obviously amazing,

0:16:15.640 --> 0:16:18.000
<v Speaker 3>but also like, this is a very real thing that

0:16:18.120 --> 0:16:21.000
<v Speaker 3>has been happening to women and continues to happen to women,

0:16:21.320 --> 0:16:26.480
<v Speaker 3>where they will be institutionalized if they don't agree with

0:16:26.680 --> 0:16:30.200
<v Speaker 3>a family member, or they get pregnant outside of marriage,

0:16:30.760 --> 0:16:33.080
<v Speaker 3>or you know, many other reasons. In England, they were

0:16:33.080 --> 0:16:37.800
<v Speaker 3>actually still women who had been institutionalized for becoming pregnant

0:16:37.800 --> 0:16:40.360
<v Speaker 3>outside of marriage, who were only released in like the

0:16:40.400 --> 0:16:41.280
<v Speaker 3>early nineties.

0:16:41.320 --> 0:16:42.800
<v Speaker 4>So this is like a very real thing.

0:16:43.320 --> 0:16:46.040
<v Speaker 3>And I think that they do a great job here

0:16:46.480 --> 0:16:49.720
<v Speaker 3>showcasing just how horrific that is. And I think this

0:16:49.760 --> 0:16:53.560
<v Speaker 3>is another really fantastic way that they ground the show,

0:16:53.800 --> 0:16:55.320
<v Speaker 3>because you know, I've seen a lot of memes going

0:16:55.360 --> 0:16:58.200
<v Speaker 3>around going ooh ooh, they grounded the show by calling

0:16:58.280 --> 0:17:00.960
<v Speaker 3>him Oz Cobb, and everyone thinks that's really funny that

0:17:01.040 --> 0:17:01.960
<v Speaker 3>his name's Oz Cob.

0:17:02.000 --> 0:17:03.320
<v Speaker 4>I mean, it's kind of funny.

0:17:03.120 --> 0:17:07.040
<v Speaker 3>But the reality is the grounding that they actually do

0:17:07.240 --> 0:17:12.200
<v Speaker 3>is by putting real world situations, whether it is Vic

0:17:12.400 --> 0:17:15.800
<v Speaker 3>and his startering and the way his family died in

0:17:15.840 --> 0:17:20.640
<v Speaker 3>a climate crisis disaster added with terrorism and how he's

0:17:20.640 --> 0:17:22.199
<v Speaker 3>had to now live on the streets and kind of

0:17:22.200 --> 0:17:25.639
<v Speaker 3>deal with that, which feels extremely real right now, or

0:17:25.680 --> 0:17:30.080
<v Speaker 3>whether it's Sophia being institutionalized by her father and having

0:17:30.119 --> 0:17:32.639
<v Speaker 3>all of her family turn on her to back him

0:17:32.720 --> 0:17:35.080
<v Speaker 3>up and kind of being stuck in this like nightmare

0:17:35.119 --> 0:17:41.199
<v Speaker 3>prison system. It's great TV that really fits into the

0:17:41.200 --> 0:17:43.840
<v Speaker 3>world of the best of what Matt Reeves Batman did,

0:17:43.920 --> 0:17:46.280
<v Speaker 3>and I just this is such a hard episode to watch.

0:17:46.920 --> 0:17:53.000
<v Speaker 2>So in the cafeteria later, Sophia sits with Magpie and

0:17:53.040 --> 0:17:55.400
<v Speaker 2>this is where she first learns about the bliss pills.

0:17:56.280 --> 0:17:58.720
<v Speaker 2>You only get them when you're good, Magpie says, and

0:17:58.720 --> 0:18:03.600
<v Speaker 2>it immediately goes into a stupid her. Another patient comes in, unchained,

0:18:03.800 --> 0:18:06.600
<v Speaker 2>wandering around, comes up to their table, Sofia tries to

0:18:06.680 --> 0:18:10.200
<v Speaker 2>raise the alarm about this patient accuses Sophia of killing

0:18:10.280 --> 0:18:15.240
<v Speaker 2>those girls and then beats Sophia pretty badly in her cell.

0:18:15.359 --> 0:18:19.560
<v Speaker 2>Rush comes in and he's apologetic. He says, we'll look

0:18:19.600 --> 0:18:23.560
<v Speaker 2>into why this, why was around, but Sophia is, like,

0:18:24.760 --> 0:18:28.280
<v Speaker 2>I think, very rightly concerned that this was a coordinated

0:18:28.359 --> 0:18:30.840
<v Speaker 2>attack by her father to silence her in a way

0:18:30.880 --> 0:18:34.160
<v Speaker 2>that could not tie back to him. Yeah, and when

0:18:34.160 --> 0:18:37.880
<v Speaker 2>she voices those things, Rush, because of the situation they're

0:18:37.880 --> 0:18:43.080
<v Speaker 2>in the context, sees these as perhaps delusions and begins

0:18:43.080 --> 0:18:45.720
<v Speaker 2>to wonder, like, you know, do you so you think

0:18:45.760 --> 0:18:47.320
<v Speaker 2>that you know, are you being paranoid?

0:18:47.440 --> 0:18:48.600
<v Speaker 4>Yeah? Yeah, all you being paranoid?

0:18:48.600 --> 0:18:50.560
<v Speaker 3>Also, I just want to say I think that they

0:18:50.600 --> 0:18:54.680
<v Speaker 3>did a really good job with this character who attacks

0:18:54.680 --> 0:18:57.200
<v Speaker 3>Sophia because she gives big joke of vibes.

0:18:57.400 --> 0:18:58.280
<v Speaker 4>It's like another thing.

0:18:58.320 --> 0:18:59.919
<v Speaker 3>It's like, you know, it's not the Joker, and then

0:19:00.160 --> 0:19:02.040
<v Speaker 3>going to do a female version of the Joker, but

0:19:02.119 --> 0:19:04.239
<v Speaker 3>she has red hair and she's kind of got this

0:19:04.320 --> 0:19:08.240
<v Speaker 3>kind of scary grin, and she's very gone and tak

0:19:08.520 --> 0:19:12.360
<v Speaker 3>They just they have a good understanding of how to

0:19:12.400 --> 0:19:16.679
<v Speaker 3>tease feelings and evoke characters, even when they're not going

0:19:16.760 --> 0:19:18.960
<v Speaker 3>to commit to that being the character.

0:19:19.680 --> 0:19:21.399
<v Speaker 5>We're going to take a quick break and we'll be

0:19:21.480 --> 0:19:37.080
<v Speaker 5>right back, and we're back.

0:19:37.560 --> 0:19:41.640
<v Speaker 2>So Rush starts to delve into Sophia's case, specifically her

0:19:41.680 --> 0:19:45.000
<v Speaker 2>emotional reaction to the death of her mother, you know,

0:19:45.080 --> 0:19:47.880
<v Speaker 2>wondering if this is the cause of these delusions she's having.

0:19:47.880 --> 0:19:50.160
<v Speaker 2>Sophia's like, I'm here because my dad wants to keep

0:19:50.160 --> 0:19:50.639
<v Speaker 2>me quiet.

0:19:50.640 --> 0:19:51.520
<v Speaker 1>That's it. Period.

0:19:52.200 --> 0:19:54.919
<v Speaker 2>And again Russia's acting like this is a psychosis, and

0:19:54.960 --> 0:19:56.720
<v Speaker 2>he insists that he just wants her to get better.

0:19:57.560 --> 0:19:59.919
<v Speaker 2>Later in the mess hall, Sophia is taken to men.

0:20:00.119 --> 0:20:03.960
<v Speaker 2>She's given a fork. Her attacker is led in and chained,

0:20:04.560 --> 0:20:07.600
<v Speaker 2>and the guards and the doctors just kind of all

0:20:07.720 --> 0:20:10.400
<v Speaker 2>crowd around like a gladiator fight, which is a thing

0:20:10.560 --> 0:20:13.879
<v Speaker 2>that happens in actual institutions. And it's I don't want

0:20:13.920 --> 0:20:16.680
<v Speaker 2>to delve into that now, but like, and it's very

0:20:16.720 --> 0:20:18.359
<v Speaker 2>clear that they're like, okay, you want to deal with

0:20:18.400 --> 0:20:19.119
<v Speaker 2>it here, deal with it.

0:20:19.200 --> 0:20:22.080
<v Speaker 3>Yeah, and then so like and then you'll have killed someone,

0:20:22.320 --> 0:20:24.879
<v Speaker 3>so then you're gonna be here whatever. So, Sofia is

0:20:24.880 --> 0:20:28.440
<v Speaker 3>in this like and again just like an impossible position.

0:20:28.640 --> 0:20:29.600
<v Speaker 1>It's just terrible.

0:20:29.640 --> 0:20:34.000
<v Speaker 2>The patient, the unnamed patient, meanwhile, is the one who

0:20:34.560 --> 0:20:38.439
<v Speaker 2>takes the aggressive action. She attacks. She grabs the fork

0:20:38.720 --> 0:20:42.919
<v Speaker 2>and then stabs herself, begging Sophia to end it, to

0:20:43.160 --> 0:20:45.480
<v Speaker 2>end it, the doctors rush in. They take Sofia to

0:20:45.480 --> 0:20:48.840
<v Speaker 2>get electroshocked, and she's electro shocked numerous times.

0:20:49.040 --> 0:20:52.080
<v Speaker 3>The implication here as well is like the version the

0:20:52.119 --> 0:20:55.520
<v Speaker 3>alchemists telling people is that Sofia killed this other patient, right, yeah,

0:20:55.560 --> 0:20:58.840
<v Speaker 3>because they take her to and the electroshock sessions horrific

0:20:58.920 --> 0:21:01.440
<v Speaker 3>to watch, another real thing that people are put through

0:21:01.480 --> 0:21:05.280
<v Speaker 3>in real life. And I thought they did a really

0:21:05.400 --> 0:21:10.480
<v Speaker 3>beautiful and heartbreaking kind of rendition of the hallucinatory effects.

0:21:10.480 --> 0:21:13.879
<v Speaker 3>When she's kind of peeling back the prison the prism

0:21:14.000 --> 0:21:18.360
<v Speaker 3>paint and finding her home wallpaper under there, Kristin Malot

0:21:18.560 --> 0:21:20.760
<v Speaker 3>is just like if they beg of her an Emmy

0:21:20.960 --> 0:21:23.080
<v Speaker 3>for this episode, she's.

0:21:23.040 --> 0:21:26.880
<v Speaker 2>So six months past, you know, of electroshocks. Alberto comes

0:21:26.880 --> 0:21:28.879
<v Speaker 2>to visit. He says, I'm so sorry, but Ventres that

0:21:29.040 --> 0:21:31.800
<v Speaker 2>says you have to stay in Arkham, you know, for

0:21:32.280 --> 0:21:35.840
<v Speaker 2>an unknown period of time, like there's not going to

0:21:35.880 --> 0:21:39.520
<v Speaker 2>be a trial. You've been deemed mentally unfit and so

0:21:39.560 --> 0:21:43.280
<v Speaker 2>you have to stay here. Later at chow, Rush tries

0:21:43.320 --> 0:21:45.880
<v Speaker 2>to apologize for this, and he says, like I tried

0:21:45.920 --> 0:21:50.199
<v Speaker 2>to convince ventures otherwise. Magpie is happy though that her

0:21:50.240 --> 0:21:57.440
<v Speaker 2>friend is staying, and Sophia begins to wonder maybe not unfairly,

0:21:57.480 --> 0:22:01.840
<v Speaker 2>but it's never quite clear if Magpie has been informing

0:22:02.359 --> 0:22:03.000
<v Speaker 2>I would.

0:22:02.720 --> 0:22:05.640
<v Speaker 3>Say, yeah, I thought I had to, you know, when

0:22:05.640 --> 0:22:07.879
<v Speaker 3>I was rewatching this, this was a moment that I

0:22:08.000 --> 0:22:12.880
<v Speaker 3>kind of returned to a lot because it's just horribly vague,

0:22:13.160 --> 0:22:16.199
<v Speaker 3>and you kind of think, well, if Magpie is, you know,

0:22:16.320 --> 0:22:19.560
<v Speaker 3>informing on her, she needs something to get her through

0:22:19.560 --> 0:22:22.080
<v Speaker 3>the day at this horrible place, and that's those bliss pills.

0:22:22.240 --> 0:22:25.040
<v Speaker 3>But also she does seem very eager to have this

0:22:25.119 --> 0:22:28.800
<v Speaker 3>connection with Sophia, so maybe she's not. And it's just

0:22:28.840 --> 0:22:32.000
<v Speaker 3>this really heartbreaking, sad moment, and you know immediately what's

0:22:32.040 --> 0:22:32.560
<v Speaker 3>going to happen.

0:22:32.720 --> 0:22:35.520
<v Speaker 2>So Sophia kills Magpie. So now she has roots on

0:22:37.280 --> 0:22:42.600
<v Speaker 2>and she comes to after this, and we snapped back

0:22:42.640 --> 0:22:46.720
<v Speaker 2>to the present story. She's in Russia's office after making

0:22:46.720 --> 0:22:48.480
<v Speaker 2>that phone call. He's holding her hand.

0:22:48.359 --> 0:22:50.359
<v Speaker 4>Later and she's wearing his clothes.

0:22:50.480 --> 0:22:53.000
<v Speaker 2>She's wearing his clothes of what has gone on in

0:22:53.000 --> 0:22:55.640
<v Speaker 2>this period when she's been out of it. She's sitting

0:22:55.640 --> 0:22:58.440
<v Speaker 2>at his desk, she's snooping around while Rush makes breakfast.

0:22:58.680 --> 0:23:01.960
<v Speaker 2>He comes in and she n low on him about Oz.

0:23:02.800 --> 0:23:04.840
<v Speaker 2>She should have killed Oz when she had the chance,

0:23:05.000 --> 0:23:08.120
<v Speaker 2>and Rush's like, maybe you should just go to Sicily

0:23:08.160 --> 0:23:11.840
<v Speaker 2>and get away from all of this fresh Sophia asks Rush.

0:23:11.840 --> 0:23:14.920
<v Speaker 3>Why say he's looking suspicious when he says that, I'm

0:23:14.960 --> 0:23:15.679
<v Speaker 3>just stand agree.

0:23:15.800 --> 0:23:17.760
<v Speaker 4>I'm just like, bro, like, don't say that shit because

0:23:17.800 --> 0:23:20.040
<v Speaker 4>you'll go get a dinner. Trate to your head too,

0:23:20.160 --> 0:23:21.080
<v Speaker 4>like what are you talking about?

0:23:21.520 --> 0:23:23.800
<v Speaker 2>So Sophia asked Rush why he's doing this. He says,

0:23:23.840 --> 0:23:27.719
<v Speaker 2>my guilty conscience for everything that happened at Arkham, and

0:23:28.080 --> 0:23:30.560
<v Speaker 2>she says, well, you miss the way it was there,

0:23:30.640 --> 0:23:33.280
<v Speaker 2>right when I was completely under your power you could

0:23:33.280 --> 0:23:37.000
<v Speaker 2>control me. And she says again, I think quite accurately

0:23:37.040 --> 0:23:39.239
<v Speaker 2>that every doctor she has ever seen has lied and

0:23:39.280 --> 0:23:42.040
<v Speaker 2>said she's sick. But she's not sick. It's the world

0:23:42.160 --> 0:23:45.600
<v Speaker 2>that's sick. She notes that clearly rushes in love with her,

0:23:45.640 --> 0:23:50.720
<v Speaker 2>and Sophia knows it, and she's twisted now she understands

0:23:50.720 --> 0:23:52.880
<v Speaker 2>that he's in love with her or something, and so

0:23:52.920 --> 0:23:57.000
<v Speaker 2>she has managed to twist it so that she can

0:23:57.119 --> 0:23:59.480
<v Speaker 2>use that as leverage and power over him. She then

0:23:59.520 --> 0:24:03.639
<v Speaker 2>goes home, has dinner with Luca and the family. She's

0:24:03.440 --> 0:24:06.080
<v Speaker 2>she is such a good scene when she walks in.

0:24:06.200 --> 0:24:08.800
<v Speaker 3>She just walks in, and you're just like, this is

0:24:10.080 --> 0:24:13.040
<v Speaker 3>It's just everything she does Like The Bear. You remember

0:24:13.080 --> 0:24:15.520
<v Speaker 3>the first season of The Bear where Kami goes to

0:24:15.600 --> 0:24:17.320
<v Speaker 3>alan On and then at the end.

0:24:17.160 --> 0:24:18.600
<v Speaker 4>He does a big monologue.

0:24:18.720 --> 0:24:20.879
<v Speaker 3>I was really getting like vibes like that because she

0:24:20.920 --> 0:24:23.560
<v Speaker 3>gives this huge monologue about how they all, you know,

0:24:23.680 --> 0:24:26.199
<v Speaker 3>betrayed her, and she's standing at the head of the

0:24:26.200 --> 0:24:31.400
<v Speaker 3>table in this gorgeous neon yellow dress with diamonds, and

0:24:31.440 --> 0:24:35.600
<v Speaker 3>you there's great moments here too, where you kind of

0:24:35.640 --> 0:24:38.440
<v Speaker 3>start to see the women in the room realizing what

0:24:38.640 --> 0:24:42.040
<v Speaker 3>actually happened to Sofia. There's these great subtle moments.

0:24:42.560 --> 0:24:46.399
<v Speaker 2>She brings up her father's birthday ten years ago that

0:24:46.480 --> 0:24:49.439
<v Speaker 2>she was framed for the murder. She recites the names

0:24:49.480 --> 0:24:53.280
<v Speaker 2>of the murdered women. She says she was surprised how

0:24:53.280 --> 0:24:56.639
<v Speaker 2>many people in that very room have wrote down that

0:24:56.720 --> 0:24:59.760
<v Speaker 2>she was mentally ill, sent that sworn declaration to the

0:25:00.240 --> 0:25:02.239
<v Speaker 2>and says she's leaving the family, She's leaving town, and

0:25:02.320 --> 0:25:08.080
<v Speaker 2>she toasts them. She later sneaks her cousin's daughter, who

0:25:08.160 --> 0:25:10.960
<v Speaker 2>we met in the previous episode where that first the

0:25:11.000 --> 0:25:14.080
<v Speaker 2>offerer to go to Sicily was first tendered and says,

0:25:14.160 --> 0:25:16.560
<v Speaker 2>let's go to the greenhouse and have I'm gonna eat

0:25:16.600 --> 0:25:19.399
<v Speaker 2>some cakes Monday night in the greenhouse and in the

0:25:19.400 --> 0:25:21.200
<v Speaker 2>morning she goes back into the house wearing a gas

0:25:21.200 --> 0:25:23.119
<v Speaker 2>mask and you realize she is carbon monoxide.

0:25:23.359 --> 0:25:28.080
<v Speaker 3>Yeah, like cheering her on, I was like, except for Johnny,

0:25:28.080 --> 0:25:30.399
<v Speaker 3>you except for Johnny b who, by the way, like

0:25:30.520 --> 0:25:32.119
<v Speaker 3>how does this guy keep surviving?

0:25:35.680 --> 0:25:37.600
<v Speaker 4>But you know what, he is a rat. So I

0:25:37.640 --> 0:25:40.440
<v Speaker 4>just want to say, though I love I think something

0:25:40.480 --> 0:25:41.480
<v Speaker 4>they do really.

0:25:41.200 --> 0:25:44.160
<v Speaker 3>Really well here in this episode is understanding of how

0:25:44.240 --> 0:25:47.760
<v Speaker 3>scary Sofia is, no matter what has happened to her

0:25:47.960 --> 0:25:50.360
<v Speaker 3>or how terrible all the reasons behind it. And obviously

0:25:50.359 --> 0:25:52.639
<v Speaker 3>I am a support of women's rights and women's wrongs,

0:25:52.680 --> 0:25:55.399
<v Speaker 3>and in Sofia's case, I fully support these wrongs. But

0:25:55.600 --> 0:26:00.040
<v Speaker 3>what I loved was I was like, legitimately on and

0:26:00.040 --> 0:26:03.320
<v Speaker 3>it raises edge when she took that kid to the

0:26:03.320 --> 0:26:05.959
<v Speaker 3>greenhouse and fed her that cake, because I was like,

0:26:06.080 --> 0:26:08.040
<v Speaker 3>is she just going to leave this dead kid there?

0:26:08.359 --> 0:26:10.640
<v Speaker 3>Like is that going to be the punishment to these

0:26:10.680 --> 0:26:13.560
<v Speaker 3>people who did that? But obviously we get this inversion

0:26:14.119 --> 0:26:17.520
<v Speaker 3>where she saves the kid goes back into the house

0:26:17.600 --> 0:26:19.920
<v Speaker 3>and you will, and she walks through every single room,

0:26:20.040 --> 0:26:23.520
<v Speaker 3>opening the windows, opening the doors. As you just see,

0:26:23.520 --> 0:26:27.240
<v Speaker 3>the whole family just completely wiped out. Except as we said,

0:26:27.640 --> 0:26:29.879
<v Speaker 3>Johnny V and she said, we need to talk, and

0:26:29.920 --> 0:26:31.639
<v Speaker 3>you're about to be my bitch.

0:26:31.840 --> 0:26:32.480
<v Speaker 4>He has been there.

0:26:32.640 --> 0:26:36.160
<v Speaker 2>So now I will not defend Oz, but I will

0:26:37.080 --> 0:26:39.840
<v Speaker 2>I think, add proper context to what's going on. First

0:26:39.880 --> 0:26:42.280
<v Speaker 2>of all, I don't blame Oz. I blame the person

0:26:42.280 --> 0:26:44.720
<v Speaker 2>who murdered seven women, plus Sophia's mother.

0:26:44.720 --> 0:26:47.480
<v Speaker 4>I blame very fair Carmine Falcone. He is to blame.

0:26:48.280 --> 0:26:51.399
<v Speaker 2>And I will point out again that I as and

0:26:51.440 --> 0:26:53.160
<v Speaker 2>I think we both agree on this that Oz did

0:26:53.160 --> 0:26:56.320
<v Speaker 2>not understand what would happen, did not understand, No, he

0:26:56.359 --> 0:26:59.679
<v Speaker 2>didn't what the what the fallout would be, and did

0:26:59.720 --> 0:27:03.159
<v Speaker 2>not understand what Sophia was pursuing, did not understand that

0:27:03.200 --> 0:27:04.399
<v Speaker 2>she was pursuing the truth.

0:27:04.560 --> 0:27:07.719
<v Speaker 4>It was an impulsive it was an impulsive choice.

0:27:08.040 --> 0:27:11.560
<v Speaker 2>Amia points out, in that world, that is a decision

0:27:11.600 --> 0:27:15.280
<v Speaker 2>that makes sense. Yeah, boss's Carmine Falcone. It makes sense

0:27:15.320 --> 0:27:19.280
<v Speaker 2>to inform him about the things that are going on. Okay. Secondarily,

0:27:20.119 --> 0:27:22.840
<v Speaker 2>it appears to me that Sofia had no problem living

0:27:22.880 --> 0:27:27.719
<v Speaker 2>in luxury, a luxury provided by the fruits of organized crime,

0:27:28.240 --> 0:27:36.960
<v Speaker 2>violence trafficking, drug trafficking, sexual trafficking, etc. Until this moment

0:27:37.000 --> 0:27:41.640
<v Speaker 2>when it appeared that it touched her personal. So while

0:27:41.800 --> 0:27:46.720
<v Speaker 2>I have deep empathy for what Sofia went through, I

0:27:46.760 --> 0:27:48.320
<v Speaker 2>also feel like we have to say.

0:27:48.080 --> 0:27:53.200
<v Speaker 3>That I think that's very I think that's very sensible,

0:27:54.080 --> 0:27:57.800
<v Speaker 3>rational and true. And I'm also just like I will

0:27:57.880 --> 0:27:59.800
<v Speaker 3>kill every man who did this to Sofia.

0:28:00.119 --> 0:28:02.359
<v Speaker 2>Yeah, it was obviously what happened to her was en

0:28:02.400 --> 0:28:05.960
<v Speaker 2>kashmol was terrible and end it was Carmine style Cone's fault.

0:28:06.240 --> 0:28:13.040
<v Speaker 4>It's Falcon not as fault really, although.

0:28:14.359 --> 0:28:17.080
<v Speaker 2>It did snitch and I think it's absolutely fair to

0:28:17.119 --> 0:28:18.000
<v Speaker 2>say that he's snitched.

0:28:18.160 --> 0:28:21.359
<v Speaker 3>It was a it was like a domino effect that

0:28:21.480 --> 0:28:24.520
<v Speaker 3>I was unintentionally set off. And I will say, I'm

0:28:24.640 --> 0:28:29.400
<v Speaker 3>really this episode leaves me like deeply interested in where

0:28:29.400 --> 0:28:31.720
<v Speaker 3>that relationship goes because I think they did such a

0:28:31.760 --> 0:28:36.040
<v Speaker 3>good job Melotti Farrell, the creators of the show in

0:28:36.080 --> 0:28:40.120
<v Speaker 3>this episode of like even through this like strife and

0:28:41.000 --> 0:28:44.680
<v Speaker 3>grab handing kind of trying to work out where and

0:28:44.840 --> 0:28:49.520
<v Speaker 3>when they can take power or strength I think that

0:28:49.560 --> 0:28:53.960
<v Speaker 3>they did actually establish this really interesting connection between these

0:28:54.000 --> 0:28:58.240
<v Speaker 3>two kind of outsiders in the show, and I'm interested

0:28:58.280 --> 0:28:59.960
<v Speaker 3>to see where it goes next. And I can't believe

0:29:00.040 --> 0:29:02.120
<v Speaker 3>there's only four more episodes of this show because this

0:29:02.280 --> 0:29:05.200
<v Speaker 3>is just so fucking good and I'm gonna be so

0:29:06.120 --> 0:29:09.320
<v Speaker 3>bummed when this ends, and we have like two years

0:29:09.360 --> 0:29:12.520
<v Speaker 3>to wait till The Batman two and whatever other kind

0:29:12.560 --> 0:29:15.240
<v Speaker 3>of spinoffs, and obviously we're definitely gonna get other spinoffs.

0:29:15.320 --> 0:29:19.600
<v Speaker 3>I mean, the end of this episode, before we saw

0:29:19.640 --> 0:29:24.520
<v Speaker 3>what her real plan was, when she was toasting the family,

0:29:24.680 --> 0:29:27.000
<v Speaker 3>I was like, I would just actually love to see

0:29:27.040 --> 0:29:30.080
<v Speaker 3>a spinoff where she goes to Italy and like tries

0:29:30.120 --> 0:29:33.200
<v Speaker 3>to start a crime family in Italy and leaves Gotham behind,

0:29:33.200 --> 0:29:36.480
<v Speaker 3>But obviously that's not gonna happen. So yeah, just another

0:29:36.600 --> 0:29:40.680
<v Speaker 3>fantastic episode, but definitely big. Like, if you're listening to

0:29:40.720 --> 0:29:42.640
<v Speaker 3>this recap because you're not sure if this is for you,

0:29:43.160 --> 0:29:45.320
<v Speaker 3>take all of our warnings seriously, because this is like

0:29:45.360 --> 0:29:46.320
<v Speaker 3>a rough watch.

0:29:46.480 --> 0:29:47.120
<v Speaker 1>This is it.

0:29:47.600 --> 0:29:50.880
<v Speaker 2>There's nothing actually, I mean, there's one moment of there's

0:29:50.920 --> 0:29:54.960
<v Speaker 2>one moment of violence, but it's the it's the subject

0:29:55.000 --> 0:30:00.960
<v Speaker 2>matter and the ominous, very very heavy vibe of the

0:30:01.040 --> 0:30:03.320
<v Speaker 2>episode that I think makes it a tough watch. It

0:30:03.400 --> 0:30:08.480
<v Speaker 2>truly was tough to watch this episode. On the next

0:30:08.480 --> 0:30:10.800
<v Speaker 2>couple episodes of xt ra Vision, We're diving into Agathol

0:30:10.920 --> 0:30:14.360
<v Speaker 2>Long episode five on Tuesday, beginning our extras weir watch

0:30:14.400 --> 0:30:17.719
<v Speaker 2>of ar Cane season one on Wednesday, and.

0:30:17.000 --> 0:30:19.400
<v Speaker 1>Our Spooky Halloween.

0:30:18.840 --> 0:30:21.840
<v Speaker 2>Coverage continues this Thursday. That's it for this episode. Thanks

0:30:21.840 --> 0:30:32.800
<v Speaker 2>for listening. Bye x ray Vision is hosted by Jason N.

0:30:32.880 --> 0:30:37.280
<v Speaker 2>Sepsion and Rosie Knight and is a production of iHeart Podcasts.

0:30:37.920 --> 0:30:41.719
<v Speaker 2>Our executive producers are Joelle Smith and Aaron Kaufman. Our

0:30:41.760 --> 0:30:46.600
<v Speaker 2>supervising producer is a Boo Zafar. Our producers are Carmen

0:30:46.680 --> 0:30:51.480
<v Speaker 2>Lawn and Mia Taylor. Our theme song is by Brian Basquez.

0:30:51.960 --> 0:30:56.280
<v Speaker 3>Special thanks to Soul Rubin and Chris Lord, Kenny Goodman

0:30:56.640 --> 0:30:58.680
<v Speaker 3>and Heidi on Disco Moderata