WEBVTT - Art is Essential, Not Elective

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<v Speaker 1>Good morning, peep Sena. Welcome to Okay f Daily with

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<v Speaker 1>Meet Your Girl Danielle Moody, recording from the Long Island

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<v Speaker 1>Home Bunker. Folks, I'm really excited about the interview I

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<v Speaker 1>have coming up next. You know that whenever I have

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<v Speaker 1>the opportunity to speak with educators, I'm always so happy

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<v Speaker 1>to do so because I think that teachers, not only

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<v Speaker 1>because I am a former educator, but teachers are just

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<v Speaker 1>so disrespected in this country. And we know that we

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<v Speaker 1>know a country based on what it is that they value,

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<v Speaker 1>and the fact that teachers continue to have to do

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<v Speaker 1>bake sales or take money out of their own pockets

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<v Speaker 1>in order to buy school supplies for children, or just

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<v Speaker 1>get any type of respect and are not demonized for

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<v Speaker 1>wanting to teach the truth about the founding of this nation,

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<v Speaker 1>or who should be celebrated as the heroes and the

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<v Speaker 1>patriots in this country. Not to mention, folks, not to

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<v Speaker 1>mention the fact that being a teacher in these United

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<v Speaker 1>States means that you're putting your own life at risk

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<v Speaker 1>of gun violence because of the consistent and unrelenting mass

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<v Speaker 1>shootings that happens in our nation's schools. So I'm really

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<v Speaker 1>excited to be able to get into this conversation with

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<v Speaker 1>men Deep Setti, who is a teacher at June Jordan

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<v Speaker 1>School of Equity in San Francisco and received an amazing

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<v Speaker 1>grant from Save the Music, the Jay Dilla Music Technology

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<v Speaker 1>Grant last year as a way to engage young people

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<v Speaker 1>in the arts in music. You know, not to mention

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<v Speaker 1>write the attacks that we have seen on curriculum, the

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<v Speaker 1>fears that teachers have of even uttering the words gay

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<v Speaker 1>or talking about any type of difference whatsoever. The arts

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<v Speaker 1>and music is always right on the chopping block in

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<v Speaker 1>our nation schools because it's not considered as important as STEM.

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<v Speaker 1>It's not considered as important or needed. Meanwhile, I think

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<v Speaker 1>that what we all understood, particularly at the height of

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<v Speaker 1>the pandemic, is how important art, music and connection is

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<v Speaker 1>to our day to day lives. One of the things

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<v Speaker 1>that I'll talk to Setti about is, you know, basically

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<v Speaker 1>I don't know about you all, but during quarantine, if

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<v Speaker 1>I wasn't in one DJ's live on Instagram, I was

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<v Speaker 1>in another DJ's live. I got through being in quarantine

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<v Speaker 1>and dealing with all of this uncertainty by dancing around

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<v Speaker 1>my apartment by dancing around my home by being able

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<v Speaker 1>to connect with other people that just needed a release.

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<v Speaker 1>And that is what I think that the arts and

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<v Speaker 1>music allow for, is that released. And so for me,

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<v Speaker 1>you know, I wish that in this country that we

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<v Speaker 1>looked at music and the arts as essential rather than

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<v Speaker 1>as an elective something that is, you know, a nice

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<v Speaker 1>to have, but you don't need. What does a society

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<v Speaker 1>look like without music makers, without artists, right, it is

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<v Speaker 1>devoid of passion, of innovation, of beauty, and those are

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<v Speaker 1>all the things that are necessary, particularly when times are difficult.

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<v Speaker 1>And so I love this conversation with Setix because one

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<v Speaker 1>we get into the importance of just kids having the

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<v Speaker 1>space to be able to express themselves, right, to not

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<v Speaker 1>be shut down, and to find different avenues to express

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<v Speaker 1>the trauma that is this moment in our lives. You know,

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<v Speaker 1>I think about it often that we as adults have

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<v Speaker 1>the language, have the ability to kind of roll with

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<v Speaker 1>the punches, and even for us the last several years

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<v Speaker 1>under the Trump administration, dealing with a global health pandemic,

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<v Speaker 1>the unrelenting gun violence that we see on a day

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<v Speaker 1>to day basis, with mass shootings, we lose our own

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<v Speaker 1>words and our own ability to want to get out

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<v Speaker 1>of bed. So imagine now dealing with those compacted crises,

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<v Speaker 1>and then also going through hormonal changes and society, trying

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<v Speaker 1>to figure out where you fit in your school, in

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<v Speaker 1>society and your community, and then on top of that,

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<v Speaker 1>dealing with all of these issues. So I think that

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<v Speaker 1>the work that Mundeep is doing with the June Jordan's

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<v Speaker 1>School of Equity and that other educators are doing like him,

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<v Speaker 1>aren't necessary and should be lifted up and applauded and

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<v Speaker 1>frankly replicated, particularly now. So coming up next my conversation

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<v Speaker 1>with teacher rapper musician mand Deep Seti. Folks, I'm very

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<v Speaker 1>excited to welcome to okay f Daily for the very

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<v Speaker 1>first time, um Mand Deep Seti aka Seti X, who

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<v Speaker 1>is a teacher at June Jordan's School of Equity in

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<v Speaker 1>San Francisco and also a rapper musician. Seti, I want

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<v Speaker 1>to start off our conversation today with kind of talking

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<v Speaker 1>about the many attacks that teachers have been under um

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<v Speaker 1>by the far right, by conservatives, and you know where

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<v Speaker 1>you see the role of the arts of music education

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<v Speaker 1>in our school systems, particularly now when you know curriculums

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<v Speaker 1>are being overturned or narrowed. What role do you see

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<v Speaker 1>that music and the arts play in a child's education. Well,

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<v Speaker 1>it's so great to be here with you on woke

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<v Speaker 1>af Thank you Danielle for having me um. I think

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<v Speaker 1>number one as a teacher. You know, one thing that's

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<v Speaker 1>very clear, especially after the pandemic, is that we are

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<v Speaker 1>essential workers. Right, So teachers are essential workers. And one

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<v Speaker 1>on one hand, it was being propped up like you know,

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<v Speaker 1>so much love for the essential workers. But then if

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<v Speaker 1>you look at the back end, the statistics of what

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<v Speaker 1>teachers are paid, what they have to deal with not

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<v Speaker 1>only with supporting our students, but also the rise of

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<v Speaker 1>school shootings, the rise of violence, the rise of conservative

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<v Speaker 1>overturning of you know, basically ethnic studies, that's going on

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<v Speaker 1>in the schools where students are actually getting to learn

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<v Speaker 1>who they are and what real history actually is. So

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<v Speaker 1>I think that's that's important to remember, is that teachers

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<v Speaker 1>are essential workers and that they are the ones that

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<v Speaker 1>are with our young people every day basically figuring out

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<v Speaker 1>what the future is going to look like, you know

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<v Speaker 1>what I mean. And so where arts comes into plays

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<v Speaker 1>the crea of mind, which is something that is supposed

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<v Speaker 1>to be nurtured through a human experience. But we know

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<v Speaker 1>that school systems don't necessarily cater to the arts first, right.

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<v Speaker 1>It's always something as an elective or something you get

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<v Speaker 1>to choose at the end of the day. And so

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<v Speaker 1>for me, as a teacher who's heavily invested in arts

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<v Speaker 1>based learning, I've learned and seen firsthand that arts based learning,

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<v Speaker 1>project based learning using tools such as music, visual are

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<v Speaker 1>using tools including technology, creates a whole different experience for

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<v Speaker 1>students where they feel welcome in the classroom, they feel

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<v Speaker 1>safe in the classroom, and most of all, they feel

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<v Speaker 1>the ability to be themselves. And that's where learning happens.

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<v Speaker 1>Because if they have this wall up of protecting themselves

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<v Speaker 1>throughout the day, then it's harder to reach the true

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<v Speaker 1>self of learning. So I think that arts based learning

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<v Speaker 1>and education allows for students to really open up to

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<v Speaker 1>new ideas. Yeah, and I just you know, I want

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<v Speaker 1>to echo something that you said about teachers being essential workers,

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<v Speaker 1>you know, And I've been thinking about this a lot,

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<v Speaker 1>um And I am a former educator. As folks who

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<v Speaker 1>listen to Woke a f no UM, I taught first

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<v Speaker 1>and second grade UM special education and general education in Washington,

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<v Speaker 1>DC before I went into education policy. And you know,

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<v Speaker 1>what I will say is that you can tell what

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<v Speaker 1>a country values by who is making the most money. Right,

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<v Speaker 1>And when we look at teacher salaries and we look

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<v Speaker 1>at many strikes that we've seen happen across the country

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<v Speaker 1>in different cities and in different places, you know, teachers

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<v Speaker 1>are probably the most undervalued position, right that has such

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<v Speaker 1>as such as such a consequential position though in a

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<v Speaker 1>child's life, right, Like, I know that, you know you

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<v Speaker 1>must have a story, as I have a story. You know,

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<v Speaker 1>what was that teacher that turned you on to music?

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<v Speaker 1>That turned you on in a way that kind of

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<v Speaker 1>that that changed the trajectory of your life? Straight up? No,

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<v Speaker 1>I have that teacher. And that teacher miss shout out

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<v Speaker 1>to miss mystery. She was a brown educator, so I

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<v Speaker 1>saw myself in her. I was like, Okay, this is

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<v Speaker 1>South Asian person of uh you know what I'm saying,

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<v Speaker 1>South Asian descent. We can I can connect with that.

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<v Speaker 1>And then she had a project will basically allowed us

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<v Speaker 1>to like, instead of writing an essay, you could write

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<v Speaker 1>a song. And that was my introduction into from poetry

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<v Speaker 1>into music. Which propelled me into a full time career

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<v Speaker 1>until I became shifted over to education to tour and

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<v Speaker 1>make music and hip hop music and share that with

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<v Speaker 1>the world. So I mean, for me, that was life changing,

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<v Speaker 1>and I'm trying to like take that to the next

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<v Speaker 1>level with what I'm doing. So, you know, I'm a

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<v Speaker 1>hip hop artist, but now I'm a full time educator,

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<v Speaker 1>So I'm bringing that into the classroom. And our courses

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<v Speaker 1>are designed to give students real life skills so that

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<v Speaker 1>they can use the technology, get paid internships, and yes,

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<v Speaker 1>disrupt the um kind of white supremacy and white privilege

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<v Speaker 1>that exists within even the creative community and the creative

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<v Speaker 1>economy as well as the tech economy, you know what

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<v Speaker 1>I'm saying. So we're in San Francisco. We're fighting against

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<v Speaker 1>rapid gentrification. We're an outer mission, you know what I'm saying,

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<v Speaker 1>Like people who work at these tech companies are buying

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<v Speaker 1>houses that our students, you know, the neighborhoods are students

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<v Speaker 1>live in, and these are now over million dollar houses

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<v Speaker 1>and we're still in neighborhoods that are fighting against you

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<v Speaker 1>know what I'm saying, These financial economic turmoil that's been

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<v Speaker 1>happening for years. So there's a lot going on with

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<v Speaker 1>our students, and so music definitely plays a large part

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<v Speaker 1>in a multitude of ways of their healing and of

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<v Speaker 1>their kind of their voice. In twenty twenty one, you

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<v Speaker 1>were the recipient of the Saved Save the Music grant

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<v Speaker 1>from Jay Dill, and I want you to talk a

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<v Speaker 1>bit about that, but then also my frustration that we

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<v Speaker 1>need grants in order to save the music because our

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<v Speaker 1>schools and the arts are not being funded in a

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<v Speaker 1>way that makes it secure. So speak to speak to that. Yeah,

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<v Speaker 1>So when I arrived at the school that I work

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<v Speaker 1>at now, there was no music program. And so if

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<v Speaker 1>that blows my mind, because we're in an area of

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<v Speaker 1>San Francisco and the Bay Area which is known for

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<v Speaker 1>changing the way that independent music, independent hip hop work,

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<v Speaker 1>it lives in the US and the world, and so

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<v Speaker 1>we're in this mecca of music business and music technology,

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<v Speaker 1>but we have no music program at our school. So

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<v Speaker 1>in that sense, you know, there was a It was

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<v Speaker 1>an eye opening experience for me. But as a musician,

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<v Speaker 1>I looked at out there and I found this resource

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<v Speaker 1>and shout out to save the music because they believed

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<v Speaker 1>in me. When basically no one else did, and they

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<v Speaker 1>allowed us to apply for this grant, which we received,

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<v Speaker 1>the Jay Della Music Technology Grant, which is named after

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<v Speaker 1>the late hip hop producer Jay Della James Dewey Yancy

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<v Speaker 1>at a Detroit and who changed the sound of music

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<v Speaker 1>and so for us to be able to carry on

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<v Speaker 1>his legacy is such an on her. And we recently

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<v Speaker 1>hosted Ma Dukes, who is his mother, who came by

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<v Speaker 1>and got to see the work that our students are doing.

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<v Speaker 1>She listened to their music, and she told us that

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<v Speaker 1>at the end of that that she wished that there

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<v Speaker 1>were more schools like this and more programs like this

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<v Speaker 1>because she saw the value of music that was taking

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<v Speaker 1>place and how it was changing lives right in front

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<v Speaker 1>of her. So it's really a blessing to have this

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<v Speaker 1>grant and to have these resources. But I think that

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<v Speaker 1>it is a It has been a wake up call

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<v Speaker 1>for our district and for other programs to see like,

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<v Speaker 1>oh wow, like investing in the arts actually does make

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<v Speaker 1>a difference, because I think for years people ignored that.

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<v Speaker 1>Can you explain, like paint a picture for us about

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<v Speaker 1>how you are utilizing music in the classroom and what

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<v Speaker 1>your and what this program actually looks like and the

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<v Speaker 1>ways in the different ways, the innovative ways that you

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<v Speaker 1>are that you are educating youth. Right, So, we know

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<v Speaker 1>that a lot of our students are used to the

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<v Speaker 1>iPhones or Android, and so we decided to go work

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<v Speaker 1>with Save the Music to create iPad based curriculum. So

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<v Speaker 1>we use iPads. We two students how to make music

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<v Speaker 1>on Garage Band. So for students who have music experience,

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<v Speaker 1>they can step in right where they are if they

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<v Speaker 1>have music theory or instrument experience. And for a student

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<v Speaker 1>who has absolutely zero experience making music can also feel

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<v Speaker 1>on day one that I can do this too through

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<v Speaker 1>different tutorials and formulas that we use through Garage Band.

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<v Speaker 1>And so this accessibility is the main key for our

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<v Speaker 1>program because we know that technology is not accessible for

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<v Speaker 1>a lot of our students. You know what I'm saying.

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<v Speaker 1>Seventy five percent of our students qualify for a free lunch,

0:13:39.400 --> 0:13:43.480
<v Speaker 1>So that shows you their economic situation. And at the

0:13:43.600 --> 0:13:45.760
<v Speaker 1>end of the day, most students don't have a device

0:13:45.800 --> 0:13:48.440
<v Speaker 1>at home, whether it's a computer or an iPad. Right,

0:13:48.679 --> 0:13:51.080
<v Speaker 1>they may have a phone, but that's about it. And

0:13:51.120 --> 0:13:54.320
<v Speaker 1>so we're allowing students to get on these devices and

0:13:54.400 --> 0:13:57.800
<v Speaker 1>to basically learn the same skills that you would pay

0:13:57.840 --> 0:14:01.400
<v Speaker 1>to learn at any music program at maybe NYU or

0:14:01.440 --> 0:14:03.960
<v Speaker 1>any sort of private program that exists in Los Angeles.

0:14:04.080 --> 0:14:06.680
<v Speaker 1>This is the same skills, the same equipment that these

0:14:07.080 --> 0:14:10.120
<v Speaker 1>professionals are using. So that's the main thing that our

0:14:10.120 --> 0:14:13.280
<v Speaker 1>program is revolutionizing is the accessibility. And then those students

0:14:13.320 --> 0:14:15.880
<v Speaker 1>who may have iPhones, they can also you know, air

0:14:15.960 --> 0:14:18.600
<v Speaker 1>drop the file onto their phone. They can check out equipment,

0:14:18.640 --> 0:14:20.840
<v Speaker 1>they can take it home and continue to work on it.

0:14:21.200 --> 0:14:23.840
<v Speaker 1>We have microphones and headphone students can check out, and

0:14:23.840 --> 0:14:25.520
<v Speaker 1>so when you come into our classroom, you'll see a

0:14:25.560 --> 0:14:28.160
<v Speaker 1>multitude of things. You'll see students making beats. You'll see

0:14:28.160 --> 0:14:30.720
<v Speaker 1>some students on the turntables learning how to DJ. You'll

0:14:30.720 --> 0:14:33.040
<v Speaker 1>see some students in the vocal booth working on singing

0:14:33.120 --> 0:14:35.320
<v Speaker 1>or rapping. And at the end of the day, we

0:14:35.400 --> 0:14:37.560
<v Speaker 1>want them to express themselves, to be able to use

0:14:37.600 --> 0:14:39.960
<v Speaker 1>that play space as a place of healing, as a

0:14:40.000 --> 0:14:43.320
<v Speaker 1>place of safety and trust, so that they can just

0:14:43.600 --> 0:14:46.920
<v Speaker 1>be who they are meant to be. You know, I

0:14:47.640 --> 0:14:51.400
<v Speaker 1>love this so much. I love your program. I love

0:14:51.480 --> 0:14:54.760
<v Speaker 1>the work that you're doing, particularly with you know, notably

0:14:55.320 --> 0:14:59.520
<v Speaker 1>marginalized students. And I want to talk for a moment

0:15:00.040 --> 0:15:06.200
<v Speaker 1>out how the pandemic, how the pandemic remote learning just

0:15:06.800 --> 0:15:11.240
<v Speaker 1>impacted young people, young people that you know, your students

0:15:11.280 --> 0:15:15.320
<v Speaker 1>that you come across, and how you know your program

0:15:15.520 --> 0:15:18.680
<v Speaker 1>might have helped them kind of cope with this situation,

0:15:18.720 --> 0:15:23.400
<v Speaker 1>with the uncertainty that we were all struggling to deal with. Definitely,

0:15:23.400 --> 0:15:25.680
<v Speaker 1>it was a tough time and to be honest, music

0:15:25.760 --> 0:15:27.960
<v Speaker 1>definitely saved a lot of us during that time. And

0:15:28.000 --> 0:15:30.280
<v Speaker 1>so for us our students, you know, they had cameras off.

0:15:30.680 --> 0:15:32.640
<v Speaker 1>You know, we don't know what's going on at home,

0:15:32.760 --> 0:15:35.720
<v Speaker 1>and so on one hand, teachers are upset why are

0:15:35.720 --> 0:15:37.360
<v Speaker 1>the cameras off? But at the end the other hand,

0:15:37.400 --> 0:15:40.120
<v Speaker 1>it's like, well, you know, this is a very interesting

0:15:40.200 --> 0:15:43.320
<v Speaker 1>experience that students are like being taught at from their

0:15:43.360 --> 0:15:45.840
<v Speaker 1>home and we're asking them to show us their home. So,

0:15:46.240 --> 0:15:48.200
<v Speaker 1>you know, I think for me, I was able to

0:15:49.120 --> 0:15:51.120
<v Speaker 1>I was able to use it to an advantage actually

0:15:51.160 --> 0:15:54.280
<v Speaker 1>because now that students are on their device, they can

0:15:54.600 --> 0:15:58.240
<v Speaker 1>use the programs that I was using online and there's

0:15:58.280 --> 0:16:01.920
<v Speaker 1>no like actions because you're on the device that you're

0:16:02.000 --> 0:16:04.280
<v Speaker 1>using to make music, so I try to flip it

0:16:04.280 --> 0:16:07.360
<v Speaker 1>into a positive and I saw more engagement from students

0:16:07.360 --> 0:16:11.200
<v Speaker 1>that normally wouldn't be engaged in other remote learning. Right

0:16:11.240 --> 0:16:13.400
<v Speaker 1>I'm hearing students are not coming to these other classes,

0:16:13.400 --> 0:16:15.720
<v Speaker 1>but they would come to our beat making class. We

0:16:15.720 --> 0:16:19.080
<v Speaker 1>were able to collaborate online. Students were able to share

0:16:19.120 --> 0:16:21.840
<v Speaker 1>their screen and show their process. And at the end

0:16:21.880 --> 0:16:24.480
<v Speaker 1>of it, we held a music production showcase where we

0:16:24.520 --> 0:16:26.800
<v Speaker 1>invited people from all over the world to come see

0:16:26.840 --> 0:16:29.360
<v Speaker 1>and hear these students. And I think it was definitely

0:16:29.440 --> 0:16:32.440
<v Speaker 1>like life changing for myself and for other students, because

0:16:32.760 --> 0:16:34.280
<v Speaker 1>you know, we're all stuck at home, but we have

0:16:34.400 --> 0:16:36.640
<v Speaker 1>this point of connection that's so deep, and that music

0:16:36.680 --> 0:16:40.920
<v Speaker 1>technology just brought us together. You know. I think about

0:16:40.960 --> 0:16:44.520
<v Speaker 1>myself and the ways in which you know, d nice

0:16:44.960 --> 0:16:49.040
<v Speaker 1>had created an entire life, you know, very much so

0:16:49.240 --> 0:16:53.480
<v Speaker 1>a life saving community, you know, by djaying from home

0:16:53.520 --> 0:16:56.760
<v Speaker 1>and going on Instagram live. I think about so many

0:16:56.800 --> 0:17:00.680
<v Speaker 1>other DJs that I got to experience, and you know,

0:17:00.840 --> 0:17:04.920
<v Speaker 1>during particularly those those initial days of being in quarantine

0:17:05.200 --> 0:17:07.399
<v Speaker 1>and not knowing what's going to happen, and just and

0:17:07.720 --> 0:17:10.520
<v Speaker 1>I realized at that point it set to like how

0:17:10.640 --> 0:17:14.199
<v Speaker 1>important one. How important connection is right that we have

0:17:14.320 --> 0:17:18.879
<v Speaker 1>all taken, uh, you know, taken for granted because of

0:17:19.000 --> 0:17:22.320
<v Speaker 1>what social media has also provided, but also taken away

0:17:22.560 --> 0:17:26.440
<v Speaker 1>in terms of personal contact. But then recognizing the way

0:17:26.480 --> 0:17:31.439
<v Speaker 1>that you you needed music, you needed gathering space in

0:17:31.560 --> 0:17:35.080
<v Speaker 1>order to be able to even um, move through, to

0:17:35.119 --> 0:17:36.600
<v Speaker 1>get out of you know, to get out of bed

0:17:36.600 --> 0:17:38.560
<v Speaker 1>in the morning. And so when I think about myself

0:17:38.680 --> 0:17:41.840
<v Speaker 1>and how I was dancing out around my you know,

0:17:42.000 --> 0:17:44.880
<v Speaker 1>apartment in space, and I think about you know, your

0:17:45.160 --> 0:17:48.520
<v Speaker 1>your young students, um, and what a lifeline it was

0:17:48.600 --> 0:17:51.359
<v Speaker 1>for them. Um, you know, what are some of the

0:17:52.480 --> 0:17:55.679
<v Speaker 1>I guess, what are some of the stories or you know,

0:17:55.760 --> 0:17:58.600
<v Speaker 1>things that you can share in terms When people think

0:17:58.640 --> 0:18:01.639
<v Speaker 1>again about music education or aren't they think of it

0:18:01.720 --> 0:18:05.119
<v Speaker 1>as an elective? So explain why it isn't, why it

0:18:05.160 --> 0:18:07.439
<v Speaker 1>shouldn't be looked at as an elective and instead of

0:18:07.680 --> 0:18:12.280
<v Speaker 1>it should be viewed as essential. Right. I think that

0:18:12.320 --> 0:18:14.480
<v Speaker 1>there's two ways to answer that question, and the first

0:18:14.600 --> 0:18:17.560
<v Speaker 1>is that the experience is essential for students to have

0:18:17.800 --> 0:18:20.560
<v Speaker 1>art and music right. And one story I have as

0:18:20.560 --> 0:18:24.479
<v Speaker 1>a student who transferred from another school and they were

0:18:24.880 --> 0:18:28.640
<v Speaker 1>not integrated into the community at all, they felt completely outcasted,

0:18:28.960 --> 0:18:31.200
<v Speaker 1>and they took my music class just because they had

0:18:31.240 --> 0:18:33.560
<v Speaker 1>no other choice, right, that was the only open elective,

0:18:33.880 --> 0:18:35.879
<v Speaker 1>and so they ended up getting placed in my class.

0:18:36.200 --> 0:18:39.960
<v Speaker 1>Fast forward two years, this is my best student. This

0:18:40.080 --> 0:18:44.440
<v Speaker 1>student is performing at multiple venues in San Francisco, getting

0:18:44.440 --> 0:18:48.520
<v Speaker 1>opportunities through our program, through Save the Music and our partners,

0:18:48.880 --> 0:18:52.800
<v Speaker 1>and this student is now pursuing a professional career in

0:18:52.920 --> 0:18:58.280
<v Speaker 1>music and getting internships where they're getting paid right. And

0:18:58.280 --> 0:19:00.320
<v Speaker 1>and then the other side of that story, or the

0:19:00.359 --> 0:19:02.760
<v Speaker 1>second answer to that question why it's essential is because

0:19:03.400 --> 0:19:05.159
<v Speaker 1>later on finding out that the student who is an

0:19:05.200 --> 0:19:08.679
<v Speaker 1>African American youth from the neighborhood is lives in a

0:19:08.720 --> 0:19:12.560
<v Speaker 1>group home, right, and it's not inch, it's not in

0:19:12.600 --> 0:19:14.600
<v Speaker 1>touch with their family and does not get the support

0:19:14.640 --> 0:19:16.960
<v Speaker 1>from their family, And all of a sudden, this music

0:19:17.000 --> 0:19:20.560
<v Speaker 1>program has provided a platform for them to express themselves,

0:19:20.560 --> 0:19:22.520
<v Speaker 1>for them to find support for them to be who

0:19:22.560 --> 0:19:26.200
<v Speaker 1>they are, right, And so there's healing going on, multigenerational

0:19:26.280 --> 0:19:30.920
<v Speaker 1>healing going on. There's you know, equity in action with

0:19:30.960 --> 0:19:36.240
<v Speaker 1>students getting industry level pay rates right that they reserve

0:19:36.359 --> 0:19:40.480
<v Speaker 1>instead of having to work at you know, retail salaries

0:19:40.560 --> 0:19:42.720
<v Speaker 1>or whatever it is or free right. As we know

0:19:42.760 --> 0:19:44.760
<v Speaker 1>in the creative industry, a lot of us work for free.

0:19:45.160 --> 0:19:47.240
<v Speaker 1>It's like we can get them paid right away. And

0:19:48.040 --> 0:19:49.800
<v Speaker 1>I know that you put in work. I know I

0:19:49.840 --> 0:19:52.280
<v Speaker 1>put in work for free before we were ever given

0:19:52.280 --> 0:19:54.960
<v Speaker 1>a platform or create our own platform, right, and that's

0:19:55.000 --> 0:19:57.040
<v Speaker 1>just what we do. But now we have the opportunity

0:19:57.080 --> 0:19:59.800
<v Speaker 1>to present students with financial stability at such a young

0:20:00.040 --> 0:20:02.560
<v Speaker 1>age if we can create those skills. And I think

0:20:02.600 --> 0:20:05.440
<v Speaker 1>that's what arts education is about. It's not just about

0:20:06.400 --> 0:20:09.639
<v Speaker 1>you know that having a good time. It's about real

0:20:09.680 --> 0:20:14.040
<v Speaker 1>skills that can translate into real opportunities. And it's also

0:20:14.040 --> 0:20:17.280
<v Speaker 1>about real healing. Yeah, And I just you know, and

0:20:17.320 --> 0:20:20.840
<v Speaker 1>I love the fact too that you're placing your students

0:20:20.880 --> 0:20:24.679
<v Speaker 1>in places where they can actually get paid, because many people,

0:20:24.880 --> 0:20:26.719
<v Speaker 1>you know, would roll the rise and say, well, I

0:20:26.840 --> 0:20:29.359
<v Speaker 1>intern for free, and that's you know, and that's part

0:20:29.359 --> 0:20:32.359
<v Speaker 1>of the experience. And I think to myself that comes

0:20:32.400 --> 0:20:35.240
<v Speaker 1>from a point of privilege, right, being able to to

0:20:35.920 --> 0:20:39.800
<v Speaker 1>to decide that you're going to work for free because

0:20:40.000 --> 0:20:43.679
<v Speaker 1>the knowledge is going to be payment enough means that

0:20:43.800 --> 0:20:46.560
<v Speaker 1>all your other needs are met. But when you're talking

0:20:46.600 --> 0:20:49.919
<v Speaker 1>about young people that are, you know, potentially living in

0:20:49.960 --> 0:20:53.119
<v Speaker 1>group homes or in between homes or what have you.

0:20:53.560 --> 0:20:57.800
<v Speaker 1>That money, right can go towards so much, and so

0:20:57.840 --> 0:21:01.800
<v Speaker 1>I think that it's important to lift that a well. Definitely,

0:21:01.840 --> 0:21:04.239
<v Speaker 1>I think that it is a place of privilege, you know,

0:21:04.280 --> 0:21:06.399
<v Speaker 1>And I can say myself at times that I've been

0:21:06.440 --> 0:21:09.080
<v Speaker 1>able to be an artist because of certain privileges that

0:21:09.119 --> 0:21:11.800
<v Speaker 1>I've been born into or been raised with, right, and

0:21:11.840 --> 0:21:15.960
<v Speaker 1>so my perspective understanding that is really the key to

0:21:16.119 --> 0:21:18.480
<v Speaker 1>understanding their perspective. If you know who you are, then

0:21:18.560 --> 0:21:21.240
<v Speaker 1>you can understand who others are. Right. And so I'm

0:21:21.280 --> 0:21:23.439
<v Speaker 1>at a place where I try to meet the students

0:21:23.480 --> 0:21:25.879
<v Speaker 1>where they are, and I think a lot of folks

0:21:25.880 --> 0:21:28.040
<v Speaker 1>in our community don't understand that these students at a

0:21:28.080 --> 0:21:31.479
<v Speaker 1>young age are financially already self reliant. So they may

0:21:31.520 --> 0:21:33.840
<v Speaker 1>not be independent like lived at home. They still live

0:21:33.880 --> 0:21:36.040
<v Speaker 1>at home. You still have a mom or dad or

0:21:36.080 --> 0:21:40.120
<v Speaker 1>whoever caretaker Grandma's around, But at the end of the day,

0:21:40.280 --> 0:21:44.600
<v Speaker 1>the financial flow is not happening through the family. It's

0:21:44.600 --> 0:21:47.520
<v Speaker 1>happening independently. And if students need to take care of

0:21:47.600 --> 0:21:49.960
<v Speaker 1>young ones or get to a certain place, like say

0:21:49.960 --> 0:21:52.800
<v Speaker 1>they need to get to a free internship, they need

0:21:52.840 --> 0:21:55.200
<v Speaker 1>to pay for of US or an uber there like

0:21:55.280 --> 0:21:58.639
<v Speaker 1>there's a financial gap. So it is important to provide

0:21:58.680 --> 0:22:01.159
<v Speaker 1>these opportunities to students. And I mean, I think that

0:22:01.160 --> 0:22:04.600
<v Speaker 1>that is the way moving forward to kind of you know,

0:22:04.840 --> 0:22:09.040
<v Speaker 1>enable them in that way as well the setting. You know,

0:22:09.240 --> 0:22:13.159
<v Speaker 1>last question for you, what are you hoping? What are

0:22:13.280 --> 0:22:17.400
<v Speaker 1>what are your hopes for this program? For you know,

0:22:17.640 --> 0:22:20.880
<v Speaker 1>for for June Jordan's School of Equity where you are,

0:22:21.359 --> 0:22:24.959
<v Speaker 1>and for music and the arts. I guess in our

0:22:24.960 --> 0:22:29.080
<v Speaker 1>school system and our public education system at large. Well,

0:22:29.119 --> 0:22:30.920
<v Speaker 1>you know, I'm working with Martha Diez and the Hip

0:22:30.920 --> 0:22:33.119
<v Speaker 1>Hop Education Center in New York and we're doing the

0:22:33.200 --> 0:22:37.399
<v Speaker 1>hip Hop Education and Equity Pilot grant in s fus D.

0:22:37.640 --> 0:22:39.720
<v Speaker 1>And I think that for me, that is the future

0:22:39.880 --> 0:22:42.520
<v Speaker 1>of education. And that's what I hope for the future

0:22:42.560 --> 0:22:45.240
<v Speaker 1>of education is to bring in the hip hop education

0:22:45.280 --> 0:22:47.880
<v Speaker 1>and equity element. However that may be whether it's through

0:22:48.359 --> 0:22:52.280
<v Speaker 1>uh B boying or a street art or djaying or

0:22:52.560 --> 0:22:54.880
<v Speaker 1>m seeing or singing, but some sort of like hip

0:22:54.880 --> 0:22:57.919
<v Speaker 1>hop element meeting the youth where they're at. We already

0:22:57.960 --> 0:23:01.320
<v Speaker 1>know hip hop culture is youth culture and has been

0:23:01.320 --> 0:23:04.919
<v Speaker 1>the dominant culture in the youth. It's time to embrace it.

0:23:04.920 --> 0:23:07.439
<v Speaker 1>It's okay if folks don't know about hip hop culture

0:23:07.800 --> 0:23:10.159
<v Speaker 1>and need to learn about hip hop culture, that's what

0:23:10.280 --> 0:23:12.520
<v Speaker 1>we do. Fifth element of hip hop is knowledge. We're

0:23:12.560 --> 0:23:14.840
<v Speaker 1>here to break it down. And that's how I learned

0:23:14.880 --> 0:23:17.680
<v Speaker 1>about hip hop culture. Someone brought me into the fold

0:23:17.760 --> 0:23:20.959
<v Speaker 1>through all the different educational aspects that hip hop offers.

0:23:21.280 --> 0:23:23.000
<v Speaker 1>And so I think, you know, we say each one

0:23:23.040 --> 0:23:25.440
<v Speaker 1>teach one. I think that if we can inspire other

0:23:25.600 --> 0:23:29.520
<v Speaker 1>educators and other hip hop artists to come together and

0:23:29.600 --> 0:23:32.080
<v Speaker 1>bridge the gap, I think that, you know, I mean

0:23:33.080 --> 0:23:36.600
<v Speaker 1>that knowledge and education will grow in tenfolds in our

0:23:36.600 --> 0:23:39.679
<v Speaker 1>communities if we embrace the languages and the music and

0:23:39.760 --> 0:23:43.520
<v Speaker 1>culture of our communities and use those in our educational spaces.

0:23:43.920 --> 0:23:45.720
<v Speaker 1>And so you know what I'm saying, I'd love to

0:23:45.720 --> 0:23:50.000
<v Speaker 1>see more POC educators out there just holding it down.

0:23:50.040 --> 0:23:52.040
<v Speaker 1>Shout out to all of those, you know, coast to

0:23:52.080 --> 0:23:54.439
<v Speaker 1>coast and worldwide that are already holding it down. We

0:23:54.520 --> 0:23:56.840
<v Speaker 1>see you, and we recognize you, and I just want

0:23:56.840 --> 0:23:59.520
<v Speaker 1>to be another one of those beacons of light that

0:23:59.640 --> 0:24:03.560
<v Speaker 1>we all can be. You know, what I mean, SETI,

0:24:03.760 --> 0:24:05.480
<v Speaker 1>I just want to thank you so much for the

0:24:05.520 --> 0:24:07.800
<v Speaker 1>work that you're doing, for the light that you're bringing,

0:24:08.480 --> 0:24:12.320
<v Speaker 1>for the innovation that you have for tomorrow's leaders, and

0:24:12.640 --> 0:24:15.200
<v Speaker 1>give you the opportunity to tell folks how they can

0:24:15.320 --> 0:24:19.120
<v Speaker 1>learn more about about this, about your program, if they

0:24:19.160 --> 0:24:21.480
<v Speaker 1>want to introduce something like this in their own schools,

0:24:21.480 --> 0:24:24.639
<v Speaker 1>if they want to follow you and your music. Please

0:24:24.680 --> 0:24:27.160
<v Speaker 1>tell the folks how they can get in touch. Definitely, Well,

0:24:27.160 --> 0:24:29.080
<v Speaker 1>you can check me out. My name is SETI X.

0:24:29.280 --> 0:24:33.400
<v Speaker 1>I'm on Instagram and Twitter as well, just at SETI

0:24:33.560 --> 0:24:37.720
<v Speaker 1>underscore X that stands for Sounds of Extraterrestrial Intelligence. You

0:24:37.720 --> 0:24:40.880
<v Speaker 1>can follow our music program on Instagram at Music Tech

0:24:41.160 --> 0:24:44.800
<v Speaker 1>SF that's Music tec HSF and of course Big Love

0:24:44.840 --> 0:24:46.840
<v Speaker 1>and big shout out to Save the Music for supporting

0:24:46.880 --> 0:24:49.840
<v Speaker 1>our program giving us that Jadala Music Technology Grant, Big

0:24:49.880 --> 0:24:52.760
<v Speaker 1>Love to my dukes. Make sure you follow official j Dilla,

0:24:53.119 --> 0:24:56.080
<v Speaker 1>Save the Music and my Dukes on social media and

0:24:56.160 --> 0:24:58.480
<v Speaker 1>check out Save the Music dot org for more information

0:24:58.520 --> 0:25:03.119
<v Speaker 1>about the Jay Della Music Tech Grant. Set the X,

0:25:03.240 --> 0:25:05.280
<v Speaker 1>thank you so much for making the time for woke

0:25:05.480 --> 0:25:07.960
<v Speaker 1>F and I hope that you'll join us again. Oh definitely.

0:25:08.000 --> 0:25:09.320
<v Speaker 1>It was such a pleasure to be on here with you,

0:25:09.400 --> 0:25:12.280
<v Speaker 1>Daniells and just had felt so natural and normal to

0:25:12.359 --> 0:25:15.320
<v Speaker 1>have this beautiful conversation. So we'll catch up more for sure,

0:25:15.359 --> 0:25:18.439
<v Speaker 1>and big love to the woke f family. Thank you.

0:25:24.320 --> 0:25:27.040
<v Speaker 1>That is it for me today, Dear friends on woke

0:25:27.320 --> 0:25:30.400
<v Speaker 1>f as always, power to the people and to all

0:25:30.640 --> 0:25:34.240
<v Speaker 1>the people. Power, get woke and stay woke as fuck.