WEBVTT - Die Hard with Debra DiGiovanni

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<v Speaker 1>On the Dog Cast, the questions asked if movies have woenium,

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<v Speaker 1>are all their discussions just boyfriends and husbands, or do

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<v Speaker 1>they have individualism? The patriarchy? Zef and best start changing

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<v Speaker 1>it with the beck dol Cast. Good evening, everyone, and

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<v Speaker 1>walk up to the show. Please let me walk up

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<v Speaker 1>the stage, Caleta Jamie. Welcome, Yes, thank you. How are

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<v Speaker 1>you guys? Are you guys good? You're good. We are

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<v Speaker 1>celebrating our one year anniversary. So thanks for coming out

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<v Speaker 1>and celebrating with us. Has everybody heard? By round of applauses? Everybody?

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<v Speaker 1>I heard it before? Or did you just wander? Okay? Okay,

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<v Speaker 1>so by round of applause? Who has never listened to

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<v Speaker 1>an episode of the beckdel Cast? Oh and they're all

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<v Speaker 1>sitting in the front row. Good, so we can just

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<v Speaker 1>stare you. But actually you wouldn't understand this is a

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<v Speaker 1>reference to a past thing we've not Yeah, just a

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<v Speaker 1>few things. Probably going to mention Alfred Molina for no

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<v Speaker 1>reason for I mean, but like I think the list

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<v Speaker 1>of reasons not to talk about Alfred Molina is very short. Yeah. Yeah,

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<v Speaker 1>For those of you who don't know what the Bechtel

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<v Speaker 1>Cast is or you're like, hey, what am I getting

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<v Speaker 1>into when you talk about the portrayal of women in movies?

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<v Speaker 1>We do it film by film. Every week we have

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<v Speaker 1>a new movie that we tear apart, and then our

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<v Speaker 1>fans are like, oh, thanks for ruining this movie for us,

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<v Speaker 1>and today will be no different and hearts will be

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<v Speaker 1>break and hearts will be broken today. Yeah. So we've

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<v Speaker 1>been doing it for a year now. I've had fifty

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<v Speaker 1>two individual different guests. They've all been great. If they

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<v Speaker 1>were men, they for sure interrupted us many times. Oh yeah,

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<v Speaker 1>there there is not even the male guests we've had

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<v Speaker 1>that are near and dear or hard great friends. There's

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<v Speaker 1>been I mean no short of five times where you're

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<v Speaker 1>just like and the PA triarchy is back, like yeah, actually,

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<v Speaker 1>here's what I think about Harrison Ford just like like

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<v Speaker 1>it's it's been a real years. Hands. Also, if you

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<v Speaker 1>know you're like what Bechtel, what does that mean? I'll

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<v Speaker 1>tell you who it's. And she made a test called

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<v Speaker 1>the Bechtel test, and it requires that a movie has

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<v Speaker 1>at least one scene where there's a single conversation between

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<v Speaker 1>two women. They have to speak to each other, and

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<v Speaker 1>their conversation has to be about something other than a man.

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<v Speaker 1>Preferably those characters have names. Yeah, we we prefer for

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<v Speaker 1>them to have names, just as you would in real life.

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<v Speaker 1>There's what if people like what if someone went back

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<v Speaker 1>and they're like, the Becktel cast is never because they're

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<v Speaker 1>only talking about Alfred Molina. Honestly, I think that Alfred

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<v Speaker 1>Molina is an exception to the test. And if it's

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<v Speaker 1>two women with names talking about Alfred Molina, it's stiff

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<v Speaker 1>has test personally. That's my belief. Sure, so all it

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<v Speaker 1>takes just for the record, because I feel like we

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<v Speaker 1>get this uh a lot is It only takes two

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<v Speaker 1>lines of dialogue. It doesn't have to be a whole scene.

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<v Speaker 1>Just literally, Hi, Caitlin, shut up. Jamie passes done easy

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<v Speaker 1>every day with that many times. Yeah, we've had that

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<v Speaker 1>very conversation leave my home, you know. So that's all

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<v Speaker 1>it takes. Hey, should we bring out our guests? I

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<v Speaker 1>think we should. This is our first time second time whoa,

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<v Speaker 1>this is our first second time guest on the Bechtel Cast,

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<v Speaker 1>big on or really a band or not? For everybody?

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<v Speaker 1>Oh I see, okay, it's our first repeat guest. Yeah,

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<v Speaker 1>so this is our first repeat guest. You heard her

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<v Speaker 1>last year on Our Love Actually episode, lots of hearts

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<v Speaker 1>were broken because that movie is garbage. It's a bad movie.

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<v Speaker 1>It's bad for women, it's bad for the world. But

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<v Speaker 1>we're so thrilled to have her back. Yes, sure, should

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<v Speaker 1>we say in unison, I would love to please welcome. Hey,

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<v Speaker 1>does everybody want to give a big clap for goodness? Hello? Girls,

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<v Speaker 1>good to be back, good to see you, Hello, live audience,

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<v Speaker 1>group of humans, a full How are you? It's a

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<v Speaker 1>very stress name. It's a lot. We love your name.

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<v Speaker 1>It's perfect goodness. Okay, well, so how are you doing

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<v Speaker 1>a quick checken? Yeah? I'm good, Yeah, good, everything's fine.

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<v Speaker 1>I have a puffy eye. Let's move on. We're talking

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<v Speaker 1>about we were talking. Don't no eye contact? I got

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<v Speaker 1>it in my rider. Yeah. Also, you'll turn to stone apparently,

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<v Speaker 1>that's what I'm saying. It's good. I think my hair

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<v Speaker 1>looks a little better than that. But let's move on.

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<v Speaker 1>It looks great, but I got not what's important. Okay,

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<v Speaker 1>we're talking about die Hard? Has everybody round? Who has

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<v Speaker 1>everybody seen Diehard? Yes? I heard round of a place.

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<v Speaker 1>Who has not seen die I got a bunch of

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<v Speaker 1>people in the front row. Yeah, like people are here

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<v Speaker 1>to be seen and bullied. Yeah. Sorry, Wait, you both

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<v Speaker 1>clapped your hands for someone who has never listened to

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<v Speaker 1>the podcast, nor have you seen die Hard? Amazing? Do

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<v Speaker 1>you know where you are right now? There's the last

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<v Speaker 1>live episode we did. My mother was sitting in the

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<v Speaker 1>front row and she was loudly antagonizing us for the

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<v Speaker 1>duration of the episode and hitting on our guests very aggressively.

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<v Speaker 1>Oh she was there. She was like, she just kept saying,

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<v Speaker 1>just screaming it for no reason. I know, it's nineties.

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<v Speaker 1>It was yeah, I'm sorry, I am now Jill screaming

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<v Speaker 1>and then yeah, and then our friend was flirting with

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<v Speaker 1>our friend who later was like, do you think I

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<v Speaker 1>have a shot? Oh my god? Who was the guest

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<v Speaker 1>who was flirting which listen, Oh no, that's okay, it's triggering.

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<v Speaker 1>He's my dad now, so he is just my actual father.

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<v Speaker 1>This podcast is ruined my life. I have a father

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<v Speaker 1>who is my age. Yeah, he takes me out. We

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<v Speaker 1>played basketball together. So die Hard, I will do the

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<v Speaker 1>Lynn's famous recap all right? Uh And as always, Caitlyn's

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<v Speaker 1>recap was made to be interrupted. Yes, although I read

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<v Speaker 1>I wrote something out this time, and I might just

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<v Speaker 1>read it because I didn't. I wanted this to be

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<v Speaker 1>a really good recap for you guys. I'll suck it

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<v Speaker 1>up anyway, doesn't it doesn't matter. So the story of

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<v Speaker 1>die Hard a Christmas story? It is? It isn't. Yeah,

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<v Speaker 1>let's put that to rest. It's a Christmas movie. My

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<v Speaker 1>recap does start with It's Christmas Eve? Is it? I

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<v Speaker 1>don't even know when this movie takes. Okay, it's Chris Christmas. Okay,

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<v Speaker 1>that's my thoughts. I already have a problem. Okay, three

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<v Speaker 1>words into it. Work party on Christmas Eve? Right, Susan true? True?

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<v Speaker 1>And then we see her call her kid and she's like,

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<v Speaker 1>you're not home on Christmas Eve and she's like, to

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<v Speaker 1>deal with a bitch. Passes the Pichtel test, but not

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<v Speaker 1>good parenting. So it is Christmas evens. Yes, I also

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<v Speaker 1>found that area doesn't pass like it's definitely, it's definitely.

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<v Speaker 1>It feels like passes, but it doesn't right right right right,

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<v Speaker 1>So it's like, I don't know, five hours or something.

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<v Speaker 1>I don't know. Yeah, it's just a bad party. Just

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<v Speaker 1>just if you've ever been at a shitty party for

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<v Speaker 1>five hours, you've pretty much experienced die hard to the

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<v Speaker 1>recap RecA Okay, okay, sorry Christmas Eve and John McClane

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<v Speaker 1>is a New York cop flying into l A to

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<v Speaker 1>see his wife Holly. He's got a big old bear

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<v Speaker 1>and he's leering at women at the airport. Yeah, yeah, yeah,

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<v Speaker 1>he's on an airplane with a gun and he's like, no,

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<v Speaker 1>it's fine, I'm a cop, just hanging out of a holster,

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<v Speaker 1>not even properly stashed literally just in his pocket. Yeah.

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<v Speaker 1>And then immediately after that he yeah, he just leers

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<v Speaker 1>at a woman. So, if you weren't sure if this

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<v Speaker 1>movie was going to be about toxic masculinity, the first

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<v Speaker 1>five men from one of the fight attendants, she leers

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<v Speaker 1>at him. I think, yeah, that's the first one. I

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<v Speaker 1>made a note. I wrote it down, and we hear,

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<v Speaker 1>and we heard. The Bettel cast love the objectification of

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<v Speaker 1>and this is a good movie for male objectification. There's

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<v Speaker 1>a lot of Bruce Willis just from a story perspective,

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<v Speaker 1>slowly getting Nooter. It's a metaphor, but also he is

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<v Speaker 1>stern actively castle uncut version it's cut. Oh never mind, stop,

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<v Speaker 1>let's move on, keep going, keep going, chock recap right, right,

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<v Speaker 1>I'm one sentence into the RecA. So there's a plane,

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<v Speaker 1>there's a gun. There's a gun, and a man who

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<v Speaker 1>names John McClane. He goes to his wife Holly, who's

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<v Speaker 1>at a work party at the Nakatomic Corporation, which is

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<v Speaker 1>a trading company. What do they do, trading cards? Trading cards?

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<v Speaker 1>It's pokemon, it's I don't know what it's. I don't

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<v Speaker 1>know what. It's a business company. It's night it's night

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<v Speaker 1>eighty eight. It could be anything like it could legitimately

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<v Speaker 1>be anything. For sure. Everyone's high on cocaine. Definitely, yes,

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<v Speaker 1>without doubt. So he goes to this party in a

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<v Speaker 1>giant building I wrote down. In the middle of the party,

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<v Speaker 1>about a dozen German terrorists show up, led by Hans

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<v Speaker 1>Grouper a k a. Alan Rickman. This is I'm so

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<v Speaker 1>glad I wrote this down. It's going so don't understand.

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<v Speaker 1>There's like a visual reality. When you said Hans Grouper,

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<v Speaker 1>people started like shifting in their seats, like they had

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<v Speaker 1>to change their underwear or something. They're like, I don't

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<v Speaker 1>get it, and I think it's anonymous with a villain.

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<v Speaker 1>Now Hans grew Yeah, Like people are just they're just

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<v Speaker 1>because Marty for grew. But I think it's because Rickman

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<v Speaker 1>like plays such a good villain and this might be

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<v Speaker 1>one of his first villains, you know what I mean.

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<v Speaker 1>So now it's I'm just saying I don't know anything.

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<v Speaker 1>I do not like Allen Rickman in this movie. Well, okay, there,

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<v Speaker 1>we'll get there, We'll get there. Okay. So the terrorists

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<v Speaker 1>take everyone at the party hostage, but they weren't counting

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<v Speaker 1>on feminist icon John McClain being there, and he really

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<v Speaker 1>throws a wrench into the situation. The terrorists locked down

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<v Speaker 1>the building and they're trying to break into these vaults

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<v Speaker 1>to get hundred and forty What what about the part

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<v Speaker 1>where he's in the taxi, the limo? Maybe yeah, with

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<v Speaker 1>our gyle, I'm gonna skip over some stuff. We're already

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<v Speaker 1>forty minutes the show. We've not talked about anything, can't

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<v Speaker 1>other for three days. Okay, there is a part where

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<v Speaker 1>he's in a car. Okay, keep going, yes, yes, okay.

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<v Speaker 1>So the terrorists are trying to get these Bearer bonds.

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<v Speaker 1>I think, uh sixty million dollars worth of them. The

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<v Speaker 1>company's ceo again, question Mark, I don't know what anyone

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<v Speaker 1>does Joe Takagi. Um, He's like, I'm not going to

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<v Speaker 1>give you any information. So he gets shot in the head. Meanwhile,

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<v Speaker 1>feminist icons yes exactly. He kills this very Aaryan looking person,

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<v Speaker 1>and then he says, a sweatsuit and a sweatsuit, a

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<v Speaker 1>gray sweatsuit. I would love to kill a man in

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<v Speaker 1>a sweatsuit. He kills him by throwing him down some stairs,

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<v Speaker 1>and then he sends what I like to call an

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<v Speaker 1>elevator graham to the terrorists. Uh. And there's a little

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<v Speaker 1>like sign on in this I have a machine gun.

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<v Speaker 1>Ho ho ho ho. Alan Rickman sure knows how to

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<v Speaker 1>make a very short line last okay. McClean is like

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<v Speaker 1>trying to get the cops to come, and no one

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<v Speaker 1>responds until our pal, a sidekick, Flucky Sergeant Al Powell

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<v Speaker 1>ak al Pal he arrives with the scene and then

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<v Speaker 1>he and John become best friends bromance, right, and it's

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<v Speaker 1>like via the lips at the end. To be honest,

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<v Speaker 1>they really connect over a walkie talkie conver station that

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<v Speaker 1>all of the terrorists can hear, and they don't even

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<v Speaker 1>try to hide it. At two different times, Al says

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<v Speaker 1>both I love you and it's a date. Yeah, it's like,

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<v Speaker 1>I didn't remember the depth of that. Absolutely, they're a

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<v Speaker 1>better match than John and his own wife. Then mcclan

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<v Speaker 1>gets his hands on the terrorist detonators, Hans throws a fit,

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<v Speaker 1>the FBI shows up, some explosions happen. John's foot is

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<v Speaker 1>bleeding a lot. I love the part where he's being

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<v Speaker 1>very dramatic about his bleeding foot. Yeah, he's like, tell

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<v Speaker 1>my wife, I'm sorry, and it's like you're fine, You're

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<v Speaker 1>like he gets a little like foot scrape. He's like,

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<v Speaker 1>oh my god, this has actually been really hard on me. An,

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<v Speaker 1>I actually don't know if I'm going to freaking make it. Yeah.

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<v Speaker 1>And then finally the terrorists were able to break into

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<v Speaker 1>the vault to steal the bonds that they're after. Hans

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<v Speaker 1>discovers that John McClean is Holly's wife, so he's like, oh,

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<v Speaker 1>I'm gonna kidnap you now, and then he takes her

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<v Speaker 1>gun point and then I forgot to finish writing the thing.

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<v Speaker 1>But we never know how, we don't all we'll never

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<v Speaker 1>know pretty much. Yeah, he's like, oh, I'm gonna kill

0:14:22.080 --> 0:14:25.080
<v Speaker 1>your wife, and then John's like, yippy kaye, motherfucker any

0:14:27.520 --> 0:14:36.440
<v Speaker 1>right if he said fatherfucker toxic masculine it, yeah right.

0:14:36.480 --> 0:14:38.840
<v Speaker 1>I actually don't know how the logic Networks taped the

0:14:38.880 --> 0:14:43.160
<v Speaker 1>gun to his back with bloody, sweaty back and somehow

0:14:43.200 --> 0:14:46.720
<v Speaker 1>he's with I don't know what like he's taped that

0:14:46.880 --> 0:14:49.520
<v Speaker 1>is physically impossible. I don't care much Yoga McLean does.

0:14:49.840 --> 0:14:52.640
<v Speaker 1>There's no way that he's done that. I never thought

0:14:52.680 --> 0:14:55.480
<v Speaker 1>of it. But that's totally sweaty and it's not happening. Yeah,

0:14:55.600 --> 0:15:00.600
<v Speaker 1>I'm sorry, scientifically speaking, right, because yeah, there's no tape

0:15:00.640 --> 0:15:04.040
<v Speaker 1>that unless what if he like put it all on

0:15:04.080 --> 0:15:08.320
<v Speaker 1>the ground and then like laid down on it up.

0:15:10.040 --> 0:15:17.080
<v Speaker 1>No one is laying onto a gun that John mccle

0:15:17.280 --> 0:15:19.320
<v Speaker 1>he needs to save the women. You think that he's

0:15:19.480 --> 0:15:25.000
<v Speaker 1>lightly planting him his torso onto a gun, a loaded gun?

0:15:25.920 --> 0:15:29.600
<v Speaker 1>What else? How else? Okay, you know what I'm in

0:15:29.720 --> 0:15:33.000
<v Speaker 1>movie magic, alright, So yeah, then he grabs the gun

0:15:33.040 --> 0:15:36.560
<v Speaker 1>that he's lie down to. The tape left only two

0:15:37.840 --> 0:15:40.960
<v Speaker 1>and he uses them both so wisely, and he kills

0:15:41.040 --> 0:15:43.640
<v Speaker 1>the bad guys and then saves his wife and then

0:15:43.720 --> 0:15:49.600
<v Speaker 1>everyone's and then at and that's pretty much the end

0:15:49.600 --> 0:15:52.160
<v Speaker 1>of the movie. There we go all right. Anyway, thank you,

0:15:52.200 --> 0:15:57.640
<v Speaker 1>this has been fun. Thanks and so Deborah, what is

0:15:57.720 --> 0:16:01.240
<v Speaker 1>your history with this movie? Now? Okay, this is this

0:16:01.400 --> 0:16:04.840
<v Speaker 1>movie was made in right, so, like I was a

0:16:05.120 --> 0:16:07.320
<v Speaker 1>young person, I was at high school, and it was

0:16:07.400 --> 0:16:09.560
<v Speaker 1>it was a big movie, like I think I remember

0:16:09.720 --> 0:16:12.800
<v Speaker 1>like it was all the boys favorites. Everyone loved it.

0:16:13.000 --> 0:16:16.640
<v Speaker 1>It was ya motherfucker like, oh my god, at nausea

0:16:16.960 --> 0:16:18.920
<v Speaker 1>and it was it was really like it was a

0:16:19.040 --> 0:16:22.560
<v Speaker 1>super popular movie. And I remember like rewatching again thinking

0:16:22.600 --> 0:16:24.960
<v Speaker 1>to myself, I liked this movie. I really did. What

0:16:25.280 --> 0:16:28.120
<v Speaker 1>oh no, like it was. I was shocked to see

0:16:28.160 --> 0:16:31.040
<v Speaker 1>how it really doesn't hold up. But in we loved it.

0:16:31.080 --> 0:16:34.440
<v Speaker 1>It was great. The boys love to love. People still

0:16:34.480 --> 0:16:36.720
<v Speaker 1>do love. I mean, would they make seventeen Diehards now

0:16:37.000 --> 0:16:41.040
<v Speaker 1>like they made five six five? Right? So as recently

0:16:41.120 --> 0:16:44.440
<v Speaker 1>as like what year four years ago? You know I'm

0:16:44.440 --> 0:16:47.400
<v Speaker 1>making that up? Is that even I like less than

0:16:47.480 --> 0:16:50.000
<v Speaker 1>ten years ago? Right? Yeah? Like die Hard with it

0:16:50.120 --> 0:16:52.880
<v Speaker 1>with a vengeance? Yeah, god, you know what I mean.

0:16:53.040 --> 0:16:55.800
<v Speaker 1>I like to chill out. First of all, the title

0:16:55.960 --> 0:16:59.120
<v Speaker 1>die hard is like, what does that even mean? It's

0:16:59.160 --> 0:17:02.000
<v Speaker 1>hard to die? It's hard to die? It's not apparently

0:17:02.400 --> 0:17:05.960
<v Speaker 1>I've been thinking about it a lot. Okay, so I

0:17:06.160 --> 0:17:09.800
<v Speaker 1>was like, maybe it's they have die hard beliefs, right,

0:17:10.240 --> 0:17:12.000
<v Speaker 1>and then I but then I thought about I was like,

0:17:12.160 --> 0:17:14.320
<v Speaker 1>no one in this movie has diehard beliefs. They all

0:17:14.359 --> 0:17:16.560
<v Speaker 1>seem pretty willing to just be like, oh, that person

0:17:16.640 --> 0:17:18.320
<v Speaker 1>is dead. Well, I guess this is my friend now,

0:17:18.440 --> 0:17:22.160
<v Speaker 1>like they're everyone is constantly. John can't even explain why

0:17:22.320 --> 0:17:24.760
<v Speaker 1>he wants to stay in New York. He's like, because

0:17:24.840 --> 0:17:30.399
<v Speaker 1>I'm from there, and uh so I said, fuck my

0:17:30.560 --> 0:17:33.680
<v Speaker 1>wife and fuck my kids, and I'm not gonna move.

0:17:35.040 --> 0:17:38.400
<v Speaker 1>That's not a die hard belief. That's just dumb. Yeah.

0:17:38.600 --> 0:17:41.520
<v Speaker 1>So it's not that people are they're dying in ways

0:17:41.640 --> 0:17:46.080
<v Speaker 1>that don't seem easy. I guess that, right. Like German.

0:17:46.359 --> 0:17:49.080
<v Speaker 1>Let's say the ballerina, the professional ballerina, you know him,

0:17:49.119 --> 0:17:51.400
<v Speaker 1>the one the long hair. He was, he was a ballerina.

0:17:51.480 --> 0:17:53.879
<v Speaker 1>Let's move on. I don't mean to alarm any It

0:17:53.960 --> 0:17:55.440
<v Speaker 1>was big in the eighties. Let's move on. I think

0:17:55.440 --> 0:17:57.600
<v Speaker 1>he dated Jacqueline bits that I'm an old woman. Let's

0:17:57.600 --> 0:18:01.040
<v Speaker 1>move on. All right, back story, he's the one that

0:18:01.119 --> 0:18:03.280
<v Speaker 1>gets hung and then lives, so it was hard for

0:18:03.359 --> 0:18:04.959
<v Speaker 1>him to die that he's the one that comes out

0:18:04.960 --> 0:18:09.760
<v Speaker 1>of the end, another very aryan looking person. Yes, right, okay,

0:18:09.920 --> 0:18:13.680
<v Speaker 1>can you say about Grouper's accent, like, is he he's

0:18:13.680 --> 0:18:16.600
<v Speaker 1>a british Man living in Germany or something, because he's

0:18:16.640 --> 0:18:20.520
<v Speaker 1>British the entire time they speak Germans. We were right,

0:18:20.920 --> 0:18:23.320
<v Speaker 1>Caleen and I were watching this movie the other night

0:18:23.760 --> 0:18:28.720
<v Speaker 1>in her bed, as we do most episodes. There. No,

0:18:28.920 --> 0:18:32.440
<v Speaker 1>but his his accent is crummy. It's bad, really, it

0:18:32.520 --> 0:18:35.040
<v Speaker 1>really is. Yeah, it's just him. I think that is

0:18:35.280 --> 0:18:37.520
<v Speaker 1>was Frickman. He was British ry. Yeah, I think it

0:18:37.600 --> 0:18:39.440
<v Speaker 1>was just him being him and then every once in

0:18:39.440 --> 0:18:43.639
<v Speaker 1>a while German and then he would do at some

0:18:43.760 --> 0:18:47.520
<v Speaker 1>point someone would give me. I posted something to that

0:18:47.640 --> 0:18:50.200
<v Speaker 1>effect on Facebook recently, and I had no less than

0:18:50.359 --> 0:18:54.760
<v Speaker 1>six men being like, actually, he's actually very authentic and good.

0:18:54.880 --> 0:18:58.200
<v Speaker 1>Here's the lake to the thing. It's just like I'm

0:18:58.240 --> 0:19:01.200
<v Speaker 1>gonna kill you, Like they're just this. I didn't even

0:19:01.240 --> 0:19:03.720
<v Speaker 1>realize we did our Love Actually episode with you. This

0:19:03.800 --> 0:19:09.640
<v Speaker 1>is the second Ellen Rickman, Christmas Rickman and Christmas what Okay,

0:19:09.680 --> 0:19:11.159
<v Speaker 1>we're gonna have tore The third one is gonna have

0:19:11.240 --> 0:19:13.200
<v Speaker 1>to be may he rest But we're gonna have to

0:19:13.200 --> 0:19:15.520
<v Speaker 1>figure something that we'll have to get his Christmas movies

0:19:15.600 --> 0:19:17.560
<v Speaker 1>or something. And in front of it, yeah, because I mean,

0:19:17.600 --> 0:19:19.880
<v Speaker 1>well in last year, like late twenty sixteen, you had

0:19:19.920 --> 0:19:22.040
<v Speaker 1>to every time, was I think every time way said Alan,

0:19:22.200 --> 0:19:26.680
<v Speaker 1>people were like Riman. Now it's the end of two

0:19:26.680 --> 0:19:29.160
<v Speaker 1>thousand seventeen and I feel fine being like I don't

0:19:29.240 --> 0:19:32.800
<v Speaker 1>like it in this movie Rest in Paradise. But I

0:19:32.880 --> 0:19:35.680
<v Speaker 1>didn't like it, bitch, I did not like, did not

0:19:35.920 --> 0:19:38.800
<v Speaker 1>like it. I don't. Yeah, his his accent is super

0:19:39.600 --> 0:19:43.879
<v Speaker 1>because the German people he's with are very clearly German,

0:19:44.320 --> 0:19:47.240
<v Speaker 1>like they are laying it like there their German. And

0:19:47.280 --> 0:19:51.439
<v Speaker 1>then he's he could take it or leave it enough

0:19:51.440 --> 0:19:53.240
<v Speaker 1>for a German accent. He's like, I'm not gonna try,

0:19:55.040 --> 0:19:58.879
<v Speaker 1>and a half trying is not in his rider. Jamie,

0:19:58.920 --> 0:20:01.119
<v Speaker 1>what's your history with the movie. I only saw this

0:20:01.240 --> 0:20:04.200
<v Speaker 1>movie two years ago, and I went like shortly after

0:20:04.280 --> 0:20:07.280
<v Speaker 1>I moved here, and I lived with this woman who

0:20:07.400 --> 0:20:11.000
<v Speaker 1>was very exhausting, and she was just like, you haven't

0:20:11.119 --> 0:20:14.920
<v Speaker 1>seen the d and so then she made me stay

0:20:15.240 --> 0:20:17.440
<v Speaker 1>inside for a whole night and watch this movie with

0:20:17.560 --> 0:20:21.919
<v Speaker 1>her and her ex boyfriend, and I sat in between them,

0:20:22.000 --> 0:20:24.159
<v Speaker 1>and then you know, he left and she was just like,

0:20:24.240 --> 0:20:25.920
<v Speaker 1>why were you flirting with him? I was like, I

0:20:29.359 --> 0:20:35.480
<v Speaker 1>was like, I wasn't you made me stay here? So

0:20:35.560 --> 0:20:39.119
<v Speaker 1>I saw it two years ago. That's my whole history

0:20:39.240 --> 0:20:43.320
<v Speaker 1>with Amazing. I saw, I think for the first time,

0:20:43.400 --> 0:20:44.920
<v Speaker 1>probably like ten years ago. I didn't grow up with

0:20:45.000 --> 0:20:47.280
<v Speaker 1>the movie, but I've only seen that. You watch it,

0:20:47.320 --> 0:20:50.120
<v Speaker 1>do you remember, like was it your choice or yeah?

0:20:50.119 --> 0:20:53.040
<v Speaker 1>Because I was like, I was getting her master's degree.

0:20:53.080 --> 0:20:58.240
<v Speaker 1>I need to watch a lot of movies telling me

0:20:59.000 --> 0:21:03.480
<v Speaker 1>in screenwriting, in screen right from Boston University. From Boston University,

0:21:03.520 --> 0:21:05.800
<v Speaker 1>you have a I don't like to bring it up.

0:21:05.920 --> 0:21:11.400
<v Speaker 1>What sorry? What was it? A masters in screen Wow?

0:21:11.480 --> 0:21:13.000
<v Speaker 1>That's can we just give her a quick run of

0:21:13.040 --> 0:21:18.639
<v Speaker 1>a plane? Let's give it up from our higher education? Yeah? Wow.

0:21:19.160 --> 0:21:20.520
<v Speaker 1>So yeah, I was just like, I have to see

0:21:20.600 --> 0:21:22.800
<v Speaker 1>so many movies. And then I just watched it, and

0:21:24.080 --> 0:21:27.159
<v Speaker 1>my feelings are that it's not a bad movie. I

0:21:27.280 --> 0:21:30.040
<v Speaker 1>generally enjoy the first forty five minutes of it, and

0:21:30.080 --> 0:21:32.680
<v Speaker 1>then I get pretty bored of just like, oh, it's

0:21:32.760 --> 0:21:39.359
<v Speaker 1>John McClane running through an empty room again and he

0:21:39.520 --> 0:21:44.640
<v Speaker 1>is talking to himself a lot. Yeah, so, yeah, it's

0:21:44.640 --> 0:21:47.879
<v Speaker 1>always too macho for me. I think, I don't. I

0:21:47.920 --> 0:21:49.560
<v Speaker 1>don't remember. I don't. I don't think I ever saw

0:21:49.640 --> 0:21:51.159
<v Speaker 1>the second one, but I know what took place on

0:21:51.240 --> 0:21:54.600
<v Speaker 1>a plane, an airport, airport, the whole thing. Well, and

0:21:54.720 --> 0:21:56.840
<v Speaker 1>we do know in the second movie. This is as

0:21:56.880 --> 0:21:58.240
<v Speaker 1>far as I looked into it, but we do know,

0:21:58.960 --> 0:22:01.359
<v Speaker 1>which directly affect how we view the end of the

0:22:01.400 --> 0:22:03.800
<v Speaker 1>first movie that he does end up moving to Los

0:22:03.840 --> 0:22:08.040
<v Speaker 1>Angeles to be with his wife, so, which is good

0:22:08.080 --> 0:22:10.480
<v Speaker 1>because he couldn't explain why he was doing what he

0:22:10.600 --> 0:22:11.840
<v Speaker 1>was doing in the first place. He was just like,

0:22:11.920 --> 0:22:14.600
<v Speaker 1>I'm an asshole, and so at the end he's like,

0:22:15.000 --> 0:22:17.480
<v Speaker 1>my wife is smarter and has more money than me,

0:22:17.840 --> 0:22:20.479
<v Speaker 1>which you know, men don't like. Very It was all

0:22:20.640 --> 0:22:22.800
<v Speaker 1>very like semi disgusting though, when he's talking to the

0:22:22.840 --> 0:22:24.560
<v Speaker 1>guy on the plane about his wife and she got

0:22:24.640 --> 0:22:27.360
<v Speaker 1>a job that turned into a career, like a bit,

0:22:27.520 --> 0:22:29.960
<v Speaker 1>how dare she? You know what I mean? It's like that,

0:22:30.119 --> 0:22:32.359
<v Speaker 1>It really is. It's all like my little woman is

0:22:32.400 --> 0:22:37.600
<v Speaker 1>working and it's it's it's really and that conversation kind

0:22:37.600 --> 0:22:40.680
<v Speaker 1>of carries over into the next thing with Argyle, where

0:22:41.200 --> 0:22:43.680
<v Speaker 1>Argyles like laughing at John and saying like, oh, you

0:22:43.760 --> 0:22:46.040
<v Speaker 1>thought she was gonna like fail and then she'd have

0:22:46.160 --> 0:22:48.160
<v Speaker 1>to move back and be with you. And he's kind

0:22:48.160 --> 0:22:52.080
<v Speaker 1>of like, He's like you definitely was like seventeen. I

0:22:52.119 --> 0:22:54.720
<v Speaker 1>don't think he should be a professional limo driver, but

0:22:55.080 --> 0:22:58.000
<v Speaker 1>does he have a driver's to be honest, Yeah, but

0:22:58.800 --> 0:23:02.760
<v Speaker 1>it's really kind of grossy in a icon Argyle Actually no,

0:23:02.920 --> 0:23:05.800
<v Speaker 1>he he talks about he's what's the point where he's

0:23:05.840 --> 0:23:08.320
<v Speaker 1>on the phone and he's like, yeah, bibb, I would

0:23:08.359 --> 0:23:12.160
<v Speaker 1>never lie to you over I was like, oh, man,

0:23:12.240 --> 0:23:18.639
<v Speaker 1>I've dated him first, so to piggyback on what you

0:23:18.680 --> 0:23:21.879
<v Speaker 1>were saying. Yeah, So there's a whole subplot. I like

0:23:22.000 --> 0:23:28.080
<v Speaker 1>to call it John mcclean's insecurities about Holly Gennaro Yes

0:23:29.640 --> 0:23:33.360
<v Speaker 1>and her career because he has the conversation with Argyle

0:23:33.520 --> 0:23:36.320
<v Speaker 1>about how he's like, I didn't think she was gonna

0:23:36.600 --> 0:23:39.600
<v Speaker 1>be good at her job, and then he finds out

0:23:39.680 --> 0:23:42.960
<v Speaker 1>that she's going by her maiden name and she blames

0:23:43.000 --> 0:23:46.040
<v Speaker 1>it on the fact that it's a Japanese company or something. Right, Yeah,

0:23:46.160 --> 0:23:48.320
<v Speaker 1>it's like they're Japanese. They don't want me to be married.

0:23:48.359 --> 0:23:49.800
<v Speaker 1>I'm like, what does that mean. I don't think that

0:23:49.880 --> 0:23:53.960
<v Speaker 1>means unclear. But then you find out all this stuff

0:23:53.960 --> 0:23:57.520
<v Speaker 1>about her as a career woman. She's the director of

0:23:57.600 --> 0:24:00.560
<v Speaker 1>corporate affairs. I read it on the door of her office,

0:24:01.760 --> 0:24:03.960
<v Speaker 1>or they don't tell you you had to research. Look,

0:24:04.000 --> 0:24:09.119
<v Speaker 1>I had to Everything business like in this movie is

0:24:09.240 --> 0:24:14.760
<v Speaker 1>extremely right. Director of corporate affairs. What is that? Did

0:24:14.800 --> 0:24:17.639
<v Speaker 1>you see the watch? She got a fancy watch? Right,

0:24:18.560 --> 0:24:21.320
<v Speaker 1>we'll give the little lady a little little sparkly like,

0:24:21.320 --> 0:24:23.680
<v Speaker 1>because that's sparkle to keep her quiet. I don't know.

0:24:25.280 --> 0:24:27.639
<v Speaker 1>And it seems like no matter what your title it

0:24:27.800 --> 0:24:30.000
<v Speaker 1>because director of corporate affairs. And they were like, her

0:24:30.080 --> 0:24:35.119
<v Speaker 1>specialty is negotiation. And then but then there's the the

0:24:35.400 --> 0:24:39.960
<v Speaker 1>the who he's like, also, my skill is negotiating, Like,

0:24:40.000 --> 0:24:43.520
<v Speaker 1>do you guys all have the same? Are you all interns? Yeah?

0:24:43.760 --> 0:24:46.680
<v Speaker 1>What is this? What is sisipany? I don't know. The

0:24:46.760 --> 0:24:48.440
<v Speaker 1>point is that a lot of them do talk about

0:24:48.480 --> 0:24:50.840
<v Speaker 1>how skilled she is at her job. So she's established

0:24:50.880 --> 0:24:55.760
<v Speaker 1>as like a professional, capable woman. So we're like, hey, cool,

0:24:55.800 --> 0:24:58.440
<v Speaker 1>that's the scene at the beginning when they're like looking

0:24:58.440 --> 0:25:00.600
<v Speaker 1>down at the Christmas party and you he Hawlly like

0:25:00.720 --> 0:25:03.040
<v Speaker 1>screwy through the crowd and she's still working while everyone

0:25:03.080 --> 0:25:06.840
<v Speaker 1>else's partying. So that shows you she's not like professional.

0:25:07.320 --> 0:25:08.800
<v Speaker 1>I think she might have been carried like like a

0:25:08.880 --> 0:25:11.080
<v Speaker 1>clipboard or something, you know what I mean, because she's

0:25:11.080 --> 0:25:14.720
<v Speaker 1>a lady at work, a corporate affairs, a chess. There

0:25:14.760 --> 0:25:17.119
<v Speaker 1>are many sheets a paper on that clipboard. Very very business,

0:25:17.320 --> 0:25:21.520
<v Speaker 1>no time boys, there's affairs to be corporated. I have

0:25:21.640 --> 0:25:25.400
<v Speaker 1>to go staple stuff out of my way. The first

0:25:25.440 --> 0:25:29.240
<v Speaker 1>time he's here, she's being actively sexually harassed. That's the

0:25:29.280 --> 0:25:33.600
<v Speaker 1>first time he was like, she's like notice so that

0:25:33.600 --> 0:25:35.880
<v Speaker 1>they don't show her face like the first The first

0:25:36.400 --> 0:25:39.280
<v Speaker 1>with her is douchebag like just being a disgusting pig,

0:25:39.359 --> 0:25:41.720
<v Speaker 1>and it's just the back of her head the entire time,

0:25:41.800 --> 0:25:44.320
<v Speaker 1>so it's like they don't. I just thought that was creepy.

0:25:46.119 --> 0:25:47.880
<v Speaker 1>And then in a lot of movies we've done, there's

0:25:47.920 --> 0:25:51.600
<v Speaker 1>like very intentional reveals of like and the twist is

0:25:51.840 --> 0:25:56.720
<v Speaker 1>she's gorgeous. Like there's that twist a lot. My My

0:25:56.880 --> 0:26:01.040
<v Speaker 1>favorite one that we've done is in JELI when Larry

0:26:01.119 --> 0:26:05.160
<v Speaker 1>Jeeley because that's his name, Larry gee Lee answers the door,

0:26:05.320 --> 0:26:07.240
<v Speaker 1>and it's like, oh, there's a woman here, who is it?

0:26:07.440 --> 0:26:09.680
<v Speaker 1>And then she turns around she says hi, and it's

0:26:09.760 --> 0:26:12.560
<v Speaker 1>Jennifer Lopez and you're just like, oh, she's being a

0:26:12.680 --> 0:26:17.080
<v Speaker 1>flu But with with this shot, it's weird because there's

0:26:17.119 --> 0:26:19.320
<v Speaker 1>not a lot of intent because it seems like something's

0:26:19.320 --> 0:26:21.600
<v Speaker 1>going to be revealed. It's like, Oh, we're following this

0:26:21.720 --> 0:26:24.840
<v Speaker 1>attractive woman who's being harassed, and then she turns around

0:26:25.160 --> 0:26:27.920
<v Speaker 1>and she continues to be an attractive woman who's has

0:26:28.359 --> 0:26:31.680
<v Speaker 1>there's no reveal. I think maybe just the DP wasn't

0:26:31.800 --> 0:26:36.680
<v Speaker 1>very good in this movie, or just couldn't make that day.

0:26:36.960 --> 0:26:40.600
<v Speaker 1>Maybe that was just a wig walking a floating wig.

0:26:41.160 --> 0:26:44.040
<v Speaker 1>But Bonnie Badelia couldn't make it. It's her real name.

0:26:44.160 --> 0:26:49.320
<v Speaker 1>Let's move on, do your homework. Where is she? So

0:26:49.440 --> 0:26:52.160
<v Speaker 1>the next major plot point that happens within the subplot

0:26:52.240 --> 0:26:54.920
<v Speaker 1>of him being very insecure about her success, is that

0:26:55.160 --> 0:26:59.080
<v Speaker 1>John McClain and Holly have a conversation where here's just like,

0:26:59.560 --> 0:27:01.920
<v Speaker 1>you're going by your maiden name, what's all that about?

0:27:01.920 --> 0:27:04.520
<v Speaker 1>And she's like the Japanese company thing doesn't make sense,

0:27:04.560 --> 0:27:08.560
<v Speaker 1>don't worry, and he's like, well, you just did whatever

0:27:08.640 --> 0:27:10.439
<v Speaker 1>you wanted, no matter what it did to our marriage,

0:27:10.480 --> 0:27:13.920
<v Speaker 1>and she's like, you have this idea of our marriage

0:27:13.960 --> 0:27:18.080
<v Speaker 1>and blah blah. And I'm doing a great job recapturing

0:27:18.160 --> 0:27:22.000
<v Speaker 1>the magic of that scene. But kind of the subtext

0:27:22.160 --> 0:27:26.320
<v Speaker 1>is that basically thinks that she chose her career over him,

0:27:26.680 --> 0:27:29.359
<v Speaker 1>and he's very threatened by it and very resentful of it.

0:27:29.840 --> 0:27:32.720
<v Speaker 1>And he is basically there to be like, you should

0:27:33.000 --> 0:27:35.000
<v Speaker 1>I don't know, quit your job and come back to

0:27:35.080 --> 0:27:37.520
<v Speaker 1>New York or I don't know coming back to New York.

0:27:38.960 --> 0:27:44.280
<v Speaker 1>Does I'm fighting crime over this? And she's like, actually

0:27:44.520 --> 0:27:49.840
<v Speaker 1>Japan and he's like, oh fuck. And then it goes

0:27:49.880 --> 0:27:52.639
<v Speaker 1>to the bathroom and then the movie starts right he

0:27:52.760 --> 0:27:55.680
<v Speaker 1>takes off his shoes, which becomes a major plot point

0:27:57.480 --> 0:28:00.320
<v Speaker 1>very much. Yes, I love when he cries, just so

0:28:00.400 --> 0:28:04.520
<v Speaker 1>many crazy he's like my feet. Um, if you've seen

0:28:04.680 --> 0:28:07.280
<v Speaker 1>I heard, which most of you have, Holly is not

0:28:07.600 --> 0:28:11.200
<v Speaker 1>on screen enough in the movie. There's like she's on

0:28:11.280 --> 0:28:14.640
<v Speaker 1>screen I think cumulatively for maybe fifteen minutes, and that's

0:28:14.680 --> 0:28:18.480
<v Speaker 1>being very genus. Yeah, but this argument between them is

0:28:18.520 --> 0:28:21.120
<v Speaker 1>interesting because it's it's hard to tell from the standpoint

0:28:21.119 --> 0:28:23.440
<v Speaker 1>of the movie whose side we're supposed to be on,

0:28:23.960 --> 0:28:26.600
<v Speaker 1>because it's clear that John is it like, in the

0:28:26.680 --> 0:28:29.160
<v Speaker 1>wrong in terms of like she is doing very well.

0:28:29.320 --> 0:28:32.360
<v Speaker 1>There's even the people who were actively harassing her are

0:28:32.440 --> 0:28:35.480
<v Speaker 1>saying she's great at her job, which is, uh, you know,

0:28:35.600 --> 0:28:38.040
<v Speaker 1>that's another thing, but there, but you know, like, she's

0:28:38.080 --> 0:28:40.240
<v Speaker 1>clearly very good at her job. I love how that

0:28:40.320 --> 0:28:43.320
<v Speaker 1>scene at the end is interrupted by her assistant who's like,

0:28:43.720 --> 0:28:46.479
<v Speaker 1>they need you to talk to the troops, and then

0:28:46.520 --> 0:28:50.960
<v Speaker 1>she says, sorry, John, the troops need me. She leaves,

0:28:51.120 --> 0:28:55.360
<v Speaker 1>where are the troops here on Christmas Eve? I don't

0:28:55.760 --> 0:29:00.160
<v Speaker 1>like by standards, I genuinely was not entirely sure. Are

0:29:00.240 --> 0:29:02.880
<v Speaker 1>we supposed to be like, oh, John's totally in the right,

0:29:02.920 --> 0:29:05.840
<v Speaker 1>and she's being such a shrewd by saying I want

0:29:05.880 --> 0:29:08.680
<v Speaker 1>to have a life, Or are we supposed to think, wow,

0:29:08.800 --> 0:29:11.280
<v Speaker 1>John's being a baby and he should put his shoes on.

0:29:12.080 --> 0:29:17.720
<v Speaker 1>I mean, kind of hard to say. I think you

0:29:17.760 --> 0:29:20.880
<v Speaker 1>could probably argue that the main demographic that this movie

0:29:20.920 --> 0:29:25.960
<v Speaker 1>would appeal to is like adult men slash teenage boy

0:29:26.120 --> 0:29:30.760
<v Speaker 1>liked boy. Yeah, you know, fifteen year old you know

0:29:30.800 --> 0:29:35.720
<v Speaker 1>what I mean? Horny boys, horny boys. There's some boobs,

0:29:35.840 --> 0:29:39.600
<v Speaker 1>you know what I mean, there's there they're so they're

0:29:39.600 --> 0:29:43.160
<v Speaker 1>going to plug themselves into John McClean and being like,

0:29:43.280 --> 0:29:45.960
<v Speaker 1>oh he's cool, so they're probably gonna align with his

0:29:46.560 --> 0:29:48.240
<v Speaker 1>view and be like, oh, his wife's just being a

0:29:48.240 --> 0:29:50.760
<v Speaker 1>little but even though clearly like, let's be honest, what

0:29:50.800 --> 0:29:52.760
<v Speaker 1>do they get in New York for a cop salary? Like,

0:29:52.840 --> 0:29:54.520
<v Speaker 1>let's be honest. Where they're living, you know, I mean

0:29:55.240 --> 0:29:57.400
<v Speaker 1>they're in Queen's and like a two bedroom apartment, and

0:29:57.480 --> 0:29:59.520
<v Speaker 1>she clearly had the guest room, you know what I mean,

0:29:59.560 --> 0:30:01.960
<v Speaker 1>they're probab in a house in the valley, and she's

0:30:02.000 --> 0:30:04.360
<v Speaker 1>always look at the guests room. It's it's it's the room.

0:30:04.480 --> 0:30:06.160
<v Speaker 1>I mean, clearly, it's they're doing better. They had a

0:30:06.240 --> 0:30:09.440
<v Speaker 1>housekeeper come on and then and then also and then

0:30:09.520 --> 0:30:16.240
<v Speaker 1>are like yeah we've ma there's that part in that

0:30:16.520 --> 0:30:20.680
<v Speaker 1>scene where he says like, oh, something about Topoma and

0:30:20.800 --> 0:30:26.280
<v Speaker 1>she's like, um, Pomona. I was like, Oh, she's a

0:30:26.360 --> 0:30:31.720
<v Speaker 1>little kelly bitch. She's totally adapted. She's looked there for

0:30:31.800 --> 0:30:37.480
<v Speaker 1>two seconds exactly like you're gonna want to take fountain.

0:30:37.600 --> 0:30:43.160
<v Speaker 1>You're just like call down my good right, So yeah,

0:30:43.240 --> 0:30:45.040
<v Speaker 1>who side are we supposed to be on? Hard to say,

0:30:45.400 --> 0:30:47.520
<v Speaker 1>I think probably most people watching this are like, oh,

0:30:47.640 --> 0:30:51.120
<v Speaker 1>John McClean the hero, my hero, he's great and I

0:30:52.120 --> 0:30:55.320
<v Speaker 1>But by the end of the movie, that subplot basically

0:30:55.400 --> 0:30:58.600
<v Speaker 1>resolves by him thinking he's going to die because he

0:30:58.720 --> 0:31:05.040
<v Speaker 1>has a foot wound because he got cut glass forgive me.

0:31:07.000 --> 0:31:11.400
<v Speaker 1>He's talking to his al pal and he's like, tell

0:31:11.520 --> 0:31:14.520
<v Speaker 1>my wife, I'm sorry that I was being a jerk

0:31:14.600 --> 0:31:17.040
<v Speaker 1>and I should have supported her more and been behind her.

0:31:17.160 --> 0:31:20.720
<v Speaker 1>It's a very long message, isn't It's no way he's

0:31:20.840 --> 0:31:25.080
<v Speaker 1>nailing He wait aute, what was it? He was? Give

0:31:25.080 --> 0:31:27.000
<v Speaker 1>me a second. I should have written it down. I mean,

0:31:27.080 --> 0:31:29.920
<v Speaker 1>there's no way. Just like I'm sorry, and that's it.

0:31:30.080 --> 0:31:35.680
<v Speaker 1>He's also working, so you see this like, you know,

0:31:35.800 --> 0:31:38.040
<v Speaker 1>John going to this character arc where he's like, oh,

0:31:38.120 --> 0:31:40.560
<v Speaker 1>I realized I was being a total asshole. And even

0:31:40.880 --> 0:31:44.240
<v Speaker 1>after that fight he has with Holly, he is like

0:31:44.480 --> 0:31:46.560
<v Speaker 1>all barefoot and he's in front of a mirror and

0:31:46.600 --> 0:31:49.680
<v Speaker 1>he's like, oh, good job, John, real mature. So I

0:31:49.720 --> 0:31:53.200
<v Speaker 1>think he knows he's being kind of a dick, but

0:31:53.640 --> 0:31:56.760
<v Speaker 1>he's still is, you know, initiating a fight for no

0:31:56.880 --> 0:32:00.360
<v Speaker 1>reason because there's a moment where she's like, I've missed you.

0:32:00.800 --> 0:32:03.400
<v Speaker 1>He's like, well you didn't miss my name. He's like,

0:32:03.440 --> 0:32:05.720
<v Speaker 1>couldn't you, Like I don't know, say I miss you too. Also,

0:32:05.840 --> 0:32:09.160
<v Speaker 1>what's with this name thing that you're doing? Right right? Yeah,

0:32:09.240 --> 0:32:10.960
<v Speaker 1>there's that. That was a moment where I was just like,

0:32:11.320 --> 0:32:13.600
<v Speaker 1>like everyone's had an argument like that where it's just

0:32:13.680 --> 0:32:17.720
<v Speaker 1>like just take the wind, just like what are you doing? Yeah,

0:32:17.840 --> 0:32:19.560
<v Speaker 1>I don't know. That was like one of the parts

0:32:19.640 --> 0:32:22.160
<v Speaker 1>of the movie that I didn't remember where he's like

0:32:22.480 --> 0:32:26.840
<v Speaker 1>constantly sort of berating himself either for making the masculine

0:32:26.920 --> 0:32:29.680
<v Speaker 1>choice or not making the masculine choice, where he like

0:32:29.800 --> 0:32:33.160
<v Speaker 1>brats himself for yelling at his wife for not keeping

0:32:33.440 --> 0:32:38.480
<v Speaker 1>his name because she am his property. And but then

0:32:38.560 --> 0:32:41.640
<v Speaker 1>at other points in the movie he like burrats himself,

0:32:41.720 --> 0:32:44.400
<v Speaker 1>you know, in like Shakespearean monologue, which we're just like, well,

0:32:44.480 --> 0:32:46.880
<v Speaker 1>this is what the world is. Like he just yell

0:32:46.920 --> 0:32:49.959
<v Speaker 1>at yourself, but he like buriates himself for not acting

0:32:50.080 --> 0:32:53.120
<v Speaker 1>more violently and acting like in a more protective way.

0:32:53.600 --> 0:32:56.560
<v Speaker 1>So I don't know, I I he was more complex

0:32:56.640 --> 0:32:59.640
<v Speaker 1>than I remembered him being. I think the whole movie

0:32:59.720 --> 0:33:02.520
<v Speaker 1>is actually more complex than I remember that you might

0:33:02.560 --> 0:33:05.120
<v Speaker 1>assume just on first glance, because I think this is

0:33:05.160 --> 0:33:09.560
<v Speaker 1>a movie that doesn't necessarily mistreat women. It certainly doesn't

0:33:09.600 --> 0:33:13.920
<v Speaker 1>know portray many women, really treat women, Yeah, it just does.

0:33:14.160 --> 0:33:17.400
<v Speaker 1>It just doesn't. There's not women in the movie. So

0:33:17.560 --> 0:33:20.400
<v Speaker 1>it's not as though the women in the movie are

0:33:21.040 --> 0:33:24.960
<v Speaker 1>what few there are, are being mistreated by the narrative.

0:33:25.440 --> 0:33:29.080
<v Speaker 1>It's more a movie that just sort of glorifies hyper masculinity,

0:33:29.160 --> 0:33:31.880
<v Speaker 1>but then also doesn't because there are a bunch of

0:33:31.920 --> 0:33:35.560
<v Speaker 1>different types of toxic dudes who are very toxic in

0:33:35.600 --> 0:33:38.800
<v Speaker 1>the masculinity. Like we have to walk past the topless

0:33:38.840 --> 0:33:41.520
<v Speaker 1>girls in the on the wall the pictures like says

0:33:41.560 --> 0:33:43.680
<v Speaker 1>hide when then comes back and says hid work like

0:33:43.840 --> 0:33:47.120
<v Speaker 1>talks to the topless pictures. What is he like puts

0:33:47.160 --> 0:33:49.680
<v Speaker 1>his hand on it and he's like girls, It's like

0:33:49.840 --> 0:33:52.640
<v Speaker 1>what why does that happen? He kind of comes back

0:33:52.720 --> 0:33:54.360
<v Speaker 1>and it's like hey, babe, Like he like talks to it,

0:33:54.440 --> 0:33:56.560
<v Speaker 1>like he's having a relationship with it, and it's it's weird.

0:33:57.280 --> 0:33:59.640
<v Speaker 1>Call this movie complex though, Let's just go back. You

0:33:59.760 --> 0:34:05.440
<v Speaker 1>do well here, get ready for there is like that's

0:34:05.480 --> 0:34:07.600
<v Speaker 1>like one of those things that I love to picture them,

0:34:08.000 --> 0:34:12.759
<v Speaker 1>like male screenwriter in Israel, Like, that's fun. That was

0:34:12.800 --> 0:34:15.759
<v Speaker 1>a jerk off motion if you didn't know, Yeah, sorry,

0:34:16.080 --> 0:34:19.200
<v Speaker 1>uh yeah, it's an audio podcast. If you can tell

0:34:19.280 --> 0:34:23.759
<v Speaker 1>from my very saliva heavy gig, that was a jerk

0:34:23.840 --> 0:34:28.359
<v Speaker 1>off spot on spot on. He's like, I got him good,

0:34:29.480 --> 0:34:32.520
<v Speaker 1>but let me here here I come defending myself. All right.

0:34:33.840 --> 0:34:36.920
<v Speaker 1>I made a list of all the toxic bros in

0:34:37.040 --> 0:34:44.000
<v Speaker 1>the movie's Oh my god, wow we suck well. We

0:34:44.320 --> 0:34:48.120
<v Speaker 1>first of all, we have the businessman cokehead bros. We

0:34:48.239 --> 0:34:51.960
<v Speaker 1>have those, and those bros are pretty universally punished by

0:34:52.040 --> 0:34:55.040
<v Speaker 1>the world of this movie. Yeah, we're like we're coming

0:34:55.120 --> 0:34:59.600
<v Speaker 1>off the Reagan era. Everyone's like, actually, fuck these guys,

0:35:01.080 --> 0:35:03.960
<v Speaker 1>We're just gonna murder. So there's is it Ellis Harry

0:35:04.000 --> 0:35:08.719
<v Speaker 1>Ellis is the name of the character whatever he's hitting on.

0:35:09.000 --> 0:35:11.080
<v Speaker 1>He's the one hitting on Holly at the beginning, and

0:35:11.120 --> 0:35:13.520
<v Speaker 1>then comes in later he's like, actually I am a

0:35:13.600 --> 0:35:17.960
<v Speaker 1>bit of a negotiator and he's you know, Alan Ray

0:35:18.120 --> 0:35:23.240
<v Speaker 1>or whatever is really you know that there's some choed

0:35:23.280 --> 0:35:26.080
<v Speaker 1>out there right now with a T shirt that says that,

0:35:26.800 --> 0:35:31.440
<v Speaker 1>you know, like just not to trigger any chide listeners. Us.

0:35:32.880 --> 0:35:36.880
<v Speaker 1>We have a ton If you're a chode and you're listening,

0:35:37.120 --> 0:35:42.880
<v Speaker 1>stop listening, but ahead or stop being a chod. We

0:35:43.040 --> 0:35:49.919
<v Speaker 1>need the listener. Okay, So the toxic bros in this movie, Yeah,

0:35:50.000 --> 0:35:54.000
<v Speaker 1>Harry Ellis who just high on cocaine the whole movie,

0:35:54.400 --> 0:35:56.880
<v Speaker 1>so broie that he thinks he can all smart this

0:35:57.120 --> 0:36:01.480
<v Speaker 1>group of like mercenary harass yea and then gets murdered

0:36:01.520 --> 0:36:06.600
<v Speaker 1>because of it. There's Dwayne t. Robinson, the deputy chief

0:36:07.160 --> 0:36:10.919
<v Speaker 1>bro who was just like he's the guy who he's

0:36:10.960 --> 0:36:13.720
<v Speaker 1>like the police chief who like won't listen to reason

0:36:14.000 --> 0:36:16.960
<v Speaker 1>because al pal is being all like hang on, like

0:36:17.160 --> 0:36:20.080
<v Speaker 1>don't send the men in, and he was like shut up.

0:36:20.239 --> 0:36:22.880
<v Speaker 1>He might just be a bartender, the guy with the

0:36:22.960 --> 0:36:26.560
<v Speaker 1>hair who's like don't Yeah, that applies to a lot

0:36:26.640 --> 0:36:29.359
<v Speaker 1>of different characters. So I'm not sure if the girl

0:36:29.760 --> 0:36:32.480
<v Speaker 1>who don't do that? Yeah, sure, I love that guy.

0:36:33.640 --> 0:36:37.480
<v Speaker 1>So they're saying there's Thornberg, who's the TV bro who

0:36:37.600 --> 0:36:41.160
<v Speaker 1>wouldn't do anything for a story. And then there's all

0:36:41.239 --> 0:36:50.320
<v Speaker 1>the all the Feds are losers. Yeah, there's the terrorists bros.

0:36:50.520 --> 0:36:53.280
<v Speaker 1>And the biggest bro of them all, and they're literal bros.

0:36:53.320 --> 0:36:56.080
<v Speaker 1>Like some of them actually some of them are brothers. Yeah,

0:36:56.640 --> 0:37:01.720
<v Speaker 1>don't kill the bros. Bros get pissed. So the movie

0:37:01.800 --> 0:37:04.920
<v Speaker 1>makes a point to like show these like toxic dudes.

0:37:05.040 --> 0:37:07.759
<v Speaker 1>I mean, like they're bad, but this other one named

0:37:07.840 --> 0:37:12.400
<v Speaker 1>John McClain, he's good. It's yeah, it's very selective about

0:37:12.560 --> 0:37:16.480
<v Speaker 1>like this is the kind of hyper masculinity that we love,

0:37:17.280 --> 0:37:25.440
<v Speaker 1>but don't do business. That's stupid. It's weird. Yeah, but

0:37:25.640 --> 0:37:31.040
<v Speaker 1>that's why I say the movie is very complessed. Extremely.

0:37:31.600 --> 0:37:34.000
<v Speaker 1>I wanted to talk about this scene where it's another

0:37:34.080 --> 0:37:38.000
<v Speaker 1>time where we see Holly be very competent. There's two

0:37:38.040 --> 0:37:43.800
<v Speaker 1>scenes where we see her doing her job, which is negotiating.

0:37:45.000 --> 0:37:48.279
<v Speaker 1>The first scene is when Alan Rickman is really overdoing

0:37:48.360 --> 0:37:51.720
<v Speaker 1>it and he's he's strolling through the audience. He's says

0:37:51.760 --> 0:37:54.320
<v Speaker 1>sixteen words. It takes fifty hours for him to do it,

0:37:55.160 --> 0:37:59.359
<v Speaker 1>but he's he's trying to figure out who Holly's bosses. Uh,

0:37:59.560 --> 0:38:03.120
<v Speaker 1>And she she touches him like, she takes his arm

0:38:03.160 --> 0:38:07.560
<v Speaker 1>as if to say, I'm negotiating. I don't say anything,

0:38:07.800 --> 0:38:10.840
<v Speaker 1>and then he does. He goes against her wishes and

0:38:11.239 --> 0:38:13.759
<v Speaker 1>it gets him killed. So that's the first instance we

0:38:13.880 --> 0:38:16.160
<v Speaker 1>see of Holly. You know, we're like, oh, she was

0:38:16.480 --> 0:38:20.600
<v Speaker 1>totally right to negotiate. She had the right instinct. She

0:38:20.800 --> 0:38:23.200
<v Speaker 1>had the right instinct. And then there's the second scene

0:38:23.520 --> 0:38:28.160
<v Speaker 1>with Holly and Hans Gruber where she likes the way

0:38:28.200 --> 0:38:33.520
<v Speaker 1>you said that just I was doing my best giving it. Uh.

0:38:34.080 --> 0:38:38.000
<v Speaker 1>But we see Holly and Hans Gruber talking and she

0:38:38.200 --> 0:38:41.880
<v Speaker 1>does her job, which is negotiate, where she says, hey,

0:38:42.000 --> 0:38:47.960
<v Speaker 1>there's a pregnant lady and she's tired, and Alan Rickman says, Okay,

0:38:48.040 --> 0:38:50.920
<v Speaker 1>I'm listening, and if you don't want it to get messy,

0:38:50.960 --> 0:38:53.040
<v Speaker 1>you better start bringing us to the bathroom and groups

0:38:53.320 --> 0:38:57.000
<v Speaker 1>right right, He's like, thinking of that, I have to

0:38:57.080 --> 0:39:00.800
<v Speaker 1>be and let's make it nice, right, I was squatting

0:39:00.840 --> 0:39:03.520
<v Speaker 1>over a plant in this party. I'm talking right there,

0:39:03.560 --> 0:39:05.319
<v Speaker 1>go to the bathroom. Although it would have been very

0:39:05.360 --> 0:39:09.600
<v Speaker 1>exciting to see with someone pan a terrorist, definitely I

0:39:09.640 --> 0:39:13.120
<v Speaker 1>would have imagined, okay, there will be no question of

0:39:13.239 --> 0:39:16.240
<v Speaker 1>like this is a feminist text. If a pregnant woman

0:39:16.719 --> 0:39:19.919
<v Speaker 1>pissed on a terrorist, that would be yeah, that would

0:39:20.040 --> 0:39:22.040
<v Speaker 1>would I would get nice twisted the movie when like

0:39:22.120 --> 0:39:24.960
<v Speaker 1>all the ladies are ladies dropped trout when everyone just

0:39:25.000 --> 0:39:30.240
<v Speaker 1>started peeing. Remember the ters would fleet, they don't panic, fleet,

0:39:30.280 --> 0:39:32.960
<v Speaker 1>drop their guns, and the movie would be over. Remember

0:39:33.040 --> 0:39:36.880
<v Speaker 1>that sad They would just be like, Oh, that's the

0:39:36.920 --> 0:39:40.600
<v Speaker 1>movie where all the seven months pregnant women piss on terrorists.

0:39:41.760 --> 0:39:45.640
<v Speaker 1>I love that movie totally. Let's do that director's cut.

0:39:46.440 --> 0:39:49.319
<v Speaker 1>Surely that footage just hit at the cutting room floor.

0:39:50.200 --> 0:39:52.080
<v Speaker 1>But yes, that is the scene where I think we

0:39:52.200 --> 0:39:55.040
<v Speaker 1>see Holly kind of at the peak of her powers.

0:39:55.160 --> 0:39:59.319
<v Speaker 1>Because so often in movies like this, women be hysterical

0:40:00.280 --> 0:40:05.120
<v Speaker 1>women women no one faints. I don't think in this movie,

0:40:05.160 --> 0:40:07.600
<v Speaker 1>so women be a damsel in distress, which happens to

0:40:07.680 --> 0:40:11.120
<v Speaker 1>her a half hour later. But in this scene, like

0:40:11.239 --> 0:40:13.840
<v Speaker 1>the scene with her and Alan Rickman, I really like

0:40:14.200 --> 0:40:20.080
<v Speaker 1>because she effectively negotiates. He listens to her, even though

0:40:20.160 --> 0:40:22.120
<v Speaker 1>you know he's a terrorist and he's like needs to

0:40:22.200 --> 0:40:26.279
<v Speaker 1>be pissed on, but like he he says okay, and

0:40:26.360 --> 0:40:28.920
<v Speaker 1>they negotiate, and then that's the end of the scene.

0:40:29.040 --> 0:40:30.880
<v Speaker 1>And I guess my problem. I do like that you

0:40:30.960 --> 0:40:33.880
<v Speaker 1>see her take an active role and do something. The

0:40:33.920 --> 0:40:35.600
<v Speaker 1>trouble is it doesn't really have anything to do with

0:40:35.640 --> 0:40:37.480
<v Speaker 1>the plot, so we could cut that scene out of

0:40:37.480 --> 0:40:39.759
<v Speaker 1>the movie and it wouldn't make any difference. Basically, that's

0:40:39.800 --> 0:40:42.040
<v Speaker 1>a good point. And then there's a moment later on,

0:40:42.200 --> 0:40:44.480
<v Speaker 1>as you mentioned, when she becomes a dance well right

0:40:44.520 --> 0:40:47.120
<v Speaker 1>before that, she's in the room with Hans and I

0:40:47.200 --> 0:40:49.920
<v Speaker 1>think this is after he has learned who she is,

0:40:50.040 --> 0:40:53.960
<v Speaker 1>that she is John mcclean's wife, and she's very different

0:40:54.000 --> 0:40:56.760
<v Speaker 1>if everyone was texting each other instead of on public

0:40:56.840 --> 0:41:02.360
<v Speaker 1>walkie talks. But she said something like, all of your posturing,

0:41:02.520 --> 0:41:05.080
<v Speaker 1>all of your speeches, you're nothing but a common thief.

0:41:05.120 --> 0:41:08.480
<v Speaker 1>And then he wigs out, he and he runs over

0:41:08.520 --> 0:41:10.759
<v Speaker 1>and he's like, I'm an exceptional thief. How dare you

0:41:11.600 --> 0:41:15.080
<v Speaker 1>that's like every man in any situation? How dare you

0:41:15.160 --> 0:41:19.160
<v Speaker 1>emasculate me? I'm great at what I did. I once

0:41:19.320 --> 0:41:22.680
<v Speaker 1>dated someone who I corrected because he said the wrong

0:41:22.760 --> 0:41:26.360
<v Speaker 1>thing in a McDonald's drive through, and he was like,

0:41:26.560 --> 0:41:30.200
<v Speaker 1>I've actually always prided myself and how well I order things,

0:41:32.400 --> 0:41:38.040
<v Speaker 1>So actually you wanted to mcdouble. I heard it, and

0:41:38.239 --> 0:41:42.920
<v Speaker 1>you will eat it anyway, That's what I thought. Yeah. Sure.

0:41:43.920 --> 0:41:48.239
<v Speaker 1>So he kidnaps her then and he's holding her at gunpoint.

0:41:48.640 --> 0:41:51.200
<v Speaker 1>So John McClean has to do the thing that drives

0:41:51.239 --> 0:41:54.080
<v Speaker 1>me nuts, where he has to save a woman who's

0:41:54.239 --> 0:41:57.040
<v Speaker 1>in the damsel in distress. Uh, and he does it

0:41:57.200 --> 0:41:59.640
<v Speaker 1>by you know, pulling the gun at he's taped to

0:41:59.719 --> 0:42:01.520
<v Speaker 1>his act by lying on the ground and with the

0:42:01.600 --> 0:42:05.160
<v Speaker 1>tape face up. You know how we've all done that.

0:42:05.480 --> 0:42:08.480
<v Speaker 1>And then uh, he shoots Hans, and then there's he

0:42:08.560 --> 0:42:11.080
<v Speaker 1>has to save Holly again. Whenever Hans is kind of

0:42:11.120 --> 0:42:14.520
<v Speaker 1>like stumbling out through the window, grabs Holly by the

0:42:14.600 --> 0:42:17.200
<v Speaker 1>wrist and he's like about to pull her over the ledge.

0:42:17.560 --> 0:42:21.719
<v Speaker 1>So John McClinton comes and he undoes her Rolex watch

0:42:21.840 --> 0:42:24.600
<v Speaker 1>band and then the watch flies off and then Hans

0:42:25.000 --> 0:42:28.640
<v Speaker 1>falls and we're like, ya, I argue too that that's

0:42:28.680 --> 0:42:32.440
<v Speaker 1>like a symbol role ax off of like this thing

0:42:32.520 --> 0:42:34.840
<v Speaker 1>you just got for I mean, like logistically we know

0:42:35.040 --> 0:42:37.480
<v Speaker 1>he has to tear that off, but I think it's

0:42:37.480 --> 0:42:39.080
<v Speaker 1>like that's what she got for her good work. And

0:42:39.160 --> 0:42:41.880
<v Speaker 1>he's throwing that right, and he's like funck this, And

0:42:42.000 --> 0:42:44.239
<v Speaker 1>she wouldn't have thought herself, dude, like hey, he's got

0:42:44.320 --> 0:42:46.520
<v Speaker 1>my watch, let's undo it. He was like out of

0:42:46.520 --> 0:42:50.160
<v Speaker 1>the way, little lady. I'll do your watch for like

0:42:50.320 --> 0:42:53.000
<v Speaker 1>that was. That was a symbolic I wrote that down too,

0:42:53.760 --> 0:42:56.400
<v Speaker 1>And whether you know the filmmakers intended for that to

0:42:56.480 --> 0:43:00.320
<v Speaker 1>happen or not, me is a good audience member, was like,

0:43:00.800 --> 0:43:04.560
<v Speaker 1>this is my brain seeing this visual symbolism, Killen, you're

0:43:04.600 --> 0:43:10.719
<v Speaker 1>really putting that master's degree to right, right. But the

0:43:10.800 --> 0:43:12.800
<v Speaker 1>other thing that drove me not about that moment is

0:43:12.880 --> 0:43:15.760
<v Speaker 1>that why couldn't she undo her own Like, why couldn't

0:43:15.800 --> 0:43:17.960
<v Speaker 1>we give her that moment exactly? She couldn't have been like,

0:43:18.000 --> 0:43:20.480
<v Speaker 1>I've got this one John Flank and then there we go.

0:43:20.719 --> 0:43:22.560
<v Speaker 1>But no, he's got to do it for right. So

0:43:23.239 --> 0:43:25.120
<v Speaker 1>it just drove me crazy that she didn't get her

0:43:25.160 --> 0:43:27.040
<v Speaker 1>own big moment like that, because you know who else

0:43:27.080 --> 0:43:29.600
<v Speaker 1>gets a moment like that for no reason? Pretty much

0:43:29.640 --> 0:43:37.520
<v Speaker 1>everyone else in the story. He and even less screen

0:43:37.600 --> 0:43:39.480
<v Speaker 1>time than Holly, I think. But he was like, let

0:43:39.560 --> 0:43:41.480
<v Speaker 1>me crash, and yeah, they make it, let him be

0:43:41.560 --> 0:43:44.160
<v Speaker 1>a hero. Totally. I forgot that's Holly does get a

0:43:44.239 --> 0:43:47.319
<v Speaker 1>moment like that. But for me, it's like rang kind

0:43:47.360 --> 0:43:50.719
<v Speaker 1>of hollow where a Holly she punches the journalists in

0:43:50.800 --> 0:43:53.200
<v Speaker 1>the face at the end of the movie. But for

0:43:53.320 --> 0:43:56.240
<v Speaker 1>me that that I was already incensed at that point

0:43:56.320 --> 0:43:58.719
<v Speaker 1>in the movie because it's set up so many times

0:43:58.760 --> 0:44:01.040
<v Speaker 1>where she's like Holly Jenny a Holly Gennaro, and we

0:44:01.120 --> 0:44:03.759
<v Speaker 1>know the moral of this movie is take the man's name,

0:44:03.880 --> 0:44:07.840
<v Speaker 1>you belong to him, So like, you know that that's coming,

0:44:07.920 --> 0:44:10.160
<v Speaker 1>and she's gonna be like Holly McClain and we're like,

0:44:10.360 --> 0:44:16.040
<v Speaker 1>welan hand her own armies, and that's like the moral

0:44:16.160 --> 0:44:19.880
<v Speaker 1>of the film. So it's already mad because you know

0:44:20.040 --> 0:44:23.000
<v Speaker 1>that's coming, and by the time she punched the journalists

0:44:23.000 --> 0:44:25.239
<v Speaker 1>in the face. But it's also just kind of something

0:44:25.320 --> 0:44:28.640
<v Speaker 1>we've talked about a lot before, of like giving a

0:44:28.760 --> 0:44:32.760
<v Speaker 1>female character and action to do in order to impress

0:44:32.840 --> 0:44:35.680
<v Speaker 1>the men around her that has no bearing on the plot.

0:44:36.000 --> 0:44:38.920
<v Speaker 1>This happens in action movies all the fucking time, just

0:44:39.080 --> 0:44:42.000
<v Speaker 1>like the fucking McSweeney's article that we talked about. Every

0:44:42.000 --> 0:44:44.560
<v Speaker 1>single kick I'm a woman and I'm going to kick

0:44:44.680 --> 0:44:47.840
<v Speaker 1>one time, and all the men are like, whoa, we

0:44:48.000 --> 0:44:53.200
<v Speaker 1>take she's hot and she kicked one time. We take

0:44:53.239 --> 0:44:56.919
<v Speaker 1>her serious, now, like and that was how that one

0:44:57.280 --> 0:45:01.080
<v Speaker 1>the one physical action and she also she only takes

0:45:01.160 --> 0:45:05.960
<v Speaker 1>physical action way after it has any bearing. Stakes are

0:45:06.280 --> 0:45:10.760
<v Speaker 1>non existent now because the movie is over the tourist danger.

0:45:11.760 --> 0:45:13.919
<v Speaker 1>If she would have killed the last guy, that would

0:45:13.960 --> 0:45:16.640
<v Speaker 1>have been good. Yeah, that would have been good. Oh

0:45:16.719 --> 0:45:18.680
<v Speaker 1>but I I liked that al did it. I don't know.

0:45:18.800 --> 0:45:20.799
<v Speaker 1>I likened like his shots. It would have been better

0:45:20.800 --> 0:45:22.279
<v Speaker 1>if it was just one shot and he killed him.

0:45:22.360 --> 0:45:23.759
<v Speaker 1>What do you do like? He unloaded like four or

0:45:23.800 --> 0:45:26.279
<v Speaker 1>five shots? Like seriously, that's why you re at a

0:45:26.320 --> 0:45:28.680
<v Speaker 1>desk out. I'm just saying, you know what I mean?

0:45:28.719 --> 0:45:31.160
<v Speaker 1>Sharpen up man? Why is an ol chief? That's why?

0:45:32.360 --> 0:45:36.120
<v Speaker 1>Exactly he's a bad shot. He killed a bystander and

0:45:36.640 --> 0:45:39.000
<v Speaker 1>broke a car window and then finally got him in

0:45:39.040 --> 0:45:45.560
<v Speaker 1>the shoulder. Can we talk about the surprise kiss that happens.

0:45:46.000 --> 0:45:49.040
<v Speaker 1>Let's do it? Okay, like blank and you'd miss it.

0:45:49.200 --> 0:45:52.239
<v Speaker 1>But when John mcclen first arrived at the party, a

0:45:52.480 --> 0:45:57.400
<v Speaker 1>man grabs him, says Merry Christmas, kisses him on the

0:45:57.480 --> 0:46:00.400
<v Speaker 1>cheek and then his face. He's just like just like

0:46:01.880 --> 0:46:06.320
<v Speaker 1>what a mail man, a man, a human man and

0:46:06.440 --> 0:46:11.160
<v Speaker 1>a man kiss me all. It's all. It's all very

0:46:11.239 --> 0:46:17.200
<v Speaker 1>like oh l a flora U West Coasters, what's next?

0:46:17.440 --> 0:46:20.600
<v Speaker 1>Keen wa like it's the whole thing, you know. Yeah,

0:46:20.800 --> 0:46:24.719
<v Speaker 1>although we didn't have keen in the eighties, but whatever, Yeah,

0:46:24.800 --> 0:46:27.200
<v Speaker 1>that that was a fun I was fully ready for

0:46:27.480 --> 0:46:29.960
<v Speaker 1>a surprise gets to happen in this movie, as happens

0:46:30.080 --> 0:46:33.320
<v Speaker 1>in almost every movie that we've seen. Almost every major

0:46:33.480 --> 0:46:37.439
<v Speaker 1>release of the past one hundred years features someone being

0:46:37.760 --> 0:46:41.520
<v Speaker 1>kissed at random without their consent. Of the time, it's

0:46:41.520 --> 0:46:44.359
<v Speaker 1>a woman. Every time we talk about surprise kiss, I've

0:46:44.600 --> 0:46:48.280
<v Speaker 1>just you know the movie I write the Mommy, Mommy

0:46:48.400 --> 0:46:51.600
<v Speaker 1>to talk about the money. Well, Brendan Fraser is literally

0:46:51.760 --> 0:46:59.840
<v Speaker 1>in a cage, completely feral, just lunges at Rachel White

0:47:00.719 --> 0:47:09.560
<v Speaker 1>and kisses her and then she goes, oh, it's my

0:47:09.800 --> 0:47:14.080
<v Speaker 1>bits the best moment in cinema, sol Right, this is

0:47:14.160 --> 0:47:18.239
<v Speaker 1>the first male on male surprise kiss that we see. Um,

0:47:18.400 --> 0:47:20.560
<v Speaker 1>so I just wanted to point that out that history

0:47:20.719 --> 0:47:22.839
<v Speaker 1>was made on the Bectel cast just now by us

0:47:22.920 --> 0:47:25.800
<v Speaker 1>talking about this. Uh, it was still fucked up and

0:47:26.560 --> 0:47:30.319
<v Speaker 1>consent important. But also, boy does Bruce Willis think boys

0:47:30.360 --> 0:47:36.480
<v Speaker 1>kissing his gross? Oh? Can we talk about One of

0:47:36.560 --> 0:47:39.400
<v Speaker 1>the other few female characters we see on screen that

0:47:39.560 --> 0:47:44.200
<v Speaker 1>has a speaking role is the emergency responder woman who's

0:47:44.360 --> 0:47:47.680
<v Speaker 1>very bad going on with her now completely enapt but

0:47:47.760 --> 0:47:48.920
<v Speaker 1>you didn't know what. They gave a lot of, like

0:47:49.000 --> 0:47:51.520
<v Speaker 1>the voice over parts to ladies, like the dispatcher in

0:47:51.560 --> 0:47:53.879
<v Speaker 1>the car, the women. There was a lot of sort

0:47:53.920 --> 0:47:56.839
<v Speaker 1>of like you know, disembodied female voices. Yeah, that's a lot.

0:47:56.920 --> 0:47:58.520
<v Speaker 1>I mean, I feel like that's a lot of a

0:47:58.560 --> 0:48:01.160
<v Speaker 1>lot of disembodied female voice. Has a lot of dissiploded

0:48:01.280 --> 0:48:04.359
<v Speaker 1>female body bars, a lot of screams that a lot

0:48:04.400 --> 0:48:07.880
<v Speaker 1>of women got to scream on camera and one lucky

0:48:07.960 --> 0:48:10.960
<v Speaker 1>woman came. One lucky woman got to scream and have

0:48:11.080 --> 0:48:18.680
<v Speaker 1>her tits. What a gift. Amazing role. They're a housekeeper.

0:48:18.800 --> 0:48:21.680
<v Speaker 1>I think probably had more. She did, had more dialogue

0:48:21.719 --> 0:48:26.960
<v Speaker 1>than like Justine. The top ten minutes of this movie

0:48:27.080 --> 0:48:30.400
<v Speaker 1>have the most female speaking roles of the entire movie.

0:48:30.520 --> 0:48:34.080
<v Speaker 1>Where we hear Holly talked to her assistant, we hear

0:48:34.160 --> 0:48:36.400
<v Speaker 1>talk to her daughter, and when here talked to her housekeeper.

0:48:36.520 --> 0:48:39.400
<v Speaker 1>They all have names and you're just like, WHOA, maybe

0:48:39.520 --> 0:48:42.320
<v Speaker 1>this is the bet And then John mcclaimed person. He's like,

0:48:42.520 --> 0:48:48.200
<v Speaker 1>why don't you have my name? And forty five hours

0:48:48.200 --> 0:48:50.919
<v Speaker 1>because this movie is very long. He's just like it's

0:48:51.000 --> 0:48:55.479
<v Speaker 1>just me now on the screen, no women allowed. There's

0:48:55.760 --> 0:48:58.040
<v Speaker 1>every time because I watched this movie twice before we

0:48:58.160 --> 0:49:01.080
<v Speaker 1>recorded this, and there there's like a thirty minutes where

0:49:01.120 --> 0:49:03.520
<v Speaker 1>I was like, not bat I was just pacing. It's

0:49:03.600 --> 0:49:07.520
<v Speaker 1>just like, oh, maybe Bruce Willis is skipping around. I

0:49:07.560 --> 0:49:10.320
<v Speaker 1>don't know what he's doing, cartwheels like. There's just a

0:49:11.000 --> 0:49:15.160
<v Speaker 1>long string of time where he's talking to himself and murdering,

0:49:15.360 --> 0:49:18.360
<v Speaker 1>but which I don't find very compelled. I don't know.

0:49:18.640 --> 0:49:22.560
<v Speaker 1>But his tank top though, goes from pretty pristine and

0:49:22.600 --> 0:49:26.640
<v Speaker 1>white to a little bloody to instantly black with dirt.

0:49:26.719 --> 0:49:30.040
<v Speaker 1>How did it get there? What happened? And then goes

0:49:30.120 --> 0:49:32.520
<v Speaker 1>back to being a little less dirty and like kind

0:49:32.560 --> 0:49:34.640
<v Speaker 1>of white again because they take it off at some point,

0:49:34.719 --> 0:49:37.520
<v Speaker 1>and then he takes it on. Oh he has it

0:49:37.640 --> 0:49:39.920
<v Speaker 1>on at the end, doesn't he does? He has a

0:49:40.040 --> 0:49:44.520
<v Speaker 1>jacket on. But the point is we do see nipples,

0:49:45.080 --> 0:49:51.239
<v Speaker 1>and it's important you get nips of all genders, are right.

0:49:51.280 --> 0:49:53.400
<v Speaker 1>But then the scene where you see the like the

0:49:53.480 --> 0:49:56.560
<v Speaker 1>bear lady's breasts or the lady's bear breast is how

0:49:56.640 --> 0:50:05.720
<v Speaker 1>you say that not a lady bear? Yeah? Right? Although

0:50:05.960 --> 0:50:09.360
<v Speaker 1>how many apple does a bear hat. I mean, no

0:50:09.520 --> 0:50:12.640
<v Speaker 1>one knows, No one knows. You can figure it out

0:50:13.960 --> 0:50:27.120
<v Speaker 1>to a bear to counter simples. Okay, I'm back, all right.

0:50:27.320 --> 0:50:32.120
<v Speaker 1>So you see the woman's bare breasts and fine female

0:50:32.200 --> 0:50:35.120
<v Speaker 1>nudity whatever. If it happens for no reason like it

0:50:35.200 --> 0:50:37.440
<v Speaker 1>does in this movie, pretty annoying. But if we are

0:50:37.480 --> 0:50:39.359
<v Speaker 1>going to see it, let us see some like male

0:50:39.480 --> 0:50:43.120
<v Speaker 1>size or something like like I was going to argue

0:50:43.239 --> 0:50:46.800
<v Speaker 1>from very early in this movie, we see Bruce Willis's

0:50:46.880 --> 0:50:49.759
<v Speaker 1>chest hair. Fully, it seems that it's been teased out

0:50:49.800 --> 0:50:56.160
<v Speaker 1>words his body. That seems like that was someone's job, definitely,

0:50:57.719 --> 0:51:00.359
<v Speaker 1>because then later you're because, I mean, my impress at

0:51:00.360 --> 0:51:02.000
<v Speaker 1>the beginning watching it this time, I was like, wow,

0:51:02.080 --> 0:51:03.680
<v Speaker 1>he must have a lot of chess hair because it's

0:51:03.719 --> 0:51:06.800
<v Speaker 1>like he can't control it. And then later when he

0:51:06.840 --> 0:51:08.600
<v Speaker 1>takes off his tank type, you're like, oh, there's really

0:51:08.640 --> 0:51:13.960
<v Speaker 1>not that, but what is there is just six inches

0:51:14.120 --> 0:51:17.160
<v Speaker 1>extended from his body. It's like, you know what Somewhere

0:51:17.200 --> 0:51:19.000
<v Speaker 1>they cut and they're like, can someone get on his

0:51:19.120 --> 0:51:22.440
<v Speaker 1>chess hair? Get on hair for prom can we get

0:51:22.480 --> 0:51:26.439
<v Speaker 1>there on his chest hair? We would like a full

0:51:26.600 --> 0:51:30.319
<v Speaker 1>perm It's with the eighties. They didn't know better, they

0:51:30.360 --> 0:51:35.239
<v Speaker 1>didn't know lu I loved Bruce. I'll say I loved

0:51:35.360 --> 0:51:39.359
<v Speaker 1>Bruce Wallis's voluminous chess hair. I thought it was great.

0:51:40.640 --> 0:51:43.480
<v Speaker 1>Can I say that there are hardly any women whose

0:51:43.560 --> 0:51:45.440
<v Speaker 1>names that we know in this movie, But there are

0:51:45.520 --> 0:51:48.680
<v Speaker 1>three different men who have the last name Johnson that

0:51:48.800 --> 0:51:50.640
<v Speaker 1>we know and they talk about it a lot. And

0:51:50.840 --> 0:51:56.640
<v Speaker 1>there's Agent Johnson, Special Agent Johnson, and Harvey Johnson, the

0:51:56.880 --> 0:52:01.080
<v Speaker 1>like newscaster on TV three guys with the last named Dick.

0:52:02.200 --> 0:52:05.000
<v Speaker 1>She was pretty much, this is Mr Penis here, and

0:52:06.239 --> 0:52:08.520
<v Speaker 1>he is business and he is money. Did we know

0:52:08.600 --> 0:52:10.360
<v Speaker 1>the pregnant Do we know the pregnant assistant? Or was

0:52:10.440 --> 0:52:15.160
<v Speaker 1>she just name Jenny? Yeah, we know her name? Yes, yes? Oh.

0:52:15.239 --> 0:52:16.960
<v Speaker 1>I wanted to go back to the so the emergency

0:52:17.000 --> 0:52:20.239
<v Speaker 1>responder woman who's very bad because John McClain is like, hey,

0:52:20.600 --> 0:52:23.959
<v Speaker 1>we're having a terrorist attack and she's like, doesn't sound

0:52:24.040 --> 0:52:27.239
<v Speaker 1>like it, and there's like rapid gunfire and she's like,

0:52:27.440 --> 0:52:30.000
<v Speaker 1>I don't think so, but maybe I'll send a cop over.

0:52:30.680 --> 0:52:32.960
<v Speaker 1>And it was just very frustrating to see one of

0:52:33.000 --> 0:52:35.319
<v Speaker 1>the few women on screen who has a speaking role

0:52:35.440 --> 0:52:40.239
<v Speaker 1>be very bad at her job, like aggressively to the

0:52:40.320 --> 0:52:43.080
<v Speaker 1>point of like, is this it clearly wasn't her first

0:52:43.160 --> 0:52:46.840
<v Speaker 1>day she was in charge? Actually was? And and and

0:52:47.239 --> 0:52:50.719
<v Speaker 1>also to see because Bruce Willis's character is very frustrated

0:52:50.760 --> 0:52:53.399
<v Speaker 1>with her and he's like, come on, dude, dude, send

0:52:53.440 --> 0:52:56.080
<v Speaker 1>the thing. And it's like, I'm kind of on his side,

0:52:56.520 --> 0:53:00.399
<v Speaker 1>like why isn't she doing her job? Unclear? Who knows?

0:53:00.680 --> 0:53:03.359
<v Speaker 1>We also see I've done a few places, we see

0:53:03.440 --> 0:53:07.560
<v Speaker 1>women who are not hostages in this movie, or as

0:53:07.600 --> 0:53:11.800
<v Speaker 1>I like to call them, full titty hostages. We have

0:53:11.960 --> 0:53:14.759
<v Speaker 1>we have Lucy McClain, the daughter. We have the housekeeper

0:53:14.800 --> 0:53:19.480
<v Speaker 1>whose name is Paulina Paulina. We have the emergency women

0:53:20.040 --> 0:53:23.080
<v Speaker 1>and her coworker who were both like, um, what is

0:53:23.120 --> 0:53:27.520
<v Speaker 1>a gunshot sound like? And then and then there's one

0:53:28.120 --> 0:53:33.279
<v Speaker 1>female on screen journalist for a split second movie who yeah,

0:53:33.360 --> 0:53:38.919
<v Speaker 1>who delivers Hey it's almost Christmas, And they're like, Okay,

0:53:38.920 --> 0:53:40.759
<v Speaker 1>we've had enough women, let's get let's cut back to

0:53:40.840 --> 0:53:43.560
<v Speaker 1>another person named Johnson. That's for sure as a movie

0:53:43.719 --> 0:53:47.280
<v Speaker 1>populated by almost entirely men, because all of the dozen

0:53:47.520 --> 0:53:50.279
<v Speaker 1>terrorists or men, I think, all of the cops, all

0:53:50.320 --> 0:53:52.279
<v Speaker 1>the l A p. D, all the FBI you see,

0:53:52.360 --> 0:53:53.880
<v Speaker 1>or all men. It would be so easy to have

0:53:54.080 --> 0:53:56.880
<v Speaker 1>like one of the Johnson FBI people. I feel like

0:53:56.960 --> 0:53:59.000
<v Speaker 1>they would have done that now, like and I think

0:53:59.040 --> 0:54:02.160
<v Speaker 1>in action filmmade in the last five years, one of

0:54:02.200 --> 0:54:04.360
<v Speaker 1>the terrorists would have been a woman. For sure. She

0:54:04.360 --> 0:54:07.239
<v Speaker 1>wouldn't have said anything, but she could fight. She would

0:54:07.239 --> 0:54:11.000
<v Speaker 1>beat when I'm the girl with her thighs. Yeah, that

0:54:11.040 --> 0:54:13.520
<v Speaker 1>would be her gig. You know, I am kicked lady, absolutely,

0:54:13.840 --> 0:54:16.080
<v Speaker 1>but she was all She would also probably be the

0:54:16.239 --> 0:54:18.520
<v Speaker 1>leaders like lady, you know what I mean. It would

0:54:18.560 --> 0:54:20.359
<v Speaker 1>be a moment where he'd like make up with her

0:54:20.400 --> 0:54:22.480
<v Speaker 1>and then kill a man and make no mistakes. She

0:54:22.520 --> 0:54:27.080
<v Speaker 1>would be very hot. She was deadly hot. And then

0:54:27.239 --> 0:54:28.719
<v Speaker 1>and then then one of the cops would have been

0:54:28.760 --> 0:54:31.480
<v Speaker 1>a woman as well. Yeah right, but never the main,

0:54:32.120 --> 0:54:35.560
<v Speaker 1>never the main. She would have been like she'd be like, like,

0:54:35.760 --> 0:54:37.799
<v Speaker 1>it's my first day. I'm not going to be able

0:54:37.800 --> 0:54:42.080
<v Speaker 1>to do much. Yeah, so we do a car. I'm

0:54:42.080 --> 0:54:44.160
<v Speaker 1>gonna stay in the in the car. That's think of

0:54:44.200 --> 0:54:48.520
<v Speaker 1>the bit. How far we've come in thirty years. Hard

0:54:49.280 --> 0:54:51.600
<v Speaker 1>no woman could be around, but they cannot speak or

0:54:51.719 --> 0:54:56.279
<v Speaker 1>do anything. I'll have to admit that I I've only

0:54:56.360 --> 0:54:59.200
<v Speaker 1>seen die Hard too, and then none of the other sequels,

0:54:59.239 --> 0:55:02.759
<v Speaker 1>So you in the audience probably have seen more clap

0:55:02.880 --> 0:55:08.200
<v Speaker 1>if you've seen a die harded sequel. Okay, yeah, really three?

0:55:08.640 --> 0:55:10.960
<v Speaker 1>I saw three, and then I think I saw the

0:55:11.040 --> 0:55:13.000
<v Speaker 1>one with I think Justin is just as long as

0:55:13.040 --> 0:55:15.480
<v Speaker 1>the number four, number four. I saw three and four

0:55:15.760 --> 0:55:17.759
<v Speaker 1>skip two. But I saw three and four, And I

0:55:17.840 --> 0:55:21.040
<v Speaker 1>know there's a fifth one, right, there's a fifth. There's

0:55:21.400 --> 0:55:26.240
<v Speaker 1>because there's one. There's one die Hardest, die die Hardly,

0:55:26.800 --> 0:55:33.160
<v Speaker 1>I think die Hard. I think there's also one. Remember

0:55:33.160 --> 0:55:35.279
<v Speaker 1>when Bruce Willis was like, we're not gonna swear in

0:55:35.360 --> 0:55:38.080
<v Speaker 1>this one, and then there's no cursing in one of

0:55:38.120 --> 0:55:40.520
<v Speaker 1>them because it was the whole thing was motherfucker fucker.

0:55:41.000 --> 0:55:43.360
<v Speaker 1>And then the next one was all like gosh, darn it.

0:55:43.719 --> 0:55:45.440
<v Speaker 1>You know there was a lot of that. Yeah, I

0:55:45.520 --> 0:55:47.040
<v Speaker 1>hate that. I don't remember which one was, might have

0:55:47.080 --> 0:55:51.200
<v Speaker 1>been five. I think terrorists stink, they're they're rotten to

0:55:51.280 --> 0:55:57.440
<v Speaker 1>the core, those jerks, right when people shoot their lover's sake,

0:55:58.760 --> 0:56:01.319
<v Speaker 1>when they do it, that was always. Yeah, I love God,

0:56:01.640 --> 0:56:05.719
<v Speaker 1>I love I wish I had silly fruitcakes. I wish

0:56:05.760 --> 0:56:07.880
<v Speaker 1>I had seen Die Hard on like a cable edit,

0:56:07.920 --> 0:56:11.040
<v Speaker 1>because there's nothing better than reaction. I think I brought

0:56:11.080 --> 0:56:13.719
<v Speaker 1>this up multiple times, but I saw Kill Bill for

0:56:13.800 --> 0:56:20.439
<v Speaker 1>the first time on on on and there's that great.

0:56:20.800 --> 0:56:23.200
<v Speaker 1>I mean, it's great both ways. But the scene and

0:56:23.360 --> 0:56:26.000
<v Speaker 1>Kill Bill one where he says, my name's book I

0:56:26.160 --> 0:56:31.799
<v Speaker 1>like to fuck right on TND. It's fully dubbed, well

0:56:32.000 --> 0:56:34.600
<v Speaker 1>enough that until I saw it on DVD, I did

0:56:34.680 --> 0:56:37.600
<v Speaker 1>not know my name is Buck and I like to

0:56:37.880 --> 0:56:48.359
<v Speaker 1>go to parties. I was like, Oh, what a very thing,

0:56:49.520 --> 0:56:53.879
<v Speaker 1>same thing. What a strange light of dialogue. There's way

0:56:53.920 --> 0:56:58.880
<v Speaker 1>too many syllables. One syllable go to parties, four syllables,

0:56:59.160 --> 0:57:00.719
<v Speaker 1>Like well, that's pretty I mean, I guess that we

0:57:00.840 --> 0:57:04.120
<v Speaker 1>know who this character is now, but but he's about

0:57:04.160 --> 0:57:07.279
<v Speaker 1>to die. Why do we need to know? Another one

0:57:07.360 --> 0:57:09.680
<v Speaker 1>less point I wanted to make is that we often

0:57:09.719 --> 0:57:13.839
<v Speaker 1>talk about how women of color even have less representation

0:57:14.239 --> 0:57:16.920
<v Speaker 1>than white women in movies, and this is for sure

0:57:17.040 --> 0:57:19.280
<v Speaker 1>true of this, although there are several men of color

0:57:19.640 --> 0:57:23.840
<v Speaker 1>with pretty significant roles between Al pal Ceo, which is

0:57:24.040 --> 0:57:28.720
<v Speaker 1>the black hacker on The Terrorists of Things, Argyle Takagi,

0:57:28.880 --> 0:57:32.480
<v Speaker 1>the CEO question Mark don't know what everyone who works

0:57:32.480 --> 0:57:34.520
<v Speaker 1>there's got a question mark next to their job, and

0:57:34.600 --> 0:57:43.920
<v Speaker 1>then one of the special agent Johnson the Johnson's whereas, Okay,

0:57:44.280 --> 0:57:51.040
<v Speaker 1>yeah they're not right, you're not wrong, but correct me

0:57:51.080 --> 0:57:52.520
<v Speaker 1>if I'm wrong. I think the only woman of color

0:57:52.960 --> 0:57:56.280
<v Speaker 1>screen is Paulina housekeeper, so all the men, I think

0:57:56.280 --> 0:57:59.640
<v Speaker 1>the one screaming woman in a crowd. But that's right,

0:58:00.200 --> 0:58:03.160
<v Speaker 1>an extra. It did seem though that um, all of

0:58:03.480 --> 0:58:05.920
<v Speaker 1>it was kind of like a gender split, men and

0:58:06.040 --> 0:58:08.360
<v Speaker 1>women pretty balanced out of the people who worked at

0:58:08.400 --> 0:58:12.360
<v Speaker 1>the Nakatomi Corporation. I didn't I didn't notice. I I

0:58:12.560 --> 0:58:16.960
<v Speaker 1>spotted five women at that party, spotted fire in too

0:58:17.080 --> 0:58:21.600
<v Speaker 1>bare breasts or as you put it, a beare woman's breasts. Yeah,

0:58:23.000 --> 0:58:25.760
<v Speaker 1>but they're they were only as by my account, there

0:58:25.880 --> 0:58:27.960
<v Speaker 1>was only like five or six women at the party,

0:58:28.440 --> 0:58:31.400
<v Speaker 1>which I'm sure represented about how many women would be

0:58:31.480 --> 0:58:36.840
<v Speaker 1>working at a business business corporation at that time business

0:58:36.880 --> 0:58:40.120
<v Speaker 1>company there. There weren't a ton of women at the party, unfortunately. Yeah,

0:58:40.160 --> 0:58:43.480
<v Speaker 1>I miscounted. I have a master's agreen screenwriting, not math.

0:58:47.480 --> 0:58:50.400
<v Speaker 1>But yeah, it was just I thought worth noting that

0:58:50.480 --> 0:58:52.560
<v Speaker 1>the one woman of color you see on screen has

0:58:52.800 --> 0:58:55.440
<v Speaker 1>you know, she's a housekeeper, nothing wrong with that, but

0:58:55.720 --> 0:58:58.160
<v Speaker 1>you know, in a leadership role or anything like that,

0:58:58.280 --> 0:59:01.720
<v Speaker 1>whereas you have you know, cops and FBI dudes and

0:59:02.080 --> 0:59:05.800
<v Speaker 1>stuff like that. Yeah. So but technically does pass the

0:59:05.840 --> 0:59:10.280
<v Speaker 1>test thought because they there's ladies have conversations. Yeah we will,

0:59:10.720 --> 0:59:13.080
<v Speaker 1>we will get yeah, yeah, well we'll we'll break it down.

0:59:15.360 --> 0:59:18.080
<v Speaker 1>But before we do that, should we do our game? Yes,

0:59:18.160 --> 0:59:21.000
<v Speaker 1>let's do it. Okay, So God, so it's all imes house.

0:59:21.080 --> 0:59:24.120
<v Speaker 1>So we're like, hey, let's do something. So something we

0:59:24.280 --> 0:59:26.640
<v Speaker 1>like to do on the Bettel Castle lot if if

0:59:26.680 --> 0:59:30.680
<v Speaker 1>you're a listener, is we like to call various toxic

0:59:30.800 --> 0:59:36.919
<v Speaker 1>men feminist icons for fun. So I devised a game

0:59:37.040 --> 0:59:40.440
<v Speaker 1>for us to play featuring a bunch of men that

0:59:40.640 --> 0:59:44.760
<v Speaker 1>we've discussed either today on a separate episode or just

0:59:45.040 --> 0:59:47.840
<v Speaker 1>I wanted you to look at the picture of them, uh,

0:59:48.760 --> 0:59:52.080
<v Speaker 1>and we'll have our guest Debora determine if they are

0:59:52.160 --> 0:59:56.400
<v Speaker 1>a feminist icon, a queer icon, or trash that belongs

0:59:56.480 --> 0:59:59.760
<v Speaker 1>in the garbage. Uh. And then we're going to consult

0:59:59.840 --> 1:00:03.600
<v Speaker 1>with you guys to to see if if you agree. Unfortunately,

1:00:03.720 --> 1:00:08.840
<v Speaker 1>whatever Caitlin and I think is the answer, all right,

1:00:08.880 --> 1:00:10.520
<v Speaker 1>So if we could just go to the first slide,

1:00:10.840 --> 1:00:13.720
<v Speaker 1>John McClean and die Hard, how do we feel feminist icon,

1:00:13.840 --> 1:00:17.080
<v Speaker 1>queer icon belongs in the garbage? I would say just

1:00:17.160 --> 1:00:20.080
<v Speaker 1>because of the tank top queer icon. Am I right,

1:00:20.400 --> 1:00:22.200
<v Speaker 1>there's a there's a lot of tank top. Well, what

1:00:22.280 --> 1:00:24.680
<v Speaker 1>do you guys, what do we think queer icon? I

1:00:24.760 --> 1:00:29.440
<v Speaker 1>think queer icon? I think whatever? Next one, Gerard Butler

1:00:29.480 --> 1:00:32.560
<v Speaker 1>has Fantom of the Opera. What do we think, queer icon,

1:00:32.720 --> 1:00:42.000
<v Speaker 1>queer trash, trash show? He's a queer icon. Look at

1:00:42.080 --> 1:00:52.000
<v Speaker 1>his mask. He's holding a roast show cash and this

1:00:52.160 --> 1:00:55.160
<v Speaker 1>is Jim Carey and Jim Carrey's show boats for a

1:00:55.280 --> 1:00:58.120
<v Speaker 1>hundred twenty minutes to the delight of no one, and

1:00:58.240 --> 1:01:03.000
<v Speaker 1>how they he's a garbage that belongs in the trash.

1:01:03.160 --> 1:01:08.440
<v Speaker 1>Am I right, yes, that's correct. Adult grench is trash.

1:01:08.800 --> 1:01:13.320
<v Speaker 1>Next slide, Hans Grouper and I heard feminist icon, queer icon,

1:01:13.440 --> 1:01:17.280
<v Speaker 1>garbage that belongs in the trash? Really testing your how

1:01:18.480 --> 1:01:23.720
<v Speaker 1>in the trash? What are we thinking is icon? Why

1:01:23.800 --> 1:01:28.080
<v Speaker 1>could he talk to a woman one time? I don't

1:01:28.120 --> 1:01:33.480
<v Speaker 1>What do you think? I think he's a feminist icon? Alright?

1:01:33.640 --> 1:01:37.680
<v Speaker 1>Debork Okay, okay, you got it. Next one, Baby Grench.

1:01:42.320 --> 1:01:45.400
<v Speaker 1>Here's where I thought, what about baby Grinch. That's a

1:01:45.440 --> 1:01:51.760
<v Speaker 1>feminist icon. I would also say he's also queer. Yeah, yeah, yeah, fems.

1:01:53.240 --> 1:01:58.520
<v Speaker 1>Baby Grinch very iconic, very icon Yeah, how could you

1:01:58.680 --> 1:02:02.680
<v Speaker 1>not fall in love? The next one, Malcolm Crow in

1:02:04.720 --> 1:02:09.200
<v Speaker 1>a different Bruce Willis Cower Terminus say garbage that belongs

1:02:09.240 --> 1:02:11.280
<v Speaker 1>in the trash. I would say that, what do you

1:02:11.360 --> 1:02:13.840
<v Speaker 1>think I haven't seen that moving forever? So sure, garbage,

1:02:13.840 --> 1:02:18.400
<v Speaker 1>I think we have we have some people garbage. Okay, garbage.

1:02:18.440 --> 1:02:21.920
<v Speaker 1>He's garbage. He's garbage. Next one. That's next one, Hayley

1:02:22.000 --> 1:02:25.440
<v Speaker 1>Joel ask me, but but not in the sixth sense.

1:02:25.560 --> 1:02:29.560
<v Speaker 1>In sex Head, where he plays a sex said teacher,

1:02:30.880 --> 1:02:38.200
<v Speaker 1>queer icon, Am I right? Come on, yes, it's like no,

1:02:38.400 --> 1:02:41.520
<v Speaker 1>he's a becomes an old man with a baby's face.

1:02:41.840 --> 1:02:47.080
<v Speaker 1>Am I right? That is? That is fine? It was

1:02:47.120 --> 1:02:52.360
<v Speaker 1>as STDs slaying the clap. There's I'm not even gonna

1:02:52.400 --> 1:02:55.280
<v Speaker 1>say queer icon. I'm gonna say strictly lesbian icon, like

1:02:55.440 --> 1:03:01.160
<v Speaker 1>just strictly what do we think? Okay, he's an icon

1:03:02.000 --> 1:03:08.640
<v Speaker 1>one period feminist icon, beetle juice feministic feminist icon. Yeah,

1:03:09.120 --> 1:03:13.640
<v Speaker 1>while his title is feminist iconic, feministic, the movie is

1:03:13.760 --> 1:03:18.280
<v Speaker 1>feminist text beetles. Yeah, well that's an easy one. That's

1:03:18.320 --> 1:03:20.480
<v Speaker 1>an easy one except for a safe and Harry Potter

1:03:20.920 --> 1:03:26.240
<v Speaker 1>queer eye caller. All right, yeah, yeah, discusses. He's for

1:03:26.320 --> 1:03:29.880
<v Speaker 1>sure not a feminist icon, but he is, yes, alright,

1:03:29.960 --> 1:03:35.440
<v Speaker 1>Next one fourth grade grade. I feel like that's a

1:03:35.560 --> 1:03:41.439
<v Speaker 1>perfect tie of all three. That is baby queer queer,

1:03:41.560 --> 1:03:49.600
<v Speaker 1>No one feminist queer. So this one's queer adult trash.

1:03:49.720 --> 1:03:54.000
<v Speaker 1>He was trash, It's for sure trash. Then yeah, whatever,

1:03:56.120 --> 1:04:03.560
<v Speaker 1>Next okay, fine, Alpha Molina Inspirement feminist icons and Jamie's

1:04:03.640 --> 1:04:09.240
<v Speaker 1>husband feminist icon. I'm soaking wet, I my freaking pants.

1:04:09.560 --> 1:04:11.480
<v Speaker 1>I was amazing. Remember good he was to his wife

1:04:11.520 --> 1:04:13.160
<v Speaker 1>though in that movie, Like, let's be honest, he was

1:04:13.520 --> 1:04:16.600
<v Speaker 1>really a teacher and it was all great. He was.

1:04:16.800 --> 1:04:23.280
<v Speaker 1>He was right next to his rose. Okay, anyway, Alan

1:04:23.360 --> 1:04:27.560
<v Speaker 1>die Hard feminist icon, queerer icon, queer icon, feminist ychon

1:04:27.720 --> 1:04:30.120
<v Speaker 1>because a feminist icon because he's he's like, my wife's

1:04:30.160 --> 1:04:33.160
<v Speaker 1>pregnant and I'm addicted to her. Okay, you know, I

1:04:33.200 --> 1:04:36.240
<v Speaker 1>don't know what do you think feminist do you guys think,

1:04:36.840 --> 1:04:42.160
<v Speaker 1>although it's also very body positive, it's like, look at him,

1:04:42.600 --> 1:04:44.040
<v Speaker 1>come on, do you know I mean, there's no way

1:04:44.080 --> 1:04:46.320
<v Speaker 1>he could be a street cop. Jesus Christ, Let's be honest.

1:04:47.000 --> 1:04:48.400
<v Speaker 1>You know what I mean. He's at a desk because

1:04:48.400 --> 1:04:50.560
<v Speaker 1>he needs to be at a desk. He's a desk man.

1:04:50.840 --> 1:04:54.360
<v Speaker 1>He's a feminist. Feminists. Yeah, that's it, all right, that's

1:04:54.400 --> 1:04:58.440
<v Speaker 1>my type of desk man. Next one, Oh, Bruce, this

1:04:58.560 --> 1:05:01.160
<v Speaker 1>is Bruce will Is frantically. I mean, he's not a Republican.

1:05:02.280 --> 1:05:05.040
<v Speaker 1>I hate government. I'm a political Write that down. I'm

1:05:05.080 --> 1:05:08.800
<v Speaker 1>not a Republican. Bruce Willis is fully Republican, but he

1:05:08.880 --> 1:05:11.040
<v Speaker 1>spends a lot of time telling people he's not. Is

1:05:11.160 --> 1:05:15.200
<v Speaker 1>this a feminist icon, queer icon or trash move? Trash?

1:05:16.280 --> 1:05:18.720
<v Speaker 1>Brust wise is trash? Can we just note that that

1:05:18.920 --> 1:05:23.040
<v Speaker 1>quote comes from quote fancy guys, I have a membership

1:05:23.120 --> 1:05:33.400
<v Speaker 1>with quote fancy dot com. Bumblebee in the Transformers franchise. Yeah, Bumblebee,

1:05:33.520 --> 1:05:36.760
<v Speaker 1>come on? Where? God I wish that was. Michael Bay

1:05:36.760 --> 1:05:39.080
<v Speaker 1>would be so mad if he knew that Bumblebee was

1:05:39.120 --> 1:05:41.360
<v Speaker 1>a queer high Oh my god, are you kidding? He

1:05:41.480 --> 1:05:45.680
<v Speaker 1>set this place on fire, all right. Next one cartoon

1:05:45.800 --> 1:05:53.320
<v Speaker 1>Grinch feministic. I'm just gonna say icon period icon iconic

1:05:54.520 --> 1:05:57.200
<v Speaker 1>cartoon Grinch. I cook that face? Come on, I know,

1:05:57.360 --> 1:06:02.560
<v Speaker 1>all right. Next one Alfred Molina and Bagheina. Oh he's

1:06:02.600 --> 1:06:06.760
<v Speaker 1>a feminist icon and the queer icon and just remember

1:06:06.920 --> 1:06:08.680
<v Speaker 1>it was great. He's the beginning of the middle in

1:06:08.760 --> 1:06:12.680
<v Speaker 1>the end, everything is that? Is that the final one?

1:06:13.160 --> 1:06:15.520
<v Speaker 1>All right? And that is a game we call feminist

1:06:15.680 --> 1:06:20.120
<v Speaker 1>icon quer icon bart belongs in the trash. You can

1:06:20.160 --> 1:06:23.520
<v Speaker 1>play that at home with your family over a Christmas holidays. Yeah,

1:06:23.600 --> 1:06:26.800
<v Speaker 1>see what I see? Where your family's loyalties live. What

1:06:26.880 --> 1:06:29.520
<v Speaker 1>does your family think of every phase of the Grinch's life?

1:06:31.560 --> 1:06:36.280
<v Speaker 1>I'll forward you my power plant. So should we talk

1:06:36.280 --> 1:06:38.320
<v Speaker 1>about whether or not the movie passes the Bechtel tests?

1:06:39.280 --> 1:06:41.760
<v Speaker 1>We already hinted that it does. It does because it

1:06:41.880 --> 1:06:46.320
<v Speaker 1>does whoa very quickly, Holly talks to her assistant, James

1:06:46.440 --> 1:06:49.720
<v Speaker 1>name Jenny. Jenny. Holly says, Jenny, it's five forty, go

1:06:49.880 --> 1:06:52.160
<v Speaker 1>join the party, have some champagne. You're making me feel

1:06:52.160 --> 1:06:57.360
<v Speaker 1>like Ebenezer Scrooge. She does mention a man, but then

1:06:57.440 --> 1:07:01.480
<v Speaker 1>Jenny in a bad reference. Though, if the joke sucks?

1:07:02.080 --> 1:07:04.720
<v Speaker 1>Is it? If she had said, you're making me feel

1:07:04.760 --> 1:07:09.040
<v Speaker 1>like feminist icon the Grinch feminist slash queer icon, you

1:07:09.080 --> 1:07:11.200
<v Speaker 1>know it's crazy, and she was talking about the Grunch,

1:07:11.200 --> 1:07:12.960
<v Speaker 1>I'd be like, she's not talking about a man, She's

1:07:12.960 --> 1:07:17.480
<v Speaker 1>talking about it an idea. The Grinch is non binary

1:07:17.560 --> 1:07:23.160
<v Speaker 1>as fuck. I know that. Okay, I we've this is crazy,

1:07:23.280 --> 1:07:24.760
<v Speaker 1>and this is like how hard it is to get

1:07:24.800 --> 1:07:27.560
<v Speaker 1>a movie to pass the Bechtel test. Sometimes we've had

1:07:27.760 --> 1:07:30.600
<v Speaker 1>a situation before where it's two women talking about a

1:07:30.720 --> 1:07:35.480
<v Speaker 1>fictional man and we're like, what does it mean? Does

1:07:35.560 --> 1:07:37.959
<v Speaker 1>it count as a man if the man doesn't real?

1:07:38.400 --> 1:07:41.320
<v Speaker 1>And that is just indicative of Wow, women are not

1:07:41.440 --> 1:07:45.160
<v Speaker 1>talking a lot in this movie. Well, and so Jenny

1:07:45.240 --> 1:07:48.160
<v Speaker 1>responds and says, thanks a lot, Mrs McClean, do you

1:07:48.240 --> 1:07:51.080
<v Speaker 1>think the baby can handle a little sip? Uh? And

1:07:51.160 --> 1:07:53.720
<v Speaker 1>then Holly says the baby is ready to tend bar

1:07:54.280 --> 1:07:56.960
<v Speaker 1>And it's a hilarious joke that we all laugh. That's

1:07:57.000 --> 1:08:02.920
<v Speaker 1>a funny fetal alcoholic cynroum gag. That is a feminist

1:08:03.160 --> 1:08:06.920
<v Speaker 1>iconic scene. So I would argue that that does pass

1:08:07.080 --> 1:08:10.400
<v Speaker 1>because the last two lines of that exchange they're talking

1:08:10.440 --> 1:08:18.800
<v Speaker 1>about the baby making feetal alcohols. We don't know is

1:08:18.880 --> 1:08:21.240
<v Speaker 1>she what she was? She just dating at Johnson in

1:08:21.320 --> 1:08:24.280
<v Speaker 1>there with you know what. But there's more, there's more

1:08:24.320 --> 1:08:26.519
<v Speaker 1>scenes where it passes. Yes. So shortly after that, she

1:08:26.800 --> 1:08:31.080
<v Speaker 1>calls her home and Lucy picks up her daughter, who

1:08:31.160 --> 1:08:33.519
<v Speaker 1>does us the favor of stating her full name, Yeah,

1:08:33.880 --> 1:08:37.680
<v Speaker 1>McLean residents, Lucy McClean speaking, it's like, okay, exposition, have

1:08:37.840 --> 1:08:41.679
<v Speaker 1>you calmed down? Yeah? And then she says, hello, Lucy McClean,

1:08:41.760 --> 1:08:43.800
<v Speaker 1>this is your mother speaking, and she says, Mommy, when

1:08:43.800 --> 1:08:46.120
<v Speaker 1>are you coming home? Pretty soon? You'll be in bed

1:08:46.160 --> 1:08:48.400
<v Speaker 1>when I get there because I'm not spending Christmas Eve

1:08:48.520 --> 1:08:52.960
<v Speaker 1>with my family. Instead, I'm talking to the troops, talking

1:08:53.000 --> 1:08:56.000
<v Speaker 1>to the troops with HOLLYE. Jennaro coming soon to Public

1:08:56.080 --> 1:08:59.599
<v Speaker 1>Access TV. And then she says, don't go snipping around

1:08:59.600 --> 1:09:02.840
<v Speaker 1>the house for presents. Let me talk to Paulina. And

1:09:02.920 --> 1:09:05.840
<v Speaker 1>then Lucy says, is daddy coming home? So a man

1:09:05.960 --> 1:09:10.559
<v Speaker 1>does get mentioned there, but still then I would say

1:09:10.560 --> 1:09:13.880
<v Speaker 1>past the best. And then immediately afterward with her housekeeper,

1:09:13.920 --> 1:09:16.600
<v Speaker 1>it passes again, although they do spend most of that

1:09:16.640 --> 1:09:20.000
<v Speaker 1>conversation talking about John McClean. Is there there's no exchange

1:09:20.040 --> 1:09:24.720
<v Speaker 1>in there? Uh? Well, Paulina says, Ola, Mrs Holly, and

1:09:25.479 --> 1:09:29.479
<v Speaker 1>he says, is it the dialogue goes better? Is it

1:09:29.560 --> 1:09:32.479
<v Speaker 1>my impression that's bad? No, I'm just I'm just saying

1:09:32.560 --> 1:09:35.360
<v Speaker 1>that the only woman of color, Lucy on screen, is

1:09:35.439 --> 1:09:40.479
<v Speaker 1>put in a like the role that is very stereotypical. Sure, yes, uh.

1:09:40.520 --> 1:09:43.400
<v Speaker 1>And then Holly says, did Mr McClean call so not

1:09:43.600 --> 1:09:47.680
<v Speaker 1>so much? Paulina says no, Mrs Holly, no telephone, and

1:09:48.080 --> 1:09:51.599
<v Speaker 1>Holly says he probably didn't have time before it's flight.

1:09:51.880 --> 1:09:53.519
<v Speaker 1>It might be a good idea to make up the

1:09:53.560 --> 1:09:57.680
<v Speaker 1>spare bedroom just in case. And then Paulina says, I

1:09:57.800 --> 1:10:00.760
<v Speaker 1>do that already, and Holly said, what would I do

1:10:00.880 --> 1:10:03.720
<v Speaker 1>without you? Paulina, I would say that conversation does not

1:10:03.800 --> 1:10:07.240
<v Speaker 1>pass the test because they're pretty much exclusively talking about

1:10:07.560 --> 1:10:10.519
<v Speaker 1>Mr McClean. I I agree with you. Yeah, I mean,

1:10:10.760 --> 1:10:12.360
<v Speaker 1>we can get into the semantics of it, but what

1:10:12.439 --> 1:10:15.839
<v Speaker 1>I mean the movie does pass. But to my knowledge

1:10:15.920 --> 1:10:18.560
<v Speaker 1>is that the last time it passes, Jenny comes in

1:10:18.600 --> 1:10:21.240
<v Speaker 1>a little bit later to say, hey, Mr Takagi is

1:10:21.240 --> 1:10:22.880
<v Speaker 1>looking for you. He wants you to say something to

1:10:23.000 --> 1:10:26.160
<v Speaker 1>the troops. Yeah, but Mr Takagi and also so it

1:10:26.200 --> 1:10:29.760
<v Speaker 1>does not pass. Does the trees are Later when they're

1:10:29.760 --> 1:10:32.360
<v Speaker 1>at the party and she's like, he's alive, and then

1:10:32.880 --> 1:10:37.759
<v Speaker 1>I don't think respond Yeah, I think she's she's too pregnant,

1:10:38.960 --> 1:10:43.400
<v Speaker 1>she of her baby. She's like, actually I just had

1:10:43.520 --> 1:10:50.200
<v Speaker 1>three yeager bombs relatively useless at present? Is that the

1:10:50.280 --> 1:10:53.240
<v Speaker 1>last time that women's there's one more time where the

1:10:53.360 --> 1:10:57.240
<v Speaker 1>two emergency responder women John McClean has like radioed for help,

1:10:57.600 --> 1:10:59.479
<v Speaker 1>the first woman. We don't know their names, so it

1:10:59.520 --> 1:11:01.400
<v Speaker 1>does not pass by the way. Um, the first woman

1:11:01.479 --> 1:11:04.080
<v Speaker 1>says it's the same address as the fire signal, and

1:11:04.160 --> 1:11:06.320
<v Speaker 1>then the second lady, who's very bad a job, says

1:11:06.439 --> 1:11:09.080
<v Speaker 1>I'll handle it and then does a really bad job

1:11:09.160 --> 1:11:13.400
<v Speaker 1>of handling it. Yeah. So those are all the exchanges

1:11:13.439 --> 1:11:15.720
<v Speaker 1>that women have in the movie Diying Hard. So most

1:11:15.760 --> 1:11:20.599
<v Speaker 1>of them don't pass, but the first couple do. Surprised.

1:11:20.880 --> 1:11:22.519
<v Speaker 1>One more thing I wanted to talk about before we

1:11:22.640 --> 1:11:26.639
<v Speaker 1>let everyone free, uh is the end of this movie

1:11:27.120 --> 1:11:31.960
<v Speaker 1>is so frustrating to watch because we see John McClean

1:11:32.200 --> 1:11:36.519
<v Speaker 1>have this big revelation where he says to al for

1:11:36.680 --> 1:11:39.760
<v Speaker 1>some reason, I say I love you to my wife

1:11:39.800 --> 1:11:42.600
<v Speaker 1>all the time, but I've never said I'm sorry. And like,

1:11:43.000 --> 1:11:44.960
<v Speaker 1>this is a big revelation and it's kind of like

1:11:45.040 --> 1:11:47.840
<v Speaker 1>a very emotional moment for a male action hero to have.

1:11:48.040 --> 1:11:50.200
<v Speaker 1>And I was like, oh, this is cool, this is good.

1:11:50.360 --> 1:11:56.240
<v Speaker 1>He's like working through some stuff. Movie is so complex, right,

1:11:56.479 --> 1:12:00.680
<v Speaker 1>But then we see the problem resolved, the terrorists are

1:12:00.720 --> 1:12:03.280
<v Speaker 1>no longer an issue. He goes to his wife and

1:12:03.400 --> 1:12:06.280
<v Speaker 1>we already see that scene where she's like he's going

1:12:06.479 --> 1:12:09.200
<v Speaker 1>to save us or whatever, and it's like, oh, she's

1:12:09.240 --> 1:12:12.479
<v Speaker 1>taking his last name back. This is not good. She

1:12:12.520 --> 1:12:15.800
<v Speaker 1>said something like oh he's still alive. Only John could

1:12:15.840 --> 1:12:19.360
<v Speaker 1>make someone that crazy, right, right, And I'm just like, oh,

1:12:19.439 --> 1:12:22.640
<v Speaker 1>they're gonna fund later. This is exhausting. And there but

1:12:22.760 --> 1:12:25.160
<v Speaker 1>the end, then at the end, he has this whole

1:12:25.240 --> 1:12:27.599
<v Speaker 1>revelation about like I should just say sorry. And then

1:12:27.680 --> 1:12:30.040
<v Speaker 1>at the end, not only does she take his name back,

1:12:30.240 --> 1:12:33.920
<v Speaker 1>he does not say sorry, not to her. He's just

1:12:34.080 --> 1:12:36.000
<v Speaker 1>like he's like, oh, I had to say to my

1:12:36.120 --> 1:12:39.040
<v Speaker 1>wife as I'm sorry, And then he kills Alan Rickman

1:12:39.320 --> 1:12:41.200
<v Speaker 1>makes out with her and he's like, you have my

1:12:41.280 --> 1:12:43.920
<v Speaker 1>last name again. Let's get out of here, he never

1:12:44.680 --> 1:12:47.320
<v Speaker 1>So it's just like this whole example, like it's all

1:12:47.400 --> 1:12:50.360
<v Speaker 1>set up for him to grow as a person, but

1:12:50.479 --> 1:12:53.560
<v Speaker 1>we don't actually get to see him do it that

1:12:54.439 --> 1:12:57.600
<v Speaker 1>that woman is robbed of that opportunity to be apologized to,

1:12:57.800 --> 1:13:00.759
<v Speaker 1>because like that whole subplot is like, I don't respect

1:13:00.800 --> 1:13:03.280
<v Speaker 1>your career choices and I'm threatened by your success. And

1:13:03.320 --> 1:13:05.680
<v Speaker 1>then he's like, tell my wife, I'm sorry and I

1:13:05.720 --> 1:13:07.920
<v Speaker 1>should have supported her. I can't tell her to her face,

1:13:08.080 --> 1:13:13.200
<v Speaker 1>and I can't. I can't with that there. I mean,

1:13:13.280 --> 1:13:16.040
<v Speaker 1>And it's that time of year now where, especially this year,

1:13:16.640 --> 1:13:20.639
<v Speaker 1>every woman should just be profusely apologized to by every

1:13:20.680 --> 1:13:23.760
<v Speaker 1>man they've ever met. It's the new hello for men.

1:13:25.680 --> 1:13:30.840
<v Speaker 1>I'm so very sorry. God. Alright, Well that's that was Yeah. No,

1:13:31.400 --> 1:13:34.760
<v Speaker 1>Does anyone have any other final thoughts before we rate? No,

1:13:34.920 --> 1:13:38.080
<v Speaker 1>I'm exausted. The audience members, how anything they want to

1:13:38.160 --> 1:13:44.840
<v Speaker 1>pipe in? Any questions queries? Yeah, it's it's very sad

1:13:44.920 --> 1:13:48.160
<v Speaker 1>and frustrating to hear about John and Holley's relationship because

1:13:48.200 --> 1:13:50.240
<v Speaker 1>it does completely break down by the end, doesn't it.

1:13:50.479 --> 1:13:57.000
<v Speaker 1>Yeah yeah, yeah, oh wow, Although it seems like that's

1:13:57.040 --> 1:13:59.519
<v Speaker 1>where it was headed in movie one where it's like

1:14:00.720 --> 1:14:02.840
<v Speaker 1>and she seems pretty done, but he's like, put my

1:14:03.000 --> 1:14:07.320
<v Speaker 1>footpled and I like you. She's like, all right, because

1:14:07.320 --> 1:14:09.560
<v Speaker 1>we'll give her another dry there. That's a bummer. I

1:14:09.640 --> 1:14:13.519
<v Speaker 1>didn't know that's how it ends. Good point. Yeah, I'd

1:14:13.560 --> 1:14:17.360
<v Speaker 1>say that this is pretty progressive women because even though

1:14:17.479 --> 1:14:20.439
<v Speaker 1>you have the two incompetent women, Paully seems very competent.

1:14:20.680 --> 1:14:23.760
<v Speaker 1>So the percentage of competent women to the percentage of

1:14:23.800 --> 1:14:27.280
<v Speaker 1>competent men, you have John mcclaim and al our competent Yeah,

1:14:27.640 --> 1:14:31.760
<v Speaker 1>one competent woman. That's true, like all the idiots, like

1:14:31.880 --> 1:14:33.880
<v Speaker 1>all the cops are idiots. That's true. And it was

1:14:35.320 --> 1:14:39.200
<v Speaker 1>that's what we're forgetting. It's yet competent women. And you know,

1:14:39.360 --> 1:14:42.080
<v Speaker 1>let's be honest, Paulina, what would we do without Paulina.

1:14:42.160 --> 1:14:46.240
<v Speaker 1>She's doing a good job and that she's raising competence.

1:14:46.280 --> 1:14:49.240
<v Speaker 1>Fair nice. I think it's so funny because it's like, yeah,

1:14:49.240 --> 1:14:52.599
<v Speaker 1>the women in the higher percentage of competence, but everyone's

1:14:52.640 --> 1:15:06.280
<v Speaker 1>still failing. That's that's an excellent point, Paulina. Oh yes,

1:15:06.760 --> 1:15:11.200
<v Speaker 1>oh my god, maybe we didn't remember that. Yes, yeah,

1:15:11.240 --> 1:15:14.120
<v Speaker 1>there is a moment where the journalists burst into their

1:15:14.160 --> 1:15:18.719
<v Speaker 1>home and threatened to deport Paulina, who has done literally

1:15:18.840 --> 1:15:23.000
<v Speaker 1>nothing except be herself and have her job and you know,

1:15:23.200 --> 1:15:26.000
<v Speaker 1>like exist, and she has to be threatened to do

1:15:26.160 --> 1:15:29.160
<v Speaker 1>something she would have done anyways. So yeah, that's a

1:15:29.200 --> 1:15:33.320
<v Speaker 1>good point. Good, yeah, totally a question to who would

1:15:33.360 --> 1:15:43.120
<v Speaker 1>you cast in a Ghostbuster style? Oh my god? Okay, okay,

1:15:44.240 --> 1:15:50.559
<v Speaker 1>can Galgadope do something? Yes, it is Hans Grouper. I'm batty.

1:15:51.360 --> 1:15:54.680
<v Speaker 1>What's your face? Um? Oh god? Uh did you all

1:15:54.760 --> 1:15:57.479
<v Speaker 1>see thor? What's her name? Oh my god, I'm lost.

1:15:57.560 --> 1:16:02.400
<v Speaker 1>O our beautiful said, yeah, she was amazing, right, amazing.

1:16:02.479 --> 1:16:03.960
<v Speaker 1>She could be I don't know, she could be al

1:16:04.479 --> 1:16:08.000
<v Speaker 1>Could she be al? She could be albow? Absolutely? And then, um,

1:16:08.200 --> 1:16:16.840
<v Speaker 1>who's gonna be John McClinton, baby Betty Rich, Babbie Graney,

1:16:18.400 --> 1:16:21.720
<v Speaker 1>baby Gridge. I say Leslie Jones. I say Leslie Jones

1:16:21.720 --> 1:16:26.839
<v Speaker 1>should be amazing. I would love to cast Alpha Molina

1:16:26.960 --> 1:16:32.400
<v Speaker 1>as Lucy mccland. I'm sorry it's not an all female reboot,

1:16:32.520 --> 1:16:35.200
<v Speaker 1>but I think he really is a chameleon and he

1:16:35.240 --> 1:16:43.080
<v Speaker 1>could be he could be the Yeah, yeah, yeah, yeah,

1:16:43.320 --> 1:16:46.240
<v Speaker 1>he'd be like I'm what was her job? I am business?

1:16:46.400 --> 1:16:48.799
<v Speaker 1>She's about a negotiator, and then he'd be like, actually,

1:16:48.880 --> 1:16:54.640
<v Speaker 1>my last name is Molina. I love this. Okay, so

1:16:54.880 --> 1:16:57.120
<v Speaker 1>that's a good one. That's fun, that's great. Uh yeah,

1:16:57.160 --> 1:16:59.000
<v Speaker 1>I'd wait till we miss any other major parts. Does

1:16:59.040 --> 1:17:02.120
<v Speaker 1>everybody right? It's our Yeah, who do I want to put?

1:17:02.320 --> 1:17:05.360
<v Speaker 1>Who do We're posing them as the breakout star of

1:17:05.880 --> 1:17:17.160
<v Speaker 1>our all female litle bit of die Hard. What's her names? Unprodouncible.

1:17:17.720 --> 1:17:21.799
<v Speaker 1>You want to say serious, but it's not a serious

1:17:24.400 --> 1:17:34.439
<v Speaker 1>forget it. Devado Is couldn't say the other one is amazing. Well,

1:17:35.400 --> 1:17:38.840
<v Speaker 1>let's let's write it. Let's write the movie on our

1:17:38.960 --> 1:17:41.799
<v Speaker 1>nipple scale zero to five nipples. Based on its portrayal

1:17:41.960 --> 1:17:45.320
<v Speaker 1>of women, I'm gonna give it one and a half

1:17:45.400 --> 1:17:48.840
<v Speaker 1>because it's still very much a man's story populated with

1:17:49.040 --> 1:17:53.400
<v Speaker 1>almost entirely men. You do see one pretty competent woman,

1:17:53.680 --> 1:17:58.000
<v Speaker 1>but she's framed as like the wife, and she isn't

1:17:58.240 --> 1:18:02.599
<v Speaker 1>respected by her husband, and that's a whole story line

1:18:03.000 --> 1:18:06.040
<v Speaker 1>of the movie. And she gets no screen time, neither

1:18:06.120 --> 1:18:09.599
<v Speaker 1>do hardly any other women. And it's not the feminist

1:18:09.680 --> 1:18:13.320
<v Speaker 1>masterpiece we're all hoping for. I felt so certain it was.

1:18:14.320 --> 1:18:18.200
<v Speaker 1>I know but it doesn't get like no nipples, because

1:18:18.240 --> 1:18:21.120
<v Speaker 1>I do think that Holly is competent, although she is

1:18:21.320 --> 1:18:25.639
<v Speaker 1>robbed in many ways of opportunities to do something more

1:18:26.280 --> 1:18:29.880
<v Speaker 1>pleasantly surprised that it passes the Bechdel test and does

1:18:30.080 --> 1:18:33.000
<v Speaker 1>feature a competent female character for a movie that came

1:18:33.040 --> 1:18:35.519
<v Speaker 1>out in So, yeah, I'm gonna say one and a

1:18:35.560 --> 1:18:38.160
<v Speaker 1>half nipples are you giving your nipples to? I'm going

1:18:38.200 --> 1:18:42.960
<v Speaker 1>to give one to Hans and his bad accent, and

1:18:43.680 --> 1:18:47.320
<v Speaker 1>the half nipple will go to because we see his nipple.

1:18:47.560 --> 1:18:49.519
<v Speaker 1>I'm gonna give it to John McClean. There you go.

1:18:50.720 --> 1:18:54.360
<v Speaker 1>I am going to give this movie. Oh this feels

1:18:54.400 --> 1:18:55.800
<v Speaker 1>like too much, but I'm gonna give it two and

1:18:55.840 --> 1:18:58.760
<v Speaker 1>a half nipples for all the reasons you describe. But

1:18:58.840 --> 1:19:01.120
<v Speaker 1>I also think we get to talk about this a lot.

1:19:01.240 --> 1:19:04.599
<v Speaker 1>But I do think that it's interesting watching an action

1:19:04.680 --> 1:19:09.280
<v Speaker 1>hero like John McClain almost universally fail when he tries

1:19:09.920 --> 1:19:13.280
<v Speaker 1>hyper masculine tactics to solving a problem, Like most of

1:19:13.360 --> 1:19:16.439
<v Speaker 1>the things that actually work for John McClain are what

1:19:16.720 --> 1:19:21.360
<v Speaker 1>his wife is really good at, which is negotiating, Like

1:19:21.439 --> 1:19:24.800
<v Speaker 1>if Holly McClain or Holly, Sorry, Holly Jenniro. I'm so sorry.

1:19:25.120 --> 1:19:27.559
<v Speaker 1>If Holly Jenniro was in the bathroom at the beginning

1:19:27.560 --> 1:19:29.519
<v Speaker 1>of this movie, this movie would be fifteen minutes long,

1:19:29.760 --> 1:19:31.559
<v Speaker 1>because she would have been able to get them out

1:19:31.560 --> 1:19:34.960
<v Speaker 1>of it without all the fucking show pony posturing that

1:19:35.080 --> 1:19:37.000
<v Speaker 1>Bruce Willis has to do to be like I have

1:19:37.160 --> 1:19:39.200
<v Speaker 1>to have a gun and there's a warning and there's

1:19:39.240 --> 1:19:42.000
<v Speaker 1>a like. She had the skill set the whole time

1:19:42.080 --> 1:19:44.320
<v Speaker 1>to resolve the whole movie, and none of us would

1:19:44.320 --> 1:19:47.240
<v Speaker 1>have had to see die hard. Um So, I I

1:19:47.360 --> 1:19:51.400
<v Speaker 1>do think it's interesting that John mcclin's character, even though

1:19:51.560 --> 1:19:53.800
<v Speaker 1>we are led to believe by the end, does not

1:19:53.960 --> 1:19:57.160
<v Speaker 1>intend to apply these lessons to his life. But he

1:19:57.320 --> 1:19:59.920
<v Speaker 1>does learn the lesson that not only does his wife

1:20:00.240 --> 1:20:03.839
<v Speaker 1>skills have value, and that she has a lot of value,

1:20:04.080 --> 1:20:07.000
<v Speaker 1>but that the skills make more sense than the like

1:20:07.439 --> 1:20:11.439
<v Speaker 1>hyper masculine aggro cop tactics that he's been taught. So

1:20:11.520 --> 1:20:13.240
<v Speaker 1>I think that there's a there is like a little

1:20:13.280 --> 1:20:15.560
<v Speaker 1>bit there that I liked. Uh So I'll give it

1:20:15.600 --> 1:20:18.400
<v Speaker 1>two and a half, given two nipples to the baby

1:20:18.439 --> 1:20:25.080
<v Speaker 1>Grinch and give a half nipple to Paulina because she

1:20:25.200 --> 1:20:28.080
<v Speaker 1>deserved more, all Right, I'm gonna give it one nipple.

1:20:28.160 --> 1:20:31.600
<v Speaker 1>This is mono nipular to me, and that is the

1:20:31.960 --> 1:20:33.840
<v Speaker 1>edit the word. I'm just giving it one nipple because

1:20:33.880 --> 1:20:36.240
<v Speaker 1>it just didn't. It didn't do what it should for women.

1:20:36.720 --> 1:20:38.479
<v Speaker 1>And my nipple is going to go to Argyle because

1:20:38.640 --> 1:20:42.960
<v Speaker 1>he needs it, you know what I mean, milk that

1:20:43.560 --> 1:20:46.240
<v Speaker 1>Oh my god, poor boy. But yeah, I mean it's

1:20:46.360 --> 1:20:48.040
<v Speaker 1>yeah for what it is. And you know that that

1:20:48.080 --> 1:20:50.720
<v Speaker 1>whole thing about the five in the five movies, their

1:20:50.840 --> 1:20:52.960
<v Speaker 1>their relation breakdown. That's I'm also giving it one because

1:20:52.960 --> 1:20:55.000
<v Speaker 1>I'm remembering now they do they don't make it work,

1:20:55.040 --> 1:20:58.400
<v Speaker 1>and that's you know what. You know, Holly should have

1:20:58.439 --> 1:21:02.240
<v Speaker 1>just conling at fair least, right, Yeah, they didn't make

1:21:02.280 --> 1:21:07.720
<v Speaker 1>it work. Well, the guys, that's too hard. D thank

1:21:07.760 --> 1:21:12.360
<v Speaker 1>you so much for he's the best renewed with mental

1:21:12.680 --> 1:21:15.000
<v Speaker 1>fucking world. He is the greatest. Give it up for

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<v Speaker 1>Deborah dg of money. Thanks go out best