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Speaker 1: Most welcome to Thursday.

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Speaker 2: Appreciate you guys being here more in studio morning.

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Speaker 3: The question is this is from Amy. Can her daughter

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Speaker 3: play Call of Duty? Why does she want to play

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Speaker 3: Call of Duty?

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Speaker 4: Don't ask me because I guess other kids are allowed

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Speaker 4: to and I I I even said what kids? I

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Speaker 4: need their names and I want to call their parents

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Speaker 4: and say, is your daughter really allowed to play Call

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Speaker 4: of Duty? Because from what I know about that game,

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Speaker 4: I don't want my fifteen year old daughter playing it.

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Speaker 2: It's a war game.

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Speaker 5: Yeah, but isn't that the one?

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Speaker 2: Which one you're thinking?

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Speaker 5: That's it?

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Speaker 2: So you said no to something you.

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Speaker 5: But still I don't like it.

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Speaker 4: We already we already let them play that other one.

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Speaker 4: What's what's it called the real popular one that everyone?

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Speaker 2: Yeah, there's but there's no difference. Really, why do we

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Speaker 2: need it?

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Speaker 5: We need to add another one to it?

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Speaker 4: And now I feel really bad because I thought this

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Speaker 4: was that one where you know, they do real bad stuff,

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Speaker 4: especially like women.

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Speaker 3: Yeah, so you should just let her play this one

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Speaker 3: because it's not as bad as the one you were thinking. Listen,

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Speaker 3: if you're gonna want to play Fortnite, there's nothing wrong

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Speaker 3: with Call of duty. You could say you can only

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Speaker 3: play for an hour, then she can pick whichever one

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Speaker 3: because it's.

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Speaker 2: Basically the same game.

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Speaker 4: I'm glad we had this talk as a group here

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Speaker 4: before I called some of the parents, Oh my god,

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Speaker 4: because I thought.

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Speaker 2: It was like, do you know the characters get this game?

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Speaker 2: They steal cars and then they.

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Speaker 5: Just beat women up. That's in grid theft. Thought, Oh yes, kay,

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Speaker 5: this tomato tomato on the head.

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Speaker 2: But it's a war game.

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Speaker 3: And I think she probably only wants to play it

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Speaker 3: because other kids are playing, yes, and they're just talking

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Speaker 3: on headsets hanging out.

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Speaker 5: Yes, probably, Yeah, it's not really.

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Speaker 2: About the game. It's just about being able to hang

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Speaker 2: out with your friends.

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Speaker 5: Right, I'll revisit this. We'll see TVD TVD. But we

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Speaker 5: already do Fortnite, So I feel like there's.

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Speaker 2: No difference, is what I would say.

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Speaker 5: Why add another to the men?

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Speaker 3: But if you're playing the same amount of time, why

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Speaker 3: does it matter which one they're playing?

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Speaker 5: Okay, I don't know yet. I'll get back to you.

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Speaker 3: Yeah, unless it's a financial thing where you don't want

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Speaker 3: to buy another game.

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Speaker 5: Well then that's it.

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Speaker 2: No, No, you just made that.

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Speaker 5: Thank you for bringing that to my attention. I do

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Speaker 5: not want to buy another game.

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Speaker 2: I'll buy it for no.

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Speaker 3: What my point is, if you're gonna want to play Fortnite,

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Speaker 3: you can let her play Call of Duty. But if

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Speaker 3: you don't want to play either, I completely get it.

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Speaker 3: You're the parent, you make the rules. But there's really

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Speaker 3: not coming from a place of you know, I believe

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Speaker 3: that these games are if you're going to do one,

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Speaker 3: you gotta do the other.

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Speaker 4: I thought that that one was the bad one. I mean,

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Speaker 4: it is bad, but I thought it was a bad,

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Speaker 4: bad one.

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Speaker 2: So should Amy's daughter get to play Call of Duty

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Speaker 2: around the room? Eddie?

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Speaker 6: I say yeah, I mean no. They haven't asked yet,

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Speaker 6: so hopefully they don't listen to the segment.

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Speaker 2: I got no problem with it.

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Speaker 7: She's almost driving a car, so let her play a

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Speaker 7: video game and.

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Speaker 2: She's already played Fortnite. Yeah. Yeah.

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Speaker 3: If there was a problem with shooting games in general,

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Speaker 3: I would understand it.

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Speaker 5: Not often we my kids don't play often course at all.

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Speaker 6: They play whether Amy, she might you might understand that

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Speaker 6: it's not that bad, Morgan, What.

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Speaker 5: You think I mean, I think she should.

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Speaker 8: I think she's probably seen worse or heard things worse

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Speaker 8: than school.

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Speaker 5: Oh, for sure. Her favorite genre of movie is horror.

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Speaker 2: Is what put the horror on there? There's like a two,

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Speaker 2: it's like a two fur Yeah, horror, horror. The go

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Speaker 2: that other genre not familiar with that's in that old

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Speaker 2: video good alright, horror, there you go do three.

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Speaker 4: But that is her favorite type of movie. And it's

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Speaker 4: like she's just not like I can barely watch Stranger

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Speaker 4: Things because I'm scared, and she watches it.

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Speaker 5: No problem.

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Speaker 2: She's watching stabbing killing monster. Good, she's good to go.

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Speaker 2: Call of duty thumbs up, Grand theft auto thumbs down

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Speaker 2: for yes. No, she shouldn't be planning that. Heck no.

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Speaker 2: All right, let's start off Thursday show. Welcome everybody.

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Speaker 3: Let's go follow me on Instagram at mister Bobby Bones.

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Speaker 2: Let's go over and open up the mail bag.

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Speaker 9: You fam mail and we read it all the air.

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Speaker 10: Get something we call Bobby's mail bag.

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Speaker 3: Yeah, hello, Bobby Bones. I'm wondering if it would be

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Speaker 3: okay to date my best friend's ex girlfriend. They were

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Speaker 3: together for ten years, but she has recently shown interest

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Speaker 3: in me. For context, he abruptly broke off the relationship

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Speaker 3: a couple of years ago. And he up and he

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Speaker 3: moved his whole life to Minnesota. He doesn't show any

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Speaker 3: signs of wanting to get back ever with her ever,

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Speaker 3: So I said, okay for me to date her since

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Speaker 3: he's the one who did the breaking up. He's my

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Speaker 3: best friend. Curious in the vill writes that email, I

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Speaker 3: would just say, generally, no, it's not a good thing.

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Speaker 5: Year move.

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Speaker 3: Yeah, there's a lot of history there. I would say,

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Speaker 3: you can. It's a free world, free country, but you'll

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Speaker 3: probably lose the friendship. It's which would you rather do

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Speaker 3: date her or be his best friend, because most likely

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Speaker 3: they both aren't going to work. Also, most likely it's

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Speaker 3: not gonna work with her long term, just because you

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Speaker 3: play the odds. Most people you date you don't marry

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Speaker 3: a matter of fact, usually only one or maybe two.

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Speaker 3: So I would say it's probably not worth it to

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Speaker 3: put the strain on your best friend, and that if

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Speaker 3: you feel like you have to. I would talk to him,

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Speaker 3: but that's a weird conversation, and that's ten years and

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Speaker 3: he's got a lot more history with her that I'd

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Speaker 3: be weird to me too.

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Speaker 2: All of it's weird. I'm gonna say I probably avoid

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Speaker 2: it unless you just have this huge calling, like she

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Speaker 2: could be my soul man. Yeah, and even then.

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Speaker 4: Even then you ask, and then you know he might say, yeah,

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Speaker 4: go for it.

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Speaker 2: Even if he says go for it, remember he Hey,

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Speaker 2: he's seen it all, but he up and I know,

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Speaker 2: but he's seen it all.

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Speaker 3: You just won't be best friends anymore. You may still

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Speaker 3: be buddies, but if you're with her, regardless of what

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Speaker 3: happened to them, you won't be best friends anymore.

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Speaker 7: Guys, will we agree with that? Yeah, that's very true.

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Speaker 7: You can't go on vacation together. You can't ever go

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Speaker 7: visit him with her. It's so awkward. You got to

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Speaker 7: go bros before what.

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Speaker 3: Or if you don't, just know that you won't be

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Speaker 3: as close a bros anymore?

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Speaker 4: Or how about this encouraging story it's not okay, go ahead,

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Speaker 4: hit with that.

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Speaker 5: Okay.

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Speaker 4: I know couples that were divorced, then they each remarried,

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Speaker 4: and now they all vacation to each.

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Speaker 2: Other both they like switch partner. Yes, that's called swinging. No,

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Speaker 2: that's rare.

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Speaker 5: Yes, it's rare, but it's still a story of hope.

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Speaker 3: But none of this is happening here. So I'm gonna say,

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Speaker 3: don't do it, buddy. If you do do it, you

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Speaker 3: can have a conversation with him.

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Speaker 2: That's gonna be tough.

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Speaker 3: But just realize if you do do that, it's never

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Speaker 3: gonna be the same with you and your boy. Right,

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Speaker 3: that's that's problem, what you're doing, you know. All Right,

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Speaker 3: that's the mail bag.

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Speaker 2: Thank you guys.

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Speaker 10: We've got your team.

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Speaker 7: On.

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Speaker 11: Now let's find the clothes.

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Speaker 10: Bobby's fail back.

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Speaker 2: Okay, Eddie, what happened with your kid? Oh? This was tough.

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Speaker 6: So my seven year old he's joining you basketball team

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Speaker 6: and he shows up and he's little for his for

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Speaker 6: his age. So he shows up and two boys and

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Speaker 6: his team are laughing at him, just saying like, look.

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Speaker 2: At this, he's so short. He's not gonna make any

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Speaker 2: of the baskets.

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Speaker 6: And my son hears him, and I'm one of the

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Speaker 6: I mean, I guess all the dad's chip in. So

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Speaker 6: we're all kind of coaches. So if we're at practice,

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Speaker 6: we're all helping out. And I'm right there hearing them

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Speaker 6: laugh every single time my son takes a shot, so

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Speaker 6: I get a little fired up over it.

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Speaker 3: So they're saying he's too small, Yes, are they trying

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Speaker 3: to block a shot.

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Speaker 6: So no, no, we're doing dri layup drills, and every

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Speaker 6: time he goes up for the layup, they're like, watch

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Speaker 6: this little guy's gonna try to make a layup. He's

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Speaker 6: not even gonna get closed to the basket. But hey,

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Speaker 6: my son's draining every single one. And they say it

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Speaker 6: about five times, and finally the fifth time, I'm like, huh,

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Speaker 6: that's it.

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Speaker 2: I'm about to say something, so I said.

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Speaker 6: I pull them both the side and say, hey, you too,

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Speaker 6: there's no laughing at your teammates. I don't care who

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Speaker 6: your teammate is. You guys have each other's back. I

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Speaker 6: hear you guys laughing at his size, but I guarantee

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Speaker 6: you he'll school both of you.

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Speaker 2: Guys. Oh, then that's probably not the way to do it.

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Speaker 2: You don't have to go that hard right now. I

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Speaker 2: created it.

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Speaker 3: Yeah, Well, now you're like making him want to compete

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Speaker 3: against your son, Like, I guarantee you'll take both of

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Speaker 3: you down.

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Speaker 6: But I think that was the emotion talking. I didn't

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Speaker 6: really mean to say that, but that just slipped out.

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Speaker 6: But I was really just trying to say, like, hey,

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Speaker 6: no laughing at your teammate.

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Speaker 2: Back them up. I like that part, Yeah, you went over.

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Speaker 6: I guess, dude, I guess deep inside, I know how

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Speaker 6: good my son is.

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Speaker 2: Like he's really good.

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Speaker 6: And it's happened every single season where the team, the

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Speaker 6: opposing team sees him and they're like, look at this.

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Speaker 2: Little point guard.

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Speaker 6: He's not and he just dominates because he's fast, he

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Speaker 6: does make every shot and he's really really good. So

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Speaker 6: part of me was like, oh, you fools are going

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Speaker 6: to take your laughing back because he's going to school you.

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Speaker 2: How's the affective when hears that?

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Speaker 6: Oh it hurt him a little bit because I could

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Speaker 6: see him listening and every single time he would miss

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Speaker 6: a layup, you look at the reaction and that he

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Speaker 6: makes every shot well, but he doesn't make one. But

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Speaker 6: every time he did miss one, he would look back

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Speaker 6: to see the reaction and of course they were laughing again.

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Speaker 3: Okay, so what would you do? That's a question. You

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Speaker 3: guys can call us too, how would you deal with this?

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Speaker 3: Eight seven seven seventy seven, Bobby, we will grab your calls.

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Speaker 3: We'll talk about it right after this song.

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Speaker 2: My quick advice as a young once small kid that

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Speaker 2: had the same thing happened to me, I had to

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Speaker 2: learn how to let it drive me. Right, I have

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Speaker 2: any body giving.

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Speaker 3: Me a massage, going hey bubud, it'd be okay, and

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Speaker 3: it will be okay and you can do that. I

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Speaker 3: just didn't have that, and so I let that crap

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Speaker 3: drive me to the point probably i'm extra neurotic at

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Speaker 3: this point in my life. But I think that that's

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Speaker 3: I think adversity is awesome. I think the fact that

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Speaker 3: I don't like the bullying, I don't like to start

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Speaker 3: saying that, and you can actually put a stop to it.

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Speaker 3: But I think let's see how he reacts. What does

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Speaker 3: he think. Is he reacting to it? Does it drive

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Speaker 3: him to want to work harder, or is he just

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Speaker 3: kind of like, I don't want to play it at all.

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Speaker 2: I think a little bit of both.

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Speaker 6: They can see it in him where at first he's

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Speaker 6: just kind of like, I don't like that they're laughing

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Speaker 6: at me. But yeah, he does try extra hard to

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Speaker 6: make that layup when they when it is his.

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Speaker 2: Turn, just so he can shut them up a little bit.

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Speaker 3: But I think that's the that's the play, is that

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Speaker 3: you try to build that to okay, people are always

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Speaker 3: going to save this value. It's how you react it's

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Speaker 3: how you show up that's good instead of it's okay, buddy,

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Speaker 3: it's you know what, this is part of it. I

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Speaker 3: don't like it either, but it's gonna happen to you

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Speaker 3: the rest of your life in some way or another.

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Speaker 3: And it's not you know, if you get knocked down

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Speaker 3: or if you get made fun of. It's when you

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Speaker 3: get knocked down or when you get made fun of.

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Speaker 3: How do you react to that? I think that's the lesson.

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Speaker 3: But what I know kids, No, but you were like

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Speaker 3: you said this, you were that person.

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Speaker 2: I'm still that guy. Yeah.

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Speaker 3: Everywhere I go feel like, look at him, he ain't

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Speaker 3: gonna make that shot. And I'm like, I'm not playing basketball.

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Speaker 3: I'll try to get a Starbucks. Just go over and

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Speaker 3: talked to Brittany in Texas. Hey, Brittany, you heard Eddie's story.

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Speaker 3: What do you think about that?

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Speaker 12: So I have a son and he's getting bullied right now,

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Speaker 12: but he's only two and a half, so it's a

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Speaker 12: little bit different. But I would have called the kids

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Speaker 12: out in front of everybody and embarrass them, and that

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Speaker 12: is a strategy and see how cool they are after that.

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Speaker 2: If you would have known that Eddie would your son

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Speaker 2: have been like, oh, don't do that, Like, would that

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Speaker 2: embarrassed him if you're embarrassing the other kids? I don't know.

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Speaker 6: But after I did what I did, he did back

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Speaker 6: home say, man, dad stuck up for me.

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Speaker 2: So that was kind of cool.

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Speaker 6: So I don't know if you would have done it publicly,

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Speaker 6: it would have been maybe cooler to him, but he

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Speaker 6: did like that.

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Speaker 3: I said something have been mortified because I got crabby

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Speaker 3: out of me. I was picked on a lot, and

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Speaker 3: if somebody would have come and yelled at the people

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Speaker 3: picking on me in front of everybody else, I'd have been.

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Speaker 2: Like, who whoa, whoa, whoa, whoa.

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Speaker 3: What I'm not saying what you're doing is not I'm

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Speaker 3: just talking about me. I would never have wanted that,

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Speaker 3: because that pounded to me more they had been meaner

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Speaker 3: to me, just saying stuff about me.

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Speaker 2: Yeah, so but that's only me.

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Speaker 5: And isn't that.

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Speaker 4: If we react that way as appearance that more like selfishly,

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Speaker 4: like we're acting out in a way, and that's I mean,

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Speaker 4: I guess if it works for her, great, but I

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Speaker 4: would I just I couldn't imagine me yelling at like

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Speaker 4: little kids publicly like that.

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Speaker 3: Oh, I can imagine it all right, Mike and Mike

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Speaker 3: and making Georgia. You're on the phone, Hey Mike, you

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Speaker 3: heard Eddie's story. What'd you think their buddy.

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Speaker 13: I think the conversation you had is with your your son.

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Speaker 11: Not the other kids, because you're not You're.

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Speaker 13: Not on their level. You shouldn't be arguing with him.

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Speaker 13: I don't think. I think if if he is in

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Speaker 13: this case, his son.

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Speaker 2: Is short, well, chances.

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Speaker 11: Are he maybe short his whole life. He needs thrown

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Speaker 11: to handle that. And people are always going to be

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Speaker 11: coming at you, and people always going to be trying

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Speaker 11: to put you down if you do well, especially and

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Speaker 11: I think the reaction that you need to have is

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Speaker 11: to let.

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Speaker 13: Your son be a learning experience for him.

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Speaker 11: That's why you play sports, probably not to be a

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Speaker 11: professional basketball player in this case, but to learn how

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Speaker 11: to deal with other people and how to handle controversy.

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Speaker 13: I mean, let the son work it out.

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Speaker 2: I agree with you completely on that one.

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Speaker 3: Like sports to me, was all about adversity, learning how

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Speaker 3: to be on a team, having other folks back, and

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Speaker 3: trusting them to have yours. You know, that was a

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Speaker 3: big part you playing baseball and football in my whole life.

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Speaker 3: I mean, I was close to the NFL, but I

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Speaker 3: didn't quite make it. But what I do have from

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Speaker 3: it so close is having a lot of things happen

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Speaker 3: and having to learn how to adjust and fight back

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Speaker 3: and push when things aren't comfortable.

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Speaker 2: And you know, I think.

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Speaker 3: A little bit of adversity for your sons good because

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Speaker 3: we all get it all the time.

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Speaker 2: You know you don't want to show I know you

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Speaker 2: want to show them from it all the time. Life

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Speaker 2: is again about out not if adversity is going to happen.

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Speaker 2: When it happens, how do you react to it? And

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Speaker 2: sometimes it takes a few.

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Speaker 3: Things not going your way to figure out how to

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Speaker 3: make it go your way the next time. Look at

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Speaker 3: it like that, this is a learning lesson for him.

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Speaker 3: He's probably gonna get picked on for a long time.

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Speaker 3: He can equalize it. There are two ways to equalize it.

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Speaker 3: One you can be better than a sports right now.

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Speaker 3: Or two you can just keep studying, keep your head

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Speaker 3: in the books, and then be their boss later on

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Speaker 3: in life.

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Speaker 2: That one's slow. That's a slow play. One I did

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Speaker 2: that was the extreme slow place. But it'd be good.

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Speaker 5: Yeah, okay, but you're our boss. But we didn't bully you.

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Speaker 2: You would have though. I see you all right, Thank

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Speaker 2: you guy. It's time for the good news.

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Speaker 6: So there's a gas station clerk in Kansas City, Missouri.

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Speaker 6: He's sitting behind the desk, the counter and he's like

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Speaker 6: checking people out. He sees an old man walk in.

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Speaker 6: He's got a lot of money in his hand and

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Speaker 6: he's on the phone. Then he goes over to this

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Speaker 6: bitcoin machine it's almost like an ATM machine, and he

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Speaker 6: walks up there and he's like, okay, put put a

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Speaker 6: hundred in, Yeah, puts one hundred in.

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Speaker 2: He's talking to the person on the phone.

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Speaker 6: He's putting one hundred dollars bills over and over. So

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Speaker 6: then the clerk goes, this is something's not right. He

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Speaker 6: calls the police. The police get there. Turns out he's

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Speaker 6: on the phone with a scammer and the scammer's telling

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Speaker 6: him to deposit more money into the machine. So the

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Speaker 6: cops get the phone, start talking with the scammer. Scammer

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Speaker 6: freaks out, hangs up. They get a hold of the

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Speaker 6: old man's daughter. Yes, turns out he had already given

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Speaker 6: thousands of dollars to that scammer, but he had more

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Speaker 6: money in his hand that he was going to give,

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Speaker 6: and it wasn't for that clerk kind of looking out

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Speaker 6: for the old man.

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Speaker 2: I guess it could have been way worse. I just

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Speaker 2: hear this bitcoin machine somebody need get in it. I

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Speaker 2: didn't know that. Yeah, I mean I've seen I've seen

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Speaker 2: him before, like I've seen him on the internet. Where

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Speaker 2: you go, it's like putting in and getting stuff out,

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Speaker 2: like at the chips. Yeah, it's like cashing out your

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Speaker 2: bitcoin over there. It's good for that gas station guy

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Speaker 2: working there was aware. Helped the dude. That's what it's

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Speaker 2: all about. That was telling me something good. Ah, here

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Speaker 2: we go.

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Speaker 3: Lunchbox has ten cringiest moments of the last five years,

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Speaker 3: as compiled by us.

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Speaker 2: Lunchboxes do not know the list. Number ten.

385
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Speaker 3: When Lunchbox revealed his mom had to give him a

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Speaker 3: naked sponge bath after having surgery. Yes, but you're an

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Speaker 3: adult man.

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Speaker 2: As a kid, I get it. Yes, I'm an adult man,

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Speaker 2: but I can't.

390
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Speaker 7: I had surgery on my ankle, so I had to

391
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Speaker 7: lay in the bathtub and I could not. Yes, I

392
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Speaker 7: had to lay in the bathtub and I had to

393
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Speaker 7: put my foot out of the bathtub, so I couldn't

394
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Speaker 7: wash all the way down my legs and everything. No,

395
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Speaker 7: so I had my mom do it for me. No,

396
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Speaker 7: she's seen me naked.

397
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Speaker 2: You didn't have to be naked. You're an adult're man,

398
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Speaker 2: you're an adult man.

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Speaker 5: But your arms weren't broken.

400
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Speaker 8: It was your foot, like you had to.

401
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Speaker 5: Hang your foot like you can bathe yourself.

402
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Speaker 7: But do you know how far the deep the bathtub

403
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Speaker 7: is and you put your foot up and then by

404
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Speaker 7: that point you're way up here and your foot's way

405
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Speaker 7: above your head.

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Speaker 2: The only point is your mom did not have to

407
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Speaker 2: see you.

408
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Speaker 5: Yeah.

409
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Speaker 2: Yeah, how would I be clean?

410
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Speaker 5: Okay?

411
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Speaker 2: Lunchbox has ten cringiest moments when he called the cops

412
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Speaker 2: on his neighbor's graduation party.

413
00:16:07,800 --> 00:16:10,800
Speaker 7: Yeah, No, I called the cops on their graduation party

414
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Speaker 7: because we were during the pandemic height of COVID and

415
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Speaker 7: it said you were not allowed to have a gathering

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Speaker 7: of more than ten people, and they had at least

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Speaker 7: thirty to forty.

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Speaker 2: But what was that doing to hurt you?

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Speaker 5: Yeah?

420
00:16:23,080 --> 00:16:24,160
Speaker 2: And what was that doing for him?

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Speaker 7: We weren't following the rules. We were trying to get

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Speaker 7: out of the pandemic. We were trying to follow the

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Speaker 7: rules so COVID would not spread, and they were choosing

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Speaker 7: to ignore the rules. And look, the longer they didn't

425
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Speaker 7: follow the rules, the longer I had to be in lockdown,

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Speaker 7: and I didn't want to be in lockdown anymore.

427
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Speaker 3: So you think you calling and splitting up that graduation party?

428
00:16:43,520 --> 00:16:45,560
Speaker 2: Yes, breaks up the super Spreader event.

429
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Speaker 3: That one was pretty cringey, and he admitted he had

430
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Speaker 3: called the cops number eight and I have a clip

431
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Speaker 3: for this one.

432
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Speaker 2: The time Lunchbox attempted to stand up comedy.

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Speaker 3: It all started during a post show where we brought

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Speaker 3: up the topic of me doing shows and Mike d

435
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Speaker 3: doing shows, and Lunchbox claimed he could do stand up

436
00:17:04,480 --> 00:17:06,600
Speaker 3: because it was so easy. So Mike took him to

437
00:17:06,600 --> 00:17:09,880
Speaker 3: an open mic night and it was so much cursing

438
00:17:09,960 --> 00:17:12,000
Speaker 3: during the four minute set we couldn't play most of it.

439
00:17:12,240 --> 00:17:16,239
Speaker 2: But here is a clip of the of the of

440
00:17:16,280 --> 00:17:18,080
Speaker 2: the but they're riding down here as a bomb.

441
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Speaker 10: Here we go and I.

442
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Speaker 14: Always say, you never know who you're sleeping next to,

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Speaker 14: So I kind of had an incent like this with

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Speaker 14: my wife a little bit ago. And when he got licy,

445
00:17:28,560 --> 00:17:31,600
Speaker 14: you know, or you fix your eyes, I wake you up.

446
00:17:31,640 --> 00:17:35,600
Speaker 14: The next morning, I roll over, I said, what the hell.

447
00:17:35,720 --> 00:17:40,600
Speaker 2: I've been sleeping next to thought? I had no idea.

448
00:17:42,880 --> 00:17:46,440
Speaker 14: Yeah that's a bad one.

449
00:17:47,080 --> 00:17:54,000
Speaker 2: Yeah, not really. I think they were liking here two

450
00:17:54,000 --> 00:17:55,879
Speaker 2: two things. I think they were liking the awkwardness of

451
00:17:55,920 --> 00:17:59,520
Speaker 2: it until you just called your wife ugly for.

452
00:17:59,480 --> 00:18:03,280
Speaker 7: The sake of a joke. That's why you're doing comedy, guys.

453
00:18:03,280 --> 00:18:03,800
Speaker 7: It doesn't matter.

454
00:18:03,840 --> 00:18:07,560
Speaker 2: Nothing's off limits. What is wrong with that? Nothing? Nothing,

455
00:18:08,080 --> 00:18:10,640
Speaker 2: It's a funny joke. Crowd liked him number.

456
00:18:10,359 --> 00:18:15,400
Speaker 3: Seven Lunchbikes, claiming he was so famous and then going

457
00:18:15,480 --> 00:18:17,679
Speaker 3: up to a tour bus and nobody knowing who he

458
00:18:17,920 --> 00:18:18,480
Speaker 3: was at all.

459
00:18:18,520 --> 00:18:24,560
Speaker 15: Here you go, Hey, y'all know rocking fun lunchbox. Hey

460
00:18:24,640 --> 00:18:28,520
Speaker 15: you guys know rocking fin lunchbox. No where all white

461
00:18:28,840 --> 00:18:29,720
Speaker 15: you can take pictures.

462
00:18:33,280 --> 00:18:35,600
Speaker 7: Yeah, if you could just show me where LUNCHBI has me.

463
00:18:37,080 --> 00:18:41,000
Speaker 4: Good to see you, guys, he said, show me, And

464
00:18:41,080 --> 00:18:43,000
Speaker 4: that's me in the same second, and.

465
00:18:43,000 --> 00:18:48,119
Speaker 2: That silence is everyone looking confused? Is this? And at

466
00:18:48,200 --> 00:18:52,040
Speaker 2: number six Lunchbox creeping out Gwen Stefani and he was

467
00:18:52,080 --> 00:18:54,520
Speaker 2: told don't touch her. Man.

468
00:18:54,600 --> 00:18:56,960
Speaker 7: I saw her at the hotel in Vegas, the Cosmopolitan

469
00:18:57,080 --> 00:18:59,399
Speaker 7: she was trying to leave out the front doors and

470
00:18:59,440 --> 00:18:59,880
Speaker 7: I ran.

471
00:18:59,840 --> 00:19:02,200
Speaker 2: Up, gwinn, gwinn, Can I get a picture? Can I

472
00:19:02,240 --> 00:19:05,040
Speaker 2: get a picture? And she turns around, she's like fine.

473
00:19:05,080 --> 00:19:06,960
Speaker 7: I go to put my arm around her and she goes,

474
00:19:07,440 --> 00:19:10,000
Speaker 7: no touching, and so I had to do the two

475
00:19:10,040 --> 00:19:11,600
Speaker 7: thumbs up in front of her.

476
00:19:11,400 --> 00:19:15,560
Speaker 2: Like hey hi, And it was very awkward on her part.

477
00:19:16,080 --> 00:19:16,959
Speaker 5: I agree awkward.

478
00:19:17,119 --> 00:19:21,359
Speaker 7: It wasn't cringing on how is it like? That's cringe

479
00:19:21,359 --> 00:19:23,440
Speaker 7: on her? She should be ashamed of herself, not me.

480
00:19:23,640 --> 00:19:25,840
Speaker 2: You try to get you try to just throw your

481
00:19:25,920 --> 00:19:26,640
Speaker 2: arm around your waist.

482
00:19:27,040 --> 00:19:29,320
Speaker 7: You what do you do when you're in a picturehe

483
00:19:29,359 --> 00:19:30,840
Speaker 7: a celebrity, You put your arm around him. You don't

484
00:19:30,840 --> 00:19:32,919
Speaker 7: just stand there with your hands by your side. You

485
00:19:32,960 --> 00:19:34,960
Speaker 7: put your arm around them. That's what you do.

486
00:19:35,000 --> 00:19:38,280
Speaker 2: Did she agree to the picture already? Yeah? She was

487
00:19:38,359 --> 00:19:39,200
Speaker 2: like sure.

488
00:19:39,760 --> 00:19:41,320
Speaker 7: And she turned around and I go to put my

489
00:19:41,400 --> 00:19:44,240
Speaker 7: arm around her and around her waist, her shoulder, shoulder,

490
00:19:45,240 --> 00:19:47,920
Speaker 7: and I said no touching. And I was like, okay,

491
00:19:48,040 --> 00:19:51,240
Speaker 7: two thumbs up. I mean, that's cringe on her, that's

492
00:19:51,280 --> 00:19:53,879
Speaker 7: all on her. That's nothing on me. That's just me

493
00:19:53,960 --> 00:19:57,240
Speaker 7: being excited to see someone famous. In the public and.

494
00:19:57,200 --> 00:19:59,879
Speaker 2: Maybe the story is just cringe. Yeah, I mean I did.

495
00:20:00,040 --> 00:20:02,240
Speaker 2: I was running after her with my suitcase. Okay, see,

496
00:20:02,960 --> 00:20:06,080
Speaker 2: i'd always drops out at the end. What's so cringy

497
00:20:06,119 --> 00:20:06,520
Speaker 2: about it?

498
00:20:06,600 --> 00:20:08,080
Speaker 7: Like she had a couple of bodyguards and I had

499
00:20:08,119 --> 00:20:09,880
Speaker 7: my suitcase, and I was I was in the check

500
00:20:09,920 --> 00:20:11,440
Speaker 7: in line at the hotel and I saw her, and

501
00:20:11,480 --> 00:20:13,440
Speaker 7: I was like, I jetted out of the check in line.

502
00:20:13,440 --> 00:20:16,400
Speaker 7: I was, I was gonna get that picture. The top

503
00:20:16,400 --> 00:20:17,600
Speaker 7: five coming up in the next second.

504
00:20:17,840 --> 00:20:19,639
Speaker 2: Okay, I'm not.

505
00:20:19,600 --> 00:20:21,760
Speaker 4: Even I mean, if those were in the bottom five,

506
00:20:22,200 --> 00:20:23,440
Speaker 4: I can't do you have more.

507
00:20:23,359 --> 00:20:26,600
Speaker 2: Like yeah, yeah, and they get two words Lauren and Lena.

508
00:20:27,000 --> 00:20:30,320
Speaker 2: Oh definitely, what happened to that? I would tell you that,

509
00:20:30,880 --> 00:20:34,240
Speaker 2: all right, coming back, all right? Top five moments. Now,

510
00:20:34,280 --> 00:20:37,199
Speaker 2: these are the top five cringiest moments the Lunchbox has

511
00:20:37,200 --> 00:20:41,760
Speaker 2: given us over the past few years. Here Number five.

512
00:20:42,000 --> 00:20:43,760
Speaker 3: Happened on the show where Lunchbox is trying to interview

513
00:20:43,760 --> 00:20:45,800
Speaker 3: Guy Ferry had a chicken restaurant in town. My goodness,

514
00:20:46,000 --> 00:20:48,400
Speaker 3: this one just happened yesterday. Terribly awkward.

515
00:20:48,520 --> 00:20:50,280
Speaker 2: To make sure you're listening to the Bobby Bull Show.

516
00:20:52,119 --> 00:21:00,000
Speaker 14: I don't know who you are you are, I'll tell you.

517
00:20:58,640 --> 00:21:02,120
Speaker 7: I'm Lunchbox Morning Show.

518
00:21:03,520 --> 00:21:07,159
Speaker 3: Le Grill about all this, I'm going to find the

519
00:21:07,200 --> 00:21:09,800
Speaker 3: go that felt so that beginning of that.

520
00:21:10,720 --> 00:21:12,639
Speaker 5: He's looking around, He's like, can someone explain to me

521
00:21:12,640 --> 00:21:13,400
Speaker 5: who this guy is?

522
00:21:13,840 --> 00:21:15,520
Speaker 2: I was tapping him on his shoulder trying to get

523
00:21:15,520 --> 00:21:18,720
Speaker 2: that show. He loves touching, he loves touching people.

524
00:21:19,280 --> 00:21:23,480
Speaker 3: Number four, when he kept Derek Spentley's medallion after the

525
00:21:23,640 --> 00:21:24,320
Speaker 3: CMA dinner.

526
00:21:24,480 --> 00:21:26,360
Speaker 5: This is horrible. This is horrible, horrible.

527
00:21:26,640 --> 00:21:28,320
Speaker 2: So would you like to tell the story? Amy?

528
00:21:28,560 --> 00:21:32,040
Speaker 4: Okay, So, yeah, we were at this really really fancy

529
00:21:32,280 --> 00:21:33,240
Speaker 4: CMA dinner.

530
00:21:33,000 --> 00:21:34,560
Speaker 2: Thing for people that have won the CMA Award.

531
00:21:34,640 --> 00:21:37,720
Speaker 4: Quite honestly, we didn't belong there, you know, but I

532
00:21:37,720 --> 00:21:40,320
Speaker 4: guess we want on radio stuff. So anyway, we're there

533
00:21:40,440 --> 00:21:45,480
Speaker 4: and like somehow jokingly, Lunchbox gets Dirk's medallion, and Dirk's

534
00:21:45,560 --> 00:21:48,720
Speaker 4: is fully expecting to get it back, but lunch.

535
00:21:48,600 --> 00:21:50,200
Speaker 5: Box straight up keeps it.

536
00:21:50,680 --> 00:21:52,680
Speaker 4: And I mean, this is a very special thing for

537
00:21:52,800 --> 00:21:55,480
Speaker 4: any artist, and of course they won it, and Lunchbok's

538
00:21:55,520 --> 00:21:56,880
Speaker 4: like thinks that Dirk's really gave it.

539
00:21:56,840 --> 00:21:59,040
Speaker 2: To take it home. No, listen, let me tell you

540
00:21:59,080 --> 00:22:00,600
Speaker 2: how I went down. This went down.

541
00:22:00,720 --> 00:22:03,280
Speaker 7: You go to the CMA dinner, right, and everybody that

542
00:22:03,359 --> 00:22:05,919
Speaker 7: is nominated gets a medallion. Well, we didn't get a

543
00:22:05,960 --> 00:22:08,760
Speaker 7: medallion even though we were nominated. So I thought that

544
00:22:08,880 --> 00:22:11,400
Speaker 7: was weird, and so I was just talking to Dirts.

545
00:22:11,440 --> 00:22:13,399
Speaker 7: I was like, man, we were nominated, we didn't even

546
00:22:13,400 --> 00:22:15,240
Speaker 7: get a medallion. He goes here, you can have mine,

547
00:22:15,280 --> 00:22:18,240
Speaker 7: and he put it around my neck and walked away. Kitty,

548
00:22:18,440 --> 00:22:20,560
Speaker 7: it was a joke. Oh really, then why didn't he

549
00:22:20,600 --> 00:22:22,320
Speaker 7: come back and get it. Why did he give you

550
00:22:22,400 --> 00:22:24,720
Speaker 7: left to take it home? No, because he put it

551
00:22:24,760 --> 00:22:26,200
Speaker 7: around my neck and walked away.

552
00:22:26,280 --> 00:22:28,119
Speaker 2: I didn't walk away. You don't think before you left

553
00:22:28,119 --> 00:22:29,760
Speaker 2: to go home, you'd been like, dude, here's your medallion back.

554
00:22:30,040 --> 00:22:32,320
Speaker 7: He knew where I was, he knew I was there.

555
00:22:32,400 --> 00:22:33,960
Speaker 7: If he wanted it, he couldn't come and got it.

556
00:22:34,000 --> 00:22:36,800
Speaker 2: And how long did you keep it? Like three weeks?

557
00:22:36,920 --> 00:22:41,359
Speaker 7: Oh my gosh, until Bobby made me give it back. Like,

558
00:22:41,400 --> 00:22:43,399
Speaker 7: I don't understand when some way you should do something,

559
00:22:43,920 --> 00:22:46,000
Speaker 7: you take it and it was cool to have Dirk

560
00:22:46,040 --> 00:22:48,280
Speaker 7: s Bentley's medallion, Like, you know where that medallion is

561
00:22:48,320 --> 00:22:51,200
Speaker 7: right now? He has no idea either, exactly, so I

562
00:22:51,200 --> 00:22:53,080
Speaker 7: would have had that hanging in the wall, like, hey, dirks,

563
00:22:53,080 --> 00:22:53,720
Speaker 7: gave that to me.

564
00:22:54,920 --> 00:22:57,880
Speaker 3: Number three Lunchbox's trying to sell a picture of Sam

565
00:22:57,920 --> 00:22:58,600
Speaker 3: Hunt and his wife.

566
00:22:58,680 --> 00:23:02,040
Speaker 2: Oh, oh my gosh, why is that cringeworthy? Is terrible?

567
00:23:02,040 --> 00:23:04,000
Speaker 2: That I had to buy? So I wouldn't go to TMZ.

568
00:23:04,720 --> 00:23:07,840
Speaker 7: That No, No, that's like the picture that really that's

569
00:23:08,119 --> 00:23:10,720
Speaker 7: more valuable now because it's really like the first picture

570
00:23:10,720 --> 00:23:13,119
Speaker 7: of them reconciling getting back together.

571
00:23:13,200 --> 00:23:14,560
Speaker 2: What was it cringe or him.

572
00:23:14,359 --> 00:23:16,240
Speaker 6: Trying to sell it, or the fact that he took

573
00:23:16,560 --> 00:23:17,520
Speaker 6: he hid in a car.

574
00:23:17,480 --> 00:23:21,359
Speaker 2: And took the picture. Oh that's even I mean. I

575
00:23:21,480 --> 00:23:22,879
Speaker 2: pulled up at a four way stop.

576
00:23:23,320 --> 00:23:25,640
Speaker 7: I was going to pick up some lunch, and they

577
00:23:25,800 --> 00:23:28,000
Speaker 7: just happened to walk right in front of my car,

578
00:23:28,080 --> 00:23:30,480
Speaker 7: and I was like, what in the world.

579
00:23:30,640 --> 00:23:33,280
Speaker 3: So I had to pay the money that TMZ was

580
00:23:33,320 --> 00:23:35,359
Speaker 3: going to pay to get the picture plus a dollar

581
00:23:35,600 --> 00:23:38,160
Speaker 3: plus a dollar, so he wouldn't sell the picture.

582
00:23:38,280 --> 00:23:39,399
Speaker 2: Man, I still think about that.

583
00:23:39,880 --> 00:23:41,720
Speaker 5: He really was on Cutting Edge News.

584
00:23:41,840 --> 00:23:46,320
Speaker 3: I was Number two lunch Thank you Lunchbox a beef

585
00:23:46,320 --> 00:23:49,560
Speaker 3: with Chris Jansen about trying to take his whole family

586
00:23:49,600 --> 00:23:52,560
Speaker 3: to an industry event. Somebody at Chris's label said no,

587
00:23:52,600 --> 00:23:57,520
Speaker 3: that's too many people. So then Lunchbox got on what

588
00:23:57,680 --> 00:23:58,119
Speaker 3: you got.

589
00:23:57,960 --> 00:23:58,679
Speaker 2: On social media?

590
00:23:58,840 --> 00:24:01,680
Speaker 7: I got on No, I came on here and said

591
00:24:01,680 --> 00:24:04,480
Speaker 7: there's a beef. I told you, hey, listen, Chris Jansen

592
00:24:04,480 --> 00:24:07,560
Speaker 7: didn't allow my family when his album title is all In,

593
00:24:08,040 --> 00:24:10,679
Speaker 7: And I said, obviously that's not accurate because not everybody

594
00:24:10,760 --> 00:24:12,280
Speaker 7: was welcome all into his party.

595
00:24:12,320 --> 00:24:14,359
Speaker 2: It was only some people got into his party.

596
00:24:14,440 --> 00:24:16,400
Speaker 7: Then he on social media, so I give you a gift. Yeah,

597
00:24:16,400 --> 00:24:18,680
Speaker 7: he went on there said my bad, we messed up.

598
00:24:18,800 --> 00:24:21,919
Speaker 7: I know we were bad. We want to correct this,

599
00:24:22,040 --> 00:24:23,400
Speaker 7: and they gave me a He never.

600
00:24:23,240 --> 00:24:25,880
Speaker 2: Said any of that. Yeah, that's what he heard though.

601
00:24:26,000 --> 00:24:27,080
Speaker 2: That's basically what he's saying.

602
00:24:27,040 --> 00:24:29,560
Speaker 7: When he gives you that, that's an apology, saying, hey,

603
00:24:29,880 --> 00:24:31,960
Speaker 7: we messed up, let us make it right. And he

604
00:24:32,000 --> 00:24:34,239
Speaker 7: brought me a gift car for what was it, two

605
00:24:34,280 --> 00:24:37,359
Speaker 7: hundred and fifty dollars y. Yeah, they asking me a

606
00:24:37,440 --> 00:24:40,240
Speaker 7: nice dinner now, yet gotta find a babysitter.

607
00:24:40,400 --> 00:24:45,040
Speaker 2: Cringey. Number one Lunchboke's posting pictures of Laura and Lena

608
00:24:45,200 --> 00:24:45,719
Speaker 2: at Chipotle.

609
00:24:46,800 --> 00:24:49,280
Speaker 7: Uh yeah, I was eating lunch at Chipotle. And I

610
00:24:49,320 --> 00:24:51,760
Speaker 7: was sitting there and all of a sudden, Laurena Lena

611
00:24:51,840 --> 00:24:54,000
Speaker 7: walks in. I'm like, man, this is great. I'm gonna

612
00:24:54,000 --> 00:24:56,320
Speaker 7: see what she does. And she comes in by herself,

613
00:24:56,640 --> 00:24:59,040
Speaker 7: and she orders and she sits down, she starts eating

614
00:24:59,080 --> 00:25:01,760
Speaker 7: by herself. Then she goes outside and takes a phone call,

615
00:25:01,880 --> 00:25:04,200
Speaker 7: comes back, and her journal all.

616
00:25:04,119 --> 00:25:06,679
Speaker 5: This Basically, he's like, she's at a restaurant.

617
00:25:06,720 --> 00:25:08,919
Speaker 7: He's like Ken and her friend came and joined her,

618
00:25:08,960 --> 00:25:11,120
Speaker 7: and then Laura Lena went to get some a refill

619
00:25:11,160 --> 00:25:13,480
Speaker 7: on a water or whatever, and she spilled it all

620
00:25:13,480 --> 00:25:16,000
Speaker 7: over the floor and she kept saying, oh, I'm so sorry,

621
00:25:16,080 --> 00:25:17,720
Speaker 7: I'm so sorry. Let me clean that up for you.

622
00:25:17,800 --> 00:25:19,439
Speaker 7: And they had to clean it up. And I snapped

623
00:25:19,440 --> 00:25:20,840
Speaker 7: a couple of photos of her at Chipotle.

624
00:25:21,480 --> 00:25:22,920
Speaker 3: It wasn't just about you taking a couple of pictures

625
00:25:22,920 --> 00:25:24,960
Speaker 3: of her, but it was that they were all from

626
00:25:25,000 --> 00:25:25,280
Speaker 3: the back.

627
00:25:25,440 --> 00:25:27,439
Speaker 2: Yeah, well yeah she was. She was sitting with her

628
00:25:27,520 --> 00:25:30,280
Speaker 2: back to me, but you know her exactly.

629
00:25:30,320 --> 00:25:31,720
Speaker 3: Man, it's off from the back, and I think she

630
00:25:31,760 --> 00:25:35,000
Speaker 3: was in yoga pants and it just felt weird and everything, and.

631
00:25:35,200 --> 00:25:36,640
Speaker 5: It was like Papa Razzi, you don't.

632
00:25:37,040 --> 00:25:39,160
Speaker 7: It wasn't like I was zoomed in on her backside.

633
00:25:39,240 --> 00:25:41,560
Speaker 7: It was her whole body. It was just she happened

634
00:25:41,600 --> 00:25:43,520
Speaker 7: to be and like her back happened to.

635
00:25:43,520 --> 00:25:45,760
Speaker 2: Be to me. So you're not allowed to take weird?

636
00:25:45,840 --> 00:25:47,720
Speaker 2: I just wanted to bury your pictures. And then then

637
00:25:47,760 --> 00:25:50,880
Speaker 2: everybody starts to come after him. Well, yeah, those people

638
00:25:50,920 --> 00:25:53,240
Speaker 2: are idiots. It's weird. I don't think that's cringey.

639
00:25:53,280 --> 00:25:54,920
Speaker 7: You see a celebrity in public, you take a picture,

640
00:25:54,960 --> 00:25:56,080
Speaker 7: even if it's the back of them.

641
00:25:56,119 --> 00:25:57,960
Speaker 2: I mean they're walking away. You're not allowed to take

642
00:25:57,960 --> 00:26:00,679
Speaker 2: a picture. Now, you know her? Is that the you

643
00:26:00,720 --> 00:26:02,320
Speaker 2: know her? And it was her button yoga pants six

644
00:26:02,320 --> 00:26:05,440
Speaker 2: feet away? What's crazy? He's disagreed with every single one

645
00:26:05,440 --> 00:26:06,919
Speaker 2: on this list. Oh so none of them are creunchy.

646
00:26:07,040 --> 00:26:09,199
Speaker 7: I didn't find any of those cringeing, all right. I

647
00:26:09,240 --> 00:26:11,760
Speaker 7: mean I felt cringey for Gwinn Stefani because that was

648
00:26:11,800 --> 00:26:12,240
Speaker 7: her fault.

649
00:26:12,320 --> 00:26:15,040
Speaker 2: Yeah, thanky for her. Well, thank you for doing all

650
00:26:15,040 --> 00:26:17,560
Speaker 2: these non cringey things. Yeah, I mean, I don't you

651
00:26:17,600 --> 00:26:20,200
Speaker 2: guys came up with a weak list. Hey, what's yours? Eddie?

652
00:26:20,200 --> 00:26:21,320
Speaker 2: You have it? Favorite of all that?

653
00:26:21,359 --> 00:26:23,320
Speaker 6: Well, I think number one is for sure my favorite

654
00:26:23,320 --> 00:26:24,879
Speaker 6: on the list because it was so cringey.

655
00:26:25,040 --> 00:26:27,560
Speaker 3: It was Laura Len I was in another country working

656
00:26:27,560 --> 00:26:28,920
Speaker 3: and we're going to the controversy.

657
00:26:29,119 --> 00:26:30,879
Speaker 6: Dude, I'm thinking about it right now and being like, oh,

658
00:26:30,960 --> 00:26:32,040
Speaker 6: why would he do something like that?

659
00:26:32,080 --> 00:26:33,560
Speaker 7: I mean it was let me tell you, I got

660
00:26:33,560 --> 00:26:35,520
Speaker 7: a text rummer. She goes, Oh, that's really funny, and

661
00:26:35,560 --> 00:26:37,720
Speaker 7: then like an hour later, she goes, after thinking about it,

662
00:26:37,720 --> 00:26:38,840
Speaker 7: I think you should take those down.

663
00:26:38,680 --> 00:26:41,080
Speaker 2: And ever do that? Actually we did you get the

664
00:26:41,119 --> 00:26:41,760
Speaker 2: text bar? Yeah?

665
00:26:41,720 --> 00:26:43,720
Speaker 7: And I was like, well, that's weird someone but you

666
00:26:43,720 --> 00:26:44,959
Speaker 7: know her, she has your number to text you.

667
00:26:45,000 --> 00:26:46,400
Speaker 5: Wow, this cringe level just got high.

668
00:26:48,920 --> 00:26:50,719
Speaker 2: Did you take them down? Or did Morgan take it down? Well?

669
00:26:50,760 --> 00:26:51,600
Speaker 2: I had to take him down.

670
00:26:51,680 --> 00:26:53,200
Speaker 7: I mean I had some on my social media and

671
00:26:53,240 --> 00:26:55,760
Speaker 7: I was like, you know, and there was other artists

672
00:26:55,840 --> 00:26:57,760
Speaker 7: chiming in with their two cents and.

673
00:26:58,480 --> 00:27:00,560
Speaker 2: I hate how this makes me feel. Ye say, there

674
00:27:00,560 --> 00:27:03,000
Speaker 2: we go, and that's the clear winner, thank you, and

675
00:27:03,200 --> 00:27:06,160
Speaker 2: we'll post the pictures. You guys, We're not postingive pictures.

676
00:27:09,920 --> 00:27:11,360
Speaker 2: Amy's Pile of stories.

677
00:27:11,520 --> 00:27:14,560
Speaker 4: A study was done and experts are sharing the exact

678
00:27:14,600 --> 00:27:17,680
Speaker 4: amount of screen time that's perfect for teenagers, and they

679
00:27:17,760 --> 00:27:21,640
Speaker 4: say the most well adjusted kids spent one to two

680
00:27:21,720 --> 00:27:23,720
Speaker 4: hours online per day.

681
00:27:23,840 --> 00:27:27,479
Speaker 2: That must be not a school or not doing homework.

682
00:27:27,520 --> 00:27:29,040
Speaker 2: It's got to be all that because most of my

683
00:27:29,119 --> 00:27:31,800
Speaker 2: screen time, honestly is spent when I'm on the show

684
00:27:31,840 --> 00:27:34,080
Speaker 2: looking stuff up. So I about say half of mine,

685
00:27:34,119 --> 00:27:34,639
Speaker 2: because I don't know.

686
00:27:34,640 --> 00:27:37,200
Speaker 3: I probably get like two to eight hours on my

687
00:27:37,200 --> 00:27:41,159
Speaker 3: phone today, right, so eight, so I would say at

688
00:27:41,240 --> 00:27:43,480
Speaker 3: least three or four that is here when I'm looking

689
00:27:43,520 --> 00:27:45,360
Speaker 3: stuff up at checking emails for work. So I don't

690
00:27:45,400 --> 00:27:48,040
Speaker 3: need penalize. It's all about me now, I'm very defensive.

691
00:27:48,400 --> 00:27:50,280
Speaker 3: They say, wait, little, two hours, way too little.

692
00:27:50,400 --> 00:27:52,960
Speaker 4: Some parents want to actually try to really limit screen

693
00:27:53,000 --> 00:27:55,520
Speaker 4: time and then that can backfire on them. So keep

694
00:27:55,520 --> 00:27:57,240
Speaker 4: that in mind. And then the one to two hours

695
00:27:57,320 --> 00:27:59,399
Speaker 4: is during the week and then on the weekend. You

696
00:27:59,400 --> 00:28:01,880
Speaker 4: can give them an extra hour three hours on Saturdays

697
00:28:01,880 --> 00:28:02,320
Speaker 4: and Sundays.

698
00:28:02,320 --> 00:28:05,400
Speaker 3: But that's gotta be without school and learning totally.

699
00:28:05,520 --> 00:28:07,960
Speaker 2: Okay, that's just for fun. No, it's still way too little.

700
00:28:07,960 --> 00:28:09,520
Speaker 2: I'm telling him, way too little, all right? What else?

701
00:28:09,760 --> 00:28:13,439
Speaker 4: So free birthing is something that some people are doing,

702
00:28:13,480 --> 00:28:16,440
Speaker 4: and a mom recently posted her birth on Instagram, where

703
00:28:16,440 --> 00:28:19,680
Speaker 4: she gave free birthing, free birthing, You're free to give

704
00:28:19,720 --> 00:28:22,719
Speaker 4: it birth wherever you want, and she decided to do

705
00:28:22,800 --> 00:28:24,040
Speaker 4: it in the Pacific Ocean.

706
00:28:24,640 --> 00:28:25,879
Speaker 2: She posted it, well, that's fine.

707
00:28:25,920 --> 00:28:27,359
Speaker 3: I thought you meant like a Chick fil a, Like,

708
00:28:27,400 --> 00:28:30,119
Speaker 3: I'm free to have a baby right here now, I

709
00:28:30,200 --> 00:28:31,159
Speaker 3: haven't the ocean long.

710
00:28:31,000 --> 00:28:32,120
Speaker 2: To have people that are with you to make sure

711
00:28:32,160 --> 00:28:32,560
Speaker 2: that's okay.

712
00:28:33,040 --> 00:28:35,640
Speaker 4: Well, no, she had her husband, no other he had

713
00:28:35,640 --> 00:28:38,400
Speaker 4: a birthing kit with him, no other medical professional issues.

714
00:28:38,560 --> 00:28:41,120
Speaker 3: But think about two hundred years ago. Yeah, we were

715
00:28:41,120 --> 00:28:43,320
Speaker 3: doing all kinds of stuff. We're just having babies out

716
00:28:43,320 --> 00:28:45,200
Speaker 3: in the woods. Like what do you feed them? There's

717
00:28:45,200 --> 00:28:48,760
Speaker 3: no formula. You can't go down, so there's no formula shortage.

718
00:28:48,800 --> 00:28:50,440
Speaker 3: You just got a breastfeed. And then what you can't breastfeed,

719
00:28:50,720 --> 00:28:52,440
Speaker 3: you got to go and beg the local town woman

720
00:28:52,480 --> 00:28:53,240
Speaker 3: for some of hert milk.

721
00:28:53,720 --> 00:28:56,800
Speaker 2: I mean, this is maybe even healthier. I'm advocate.

722
00:28:57,160 --> 00:29:00,560
Speaker 3: I'm very pro more screen time, but very pro eighteen

723
00:29:00,600 --> 00:29:01,240
Speaker 3: hundred's birth.

724
00:29:01,680 --> 00:29:01,880
Speaker 5: Yeah.

725
00:29:02,080 --> 00:29:04,040
Speaker 4: She said that her first child was born in a

726
00:29:04,080 --> 00:29:06,120
Speaker 4: hospital and it was like an okay experience. In her

727
00:29:06,160 --> 00:29:08,240
Speaker 4: second one she did at home. But for the third one,

728
00:29:08,320 --> 00:29:10,959
Speaker 4: she wanted to be more free in the ocean.

729
00:29:11,160 --> 00:29:13,480
Speaker 2: I get it. I guess I get it that I

730
00:29:13,480 --> 00:29:14,920
Speaker 2: don't get it, and I'm okay with that. I think

731
00:29:14,920 --> 00:29:16,320
Speaker 2: that's what I get, all right. What else?

732
00:29:16,440 --> 00:29:20,360
Speaker 4: Nicole Kidman was doing an interview with Vogue Australia Andrew

733
00:29:20,920 --> 00:29:23,320
Speaker 4: it came up that she was at the dentist who

734
00:29:23,480 --> 00:29:26,560
Speaker 4: happens to be the same dentist to Dolly Pardon, and

735
00:29:26,600 --> 00:29:29,640
Speaker 4: she said, that's just how small Nashville is. Like, you

736
00:29:29,760 --> 00:29:34,200
Speaker 4: run into other famous people at appointments. Have you ever

737
00:29:34,720 --> 00:29:35,920
Speaker 4: I guess certain appointments you.

738
00:29:35,880 --> 00:29:37,040
Speaker 5: Probably shouldn't say.

739
00:29:37,440 --> 00:29:39,200
Speaker 2: Well, I can tell you. Luke Bryan and I went

740
00:29:39,240 --> 00:29:42,440
Speaker 2: to the proctology at the same time together. We went together. No,

741
00:29:42,560 --> 00:29:45,120
Speaker 2: I don't. I don't have any sharing of doctors. I

742
00:29:45,120 --> 00:29:47,800
Speaker 2: don't want to know and I've never seen anybody. And

743
00:29:47,800 --> 00:29:49,280
Speaker 2: I don't want a doctor to tell me because then

744
00:29:49,320 --> 00:29:51,120
Speaker 2: I know they're telling other people about me.

745
00:29:51,320 --> 00:29:53,280
Speaker 4: Oh, for sure, you can't trust it if you're going

746
00:29:53,320 --> 00:29:54,720
Speaker 4: to a doctor and they're like, oh, I was just

747
00:29:54,800 --> 00:29:55,920
Speaker 4: working on It's.

748
00:29:55,760 --> 00:30:02,480
Speaker 2: Also if I'm Dolly, I'm like, hey, Nicole Kidman, Yeah,

749
00:30:02,480 --> 00:30:03,120
Speaker 2: that's a good story.

750
00:30:03,280 --> 00:30:04,360
Speaker 5: I maybe that's my pile.

751
00:30:05,280 --> 00:30:10,040
Speaker 2: That was Amy's pile of stories. It's time for the

752
00:30:10,080 --> 00:30:11,600
Speaker 2: good News lunchbox.

753
00:30:15,960 --> 00:30:19,160
Speaker 7: Back in twenty seventeen, there was this woman at the goodwill.

754
00:30:19,240 --> 00:30:21,480
Speaker 7: She was going through a little bin of paintings and

755
00:30:21,560 --> 00:30:24,560
Speaker 7: posters and she finds this painting. She's like, oh, that's

756
00:30:24,640 --> 00:30:27,400
Speaker 7: kind of cool, takes it to the register, pays four bucks,

757
00:30:27,440 --> 00:30:27,920
Speaker 7: and goes.

758
00:30:27,760 --> 00:30:30,400
Speaker 2: Hah, this could be an original ha joking.

759
00:30:30,840 --> 00:30:32,440
Speaker 7: Went home, put it on her wall for a couple

760
00:30:32,480 --> 00:30:35,640
Speaker 7: of years, did some remodeling, put in a closet. Then

761
00:30:35,640 --> 00:30:37,320
Speaker 7: she just snapped a photo this year and put it

762
00:30:37,360 --> 00:30:39,440
Speaker 7: on Facebook. It's like, oh, look at this painting I've

763
00:30:39,440 --> 00:30:42,640
Speaker 7: had in my closet. Someone goes, uh, that's a real painting.

764
00:30:42,680 --> 00:30:44,680
Speaker 7: You need to get that looked at. It's expected to

765
00:30:44,680 --> 00:30:46,880
Speaker 7: sell for two hundred and fifty thousand dollars.

766
00:30:47,200 --> 00:30:47,880
Speaker 5: That's awesome.

767
00:30:48,760 --> 00:30:50,800
Speaker 2: Yeah, it's some guy. I don't know either. I'm just

768
00:30:50,880 --> 00:30:53,880
Speaker 2: surprised the person didn't go that is such a great replica.

769
00:30:54,000 --> 00:30:57,000
Speaker 2: I'll give you one hundred bucks for it. Yeah, I

770
00:30:57,040 --> 00:30:59,560
Speaker 2: don't know why. You know he knew they knowing it

771
00:30:59,600 --> 00:31:03,000
Speaker 2: was real. No, no, like tricking her out of it

772
00:31:03,360 --> 00:31:04,400
Speaker 2: to scamming. You ever been on the.

773
00:31:04,360 --> 00:31:08,160
Speaker 4: Internet, Amy, I know, but that wouldn't be telling me

774
00:31:08,200 --> 00:31:08,600
Speaker 4: something good.

775
00:31:08,880 --> 00:31:10,520
Speaker 7: I would try to tell you. This artist's name is

776
00:31:10,800 --> 00:31:19,160
Speaker 7: Newell converse. Way of have you got one of those paintings?

777
00:31:19,160 --> 00:31:20,440
Speaker 7: You might want to look because you're going to make

778
00:31:20,440 --> 00:31:22,959
Speaker 7: some money, But that is crazy. I've had a good

779
00:31:23,000 --> 00:31:23,240
Speaker 7: will to.

780
00:31:23,280 --> 00:31:25,880
Speaker 2: Day, all right, That's what it's all about. That was

781
00:31:25,920 --> 00:31:26,840
Speaker 2: telling me something good.

782
00:31:28,720 --> 00:31:36,240
Speaker 3: And now Amy's morning Corny, the mourning Corny.

783
00:31:36,440 --> 00:31:38,320
Speaker 5: Why did the dolphin cross the beach?

784
00:31:39,000 --> 00:31:41,480
Speaker 2: Why did the dolphin cross the beach to get.

785
00:31:41,320 --> 00:31:46,480
Speaker 5: To the other tide?

786
00:31:49,040 --> 00:31:51,640
Speaker 3: That was the morning Corny. I didn't even know the

787
00:31:51,720 --> 00:31:53,400
Speaker 3: root of that chicken joke. By the way, why did

788
00:31:53,440 --> 00:31:56,080
Speaker 3: the chicken cross the street get to the other side?

789
00:31:56,200 --> 00:31:56,880
Speaker 5: To the other side?

790
00:31:58,000 --> 00:31:59,800
Speaker 2: Yeah? How is that even? I don't know? But she

791
00:31:59,840 --> 00:32:02,440
Speaker 2: did a joke based off that joke that I'm like,

792
00:32:02,440 --> 00:32:06,440
Speaker 2: I don't even know what the brute joke is on

793
00:32:06,560 --> 00:32:07,600
Speaker 2: the Bobby Bones Show.

794
00:32:07,680 --> 00:32:09,719
Speaker 5: Now, Adam Sandler.

795
00:32:09,480 --> 00:32:12,000
Speaker 2: Adam's happening, man, it's Bobby All yeah, Bobby, how are

796
00:32:12,040 --> 00:32:12,480
Speaker 2: you buddy?

797
00:32:12,640 --> 00:32:15,160
Speaker 3: As a you know, sports guy in a comedy guy

798
00:32:15,240 --> 00:32:18,760
Speaker 3: like the movie being about basketball and your love of basketball?

799
00:32:19,440 --> 00:32:21,840
Speaker 3: Was the movie an now for you to play more basketball?

800
00:32:21,880 --> 00:32:24,800
Speaker 3: Selfishly like it was like, this would be a good

801
00:32:24,800 --> 00:32:26,080
Speaker 3: movie to do because you could play more.

802
00:32:26,240 --> 00:32:29,800
Speaker 9: Bobby, I had the worst thing happened to an old man.

803
00:32:29,960 --> 00:32:32,360
Speaker 9: I played a lot when we were there. The first

804
00:32:32,360 --> 00:32:35,680
Speaker 9: part of the movie we shot, played hoop every day,

805
00:32:35,920 --> 00:32:38,640
Speaker 9: had a great time. Then the second half of the

806
00:32:38,640 --> 00:32:41,240
Speaker 9: movie because we had to separate two halfs because of

807
00:32:41,280 --> 00:32:45,600
Speaker 9: the pandemic, we had to not do contact basketball for

808
00:32:45,640 --> 00:32:46,040
Speaker 9: a while.

809
00:32:46,080 --> 00:32:46,720
Speaker 2: And then when we.

810
00:32:47,240 --> 00:32:49,480
Speaker 9: When it was safe enough, all the guys started showing

811
00:32:49,560 --> 00:32:50,320
Speaker 9: up playing hoop.

812
00:32:50,600 --> 00:32:53,800
Speaker 2: I played for a maybe a few weeks with the guys.

813
00:32:54,040 --> 00:32:59,600
Speaker 9: It was incredible, and then my stupid growing pop somewhere

814
00:32:59,720 --> 00:33:01,200
Speaker 9: and then I was like limping around.

815
00:33:01,360 --> 00:33:03,320
Speaker 2: Everybody'd be like, why are you walking like that? It

816
00:33:03,400 --> 00:33:06,400
Speaker 2: was humiliating. So I got nothing. Those viral videos that

817
00:33:06,440 --> 00:33:08,960
Speaker 2: you playing pickup ball, and it's always highlights.

818
00:33:08,960 --> 00:33:10,880
Speaker 3: I've never seen a viral video of you sucking. It's

819
00:33:10,880 --> 00:33:15,000
Speaker 3: always like Sandler dominates, like dropping dimes. Are you that

820
00:33:15,080 --> 00:33:16,720
Speaker 3: good all the time or are they just selective on

821
00:33:16,760 --> 00:33:17,440
Speaker 3: what they put up?

822
00:33:17,640 --> 00:33:19,000
Speaker 2: No, I'm that good all the time?

823
00:33:19,080 --> 00:33:24,000
Speaker 16: I thought, No, you know I suck many times out there.

824
00:33:24,280 --> 00:33:27,240
Speaker 16: There are times, though, Bobby, where our gold Why would

825
00:33:27,240 --> 00:33:29,280
Speaker 16: they show that and not this because I had a

826
00:33:29,360 --> 00:33:33,040
Speaker 16: killer passed that day. And then I'll I'll sometimes when

827
00:33:33,080 --> 00:33:35,680
Speaker 16: I'm out there playing and I noticed the cameras come

828
00:33:35,760 --> 00:33:37,560
Speaker 16: up and the kids are shooting me and stuff, I'm like,

829
00:33:37,880 --> 00:33:38,960
Speaker 16: I'd make an ice pass.

830
00:33:39,000 --> 00:33:41,480
Speaker 2: I look up. I'm like, nobody caught that. That was

831
00:33:41,520 --> 00:33:43,560
Speaker 2: a good moment, man, we would have loved that. One

832
00:33:43,680 --> 00:33:46,560
Speaker 2: the movies about your character chasing his dream, and your

833
00:33:46,600 --> 00:33:49,160
Speaker 2: character says that people in their fifties don't have dreams,

834
00:33:49,520 --> 00:33:52,400
Speaker 2: But just asking you as a person, do you still

835
00:33:52,400 --> 00:33:54,440
Speaker 2: have dreams at this point with all that you've done.

836
00:33:54,880 --> 00:33:57,800
Speaker 2: I'm very thankful that I get to do all this stuff.

837
00:33:57,840 --> 00:34:02,160
Speaker 17: I'm probably still driven like I used to be as

838
00:34:02,200 --> 00:34:06,120
Speaker 17: a kid. When I commit to something, I try to

839
00:34:06,880 --> 00:34:08,839
Speaker 17: go full tilt and be as good as I can.

840
00:34:09,040 --> 00:34:11,759
Speaker 17: But I only had dream about it as much as

841
00:34:12,120 --> 00:34:14,719
Speaker 17: I dream about my kids having a good life. Now

842
00:34:14,840 --> 00:34:18,000
Speaker 17: you know, they're thirteen and sixteen, so I think about

843
00:34:18,000 --> 00:34:18,520
Speaker 17: that a lot.

844
00:34:18,560 --> 00:34:18,719
Speaker 11: Now.

845
00:34:18,719 --> 00:34:21,840
Speaker 17: I'm like, oh, man, I just please hope they have

846
00:34:22,440 --> 00:34:26,320
Speaker 17: happiness and they get to dive into whatever they're dying

847
00:34:26,360 --> 00:34:28,000
Speaker 17: to do, that they get to do it.

848
00:34:28,080 --> 00:34:30,400
Speaker 3: Hustled such a good movie again, especially for me. It's

849
00:34:30,400 --> 00:34:32,120
Speaker 3: a big fan of you, a big fan of sports movies.

850
00:34:32,520 --> 00:34:35,120
Speaker 3: And when you did Uncut Gems, you know, I felt

851
00:34:35,160 --> 00:34:39,640
Speaker 3: like you were snubbed a nomination. Do you feel like

852
00:34:39,719 --> 00:34:42,920
Speaker 3: when you nail a serious movie that you want to

853
00:34:42,920 --> 00:34:45,080
Speaker 3: do it and you don't get the nomination? Which I

854
00:34:45,120 --> 00:34:47,759
Speaker 3: thought I thought you were gonna get it, honestly, so

855
00:34:47,800 --> 00:34:49,000
Speaker 3: I just thought it was going to be there, and

856
00:34:49,000 --> 00:34:50,480
Speaker 3: when it was, and I was disappointed for you because

857
00:34:50,480 --> 00:34:52,160
Speaker 3: we're best friends and stuff. But do you feel like

858
00:34:52,200 --> 00:34:54,600
Speaker 3: when you almost nail it that you should go back

859
00:34:54,640 --> 00:34:58,480
Speaker 3: and do another one because you've gotten so close to

860
00:34:58,520 --> 00:35:00,440
Speaker 3: it and it's like you're there, they need you to

861
00:35:00,440 --> 00:35:02,719
Speaker 3: do one more real, serious movie, you know, in a row.

862
00:35:03,360 --> 00:35:05,400
Speaker 9: I don't know, man, I don't even know what I

863
00:35:05,440 --> 00:35:06,160
Speaker 9: think anymore.

864
00:35:06,239 --> 00:35:08,560
Speaker 2: Like when I did that Gems movie.

865
00:35:08,360 --> 00:35:11,279
Speaker 9: I just that Oscar stuff kind of comes out up

866
00:35:11,760 --> 00:35:14,440
Speaker 9: and they start talking about it and blah blah blah,

867
00:35:15,120 --> 00:35:17,400
Speaker 9: oh maybe this, And then then I started going.

868
00:35:17,360 --> 00:35:20,080
Speaker 18: Well, if I got to if I got to go

869
00:35:20,120 --> 00:35:23,760
Speaker 18: and talk about this and run around and meet people

870
00:35:23,760 --> 00:35:26,200
Speaker 18: who vote and all that stuff, I was like, hey,

871
00:35:26,280 --> 00:35:28,719
Speaker 18: let me just let me just say I want.

872
00:35:28,520 --> 00:35:29,359
Speaker 2: This thing real bad.

873
00:35:29,480 --> 00:35:32,400
Speaker 9: I gotta tell you it wasn't on my mind in

874
00:35:32,440 --> 00:35:36,040
Speaker 9: real life. When I came out to Hollywood as a kid,

875
00:35:36,080 --> 00:35:37,440
Speaker 9: I just wanted to be Eddie Murphy.

876
00:35:37,440 --> 00:35:39,960
Speaker 2: Man. I didn't think about an Oscar. But when I

877
00:35:40,000 --> 00:35:43,040
Speaker 2: do stuff like this, I do. I do my best.

878
00:35:43,320 --> 00:35:45,400
Speaker 9: I work at myself, and I do want it to

879
00:35:45,440 --> 00:35:47,600
Speaker 9: be I don't want to let people down. I don't

880
00:35:47,600 --> 00:35:51,439
Speaker 9: want to let people, the directors down, people who put

881
00:35:51,440 --> 00:35:52,239
Speaker 9: the money into it.

882
00:35:52,280 --> 00:35:54,799
Speaker 2: All. I tried to do as good as I can.

883
00:35:54,880 --> 00:35:59,359
Speaker 17: And then also, you know, my kids get psyched if

884
00:35:59,360 --> 00:36:00,319
Speaker 17: I'm good good.

885
00:36:00,239 --> 00:36:00,800
Speaker 2: In a movie.

886
00:36:00,840 --> 00:36:04,520
Speaker 17: It's fun to come home and talk about hard work

887
00:36:04,560 --> 00:36:05,520
Speaker 17: and scenes.

888
00:36:05,160 --> 00:36:06,400
Speaker 2: That I did that were interesting.

889
00:36:06,440 --> 00:36:08,759
Speaker 9: I don't I don't know, man, And the Oscar thing

890
00:36:09,160 --> 00:36:13,320
Speaker 9: that probably makes people nuts. I just just just gonna

891
00:36:13,320 --> 00:36:14,000
Speaker 9: try to do good.

892
00:36:14,440 --> 00:36:16,840
Speaker 3: You mentioned Eddie Murphy, and I've heard people say that

893
00:36:16,880 --> 00:36:18,279
Speaker 3: the first time they met you that they were so

894
00:36:18,320 --> 00:36:21,520
Speaker 3: intimidated by how funny you are, how funny they've seen

895
00:36:21,560 --> 00:36:25,239
Speaker 3: you be, maybe in movies, television, et cetera, even on stage, which,

896
00:36:25,280 --> 00:36:27,840
Speaker 3: by the way, your last special was so freaking good.

897
00:36:28,520 --> 00:36:31,239
Speaker 3: Who was it for you that you saw once you

898
00:36:31,320 --> 00:36:33,759
Speaker 3: started to make it? New York RelA that was so

899
00:36:33,880 --> 00:36:36,680
Speaker 3: funny you made you almost were intimidated because you're like,

900
00:36:36,760 --> 00:36:37,520
Speaker 3: I'm not that.

901
00:36:37,880 --> 00:36:38,160
Speaker 2: Wow.

902
00:36:38,360 --> 00:36:40,960
Speaker 16: There's a bunch of those in my early days where

903
00:36:41,000 --> 00:36:43,400
Speaker 16: I would go, oh my god, how'd he do that?

904
00:36:43,480 --> 00:36:46,920
Speaker 2: How did she do that? Kevin Meanie there was a

905
00:36:46,920 --> 00:36:48,000
Speaker 2: comedian Kevin Meanie.

906
00:36:48,000 --> 00:36:50,560
Speaker 17: When he went on stage, he would destroy so hard

907
00:36:51,080 --> 00:36:52,600
Speaker 17: that it was just humiliating.

908
00:36:52,640 --> 00:36:54,160
Speaker 2: You didn't know how to go after him.

909
00:36:54,520 --> 00:36:56,640
Speaker 9: You know, Rodney Dangerfield when I was young that that

910
00:36:57,040 --> 00:36:59,880
Speaker 9: was my guy that made me get into this and

911
00:37:00,680 --> 00:37:04,399
Speaker 9: Eddie and but there's been a lot of comedians over

912
00:37:04,400 --> 00:37:06,439
Speaker 9: the years that I see that I just go, well,

913
00:37:06,760 --> 00:37:08,040
Speaker 9: I don't want to go on after that.

914
00:37:08,040 --> 00:37:10,040
Speaker 2: That's too good, all right, last one for you.

915
00:37:10,560 --> 00:37:13,680
Speaker 3: So when you work with athletes that are so tall

916
00:37:13,800 --> 00:37:16,319
Speaker 3: yet still are able to move like deer, like a

917
00:37:16,360 --> 00:37:18,719
Speaker 3: seven foot or like Dirk, they can still be like

918
00:37:18,960 --> 00:37:21,600
Speaker 3: a way better athlete than I could ever be. But

919
00:37:21,640 --> 00:37:24,400
Speaker 3: he's also I mean that it's almost like a science

920
00:37:24,440 --> 00:37:26,279
Speaker 3: experiment that shouldn't work the way it does.

921
00:37:27,480 --> 00:37:27,879
Speaker 10: Does it ever?

922
00:37:27,960 --> 00:37:29,359
Speaker 2: Just get normal to you and you just like, yeah,

923
00:37:29,400 --> 00:37:31,200
Speaker 2: that's just how it is. They're just seven foot and awesome.

924
00:37:31,400 --> 00:37:35,160
Speaker 9: I mean, dude, I'm not I want chows insane. All

925
00:37:35,200 --> 00:37:37,560
Speaker 9: the guys, all the guys that were in the movie

926
00:37:37,600 --> 00:37:39,920
Speaker 9: when they would just move, it's a whole other level

927
00:37:39,920 --> 00:37:40,839
Speaker 9: of move and you know that.

928
00:37:41,160 --> 00:37:44,479
Speaker 2: But I'll tell you what. Bobon, Yeah, just shooting around.

929
00:37:44,560 --> 00:37:47,320
Speaker 2: Bobon he's seven what is he? I don't know, seven,

930
00:37:47,400 --> 00:37:50,480
Speaker 2: something like seven four or something like that. Nothing like that.

931
00:37:50,560 --> 00:37:55,080
Speaker 9: Right, His hands is so gigantic, his body's built, he's massive,

932
00:37:55,760 --> 00:37:58,480
Speaker 9: but he's got move smooth when.

933
00:37:58,360 --> 00:38:01,200
Speaker 2: He takes a shot, so it's got the softest touch it.

934
00:38:01,400 --> 00:38:04,080
Speaker 2: It's just it's a whole other thing. Like like you said,

935
00:38:04,400 --> 00:38:05,680
Speaker 2: I don't know how they do it, all right. I

936
00:38:05,719 --> 00:38:09,759
Speaker 2: hope everybody watches Hustle. It's so good. Watch you on Netflix, Adam.

937
00:38:09,880 --> 00:38:10,439
Speaker 5: Just a big fan.

938
00:38:10,600 --> 00:38:12,480
Speaker 3: Just appreciate you and thanks for the time. And I

939
00:38:12,520 --> 00:38:14,200
Speaker 3: would wish you success, but you don't need it, so

940
00:38:14,200 --> 00:38:16,160
Speaker 3: you can wish me success. Would you wish me success

941
00:38:16,160 --> 00:38:17,439
Speaker 3: at the end of this. I've never done this before,

942
00:38:17,440 --> 00:38:18,080
Speaker 3: so let me have it.

943
00:38:18,160 --> 00:38:20,800
Speaker 9: Bobby, you got a lot of success coming. You're very cool,

944
00:38:21,080 --> 00:38:23,800
Speaker 9: very nice to me. Thank you for that. And you're

945
00:38:23,800 --> 00:38:25,960
Speaker 9: a smooth as hell man, and you got a lot

946
00:38:26,000 --> 00:38:26,520
Speaker 9: of good stuff.

947
00:38:26,560 --> 00:38:27,000
Speaker 2: Coming there.

948
00:38:27,040 --> 00:38:27,360
Speaker 7: We have it.

949
00:38:27,400 --> 00:38:28,919
Speaker 2: We heard it right there, Adam, Thanks buddy.

950
00:38:28,960 --> 00:38:33,000
Speaker 3: All right, lady guys, Robert and Georgia's on the phone

951
00:38:33,120 --> 00:38:36,640
Speaker 3: right now. Hey, Robert, what's up, buddy, Morning morning. I'm

952
00:38:36,640 --> 00:38:38,600
Speaker 3: gonna give you a shot at a fifty dollars Soignic

953
00:38:38,640 --> 00:38:41,280
Speaker 3: gift card. Right now, we're gonna play name one second

954
00:38:41,280 --> 00:38:43,279
Speaker 3: of a nineties country song. Right, he's just gonna play it.

955
00:38:43,400 --> 00:38:45,680
Speaker 3: We gotta name it by that one second. Robert, who

956
00:38:45,719 --> 00:38:47,720
Speaker 3: would you like to represent you in the game this morning?

957
00:38:47,719 --> 00:38:50,800
Speaker 3: You have Amy Lunchbox? Yeah, you have Eddie or you

958
00:38:50,800 --> 00:38:52,040
Speaker 3: you have me, I'll pick you.

959
00:38:52,840 --> 00:38:55,920
Speaker 2: Okay. Wow, Well Robert makes one bad decision after another.

960
00:38:56,239 --> 00:38:58,960
Speaker 5: Now, hey, he doesn't understand.

961
00:38:59,120 --> 00:39:01,640
Speaker 3: Hey, i'll tell you what. Right, We're gonna do seven

962
00:39:01,680 --> 00:39:04,160
Speaker 3: of these. We'll give Lunchbox three points to start.

963
00:39:04,480 --> 00:39:08,719
Speaker 2: Oh that's how bad you are. No, but let's give

964
00:39:08,800 --> 00:39:11,120
Speaker 2: him a shot here. If you get all seven, we

965
00:39:11,120 --> 00:39:14,439
Speaker 2: can't catch you. That's right, that's right, let's go. Yeah,

966
00:39:14,480 --> 00:39:16,279
Speaker 2: that's right. I know that is right. If you do

967
00:39:16,360 --> 00:39:20,080
Speaker 2: that math, so Lunchbox is plus three. Wow, this is

968
00:39:20,120 --> 00:39:20,839
Speaker 2: already up right now?

969
00:39:20,880 --> 00:39:25,680
Speaker 3: Yeah, right now, okay, Ray, All these are nineties country songs.

970
00:39:26,040 --> 00:39:30,680
Speaker 3: You get one second of it. Go oh, that's just drums.

971
00:39:30,760 --> 00:39:31,879
Speaker 3: Then hit that again.

972
00:39:31,920 --> 00:39:38,480
Speaker 2: Please, Oh that's too much, that's too much. Answered it down.

973
00:39:41,440 --> 00:39:42,840
Speaker 2: It's carrying your love with me. I got that the

974
00:39:42,840 --> 00:39:46,280
Speaker 2: first one. Boom, the first one. Eddie got it. Carrying

975
00:39:46,280 --> 00:39:47,680
Speaker 2: your level four points.

976
00:39:47,719 --> 00:39:49,799
Speaker 7: Now, that's right. It was so easy. You guys were

977
00:39:49,800 --> 00:39:51,360
Speaker 7: stressed and I was that was you knew just with

978
00:39:51,440 --> 00:39:54,279
Speaker 7: the drums. Yes, that's it, all right, number two? Name

979
00:39:54,320 --> 00:39:58,399
Speaker 7: it one second. If he keeps getting them, we can't

980
00:39:58,400 --> 00:39:58,719
Speaker 7: catch them.

981
00:39:59,640 --> 00:40:00,520
Speaker 5: That's good. We want to.

982
00:40:00,880 --> 00:40:02,759
Speaker 2: I don't know the name of the song. I want

983
00:40:02,800 --> 00:40:05,600
Speaker 2: me to win. He didn't pick me. I'm I'm out

984
00:40:05,600 --> 00:40:07,360
Speaker 2: for vengeance. That was his problem. Here we go do

985
00:40:07,360 --> 00:40:07,640
Speaker 2: it again.

986
00:40:08,520 --> 00:40:15,360
Speaker 5: Okay, like, who are you like?

987
00:40:15,400 --> 00:40:19,799
Speaker 2: I'm vance one more time. All right, there's the third time.

988
00:40:19,800 --> 00:40:21,759
Speaker 7: We already got it lunch one. I understand, but you

989
00:40:21,800 --> 00:40:23,680
Speaker 7: talk over everybody else when they play. I know, but

990
00:40:23,719 --> 00:40:26,319
Speaker 7: when I'm in I need silence. Well, I can sing

991
00:40:26,400 --> 00:40:27,799
Speaker 7: the song. I just don't know the name.

992
00:40:27,719 --> 00:40:29,399
Speaker 2: Of the song. Okay, what do you have over there?

993
00:40:29,680 --> 00:40:36,000
Speaker 2: There's your trouble? Correct, my god, that's what I have anyway. Yeah, wow,

994
00:40:36,040 --> 00:40:43,880
Speaker 2: that is yehed to karaoke this. Yeah, that's crazy. I

995
00:40:43,920 --> 00:40:50,040
Speaker 2: mean he's gonna yet five down? You got five? Alright?

996
00:40:50,160 --> 00:40:53,480
Speaker 2: Oh man, I'm getting nervous over here. All right, but

997
00:40:56,760 --> 00:40:58,800
Speaker 2: a good Yeah. I'm just scared he's gonna get it

998
00:40:58,800 --> 00:41:01,239
Speaker 2: and he's gonna put us one away from to go perfect. No,

999
00:41:01,360 --> 00:41:04,000
Speaker 2: you're gonna be perfect, but you can't get cock. You

1000
00:41:04,080 --> 00:41:07,480
Speaker 2: got three given to you. But I've been undefeated. That's true.

1001
00:41:07,480 --> 00:41:09,200
Speaker 2: He got me. That's true. Go ahead, what you got

1002
00:41:09,560 --> 00:41:13,680
Speaker 2: Grundy County auctions? Wrong? Thank god, that's called sold. It's

1003
00:41:13,719 --> 00:41:18,760
Speaker 2: called sold. And then sorry.

1004
00:41:18,040 --> 00:41:19,360
Speaker 5: That's what I put county.

1005
00:41:19,800 --> 00:41:22,719
Speaker 2: Oh no, that's sold.

1006
00:41:24,680 --> 00:41:28,160
Speaker 6: Yeah, lady?

1007
00:41:28,200 --> 00:41:32,080
Speaker 2: What you give me anything? My own mind? Do you're

1008
00:41:32,160 --> 00:41:38,600
Speaker 2: bitten a bitch shop? I cannot believe.

1009
00:41:38,400 --> 00:41:42,719
Speaker 7: The parentheses got me classic, but I thought princies go first.

1010
00:41:42,760 --> 00:41:45,640
Speaker 2: Remember in a math equation. No, here we go, you

1011
00:41:45,680 --> 00:41:48,040
Speaker 2: do the parentheses first. They're not always listed first. All right,

1012
00:41:48,080 --> 00:41:49,160
Speaker 2: here we go. Next up?

1013
00:41:50,960 --> 00:41:51,839
Speaker 5: Oh, all I hear is.

1014
00:41:54,920 --> 00:41:58,680
Speaker 2: Eighty? I do anything and make you money?

1015
00:41:58,800 --> 00:42:01,960
Speaker 5: Man, I just have gotten sorry.

1016
00:42:01,960 --> 00:42:08,120
Speaker 2: Sorry, all right, Amy, what do you have? You're gonna

1017
00:42:08,120 --> 00:42:10,160
Speaker 2: give it away? Yeah? Amy?

1018
00:42:11,000 --> 00:42:12,399
Speaker 5: He started in he's not.

1019
00:42:13,080 --> 00:42:18,480
Speaker 2: You started singing, Okay, all I have? What do youty bitty.

1020
00:42:19,080 --> 00:42:20,680
Speaker 2: I don't think that's what's called It may be called

1021
00:42:20,760 --> 00:42:22,759
Speaker 2: by I don't think that's what's called them. I have

1022
00:42:22,800 --> 00:42:28,720
Speaker 2: a little bitty. Oh, Ellen Jackson, you have idiots.

1023
00:42:28,719 --> 00:42:31,919
Speaker 5: Well that's idio. That's all I got, right.

1024
00:42:31,880 --> 00:42:38,680
Speaker 2: Daddy, idiots Anyway, it's okay, always, okay, it's okay to

1025
00:42:38,760 --> 00:42:40,760
Speaker 2: be a little bit. It's all right whatever.

1026
00:42:41,239 --> 00:42:44,239
Speaker 10: A little town or a big old city might as well.

1027
00:42:45,600 --> 00:42:46,880
Speaker 5: Okay, what do you get it?

1028
00:42:47,040 --> 00:42:51,839
Speaker 2: That's funny. You asked to have itdy biddy? Sing it wrong?

1029
00:42:52,080 --> 00:42:52,200
Speaker 19: Right?

1030
00:42:52,239 --> 00:42:52,719
Speaker 2: Which one is it?

1031
00:42:52,800 --> 00:42:52,840
Speaker 5: That?

1032
00:42:52,920 --> 00:42:53,400
Speaker 2: Am I wrong?

1033
00:42:53,520 --> 00:42:56,920
Speaker 7: It's a little bitty Okay, I want to check the PERCs.

1034
00:42:57,360 --> 00:42:58,840
Speaker 2: There are no I don't think there are princess in

1035
00:42:58,840 --> 00:43:06,080
Speaker 2: that one, any dy Okay, Prince's Granny County auction. You

1036
00:43:06,200 --> 00:43:08,959
Speaker 2: got a ball game here, folks? What's the score? Five? Four?

1037
00:43:09,680 --> 00:43:13,680
Speaker 2: You have five? I have four and there are three left. Okay,

1038
00:43:13,840 --> 00:43:17,040
Speaker 2: Ray hit me with something else. I don't want to

1039
00:43:17,040 --> 00:43:20,000
Speaker 2: do it out loud, because I'll do it. Oh.

1040
00:43:21,640 --> 00:43:22,400
Speaker 5: I have no idea.

1041
00:43:22,920 --> 00:43:24,600
Speaker 3: I think I can sing it without him even knowing,

1042
00:43:24,680 --> 00:43:26,880
Speaker 3: lunchboxs even knowing. Okay, he give us the melody?

1043
00:43:27,200 --> 00:43:36,400
Speaker 2: Hm hm hmmm mmmmm. Great is that again. M hmmm,

1044
00:43:37,320 --> 00:43:40,759
Speaker 2: I got it. I got it, I got it. M M.

1045
00:43:42,000 --> 00:43:43,520
Speaker 2: I can't do too much, but I need to make

1046
00:43:43,520 --> 00:43:46,200
Speaker 2: sure I got it. But you got it, lunchbox, What

1047
00:43:46,200 --> 00:43:51,160
Speaker 2: do you have? Forever's true? It's a song artist, Eddie?

1048
00:43:51,400 --> 00:43:55,600
Speaker 2: How forever feels I have for how let's go? What

1049
00:43:55,640 --> 00:44:00,640
Speaker 2: do you I had? That's it's just play for a second,

1050
00:44:00,640 --> 00:44:06,600
Speaker 2: because but I think it goes man whatever you know?

1051
00:44:06,719 --> 00:44:08,399
Speaker 2: That's the chorus that did it still start?

1052
00:44:08,480 --> 00:44:08,600
Speaker 14: Oh?

1053
00:44:08,680 --> 00:44:19,360
Speaker 2: There we go man, man right, jim me buff if

1054
00:44:19,360 --> 00:44:20,880
Speaker 2: they just slowed the speed of the song down to

1055
00:44:20,960 --> 00:44:23,000
Speaker 2: be a lot better, Oh yeah, I like slow king.

1056
00:44:23,200 --> 00:44:25,600
Speaker 2: They just slow they stretched out a little bit little

1057
00:44:25,600 --> 00:44:29,200
Speaker 2: all right, lunchbox, we're tied up, buddy. Yeah they got

1058
00:44:29,239 --> 00:44:31,600
Speaker 2: a little harder. Yeah they have all right? Ray hit

1059
00:44:31,680 --> 00:44:35,960
Speaker 2: me with another one? Oh and I got Yeah, that's it.

1060
00:44:37,800 --> 00:44:39,480
Speaker 2: And I said, hey, lady, want you to give me

1061
00:44:39,520 --> 00:44:43,759
Speaker 2: a songes don't give it away? Okay, what do you got?

1062
00:44:44,640 --> 00:44:53,759
Speaker 2: My car? Yep? Hit that right? Can give it up.

1063
00:44:56,640 --> 00:45:03,839
Speaker 2: I was driving through Georgie. Hey, well we got one more.

1064
00:45:03,840 --> 00:45:05,319
Speaker 2: Here's what I'm gonna do. If you just get this

1065
00:45:05,360 --> 00:45:07,360
Speaker 2: one for all the marble win, I won't even compete

1066
00:45:07,360 --> 00:45:08,640
Speaker 2: with you on this one. That's what I'm talking about.

1067
00:45:08,640 --> 00:45:10,720
Speaker 3: If you just get this one, you win the prize

1068
00:45:10,760 --> 00:45:14,279
Speaker 3: for Robert. He gets all the marbles. As you say, Yeah,

1069
00:45:14,320 --> 00:45:18,399
Speaker 3: well you're ready fifty dollars. Yeah, Ray hit the one

1070
00:45:18,480 --> 00:45:20,080
Speaker 3: second of this nineties country song.

1071
00:45:22,040 --> 00:45:28,359
Speaker 2: Don't don't keep playing again? Amen, think you're out? Yeah,

1072
00:45:28,440 --> 00:45:32,040
Speaker 2: Amy has been out for a long time. All right, lunchbox,

1073
00:45:32,040 --> 00:45:34,279
Speaker 2: I'll give you a hint. Hold on here, No, no, why

1074
00:45:34,320 --> 00:45:36,160
Speaker 2: would you give a hint? You already give him forget.

1075
00:45:35,960 --> 00:45:40,080
Speaker 3: The listener a chance, Hey, lunchbox, lunchbox, you need the song, right,

1076
00:45:40,120 --> 00:45:42,760
Speaker 3: But isn't it The artist name is John A lunchbox?

1077
00:45:42,800 --> 00:45:46,439
Speaker 2: Think care, Oh that's not him, but give him? Oh

1078
00:45:46,520 --> 00:45:59,720
Speaker 2: oh give him? Give him ten seconds. That's it. That's it. Yeah,

1079
00:45:59,680 --> 00:46:02,400
Speaker 2: I know, I know it's all right. Letchbox and answer.

1080
00:46:02,360 --> 00:46:04,279
Speaker 7: I I want to write down check yes or no.

1081
00:46:04,400 --> 00:46:06,480
Speaker 7: But I don't think that's right. It's chasing me a

1082
00:46:06,480 --> 00:46:08,479
Speaker 7: little around the playground. She still gets to.

1083
00:46:08,440 --> 00:46:11,040
Speaker 2: Me, Okay, your answer is check yes or no. No,

1084
00:46:11,440 --> 00:46:13,960
Speaker 2: it's I believe that's straight to Quila and I yep,

1085
00:46:14,000 --> 00:46:16,000
Speaker 2: John Anderson on the street.

1086
00:46:16,280 --> 00:46:21,280
Speaker 1: Key, don't ask her on a street keeling just started

1087
00:46:21,280 --> 00:46:23,480
Speaker 1: thinking about Lamb and she's ready.

1088
00:46:23,560 --> 00:46:28,640
Speaker 2: In fact, it's a broken hard on every man. It's

1089
00:46:27,840 --> 00:46:29,480
Speaker 2: a let's box.

1090
00:46:31,960 --> 00:46:35,360
Speaker 7: Gosh, man, so close I was one away from winning

1091
00:46:35,360 --> 00:46:35,680
Speaker 7: the thing.

1092
00:46:35,800 --> 00:46:37,720
Speaker 2: Yeah, well, Robert, Robert, are you there? Buddy?

1093
00:46:38,880 --> 00:46:39,640
Speaker 10: And Robert?

1094
00:46:39,680 --> 00:46:42,680
Speaker 2: I'm so sorry, dude, like it just wasn't my day

1095
00:46:42,960 --> 00:46:45,240
Speaker 2: any other day out and nail that, all right, Robert?

1096
00:46:45,360 --> 00:46:50,040
Speaker 2: I meant, oh, all right, let's get Robert, Robert. Can

1097
00:46:50,080 --> 00:46:52,440
Speaker 2: you hear those song clips when we play? Okay, see

1098
00:46:52,440 --> 00:46:54,160
Speaker 2: if you can name this one? Play whatever you have

1099
00:46:54,239 --> 00:47:04,359
Speaker 2: next up there for the way, Robert god playing again

1100
00:47:04,360 --> 00:47:11,960
Speaker 2: for him? What you say?

1101
00:47:12,120 --> 00:47:12,600
Speaker 16: We did it?

1102
00:47:12,880 --> 00:47:19,480
Speaker 2: You did? We want we? Yeah? We are you French

1103
00:47:21,000 --> 00:47:28,319
Speaker 2: working man. I feel like you want to show me

1104
00:47:28,320 --> 00:47:30,120
Speaker 2: a picture of something I saw Amy grab her phone

1105
00:47:30,239 --> 00:47:32,479
Speaker 2: as we're going to segment. What what's on your phone?

1106
00:47:32,520 --> 00:47:32,600
Speaker 14: Well?

1107
00:47:32,640 --> 00:47:33,759
Speaker 5: I don't know if you want to see it.

1108
00:47:33,800 --> 00:47:38,440
Speaker 4: But my son now thinks it's hilarious to text me

1109
00:47:38,600 --> 00:47:42,400
Speaker 4: pictures from his bathroom experience. What do you mean, like

1110
00:47:42,440 --> 00:47:45,160
Speaker 4: when he goes to the bathroom bathroom number two, he

1111
00:47:45,239 --> 00:47:47,400
Speaker 4: takes a picture results.

1112
00:47:46,680 --> 00:47:49,120
Speaker 2: Oh my gosh, I don't want to see that. Why

1113
00:47:49,120 --> 00:47:49,719
Speaker 2: don't we text that?

1114
00:47:49,800 --> 00:47:52,800
Speaker 5: You don't know. No, I thought, is this just a

1115
00:47:53,320 --> 00:47:54,480
Speaker 5: whole boy humor thing?

1116
00:47:54,840 --> 00:47:55,760
Speaker 2: For medical reasons?

1117
00:47:55,800 --> 00:47:59,080
Speaker 4: He has he like, Mom, I think he's or he's

1118
00:47:59,120 --> 00:47:59,920
Speaker 4: proud of himself.

1119
00:48:00,160 --> 00:48:02,720
Speaker 2: Oh no, you tell him to stop.

1120
00:48:02,920 --> 00:48:05,680
Speaker 4: Yes, and now he thinks it's so funny.

1121
00:48:06,040 --> 00:48:07,880
Speaker 5: Oh oh, can't stop old stop.

1122
00:48:08,280 --> 00:48:10,279
Speaker 2: Oh no, I never opened a text from him.

1123
00:48:10,480 --> 00:48:11,920
Speaker 3: He'd be like, I haven't eaten in days, and I

1124
00:48:11,960 --> 00:48:13,920
Speaker 3: wouldn't look at it because I wouldn't want to see that.

1125
00:48:14,320 --> 00:48:17,520
Speaker 2: No, shout to me. No, no, no, I don't see it.

1126
00:48:17,520 --> 00:48:19,280
Speaker 2: Oh DoD, what are you tell him?

1127
00:48:19,640 --> 00:48:22,520
Speaker 5: Please stop? This is not or don't send these to

1128
00:48:22,640 --> 00:48:23,359
Speaker 5: anybody else?

1129
00:48:23,400 --> 00:48:27,560
Speaker 2: But mom, no, no, please stop stop. Yeah, no pictures.

1130
00:48:27,560 --> 00:48:30,480
Speaker 2: It's like a Josh Jagabor in the seventies. No pictures,

1131
00:48:30,480 --> 00:48:31,319
Speaker 2: no pictures.

1132
00:48:32,000 --> 00:48:34,040
Speaker 5: Yeah. I don't know. I just hop if he's not

1133
00:48:34,080 --> 00:48:35,600
Speaker 5: texting him out to anybody.

1134
00:48:36,080 --> 00:48:36,840
Speaker 2: Have his own phone.

1135
00:48:36,960 --> 00:48:37,640
Speaker 5: He has an iPad.

1136
00:48:38,320 --> 00:48:41,440
Speaker 2: He's taking a picture with an iPad. He's having to

1137
00:48:41,440 --> 00:48:43,000
Speaker 2: get all cinematic. That think's goude.

1138
00:48:43,719 --> 00:48:46,480
Speaker 5: Oh no he doesn't have a phone. Oh no, he

1139
00:48:47,200 --> 00:48:49,360
Speaker 5: can text me through his iPad account.

1140
00:48:49,480 --> 00:48:51,200
Speaker 2: Oh that's what he's been up to make an email

1141
00:48:53,120 --> 00:48:53,480
Speaker 2: like a week.

1142
00:48:53,480 --> 00:48:55,759
Speaker 4: What else is he up to, well, he had a

1143
00:48:55,760 --> 00:48:58,399
Speaker 4: friend over and they got locked out.

1144
00:48:58,560 --> 00:49:00,600
Speaker 5: So that was quite the experience I get.

1145
00:49:00,680 --> 00:49:01,279
Speaker 2: Were you not home?

1146
00:49:01,760 --> 00:49:02,400
Speaker 5: I wasn't home.

1147
00:49:02,520 --> 00:49:04,799
Speaker 4: The friend has a phone so text me and was like, hey,

1148
00:49:05,280 --> 00:49:06,680
Speaker 4: I was just down the street at the grocery store

1149
00:49:06,719 --> 00:49:07,799
Speaker 4: and I was going to be back. And he's like,

1150
00:49:07,920 --> 00:49:11,080
Speaker 4: somehow we've managed to get locked out, and I said, okay,

1151
00:49:11,080 --> 00:49:13,560
Speaker 4: well I'll be home soon, so just play basketball or

1152
00:49:13,600 --> 00:49:16,320
Speaker 4: do something outside and I'll be there. And I get

1153
00:49:16,360 --> 00:49:20,040
Speaker 4: back and Stevenson is very dramatic and is already spelling

1154
00:49:20,080 --> 00:49:23,320
Speaker 4: out sos with sticks and rocks in our driveway.

1155
00:49:23,160 --> 00:49:26,080
Speaker 2: For people flying over knocking on the door.

1156
00:49:26,640 --> 00:49:29,920
Speaker 4: And what's funny is he just learned what SOSS meant

1157
00:49:30,000 --> 00:49:32,400
Speaker 4: a week ago, and so I actually thought it was

1158
00:49:32,480 --> 00:49:33,560
Speaker 4: quite clever and cute.

1159
00:49:33,560 --> 00:49:35,719
Speaker 5: But he's just very dramatic.

1160
00:49:35,760 --> 00:49:38,799
Speaker 4: When I pulled up, we've been locked out for hours.

1161
00:49:39,200 --> 00:49:41,520
Speaker 4: It had been no more than thirty minutes, that's for sure,

1162
00:49:41,880 --> 00:49:43,640
Speaker 4: and he was spelling out sos.

1163
00:49:43,480 --> 00:49:47,680
Speaker 2: Which, by the way, SOS means nothing. Oh, it means nothing.

1164
00:49:47,520 --> 00:49:49,320
Speaker 5: Save our ships.

1165
00:49:49,680 --> 00:49:52,040
Speaker 3: It's what people have inserted the meeting meaning to, but

1166
00:49:52,120 --> 00:49:55,040
Speaker 3: it means nothing. It's made of just those specific sounds

1167
00:49:55,080 --> 00:49:58,040
Speaker 3: and the letters looking like a distress signal.

1168
00:49:58,120 --> 00:50:00,520
Speaker 4: Not save our souls, that's another one.

1169
00:50:00,560 --> 00:50:07,000
Speaker 2: Save our sushi, O our sisters. That could be any

1170
00:50:07,000 --> 00:50:11,279
Speaker 2: of that. The guy was bitten after mistaking an alligator

1171
00:50:11,280 --> 00:50:11,920
Speaker 2: for a dog.

1172
00:50:12,080 --> 00:50:14,480
Speaker 3: Wait what now, I know sometimes they do like a wolf.

1173
00:50:14,680 --> 00:50:16,399
Speaker 3: Like we picked up this puppy and it was We

1174
00:50:16,400 --> 00:50:18,359
Speaker 3: were like, oh, executest puppy, and then it turned into

1175
00:50:18,400 --> 00:50:19,439
Speaker 3: a vampire or were wolf.

1176
00:50:19,480 --> 00:50:21,560
Speaker 2: And I'm like, oh uh, that was a wolf, right right.

1177
00:50:21,560 --> 00:50:24,719
Speaker 2: They kind of look like a dog, but it's not

1178
00:50:24,800 --> 00:50:26,600
Speaker 2: a dog. It's a wolf. But I can understand that

1179
00:50:27,000 --> 00:50:30,480
Speaker 2: an alligator looks nothing like a dog. An unnamed forty

1180
00:50:30,560 --> 00:50:32,800
Speaker 2: nine year old man in Northport, Florida, had a nasty

1181
00:50:32,880 --> 00:50:34,759
Speaker 2: run in with an alligator that he thought was a pump.

1182
00:50:35,080 --> 00:50:36,440
Speaker 2: Police said the man was outside.

1183
00:50:36,120 --> 00:50:39,560
Speaker 3: Of walking he saw a dark figure moving along the

1184
00:50:39,560 --> 00:50:41,720
Speaker 3: bushes on the shell path.

1185
00:50:41,960 --> 00:50:44,080
Speaker 2: He said, oh, look at that dog with a long leash.

1186
00:50:45,000 --> 00:50:46,319
Speaker 5: What see?

1187
00:50:46,400 --> 00:50:48,799
Speaker 2: Okay, this guy, this is one of those vision The

1188
00:50:48,880 --> 00:50:52,080
Speaker 2: guy was intoxicated. I don't know that that's true, but.

1189
00:50:52,000 --> 00:50:53,680
Speaker 3: There's always some sort of line at the end of these.

1190
00:50:54,000 --> 00:50:56,000
Speaker 3: The dog ended up being a seven foot alligator that

1191
00:50:56,000 --> 00:50:57,880
Speaker 3: bit his right leg. And ripped a chunk out of it.

1192
00:50:58,320 --> 00:50:59,960
Speaker 3: The guy called nine one one and got some help.

1193
00:51:00,040 --> 00:51:03,800
Speaker 3: May was given medical attention. The gator was trapped and removed.

1194
00:51:05,120 --> 00:51:07,000
Speaker 2: They don't say what happened after that, but I'm assuming

1195
00:51:07,040 --> 00:51:08,520
Speaker 2: they let it live with the other dogs.

1196
00:51:08,640 --> 00:51:12,760
Speaker 3: Sure and the dog swamp. Yeah, that's from ABC Action News.

1197
00:51:12,960 --> 00:51:15,480
Speaker 3: Surely he was impaired in some way. This is me speculating.

1198
00:51:15,600 --> 00:51:20,040
Speaker 4: Yeah, either like with a substance or visually totally impaired.

1199
00:51:20,160 --> 00:51:23,319
Speaker 2: Oh, now you're going with the man? True it could

1200
00:51:23,320 --> 00:51:24,799
Speaker 2: it just be been blind and here I am.

1201
00:51:27,800 --> 00:51:28,280
Speaker 5: Or something.

1202
00:51:28,480 --> 00:51:30,840
Speaker 3: Okay, Eddie, I'm gonna ask you this. You said Amy

1203
00:51:30,880 --> 00:51:33,360
Speaker 3: maybe having a bad morning. What happened with Amy this morning?

1204
00:51:33,440 --> 00:51:33,600
Speaker 11: Yeah?

1205
00:51:33,640 --> 00:51:35,759
Speaker 6: I was right behind her coming into work, and I

1206
00:51:35,800 --> 00:51:37,920
Speaker 6: guess there was a service truck like somebody's working on

1207
00:51:37,920 --> 00:51:40,360
Speaker 6: the front gate of the building and they were blocking

1208
00:51:40,400 --> 00:51:43,320
Speaker 6: the entrance and Amy just pulls up and stops like

1209
00:51:43,640 --> 00:51:45,760
Speaker 6: there's people in the way. She kind of looks around

1210
00:51:45,960 --> 00:51:49,400
Speaker 6: and then just throws it in reverse and goes gets

1211
00:51:49,440 --> 00:51:50,879
Speaker 6: out and then goes down the road.

1212
00:51:50,920 --> 00:51:53,320
Speaker 2: I'm like, WHOA, what happened here? Because I'm just waiting.

1213
00:51:53,360 --> 00:51:54,640
Speaker 2: These guys look like they're.

1214
00:51:54,480 --> 00:51:57,279
Speaker 6: About to move at some point, and then Amy comes

1215
00:51:57,360 --> 00:51:59,640
Speaker 6: running down the sidewalk, so I guess she ditched her

1216
00:51:59,680 --> 00:52:03,040
Speaker 6: car on the street, runs down the sidewalk and into

1217
00:52:03,080 --> 00:52:03,319
Speaker 6: the door.

1218
00:52:03,360 --> 00:52:05,799
Speaker 5: And I have stuff to do?

1219
00:52:05,920 --> 00:52:07,960
Speaker 2: Why so hazy? I mean I had to wait for

1220
00:52:07,960 --> 00:52:09,640
Speaker 2: like ten minutes too. I pulled up and they were

1221
00:52:09,640 --> 00:52:11,640
Speaker 2: just sitting in the garage and I didn't want to wait.

1222
00:52:11,719 --> 00:52:14,920
Speaker 2: I sat there and listen to the radio. Yeah, some

1223
00:52:14,960 --> 00:52:17,680
Speaker 2: deep breadth, still little meditating. Nope, we were early. I

1224
00:52:17,680 --> 00:52:19,319
Speaker 2: thought like we had time to kill over.

1225
00:52:19,520 --> 00:52:21,799
Speaker 4: But I still, for me, I was later than I

1226
00:52:21,840 --> 00:52:24,080
Speaker 4: wanted to be, even though it was early, and I

1227
00:52:24,160 --> 00:52:26,040
Speaker 4: had stuff I needed to do, and I didn't know

1228
00:52:26,040 --> 00:52:28,200
Speaker 4: how long it was gonna doa It looked complicated like

1229
00:52:28,239 --> 00:52:30,160
Speaker 4: that a trailer hitch, and I was like, okay, so

1230
00:52:30,280 --> 00:52:31,239
Speaker 4: you ditched your car.

1231
00:52:31,400 --> 00:52:32,160
Speaker 5: I didn't ditch it.

1232
00:52:32,200 --> 00:52:34,040
Speaker 4: I went and parked on the side street instead of

1233
00:52:34,080 --> 00:52:34,880
Speaker 4: inside the garage.

1234
00:52:34,920 --> 00:52:36,480
Speaker 5: And then I ran up to the building.

1235
00:52:37,120 --> 00:52:37,400
Speaker 15: Wow.

1236
00:52:38,360 --> 00:52:40,200
Speaker 5: I tried to get here, get my job done.

1237
00:52:40,960 --> 00:52:41,600
Speaker 2: Are you okay?

1238
00:52:41,960 --> 00:52:44,319
Speaker 5: I'm okay. And I don't know that I threw it

1239
00:52:44,320 --> 00:52:46,120
Speaker 5: into reverse. That's just how I drive.

1240
00:52:46,280 --> 00:52:48,239
Speaker 2: That light came on real quick, white light.

1241
00:52:50,680 --> 00:52:51,880
Speaker 3: Well, listen you guys come up with a lot of

1242
00:52:51,880 --> 00:52:54,399
Speaker 3: ideas for the show, and some of them get used

1243
00:52:54,440 --> 00:52:56,160
Speaker 3: and no one was very appreciative. But some of them

1244
00:52:56,200 --> 00:52:59,719
Speaker 3: are so just we'd never do them, and I appreciate

1245
00:53:00,600 --> 00:53:03,439
Speaker 3: the effort, but that's how we get this segment called

1246
00:53:03,520 --> 00:53:04,480
Speaker 3: rejected segments.

1247
00:53:04,960 --> 00:53:06,080
Speaker 10: Rejected segment.

1248
00:53:06,160 --> 00:53:07,560
Speaker 2: Although some of these are so dumb, I don't think

1249
00:53:07,600 --> 00:53:08,719
Speaker 2: you guys even really wanted me to air it. I

1250
00:53:08,719 --> 00:53:13,840
Speaker 2: think you're just filling out space like something. So these are.

1251
00:53:13,719 --> 00:53:16,200
Speaker 3: Rejected segments, segments that in a million years we would

1252
00:53:16,200 --> 00:53:19,319
Speaker 3: have never done on the air. There have been times, though,

1253
00:53:19,360 --> 00:53:21,760
Speaker 3: where I've been like, wow, that's actually a pretty good segment.

1254
00:53:21,800 --> 00:53:22,359
Speaker 2: Let's do it.

1255
00:53:22,719 --> 00:53:25,239
Speaker 3: So let's see if any of those do this. We'll

1256
00:53:25,239 --> 00:53:27,600
Speaker 3: start with Lunchbox. Lunchbox, welcome, thank you, And.

1257
00:53:27,520 --> 00:53:29,440
Speaker 7: I don't know why any of my segments get rejected.

1258
00:53:29,480 --> 00:53:30,879
Speaker 7: I'm shocked when they don't make it.

1259
00:53:31,080 --> 00:53:35,240
Speaker 3: Lunchbox wrote, I am supper annoyed with my wife Supper,

1260
00:53:35,280 --> 00:53:36,040
Speaker 3: which I think he meant.

1261
00:53:36,040 --> 00:53:39,239
Speaker 2: Super spelling is not my strong point of care that much.

1262
00:53:39,280 --> 00:53:41,000
Speaker 3: He said, I think my wife's faking a back injury

1263
00:53:41,040 --> 00:53:42,520
Speaker 3: so she can just lay around all weekend.

1264
00:53:43,000 --> 00:53:44,920
Speaker 2: Turned me into a single dad, I don't think she

1265
00:53:45,040 --> 00:53:45,359
Speaker 2: was hurt.

1266
00:53:45,680 --> 00:53:47,879
Speaker 3: Listen to these grunts and moans I've recorded of her,

1267
00:53:48,080 --> 00:53:50,279
Speaker 3: and tell me that she isn't exaggerating it.

1268
00:53:50,600 --> 00:53:52,239
Speaker 2: Okay, you guys ready, Yeah, these.

1269
00:53:52,160 --> 00:53:54,600
Speaker 7: Are getting up off the couch, in the car, out

1270
00:53:54,600 --> 00:53:55,000
Speaker 7: of bed.

1271
00:53:55,120 --> 00:53:57,040
Speaker 2: I mean it is so ridiculous. Here we go.

1272
00:54:04,160 --> 00:54:05,239
Speaker 10: Okay, I'm calling it.

1273
00:54:10,160 --> 00:54:14,879
Speaker 7: She's not hurt tall, come on, like that's exaggerating, right, No,

1274
00:54:15,160 --> 00:54:16,399
Speaker 7: did she know you were recording her?

1275
00:54:16,680 --> 00:54:18,120
Speaker 5: No, that is real.

1276
00:54:18,239 --> 00:54:19,800
Speaker 2: I'd be so mad if totally.

1277
00:54:19,800 --> 00:54:24,040
Speaker 7: My husband brought in let me go, like, I mean literally,

1278
00:54:24,160 --> 00:54:26,759
Speaker 7: so for three days I had to do everything with

1279
00:54:26,880 --> 00:54:28,719
Speaker 7: all three kids, Like she just sat there on the

1280
00:54:28,719 --> 00:54:30,319
Speaker 7: couch like kick get up all.

1281
00:54:30,280 --> 00:54:32,279
Speaker 2: Like the kids crying. Okay, oh, you're gonna have to

1282
00:54:32,280 --> 00:54:34,720
Speaker 2: get that like what rejected segment?

1283
00:54:35,480 --> 00:54:36,600
Speaker 10: Rejected segment.

1284
00:54:36,640 --> 00:54:38,080
Speaker 2: That's why you guys stop talking about it.

1285
00:54:38,280 --> 00:54:38,640
Speaker 11: Just yell.

1286
00:54:39,239 --> 00:54:44,279
Speaker 3: Next up, Mike Deson and Paintball Roulette. We get five

1287
00:54:44,280 --> 00:54:48,560
Speaker 3: different paintball guns, but only one is loaded. Bobby, Amy, Eddie, Lunchbox,

1288
00:54:48,640 --> 00:54:50,360
Speaker 3: and Morgan get a chance to select a gun and

1289
00:54:50,400 --> 00:54:54,439
Speaker 3: we take turns shooting each other. The game stops once

1290
00:54:54,520 --> 00:54:56,560
Speaker 3: one person quits or goes to the hospital.

1291
00:54:56,600 --> 00:55:00,640
Speaker 2: Oh my gosh, it's a brutal bit. I've been hit

1292
00:55:00,680 --> 00:55:02,640
Speaker 2: and that's like some squid game stuff right there.

1293
00:55:02,760 --> 00:55:03,400
Speaker 5: Yeah.

1294
00:55:03,440 --> 00:55:08,879
Speaker 3: Reject Get Talking Rejected Segments, also from Mike d It's

1295
00:55:08,880 --> 00:55:10,480
Speaker 3: a spin off of one of other segments where we

1296
00:55:10,520 --> 00:55:12,560
Speaker 3: do the employee of the Month, but instead we recognize

1297
00:55:12,560 --> 00:55:14,160
Speaker 3: the person who is the worst employee of the month

1298
00:55:15,040 --> 00:55:17,680
Speaker 3: because person needs to show the most improvement, and we

1299
00:55:17,760 --> 00:55:19,719
Speaker 3: list all the things they did badly last month.

1300
00:55:20,000 --> 00:55:22,560
Speaker 2: That's hilarious, funny, worst that just would.

1301
00:55:22,320 --> 00:55:29,760
Speaker 19: Not be good for morale Ya Get Rejected Segments, Morgan number.

1302
00:55:29,520 --> 00:55:32,160
Speaker 2: Two And this actually wasn't so bad. I just I

1303
00:55:32,160 --> 00:55:33,160
Speaker 2: guess I didn't get to it.

1304
00:55:33,280 --> 00:55:35,279
Speaker 3: But you've been in three different workout classes where the

1305
00:55:35,280 --> 00:55:37,160
Speaker 3: same guy keeps live streaming the workouts.

1306
00:55:37,320 --> 00:55:39,480
Speaker 8: Yeah, I'm like in the background of all of his

1307
00:55:39,600 --> 00:55:42,160
Speaker 8: live streams and I'm just working out. I didn't figure

1308
00:55:42,200 --> 00:55:45,000
Speaker 8: it out until all the way through a full workout

1309
00:55:45,000 --> 00:55:47,839
Speaker 8: class and I walk over and there's people like commenting on.

1310
00:55:47,800 --> 00:55:48,520
Speaker 5: What we're doing.

1311
00:55:48,920 --> 00:55:51,000
Speaker 2: See a person in the class or teaching the class.

1312
00:55:51,040 --> 00:55:52,280
Speaker 5: No, he's a person in the class.

1313
00:55:52,280 --> 00:55:54,440
Speaker 2: Oh, he's just in the class. Yeah, that's so weird.

1314
00:55:54,480 --> 00:55:57,319
Speaker 5: He's live streaming himself. Yes, so that others can work

1315
00:55:57,320 --> 00:55:57,919
Speaker 5: out with him.

1316
00:55:58,080 --> 00:55:59,640
Speaker 8: I don't know, But then the rest of us are

1317
00:55:59,640 --> 00:56:01,040
Speaker 8: in the back ground of it, and we don't know

1318
00:56:01,080 --> 00:56:03,560
Speaker 8: that strangers are commenting on what we're doing while working out.

1319
00:56:03,719 --> 00:56:05,600
Speaker 3: Yeah, you should just sign a consent if we're a

1320
00:56:05,680 --> 00:56:07,040
Speaker 3: if you're a teacher, I get it, like, hey, we're

1321
00:56:07,080 --> 00:56:08,879
Speaker 3: gonna live during the class to people who can't get

1322
00:56:08,960 --> 00:56:11,080
Speaker 3: up here, you're just somebody random.

1323
00:56:10,840 --> 00:56:13,160
Speaker 8: Yeah, just setting up on the side, like watching him

1324
00:56:13,200 --> 00:56:13,719
Speaker 8: go at it.

1325
00:56:14,120 --> 00:56:15,320
Speaker 2: Oh that doesn't sound.

1326
00:56:15,360 --> 00:56:16,440
Speaker 5: Yes, listen.

1327
00:56:16,640 --> 00:56:20,480
Speaker 8: I even watched him do ab crunches with his body, like,

1328
00:56:20,560 --> 00:56:22,640
Speaker 8: you know, his legs towards the camera.

1329
00:56:22,719 --> 00:56:25,040
Speaker 5: It was not a pretty people. Is this like a

1330
00:56:25,200 --> 00:56:26,080
Speaker 5: thing like a.

1331
00:56:28,040 --> 00:56:29,400
Speaker 10: Rejected segments?

1332
00:56:30,000 --> 00:56:31,279
Speaker 2: Lunchbox back in the mix here?

1333
00:56:31,280 --> 00:56:34,479
Speaker 3: Oh hello, Lunchbox is mad at Sports Illustrated Swimsuit Edition.

1334
00:56:34,520 --> 00:56:37,920
Speaker 3: Oh boy, because they're not putting on models.

1335
00:56:37,920 --> 00:56:38,560
Speaker 2: He doesn't know.

1336
00:56:39,480 --> 00:56:42,520
Speaker 7: Yeah, they put Kim Kardashian on the cover of the

1337
00:56:42,520 --> 00:56:45,000
Speaker 7: Swimsuit issue, and I'm like, we already know Kim Kardashian.

1338
00:56:45,120 --> 00:56:47,799
Speaker 7: Give another model a break. And also, that's how we

1339
00:56:47,840 --> 00:56:49,560
Speaker 7: discover new models, that's how.

1340
00:56:49,400 --> 00:56:50,839
Speaker 2: We what do you what do you need models for?

1341
00:56:51,320 --> 00:56:53,000
Speaker 2: I mean, that's how they get their big.

1342
00:56:52,880 --> 00:56:54,680
Speaker 7: Break and we get to see a new hobby instead

1343
00:56:54,680 --> 00:56:56,680
Speaker 7: of Oh, Kim k We already see Kim Kane bikini

1344
00:56:56,840 --> 00:56:57,440
Speaker 7: all the time.

1345
00:56:57,760 --> 00:56:58,279
Speaker 2: They should the.

1346
00:56:59,480 --> 00:57:02,600
Speaker 19: Terrible rejected segments frustrating.

1347
00:57:03,120 --> 00:57:07,680
Speaker 3: Okay, Raymondo saw on TikTok how he can remove excess

1348
00:57:07,719 --> 00:57:09,320
Speaker 3: skin from his eye for twenty dollars and wants to

1349
00:57:09,320 --> 00:57:10,920
Speaker 3: know if he should try it on the air. Yes,

1350
00:57:11,160 --> 00:57:13,880
Speaker 3: tell us how Yeah, I've had these thighs on my eyelids.

1351
00:57:13,920 --> 00:57:14,800
Speaker 2: They run in my family.

1352
00:57:14,920 --> 00:57:17,040
Speaker 7: My grandpa had and my father hasn't been my wife

1353
00:57:17,160 --> 00:57:19,040
Speaker 7: in a noise or it's right on my eye, it's

1354
00:57:19,040 --> 00:57:19,320
Speaker 7: been there.

1355
00:57:19,480 --> 00:57:20,280
Speaker 2: Rejected segment on.

1356
00:57:21,840 --> 00:57:23,880
Speaker 10: Rejected segments, twenty dollars.

1357
00:57:24,320 --> 00:57:26,120
Speaker 2: Yeah, he's gonna lose an eye. He's gonna tell us

1358
00:57:26,120 --> 00:57:27,880
Speaker 2: and somebody's gonna do it, but he could do it

1359
00:57:27,920 --> 00:57:32,800
Speaker 2: on air. Yeah, rejectedly. He got one left. This one

1360
00:57:32,880 --> 00:57:33,600
Speaker 2: is from lunchbox.

1361
00:57:34,520 --> 00:57:38,000
Speaker 3: He wanted to spill the tea on shady Scuba Steve

1362
00:57:38,440 --> 00:57:41,240
Speaker 3: because he saw a shady deal in the parking lot

1363
00:57:41,400 --> 00:57:43,320
Speaker 3: and he doesn't think what Scuba's doing is legal.

1364
00:57:43,880 --> 00:57:46,400
Speaker 2: Yes, there was a car that pulled into the garage.

1365
00:57:46,680 --> 00:57:48,520
Speaker 7: Scuba went out there and looked at his left right,

1366
00:57:49,640 --> 00:57:51,920
Speaker 7: stuck his hand in the car person handed him like

1367
00:57:51,920 --> 00:57:53,520
Speaker 7: a brown paper bag wrapped up.

1368
00:57:53,680 --> 00:57:55,920
Speaker 2: Scuba went put it in his truck like no one

1369
00:57:56,000 --> 00:57:58,760
Speaker 2: was watching. I was like, that doesn't seem very normal.

1370
00:57:58,760 --> 00:57:59,480
Speaker 2: I ask you a question.

1371
00:57:59,600 --> 00:58:02,520
Speaker 7: It wasn't like an Amazon delivery. It was a can't

1372
00:58:02,640 --> 00:58:05,400
Speaker 7: cash or something like how did this go down?

1373
00:58:05,560 --> 00:58:08,560
Speaker 3: Let me just run this by you? Yeah, you like Scuba, Steve. Yeah,

1374
00:58:08,680 --> 00:58:10,440
Speaker 3: let's say he was doing a drug deal, which I

1375
00:58:10,440 --> 00:58:12,120
Speaker 3: don't think it was. I don't know what he was doing,

1376
00:58:12,160 --> 00:58:13,480
Speaker 3: all right, but let's say he was. Would you really

1377
00:58:13,480 --> 00:58:14,600
Speaker 3: want to come in here and tell on him for

1378
00:58:14,600 --> 00:58:14,920
Speaker 3: doing that?

1379
00:58:15,320 --> 00:58:16,960
Speaker 7: I mean, if it's going down to work, like do

1380
00:58:17,000 --> 00:58:18,840
Speaker 7: that at your house, man, don't bring that business in

1381
00:58:18,920 --> 00:58:19,280
Speaker 7: my work.

1382
00:58:19,720 --> 00:58:22,280
Speaker 2: Pus me a jeopardy? Does it?

1383
00:58:22,320 --> 00:58:23,320
Speaker 5: But what was it really?

1384
00:58:23,480 --> 00:58:25,640
Speaker 3: I don't, Steve, I don't know. I don't It wasn't

1385
00:58:25,640 --> 00:58:27,080
Speaker 3: a drug deal, so I don't mind asking him this.

1386
00:58:27,160 --> 00:58:28,800
Speaker 2: Yeah, yeah, no, problem wasn't a drug deal.

1387
00:58:29,000 --> 00:58:30,920
Speaker 6: It was not actually the thing you're speaking into right now,

1388
00:58:30,920 --> 00:58:32,760
Speaker 6: that red microphone that I got you for Christmas.

1389
00:58:32,840 --> 00:58:35,600
Speaker 2: It was that oh they got brought it up, dropped it.

1390
00:58:35,840 --> 00:58:37,800
Speaker 6: Dropped it off, and I was trying to be secret

1391
00:58:37,840 --> 00:58:39,000
Speaker 6: about it because it was a surprise.

1392
00:58:40,040 --> 00:58:41,200
Speaker 2: Oh that's it.

1393
00:58:41,480 --> 00:58:42,680
Speaker 5: So how do you feel a lunchbox?

1394
00:58:43,040 --> 00:58:45,400
Speaker 7: I feel good. I'm glad school was not breaking the law.

1395
00:58:45,400 --> 00:58:46,200
Speaker 7: It just seemed weird that.

1396
00:58:46,280 --> 00:58:47,439
Speaker 2: You were gonna just tell on it.

1397
00:58:47,400 --> 00:58:49,240
Speaker 7: It was the car was out, the car was all

1398
00:58:49,280 --> 00:58:55,520
Speaker 7: tinted windows, and it was just every car almost they.

1399
00:58:54,440 --> 00:58:59,400
Speaker 2: Had a radio. Just seemed really shady.

1400
00:59:00,160 --> 00:59:03,240
Speaker 3: Okay, well those are all rejected segments. Amy didn't make

1401
00:59:03,240 --> 00:59:03,960
Speaker 3: the less good job.

1402
00:59:04,200 --> 00:59:06,919
Speaker 5: Oh but I don't know. It's kind of fun hearing them.

1403
00:59:07,040 --> 00:59:09,520
Speaker 3: Okay, here's batle for you. A woman trusted Amy with

1404
00:59:09,640 --> 00:59:12,760
Speaker 3: her purse in the bathroom. WHOA, oh yeah, that's a

1405
00:59:12,760 --> 00:59:13,120
Speaker 3: big deal.

1406
00:59:13,160 --> 00:59:13,640
Speaker 2: That's weird.

1407
00:59:13,920 --> 00:59:14,840
Speaker 5: That crazy.

1408
00:59:15,000 --> 00:59:17,160
Speaker 4: So she was in the stall next to me, and

1409
00:59:17,200 --> 00:59:20,600
Speaker 4: her like toddler son was in there with her, and

1410
00:59:20,760 --> 00:59:22,920
Speaker 4: he kept throwing stuff out of her purse into the

1411
00:59:22,960 --> 00:59:25,120
Speaker 4: other stalls. And so when I got out and was

1412
00:59:25,120 --> 00:59:27,600
Speaker 4: washing my hands, she scooted it under and she was like,

1413
00:59:27,640 --> 00:59:29,160
Speaker 4: can you watch this for me?

1414
00:59:29,640 --> 00:59:31,240
Speaker 5: And I'm like, this woman does not know me.

1415
00:59:31,840 --> 00:59:33,640
Speaker 4: But I gathered everything and put it up on the

1416
00:59:33,680 --> 00:59:35,560
Speaker 4: sink and waited for her to come out.

1417
00:59:36,200 --> 00:59:37,640
Speaker 2: You look trustworthy.

1418
00:59:38,000 --> 00:59:41,560
Speaker 4: She wouldn't see me through the stall. But why was

1419
00:59:41,600 --> 00:59:43,720
Speaker 4: that rejected? It could it was not talking about it?

1420
00:59:44,000 --> 00:59:45,680
Speaker 2: Well I wasn't going to and you're like, well, what

1421
00:59:45,800 --> 00:59:46,440
Speaker 2: had that on here?

1422
00:59:46,760 --> 00:59:47,120
Speaker 5: Okay?

1423
00:59:47,280 --> 00:59:50,520
Speaker 4: But I just thought, Wow, this woman trusts me because

1424
00:59:50,560 --> 00:59:51,520
Speaker 4: I could have just.

1425
00:59:51,640 --> 00:59:53,120
Speaker 5: Walked out with her purse, no problem.

1426
00:59:53,160 --> 00:59:55,360
Speaker 2: There you go. That's rejected segments. Thank you everybody.

1427
00:59:55,480 --> 00:59:58,840
Speaker 19: Yeah, please rejected segments.

1428
01:00:00,720 --> 01:00:03,600
Speaker 2: Bobby Bone showy up today.

1429
01:00:04,280 --> 01:00:07,720
Speaker 7: This story comes to us from East Point, Georgia. Police

1430
01:00:07,760 --> 01:00:09,640
Speaker 7: were called when a woman came out of the store

1431
01:00:09,680 --> 01:00:12,000
Speaker 7: and her car was gone. Someone had broken in stolen

1432
01:00:12,040 --> 01:00:14,600
Speaker 7: her Dodge charger, and so police were there responding.

1433
01:00:14,800 --> 01:00:15,760
Speaker 2: They're driving through.

1434
01:00:15,640 --> 01:00:17,600
Speaker 7: The parking lot and they're like, man, that kind of

1435
01:00:17,640 --> 01:00:19,320
Speaker 7: looks like the car sitting in the Chick fil A

1436
01:00:19,480 --> 01:00:22,320
Speaker 7: drive through and they drive over there. Yeah, the suspects

1437
01:00:22,360 --> 01:00:23,920
Speaker 7: had stolen the car and drove it over to Chick

1438
01:00:23,960 --> 01:00:25,920
Speaker 7: fil A and we're stuck in the drive through order.

1439
01:00:26,160 --> 01:00:28,760
Speaker 3: I understand the stock part. I thought maybe they saw

1440
01:00:28,800 --> 01:00:30,440
Speaker 3: a Chick fil A with no drive through and they

1441
01:00:30,440 --> 01:00:31,200
Speaker 3: were like, we can't resist.

1442
01:00:31,280 --> 01:00:33,400
Speaker 2: I know, we saw there's nobody in line. This never

1443
01:00:33,520 --> 01:00:36,440
Speaker 2: happens like that. I would understand, because if you want

1444
01:00:36,440 --> 01:00:38,760
Speaker 2: to go to Chick fil A and it's at lunchtime

1445
01:00:39,040 --> 01:00:42,560
Speaker 2: eleven to one thirty, there's just it's wrapped around the building. Yeah,

1446
01:00:42,640 --> 01:00:45,640
Speaker 2: And if you want to go at dinner from four

1447
01:00:45,800 --> 01:00:51,520
Speaker 2: forty five to seven forty it's wrapped around the building. Always.

1448
01:00:51,600 --> 01:00:53,480
Speaker 3: You never drive up and go unless you that would

1449
01:00:53,480 --> 01:00:54,680
Speaker 3: be the time I would go. You still a car

1450
01:00:54,720 --> 01:00:56,680
Speaker 3: that we gotta get out of here, Gris, Did you see

1451
01:00:56,720 --> 01:00:57,920
Speaker 3: that there's nobody in line?

1452
01:00:58,080 --> 01:01:00,280
Speaker 2: All right, lunch box, I'm lunchbox. That's your bone head

1453
01:01:00,280 --> 01:01:00,919
Speaker 2: story of the day.

1454
01:01:02,120 --> 01:01:05,160
Speaker 3: A former burglar says the best way to prevent break ins,

1455
01:01:05,880 --> 01:01:07,760
Speaker 3: and it's also one of the cheapest, is to put

1456
01:01:07,800 --> 01:01:09,320
Speaker 3: up a sign that says beware of dog.

1457
01:01:09,560 --> 01:01:12,000
Speaker 2: Yes, not that I have an alarm, but that I

1458
01:01:12,040 --> 01:01:14,720
Speaker 2: have a dog. Because nobody likes to get bitten or

1459
01:01:14,800 --> 01:01:16,200
Speaker 2: chased by a dog. I don't care who you are.

1460
01:01:16,400 --> 01:01:18,720
Speaker 2: I love dogs more than all you can bind. However,

1461
01:01:19,280 --> 01:01:20,560
Speaker 2: I don't like to be chased by a dog. I

1462
01:01:20,560 --> 01:01:23,600
Speaker 2: don't know. So put up that sign. And he says,

1463
01:01:23,960 --> 01:01:24,640
Speaker 2: we see that.

1464
01:01:24,680 --> 01:01:28,200
Speaker 3: We don't go there because just in case you're telling

1465
01:01:28,200 --> 01:01:29,760
Speaker 3: the truth, Yeah, I.

1466
01:01:29,680 --> 01:01:32,400
Speaker 4: Just don't want the standard be aware of dog sign

1467
01:01:32,600 --> 01:01:36,959
Speaker 4: that they don't want blood over it, like I needed

1468
01:01:37,040 --> 01:01:39,440
Speaker 4: to look a little bit, you know, I don't.

1469
01:01:39,200 --> 01:01:41,400
Speaker 2: Know, no, And then I like a bite out of it,

1470
01:01:41,560 --> 01:01:43,200
Speaker 2: like I'm gonna cut a bite out like a dog.

1471
01:01:43,640 --> 01:01:45,400
Speaker 10: Yeah, I like the dog's so meany.

1472
01:01:45,080 --> 01:01:47,320
Speaker 2: He got mad at that sign and ate that sign.

1473
01:01:47,480 --> 01:01:49,480
Speaker 2: Killed it rest in peace sign, and I put a

1474
01:01:49,520 --> 01:01:51,200
Speaker 2: grave of the sign. Oh no, no no.

1475
01:01:51,360 --> 01:01:52,880
Speaker 3: Then I put a grave of the last burglar that

1476
01:01:52,960 --> 01:01:54,760
Speaker 3: was here, Johnny John Burglar.

1477
01:01:55,040 --> 01:01:56,600
Speaker 2: Is that too much now? I don't think so. I

1478
01:01:56,600 --> 01:01:58,560
Speaker 2: think if anybody was thinking about it, I'd see that

1479
01:01:58,640 --> 01:02:00,600
Speaker 2: and go the other way to commit. So put that

1480
01:02:00,640 --> 01:02:03,800
Speaker 2: sign up if you're worried about Burglars. Okay, So here

1481
01:02:03,880 --> 01:02:06,600
Speaker 2: we go. We finished the show. Maybe you weren't here

1482
01:02:06,640 --> 01:02:08,680
Speaker 2: since five o'clock this morning, and that's okay. You can

1483
01:02:08,720 --> 01:02:10,000
Speaker 2: go back and listen to the whole show on the

1484
01:02:10,000 --> 01:02:13,840
Speaker 2: podcast today Morgan. Some of the highlights from today's show include.

1485
01:02:13,600 --> 01:02:15,840
Speaker 8: Adam Sandler was on with us for the first time,

1486
01:02:15,920 --> 01:02:17,840
Speaker 8: and he talked about his new movie and all of

1487
01:02:17,840 --> 01:02:20,240
Speaker 8: those viral videos of himself playing basketball.

1488
01:02:21,680 --> 01:02:22,400
Speaker 2: That's so cool.

1489
01:02:23,080 --> 01:02:25,120
Speaker 3: I do a terrible Adam Sandler. My impression is of

1490
01:02:25,240 --> 01:02:27,360
Speaker 3: Eddie doing an impression. So Eddie do an impression.

1491
01:02:27,440 --> 01:02:31,320
Speaker 2: Hey, how you doing, Bobby? How you doing? Eddie? It's

1492
01:02:31,360 --> 01:02:32,160
Speaker 2: like cookie Monster.

1493
01:02:34,040 --> 01:02:37,440
Speaker 3: Thank you, we will see you tomorrow, Big Show tomorrow,

1494
01:02:37,440 --> 01:02:38,000
Speaker 3: Big Show.

1495
01:02:37,840 --> 01:02:40,600
Speaker 2: Fridays, Hank Juniors and on Fridays. So thank you and

1496
01:02:40,720 --> 01:02:43,040
Speaker 2: goodbye everybody. Bobby Bone Show