1 00:00:01,000 --> 00:00:06,960 Speaker 1: Choke when the rents passed you in the Carbell Star 2 00:00:08,440 --> 00:00:13,640 Speaker 1: with the only sponsors like broken hard, we're hanging on 3 00:00:13,720 --> 00:00:17,360 Speaker 1: this janky stream. Two weird voices in the glow of 4 00:00:17,400 --> 00:00:19,240 Speaker 1: a streams the worm bo. 5 00:00:19,239 --> 00:00:21,560 Speaker 2: Say to let it laugh with. 6 00:00:25,160 --> 00:00:28,000 Speaker 3: Welcome back to a rewind episode of Laugh with Me. 7 00:00:28,040 --> 00:00:29,920 Speaker 3: In the podcast with Jeremy Odam and I'm Your. 8 00:00:29,800 --> 00:00:35,479 Speaker 4: Home, Jeremy stares at the stats, hands shaken over takeout boxes. 9 00:00:35,920 --> 00:00:41,200 Speaker 4: Johnny's already mapping hotels on a napkin with crazy crosses. 10 00:00:41,400 --> 00:00:42,559 Speaker 3: They quit, Johns a. 11 00:00:42,760 --> 00:00:45,839 Speaker 1: Kind and tell their losses. 12 00:00:45,479 --> 00:00:49,159 Speaker 4: Catch the show. Boss just shrugs, Oh, it's funny. 13 00:00:49,520 --> 00:00:53,280 Speaker 3: Johnny grants y'all never Night's jo and thank you to 14 00:00:53,360 --> 00:00:58,880 Speaker 3: the Peppers Brace Singers for that banger of an intro. Johnny, 15 00:00:59,000 --> 00:01:01,600 Speaker 3: We've got we've got a classic for you. This is 16 00:01:01,640 --> 00:01:04,760 Speaker 3: the rewind episode. Specifically, we've got a lot, we've got 17 00:01:04,800 --> 00:01:07,640 Speaker 3: a lot of new audience lately, so we're gonna give 18 00:01:07,640 --> 00:01:10,920 Speaker 3: you one of our classic episodes. But before we get 19 00:01:10,959 --> 00:01:16,840 Speaker 3: to that, before we get to that, I've been I 20 00:01:16,880 --> 00:01:20,280 Speaker 3: get out sometimes Like what makes you laugh? J O, Like, 21 00:01:20,319 --> 00:01:24,360 Speaker 3: what what do you find funny? And a clip just 22 00:01:24,520 --> 00:01:31,120 Speaker 3: happened to come across my feed recently that this is 23 00:01:31,200 --> 00:01:43,160 Speaker 3: exactly what I find. Take a listen. We're gonna play 24 00:01:43,200 --> 00:01:55,480 Speaker 3: that back over time. You hear that, that don't sounds 25 00:01:55,520 --> 00:01:58,760 Speaker 3: like like a church bell ringing? But what Johnny, go 26 00:01:58,760 --> 00:02:11,160 Speaker 3: one more time. It's an old clip, but it's Kanye 27 00:02:11,200 --> 00:02:16,200 Speaker 3: West holding hands with Kim Kardashian and there and they're 28 00:02:16,320 --> 00:02:21,200 Speaker 3: walking up. They're walking up the street and Kanye is 29 00:02:21,200 --> 00:02:24,200 Speaker 3: looking down. He's just looking down at the ground holding 30 00:02:24,200 --> 00:02:29,560 Speaker 3: hands with Kim. And you know, obviously he's constantly you know, 31 00:02:29,680 --> 00:02:34,000 Speaker 3: followed by paparazzi and whatnot, but he's he's not looking 32 00:02:34,080 --> 00:02:40,480 Speaker 3: up at all. In that That sound is his head 33 00:02:41,440 --> 00:02:43,840 Speaker 3: hitting a stop side. We're gonna play a whole time. 34 00:02:49,720 --> 00:02:57,120 Speaker 3: He just nails that stops and Kanye fully embarrassed, he 35 00:02:57,639 --> 00:03:02,960 Speaker 3: stops to collect the hots. But then uh, but then 36 00:03:03,000 --> 00:03:07,000 Speaker 3: he starts going off on people and in classic in 37 00:03:07,160 --> 00:03:10,720 Speaker 3: classic Kanye fashion, here is it a play all the 38 00:03:10,720 --> 00:03:11,079 Speaker 3: way through? 39 00:03:14,120 --> 00:03:16,760 Speaker 4: Yan, Kanye, you can't You're bad? 40 00:03:19,880 --> 00:03:20,200 Speaker 3: All right? 41 00:03:20,200 --> 00:03:20,560 Speaker 1: I got it? 42 00:03:24,880 --> 00:03:28,760 Speaker 3: Hey, are you okay? Stop taking He's getting so mad. 43 00:03:28,880 --> 00:03:35,280 Speaker 3: The paparazzi can take a picture, which I get that, 44 00:03:36,240 --> 00:03:42,119 Speaker 3: but man, just the way he Kanyek, You're bad. It's 45 00:03:42,200 --> 00:03:45,280 Speaker 3: like on the backside says wrong way, some weird tired 46 00:03:45,360 --> 00:03:49,560 Speaker 3: damage talking about severe brain damage. Is this this is 47 00:03:49,640 --> 00:03:53,440 Speaker 3: how Kanye became Ye? I mean this has to be 48 00:03:54,440 --> 00:03:57,960 Speaker 3: how he he uh he turned from Kanye to Ye. 49 00:03:58,320 --> 00:04:00,360 Speaker 3: I mean it just has to be. I mean, Kanye 50 00:04:00,440 --> 00:04:06,840 Speaker 3: hit that sign like at Odam Royalties. That sign was like, hey, 51 00:04:06,880 --> 00:04:09,080 Speaker 3: I'm gonna let you finish, but you gotta slow down first. 52 00:04:10,520 --> 00:04:17,200 Speaker 3: I mean, come on, man, oh poor guy. 53 00:04:17,360 --> 00:04:17,880 Speaker 4: I mean, I do. 54 00:04:19,680 --> 00:04:22,240 Speaker 3: I do feel bad because it was it was very 55 00:04:22,320 --> 00:04:25,040 Speaker 3: embarrassing and it was a front of Kim Kardashian of 56 00:04:25,080 --> 00:04:31,880 Speaker 3: all people. Oh man, what a what a banger from you? 57 00:04:33,240 --> 00:04:36,120 Speaker 3: So we are gonna get to a classic episode. But 58 00:04:36,200 --> 00:04:39,599 Speaker 3: I'd had to share that that was something that truly 59 00:04:39,680 --> 00:04:43,040 Speaker 3: made me laugh here recently as it came across came 60 00:04:43,080 --> 00:04:46,880 Speaker 3: across my desk, and uh, you know, those are those 61 00:04:46,920 --> 00:04:49,720 Speaker 3: are the things that give me a good chuckle. One 62 00:04:49,720 --> 00:04:52,200 Speaker 3: of these days, we're gonna we're gonna tell the world 63 00:04:53,000 --> 00:04:55,240 Speaker 3: what makes you tick, but that today's not that day. 64 00:04:55,560 --> 00:04:58,480 Speaker 3: Today we're gonna give you a classic episode from the 65 00:04:59,680 --> 00:05:04,440 Speaker 3: Laugh with Me catalog, so to speak. Make sure to 66 00:05:04,640 --> 00:05:10,800 Speaker 3: follow subscribe and download every episode you possibly can. I mean, 67 00:05:10,839 --> 00:05:16,920 Speaker 3: it definitely helps the cause when you do that. Thanks 68 00:05:16,960 --> 00:05:20,320 Speaker 3: for listening. And if you are new, welcome to our world. 69 00:05:20,760 --> 00:05:25,480 Speaker 3: This is rewind laugh with me the podcast. Let me 70 00:05:25,560 --> 00:05:28,720 Speaker 3: take you back a couple months ago. I got a 71 00:05:28,800 --> 00:05:33,480 Speaker 3: little little piece of ale and it came from one 72 00:05:33,520 --> 00:05:37,240 Speaker 3: of my favorite surveys around, the Nielsen Survey. You know, 73 00:05:37,440 --> 00:05:41,160 Speaker 3: years and years and years ago, Nielsen surveys were a 74 00:05:41,240 --> 00:05:46,640 Speaker 3: big freaking deal. This was how ratings are determined. This 75 00:05:46,800 --> 00:05:51,560 Speaker 3: is how shows can determine how much money they get 76 00:05:51,600 --> 00:05:55,159 Speaker 3: to advertise for it, how many people watch, and man, 77 00:05:55,279 --> 00:05:58,240 Speaker 3: people's jobs are on the line based on these surveys. 78 00:06:00,200 --> 00:06:03,479 Speaker 3: Be invited into the survey and be able to say, yeah, 79 00:06:03,520 --> 00:06:06,640 Speaker 3: this is what I watch. Yeah, this is when I 80 00:06:06,760 --> 00:06:10,320 Speaker 3: watch it, this is who I watch it with, and 81 00:06:10,440 --> 00:06:14,160 Speaker 3: this is how old I am. That's pretty cool. And 82 00:06:14,520 --> 00:06:17,800 Speaker 3: when you felt the survey, they're gonna send you five 83 00:06:17,880 --> 00:06:21,640 Speaker 3: dollars cash money in the mail. Well guess what I 84 00:06:21,720 --> 00:06:27,080 Speaker 3: sent that in months ago? This weekend, your boy got 85 00:06:27,120 --> 00:06:29,920 Speaker 3: an envelope with five dollars cash money in it from 86 00:06:29,920 --> 00:06:34,760 Speaker 3: the Nielsen Survey. Your damn right, Your damn right, Johnny 87 00:06:35,800 --> 00:06:41,040 Speaker 3: Johnny five dollars cash. You don't get cash money sent 88 00:06:41,120 --> 00:06:45,040 Speaker 3: in the mail anymore unless it's for the Nielsen surveys. 89 00:06:46,839 --> 00:06:52,040 Speaker 3: I was excited. I put a few posts out on 90 00:06:52,320 --> 00:06:57,039 Speaker 3: the on the website, on the website, the world Wide Web, 91 00:06:57,760 --> 00:06:59,600 Speaker 3: no I put I put a few posts out on 92 00:07:00,400 --> 00:07:04,000 Speaker 3: you know, Twitter, on Facebook, just kind of you know, 93 00:07:04,600 --> 00:07:06,960 Speaker 3: getting excited, you know, about getting the five bucks. And 94 00:07:07,920 --> 00:07:12,040 Speaker 3: I have to tell you, I don't think the excitement 95 00:07:12,120 --> 00:07:19,920 Speaker 3: was reciprocated. People didn't really engage with it. I'll tell 96 00:07:19,960 --> 00:07:22,960 Speaker 3: you what if I put a picture on the old 97 00:07:23,000 --> 00:07:29,200 Speaker 3: Facebook of from twenty years ago, or even better, from 98 00:07:29,320 --> 00:07:34,920 Speaker 3: like thirteen years ago with a little baby boy, Yeah, 99 00:07:35,000 --> 00:07:38,400 Speaker 3: people will like that. Yeah, even though it's something we've 100 00:07:38,400 --> 00:07:41,560 Speaker 3: seen before. This is all new. This is five dollars 101 00:07:41,760 --> 00:07:45,680 Speaker 3: new cash from my hard work filling out the survey. 102 00:07:46,720 --> 00:07:49,320 Speaker 3: There's a TV show that's going to get a renewed 103 00:07:49,360 --> 00:07:55,160 Speaker 3: for another season because of my work. I'm sure of it. Well, 104 00:07:55,440 --> 00:07:58,680 Speaker 3: thanks to the Nielsen survey. That was pretty awesome. They 105 00:07:58,720 --> 00:08:00,760 Speaker 3: stuck to their word. So I could have filled out 106 00:08:00,800 --> 00:08:04,560 Speaker 3: that survey and completely forgotten about it and they didn't 107 00:08:04,600 --> 00:08:06,160 Speaker 3: have to send me that five dollars. But they do. 108 00:08:07,000 --> 00:08:09,680 Speaker 3: You know else, I'm wondering where does that money come from. 109 00:08:09,800 --> 00:08:17,560 Speaker 3: Who's like, who's funding the Nielsen surveys? For somebody who 110 00:08:17,680 --> 00:08:20,200 Speaker 3: knows this, that may be a really dumb question and 111 00:08:20,280 --> 00:08:22,800 Speaker 3: be like, come on, I've known this forever, but I 112 00:08:23,000 --> 00:08:25,680 Speaker 3: really don't know. I know all about the surveys, and 113 00:08:25,760 --> 00:08:28,880 Speaker 3: I know their intentions and what their purpose is. I 114 00:08:29,000 --> 00:08:35,120 Speaker 3: have no clue how they're getting paid, but I love 115 00:08:35,200 --> 00:08:38,080 Speaker 3: them and I wish they had more purpose in twenty 116 00:08:38,160 --> 00:08:43,040 Speaker 3: twenty four's world, but they don't. There's probably easier ways 117 00:08:43,080 --> 00:08:48,600 Speaker 3: to get ratings and data on who's watching and who's 118 00:08:48,640 --> 00:08:51,800 Speaker 3: listening to what I mean. I'm sure it's as simple 119 00:08:51,920 --> 00:08:59,880 Speaker 3: as tracking the information from our phone. They probably have 120 00:09:00,080 --> 00:09:04,840 Speaker 3: instant data of all this stuff. But there's nothing more 121 00:09:04,880 --> 00:09:10,000 Speaker 3: boots on the ground, more grassroots than the old Nielsen survey. 122 00:09:13,520 --> 00:09:15,120 Speaker 3: So that's what we've had going on. This is a 123 00:09:15,160 --> 00:09:19,000 Speaker 3: big weekend. It's a big freaking weekend for laugh with me. 124 00:09:20,760 --> 00:09:24,280 Speaker 3: So if you haven't listened to every single episode, this 125 00:09:24,480 --> 00:09:26,400 Speaker 3: is gonna be awesome for you. You're gonna hear the 126 00:09:26,559 --> 00:09:29,720 Speaker 3: best of the jokes. So at the end of every episode, 127 00:09:29,840 --> 00:09:33,120 Speaker 3: I pitch I kind of go through some new joke 128 00:09:33,200 --> 00:09:36,400 Speaker 3: ideas that I'm working on. They haven't been told on 129 00:09:36,520 --> 00:09:39,280 Speaker 3: stage before, they're brand new. Some of them are just 130 00:09:39,480 --> 00:09:43,559 Speaker 3: freaking ideas. But I run them by them by the guest, 131 00:09:44,040 --> 00:09:45,800 Speaker 3: and they tell me if I've got anything or not. 132 00:09:46,600 --> 00:09:50,800 Speaker 3: And you know, sometimes we freaking workshopping. We've got We've 133 00:09:50,880 --> 00:09:53,679 Speaker 3: got some better punchlines along the way. But it's a 134 00:09:53,720 --> 00:09:56,280 Speaker 3: lot of fun, a lot of laughs to come. I'm 135 00:09:56,360 --> 00:10:00,680 Speaker 3: about to give you laugh with me Season one, best 136 00:10:00,800 --> 00:10:19,320 Speaker 3: of the jokes. One of the funniest Twitter followers I've 137 00:10:19,400 --> 00:10:25,360 Speaker 3: seen is Magic Johnson. He you know who Magic Johnson is, right, Yeah, 138 00:10:25,360 --> 00:10:29,679 Speaker 3: he survive things exactly right. But he's also a very 139 00:10:29,679 --> 00:10:32,640 Speaker 3: good businessman. He's very prominent, you know. Now he's an 140 00:10:32,679 --> 00:10:35,880 Speaker 3: owner of the Washington Commanders. He's a part owner of 141 00:10:36,000 --> 00:10:38,920 Speaker 3: the LA Dodgers. He's very prominent still in the Los 142 00:10:38,960 --> 00:10:44,880 Speaker 3: Angeles Lakers organization. He tweets sparingly, but when he does tweet, 143 00:10:45,679 --> 00:10:50,400 Speaker 3: it's generally in support of somebody or something, right, But 144 00:10:50,520 --> 00:10:55,360 Speaker 3: he's always a day or two behind, Like you know, 145 00:10:55,600 --> 00:10:59,880 Speaker 3: like when Lebron breaks the next record or whatever, everybody 146 00:11:00,480 --> 00:11:03,480 Speaker 3: is all over it that day. Oh yeah, Magic will 147 00:11:03,520 --> 00:11:06,480 Speaker 3: come in two days later as if it just happened, 148 00:11:07,800 --> 00:11:09,760 Speaker 3: and I have to wonder if maybe that's a symptom 149 00:11:09,840 --> 00:11:14,160 Speaker 3: of the eights, Like is that something that maybe hasn't 150 00:11:14,200 --> 00:11:19,560 Speaker 3: been diagnosed yet, something I gotta look at though, right, 151 00:11:21,520 --> 00:11:24,160 Speaker 3: I feel like that? Is that good survivor? 152 00:11:24,240 --> 00:11:25,920 Speaker 2: And you give me a sound like I should not 153 00:11:26,120 --> 00:11:31,480 Speaker 2: have said it, and then you went there, all right. 154 00:11:31,480 --> 00:11:33,160 Speaker 3: I did go there. Well. I didn't want to show 155 00:11:33,240 --> 00:11:36,559 Speaker 3: my cards like too soon. Oh, I didn't mean to 156 00:11:36,640 --> 00:11:36,839 Speaker 3: do that. 157 00:11:37,000 --> 00:11:37,360 Speaker 5: That's good. 158 00:11:37,400 --> 00:11:40,320 Speaker 3: There's something though, is there something to that one? Because 159 00:11:40,360 --> 00:11:42,920 Speaker 3: as somebody who does not follow Magic Johnson, I thought 160 00:11:42,960 --> 00:11:48,880 Speaker 3: it's hilarious. That's good stuff right there. So that was 161 00:11:48,920 --> 00:11:52,040 Speaker 3: from the episode of Pepper Spray Attack Survivor. You can 162 00:11:52,080 --> 00:11:55,920 Speaker 3: find that episode three from season one of Laugh with Me. 163 00:11:56,160 --> 00:12:00,400 Speaker 3: So my cot My Kyle, my brother Kyle was the 164 00:12:00,480 --> 00:12:04,040 Speaker 3: guest on that episode. That was the first episode of 165 00:12:04,720 --> 00:12:06,559 Speaker 3: the entire show that we had a guest and it 166 00:12:06,679 --> 00:12:12,000 Speaker 3: was Kyle. The Magic Johnson H's joke. I stand behind it. 167 00:12:12,080 --> 00:12:14,839 Speaker 3: I'm still working it out. But one thing I do 168 00:12:15,040 --> 00:12:17,000 Speaker 3: want to point out, and this is very important for 169 00:12:17,040 --> 00:12:21,559 Speaker 3: anybody who has intentions or aspirations to become a guest 170 00:12:21,679 --> 00:12:27,560 Speaker 3: on this show. Someday, It's okay to laugh, guys, when 171 00:12:27,800 --> 00:12:32,800 Speaker 3: I'm pitching these jokes, it's okay to laugh, as you're 172 00:12:32,920 --> 00:12:36,160 Speaker 3: going to see as we move forward here with the 173 00:12:36,320 --> 00:12:41,559 Speaker 3: best of the laughs. Some of you guys that were 174 00:12:41,640 --> 00:12:45,439 Speaker 3: on the show were dead silent the whole time, and 175 00:12:46,200 --> 00:12:51,520 Speaker 3: I wasn't quite sure if it was because it wasn't funny, 176 00:12:52,720 --> 00:12:56,200 Speaker 3: or if you were waiting for something else, and if 177 00:12:56,240 --> 00:12:59,760 Speaker 3: you were waiting for a punchline, I delivered the punchline. 178 00:13:00,040 --> 00:13:04,120 Speaker 3: Oh that's where, guys, It's okay to laugh. Let's have fun, 179 00:13:04,240 --> 00:13:07,439 Speaker 3: let's be let's be light about. And also just remember 180 00:13:08,360 --> 00:13:13,400 Speaker 3: these are just ideas that I think could become jokes. 181 00:13:14,040 --> 00:13:16,839 Speaker 3: I'm very much working them out and saying them for 182 00:13:16,920 --> 00:13:24,480 Speaker 3: the very first time for your listening pleasure. So thanks 183 00:13:24,559 --> 00:13:29,520 Speaker 3: Kyle for for at least laughing along for that Magic 184 00:13:29,600 --> 00:13:32,640 Speaker 3: Johnson one, which I still think has potential. I mean, 185 00:13:32,679 --> 00:13:37,160 Speaker 3: it's no thong song joke, but I mean the guy's 186 00:13:37,240 --> 00:13:39,439 Speaker 3: just so late, like it just doesn't make sense. Like 187 00:13:39,559 --> 00:13:43,079 Speaker 3: even Lebron who's busy, busy, busy, trying to win championships. 188 00:13:43,120 --> 00:13:45,760 Speaker 3: I mean, shoot, he just won another championship. In season 189 00:13:46,400 --> 00:13:51,000 Speaker 3: this year. You know, he definitely gets the tweet out 190 00:13:51,800 --> 00:13:54,959 Speaker 3: the moment something major happens in magic. He's just so 191 00:13:55,240 --> 00:13:59,120 Speaker 3: he's getting better at it, but he's so late. Have 192 00:13:59,280 --> 00:14:01,440 Speaker 3: to wonder if maybe it's a symptom of the aides. 193 00:14:01,520 --> 00:14:05,240 Speaker 3: But all right, back to best of the laugh. It's 194 00:14:05,280 --> 00:14:10,719 Speaker 3: a sketch think Hamilton. So it's a musical, but it's 195 00:14:10,800 --> 00:14:15,480 Speaker 3: set in a gas station. Okay, the main character is 196 00:14:15,600 --> 00:14:19,760 Speaker 3: the cashier, and you've got multiple characters just coming and going. 197 00:14:20,000 --> 00:14:22,600 Speaker 3: I mean, it just takes place during like morning rush, 198 00:14:23,120 --> 00:14:25,680 Speaker 3: and you've got folks coming in. You got the kids 199 00:14:25,720 --> 00:14:28,680 Speaker 3: with the backpacks coming in and they're singing about you know, 200 00:14:29,200 --> 00:14:32,640 Speaker 3: maybe like a glee club and they're singing together, you know, 201 00:14:32,760 --> 00:14:35,200 Speaker 3: coming in to steal stuff. And then you've got the 202 00:14:35,280 --> 00:14:37,720 Speaker 3: mom coming in on a way to work and she's 203 00:14:37,760 --> 00:14:40,240 Speaker 3: got the baby in one arm and she's rant and 204 00:14:40,360 --> 00:14:42,920 Speaker 3: raven about her busy morning. Maybe it's like a punk song. 205 00:14:43,640 --> 00:14:49,000 Speaker 3: And you've got the businessman coming in and maybe he's 206 00:14:49,080 --> 00:14:53,280 Speaker 3: got something just a little more uh like metal. Maybe 207 00:14:53,400 --> 00:14:55,520 Speaker 3: he's you know, slip back hair, and he's coming to 208 00:14:55,560 --> 00:14:58,800 Speaker 3: get his coffee. So it's it's it's fun there's there's music, 209 00:14:58,880 --> 00:15:02,360 Speaker 3: and they're they're coming in going and then you know, 210 00:15:02,440 --> 00:15:05,600 Speaker 3: you have regulars right at the gas station, and you 211 00:15:05,720 --> 00:15:08,200 Speaker 3: get you get the folks. The fella comes in and 212 00:15:08,320 --> 00:15:12,160 Speaker 3: he wants to buy his scratch tickets, and he's sitting there, 213 00:15:12,440 --> 00:15:14,560 Speaker 3: he wants his smokes, he's getting his scratch tickets. He's 214 00:15:14,600 --> 00:15:17,760 Speaker 3: at the counter, he's getting the scratch tickets. Songs are going, 215 00:15:17,840 --> 00:15:22,320 Speaker 3: big musical number. He wins. He wins the ten thousand 216 00:15:22,360 --> 00:15:25,920 Speaker 3: dollars scratch tickets. So now it's a big dance dance number. 217 00:15:26,960 --> 00:15:29,880 Speaker 3: And then a guy comes in to rob the place 218 00:15:30,080 --> 00:15:32,560 Speaker 3: and he shoots the cashier and shoots the guy that 219 00:15:32,680 --> 00:15:42,680 Speaker 3: won the money. It's a little violent, that's the punchline. 220 00:15:42,680 --> 00:15:46,720 Speaker 3: People won't see it coming. They won't. Man, that's a little, 221 00:15:49,520 --> 00:15:57,200 Speaker 3: a little I'll work on it. I'm not I'm not 222 00:15:57,280 --> 00:15:59,880 Speaker 3: a violent person. But I was thinking what would be 223 00:16:00,240 --> 00:16:04,600 Speaker 3: a great way to end this musical number, and that 224 00:16:04,960 --> 00:16:08,000 Speaker 3: that would catch people off guard. I thought it was 225 00:16:08,160 --> 00:16:11,200 Speaker 3: that's you know, it's funny I did that. That's a 226 00:16:11,240 --> 00:16:13,080 Speaker 3: little vible. But I don't know, I don't know how 227 00:16:13,240 --> 00:16:14,560 Speaker 3: that would catch people off guard. 228 00:16:14,600 --> 00:16:17,720 Speaker 2: But it's a little, a little bust that I asked 229 00:16:17,760 --> 00:16:20,480 Speaker 2: something like that actually was playing around. 230 00:16:20,520 --> 00:16:23,000 Speaker 3: I did, like a fake trailer called Lost Son. Yeah 231 00:16:23,040 --> 00:16:25,760 Speaker 3: I saw that. Yeah, yeah, but that's a fake trailer. 232 00:16:26,000 --> 00:16:26,440 Speaker 3: I was not. 233 00:16:26,600 --> 00:16:27,240 Speaker 5: I was I'm not. 234 00:16:27,400 --> 00:16:28,560 Speaker 3: That film's never coming out. 235 00:16:28,640 --> 00:16:31,920 Speaker 2: There's just me doing stupid ship and seeing that people 236 00:16:32,000 --> 00:16:32,760 Speaker 2: be interested in a. 237 00:16:32,760 --> 00:16:35,120 Speaker 3: Couple people were like coming out. Yea, that's what I 238 00:16:35,240 --> 00:16:38,200 Speaker 3: thought too. I thought it was fun. I was bored, 239 00:16:38,320 --> 00:16:39,040 Speaker 3: but I had it. 240 00:16:39,120 --> 00:16:41,960 Speaker 2: Came up with an idea because it was like, oh man, 241 00:16:42,200 --> 00:16:43,520 Speaker 2: you look serious, blah blah blah. 242 00:16:43,560 --> 00:16:46,280 Speaker 5: So I was thinking, I can do that, and you're 243 00:16:46,280 --> 00:16:47,120 Speaker 5: talking about twist. 244 00:16:47,560 --> 00:16:48,880 Speaker 3: You know, I'm looking for my son to be. 245 00:16:48,880 --> 00:16:51,600 Speaker 2: A short film, looking for my son, and you know 246 00:16:52,680 --> 00:16:55,040 Speaker 2: I saw that he was already you know that he 247 00:16:55,160 --> 00:16:57,240 Speaker 2: never wanted daycare and everything else. 248 00:16:57,680 --> 00:16:58,560 Speaker 3: I can't get a hold of. 249 00:16:58,560 --> 00:17:00,840 Speaker 2: His mom, you know what I mean, for my fun. 250 00:17:01,720 --> 00:17:06,000 Speaker 2: And it comes to find out, like the investigator is like, hey, man, 251 00:17:06,000 --> 00:17:06,960 Speaker 2: I find where the son is. 252 00:17:07,040 --> 00:17:08,960 Speaker 3: He's in this house. He recognized his house. I'm like, 253 00:17:09,520 --> 00:17:11,800 Speaker 3: he had recognized his house and we walk up to 254 00:17:11,840 --> 00:17:12,080 Speaker 3: the door. 255 00:17:12,119 --> 00:17:14,240 Speaker 2: We knock on the door and the woman answered the door, 256 00:17:14,880 --> 00:17:16,920 Speaker 2: and he was like, you know this woman I'm like, hell, yeah, 257 00:17:16,920 --> 00:17:19,080 Speaker 2: I know this woman, mom, you took my fun for 258 00:17:19,200 --> 00:17:23,720 Speaker 2: real that my mom took myself because I owed her 259 00:17:23,760 --> 00:17:26,000 Speaker 2: money for the last time she babysitting them, so she 260 00:17:26,320 --> 00:17:27,040 Speaker 2: took myself. 261 00:17:27,040 --> 00:17:29,280 Speaker 3: When I'll be doing that be the plot. So it's 262 00:17:29,359 --> 00:17:32,000 Speaker 3: to be a jokers of a serious film. That's fantastic. 263 00:17:32,800 --> 00:17:34,320 Speaker 3: That's what I was gonna do. But I was like that, 264 00:17:34,480 --> 00:17:38,440 Speaker 3: I really was just sucking around. That's trailer. See, that's 265 00:17:39,200 --> 00:17:48,960 Speaker 3: that's a twist that works. Not shooting at Yeah. I 266 00:17:49,080 --> 00:17:51,399 Speaker 3: swear to you, I'm not a violent person. I am. 267 00:17:51,760 --> 00:17:54,320 Speaker 3: I'm a lover, not a fighter. You was like, and 268 00:17:54,359 --> 00:17:56,200 Speaker 3: then he shoots the man, he shoots the cats. I 269 00:17:56,280 --> 00:18:04,159 Speaker 3: was like, damn, this motherfucker man happy and I was like, 270 00:18:04,560 --> 00:18:06,960 Speaker 3: I wonder where this Like, man, I don't know, this 271 00:18:07,119 --> 00:18:08,920 Speaker 3: is good. Maybe not for me, but this is good. 272 00:18:08,960 --> 00:18:18,960 Speaker 3: And then I got problems. I don't tell you. I 273 00:18:19,119 --> 00:18:23,320 Speaker 3: also pitched sketch ideas. I just I didn't give you 274 00:18:23,400 --> 00:18:26,000 Speaker 3: a heads up on that. You thought, Oh, Jeremy's gonna 275 00:18:26,040 --> 00:18:29,320 Speaker 3: give us some dumb joke ideas. No, no, no, I've 276 00:18:29,359 --> 00:18:33,480 Speaker 3: got a couple of sketches too. So I'm I'm pretty talented. 277 00:18:33,600 --> 00:18:37,159 Speaker 3: But that was from the episode Levetty Vegas. Uh. You 278 00:18:37,240 --> 00:18:43,680 Speaker 3: can find that on Spotify and Apple podcasts. And I 279 00:18:43,800 --> 00:18:47,440 Speaker 3: firmly believe that that sketch would be hilarious. It'd be 280 00:18:47,480 --> 00:18:51,200 Speaker 3: a musical number. Maybe it's better to be like a 281 00:18:51,680 --> 00:18:55,960 Speaker 3: I don't know, like an S n L sketch. I'm 282 00:18:56,000 --> 00:18:58,240 Speaker 3: not writing a resume currently to write for US and 283 00:18:58,400 --> 00:19:05,240 Speaker 3: L obviously, but I do think they would have some potential. Yes, 284 00:19:05,400 --> 00:19:08,080 Speaker 3: I do, all right, back to the lapse, But first 285 00:19:08,119 --> 00:19:09,520 Speaker 3: I want to run a couple jokes by is that? 286 00:19:09,720 --> 00:19:10,119 Speaker 3: Is that all right? 287 00:19:10,920 --> 00:19:11,120 Speaker 1: Yeah? 288 00:19:11,240 --> 00:19:14,760 Speaker 3: For sure? Okay, the first one, and these are just 289 00:19:15,280 --> 00:19:17,480 Speaker 3: ideas that I'm trying to develop it a joke, so 290 00:19:17,560 --> 00:19:19,320 Speaker 3: you just tell me if it's funny, if it has 291 00:19:19,400 --> 00:19:23,120 Speaker 3: anything to it. But you know how kids would down 292 00:19:23,160 --> 00:19:27,360 Speaker 3: syndrome have like a certain look. Yeah, okay, I think 293 00:19:27,680 --> 00:19:30,080 Speaker 3: kids that grow up drinking a whole lot of mountain 294 00:19:30,119 --> 00:19:33,120 Speaker 3: dew are on that same level. Like you can pick 295 00:19:33,160 --> 00:19:34,440 Speaker 3: you can pick them out of a crowd. And you, 296 00:19:34,560 --> 00:19:37,480 Speaker 3: being a Missouri, I'm sure you see that often. Due 297 00:19:37,840 --> 00:19:38,800 Speaker 3: that's a good apprentice, man. 298 00:19:38,800 --> 00:19:39,119 Speaker 1: I like that. 299 00:19:39,240 --> 00:19:41,879 Speaker 3: I like that. That's good. That's a comparison. Yeah, no 300 00:19:42,560 --> 00:19:44,320 Speaker 3: gonna get the mountain drinkers pissed off of that. I 301 00:19:44,440 --> 00:19:47,280 Speaker 3: like that, you know, Yeah, mountain dew kids, they have 302 00:19:47,440 --> 00:19:51,040 Speaker 3: a certain look. Those fellows be running around, eyes bugging, 303 00:19:52,119 --> 00:19:56,399 Speaker 3: mouth wide. Why are their mouths bigger? It's not like 304 00:19:57,200 --> 00:20:01,639 Speaker 3: to drink mountain dew. You gotta spread your mouth wider, 305 00:20:04,680 --> 00:20:08,119 Speaker 3: you know. But it sure seems like they got that 306 00:20:08,240 --> 00:20:11,560 Speaker 3: big mouth, got that big mouth. The eyes are bugging, 307 00:20:11,960 --> 00:20:15,679 Speaker 3: they're running around, They never sleep, they don't mind their business. 308 00:20:17,520 --> 00:20:17,840 Speaker 2: I don't know. 309 00:20:19,200 --> 00:20:21,119 Speaker 3: That's from the episode Anthony Rogers. 310 00:20:21,200 --> 00:20:21,879 Speaker 4: I tell you what. 311 00:20:22,320 --> 00:20:26,200 Speaker 3: The Anthony Rogers Show is blowing up, and Anthony has 312 00:20:26,280 --> 00:20:29,399 Speaker 3: set a goal for twenty twenty four to earn a 313 00:20:29,520 --> 00:20:34,280 Speaker 3: million dollars for the first time in his career, and brother, 314 00:20:34,640 --> 00:20:39,640 Speaker 3: if you do, I'm for hire, buddy, I'm for hire. 315 00:20:41,280 --> 00:20:47,880 Speaker 3: I have wanted to work for a millionaire that wasn't 316 00:20:47,920 --> 00:20:50,920 Speaker 3: being funded by a corporation. Let's just say that I've 317 00:20:50,960 --> 00:20:53,399 Speaker 3: worked for millionaires, but I would love to work for 318 00:20:53,400 --> 00:20:55,159 Speaker 3: a millionaire that is a funded by a corporation and 319 00:20:55,240 --> 00:20:58,920 Speaker 3: we can create I'm for hire, Anthony's what I'm saying. 320 00:21:00,119 --> 00:21:02,760 Speaker 3: I don't think you're listening to this episode, but if 321 00:21:03,000 --> 00:21:06,520 Speaker 3: by chance you are, hit me up. Hit me up, 322 00:21:06,640 --> 00:21:08,359 Speaker 3: and good luck on your path. But you got to 323 00:21:08,400 --> 00:21:10,639 Speaker 3: check out the Anthony Rodgers show. It's on every I 324 00:21:10,680 --> 00:21:15,600 Speaker 3: mean anywhere that you can watch or listen to the show. 325 00:21:15,680 --> 00:21:19,760 Speaker 3: They dive into some just deep topics, off the wall topics, 326 00:21:19,800 --> 00:21:23,040 Speaker 3: things you you would never think of. But it is 327 00:21:23,440 --> 00:21:26,520 Speaker 3: interesting and he's getting into the live the live shows 328 00:21:26,880 --> 00:21:29,359 Speaker 3: with it. They did a hot sauce contest in a 329 00:21:29,480 --> 00:21:33,080 Speaker 3: theater just a couple of weeks ago, So you gotta 330 00:21:33,080 --> 00:21:37,720 Speaker 3: follow Anthony Rodgers. But back to last all right, the 331 00:21:37,840 --> 00:21:40,920 Speaker 3: sketch I'm very proud of. I think this is gold. 332 00:21:42,400 --> 00:21:44,239 Speaker 3: You know what, if you think this thing can win 333 00:21:44,400 --> 00:21:47,280 Speaker 3: in some film festivals, maybe I'll film it. You tell me. 334 00:21:48,040 --> 00:21:53,440 Speaker 3: But here's the here's the sketch idea. Okay, the location 335 00:21:53,920 --> 00:21:57,440 Speaker 3: is a grocery store. The main character is a female 336 00:21:57,440 --> 00:22:02,320 Speaker 3: and she has a grocery cart and she's walking into 337 00:22:02,359 --> 00:22:05,359 Speaker 3: the grocery store. So everything you're seeing is her trip 338 00:22:05,520 --> 00:22:08,880 Speaker 3: through the grocery store. She does not talk. The only 339 00:22:09,080 --> 00:22:11,840 Speaker 3: sounds you hear are the normal sounds you hear at 340 00:22:11,880 --> 00:22:14,360 Speaker 3: a grocery store. So there's the hustle and bustle there's 341 00:22:14,400 --> 00:22:19,440 Speaker 3: the carts rolling, there's the music playing. You might hear employees, 342 00:22:19,640 --> 00:22:22,200 Speaker 3: you know, asking people if they need help or whatever. 343 00:22:22,320 --> 00:22:26,480 Speaker 3: And she's going about the store shopping. She's in produce, 344 00:22:26,600 --> 00:22:29,400 Speaker 3: she's checking the melons, and she's grabbing what she wants. 345 00:22:29,480 --> 00:22:33,159 Speaker 3: She's getting lettuce, she's getting apples. Heads back to the bakery, 346 00:22:33,240 --> 00:22:36,240 Speaker 3: maybe get some buns. Throws it in the cart. She's 347 00:22:36,280 --> 00:22:38,280 Speaker 3: having a great time. She's going to the meat department. 348 00:22:38,800 --> 00:22:41,480 Speaker 3: She's getting a couple pounds of ground beef from the 349 00:22:41,520 --> 00:22:45,080 Speaker 3: meat counter. The meat employee is fantastic, smile, says thank you, 350 00:22:45,240 --> 00:22:48,080 Speaker 3: hands it back to the customer, and she keeps rolling through. 351 00:22:48,240 --> 00:22:50,560 Speaker 3: Goes to the dairy, gets some eggs, checks the eggs right. 352 00:22:50,680 --> 00:22:54,080 Speaker 3: She gets the eggs, heads up to the front, checks out, 353 00:22:54,280 --> 00:22:57,040 Speaker 3: no issues, bags it up, puts it in the cart, 354 00:22:57,320 --> 00:23:00,520 Speaker 3: goes out to her car. Then we see her in 355 00:23:00,680 --> 00:23:02,800 Speaker 3: the car. She's listening to music. Seems to still be 356 00:23:03,640 --> 00:23:07,440 Speaker 3: having a nice little day. Heads pulls into her driveway, 357 00:23:07,480 --> 00:23:11,119 Speaker 3: pulls into the garage, opens the trunk, gets her groceries. 358 00:23:11,680 --> 00:23:14,240 Speaker 3: Husband comes out, grabs the groceries too. They go inside. 359 00:23:14,960 --> 00:23:17,080 Speaker 3: As they're unloading, he goes, how is your trip? At 360 00:23:17,080 --> 00:23:21,480 Speaker 3: the store and she just unloads on him on how 361 00:23:21,960 --> 00:23:25,480 Speaker 3: terrible everybody at the grocery store is and how awful 362 00:23:25,800 --> 00:23:27,880 Speaker 3: of a job they do there, and how they had 363 00:23:28,040 --> 00:23:34,240 Speaker 3: nothing that she needed. Oh. Interesting, that reminds me of 364 00:23:35,840 --> 00:23:38,240 Speaker 3: did you watch thirty rock here and there? 365 00:23:38,320 --> 00:23:43,479 Speaker 5: Yeah, okay, there's an episode because you know I missed 366 00:23:43,520 --> 00:23:44,119 Speaker 5: a fan. 367 00:23:44,359 --> 00:23:45,080 Speaker 3: Yeah. Lu She. 368 00:23:46,800 --> 00:23:49,720 Speaker 5: She remembers high school as like everyone was so mean 369 00:23:49,800 --> 00:23:52,719 Speaker 5: to her and she was like the misfit, and then 370 00:23:52,760 --> 00:23:56,320 Speaker 5: she goes back to the reunion and then the audience 371 00:23:56,400 --> 00:23:58,920 Speaker 5: see and realize that she was actually the bully and 372 00:24:00,160 --> 00:24:00,919 Speaker 5: what didn't like her? 373 00:24:02,760 --> 00:24:03,359 Speaker 3: That's awesome. 374 00:24:04,480 --> 00:24:04,920 Speaker 1: I love it. 375 00:24:05,240 --> 00:24:09,480 Speaker 3: Ye See, she the customer had a normal experience, but 376 00:24:09,760 --> 00:24:13,920 Speaker 3: in today's world, you never know what somebody's thinking, and 377 00:24:14,720 --> 00:24:18,320 Speaker 3: the complaints come rolling through, and a lot of times 378 00:24:18,359 --> 00:24:21,600 Speaker 3: those complaints come through social media anymore, you know, and 379 00:24:22,000 --> 00:24:23,679 Speaker 3: you don't even know there was an issue, if there 380 00:24:23,800 --> 00:24:26,840 Speaker 3: was an issue. But all the people we see at 381 00:24:26,880 --> 00:24:30,920 Speaker 3: the store and everybody seems fine, like we're doing our job, 382 00:24:31,040 --> 00:24:32,800 Speaker 3: and then complaints. 383 00:24:34,080 --> 00:24:38,480 Speaker 5: Yeah, I think it's funny if you showed her perspectives, 384 00:24:38,640 --> 00:24:40,040 Speaker 5: their perspective. 385 00:24:40,240 --> 00:24:42,760 Speaker 3: Oh yes, how we thought go down? 386 00:24:42,800 --> 00:24:45,560 Speaker 5: And then how she thinks that it's going down. 387 00:24:46,480 --> 00:24:51,159 Speaker 3: Yep, yep. We we think she grabbed all the produce 388 00:24:51,240 --> 00:24:52,800 Speaker 3: that she needs and it's just fine. But when you 389 00:24:52,920 --> 00:24:55,480 Speaker 3: go to her perspective, you know there's there's a MOULDI 390 00:24:55,520 --> 00:24:59,840 Speaker 3: apple or yeah, oh that's that's a great idea. See this, 391 00:25:00,000 --> 00:25:03,439 Speaker 3: this is the deal. You get Emmy Award winning producers 392 00:25:03,520 --> 00:25:05,480 Speaker 3: like Stephanie Percell on the show, and you can find 393 00:25:05,520 --> 00:25:09,600 Speaker 3: her in that episode, you know, appropriately titled Stephanie Purcell, 394 00:25:10,040 --> 00:25:13,439 Speaker 3: and she'll give you a punchline that just knocks your 395 00:25:13,480 --> 00:25:17,080 Speaker 3: sketch idea out of the bar. So do the other 396 00:25:17,280 --> 00:25:19,520 Speaker 3: side of it where you you know, go through my 397 00:25:19,640 --> 00:25:22,720 Speaker 3: idea and then give the other perspective of the person 398 00:25:22,800 --> 00:25:26,399 Speaker 3: at the end, and just everything's a nightmare genius. Right. 399 00:25:26,600 --> 00:25:31,640 Speaker 3: So yeah, I think I'm ready for SNL at this point, 400 00:25:31,720 --> 00:25:34,439 Speaker 3: I have just given you two sketches that are going 401 00:25:34,520 --> 00:25:40,840 Speaker 3: to produce ratings on the Nielsen. We got to get 402 00:25:40,840 --> 00:25:43,440 Speaker 3: Stephanie back on the show because I think I've got 403 00:25:43,960 --> 00:25:46,560 Speaker 3: a few more sketch ideas that I need to pitch 404 00:25:46,640 --> 00:25:50,119 Speaker 3: and her give me punchlines for Back to the Joe. Remember, 405 00:25:50,280 --> 00:25:53,399 Speaker 3: back in the day, milk cartons would have like the 406 00:25:53,520 --> 00:25:57,600 Speaker 3: missing children, like pictures on them and like their name 407 00:25:57,760 --> 00:25:59,280 Speaker 3: and what they looked like so you could try to 408 00:25:59,320 --> 00:26:04,879 Speaker 3: find them. What about the kids that were found? You know, 409 00:26:05,000 --> 00:26:07,480 Speaker 3: do you think they like them? And their parents tried 410 00:26:07,520 --> 00:26:09,840 Speaker 3: to like grab all the milk cartons they could and 411 00:26:09,920 --> 00:26:21,440 Speaker 3: that kids just like signing autographs for for friends. No, No, 412 00:26:21,600 --> 00:26:26,719 Speaker 3: that's good, that's good. That's literally that's it. I got, 413 00:26:26,840 --> 00:26:32,680 Speaker 3: I got nothing. I need more with the milk carton 414 00:26:32,760 --> 00:26:40,399 Speaker 3: kids or maybe the found ones on eggnog? Yes, for 415 00:26:40,520 --> 00:26:44,320 Speaker 3: the holiday edition. Yeah, for the holiday. Hey, Harry, Christmas, 416 00:26:44,359 --> 00:26:47,879 Speaker 3: we found we found Trevor. I love that. That's fantastic. 417 00:26:48,320 --> 00:26:50,159 Speaker 3: Or you got the kids you know with the you 418 00:26:50,240 --> 00:26:53,159 Speaker 3: know those big electronic signs for Amber alerts on the 419 00:26:53,359 --> 00:26:55,200 Speaker 3: on the interstate. You got kids that you know, get 420 00:26:55,280 --> 00:26:57,200 Speaker 3: found or saved from the Amber alerts and they're taking 421 00:26:57,240 --> 00:27:02,320 Speaker 3: selfies in front of it for the Graham. You know, 422 00:27:02,400 --> 00:27:05,200 Speaker 3: you gotta post it for the gram you gotta. Yeah. No, 423 00:27:05,480 --> 00:27:07,240 Speaker 3: is there something with your milk cars and one where 424 00:27:07,240 --> 00:27:08,440 Speaker 3: you could be like I thought it was a little 425 00:27:08,480 --> 00:27:15,720 Speaker 3: morbid that all of them had expiration dates. See, you 426 00:27:15,760 --> 00:27:17,840 Speaker 3: would be really good at this. You definitely need to 427 00:27:17,880 --> 00:27:20,520 Speaker 3: get on stage, I cant fitfall with you. I'm trying 428 00:27:20,560 --> 00:27:22,880 Speaker 3: to help you out here. That was Frank Olmstead. He's 429 00:27:22,960 --> 00:27:25,720 Speaker 3: on the episode title Frank Olmstead. I think you guys 430 00:27:26,280 --> 00:27:29,639 Speaker 3: understand home title these episodes now. But uh, you know 431 00:27:29,840 --> 00:27:35,480 Speaker 3: Frank a morning show host in small town, Iowa for Wow, Shoot, 432 00:27:35,520 --> 00:27:36,920 Speaker 3: what do we do twenty years. 433 00:27:38,960 --> 00:27:39,160 Speaker 2: Now? 434 00:27:39,920 --> 00:27:44,240 Speaker 3: Inspired once to hit the stage, tell some jokes. Uh, Frank, 435 00:27:45,000 --> 00:27:48,320 Speaker 3: let's get to writing. Let's uh, let's let's work shop 436 00:27:48,400 --> 00:27:51,680 Speaker 3: some stuff. And uh when when we go to the mic, 437 00:27:52,000 --> 00:27:55,120 Speaker 3: I'm I think I'm gonna do the milk card joke 438 00:27:56,040 --> 00:27:58,600 Speaker 3: so you could see it live at person and the 439 00:27:58,640 --> 00:28:01,200 Speaker 3: thunk songk joke, because that's it's kind of a stable 440 00:28:01,200 --> 00:28:05,680 Speaker 3: of mine at this point. But yeah, all right, one more, Hey, 441 00:28:05,760 --> 00:28:09,000 Speaker 3: thank you everybody for listening to this episode. It's the 442 00:28:09,080 --> 00:28:11,000 Speaker 3: best of the laughs. These are the jokes that I 443 00:28:11,200 --> 00:28:15,280 Speaker 3: was working out. I know how I'm recapping as if 444 00:28:15,920 --> 00:28:19,359 Speaker 3: we're on live radio and somebody might just be tuning in. 445 00:28:19,640 --> 00:28:22,480 Speaker 3: Nobody's just randomly tuning in right now to a podcast, 446 00:28:23,200 --> 00:28:25,680 Speaker 3: but yeah, you guys get the jist. 447 00:28:25,760 --> 00:28:26,040 Speaker 1: One more. 448 00:28:35,119 --> 00:28:37,440 Speaker 3: This week's episode of Laugh with Me is brought to 449 00:28:37,440 --> 00:28:41,720 Speaker 3: you by the Nielsen Corporation self referentially known as the 450 00:28:41,800 --> 00:28:45,320 Speaker 3: Nielsen Company and formerly known as AC Nielsen or ac 451 00:28:45,560 --> 00:28:49,440 Speaker 3: Nielsen Eric global marketing research firm with worldwide headquarters in 452 00:28:49,720 --> 00:28:53,360 Speaker 3: New York City in the United States. Regional headquarters for 453 00:28:53,440 --> 00:28:56,840 Speaker 3: North America are located in Chicago. And yes, that was 454 00:28:57,480 --> 00:29:00,240 Speaker 3: verbatim from the Wikipedia. They'll send you two doll in 455 00:29:00,280 --> 00:29:02,600 Speaker 3: the mail to fill out a survey. Once you send 456 00:29:02,680 --> 00:29:06,240 Speaker 3: the survey back, they will in return send you five 457 00:29:06,320 --> 00:29:09,800 Speaker 3: dollars could hard cash to your mail box just a 458 00:29:09,920 --> 00:29:14,880 Speaker 3: couple of months later. You're helping them understand who's listening 459 00:29:15,040 --> 00:29:19,880 Speaker 3: and who's watching what, and who is available to also 460 00:29:20,760 --> 00:29:24,640 Speaker 3: be exposed to those things within your household, and they're 461 00:29:24,680 --> 00:29:28,920 Speaker 3: willing to spend seven dollars per household to find out 462 00:29:29,000 --> 00:29:32,040 Speaker 3: this information. This week's episode of Laugh with Me is 463 00:29:32,160 --> 00:29:35,440 Speaker 3: brought to you by the Nielsen Corporation. Now back to 464 00:29:35,480 --> 00:29:38,680 Speaker 3: the show. I have TYPESO diabetes, but I manage it well. 465 00:29:39,120 --> 00:29:42,040 Speaker 4: It's a little kill with a big story to tell. 466 00:29:42,640 --> 00:29:48,080 Speaker 5: I take one's daily j audience at each day starts. 467 00:29:49,880 --> 00:29:55,640 Speaker 3: It was easy to see I've been wishing a lot 468 00:29:55,800 --> 00:29:59,920 Speaker 3: lately that I had diabetes, and it's one hundred percent 469 00:30:00,200 --> 00:30:03,960 Speaker 3: based on just like the commercials I watch, Like just 470 00:30:04,040 --> 00:30:07,560 Speaker 3: the other day, I saw this Jardians commercial where they're 471 00:30:07,800 --> 00:30:10,040 Speaker 3: you know, singing and dancing about lowering their A one 472 00:30:10,160 --> 00:30:12,680 Speaker 3: C and you know, like they're in a musical. And 473 00:30:12,720 --> 00:30:14,880 Speaker 3: I've always like thought it'd be cool to be in 474 00:30:14,960 --> 00:30:18,920 Speaker 3: a musical. And I thought if I had diabetes, you know, 475 00:30:19,000 --> 00:30:22,840 Speaker 3: maybe i'd have a shot right right, Instead, I'm stuck 476 00:30:22,880 --> 00:30:26,560 Speaker 3: with Crohn's disease, and my sky Reezy just allows me 477 00:30:26,720 --> 00:30:30,440 Speaker 3: to have a great time on a roller coaster. I 478 00:30:30,640 --> 00:30:32,520 Speaker 3: like it. I like it. I think you should enter 479 00:30:32,720 --> 00:30:36,000 Speaker 3: in from the like I have Cron's disease. I wish 480 00:30:36,040 --> 00:30:39,880 Speaker 3: I had diabetes because their commercials are more fun. There 481 00:30:39,920 --> 00:30:42,600 Speaker 3: you go, all right, I like that because like I 482 00:30:42,760 --> 00:30:45,120 Speaker 3: love riding roller coaster, but I'd rather be in a musical. 483 00:30:45,520 --> 00:30:48,440 Speaker 3: And that's there's the there. Yeah, I think that's really funny. 484 00:30:48,440 --> 00:30:52,040 Speaker 3: Because also I mean, why like if they're if these 485 00:30:52,120 --> 00:30:54,080 Speaker 3: diseases are so bad, why is everyone having such a 486 00:30:54,120 --> 00:30:56,400 Speaker 3: great time all the time. That's the thing they they 487 00:30:56,560 --> 00:31:00,320 Speaker 3: run through, like all the side effects, all all the 488 00:31:01,080 --> 00:31:05,080 Speaker 3: things that you're going through that are just painful and 489 00:31:05,320 --> 00:31:07,840 Speaker 3: hard to live with. But they are having the time 490 00:31:07,920 --> 00:31:13,160 Speaker 3: of their lives. Right. Oh yeah, that sounds like a 491 00:31:13,200 --> 00:31:16,480 Speaker 3: good time. I'll get cross disease and go on a 492 00:31:16,560 --> 00:31:20,600 Speaker 3: roller coaster if that's how you must have this much 493 00:31:20,720 --> 00:31:22,720 Speaker 3: intestinal stress to ride this ride. 494 00:31:27,080 --> 00:31:32,680 Speaker 1: When the rents back to in the carball Star, when 495 00:31:32,760 --> 00:31:35,080 Speaker 1: the only buzzers my broken heart. 496 00:31:35,240 --> 00:31:37,719 Speaker 4: We're hanging on this shanky stream. 497 00:31:38,240 --> 00:31:40,720 Speaker 1: Two weird points in the glow of a stream in 498 00:31:40,840 --> 00:31:41,280 Speaker 1: the world 499 00:31:43,120 --> 00:31:44,040 Speaker 3: To let it laugh.