WEBVTT - Episode 7:  Fodor's Guide to Berlin, Chapter 1

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<v Speaker 1>Berlin, Germany, is a destination for any traveler interested in history.

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<v Speaker 1>Its foundation begins in the fourteenth century, when it was

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<v Speaker 1>the capital of the Kingdom of Prussia. Prussia grew rapidly

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<v Speaker 1>in the following centuries and formed the basis of the

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<v Speaker 1>German Empire in eighteen seventy one. The German Empire would

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<v Speaker 1>survive until it was defeated in nineteen eighteen in World

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<v Speaker 1>War One. Around this time, Berlin also became a major

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<v Speaker 1>world city, known for its leadership roles in everything from science, government,

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<v Speaker 1>the arts, and beyond. This cultural emergence was marked by

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<v Speaker 1>the Weimar Republic the inter war period between Germany's defeat

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<v Speaker 1>in World War One and Hitler's rise to power. During

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<v Speaker 1>the Weimar years, Berlin was fertile ground for intellectuals, artists,

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<v Speaker 1>and innovators across many fields, including many Jewish Scots. But

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<v Speaker 1>with the rise of Nazism and Hitler's ascent in nineteen

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<v Speaker 1>thirty three, many of these prominent people fled Germany for

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<v Speaker 1>the United Kingdom and the United States. Thus began the

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<v Speaker 1>Second World War, and Berlin was a critical battleground, heavily

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<v Speaker 1>bombed during the intervening years until it finally capitulated in

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<v Speaker 1>nineteen forty five. By then up to a third of

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<v Speaker 1>Berlin had been destroyed, and the country as well as

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<v Speaker 1>the city, was split in half. West Berlin was controlled

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<v Speaker 1>by the Allied forces of the UK, France and the

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<v Speaker 1>United States, whereas East Berlin was the prize of the

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<v Speaker 1>Soviet Union. There were many battles, strikes, and air raids

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<v Speaker 1>before they settled into a tense but agreeable standoff. Now

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<v Speaker 1>in nineteen sixty one, it is a city and a

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<v Speaker 1>people divided, with two different souls, a rich history and

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<v Speaker 1>an uncertain future.

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<v Speaker 2>Mina tormin untaren v. Now we cannot descent into bel

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<v Speaker 2>and Germany's Templehof airport. Please close your trade tables and

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<v Speaker 2>bring your seats into the upright position. Please remain seated

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<v Speaker 2>with your seat built fastened until we arrive safely at

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<v Speaker 2>the gate. It's been a pleasure having you on board today.

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<v Speaker 1>Honey, you're squeezing my hand a little tight. Are you

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<v Speaker 1>all right? You're not becoming a nervous flyer, are you?

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<v Speaker 3>Oh?

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<v Speaker 1>It's not dead, then, what is it?

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<v Speaker 4>Flying into Tempelhoff always freaks me out. A former nazierport

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<v Speaker 4>surrounded by a communist country.

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<v Speaker 5>None of it is a good place to be.

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<v Speaker 1>You don't have to worry about being near communist territories anymore.

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<v Speaker 1>You're a US citizen now. Remember I know I married

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<v Speaker 1>you for a reason.

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<v Speaker 4>It's just that I escaped the communist dictatorship once. I

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<v Speaker 4>really don't want to do it again.

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<v Speaker 1>You won't have to. JFK has made it clear the

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<v Speaker 1>US isn't leaving the area. If Templehoff was safe enough

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<v Speaker 1>for the Berlin Airlift, it's safe enough for US.

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<v Speaker 5>I suppose you're right.

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<v Speaker 1>I am, and it's a little late anyway. Tempelhoff Airport

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<v Speaker 1>was the first airport in Berlin. It was built on

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<v Speaker 1>what was originally knights Templar land in medieval Berlin, from

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<v Speaker 1>which it gets its name. It first opened in nineteen

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<v Speaker 1>oh nine, when French aviator Armand Zipfel made the first

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<v Speaker 1>flight demonstration at Tempelhoff, followed by Orville Wright later that

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<v Speaker 1>same year. During the Nazi era, the airport was expanded

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<v Speaker 1>and its halls and adjoining buildings were intended to become

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<v Speaker 1>the gateway to Europe and a symbol of Hitler's world

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<v Speaker 1>capital Germania. It is still known as one of the

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<v Speaker 1>largest built entities worldwide, and its central location just minutes

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<v Speaker 1>from the Berlin city center, led it to quickly become

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<v Speaker 1>one of the world's busiest airports. That is until it

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<v Speaker 1>closed during World War II and only reopened to civil

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<v Speaker 1>aviation in April nineteen forty five. But just a few

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<v Speaker 1>years later, in June nineteen forty eight, Soviet authorities, claiming

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<v Speaker 1>technical difficulties, halted all traffic by land and by water

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<v Speaker 1>into or out of the Western controlled sectors of Berlin.

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<v Speaker 1>The only remaining access routes into the city were three

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<v Speaker 1>twenty mile wide air corridors across the Soviet zone of occupation.

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<v Speaker 1>Faced with the choice of abandoning the city or attempting

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<v Speaker 1>to supply its inhabitants with the necessities of life by air,

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<v Speaker 1>the Western Powers chose the latter course. Thus began the

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<v Speaker 1>Berlin Airlift, in which thousands of US and UK aircrafts

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<v Speaker 1>carried tons of food, coal, and other essential supplies into

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<v Speaker 1>the city through the airport. As the Cold War continued,

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<v Speaker 1>Tempelhoff remained the main terminal for American military transport aircrafts

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<v Speaker 1>accessing West Berlin.

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<v Speaker 4>The one thing I like about this is how close

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<v Speaker 4>it is to the city it should only be a

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<v Speaker 4>five minute taxi riter to the Kimpinski.

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<v Speaker 1>We could always take the scenic route. The architecture of

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<v Speaker 1>this airport is really something.

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<v Speaker 4>Grab your bags, Darling, let's go, Maxnell.

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<v Speaker 1>The Kempinski Hotel sits on Kerferstendam Street known as Kudam

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<v Speaker 1>for short, which is the crown jewel of capitalism in

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<v Speaker 1>West Berlin, a street filled with fine dining, luxury shopping

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<v Speaker 1>and the finest hotels, a bright, colorful spectacle to contrast

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<v Speaker 1>with the drab and colorless Soviet East. First established in

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<v Speaker 1>eighteen ninety seven as a restaurant, the Kampinski quickly became

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<v Speaker 1>a beacon of taste and hospitality, keeping pace with the

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<v Speaker 1>trends in fashion and design that define each era. It

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<v Speaker 1>housed famous parties and performances, and in nineteen fifty two

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<v Speaker 1>it became the first new luxury hotel in the city.

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<v Speaker 1>Right away it was the place to be for Berlin's

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<v Speaker 1>fashion forward residence. Heads of state, celebrities and Nobel Prize

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<v Speaker 1>winners like Albert Einstein, Ava Gardner, John Wayne, Alfred Hitchcock,

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<v Speaker 1>John F. Kennedy and Sophia Learn, along with many others,

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<v Speaker 1>were drawn to the exclusive hotel in Berlin, Golton talk.

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<v Speaker 1>How may I help you, mister and missus Vodor checking

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<v Speaker 1>in Yes.

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<v Speaker 6>Of course, fun moment.

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<v Speaker 3>If you'll bring your bags to your room and four doors.

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<v Speaker 5>This envelope arrived for you, and this package for you

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<v Speaker 5>door donkishen Oh, it's heavy.

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<v Speaker 4>Must be the galleys for the London Book and revised

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<v Speaker 4>prousor Monte Carlo.

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<v Speaker 1>I know you're eager to take a look.

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<v Speaker 5>I'm also eager for a drink. You want to go

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<v Speaker 5>to the bar and help me proof read?

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<v Speaker 1>Why don't you head there and get started. I should

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<v Speaker 1>check my messages.

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<v Speaker 5>Ah order you a scotch and mere schnapps.

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<v Speaker 1>Another encrypted message, Hello.

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<v Speaker 7>Jeane, welcome to Germany. Hope this message finds you well.

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<v Speaker 7>As you may now know, the Soviet's best forger, known

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<v Speaker 7>as code named doctor Jevago, is willing to defect to

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<v Speaker 7>the USA and reveal the identities of all the Soviet

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<v Speaker 7>spies he has forged passports for as they use Berlin

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<v Speaker 7>to slip into the West with other Germans and refugees.

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<v Speaker 7>It may also interest you to know Jevago was a

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<v Speaker 7>close friend of your father during the war. In fact,

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<v Speaker 7>they disappeared together and if anyone knows where Pathfinder is,

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<v Speaker 7>it would be him. Your mission is to enter East

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<v Speaker 7>Berlin under cover as a travel writer. You will be

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<v Speaker 7>doing a chapter on East Berlin and the press, credentials

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<v Speaker 7>and visas have already been arranged. Once you are on

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<v Speaker 7>the other side of the wall, you'll meet up with

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<v Speaker 7>Shivago as well as his nephew and escort them across

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<v Speaker 7>the border back to the west. Savago has already forged

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<v Speaker 7>them the proper passports and paperwork, and they have a

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<v Speaker 7>friend at the checkpoint, so it will be a smooth transaction.

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<v Speaker 7>You will just be there for additional cover. Rebecca has

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<v Speaker 7>your visa and we'll be in contact as to a

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<v Speaker 7>meeting point. She will then escort you with her travel

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<v Speaker 7>photographer credentials. Take care.

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<v Speaker 5>Is everything all right?

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<v Speaker 1>Yes? But I don't want you to worry.

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<v Speaker 5>Oh no, what is it?

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<v Speaker 1>Martin wants me to do a chapter on East Berlin.

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<v Speaker 5>You're not serious.

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<v Speaker 1>He thinks it will sell copies set us apart.

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<v Speaker 5>Will they even let you through the checkpoint?

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<v Speaker 1>Martin arranged visas to allow a tour. I don't like it,

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<v Speaker 1>I know, but it will only be a few hours.

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<v Speaker 1>And probably just a bunch of propaganda, them showing me

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<v Speaker 1>what they want us to see.

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<v Speaker 5>I suppose if margin arranged it, it should be fine.

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<v Speaker 1>But it will be fine, I promise.

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<v Speaker 5>If you say so, here's your Scotch.

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<v Speaker 1>Plus, you will be far too busy with all these

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<v Speaker 1>pages to even notice I'm gone.

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<v Speaker 5>Hmm.

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<v Speaker 8>I'm so sorry to interrupt, but you must be busy photos.

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<v Speaker 1>Indeed we are, Ah.

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<v Speaker 8>I am Marie Unga, my family are the proprietors of

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<v Speaker 8>this hotel, and we are very honored to have you

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<v Speaker 8>as our guest.

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<v Speaker 1>You're too kind, A pleasure to meet you.

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<v Speaker 8>I always take your books whenever I travel. Can I

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<v Speaker 8>assume you're working on a new belly In edition that

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<v Speaker 8>we are well. I so hope I can look forward

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<v Speaker 8>to see inclusion of Ze Kampinski.

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<v Speaker 4>Of course, we are very happy to finally stay here.

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<v Speaker 4>This hotel is everything I expected and more.

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<v Speaker 8>Make sures you paton the nose your drinks around the house.

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<v Speaker 1>Oh you really don't have to insist. Thank you very much, Yes,

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<v Speaker 1>thank you.

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<v Speaker 3>Ah.

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<v Speaker 1>I see our associate Rebecca in the lobby, and I

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<v Speaker 1>believe she has something for me. Will you, ladies excuse

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<v Speaker 1>me a moment of course, be right back.

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<v Speaker 5>That is your associate.

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<v Speaker 4>She's our new photographer. We are in the process of

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<v Speaker 4>expanding our business.

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<v Speaker 8>Much like Zikompinski. If you don't continue to grow, you die.

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<v Speaker 8>It is the reality of business.

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<v Speaker 5>I suppose.

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<v Speaker 4>I'm still getting used to it, not just being Gene

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<v Speaker 4>and me, But there is so much more to do.

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<v Speaker 5>We need the extra support.

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<v Speaker 8>She's quite young no America, yes.

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<v Speaker 5>But very talented.

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<v Speaker 4>She worked full time magazine and now she travels on

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<v Speaker 4>the job with Geen. Well, I've moved upstairs to the

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<v Speaker 4>editor's office, well hotel room for now, but eventually we

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<v Speaker 4>will be settled in one place.

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<v Speaker 8>You must be a very smart business woman and a

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<v Speaker 8>very generous wife.

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<v Speaker 5>I'm not sure I understand what you mean.

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<v Speaker 8>Rebecca is young and beautiful. I had to be nervous

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<v Speaker 8>if she were alone with my husband so often.

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<v Speaker 5>Oh, it's not like that.

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<v Speaker 8>American girls, in particular, with their new burth control and

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<v Speaker 8>sexual liberation, they are.

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<v Speaker 5>Not to be trusted. But Jeane is.

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<v Speaker 8>I'm sorry. I'm sure you're right.

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<v Speaker 5>And they are never alone for more than a few

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<v Speaker 5>hours anyway, of.

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<v Speaker 1>Course, my apologies, but I actually must get going already.

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<v Speaker 1>Rebecca has our visas and made all the arrangements with Martin.

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<v Speaker 1>She just came by to pick me up. I see, Marie,

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<v Speaker 1>it was lovely to meet you. Thank you for your hospitality,

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<v Speaker 1>My pleasure by Darling Jean. Be safe, of course, I'll

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<v Speaker 1>be back before you know it. Ready, Yes, where exactly

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<v Speaker 1>where are we going?

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<v Speaker 9>We'll cross in the East Berlin at Banhof friedrich Strasser.

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<v Speaker 10>It's just across town.

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<v Speaker 1>Let's make it quick. I'd love to be back to

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<v Speaker 1>take lass at the dinner.

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<v Speaker 6>We better get going then, Hello, Chairman Albrecht speaking er Rulbert,

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<v Speaker 6>this is KGBI spetz Naz Alpha.

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<v Speaker 11>We have received intel from verified sources inside US intelligence

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<v Speaker 11>that doctor Jivago maybe in their threatened only move. The

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<v Speaker 11>loss of this asset could compromise thetententeities of hundreds of

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<v Speaker 11>agents and missions. Jeevago is too important a resource to

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<v Speaker 11>fall into the hands of the enemy. We strongly suggest

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<v Speaker 11>immediate protection and transfer, or, if all else fails.

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<v Speaker 6>Elimination understood, Commandant, I will send my best men to

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<v Speaker 6>secure an asset.

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<v Speaker 1>It's almost as if the vibrancy of West Berlin is

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<v Speaker 1>to compensate for the utter drabness of East Berlin. A

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<v Speaker 1>dark gray place where the citizen's disposition matches the stern architecture.

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<v Speaker 1>The border can be crossed legally only through a limited

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<v Speaker 1>number of air, road, rail and river routes. Travelers to

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<v Speaker 1>and from Denmark, Sweden, Poland and Czechoslovakia can pass fairly

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<v Speaker 1>easily through East Germany, but access rights for non Germans

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<v Speaker 1>are otherwise very restricted. If you are thinking of entering,

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<v Speaker 1>you must submit an itinerary to the East German State

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<v Speaker 1>Tourist Office up to nine weeks in advance, pay booking fees,

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<v Speaker 1>and register with the local police on arrival. You may

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<v Speaker 1>purchase fuel only from specially approved petrol stations and must

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<v Speaker 1>spend a prescribed minimum of money each day. You are

0:14:15.440 --> 0:14:19.160
<v Speaker 1>also required to stay in state owned inter hotels, which

0:14:19.280 --> 0:14:22.920
<v Speaker 1>do not come cheap. If you feel intent on seeing

0:14:22.960 --> 0:14:25.520
<v Speaker 1>East Berlin and have the foresight to plan ahead and

0:14:25.640 --> 0:14:28.760
<v Speaker 1>the cash to spend, do not expect a warm welcome

0:14:28.920 --> 0:14:32.560
<v Speaker 1>or inspiring cuisine awaiting you on the other side. With

0:14:32.800 --> 0:14:36.840
<v Speaker 1>this approach to hospitality, it's no surprise the East has

0:14:36.960 --> 0:14:42.520
<v Speaker 1>not become a bustling hub of tourist activity. Step forward,

0:14:45.800 --> 0:14:49.480
<v Speaker 1>state your name, Eugene Fodor. I'm a travel writer, and

0:14:49.600 --> 0:14:53.160
<v Speaker 1>this is my associate and photographer, Rebecca Ralston. Bus is

0:14:53.240 --> 0:14:56.280
<v Speaker 1>your business. I own a guidebook company and we're here

0:14:56.360 --> 0:14:58.320
<v Speaker 1>to show the world why they should visit East Berlin.

0:15:00.800 --> 0:15:02.880
<v Speaker 1>Of course, here you are.

0:15:03.800 --> 0:15:07.960
<v Speaker 10>We are so excited to see East Berlin. Our readers

0:15:08.080 --> 0:15:12.040
<v Speaker 10>are going to feel so special. Do you mind if

0:15:12.080 --> 0:15:12.760
<v Speaker 10>I take your picture?

0:15:12.920 --> 0:15:17.520
<v Speaker 9>I've always had a thing for men in uniform, smile.

0:15:18.880 --> 0:15:22.360
<v Speaker 10>Or not, very handsome.

0:15:23.160 --> 0:15:29.400
<v Speaker 12>Doncashin your visas are good for five hours. If you

0:15:29.480 --> 0:15:32.360
<v Speaker 12>do not exit East Berlin before they expire, you will

0:15:32.400 --> 0:15:35.120
<v Speaker 12>be vested. We promise not to cause any trouble.

0:15:36.040 --> 0:15:43.960
<v Speaker 1>You may go through. Welcome to East Berlin. Quite serious

0:15:44.040 --> 0:15:45.040
<v Speaker 1>around here, aren't they.

0:15:45.640 --> 0:15:48.760
<v Speaker 10>This station is where tens of thousands of East Germans

0:15:48.800 --> 0:15:51.840
<v Speaker 10>have been affecting West. It's mostly the young and educated,

0:15:52.320 --> 0:15:56.320
<v Speaker 10>a perfect loophole in their closed borders. It also happens

0:15:56.360 --> 0:15:59.120
<v Speaker 10>to be the perfect place for spies to cross on

0:15:59.280 --> 0:15:59.880
<v Speaker 10>both sides.

0:16:00.880 --> 0:16:03.800
<v Speaker 1>So now that we're through, where are we going?

0:16:03.960 --> 0:16:06.560
<v Speaker 10>We're meeting Jivago in his print shop at Hakkashov.

0:16:07.080 --> 0:16:07.720
<v Speaker 13>It's in Mitta.

0:16:08.240 --> 0:16:16.800
<v Speaker 1>Oh great, We're only a few blocks away exactly. The

0:16:16.920 --> 0:16:21.000
<v Speaker 1>Hakshehofa is the renowned complex of courtyards spread around the

0:16:21.080 --> 0:16:26.120
<v Speaker 1>Shoenenfiatal Quarter, located outside the city walls for centuries. It

0:16:26.280 --> 0:16:28.680
<v Speaker 1>was renamed the barn Quarter at the end of the

0:16:28.720 --> 0:16:32.320
<v Speaker 1>seventeenth century, when barnes were removed from the city center

0:16:32.840 --> 0:16:36.000
<v Speaker 1>and moved here. The fortunes of the area began to

0:16:36.120 --> 0:16:38.920
<v Speaker 1>change at the beginning of the twentieth century when large

0:16:38.960 --> 0:16:42.600
<v Speaker 1>numbers of Jews from Eastern Europe settled here, giving rise

0:16:42.680 --> 0:16:47.840
<v Speaker 1>to major changes. Shops and businesses began to open, turning

0:16:47.880 --> 0:16:53.280
<v Speaker 1>the area into a hive of activity. Opening onto Rosenthalestrase

0:16:53.680 --> 0:16:58.000
<v Speaker 1>is a complex of eight interconnected courtyards and originally built

0:16:58.080 --> 0:17:00.880
<v Speaker 1>as a market in nineteen oh seven by the architect

0:17:01.040 --> 0:17:04.960
<v Speaker 1>Kurt Bard. The main entrance is at number forty, a

0:17:05.040 --> 0:17:08.960
<v Speaker 1>building with a splendid Art nouveau facade, takes you into

0:17:09.000 --> 0:17:13.600
<v Speaker 1>the first courtyard, featuring buildings with walls covered in colored tiles.

0:17:14.480 --> 0:17:17.880
<v Speaker 1>From here you can explore the other courtyards, which form

0:17:17.960 --> 0:17:23.040
<v Speaker 1>a microcosm of the city. The Hakashehoffa is also a

0:17:23.200 --> 0:17:27.240
<v Speaker 1>monument for Berlin's Jewish community because in nineteen thirty nine

0:17:27.359 --> 0:17:30.119
<v Speaker 1>it belonged to a Jewish businessman and was home to

0:17:30.160 --> 0:17:33.120
<v Speaker 1>the Jewish school until the owner was compelled to sell

0:17:33.160 --> 0:17:37.480
<v Speaker 1>it to the Nazis and the school was evicted and demolished.

0:17:44.119 --> 0:17:47.240
<v Speaker 5>Villukomen, that's all right, allowed these customers.

0:17:47.960 --> 0:17:48.760
<v Speaker 13>You may take your break.

0:17:48.800 --> 0:17:49.760
<v Speaker 3>Sofie Punkah.

0:17:50.359 --> 0:17:53.399
<v Speaker 13>You must be Eugene. You was a spitting image of

0:17:53.440 --> 0:17:57.320
<v Speaker 13>your father, and you must be Cormi Zivago for now,

0:17:58.240 --> 0:17:58.720
<v Speaker 13>you're early.

0:17:59.280 --> 0:17:59.840
<v Speaker 10>We didn't want to be.

0:18:01.119 --> 0:18:03.680
<v Speaker 13>My nephew is still at school. I didn't want to

0:18:03.720 --> 0:18:06.359
<v Speaker 13>keep him home out of fear it might raise suspicion.

0:18:07.280 --> 0:18:08.480
<v Speaker 13>He should be back within the hour.

0:18:08.680 --> 0:18:10.879
<v Speaker 1>That should be fine. We have five hours until our

0:18:10.920 --> 0:18:11.399
<v Speaker 1>time is up.

0:18:12.000 --> 0:18:15.480
<v Speaker 13>We'll be ready to go right away. You have the paperwork, Yes,

0:18:15.960 --> 0:18:19.159
<v Speaker 13>the leasas are forged. We are US citizens here to

0:18:19.280 --> 0:18:22.200
<v Speaker 13>visit a dying relative at the jerry Dale Hospital. Good.

0:18:22.800 --> 0:18:25.719
<v Speaker 9>Then I can give you these passports.

0:18:26.280 --> 0:18:28.280
<v Speaker 1>I didn't know you were hiding those. I didn't want

0:18:28.320 --> 0:18:31.600
<v Speaker 1>to worry you, thayanks, but I already made some.

0:18:33.000 --> 0:18:34.000
<v Speaker 13>See for yourself.

0:18:35.080 --> 0:18:38.720
<v Speaker 1>These are very impressive, as good as the real thing,

0:18:39.280 --> 0:18:39.840
<v Speaker 1>maybe better.

0:18:40.520 --> 0:18:43.199
<v Speaker 13>Yes, I am good at How about we pick up

0:18:43.240 --> 0:18:46.160
<v Speaker 13>my nephew from school and go from there. No point

0:18:46.240 --> 0:18:47.600
<v Speaker 13>waiting around longer than needed.

0:18:47.840 --> 0:18:48.600
<v Speaker 1>That works for us.

0:18:49.160 --> 0:18:50.440
<v Speaker 13>Let me just get my coat.

0:18:53.119 --> 0:18:54.240
<v Speaker 9>I think we've got trouble.

0:18:54.480 --> 0:18:54.960
<v Speaker 1>What is it.

0:18:57.600 --> 0:18:58.040
<v Speaker 13>Police?

0:18:58.600 --> 0:18:59.919
<v Speaker 1>They aren't marked as police car.

0:19:00.040 --> 0:19:02.560
<v Speaker 10>It's Cristasi Easter, German's secret police.

0:19:02.920 --> 0:19:05.880
<v Speaker 1>Well, whoever they are. They're blocking the exits and entering

0:19:05.920 --> 0:19:06.440
<v Speaker 1>the hof.

0:19:06.320 --> 0:19:07.920
<v Speaker 13>Heavy back door. Follow me.

0:19:13.840 --> 0:19:16.200
<v Speaker 1>They're covering the back too. Which way do we go?

0:19:18.280 --> 0:19:20.440
<v Speaker 13>We should separate? It's me them on?

0:19:20.720 --> 0:19:23.399
<v Speaker 1>No, this way we can lose them in the Marketwn

0:19:29.720 --> 0:19:30.679
<v Speaker 1>they're still after us.

0:19:31.240 --> 0:19:32.920
<v Speaker 13>Aramsis stall is the tram.

0:19:39.160 --> 0:19:40.960
<v Speaker 1>Shit, they're at the entrance.

0:19:41.320 --> 0:19:46.600
<v Speaker 10>They'll have to hold on, jump here and hold on.

0:19:51.040 --> 0:19:53.920
<v Speaker 10>I was close and they're clearly on to us. We

0:19:53.960 --> 0:19:56.119
<v Speaker 10>should go back to the checkpoint and cross back to

0:19:56.160 --> 0:19:57.159
<v Speaker 10>the west immediately.

0:19:57.400 --> 0:19:57.440
<v Speaker 4>No.

0:19:58.640 --> 0:19:59.919
<v Speaker 13>I won't desert my nephew.

0:20:00.440 --> 0:20:02.080
<v Speaker 1>But your life is in danger. Eh.

0:20:03.000 --> 0:20:05.479
<v Speaker 13>It's both of us or either of us.

0:20:07.080 --> 0:20:10.679
<v Speaker 10>Okay, I know a place we can go. It's an

0:20:10.720 --> 0:20:12.680
<v Speaker 10>old CIA safehouse. It's not far.

0:20:13.440 --> 0:20:14.639
<v Speaker 1>Is there someone there who can help us?

0:20:15.280 --> 0:20:17.840
<v Speaker 10>No, but we can hide there until we get a plan. B.

0:20:18.240 --> 0:20:19.119
<v Speaker 1>What about our visas?

0:20:19.400 --> 0:20:22.200
<v Speaker 9>We still have a few hours left. Let's hope we

0:20:22.240 --> 0:20:22.880
<v Speaker 9>don't need more.

0:20:38.720 --> 0:20:42.840
<v Speaker 3>Is the ass boit chairman Olbricht for General Secretary.

0:20:42.359 --> 0:20:50.359
<v Speaker 13>Khrushchev dah one moment, Yes, gut and target.

0:20:50.040 --> 0:20:53.400
<v Speaker 3>Cruise, Chef, I regret to inform you that doctor Shivoko

0:20:53.600 --> 0:20:57.200
<v Speaker 3>has gone missing. The suspectim may be in US hands.

0:20:57.560 --> 0:20:58.600
<v Speaker 1>How is this possible?

0:20:59.160 --> 0:21:01.920
<v Speaker 13>He must be in our position at all costs.

0:21:02.480 --> 0:21:05.600
<v Speaker 3>We believe he has yet to cross the Vest, but unfortunately,

0:21:05.760 --> 0:21:09.320
<v Speaker 3>with the current border security in Berlin, I cannot assure

0:21:09.359 --> 0:21:11.960
<v Speaker 3>you that I can prevent his escape. We have already

0:21:12.040 --> 0:21:15.440
<v Speaker 3>lost hundreds of thousands of our best, unprightest to the Vest,

0:21:16.000 --> 0:21:19.160
<v Speaker 3>and we are most assuredly lose him as well unless

0:21:19.960 --> 0:21:21.720
<v Speaker 3>something drastic he's done.

0:21:22.359 --> 0:21:26.880
<v Speaker 14>What do you suggest, Comrade, We shut it down, all

0:21:26.920 --> 0:21:29.960
<v Speaker 14>of it. I will order guards double the ditch post.

0:21:30.160 --> 0:21:33.240
<v Speaker 3>That isn't enough. We need to build a wall. It's

0:21:33.280 --> 0:21:36.080
<v Speaker 3>the only way to guarantee no one can leave. Not

0:21:36.280 --> 0:21:40.240
<v Speaker 3>a soul can slip through, not Sivago and no citizen

0:21:40.359 --> 0:21:41.120
<v Speaker 3>of the GDR.

0:21:41.840 --> 0:21:46.119
<v Speaker 14>That is quite drastic. It would bring a strong reaction.

0:21:46.480 --> 0:21:52.560
<v Speaker 3>We can't concern ourselves this international perception. Only East German survival.

0:21:53.359 --> 0:21:56.320
<v Speaker 3>Young Kennedy already told you that the US would take

0:21:56.480 --> 0:21:58.920
<v Speaker 3>no action if a permanent barrier were built.

0:22:00.119 --> 0:22:03.719
<v Speaker 14>Full shoot as hand, but the talking actions are very

0:22:03.800 --> 0:22:04.520
<v Speaker 14>different things.

0:22:05.480 --> 0:22:09.119
<v Speaker 3>The time to build a voll is now, and we

0:22:09.359 --> 0:22:11.720
<v Speaker 3>must act fast before it is too late.

0:22:14.000 --> 0:22:18.320
<v Speaker 14>The do it, shut it down, whatever it takes.

0:22:27.840 --> 0:22:31.600
<v Speaker 1>Not the coziest of places, You're sure no one will

0:22:31.600 --> 0:22:32.160
<v Speaker 1>find us here.

0:22:32.400 --> 0:22:35.119
<v Speaker 10>This is one of the most secret safe houses we have.

0:22:35.840 --> 0:22:38.359
<v Speaker 10>It's not the compinski, but we can breathe easy.

0:22:38.920 --> 0:22:41.119
<v Speaker 13>I'm terribly sorry for the trouble I seem to have

0:22:41.200 --> 0:22:41.880
<v Speaker 13>gotten you into.

0:22:42.240 --> 0:22:45.000
<v Speaker 9>What's important is we get you out safe. Tell me

0:22:45.040 --> 0:22:45.840
<v Speaker 9>about your nephew.

0:22:47.119 --> 0:22:50.560
<v Speaker 13>Here is his photo. His school isn't far from my shop.

0:22:50.760 --> 0:22:53.240
<v Speaker 13>He gets out in a minute now, But today he

0:22:53.359 --> 0:22:55.960
<v Speaker 13>knows to wait at the school and he won't head

0:22:56.000 --> 0:22:57.400
<v Speaker 13>back to the shop alone. Good.

0:22:58.160 --> 0:23:01.639
<v Speaker 9>No one should be looking for him yet. I'll go

0:23:01.760 --> 0:23:02.800
<v Speaker 9>get him and bring him here.

0:23:03.240 --> 0:23:03.879
<v Speaker 1>Is that safe?

0:23:04.600 --> 0:23:06.520
<v Speaker 10>He looks like he could be my brother. I doubt

0:23:06.600 --> 0:23:07.680
<v Speaker 10>anyone will raise an eye.

0:23:09.440 --> 0:23:11.359
<v Speaker 13>Give him this note so he trusts you.

0:23:11.600 --> 0:23:11.919
<v Speaker 10>Thanks.

0:23:12.720 --> 0:23:16.200
<v Speaker 9>I won't be long, Jean. Come lock the door behind me.

0:23:19.720 --> 0:23:22.280
<v Speaker 9>Keep a close eye on Jivago and set the alarm

0:23:22.359 --> 0:23:25.200
<v Speaker 9>on your watch. If I'm not back in an hour,

0:23:25.800 --> 0:23:28.120
<v Speaker 9>take him to cross the border before your visas expire.

0:23:28.600 --> 0:23:30.199
<v Speaker 9>What about you, I'll find a way to get back

0:23:30.240 --> 0:23:33.040
<v Speaker 9>myself if you get caught, or if it ever becomes

0:23:33.080 --> 0:23:36.080
<v Speaker 9>a question if you or him save yourself?

0:23:37.560 --> 0:23:49.440
<v Speaker 1>Understood, understood. So it is just us for the moment.

0:23:50.359 --> 0:23:52.560
<v Speaker 13>Do you mind if I put that record play into use?

0:23:53.280 --> 0:23:53.920
<v Speaker 1>Be my guest.

0:24:02.400 --> 0:24:04.560
<v Speaker 13>I can't get over how much you resemble your father

0:24:05.640 --> 0:24:06.760
<v Speaker 13>hum I.

0:24:06.920 --> 0:24:10.879
<v Speaker 1>Heard that often growing up. When did you and him

0:24:10.960 --> 0:24:11.400
<v Speaker 1>first meet?

0:24:12.240 --> 0:24:14.800
<v Speaker 13>We served together in counterintelligence at the end of the

0:24:14.840 --> 0:24:18.560
<v Speaker 13>war and became fast friends. It started as we got

0:24:18.600 --> 0:24:21.440
<v Speaker 13>to know one another. We shared a profound love of

0:24:21.640 --> 0:24:26.600
<v Speaker 13>art and the profound loss of family. Beside me. The

0:24:26.680 --> 0:24:29.359
<v Speaker 13>only member of mine who survives the Nazis was my nephew,

0:24:29.880 --> 0:24:33.200
<v Speaker 13>just a baby at the time. You see, this is

0:24:33.240 --> 0:24:36.520
<v Speaker 13>why I cannot leave him. We are all the other has.

0:24:37.960 --> 0:24:40.520
<v Speaker 13>The Soviets helped save me and him, which is why

0:24:40.600 --> 0:24:41.920
<v Speaker 13>I've worked for them all this time.

0:24:43.080 --> 0:24:43.719
<v Speaker 1>You're Jewish.

0:24:44.320 --> 0:24:47.840
<v Speaker 13>Yes, my family thrived here in this very neighborhood during

0:24:47.840 --> 0:24:51.359
<v Speaker 13>the Weimar Republic, but you wouldn't recognize it from what

0:24:51.480 --> 0:24:55.679
<v Speaker 13>you see to day. It was alive with youthful activity,

0:24:55.880 --> 0:24:59.840
<v Speaker 13>explosive sexual freedoms, art, liberal ideas.

0:25:00.400 --> 0:25:02.919
<v Speaker 1>It's been called the Babylon of the twenties.

0:25:04.520 --> 0:25:09.880
<v Speaker 13>I suppose it was provocative, cabaret shows, excessive drug use,

0:25:10.280 --> 0:25:15.159
<v Speaker 13>knights of hedonistic partying, open and same sex relationships. There

0:25:15.200 --> 0:25:17.879
<v Speaker 13>were many strong women in the movement as well, with

0:25:18.080 --> 0:25:22.600
<v Speaker 13>performers such as Marlene Dietrich and the Nita Berber becoming icons.

0:25:23.560 --> 0:25:24.240
<v Speaker 1>It was also the.

0:25:24.280 --> 0:25:26.600
<v Speaker 13>Decade of giants such as Breckt de Nichevood.

0:25:27.600 --> 0:25:28.960
<v Speaker 1>Sounds like an amazing time.

0:25:29.800 --> 0:25:33.200
<v Speaker 13>The city was alive in ways you couldn't imagine, but

0:25:33.359 --> 0:25:38.040
<v Speaker 13>then the Nazis took power. My family's gallery was closed,

0:25:38.560 --> 0:25:40.639
<v Speaker 13>my parents arrested, and I was forced to work for

0:25:40.720 --> 0:25:44.359
<v Speaker 13>the fascist pigs, catalogings at art thefts as they murdered

0:25:44.400 --> 0:25:45.760
<v Speaker 13>and pillaged their way through Europe.

0:25:46.520 --> 0:25:48.800
<v Speaker 1>That's horrible, I'm sorry.

0:25:50.240 --> 0:25:53.960
<v Speaker 13>By day I was forced to work for them, but

0:25:54.119 --> 0:25:57.119
<v Speaker 13>by night I used the material to forge papers for

0:25:57.240 --> 0:25:58.359
<v Speaker 13>other Jews to escape.

0:25:59.080 --> 0:26:00.480
<v Speaker 1>Oh why didn't you escape yourself?

0:26:01.400 --> 0:26:05.200
<v Speaker 13>Well, doo, I had no home or family left, but

0:26:05.359 --> 0:26:10.320
<v Speaker 13>by staying I had a purpose. And then the Soviets

0:26:10.400 --> 0:26:13.560
<v Speaker 13>came to liberate us. They saved me, and they saved

0:26:13.600 --> 0:26:17.600
<v Speaker 13>my nephew. He was just a baby then, but he

0:26:17.760 --> 0:26:21.239
<v Speaker 13>was all I had. That's why I can't leave him.

0:26:22.760 --> 0:26:23.879
<v Speaker 13>I'll never leave him behind.

0:26:25.720 --> 0:26:27.560
<v Speaker 1>That's how you started working for the Soviets.

0:26:29.160 --> 0:26:31.320
<v Speaker 13>I felt I owed them at first for saving us,

0:26:31.440 --> 0:26:35.440
<v Speaker 13>but they used me, just like the Nazis made me

0:26:35.520 --> 0:26:39.240
<v Speaker 13>their chief forger in Berlin, creating fake passports so their

0:26:39.400 --> 0:26:41.480
<v Speaker 13>KGB agents can travel freely.

0:26:42.119 --> 0:26:45.239
<v Speaker 1>Then why leave now? Why risk it all?

0:26:46.400 --> 0:26:49.600
<v Speaker 13>My nephew is becoming a man, a brilliant man with

0:26:49.720 --> 0:26:52.959
<v Speaker 13>a bright future. But there's no future for him here,

0:26:53.440 --> 0:26:57.080
<v Speaker 13>and I cannot continue to create fake passports for horrible people.

0:26:57.440 --> 0:26:59.440
<v Speaker 1>I'm sure your nephew is safe with Rebecca.

0:27:00.800 --> 0:27:06.080
<v Speaker 13>He reminds me of you, actually me. You barely know me,

0:27:06.920 --> 0:27:10.000
<v Speaker 13>but your father spoke about you all the time. How

0:27:10.119 --> 0:27:13.000
<v Speaker 13>brilliant you were from a young age, How you could

0:27:13.000 --> 0:27:16.159
<v Speaker 13>read the globe like you could read the alphabet. How

0:27:16.240 --> 0:27:19.680
<v Speaker 13>in America you are free to realize that potential to

0:27:19.840 --> 0:27:25.960
<v Speaker 13>build your dreams. There are no dreams here, only harsh reality.

0:27:27.600 --> 0:27:29.720
<v Speaker 1>You know, you may end up just working for another

0:27:29.880 --> 0:27:33.920
<v Speaker 1>governing power, better than the Nazis or Soviets, but a

0:27:34.000 --> 0:27:34.960
<v Speaker 1>master just the same.

0:27:36.000 --> 0:27:38.680
<v Speaker 13>I am prepared to do whatever it takes and to

0:27:38.800 --> 0:27:41.480
<v Speaker 13>help the Americans however I can, if it means my

0:27:41.600 --> 0:27:45.800
<v Speaker 13>nephew gets the life and the future he deserves, and

0:27:46.960 --> 0:27:50.400
<v Speaker 13>I will help you too if you get us across,

0:27:52.160 --> 0:27:56.639
<v Speaker 13>help me with what you want to find your father?

0:27:57.040 --> 0:27:57.359
<v Speaker 3>Do you not.

0:27:59.320 --> 0:27:59.960
<v Speaker 1>You know where he is?

0:28:01.760 --> 0:28:07.080
<v Speaker 13>Well? I might know how to find him. What's that sound?

0:28:09.520 --> 0:28:09.680
<v Speaker 7>Yes?

0:28:10.600 --> 0:28:11.320
<v Speaker 13>Have they found us?

0:28:12.720 --> 0:28:16.840
<v Speaker 1>Army trucks are moving in. The soldiers are carrying bricks

0:28:16.920 --> 0:28:18.640
<v Speaker 1>and spades, not rifles.

0:28:18.920 --> 0:28:20.760
<v Speaker 13>Do you think feel safe? Should we flee?

0:28:23.080 --> 0:28:26.160
<v Speaker 1>Stay away from the windows. We'll wait until Rebecca returns.

0:28:27.760 --> 0:28:32.919
<v Speaker 1>What is that my watch alarm? It's nothing if you're.

0:28:32.800 --> 0:28:35.600
<v Speaker 13>Sitting ducks in here? If they found us, perhaps Rebecca

0:28:35.600 --> 0:28:36.959
<v Speaker 13>of us caught and revealed a location.

0:28:37.400 --> 0:28:39.840
<v Speaker 1>No, no, let me think.

0:28:41.440 --> 0:28:42.880
<v Speaker 10>It's me open up.

0:28:44.920 --> 0:28:50.880
<v Speaker 1>Just in time, too, Jean, this is my nephew. It's

0:28:51.600 --> 0:28:54.520
<v Speaker 1>glad you made it, but we should leave now. Our

0:28:54.640 --> 0:28:55.680
<v Speaker 1>vices are about to expire.

0:28:55.680 --> 0:28:56.520
<v Speaker 10>It's too late for that.

0:28:57.120 --> 0:28:58.160
<v Speaker 1>No, we still have time.

0:28:58.760 --> 0:29:02.440
<v Speaker 10>If we hurt, it doesn't The Soviets and Stazi have

0:29:02.520 --> 0:29:05.360
<v Speaker 10>stopped all the trains, shut down the checkpoints, and are

0:29:05.400 --> 0:29:08.760
<v Speaker 10>setting up barbed wire barricades in the streets. It's a

0:29:08.840 --> 0:29:09.600
<v Speaker 10>total lockdown.

0:29:12.560 --> 0:29:14.880
<v Speaker 1>It sounds like more than just setting up a few barricades.

0:29:15.280 --> 0:29:18.320
<v Speaker 10>It's much more than that. Gene. They're building a wall.

0:29:26.200 --> 0:29:30.520
<v Speaker 15>Phodor's Guide to Espionage is created by Lars Jacobson, written

0:29:30.560 --> 0:29:34.960
<v Speaker 15>by Lars Jacobson and Sabrina Jaglain, and directed by Sabrina Jaglin,

0:29:35.560 --> 0:29:39.479
<v Speaker 15>Produced by Lars Jacobson and Sabrina Jagulin, and executive produced

0:29:39.480 --> 0:29:43.960
<v Speaker 15>by Noel Brown for iHeartRadio. Fodor's Guide to Espionage stars

0:29:44.080 --> 0:29:48.320
<v Speaker 15>Ethan Korn as Eugene Fodor, Lelia Symington as Vlasta Fodor,

0:29:48.680 --> 0:29:53.040
<v Speaker 15>and Jackie Emerson as Rebecca Ralston, with additional performances by

0:29:53.560 --> 0:29:58.800
<v Speaker 15>Chase Mullins, George Rivera, Matt Linton, Dylan McCollum, Gade Greenspan,

0:29:59.120 --> 0:30:04.640
<v Speaker 15>Chris Cappel, Duncan Kaladine Dana Melanie, Alex Gumbadi, Noam Thomaschoff,

0:30:04.880 --> 0:30:08.959
<v Speaker 15>Katrina Aaron, and Simon Jagulain. Sound design and editing by

0:30:09.120 --> 0:30:13.560
<v Speaker 15>Chris Childs. Original theme song by Jack Blavelt and Chris Childs,

0:30:13.680 --> 0:30:18.080
<v Speaker 15>with additional scoring by Chris Childs. Sound engineering by Chris

0:30:18.160 --> 0:30:22.840
<v Speaker 15>sek Sodor's Guide to Espionage is an iHeartRadio production. For

0:30:23.000 --> 0:30:27.680
<v Speaker 15>more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:30:27.920 --> 0:30:29.400
<v Speaker 15>or wherever you get your podcasts