WEBVTT - Great Scott!  Adam Scott on Trey, Harry and if he’s a Charlotte!... (S3 E1 "Where There's Smoke")

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<v Speaker 1>Hi, I'm Kristin Davis, and I want to know, are

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<v Speaker 1>you a Charlotte? And here we are back with the

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<v Speaker 1>fantastic Adam Scott. We are going to recap season three,

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<v Speaker 1>episode one where there's smoke, written and directed by Michael

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<v Speaker 1>Patrick King. So here I am, and this is what

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<v Speaker 1>we've decided to do because I mean, you guys recap

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<v Speaker 1>on your show on your podcast about your show, but

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<v Speaker 1>you also play the scenes, right, But we don't do

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<v Speaker 1>that right, So what I'd like to do is I

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<v Speaker 1>talk about the characters through line rather than like bopping around.

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<v Speaker 2>The different Yeah. Is that cool?

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<v Speaker 1>So the thing that I love about this, first of all,

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<v Speaker 1>do you know Slattery? Yes, it is fantastic.

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<v Speaker 2>It's so good on Sex and the City. So that's

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<v Speaker 2>one of his superpowers I think is when you watch Slattery,

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<v Speaker 2>you're just so at ease as an audience member. Absolutely,

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<v Speaker 2>he's got this. You don't have to It's incredible.

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<v Speaker 1>He only doesn't even have any hardly lines, Like it's crazy.

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<v Speaker 2>He's such a presence and it's hard to believe that

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<v Speaker 2>it was even written. It feels like it's coming. He's

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<v Speaker 2>just great, right, he's great.

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<v Speaker 3>I know, he's so incredible.

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<v Speaker 2>You want them to be together. I know you want

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<v Speaker 2>them to be together until the thing happened, which is

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<v Speaker 2>the next episode.

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<v Speaker 3>It was coming because I haven't seen it yet. I

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<v Speaker 3>haven't seen it yet.

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<v Speaker 1>But also I asked him to be on the pod

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<v Speaker 1>and he said no. And sometimes I'm like, why do

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<v Speaker 1>they say no?

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<v Speaker 2>And then I forget what the guys had to do, Like.

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<v Speaker 1>Sometimes they had to do kind of it things right,

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<v Speaker 1>Maybe they don't want to talk about it.

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<v Speaker 2>I don't know.

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<v Speaker 1>And then like different co stars who have come on

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<v Speaker 1>Guest Stars tell us like, oh, yes, you know.

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<v Speaker 3>Now I'm still asked about it.

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<v Speaker 2>Yeah you know. But that's the story was about the women,

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<v Speaker 2>and think about all the dumb stuff women had to

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<v Speaker 2>do over the years.

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<v Speaker 3>As thank you, Adam, you know what I mean.

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<v Speaker 2>Yes I do, yes, I do. Can take a few.

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<v Speaker 2>Thank you so much, Thank you so much.

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<v Speaker 1>I do think I think it's weird in that I

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<v Speaker 1>think for them, and I think at the time we

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<v Speaker 1>were somewhat aware that it was odd for them to

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<v Speaker 1>come in and that guest our way of like the boyfriend,

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<v Speaker 1>because as women, we were very used to being the

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<v Speaker 1>guest our girlfriend, right, But they were not so used

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<v Speaker 1>to being the guest our boyfriend.

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<v Speaker 2>Was emasculating for them possibly.

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<v Speaker 1>I mean I've never used that word to them. I've

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<v Speaker 1>just said was it weird or uncomfortable? And they were

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<v Speaker 1>like yeah, kind yeah yeah. And the thing I was

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<v Speaker 1>going to say that reminded me when I watched this

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<v Speaker 1>and I remember this time, you know, very well, because

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<v Speaker 1>it was when things really were like clicking and happening,

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<v Speaker 1>and you know, that first week was so hard and

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<v Speaker 1>we were on the Staten Island ferry and I remember

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<v Speaker 1>all of us are like, oh my god, we're on

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<v Speaker 1>the Stateland fairy and we had to keep turning it

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<v Speaker 1>around so that the background.

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<v Speaker 3>Would match, so that the city would match.

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<v Speaker 1>How we're talking about, like look at how small it looks, right, that.

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<v Speaker 2>Was really fun.

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<v Speaker 3>But when we're going and we're talking about.

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<v Speaker 1>Like look at how small the island is and has

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<v Speaker 1>all of our ex boyfriends on it, and so we

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<v Speaker 1>had to keep turning the ferry around and the fairy

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<v Speaker 1>is huge and people were throwing up over the side.

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<v Speaker 2>You get seasick on the ferry.

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<v Speaker 1>I don't, but other people did you do? Because you

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<v Speaker 1>don't normally turn it around. Yeah, you're right, it is

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<v Speaker 1>too big to keep, you know, circling back or whatever

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<v Speaker 1>like how we had to do and that was an

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<v Speaker 1>all nighter, I mean so bad, like till the sun

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<v Speaker 1>came up, you know what I'm saying. Yeah, And luckily

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<v Speaker 1>I just had to add crazy for that other one.

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<v Speaker 1>But I don't really remember that as well. It's funny

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<v Speaker 1>because I think as an actor, like you have to

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<v Speaker 1>check out a little bit when you're gonna act all

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<v Speaker 1>crazy like that.

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<v Speaker 2>But it's adorable to watch.

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<v Speaker 1>I do remember being cold because we would go back

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<v Speaker 1>in February but still have to probably be wearing our

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<v Speaker 1>little dresses, right, But at least in this one we

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<v Speaker 1>get to talk about it.

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<v Speaker 3>Yes, yes, and I literally am like.

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<v Speaker 1>I'm so cold, which I probably just begged them please

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<v Speaker 1>let me say it because I've got to hold on

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<v Speaker 1>dessert dusk. I'm crazy and we're on the water in

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<v Speaker 1>February for God's sake, you know. But it was it

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<v Speaker 1>was really it was fun times. But the thing that

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<v Speaker 1>I think, so when I look at in terms of

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<v Speaker 1>let's talk about Charlotte for a second, this is when

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<v Speaker 1>they had sat me down and said, you know, this

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<v Speaker 1>is when we want Charlotte to really decide that she

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<v Speaker 1>wants to get married this year, and she's going to

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<v Speaker 1>do whatever it takes, and she's going to be like

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<v Speaker 1>a heat seeking missile, you know, like and soon I'm

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<v Speaker 1>going to get the book, like I have a book

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<v Speaker 1>that's going to talk about how to get married or whatever.

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<v Speaker 3>Like craziness, right.

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<v Speaker 2>Because is it in the next episode where you're like,

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<v Speaker 2>where is he is this one? This one is this one?

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<v Speaker 1>Yeah, which is great, which is a great scene, And

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<v Speaker 1>so I was I was all down for it because

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<v Speaker 1>I knew, you know that culturally women are are like this,

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<v Speaker 1>women are fed this thing you know about you know,

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<v Speaker 1>getting married and having the perfect and.

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<v Speaker 2>You only have this one window.

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<v Speaker 1>Exactly exactly and all of that I don't personally feel,

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<v Speaker 1>didn't feel then, but I certainly knew a lot of

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<v Speaker 1>people did. And I felt like, this is great, and

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<v Speaker 1>I also knew that it wasn't going to work out.

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<v Speaker 2>Yeah.

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<v Speaker 1>But the plan, the original plan was that Charlotte was

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<v Speaker 1>going to be like, you know, on and on and

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<v Speaker 1>on it. I'm going to do this, I'm going to

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<v Speaker 1>do that. I'm going to look at it like a job.

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<v Speaker 1>I'm going to you know, all these crazy things. I'd say,

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<v Speaker 1>and they'd all roll their eyes at me, you know

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<v Speaker 1>what I mean. But then it was going to work,

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<v Speaker 1>and the idea was that it was going to find

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<v Speaker 1>this guy just before we knew it was Kyle was

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<v Speaker 1>going to find this guy and Gray Trey Good and

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<v Speaker 1>I was going to find him, and he was going

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<v Speaker 1>to look perfect, right, so everything was going to look perfect.

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<v Speaker 1>But then everyone was going to think he was the

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<v Speaker 1>most boring thing ever. You know, like when one of

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<v Speaker 1>your friends married somebody you don't really love them, and

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<v Speaker 1>like the other friends are like, you go talk to them,

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<v Speaker 1>he's going to be like that.

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<v Speaker 3>But then it was Kyle, and.

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<v Speaker 2>Kyle is just not boring damn interesting.

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<v Speaker 1>So then we all collectively fell in love with Kyle,

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<v Speaker 1>and he stayed longer than he was ever supposed to stay,

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<v Speaker 1>do you know what I mean?

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<v Speaker 2>But we still had to let him go. So it

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<v Speaker 2>was the impotence sing replacement for the boy I think

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<v Speaker 2>it was.

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<v Speaker 1>I'd have to ask Michael Patrick that, but I think so, I.

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<v Speaker 2>Know, I know who would have something that come because

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<v Speaker 2>you couldn't build the perfect life around it, and the

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<v Speaker 2>impotence thing could be a secret which ends up being right. Uh,

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<v Speaker 2>And so but Charlotte is so dedicated to this idea

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<v Speaker 2>that and all appearances were her dream true. But there's

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<v Speaker 2>this corruption at the middle of it, right, you can't

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<v Speaker 2>do there's nothing to be done about it, right, And

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<v Speaker 2>then the them getting back together and does it go

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<v Speaker 2>into season four? Is you know what? I don't even know?

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<v Speaker 2>I mean, because that's what I was going to say too.

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<v Speaker 1>I only watched these back in the day when we

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<v Speaker 1>were making them for the first Yes, sometimes I don't

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<v Speaker 1>remember well, and sometimes I remember everything.

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<v Speaker 2>Right, so weird. I watch when some was Parks and

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<v Speaker 2>Rack and I do not remember filming that, And it's

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<v Speaker 2>a very weird, isn't it weird? Like some of them

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<v Speaker 2>like what am I about to do? Yeah?

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<v Speaker 3>Am I going to make out with these people?

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<v Speaker 4>Right?

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<v Speaker 2>You're going to have a threesome?

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<v Speaker 3>Right, You're like, oh my god, am I gonna No?

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<v Speaker 2>It was a dream. I didn't.

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<v Speaker 3>I was like, I don't remember having a three someme.

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<v Speaker 3>Oh my god, Oh my god.

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<v Speaker 2>Very scary.

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<v Speaker 1>But I mean there's some things I remember, Crystal Clear,

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<v Speaker 1>you know, like you remember that day or what was

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<v Speaker 1>happening off camera or whatever.

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<v Speaker 3>But when we start this episode, I see that I'm

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<v Speaker 3>wearing a cross.

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<v Speaker 1>So I also think that Michael Patrick and Darren already

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<v Speaker 1>planned that the first marriage wasn't going to work out,

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<v Speaker 1>and then I was going to fall in love with

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<v Speaker 1>the Jewish guy and conferred because I had never worn

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<v Speaker 1>a cross before. But I remember they started pushing these

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<v Speaker 1>crosses on me. I have a diamond cross coming, I

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<v Speaker 1>have a I'm wearing like an old fashioned looking cross

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<v Speaker 1>at the beginning of this episode, like they already knew.

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<v Speaker 1>But I don't think I knew that whole part, or

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<v Speaker 1>if I did, I kind of was just more focused

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<v Speaker 1>on the Kyle of it all, you know, once that came.

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<v Speaker 2>Because Harry's definitely not till season four or five, right,

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<v Speaker 2>I feel like I.

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<v Speaker 1>Feel like I mean, I also feel like in my mind,

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<v Speaker 1>I know we kept Kyle longer than we were supposed to,

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<v Speaker 1>but I don't know that we kept them all that long.

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<v Speaker 1>And I think this season we do like twenty one

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<v Speaker 1>or something like in the olden days, you know what

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<v Speaker 1>I mean?

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<v Speaker 2>Wild? So many episodes, right, so many? Like I'm sure

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<v Speaker 2>you guys did that on Parks and rec too. Yeah,

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<v Speaker 2>twenty two crazy. It's crazy.

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<v Speaker 1>It's crazy to think we shoot him in five days, right,

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<v Speaker 1>which is also insane, insane, insane.

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<v Speaker 2>I did a show party down we shot, we shot

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<v Speaker 2>four days what yeah? Oh like oh yeah yeah, oh yeah,

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<v Speaker 2>yeah it's crazy. Do you have kids yet? Yeah? They

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<v Speaker 2>were brand new kids. Oh wow? Yeah?

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<v Speaker 3>That's crazy town, isn't it.

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<v Speaker 2>It was crazy town. Yeah. It's hard, but it was

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<v Speaker 2>in La. At least it was in La.

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<v Speaker 3>Thank god, God right, thank god, God, Oh my god.

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<v Speaker 4>I know.

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<v Speaker 2>All right, let's let's recap. Let's recap. It's always so hard,

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<v Speaker 2>especially when I have someone like yourself, when I can

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<v Speaker 2>just talk about all kinds of things.

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<v Speaker 1>Okay, So this is what's great about this this episode

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<v Speaker 1>is that Carrie is heartbroken because Big has gotten engaged

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<v Speaker 1>to Natasha, yes, and she doesn't necessarily want a date.

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<v Speaker 1>And then she comes across Slattery on Staten Island of

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<v Speaker 1>all places, and I mean, who could say noice slattery?

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<v Speaker 3>My god, but he has to.

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<v Speaker 1>Pursue her hardcore and he's a politician, an he's a politician.

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<v Speaker 2>Can I just say this episode has it just it

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<v Speaker 2>has season premiere vibes, which is great. Yeah, it's just

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<v Speaker 2>so it's like a reset. Yeah, the dancing everything.

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<v Speaker 3>Yeah, everyone has goods.

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<v Speaker 2>Yeah, yeah, I.

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<v Speaker 3>Mean Samantha Fir Samantha in that firehouse.

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<v Speaker 1>I had forgotten. I had one hundred percent forgotten about that.

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<v Speaker 1>And also and I'm off track with because I was

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<v Speaker 1>gonna talk about Kery, but let's talk about Samantha for

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<v Speaker 1>a second.

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<v Speaker 3>Because when we go to that.

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<v Speaker 1>State Island bar, which I do think we literally went

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<v Speaker 1>to Staten Island that we had one hundred percent sure. Yeah,

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<v Speaker 1>I did have to go to Staten Island to do

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<v Speaker 1>riding lessons for this season two finale when I ride

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<v Speaker 1>my horse in Central Park, which was my first time

0:09:29.559 --> 0:09:32.520
<v Speaker 1>to Staten Island, and I was like, what planet have

0:09:32.600 --> 0:09:33.240
<v Speaker 1>I landed on?

0:09:33.760 --> 0:09:36.440
<v Speaker 2>I have what? I've never been to stat.

0:09:36.559 --> 0:09:39.760
<v Speaker 1>It's crazy, Adam, You've got to go different. I mean

0:09:39.760 --> 0:09:41.679
<v Speaker 1>I think it's Yes, it's totally different than the rest

0:09:41.720 --> 0:09:43.959
<v Speaker 1>of Manhattan, but also they have horses and stuff like

0:09:44.000 --> 0:09:47.319
<v Speaker 1>who knew like trees and horses and whatnot. But so

0:09:47.440 --> 0:09:49.120
<v Speaker 1>I do think we were we were either in like

0:09:49.200 --> 0:09:52.640
<v Speaker 1>Lower Manhattan. Sometimes we would go to Dumbo, like when

0:09:52.679 --> 0:09:57.120
<v Speaker 1>she goes right exactly, I think she was in Dumbo

0:09:58.200 --> 0:10:00.640
<v Speaker 1>with the ferry because maybe we couldn't sh to Sate Island,

0:10:00.800 --> 0:10:04.360
<v Speaker 1>and I later on for this past show, rented up

0:10:04.360 --> 0:10:06.480
<v Speaker 1>Airbnb and Dumbo, thinking that it.

0:10:06.440 --> 0:10:07.840
<v Speaker 3>Was going to be like the old Dumbo, and then

0:10:07.840 --> 0:10:08.160
<v Speaker 3>I was.

0:10:08.120 --> 0:10:10.960
<v Speaker 2>Like, oh, what did I mean?

0:10:11.000 --> 0:10:15.680
<v Speaker 1>It's crazy like with like you know, picture Instagram, picture

0:10:15.840 --> 0:10:20.000
<v Speaker 1>ops and whatever. No, I remembered like warehouse everywhere exactly

0:10:20.080 --> 0:10:22.840
<v Speaker 1>literally every corner has a swea green. It's quite quite different.

0:10:23.080 --> 0:10:26.120
<v Speaker 1>But we you know, we were somewhere with those firemen

0:10:26.280 --> 0:10:28.559
<v Speaker 1>taking off their shirts and I feel like they might

0:10:28.559 --> 0:10:29.439
<v Speaker 1>have been real fireman.

0:10:29.600 --> 0:10:30.320
<v Speaker 2>I need to check.

0:10:30.480 --> 0:10:32.680
<v Speaker 1>But then like Samantha goes and talks to the one

0:10:32.960 --> 0:10:34.240
<v Speaker 1>that she thinks looks the.

0:10:34.160 --> 0:10:37.360
<v Speaker 2>Best, and he is so funny. Do you remember really funny?

0:10:37.360 --> 0:10:41.720
<v Speaker 2>He's super dumb and really good at being I mean,

0:10:41.720 --> 0:10:42.320
<v Speaker 2>it's incredible.

0:10:42.600 --> 0:10:44.640
<v Speaker 1>I last how bad I had to rewind and off again,

0:10:44.720 --> 0:10:46.679
<v Speaker 1>like he just keeps talking and she doesn't want him

0:10:46.679 --> 0:10:47.000
<v Speaker 1>to talk.

0:10:48.440 --> 0:10:51.679
<v Speaker 2>Hys directly funny, so funny, and hats off to her

0:10:51.800 --> 0:10:53.720
<v Speaker 2>doing that too.

0:10:54.080 --> 0:10:56.840
<v Speaker 1>I had forgotten it was incredible and I had not

0:10:56.880 --> 0:10:59.600
<v Speaker 1>remembered it. And when she is so she's she goes

0:10:59.600 --> 0:11:01.840
<v Speaker 1>to the house, which also like what.

0:11:01.880 --> 0:11:02.960
<v Speaker 2>On earth you know?

0:11:03.000 --> 0:11:05.160
<v Speaker 1>And then she's and then the voice over says like,

0:11:05.200 --> 0:11:07.839
<v Speaker 1>then Samantha realized, because we do bring up I love

0:11:07.920 --> 0:11:11.199
<v Speaker 1>the whole rescue theme, you know. And this is when Charlotte,

0:11:11.280 --> 0:11:15.680
<v Speaker 1>you know, Charlotte goes out dancing, you know, realizes I

0:11:15.679 --> 0:11:17.640
<v Speaker 1>guess for the first time that she's a catch, which

0:11:17.679 --> 0:11:20.880
<v Speaker 1>is hysterical, right, and Carrie's like, yes, darlinge yes.

0:11:21.160 --> 0:11:22.680
<v Speaker 2>And then the next morning we're hungover.

0:11:23.240 --> 0:11:26.400
<v Speaker 1>Everyone's hungover, but I'm particularly hungover, and I get to

0:11:26.400 --> 0:11:28.560
<v Speaker 1>film that scene that then we played at every award

0:11:28.600 --> 0:11:30.720
<v Speaker 1>show and I got to hear everybody laugh where I say, like,

0:11:31.080 --> 0:11:33.959
<v Speaker 1>you know, I've been dating since I was fifteen, Where is.

0:11:34.400 --> 0:11:35.160
<v Speaker 2>My hair hurts?

0:11:35.320 --> 0:11:35.520
<v Speaker 4>You know?

0:11:35.679 --> 0:11:39.320
<v Speaker 1>Which was so great and quintessentially Charlotte. And when I die,

0:11:39.559 --> 0:11:41.559
<v Speaker 1>they can just show that it'll be fine.

0:11:41.360 --> 0:11:42.840
<v Speaker 2>You know, you know what I mean. There's so much

0:11:42.840 --> 0:11:45.040
<v Speaker 2>more too, and there is what I mean that would

0:11:45.040 --> 0:11:45.600
<v Speaker 2>be fine.

0:11:45.679 --> 0:11:45.880
<v Speaker 4>You know.

0:11:46.320 --> 0:11:49.559
<v Speaker 1>It's like when things work, you're just like, thank god. Right,

0:11:50.080 --> 0:11:52.920
<v Speaker 1>So that worked really well, but everybody's got like and

0:11:53.000 --> 0:11:55.320
<v Speaker 1>at that coffee shop scene, that's one of my favorite

0:11:55.320 --> 0:11:59.200
<v Speaker 1>coffee shop scenes. Yeah, because I hungover hungover when we're

0:11:59.240 --> 0:12:01.439
<v Speaker 1>and then we're talking about Fireman and why does everyone

0:12:01.480 --> 0:12:03.960
<v Speaker 1>like Fireman, and this is pre nine to eleven, yeah,

0:12:03.960 --> 0:12:06.480
<v Speaker 1>which is also kind of amazing. Right, we're talking about

0:12:06.520 --> 0:12:09.440
<v Speaker 1>the hero and like just the look in their eyes

0:12:09.480 --> 0:12:10.520
<v Speaker 1>that they will save you.

0:12:10.880 --> 0:12:13.640
<v Speaker 2>And it's so interesting that once you guys all sort

0:12:13.640 --> 0:12:17.240
<v Speaker 2>of land on that, everyone stops talking for a minute

0:12:17.280 --> 0:12:21.199
<v Speaker 2>and just kind of absorbs this reality that you've all

0:12:21.240 --> 0:12:24.840
<v Speaker 2>stumbled upon, and you're just like, it's so good, it's

0:12:24.960 --> 0:12:29.839
<v Speaker 2>so good, it's so good. And then Slattery does rescue her,

0:12:29.880 --> 0:12:34.880
<v Speaker 2>then she rescues him absolutely absolutely. But also Charlotte's dance yes,

0:12:35.040 --> 0:12:40.439
<v Speaker 2>is really iconic too. It's so sweet, thank you, And

0:12:40.520 --> 0:12:45.480
<v Speaker 2>she's just having a moment of your which is nice

0:12:45.520 --> 0:12:49.319
<v Speaker 2>self generated right and also depending on any free right,

0:12:49.360 --> 0:12:53.360
<v Speaker 2>but not depending on the attention of ay. That's that's true.

0:12:53.400 --> 0:12:57.959
<v Speaker 2>She is having her own happiness in that moment. That's

0:12:58.000 --> 0:12:58.400
<v Speaker 2>so true.

0:12:58.440 --> 0:13:00.480
<v Speaker 1>That's so true, because earlier I've screwed my face all

0:13:00.559 --> 0:13:02.160
<v Speaker 1>up into a weird thing and said like there's no

0:13:02.280 --> 0:13:06.920
<v Speaker 1>datable men here, like you know, so charlottey judge. But

0:13:07.040 --> 0:13:09.160
<v Speaker 1>then she sets herself free and has a funny dance

0:13:09.200 --> 0:13:11.679
<v Speaker 1>to like a weird song. I remember when Michael Patrick

0:13:11.880 --> 0:13:13.679
<v Speaker 1>I was thinking it would be something that we knew,

0:13:13.960 --> 0:13:14.960
<v Speaker 1>you know, that I would have to live.

0:13:15.360 --> 0:13:16.880
<v Speaker 2>Remember, it's a very strange song.

0:13:16.960 --> 0:13:18.840
<v Speaker 1>I still don't even remember, because I remember I had

0:13:18.840 --> 0:13:20.640
<v Speaker 1>to like study it, like what that heck was?

0:13:21.440 --> 0:13:22.480
<v Speaker 2>I think it was cheap.

0:13:22.520 --> 0:13:24.160
<v Speaker 1>I think that was totally it. And I was like,

0:13:24.200 --> 0:13:25.760
<v Speaker 1>couldn't we do something else? And he's like, no, you

0:13:25.800 --> 0:13:26.680
<v Speaker 1>have to do this one.

0:13:26.960 --> 0:13:28.840
<v Speaker 2>I was like, okay, because there was an expensive song

0:13:28.880 --> 0:13:30.720
<v Speaker 2>earlier in the episode. Right, let's see.

0:13:30.800 --> 0:13:32.480
<v Speaker 1>I think that's right. I think that's right. I mean

0:13:32.480 --> 0:13:45.760
<v Speaker 1>expensive for the time, right, Yes, exactly so, And I

0:13:45.840 --> 0:13:48.360
<v Speaker 1>remember that at that time because also Sarah Jessica does

0:13:48.360 --> 0:13:51.280
<v Speaker 1>a little dance the cameras above us. We would get

0:13:51.400 --> 0:13:55.280
<v Speaker 1>a choreographer because we were so nervous about any dancing.

0:13:55.400 --> 0:13:58.120
<v Speaker 1>If they said the word dance, the choreographer would be

0:13:58.120 --> 0:14:00.840
<v Speaker 1>called to just hold our hands.

0:14:01.520 --> 0:14:04.600
<v Speaker 2>I get it, because it's yeah, and it's embarrassing in

0:14:04.600 --> 0:14:05.880
<v Speaker 2>front of everybody, totally.

0:14:05.920 --> 0:14:07.520
<v Speaker 3>You got to free yourself up somehow, and if you

0:14:07.600 --> 0:14:08.840
<v Speaker 3>know some steps.

0:14:08.760 --> 0:14:11.200
<v Speaker 2>Or like an idea really drunk, so you have.

0:14:11.160 --> 0:14:14.360
<v Speaker 1>To pretend that, yes, you're absolutely pretending that as well.

0:14:14.400 --> 0:14:17.120
<v Speaker 1>We never we never drank real drinks, no matter other

0:14:17.120 --> 0:14:17.559
<v Speaker 1>people did.

0:14:17.600 --> 0:14:20.320
<v Speaker 2>On other sets. I guess I've been finding out through

0:14:20.360 --> 0:14:24.160
<v Speaker 2>this podcast. I feel like I would that would I

0:14:24.200 --> 0:14:26.320
<v Speaker 2>think that would be terrible because then three hours later

0:14:26.360 --> 0:14:29.400
<v Speaker 2>you're going to be like feeling like definitely over and

0:14:29.480 --> 0:14:32.040
<v Speaker 2>you have to work another night, another one, and you're gonna.

0:14:31.840 --> 0:14:33.800
<v Speaker 1>Do other scenes where you're not drunk. I don't even

0:14:33.840 --> 0:14:36.320
<v Speaker 1>understand how that works. Yeah, I'm sober also, so that

0:14:36.360 --> 0:14:39.000
<v Speaker 1>would be a problem. But I didn't have to do that,

0:14:39.120 --> 0:14:40.600
<v Speaker 1>so it's all good. But yeah, it was always fun

0:14:40.640 --> 0:14:43.520
<v Speaker 1>for Charlotte to play drunk, to be drunk because she

0:14:43.800 --> 0:14:46.480
<v Speaker 1>would be free, you know, which was so nice. So

0:14:46.640 --> 0:14:49.120
<v Speaker 1>we all have this moment which I think the entire

0:14:49.160 --> 0:14:52.200
<v Speaker 1>scene of the you know, do women just want to

0:14:52.240 --> 0:14:56.440
<v Speaker 1>be rescued? I think is an incredible theme and holds

0:14:56.520 --> 0:14:57.320
<v Speaker 1>up still.

0:14:57.200 --> 0:14:58.920
<v Speaker 2>And a great way to launch the season.

0:14:59.200 --> 0:15:02.280
<v Speaker 1>Absolutely, we launch of the season and still such a

0:15:02.400 --> 0:15:06.000
<v Speaker 1>we could do a new show now about that, you know, like,

0:15:06.360 --> 0:15:09.080
<v Speaker 1>do women still want to be rescued? I kind of

0:15:09.080 --> 0:15:09.960
<v Speaker 1>feel like they do.

0:15:10.080 --> 0:15:12.920
<v Speaker 2>Well, everything in the show is evergreen, don't you think.

0:15:13.000 --> 0:15:14.400
<v Speaker 2>I do think you guys are I do?

0:15:14.880 --> 0:15:16.600
<v Speaker 1>I mean, every once in a while there'll be something

0:15:16.600 --> 0:15:19.160
<v Speaker 1>where we say something weird, like the Do you know

0:15:19.280 --> 0:15:23.080
<v Speaker 1>Danny Futterman, Oh yeah, and he played the metro sexual

0:15:23.480 --> 0:15:25.640
<v Speaker 1>and that was a word good he's so good. Yeah,

0:15:25.680 --> 0:15:27.440
<v Speaker 1>it was a word that didn't survive, right, like.

0:15:27.400 --> 0:15:30.320
<v Speaker 2>We're remember that, I remember the past that. Yes, yes,

0:15:30.360 --> 0:15:33.200
<v Speaker 2>so sometimes there's something like that. There's little cultural things, right,

0:15:33.400 --> 0:15:33.720
<v Speaker 2>but like.

0:15:33.680 --> 0:15:36.280
<v Speaker 3>The bigger themes I think are one still true.

0:15:36.320 --> 0:15:39.200
<v Speaker 2>I think even in that case, the fact that these

0:15:39.240 --> 0:15:44.200
<v Speaker 2>four women come to that conclusion is still interesting and

0:15:44.640 --> 0:15:49.400
<v Speaker 2>still resonant that that's where they land and they all

0:15:49.440 --> 0:15:52.240
<v Speaker 2>four of them at the same time are like, yeah,

0:15:52.360 --> 0:15:58.640
<v Speaker 2>okay in two thousand and one or two thousand, two thousand, Yeah.

0:15:59.040 --> 0:16:00.640
<v Speaker 3>I know, I know, I know, I love it.

0:16:00.640 --> 0:16:01.280
<v Speaker 2>I love it of it.

0:16:01.320 --> 0:16:03.480
<v Speaker 1>But I think it's great because it is still something

0:16:03.480 --> 0:16:06.320
<v Speaker 1>that I mean, I guess it's specific now to everybody, right,

0:16:06.440 --> 0:16:08.040
<v Speaker 1>like do they want to be rescued or don't they?

0:16:08.080 --> 0:16:09.760
<v Speaker 1>I mean I didn't want to be rescued at the time,

0:16:09.920 --> 0:16:12.560
<v Speaker 1>but I certainly knew that I was supposed to want

0:16:12.600 --> 0:16:13.600
<v Speaker 1>to be rescued.

0:16:13.320 --> 0:16:16.680
<v Speaker 2>Right, which also gets a reaction, you know.

0:16:16.640 --> 0:16:19.560
<v Speaker 1>Yeah, yeah, So my reaction was like no, yeah, I

0:16:19.600 --> 0:16:23.200
<v Speaker 1>will not be rescued. I will be super independent. Yeah,

0:16:23.360 --> 0:16:25.840
<v Speaker 1>get away from me. Don't open that door, you know.

0:16:25.840 --> 0:16:27.800
<v Speaker 2>What I mean? Well, you can still be independent and

0:16:27.840 --> 0:16:32.160
<v Speaker 2>still want that feeling even if you don't. Even if

0:16:32.200 --> 0:16:35.080
<v Speaker 2>that feeling is it doesn't preclude you from carrying on

0:16:35.160 --> 0:16:37.520
<v Speaker 2>with your life. Maybe I don't know. I do think

0:16:37.520 --> 0:16:38.040
<v Speaker 2>that's true.

0:16:38.080 --> 0:16:40.560
<v Speaker 1>I mean I did eventually go out with someone who

0:16:40.800 --> 0:16:44.200
<v Speaker 1>used to save me, Like, could you just relax with

0:16:44.280 --> 0:16:46.680
<v Speaker 1>the independence a little bit? He was Australian, so I'm

0:16:46.680 --> 0:16:48.160
<v Speaker 1>not going to go too much into detail. And I'd

0:16:48.160 --> 0:16:49.880
<v Speaker 1>be like, what do you mean? He'd be like, well, like,

0:16:49.920 --> 0:16:54.480
<v Speaker 1>for instance, you know, just let me order. I'd be like, okay,

0:16:54.640 --> 0:16:57.240
<v Speaker 1>all right, I'll try, you know, you know what I mean,

0:16:57.800 --> 0:16:59.280
<v Speaker 1>Like you could give it up, you know what I mean,

0:16:59.280 --> 0:16:59.880
<v Speaker 1>I could give up.

0:17:00.000 --> 0:17:01.920
<v Speaker 3>I didn't need to have it, you know what I'm saying,

0:17:02.040 --> 0:17:02.600
<v Speaker 3>But you have to.

0:17:03.160 --> 0:17:05.280
<v Speaker 1>I think I had to prove to myself that I

0:17:05.320 --> 0:17:06.399
<v Speaker 1>could be independent.

0:17:06.840 --> 0:17:07.119
<v Speaker 2>Yeah.

0:17:07.280 --> 0:17:10.480
<v Speaker 3>Yeah, maybe that's where you are exactly.

0:17:10.560 --> 0:17:12.159
<v Speaker 2>And I mean I was then too. But then I

0:17:12.160 --> 0:17:13.240
<v Speaker 2>could also just let him.

0:17:13.160 --> 0:17:14.600
<v Speaker 1>Have the power if he needed to have the power,

0:17:14.600 --> 0:17:16.440
<v Speaker 1>if that made him feel good, sure, and it made

0:17:16.480 --> 0:17:18.840
<v Speaker 1>me feel good. And then one time I got sick

0:17:19.200 --> 0:17:20.840
<v Speaker 1>and he was there and I let him take care

0:17:20.880 --> 0:17:21.040
<v Speaker 1>of me.

0:17:21.480 --> 0:17:22.520
<v Speaker 2>I remember that a big.

0:17:22.720 --> 0:17:25.880
<v Speaker 1>Thing, big step, big step, and he was very good

0:17:25.920 --> 0:17:26.200
<v Speaker 1>at it.

0:17:26.800 --> 0:17:29.080
<v Speaker 2>And I was like, that's nice, and was it? And

0:17:29.280 --> 0:17:31.639
<v Speaker 2>was it a nice feeling to have someone? It was

0:17:31.680 --> 0:17:32.480
<v Speaker 2>a good feeling.

0:17:32.480 --> 0:17:34.080
<v Speaker 1>It would have been very because we were on location

0:17:34.480 --> 0:17:36.720
<v Speaker 1>and and and he just happened to be visiting. And

0:17:36.800 --> 0:17:39.760
<v Speaker 1>if he hadn't been there, I would have just gutted

0:17:39.800 --> 0:17:41.879
<v Speaker 1>it out by myself. Like I wouldn't have called anybody

0:17:41.880 --> 0:17:43.640
<v Speaker 1>because I wouldn't have wanted to worry anybody.

0:17:43.720 --> 0:17:45.480
<v Speaker 2>Yeah, you know what I mean. Yeah, like when you're

0:17:45.480 --> 0:17:47.240
<v Speaker 2>on location, you don't want to scare everyone.

0:17:47.119 --> 0:17:49.560
<v Speaker 3>Yeah, right, because I already I had had the weekend off.

0:17:49.600 --> 0:17:51.119
<v Speaker 1>But I was like, I would have just holed up

0:17:51.119 --> 0:17:52.800
<v Speaker 1>in that little hotel room by myself.

0:17:53.080 --> 0:17:55.880
<v Speaker 2>So it was nice. So it's sometimes nice, yeah, right,

0:17:56.040 --> 0:17:58.919
<v Speaker 2>let someone, even if it's for their sake, to let

0:17:59.000 --> 0:18:00.800
<v Speaker 2>them feel like art take you know.

0:18:00.880 --> 0:18:03.240
<v Speaker 1>Absolutely absolutely, But I think and that's why it was

0:18:03.640 --> 0:18:06.479
<v Speaker 1>and still is, you know, whenever I do play Charlotte.

0:18:06.520 --> 0:18:10.280
<v Speaker 1>Still interesting is that she wanted all these things, but

0:18:10.320 --> 0:18:13.920
<v Speaker 1>then is also super super capable, right, yes, but still

0:18:13.960 --> 0:18:16.480
<v Speaker 1>thought she wanted the fantasy, yes, and then has to

0:18:16.520 --> 0:18:18.919
<v Speaker 1>let go of elements of the fancy but still found

0:18:19.320 --> 0:18:19.960
<v Speaker 1>the good guy.

0:18:20.240 --> 0:18:21.119
<v Speaker 2>That's right, you know.

0:18:21.280 --> 0:18:23.639
<v Speaker 1>But then like when if you ever are on a

0:18:23.640 --> 0:18:25.440
<v Speaker 1>plane and watch and just like that, you will see

0:18:25.560 --> 0:18:26.959
<v Speaker 1>like Charlotte runs that family.

0:18:27.440 --> 0:18:31.320
<v Speaker 2>Yeah interesting, Yeah, it's great. But don't you think Harry

0:18:31.440 --> 0:18:35.920
<v Speaker 2>also he's powerful. But he also one of the things

0:18:35.920 --> 0:18:38.600
<v Speaker 2>he loves about her, at least in Sex and the

0:18:38.600 --> 0:18:41.240
<v Speaker 2>City when they when they meet, and then the movies

0:18:41.280 --> 0:18:45.359
<v Speaker 2>as well, is that he does love that she's independent

0:18:45.400 --> 0:18:47.359
<v Speaker 2>and she can't take care of her definitely, and he

0:18:47.400 --> 0:18:49.840
<v Speaker 2>doesn't think she needs him to rescue her.

0:18:49.960 --> 0:18:53.879
<v Speaker 1>Definitely. Definitely. They have a very good partnership. Yeah, yeah, definitely.

0:18:54.040 --> 0:18:57.600
<v Speaker 1>He respects her from the start, absolutely, and that's I

0:18:57.640 --> 0:19:00.439
<v Speaker 1>think the thing that that that catches her off, and

0:19:00.720 --> 0:19:03.639
<v Speaker 1>you know it's so attractive, right, like the kind of

0:19:03.640 --> 0:19:06.000
<v Speaker 1>deep respect and also he's just such a good human being,

0:19:06.720 --> 0:19:08.679
<v Speaker 1>you know, which is what's also.

0:19:08.480 --> 0:19:12.040
<v Speaker 2>Doesn't really take any of her No, No, he doesn't.

0:19:12.119 --> 0:19:12.879
<v Speaker 2>That's a good point.

0:19:12.920 --> 0:19:13.520
<v Speaker 3>That's a good point.

0:19:13.560 --> 0:19:15.359
<v Speaker 1>And I mean I haven't gotten to rewatch that part yet,

0:19:15.400 --> 0:19:17.000
<v Speaker 1>and I feel like I'm really going to discover a

0:19:17.040 --> 0:19:18.600
<v Speaker 1>lot when I do. Do you know what I mean,

0:19:19.359 --> 0:19:22.119
<v Speaker 1>but when I yeah, yeah, because you know, like sometimes

0:19:22.160 --> 0:19:25.280
<v Speaker 1>when I rewatch, I'm like, wow, I didn't like see

0:19:25.320 --> 0:19:27.800
<v Speaker 1>all these subtleties, you know, because you're.

0:19:27.880 --> 0:19:32.480
<v Speaker 2>Interesting, because it's super interesting. When they meet, it's great.

0:19:32.760 --> 0:19:34.160
<v Speaker 3>Yeah, I mean Evan's great.

0:19:34.359 --> 0:19:38.080
<v Speaker 2>I love yes and I love you two together. It's

0:19:38.200 --> 0:19:40.000
<v Speaker 2>so fun. Thank you. I mean, we lucked out with him.

0:19:40.160 --> 0:19:40.960
<v Speaker 2>We lucked out with him.

0:19:41.160 --> 0:19:41.360
<v Speaker 4>Great.

0:19:41.440 --> 0:19:42.919
<v Speaker 1>I know I'm going to have to keep rewatching, but

0:19:42.960 --> 0:19:44.520
<v Speaker 1>I do. I have to ask you this question because

0:19:45.400 --> 0:19:47.680
<v Speaker 1>one of the reasons that I think about Evan and

0:19:47.720 --> 0:19:49.920
<v Speaker 1>I think about how lucky we are is that that

0:19:49.960 --> 0:19:52.560
<v Speaker 1>part was written for another actor that Michael saw doing

0:19:52.560 --> 0:19:55.240
<v Speaker 1>a play off Broadway, and then it became between that

0:19:55.359 --> 0:19:56.200
<v Speaker 1>actor and Evan.

0:19:56.440 --> 0:19:57.399
<v Speaker 3>And Evan, we used to.

0:19:57.359 --> 0:19:59.280
<v Speaker 1>Get to read with the people who were in the

0:19:59.320 --> 0:20:04.159
<v Speaker 1>finalist for our main guys, right, not Kyle Kyle. Michael

0:20:04.200 --> 0:20:06.600
<v Speaker 1>met it a picnic and just told me it's going

0:20:06.640 --> 0:20:08.080
<v Speaker 1>to be a comicgoaguah.

0:20:07.480 --> 0:20:09.720
<v Speaker 2>And I was like, okay, we're you going to say, right?

0:20:10.600 --> 0:20:14.439
<v Speaker 1>But Evan came in in this audition with props and

0:20:14.480 --> 0:20:17.480
<v Speaker 1>he took this this big muffin out and just ate

0:20:17.520 --> 0:20:20.679
<v Speaker 1>it and talked with like crumbs coming out as well, right,

0:20:20.760 --> 0:20:23.880
<v Speaker 1>like super confident. And I remember seeing and I don't

0:20:23.880 --> 0:20:26.160
<v Speaker 1>know if this was intentional or not in the lead

0:20:26.240 --> 0:20:29.000
<v Speaker 1>up to the Emmys, that Britt's audition tape.

0:20:29.080 --> 0:20:29.639
<v Speaker 3>Did you see that?

0:20:29.720 --> 0:20:33.880
<v Speaker 2>It like got out? Like how does that happen? So interesting?

0:20:34.880 --> 0:20:37.600
<v Speaker 2>I mean I think they put it out they got

0:20:37.600 --> 0:20:40.840
<v Speaker 2>it because it was so incredible. I mean, my god, Yeah,

0:20:40.880 --> 0:20:44.680
<v Speaker 2>she sent that in and it was an incredible tape

0:20:45.200 --> 0:20:47.920
<v Speaker 2>and then came in and we read together, got it

0:20:48.000 --> 0:20:51.320
<v Speaker 2>and she was great. But yeah, that that and he.

0:20:51.400 --> 0:20:53.520
<v Speaker 3>Showed you the tape because this is in the self

0:20:53.560 --> 0:20:54.159
<v Speaker 3>tape era.

0:20:54.280 --> 0:20:58.600
<v Speaker 2>Right, the tape it it got it right. But but

0:20:58.760 --> 0:21:00.800
<v Speaker 2>I hadn't seen it when she came to read. I

0:21:00.840 --> 0:21:03.640
<v Speaker 2>hadn't seen it yet, okay, but I knew brit from

0:21:03.680 --> 0:21:07.600
<v Speaker 2>before good and when she walked in, I was like,

0:21:07.720 --> 0:21:11.160
<v Speaker 2>oh my god, yeah, of course Britt, and I knew immediately,

0:21:11.680 --> 0:21:14.640
<v Speaker 2>was like, that's that's that's her.

0:21:14.640 --> 0:21:15.640
<v Speaker 3>And she's so perfect.

0:21:16.000 --> 0:21:19.320
<v Speaker 1>Yeah, absolutely amazing, amazing, Like when you see that self table,

0:21:19.320 --> 0:21:23.000
<v Speaker 1>I mean it is it's a perfection. Everything is there

0:21:23.040 --> 0:21:26.639
<v Speaker 1>and that's a hard, hard scene, not easy, good lord,

0:21:27.200 --> 0:21:29.960
<v Speaker 1>so impressive. Anyway, Sorry, I'm always curious about when they

0:21:30.080 --> 0:21:32.320
<v Speaker 1>released those things, like how does it happen?

0:21:32.440 --> 0:21:36.800
<v Speaker 2>Yeah, you know, yeah, I mean I wish this is

0:21:36.840 --> 0:21:39.520
<v Speaker 2>so great? Should put this? Yeah? Cool, cool, cool cool.

0:21:39.520 --> 0:21:40.040
<v Speaker 2>I totally agree.

0:21:40.040 --> 0:21:42.840
<v Speaker 1>All right, Samantha's in that firehouse, So I had forgotten that.

0:21:42.920 --> 0:21:46.000
<v Speaker 1>She goes to the literal firehouse and thinks it's going

0:21:46.080 --> 0:21:47.919
<v Speaker 1>to have some like sex fantasy, and all.

0:21:47.760 --> 0:21:51.120
<v Speaker 2>These dudes are there just stirring at her like hunky.

0:21:51.520 --> 0:21:54.600
<v Speaker 1>They're not all hunky, of course, and then she's like,

0:21:54.720 --> 0:21:57.119
<v Speaker 1>why are all the outfits here on the floor, you know,

0:21:57.160 --> 0:21:59.080
<v Speaker 1>it's just really funny. He's like for a fire and

0:21:59.119 --> 0:22:01.280
<v Speaker 1>then of course the bell goes off, and then she

0:22:01.280 --> 0:22:04.960
<v Speaker 1>she before that, when she gets gets in his or whatever,

0:22:05.000 --> 0:22:08.760
<v Speaker 1>she looks so incredibly cute, like it's so fantastic.

0:22:08.920 --> 0:22:10.399
<v Speaker 2>But then that fireman.

0:22:10.080 --> 0:22:13.400
<v Speaker 1>Really yells at her like, oh my.

0:22:13.320 --> 0:22:14.320
<v Speaker 2>God, it's so good.

0:22:14.359 --> 0:22:17.720
<v Speaker 1>And then she's standing there by herself in the firehouse

0:22:18.000 --> 0:22:22.600
<v Speaker 1>with no clothes, very brave, very brave, very brave on

0:22:22.640 --> 0:22:25.600
<v Speaker 1>her part, and really incredibly good. Like, you're right, every

0:22:25.640 --> 0:22:29.840
<v Speaker 1>single storyline is so so good, and it's.

0:22:29.680 --> 0:22:31.560
<v Speaker 2>Such a compact amount of time.

0:22:31.600 --> 0:22:34.879
<v Speaker 1>Yeah, Michael Patrick wrote and directed amazing. That's him at

0:22:34.920 --> 0:22:37.080
<v Speaker 1>his he's like all cylinders firing.

0:22:37.640 --> 0:22:40.920
<v Speaker 2>So then we've got Maranda, who is you.

0:22:40.880 --> 0:22:43.680
<v Speaker 1>Know, struggling this Really I related to this so much,

0:22:43.680 --> 0:22:46.760
<v Speaker 1>talking about independence. She's got to go have her laces,

0:22:47.119 --> 0:22:49.040
<v Speaker 1>and she doesn't want to call a friend. I've been

0:22:49.080 --> 0:22:50.920
<v Speaker 1>in this place so many times. I'm like, I won't

0:22:50.960 --> 0:22:53.280
<v Speaker 1>need a friend. Well, you have a wife, right, But

0:22:53.560 --> 0:22:55.240
<v Speaker 1>do you still try not to.

0:22:55.359 --> 0:22:59.960
<v Speaker 2>Well I remember in my single day like moving by myself, exactly,

0:23:00.119 --> 0:23:02.040
<v Speaker 2>I don't want anyone to help me, right, I don't

0:23:02.040 --> 0:23:02.520
<v Speaker 2>need help.

0:23:02.560 --> 0:23:04.840
<v Speaker 3>I don't need help. And then you're like, oh my god,

0:23:04.920 --> 0:23:05.800
<v Speaker 3>my back is killing.

0:23:05.920 --> 0:23:08.159
<v Speaker 2>Yes, right, And like Marana.

0:23:07.840 --> 0:23:10.520
<v Speaker 1>Is so adorable, Like she wakes up from blastis and

0:23:10.560 --> 0:23:13.040
<v Speaker 1>they told her every different way that she needs a friend,

0:23:13.320 --> 0:23:16.840
<v Speaker 1>and she wants Carrie. She doesn't want Steve, and David

0:23:17.040 --> 0:23:20.320
<v Speaker 1>tries his little sweet self and then she wakes up

0:23:20.359 --> 0:23:22.480
<v Speaker 1>and sell blurry and she sees in there.

0:23:22.560 --> 0:23:29.280
<v Speaker 2>And it's nice, so sweet. Isn't he so good? David Eigenberg, Yeah,

0:23:29.320 --> 0:23:34.280
<v Speaker 2>it's incredible, And and I love that she writes those

0:23:34.359 --> 0:23:38.360
<v Speaker 2>big notes for herself. Chinese restaurant, which is the same

0:23:38.480 --> 0:23:42.000
<v Speaker 2>Chinese restaurant she orders from the whole series. It's a

0:23:42.040 --> 0:23:42.639
<v Speaker 2>through line.

0:23:42.880 --> 0:23:46.199
<v Speaker 1>It's a very important through line place I know. And

0:23:46.240 --> 0:23:49.080
<v Speaker 1>that's the other thing rewatching where I really respect the

0:23:49.119 --> 0:23:52.920
<v Speaker 1>writers so much, you know, like the details. On the

0:23:53.000 --> 0:23:55.680
<v Speaker 1>other hand, I would also say there are sometimes inconsistencies

0:23:55.680 --> 0:23:58.520
<v Speaker 1>which in the olden days, pre social media, we were

0:23:58.560 --> 0:24:00.800
<v Speaker 1>allowed to get away with us, and now we are not.

0:24:01.160 --> 0:24:03.560
<v Speaker 2>Well, you know, one thing that you notice is that

0:24:03.800 --> 0:24:06.399
<v Speaker 2>when you guys go to restaurants on the show, often

0:24:06.440 --> 0:24:09.160
<v Speaker 2>it's the exact same menu. Have you noticed that, Yes,

0:24:09.560 --> 0:24:14.000
<v Speaker 2>it's our prop. People are like, get out the restaurant menu, totally, totally.

0:24:14.320 --> 0:24:16.840
<v Speaker 1>Sometimes that's because we are at a real restaurant that

0:24:16.920 --> 0:24:19.159
<v Speaker 1>we are going to use as the real restaurant for

0:24:19.200 --> 0:24:21.639
<v Speaker 1>one scene in one episode, but we would crossboard.

0:24:21.640 --> 0:24:22.280
<v Speaker 3>We'd shoot to.

0:24:22.240 --> 0:24:24.679
<v Speaker 1>It once right, and so then in the back we

0:24:24.720 --> 0:24:27.000
<v Speaker 1>would have asked for like a back room, and we've

0:24:27.119 --> 0:24:30.439
<v Speaker 1>dressed it differently to be like an innocuous restaurant, so

0:24:30.480 --> 0:24:32.840
<v Speaker 1>we can use that restaurant twice and get.

0:24:32.640 --> 0:24:33.159
<v Speaker 3>Away with it.

0:24:33.200 --> 0:24:35.880
<v Speaker 1>But yes, little details like that I do sometimes see

0:24:36.040 --> 0:24:38.160
<v Speaker 1>I'm like, oh, that's funny, that's the like it's got

0:24:38.160 --> 0:24:39.639
<v Speaker 1>like onion soup or whatever on it.

0:24:39.760 --> 0:24:43.680
<v Speaker 2>Like I see stuff like that and love it. Why

0:24:44.160 --> 0:24:44.920
<v Speaker 2>so why so.

0:24:44.840 --> 0:24:48.560
<v Speaker 1>Do I as actors? I mean, because we understand why

0:24:48.760 --> 0:24:50.040
<v Speaker 1>you know what I mean. But like you guys on

0:24:50.080 --> 0:24:52.280
<v Speaker 1>Severance could never get away with any No.

0:24:52.560 --> 0:24:54.800
<v Speaker 2>But one thing I do notice too is when people

0:24:55.480 --> 0:24:58.639
<v Speaker 2>look down for their marks. But whenever I pointed out that,

0:24:58.840 --> 0:25:03.560
<v Speaker 2>my wife is like, what, it's so actor thing that

0:25:03.640 --> 0:25:06.800
<v Speaker 2>we look at it. I know, I know, I love it. Yeah,

0:25:06.880 --> 0:25:07.440
<v Speaker 2>I love it.

0:25:07.520 --> 0:25:09.720
<v Speaker 1>But I remember, like when I first was guest starring

0:25:09.760 --> 0:25:13.639
<v Speaker 1>or whatever. I mean, the panic about your mark and

0:25:13.680 --> 0:25:16.000
<v Speaker 1>if you have to docy dough yeah, back in the

0:25:16.040 --> 0:25:16.640
<v Speaker 1>olden days.

0:25:16.840 --> 0:25:18.720
<v Speaker 2>Yeah. Or if you're doing a long walk and Talk

0:25:18.760 --> 0:25:20.720
<v Speaker 2>and you have to land on a thing, right, I

0:25:20.720 --> 0:25:22.960
<v Speaker 2>mean this was our show, the Walk and Talk. I mean,

0:25:23.080 --> 0:25:26.040
<v Speaker 2>oh yeah, I'm sure. And you're out in the wild, in.

0:25:26.000 --> 0:25:29.720
<v Speaker 1>The wild with the strangers yelling at us and whatnot.

0:25:29.920 --> 0:25:33.640
<v Speaker 2>You feel it too, in these greats? Oh absolutely, absolutely, Sorry,

0:25:33.680 --> 0:25:34.520
<v Speaker 2>you're trying. It's okay.

0:25:34.560 --> 0:25:36.439
<v Speaker 1>I want to recap it. I mean, also I just

0:25:36.480 --> 0:25:40.520
<v Speaker 1>like to talk, okay, Miranda's storyline. I mean, I think

0:25:40.520 --> 0:25:42.360
<v Speaker 1>we did the important part. The important part is that

0:25:42.640 --> 0:25:45.080
<v Speaker 1>it's adorable. And then when she does wake up and

0:25:45.080 --> 0:25:48.119
<v Speaker 1>she sees Steve, and she puts her hand in his hands. Yes,

0:25:48.240 --> 0:25:49.760
<v Speaker 1>Oh my god, it's the sweetest.

0:25:50.080 --> 0:25:51.400
<v Speaker 2>She wakes up and takes the.

0:25:51.320 --> 0:25:54.520
<v Speaker 1>Goble and she can see clearly, and then she puts

0:25:54.520 --> 0:25:55.639
<v Speaker 1>she sees him clearly.

0:25:55.840 --> 0:25:57.240
<v Speaker 3>Is it's incredible.

0:25:57.400 --> 0:26:00.680
<v Speaker 2>It's so good. I do too. And I I did

0:26:00.720 --> 0:26:03.400
<v Speaker 2>not appreciate him at the time. I've said this already, Yeah,

0:26:03.440 --> 0:26:05.960
<v Speaker 2>And I mean not that I didn't think he was

0:26:06.040 --> 0:26:06.680
<v Speaker 2>great or whatever.

0:26:06.800 --> 0:26:09.600
<v Speaker 1>I just I think I liked when we were all

0:26:09.680 --> 0:26:14.200
<v Speaker 1>single somehow, you know, And I didn't really understand how

0:26:14.240 --> 0:26:19.280
<v Speaker 1>incredibly good he was and how opposite they were and complimentary,

0:26:19.600 --> 0:26:21.119
<v Speaker 1>and how good the writing was.

0:26:21.680 --> 0:26:25.360
<v Speaker 2>Yeah, and she certainly fights it. Yeah, but that makes sense.

0:26:25.400 --> 0:26:26.960
<v Speaker 2>You love someone, you love them.

0:26:26.960 --> 0:26:29.480
<v Speaker 1>Absolutely, even if they aren't what you pictured, and even

0:26:29.480 --> 0:26:31.159
<v Speaker 1>if you didn't even think you wanted to get married

0:26:31.200 --> 0:26:33.080
<v Speaker 1>and whatever, and if you want to be a partner

0:26:33.119 --> 0:26:34.880
<v Speaker 1>at your law firm more than you want to get married.

0:26:35.000 --> 0:26:37.439
<v Speaker 2>It's all the different things. And he embarrasses here and

0:26:37.520 --> 0:26:40.119
<v Speaker 2>he makes dumb jokes, and she's like, god, you know,

0:26:40.880 --> 0:26:42.920
<v Speaker 2>fights it every step of the way, every step of

0:26:42.960 --> 0:26:45.040
<v Speaker 2>the way. And she's just so good. They're both so good,

0:26:45.240 --> 0:26:49.960
<v Speaker 2>so good. I know, I know, right Owerhouse.

0:26:49.640 --> 0:27:01.960
<v Speaker 4>Yeah, let's continue on the carry of it all.

0:27:02.160 --> 0:27:05.960
<v Speaker 2>And then my I mean, she doesn't want to date

0:27:06.040 --> 0:27:08.920
<v Speaker 2>this guy, but he's so charming. I mean, who could

0:27:08.960 --> 0:27:12.879
<v Speaker 2>say nobody shows up with her voter registration film.

0:27:12.920 --> 0:27:14.000
<v Speaker 3>That's not the cutest thing.

0:27:14.119 --> 0:27:16.360
<v Speaker 2>And also can you believe she didn't vote? I know

0:27:17.119 --> 0:27:21.120
<v Speaker 2>has such residence, but it's so it's a really interesting

0:27:21.240 --> 0:27:23.520
<v Speaker 2>character thing for Carrie, It's like.

0:27:23.520 --> 0:27:28.080
<v Speaker 1>Right, And also her devotion to shoes in this particular episode,

0:27:28.160 --> 0:27:31.600
<v Speaker 1>My god, this is leading up to that she's in debt.

0:27:31.920 --> 0:27:34.880
<v Speaker 1>This is when I think they're really thinking about.

0:27:34.640 --> 0:27:36.560
<v Speaker 2>When they get to her borrowing money.

0:27:36.280 --> 0:27:40.359
<v Speaker 1>From exactly exactly wanting my ring, yeah, to pay off

0:27:40.359 --> 0:27:41.680
<v Speaker 1>her shoe.

0:27:41.359 --> 0:27:45.560
<v Speaker 2>Debt, which is yeah, because but that yeah, because that's

0:27:45.600 --> 0:27:49.720
<v Speaker 2>after Trey, right, right, So they're they're they're really at

0:27:49.720 --> 0:27:50.280
<v Speaker 2>this point.

0:27:50.359 --> 0:27:52.879
<v Speaker 1>I think they've got their writer's room together before the

0:27:52.960 --> 0:27:54.400
<v Speaker 1>show and they're really planning.

0:27:54.680 --> 0:27:58.160
<v Speaker 2>And then also, is it post split up with Trey

0:27:58.200 --> 0:28:01.360
<v Speaker 2>that you're walking and synth you follows.

0:28:00.960 --> 0:28:03.480
<v Speaker 1>You Oh yeah, when I went, well, no, no, I'm

0:28:03.480 --> 0:28:05.040
<v Speaker 1>still with Tree, because that's when I really know that

0:28:05.080 --> 0:28:07.200
<v Speaker 1>I can't have a baby. And I remember when he

0:28:07.240 --> 0:28:10.520
<v Speaker 1>gets that paper baby out that that that that poster baby.

0:28:10.760 --> 0:28:13.240
<v Speaker 2>Not a great move, I know, not a great movie.

0:28:13.480 --> 0:28:15.560
<v Speaker 2>And I think thought it would just be a little

0:28:15.680 --> 0:28:16.920
<v Speaker 2>chuckle or whatever.

0:28:17.160 --> 0:28:19.840
<v Speaker 3>I know, that's when he's really annoying. Oh boy, but

0:28:19.880 --> 0:28:20.720
<v Speaker 3>he's still him.

0:28:20.720 --> 0:28:24.040
<v Speaker 2>Are you walking home? And the voiceover saying because she

0:28:24.119 --> 0:28:26.640
<v Speaker 2>knew if she would turn around, That's like, I know.

0:28:26.640 --> 0:28:29.159
<v Speaker 1>It was good, really good. It was really good. I

0:28:29.200 --> 0:28:32.760
<v Speaker 1>look back on those storylines. I haven't watched it again yet, right,

0:28:32.840 --> 0:28:35.479
<v Speaker 1>but I look back on them, and I think in

0:28:35.640 --> 0:28:38.080
<v Speaker 1>some ways I was a little young, like all my

0:28:38.160 --> 0:28:40.400
<v Speaker 1>friends hadn't started going through that yet, do you know

0:28:40.480 --> 0:28:42.479
<v Speaker 1>what I mean? Like there was a time maybe like

0:28:42.640 --> 0:28:44.959
<v Speaker 1>five years after that where like all my friends are

0:28:44.960 --> 0:28:48.120
<v Speaker 1>going through IVY, like everybody in It's hell, you know

0:28:48.120 --> 0:28:51.760
<v Speaker 1>what I mean. We hadn't really known people yet so

0:28:51.880 --> 0:28:55.360
<v Speaker 1>much who had done that. And I wonder if I

0:28:55.360 --> 0:28:56.280
<v Speaker 1>did it justice?

0:28:56.640 --> 0:28:59.080
<v Speaker 2>You know what I'm saying, Yes you did. Okay, It's

0:28:59.160 --> 0:29:02.960
<v Speaker 2>so good. It's so good, not just that, but also

0:29:04.280 --> 0:29:08.720
<v Speaker 2>it's it's it's the Charlotte is going through so much

0:29:08.800 --> 0:29:14.000
<v Speaker 2>because there's infertility, but then there's the marriage falling apart,

0:29:14.240 --> 0:29:19.400
<v Speaker 2>and she has to redefine herself. She knows she can't

0:29:19.400 --> 0:29:21.920
<v Speaker 2>do this, she knows she can't stay with this guy,

0:29:22.400 --> 0:29:25.760
<v Speaker 2>and it takes a while for her to actually come

0:29:25.800 --> 0:29:28.560
<v Speaker 2>to terms with that and make the move right. She

0:29:28.600 --> 0:29:32.680
<v Speaker 2>can't do it. No, it's hard. It's because you had

0:29:32.720 --> 0:29:37.480
<v Speaker 2>everything and Bunny away and because the apartment, the money,

0:29:37.520 --> 0:29:42.840
<v Speaker 2>it's just like impossible. But also that scene with Miranda

0:29:42.920 --> 0:29:46.800
<v Speaker 2>following Charlotte home, it's it's also it's it's it's it's

0:29:46.840 --> 0:29:50.720
<v Speaker 2>a little micro moment of what the show really earns

0:29:50.800 --> 0:29:55.719
<v Speaker 2>and builds, which is these four women are bulletproof when

0:29:55.720 --> 0:30:01.440
<v Speaker 2>they're together. They'll do anything for each Oh dude, yes, yeah, yeah, yes,

0:30:01.680 --> 0:30:03.160
<v Speaker 2>so good. Yeah yeah.

0:30:03.200 --> 0:30:06.680
<v Speaker 1>That I think is the legacy, you know, in so

0:30:06.760 --> 0:30:09.360
<v Speaker 1>many ways. I mean, there's so many different elements of

0:30:09.440 --> 0:30:12.000
<v Speaker 1>the legacy. One is the talking freely about sex, of course,

0:30:12.040 --> 0:30:16.280
<v Speaker 1>but like the women being together, not being pitted against

0:30:16.320 --> 0:30:19.880
<v Speaker 1>each other ever at all, which is shocking for TV

0:30:19.960 --> 0:30:22.320
<v Speaker 1>show at the time, which is so bizarre, right, yeah,

0:30:22.320 --> 0:30:24.239
<v Speaker 1>but I'd come from Meloe's place, where like that's all

0:30:24.280 --> 0:30:26.560
<v Speaker 1>you ever were were pitted against that, right, the other women,

0:30:26.600 --> 0:30:29.960
<v Speaker 1>you know, like soap opera ish, right, But the fact

0:30:30.000 --> 0:30:32.240
<v Speaker 1>that we were chosen family, and that we were there

0:30:32.280 --> 0:30:34.160
<v Speaker 1>for all of it, and that we were the you know,

0:30:34.200 --> 0:30:36.080
<v Speaker 1>writer or dies or however you want to talk about it.

0:30:36.080 --> 0:30:39.640
<v Speaker 1>And I do feel like culturally now that's much more celebrated,

0:30:40.200 --> 0:30:42.080
<v Speaker 1>I think with men as well. So I feel like

0:30:42.200 --> 0:30:44.600
<v Speaker 1>men are like a little behind with the you know,

0:30:44.880 --> 0:30:48.680
<v Speaker 1>male friendship being celebrated or whatever. You know, like it's important.

0:30:48.800 --> 0:30:53.560
<v Speaker 2>Yeah, it's incredibly important, right, yeah, and that was that

0:30:53.720 --> 0:30:56.080
<v Speaker 2>was all You're right that that was a huge part

0:30:56.160 --> 0:30:59.960
<v Speaker 2>of it too. There were so many firsts with the ship.

0:31:00.040 --> 0:31:04.200
<v Speaker 2>Oh yeah, it's all just so valuable. You're so sweet

0:31:04.200 --> 0:31:08.440
<v Speaker 2>to be such a fan. I love it and you're incredible. Adam. Yes,

0:31:09.040 --> 0:31:11.840
<v Speaker 2>are you a Charlotte. That's a good question.

0:31:15.880 --> 0:31:17.440
<v Speaker 3>Any answer is except.

0:31:17.200 --> 0:31:23.320
<v Speaker 2>Feel like I'm a Miranda. WHOA really? I think? So

0:31:23.640 --> 0:31:29.920
<v Speaker 2>that's interesting. I think so in what way I think

0:31:30.000 --> 0:31:35.960
<v Speaker 2>that Miranda is. I see, I don't like putting any

0:31:36.000 --> 0:31:38.400
<v Speaker 2>of them in boxes because I think they're all like

0:31:38.680 --> 0:31:42.000
<v Speaker 2>whole human beings. That's one of the superpowers of the

0:31:42.040 --> 0:31:45.560
<v Speaker 2>show is they all are lots of different things. Yes, so,

0:31:47.560 --> 0:31:53.720
<v Speaker 2>but I think that the sort of resistance of Miranda

0:31:53.800 --> 0:31:59.000
<v Speaker 2>and the sort of isolation of Miranda that she that

0:31:59.080 --> 0:32:04.520
<v Speaker 2>she kind of thought was her ethos and then eventually

0:32:04.560 --> 0:32:08.160
<v Speaker 2>discovered was not. I I kind of connected.

0:32:07.840 --> 0:32:09.760
<v Speaker 3>Okay, wow, wouldn't have seen that coming.

0:32:09.960 --> 0:32:17.000
<v Speaker 2>Yeah, yeah, but I I but then I also connect

0:32:17.040 --> 0:32:24.080
<v Speaker 2>with Charlotte on things and and Carrie and really well,

0:32:24.200 --> 0:32:26.800
<v Speaker 2>I mean I don't know, but I think that they're

0:32:26.840 --> 0:32:30.600
<v Speaker 2>all that's storable. I think they're all h They're all.

0:32:30.720 --> 0:32:32.960
<v Speaker 2>You can find entry points with all of them.

0:32:33.040 --> 0:32:35.240
<v Speaker 1>Definitely, for sure, for sure, for sure and that and

0:32:35.480 --> 0:32:37.760
<v Speaker 1>over time, some people tell me like, well, when I

0:32:37.840 --> 0:32:40.160
<v Speaker 1>first started, I was a Carrie and then I kind

0:32:40.160 --> 0:32:42.560
<v Speaker 1>of went through my Charlotte face, and now I'm divorced.

0:32:42.560 --> 0:32:45.120
<v Speaker 2>I'm in my Samantha fase. I'm like, that's cool, it's

0:32:45.160 --> 0:32:45.920
<v Speaker 2>all good, you.

0:32:45.880 --> 0:32:46.320
<v Speaker 3>Know what I mean.

0:32:46.400 --> 0:32:48.560
<v Speaker 1>Yeah, And I mean I would have always said and

0:32:48.600 --> 0:32:50.480
<v Speaker 1>I think this is still true. I have to guess

0:32:50.520 --> 0:32:53.080
<v Speaker 1>I have to rethink it. But I'm like kind of

0:32:53.160 --> 0:32:54.560
<v Speaker 1>Charlotte kind of carry.

0:32:54.560 --> 0:32:55.160
<v Speaker 3>You know what I mean.

0:32:55.360 --> 0:32:58.960
<v Speaker 2>That's really interesting. It's so interesting just to hear kind

0:32:59.000 --> 0:33:01.240
<v Speaker 2>of where you were when you were shooting the show

0:33:02.440 --> 0:33:04.440
<v Speaker 2>and how different you are from I.

0:33:04.440 --> 0:33:05.560
<v Speaker 3>Mean, in some ways so different.

0:33:05.600 --> 0:33:09.560
<v Speaker 1>Also, I've adopted children, so you know, some big similarities.

0:33:09.680 --> 0:33:12.640
<v Speaker 1>But I did it on camera first, Yeah, which is weird. Interesting,

0:33:12.680 --> 0:33:15.080
<v Speaker 1>I know, weird, right, But I think I think Michael

0:33:15.120 --> 0:33:17.880
<v Speaker 1>Patrick knew that I had that in my mind as

0:33:17.880 --> 0:33:20.080
<v Speaker 1>a possibility. You know what I'm saying. I would have

0:33:20.120 --> 0:33:22.440
<v Speaker 1>to ask him. I don't know what came first, like

0:33:22.560 --> 0:33:24.840
<v Speaker 1>us talking about it or you know what I mean.

0:33:24.880 --> 0:33:25.600
<v Speaker 3>I don't know.

0:33:26.040 --> 0:33:26.920
<v Speaker 2>It's all very interesting.

0:33:27.000 --> 0:33:28.400
<v Speaker 3>That's great, I know, but it's fun.

0:33:28.440 --> 0:33:30.240
<v Speaker 1>But you're just so sweet that you I had no

0:33:30.280 --> 0:33:32.760
<v Speaker 1>idea that you had rewatched three times.

0:33:32.760 --> 0:33:33.640
<v Speaker 3>You're like way ahead of me.

0:33:33.760 --> 0:33:37.719
<v Speaker 2>Oh yeah, and because you had me watch this episode now,

0:33:37.960 --> 0:33:40.040
<v Speaker 2>Like I said, this morning, I was watching. I kept

0:33:40.080 --> 0:33:43.719
<v Speaker 2>watching a few episodes. It's just hard to not continue watching.

0:33:43.760 --> 0:33:46.600
<v Speaker 2>It's which is so nice. I feel that way about

0:33:46.640 --> 0:33:48.080
<v Speaker 2>Parks and Wright. Oh thank you.

0:33:48.160 --> 0:33:50.120
<v Speaker 3>Okay, Adam, You're incredible.

0:33:51.480 --> 0:33:53.920
<v Speaker 2>You're so nice to have me just as a fan.

0:33:53.960 --> 0:33:56.640
<v Speaker 2>This is really terrific. So thank you for having me.

0:33:56.680 --> 0:33:59.040
<v Speaker 2>It's a joy for me. It's a joy for me.

0:33:59.160 --> 0:33:59.920
<v Speaker 2>Thanks for having me.

0:34:00.960 --> 0:34:04.800
<v Speaker 1>The stand Distant pastis