1 00:00:01,639 --> 00:00:04,880 Speaker 1: Hi, I'm Kristin Davis, and I want to know, are 2 00:00:04,880 --> 00:00:13,840 Speaker 1: you a Charlotte? And here we are back with the 3 00:00:14,440 --> 00:00:18,680 Speaker 1: fantastic Adam Scott. We are going to recap season three, 4 00:00:18,840 --> 00:00:23,360 Speaker 1: episode one where there's smoke, written and directed by Michael 5 00:00:23,400 --> 00:00:26,279 Speaker 1: Patrick King. So here I am, and this is what 6 00:00:26,320 --> 00:00:28,480 Speaker 1: we've decided to do because I mean, you guys recap 7 00:00:28,520 --> 00:00:30,880 Speaker 1: on your show on your podcast about your show, but 8 00:00:31,000 --> 00:00:33,239 Speaker 1: you also play the scenes, right, But we don't do 9 00:00:33,320 --> 00:00:35,479 Speaker 1: that right, So what I'd like to do is I 10 00:00:35,520 --> 00:00:38,960 Speaker 1: talk about the characters through line rather than like bopping around. 11 00:00:38,840 --> 00:00:40,080 Speaker 2: The different Yeah. Is that cool? 12 00:00:40,400 --> 00:00:42,360 Speaker 1: So the thing that I love about this, first of all, 13 00:00:42,360 --> 00:00:47,040 Speaker 1: do you know Slattery? Yes, it is fantastic. 14 00:00:47,159 --> 00:00:52,440 Speaker 2: It's so good on Sex and the City. So that's 15 00:00:52,479 --> 00:00:55,760 Speaker 2: one of his superpowers I think is when you watch Slattery, 16 00:00:56,280 --> 00:00:59,440 Speaker 2: you're just so at ease as an audience member. Absolutely, 17 00:00:59,560 --> 00:01:02,960 Speaker 2: he's got this. You don't have to It's incredible. 18 00:01:03,000 --> 00:01:06,479 Speaker 1: He only doesn't even have any hardly lines, Like it's crazy. 19 00:01:06,560 --> 00:01:10,080 Speaker 2: He's such a presence and it's hard to believe that 20 00:01:10,120 --> 00:01:12,280 Speaker 2: it was even written. It feels like it's coming. He's 21 00:01:12,319 --> 00:01:13,759 Speaker 2: just great, right, he's great. 22 00:01:13,840 --> 00:01:14,800 Speaker 3: I know, he's so incredible. 23 00:01:14,840 --> 00:01:17,240 Speaker 2: You want them to be together. I know you want 24 00:01:17,280 --> 00:01:22,160 Speaker 2: them to be together until the thing happened, which is 25 00:01:22,200 --> 00:01:23,559 Speaker 2: the next episode. 26 00:01:23,280 --> 00:01:25,000 Speaker 3: It was coming because I haven't seen it yet. I 27 00:01:25,000 --> 00:01:25,679 Speaker 3: haven't seen it yet. 28 00:01:25,680 --> 00:01:26,960 Speaker 1: But also I asked him to be on the pod 29 00:01:26,959 --> 00:01:28,920 Speaker 1: and he said no. And sometimes I'm like, why do 30 00:01:29,000 --> 00:01:29,360 Speaker 1: they say no? 31 00:01:29,440 --> 00:01:33,080 Speaker 2: And then I forget what the guys had to do, Like. 32 00:01:33,040 --> 00:01:35,240 Speaker 1: Sometimes they had to do kind of it things right, 33 00:01:35,480 --> 00:01:36,960 Speaker 1: Maybe they don't want to talk about it. 34 00:01:37,080 --> 00:01:37,720 Speaker 2: I don't know. 35 00:01:38,120 --> 00:01:40,120 Speaker 1: And then like different co stars who have come on 36 00:01:40,200 --> 00:01:42,480 Speaker 1: Guest Stars tell us like, oh, yes, you know. 37 00:01:42,640 --> 00:01:44,319 Speaker 3: Now I'm still asked about it. 38 00:01:45,080 --> 00:01:50,480 Speaker 2: Yeah you know. But that's the story was about the women, 39 00:01:50,760 --> 00:01:53,760 Speaker 2: and think about all the dumb stuff women had to 40 00:01:53,800 --> 00:01:54,680 Speaker 2: do over the years. 41 00:01:54,800 --> 00:01:56,560 Speaker 3: As thank you, Adam, you know what I mean. 42 00:01:56,680 --> 00:01:59,760 Speaker 2: Yes I do, yes, I do. Can take a few. 43 00:02:00,000 --> 00:02:01,600 Speaker 2: Thank you so much, Thank you so much. 44 00:02:01,640 --> 00:02:03,880 Speaker 1: I do think I think it's weird in that I 45 00:02:03,920 --> 00:02:05,840 Speaker 1: think for them, and I think at the time we 46 00:02:05,840 --> 00:02:07,720 Speaker 1: were somewhat aware that it was odd for them to 47 00:02:07,760 --> 00:02:10,000 Speaker 1: come in and that guest our way of like the boyfriend, 48 00:02:10,280 --> 00:02:12,160 Speaker 1: because as women, we were very used to being the 49 00:02:12,200 --> 00:02:14,680 Speaker 1: guest our girlfriend, right, But they were not so used 50 00:02:14,720 --> 00:02:16,160 Speaker 1: to being the guest our boyfriend. 51 00:02:15,919 --> 00:02:17,920 Speaker 2: Was emasculating for them possibly. 52 00:02:18,160 --> 00:02:20,600 Speaker 1: I mean I've never used that word to them. I've 53 00:02:20,639 --> 00:02:22,360 Speaker 1: just said was it weird or uncomfortable? And they were 54 00:02:22,360 --> 00:02:24,120 Speaker 1: like yeah, kind yeah yeah. And the thing I was 55 00:02:24,160 --> 00:02:26,120 Speaker 1: going to say that reminded me when I watched this 56 00:02:26,400 --> 00:02:29,160 Speaker 1: and I remember this time, you know, very well, because 57 00:02:29,160 --> 00:02:32,480 Speaker 1: it was when things really were like clicking and happening, 58 00:02:32,520 --> 00:02:34,280 Speaker 1: and you know, that first week was so hard and 59 00:02:34,320 --> 00:02:36,200 Speaker 1: we were on the Staten Island ferry and I remember 60 00:02:36,280 --> 00:02:37,680 Speaker 1: all of us are like, oh my god, we're on 61 00:02:37,680 --> 00:02:39,920 Speaker 1: the Stateland fairy and we had to keep turning it 62 00:02:39,960 --> 00:02:42,120 Speaker 1: around so that the background. 63 00:02:41,680 --> 00:02:43,679 Speaker 3: Would match, so that the city would match. 64 00:02:44,600 --> 00:02:47,480 Speaker 1: How we're talking about, like look at how small it looks, right, that. 65 00:02:47,520 --> 00:02:48,080 Speaker 2: Was really fun. 66 00:02:48,200 --> 00:02:49,960 Speaker 3: But when we're going and we're talking about. 67 00:02:49,800 --> 00:02:51,440 Speaker 1: Like look at how small the island is and has 68 00:02:51,520 --> 00:02:53,400 Speaker 1: all of our ex boyfriends on it, and so we 69 00:02:53,440 --> 00:02:55,200 Speaker 1: had to keep turning the ferry around and the fairy 70 00:02:55,280 --> 00:02:58,840 Speaker 1: is huge and people were throwing up over the side. 71 00:03:00,560 --> 00:03:02,080 Speaker 2: You get seasick on the ferry. 72 00:03:02,200 --> 00:03:04,680 Speaker 1: I don't, but other people did you do? Because you 73 00:03:04,720 --> 00:03:08,240 Speaker 1: don't normally turn it around. Yeah, you're right, it is 74 00:03:08,320 --> 00:03:12,240 Speaker 1: too big to keep, you know, circling back or whatever 75 00:03:12,280 --> 00:03:13,480 Speaker 1: like how we had to do and that was an 76 00:03:13,480 --> 00:03:16,040 Speaker 1: all nighter, I mean so bad, like till the sun 77 00:03:16,080 --> 00:03:18,160 Speaker 1: came up, you know what I'm saying. Yeah, And luckily 78 00:03:18,200 --> 00:03:19,960 Speaker 1: I just had to add crazy for that other one. 79 00:03:20,080 --> 00:03:22,040 Speaker 1: But I don't really remember that as well. It's funny 80 00:03:22,040 --> 00:03:23,520 Speaker 1: because I think as an actor, like you have to 81 00:03:23,600 --> 00:03:25,519 Speaker 1: check out a little bit when you're gonna act all 82 00:03:25,560 --> 00:03:26,200 Speaker 1: crazy like that. 83 00:03:26,600 --> 00:03:27,799 Speaker 2: But it's adorable to watch. 84 00:03:27,960 --> 00:03:29,960 Speaker 1: I do remember being cold because we would go back 85 00:03:29,960 --> 00:03:32,880 Speaker 1: in February but still have to probably be wearing our 86 00:03:32,919 --> 00:03:35,240 Speaker 1: little dresses, right, But at least in this one we 87 00:03:35,280 --> 00:03:36,200 Speaker 1: get to talk about it. 88 00:03:36,320 --> 00:03:38,600 Speaker 3: Yes, yes, and I literally am like. 89 00:03:38,640 --> 00:03:41,480 Speaker 1: I'm so cold, which I probably just begged them please 90 00:03:41,560 --> 00:03:43,040 Speaker 1: let me say it because I've got to hold on 91 00:03:43,120 --> 00:03:45,600 Speaker 1: dessert dusk. I'm crazy and we're on the water in 92 00:03:45,680 --> 00:03:48,400 Speaker 1: February for God's sake, you know. But it was it 93 00:03:48,440 --> 00:03:50,360 Speaker 1: was really it was fun times. But the thing that 94 00:03:50,400 --> 00:03:52,440 Speaker 1: I think, so when I look at in terms of 95 00:03:52,520 --> 00:03:54,720 Speaker 1: let's talk about Charlotte for a second, this is when 96 00:03:54,760 --> 00:03:57,440 Speaker 1: they had sat me down and said, you know, this 97 00:03:57,520 --> 00:04:00,560 Speaker 1: is when we want Charlotte to really decide that she 98 00:04:00,600 --> 00:04:02,960 Speaker 1: wants to get married this year, and she's going to 99 00:04:03,040 --> 00:04:05,760 Speaker 1: do whatever it takes, and she's going to be like 100 00:04:05,800 --> 00:04:08,800 Speaker 1: a heat seeking missile, you know, like and soon I'm 101 00:04:08,800 --> 00:04:10,280 Speaker 1: going to get the book, like I have a book 102 00:04:10,320 --> 00:04:13,200 Speaker 1: that's going to talk about how to get married or whatever. 103 00:04:13,240 --> 00:04:14,360 Speaker 3: Like craziness, right. 104 00:04:14,280 --> 00:04:16,919 Speaker 2: Because is it in the next episode where you're like, 105 00:04:17,120 --> 00:04:20,560 Speaker 2: where is he is this one? This one is this one? 106 00:04:20,640 --> 00:04:22,800 Speaker 1: Yeah, which is great, which is a great scene, And 107 00:04:22,839 --> 00:04:24,800 Speaker 1: so I was I was all down for it because 108 00:04:24,800 --> 00:04:28,680 Speaker 1: I knew, you know that culturally women are are like this, 109 00:04:28,760 --> 00:04:31,120 Speaker 1: women are fed this thing you know about you know, 110 00:04:31,160 --> 00:04:33,440 Speaker 1: getting married and having the perfect and. 111 00:04:33,400 --> 00:04:35,120 Speaker 2: You only have this one window. 112 00:04:34,960 --> 00:04:38,680 Speaker 1: Exactly exactly and all of that I don't personally feel, 113 00:04:38,800 --> 00:04:40,880 Speaker 1: didn't feel then, but I certainly knew a lot of 114 00:04:40,920 --> 00:04:42,719 Speaker 1: people did. And I felt like, this is great, and 115 00:04:42,760 --> 00:04:44,640 Speaker 1: I also knew that it wasn't going to work out. 116 00:04:44,800 --> 00:04:45,400 Speaker 2: Yeah. 117 00:04:45,440 --> 00:04:48,520 Speaker 1: But the plan, the original plan was that Charlotte was 118 00:04:48,520 --> 00:04:50,280 Speaker 1: going to be like, you know, on and on and 119 00:04:50,320 --> 00:04:51,480 Speaker 1: on it. I'm going to do this, I'm going to 120 00:04:51,560 --> 00:04:53,080 Speaker 1: do that. I'm going to look at it like a job. 121 00:04:53,120 --> 00:04:55,200 Speaker 1: I'm going to you know, all these crazy things. I'd say, 122 00:04:55,240 --> 00:04:56,720 Speaker 1: and they'd all roll their eyes at me, you know 123 00:04:56,760 --> 00:04:58,400 Speaker 1: what I mean. But then it was going to work, 124 00:04:58,480 --> 00:05:00,000 Speaker 1: and the idea was that it was going to find 125 00:05:00,120 --> 00:05:02,440 Speaker 1: this guy just before we knew it was Kyle was 126 00:05:02,480 --> 00:05:06,599 Speaker 1: going to find this guy and Gray Trey Good and 127 00:05:06,640 --> 00:05:07,880 Speaker 1: I was going to find him, and he was going 128 00:05:07,960 --> 00:05:10,960 Speaker 1: to look perfect, right, so everything was going to look perfect. 129 00:05:11,240 --> 00:05:13,120 Speaker 1: But then everyone was going to think he was the 130 00:05:13,120 --> 00:05:16,080 Speaker 1: most boring thing ever. You know, like when one of 131 00:05:16,120 --> 00:05:18,560 Speaker 1: your friends married somebody you don't really love them, and 132 00:05:18,600 --> 00:05:20,479 Speaker 1: like the other friends are like, you go talk to them, 133 00:05:20,720 --> 00:05:21,560 Speaker 1: he's going to be like that. 134 00:05:22,080 --> 00:05:24,159 Speaker 3: But then it was Kyle, and. 135 00:05:24,800 --> 00:05:27,600 Speaker 2: Kyle is just not boring damn interesting. 136 00:05:27,920 --> 00:05:30,200 Speaker 1: So then we all collectively fell in love with Kyle, 137 00:05:30,480 --> 00:05:33,200 Speaker 1: and he stayed longer than he was ever supposed to stay, 138 00:05:33,320 --> 00:05:34,080 Speaker 1: do you know what I mean? 139 00:05:34,320 --> 00:05:35,960 Speaker 2: But we still had to let him go. So it 140 00:05:36,240 --> 00:05:40,800 Speaker 2: was the impotence sing replacement for the boy I think 141 00:05:40,839 --> 00:05:41,160 Speaker 2: it was. 142 00:05:41,200 --> 00:05:43,479 Speaker 1: I'd have to ask Michael Patrick that, but I think so, I. 143 00:05:43,560 --> 00:05:45,520 Speaker 2: Know, I know who would have something that come because 144 00:05:45,520 --> 00:05:48,160 Speaker 2: you couldn't build the perfect life around it, and the 145 00:05:48,160 --> 00:05:54,599 Speaker 2: impotence thing could be a secret which ends up being right. Uh, 146 00:05:54,920 --> 00:05:59,080 Speaker 2: And so but Charlotte is so dedicated to this idea 147 00:05:59,720 --> 00:06:04,040 Speaker 2: that and all appearances were her dream true. But there's 148 00:06:04,080 --> 00:06:06,640 Speaker 2: this corruption at the middle of it, right, you can't 149 00:06:06,680 --> 00:06:09,520 Speaker 2: do there's nothing to be done about it, right, And 150 00:06:09,560 --> 00:06:12,479 Speaker 2: then the them getting back together and does it go 151 00:06:12,560 --> 00:06:14,760 Speaker 2: into season four? Is you know what? I don't even know? 152 00:06:14,880 --> 00:06:16,520 Speaker 2: I mean, because that's what I was going to say too. 153 00:06:16,600 --> 00:06:19,760 Speaker 1: I only watched these back in the day when we 154 00:06:19,760 --> 00:06:23,120 Speaker 1: were making them for the first Yes, sometimes I don't 155 00:06:23,160 --> 00:06:25,840 Speaker 1: remember well, and sometimes I remember everything. 156 00:06:25,560 --> 00:06:28,720 Speaker 2: Right, so weird. I watch when some was Parks and 157 00:06:28,839 --> 00:06:32,000 Speaker 2: Rack and I do not remember filming that, And it's 158 00:06:32,000 --> 00:06:34,280 Speaker 2: a very weird, isn't it weird? Like some of them 159 00:06:34,360 --> 00:06:36,240 Speaker 2: like what am I about to do? Yeah? 160 00:06:36,360 --> 00:06:37,960 Speaker 3: Am I going to make out with these people? 161 00:06:38,120 --> 00:06:38,200 Speaker 4: Right? 162 00:06:38,920 --> 00:06:40,000 Speaker 2: You're going to have a threesome? 163 00:06:40,120 --> 00:06:42,159 Speaker 3: Right, You're like, oh my god, am I gonna No? 164 00:06:42,520 --> 00:06:43,400 Speaker 2: It was a dream. I didn't. 165 00:06:43,640 --> 00:06:45,280 Speaker 3: I was like, I don't remember having a three someme. 166 00:06:45,320 --> 00:06:46,040 Speaker 3: Oh my god, Oh my god. 167 00:06:46,760 --> 00:06:47,280 Speaker 2: Very scary. 168 00:06:47,400 --> 00:06:49,800 Speaker 1: But I mean there's some things I remember, Crystal Clear, 169 00:06:50,120 --> 00:06:52,200 Speaker 1: you know, like you remember that day or what was 170 00:06:52,200 --> 00:06:53,679 Speaker 1: happening off camera or whatever. 171 00:06:54,000 --> 00:06:57,240 Speaker 3: But when we start this episode, I see that I'm 172 00:06:57,240 --> 00:06:58,280 Speaker 3: wearing a cross. 173 00:06:58,480 --> 00:07:01,440 Speaker 1: So I also think that Michael Patrick and Darren already 174 00:07:01,520 --> 00:07:04,400 Speaker 1: planned that the first marriage wasn't going to work out, 175 00:07:04,440 --> 00:07:05,960 Speaker 1: and then I was going to fall in love with 176 00:07:06,000 --> 00:07:09,320 Speaker 1: the Jewish guy and conferred because I had never worn 177 00:07:09,360 --> 00:07:12,080 Speaker 1: a cross before. But I remember they started pushing these 178 00:07:12,080 --> 00:07:14,320 Speaker 1: crosses on me. I have a diamond cross coming, I 179 00:07:14,360 --> 00:07:17,040 Speaker 1: have a I'm wearing like an old fashioned looking cross 180 00:07:17,040 --> 00:07:19,480 Speaker 1: at the beginning of this episode, like they already knew. 181 00:07:19,680 --> 00:07:21,880 Speaker 1: But I don't think I knew that whole part, or 182 00:07:21,920 --> 00:07:23,800 Speaker 1: if I did, I kind of was just more focused 183 00:07:23,840 --> 00:07:27,200 Speaker 1: on the Kyle of it all, you know, once that came. 184 00:07:27,200 --> 00:07:30,920 Speaker 2: Because Harry's definitely not till season four or five, right, 185 00:07:31,080 --> 00:07:32,360 Speaker 2: I feel like I. 186 00:07:32,280 --> 00:07:34,800 Speaker 1: Feel like I mean, I also feel like in my mind, 187 00:07:34,880 --> 00:07:36,720 Speaker 1: I know we kept Kyle longer than we were supposed to, 188 00:07:36,800 --> 00:07:38,600 Speaker 1: but I don't know that we kept them all that long. 189 00:07:38,640 --> 00:07:41,400 Speaker 1: And I think this season we do like twenty one 190 00:07:41,520 --> 00:07:43,400 Speaker 1: or something like in the olden days, you know what 191 00:07:43,480 --> 00:07:43,640 Speaker 1: I mean? 192 00:07:43,720 --> 00:07:46,880 Speaker 2: Wild? So many episodes, right, so many? Like I'm sure 193 00:07:46,880 --> 00:07:48,560 Speaker 2: you guys did that on Parks and rec too. Yeah, 194 00:07:48,680 --> 00:07:50,560 Speaker 2: twenty two crazy. It's crazy. 195 00:07:50,600 --> 00:07:53,000 Speaker 1: It's crazy to think we shoot him in five days, right, 196 00:07:53,000 --> 00:07:55,240 Speaker 1: which is also insane, insane, insane. 197 00:07:55,360 --> 00:07:57,680 Speaker 2: I did a show party down we shot, we shot 198 00:07:57,760 --> 00:08:02,760 Speaker 2: four days what yeah? Oh like oh yeah yeah, oh yeah, 199 00:08:02,840 --> 00:08:05,680 Speaker 2: yeah it's crazy. Do you have kids yet? Yeah? They 200 00:08:05,680 --> 00:08:08,320 Speaker 2: were brand new kids. Oh wow? Yeah? 201 00:08:08,320 --> 00:08:09,840 Speaker 3: That's crazy town, isn't it. 202 00:08:09,720 --> 00:08:12,280 Speaker 2: It was crazy town. Yeah. It's hard, but it was 203 00:08:12,280 --> 00:08:13,560 Speaker 2: in La. At least it was in La. 204 00:08:13,680 --> 00:08:16,240 Speaker 3: Thank god, God right, thank god, God, Oh my god. 205 00:08:16,280 --> 00:08:16,480 Speaker 4: I know. 206 00:08:16,520 --> 00:08:19,080 Speaker 2: All right, let's let's recap. Let's recap. It's always so hard, 207 00:08:19,160 --> 00:08:20,920 Speaker 2: especially when I have someone like yourself, when I can 208 00:08:20,960 --> 00:08:22,320 Speaker 2: just talk about all kinds of things. 209 00:08:22,560 --> 00:08:25,000 Speaker 1: Okay, So this is what's great about this this episode 210 00:08:25,040 --> 00:08:28,680 Speaker 1: is that Carrie is heartbroken because Big has gotten engaged 211 00:08:28,680 --> 00:08:33,040 Speaker 1: to Natasha, yes, and she doesn't necessarily want a date. 212 00:08:33,080 --> 00:08:36,120 Speaker 1: And then she comes across Slattery on Staten Island of 213 00:08:36,160 --> 00:08:38,800 Speaker 1: all places, and I mean, who could say noice slattery? 214 00:08:38,920 --> 00:08:40,320 Speaker 3: My god, but he has to. 215 00:08:40,240 --> 00:08:44,040 Speaker 1: Pursue her hardcore and he's a politician, an he's a politician. 216 00:08:45,040 --> 00:08:48,800 Speaker 2: Can I just say this episode has it just it 217 00:08:49,360 --> 00:08:55,000 Speaker 2: has season premiere vibes, which is great. Yeah, it's just 218 00:08:55,360 --> 00:08:59,800 Speaker 2: so it's like a reset. Yeah, the dancing everything. 219 00:08:59,760 --> 00:09:01,360 Speaker 3: Yeah, everyone has goods. 220 00:09:02,040 --> 00:09:03,079 Speaker 2: Yeah, yeah, I. 221 00:09:03,040 --> 00:09:06,240 Speaker 3: Mean Samantha Fir Samantha in that firehouse. 222 00:09:06,640 --> 00:09:10,400 Speaker 1: I had forgotten. I had one hundred percent forgotten about that. 223 00:09:10,679 --> 00:09:12,880 Speaker 1: And also and I'm off track with because I was 224 00:09:12,880 --> 00:09:14,559 Speaker 1: gonna talk about Kery, but let's talk about Samantha for 225 00:09:14,600 --> 00:09:14,920 Speaker 1: a second. 226 00:09:14,960 --> 00:09:16,160 Speaker 3: Because when we go to that. 227 00:09:16,640 --> 00:09:19,200 Speaker 1: State Island bar, which I do think we literally went 228 00:09:19,240 --> 00:09:21,880 Speaker 1: to Staten Island that we had one hundred percent sure. Yeah, 229 00:09:21,920 --> 00:09:23,680 Speaker 1: I did have to go to Staten Island to do 230 00:09:23,800 --> 00:09:26,920 Speaker 1: riding lessons for this season two finale when I ride 231 00:09:26,920 --> 00:09:29,520 Speaker 1: my horse in Central Park, which was my first time 232 00:09:29,559 --> 00:09:32,520 Speaker 1: to Staten Island, and I was like, what planet have 233 00:09:32,600 --> 00:09:33,240 Speaker 1: I landed on? 234 00:09:33,760 --> 00:09:36,440 Speaker 2: I have what? I've never been to stat. 235 00:09:36,559 --> 00:09:39,760 Speaker 1: It's crazy, Adam, You've got to go different. I mean 236 00:09:39,760 --> 00:09:41,679 Speaker 1: I think it's Yes, it's totally different than the rest 237 00:09:41,720 --> 00:09:43,959 Speaker 1: of Manhattan, but also they have horses and stuff like 238 00:09:44,000 --> 00:09:47,319 Speaker 1: who knew like trees and horses and whatnot. But so 239 00:09:47,440 --> 00:09:49,120 Speaker 1: I do think we were we were either in like 240 00:09:49,200 --> 00:09:52,640 Speaker 1: Lower Manhattan. Sometimes we would go to Dumbo, like when 241 00:09:52,679 --> 00:09:57,120 Speaker 1: she goes right exactly, I think she was in Dumbo 242 00:09:58,200 --> 00:10:00,640 Speaker 1: with the ferry because maybe we couldn't sh to Sate Island, 243 00:10:00,800 --> 00:10:04,360 Speaker 1: and I later on for this past show, rented up 244 00:10:04,360 --> 00:10:06,480 Speaker 1: Airbnb and Dumbo, thinking that it. 245 00:10:06,440 --> 00:10:07,840 Speaker 3: Was going to be like the old Dumbo, and then 246 00:10:07,840 --> 00:10:08,160 Speaker 3: I was. 247 00:10:08,120 --> 00:10:10,960 Speaker 2: Like, oh, what did I mean? 248 00:10:11,000 --> 00:10:15,680 Speaker 1: It's crazy like with like you know, picture Instagram, picture 249 00:10:15,840 --> 00:10:20,000 Speaker 1: ops and whatever. No, I remembered like warehouse everywhere exactly 250 00:10:20,080 --> 00:10:22,840 Speaker 1: literally every corner has a swea green. It's quite quite different. 251 00:10:23,080 --> 00:10:26,120 Speaker 1: But we you know, we were somewhere with those firemen 252 00:10:26,280 --> 00:10:28,559 Speaker 1: taking off their shirts and I feel like they might 253 00:10:28,559 --> 00:10:29,439 Speaker 1: have been real fireman. 254 00:10:29,600 --> 00:10:30,320 Speaker 2: I need to check. 255 00:10:30,480 --> 00:10:32,680 Speaker 1: But then like Samantha goes and talks to the one 256 00:10:32,960 --> 00:10:34,240 Speaker 1: that she thinks looks the. 257 00:10:34,160 --> 00:10:37,360 Speaker 2: Best, and he is so funny. Do you remember really funny? 258 00:10:37,360 --> 00:10:41,720 Speaker 2: He's super dumb and really good at being I mean, 259 00:10:41,720 --> 00:10:42,320 Speaker 2: it's incredible. 260 00:10:42,600 --> 00:10:44,640 Speaker 1: I last how bad I had to rewind and off again, 261 00:10:44,720 --> 00:10:46,679 Speaker 1: like he just keeps talking and she doesn't want him 262 00:10:46,679 --> 00:10:47,000 Speaker 1: to talk. 263 00:10:48,440 --> 00:10:51,679 Speaker 2: Hys directly funny, so funny, and hats off to her 264 00:10:51,800 --> 00:10:53,720 Speaker 2: doing that too. 265 00:10:54,080 --> 00:10:56,840 Speaker 1: I had forgotten it was incredible and I had not 266 00:10:56,880 --> 00:10:59,600 Speaker 1: remembered it. And when she is so she's she goes 267 00:10:59,600 --> 00:11:01,840 Speaker 1: to the house, which also like what. 268 00:11:01,880 --> 00:11:02,960 Speaker 2: On earth you know? 269 00:11:03,000 --> 00:11:05,160 Speaker 1: And then she's and then the voice over says like, 270 00:11:05,200 --> 00:11:07,839 Speaker 1: then Samantha realized, because we do bring up I love 271 00:11:07,920 --> 00:11:11,199 Speaker 1: the whole rescue theme, you know. And this is when Charlotte, 272 00:11:11,280 --> 00:11:15,680 Speaker 1: you know, Charlotte goes out dancing, you know, realizes I 273 00:11:15,679 --> 00:11:17,640 Speaker 1: guess for the first time that she's a catch, which 274 00:11:17,679 --> 00:11:20,880 Speaker 1: is hysterical, right, and Carrie's like, yes, darlinge yes. 275 00:11:21,160 --> 00:11:22,680 Speaker 2: And then the next morning we're hungover. 276 00:11:23,240 --> 00:11:26,400 Speaker 1: Everyone's hungover, but I'm particularly hungover, and I get to 277 00:11:26,400 --> 00:11:28,560 Speaker 1: film that scene that then we played at every award 278 00:11:28,600 --> 00:11:30,720 Speaker 1: show and I got to hear everybody laugh where I say, like, 279 00:11:31,080 --> 00:11:33,959 Speaker 1: you know, I've been dating since I was fifteen, Where is. 280 00:11:34,400 --> 00:11:35,160 Speaker 2: My hair hurts? 281 00:11:35,320 --> 00:11:35,520 Speaker 4: You know? 282 00:11:35,679 --> 00:11:39,320 Speaker 1: Which was so great and quintessentially Charlotte. And when I die, 283 00:11:39,559 --> 00:11:41,559 Speaker 1: they can just show that it'll be fine. 284 00:11:41,360 --> 00:11:42,840 Speaker 2: You know, you know what I mean. There's so much 285 00:11:42,840 --> 00:11:45,040 Speaker 2: more too, and there is what I mean that would 286 00:11:45,040 --> 00:11:45,600 Speaker 2: be fine. 287 00:11:45,679 --> 00:11:45,880 Speaker 4: You know. 288 00:11:46,320 --> 00:11:49,559 Speaker 1: It's like when things work, you're just like, thank god. Right, 289 00:11:50,080 --> 00:11:52,920 Speaker 1: So that worked really well, but everybody's got like and 290 00:11:53,000 --> 00:11:55,320 Speaker 1: at that coffee shop scene, that's one of my favorite 291 00:11:55,320 --> 00:11:59,200 Speaker 1: coffee shop scenes. Yeah, because I hungover hungover when we're 292 00:11:59,240 --> 00:12:01,439 Speaker 1: and then we're talking about Fireman and why does everyone 293 00:12:01,480 --> 00:12:03,960 Speaker 1: like Fireman, and this is pre nine to eleven, yeah, 294 00:12:03,960 --> 00:12:06,480 Speaker 1: which is also kind of amazing. Right, we're talking about 295 00:12:06,520 --> 00:12:09,440 Speaker 1: the hero and like just the look in their eyes 296 00:12:09,480 --> 00:12:10,520 Speaker 1: that they will save you. 297 00:12:10,880 --> 00:12:13,640 Speaker 2: And it's so interesting that once you guys all sort 298 00:12:13,640 --> 00:12:17,240 Speaker 2: of land on that, everyone stops talking for a minute 299 00:12:17,280 --> 00:12:21,199 Speaker 2: and just kind of absorbs this reality that you've all 300 00:12:21,240 --> 00:12:24,840 Speaker 2: stumbled upon, and you're just like, it's so good, it's 301 00:12:24,960 --> 00:12:29,839 Speaker 2: so good, it's so good. And then Slattery does rescue her, 302 00:12:29,880 --> 00:12:34,880 Speaker 2: then she rescues him absolutely absolutely. But also Charlotte's dance yes, 303 00:12:35,040 --> 00:12:40,439 Speaker 2: is really iconic too. It's so sweet, thank you, And 304 00:12:40,520 --> 00:12:45,480 Speaker 2: she's just having a moment of your which is nice 305 00:12:45,520 --> 00:12:49,319 Speaker 2: self generated right and also depending on any free right, 306 00:12:49,360 --> 00:12:53,360 Speaker 2: but not depending on the attention of ay. That's that's true. 307 00:12:53,400 --> 00:12:57,959 Speaker 2: She is having her own happiness in that moment. That's 308 00:12:58,000 --> 00:12:58,400 Speaker 2: so true. 309 00:12:58,440 --> 00:13:00,480 Speaker 1: That's so true, because earlier I've screwed my face all 310 00:13:00,559 --> 00:13:02,160 Speaker 1: up into a weird thing and said like there's no 311 00:13:02,280 --> 00:13:06,920 Speaker 1: datable men here, like you know, so charlottey judge. But 312 00:13:07,040 --> 00:13:09,160 Speaker 1: then she sets herself free and has a funny dance 313 00:13:09,200 --> 00:13:11,679 Speaker 1: to like a weird song. I remember when Michael Patrick 314 00:13:11,880 --> 00:13:13,679 Speaker 1: I was thinking it would be something that we knew, 315 00:13:13,960 --> 00:13:14,960 Speaker 1: you know, that I would have to live. 316 00:13:15,360 --> 00:13:16,880 Speaker 2: Remember, it's a very strange song. 317 00:13:16,960 --> 00:13:18,840 Speaker 1: I still don't even remember, because I remember I had 318 00:13:18,840 --> 00:13:20,640 Speaker 1: to like study it, like what that heck was? 319 00:13:21,440 --> 00:13:22,480 Speaker 2: I think it was cheap. 320 00:13:22,520 --> 00:13:24,160 Speaker 1: I think that was totally it. And I was like, 321 00:13:24,200 --> 00:13:25,760 Speaker 1: couldn't we do something else? And he's like, no, you 322 00:13:25,800 --> 00:13:26,680 Speaker 1: have to do this one. 323 00:13:26,960 --> 00:13:28,840 Speaker 2: I was like, okay, because there was an expensive song 324 00:13:28,880 --> 00:13:30,720 Speaker 2: earlier in the episode. Right, let's see. 325 00:13:30,800 --> 00:13:32,480 Speaker 1: I think that's right. I think that's right. I mean 326 00:13:32,480 --> 00:13:45,760 Speaker 1: expensive for the time, right, Yes, exactly so, And I 327 00:13:45,840 --> 00:13:48,360 Speaker 1: remember that at that time because also Sarah Jessica does 328 00:13:48,360 --> 00:13:51,280 Speaker 1: a little dance the cameras above us. We would get 329 00:13:51,400 --> 00:13:55,280 Speaker 1: a choreographer because we were so nervous about any dancing. 330 00:13:55,400 --> 00:13:58,120 Speaker 1: If they said the word dance, the choreographer would be 331 00:13:58,120 --> 00:14:00,840 Speaker 1: called to just hold our hands. 332 00:14:01,520 --> 00:14:04,600 Speaker 2: I get it, because it's yeah, and it's embarrassing in 333 00:14:04,600 --> 00:14:05,880 Speaker 2: front of everybody, totally. 334 00:14:05,920 --> 00:14:07,520 Speaker 3: You got to free yourself up somehow, and if you 335 00:14:07,600 --> 00:14:08,840 Speaker 3: know some steps. 336 00:14:08,760 --> 00:14:11,200 Speaker 2: Or like an idea really drunk, so you have. 337 00:14:11,160 --> 00:14:14,360 Speaker 1: To pretend that, yes, you're absolutely pretending that as well. 338 00:14:14,400 --> 00:14:17,120 Speaker 1: We never we never drank real drinks, no matter other 339 00:14:17,120 --> 00:14:17,559 Speaker 1: people did. 340 00:14:17,600 --> 00:14:20,320 Speaker 2: On other sets. I guess I've been finding out through 341 00:14:20,360 --> 00:14:24,160 Speaker 2: this podcast. I feel like I would that would I 342 00:14:24,200 --> 00:14:26,320 Speaker 2: think that would be terrible because then three hours later 343 00:14:26,360 --> 00:14:29,400 Speaker 2: you're going to be like feeling like definitely over and 344 00:14:29,480 --> 00:14:32,040 Speaker 2: you have to work another night, another one, and you're gonna. 345 00:14:31,840 --> 00:14:33,800 Speaker 1: Do other scenes where you're not drunk. I don't even 346 00:14:33,840 --> 00:14:36,320 Speaker 1: understand how that works. Yeah, I'm sober also, so that 347 00:14:36,360 --> 00:14:39,000 Speaker 1: would be a problem. But I didn't have to do that, 348 00:14:39,120 --> 00:14:40,600 Speaker 1: so it's all good. But yeah, it was always fun 349 00:14:40,640 --> 00:14:43,520 Speaker 1: for Charlotte to play drunk, to be drunk because she 350 00:14:43,800 --> 00:14:46,480 Speaker 1: would be free, you know, which was so nice. So 351 00:14:46,640 --> 00:14:49,120 Speaker 1: we all have this moment which I think the entire 352 00:14:49,160 --> 00:14:52,200 Speaker 1: scene of the you know, do women just want to 353 00:14:52,240 --> 00:14:56,440 Speaker 1: be rescued? I think is an incredible theme and holds 354 00:14:56,520 --> 00:14:57,320 Speaker 1: up still. 355 00:14:57,200 --> 00:14:58,920 Speaker 2: And a great way to launch the season. 356 00:14:59,200 --> 00:15:02,280 Speaker 1: Absolutely, we launch of the season and still such a 357 00:15:02,400 --> 00:15:06,000 Speaker 1: we could do a new show now about that, you know, like, 358 00:15:06,360 --> 00:15:09,080 Speaker 1: do women still want to be rescued? I kind of 359 00:15:09,080 --> 00:15:09,960 Speaker 1: feel like they do. 360 00:15:10,080 --> 00:15:12,920 Speaker 2: Well, everything in the show is evergreen, don't you think. 361 00:15:13,000 --> 00:15:14,400 Speaker 2: I do think you guys are I do? 362 00:15:14,880 --> 00:15:16,600 Speaker 1: I mean, every once in a while there'll be something 363 00:15:16,600 --> 00:15:19,160 Speaker 1: where we say something weird, like the Do you know 364 00:15:19,280 --> 00:15:23,080 Speaker 1: Danny Futterman, Oh yeah, and he played the metro sexual 365 00:15:23,480 --> 00:15:25,640 Speaker 1: and that was a word good he's so good. Yeah, 366 00:15:25,680 --> 00:15:27,440 Speaker 1: it was a word that didn't survive, right, like. 367 00:15:27,400 --> 00:15:30,320 Speaker 2: We're remember that, I remember the past that. Yes, yes, 368 00:15:30,360 --> 00:15:33,200 Speaker 2: so sometimes there's something like that. There's little cultural things, right, 369 00:15:33,400 --> 00:15:33,720 Speaker 2: but like. 370 00:15:33,680 --> 00:15:36,280 Speaker 3: The bigger themes I think are one still true. 371 00:15:36,320 --> 00:15:39,200 Speaker 2: I think even in that case, the fact that these 372 00:15:39,240 --> 00:15:44,200 Speaker 2: four women come to that conclusion is still interesting and 373 00:15:44,640 --> 00:15:49,400 Speaker 2: still resonant that that's where they land and they all 374 00:15:49,440 --> 00:15:52,240 Speaker 2: four of them at the same time are like, yeah, 375 00:15:52,360 --> 00:15:58,640 Speaker 2: okay in two thousand and one or two thousand, two thousand, Yeah. 376 00:15:59,040 --> 00:16:00,640 Speaker 3: I know, I know, I know, I love it. 377 00:16:00,640 --> 00:16:01,280 Speaker 2: I love it of it. 378 00:16:01,320 --> 00:16:03,480 Speaker 1: But I think it's great because it is still something 379 00:16:03,480 --> 00:16:06,320 Speaker 1: that I mean, I guess it's specific now to everybody, right, 380 00:16:06,440 --> 00:16:08,040 Speaker 1: like do they want to be rescued or don't they? 381 00:16:08,080 --> 00:16:09,760 Speaker 1: I mean I didn't want to be rescued at the time, 382 00:16:09,920 --> 00:16:12,560 Speaker 1: but I certainly knew that I was supposed to want 383 00:16:12,600 --> 00:16:13,600 Speaker 1: to be rescued. 384 00:16:13,320 --> 00:16:16,680 Speaker 2: Right, which also gets a reaction, you know. 385 00:16:16,640 --> 00:16:19,560 Speaker 1: Yeah, yeah, So my reaction was like no, yeah, I 386 00:16:19,600 --> 00:16:23,200 Speaker 1: will not be rescued. I will be super independent. Yeah, 387 00:16:23,360 --> 00:16:25,840 Speaker 1: get away from me. Don't open that door, you know. 388 00:16:25,840 --> 00:16:27,800 Speaker 2: What I mean? Well, you can still be independent and 389 00:16:27,840 --> 00:16:32,160 Speaker 2: still want that feeling even if you don't. Even if 390 00:16:32,200 --> 00:16:35,080 Speaker 2: that feeling is it doesn't preclude you from carrying on 391 00:16:35,160 --> 00:16:37,520 Speaker 2: with your life. Maybe I don't know. I do think 392 00:16:37,520 --> 00:16:38,040 Speaker 2: that's true. 393 00:16:38,080 --> 00:16:40,560 Speaker 1: I mean I did eventually go out with someone who 394 00:16:40,800 --> 00:16:44,200 Speaker 1: used to save me, Like, could you just relax with 395 00:16:44,280 --> 00:16:46,680 Speaker 1: the independence a little bit? He was Australian, so I'm 396 00:16:46,680 --> 00:16:48,160 Speaker 1: not going to go too much into detail. And I'd 397 00:16:48,160 --> 00:16:49,880 Speaker 1: be like, what do you mean? He'd be like, well, like, 398 00:16:49,920 --> 00:16:54,480 Speaker 1: for instance, you know, just let me order. I'd be like, okay, 399 00:16:54,640 --> 00:16:57,240 Speaker 1: all right, I'll try, you know, you know what I mean, 400 00:16:57,800 --> 00:16:59,280 Speaker 1: Like you could give it up, you know what I mean, 401 00:16:59,280 --> 00:16:59,880 Speaker 1: I could give up. 402 00:17:00,000 --> 00:17:01,920 Speaker 3: I didn't need to have it, you know what I'm saying, 403 00:17:02,040 --> 00:17:02,600 Speaker 3: But you have to. 404 00:17:03,160 --> 00:17:05,280 Speaker 1: I think I had to prove to myself that I 405 00:17:05,320 --> 00:17:06,399 Speaker 1: could be independent. 406 00:17:06,840 --> 00:17:07,119 Speaker 2: Yeah. 407 00:17:07,280 --> 00:17:10,480 Speaker 3: Yeah, maybe that's where you are exactly. 408 00:17:10,560 --> 00:17:12,159 Speaker 2: And I mean I was then too. But then I 409 00:17:12,160 --> 00:17:13,240 Speaker 2: could also just let him. 410 00:17:13,160 --> 00:17:14,600 Speaker 1: Have the power if he needed to have the power, 411 00:17:14,600 --> 00:17:16,440 Speaker 1: if that made him feel good, sure, and it made 412 00:17:16,480 --> 00:17:18,840 Speaker 1: me feel good. And then one time I got sick 413 00:17:19,200 --> 00:17:20,840 Speaker 1: and he was there and I let him take care 414 00:17:20,880 --> 00:17:21,040 Speaker 1: of me. 415 00:17:21,480 --> 00:17:22,520 Speaker 2: I remember that a big. 416 00:17:22,720 --> 00:17:25,880 Speaker 1: Thing, big step, big step, and he was very good 417 00:17:25,920 --> 00:17:26,200 Speaker 1: at it. 418 00:17:26,800 --> 00:17:29,080 Speaker 2: And I was like, that's nice, and was it? And 419 00:17:29,280 --> 00:17:31,639 Speaker 2: was it a nice feeling to have someone? It was 420 00:17:31,680 --> 00:17:32,480 Speaker 2: a good feeling. 421 00:17:32,480 --> 00:17:34,080 Speaker 1: It would have been very because we were on location 422 00:17:34,480 --> 00:17:36,720 Speaker 1: and and and he just happened to be visiting. And 423 00:17:36,800 --> 00:17:39,760 Speaker 1: if he hadn't been there, I would have just gutted 424 00:17:39,800 --> 00:17:41,879 Speaker 1: it out by myself. Like I wouldn't have called anybody 425 00:17:41,880 --> 00:17:43,640 Speaker 1: because I wouldn't have wanted to worry anybody. 426 00:17:43,720 --> 00:17:45,480 Speaker 2: Yeah, you know what I mean. Yeah, like when you're 427 00:17:45,480 --> 00:17:47,240 Speaker 2: on location, you don't want to scare everyone. 428 00:17:47,119 --> 00:17:49,560 Speaker 3: Yeah, right, because I already I had had the weekend off. 429 00:17:49,600 --> 00:17:51,119 Speaker 1: But I was like, I would have just holed up 430 00:17:51,119 --> 00:17:52,800 Speaker 1: in that little hotel room by myself. 431 00:17:53,080 --> 00:17:55,880 Speaker 2: So it was nice. So it's sometimes nice, yeah, right, 432 00:17:56,040 --> 00:17:58,919 Speaker 2: let someone, even if it's for their sake, to let 433 00:17:59,000 --> 00:18:00,800 Speaker 2: them feel like art take you know. 434 00:18:00,880 --> 00:18:03,240 Speaker 1: Absolutely absolutely, But I think and that's why it was 435 00:18:03,640 --> 00:18:06,479 Speaker 1: and still is, you know, whenever I do play Charlotte. 436 00:18:06,520 --> 00:18:10,280 Speaker 1: Still interesting is that she wanted all these things, but 437 00:18:10,320 --> 00:18:13,920 Speaker 1: then is also super super capable, right, yes, but still 438 00:18:13,960 --> 00:18:16,480 Speaker 1: thought she wanted the fantasy, yes, and then has to 439 00:18:16,520 --> 00:18:18,919 Speaker 1: let go of elements of the fancy but still found 440 00:18:19,320 --> 00:18:19,960 Speaker 1: the good guy. 441 00:18:20,240 --> 00:18:21,119 Speaker 2: That's right, you know. 442 00:18:21,280 --> 00:18:23,639 Speaker 1: But then like when if you ever are on a 443 00:18:23,640 --> 00:18:25,440 Speaker 1: plane and watch and just like that, you will see 444 00:18:25,560 --> 00:18:26,959 Speaker 1: like Charlotte runs that family. 445 00:18:27,440 --> 00:18:31,320 Speaker 2: Yeah interesting, Yeah, it's great. But don't you think Harry 446 00:18:31,440 --> 00:18:35,920 Speaker 2: also he's powerful. But he also one of the things 447 00:18:35,920 --> 00:18:38,600 Speaker 2: he loves about her, at least in Sex and the 448 00:18:38,600 --> 00:18:41,240 Speaker 2: City when they when they meet, and then the movies 449 00:18:41,280 --> 00:18:45,359 Speaker 2: as well, is that he does love that she's independent 450 00:18:45,400 --> 00:18:47,359 Speaker 2: and she can't take care of her definitely, and he 451 00:18:47,400 --> 00:18:49,840 Speaker 2: doesn't think she needs him to rescue her. 452 00:18:49,960 --> 00:18:53,879 Speaker 1: Definitely. Definitely. They have a very good partnership. Yeah, yeah, definitely. 453 00:18:54,040 --> 00:18:57,600 Speaker 1: He respects her from the start, absolutely, and that's I 454 00:18:57,640 --> 00:19:00,439 Speaker 1: think the thing that that that catches her off, and 455 00:19:00,720 --> 00:19:03,639 Speaker 1: you know it's so attractive, right, like the kind of 456 00:19:03,640 --> 00:19:06,000 Speaker 1: deep respect and also he's just such a good human being, 457 00:19:06,720 --> 00:19:08,679 Speaker 1: you know, which is what's also. 458 00:19:08,480 --> 00:19:12,040 Speaker 2: Doesn't really take any of her No, No, he doesn't. 459 00:19:12,119 --> 00:19:12,879 Speaker 2: That's a good point. 460 00:19:12,920 --> 00:19:13,520 Speaker 3: That's a good point. 461 00:19:13,560 --> 00:19:15,359 Speaker 1: And I mean I haven't gotten to rewatch that part yet, 462 00:19:15,400 --> 00:19:17,000 Speaker 1: and I feel like I'm really going to discover a 463 00:19:17,040 --> 00:19:18,600 Speaker 1: lot when I do. Do you know what I mean, 464 00:19:19,359 --> 00:19:22,119 Speaker 1: but when I yeah, yeah, because you know, like sometimes 465 00:19:22,160 --> 00:19:25,280 Speaker 1: when I rewatch, I'm like, wow, I didn't like see 466 00:19:25,320 --> 00:19:27,800 Speaker 1: all these subtleties, you know, because you're. 467 00:19:27,880 --> 00:19:32,480 Speaker 2: Interesting, because it's super interesting. When they meet, it's great. 468 00:19:32,760 --> 00:19:34,160 Speaker 3: Yeah, I mean Evan's great. 469 00:19:34,359 --> 00:19:38,080 Speaker 2: I love yes and I love you two together. It's 470 00:19:38,200 --> 00:19:40,000 Speaker 2: so fun. Thank you. I mean, we lucked out with him. 471 00:19:40,160 --> 00:19:40,960 Speaker 2: We lucked out with him. 472 00:19:41,160 --> 00:19:41,360 Speaker 4: Great. 473 00:19:41,440 --> 00:19:42,919 Speaker 1: I know I'm going to have to keep rewatching, but 474 00:19:42,960 --> 00:19:44,520 Speaker 1: I do. I have to ask you this question because 475 00:19:45,400 --> 00:19:47,680 Speaker 1: one of the reasons that I think about Evan and 476 00:19:47,720 --> 00:19:49,920 Speaker 1: I think about how lucky we are is that that 477 00:19:49,960 --> 00:19:52,560 Speaker 1: part was written for another actor that Michael saw doing 478 00:19:52,560 --> 00:19:55,240 Speaker 1: a play off Broadway, and then it became between that 479 00:19:55,359 --> 00:19:56,200 Speaker 1: actor and Evan. 480 00:19:56,440 --> 00:19:57,399 Speaker 3: And Evan, we used to. 481 00:19:57,359 --> 00:19:59,280 Speaker 1: Get to read with the people who were in the 482 00:19:59,320 --> 00:20:04,159 Speaker 1: finalist for our main guys, right, not Kyle Kyle. Michael 483 00:20:04,200 --> 00:20:06,600 Speaker 1: met it a picnic and just told me it's going 484 00:20:06,640 --> 00:20:08,080 Speaker 1: to be a comicgoaguah. 485 00:20:07,480 --> 00:20:09,720 Speaker 2: And I was like, okay, we're you going to say, right? 486 00:20:10,600 --> 00:20:14,439 Speaker 1: But Evan came in in this audition with props and 487 00:20:14,480 --> 00:20:17,480 Speaker 1: he took this this big muffin out and just ate 488 00:20:17,520 --> 00:20:20,679 Speaker 1: it and talked with like crumbs coming out as well, right, 489 00:20:20,760 --> 00:20:23,880 Speaker 1: like super confident. And I remember seeing and I don't 490 00:20:23,880 --> 00:20:26,160 Speaker 1: know if this was intentional or not in the lead 491 00:20:26,240 --> 00:20:29,000 Speaker 1: up to the Emmys, that Britt's audition tape. 492 00:20:29,080 --> 00:20:29,639 Speaker 3: Did you see that? 493 00:20:29,720 --> 00:20:33,880 Speaker 2: It like got out? Like how does that happen? So interesting? 494 00:20:34,880 --> 00:20:37,600 Speaker 2: I mean I think they put it out they got 495 00:20:37,600 --> 00:20:40,840 Speaker 2: it because it was so incredible. I mean, my god, Yeah, 496 00:20:40,880 --> 00:20:44,680 Speaker 2: she sent that in and it was an incredible tape 497 00:20:45,200 --> 00:20:47,920 Speaker 2: and then came in and we read together, got it 498 00:20:48,000 --> 00:20:51,320 Speaker 2: and she was great. But yeah, that that and he. 499 00:20:51,400 --> 00:20:53,520 Speaker 3: Showed you the tape because this is in the self 500 00:20:53,560 --> 00:20:54,159 Speaker 3: tape era. 501 00:20:54,280 --> 00:20:58,600 Speaker 2: Right, the tape it it got it right. But but 502 00:20:58,760 --> 00:21:00,800 Speaker 2: I hadn't seen it when she came to read. I 503 00:21:00,840 --> 00:21:03,640 Speaker 2: hadn't seen it yet, okay, but I knew brit from 504 00:21:03,680 --> 00:21:07,600 Speaker 2: before good and when she walked in, I was like, 505 00:21:07,720 --> 00:21:11,160 Speaker 2: oh my god, yeah, of course Britt, and I knew immediately, 506 00:21:11,680 --> 00:21:14,640 Speaker 2: was like, that's that's that's her. 507 00:21:14,640 --> 00:21:15,640 Speaker 3: And she's so perfect. 508 00:21:16,000 --> 00:21:19,320 Speaker 1: Yeah, absolutely amazing, amazing, Like when you see that self table, 509 00:21:19,320 --> 00:21:23,000 Speaker 1: I mean it is it's a perfection. Everything is there 510 00:21:23,040 --> 00:21:26,639 Speaker 1: and that's a hard, hard scene, not easy, good lord, 511 00:21:27,200 --> 00:21:29,960 Speaker 1: so impressive. Anyway, Sorry, I'm always curious about when they 512 00:21:30,080 --> 00:21:32,320 Speaker 1: released those things, like how does it happen? 513 00:21:32,440 --> 00:21:36,800 Speaker 2: Yeah, you know, yeah, I mean I wish this is 514 00:21:36,840 --> 00:21:39,520 Speaker 2: so great? Should put this? Yeah? Cool, cool, cool cool. 515 00:21:39,520 --> 00:21:40,040 Speaker 2: I totally agree. 516 00:21:40,040 --> 00:21:42,840 Speaker 1: All right, Samantha's in that firehouse, So I had forgotten that. 517 00:21:42,920 --> 00:21:46,000 Speaker 1: She goes to the literal firehouse and thinks it's going 518 00:21:46,080 --> 00:21:47,919 Speaker 1: to have some like sex fantasy, and all. 519 00:21:47,760 --> 00:21:51,120 Speaker 2: These dudes are there just stirring at her like hunky. 520 00:21:51,520 --> 00:21:54,600 Speaker 1: They're not all hunky, of course, and then she's like, 521 00:21:54,720 --> 00:21:57,119 Speaker 1: why are all the outfits here on the floor, you know, 522 00:21:57,160 --> 00:21:59,080 Speaker 1: it's just really funny. He's like for a fire and 523 00:21:59,119 --> 00:22:01,280 Speaker 1: then of course the bell goes off, and then she 524 00:22:01,280 --> 00:22:04,960 Speaker 1: she before that, when she gets gets in his or whatever, 525 00:22:05,000 --> 00:22:08,760 Speaker 1: she looks so incredibly cute, like it's so fantastic. 526 00:22:08,920 --> 00:22:10,399 Speaker 2: But then that fireman. 527 00:22:10,080 --> 00:22:13,400 Speaker 1: Really yells at her like, oh my. 528 00:22:13,320 --> 00:22:14,320 Speaker 2: God, it's so good. 529 00:22:14,359 --> 00:22:17,720 Speaker 1: And then she's standing there by herself in the firehouse 530 00:22:18,000 --> 00:22:22,600 Speaker 1: with no clothes, very brave, very brave, very brave on 531 00:22:22,640 --> 00:22:25,600 Speaker 1: her part, and really incredibly good. Like, you're right, every 532 00:22:25,640 --> 00:22:29,840 Speaker 1: single storyline is so so good, and it's. 533 00:22:29,680 --> 00:22:31,560 Speaker 2: Such a compact amount of time. 534 00:22:31,600 --> 00:22:34,879 Speaker 1: Yeah, Michael Patrick wrote and directed amazing. That's him at 535 00:22:34,920 --> 00:22:37,080 Speaker 1: his he's like all cylinders firing. 536 00:22:37,640 --> 00:22:40,920 Speaker 2: So then we've got Maranda, who is you. 537 00:22:40,880 --> 00:22:43,680 Speaker 1: Know, struggling this Really I related to this so much, 538 00:22:43,680 --> 00:22:46,760 Speaker 1: talking about independence. She's got to go have her laces, 539 00:22:47,119 --> 00:22:49,040 Speaker 1: and she doesn't want to call a friend. I've been 540 00:22:49,080 --> 00:22:50,920 Speaker 1: in this place so many times. I'm like, I won't 541 00:22:50,960 --> 00:22:53,280 Speaker 1: need a friend. Well, you have a wife, right, But 542 00:22:53,560 --> 00:22:55,240 Speaker 1: do you still try not to. 543 00:22:55,359 --> 00:22:59,960 Speaker 2: Well I remember in my single day like moving by myself, exactly, 544 00:23:00,119 --> 00:23:02,040 Speaker 2: I don't want anyone to help me, right, I don't 545 00:23:02,040 --> 00:23:02,520 Speaker 2: need help. 546 00:23:02,560 --> 00:23:04,840 Speaker 3: I don't need help. And then you're like, oh my god, 547 00:23:04,920 --> 00:23:05,800 Speaker 3: my back is killing. 548 00:23:05,920 --> 00:23:08,159 Speaker 2: Yes, right, And like Marana. 549 00:23:07,840 --> 00:23:10,520 Speaker 1: Is so adorable, Like she wakes up from blastis and 550 00:23:10,560 --> 00:23:13,040 Speaker 1: they told her every different way that she needs a friend, 551 00:23:13,320 --> 00:23:16,840 Speaker 1: and she wants Carrie. She doesn't want Steve, and David 552 00:23:17,040 --> 00:23:20,320 Speaker 1: tries his little sweet self and then she wakes up 553 00:23:20,359 --> 00:23:22,480 Speaker 1: and sell blurry and she sees in there. 554 00:23:22,560 --> 00:23:29,280 Speaker 2: And it's nice, so sweet. Isn't he so good? David Eigenberg, Yeah, 555 00:23:29,320 --> 00:23:34,280 Speaker 2: it's incredible, And and I love that she writes those 556 00:23:34,359 --> 00:23:38,360 Speaker 2: big notes for herself. Chinese restaurant, which is the same 557 00:23:38,480 --> 00:23:42,000 Speaker 2: Chinese restaurant she orders from the whole series. It's a 558 00:23:42,040 --> 00:23:42,639 Speaker 2: through line. 559 00:23:42,880 --> 00:23:46,199 Speaker 1: It's a very important through line place I know. And 560 00:23:46,240 --> 00:23:49,080 Speaker 1: that's the other thing rewatching where I really respect the 561 00:23:49,119 --> 00:23:52,920 Speaker 1: writers so much, you know, like the details. On the 562 00:23:53,000 --> 00:23:55,680 Speaker 1: other hand, I would also say there are sometimes inconsistencies 563 00:23:55,680 --> 00:23:58,520 Speaker 1: which in the olden days, pre social media, we were 564 00:23:58,560 --> 00:24:00,800 Speaker 1: allowed to get away with us, and now we are not. 565 00:24:01,160 --> 00:24:03,560 Speaker 2: Well, you know, one thing that you notice is that 566 00:24:03,800 --> 00:24:06,399 Speaker 2: when you guys go to restaurants on the show, often 567 00:24:06,440 --> 00:24:09,160 Speaker 2: it's the exact same menu. Have you noticed that, Yes, 568 00:24:09,560 --> 00:24:14,000 Speaker 2: it's our prop. People are like, get out the restaurant menu, totally, totally. 569 00:24:14,320 --> 00:24:16,840 Speaker 1: Sometimes that's because we are at a real restaurant that 570 00:24:16,920 --> 00:24:19,159 Speaker 1: we are going to use as the real restaurant for 571 00:24:19,200 --> 00:24:21,639 Speaker 1: one scene in one episode, but we would crossboard. 572 00:24:21,640 --> 00:24:22,280 Speaker 3: We'd shoot to. 573 00:24:22,240 --> 00:24:24,679 Speaker 1: It once right, and so then in the back we 574 00:24:24,720 --> 00:24:27,000 Speaker 1: would have asked for like a back room, and we've 575 00:24:27,119 --> 00:24:30,439 Speaker 1: dressed it differently to be like an innocuous restaurant, so 576 00:24:30,480 --> 00:24:32,840 Speaker 1: we can use that restaurant twice and get. 577 00:24:32,640 --> 00:24:33,159 Speaker 3: Away with it. 578 00:24:33,200 --> 00:24:35,880 Speaker 1: But yes, little details like that I do sometimes see 579 00:24:36,040 --> 00:24:38,160 Speaker 1: I'm like, oh, that's funny, that's the like it's got 580 00:24:38,160 --> 00:24:39,639 Speaker 1: like onion soup or whatever on it. 581 00:24:39,760 --> 00:24:43,680 Speaker 2: Like I see stuff like that and love it. Why 582 00:24:44,160 --> 00:24:44,920 Speaker 2: so why so. 583 00:24:44,840 --> 00:24:48,560 Speaker 1: Do I as actors? I mean, because we understand why 584 00:24:48,760 --> 00:24:50,040 Speaker 1: you know what I mean. But like you guys on 585 00:24:50,080 --> 00:24:52,280 Speaker 1: Severance could never get away with any No. 586 00:24:52,560 --> 00:24:54,800 Speaker 2: But one thing I do notice too is when people 587 00:24:55,480 --> 00:24:58,639 Speaker 2: look down for their marks. But whenever I pointed out that, 588 00:24:58,840 --> 00:25:03,560 Speaker 2: my wife is like, what, it's so actor thing that 589 00:25:03,640 --> 00:25:06,800 Speaker 2: we look at it. I know, I know, I love it. Yeah, 590 00:25:06,880 --> 00:25:07,440 Speaker 2: I love it. 591 00:25:07,520 --> 00:25:09,720 Speaker 1: But I remember, like when I first was guest starring 592 00:25:09,760 --> 00:25:13,639 Speaker 1: or whatever. I mean, the panic about your mark and 593 00:25:13,680 --> 00:25:16,000 Speaker 1: if you have to docy dough yeah, back in the 594 00:25:16,040 --> 00:25:16,640 Speaker 1: olden days. 595 00:25:16,840 --> 00:25:18,720 Speaker 2: Yeah. Or if you're doing a long walk and Talk 596 00:25:18,760 --> 00:25:20,720 Speaker 2: and you have to land on a thing, right, I 597 00:25:20,720 --> 00:25:22,960 Speaker 2: mean this was our show, the Walk and Talk. I mean, 598 00:25:23,080 --> 00:25:26,040 Speaker 2: oh yeah, I'm sure. And you're out in the wild, in. 599 00:25:26,000 --> 00:25:29,720 Speaker 1: The wild with the strangers yelling at us and whatnot. 600 00:25:29,920 --> 00:25:33,640 Speaker 2: You feel it too, in these greats? Oh absolutely, absolutely, Sorry, 601 00:25:33,680 --> 00:25:34,520 Speaker 2: you're trying. It's okay. 602 00:25:34,560 --> 00:25:36,439 Speaker 1: I want to recap it. I mean, also I just 603 00:25:36,480 --> 00:25:40,520 Speaker 1: like to talk, okay, Miranda's storyline. I mean, I think 604 00:25:40,520 --> 00:25:42,360 Speaker 1: we did the important part. The important part is that 605 00:25:42,640 --> 00:25:45,080 Speaker 1: it's adorable. And then when she does wake up and 606 00:25:45,080 --> 00:25:48,119 Speaker 1: she sees Steve, and she puts her hand in his hands. Yes, 607 00:25:48,240 --> 00:25:49,760 Speaker 1: Oh my god, it's the sweetest. 608 00:25:50,080 --> 00:25:51,400 Speaker 2: She wakes up and takes the. 609 00:25:51,320 --> 00:25:54,520 Speaker 1: Goble and she can see clearly, and then she puts 610 00:25:54,520 --> 00:25:55,639 Speaker 1: she sees him clearly. 611 00:25:55,840 --> 00:25:57,240 Speaker 3: Is it's incredible. 612 00:25:57,400 --> 00:26:00,680 Speaker 2: It's so good. I do too. And I I did 613 00:26:00,720 --> 00:26:03,400 Speaker 2: not appreciate him at the time. I've said this already, Yeah, 614 00:26:03,440 --> 00:26:05,960 Speaker 2: And I mean not that I didn't think he was 615 00:26:06,040 --> 00:26:06,680 Speaker 2: great or whatever. 616 00:26:06,800 --> 00:26:09,600 Speaker 1: I just I think I liked when we were all 617 00:26:09,680 --> 00:26:14,200 Speaker 1: single somehow, you know, And I didn't really understand how 618 00:26:14,240 --> 00:26:19,280 Speaker 1: incredibly good he was and how opposite they were and complimentary, 619 00:26:19,600 --> 00:26:21,119 Speaker 1: and how good the writing was. 620 00:26:21,680 --> 00:26:25,360 Speaker 2: Yeah, and she certainly fights it. Yeah, but that makes sense. 621 00:26:25,400 --> 00:26:26,960 Speaker 2: You love someone, you love them. 622 00:26:26,960 --> 00:26:29,480 Speaker 1: Absolutely, even if they aren't what you pictured, and even 623 00:26:29,480 --> 00:26:31,159 Speaker 1: if you didn't even think you wanted to get married 624 00:26:31,200 --> 00:26:33,080 Speaker 1: and whatever, and if you want to be a partner 625 00:26:33,119 --> 00:26:34,880 Speaker 1: at your law firm more than you want to get married. 626 00:26:35,000 --> 00:26:37,439 Speaker 2: It's all the different things. And he embarrasses here and 627 00:26:37,520 --> 00:26:40,119 Speaker 2: he makes dumb jokes, and she's like, god, you know, 628 00:26:40,880 --> 00:26:42,920 Speaker 2: fights it every step of the way, every step of 629 00:26:42,960 --> 00:26:45,040 Speaker 2: the way. And she's just so good. They're both so good, 630 00:26:45,240 --> 00:26:49,960 Speaker 2: so good. I know, I know, right Owerhouse. 631 00:26:49,640 --> 00:27:01,960 Speaker 4: Yeah, let's continue on the carry of it all. 632 00:27:02,160 --> 00:27:05,960 Speaker 2: And then my I mean, she doesn't want to date 633 00:27:06,040 --> 00:27:08,920 Speaker 2: this guy, but he's so charming. I mean, who could 634 00:27:08,960 --> 00:27:12,879 Speaker 2: say nobody shows up with her voter registration film. 635 00:27:12,920 --> 00:27:14,000 Speaker 3: That's not the cutest thing. 636 00:27:14,119 --> 00:27:16,360 Speaker 2: And also can you believe she didn't vote? I know 637 00:27:17,119 --> 00:27:21,120 Speaker 2: has such residence, but it's so it's a really interesting 638 00:27:21,240 --> 00:27:23,520 Speaker 2: character thing for Carrie, It's like. 639 00:27:23,520 --> 00:27:28,080 Speaker 1: Right, And also her devotion to shoes in this particular episode, 640 00:27:28,160 --> 00:27:31,600 Speaker 1: My god, this is leading up to that she's in debt. 641 00:27:31,920 --> 00:27:34,880 Speaker 1: This is when I think they're really thinking about. 642 00:27:34,640 --> 00:27:36,560 Speaker 2: When they get to her borrowing money. 643 00:27:36,280 --> 00:27:40,359 Speaker 1: From exactly exactly wanting my ring, yeah, to pay off 644 00:27:40,359 --> 00:27:41,680 Speaker 1: her shoe. 645 00:27:41,359 --> 00:27:45,560 Speaker 2: Debt, which is yeah, because but that yeah, because that's 646 00:27:45,600 --> 00:27:49,720 Speaker 2: after Trey, right, right, So they're they're they're really at 647 00:27:49,720 --> 00:27:50,280 Speaker 2: this point. 648 00:27:50,359 --> 00:27:52,879 Speaker 1: I think they've got their writer's room together before the 649 00:27:52,960 --> 00:27:54,400 Speaker 1: show and they're really planning. 650 00:27:54,680 --> 00:27:58,160 Speaker 2: And then also, is it post split up with Trey 651 00:27:58,200 --> 00:28:01,360 Speaker 2: that you're walking and synth you follows. 652 00:28:00,960 --> 00:28:03,480 Speaker 1: You Oh yeah, when I went, well, no, no, I'm 653 00:28:03,480 --> 00:28:05,040 Speaker 1: still with Tree, because that's when I really know that 654 00:28:05,080 --> 00:28:07,200 Speaker 1: I can't have a baby. And I remember when he 655 00:28:07,240 --> 00:28:10,520 Speaker 1: gets that paper baby out that that that that poster baby. 656 00:28:10,760 --> 00:28:13,240 Speaker 2: Not a great move, I know, not a great movie. 657 00:28:13,480 --> 00:28:15,560 Speaker 2: And I think thought it would just be a little 658 00:28:15,680 --> 00:28:16,920 Speaker 2: chuckle or whatever. 659 00:28:17,160 --> 00:28:19,840 Speaker 3: I know, that's when he's really annoying. Oh boy, but 660 00:28:19,880 --> 00:28:20,720 Speaker 3: he's still him. 661 00:28:20,720 --> 00:28:24,040 Speaker 2: Are you walking home? And the voiceover saying because she 662 00:28:24,119 --> 00:28:26,640 Speaker 2: knew if she would turn around, That's like, I know. 663 00:28:26,640 --> 00:28:29,159 Speaker 1: It was good, really good. It was really good. I 664 00:28:29,200 --> 00:28:32,760 Speaker 1: look back on those storylines. I haven't watched it again yet, right, 665 00:28:32,840 --> 00:28:35,479 Speaker 1: but I look back on them, and I think in 666 00:28:35,640 --> 00:28:38,080 Speaker 1: some ways I was a little young, like all my 667 00:28:38,160 --> 00:28:40,400 Speaker 1: friends hadn't started going through that yet, do you know 668 00:28:40,480 --> 00:28:42,479 Speaker 1: what I mean? Like there was a time maybe like 669 00:28:42,640 --> 00:28:44,959 Speaker 1: five years after that where like all my friends are 670 00:28:44,960 --> 00:28:48,120 Speaker 1: going through IVY, like everybody in It's hell, you know 671 00:28:48,120 --> 00:28:51,760 Speaker 1: what I mean. We hadn't really known people yet so 672 00:28:51,880 --> 00:28:55,360 Speaker 1: much who had done that. And I wonder if I 673 00:28:55,360 --> 00:28:56,280 Speaker 1: did it justice? 674 00:28:56,640 --> 00:28:59,080 Speaker 2: You know what I'm saying, Yes you did. Okay, It's 675 00:28:59,160 --> 00:29:02,960 Speaker 2: so good. It's so good, not just that, but also 676 00:29:04,280 --> 00:29:08,720 Speaker 2: it's it's it's the Charlotte is going through so much 677 00:29:08,800 --> 00:29:14,000 Speaker 2: because there's infertility, but then there's the marriage falling apart, 678 00:29:14,240 --> 00:29:19,400 Speaker 2: and she has to redefine herself. She knows she can't 679 00:29:19,400 --> 00:29:21,920 Speaker 2: do this, she knows she can't stay with this guy, 680 00:29:22,400 --> 00:29:25,760 Speaker 2: and it takes a while for her to actually come 681 00:29:25,800 --> 00:29:28,560 Speaker 2: to terms with that and make the move right. She 682 00:29:28,600 --> 00:29:32,680 Speaker 2: can't do it. No, it's hard. It's because you had 683 00:29:32,720 --> 00:29:37,480 Speaker 2: everything and Bunny away and because the apartment, the money, 684 00:29:37,520 --> 00:29:42,840 Speaker 2: it's just like impossible. But also that scene with Miranda 685 00:29:42,920 --> 00:29:46,800 Speaker 2: following Charlotte home, it's it's also it's it's it's it's 686 00:29:46,840 --> 00:29:50,720 Speaker 2: a little micro moment of what the show really earns 687 00:29:50,800 --> 00:29:55,719 Speaker 2: and builds, which is these four women are bulletproof when 688 00:29:55,720 --> 00:30:01,440 Speaker 2: they're together. They'll do anything for each Oh dude, yes, yeah, yeah, yes, 689 00:30:01,680 --> 00:30:03,160 Speaker 2: so good. Yeah yeah. 690 00:30:03,200 --> 00:30:06,680 Speaker 1: That I think is the legacy, you know, in so 691 00:30:06,760 --> 00:30:09,360 Speaker 1: many ways. I mean, there's so many different elements of 692 00:30:09,440 --> 00:30:12,000 Speaker 1: the legacy. One is the talking freely about sex, of course, 693 00:30:12,040 --> 00:30:16,280 Speaker 1: but like the women being together, not being pitted against 694 00:30:16,320 --> 00:30:19,880 Speaker 1: each other ever at all, which is shocking for TV 695 00:30:19,960 --> 00:30:22,320 Speaker 1: show at the time, which is so bizarre, right, yeah, 696 00:30:22,320 --> 00:30:24,239 Speaker 1: but I'd come from Meloe's place, where like that's all 697 00:30:24,280 --> 00:30:26,560 Speaker 1: you ever were were pitted against that, right, the other women, 698 00:30:26,600 --> 00:30:29,960 Speaker 1: you know, like soap opera ish, right, But the fact 699 00:30:30,000 --> 00:30:32,240 Speaker 1: that we were chosen family, and that we were there 700 00:30:32,280 --> 00:30:34,160 Speaker 1: for all of it, and that we were the you know, 701 00:30:34,200 --> 00:30:36,080 Speaker 1: writer or dies or however you want to talk about it. 702 00:30:36,080 --> 00:30:39,640 Speaker 1: And I do feel like culturally now that's much more celebrated, 703 00:30:40,200 --> 00:30:42,080 Speaker 1: I think with men as well. So I feel like 704 00:30:42,200 --> 00:30:44,600 Speaker 1: men are like a little behind with the you know, 705 00:30:44,880 --> 00:30:48,680 Speaker 1: male friendship being celebrated or whatever. You know, like it's important. 706 00:30:48,800 --> 00:30:53,560 Speaker 2: Yeah, it's incredibly important, right, yeah, and that was that 707 00:30:53,720 --> 00:30:56,080 Speaker 2: was all You're right that that was a huge part 708 00:30:56,160 --> 00:30:59,960 Speaker 2: of it too. There were so many firsts with the ship. 709 00:31:00,040 --> 00:31:04,200 Speaker 2: Oh yeah, it's all just so valuable. You're so sweet 710 00:31:04,200 --> 00:31:08,440 Speaker 2: to be such a fan. I love it and you're incredible. Adam. Yes, 711 00:31:09,040 --> 00:31:11,840 Speaker 2: are you a Charlotte. That's a good question. 712 00:31:15,880 --> 00:31:17,440 Speaker 3: Any answer is except. 713 00:31:17,200 --> 00:31:23,320 Speaker 2: Feel like I'm a Miranda. WHOA really? I think? So 714 00:31:23,640 --> 00:31:29,920 Speaker 2: that's interesting. I think so in what way I think 715 00:31:30,000 --> 00:31:35,960 Speaker 2: that Miranda is. I see, I don't like putting any 716 00:31:36,000 --> 00:31:38,400 Speaker 2: of them in boxes because I think they're all like 717 00:31:38,680 --> 00:31:42,000 Speaker 2: whole human beings. That's one of the superpowers of the 718 00:31:42,040 --> 00:31:45,560 Speaker 2: show is they all are lots of different things. Yes, so, 719 00:31:47,560 --> 00:31:53,720 Speaker 2: but I think that the sort of resistance of Miranda 720 00:31:53,800 --> 00:31:59,000 Speaker 2: and the sort of isolation of Miranda that she that 721 00:31:59,080 --> 00:32:04,520 Speaker 2: she kind of thought was her ethos and then eventually 722 00:32:04,560 --> 00:32:08,160 Speaker 2: discovered was not. I I kind of connected. 723 00:32:07,840 --> 00:32:09,760 Speaker 3: Okay, wow, wouldn't have seen that coming. 724 00:32:09,960 --> 00:32:17,000 Speaker 2: Yeah, yeah, but I I but then I also connect 725 00:32:17,040 --> 00:32:24,080 Speaker 2: with Charlotte on things and and Carrie and really well, 726 00:32:24,200 --> 00:32:26,800 Speaker 2: I mean I don't know, but I think that they're 727 00:32:26,840 --> 00:32:30,600 Speaker 2: all that's storable. I think they're all h They're all. 728 00:32:30,720 --> 00:32:32,960 Speaker 2: You can find entry points with all of them. 729 00:32:33,040 --> 00:32:35,240 Speaker 1: Definitely, for sure, for sure, for sure and that and 730 00:32:35,480 --> 00:32:37,760 Speaker 1: over time, some people tell me like, well, when I 731 00:32:37,840 --> 00:32:40,160 Speaker 1: first started, I was a Carrie and then I kind 732 00:32:40,160 --> 00:32:42,560 Speaker 1: of went through my Charlotte face, and now I'm divorced. 733 00:32:42,560 --> 00:32:45,120 Speaker 2: I'm in my Samantha fase. I'm like, that's cool, it's 734 00:32:45,160 --> 00:32:45,920 Speaker 2: all good, you. 735 00:32:45,880 --> 00:32:46,320 Speaker 3: Know what I mean. 736 00:32:46,400 --> 00:32:48,560 Speaker 1: Yeah, And I mean I would have always said and 737 00:32:48,600 --> 00:32:50,480 Speaker 1: I think this is still true. I have to guess 738 00:32:50,520 --> 00:32:53,080 Speaker 1: I have to rethink it. But I'm like kind of 739 00:32:53,160 --> 00:32:54,560 Speaker 1: Charlotte kind of carry. 740 00:32:54,560 --> 00:32:55,160 Speaker 3: You know what I mean. 741 00:32:55,360 --> 00:32:58,960 Speaker 2: That's really interesting. It's so interesting just to hear kind 742 00:32:59,000 --> 00:33:01,240 Speaker 2: of where you were when you were shooting the show 743 00:33:02,440 --> 00:33:04,440 Speaker 2: and how different you are from I. 744 00:33:04,440 --> 00:33:05,560 Speaker 3: Mean, in some ways so different. 745 00:33:05,600 --> 00:33:09,560 Speaker 1: Also, I've adopted children, so you know, some big similarities. 746 00:33:09,680 --> 00:33:12,640 Speaker 1: But I did it on camera first, Yeah, which is weird. Interesting, 747 00:33:12,680 --> 00:33:15,080 Speaker 1: I know, weird, right, But I think I think Michael 748 00:33:15,120 --> 00:33:17,880 Speaker 1: Patrick knew that I had that in my mind as 749 00:33:17,880 --> 00:33:20,080 Speaker 1: a possibility. You know what I'm saying. I would have 750 00:33:20,120 --> 00:33:22,440 Speaker 1: to ask him. I don't know what came first, like 751 00:33:22,560 --> 00:33:24,840 Speaker 1: us talking about it or you know what I mean. 752 00:33:24,880 --> 00:33:25,600 Speaker 3: I don't know. 753 00:33:26,040 --> 00:33:26,920 Speaker 2: It's all very interesting. 754 00:33:27,000 --> 00:33:28,400 Speaker 3: That's great, I know, but it's fun. 755 00:33:28,440 --> 00:33:30,240 Speaker 1: But you're just so sweet that you I had no 756 00:33:30,280 --> 00:33:32,760 Speaker 1: idea that you had rewatched three times. 757 00:33:32,760 --> 00:33:33,640 Speaker 3: You're like way ahead of me. 758 00:33:33,760 --> 00:33:37,719 Speaker 2: Oh yeah, and because you had me watch this episode now, 759 00:33:37,960 --> 00:33:40,040 Speaker 2: Like I said, this morning, I was watching. I kept 760 00:33:40,080 --> 00:33:43,719 Speaker 2: watching a few episodes. It's just hard to not continue watching. 761 00:33:43,760 --> 00:33:46,600 Speaker 2: It's which is so nice. I feel that way about 762 00:33:46,640 --> 00:33:48,080 Speaker 2: Parks and Wright. Oh thank you. 763 00:33:48,160 --> 00:33:50,120 Speaker 3: Okay, Adam, You're incredible. 764 00:33:51,480 --> 00:33:53,920 Speaker 2: You're so nice to have me just as a fan. 765 00:33:53,960 --> 00:33:56,640 Speaker 2: This is really terrific. So thank you for having me. 766 00:33:56,680 --> 00:33:59,040 Speaker 2: It's a joy for me. It's a joy for me. 767 00:33:59,160 --> 00:33:59,920 Speaker 2: Thanks for having me. 768 00:34:00,960 --> 00:34:04,800 Speaker 1: The stand Distant pastis