1 00:00:03,920 --> 00:00:05,960 Speaker 1: And now another grave moment from. 2 00:00:05,800 --> 00:00:08,880 Speaker 2: Twenty twenty five, Alvis Duran in the Morning Show. 3 00:00:09,280 --> 00:00:12,159 Speaker 1: So, you know, last week Gandhi and I went to 4 00:00:12,200 --> 00:00:18,200 Speaker 1: Broadway to see the show that the musical actually was 5 00:00:18,360 --> 00:00:21,880 Speaker 1: our friend Darren Chris. Yeah maybe happy, Yeah, go ahead, 6 00:00:21,920 --> 00:00:24,239 Speaker 1: maybe happy maybe happy yeah maybe happy ending. And I 7 00:00:24,239 --> 00:00:28,520 Speaker 1: don't want to give too much away about what it's 8 00:00:28,560 --> 00:00:30,560 Speaker 1: about because I don't want to ruin it for anyone, 9 00:00:30,640 --> 00:00:33,880 Speaker 1: but so good. It has sort of has a little 10 00:00:34,200 --> 00:00:36,960 Speaker 1: connection to you know, that show Severance using Severance, Right, 11 00:00:37,000 --> 00:00:38,479 Speaker 1: a huge show. A lot of people love Severance. 12 00:00:38,560 --> 00:00:40,199 Speaker 3: I haven't, but I've heard it's amazing and it's on 13 00:00:40,240 --> 00:00:40,640 Speaker 3: my list. 14 00:00:41,159 --> 00:00:46,839 Speaker 1: Okay, there's this new study. I find this shocking. A 15 00:00:46,880 --> 00:00:50,400 Speaker 1: new study saying over a third of real life employees, 16 00:00:50,440 --> 00:00:54,600 Speaker 1: nearly half of the gen Zers polled, we prefer to 17 00:00:54,640 --> 00:00:57,960 Speaker 1: be severed like the characters are in Severance. If you 18 00:00:57,960 --> 00:01:01,120 Speaker 1: don't know what that means, that means means these people 19 00:01:01,120 --> 00:01:04,760 Speaker 1: would willingly undergo a medical procedure to sever their work 20 00:01:04,840 --> 00:01:08,600 Speaker 1: memories from their personal lives. Wow, which is sort of 21 00:01:08,720 --> 00:01:11,959 Speaker 1: shades a little bit of the show that we saw 22 00:01:12,000 --> 00:01:13,800 Speaker 1: with Darren Chris, right, A little bit, Yeah, a little 23 00:01:13,800 --> 00:01:20,360 Speaker 1: bit so according to this data I'm looking at among 24 00:01:20,400 --> 00:01:22,920 Speaker 1: eighteen to twenty five year olds, that figure rose to 25 00:01:23,000 --> 00:01:26,360 Speaker 1: a staggering fifty percent. Half of eighteen to twenty five 26 00:01:26,400 --> 00:01:28,679 Speaker 1: people of year old people they talked to said I 27 00:01:28,720 --> 00:01:33,800 Speaker 1: would definitely want to have this procedure done. They want 28 00:01:33,840 --> 00:01:35,800 Speaker 1: to be able to walk out of the office at 29 00:01:35,840 --> 00:01:39,640 Speaker 1: five PM a button is pushed or a timer goes off, 30 00:01:39,680 --> 00:01:41,520 Speaker 1: and you have no recollection of what you did in 31 00:01:41,560 --> 00:01:42,840 Speaker 1: the office that day, so you can go back to 32 00:01:42,880 --> 00:01:47,760 Speaker 1: your personal life. That makes me so, that makes me 33 00:01:47,800 --> 00:01:52,400 Speaker 1: sad to I, but Nate immediately went, oh, yeah, that's awesome. 34 00:01:52,560 --> 00:01:57,000 Speaker 4: Really, I don't hate you guys, but there's aspects of Look, 35 00:01:57,360 --> 00:02:00,440 Speaker 4: we're friends, right, like this is I enjoyed this part. 36 00:02:00,760 --> 00:02:03,600 Speaker 4: There are parts of my job that I don't like, 37 00:02:03,760 --> 00:02:06,520 Speaker 4: and I think anybody could say that, right, you. 38 00:02:06,440 --> 00:02:08,400 Speaker 3: Don't like them enough that you would want to erase 39 00:02:08,440 --> 00:02:09,880 Speaker 3: eight hours of every day. 40 00:02:11,480 --> 00:02:14,920 Speaker 1: Maybe four hours you don't it, maybe take it. I 41 00:02:14,919 --> 00:02:17,200 Speaker 1: mean I don't tell you when they Okay, there's Any's 42 00:02:17,240 --> 00:02:19,280 Speaker 1: and Audi's right. If you're any I think that's for 43 00:02:19,360 --> 00:02:20,799 Speaker 1: your at work and you're an Audi yere at home, 44 00:02:21,040 --> 00:02:23,560 Speaker 1: you know, hanging out. I think that's how it works. Now. 45 00:02:24,280 --> 00:02:27,640 Speaker 1: I haven't seen Severance. I haven't really I know, hold on, 46 00:02:27,680 --> 00:02:29,679 Speaker 1: Sam has seen it, maybe she can tell us. I 47 00:02:29,720 --> 00:02:32,079 Speaker 1: don't know if it erases what happened in the office, 48 00:02:32,160 --> 00:02:34,000 Speaker 1: it just turns that off and when you go back 49 00:02:34,040 --> 00:02:35,519 Speaker 1: to work the next day, it picks up where you 50 00:02:35,600 --> 00:02:36,800 Speaker 1: left off. Is that is that how I work? 51 00:02:36,880 --> 00:02:36,960 Speaker 4: Well? 52 00:02:36,960 --> 00:02:39,040 Speaker 2: You remember to come to work the next day though. 53 00:02:38,960 --> 00:02:39,440 Speaker 1: Right, right? 54 00:02:39,440 --> 00:02:41,040 Speaker 3: Because it makes sense that you'd have all your work 55 00:02:41,080 --> 00:02:42,120 Speaker 3: memories while you're at work. 56 00:02:42,240 --> 00:02:48,320 Speaker 1: Yeah, can you get Samantha? I find this fast man. Okay, Anyway, 57 00:02:48,320 --> 00:02:52,520 Speaker 1: I just think that's crazy to actually want to have 58 00:02:52,720 --> 00:02:57,280 Speaker 1: no recollection of your nine to five days. Hi. You 59 00:02:57,320 --> 00:02:59,120 Speaker 1: watch Severance? Right or you're a big fan of Severance? 60 00:02:59,120 --> 00:03:00,960 Speaker 1: Well one of my favorite shows of all time. Did 61 00:03:01,040 --> 00:03:02,560 Speaker 1: you hear what I just said about this study that 62 00:03:02,600 --> 00:03:05,240 Speaker 1: came out, No go on. Among eighteen to twenty five 63 00:03:05,320 --> 00:03:08,000 Speaker 1: year olds, half of them would love to live that 64 00:03:08,080 --> 00:03:10,400 Speaker 1: life where they walk out of work at the end 65 00:03:10,400 --> 00:03:11,760 Speaker 1: of the day, work day and they don't have any 66 00:03:11,800 --> 00:03:14,080 Speaker 1: recollection of anything at work and they go home and 67 00:03:14,120 --> 00:03:15,400 Speaker 1: have just a regular life. 68 00:03:15,520 --> 00:03:16,600 Speaker 4: That's a lot of people. 69 00:03:17,240 --> 00:03:19,519 Speaker 1: Wow, Well, yeah, there's eighteen to twenty five year olds 70 00:03:19,560 --> 00:03:21,320 Speaker 1: a year old old, do they get you know, the 71 00:03:21,360 --> 00:03:23,720 Speaker 1: less people want to do that? Yeah? So is that 72 00:03:23,760 --> 00:03:27,560 Speaker 1: basically how the severance life works for these employees and 73 00:03:27,600 --> 00:03:30,520 Speaker 1: people like it? Just it totally separates the two. 74 00:03:30,560 --> 00:03:35,920 Speaker 5: It basically makes one person two people in one body. 75 00:03:36,360 --> 00:03:40,839 Speaker 1: Well okay, but the decisions they make during the course 76 00:03:40,880 --> 00:03:43,120 Speaker 1: of during the course of a work day, aren't they 77 00:03:43,360 --> 00:03:45,600 Speaker 1: sometimes driven by that inner self? 78 00:03:45,880 --> 00:03:48,520 Speaker 5: I mean yeah, yeah, that definitely comes into play in 79 00:03:48,560 --> 00:03:51,600 Speaker 5: the show. It's kind of like how like identical twins 80 00:03:51,640 --> 00:03:53,680 Speaker 5: can be two different people if they're raised in two 81 00:03:53,680 --> 00:03:56,320 Speaker 5: completely different households, because there's like an inner drive, like 82 00:03:56,360 --> 00:04:00,280 Speaker 5: you're saying, Elvis, but also circumstances on the outside. So yeah, yeah, 83 00:04:00,280 --> 00:04:03,880 Speaker 5: there is a definitely a common thread. But what causes 84 00:04:03,960 --> 00:04:06,320 Speaker 5: you to make what kind of decision based on what 85 00:04:06,360 --> 00:04:08,280 Speaker 5: you've experienced and only your life? 86 00:04:08,680 --> 00:04:11,200 Speaker 1: Wow? So in this poll, they also found out that 87 00:04:11,240 --> 00:04:13,840 Speaker 1: thirty percent of these employees feel like their job takes 88 00:04:13,920 --> 00:04:18,000 Speaker 1: up too much of their identity and it makes separating 89 00:04:18,040 --> 00:04:22,480 Speaker 1: their personal and professional lives a living nightmare. You know, 90 00:04:22,600 --> 00:04:24,640 Speaker 1: it's a case of you know, taking your work home 91 00:04:24,640 --> 00:04:27,400 Speaker 1: with you, you know, and the things that frustrate you 92 00:04:27,440 --> 00:04:30,400 Speaker 1: during the course of a work day bleeds over into 93 00:04:30,440 --> 00:04:32,240 Speaker 1: your personal life. But they're saying in the world of 94 00:04:32,279 --> 00:04:34,840 Speaker 1: severance that ain't happening because they're not even connected, right, 95 00:04:34,960 --> 00:04:36,000 Speaker 1: m Yeah. 96 00:04:35,839 --> 00:04:40,240 Speaker 5: You just basically wake up where you were just walking 97 00:04:40,240 --> 00:04:42,760 Speaker 5: into work, but you're leaving, so you could be. 98 00:04:42,839 --> 00:04:46,120 Speaker 3: Like a lovely family person at home and then go 99 00:04:46,160 --> 00:04:47,800 Speaker 3: into work and you're some type of murderer. 100 00:04:48,000 --> 00:04:50,280 Speaker 1: So she goes out and just you know, it's very 101 00:04:50,320 --> 00:04:51,839 Speaker 1: possible ex people or does whatever. 102 00:04:52,040 --> 00:04:53,560 Speaker 5: Yeah, that's crazy. 103 00:04:53,600 --> 00:04:57,080 Speaker 1: Wow, Okay, all right, this makes for a great screenplay, right. 104 00:04:57,560 --> 00:05:00,120 Speaker 1: The show's doing very well. Yes, Gary, I. 105 00:05:00,120 --> 00:05:03,440 Speaker 6: Feel like I would benefit from this because so much 106 00:05:03,480 --> 00:05:06,760 Speaker 6: of my identity is my work life, and there's like 107 00:05:06,920 --> 00:05:10,159 Speaker 6: everything kind of blends in together, and I would like 108 00:05:10,160 --> 00:05:12,360 Speaker 6: the separation. I like to see if I can have 109 00:05:12,400 --> 00:05:15,279 Speaker 6: a life on my own outside of the workplace. 110 00:05:15,360 --> 00:05:16,920 Speaker 1: But wait a minute, Scary, I'm going to correct me 111 00:05:16,960 --> 00:05:19,360 Speaker 1: if I'm wrong. Please anyone in the room, including you, Scary. 112 00:05:19,800 --> 00:05:22,240 Speaker 1: I don't see you as a take the frustrations from 113 00:05:22,320 --> 00:05:25,760 Speaker 1: work home kind of guy. You you seem to disconnect 114 00:05:26,400 --> 00:05:27,400 Speaker 1: even while you're at work. 115 00:05:28,880 --> 00:05:31,960 Speaker 6: Well, not frustrations, but right now, that could be a 116 00:05:32,000 --> 00:05:35,120 Speaker 6: totally different person. I feel like I could explore a 117 00:05:35,120 --> 00:05:39,160 Speaker 6: different part of me if I wasn't working, I didn't 118 00:05:39,200 --> 00:05:41,560 Speaker 6: know anything about and you know, you know, as you said, 119 00:05:41,600 --> 00:05:44,920 Speaker 6: five o'clock or whenever we leave HEREO button goes off 120 00:05:44,960 --> 00:05:46,160 Speaker 6: and now what now? 121 00:05:46,160 --> 00:05:48,719 Speaker 1: What about you? Danielle's okay, let's let's rip each other apart. 122 00:05:49,240 --> 00:05:51,599 Speaker 1: Let's start with you, daniel Danielle, I mean, do you 123 00:05:51,680 --> 00:05:54,960 Speaker 1: take the frustrations of this job home? Are there many 124 00:05:55,120 --> 00:05:56,400 Speaker 1: frustrations with this job? 125 00:05:56,560 --> 00:05:59,440 Speaker 2: Sometimes if I'm pissed off about something, I'll take it home. 126 00:05:59,480 --> 00:06:02,080 Speaker 2: But I think for the most part, I'm at least 127 00:06:02,320 --> 00:06:03,760 Speaker 2: at least nowadays, I'm. 128 00:06:03,640 --> 00:06:06,159 Speaker 1: More like whatever, All right, what about you, Gandhi? 129 00:06:06,640 --> 00:06:10,279 Speaker 3: Yeah, I think I take some home for sure. I 130 00:06:10,279 --> 00:06:12,200 Speaker 3: don't know that i'd want to disconnect it to though. 131 00:06:12,760 --> 00:06:14,560 Speaker 3: I think they work so well hand in. 132 00:06:14,560 --> 00:06:18,360 Speaker 1: Hand, they do, I agree part of each other. Yeah, Well, 133 00:06:18,440 --> 00:06:20,159 Speaker 1: I know I've had over the years, and this is 134 00:06:20,200 --> 00:06:22,080 Speaker 1: not a new thing over the years, even you know, 135 00:06:22,160 --> 00:06:25,080 Speaker 1: before Nate was here, and while you know, before you 136 00:06:25,080 --> 00:06:27,400 Speaker 1: were here, Gandhi, I was told by people I work 137 00:06:27,440 --> 00:06:30,159 Speaker 1: with that I'm much nicer and more fun to be 138 00:06:30,360 --> 00:06:31,560 Speaker 1: with when I'm not at work? 139 00:06:31,800 --> 00:06:39,800 Speaker 6: Oh wowka, and still is the case today, damn. 140 00:06:39,839 --> 00:06:41,960 Speaker 1: Because I'll tell you why I believe that to be true. 141 00:06:41,960 --> 00:06:46,120 Speaker 1: I'll partially to be true because we work with a clock. 142 00:06:46,320 --> 00:06:48,800 Speaker 1: We have a clock taking at all times. We're always 143 00:06:48,800 --> 00:06:50,760 Speaker 1: we always have to be okay, what's next? What are 144 00:06:50,800 --> 00:06:53,760 Speaker 1: we doing next? We have to stay on target with 145 00:06:53,839 --> 00:06:58,080 Speaker 1: some sort of conversation or something. My mind is always 146 00:06:58,120 --> 00:07:02,680 Speaker 1: in that from six to ten am. Do you wonder, like, 147 00:07:02,680 --> 00:07:04,640 Speaker 1: what happens in this room when we go okay, we'll 148 00:07:04,640 --> 00:07:06,600 Speaker 1: we're right back. We go to commercials well, a lot 149 00:07:06,600 --> 00:07:07,920 Speaker 1: of the time the room will do you guys will 150 00:07:07,920 --> 00:07:12,280 Speaker 1: just start talking about what's for lunch. I'm always without 151 00:07:12,520 --> 00:07:14,720 Speaker 1: wanting to be thinking okay, well, hold on, guys, what 152 00:07:14,760 --> 00:07:18,480 Speaker 1: are we doing next? This is kind of what we do, right. 153 00:07:18,760 --> 00:07:21,520 Speaker 1: But when ten o'clock hits, I'm like, way, baby, let's go, 154 00:07:21,920 --> 00:07:25,960 Speaker 1: you know right? I mean I like to go have fun. 155 00:07:26,040 --> 00:07:28,720 Speaker 1: I relaxed. I'm relaxed. And people are like, oh, that 156 00:07:28,760 --> 00:07:32,480 Speaker 1: means I must be a total tyrant at work, am I? 157 00:07:32,480 --> 00:07:33,760 Speaker 1: I don't think so, not. 158 00:07:33,800 --> 00:07:35,480 Speaker 3: At all, not even a little. 159 00:07:35,960 --> 00:07:38,000 Speaker 1: But the only time I take work home is if 160 00:07:38,000 --> 00:07:40,840 Speaker 1: something really big is going on. It sucks and we've 161 00:07:40,880 --> 00:07:41,960 Speaker 1: all been through those things. 162 00:07:42,200 --> 00:07:44,280 Speaker 3: Right, I feel like I'll take it home if I 163 00:07:44,320 --> 00:07:46,119 Speaker 3: feel like I'm not doing a service that I should 164 00:07:46,160 --> 00:07:48,280 Speaker 3: be doing or providing something that I should be providing. 165 00:07:48,800 --> 00:07:50,960 Speaker 3: That will sit with me a little bit longer than 166 00:07:51,120 --> 00:07:52,240 Speaker 3: you know, other stuff. 167 00:07:52,360 --> 00:07:55,320 Speaker 2: See, I took it home years ago because of certain 168 00:07:55,360 --> 00:07:58,240 Speaker 2: things that I kept to myself and didn't like tell 169 00:07:58,280 --> 00:08:01,200 Speaker 2: other people. And then I think, once I told other people, 170 00:08:01,240 --> 00:08:02,040 Speaker 2: have made it better. 171 00:08:02,280 --> 00:08:05,920 Speaker 1: Yeah, yeah, Yeah, she was a nightmare, wasn't she. You know, 172 00:08:05,920 --> 00:08:06,360 Speaker 1: it's funny. 173 00:08:06,480 --> 00:08:13,120 Speaker 3: They'll hear you, guys, I'm kidding, but I don't know. 174 00:08:13,240 --> 00:08:17,440 Speaker 1: So back to the Severence thing. Producer Sam, So, I'm 175 00:08:17,480 --> 00:08:21,240 Speaker 1: assuming that the conflict in the screenplay. I haven't really 176 00:08:21,280 --> 00:08:24,480 Speaker 1: watched a lot of these episodes comes when those two, 177 00:08:24,600 --> 00:08:27,440 Speaker 1: those two sides of the people kind of bleed into 178 00:08:27,480 --> 00:08:27,960 Speaker 1: each other. 179 00:08:27,880 --> 00:08:33,800 Speaker 5: Right, when one has a curiosity about the other side. So, yes, 180 00:08:34,280 --> 00:08:37,160 Speaker 5: it's it's it's really deep, it's super well rounded. But yeah, 181 00:08:37,200 --> 00:08:39,840 Speaker 5: when one of them has a problem that they know, 182 00:08:39,920 --> 00:08:41,800 Speaker 5: maybe the other one is the only one with the 183 00:08:41,840 --> 00:08:46,400 Speaker 5: awareness or the answer of something something along those lines, 184 00:08:46,520 --> 00:08:48,400 Speaker 5: or maybe the two should meet. The only problem is 185 00:08:48,800 --> 00:08:52,320 Speaker 5: it's one person, and it's impossible for the two to 186 00:08:52,360 --> 00:08:54,080 Speaker 5: meet as far as the you know how the concept 187 00:08:54,120 --> 00:08:54,960 Speaker 5: of the show is drawn up. 188 00:08:55,320 --> 00:08:58,559 Speaker 1: Okay, so it's interesting. Nate was the only one that 189 00:08:58,600 --> 00:09:01,600 Speaker 1: said he would be sort of interested in having this 190 00:09:01,760 --> 00:09:02,839 Speaker 1: double this du a lot. 191 00:09:02,920 --> 00:09:06,120 Speaker 4: Correct, correct, but only for the stuff that happens after 192 00:09:06,160 --> 00:09:08,240 Speaker 4: ten a m. Eastern. Okay, see what I'm saying. I 193 00:09:08,320 --> 00:09:09,439 Speaker 4: enjoyed six to ten. 194 00:09:09,960 --> 00:09:11,679 Speaker 2: But then if you don't have a choice, what if 195 00:09:11,720 --> 00:09:13,640 Speaker 2: you unfortunately it's all or nothing. 196 00:09:14,200 --> 00:09:16,800 Speaker 4: Yeah, well then in that case, if it would make 197 00:09:16,840 --> 00:09:19,960 Speaker 4: my personal life that much better, then I would forego 198 00:09:20,320 --> 00:09:23,000 Speaker 4: six to you know what I mean, Okay, because it 199 00:09:23,559 --> 00:09:24,240 Speaker 4: makes it better. 200 00:09:24,760 --> 00:09:27,280 Speaker 5: So you guys are actually talking about how you feel 201 00:09:27,320 --> 00:09:29,840 Speaker 5: about work, like it sounds like the source is because 202 00:09:29,880 --> 00:09:32,160 Speaker 5: of work, you want a better outside life, whereas most 203 00:09:32,200 --> 00:09:35,280 Speaker 5: of the characters in Severance have a traumatic outside life, 204 00:09:35,920 --> 00:09:38,240 Speaker 5: so they want to avoid living in that twenty four 205 00:09:38,280 --> 00:09:41,840 Speaker 5: to seven, so they created the Work is the Getaway, 206 00:09:41,920 --> 00:09:43,679 Speaker 5: And wow, it's a. 207 00:09:43,640 --> 00:09:45,079 Speaker 1: Great you guys gotta watch. 208 00:09:45,160 --> 00:09:46,480 Speaker 4: I'm telling you, it's so good. 209 00:09:47,200 --> 00:09:50,160 Speaker 1: Whe says it's great. I could see if you could, 210 00:09:50,400 --> 00:09:52,640 Speaker 1: if you could give work Gandhi the Apple Passage I 211 00:09:54,160 --> 00:09:55,640 Speaker 1: don't used to tell home Gandhi. 212 00:09:55,800 --> 00:09:57,640 Speaker 3: I don't think that this would work with what we do. 213 00:09:57,840 --> 00:09:59,520 Speaker 3: I think I could see a ton of places where 214 00:09:59,559 --> 00:10:01,800 Speaker 3: it would work. But we bring so much of our 215 00:10:01,840 --> 00:10:04,800 Speaker 3: personal lives into what we do. We separated those two 216 00:10:04,880 --> 00:10:08,280 Speaker 3: things we talk about, right, It definitely. 217 00:10:07,840 --> 00:10:10,280 Speaker 2: Wouldn't work the other way around, like you're saying, because 218 00:10:10,600 --> 00:10:12,959 Speaker 2: if something happened to me at home, I wouldn't be 219 00:10:13,000 --> 00:10:15,120 Speaker 2: able to bring it here. That would That's what we're 220 00:10:15,160 --> 00:10:16,200 Speaker 2: all about, Like you know. 221 00:10:16,200 --> 00:10:18,880 Speaker 5: What I mean for dinner last night every day, So 222 00:10:18,880 --> 00:10:22,160 Speaker 5: I have no idea that'd be an issue. 223 00:10:22,400 --> 00:10:25,760 Speaker 1: Yeah, ask me in three hours. But interesting text here. 224 00:10:25,840 --> 00:10:25,959 Speaker 5: You know. 225 00:10:26,040 --> 00:10:28,800 Speaker 1: Keep in mind we're applying this as with lives that 226 00:10:28,840 --> 00:10:31,800 Speaker 1: we know and our careers. We know this person says, 227 00:10:31,840 --> 00:10:34,280 Speaker 1: working at child protection, you definitely want to go home 228 00:10:34,320 --> 00:10:37,240 Speaker 1: and forget about what happened during the day. So there 229 00:10:37,240 --> 00:10:39,920 Speaker 1: are people that would love to have that severance. You know, 230 00:10:40,160 --> 00:10:40,720 Speaker 1: I could see that. 231 00:10:41,360 --> 00:10:43,840 Speaker 4: Yeah, Okay, I get it. Yeah, ny I've been watching 232 00:10:43,880 --> 00:10:48,040 Speaker 4: The Pit on HBO Max. It's excellent. And this is 233 00:10:48,280 --> 00:10:53,439 Speaker 4: a factor in these these medical workers' lives. You can't 234 00:10:53,480 --> 00:10:57,440 Speaker 4: just leave what you saw at the at the workplace 235 00:10:57,559 --> 00:11:00,160 Speaker 4: and go home and live a normal life. Right. Some 236 00:11:00,240 --> 00:11:03,160 Speaker 4: of these things are so traumatic, people dying on a 237 00:11:03,200 --> 00:11:06,920 Speaker 4: regular basis. You can't just let that go. So I 238 00:11:07,000 --> 00:11:10,000 Speaker 4: totally get it. Some people have jobs where as great 239 00:11:10,000 --> 00:11:12,000 Speaker 4: as their job is and as rewarding as it is, 240 00:11:12,360 --> 00:11:14,160 Speaker 4: you just can't let some of that stuff go. And 241 00:11:14,200 --> 00:11:15,320 Speaker 4: it affects your personal life. 242 00:11:15,800 --> 00:11:18,000 Speaker 1: I find it fascinating. There are some that can let 243 00:11:18,080 --> 00:11:19,920 Speaker 1: it go a little better than others, you know, right, 244 00:11:20,760 --> 00:11:23,720 Speaker 1: And if you're a veterinarian as well, you work in 245 00:11:23,760 --> 00:11:26,760 Speaker 1: a you know, in a vet office, it's the same thing. 246 00:11:26,800 --> 00:11:31,520 Speaker 1: You see these things, and they say that depression with 247 00:11:31,640 --> 00:11:34,240 Speaker 1: veterinarians and people who work in the vet offices is 248 00:11:34,480 --> 00:11:38,280 Speaker 1: very high, and I'm assuming in the healthcare is as well. 249 00:11:38,720 --> 00:11:41,719 Speaker 1: So yeah, I want to start watching the Pit. Even 250 00:11:41,760 --> 00:11:43,560 Speaker 1: though Nay says, you got to watch the Pit. I 251 00:11:43,559 --> 00:11:45,760 Speaker 1: cry like a baby every time? What do I really 252 00:11:45,760 --> 00:11:47,920 Speaker 1: want to cry like a baby? So good? 253 00:11:48,000 --> 00:11:49,400 Speaker 4: And the great thing about it is a lot of 254 00:11:49,440 --> 00:11:54,160 Speaker 4: medical professionals, it said, it's very close to what actually happens, right, 255 00:11:54,280 --> 00:11:57,680 Speaker 4: So you're watching it and it's it's really a window 256 00:11:57,720 --> 00:11:58,400 Speaker 4: into that world. 257 00:12:00,760 --> 00:12:02,800 Speaker 1: I don't know. I think Gandhi is right. I think 258 00:12:03,240 --> 00:12:07,880 Speaker 1: we really can't do what we do here without the lines, 259 00:12:08,120 --> 00:12:10,199 Speaker 1: you know, crossing with what we do when we're out 260 00:12:10,200 --> 00:12:12,760 Speaker 1: of here, because that's life experiences and that, but I 261 00:12:12,760 --> 00:12:15,800 Speaker 1: don't know. It also makes you wonder, like, oh my god, 262 00:12:15,880 --> 00:12:18,280 Speaker 1: you know how much of my identity is my career? 263 00:12:19,240 --> 00:12:21,960 Speaker 1: Well some would say almost all of it? 264 00:12:22,360 --> 00:12:25,160 Speaker 2: Yeah, yes, scary would go home and have nothing to 265 00:12:25,200 --> 00:12:28,520 Speaker 2: remember but sleeping 266 00:12:32,080 --> 00:12:33,840 Speaker 6: Here as I am outside, so you know,