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Speaker 1: Good. So guys, welcome to tuesday's show, Morning Studio, Morning Amy.

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Speaker 1: How are you doing good? How about you? Pretty good?

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Speaker 1: Here's the question, because my dog, if I see him

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Speaker 1: having a nightmare in his little bed, I always go, oh,

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Speaker 1: I ain't all wake him up, because he'll be in

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Speaker 1: bed slap waving its stuff, slapping it stuff. If your

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Speaker 1: dog was doing that, like going on just like asleep

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Speaker 1: but slapping it, would you wake your dog up? I mean,

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Speaker 1: he's bothering you. No, he's just in his bed. But

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Speaker 1: you can tell he's a sleeping something's going on. Okay, No,

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Speaker 1: I don't. Why do you? Because you want to if

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Speaker 1: it's having a nightmare, you want him to not have

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Speaker 1: to do that. I kind of feel like I'm my

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Speaker 1: nightmare patrol with him, okay, because he'll just be going

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Speaker 1: at it and I'm like Stanley and you also fall

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Speaker 1: also a sleep so quickly again that I'm okay with it.

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Speaker 1: Oh yeah, that's always wondering because he was having some

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Speaker 1: sort of fit this morning and it's bed. But now

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Speaker 1: my dog ninety five percent of the time he sleeps,

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Speaker 1: he doesn't have a room anymore. He just stays in

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Speaker 1: the house. Is all cool? And I used to put

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Speaker 1: him in a room. Is it first of us a

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Speaker 1: crate when he's a puppy, bigger, bigger. Now we've kind

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Speaker 1: of he just runs free in the house. But he's

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Speaker 1: a big he's a bulldog. He's sixty pounds. He still

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Speaker 1: likes to chew at all times, meaning it does not

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Speaker 1: to chew to destroy. There's like a piece of iron,

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Speaker 1: he would just chew on it. He has something from

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Speaker 1: when he was He just always likes to chew. We

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Speaker 1: were told before we got him, because when he was

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Speaker 1: sick and two, they were like him and another dog.

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Speaker 1: They just chew all the time. From puppy. But when

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Speaker 1: he gets tightered, he'll grab your foot with his mouth

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Speaker 1: and just gnaw, not hard, but just gnaw. There's something

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Speaker 1: in him that makes him want to chew all the time,

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Speaker 1: like it's soothing for him. Whatever it is, I don't

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Speaker 1: like it. But now it's just trying to get into

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Speaker 1: a chew on the right things like if you must chew.

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Speaker 1: Because we have this unlike the bottom of the ball,

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Speaker 1: this bar thing we have in our house. He there's

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Speaker 1: a piece of wood and he's chewed it. It's just

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Speaker 1: like splinters everywhere like that's not that's what not to

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Speaker 1: chew right, and the chew toys I buy him, he

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Speaker 1: doesn't want to chew on. He only wants to chew

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Speaker 1: on things, and he shouldn't chew on and all things

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Speaker 1: I buy him to chew on. He looks at it's

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Speaker 1: like he knows, like it's more valuable if he's not

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Speaker 1: supposed to chew on it. But I do have to

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Speaker 1: say it, I've been very grateful that he hasn't been

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Speaker 1: sick in a while. And I don't believe in the jinks,

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Speaker 1: but he's been almost two and a half months that

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Speaker 1: any sort of surgery whatsoever, which is which is a

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Speaker 1: record for that dog, because he's had seven surgeries at

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Speaker 1: this point. All right, Anyway, that's why I was. That

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Speaker 1: was on my mind when I walked in. I know

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Speaker 1: now I'm wondering if I should start waking my dog up. Listen,

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Speaker 1: he could be having the greatest dream ever. He could

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Speaker 1: be running through a field with a bunch of lady bulldogs.

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Speaker 1: Why would you want to interrupt that? Right, I don't

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Speaker 1: feel like that's what it is. Though. I've never heard

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Speaker 1: about tipping the kitchen. Me neither, But my brother in

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Speaker 1: law does this all the time, and I thought, why

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Speaker 1: have I never heard of this or thought of it,

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Speaker 1: because you know, it is a way of being considerate

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Speaker 1: of the entire staff at a restaurant. But what he'll

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Speaker 1: do is he'll leave a tip for his server and

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Speaker 1: then like add extra and then he just tells the server, hey,

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Speaker 1: this is yours, and if you could tip the rest

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Speaker 1: out to the kitchen, I'd appreciate that. And the server

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Speaker 1: is he said, nine times out of ten, they'd get

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Speaker 1: it right away and they're like, awesome, kitchen's gonna love it.

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Speaker 1: Never heard of it and it worked in a restaurant

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Speaker 1: as a server for a long time. Nobody ever tipped

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Speaker 1: a kitchen when I was working at the restaurant, and

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Speaker 1: I've never tipped a kitchen because I didn't know that

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Speaker 1: was a thing me neither of it. Now I'm going

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Speaker 1: to be aware of that. And then so we started

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Speaker 1: talking about it. The reason why it came up is

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Speaker 1: I think my brother in law was just going to

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Speaker 1: order one drink, but we had already paid the full bill,

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Speaker 1: and then my other brother in law was like, hey,

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Speaker 1: why don't you just go ahead and add a big

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Speaker 1: tip on top of that. One drink and give it

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Speaker 1: to the kitchen. And that's how the conversation started. So

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Speaker 1: you could even do it that way if you want

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Speaker 1: to separate it from the servers tip. Would you tip

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Speaker 1: to kitchen lunchbox? No, well, I like, listen if they're gonna.

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Speaker 1: I can't tip everybody in the restaurant. I don't tip

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Speaker 1: the hostess, I don't tip the I mean, listen, guys,

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Speaker 1: there is one person I'm tipping, the waiter. If he

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Speaker 1: wants to give some of his money to the kitchen

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Speaker 1: staff or making him look good by getting me food,

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Speaker 1: that's fine. But I don't have time and I don't

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Speaker 1: have the financials to be tipping everybody in the restaurant. Sorry, guys,

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Speaker 1: I appreciate you working in the kitchen and cooking me food,

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Speaker 1: but I ain't tipping you. That's a good point. I

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Speaker 1: don't think that this is for everybody. But my brother

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Speaker 1: in law is in a place where he's like, I

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Speaker 1: can do this, and and I just so I do it.

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Speaker 1: But I don't think it has to be for everybody. Well,

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Speaker 1: in all my days of waiting tables, nobody ever tipped

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Speaker 1: kitchen never, I know, I never all my days of

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Speaker 1: me and hostess for six weeks. Well, but we would have.

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Speaker 1: But the thing is, we would always pay out the

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Speaker 1: bus boys, you know, from our tips, like we were

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Speaker 1: expected to pay included like your tip. It just depends

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Speaker 1: on where you went. Because with us, you know, we

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Speaker 1: would at the end of the night, we would collect,

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Speaker 1: we'd have all our tips, and then we would give

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Speaker 1: a percentage to the bus boys and girls, the bussers

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Speaker 1: because they made our job easier. So yeah, we was

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Speaker 1: never a thing to tip the bussers. Also, if I'm

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Speaker 1: Amy's waiting on Amy's table and her brother in law says,

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Speaker 1: here tip the kitchen, Yeah, buddy, got you, no problem,

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Speaker 1: I'll do that. Yeah my back pocket. No, that's yeah,

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Speaker 1: interesting though, I wonder if that's it. Where does he live?

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Speaker 1: Let's date. He lives in Houston. So is he a

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Speaker 1: ball a bigger city? He's pretty. Yeah, he's worked as

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Speaker 1: about off, but he's very success. He's older. Yeah, oh

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Speaker 1: he's a lot older. I can't understand ballers doing that. Yeah,

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Speaker 1: it saysn't a show off. No, he wasn't showing off.

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Speaker 1: I would do that to show off, okay, would be

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Speaker 1: like and it's for the kitchen. Yeah, No, he's not

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Speaker 1: like that at all. He just, I think appreciate tries

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Speaker 1: to appreciate all the work of all the people, and

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Speaker 1: you know so how hard it is, especially right now,

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Speaker 1: so he's tipping the kitchens. Did you ever get tipped

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Speaker 1: as a hostess for six weeks? That's what I recall.

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Speaker 1: Sometimes I would seat people in the wrong area. But

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Speaker 1: here's the thing about being a hostess is you know

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Speaker 1: you have your map of the restaurant. You have a

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Speaker 1: two different sections at each server, you should divide up

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Speaker 1: the people that come in, so you don't want to

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Speaker 1: double seat anybody because that would be as you as

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Speaker 1: a waiter, that's add stress. Right. So, but sometimes because

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Speaker 1: I feel really bad if I would be taking people

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Speaker 1: to section twenty five A to their table and then

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Speaker 1: the people all of a sudden we're like, oh, we

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Speaker 1: really don't want to sit there, I didn't have the

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Speaker 1: heart to be like, oh, let me go back to

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Speaker 1: the map and try to figure this out. I'd just

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Speaker 1: be like, well, which table do you want? And then

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Speaker 1: I let them pick, and then I would end up

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Speaker 1: screwing over servers. And but I just had a hard

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Speaker 1: time telling people, oh what to do. That was easily

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Speaker 1: fixable though. Wow, well, because I mean the people would

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Speaker 1: all the time. They would go, hey, wen want to

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Speaker 1: sit there? CODs any wa winks it up here? And

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Speaker 1: the answer is yes. The answer should always you know,

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Speaker 1: the customers always right. But the servers did not like

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Speaker 1: me sometimes right. I got yelled at a lot in

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Speaker 1: my six weeks. You weren't there there. You must have

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Speaker 1: been a very good you. Guys. Hit us with your questions,

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Speaker 1: hit us with your comments. You can email us the

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Speaker 1: email addresses mailbag at Bobby Bones dot com. Let's open

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Speaker 1: it up Bobbies Mailbag. Hey guys, this is Mark. I'm

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Speaker 1: emailing you this morning to get your opinion on something.

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Speaker 1: So last night I was in Costco and I saw

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Speaker 1: a wallet and the parking lot. It was right by

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Speaker 1: my car and I was like, huh. It had all

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Speaker 1: this guy's stuff in a cash cards, no phone number.

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Speaker 1: So I did some research, found the guy on Facebook

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Speaker 1: and contacted him. He actually posted on Facebook I lost

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Speaker 1: my wallet today, I'm freaking out. He was so grateful.

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Speaker 1: I met up with him at the back of the

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Speaker 1: Costco game was wallet. He thanked me from a distance

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Speaker 1: and that was it. Now my girlfriend thought for sure

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Speaker 1: he would offer me some cash, but he didn't. You know,

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Speaker 1: I thought he would too. Was that wrong? I mean,

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Speaker 1: was he obligated to offer me a reward? Or am

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Speaker 1: I being a little greedy? Sign mark? Well, you can

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Speaker 1: relate to that. Yeah, oh yeah, this happened to me

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Speaker 1: and different. First of all, he doesn't know you anything, right, right,

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Speaker 1: and you didn't do it to get anything. Honestly, in

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Speaker 1: your heart, you thought I'm gonna get this guy his

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Speaker 1: and I would think you thought that because if it

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Speaker 1: happened to you, you don't want someone to do that

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Speaker 1: to you as well. I don't think his first instanct.

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Speaker 1: If that was your first instant, you're probably taken some cash, right.

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Speaker 1: And maybe people that are wondering if they're wrong for

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Speaker 1: feeling like they should have gotten some sort of a reward,

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Speaker 1: maybe because they're the type of people that would give

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Speaker 1: a reward nice. Here's what I'm gonna say on the

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Speaker 1: front side of this, You're not You shouldn't expect a reward.

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Speaker 1: You shouldn't expect something back for doing something nice. Right.

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Speaker 1: It's kenny, you know. Maybe you could have given you

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Speaker 1: a few bucks, but that's up to him. Maybe he

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Speaker 1: didn't have it to give. Maybe that cash was for

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Speaker 1: something specific and that's all the cash that he had.

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Speaker 1: I don't know. You're not wrong to feel a certain way.

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Speaker 1: I feel like you're never wrong to feel. You're only

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Speaker 1: wrong to act sometimes if that action is bad, you're

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Speaker 1: not wrong to feel that way. But you didn't if

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Speaker 1: he didn't want to give you one, You're cool like

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Speaker 1: you didn't. Don't go in voice him or anything. So

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Speaker 1: I'll leave it there. Do you feel the same way, Yeah,

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Speaker 1: you're not. Nobody's obligated to pay you back for you

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Speaker 1: doing the right thing. You did the right thing, like,

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Speaker 1: just know that in your heart. Lunchbox. Oh, you should

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Speaker 1: have probably taken a twenty out of the wall at

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Speaker 1: least before you give it to him. That way, when

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Speaker 1: they say, oh you know, no, I'm not gonna give

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Speaker 1: you a reward, you already know I already got my reward.

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Speaker 1: Don't worry about it. So you would say even take

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Speaker 1: it and then demand you him not give you a reward. Yeah,

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Speaker 1: I'm like, oh no, don't worry about it, dude, you

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Speaker 1: don't need to give me a reward. I'm cool, like

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Speaker 1: I just did another goodness of my heart. You shouldn't

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Speaker 1: expect a reward. It's okay if he disappointed you didn't

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Speaker 1: get one, but it's a single person if it were

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Speaker 1: an entity like mine. When the bank said, hey, come

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Speaker 1: back for your reward. The quick version of this story

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Speaker 1: was I was in an atm I saw a bunch

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Speaker 1: of money blow out of it. I want to pick

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Speaker 1: it all up. I took it into the bank, hundreds

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Speaker 1: and hundreds of dollars. I said, here you go. You

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Speaker 1: may need this. They said, wow, guy, you're a hero.

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Speaker 1: Come back Monday, we have a reward for you. That

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Speaker 1: was on a Friday. So I spent all night Friday night,

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Speaker 1: all day Saturday, all day Sunday just thinking of what

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Speaker 1: that reward was going to be. This is a bank,

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Speaker 1: a multimillion dollar institution. What trump are they going to

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Speaker 1: send me on? What car were they gonna buy me.

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Speaker 1: I arrived to get my reward. Chess poked out only

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Speaker 1: because they told me. I didn't expect the reward. Ever,

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Speaker 1: I didn't do it for the reward, but they told

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Speaker 1: me come get your reward. On Monday. Walked into this

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Speaker 1: financial institution, hair slicked back, my collar popped, and they said,

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Speaker 1: here's a hat for the bank and a teen percent

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Speaker 1: coupon to the fish restaurant, not even a free meal.

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Speaker 1: And I wouldn't have cared ex that. They built it

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Speaker 1: up and it was one of those hats. It doesn't matter.

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Speaker 1: I shouldn't have expected the reward and I didn't, except

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Speaker 1: they told me I was going to get one. But

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Speaker 1: you do the right thing and you know that in

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Speaker 1: your heart. It's fine. I'm done now, and I'm irritated

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Speaker 1: again at the bank. Morgan the email address mail bag

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Speaker 1: at Bobby Bones dot com. That was bobbies mail bag.

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Speaker 1: It's time for the good news. So there's this guy.

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Speaker 1: He's driving along in his SUV and then he rams

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Speaker 1: into the back of a bus because he had a

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Speaker 1: seizure while he was driving. He passed out at the

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Speaker 1: steering wheel with his foot on the accelerator. You can

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Speaker 1: hear in the audio the car still revving up against

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Speaker 1: the bus. Then he just stopped that cut let's stops.

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Speaker 1: He's having a seizure right now, Yeah, because he put

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Speaker 1: and he passed out. So then some bystanders were able

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Speaker 1: to break the window and get inside to help rescue him. Luckily,

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Speaker 1: nobody was hurt. He only suffered minor injuries, but pretty crazy,

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Speaker 1: and then awesome of people to step in and get

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Speaker 1: him out of there so it would stop doing that.

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Speaker 1: And everybody's okay, yea, everybody's doing everybody's okay, wow, except

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Speaker 1: for I mean, now now he's gonna I don't think

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Speaker 1: after you, like, if you have seizures, then you can't

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Speaker 1: drive for like a really long time. Yeah, but at

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Speaker 1: least now he knows that he may have seizure and

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Speaker 1: he can step away from the wheel. Good thing for

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Speaker 1: those uh good Samaritans. Yeah, as they say, all right,

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Speaker 1: that's what it's all about. That was tell me something good. Say.

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Speaker 1: This story comes to us from Pennsylvania. Two people broke

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Speaker 1: into a house. They thought that people were out of town. Oh,

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Speaker 1: people are inside. What are we gonna do? Girls like,

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Speaker 1: I'll tie them up with my brawl. So she tied

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Speaker 1: them up with their brawl. They got away. Only problem

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Speaker 1: if she had her name on her tag of the brawl.

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Speaker 1: That's funny. I'm munch boxed at your bonehead story of

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Speaker 1: the day. A lot of you guys are asking questions

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Speaker 1: from the text line. I have a screen that sees

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Speaker 1: all the texts. Morgan number two has a screen, the

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Speaker 1: same screen that SE's all the same text, and so

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Speaker 1: she notes a lot of these and let's let's answer

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Speaker 1: some of them. Here we go. Question number one, why

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Speaker 1: did Amy adopt through Haiti in America? Ooh, a question

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Speaker 1: that we hit about once every six months. Yeah, he

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Speaker 1: has two kids about two years ago. They came to

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Speaker 1: America after about a five year old process of getting

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Speaker 1: them from Haiti. Amy. Okay, so we were adopting domestically.

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Speaker 1: We were unable to get pregnant. We didn't want to

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Speaker 1: pursue IVF for any other fertility treatments. We did a

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Speaker 1: little bit, we'll work with that, but then decided adoption

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Speaker 1: was probably what we should do. We were adopting a

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Speaker 1: newborn domestic baby, and that ironically was taking forever. And

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Speaker 1: in that time frame, I went to Haiti to work,

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Speaker 1: like on a mission trip to work at this orphanage,

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Speaker 1: and I saw a need there for older kids, older

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Speaker 1: as any bitty that's like two and a half three

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Speaker 1: years old and up. Like all the babies were spoken

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Speaker 1: for or matched. But I felt like, oh my gosh,

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Speaker 1: like what is going to happen to these kids if

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Speaker 1: some of them age out and they grow up and

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Speaker 1: they don't have a family and I went home my

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Speaker 1: husband I talked about it and we were like, are

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Speaker 1: we could this? Could we be someone that takes in

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Speaker 1: an older kid from an orphanage? And we both decided

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Speaker 1: that yeah, we felt like we could do that. So

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Speaker 1: we decided to give it a try. And we're still

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Speaker 1: figuring it out and it took years and years and years. Yeah,

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Speaker 1: Amy would just go, I gotta go to Haiti, so

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Speaker 1: she would go, and I would. I went about four

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Speaker 1: or five times a year for five years, and so, yeah,

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Speaker 1: it was. It was. It was one of those things

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Speaker 1: I think it's put on your heart, you just know.

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Speaker 1: And then we put our domestic adoption on hold and

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Speaker 1: pursued that, and that's what that's what we went after

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Speaker 1: because for us, I think, honestly, you either it's not

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Speaker 1: it's not for everybody, and sometimes I don't even know

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Speaker 1: that it's for us, but I think you kind of

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Speaker 1: have to feel it in your heart if that's what

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Speaker 1: you should do, And that's we listened to. Our The

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Speaker 1: answer is quick answer is they were doing a mission

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Speaker 1: trip in Haiti. We're moved. I saw a need that

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Speaker 1: I didn't really without going there, I didn't know that

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Speaker 1: was a need. I didn't know. Some kids actually, like

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Speaker 1: my daughter was, you know, six, by the time she

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Speaker 1: came here, she was ten. Some of those kids then

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Speaker 1: they're twelve and they're thirteen, and then people are like, oh,

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Speaker 1: you know, everybody wants a baby or a young one

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Speaker 1: and they can be you know, and it I couldn't.

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Speaker 1: I just couldn't imagine them growing up in turning eighteen

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Speaker 1: and then just being in the streets it, which is

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Speaker 1: what happens to some people. Morgan number two. Next question,

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Speaker 1: how is it determined who talks on the show? Well,

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Speaker 1: I think it all goes to Amy and I first,

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Speaker 1: so we talk about it, and then mostly it's who

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Speaker 1: has an opinion about something? Who who? What would you say?

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Speaker 1: I don't know that there's a real method to our madness.

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Speaker 1: It just starts with Amy and I and kind of

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Speaker 1: seeps out sometimes if it's like Morgan number two s like,

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Speaker 1: if it's a young female thing, oh, I'll go Hey,

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Speaker 1: it's Morgan number two thing, I'll go over to her.

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Speaker 1: If it's a real dad thing, I'll go to Eddie.

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Speaker 1: Eddie's got four kids. If it's about casinos and gambling

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Speaker 1: or lottery tickets, you know, We kind of all have

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Speaker 1: our specialty as well. I'll go to lunchbox, so if

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Speaker 1: it's about movies, we'll go to mind. Everybody kind of

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Speaker 1: has their there's area of expertise, so I think that's

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Speaker 1: how Also people will say, hey, I have an idea

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Speaker 1: for a segment, and if they have the idea for

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Speaker 1: a segment and it gets used, they get on the

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Speaker 1: air for that too. I think that's probably how it

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Speaker 1: goes for the most part. I think you'd like to

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Speaker 1: add I know that sounds about right. Mostly I just

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Speaker 1: go to Amy and go, what do you think? Some

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Speaker 1: sounds like I've no idea? All right? What else? All right?

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Speaker 1: Last one? What is Bobby's thoughts on the evolution of

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Speaker 1: country music or as people know it, pop country music.

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Speaker 1: My thoughts on the evolution of country music interest that

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Speaker 1: this has never not been a discussion, meaning for the

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Speaker 1: history of country music, it has always been a discussion

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Speaker 1: of the same country music. It's never not been a discussion.

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Speaker 1: We're not in this new area of well, country just

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Speaker 1: sucks now. People have always said that about in the

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Speaker 1: art by the way period, where there are eras and themes,

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Speaker 1: every art is considered garbage by somebody who's in a

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Speaker 1: different area. It's funny to watch hip hop go through

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Speaker 1: this same thing because we're handling that country music. You

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Speaker 1: have guys, well, that's not country. When anyone says that's

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Speaker 1: not country, I laugh at that because okay, you're you

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Speaker 1: are the ex part of all art. To me, what

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Speaker 1: country music is is wonderful, authentic storytelling in music. That's

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Speaker 1: what it means to me. Now it may mean to

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Speaker 1: you a ban Joe. Now, you're not wrong, but I'm

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Speaker 1: not wrong either. Within art, there is no right or wrong,

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Speaker 1: and that's the beauty of it, and people that consume

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Speaker 1: it are dictating where it goes. So when Garth was

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Speaker 1: blowing up, people were like, that's not country music. They

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Speaker 1: said the same thing to Garth. They said the same

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Speaker 1: thing to Johnny Cash. All of this is happening right now,

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Speaker 1: has always happened, and when it stops happening, that's when

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Speaker 1: it dies. Whenever people stop getting mad about where country

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Speaker 1: music is going, that's when it dies. You never want

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Speaker 1: to stop having this conversation because when everyone's happy and satisfied,

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Speaker 1: that means it's just in a place and it's not moving.

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Speaker 1: Sometimes it moves in directions. It has to correct itself.

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Speaker 1: Sometimes it goes in wonderful places to you, but not

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Speaker 1: to me. So as soon as people stop going well sucks,

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Speaker 1: it's gonna die. You want it to always be like that.

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Speaker 1: You want people always challenging art because otherwise, without art

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Speaker 1: being challenge art stagnates and just dies, dissipates. And it

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Speaker 1: is so when people get into those fights, I'm like,

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Speaker 1: that's where it should be. People should be having these fights.

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Speaker 1: That's what's amazing about it. Any art, it country music

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Speaker 1: is we're in that. So it's a big deal to us.

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Speaker 1: And I know that's a weird way to think about it,

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Speaker 1: but it's jazz music is a good example. It never evolves.

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Speaker 1: So now it's like that's dead. Who listens to that?

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00:18:38,800 --> 00:18:40,520
Speaker 1: That's a great example. And I don't listen to jazz,

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Speaker 1: you know, in the thirties and the forties, Yeah gone.

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Speaker 1: So they And for all of you out there, when

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Speaker 1: you hear a song that's our country music, you're not right.

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Speaker 1: You're also not wrong because to you that's not country music.

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Speaker 1: And art is where we hold it in what it

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Speaker 1: means to us in that spot. We all have our

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Speaker 1: walls for the art that we like and how we

395
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Speaker 1: feel about it, and if it doesn't fit within your walls,

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Speaker 1: it's okay for it not to be that to you.

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Speaker 1: And if it doesn't fit in enough people's walls, then

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Speaker 1: it people dictate where it goes by spending money on it. Um.

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Speaker 1: So my real country music would mean you make country

400
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Speaker 1: with a rubber band and a stick in the literal country.

401
00:19:19,040 --> 00:19:21,879
Speaker 1: Oh and then with a bottle like a Andy Griffith.

402
00:19:23,040 --> 00:19:25,359
Speaker 1: You know that would mean. But that's that's not what

403
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Speaker 1: it means to most people. Three chords and the Truth,

404
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Speaker 1: Oh goode Wamy came to me. I was like, what

405
00:19:29,800 --> 00:19:32,200
Speaker 1: is it Bobby talking about? So that's why I would

406
00:19:32,240 --> 00:19:35,520
Speaker 1: say it should be something to be addressed all the time,

407
00:19:35,520 --> 00:19:38,680
Speaker 1: because as soon as it's not, it's dead. When it's

408
00:19:38,720 --> 00:19:41,639
Speaker 1: not a topic and people worried and bouncing it back

409
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Speaker 1: and forth, it just dies. So I love that it's

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Speaker 1: a conversation. How you feel about that answer, I feel

411
00:19:47,440 --> 00:19:49,680
Speaker 1: like it's a good answer. But I mean, yes, keep

412
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Speaker 1: the conversation going, keep the challenges there, especially for artists

413
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Speaker 1: to like, you know, test their creativity, push their boundaries,

414
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Speaker 1: see where they can go. And that's awesome, But don't

415
00:20:00,280 --> 00:20:02,040
Speaker 1: be annoying about it. Yeah. Yeah, there are people that

416
00:20:02,040 --> 00:20:04,240
Speaker 1: are very annoying about it. It's they're the hardest too, Like,

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Speaker 1: there's not a country where I do is country. It's

418
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Speaker 1: like an egg. You know, you're right, you're also wrong

419
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Speaker 1: because somebody else it can be country. Right, So it's

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Speaker 1: like a fine line I'm with you on yeah wow.

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Speaker 1: Keeping the actually yeah, keeping the conversation and challenging it

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Speaker 1: keeps it going and evolves it and makes it better

423
00:20:22,119 --> 00:20:24,560
Speaker 1: to some, worse to some, but it keeps it going.

424
00:20:24,720 --> 00:20:28,240
Speaker 1: But this is why I am the absolute best person

425
00:20:28,280 --> 00:20:30,399
Speaker 1: for this job, because I have such respect for the

426
00:20:30,440 --> 00:20:34,280
Speaker 1: history of country music, right, love it. Consider myself I'm

427
00:20:34,320 --> 00:20:39,199
Speaker 1: not Marty Stewart, but an elementary scholar of the history

428
00:20:39,200 --> 00:20:42,399
Speaker 1: of country music. I also love the new side of

429
00:20:42,440 --> 00:20:44,840
Speaker 1: it and the places it goes and the messages because

430
00:20:44,840 --> 00:20:48,320
Speaker 1: it's all about the message to me. So listen, when

431
00:20:48,320 --> 00:20:50,640
Speaker 1: they brought in a steel guitar to country music, people

432
00:20:50,680 --> 00:20:52,280
Speaker 1: were like, this is not country music. What are you

433
00:20:52,320 --> 00:20:54,520
Speaker 1: talking about that? When they put an amp with the

434
00:20:54,520 --> 00:20:56,480
Speaker 1: steel guitar, they were like, this is not This is

435
00:20:56,600 --> 00:21:00,280
Speaker 1: against But at the time that was crazy. It's what

436
00:21:00,280 --> 00:21:03,360
Speaker 1: a snaptrack is now on some of these songs, and

437
00:21:03,760 --> 00:21:05,760
Speaker 1: someday we're gonna be like people didn't think snaptracks one

438
00:21:05,760 --> 00:21:08,760
Speaker 1: country anyway, Morgan number two, why do you ask me

439
00:21:08,760 --> 00:21:13,399
Speaker 1: that question? Now? He's mad? Okay, is that it? Yeah? Okay,

440
00:21:13,440 --> 00:21:17,919
Speaker 1: that's it for today. Terry in Baltimore. You're on the

441
00:21:17,960 --> 00:21:21,080
Speaker 1: Bobby Bone Show. Terry, what's happening with you? Good morning Bobby,

442
00:21:21,240 --> 00:21:25,600
Speaker 1: Good morning morn studio. Hey Bobby, I read in your

443
00:21:25,640 --> 00:21:27,720
Speaker 1: book that you worked with like a speech therapist to

444
00:21:27,800 --> 00:21:30,680
Speaker 1: get rid of your accent. Yeah. Do you ever find

445
00:21:30,720 --> 00:21:33,359
Speaker 1: yourself lapsing into it when you're talking through some country

446
00:21:33,400 --> 00:21:36,679
Speaker 1: stars with sick accents? Yeah? I mean I think I

447
00:21:36,800 --> 00:21:40,360
Speaker 1: haven't gotten rid of my accent totally. But what happened

448
00:21:40,400 --> 00:21:43,800
Speaker 1: when I was in college. I thought, Man, if I'm

449
00:21:43,800 --> 00:21:45,399
Speaker 1: going to be on the radio and I'm going to

450
00:21:45,440 --> 00:21:48,800
Speaker 1: be wherever this weird job sends me, I need to

451
00:21:48,840 --> 00:21:50,840
Speaker 1: lose some of my accent. And so I went and

452
00:21:51,720 --> 00:21:54,680
Speaker 1: I went for free because they were teaching speech pathology,

453
00:21:54,760 --> 00:21:56,280
Speaker 1: so you could work with some of the college kids

454
00:21:56,320 --> 00:21:58,520
Speaker 1: that were learning how to teach people later in their career.

455
00:21:58,800 --> 00:22:01,600
Speaker 1: And I worked on my my eyes because in Arkansas,

456
00:22:01,680 --> 00:22:05,200
Speaker 1: or your eyes aren't their eyes, and so it'd be like,

457
00:22:05,560 --> 00:22:10,040
Speaker 1: I'm feeling feeling fine, that's normal. You're your eyes then

458
00:22:10,080 --> 00:22:15,080
Speaker 1: turn to eyes. Another one you do is fishing, is

459
00:22:15,119 --> 00:22:19,399
Speaker 1: fishing your I n g's because growing up, it's really

460
00:22:19,440 --> 00:22:22,159
Speaker 1: small things that you work on that you try to

461
00:22:22,200 --> 00:22:25,000
Speaker 1: eliminate anyone knowing where you're from. I still have a

462
00:22:25,000 --> 00:22:26,760
Speaker 1: bit of a Southern accent, no doubt about it, because

463
00:22:26,760 --> 00:22:29,040
Speaker 1: a lot of my friends that live in New York

464
00:22:29,280 --> 00:22:33,680
Speaker 1: or that live in mostly the Eastern side of America

465
00:22:33,800 --> 00:22:35,719
Speaker 1: give me a hard time about it still because I'll

466
00:22:35,760 --> 00:22:37,720
Speaker 1: be on American Idol, which is a national show, and

467
00:22:37,760 --> 00:22:40,000
Speaker 1: they'll be like, the Hillbill is on American Idol, And

468
00:22:40,000 --> 00:22:44,280
Speaker 1: that's fine. But when I get tired, you start to

469
00:22:44,320 --> 00:22:47,440
Speaker 1: fall back and you get lazy. When I'm tired, I'm

470
00:22:47,480 --> 00:22:50,960
Speaker 1: just time tired, tim tired. So yeah, my accent does

471
00:22:51,000 --> 00:22:53,280
Speaker 1: come out either when I'm tired or when I go

472
00:22:53,320 --> 00:22:56,240
Speaker 1: back home to Arkansas and I'm there around some of

473
00:22:56,240 --> 00:22:58,600
Speaker 1: my friends for a long period of time, you kind

474
00:22:58,600 --> 00:23:01,000
Speaker 1: of just go back into it. Terry, you're in Baltimore,

475
00:23:01,040 --> 00:23:02,679
Speaker 1: do you hear it often? Like? Do you hear it

476
00:23:02,680 --> 00:23:06,399
Speaker 1: in me? When I talk rarely, and I've got family

477
00:23:06,400 --> 00:23:09,199
Speaker 1: and friends all over the South, but I do know

478
00:23:09,240 --> 00:23:11,359
Speaker 1: when I mean. And I grew up on the East Coast,

479
00:23:11,400 --> 00:23:14,080
Speaker 1: but when I visit South, I start thinking an accent.

480
00:23:14,440 --> 00:23:18,639
Speaker 1: Nice I am, yeah, when I'm tired, when I'm talking

481
00:23:18,680 --> 00:23:22,960
Speaker 1: to folks, and some words I use are very Southern

482
00:23:23,000 --> 00:23:25,640
Speaker 1: words that were just in my vernacular that I don't

483
00:23:25,680 --> 00:23:29,840
Speaker 1: think about. Like and I didn't know that washing detergent

484
00:23:30,000 --> 00:23:32,320
Speaker 1: was called that regularly until you guys started making fun

485
00:23:32,320 --> 00:23:33,959
Speaker 1: of me on the show because I would say, hey,

486
00:23:33,960 --> 00:23:35,640
Speaker 1: we got it. I was going to get some washing

487
00:23:35,680 --> 00:23:38,520
Speaker 1: powders and you guys like, look at that. Look at

488
00:23:38,520 --> 00:23:41,400
Speaker 1: the hill, Millie. It's detergent, yeah, but washing powder. Yeah.

489
00:23:41,520 --> 00:23:44,000
Speaker 1: So there are certain things that I say too that

490
00:23:44,359 --> 00:23:47,280
Speaker 1: words that I've also tried to eliminate. But I don't

491
00:23:47,320 --> 00:23:49,920
Speaker 1: mind being regional at this point, Like I think it

492
00:23:50,520 --> 00:23:52,359
Speaker 1: definitely's who I'm from. I'm really worried about that in

493
00:23:52,440 --> 00:23:54,880
Speaker 1: my the first part of my career because I didn't

494
00:23:54,920 --> 00:23:56,439
Speaker 1: want to be attached anywhere, and now I'm happy to

495
00:23:56,440 --> 00:23:59,320
Speaker 1: be attached to where I'm from. So, um, that's an

496
00:23:59,359 --> 00:24:00,919
Speaker 1: interesting question. I thought about that in a while char

497
00:24:00,920 --> 00:24:03,240
Speaker 1: I appreciate that. Okay, enjoy the show. You'll have a

498
00:24:03,280 --> 00:24:04,960
Speaker 1: good day. Yeah, you have a good day too. Now

499
00:24:05,000 --> 00:24:08,000
Speaker 1: you don't drink because you've never had anything to drink.

500
00:24:08,359 --> 00:24:10,720
Speaker 1: But if you were to ever start drinking, I could

501
00:24:10,720 --> 00:24:12,560
Speaker 1: see your accent coming out. Then that's when you hear

502
00:24:12,640 --> 00:24:14,480
Speaker 1: some people too, like if they have a couple of drinks,

503
00:24:14,480 --> 00:24:17,200
Speaker 1: then their accent starts to slip back in because I

504
00:24:17,200 --> 00:24:19,600
Speaker 1: guess they just get more relaxed, because you really have

505
00:24:19,680 --> 00:24:22,359
Speaker 1: to How many grapefruit in club sodas do I need

506
00:24:22,400 --> 00:24:25,800
Speaker 1: before I start falling back into that? I don't know,

507
00:24:28,440 --> 00:24:30,800
Speaker 1: do you Samy's Pile of Stories? So do you like

508
00:24:30,880 --> 00:24:33,640
Speaker 1: sad movies? I know you like sad music, but sad

509
00:24:33,680 --> 00:24:41,440
Speaker 1: movies that's tough. It's tough. I like movies about dogs,

510
00:24:41,560 --> 00:24:43,720
Speaker 1: but the bad thing is most dog movies in sad

511
00:24:44,600 --> 00:24:47,119
Speaker 1: true like, oh man, what was that one? So I

512
00:24:47,160 --> 00:24:49,720
Speaker 1: don't know that I love sad movies, but I like

513
00:24:49,920 --> 00:24:52,399
Speaker 1: movies and the things that I like movies to be

514
00:24:52,440 --> 00:24:55,240
Speaker 1: about often in sad. What's your favorite movie? My dog

515
00:24:55,320 --> 00:25:00,199
Speaker 1: Skip is the best dog movie possibly ever. Oh I mean,

516
00:25:00,240 --> 00:25:02,879
Speaker 1: I can cry just thinking about that movie. Favorite movie

517
00:25:02,920 --> 00:25:06,760
Speaker 1: ever is Man on the Moon Jim Carrey kind of sad,

518
00:25:06,880 --> 00:25:10,720
Speaker 1: a little dark, because I don't know about dark. It's

519
00:25:10,760 --> 00:25:13,920
Speaker 1: it's a biography, you know, but I thought I've only

520
00:25:13,920 --> 00:25:15,480
Speaker 1: seen bits and pieces of it, and I know I

521
00:25:15,560 --> 00:25:17,560
Speaker 1: was kind of sad. It is kind of set overall.

522
00:25:17,600 --> 00:25:20,200
Speaker 1: He gets sick. Yeah, Um, I don't. I'm gonna say,

523
00:25:20,240 --> 00:25:22,560
Speaker 1: I don't know that it's sad, but I like real stuff,

524
00:25:22,800 --> 00:25:25,239
Speaker 1: and you know what reality said a lot of times. Well,

525
00:25:25,280 --> 00:25:28,520
Speaker 1: I think this could apply to music too, because music

526
00:25:28,600 --> 00:25:30,800
Speaker 1: with you, even though it's sad, it's releasing some sort

527
00:25:30,840 --> 00:25:35,320
Speaker 1: of music. Oh and like cookie Monster, but with sad songs. Well,

528
00:25:35,320 --> 00:25:37,600
Speaker 1: I bring all this up because the psychologists explained why

529
00:25:37,640 --> 00:25:39,960
Speaker 1: we like sad movies, or even if you don't, why

530
00:25:40,040 --> 00:25:43,200
Speaker 1: watching a sad movie is good for you. And there's

531
00:25:43,240 --> 00:25:47,360
Speaker 1: four reasons why. Sad movies let people experience emotions, They

532
00:25:47,440 --> 00:25:50,280
Speaker 1: create a sense of empathy and bonding with the characters.

533
00:25:50,600 --> 00:25:53,320
Speaker 1: The story often results in people feeling better about their

534
00:25:53,359 --> 00:25:59,360
Speaker 1: own lives. And then crying can release oxycotton or oxycot what,

535
00:26:01,680 --> 00:26:07,360
Speaker 1: oxytocin and other endorphins. So so basically we just want

536
00:26:07,359 --> 00:26:10,280
Speaker 1: to feel, yeah, and sad movies allow you to do do that.

537
00:26:10,320 --> 00:26:12,399
Speaker 1: So sometimes maybe you just need to you hear like

538
00:26:12,640 --> 00:26:13,879
Speaker 1: people are like I just need to put on a

539
00:26:13,920 --> 00:26:15,520
Speaker 1: good sad movie. You get a cry in and like

540
00:26:15,600 --> 00:26:18,440
Speaker 1: feel better. What's the most sad movie? And then when

541
00:26:18,440 --> 00:26:20,960
Speaker 1: I say what's your favorite sad movie? I go around

542
00:26:21,000 --> 00:26:24,240
Speaker 1: the room. Here favorite sad movie? Amy Steel, Magnolia's my

543
00:26:24,359 --> 00:26:26,640
Speaker 1: cry every time. What do you think my favorite sad

544
00:26:26,640 --> 00:26:28,879
Speaker 1: movie is? Because my dog Skip comes to his favorite

545
00:26:28,920 --> 00:26:32,760
Speaker 1: dog movie. That's a tough one. It's very sad, but

546
00:26:32,840 --> 00:26:34,679
Speaker 1: one of my favorite Oh, I'm gonna tell you what

547
00:26:34,720 --> 00:26:36,000
Speaker 1: got me was And I don't know if it's sad

548
00:26:36,000 --> 00:26:41,480
Speaker 1: and I but Coco Coco, Yeah, Holy Moley, Oh my goodness.

549
00:26:41,600 --> 00:26:44,160
Speaker 1: Up is a sad movie. And those are cartoons? What's

550
00:26:44,160 --> 00:26:46,080
Speaker 1: wrong with Me? Like, I go to lights to two cartoons.

551
00:26:46,320 --> 00:26:49,240
Speaker 1: It's a most sad movie, Lunchbox. The saddest movie is

552
00:26:49,240 --> 00:26:53,200
Speaker 1: The War with Kevin Costner and Elijah Wood Eddie, Oh,

553
00:26:53,240 --> 00:26:56,040
Speaker 1: do you ever see big Fish? Big Fish is about

554
00:26:56,080 --> 00:26:58,119
Speaker 1: this guy that is just not really close to his

555
00:26:58,200 --> 00:26:59,760
Speaker 1: dad and then he gets to know his dad and

556
00:26:59,800 --> 00:27:03,080
Speaker 1: then right when that happens, he dies. Pretty sad. How

557
00:27:03,080 --> 00:27:05,320
Speaker 1: about the pursuit of happiness? With Will Smith. Oh my gosh,

558
00:27:05,359 --> 00:27:07,600
Speaker 1: so sad and it ends up you know not, but

559
00:27:07,680 --> 00:27:10,080
Speaker 1: there are parts of that the bathroom seeing where he

560
00:27:10,080 --> 00:27:13,320
Speaker 1: locks himself in the bathroom. But oh what he has

561
00:27:13,320 --> 00:27:15,280
Speaker 1: to go through. But you're right it it's like a

562
00:27:15,280 --> 00:27:17,280
Speaker 1: cutting feeling, like I for sure feel right now what

563
00:27:17,400 --> 00:27:19,720
Speaker 1: I felt then whenever I was watching that movie. All right,

564
00:27:19,720 --> 00:27:22,159
Speaker 1: what else you get? Okay? Well, the next thing is

565
00:27:22,119 --> 00:27:24,880
Speaker 1: about if you're feeling pain or sadness, the best thing

566
00:27:24,960 --> 00:27:28,119
Speaker 1: you can do is have a pet, a dog or

567
00:27:28,119 --> 00:27:30,600
Speaker 1: a cat. Yes, having one literally can ease the pain

568
00:27:30,600 --> 00:27:33,520
Speaker 1: when you're going through a difficult situation. Investigators looked at

569
00:27:33,560 --> 00:27:35,800
Speaker 1: adults who had lost someone who is very close to them,

570
00:27:35,920 --> 00:27:38,919
Speaker 1: you know, a parent, is sibling, a significant other, and

571
00:27:39,200 --> 00:27:41,520
Speaker 1: they evaluated how they handled it whether or not they

572
00:27:41,560 --> 00:27:44,359
Speaker 1: had a dog or a cat. And the people with

573
00:27:44,440 --> 00:27:47,400
Speaker 1: pets got through it a lot. I'd like to make

574
00:27:47,440 --> 00:27:50,280
Speaker 1: a I'd like to give a theory, yes, as to

575
00:27:50,320 --> 00:27:54,320
Speaker 1: why I think that is. I think that we have

576
00:27:54,400 --> 00:27:56,159
Speaker 1: to become more selfless when we have to take care

577
00:27:56,200 --> 00:27:58,119
Speaker 1: of something, so we don't have as much time for

578
00:27:58,160 --> 00:27:59,800
Speaker 1: our own sadness. If we've got to take care of

579
00:27:59,840 --> 00:28:02,679
Speaker 1: some thing, that's not so much thinking about yourself. That's

580
00:28:02,680 --> 00:28:04,159
Speaker 1: what I would say. I think kids are probably a

581
00:28:04,160 --> 00:28:05,600
Speaker 1: big factor. And I don't have kids. Have a dog

582
00:28:05,640 --> 00:28:07,640
Speaker 1: that doesn't mind. That's all I have right now. Um,

583
00:28:07,640 --> 00:28:09,640
Speaker 1: but I would think that's a big reason why. Yeah,

584
00:28:09,760 --> 00:28:11,920
Speaker 1: but if your dog was more it was minding and

585
00:28:12,000 --> 00:28:14,040
Speaker 1: being more like because gets sat on my dog minding,

586
00:28:14,760 --> 00:28:16,800
Speaker 1: calm and cuddly and stuff like it just can be

587
00:28:16,840 --> 00:28:20,640
Speaker 1: of comfort. Still cuddly. My dog is amazing at two times,

588
00:28:20,640 --> 00:28:24,320
Speaker 1: when he's going to sleep at night and when he

589
00:28:24,600 --> 00:28:26,639
Speaker 1: is still sleepy when he wakes up in the morning.

590
00:28:26,920 --> 00:28:30,320
Speaker 1: Same with my kids. We have our best moments then

591
00:28:30,720 --> 00:28:32,399
Speaker 1: the rest. It's kind of like a wild card. I

592
00:28:32,440 --> 00:28:36,520
Speaker 1: don't know what's going to happen. Kids are great. Exam Okay,

593
00:28:36,560 --> 00:28:40,800
Speaker 1: so Eddie got me this like rubber straw thing like

594
00:28:40,840 --> 00:28:44,400
Speaker 1: with a case because I wouldn't stop using plastic straws

595
00:28:44,400 --> 00:28:46,880
Speaker 1: and we're all being more aware and conscious of that. Well,

596
00:28:46,920 --> 00:28:50,120
Speaker 1: I wanted to talk about this new pinestraw because I

597
00:28:50,200 --> 00:28:54,160
Speaker 1: know the big thing with like these reusable straws is

598
00:28:54,160 --> 00:28:55,760
Speaker 1: like how do you clean them? And you carry them

599
00:28:55,760 --> 00:28:58,360
Speaker 1: around and uh, well, this is a straw that comes

600
00:28:58,360 --> 00:29:02,000
Speaker 1: with a little case. It looks like air podcase, which

601
00:29:02,040 --> 00:29:04,320
Speaker 1: is kind of what Eddie gave me. But this case

602
00:29:04,400 --> 00:29:07,000
Speaker 1: can actually be filled with water and has little brushes

603
00:29:07,040 --> 00:29:08,840
Speaker 1: on the inside and you can shake it up and

604
00:29:08,880 --> 00:29:10,920
Speaker 1: it actually cleans the straw and then you dump out

605
00:29:10,920 --> 00:29:12,720
Speaker 1: the water. Let me say you can take it off.

606
00:29:12,800 --> 00:29:15,160
Speaker 1: I'm all for the environment. I love the environment. Right, great,

607
00:29:15,360 --> 00:29:16,720
Speaker 1: I'm not gonna go through all this for a straw.

608
00:29:16,760 --> 00:29:18,719
Speaker 1: I'm just gonna drink with my mouth hole, Like this

609
00:29:18,800 --> 00:29:20,239
Speaker 1: is just a lot of work to not use your

610
00:29:20,280 --> 00:29:22,320
Speaker 1: mouth hole. You're not gonna shake it up and wash,

611
00:29:22,360 --> 00:29:24,200
Speaker 1: You're I just not gonna carry this around with me

612
00:29:24,240 --> 00:29:27,360
Speaker 1: when I can. I already have a mouth hole, Like, well,

613
00:29:27,400 --> 00:29:30,479
Speaker 1: what is so? Sometimes straws are just so. I just

614
00:29:30,560 --> 00:29:32,840
Speaker 1: like venient, But is it worth that convenience to have

615
00:29:32,880 --> 00:29:35,840
Speaker 1: an inconvenient straw cleaner? You got a freaking car wash

616
00:29:35,880 --> 00:29:38,239
Speaker 1: in your pocket. You gotta put a quarter in it.

617
00:29:38,280 --> 00:29:43,520
Speaker 1: You gotta well in case people are curious, it's a

618
00:29:43,560 --> 00:29:47,160
Speaker 1: pin of straw PNNA and I get it as I

619
00:29:47,240 --> 00:29:50,800
Speaker 1: get it, Yeah straw, Yeah, there you go. Straw struggle

620
00:29:50,920 --> 00:29:54,480
Speaker 1: is real. I'm Amy. That's my pile, right, that was

621
00:29:54,600 --> 00:29:58,920
Speaker 1: Amy's pile of stories. It's time for the good news lunchbox.

622
00:30:00,680 --> 00:30:06,959
Speaker 1: Good airport staff at Cincinnati's airport found a stuffed dalmatian

623
00:30:07,120 --> 00:30:08,840
Speaker 1: sitting in the chair and they're like, man, I wonder

624
00:30:08,880 --> 00:30:10,760
Speaker 1: where this belongs. And they put a call out on

625
00:30:10,880 --> 00:30:14,360
Speaker 1: social media, did someone lose their stuffed Dalmatian? And it

626
00:30:14,480 --> 00:30:17,320
Speaker 1: turns out this six year old Jaden, who had been adopted,

627
00:30:17,400 --> 00:30:19,600
Speaker 1: that's the stuffed animally got from the court when he

628
00:30:19,680 --> 00:30:22,480
Speaker 1: was adopted, and he had left it in the baggage area.

629
00:30:22,760 --> 00:30:24,760
Speaker 1: And so they found him and reunited with a puppy

630
00:30:24,880 --> 00:30:27,080
Speaker 1: all the way down in Florida. That's awesome. Probably meant

631
00:30:27,120 --> 00:30:29,360
Speaker 1: a lot to him too, man, That's what it's all about.

632
00:30:30,080 --> 00:30:34,120
Speaker 1: That was tell me something good. Over to Amy with

633
00:30:34,200 --> 00:30:40,720
Speaker 1: the Morning Corny. The Morning Corny. What's wrong with a

634
00:30:40,800 --> 00:30:44,160
Speaker 1: blunt pencil? What's wrong with a blunt pencil? They're just

635
00:30:44,240 --> 00:30:52,480
Speaker 1: really pointless? Nice? That was the Morning Corny. Do you

636
00:30:52,560 --> 00:30:57,280
Speaker 1: ever eat pho? So that's what I call it? Oh,

637
00:30:57,720 --> 00:30:59,320
Speaker 1: I guess it's not called that. I guess called fuff.

638
00:30:59,640 --> 00:31:03,320
Speaker 1: Oh I call it foe. Do you read that? Uh No?

639
00:31:03,680 --> 00:31:06,960
Speaker 1: But I mean I know I live next to a restaurant.

640
00:31:07,880 --> 00:31:09,320
Speaker 1: They make fun of me because I'm like, hey, what's

641
00:31:09,480 --> 00:31:11,200
Speaker 1: the foe And they're like, is that called foe? What's

642
00:31:11,200 --> 00:31:15,760
Speaker 1: called fun? Well let's call pho. Okay, yeah yeah, I

643
00:31:15,840 --> 00:31:17,480
Speaker 1: just want to know how if you were also lame

644
00:31:17,560 --> 00:31:19,000
Speaker 1: like me and said her wrong, Well I do. I

645
00:31:19,120 --> 00:31:21,240
Speaker 1: never even I didn't want it was until I think

646
00:31:21,280 --> 00:31:24,280
Speaker 1: it's the same place that you go to noodleball. Yeah yeah, yeah.

647
00:31:24,760 --> 00:31:27,200
Speaker 1: Here's a voice mel from Carrie. Hey, Bobby, Hey, studio.

648
00:31:27,440 --> 00:31:31,000
Speaker 1: We are taking my daughter in two weeks to college

649
00:31:31,040 --> 00:31:33,400
Speaker 1: and setting her up in the dorm and everything. She

650
00:31:33,600 --> 00:31:37,600
Speaker 1: is going to nursing school at Georgia's Southwestern. And I

651
00:31:37,680 --> 00:31:41,000
Speaker 1: had a question for you. I think a lot of

652
00:31:41,080 --> 00:31:44,000
Speaker 1: you guys in the studio have lived in the dorm.

653
00:31:44,160 --> 00:31:46,560
Speaker 1: Is there anything that we should know, Like if you

654
00:31:46,960 --> 00:31:49,240
Speaker 1: went back and he said, oh I'm glad I had

655
00:31:49,320 --> 00:31:50,960
Speaker 1: this or I wish I had this in the dorm.

656
00:31:51,120 --> 00:31:53,840
Speaker 1: Her name is Sydney. I'm very proud of her. All right, thanks,

657
00:31:54,600 --> 00:31:56,400
Speaker 1: all right, Yeah, I love the dorm. First of all,

658
00:31:56,560 --> 00:31:57,920
Speaker 1: the best thing you ever day was moving the door

659
00:31:57,920 --> 00:32:01,520
Speaker 1: in my freshman year, made so many friends that I

660
00:32:01,680 --> 00:32:05,600
Speaker 1: still am with today. It wasn't the best like living building. Like,

661
00:32:05,720 --> 00:32:07,640
Speaker 1: physically it wasn't the best situation. We had to share

662
00:32:07,640 --> 00:32:09,760
Speaker 1: a bathroom. We had no bathroom in our room. We

663
00:32:09,800 --> 00:32:10,920
Speaker 1: had to walk down the hall and there was a

664
00:32:11,040 --> 00:32:14,080
Speaker 1: big bathroom that we all were in. So that part

665
00:32:14,160 --> 00:32:16,440
Speaker 1: wasn't the best. But you're just with folks, and it's

666
00:32:16,440 --> 00:32:18,280
Speaker 1: a confusing time because you're a freshman. You don't know

667
00:32:18,320 --> 00:32:20,200
Speaker 1: a lot of folks. And when you're forced to be

668
00:32:20,320 --> 00:32:22,560
Speaker 1: with people, you meet them, you learn them quicker. I

669
00:32:22,840 --> 00:32:25,440
Speaker 1: love the dorm if you have to share a bathroom,

670
00:32:25,480 --> 00:32:27,520
Speaker 1: but I would recommend is like some kind of shower

671
00:32:27,600 --> 00:32:29,120
Speaker 1: shoe or some kind of flip flop that you can

672
00:32:29,160 --> 00:32:31,720
Speaker 1: wear all the time. You I never lived in a dorm.

673
00:32:31,880 --> 00:32:34,880
Speaker 1: Oh too good to go for school? Oh I wasn't

674
00:32:34,920 --> 00:32:37,160
Speaker 1: in my freshman year. Remember I didn't get into Texas

675
00:32:37,200 --> 00:32:38,600
Speaker 1: A and M, so I had to go to the

676
00:32:39,000 --> 00:32:41,360
Speaker 1: to blend the junior college and they didn't have dorms.

677
00:32:41,400 --> 00:32:45,120
Speaker 1: Saying dorm was awesome. I love the dorm absolutely the

678
00:32:45,200 --> 00:32:47,880
Speaker 1: best thing. You'll make your best friends there and just

679
00:32:48,040 --> 00:32:50,440
Speaker 1: whatever you do, don't wear your roommates clothes, you know

680
00:32:50,480 --> 00:32:52,720
Speaker 1: what I mean, Like that's what make your keep your

681
00:32:52,760 --> 00:32:55,040
Speaker 1: clothes on lockdown because you'll come in sometimes your roommate

682
00:32:55,080 --> 00:32:58,960
Speaker 1: be wearing your underwear and not cool. What you wore

683
00:32:59,080 --> 00:33:03,240
Speaker 1: your roommates he wore yours? Ah, he wore mine. Well.

684
00:33:03,320 --> 00:33:05,040
Speaker 1: One time found a pair of boxers in his dirty

685
00:33:05,040 --> 00:33:07,840
Speaker 1: clothes and I was like, okay, so that's I mean,

686
00:33:08,040 --> 00:33:12,640
Speaker 1: just gotta burn those. So yeah, just make sure your roommates. No, no, no, no,

687
00:33:12,720 --> 00:33:18,640
Speaker 1: no no no. We had a note. We had one room.

688
00:33:18,720 --> 00:33:20,880
Speaker 1: There were not split rooms in ours, so it was

689
00:33:20,920 --> 00:33:24,720
Speaker 1: just literally one small square room. Yeah that's ours. And

690
00:33:24,840 --> 00:33:27,120
Speaker 1: we had two beds near each other, and it was

691
00:33:27,240 --> 00:33:29,120
Speaker 1: very packed in. I could see where clothes would get

692
00:33:29,160 --> 00:33:30,600
Speaker 1: mixed up, but I would never I think, I know

693
00:33:30,680 --> 00:33:33,880
Speaker 1: my own underwear. Yeah, yeah, very awkward. Once a guy

694
00:33:33,920 --> 00:33:35,640
Speaker 1: came pete in my recliner. I thought it was a bathroom.

695
00:33:36,280 --> 00:33:38,160
Speaker 1: I woke up hearing water on fabric and I was like,

696
00:33:38,240 --> 00:33:40,400
Speaker 1: what the and he was just peeing. He'd had two

697
00:33:40,480 --> 00:33:42,240
Speaker 1: months to drink, and I was like, what are you doing?

698
00:33:42,840 --> 00:33:45,320
Speaker 1: And he bought me another recliner later, and then I

699
00:33:45,400 --> 00:33:47,800
Speaker 1: had that one clean, than I had two recliners. Nice boom.

700
00:33:48,440 --> 00:33:51,000
Speaker 1: There you go, Sydney. Congratulations. What can I just say

701
00:33:51,080 --> 00:33:53,840
Speaker 1: to the dad that this is the sweetest call because

702
00:33:53,920 --> 00:33:58,120
Speaker 1: for dad to be so involved in care about his

703
00:33:58,280 --> 00:34:00,880
Speaker 1: daughter's well being her door life like that, I think

704
00:34:00,920 --> 00:34:03,400
Speaker 1: that's super sweet. I mean, my dad's awesome. But you

705
00:34:03,440 --> 00:34:06,600
Speaker 1: would never call anybody to ask for advice on what

706
00:34:06,800 --> 00:34:10,000
Speaker 1: would make my life easier. Final advice would be to you, dad,

707
00:34:10,200 --> 00:34:13,799
Speaker 1: is that she will figure out what she needs after

708
00:34:13,920 --> 00:34:16,600
Speaker 1: she's there for a bit. Yeah, it's a whole new world.

709
00:34:17,520 --> 00:34:20,160
Speaker 1: And it's again lunchbox, and I had the greatest dorm

710
00:34:20,239 --> 00:34:24,680
Speaker 1: experiences in a place that really isn't that enjoyable. But

711
00:34:24,800 --> 00:34:27,920
Speaker 1: it's the people, it's the situation. It's everybody's new to college,

712
00:34:27,960 --> 00:34:30,440
Speaker 1: you learn. So you should be pumped for her, which

713
00:34:30,480 --> 00:34:32,239
Speaker 1: sounds like you already are. And thank you for that

714
00:34:33,920 --> 00:34:37,759
Speaker 1: lunchbox you call. I called Subway the restaurant in New York,

715
00:34:37,840 --> 00:34:39,600
Speaker 1: and I acted like I was trying to catch a

716
00:34:39,760 --> 00:34:42,040
Speaker 1: train and I needed to know what time it was

717
00:34:42,120 --> 00:34:45,480
Speaker 1: leaving the subway. So you're actually calling a subway sandwich

718
00:34:45,520 --> 00:34:48,520
Speaker 1: shop looking for the actual subway. Yeah, okay, all right,

719
00:34:48,560 --> 00:34:53,200
Speaker 1: here we go. Oh yeah, yeah, mil yo, I'm trying

720
00:34:53,200 --> 00:34:55,120
Speaker 1: to get on that jay tray into the Queens, you know,

721
00:34:55,120 --> 00:34:58,080
Speaker 1: what I'm saying, what times the latest Jay train? I

722
00:34:58,160 --> 00:35:01,240
Speaker 1: think they've heard this bit before. Also, what's that accent?

723
00:35:01,400 --> 00:35:03,439
Speaker 1: That's about New York? You know what I mean? What's

724
00:35:03,640 --> 00:35:07,400
Speaker 1: what's saying? New York, New York, New York. How are you?

725
00:35:08,080 --> 00:35:13,839
Speaker 1: How are you doing? It's all your news? Joey all right, yeah, yeah,

726
00:35:13,920 --> 00:35:15,879
Speaker 1: I mean, uh yeah, you know, I'm trying to get

727
00:35:15,880 --> 00:35:17,520
Speaker 1: I'm a work you know, and I'm working late, and

728
00:35:17,520 --> 00:35:19,560
Speaker 1: I'm trying to find out what's the latest one train

729
00:35:19,680 --> 00:35:28,680
Speaker 1: to the Bronx. Let's try one more here again. Yeah,

730
00:35:28,719 --> 00:35:30,640
Speaker 1: I'm trying to get on that one train to the Bronx.

731
00:35:30,719 --> 00:35:32,800
Speaker 1: You know what I'm saying tonight? What times the latest

732
00:35:32,880 --> 00:35:36,760
Speaker 1: train leave? So I decided this is Astronauts n subway.

733
00:35:36,920 --> 00:35:39,440
Speaker 1: Then oh wait wait wait, no, no, no, it's a

734
00:35:39,520 --> 00:35:41,080
Speaker 1: subway that you know what, I'm trying to go to

735
00:35:41,160 --> 00:35:43,000
Speaker 1: the Bronx. Go Yanks. You know what I'm saying. I

736
00:35:43,120 --> 00:35:46,279
Speaker 1: got a business meeting. Yeah, sorry that I don't know

737
00:35:46,640 --> 00:35:49,200
Speaker 1: because this subby Astronaut is Saturday. So you you you

738
00:35:49,280 --> 00:35:50,920
Speaker 1: don't look up the subway. You don't have the map

739
00:35:51,000 --> 00:35:52,480
Speaker 1: right there? You tell me how to get there. I

740
00:35:52,920 --> 00:35:55,800
Speaker 1: don't have that I don't know. Oh man, you know,

741
00:35:56,080 --> 00:35:59,040
Speaker 1: like because I'm new here, I'm not you were used

742
00:35:59,080 --> 00:36:00,799
Speaker 1: to these subways and I'm just trying to figure out

743
00:36:00,840 --> 00:36:04,600
Speaker 1: my way around. Is the one train a good train?

744
00:36:04,760 --> 00:36:06,240
Speaker 1: Is that a good one to take to the Bronx.

745
00:36:09,960 --> 00:36:13,359
Speaker 1: He's like, you're an idiot. I'm kind of like, you're

746
00:36:13,360 --> 00:36:18,800
Speaker 1: an idiot. Here's the game. I will give you the actor,

747
00:36:19,200 --> 00:36:22,120
Speaker 1: you give me the TV role they're best known for. Okay,

748
00:36:22,400 --> 00:36:24,360
Speaker 1: And these are all people that basically we just know

749
00:36:24,520 --> 00:36:28,160
Speaker 1: from having one role. Does that make sense? Like, for example,

750
00:36:28,320 --> 00:36:30,920
Speaker 1: how this came up was Elizabeth Berkeley had a birthday

751
00:36:31,000 --> 00:36:34,600
Speaker 1: last week from forty eight? Do you know who Elizae Berkeleys? Yes? Um,

752
00:36:36,160 --> 00:36:39,960
Speaker 1: say by the Bell Jesse Spano. Mostly people know her

753
00:36:40,000 --> 00:36:43,880
Speaker 1: as Jesse Spano. Yeah. Or that dancer show she did

754
00:36:44,360 --> 00:36:49,360
Speaker 1: is a movie? Right? Yeah? What is it called show Girls?

755
00:36:49,840 --> 00:36:52,600
Speaker 1: That was a good one. She also finished sixth on

756
00:36:52,719 --> 00:36:55,959
Speaker 1: Dancing with the Star Season seventeen. I had no idea exactly. Okay,

757
00:36:56,200 --> 00:36:59,839
Speaker 1: So I'll give you the actor. See if you can

758
00:37:00,120 --> 00:37:02,400
Speaker 1: give me the TV role they're best known for, Amy Lunchbox,

759
00:37:02,440 --> 00:37:04,160
Speaker 1: Morgan Nuber two. You guys all play okay, all right?

760
00:37:04,280 --> 00:37:11,880
Speaker 1: Write your answer down up first, Jason Alexander. What's the

761
00:37:11,960 --> 00:37:15,080
Speaker 1: one role that Jason Alexander had that we know him

762
00:37:15,120 --> 00:37:17,640
Speaker 1: for his head of the roles Morgan, are you in in?

763
00:37:17,840 --> 00:37:19,680
Speaker 1: What do you have? I don't have. I don't know

764
00:37:19,760 --> 00:37:22,960
Speaker 1: his character name. I have Seinfeld Seinfeld's right, good, Lunchbox

765
00:37:23,120 --> 00:37:26,160
Speaker 1: George Costanza. Okay, Seinfeld, Wait, don't looking for I have

766
00:37:26,239 --> 00:37:28,239
Speaker 1: George Costanza. Mike, what do you want on this dude?

767
00:37:28,320 --> 00:37:32,600
Speaker 1: Character name? Morgan? I'm sorry, the judge has ruled Amy

768
00:37:32,640 --> 00:37:35,680
Speaker 1: and Lunchbox one point. It is George Costanza from Seinfeld?

769
00:37:36,080 --> 00:37:41,359
Speaker 1: All right, how about this one Rain Wilson Morgan. That's

770
00:37:41,400 --> 00:37:44,200
Speaker 1: seventies show. I got nothing? Also not a name person

771
00:37:44,600 --> 00:37:49,160
Speaker 1: Lunchbox White shrewt Amy Dwight Truth from the Office Dwhite shrewd. Yeah.

772
00:37:54,880 --> 00:38:06,359
Speaker 1: How about Alfonso Roberto here's an act he Alfonso Ribero Morgan. Well,

773
00:38:06,400 --> 00:38:10,680
Speaker 1: you're struggling. Huh, I really? Am is An't? Did I

774
00:38:10,840 --> 00:38:16,080
Speaker 1: do that? Guy? Isn't? No? Is not? It's Carlton Banks, Amy,

775
00:38:16,239 --> 00:38:20,160
Speaker 1: Carlton Banks from The Fresh Prince. Right, that's it. Now,

776
00:38:20,280 --> 00:38:29,680
Speaker 1: this is a story about Jalil White. Jalil White, what

777
00:38:29,840 --> 00:38:32,239
Speaker 1: character did you play? Mostly just know him from this

778
00:38:32,360 --> 00:38:41,080
Speaker 1: one character Morgan Family Matters. I really don't have characters

779
00:38:43,120 --> 00:38:55,399
Speaker 1: Arkle Amy, Arkle Family Matters. Yeah, yeah, yeah, Okay, one

780
00:38:55,440 --> 00:39:07,759
Speaker 1: more Kelsey Grammar, Kelsey Grammar. We're gonna going over five.

781
00:39:08,960 --> 00:39:10,680
Speaker 1: I mean, I'm looking at you. O there. You don't

782
00:39:10,719 --> 00:39:12,080
Speaker 1: even put your head down to try to think of one.

783
00:39:12,880 --> 00:39:15,280
Speaker 1: This is there's nothing and these are all older shows

784
00:39:15,360 --> 00:39:19,680
Speaker 1: for me. Yeah, but they're still on reruns. Yeah. I

785
00:39:19,840 --> 00:39:22,680
Speaker 1: know that. I know the TV shows, but character wise, yeah,

786
00:39:22,760 --> 00:39:27,000
Speaker 1: I got nothing. Kelsey Graham, what do you have? Nothing?

787
00:39:27,120 --> 00:39:30,640
Speaker 1: Taylor No, on the same time, but not the same

788
00:39:30,680 --> 00:39:34,799
Speaker 1: show Lunchbox. He's Frasier Amy. Shoot, I thought the show

789
00:39:34,920 --> 00:39:38,840
Speaker 1: was called Kelsey. Was his name Kelsey Grammar? I just

790
00:39:38,920 --> 00:39:41,799
Speaker 1: said Kelsey Grammar. I know, but I thought I thought

791
00:39:41,920 --> 00:39:45,239
Speaker 1: he was played himself. But it was Frasier, wasn't it.

792
00:39:45,320 --> 00:39:50,680
Speaker 1: It was Frasier Crane. Yeah, I put Kelsey Grammar. Do

793
00:39:50,760 --> 00:39:53,720
Speaker 1: you know how you know? Shows are like that? Sometimes

794
00:39:55,360 --> 00:39:59,200
Speaker 1: Lunchbox wins. There you go. Amy sent me a text

795
00:39:59,239 --> 00:40:02,360
Speaker 1: and all that said is I love you having a girlfriend.

796
00:40:02,440 --> 00:40:05,160
Speaker 1: Why do you send that text? Oh? I think I

797
00:40:05,320 --> 00:40:12,839
Speaker 1: just this feeling different about how you are and how fun.

798
00:40:12,920 --> 00:40:15,000
Speaker 1: It is to have her, I guess obviously because I

799
00:40:15,120 --> 00:40:16,840
Speaker 1: like her. I like you having a girlfriend. If I

800
00:40:16,920 --> 00:40:19,840
Speaker 1: didn't like her, then it would be a nightmare. But

801
00:40:19,960 --> 00:40:22,840
Speaker 1: I love her, and then I love how she is

802
00:40:22,960 --> 00:40:26,200
Speaker 1: for you and how you are. How am I any different?

803
00:40:26,239 --> 00:40:30,480
Speaker 1: Because I feel everything just feels different. It's I can't

804
00:40:30,560 --> 00:40:34,120
Speaker 1: explain it. That's why I'm having trouble finding the words.

805
00:40:34,160 --> 00:40:35,800
Speaker 1: Other than that, I wanted you to know, like, I

806
00:40:35,920 --> 00:40:40,960
Speaker 1: really like this relationship a lot. I think she's good

807
00:40:41,000 --> 00:40:45,319
Speaker 1: for you. I think she's fun. I think she's You're

808
00:40:45,719 --> 00:40:50,040
Speaker 1: more social, but not in a I mean, we're in

809
00:40:50,080 --> 00:40:52,480
Speaker 1: a pandemic. You'll you're not like super social, but you're

810
00:40:52,600 --> 00:40:55,440
Speaker 1: intentional about y'all. Just do things together. Like I can

811
00:40:55,520 --> 00:40:58,120
Speaker 1: tell it's been good for you. Something about you is

812
00:40:58,239 --> 00:41:01,279
Speaker 1: just more. I'm gonna tell you what she did to me,

813
00:41:02,400 --> 00:41:05,560
Speaker 1: so I'm very much about being on time all the time.

814
00:41:06,480 --> 00:41:10,359
Speaker 1: She did take it or leave it right same. That's

815
00:41:10,360 --> 00:41:12,719
Speaker 1: why I like her. Yeah, Well, we had a meeting

816
00:41:12,760 --> 00:41:15,640
Speaker 1: with a guy and we were meeting at this place,

817
00:41:16,000 --> 00:41:18,880
Speaker 1: and I don't want to get too many details, but

818
00:41:19,000 --> 00:41:21,080
Speaker 1: he was providing a service and we were meeting there

819
00:41:21,120 --> 00:41:22,759
Speaker 1: to see if he had provided sort and he's like

820
00:41:23,040 --> 00:41:26,320
Speaker 1: eight minutes late, and I'm like, I could not believe

821
00:41:27,239 --> 00:41:28,920
Speaker 1: he's eight minutes. Did she tell you the story? No,

822
00:41:29,080 --> 00:41:31,560
Speaker 1: but I mean I've been there with my husband. I said,

823
00:41:31,880 --> 00:41:33,759
Speaker 1: if it were me, I will be her fifteen minutes

824
00:41:33,800 --> 00:41:37,319
Speaker 1: early because I'm trying to sell my service. And she's like, well,

825
00:41:37,360 --> 00:41:40,200
Speaker 1: everybody's not like you. Let's just hear him out and

826
00:41:40,280 --> 00:41:42,399
Speaker 1: if he says something, great, If he doesn't, whatever, don't

827
00:41:42,480 --> 00:41:44,440
Speaker 1: do what you do. What I do is I'm just

828
00:41:44,520 --> 00:41:48,759
Speaker 1: already irritated. I'm irritated. I'm like, I respected you enough

829
00:41:48,800 --> 00:41:52,080
Speaker 1: to be here on time. You couldn't respect It's just

830
00:41:52,160 --> 00:41:54,479
Speaker 1: my normal met I'm always going to be there because

831
00:41:54,480 --> 00:41:57,560
Speaker 1: I feel so the guy gets there, I'm irritated eight

832
00:41:57,600 --> 00:42:01,120
Speaker 1: minutes late. So we said to Able. We start talking

833
00:42:01,120 --> 00:42:04,040
Speaker 1: about whatever we're talking about, and he's like, hey, I'm

834
00:42:04,760 --> 00:42:07,719
Speaker 1: it's embarrassing to share. He's like, I'm really sorry, I'm late.

835
00:42:08,200 --> 00:42:11,440
Speaker 1: Uh my dad's buried over here. I don't get to

836
00:42:11,440 --> 00:42:13,400
Speaker 1: this part of town often. And I stopped off and

837
00:42:13,440 --> 00:42:19,319
Speaker 1: I was just like I am yeah, see, and then

838
00:42:19,360 --> 00:42:22,040
Speaker 1: we finished and she just looked at me and she's

839
00:42:22,080 --> 00:42:27,799
Speaker 1: like yeah, and she's good for you. She's a yin

840
00:42:27,920 --> 00:42:32,320
Speaker 1: to your yang or whatever that would be the accurate

841
00:42:32,360 --> 00:42:34,600
Speaker 1: thing to say, like Yindi yang. Yeah, yeah, yeah, yeah.

842
00:42:34,760 --> 00:42:36,520
Speaker 1: I felt pretty dumb after that, but I still then

843
00:42:36,560 --> 00:42:38,839
Speaker 1: I was like, then this is me being an idiot.

844
00:42:38,880 --> 00:42:41,840
Speaker 1: I was like, but don't really fifteen minutes earlier, but

845
00:42:42,000 --> 00:42:44,000
Speaker 1: maybe it was. I know, you're right, You're right, that's

846
00:42:44,000 --> 00:42:46,000
Speaker 1: all I'm saying. But she is good in that way.

847
00:42:46,080 --> 00:42:48,879
Speaker 1: She does push. Yeah, she doesn't take my crap. Yeah

848
00:42:48,960 --> 00:42:51,000
Speaker 1: she doesn't, but I think she should take it a

849
00:42:51,080 --> 00:42:54,040
Speaker 1: little more, honestly, Why because I like my crap be

850
00:42:54,080 --> 00:42:57,000
Speaker 1: taking a little bit. Yeah. I think she's good for you.

851
00:42:57,320 --> 00:43:00,640
Speaker 1: I've I just feel something different. I was asking her

852
00:43:00,640 --> 00:43:02,880
Speaker 1: about you the other day because she's you know, she

853
00:43:03,080 --> 00:43:06,920
Speaker 1: moved here and it's not been normal socially, so she

854
00:43:07,000 --> 00:43:08,520
Speaker 1: hasn't been able to go out and make friends really,

855
00:43:08,920 --> 00:43:10,880
Speaker 1: And I was like, who would you like what you

856
00:43:11,000 --> 00:43:13,640
Speaker 1: put on your tier of friends because you know, she

857
00:43:13,719 --> 00:43:15,359
Speaker 1: can't like go out, she can't go to a gym

858
00:43:15,400 --> 00:43:17,400
Speaker 1: and work out and meet people, but you're up in

859
00:43:17,480 --> 00:43:22,080
Speaker 1: her a list. Yeah, she was like, Amy, Obviously, I

860
00:43:22,160 --> 00:43:24,239
Speaker 1: was worried about that. You always worry about that. Yeah,

861
00:43:24,480 --> 00:43:29,800
Speaker 1: I think that it's awesome to see you caring about somebody.

862
00:43:30,800 --> 00:43:32,960
Speaker 1: Look at that. Not that you don't care. I mean

863
00:43:33,000 --> 00:43:35,160
Speaker 1: you care about people. But in this way, it's just

864
00:43:35,280 --> 00:43:37,600
Speaker 1: been good for you. I see a difference. Can't really

865
00:43:37,719 --> 00:43:39,839
Speaker 1: explain it. I just like it and I like her,

866
00:43:39,960 --> 00:43:43,680
Speaker 1: So don't mess it up. Excuse me, I was about

867
00:43:43,719 --> 00:43:46,600
Speaker 1: to go to song. Excuse me, I don't mess it up?

868
00:43:46,800 --> 00:43:48,680
Speaker 1: What do you What do you mean? Don't get scared?

869
00:43:49,400 --> 00:43:52,600
Speaker 1: And I'm not going to I know. I'm just or don't.

870
00:43:52,960 --> 00:43:55,520
Speaker 1: Don't you mess up and do something? Well? Would I do?

871
00:43:55,760 --> 00:44:02,920
Speaker 1: I don't know, I just don't. Okay, it's time for

872
00:44:03,040 --> 00:44:10,040
Speaker 1: the good news. Good An Indiana boy got some help

873
00:44:10,160 --> 00:44:13,439
Speaker 1: running his lemonade stand from a surprising person, a local cop.

874
00:44:13,920 --> 00:44:17,359
Speaker 1: Jalen Wilson was totally surprised when South Bend officer Ron

875
00:44:17,480 --> 00:44:19,400
Speaker 1: Glonde showed up and said, Hey, let me help you

876
00:44:19,440 --> 00:44:21,320
Speaker 1: out with this lemonade and this popcorn, and I'll do

877
00:44:21,440 --> 00:44:24,880
Speaker 1: some selling too. And that wasn't enough. The officer pledged

878
00:44:24,880 --> 00:44:26,800
Speaker 1: to match one hundred percent of the money that his

879
00:44:26,960 --> 00:44:29,279
Speaker 1: stand made that day. He was gonna match it, so

880
00:44:29,480 --> 00:44:32,399
Speaker 1: one He's like, dang, that's really cool. And two he's like, man,

881
00:44:32,640 --> 00:44:34,840
Speaker 1: cops are on here are awesome, and he's like, hey,

882
00:44:34,880 --> 00:44:37,919
Speaker 1: don't be a friend of police officers. That's what Jalen said.

883
00:44:38,040 --> 00:44:39,480
Speaker 1: So I love that story. I wanted to share it

884
00:44:39,520 --> 00:44:42,400
Speaker 1: with you, guys. That's what it's all about. That was

885
00:44:42,480 --> 00:44:47,520
Speaker 1: tell me something good. When's your son's birthday? August ten?

886
00:44:48,040 --> 00:44:50,640
Speaker 1: Next week? Next week? Yeah, Dan, he's gonna be ten.

887
00:44:51,840 --> 00:44:55,200
Speaker 1: It's a big one. Yeah, we intend for me was

888
00:44:55,200 --> 00:44:57,319
Speaker 1: big because you turned double digits. I know, I can't

889
00:44:57,360 --> 00:45:00,920
Speaker 1: believe it. He thinks he should a phone because he's

890
00:45:00,960 --> 00:45:03,200
Speaker 1: gonna be ten. Are you gonna give him a phone? No?

891
00:45:03,760 --> 00:45:06,719
Speaker 1: What do you get a ten year old? I think

892
00:45:07,360 --> 00:45:11,400
Speaker 1: like a hoverboard or something, yeah, or something like that,

893
00:45:11,560 --> 00:45:14,759
Speaker 1: because his sister got one for her birthday and now

894
00:45:14,840 --> 00:45:17,320
Speaker 1: they fight over it and I'm kind of done with that.

895
00:45:17,560 --> 00:45:20,399
Speaker 1: So they can't tell you about the golden birthday. Yes,

896
00:45:20,520 --> 00:45:22,760
Speaker 1: you did, because I mentioned to her that he's turning

897
00:45:22,840 --> 00:45:25,919
Speaker 1: ten and his birthday's August tenth, and she immediately said

898
00:45:26,560 --> 00:45:31,280
Speaker 1: his golden birthday. I looked at her August tenth. August tenth,

899
00:45:31,520 --> 00:45:35,800
Speaker 1: he's turning ten on twenty ten, Yeah, twenty It doesn't

900
00:45:35,800 --> 00:45:38,719
Speaker 1: matter the year. It only matters the day you were born.

901
00:45:38,920 --> 00:45:41,719
Speaker 1: Oh what stinks? For me? I was two, right, I know,

902
00:45:42,040 --> 00:45:44,960
Speaker 1: I remember my golden birthday right, and I missed mine.

903
00:45:45,600 --> 00:45:48,800
Speaker 1: I was eighteen because mine's March eighteenth, and so I

904
00:45:48,920 --> 00:45:50,719
Speaker 1: was like, why am I just now learning this? Someone

905
00:45:50,840 --> 00:45:52,800
Speaker 1: was forty years old and she acts like it's a

906
00:45:52,840 --> 00:45:54,680
Speaker 1: really big deal and you celebrate it and make a

907
00:45:54,800 --> 00:45:56,680
Speaker 1: huge deal about it. I'm like, well, thank goodness you

908
00:45:56,800 --> 00:45:58,919
Speaker 1: told me in time. You explained the golden birthday again.

909
00:45:59,160 --> 00:46:01,840
Speaker 1: It's when you're turning the age of the day that

910
00:46:01,920 --> 00:46:04,960
Speaker 1: your birthday is on. So you're April second two. We're

911
00:46:05,160 --> 00:46:08,600
Speaker 1: sorry about that eighteen for me. My daughter, she'll be

912
00:46:08,680 --> 00:46:13,640
Speaker 1: twenty five for her golden birthday. Lunchbox missed. I think

913
00:46:13,640 --> 00:46:17,520
Speaker 1: we all missed ours because oh, yeah, we're old. There's

914
00:46:17,600 --> 00:46:19,479
Speaker 1: more than no more than thirty, I guess Morgan, Morgan,

915
00:46:19,560 --> 00:46:22,840
Speaker 1: what's your birthday? No, mine's October six? You're six? Did

916
00:46:22,880 --> 00:46:24,920
Speaker 1: your parents celebrate it? Don't have you ever heard of

917
00:46:24,920 --> 00:46:29,640
Speaker 1: it on birthday? Either? But for some people, yeah, they

918
00:46:30,080 --> 00:46:32,480
Speaker 1: it's like super special. So I'm gonna we're gonna live

919
00:46:32,560 --> 00:46:34,399
Speaker 1: it up. It's his golden year. Have you told him

920
00:46:34,400 --> 00:46:36,160
Speaker 1: it's a golden birthday? Now, I'm a surprising on his

921
00:46:36,239 --> 00:46:40,400
Speaker 1: birthday and then I'll just tell Sophia, don't get jealous.

922
00:46:40,440 --> 00:46:42,440
Speaker 1: At twenty five you'll get something. Wait, what's happened? So

923
00:46:42,520 --> 00:46:44,799
Speaker 1: you guys doing like I'm I'm assuming you're doing something

924
00:46:44,840 --> 00:46:48,080
Speaker 1: a story your daughter or you did a socially distant movie. Yeah,

925
00:46:48,160 --> 00:46:50,359
Speaker 1: I mean we just had a movie on a big

926
00:46:50,400 --> 00:46:52,080
Speaker 1: screen at the house. I think we're need the same thing,

927
00:46:52,520 --> 00:46:55,440
Speaker 1: but outside. Hers was supposed to be outside, but the

928
00:46:55,520 --> 00:46:58,040
Speaker 1: weather was bad, so we had to do it inside,

929
00:46:58,600 --> 00:47:01,279
Speaker 1: So it'll kind of be the same. Is there anything

930
00:47:01,360 --> 00:47:03,040
Speaker 1: I can't get him? No? You want to get him

931
00:47:03,040 --> 00:47:06,960
Speaker 1: a houd Oh? Get him a Phone's kidding? No, no, no,

932
00:47:07,680 --> 00:47:11,200
Speaker 1: Because when I came and I was like, here's all

933
00:47:11,239 --> 00:47:14,239
Speaker 1: this stuff. I know, what can I not get him? Well?

934
00:47:14,280 --> 00:47:19,319
Speaker 1: Would you like me to get him? He has a list? Okay, okay, yeah,

935
00:47:19,440 --> 00:47:21,359
Speaker 1: be easier. Listen. If he's got something out there, I'm

936
00:47:21,360 --> 00:47:23,600
Speaker 1: happy to get it. Is there a registry? Can I

937
00:47:23,920 --> 00:47:27,320
Speaker 1: clean you? No, there's no registry. I don't want to

938
00:47:27,480 --> 00:47:30,480
Speaker 1: get ridiculous. But he does have a list, and he

939
00:47:30,719 --> 00:47:33,200
Speaker 1: is really excited about his birthday, So that's cute. I

940
00:47:33,320 --> 00:47:36,439
Speaker 1: want him to. He just is such a little he's

941
00:47:36,480 --> 00:47:40,279
Speaker 1: like ten, but he's just stuff. She is super responsible

942
00:47:40,320 --> 00:47:42,200
Speaker 1: and knows where all of her stuff is. And then

943
00:47:42,280 --> 00:47:45,080
Speaker 1: he just kind of loses things, you know, But that's

944
00:47:45,120 --> 00:47:46,799
Speaker 1: not an age thing. He'll probably do that his whole life,

945
00:47:46,840 --> 00:47:49,600
Speaker 1: like you and me. That's why I can't. We're similar

946
00:47:49,600 --> 00:47:52,319
Speaker 1: in a lot of ways, but also you live your

947
00:47:52,360 --> 00:47:55,600
Speaker 1: life wild and free. I live my life regimented down

948
00:47:55,640 --> 00:47:57,759
Speaker 1: to the minute second, make sure things are buttoned up.

949
00:47:58,200 --> 00:48:00,360
Speaker 1: That doesn't mean we're any any better or worse each other.

950
00:48:00,760 --> 00:48:03,040
Speaker 1: He like put stuff in his jacket pocket and then

951
00:48:03,440 --> 00:48:05,640
Speaker 1: doesn't zip up the pocket, and then ties the jacket

952
00:48:05,640 --> 00:48:07,319
Speaker 1: around his waist and then goes for a bike ride.

953
00:48:07,360 --> 00:48:10,160
Speaker 1: And he's like, I don't know what happened in my AirPods.

954
00:48:10,239 --> 00:48:13,280
Speaker 1: I don't know where were they. They're in my pocket?

955
00:48:13,680 --> 00:48:16,400
Speaker 1: Which pocket, the one dangling down while you have it

956
00:48:16,520 --> 00:48:20,200
Speaker 1: tied around your waist. So stuff like that. So that's

957
00:48:20,239 --> 00:48:23,800
Speaker 1: why I'm hesitant sometimes telling me he needs air pods. No,

958
00:48:23,960 --> 00:48:27,520
Speaker 1: but he he got air pods because he earned them.

959
00:48:27,600 --> 00:48:29,279
Speaker 1: He did a bunch of work and earned him because

960
00:48:29,320 --> 00:48:31,760
Speaker 1: he really wanted them, but he only lost one AirPod,

961
00:48:32,080 --> 00:48:35,640
Speaker 1: you know, because well, you know, what I learned is

962
00:48:35,760 --> 00:48:39,800
Speaker 1: you can buy single air pods. Inn't that awesome. I

963
00:48:39,840 --> 00:48:42,600
Speaker 1: didn't know that you rematch them, pair them, I guess so.

964
00:48:43,280 --> 00:48:45,600
Speaker 1: I only had just found it online because I was

965
00:48:45,640 --> 00:48:47,440
Speaker 1: researching him buying. I thought it'd be funny for his

966
00:48:47,560 --> 00:48:49,040
Speaker 1: birthday for him to open it up and it'd just

967
00:48:49,200 --> 00:48:52,279
Speaker 1: be one AirPod, you know, and it said you can

968
00:48:52,360 --> 00:48:56,600
Speaker 1: do it, So whatever. Happy Golden Birthday, Happy golden birthday.

969
00:48:58,120 --> 00:49:00,320
Speaker 1: All right. This is a message that was left for

970
00:49:00,400 --> 00:49:03,080
Speaker 1: me from Jackson, who's thirteen years old. More a video.

971
00:49:03,400 --> 00:49:06,080
Speaker 1: I'm thirteen years old and me and my family have

972
00:49:06,160 --> 00:49:09,160
Speaker 1: been talking about maybe moving, Bobby. I know that you

973
00:49:09,239 --> 00:49:11,640
Speaker 1: said you moved many times in their life. Can you

974
00:49:11,800 --> 00:49:14,080
Speaker 1: help me give you some advice, you know, like going

975
00:49:14,120 --> 00:49:17,440
Speaker 1: to a brandish school. You know, new people, don't know nobody.

976
00:49:17,840 --> 00:49:19,920
Speaker 1: I would really appreciate it, man, I tell you, I

977
00:49:20,000 --> 00:49:22,560
Speaker 1: went to a bunch of new schools. They walked you

978
00:49:22,640 --> 00:49:25,560
Speaker 1: in that classroom door and they would say class this

979
00:49:25,880 --> 00:49:28,600
Speaker 1: is Bobby. Have them look at you and care that

980
00:49:28,680 --> 00:49:31,080
Speaker 1: they have the opposite would try to show you they

981
00:49:31,080 --> 00:49:33,160
Speaker 1: didn't care at all. The best thing about it was, though,

982
00:49:33,280 --> 00:49:35,920
Speaker 1: is every stop I made I made more and more friends.

983
00:49:37,040 --> 00:49:38,880
Speaker 1: It's always a bit awkward and weird when you have

984
00:49:38,920 --> 00:49:41,080
Speaker 1: to be new people, and not just for thirteen years old,

985
00:49:41,160 --> 00:49:43,279
Speaker 1: when you go to college, when you start a new job.

986
00:49:43,640 --> 00:49:45,440
Speaker 1: This is something that happens to you in your life

987
00:49:45,480 --> 00:49:47,200
Speaker 1: over and over again. The great thing about it is

988
00:49:47,280 --> 00:49:49,680
Speaker 1: you get to start experiencing it and getting better at

989
00:49:49,719 --> 00:49:52,279
Speaker 1: it younger. For me, it was a valuable tool. Yeah,

990
00:49:52,360 --> 00:49:55,520
Speaker 1: stink sometimes, but at some point in your life you're

991
00:49:55,560 --> 00:49:57,800
Speaker 1: gonna have to do it anyway. So I mean I

992
00:49:58,000 --> 00:50:04,319
Speaker 1: changed schools second grade, fourth grade, sixth grade at least

993
00:50:04,360 --> 00:50:08,000
Speaker 1: four times. And every time they open that door you

994
00:50:08,080 --> 00:50:11,959
Speaker 1: walk into a classroom, kid's already sitting in there. Also, listen,

995
00:50:12,000 --> 00:50:14,480
Speaker 1: if you're moving into virtual school time and everything's kind

996
00:50:14,480 --> 00:50:16,440
Speaker 1: off anyway, maybe it's easier to get back in that way.

997
00:50:16,480 --> 00:50:20,080
Speaker 1: Oh yeah, true, because everything's so off anyway. Let's hope

998
00:50:20,120 --> 00:50:21,520
Speaker 1: to God kids get back to school as soon as

999
00:50:21,520 --> 00:50:23,719
Speaker 1: they possibly can when everything is safe. But here's what

1000
00:50:23,760 --> 00:50:25,279
Speaker 1: I'm gonna say, Jackson. For me as someone who move

1001
00:50:25,280 --> 00:50:26,839
Speaker 1: around lot, because we would get kicked out of places

1002
00:50:26,840 --> 00:50:28,520
Speaker 1: to kick out the tray of the park evicted. It

1003
00:50:28,760 --> 00:50:30,839
Speaker 1: isn't the most pleasurable thing right away, but you make

1004
00:50:30,920 --> 00:50:33,760
Speaker 1: so many more friends, and you're gonna be so ahead

1005
00:50:33,800 --> 00:50:35,879
Speaker 1: of the game for everyone else in life that hasn't

1006
00:50:35,880 --> 00:50:37,440
Speaker 1: had to move around and go through those situations. It's

1007
00:50:37,480 --> 00:50:39,440
Speaker 1: gonna make you so much stronger. Like, if I need to,

1008
00:50:39,560 --> 00:50:41,320
Speaker 1: I can walk in a room right now and just

1009
00:50:41,560 --> 00:50:44,160
Speaker 1: dominate the room. There's just a skill I've had to

1010
00:50:44,239 --> 00:50:46,960
Speaker 1: pick up. So it's gonna be good for you. Man.

1011
00:50:46,960 --> 00:50:49,200
Speaker 1: You're gonna make a lot of friend and it's also listen, Jackson,

1012
00:50:49,239 --> 00:50:50,480
Speaker 1: I'm gonna tell you. I don't know how the situation

1013
00:50:50,600 --> 00:50:52,600
Speaker 1: is with the girls, but when you're the new guy,

1014
00:50:53,040 --> 00:50:54,919
Speaker 1: all the girls are a little bit curious at first.

1015
00:50:55,280 --> 00:50:57,680
Speaker 1: Oh tell us more. Well, they were only curious for

1016
00:50:57,680 --> 00:50:59,080
Speaker 1: a minute. They figured me out than they wouldn't. But

1017
00:50:59,120 --> 00:51:01,479
Speaker 1: for Jackson, anything like a real winner there. I like, Yeah,

1018
00:51:02,160 --> 00:51:04,400
Speaker 1: it's gonna be an overall good experience. Jackson. It'll be

1019
00:51:04,440 --> 00:51:06,279
Speaker 1: a little rocky for a second, but I think you're

1020
00:51:06,280 --> 00:51:08,160
Speaker 1: gonna be very happy you move because you're just gonna

1021
00:51:08,200 --> 00:51:09,840
Speaker 1: acquire a whole new skill set. You're gonna make a

1022
00:51:09,920 --> 00:51:13,080
Speaker 1: whole new crop of friends, and I'll end on this.

1023
00:51:13,880 --> 00:51:16,080
Speaker 1: If there was something about you at your last school

1024
00:51:16,120 --> 00:51:18,399
Speaker 1: you didn't like you, turn it. You know, people had

1025
00:51:18,440 --> 00:51:20,359
Speaker 1: an idea of you for someone. You can be whoever

1026
00:51:20,400 --> 00:51:22,120
Speaker 1: you want. It's a new school. It's like when you

1027
00:51:22,160 --> 00:51:24,400
Speaker 1: go to college, you're like you, you don't have me

1028
00:51:24,400 --> 00:51:26,560
Speaker 1: the same person you're in high school. If you're trying

1029
00:51:26,600 --> 00:51:29,040
Speaker 1: to like have people know something about you that maybe

1030
00:51:29,080 --> 00:51:30,960
Speaker 1: you didn't do a good enough job at you can

1031
00:51:31,000 --> 00:51:33,720
Speaker 1: do that here. He can be anybody you want. All right, Jackson,

1032
00:51:33,800 --> 00:51:37,120
Speaker 1: go get them, dude. All right, check this game out.

1033
00:51:37,719 --> 00:51:40,160
Speaker 1: I'm gonna play you a cartoon character. It's voiced by

1034
00:51:40,200 --> 00:51:44,080
Speaker 1: a celebrity. Just name the celebrity doing the voice. For example,

1035
00:51:44,120 --> 00:51:50,040
Speaker 1: this number one is pretty easy. What do you from

1036
00:51:50,080 --> 00:51:52,759
Speaker 1: Toy Story? That's Tom Hanks. That's Tom Hanks. Right, Okay,

1037
00:51:53,000 --> 00:51:54,400
Speaker 1: at five of these for you, Let's see how many

1038
00:51:54,440 --> 00:51:56,960
Speaker 1: you get. Here. You go first, one up is Dory

1039
00:51:57,080 --> 00:52:00,640
Speaker 1: from Finding Nemo. I suffered from short term memory laws. No,

1040
00:52:00,920 --> 00:52:03,160
Speaker 1: it's true. I forget things almost instantly. It runs in

1041
00:52:03,239 --> 00:52:05,040
Speaker 1: my family. When life gets you down, you know what

1042
00:52:05,080 --> 00:52:08,040
Speaker 1: you gotta do. Just keep swimming, Just keep swimming, Just

1043
00:52:08,320 --> 00:52:12,200
Speaker 1: keep swimming, swimming. Swimming was my dream job. That's ellen.

1044
00:52:12,560 --> 00:52:16,799
Speaker 1: What is voicing a fish? Oh? A specific fish? Yeah,

1045
00:52:17,239 --> 00:52:20,360
Speaker 1: all right? This is a baby from boss Baby. Fine,

1046
00:52:20,920 --> 00:52:23,279
Speaker 1: I can talk. Now, Let's see if you can listen.

1047
00:52:23,400 --> 00:52:25,239
Speaker 1: Give me a double espresso and see if there's some

1048
00:52:25,320 --> 00:52:28,000
Speaker 1: placed around here with decent sushi. I kill for a

1049
00:52:28,040 --> 00:52:31,200
Speaker 1: spicy tune. Roll right about. Now, get yourself a little something.

1050
00:52:31,520 --> 00:52:34,160
Speaker 1: Who's that celebrity voice? I've seen boss Baby, but I

1051
00:52:34,200 --> 00:52:38,520
Speaker 1: don't know who that is? Should I know? Can I

1052
00:52:38,600 --> 00:52:41,719
Speaker 1: get a hint? New Yorker? I mean you can hear it,

1053
00:52:41,760 --> 00:52:43,920
Speaker 1: buy his accent a little bit, right, we play a

1054
00:52:43,920 --> 00:52:46,919
Speaker 1: little more of that. Fine, I can talk now. Let's

1055
00:52:46,920 --> 00:52:51,080
Speaker 1: see if you can listen anything. It's Alec Baldwin. Oh okay, yeah,

1056
00:52:51,160 --> 00:52:53,680
Speaker 1: now I know that here to the game. Fine, I

1057
00:52:53,800 --> 00:52:56,319
Speaker 1: can talk here now, now let's see you totally all right,

1058
00:52:56,320 --> 00:53:00,680
Speaker 1: see if you can name Branch from Trolls, really really great,

1059
00:53:00,800 --> 00:53:03,640
Speaker 1: good job. I could hear you from a mile away, Poppy,

1060
00:53:03,920 --> 00:53:07,439
Speaker 1: if I can hear you, so getting the Burgens. They're

1061
00:53:07,480 --> 00:53:09,520
Speaker 1: not going to find me because I'll be in my

1062
00:53:09,680 --> 00:53:14,360
Speaker 1: highly nice Okay. How about Oscar from shark Tail. So no,

1063
00:53:14,760 --> 00:53:19,040
Speaker 1: and it's just hard, all right, because I'm I'm a

1064
00:53:19,120 --> 00:53:22,840
Speaker 1: little fish in a big pond, a really big pond,

1065
00:53:23,680 --> 00:53:29,680
Speaker 1: the ocean. I'm a nobody's that. Well, let's do MAUI

1066
00:53:29,840 --> 00:53:32,680
Speaker 1: from Malana unless you already know the rock? Yeah what

1067
00:53:32,800 --> 00:53:35,319
Speaker 1: I believe you were trying to say? All right, all right,

1068
00:53:35,600 --> 00:53:38,919
Speaker 1: she knows that. How about grew from Despicable Me. Rule

1069
00:53:39,080 --> 00:53:44,359
Speaker 1: number one, you will not touch anything. Okay. Rule number two,

1070
00:53:44,480 --> 00:53:47,600
Speaker 1: you will not bother me while I'm working. Rule number

1071
00:53:47,960 --> 00:53:53,320
Speaker 1: three you will not cry or y lap, or giggle

1072
00:53:53,840 --> 00:53:59,720
Speaker 1: or sneeze or barbar fart shoot, um, say Michael Scott,

1073
00:54:00,120 --> 00:54:04,040
Speaker 1: Steve Carell, that's who it is. Nice shot, your bonus went.

1074
00:54:04,120 --> 00:54:06,040
Speaker 1: See if you can name Ralph from Wrecket Ralph. My

1075
00:54:06,160 --> 00:54:11,319
Speaker 1: name's Ralph and I'm a bad guy. Uh let's see.

1076
00:54:12,239 --> 00:54:14,879
Speaker 1: I'm nine feet tall high, weigh six hundred and forty

1077
00:54:14,920 --> 00:54:17,640
Speaker 1: three pounds, got a little bit of a temper on me.

1078
00:54:17,880 --> 00:54:23,040
Speaker 1: I'm a wrecker. I wreck things professionally. I mean, I'm

1079
00:54:23,160 --> 00:54:25,279
Speaker 1: very good at what I do. Probably the best I know.

1080
00:54:25,480 --> 00:54:28,120
Speaker 1: You know that is John c Riley. I don't know

1081
00:54:28,600 --> 00:54:30,120
Speaker 1: do you know who that is? And I said, John,

1082
00:54:30,400 --> 00:54:33,080
Speaker 1: what if you saw a picture? Um? Step brothers, He's

1083
00:54:33,080 --> 00:54:35,800
Speaker 1: the other step Oh yeah, okay, alright, alright's Will Ferrell

1084
00:54:36,040 --> 00:54:38,000
Speaker 1: it okay, I give you a B minus. Thank you.

1085
00:54:38,120 --> 00:54:41,200
Speaker 1: I'll take it. I was a B student. I hope

1086
00:54:41,239 --> 00:54:43,480
Speaker 1: everybody has a great day. Thanks for hanging out. We

1087
00:54:43,600 --> 00:54:46,560
Speaker 1: just appreciate that you'll be our friends and hopefully we

1088
00:54:46,640 --> 00:54:48,480
Speaker 1: give me some companionship as you do whatever it is

1089
00:54:48,520 --> 00:54:51,320
Speaker 1: you're doing this morning, or listen on the podcast, whatever

1090
00:54:51,360 --> 00:54:54,759
Speaker 1: you're doing. Just thank you. See tomorrow, by everybody, get

1091
00:54:54,800 --> 00:54:55,800
Speaker 1: your Bobby balls.