1 00:00:02,080 --> 00:00:05,080 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,440 --> 00:00:06,960 Speaker 1: just to touch to get you through. 3 00:00:07,680 --> 00:00:08,360 Speaker 2: Yeah, me too. 4 00:00:09,039 --> 00:00:12,280 Speaker 1: This is the podcast that comes after the podcast. Welcome 5 00:00:12,320 --> 00:00:31,000 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 6 00:00:31,120 --> 00:00:33,720 Speaker 1: a little thing we like to call the after party. 7 00:00:34,040 --> 00:00:36,600 Speaker 1: This is the show after the show, the party after 8 00:00:36,600 --> 00:00:38,680 Speaker 1: the party, the bridge to get you from one full 9 00:00:38,720 --> 00:00:42,040 Speaker 1: episode of Disgraceland to the other, the backyard to dig 10 00:00:42,120 --> 00:00:45,360 Speaker 1: into the dirt. On this bonus episode, we are diving 11 00:00:45,360 --> 00:00:48,000 Speaker 1: into your answers on who the greatest female singer of 12 00:00:48,080 --> 00:00:51,279 Speaker 1: the twenty first century is. We're asking the question of 13 00:00:51,360 --> 00:00:55,120 Speaker 1: what music, movies, and athletes you were listening to, watching 14 00:00:55,160 --> 00:00:58,240 Speaker 1: and rooting forward back in your teenage days Little Midsummer 15 00:00:58,320 --> 00:01:01,320 Speaker 1: Noestylgia Trip. And we're also digging into your suggestions for 16 00:01:01,440 --> 00:01:05,800 Speaker 1: future Disgraceland episodes. Of course, we've got your voicemails, texts 17 00:01:05,840 --> 00:01:09,920 Speaker 1: and more, and as always, a whole lotterer Rosie. All right, 18 00:01:10,000 --> 00:01:22,759 Speaker 1: disc goes, Let's get into it. So I was sixteen 19 00:01:22,840 --> 00:01:25,440 Speaker 1: years old in nineteen ninety and on my bedroom wall 20 00:01:25,520 --> 00:01:28,320 Speaker 1: I had this massive poster of Michael Jordan, the one 21 00:01:28,640 --> 00:01:31,240 Speaker 1: you might notice when he's soaring through the air, his 22 00:01:31,400 --> 00:01:33,440 Speaker 1: tongue is hanging out of his mouth and he's about 23 00:01:33,440 --> 00:01:33,839 Speaker 1: to dunk. 24 00:01:33,959 --> 00:01:35,679 Speaker 2: It's a great image. 25 00:01:36,160 --> 00:01:38,440 Speaker 1: I was, of course a Celtics fan, but Michael Jordan 26 00:01:38,840 --> 00:01:42,039 Speaker 1: MJ transcended sports. MJ wasn't a basketball player, he was 27 00:01:42,080 --> 00:01:44,920 Speaker 1: a cultural figure. It was okay to root for him 28 00:01:44,959 --> 00:01:47,640 Speaker 1: as long as you didn't root for him against the Celts. 29 00:01:47,880 --> 00:01:50,200 Speaker 1: And I was that way with the New York Mets too. 30 00:01:50,640 --> 00:01:52,160 Speaker 1: It was okay to root for the Mets in the 31 00:01:52,200 --> 00:01:54,640 Speaker 1: National League. And this was at a time. You get 32 00:01:54,680 --> 00:01:58,040 Speaker 1: to remember, this was before interlygue play in baseball, so 33 00:01:58,080 --> 00:02:01,160 Speaker 1: the Red Sox never played the Mets until the nineteen 34 00:02:01,160 --> 00:02:03,440 Speaker 1: eighty six World Series, and I rooted for the Mets 35 00:02:03,480 --> 00:02:05,760 Speaker 1: that whole season while also rooting for the Red Sox, 36 00:02:06,200 --> 00:02:08,840 Speaker 1: and both teams broke my heart that October. It was 37 00:02:08,840 --> 00:02:12,080 Speaker 1: like getting dumped by the same girl twice at the 38 00:02:12,080 --> 00:02:13,320 Speaker 1: same time or something. 39 00:02:13,960 --> 00:02:14,720 Speaker 2: I don't know. It sucked. 40 00:02:14,760 --> 00:02:16,679 Speaker 1: I was rooting for the Red Sox, so I was 41 00:02:16,720 --> 00:02:20,360 Speaker 1: obviously crushed when they lost, but I took zero joy 42 00:02:20,400 --> 00:02:23,440 Speaker 1: from the Mets win. Okay, just the whole thing sucked. 43 00:02:23,760 --> 00:02:27,320 Speaker 1: And by the time nineteen ninety rolled around the summer 44 00:02:27,360 --> 00:02:30,280 Speaker 1: of nineteen ninety. There was no Mets swag in my closet. 45 00:02:30,320 --> 00:02:32,440 Speaker 1: There were no dock good and posters on my walls. 46 00:02:32,560 --> 00:02:35,200 Speaker 1: There's no Red Sox gear either, and there wouldn't be 47 00:02:35,400 --> 00:02:37,920 Speaker 1: until the end of the decade when Pedro Martinez showed 48 00:02:37,960 --> 00:02:41,960 Speaker 1: up in Boston. I did have a life size Florida 49 00:02:42,000 --> 00:02:45,280 Speaker 1: ceiling poster of Metallica's Cliff Burton on my bedroom door. 50 00:02:46,000 --> 00:02:49,040 Speaker 1: In nineteen ninety. We hadn't yet heard Metallica's Black album. 51 00:02:49,080 --> 00:02:51,760 Speaker 1: We were still blasting nineteen eighty eight in Justice for 52 00:02:51,840 --> 00:02:53,400 Speaker 1: All and trying to figure out what we thought of 53 00:02:53,680 --> 00:02:56,200 Speaker 1: Cliff Burton's replacement, Jason Newstead. 54 00:02:55,840 --> 00:02:57,160 Speaker 2: Who we could barely hear on that record. 55 00:02:57,160 --> 00:03:01,160 Speaker 1: By the way I read that summer of nineteen ninety, 56 00:03:01,200 --> 00:03:05,440 Speaker 1: I read Helter Skelter. I was obsessed for some reason, 57 00:03:05,440 --> 00:03:08,200 Speaker 1: though I didn't listen to the Beatles' White Album. While 58 00:03:08,240 --> 00:03:11,760 Speaker 1: tearing through Vincent Buliosi's True Crime Opus, a book I 59 00:03:11,800 --> 00:03:13,880 Speaker 1: once took as gospel, but a lot of you know 60 00:03:13,919 --> 00:03:17,440 Speaker 1: that I now now think of it as a trove 61 00:03:17,560 --> 00:03:21,840 Speaker 1: of disinformation. Helter Skelter, I listened instead. I wasn't listening 62 00:03:21,880 --> 00:03:23,800 Speaker 1: to the White album, I listened instead to the Rolling 63 00:03:23,800 --> 00:03:29,200 Speaker 1: Stones Sticky Fingers album Can't You Hear Me Knocking Bitch Sway? 64 00:03:29,360 --> 00:03:31,400 Speaker 2: These songs seemed darker. 65 00:03:31,040 --> 00:03:33,600 Speaker 1: To me than anything on the White album, better fit 66 00:03:33,680 --> 00:03:36,560 Speaker 1: the world of nineteen sixty nine that I was building 67 00:03:36,560 --> 00:03:39,760 Speaker 1: in my head while obsessing over Squeaky From and Text 68 00:03:39,760 --> 00:03:44,800 Speaker 1: Watson Sticky Figures just grooved hard in ways that I 69 00:03:44,800 --> 00:03:49,600 Speaker 1: still can't explain. It's hard to also explain my teenage 70 00:03:49,640 --> 00:03:53,400 Speaker 1: tastes and how they evolved, how they changed, how they grew, 71 00:03:53,440 --> 00:03:55,560 Speaker 1: where they came from, how they grew into what they 72 00:03:55,560 --> 00:04:00,480 Speaker 1: are today. If it weren't for that summer in nineteen nine, 73 00:04:00,920 --> 00:04:03,120 Speaker 1: would I still be obsessed with the music in the 74 00:04:03,160 --> 00:04:06,800 Speaker 1: films that occupy so much of my thinking these days. 75 00:04:07,160 --> 00:04:11,520 Speaker 1: Obsessions has started back then, Obsessions with Martin Scorsese, with 76 00:04:11,600 --> 00:04:15,160 Speaker 1: Quentin Tarantino, with other thrillers, of course, Rosemary's Baby, The Exorcist. 77 00:04:15,720 --> 00:04:18,520 Speaker 1: You know, we're just talking to Michael Jordan, heavy metal, 78 00:04:18,560 --> 00:04:23,159 Speaker 1: true crime, gangster flicks, thrillers, classic rock, and even hardcore music. 79 00:04:23,279 --> 00:04:25,680 Speaker 1: This is right around the time I got into hardcore. 80 00:04:25,680 --> 00:04:27,840 Speaker 1: I wore out Sick of It All's full length album 81 00:04:27,920 --> 00:04:30,920 Speaker 1: Blood Sweat and No Tears back then. This is a 82 00:04:30,920 --> 00:04:32,800 Speaker 1: band that I didn't know it at the time, but 83 00:04:32,839 --> 00:04:34,360 Speaker 1: there were a band that I would I would later 84 00:04:34,480 --> 00:04:37,720 Speaker 1: tour with and open for on the Warped Tour seven 85 00:04:37,800 --> 00:04:42,080 Speaker 1: years later, while a band I'd never heard of at 86 00:04:42,080 --> 00:04:43,440 Speaker 1: that time that the Warped Tour would go on to 87 00:04:43,480 --> 00:04:46,080 Speaker 1: be huge later while that band opened up for us 88 00:04:46,120 --> 00:04:49,800 Speaker 1: a band named Blink one eighty two. I had all 89 00:04:49,800 --> 00:04:52,760 Speaker 1: this shit going on that summer in nineteen ninety. In 90 00:04:52,800 --> 00:04:54,920 Speaker 1: my bedroom, I caught up that Sick of It All 91 00:04:54,960 --> 00:04:58,039 Speaker 1: album's insert, which was dumb, so I could tape the 92 00:04:58,040 --> 00:05:00,599 Speaker 1: band's images up on my wall next to my Jordan 93 00:05:00,720 --> 00:05:04,000 Speaker 1: next to the Dallas Cowboys Tony Dorset. Tony was my guy. 94 00:05:04,080 --> 00:05:06,880 Speaker 1: The Cowboys were my team. The Pats sucked in nineteen ninety. 95 00:05:07,200 --> 00:05:09,560 Speaker 1: I rooted for them on Sundays with my stepfather and 96 00:05:09,560 --> 00:05:12,479 Speaker 1: the rest of my family, but I also rooted harder. 97 00:05:12,200 --> 00:05:13,000 Speaker 2: For the Cowboys. 98 00:05:13,600 --> 00:05:15,680 Speaker 1: We lived in Massachusetts, but the Cowboys seem to be 99 00:05:15,760 --> 00:05:18,960 Speaker 1: on TV every week. They were America's team. They still are. 100 00:05:19,600 --> 00:05:21,240 Speaker 1: I guess, I don't know. I could make an argument 101 00:05:21,279 --> 00:05:23,680 Speaker 1: that the Patriots are now America's team. And have been 102 00:05:23,720 --> 00:05:26,400 Speaker 1: for the last twenty something years. But the point is 103 00:05:26,440 --> 00:05:31,640 Speaker 1: my bedroom was stuff with all of these things, and 104 00:05:31,680 --> 00:05:34,920 Speaker 1: of course cassettes. I can't forget cassettes or cassettes everywhere. 105 00:05:35,279 --> 00:05:37,719 Speaker 1: My friends and I we traded cassettes, We lent cassettes 106 00:05:37,760 --> 00:05:40,320 Speaker 1: to each other, We made mixes for each other. CDs 107 00:05:40,320 --> 00:05:42,880 Speaker 1: weren't yet a thing. Vinyl was hard to come by, 108 00:05:42,920 --> 00:05:45,840 Speaker 1: it was hard to maintain. If I had records, they 109 00:05:45,880 --> 00:05:48,560 Speaker 1: were like seven inch hardcore or punk rock records, and 110 00:05:48,600 --> 00:05:50,279 Speaker 1: I didn't have a lot of them. Again, I had 111 00:05:50,360 --> 00:05:54,920 Speaker 1: cassettes or I had a bunch of my mom's old 112 00:05:54,960 --> 00:05:58,159 Speaker 1: records and my dad's old records. But vinyl wasn't really 113 00:05:58,279 --> 00:06:01,400 Speaker 1: really in play for me back then when I was 114 00:06:01,440 --> 00:06:04,560 Speaker 1: in high school, and you know, casetts where like they 115 00:06:04,600 --> 00:06:08,960 Speaker 1: were like currency. In my neighborhood. That's all we really 116 00:06:09,000 --> 00:06:12,200 Speaker 1: did was listen to music and talk about music. Occasionally 117 00:06:12,200 --> 00:06:15,400 Speaker 1: go swimming. We played football, of course, violent games of 118 00:06:15,400 --> 00:06:17,960 Speaker 1: football in the neighborhood park near where I grew up 119 00:06:17,960 --> 00:06:22,200 Speaker 1: in Clinton, Massachusetts, on Birded Hill. This field, it was 120 00:06:22,240 --> 00:06:26,120 Speaker 1: an actual hill. Okay, so we played football on a hill. 121 00:06:26,520 --> 00:06:29,080 Speaker 1: Our rule was always at the offensive team. How to 122 00:06:29,080 --> 00:06:31,560 Speaker 1: be running uphill. This, of course made the game more 123 00:06:31,600 --> 00:06:35,240 Speaker 1: physical and more violent. And you know, when running plays 124 00:06:35,240 --> 00:06:37,440 Speaker 1: in an actual neighborhood pick up football game got boring, 125 00:06:37,480 --> 00:06:38,520 Speaker 1: we would just play kill the kid. 126 00:06:38,600 --> 00:06:40,120 Speaker 2: Let's you know, you throw the ball up in the air. 127 00:06:40,120 --> 00:06:42,160 Speaker 1: Whoever catches it and picks it up out of the 128 00:06:42,160 --> 00:06:45,000 Speaker 1: scrum or whatever starts to run for their life with 129 00:06:45,160 --> 00:06:48,080 Speaker 1: like Walter Payton with their hair on fire, ten other 130 00:06:48,160 --> 00:06:51,640 Speaker 1: kids chase them around and gang tackle them. I broke 131 00:06:51,680 --> 00:06:55,359 Speaker 1: my arm playing football in that park one summer, not 132 00:06:55,440 --> 00:06:57,919 Speaker 1: that summer though, not the summer of nineteen ninety. And 133 00:06:57,960 --> 00:07:02,520 Speaker 1: as I sit here this summer and think about the 134 00:07:02,560 --> 00:07:05,440 Speaker 1: new Disgracelane episodes that were set to release this fall, 135 00:07:06,000 --> 00:07:09,240 Speaker 1: so many of them. Episodes on Metallica Blink one eighty two, 136 00:07:09,680 --> 00:07:12,000 Speaker 1: an episode on The Exorcist, an episode on the nineteen 137 00:07:12,000 --> 00:07:15,920 Speaker 1: eighty six Mets, an episode on the Unsolved Murder in 138 00:07:15,960 --> 00:07:19,000 Speaker 1: the National Football League from back in the day. So 139 00:07:19,200 --> 00:07:23,160 Speaker 1: much of the inspiration for the telling of these stories 140 00:07:23,320 --> 00:07:28,000 Speaker 1: comes from that teenage bedroom of mine. In a way, 141 00:07:28,840 --> 00:07:31,320 Speaker 1: I'm still the same kid, I'm still obsessed over the 142 00:07:31,360 --> 00:07:35,680 Speaker 1: same things. I'm still consumed by all the storytelling connected 143 00:07:35,760 --> 00:07:38,040 Speaker 1: to those things, even though I'm far from being a kid. 144 00:07:38,560 --> 00:07:41,720 Speaker 1: I was actually sitting down this morning trying to track 145 00:07:41,840 --> 00:07:45,320 Speaker 1: my interest as a fifteen year old with my interest 146 00:07:45,760 --> 00:07:48,560 Speaker 1: as a grown man now who tells stories for a 147 00:07:48,560 --> 00:07:51,880 Speaker 1: living and is about to unleash onto you guys a 148 00:07:51,920 --> 00:07:55,960 Speaker 1: whole slew of new stories. And connecting the dots was 149 00:07:56,160 --> 00:08:01,520 Speaker 1: very easy. And I guess I'm Proud's the wrong word, 150 00:08:01,520 --> 00:08:04,160 Speaker 1: But I guess I guess I'm happy to realize that 151 00:08:04,280 --> 00:08:07,440 Speaker 1: and to acknowledge that, and to I have some weird 152 00:08:07,480 --> 00:08:11,120 Speaker 1: gratitude for it for some reason. And I wonder what 153 00:08:11,200 --> 00:08:14,000 Speaker 1: you guys were listening to back then. I wonder what 154 00:08:14,040 --> 00:08:17,040 Speaker 1: posters were on your walls when you were growing up. 155 00:08:17,320 --> 00:08:20,160 Speaker 1: I wonder what you did to pass your time as 156 00:08:20,160 --> 00:08:24,320 Speaker 1: a kid during your summers, What music you guys listened to, 157 00:08:24,800 --> 00:08:28,840 Speaker 1: What movies you guys watched again, what posters you had 158 00:08:28,880 --> 00:08:31,880 Speaker 1: on your walls, what sports teams you were rooting for? 159 00:08:32,720 --> 00:08:35,280 Speaker 1: Pick a summer, Pick any summer. I picked the summer 160 00:08:35,640 --> 00:08:39,160 Speaker 1: of my sophomore going into junior year of high school 161 00:08:39,160 --> 00:08:42,800 Speaker 1: because it was particularly formative for me that summer. What 162 00:08:42,880 --> 00:08:45,160 Speaker 1: I was reading, like I mentioned Helter skelter, what I 163 00:08:45,240 --> 00:08:48,200 Speaker 1: was listening to, what I was obsessed with. But I 164 00:08:48,200 --> 00:08:50,160 Speaker 1: want to know what you guys were obsessed with from 165 00:08:50,160 --> 00:08:54,320 Speaker 1: a particularly formative year, from your teenage version of you. 166 00:08:54,840 --> 00:08:57,160 Speaker 1: And again, what posters were on the wall, what music 167 00:08:57,240 --> 00:09:00,240 Speaker 1: was teenage you're listening to? What movies did teach? Need 168 00:09:00,360 --> 00:09:01,200 Speaker 1: you watch? 169 00:09:01,720 --> 00:09:02,400 Speaker 2: And uh? 170 00:09:02,600 --> 00:09:05,200 Speaker 1: Yeah, let me know? Six one seven nine oh six 171 00:09:05,600 --> 00:09:09,200 Speaker 1: six six three eight. Do you share this stuff with 172 00:09:09,240 --> 00:09:11,839 Speaker 1: your kids? Do you show your kids the movies that 173 00:09:11,960 --> 00:09:14,160 Speaker 1: scared the hell out of you when you were a kid. 174 00:09:15,240 --> 00:09:17,440 Speaker 1: I really want to show my kids Jaws this summer. 175 00:09:17,480 --> 00:09:20,800 Speaker 1: We're headed to We're headed to Edgartown where it was 176 00:09:20,800 --> 00:09:23,680 Speaker 1: filmed for a couple of nights, and I'm really excited 177 00:09:23,720 --> 00:09:26,559 Speaker 1: about it. And I really want to show my kids Jaws. 178 00:09:26,559 --> 00:09:28,880 Speaker 2: But I can't. I just cannot. They're too young. 179 00:09:29,760 --> 00:09:31,800 Speaker 1: Six one seven nine oh six six six three eight. 180 00:09:31,880 --> 00:09:34,719 Speaker 1: Let me know, guys via voicemail and text. Also you 181 00:09:34,760 --> 00:09:37,160 Speaker 1: can hit me up at disgracelam pod. Let me know 182 00:09:37,320 --> 00:09:41,600 Speaker 1: via Instagram, Facebook, TikTok. Again, what were you listening to, 183 00:09:42,200 --> 00:09:45,160 Speaker 1: watching and uh vibing on back when you were a 184 00:09:45,200 --> 00:09:48,080 Speaker 1: teenager that, uh you want to talk about with me? 185 00:09:48,160 --> 00:10:12,280 Speaker 1: Let me know all right, I'll be back in a flash. 186 00:10:13,280 --> 00:10:15,760 Speaker 1: So last week we asked the question who is the 187 00:10:15,800 --> 00:10:18,560 Speaker 1: greatest female singer of the twentieth century? And Woe Nelly 188 00:10:18,600 --> 00:10:20,360 Speaker 1: did we get a lot of incoming on this one. 189 00:10:21,440 --> 00:10:25,160 Speaker 1: The four or five textan the greatest singer, not female singer. 190 00:10:25,360 --> 00:10:28,040 Speaker 1: The greatest singer of the twenty first century is Amy 191 00:10:28,040 --> 00:10:30,640 Speaker 1: Whitehouse four or five. 192 00:10:30,720 --> 00:10:32,880 Speaker 2: That is a bold statement. I'm not sure I agree. 193 00:10:32,920 --> 00:10:34,960 Speaker 1: I definitely think the Namy white House is probably my 194 00:10:35,040 --> 00:10:39,880 Speaker 1: favorite female singer of this recent century so far at least, 195 00:10:40,760 --> 00:10:42,240 Speaker 1: but I need to think on whether or not I 196 00:10:42,240 --> 00:10:44,600 Speaker 1: think she's the greatest singer of the century. 197 00:10:45,120 --> 00:10:48,440 Speaker 2: That's saying. That's saying a lot. I'm not saying. 198 00:10:48,480 --> 00:10:50,840 Speaker 1: I'm not saying she's not, but I'm not saying she 199 00:10:50,960 --> 00:10:52,720 Speaker 1: is either. I need to think about it. The eight 200 00:10:52,800 --> 00:10:55,040 Speaker 1: one to four Texan best female vocalist of the last 201 00:10:55,040 --> 00:10:58,200 Speaker 1: couple decades is a Dell. The second best vocalist is Adele, 202 00:10:58,440 --> 00:11:02,520 Speaker 1: and the third best vocalist is Adele eight one four. 203 00:11:02,679 --> 00:11:07,280 Speaker 1: Even though I don't agree that one is hard to argue. 204 00:11:07,440 --> 00:11:10,199 Speaker 1: I'm like I said, I'm right or die with Amy Winehouse. 205 00:11:10,200 --> 00:11:14,079 Speaker 1: But Adele as a vocalist is a powerhouse. So for me, 206 00:11:14,760 --> 00:11:18,280 Speaker 1: Amy Winehouse is way more interesting of a singer, even 207 00:11:18,320 --> 00:11:19,120 Speaker 1: though she might not have. 208 00:11:19,080 --> 00:11:21,760 Speaker 2: The pipes that Adele has. But I know there's a 209 00:11:21,760 --> 00:11:22,800 Speaker 2: lot of love for Adele out there. 210 00:11:22,800 --> 00:11:26,640 Speaker 1: I've seen it reflected in more than just this text. 211 00:11:27,160 --> 00:11:30,320 Speaker 1: Lots of social interaction on this question as well. So 212 00:11:30,320 --> 00:11:32,000 Speaker 1: I'm going to bang out a bunch of those answers 213 00:11:32,000 --> 00:11:35,000 Speaker 1: here and save the best female vocalist voicemails for the 214 00:11:35,120 --> 00:11:37,600 Speaker 1: upcoming after party. We're doing two after parties this week, 215 00:11:38,600 --> 00:11:41,120 Speaker 1: so these are going to kind of string together for you. 216 00:11:41,280 --> 00:11:44,160 Speaker 1: Let's go look at some of these social answers to 217 00:11:44,240 --> 00:11:47,000 Speaker 1: this question. Hold on, we pull this up here, all right, 218 00:11:47,040 --> 00:11:48,960 Speaker 1: Anthony the Barber nine one six rights in. I think 219 00:11:49,000 --> 00:11:53,600 Speaker 1: the answer is Amy, Anthony doesn't seem doesn't seem convinced 220 00:11:53,679 --> 00:11:54,480 Speaker 1: effing good music? 221 00:11:54,520 --> 00:11:54,760 Speaker 2: Rights? 222 00:11:54,960 --> 00:11:58,840 Speaker 1: What does it mean to be the greatest singer? And 223 00:11:58,960 --> 00:12:03,400 Speaker 1: you know, I think I think it just means exactly that. 224 00:12:03,480 --> 00:12:03,959 Speaker 2: I mean, I don't know. 225 00:12:03,960 --> 00:12:05,440 Speaker 1: I don't want to put too many rules around it. 226 00:12:05,440 --> 00:12:07,520 Speaker 1: But you know, which female singer do you respond to 227 00:12:07,600 --> 00:12:11,040 Speaker 1: the most from the last twenty years? 228 00:12:11,400 --> 00:12:14,599 Speaker 2: Chuck the podcaster, this is a this is Chuck. 229 00:12:14,360 --> 00:12:16,800 Speaker 1: One of the one of the hosts from the from 230 00:12:16,920 --> 00:12:20,520 Speaker 1: Stuff You Should Know podcast. Chuck writes in Nico Case 231 00:12:20,559 --> 00:12:23,400 Speaker 1: has entered the chat with a big heart, and yeah, 232 00:12:23,480 --> 00:12:29,200 Speaker 1: that's one Chuck that I that Nico certainly gives Amy 233 00:12:29,280 --> 00:12:34,600 Speaker 1: Winehouse a run for the money. For me anyways, and 234 00:12:34,800 --> 00:12:39,959 Speaker 1: also that reminds me of Jenny Lewis. I love Jenny Lewis. 235 00:12:40,000 --> 00:12:42,319 Speaker 1: I love her voice. I love her as a as 236 00:12:42,320 --> 00:12:45,160 Speaker 1: a songwriter, as a personality in music. I think she's 237 00:12:45,200 --> 00:12:49,960 Speaker 1: fantastic and definitely definitely a big part of the last 238 00:12:50,000 --> 00:12:54,480 Speaker 1: twenty years. Here, Puddolo Grande writes, and Hayley Williams is great, 239 00:12:55,280 --> 00:12:57,200 Speaker 1: Chris kleinb Brittany Howard. 240 00:12:57,400 --> 00:12:59,520 Speaker 2: Who else we got here? We'll get some more votes 241 00:12:59,559 --> 00:13:00,200 Speaker 2: for am me. 242 00:13:02,440 --> 00:13:05,679 Speaker 1: Someone wrote in Shaka Kong, Shaka Khan, we're talking last 243 00:13:05,720 --> 00:13:09,800 Speaker 1: twenty years, Come on, twenty first century. Someone else wrote 244 00:13:09,840 --> 00:13:14,959 Speaker 1: in Whitney Houston. Nope, Mariah Carey and Christina Aguilera, come on, 245 00:13:15,640 --> 00:13:16,920 Speaker 1: come on, we're talking. 246 00:13:16,800 --> 00:13:21,280 Speaker 2: Last last I guess, I guess those two. I don't know. 247 00:13:21,360 --> 00:13:26,640 Speaker 1: To Christina and Mariah, they're more nineties to me. Julia Underscore, 248 00:13:26,800 --> 00:13:31,679 Speaker 1: Day Underscore, Venus writes in Lana meaning Lana del Rey, 249 00:13:31,800 --> 00:13:34,880 Speaker 1: and I got to tell you, guys, I finished writing 250 00:13:34,880 --> 00:13:38,800 Speaker 1: this Lana Delray episode last week, a couple weeks ago. 251 00:13:38,840 --> 00:13:41,840 Speaker 2: I recorded it last week. I recorded it here. 252 00:13:41,679 --> 00:13:45,360 Speaker 1: While I'm on on the road, in this creepy old 253 00:13:45,400 --> 00:13:48,200 Speaker 1: burn that we're staying in. It's beautiful, but it is creepy. 254 00:13:48,280 --> 00:13:51,280 Speaker 1: It's kind of haunted. I'm pretty sure there's an owl 255 00:13:51,600 --> 00:13:54,400 Speaker 1: living in part of this bern. I know that there 256 00:13:54,480 --> 00:13:56,640 Speaker 1: are a lot of mice living in this bern as well. 257 00:13:56,960 --> 00:14:00,000 Speaker 1: In the Lana Delray episode, it's I don't want to 258 00:14:00,040 --> 00:14:02,400 Speaker 1: say it's creepy, but it's dark. It's very dark, and 259 00:14:02,480 --> 00:14:06,520 Speaker 1: it is a dark tribute to a dark personality. I 260 00:14:06,960 --> 00:14:10,439 Speaker 1: know that Lana has this image that sort of exudes 261 00:14:10,600 --> 00:14:16,240 Speaker 1: this mid century, mid twentieth century ideal of Americana. But 262 00:14:16,640 --> 00:14:19,400 Speaker 1: I hear a lot of darkness in Lana del Rey's music, 263 00:14:19,440 --> 00:14:21,400 Speaker 1: and it is definitely reflected in this episode. 264 00:14:21,400 --> 00:14:23,840 Speaker 2: And I cannot wait for you guys to hear it. 265 00:14:24,080 --> 00:14:26,400 Speaker 1: Puddle of Grunge also writes in Puddle of Grunge is 266 00:14:26,400 --> 00:14:30,320 Speaker 1: all over this thing, Fiona Apple. Someone wrote in Ella Fitzgerald, 267 00:14:30,360 --> 00:14:33,440 Speaker 1: someone needs to get a frickin clock or calendar because 268 00:14:33,440 --> 00:14:36,440 Speaker 1: Ella Fitzgerald was dead way before the twenty first century. 269 00:14:38,480 --> 00:14:43,560 Speaker 1: Cloe Blooms rites in me, Clo Booms. I guess I 270 00:14:43,560 --> 00:14:47,960 Speaker 1: gotta hear your music. Lady Gaga performed with Metallica, Tony Bennett, 271 00:14:47,960 --> 00:14:48,440 Speaker 1: and Queen. 272 00:14:48,560 --> 00:14:50,840 Speaker 2: This is miss ash BW reading this. 273 00:14:51,520 --> 00:14:54,680 Speaker 1: Lady Gaga sang a Sound of Music medley at the Oscars. 274 00:14:54,800 --> 00:14:57,800 Speaker 1: Lady Gaga had a sold out Las Vegas Jazz residency 275 00:14:57,880 --> 00:15:01,400 Speaker 1: and releases and fire pop albums. I'm going with Gaga. 276 00:15:02,080 --> 00:15:05,320 Speaker 1: Gaga is a good one. Let's not forget the film 277 00:15:05,440 --> 00:15:10,240 Speaker 1: A Star Is Born where she killed it. She's incredible, incredible. 278 00:15:11,240 --> 00:15:15,720 Speaker 1: Hope Sandovel is a suggestion from Moon Pie I and 279 00:15:15,920 --> 00:15:19,320 Speaker 1: Hope Sandoville is the nineties. She is a nineties singer 280 00:15:19,320 --> 00:15:23,360 Speaker 1: by my estimation, so I can't go with Hope Sandaval. 281 00:15:23,360 --> 00:15:26,440 Speaker 1: We got a lot here Grace Potter, lots lots of 282 00:15:26,520 --> 00:15:31,080 Speaker 1: votes for Amy Winehouse, lots Chelsea Wolf love that from 283 00:15:31,120 --> 00:15:35,680 Speaker 1: Tracy amioak get a lot more. We get not as 284 00:15:35,720 --> 00:15:37,320 Speaker 1: many for Taylor Swift as I would think. We get 285 00:15:37,360 --> 00:15:41,200 Speaker 1: a lot of votes for Adele, But guys, who's your 286 00:15:41,200 --> 00:15:45,160 Speaker 1: favorite female singer of the twenty first century. 287 00:15:45,520 --> 00:15:46,960 Speaker 2: I want to know. Hit me up. 288 00:15:46,960 --> 00:15:50,880 Speaker 1: We're not done litigating this. I feel like I feel 289 00:15:50,880 --> 00:15:53,920 Speaker 1: like I'm forgetting. I feel like we're all forgetting some 290 00:15:54,120 --> 00:15:58,560 Speaker 1: obvious choices here, Okay, And I not only want to 291 00:15:58,600 --> 00:15:59,840 Speaker 1: know who you think is the best, I want to 292 00:15:59,840 --> 00:16:02,320 Speaker 1: know why. What I'm trying to do here is not 293 00:16:02,400 --> 00:16:07,720 Speaker 1: just stoke conversation, but I'm trying to expand my listening horizon. Okay, 294 00:16:07,800 --> 00:16:11,560 Speaker 1: I understand that Adele is a great singer, but I 295 00:16:11,600 --> 00:16:14,120 Speaker 1: don't have a go to Adell record that I actually 296 00:16:14,160 --> 00:16:16,360 Speaker 1: listen to for my own pleasure. So if you think 297 00:16:16,400 --> 00:16:18,640 Speaker 1: it's Adele, what record should I be listening to? 298 00:16:19,040 --> 00:16:19,440 Speaker 2: Okay? 299 00:16:19,920 --> 00:16:23,120 Speaker 1: If you think it's Taylor Swift, you're gonna have a 300 00:16:23,120 --> 00:16:25,120 Speaker 1: hard time convincing me of that. But if you just 301 00:16:25,200 --> 00:16:28,400 Speaker 1: tell me, like, give me the one album by Taylor 302 00:16:28,440 --> 00:16:32,560 Speaker 1: Swift that reinforces your take that she's the greatest female 303 00:16:32,640 --> 00:16:35,600 Speaker 1: singer of the twenty first century, this is what I 304 00:16:35,600 --> 00:16:36,160 Speaker 1: want from you, guys. 305 00:16:36,240 --> 00:16:38,200 Speaker 2: Let me know. Six one seven nine oh six six 306 00:16:38,320 --> 00:16:39,160 Speaker 2: six three eight. 307 00:16:39,240 --> 00:16:41,760 Speaker 1: Also, you can hit me up at Disgrace Slam Pod 308 00:16:42,160 --> 00:16:47,720 Speaker 1: on Instagram, on x on, TikTok and Facebook. 309 00:16:47,240 --> 00:16:48,080 Speaker 2: And I will respond there. 310 00:16:48,080 --> 00:16:49,560 Speaker 1: I'm take a quick break and I'll be back in 311 00:16:49,560 --> 00:17:07,280 Speaker 1: a flash. All right, some recent requests from you guys 312 00:17:07,560 --> 00:17:09,800 Speaker 1: on episode subjects that you think we should be covering. 313 00:17:09,840 --> 00:17:12,560 Speaker 1: We talked about this in the last after party. Again, 314 00:17:12,600 --> 00:17:15,040 Speaker 1: I'm paying particularly close attention to these requests at the 315 00:17:15,040 --> 00:17:17,960 Speaker 1: moment because we are here at Double Elvis contemplating ways 316 00:17:17,960 --> 00:17:21,520 Speaker 1: in which you guys can perhaps play a significant role 317 00:17:21,600 --> 00:17:24,280 Speaker 1: in choosing the episodes that we cover, either the ones 318 00:17:24,320 --> 00:17:26,199 Speaker 1: that are part of our All Access club that we 319 00:17:26,240 --> 00:17:29,200 Speaker 1: released through our Patreon and Apple subscriptions to our members, 320 00:17:29,320 --> 00:17:32,520 Speaker 1: or perhaps even the episodes that we release widely. I 321 00:17:32,520 --> 00:17:35,680 Speaker 1: haven't quite figured this out, so I'm soliciting feedback from 322 00:17:35,680 --> 00:17:39,119 Speaker 1: you guys on not only episodes that we should be covering, 323 00:17:39,160 --> 00:17:41,639 Speaker 1: but on how we choose these episodes. This is going 324 00:17:41,680 --> 00:17:43,960 Speaker 1: to be an ongoing conversation for us over the next 325 00:17:44,560 --> 00:17:48,679 Speaker 1: couple weeks. Here here's a smattering of recent suggestions. What 326 00:17:48,720 --> 00:17:50,399 Speaker 1: I want to do here, I'm going to read these 327 00:17:50,400 --> 00:17:52,720 Speaker 1: out to you guys. I collected a bunch of them 328 00:17:52,720 --> 00:17:56,840 Speaker 1: this morning via email, and you know, just listen to them, 329 00:17:57,080 --> 00:18:00,320 Speaker 1: and if any are scratching the itch for you, hit 330 00:18:00,400 --> 00:18:02,959 Speaker 1: me up and let me know, like sort of like 331 00:18:03,000 --> 00:18:03,439 Speaker 1: second it. 332 00:18:03,480 --> 00:18:04,679 Speaker 2: You know what I mean, reinforce it. 333 00:18:04,760 --> 00:18:07,239 Speaker 1: Okay, most of these are just from emails that were 334 00:18:07,280 --> 00:18:09,560 Speaker 1: sent to disgrace lampod at gmail dot com. I'm not 335 00:18:09,560 --> 00:18:11,880 Speaker 1: going to read these full emails because we'll be here 336 00:18:11,880 --> 00:18:14,760 Speaker 1: all day. But that said, know that there are some 337 00:18:14,760 --> 00:18:17,800 Speaker 1: pretty articulate and impassion takes on why we should we 338 00:18:17,840 --> 00:18:20,639 Speaker 1: should cover these artists are Some of these artists are obscure. 339 00:18:21,480 --> 00:18:24,160 Speaker 1: Some are, of course big names. That doesn't really matter. 340 00:18:24,200 --> 00:18:25,920 Speaker 1: I always kind of do a good a good mix. 341 00:18:26,000 --> 00:18:28,399 Speaker 1: I try to do a good melding of big names 342 00:18:28,440 --> 00:18:31,720 Speaker 1: and perhaps some more niche names. It doesn't matter to 343 00:18:31,760 --> 00:18:34,600 Speaker 1: me as long as the story is compelling. And of 344 00:18:34,680 --> 00:18:36,399 Speaker 1: course we're not going to be cracking into any of 345 00:18:36,440 --> 00:18:40,320 Speaker 1: this research without having a strong indication beforehand that there 346 00:18:40,359 --> 00:18:43,720 Speaker 1: is a very compelling story there. So anyway, some of 347 00:18:43,720 --> 00:18:46,760 Speaker 1: these are even names we've we've covered already, which just 348 00:18:46,840 --> 00:18:49,480 Speaker 1: goes to the ongoing plate of Disgraceland, which is we 349 00:18:49,520 --> 00:18:52,200 Speaker 1: have this massive archive, so big in fact, that lots 350 00:18:52,240 --> 00:18:55,720 Speaker 1: of new listeners aren't aware of the episodes we've covered. 351 00:18:56,320 --> 00:18:58,160 Speaker 1: So before I listen these, however, I want you guys 352 00:18:58,200 --> 00:19:00,920 Speaker 1: again to listen in any of the subjects strike a 353 00:19:01,000 --> 00:19:02,600 Speaker 1: chord with you, please go ahead, reach out. 354 00:19:02,640 --> 00:19:03,000 Speaker 2: Let me know. 355 00:19:03,480 --> 00:19:06,520 Speaker 1: The more consensus we can get on these subjects, the better, 356 00:19:06,760 --> 00:19:09,120 Speaker 1: the happier y'all gonna be six one seven nine six 357 00:19:09,200 --> 00:19:11,720 Speaker 1: six six three eight to text me your subjects, leave. 358 00:19:11,560 --> 00:19:13,560 Speaker 2: Me a voicemail. Uh and uh. 359 00:19:13,720 --> 00:19:15,239 Speaker 1: Also you can hit me up at this grace Lam 360 00:19:15,280 --> 00:19:17,600 Speaker 1: pod on the socials. Okay, So in no particular order, 361 00:19:17,600 --> 00:19:23,520 Speaker 1: here goes Al Jurgenson of Ministry, Woody Allen, Michael, Jordan Beck, 362 00:19:24,000 --> 00:19:30,119 Speaker 1: the Gitts, Motorhead, Megadeth, Link, Ray big L, Mark Lanigan, 363 00:19:30,200 --> 00:19:36,480 Speaker 1: Quentin Tarantino, Mark Wahlberg, Stevie Ray Vaughan, Anthrax, doctor John Howard, Hughes, 364 00:19:36,600 --> 00:19:40,280 Speaker 1: Millie Vanilli, Princess Diana, John Mayer. I'm gonna stop here. 365 00:19:40,520 --> 00:19:43,040 Speaker 1: There's a lot. I could just keep reading names all day. 366 00:19:44,560 --> 00:19:46,320 Speaker 1: I'm gonna go back here and just give you some 367 00:19:46,560 --> 00:19:49,040 Speaker 1: thoughts here. Let me know what you guys think as well. 368 00:19:49,080 --> 00:19:52,680 Speaker 1: Al Jurgenson of Ministry, I know there's some truly psychotic 369 00:19:52,760 --> 00:19:55,840 Speaker 1: stuff there, but I just don't know how compelling of 370 00:19:55,840 --> 00:19:57,600 Speaker 1: a guy Al is. I need to look into that 371 00:19:57,640 --> 00:20:00,800 Speaker 1: more Woody Allen one thousand percent will be doing a 372 00:20:00,800 --> 00:20:03,320 Speaker 1: Woody Allen episode, probably sooner than later. 373 00:20:03,359 --> 00:20:04,000 Speaker 2: Michael Jordan. 374 00:20:04,040 --> 00:20:06,320 Speaker 1: We've actually already written a Michael Jordan episode, but I 375 00:20:06,440 --> 00:20:08,200 Speaker 1: kind of I didn't write it, and I kind of 376 00:20:08,240 --> 00:20:11,400 Speaker 1: want to. I have such love for MJ I think 377 00:20:11,400 --> 00:20:15,359 Speaker 1: I want to write a Jordan episode myself. So we 378 00:20:15,400 --> 00:20:17,880 Speaker 1: will definitely do a Michael Jordan episode, and it'll probably 379 00:20:17,920 --> 00:20:22,280 Speaker 1: be again sooner than later. Just like Woody Allen, Beck 380 00:20:22,520 --> 00:20:26,960 Speaker 1: not going to touch that one. The Gets The Gets Gosh. 381 00:20:27,040 --> 00:20:30,040 Speaker 1: This has been being recommended since the first days of 382 00:20:30,160 --> 00:20:32,199 Speaker 1: the podcast, and I got to say, I'm kind of 383 00:20:32,240 --> 00:20:38,200 Speaker 1: afraid of this episode. It's a really, really tough story 384 00:20:38,720 --> 00:20:40,520 Speaker 1: and I don't know that it can be covered in 385 00:20:40,560 --> 00:20:44,240 Speaker 1: one episode or even in two. And I've never really 386 00:20:44,280 --> 00:20:45,760 Speaker 1: fully been able to make up my mind on what 387 00:20:45,800 --> 00:20:47,479 Speaker 1: I want to do with this subject matter. So if 388 00:20:47,520 --> 00:20:49,439 Speaker 1: you guys have any ideas on the Gets, let me 389 00:20:49,520 --> 00:20:53,159 Speaker 1: know Motorhead. Motorhead is done and that comes out and 390 00:20:53,200 --> 00:20:56,800 Speaker 1: are all Access feed this Thursday, July twenty fifth, so 391 00:20:56,920 --> 00:20:59,920 Speaker 1: all Access members be on the lookout for that episode. 392 00:21:00,280 --> 00:21:01,560 Speaker 2: Everybody's got a crazy. 393 00:21:01,320 --> 00:21:03,159 Speaker 1: Lem me story, including me, So if you want to 394 00:21:03,160 --> 00:21:06,600 Speaker 1: hear that, and you're not a member, become one today. 395 00:21:07,960 --> 00:21:11,959 Speaker 1: Link Ray, what's the angle, what's the crime? What's the 396 00:21:12,160 --> 00:21:16,320 Speaker 1: dark story? With Link Ray? Forgive my ignorance, big L 397 00:21:16,560 --> 00:21:19,239 Speaker 1: for sure, big L. This is another one that has 398 00:21:19,280 --> 00:21:23,280 Speaker 1: been recommended from the early days of the podcast, and 399 00:21:23,760 --> 00:21:25,840 Speaker 1: I think it's high time we get into this story. 400 00:21:26,480 --> 00:21:29,679 Speaker 1: Mark Lanagan, you know I'm into it. Some days I'm 401 00:21:29,720 --> 00:21:32,240 Speaker 1: more motivated than others. Quentin Tarantino, I'm not sure there's 402 00:21:32,240 --> 00:21:34,720 Speaker 1: a story there. Mark Wahlberg, I'm not very interested in 403 00:21:34,760 --> 00:21:38,000 Speaker 1: that story. Stevie ray Vaughan. I would love to depict 404 00:21:38,040 --> 00:21:42,520 Speaker 1: a helicopter crash, so perhaps anthrax. I don't know why 405 00:21:42,600 --> 00:21:46,680 Speaker 1: anthrax is being suggested. Doctor John. I believe Doctor John 406 00:21:46,720 --> 00:21:50,119 Speaker 1: got shot in a nightclub while he was playing. I 407 00:21:50,119 --> 00:21:52,679 Speaker 1: think that's the story there. Howard Hughes. That could be 408 00:21:52,760 --> 00:21:56,280 Speaker 1: an ongoing podcast, a daily podcast. There's so much with 409 00:21:56,320 --> 00:21:58,600 Speaker 1: Howard Hughes. I don't know what the angle is there, 410 00:21:58,640 --> 00:22:00,560 Speaker 1: but it would be fun to crack. Be good to 411 00:22:00,560 --> 00:22:02,960 Speaker 1: find a cool point of view into Howard Hughes. 412 00:22:03,440 --> 00:22:03,720 Speaker 2: Uh. 413 00:22:03,920 --> 00:22:08,119 Speaker 1: Millie Vanilli, I have a really funny idea for a 414 00:22:08,160 --> 00:22:10,200 Speaker 1: million Vanilli episode. I'm not gonna burn it here though, 415 00:22:10,200 --> 00:22:15,480 Speaker 1: Princess Diana. Now this, now we're talking John Mayer. John 416 00:22:15,480 --> 00:22:18,639 Speaker 1: Mayer is a fascinating guy for me. I really like 417 00:22:18,720 --> 00:22:20,880 Speaker 1: that last John Mayra album, by the way, the sort 418 00:22:20,920 --> 00:22:26,840 Speaker 1: of like the Divorce Rock one. Uh No, he's a 419 00:22:26,840 --> 00:22:28,800 Speaker 1: fascinating guy for me. I don't know what the episode 420 00:22:28,800 --> 00:22:31,080 Speaker 1: would be. I get asked to do a John Mayer episode, 421 00:22:31,800 --> 00:22:34,560 Speaker 1: I would say, like, you know, once a month, I 422 00:22:34,560 --> 00:22:35,719 Speaker 1: should probably look into this. 423 00:22:36,000 --> 00:22:38,520 Speaker 2: All right, I'm gonna stop right here. Okay. 424 00:22:39,200 --> 00:22:41,359 Speaker 1: Also, I also got a strange request to write a 425 00:22:41,560 --> 00:22:43,600 Speaker 1: romance novel and then voice the audiobook. 426 00:22:43,720 --> 00:22:45,760 Speaker 2: I thought that was cute, but that ain't happening. 427 00:22:47,040 --> 00:22:50,680 Speaker 1: So so anyways, let me know of all the ones 428 00:22:50,720 --> 00:22:53,880 Speaker 1: I just mentioned, hit me up. Let me know which 429 00:22:54,000 --> 00:22:57,679 Speaker 1: of those, if any really kind of stoke your gears 430 00:22:57,760 --> 00:23:01,199 Speaker 1: get you going, And if you want to hit me 431 00:23:01,240 --> 00:23:05,000 Speaker 1: with some other subjects, now is the time and I'm 432 00:23:05,040 --> 00:23:07,879 Speaker 1: gonna start. I think putting some organization around how to 433 00:23:08,000 --> 00:23:12,600 Speaker 1: better solicit these requests from you guys that is coming. 434 00:23:12,840 --> 00:23:16,359 Speaker 1: If you have any input into how I could be 435 00:23:16,520 --> 00:23:19,840 Speaker 1: aggregating this info and organizing it, let me know as well. 436 00:23:19,880 --> 00:23:21,720 Speaker 1: Six month seven nine oh six six six three eight 437 00:23:21,760 --> 00:23:24,840 Speaker 1: at disgracelanm pod on the Socials. Okay, this episode is 438 00:23:24,880 --> 00:23:26,960 Speaker 1: nearing an end, guys, but the after party continues for 439 00:23:27,000 --> 00:23:29,480 Speaker 1: our All Access members, which you can easily become by 440 00:23:29,480 --> 00:23:31,760 Speaker 1: clicking on the link in our show notes. Becoming an 441 00:23:31,800 --> 00:23:34,200 Speaker 1: All Access member. You know what the drill is. It's 442 00:23:34,240 --> 00:23:36,040 Speaker 1: gonna hook you up with a ton of extras. You're 443 00:23:36,040 --> 00:23:37,679 Speaker 1: gonna get an extra full episode, that's what we've been 444 00:23:37,720 --> 00:23:39,560 Speaker 1: talking about here, an extra full episode per month. You're 445 00:23:39,560 --> 00:23:41,800 Speaker 1: gonna get ad for you listening, and you're gonna get 446 00:23:41,800 --> 00:23:45,359 Speaker 1: the always on chat in the Patreon app. In general, 447 00:23:45,440 --> 00:23:48,679 Speaker 1: you're getting a full and more rewarding Disgraceland experience. As 448 00:23:48,720 --> 00:23:50,399 Speaker 1: I said, bang that link in the show notes to 449 00:23:50,440 --> 00:23:53,119 Speaker 1: sign up and support us and making the show. And 450 00:23:53,240 --> 00:23:55,480 Speaker 1: as always, thank you, and I will be back in 451 00:23:55,520 --> 00:24:10,960 Speaker 1: a flash. All right, we are back and we're about 452 00:24:11,000 --> 00:24:12,879 Speaker 1: to take off. But let's recap, shall we. Number one, 453 00:24:12,880 --> 00:24:14,800 Speaker 1: there's more after party to listen to right now. All 454 00:24:14,840 --> 00:24:16,120 Speaker 1: you got to do is go to the show notes 455 00:24:16,160 --> 00:24:18,000 Speaker 1: and click the link to become a member. Number two 456 00:24:18,160 --> 00:24:21,080 Speaker 1: right now in your feed last week's brand new episode 457 00:24:21,119 --> 00:24:23,119 Speaker 1: on Donnie Hathaway. If you haven't heard it. It is 458 00:24:23,160 --> 00:24:25,399 Speaker 1: there and it is a wild one and I encourage 459 00:24:25,440 --> 00:24:26,600 Speaker 1: you to check it out and let me know what 460 00:24:26,640 --> 00:24:29,240 Speaker 1: you think. Number three. We talked a lot about great 461 00:24:29,280 --> 00:24:31,920 Speaker 1: female artists in this episode, and if you want to 462 00:24:31,960 --> 00:24:34,800 Speaker 1: explore some great female artists in the Disgrace Land archive, 463 00:24:35,000 --> 00:24:38,600 Speaker 1: we have episodes on Amy Weinhause, Carti, b Lil Kim, 464 00:24:39,040 --> 00:24:42,000 Speaker 1: Taylor Swift, Britney Spears, a whole bunch a lot for 465 00:24:42,080 --> 00:24:44,200 Speaker 1: you to dive into in the archive. Check those out. 466 00:24:44,720 --> 00:24:46,800 Speaker 1: If you need directions on how to find any of 467 00:24:46,840 --> 00:24:49,080 Speaker 1: those episodes, hit me up at Disgrace lamppod. 468 00:24:49,160 --> 00:24:49,560 Speaker 2: Number four. 469 00:24:49,560 --> 00:24:51,320 Speaker 1: This week we have another after party, like I said, 470 00:24:51,320 --> 00:24:54,280 Speaker 1: coming your way. We'll be diving into your answers on 471 00:24:54,359 --> 00:24:56,680 Speaker 1: the question of what music, movies, and athletes you were 472 00:24:56,680 --> 00:24:59,040 Speaker 1: into as a teenager. As a kid, what posters did 473 00:24:59,040 --> 00:25:00,480 Speaker 1: you have on your teenage walls? 474 00:25:00,520 --> 00:25:02,199 Speaker 2: I want to know. Number five. You can let me 475 00:25:02,280 --> 00:25:02,800 Speaker 2: know at six. 476 00:25:02,800 --> 00:25:05,040 Speaker 1: One, seven nine oh six, six six three eight, call 477 00:25:05,119 --> 00:25:07,199 Speaker 1: me on the telephone, leave me a voicemail, or text me, 478 00:25:07,640 --> 00:25:10,400 Speaker 1: or hit me up at Disgrace Lampod on the socials. 479 00:25:10,440 --> 00:25:13,320 Speaker 1: Number six. Remember, no one cares about great storytelling. More 480 00:25:13,320 --> 00:25:15,639 Speaker 1: than you do, and well that is a disgrace. And 481 00:25:15,720 --> 00:25:18,520 Speaker 1: now in honor of my favorite female singer of the 482 00:25:18,520 --> 00:25:22,439 Speaker 1: twenty first century, Amy winehause me reading to you. The 483 00:25:22,480 --> 00:25:25,000 Speaker 1: Billboard Charts from the week of October twenty six, two 484 00:25:25,000 --> 00:25:27,680 Speaker 1: thousand and six, the week Amy's groundbreaking. 485 00:25:27,080 --> 00:25:29,400 Speaker 2: Album Back to Black was released. 486 00:25:31,080 --> 00:25:36,400 Speaker 1: Number one money Maker Ludacrous featuring Pharrell last week two, 487 00:25:36,720 --> 00:25:42,240 Speaker 1: peak position one weeks on Chart ten. Number two Sexy 488 00:25:42,320 --> 00:25:48,119 Speaker 1: back Justin Timberlake last week two, peak position one weeks 489 00:25:48,160 --> 00:25:53,359 Speaker 1: on Chart fifteen. Number three, Lifts of an Angel Hinder 490 00:25:53,880 --> 00:25:58,960 Speaker 1: last week three, peak position three weeks on Chart fourteen 491 00:25:59,080 --> 00:26:03,119 Speaker 1: one four number of Smack That a Coon three featuring 492 00:26:03,240 --> 00:26:06,240 Speaker 1: eminem for a number five last year, How to Save 493 00:26:06,520 --> 00:26:10,440 Speaker 1: a Life position people Sisiary last checks on twenty seven 494 00:26:10,480 --> 00:26:14,919 Speaker 1: peak position number sex number four, Chas Snowy second future 495 00:26:15,000 --> 00:26:19,280 Speaker 1: number six, Jason Cars the Snow Patrol last. 496 00:26:19,160 --> 00:26:23,560 Speaker 2: Year for six, peak position five weeks on suret to 497 00:26:23,600 --> 00:26:25,800 Speaker 2: twenty two weeks show number seven. 498 00:26:26,280 --> 00:26:27,280 Speaker 1: Too Little to 499 00:26:29,040 --> 00:26:32,040 Speaker 2: Quit Talking and Start mixing could