1 00:00:00,720 --> 00:00:17,520 Speaker 1: I am all in, Want kiss you? I Am all 2 00:00:17,600 --> 00:00:21,639 Speaker 1: in with Scott Patterson and I Heart Radio podcast. He's 3 00:00:21,680 --> 00:00:26,720 Speaker 1: a television personality. He's an actor. He is also the 4 00:00:26,800 --> 00:00:30,720 Speaker 1: host of My Heart Radios podcast I Am all In. 5 00:00:34,360 --> 00:00:37,800 Speaker 1: But folks around the world know him as Luke Danes 6 00:00:38,479 --> 00:00:40,400 Speaker 1: and we all know him as the one and only 7 00:00:40,560 --> 00:00:44,040 Speaker 1: Mr Scott Patterson. Give him a stars all the welcome everybody. 8 00:00:46,560 --> 00:00:51,120 Speaker 1: Hi guys, how's everybody doing? Hi? Hi? Hi? How are 9 00:00:51,159 --> 00:00:56,000 Speaker 1: you so here? We all are? The big day is here. 10 00:00:56,040 --> 00:00:58,920 Speaker 1: I'm gonna go over and put my coffee down hanging. 11 00:00:58,960 --> 00:01:00,560 Speaker 1: Can you hold onto that from it for a second? 12 00:01:00,600 --> 00:01:03,360 Speaker 1: Thanks so much, don't take it. It's so good. It's 13 00:01:04,200 --> 00:01:06,440 Speaker 1: you know, any more safe? Yeah? You know, I you know. 14 00:01:06,520 --> 00:01:09,600 Speaker 1: I picked you for a reason. So listen. Thank you 15 00:01:09,640 --> 00:01:12,119 Speaker 1: all for coming. This is a big day for us, 16 00:01:12,240 --> 00:01:15,600 Speaker 1: for I Heart Radio and Warner Brothers Studios, great partners, 17 00:01:15,600 --> 00:01:18,120 Speaker 1: and I want to thank them all for putting this 18 00:01:18,200 --> 00:01:21,759 Speaker 1: all together. This is an amazing job that they did. 19 00:01:21,959 --> 00:01:24,200 Speaker 1: I mean, have you seen all of these locations and 20 00:01:24,240 --> 00:01:28,640 Speaker 1: have you been in the merch store? It's amazing. Um. 21 00:01:28,680 --> 00:01:32,800 Speaker 1: I have a question. Okay, for the I know the girls, 22 00:01:32,840 --> 00:01:36,880 Speaker 1: this is mostly Gilmore audiences girls. Right, it's Gilmore girls. 23 00:01:36,880 --> 00:01:41,080 Speaker 1: The audience is women. Whatever demo you look at. Sometimes 24 00:01:41,120 --> 00:01:46,800 Speaker 1: it's but how many of you guys? Early on in 25 00:01:46,840 --> 00:01:54,720 Speaker 1: your wife's Gilmore addiction, Okay, have gone honey again, It's like, okay, 26 00:01:54,760 --> 00:01:57,960 Speaker 1: so let me see show it has all these guys again. Okay. 27 00:01:58,000 --> 00:02:01,000 Speaker 1: So then you know, and then are at work one day, 28 00:02:01,040 --> 00:02:03,919 Speaker 1: guys and you're with your bros. And they're talking about 29 00:02:03,920 --> 00:02:06,240 Speaker 1: the game and the football game in the baseball game, 30 00:02:06,800 --> 00:02:10,919 Speaker 1: and you don't know what they're talking about because your 31 00:02:10,960 --> 00:02:17,000 Speaker 1: wife won't let right right there, you go right and 32 00:02:17,040 --> 00:02:20,800 Speaker 1: they go, you're listen, Bob, you know Robinson, really boy 33 00:02:21,040 --> 00:02:26,440 Speaker 1: great blocking the first yard touchdown. And you're like, huh. 34 00:02:26,720 --> 00:02:28,919 Speaker 1: And all you know about is Suki's baked goods and 35 00:02:30,000 --> 00:02:35,200 Speaker 1: Jackson's vegetables. Is Luke gonna finally ask Laurel out is 36 00:02:35,240 --> 00:02:39,519 Speaker 1: Paris gonna see a psychiatrist? I don't know what's going on? 37 00:02:40,000 --> 00:02:42,800 Speaker 1: And then one day at work you say, in the 38 00:02:42,840 --> 00:02:46,639 Speaker 1: midst of one of their baller conversations, you just blurred out, 39 00:02:47,000 --> 00:02:50,840 Speaker 1: I want Luke to kiss Laurel. And they what did 40 00:02:50,880 --> 00:02:55,600 Speaker 1: you just say? Hey said, I'm I want Luke because 41 00:02:56,120 --> 00:03:00,720 Speaker 1: Laurel and then your fellow workers to you, you know what, 42 00:03:00,919 --> 00:03:05,080 Speaker 1: we feel the same way. Huh. So I want to 43 00:03:05,120 --> 00:03:08,480 Speaker 1: thank everybody for being such great fans of the show. 44 00:03:09,360 --> 00:03:13,360 Speaker 1: This podcast is impossible without all of your support. So 45 00:03:13,440 --> 00:03:17,760 Speaker 1: I thank you for listening. I know I get a 46 00:03:17,800 --> 00:03:21,480 Speaker 1: little opinionated. It's just the nature of me. I'm a 47 00:03:21,560 --> 00:03:23,920 Speaker 1: Jersey guy. I'm just a guy from Jersey with a 48 00:03:23,960 --> 00:03:29,240 Speaker 1: couple of opinions, and I ain't backing down. Huh. I 49 00:03:29,280 --> 00:03:31,400 Speaker 1: want to thank my staff too. You know, you know 50 00:03:31,440 --> 00:03:33,519 Speaker 1: the crack staff. You hear about the crack staff. They're 51 00:03:33,560 --> 00:03:37,520 Speaker 1: here now. Amy Sugarman didn't believe me that I had 52 00:03:37,560 --> 00:03:40,080 Speaker 1: a crack staff. She goes, it's just you. You You can't 53 00:03:40,080 --> 00:03:43,480 Speaker 1: afford to crack staff. I know what we pay you. Uh, 54 00:03:43,640 --> 00:03:48,200 Speaker 1: it's a crack staff. Elaine Espinosa is here. There she 55 00:03:48,480 --> 00:03:53,520 Speaker 1: is pay Jes Spinosa, her daughter, Suzanne French, John French. 56 00:03:53,960 --> 00:03:56,560 Speaker 1: Thank you all for your help. I couldn't do it 57 00:03:56,640 --> 00:04:00,200 Speaker 1: without you. What do you think you want to get 58 00:04:01,080 --> 00:04:02,800 Speaker 1: you sure you want to get started? You guys have 59 00:04:02,840 --> 00:04:06,640 Speaker 1: to be somewhere. No, okay, let's do this. Thanks so much. 60 00:04:08,880 --> 00:04:11,280 Speaker 1: You mind if I take a sip This is Scotty 61 00:04:11,360 --> 00:04:13,600 Speaker 1: Peace Big Mud Coffee. They're selling it over there and 62 00:04:13,640 --> 00:04:16,720 Speaker 1: they're serving it everywhere. I think you can get a bag. 63 00:04:16,760 --> 00:04:20,240 Speaker 1: We there's five hundred bags of it. Bunch your ordered more, 64 00:04:20,320 --> 00:04:25,320 Speaker 1: Thank you, and here we go. M all right. First, 65 00:04:26,480 --> 00:04:29,880 Speaker 1: my first guest is a woman you all know and 66 00:04:30,000 --> 00:04:35,200 Speaker 1: love who played the role of Gypsy. Let's hear it. 67 00:04:36,160 --> 00:04:40,560 Speaker 1: Let's hear it for the one, the only, the supremely talented, 68 00:04:40,839 --> 00:04:49,279 Speaker 1: the supremely gifted rolls. How are you? How you doing 69 00:04:49,600 --> 00:04:55,880 Speaker 1: good to see it? Thanks for coming? Huh Gypsy hugging Luke. Hey, 70 00:04:55,960 --> 00:04:58,719 Speaker 1: let's do it again. Huh, I get I actually gave 71 00:04:58,800 --> 00:05:04,920 Speaker 1: I gave her this shirt for Christmas. Great to be here, 72 00:05:05,000 --> 00:05:11,760 Speaker 1: Thank you for coming. Isn't this my next guest? My 73 00:05:11,839 --> 00:05:15,599 Speaker 1: next guest is is somebody that you're going to recognize. 74 00:05:15,720 --> 00:05:19,560 Speaker 1: He worked in my diner tirelessly. He had to tolerate 75 00:05:19,600 --> 00:05:22,520 Speaker 1: me every single day, all day and half the night. 76 00:05:23,120 --> 00:05:26,360 Speaker 1: A guy who was responsible for keeping that diner running. 77 00:05:26,920 --> 00:05:41,000 Speaker 1: I give you Caesar Aris Alvarado. Welcome, my friend. Huh. 78 00:05:41,839 --> 00:05:43,440 Speaker 1: You know there's some dishes in the back that need 79 00:05:43,520 --> 00:05:46,320 Speaker 1: to be clean. They're clean. See, that's how good he is. 80 00:05:46,360 --> 00:05:56,640 Speaker 1: They're already cleaned. Huh te lucky love. I think we 81 00:05:56,680 --> 00:06:05,120 Speaker 1: should all do one ready, Let's do one to three? Nice? Okay? Uh. 82 00:06:05,160 --> 00:06:09,440 Speaker 1: My final guest is somebody you all no one loves 83 00:06:09,480 --> 00:06:15,520 Speaker 1: survived Paris all of these years, um, the wonderful and 84 00:06:15,640 --> 00:06:27,040 Speaker 1: talented Madeleine Lynn Shelley Cole. How's everybody doing. Let's get started. Hi, guys, 85 00:06:27,640 --> 00:06:31,880 Speaker 1: got little waters there if you need him. So let's start. 86 00:06:32,520 --> 00:06:37,400 Speaker 1: Thank you, Thank you, so Rose, Let's get started with you. 87 00:06:37,480 --> 00:06:42,040 Speaker 1: Tell us how this experience has been for you, um, 88 00:06:42,080 --> 00:06:45,240 Speaker 1: since you first got the role, and are are more 89 00:06:45,279 --> 00:06:48,359 Speaker 1: and more people now recognizing you for your role? And 90 00:06:48,400 --> 00:06:53,360 Speaker 1: does it feel a bit iconic? You know? I feel 91 00:06:53,400 --> 00:06:56,120 Speaker 1: so lucky to be a member of what I like 92 00:06:56,240 --> 00:06:58,960 Speaker 1: to call like the Gilmour universe. You know, you were 93 00:06:58,960 --> 00:07:03,080 Speaker 1: the Nights, the nice this fans. I feel so blessed 94 00:07:03,080 --> 00:07:05,560 Speaker 1: to meet people that say, I watched it with my mom, 95 00:07:05,600 --> 00:07:07,760 Speaker 1: and now my daughter watches it with me. And one 96 00:07:07,760 --> 00:07:09,640 Speaker 1: time I even met a little girl that said, I 97 00:07:09,680 --> 00:07:11,200 Speaker 1: watched it with my mom, and she watched it with 98 00:07:11,200 --> 00:07:12,640 Speaker 1: her mom, and she watched it with her mom and 99 00:07:12,640 --> 00:07:14,360 Speaker 1: she watched it with her And I was like, you're 100 00:07:14,480 --> 00:07:18,000 Speaker 1: like Emily, Like, what's the you know, Grandma and Emily 101 00:07:18,080 --> 00:07:20,640 Speaker 1: and Lorela and Rory. It's just it's very great now 102 00:07:20,680 --> 00:07:25,720 Speaker 1: Rory's baby and now Rory's baby. But I'm so I 103 00:07:25,760 --> 00:07:28,120 Speaker 1: feel so fortunate to be part of this world, and 104 00:07:28,160 --> 00:07:30,360 Speaker 1: it's it's I don't get I get recognized, but only 105 00:07:30,400 --> 00:07:33,240 Speaker 1: like in an airport or for some reason, if I'm 106 00:07:33,280 --> 00:07:37,760 Speaker 1: getting a burger somewhere, like the people who run registers 107 00:07:37,800 --> 00:07:42,640 Speaker 1: at specifically burger places. Let's go, uh were you gypsy? 108 00:07:43,080 --> 00:07:45,640 Speaker 1: And then it's very exciting. I love it. I love it, 109 00:07:45,760 --> 00:07:48,760 Speaker 1: ass How about you? Well, how's this experience been for you? 110 00:07:48,840 --> 00:07:54,360 Speaker 1: From what's almost twenty three years now, it's been fantastic. 111 00:07:54,480 --> 00:07:57,600 Speaker 1: I love the fans. The fans are like they feel 112 00:07:57,640 --> 00:08:02,320 Speaker 1: like family. Now, these fans, you got um. Every time 113 00:08:02,360 --> 00:08:06,960 Speaker 1: I meet someone, it's always like they know me but 114 00:08:07,080 --> 00:08:12,480 Speaker 1: well Caesar and and like, like I said, they're like families, 115 00:08:12,520 --> 00:08:16,400 Speaker 1: So I treat them as as family too. You know 116 00:08:16,440 --> 00:08:19,280 Speaker 1: I want them to money from you, Yes, of course, 117 00:08:19,640 --> 00:08:22,280 Speaker 1: how bout you some st they call you can call 118 00:08:22,320 --> 00:08:23,480 Speaker 1: you the middle of the night and ask for a 119 00:08:23,560 --> 00:08:26,160 Speaker 1: ride somewhere and now give it to the airport. Of course, 120 00:08:26,680 --> 00:08:32,080 Speaker 1: Caesus there, Shelley, How about you? What's this experience been 121 00:08:32,120 --> 00:08:36,520 Speaker 1: like for you? How many? How many actual episodes were 122 00:08:36,559 --> 00:08:41,400 Speaker 1: you in? Episodes? So how how does this feel? How 123 00:08:41,400 --> 00:08:43,440 Speaker 1: does this feel for you since since the day you 124 00:08:43,480 --> 00:08:46,280 Speaker 1: started doing it? And by the way, none of these guys, 125 00:08:46,800 --> 00:08:52,559 Speaker 1: it's really weird have aged a single day, like what's happening? 126 00:08:52,840 --> 00:08:56,240 Speaker 1: That's true? Uh? Well god, this is my first job 127 00:08:56,840 --> 00:09:00,560 Speaker 1: U in two thousand, um, and it's think I started 128 00:09:00,600 --> 00:09:04,080 Speaker 1: in not the pilot but then episode one and um, 129 00:09:04,200 --> 00:09:06,560 Speaker 1: and I was there for three years and then two 130 00:09:06,640 --> 00:09:09,760 Speaker 1: episodes in season four. Um because they were generous enough 131 00:09:09,800 --> 00:09:11,959 Speaker 1: to bring me back. I mean, we were too stupid 132 00:09:11,960 --> 00:09:16,680 Speaker 1: to go to Yale, but for real, but it's good. 133 00:09:16,920 --> 00:09:18,520 Speaker 1: You know, I live in Denver now and I teach 134 00:09:18,520 --> 00:09:23,120 Speaker 1: acting to kids, and um, it's cool to just be 135 00:09:23,840 --> 00:09:25,679 Speaker 1: and thanks for welcoming me back here. This is the 136 00:09:25,720 --> 00:09:29,160 Speaker 1: first time I've been to the stomping grounds and so 137 00:09:29,160 --> 00:09:31,960 Speaker 1: so so long. No, it's very emotional, isn't it. You 138 00:09:31,960 --> 00:09:35,520 Speaker 1: know it looks like butterflies. It's so weird to be 139 00:09:35,559 --> 00:09:38,319 Speaker 1: back here in in such a lovely way. Thank you 140 00:09:38,360 --> 00:09:45,720 Speaker 1: all for coming. So how many people have would you say? 141 00:09:45,760 --> 00:09:50,120 Speaker 1: Have approached you and recognized you sort of like you 142 00:09:50,240 --> 00:09:56,160 Speaker 1: look familiar. I'm not quite sure. Are you famous? Does 143 00:09:56,200 --> 00:09:58,199 Speaker 1: that happen to you A long Yeah, it happened. It 144 00:09:58,240 --> 00:10:00,840 Speaker 1: happened to me once at the airport. Uh. The security 145 00:10:00,880 --> 00:10:04,319 Speaker 1: guy who's like looking at my passport, looking up, looking 146 00:10:04,360 --> 00:10:10,120 Speaker 1: down because I know you. I know you. Wait, my 147 00:10:10,240 --> 00:10:14,400 Speaker 1: wife's watches you on that show You're that cook. And 148 00:10:14,440 --> 00:10:16,800 Speaker 1: I was like, oh yes, oh yeah, okay, go ahead, 149 00:10:16,840 --> 00:10:19,760 Speaker 1: go through, go through. I had this really cool experience 150 00:10:19,760 --> 00:10:22,439 Speaker 1: in Denver Um. I was at this little pub and 151 00:10:22,640 --> 00:10:24,800 Speaker 1: um playing games with my boyfriend and we were having 152 00:10:24,800 --> 00:10:27,640 Speaker 1: some beers and we were ready to settle up, and 153 00:10:27,760 --> 00:10:32,080 Speaker 1: they the bar bar mistress came over with my with 154 00:10:32,120 --> 00:10:35,679 Speaker 1: my ticket and said, it's been taken care of. And 155 00:10:35,720 --> 00:10:38,840 Speaker 1: I said, and somebody wrote on my receipt, thank you 156 00:10:38,960 --> 00:10:42,360 Speaker 1: for your service. We love to you on Gilmer Girls 157 00:10:42,360 --> 00:10:43,840 Speaker 1: And I'm like, well, where are they? And she's like, 158 00:10:44,240 --> 00:10:48,760 Speaker 1: they left. They just wanted to Well. It happened to 159 00:10:48,800 --> 00:10:53,720 Speaker 1: me at jury duty and I really, I really wanted 160 00:10:53,760 --> 00:10:56,960 Speaker 1: to get out of jury duty and I got you know, 161 00:10:56,960 --> 00:10:59,120 Speaker 1: they questioned me and can you be fair and impartial? 162 00:10:59,200 --> 00:11:01,720 Speaker 1: I went, I don't think I can, but I was 163 00:11:01,760 --> 00:11:04,600 Speaker 1: just kidding around kind of as me partly like gypsy. 164 00:11:04,640 --> 00:11:06,960 Speaker 1: And the judge actually went, we're going to dismiss miss 165 00:11:07,000 --> 00:11:09,760 Speaker 1: Abdu and miss ab do please tell Laura like yilmore, 166 00:11:09,880 --> 00:11:14,040 Speaker 1: we say hello. This older judge, he was like almost 167 00:11:14,040 --> 00:11:16,360 Speaker 1: in his seventies, and he was like, I'm a big fan. 168 00:11:17,960 --> 00:11:21,120 Speaker 1: So I'm I was driving recently across the country, well 169 00:11:21,400 --> 00:11:24,280 Speaker 1: to get to Colorado. I flew in from Colorado yesterday. 170 00:11:24,360 --> 00:11:26,800 Speaker 1: But we're taking a family face and we we like 171 00:11:26,960 --> 00:11:29,160 Speaker 1: to we like to drive. So in Utah, I was 172 00:11:29,240 --> 00:11:34,760 Speaker 1: going a tad too fast, um, and I got pulled 173 00:11:34,840 --> 00:11:39,920 Speaker 1: over and I didn't you know, it's it's just this 174 00:11:40,080 --> 00:11:44,120 Speaker 1: fear response took over, right because and I just was like, god' sorry. 175 00:11:44,360 --> 00:11:46,440 Speaker 1: You know it's Utah and it's so easy to go 176 00:11:46,480 --> 00:11:48,240 Speaker 1: a hundred miles an hour here, and I know I 177 00:11:48,280 --> 00:11:50,520 Speaker 1: wasn't going that fast. But and he said like all right, 178 00:11:50,520 --> 00:11:52,440 Speaker 1: And he didn't have a jacket on, which was like 179 00:11:52,679 --> 00:11:54,680 Speaker 1: twenty degrees out and he had no jacket on and 180 00:11:54,679 --> 00:11:57,720 Speaker 1: he had short sleeve. So that that's weird. That's weird. 181 00:11:57,760 --> 00:11:59,520 Speaker 1: He could be an alien, he could be part alien. 182 00:12:00,240 --> 00:12:02,960 Speaker 1: So um, after you know, he was nice and he 183 00:12:03,080 --> 00:12:05,600 Speaker 1: knocked it down, and you know, it's probably five dollar 184 00:12:05,720 --> 00:12:10,240 Speaker 1: traffic school for me. Um. And and so when he 185 00:12:10,320 --> 00:12:12,240 Speaker 1: left and we started going, my wife looked at me 186 00:12:12,240 --> 00:12:14,440 Speaker 1: and she goes, why didn't you tell him who you are? 187 00:12:16,559 --> 00:12:19,240 Speaker 1: And I said, but you think that would have worked? 188 00:12:19,559 --> 00:12:22,000 Speaker 1: She goes, it might have. You didn't even take a shot. 189 00:12:22,559 --> 00:12:24,640 Speaker 1: And I'm not a guy afraid to take a shot. 190 00:12:24,640 --> 00:12:29,000 Speaker 1: I take a shot, and I just so from now on, 191 00:12:29,080 --> 00:12:31,040 Speaker 1: I just want everybody to know. I wanted to go 192 00:12:31,080 --> 00:12:34,040 Speaker 1: on record that I'm gonna use this to get out 193 00:12:34,040 --> 00:12:37,760 Speaker 1: of traffic tickets maybe in the future, but I never 194 00:12:37,840 --> 00:12:40,080 Speaker 1: even tried. So I don't even have a story as 195 00:12:40,080 --> 00:12:43,679 Speaker 1: good as these guys that I'm gonna shut up now. Um, 196 00:12:43,720 --> 00:12:48,080 Speaker 1: what's your favorite memory of filming the show? Rose? I 197 00:12:48,120 --> 00:12:50,840 Speaker 1: think in um, I don't remember the exact episode, but 198 00:12:50,880 --> 00:12:53,960 Speaker 1: we were in the Miss Patties of course, where all 199 00:12:54,000 --> 00:12:56,319 Speaker 1: the town meetings were. And you guys need to know 200 00:12:56,400 --> 00:12:59,000 Speaker 1: that if it was supposed to be freezing cold in 201 00:12:59,040 --> 00:13:03,319 Speaker 1: the show, it was unbelievably hot in real life, and 202 00:13:03,480 --> 00:13:06,520 Speaker 1: it was supposed to be unbelievably hot, like Rory's graduation 203 00:13:06,600 --> 00:13:09,760 Speaker 1: was like June, it was like three degrees here. I 204 00:13:09,800 --> 00:13:12,199 Speaker 1: mean really, it was always the opposite. So I remember 205 00:13:12,240 --> 00:13:15,520 Speaker 1: being Kenny Ortega directed one of the episodes and Sally, 206 00:13:15,640 --> 00:13:17,960 Speaker 1: by the way, Sally Struthers says hello to all of you. 207 00:13:19,520 --> 00:13:22,800 Speaker 1: She's in Kansas City doing come blow your horn. I 208 00:13:22,840 --> 00:13:25,000 Speaker 1: can't get out. I can't get out to do the show. 209 00:13:25,360 --> 00:13:28,800 Speaker 1: So she just went, I can do a fireman's carry. 210 00:13:28,880 --> 00:13:31,200 Speaker 1: And she walked up to the director, Kenny Ortega, who 211 00:13:31,320 --> 00:13:33,440 Speaker 1: some of you know did high school musical and she 212 00:13:33,520 --> 00:13:36,079 Speaker 1: picked him up. She picked him up and put him 213 00:13:36,080 --> 00:13:39,440 Speaker 1: around her like like a little fox stole like she 214 00:13:39,720 --> 00:13:43,440 Speaker 1: and she spun around with this. He's a regular size man. 215 00:13:43,480 --> 00:13:48,520 Speaker 1: I mean, he's a man. He's not a right exactly. 216 00:13:48,520 --> 00:13:50,160 Speaker 1: And she picked him up and spun him around, and 217 00:13:50,160 --> 00:13:52,880 Speaker 1: I just remember thinking, if I could even be, you know, 218 00:13:53,000 --> 00:13:57,280 Speaker 1: have one quarter of her, of her energy. Sally Struthers 219 00:13:57,360 --> 00:14:00,640 Speaker 1: is the strongest human being on planet. Every and some 220 00:14:00,720 --> 00:14:02,480 Speaker 1: of you might know this, but every every time my 221 00:14:02,559 --> 00:14:05,640 Speaker 1: birthday would hit and we'd be in the diner. September eleven, 222 00:14:05,800 --> 00:14:07,920 Speaker 1: my birthday, and she knew I didn't celebrate it for 223 00:14:07,960 --> 00:14:11,200 Speaker 1: obvious reasons, and she would pick she would try to 224 00:14:11,200 --> 00:14:13,240 Speaker 1: make me feel better. She would pick me up, she 225 00:14:13,400 --> 00:14:15,400 Speaker 1: put she picked me up and I wait, I was 226 00:14:15,640 --> 00:14:18,920 Speaker 1: going to fifteen at that time. Favorite memory and she 227 00:14:19,040 --> 00:14:21,760 Speaker 1: picked me up and she my butt would be here 228 00:14:21,800 --> 00:14:24,560 Speaker 1: in her face and she got it's his birthday, smack 229 00:14:24,680 --> 00:14:28,000 Speaker 1: him in the take me around to everybody in the crew, 230 00:14:28,040 --> 00:14:31,520 Speaker 1: in the cast, and they go, did Kenny direct more 231 00:14:31,560 --> 00:14:38,240 Speaker 1: than one episode? Shock on his face when she spun 232 00:14:38,320 --> 00:14:40,200 Speaker 1: him around, I was like, that was my favorite. He 233 00:14:40,240 --> 00:14:43,720 Speaker 1: did twelve episodes and ten of them were during sweeps, 234 00:14:44,280 --> 00:14:48,160 Speaker 1: So it's like, I think, uh, sweeps weeks were when 235 00:14:48,480 --> 00:14:52,560 Speaker 1: the networks really did their ratings measurements and they would 236 00:14:52,600 --> 00:14:54,760 Speaker 1: that would dictate how much they would charge you advertise it. 237 00:14:54,840 --> 00:14:58,080 Speaker 1: So they brought in Kenny Ortega for these big episodes, 238 00:14:58,160 --> 00:15:01,120 Speaker 1: I mean just wonderful episodes. And we're on the podcast. 239 00:15:01,120 --> 00:15:03,960 Speaker 1: Weren't season four now, as you well know if you 240 00:15:03,960 --> 00:15:05,880 Speaker 1: know the podcast, and we just did a big episode 241 00:15:05,880 --> 00:15:09,240 Speaker 1: with you really you and Jess fixing Jesse's car as 242 00:15:09,240 --> 00:15:13,480 Speaker 1: he returned. It's like episode twelve or thirty. I thank 243 00:15:13,520 --> 00:15:16,800 Speaker 1: you for your business and what's the name of it now? 244 00:15:16,920 --> 00:15:24,160 Speaker 1: Come out into yeah, yeah, see scrolls or something. Something 245 00:15:24,200 --> 00:15:26,680 Speaker 1: some from some great title. I love saying to him, 246 00:15:26,720 --> 00:15:30,800 Speaker 1: thank you for your business, do not come again? Great? 247 00:15:30,800 --> 00:15:33,080 Speaker 1: It was that was your that was your biggest episode, 248 00:15:33,080 --> 00:15:36,360 Speaker 1: and it was a tremendous episode for you. Yeah, listen 249 00:15:36,360 --> 00:15:39,400 Speaker 1: to the podcast because we could. We really really kind 250 00:15:39,440 --> 00:15:42,240 Speaker 1: of wax poetic over your performance. We really do. Huh. 251 00:15:42,520 --> 00:15:46,600 Speaker 1: I will tune in now. Thank you. You know, guys 252 00:15:46,600 --> 00:15:50,720 Speaker 1: are stupid. They stripped their gears, they ride their brakes. Okay, 253 00:15:52,480 --> 00:16:00,760 Speaker 1: so I'll make an exception. Arras. Tell us about how 254 00:16:00,760 --> 00:16:05,200 Speaker 1: many episodes you did. Tell tell us about how many 255 00:16:05,200 --> 00:16:10,800 Speaker 1: episodes you did uh in in Gilmore Girls. Um, I 256 00:16:10,880 --> 00:16:13,600 Speaker 1: did twenty one in the original run and in three 257 00:16:13,600 --> 00:16:16,720 Speaker 1: more in uh the Year in the Life, and I 258 00:16:16,760 --> 00:16:18,720 Speaker 1: have a couple more in there, but they were they 259 00:16:18,720 --> 00:16:21,480 Speaker 1: were cut. There's like two to two episodes. They were cut, 260 00:16:21,640 --> 00:16:23,640 Speaker 1: you know, for time purposes, because you know, we we 261 00:16:23,720 --> 00:16:26,160 Speaker 1: do a lot on the show. There's a scripts are huge. 262 00:16:26,960 --> 00:16:29,680 Speaker 1: So yeah, twenty one and three. I gotta tell you. 263 00:16:30,000 --> 00:16:33,840 Speaker 1: The thing that I'm marveled at the most was watching Caesar, 264 00:16:34,680 --> 00:16:37,920 Speaker 1: because Caesar had to be in all of these long 265 00:16:38,120 --> 00:16:40,920 Speaker 1: diner scenes and he had to deliver the line the 266 00:16:40,960 --> 00:16:43,440 Speaker 1: one or the one the couple of words, or the 267 00:16:43,480 --> 00:16:46,760 Speaker 1: one played at the perfect time. Watch those scenes again 268 00:16:47,120 --> 00:16:49,280 Speaker 1: in the diner. That are long scenes and all this 269 00:16:49,400 --> 00:16:51,800 Speaker 1: activity and I'm walking all over and saying things and 270 00:16:51,840 --> 00:16:55,560 Speaker 1: delivering stuff, and he's handing this stuff off perfect timing 271 00:16:56,000 --> 00:16:58,800 Speaker 1: every time. You know how hard that is to do. 272 00:16:59,120 --> 00:17:03,400 Speaker 1: That takes like Tiger Woods type focus. So bravo to you. 273 00:17:03,520 --> 00:17:08,840 Speaker 1: I mean you, this guy was the wind beneath my wings. 274 00:17:08,920 --> 00:17:11,840 Speaker 1: Because if, seriously, because if, because if you have a 275 00:17:11,880 --> 00:17:15,719 Speaker 1: guy there in that role who isn't who's messing up 276 00:17:15,760 --> 00:17:18,680 Speaker 1: people's timing because they it's like because it's a hard job, 277 00:17:18,720 --> 00:17:21,160 Speaker 1: and you understand if they can't do it, but if 278 00:17:21,160 --> 00:17:23,360 Speaker 1: you have a guy constantly doing that, they're getting replaced. 279 00:17:24,000 --> 00:17:26,719 Speaker 1: And this guy survived. And these were tough scenes to do. 280 00:17:27,200 --> 00:17:29,280 Speaker 1: They were tough scenes. It was like doing a one 281 00:17:29,320 --> 00:17:32,360 Speaker 1: act play. You know, it's like ten we were really 282 00:17:32,359 --> 00:17:36,760 Speaker 1: working a busy restaurant. It was. It was actual busy restaurant, yes, 283 00:17:37,000 --> 00:17:39,520 Speaker 1: I mean, and then we had Robert serving people too. 284 00:17:39,600 --> 00:17:42,080 Speaker 1: At the same time. I'm joining them out the kitchen. 285 00:17:42,160 --> 00:17:45,520 Speaker 1: You're passing. It's Robert Roberts coming here. It was and 286 00:17:45,720 --> 00:17:49,439 Speaker 1: consulting with you and working with you. Where's this, Where's that? 287 00:17:49,560 --> 00:17:52,120 Speaker 1: I mean, it was always a great experience because you 288 00:17:52,119 --> 00:17:55,280 Speaker 1: you really just wanted to make sure that the scene popped, 289 00:17:55,359 --> 00:17:58,320 Speaker 1: you know, because you you there are no such and 290 00:17:58,359 --> 00:18:01,080 Speaker 1: it wasn't a small role. I don't consider any of 291 00:18:01,119 --> 00:18:04,200 Speaker 1: these roles small roles. These are important roles. I mean 292 00:18:04,240 --> 00:18:06,959 Speaker 1: every role. And this is why I wanted to have 293 00:18:07,080 --> 00:18:09,359 Speaker 1: these guys on. I wanted to have these guys on 294 00:18:09,400 --> 00:18:11,439 Speaker 1: because they don't get the recognition and they never got 295 00:18:11,520 --> 00:18:16,360 Speaker 1: the recognition that's so richly deserved, because their performances are 296 00:18:16,400 --> 00:18:20,960 Speaker 1: Amy worthy, are Golden Globe worthy, and we just didn't 297 00:18:20,960 --> 00:18:24,680 Speaker 1: get that kind of uh respect. But there they are 298 00:18:24,760 --> 00:18:33,480 Speaker 1: sitting there. Uh yeah, Shelley, tell us about, um, your 299 00:18:33,480 --> 00:18:37,440 Speaker 1: favorite day on set. There's there's a couple. Um. One 300 00:18:37,480 --> 00:18:40,080 Speaker 1: of them was when we were filming the Bengals episode. 301 00:18:40,320 --> 00:18:43,760 Speaker 1: Um and and that day when the Bengals were there 302 00:18:43,840 --> 00:18:46,400 Speaker 1: and just all of that was really fun. And then 303 00:18:46,480 --> 00:18:50,800 Speaker 1: every single day on the spring Break episode was we 304 00:18:50,880 --> 00:18:54,359 Speaker 1: stayed we actually, uh Louise and I Teal and I 305 00:18:54,400 --> 00:18:58,399 Speaker 1: stayed at the c Sprite uh motel right there on 306 00:18:58,440 --> 00:19:01,040 Speaker 1: the beach, and we had so much fun every and 307 00:19:01,080 --> 00:19:04,200 Speaker 1: that that episode was a huge surprise because I never 308 00:19:04,240 --> 00:19:06,560 Speaker 1: expected to be back at all in season four, and 309 00:19:06,600 --> 00:19:08,199 Speaker 1: they brought us back for two and that was the 310 00:19:08,280 --> 00:19:10,920 Speaker 1: last episode, and and I knew it would be like 311 00:19:11,119 --> 00:19:14,959 Speaker 1: my last episode, and um, it was not bitter sweet. 312 00:19:14,960 --> 00:19:17,960 Speaker 1: It was just sweet. It was so wonderful to be 313 00:19:18,200 --> 00:19:20,800 Speaker 1: um there and we had so much fun. And um, 314 00:19:21,960 --> 00:19:25,840 Speaker 1: that's one of my favorite like experiences that that's my 315 00:19:25,880 --> 00:19:28,960 Speaker 1: favorite experience of the springbreak episode on this show. I 316 00:19:28,960 --> 00:19:30,680 Speaker 1: want to talk about. One of my favorite subjects in 317 00:19:30,720 --> 00:19:34,560 Speaker 1: the whole world is Milo Ventamelia. You got you got 318 00:19:34,560 --> 00:19:38,000 Speaker 1: to do some pretty pretty intense scenes with Milo. Tell 319 00:19:38,080 --> 00:19:40,680 Speaker 1: us what it was like working with him, and and 320 00:19:41,000 --> 00:19:43,520 Speaker 1: you know who I'm talking about. The guy He never 321 00:19:43,960 --> 00:19:46,320 Speaker 1: it never really caught on for him. I feel bad 322 00:19:46,359 --> 00:19:50,200 Speaker 1: for him, and he's so good looking and he's so talented, 323 00:19:50,640 --> 00:19:53,240 Speaker 1: but it just it just didn't happen for him anyway. 324 00:19:53,840 --> 00:19:57,480 Speaker 1: He's a dark haired, uh good looking guy. He was 325 00:19:57,520 --> 00:20:00,159 Speaker 1: on the show. He played Jess. Okay, so now we're 326 00:20:00,240 --> 00:20:03,920 Speaker 1: caught up. I just remember he bugged Gypsy so much 327 00:20:04,000 --> 00:20:06,280 Speaker 1: like Gypsy has no love for Jess, as you well know. 328 00:20:06,800 --> 00:20:09,119 Speaker 1: So of course, because I'm such a method actor. I 329 00:20:09,160 --> 00:20:11,920 Speaker 1: have no love for myla I'm kidding, I'm kidding. I 330 00:20:11,960 --> 00:20:14,199 Speaker 1: actually I remember saying to him, you really have like 331 00:20:14,200 --> 00:20:16,800 Speaker 1: a young James Dean quality, and he was like, God, 332 00:20:16,840 --> 00:20:22,720 Speaker 1: everybody says it to me. I yelled at him. I 333 00:20:22,800 --> 00:20:24,760 Speaker 1: yelled at him and said, you should be thankful, you 334 00:20:24,800 --> 00:20:27,760 Speaker 1: should be thankful that that people compare you to James. 335 00:20:27,600 --> 00:20:29,800 Speaker 1: He was terrific. I mean, he was so I felt 336 00:20:29,800 --> 00:20:32,280 Speaker 1: like he was so in character all the time. You know, 337 00:20:32,440 --> 00:20:34,800 Speaker 1: he really was fantastic. And I love the one where 338 00:20:34,840 --> 00:20:37,240 Speaker 1: you you come to ask My favorite episode is you 339 00:20:37,320 --> 00:20:40,120 Speaker 1: come to ask me about the car and that's where 340 00:20:40,119 --> 00:20:43,119 Speaker 1: that guys are stupid line and I go, no, but 341 00:20:43,160 --> 00:20:45,040 Speaker 1: he had a bag with him with a dollar sign 342 00:20:45,080 --> 00:20:47,359 Speaker 1: on it or something like that, right, and that scene, 343 00:20:47,400 --> 00:20:50,040 Speaker 1: I had to hit nineteen marks to come out on 344 00:20:50,160 --> 00:20:53,080 Speaker 1: the underneath the car and take the wrench and go 345 00:20:53,119 --> 00:20:54,879 Speaker 1: over to the thing. And you were so nice to me. 346 00:20:54,960 --> 00:20:57,040 Speaker 1: But we really got it done fast. But that was 347 00:20:57,080 --> 00:20:58,760 Speaker 1: one of those ones, like you said, with him, that 348 00:20:58,760 --> 00:21:01,840 Speaker 1: could have gone horribly wrong where we really like this 349 00:21:01,920 --> 00:21:05,600 Speaker 1: cast is so gifted, and really it's like colored tape 350 00:21:05,680 --> 00:21:08,639 Speaker 1: on there's so much tape on the floor you have 351 00:21:09,520 --> 00:21:12,159 Speaker 1: and everybody, every character is a different color. So you 352 00:21:12,240 --> 00:21:14,040 Speaker 1: have to hit your mark because if you're like if 353 00:21:14,080 --> 00:21:16,200 Speaker 1: you're standing with the wrench here when you should be here, 354 00:21:16,359 --> 00:21:18,000 Speaker 1: the whole thing has to go do it. It It doesn't 355 00:21:18,000 --> 00:21:20,640 Speaker 1: matter how good your performance is. It's like, uh, Scott, 356 00:21:20,680 --> 00:21:23,040 Speaker 1: you missed your moment about four feet so we're gonna 357 00:21:23,040 --> 00:21:25,200 Speaker 1: have to go again. Liza and Teel and I used 358 00:21:25,240 --> 00:21:28,240 Speaker 1: to fight every morning over which color we were going 359 00:21:28,320 --> 00:21:33,440 Speaker 1: to get. I'm like, I'm one purple today. Yeah, it's hard, 360 00:21:33,440 --> 00:21:35,399 Speaker 1: but when you rewatch it, don't let that in in 361 00:21:35,520 --> 00:21:37,720 Speaker 1: pin you. How do you say, interfere with your enjoyment 362 00:21:37,720 --> 00:21:40,359 Speaker 1: of watching it? But just know that we're all trying 363 00:21:40,400 --> 00:21:42,840 Speaker 1: to like hit every mark at every moment. Marris, I 364 00:21:42,840 --> 00:21:44,560 Speaker 1: have a very serious question for you. I want you 365 00:21:44,600 --> 00:21:49,560 Speaker 1: to focus. Stay with me now, Okay, this is important. Okay, 366 00:21:49,840 --> 00:21:56,160 Speaker 1: do you remember what color your tape was? I'm color blank, 367 00:21:56,200 --> 00:22:03,280 Speaker 1: so I wouldn't remember. Well, Like, color explains a lot. 368 00:22:07,640 --> 00:22:09,680 Speaker 1: Uh how many times did I ask for catcher and 369 00:22:09,760 --> 00:22:15,160 Speaker 1: he gave you mustard? What difference does it make? Right? Um? 370 00:22:15,440 --> 00:22:19,080 Speaker 1: Favorite scene? If you can remember your favorite scene, Arras, 371 00:22:19,320 --> 00:22:23,040 Speaker 1: it's it's a bond is the episode Bomb Bomb Boyage 372 00:22:23,560 --> 00:22:29,240 Speaker 1: and we're all here and saying goodbye to Rory, And 373 00:22:29,320 --> 00:22:31,119 Speaker 1: it was just special to me because it was like 374 00:22:31,520 --> 00:22:33,800 Speaker 1: the whole town was here, and I love when there's 375 00:22:33,800 --> 00:22:36,359 Speaker 1: a gathering of people, like I love superheroes, right, so 376 00:22:36,440 --> 00:22:39,199 Speaker 1: like superhero movies, all the superheroes get together. That was 377 00:22:39,240 --> 00:22:42,040 Speaker 1: a superhero moment. It was all the superheroes from Stars 378 00:22:42,080 --> 00:22:45,000 Speaker 1: Hollow getting together and saying goodbye to one of their own. 379 00:22:45,520 --> 00:22:49,680 Speaker 1: I love that, Shelley, What about you favorite moments, favorite 380 00:22:49,720 --> 00:22:54,000 Speaker 1: moment in the entire series that you did. I can 381 00:22:54,040 --> 00:22:57,520 Speaker 1: tell you my least favorite moment. Let's let's hear that 382 00:22:58,800 --> 00:23:02,120 Speaker 1: one time they had they wanted us to make out 383 00:23:02,160 --> 00:23:04,639 Speaker 1: with these guys against the locker. I don't know what 384 00:23:04,720 --> 00:23:09,520 Speaker 1: episode it was, anyway, they lined up seven background players 385 00:23:09,680 --> 00:23:11,720 Speaker 1: and I had to like make out with the sky. 386 00:23:11,760 --> 00:23:15,320 Speaker 1: They're like, just pick one. I'm like, are you just 387 00:23:15,480 --> 00:23:19,000 Speaker 1: pick one for me? That's so embarrassing. I know, that's 388 00:23:19,280 --> 00:23:22,040 Speaker 1: that's like ouch, yeah, I know. I know. Anytime I 389 00:23:22,080 --> 00:23:27,120 Speaker 1: could get through that thick like dialogue, tongue twisting paragraph 390 00:23:27,440 --> 00:23:31,080 Speaker 1: in one or two takes, I'm like, oh, people don't 391 00:23:31,119 --> 00:23:33,720 Speaker 1: know how many pages. The script was so many, more 392 00:23:34,080 --> 00:23:37,119 Speaker 1: like a telephone. It's like eighty pages of all black 393 00:23:37,160 --> 00:23:41,159 Speaker 1: ink dialogue, and usually an hour script is fifty sixty 394 00:23:41,160 --> 00:23:45,480 Speaker 1: pages with a lot of descriptive passages for the action. 395 00:23:46,240 --> 00:23:50,240 Speaker 1: It was like Luke's serving the girls walk in black 396 00:23:50,280 --> 00:23:54,960 Speaker 1: ink talk. I want to say my least favorite ahead, 397 00:23:55,440 --> 00:23:58,960 Speaker 1: God you got it. I just remember one episode the 398 00:23:59,000 --> 00:24:01,239 Speaker 1: town smellted? Did the ill smell like eggs? And then 399 00:24:01,240 --> 00:24:03,720 Speaker 1: again it smelled like pickles? Which came first? The eggs 400 00:24:03,760 --> 00:24:06,439 Speaker 1: are the pickles, the eggs, the eggs whenever it smells 401 00:24:06,440 --> 00:24:09,239 Speaker 1: so Gypsy had the idea, I guess to get our 402 00:24:09,400 --> 00:24:13,240 Speaker 1: car fresheners, air fresheners and air freshener necklace made out 403 00:24:13,280 --> 00:24:17,240 Speaker 1: of trees. So the prop department, which was magnificent, but 404 00:24:17,400 --> 00:24:21,120 Speaker 1: came at me with actual palm, you know, pine tree 405 00:24:21,160 --> 00:24:23,440 Speaker 1: air fresheners. Now, have you smelled one? You know how 406 00:24:23,440 --> 00:24:25,639 Speaker 1: strong it is in your car? Now, string twelve of 407 00:24:25,680 --> 00:24:27,960 Speaker 1: them on a necklace. And he's like, yeah, you're gonna 408 00:24:27,960 --> 00:24:30,000 Speaker 1: wear this all day. I go, you're gonna wear this 409 00:24:30,040 --> 00:24:32,359 Speaker 1: all guy? Like, are you kidding me? I mean, he 410 00:24:32,480 --> 00:24:34,520 Speaker 1: was like, well, what's the problem. And he couldn't spend. 411 00:24:34,560 --> 00:24:36,560 Speaker 1: He goes, well, yeah, I I couldn't keep it in 412 00:24:36,600 --> 00:24:38,159 Speaker 1: my office. I had to leave the room and I go, 413 00:24:38,680 --> 00:24:40,840 Speaker 1: how am I gonna wear it all day? Like, there's 414 00:24:40,840 --> 00:24:43,080 Speaker 1: no way. So I made him go to the copy 415 00:24:43,119 --> 00:24:46,760 Speaker 1: machine and make fake pine tree things for Gypsy because 416 00:24:47,000 --> 00:24:49,399 Speaker 1: my eyes were watering. So that was just treat lot 417 00:24:49,480 --> 00:24:51,840 Speaker 1: of having to wear the tree. It was I'm traumatized 418 00:24:51,840 --> 00:24:56,119 Speaker 1: by those pine tree air fresheners, the props dudes, tree Chuck, Bob, 419 00:24:56,480 --> 00:25:03,000 Speaker 1: I just remember those tree Chuck they really were. Uh arras, 420 00:25:03,320 --> 00:25:07,240 Speaker 1: tell us about what you're working on now, Uh, what's 421 00:25:07,240 --> 00:25:10,080 Speaker 1: coming up for you? Well, right now, I'm really happy 422 00:25:10,160 --> 00:25:12,960 Speaker 1: to be working with um. I'm working with Stan zimmer In, 423 00:25:13,600 --> 00:25:18,040 Speaker 1: who's a writer on the show, and he's directing the 424 00:25:18,080 --> 00:25:20,159 Speaker 1: Diary of Ann Frank that we're doing over here at 425 00:25:20,160 --> 00:25:27,080 Speaker 1: the Colony Theater in Burbank next next month. It's our 426 00:25:27,240 --> 00:25:30,399 Speaker 1: fifth run of the show. We're doing three shows too, 427 00:25:30,400 --> 00:25:33,200 Speaker 1: already sold out. One is left on Thursday the nineteen, 428 00:25:33,600 --> 00:25:35,439 Speaker 1: And it's just it's an important story that needs to 429 00:25:35,440 --> 00:25:37,760 Speaker 1: be told. And I you know, isn't it an all 430 00:25:37,840 --> 00:25:43,200 Speaker 1: Latin cast? Yes, it's all Latin cast. Um, and I'm 431 00:25:43,240 --> 00:25:45,159 Speaker 1: really excited to be doing it again. We've done it 432 00:25:45,200 --> 00:25:49,359 Speaker 1: in Vancouver, We've done it several times here, so it's 433 00:25:49,640 --> 00:25:52,040 Speaker 1: it's just I feel that that story needs to be told. 434 00:25:52,040 --> 00:25:54,160 Speaker 1: They were very, very happy to be doing it again 435 00:25:54,160 --> 00:26:02,480 Speaker 1: too for kids. Excellent's brilliant. We have microphones in the audience, 436 00:26:02,520 --> 00:26:05,840 Speaker 1: and let's turn it over to some questions. Uh, if 437 00:26:05,880 --> 00:26:09,960 Speaker 1: anybody has a question, my name is NICKI, And what 438 00:26:10,240 --> 00:26:16,919 Speaker 1: is your favorite moment, Scott? My favorite, uh, my least 439 00:26:16,960 --> 00:26:19,800 Speaker 1: favorite moment was any moment I had to spend in 440 00:26:19,920 --> 00:26:25,240 Speaker 1: the town hall meetings because it was incredibly hot in there, 441 00:26:25,320 --> 00:26:28,080 Speaker 1: and uh, you know, I run a little hot anyway, 442 00:26:28,160 --> 00:26:32,080 Speaker 1: so especially in winters. Thank you very much for noticing 443 00:26:32,840 --> 00:26:36,639 Speaker 1: appreciate that. Um. What I meant was I tend to sweat, 444 00:26:36,840 --> 00:26:39,479 Speaker 1: and uh, I don't like to be in sort of 445 00:26:39,520 --> 00:26:43,119 Speaker 1: saunas in sweaters and winter clothing and gloves and hats 446 00:26:43,119 --> 00:26:49,280 Speaker 1: and things like that. Favorite moment probably you know. I 447 00:26:49,359 --> 00:26:52,280 Speaker 1: had so many favorite moments with Laureli, and I had 448 00:26:52,320 --> 00:26:56,879 Speaker 1: so many favorite moments with Jess. Um. I think with 449 00:26:57,040 --> 00:27:02,280 Speaker 1: Jess it's the sledgehammer through wall. We'll we'll sing, we'll 450 00:27:02,280 --> 00:27:05,359 Speaker 1: hold hands and sing songs and make your whatever I say, 451 00:27:05,840 --> 00:27:08,320 Speaker 1: because it was action and I very rarely got to 452 00:27:08,359 --> 00:27:11,520 Speaker 1: do anything like, you know, with very little dialogue and 453 00:27:11,560 --> 00:27:15,359 Speaker 1: just sort of act. Um. And there's a Milo scene 454 00:27:15,560 --> 00:27:18,800 Speaker 1: where I tell him to leave. I really love that scene. 455 00:27:18,840 --> 00:27:21,679 Speaker 1: And the Lord There's so many Lauren Graham scenes that 456 00:27:21,760 --> 00:27:25,800 Speaker 1: I did. Um. I will tell a story though about 457 00:27:25,880 --> 00:27:31,040 Speaker 1: the remarkable talent of Lauren Graham. Um. We had a 458 00:27:31,040 --> 00:27:33,919 Speaker 1: lot of visitors to the set. Okay. We would get 459 00:27:34,040 --> 00:27:38,240 Speaker 1: people like uh, you know, Hollywood legends would bring their 460 00:27:38,320 --> 00:27:41,240 Speaker 1: kids and they would be sitting in Video Village and 461 00:27:41,320 --> 00:27:44,800 Speaker 1: you'd come off the set Lukes Diner, and they when 462 00:27:44,840 --> 00:27:47,199 Speaker 1: they were shooting in Luke's, they would set up Video Village. 463 00:27:47,520 --> 00:27:50,440 Speaker 1: All the executives and and Amy and Dan would sit 464 00:27:50,520 --> 00:27:54,760 Speaker 1: and the directors and all that right in docs market. Okay, 465 00:27:54,760 --> 00:27:57,480 Speaker 1: so you come through the door and there would be 466 00:27:57,800 --> 00:28:00,199 Speaker 1: a legend and you'd be like, huh, you know, and 467 00:28:00,240 --> 00:28:05,000 Speaker 1: then one day that legend was Brian de Palma. Okay. 468 00:28:05,040 --> 00:28:07,520 Speaker 1: Brian's a Palm is a very famous and very gifted 469 00:28:07,560 --> 00:28:11,639 Speaker 1: director going back to uh um, you know, in the seventies. 470 00:28:12,160 --> 00:28:14,600 Speaker 1: And so he was sitting there because his daughter is 471 00:28:14,640 --> 00:28:16,320 Speaker 1: a huge fan of the show, and his daughter was 472 00:28:16,400 --> 00:28:20,120 Speaker 1: with him, and uh, he sat there and sat there 473 00:28:20,160 --> 00:28:22,239 Speaker 1: and sat there, and we were all like, God, that's 474 00:28:22,280 --> 00:28:24,160 Speaker 1: Brian de Palma. Is he gonna cast us in a movie? 475 00:28:24,200 --> 00:28:26,920 Speaker 1: And she's here to see us and it's like no, no, 476 00:28:26,960 --> 00:28:30,159 Speaker 1: he's just their first daughter. Um. And late at night, 477 00:28:30,160 --> 00:28:32,000 Speaker 1: about two o'clock in the morning, he was still hanging 478 00:28:32,000 --> 00:28:33,639 Speaker 1: in there with his daughter. I think his daughter's name 479 00:28:33,680 --> 00:28:38,200 Speaker 1: was is Lola Um. And Lauren had a scene where 480 00:28:38,200 --> 00:28:39,800 Speaker 1: she's coming into the diners just the two of his 481 00:28:39,840 --> 00:28:43,160 Speaker 1: this two am. She's got a monologue like that, okay, 482 00:28:43,880 --> 00:28:46,840 Speaker 1: And so she comes in and does the scene, nails it, 483 00:28:46,920 --> 00:28:48,680 Speaker 1: and then when you move in for the coverage, you 484 00:28:48,720 --> 00:28:50,600 Speaker 1: do the you do the wide shot first, and then 485 00:28:50,600 --> 00:28:52,280 Speaker 1: you move in and do the coverage where it's like 486 00:28:52,400 --> 00:28:54,520 Speaker 1: well and filmore was only like a cowboy, so it 487 00:28:54,560 --> 00:28:58,880 Speaker 1: was from like here up, okay. Brian de Palma was 488 00:28:58,920 --> 00:29:03,480 Speaker 1: sitting right next to the camera and Lauren had to 489 00:29:03,520 --> 00:29:07,160 Speaker 1: come in do her whole bit to the camera with 490 00:29:07,200 --> 00:29:09,640 Speaker 1: Brian de Palmer there, and she went did it twice, 491 00:29:09,800 --> 00:29:12,280 Speaker 1: was done, and she just went to be Uh, I 492 00:29:12,280 --> 00:29:16,080 Speaker 1: don't know how I got through that. So that's a 493 00:29:16,120 --> 00:29:18,880 Speaker 1: testament to how great she was in that role and 494 00:29:18,880 --> 00:29:22,800 Speaker 1: how great she is, because that's nerve wracking because that's 495 00:29:22,880 --> 00:29:26,280 Speaker 1: your your entire career right there, potentially a film role 496 00:29:26,320 --> 00:29:30,360 Speaker 1: in the in the future. So hats off. Favorite moment, 497 00:29:30,520 --> 00:29:35,200 Speaker 1: probably the most nerve wracking moment, was probably the kiss, 498 00:29:35,440 --> 00:29:39,680 Speaker 1: the season four kiss, because we we still wanted to 499 00:29:39,720 --> 00:29:42,520 Speaker 1: get it right and we knew it was a weighty, 500 00:29:42,560 --> 00:29:45,320 Speaker 1: weighty moment and in a in a big moment for 501 00:29:45,320 --> 00:29:48,600 Speaker 1: the show, and we just you know, and we we 502 00:29:48,720 --> 00:29:51,840 Speaker 1: knew the Kirk thing was coming right, nobody else knew it. 503 00:29:51,920 --> 00:29:53,480 Speaker 1: We knew it was coming, so we had to really 504 00:29:53,480 --> 00:30:00,240 Speaker 1: suppress our laughter. But that's that's my lows and hig. Yeah, 505 00:30:03,560 --> 00:30:06,400 Speaker 1: I have a question for you, Luke. Where did you 506 00:30:06,440 --> 00:30:09,560 Speaker 1: ever get emotional like wrapping a year in the life 507 00:30:09,800 --> 00:30:14,040 Speaker 1: or wrapping Gilmore Girls, or were there moments during um 508 00:30:14,120 --> 00:30:18,520 Speaker 1: during shooting where you were getting emotional? Well? Sure, yeah, 509 00:30:18,680 --> 00:30:24,160 Speaker 1: I mean, you know, the Liz stuff as I'm watching 510 00:30:24,200 --> 00:30:26,640 Speaker 1: it now makes me very emotional because I have a 511 00:30:26,680 --> 00:30:29,880 Speaker 1: personal experience in that area and I now I remember 512 00:30:29,960 --> 00:30:32,440 Speaker 1: doing it. It had the same effect on me and 513 00:30:32,480 --> 00:30:36,239 Speaker 1: it was very difficult to get through it, um and 514 00:30:36,360 --> 00:30:39,680 Speaker 1: all of the uh, all of the stuff with uh 515 00:30:40,040 --> 00:30:42,120 Speaker 1: the moment. There's there's a couple of moments that I 516 00:30:42,160 --> 00:30:45,600 Speaker 1: remember where I didn't really have to do any kind 517 00:30:45,640 --> 00:30:48,040 Speaker 1: of sense memory work where I had to think of 518 00:30:48,080 --> 00:30:50,280 Speaker 1: things to make me sad. It was just the circumstances 519 00:30:50,280 --> 00:30:54,360 Speaker 1: were enough, you know, And and it's always there was. 520 00:30:54,440 --> 00:30:58,200 Speaker 1: It was snowing, I'm with the reenactors, and I see 521 00:30:58,280 --> 00:31:01,680 Speaker 1: Laureli walking with Max that night. I had to look 522 00:31:01,720 --> 00:31:03,800 Speaker 1: over look at it, so that that was a big, 523 00:31:03,960 --> 00:31:07,960 Speaker 1: big moment for me as I recall, hopefully for you 524 00:31:08,000 --> 00:31:13,880 Speaker 1: guys to Yeah, another question. Hi, my name is Alyssa. UM. 525 00:31:14,360 --> 00:31:17,080 Speaker 1: I was just wondering, like, what was your last day 526 00:31:17,120 --> 00:31:19,560 Speaker 1: on set? Like, like, what were your emotions and everything 527 00:31:21,000 --> 00:31:24,040 Speaker 1: last day? Uh? We well, we didn't know it was 528 00:31:24,080 --> 00:31:25,920 Speaker 1: gonna be our last day, you mean, so for a 529 00:31:26,000 --> 00:31:29,000 Speaker 1: year in the life, we we never know when it's 530 00:31:29,000 --> 00:31:31,680 Speaker 1: gonna be over. It's like it's not ever over. I 531 00:31:31,680 --> 00:31:34,680 Speaker 1: mean I was. I was in Toronto shooting a film 532 00:31:34,680 --> 00:31:36,280 Speaker 1: when I found out the show was over. I thought 533 00:31:36,280 --> 00:31:38,560 Speaker 1: we were coming back for a season eight because we 534 00:31:38,640 --> 00:31:40,560 Speaker 1: we were. I was signed for it. I was already 535 00:31:40,560 --> 00:31:44,560 Speaker 1: signed for it. Everythink. Most people were um uh and 536 00:31:44,640 --> 00:31:47,720 Speaker 1: you're in the life. I don't. I don't really remember 537 00:31:47,800 --> 00:31:50,960 Speaker 1: the end of it. Um. I do remember the premier 538 00:31:51,600 --> 00:31:53,760 Speaker 1: in Westwood, which is a big event like this. I mean, 539 00:31:53,800 --> 00:31:56,360 Speaker 1: there was so many people, um and it was so great. 540 00:31:56,800 --> 00:31:59,120 Speaker 1: What about you, Rose? Do you remember the last day 541 00:31:59,600 --> 00:32:03,080 Speaker 1: on remember filming the last day of the original series, 542 00:32:03,120 --> 00:32:06,600 Speaker 1: not the Netflix series, And it was raining, but it 543 00:32:06,680 --> 00:32:11,479 Speaker 1: wasn't raining. It was fake raining, and it was the 544 00:32:11,480 --> 00:32:15,360 Speaker 1: most refreshing fake rain. So I just remember standing there 545 00:32:15,360 --> 00:32:18,320 Speaker 1: and thinking, like, I really hope I see these people again. 546 00:32:18,800 --> 00:32:20,760 Speaker 1: And then I remember being in New York. What what? 547 00:32:20,880 --> 00:32:24,760 Speaker 1: How much time passed between the show and then reboot series? 548 00:32:24,840 --> 00:32:27,200 Speaker 1: Nine nine years? So nine years later, I'm in a 549 00:32:27,280 --> 00:32:29,160 Speaker 1: hotel in New York at Christmas time and I get 550 00:32:29,160 --> 00:32:31,480 Speaker 1: a call guess what we're doing the Net? And that 551 00:32:31,600 --> 00:32:33,800 Speaker 1: was really exciting because I went, I'm going to see 552 00:32:33,840 --> 00:32:36,600 Speaker 1: my friends again, and that that was really really special. 553 00:32:36,640 --> 00:32:39,160 Speaker 1: And you guys keeping it going is just I can't 554 00:32:39,160 --> 00:32:42,000 Speaker 1: thank you enough, like, give yourselves another round of fun. 555 00:32:42,440 --> 00:32:45,000 Speaker 1: It's incredible and and and the great thing about the 556 00:32:45,040 --> 00:32:48,120 Speaker 1: Netflix thing is we knew we had a finite period 557 00:32:48,120 --> 00:32:52,040 Speaker 1: of time three and a half months to shoot basically 558 00:32:52,080 --> 00:32:57,240 Speaker 1: four movies. Hey, uh no sleep but good let's get 559 00:32:57,240 --> 00:33:00,720 Speaker 1: it done. Um, And we had time to sort of 560 00:33:00,760 --> 00:33:03,600 Speaker 1: say goodbye if indeed it was going to be the 561 00:33:03,680 --> 00:33:06,880 Speaker 1: last thing. I know. Now Lauren is saying in the 562 00:33:07,240 --> 00:33:10,640 Speaker 1: media now that she's gonna sit down with Amy, probably 563 00:33:10,680 --> 00:33:14,720 Speaker 1: over the holidays, and they're going to discuss the possibility. 564 00:33:14,760 --> 00:33:18,000 Speaker 1: And you know it's listen, guys, it's all about schedules 565 00:33:18,000 --> 00:33:20,800 Speaker 1: and and and so many different schedules have to sort 566 00:33:20,840 --> 00:33:23,080 Speaker 1: of align. The stars really have to align for something 567 00:33:23,160 --> 00:33:26,320 Speaker 1: like that to happen. So I'm I'm not letting myself 568 00:33:27,160 --> 00:33:30,160 Speaker 1: hope too much, but there's always hope, right and and 569 00:33:30,200 --> 00:33:32,160 Speaker 1: it's and it's a testament to you guys, as as 570 00:33:32,680 --> 00:33:37,600 Speaker 1: as uh Rose points out. So if it happens, it's 571 00:33:37,640 --> 00:33:43,720 Speaker 1: because of y'all. Another question, I actually have two questions 572 00:33:43,760 --> 00:33:45,760 Speaker 1: for you. The first one is who do you think 573 00:33:45,800 --> 00:33:48,600 Speaker 1: developed most as a character in the show, And then 574 00:33:48,640 --> 00:33:50,600 Speaker 1: the other one is who do you think the dad is. 575 00:33:53,440 --> 00:33:56,160 Speaker 1: I think the person who most developed on the show 576 00:33:56,360 --> 00:34:00,400 Speaker 1: was was Rory because she started at sixteen and she 577 00:34:00,520 --> 00:34:03,920 Speaker 1: ended up and well, you know, nine years later, um, 578 00:34:03,960 --> 00:34:10,000 Speaker 1: but really, you know, that's a show about you know, Rory, Uh, 579 00:34:10,200 --> 00:34:13,920 Speaker 1: Rory maturing and Rory adapting and Rory going off to 580 00:34:14,000 --> 00:34:17,359 Speaker 1: college and Rory at college. I mean, for me, that's 581 00:34:17,360 --> 00:34:19,640 Speaker 1: what the show is about. As I'm watching it, and 582 00:34:19,719 --> 00:34:23,279 Speaker 1: everybody else is supporting, and I think, I think what 583 00:34:23,480 --> 00:34:27,680 Speaker 1: Lauren does is she's the best. She's the best comedian 584 00:34:28,320 --> 00:34:32,359 Speaker 1: as a character in a show I've ever seen that's 585 00:34:32,360 --> 00:34:35,080 Speaker 1: in a drama, that's in a dramedy, you know what 586 00:34:35,080 --> 00:34:38,440 Speaker 1: I'm saying. And Rory is the best straight woman you 587 00:34:38,440 --> 00:34:41,800 Speaker 1: could possibly have because you could see her skills because 588 00:34:41,840 --> 00:34:44,640 Speaker 1: she wasn't an actor when she got the role. But 589 00:34:45,040 --> 00:34:50,680 Speaker 1: amazingly enough, that's how naturally gifted she is. Uh and 590 00:34:50,719 --> 00:34:53,520 Speaker 1: at eighteen years old at an n y U film school, 591 00:34:53,719 --> 00:34:56,440 Speaker 1: never acted a day in her life, she gets this 592 00:34:56,560 --> 00:34:59,960 Speaker 1: huge role, a massive role. She must have been overwhelmed, 593 00:35:00,560 --> 00:35:02,160 Speaker 1: right with the amount of work she had to do. 594 00:35:02,400 --> 00:35:05,080 Speaker 1: She pulled it off beautifully, and Lauren helped her a lot. 595 00:35:06,040 --> 00:35:08,680 Speaker 1: Lauren really guided her and helped her a lot. So 596 00:35:08,719 --> 00:35:12,680 Speaker 1: she kind of really raised Alexis as well on set 597 00:35:13,200 --> 00:35:17,000 Speaker 1: as a professional. So it's it's quite charming to think 598 00:35:17,000 --> 00:35:18,560 Speaker 1: of it in those terms and that's how I like 599 00:35:18,640 --> 00:35:21,600 Speaker 1: to think of it. Um. There was another side to 600 00:35:21,640 --> 00:35:26,520 Speaker 1: that question. I'm sorry, who do you think the dad is? Gosh, 601 00:35:26,600 --> 00:35:32,080 Speaker 1: that's I don't I don't know Kirk Is it Kirk? 602 00:35:32,520 --> 00:35:35,840 Speaker 1: It could it could be Iris, could be Iris. You 603 00:35:35,920 --> 00:35:41,160 Speaker 1: never know? What do you think? I wonder what? What 604 00:35:41,200 --> 00:35:47,799 Speaker 1: do you guys think? Good Jess? You want it to 605 00:35:47,800 --> 00:35:53,759 Speaker 1: be Jess, but you think it's Jess Chess. I don't 606 00:35:53,760 --> 00:35:55,200 Speaker 1: know who it is you want? Do you want to be? 607 00:35:55,400 --> 00:36:00,759 Speaker 1: How many things? It's Dean? No? Many? How many things? 608 00:36:01,560 --> 00:36:07,480 Speaker 1: How many things? Slogan? Alright there, okay, so there you go. 609 00:36:11,960 --> 00:36:17,520 Speaker 1: How many think it's R two D two? How many? Okay? Alright, 610 00:36:18,160 --> 00:36:24,560 Speaker 1: alright another question please? Um, well sorry for Scott. Uh. 611 00:36:24,880 --> 00:36:29,520 Speaker 1: First the comment that Luke Danes you helped me to 612 00:36:30,239 --> 00:36:33,400 Speaker 1: forge a stronger connection with my dad, um and to 613 00:36:33,520 --> 00:36:37,840 Speaker 1: understand him better. So thank you. Uh. Secondly, I wish 614 00:36:37,960 --> 00:36:41,960 Speaker 1: the spinoff that was planned and then canceled first hadn't 615 00:36:41,960 --> 00:36:44,640 Speaker 1: been canceled, and secondly had been about you and Jess. 616 00:36:45,280 --> 00:36:49,560 Speaker 1: Luke and Jess. But the question, um, there was a 617 00:36:49,640 --> 00:36:53,160 Speaker 1: really strong family resemblance between Luke and Jess as far 618 00:36:53,239 --> 00:36:57,359 Speaker 1: as body language speech, mannerisms, all these things. How much 619 00:36:57,440 --> 00:37:00,880 Speaker 1: of that was scripted? And how much of that was 620 00:37:01,000 --> 00:37:04,120 Speaker 1: the two of you working together? Very little of it 621 00:37:04,239 --> 00:37:09,520 Speaker 1: is scripted. Um, they sort of suggest, there's a nice 622 00:37:09,960 --> 00:37:14,040 Speaker 1: so are we supposed to dance down the dance show 623 00:37:15,440 --> 00:37:21,839 Speaker 1: very Christmas? Very Christmas. I meant that. I didn't see 624 00:37:21,880 --> 00:37:26,120 Speaker 1: that in the memo, but I guess, uh, yeah, you know, 625 00:37:26,920 --> 00:37:29,120 Speaker 1: you know, we get together and rehearsal. I'm sorry, where 626 00:37:29,200 --> 00:37:31,920 Speaker 1: is the person located that? And so we get together 627 00:37:32,000 --> 00:37:34,439 Speaker 1: and rehearsal, and we spend a great deal of time 628 00:37:34,520 --> 00:37:37,120 Speaker 1: in rehearsal sort of working it out. But then when 629 00:37:37,160 --> 00:37:39,960 Speaker 1: they say action, you just sort of your body naturally 630 00:37:40,040 --> 00:37:42,719 Speaker 1: takes over because you're you know, you're in the skin 631 00:37:42,960 --> 00:37:47,600 Speaker 1: of the character. Um. So yeah, all the little subtleties 632 00:37:47,640 --> 00:37:51,000 Speaker 1: and nuances, uh sort of you know, they're they're just 633 00:37:51,160 --> 00:37:55,120 Speaker 1: going to come out because the writing is so good, right, 634 00:37:55,280 --> 00:38:00,040 Speaker 1: it allows you the freedom to behave Okay, so so 635 00:38:00,160 --> 00:38:02,440 Speaker 1: acting as all behavior. It's not really words, but the 636 00:38:02,520 --> 00:38:04,600 Speaker 1: words are so good that they force you to behave 637 00:38:04,640 --> 00:38:07,080 Speaker 1: in a certain way when you say them, if that 638 00:38:07,239 --> 00:38:11,680 Speaker 1: makes any sense. So that's that's that, and and thank 639 00:38:11,719 --> 00:38:15,720 Speaker 1: you so much for your your very kind words about 640 00:38:15,800 --> 00:38:19,719 Speaker 1: reconnecting with your father. Um. You know, as time goes on, 641 00:38:19,880 --> 00:38:23,239 Speaker 1: I'm beginning to realize a little bit what an influence 642 00:38:23,560 --> 00:38:27,839 Speaker 1: this character has had on certain people. And they come 643 00:38:27,920 --> 00:38:29,640 Speaker 1: up to me in airports, and they come up to 644 00:38:29,680 --> 00:38:32,920 Speaker 1: me in restaurants and they and they say the nicest thing. 645 00:38:33,120 --> 00:38:35,680 Speaker 1: So I really really appreciate that, and it's very nice, 646 00:38:35,719 --> 00:38:38,239 Speaker 1: and I think for all of us to know we've 647 00:38:38,280 --> 00:38:40,640 Speaker 1: been a part of something that's historic and that is 648 00:38:40,640 --> 00:38:45,239 Speaker 1: actually helping to heal uh family wounds and family divisions 649 00:38:45,560 --> 00:38:53,839 Speaker 1: in certain cases. So thank you for your question. Next question, Hi, 650 00:38:54,080 --> 00:38:59,880 Speaker 1: I'm sorry, I'm really nervous. Um, thank you guys for everything. 651 00:39:00,000 --> 00:39:05,360 Speaker 1: I grew up with Rory's special Um luke in a vineyard, Valentine, 652 00:39:05,600 --> 00:39:08,960 Speaker 1: you brought up the idea of a looping. At the 653 00:39:09,160 --> 00:39:12,480 Speaker 1: end of season six, you turned lower, laid down. I 654 00:39:12,600 --> 00:39:17,600 Speaker 1: care to explain. I think I fell and hit my 655 00:39:17,680 --> 00:39:20,480 Speaker 1: head that day, and I think that I just was 656 00:39:20,560 --> 00:39:25,000 Speaker 1: out of my mind. Um, I haven't in season six, 657 00:39:25,080 --> 00:39:27,799 Speaker 1: I haven't gotten there yet. I haven't seen the episodes. 658 00:39:28,880 --> 00:39:32,759 Speaker 1: I'm a middle middle of season four. Um, but I'm 659 00:39:32,840 --> 00:39:37,120 Speaker 1: sure that there's a logical reason there's a circumstantial reason 660 00:39:37,239 --> 00:39:40,960 Speaker 1: why I turned her down. Uh uh, And I can 661 00:39:41,040 --> 00:39:45,759 Speaker 1: almost remember saying those words. I don't remember the scene. Um. 662 00:39:46,360 --> 00:39:50,080 Speaker 1: But the thing about Amy and Dan's writing is, uh, 663 00:39:50,239 --> 00:39:53,120 Speaker 1: they go big when things are small. They go small 664 00:39:53,200 --> 00:39:55,640 Speaker 1: when things you think are going to be big. And 665 00:39:56,160 --> 00:39:58,640 Speaker 1: it seems like the opposite happens when you think it's 666 00:39:58,960 --> 00:40:00,719 Speaker 1: the other thing should happen. And that's kind of the 667 00:40:00,760 --> 00:40:03,080 Speaker 1: beauty of it. It kind of shocks people, and it 668 00:40:03,200 --> 00:40:05,839 Speaker 1: kind of keeps like huh, but it's all there's there's 669 00:40:05,880 --> 00:40:09,839 Speaker 1: there's a real emotional logic to everything. Um. So I'm 670 00:40:09,840 --> 00:40:11,680 Speaker 1: gonna defend myself and says there's a really good reason. 671 00:40:11,680 --> 00:40:16,000 Speaker 1: I don't know what it is, Thanks very much. Another question, 672 00:40:17,920 --> 00:40:20,640 Speaker 1: two things, So how many times did you push Jess 673 00:40:20,719 --> 00:40:24,360 Speaker 1: into the lake? And then what's your favorite Kirker Taylor moment? 674 00:40:25,600 --> 00:40:30,600 Speaker 1: I pushed Jess once. Um, we did actually thirty three 675 00:40:30,719 --> 00:40:34,160 Speaker 1: takes on the Walk and Talk before that, Okay, So 676 00:40:34,520 --> 00:40:38,040 Speaker 1: I really was very frustrated with that. So, I mean, 677 00:40:39,160 --> 00:40:40,520 Speaker 1: and I told him, I said, we're gonna get this 678 00:40:40,560 --> 00:40:41,799 Speaker 1: right in one because I want to go to lunch. 679 00:40:42,960 --> 00:40:45,959 Speaker 1: And that was all about hunger. Um, and I'm sorry, 680 00:40:46,000 --> 00:40:48,680 Speaker 1: I'm sorry. What was the second question? What's your favorite 681 00:40:48,680 --> 00:40:52,960 Speaker 1: tailor or Kirk moment? Oh, there's so many. I mean, 682 00:40:53,120 --> 00:40:56,080 Speaker 1: that's just a pot of gold. That's like working with 683 00:40:56,440 --> 00:40:59,800 Speaker 1: Seawan Gunn and Michael Winter's that's just so many g 684 00:41:00,000 --> 00:41:03,440 Speaker 1: eight moments you're gonna have with those guys. Um. The 685 00:41:03,520 --> 00:41:06,920 Speaker 1: hot dog suit was classic because it's just it's just 686 00:41:07,160 --> 00:41:09,520 Speaker 1: him inside, you know, and you know, anybody inside a 687 00:41:09,600 --> 00:41:12,320 Speaker 1: hot dog suit is gonna elicit a response. But but 688 00:41:12,480 --> 00:41:15,279 Speaker 1: Sean Gunn inside of a hot dog suit. And I 689 00:41:15,400 --> 00:41:18,440 Speaker 1: think one of the great physical comic actors of our 690 00:41:18,560 --> 00:41:23,120 Speaker 1: time and should get more credit than he does, um, 691 00:41:24,360 --> 00:41:26,960 Speaker 1: and more recognition, and maybe that will come to him 692 00:41:27,000 --> 00:41:29,759 Speaker 1: one day. It looks like it probably will. He's having 693 00:41:29,800 --> 00:41:33,520 Speaker 1: a nice career, isn't it. Um Uh. And Michael Winter 694 00:41:33,719 --> 00:41:37,279 Speaker 1: is just you know, every sort of confrontation we had 695 00:41:37,360 --> 00:41:41,640 Speaker 1: because he's such a seasoned actor. You know, he's so tempered, 696 00:41:41,680 --> 00:41:45,120 Speaker 1: and he's so contained, and he's and and and very 697 00:41:45,239 --> 00:41:47,759 Speaker 1: intense and smooth. I mean, it's just and he's just 698 00:41:48,040 --> 00:41:51,600 Speaker 1: a very pleasant guy, uh to work with. So it's 699 00:41:51,640 --> 00:41:54,600 Speaker 1: just it's hard to pick one. Maybe the candy store 700 00:41:54,680 --> 00:41:57,440 Speaker 1: thing and where he's you know, I'm I'm doing that 701 00:41:57,600 --> 00:41:59,840 Speaker 1: kind of thing. So just so many great moments with 702 00:41:59,880 --> 00:42:07,480 Speaker 1: the those guys. Yeah, okay, this one is for Scott Um. 703 00:42:07,960 --> 00:42:10,239 Speaker 1: You just you're such a good actor. So the look 704 00:42:10,280 --> 00:42:12,480 Speaker 1: on your face, I feel like, is what really shows 705 00:42:12,520 --> 00:42:15,279 Speaker 1: how Luke is feeling. But to get into character, what 706 00:42:15,360 --> 00:42:17,160 Speaker 1: did you have to think of to portray so much 707 00:42:17,239 --> 00:42:20,840 Speaker 1: emotion and love for Loreley, especially in moments where like 708 00:42:20,920 --> 00:42:22,880 Speaker 1: when she told you that she slept with Christopher and 709 00:42:23,000 --> 00:42:26,520 Speaker 1: you just look absolutely devastated because I really love her. 710 00:42:27,640 --> 00:42:31,279 Speaker 1: You know, I really love Lauren, you know, Um, and 711 00:42:31,360 --> 00:42:33,960 Speaker 1: I respect her and I and I love the amount 712 00:42:34,000 --> 00:42:36,040 Speaker 1: of work that she's able to do and the support 713 00:42:36,160 --> 00:42:39,640 Speaker 1: she gives everybody. And you know, she was the heart 714 00:42:39,680 --> 00:42:43,200 Speaker 1: and soul of the show. Um, and you know, we 715 00:42:43,320 --> 00:42:46,680 Speaker 1: sat back and watched her just power her way through 716 00:42:46,760 --> 00:42:49,640 Speaker 1: every single day and it wasn't easy, man. I mean 717 00:42:49,800 --> 00:42:54,239 Speaker 1: the workload on her was just herculean. I mean, it's 718 00:42:54,320 --> 00:42:58,719 Speaker 1: a superhero kind of stuff. I have a favorite Lauren moment. Um. 719 00:42:59,320 --> 00:43:03,239 Speaker 1: We were filming the Bengals episode and um, we were 720 00:43:04,160 --> 00:43:07,239 Speaker 1: those two guys who played kind of like just like 721 00:43:08,040 --> 00:43:10,480 Speaker 1: guys that that Madeline and we's kind of run off 722 00:43:10,560 --> 00:43:13,720 Speaker 1: with and they're in their apartment, and so those actors 723 00:43:13,760 --> 00:43:16,680 Speaker 1: were there and Melissa and we were all there and 724 00:43:17,200 --> 00:43:22,240 Speaker 1: it was so late and one of the guy's phones 725 00:43:22,560 --> 00:43:24,560 Speaker 1: went off, one of the guys that we met at 726 00:43:24,560 --> 00:43:27,319 Speaker 1: the Bengals concert, and then what his phone went off 727 00:43:27,360 --> 00:43:29,360 Speaker 1: in his pocket and just started ringing right in the 728 00:43:29,400 --> 00:43:32,520 Speaker 1: middle of a take, and he was like, oh my god, 729 00:43:32,600 --> 00:43:37,640 Speaker 1: I'm just co starring for He felt horrible, and the 730 00:43:37,719 --> 00:43:41,360 Speaker 1: whole crew was like, oh, so tired, Laura, and like 731 00:43:41,440 --> 00:43:47,719 Speaker 1: approach she just goes happens to the best of us. Yes, 732 00:43:47,920 --> 00:43:51,400 Speaker 1: she had that ability to put everybody at ease, no 733 00:43:51,520 --> 00:43:53,560 Speaker 1: matter who you were on the set, no matter what 734 00:43:53,760 --> 00:43:56,200 Speaker 1: number on the call sheet you were. She she really 735 00:43:57,080 --> 00:43:59,680 Speaker 1: was a great number one on a show. We were 736 00:43:59,800 --> 00:44:04,680 Speaker 1: very lucky that she was in that role. Um and man, 737 00:44:05,080 --> 00:44:07,839 Speaker 1: what what a what a tennis partner to have. I mean, 738 00:44:07,920 --> 00:44:11,319 Speaker 1: you're you're over the other side of the net is like, Wow, 739 00:44:11,760 --> 00:44:15,320 Speaker 1: She's hitting all these great shots cheese and you're like, okay, 740 00:44:17,920 --> 00:44:19,920 Speaker 1: you know what I mean. I mean, it wasn't she wonderful? 741 00:44:20,080 --> 00:44:27,480 Speaker 1: Just just absolutely breathtakingly wonderful every single day. Next question oh, Hi. 742 00:44:27,680 --> 00:44:29,880 Speaker 1: First down, I'd like to say, Scott, I've spoken with 743 00:44:29,960 --> 00:44:32,839 Speaker 1: you before, and you're actually the nicest person I've ever 744 00:44:32,960 --> 00:44:37,360 Speaker 1: talked to. Um. My question is for any of you. 745 00:44:37,840 --> 00:44:41,200 Speaker 1: I'm just wondering what actors on the show you think 746 00:44:41,239 --> 00:44:49,400 Speaker 1: are most like their character? Good question, Liza, Yes, I kidding, 747 00:44:49,680 --> 00:44:53,000 Speaker 1: that's fine. She's a lot like that. That's a version 748 00:44:53,080 --> 00:45:03,160 Speaker 1: of her that truly exists. Well, Liz list, she's miss Patty. Yeah, 749 00:45:03,520 --> 00:45:07,640 Speaker 1: I think I think Sally is. But she's an exaggerated 750 00:45:08,000 --> 00:45:11,040 Speaker 1: that's an exaggerated but that's her. But it's so exaggerating 751 00:45:11,800 --> 00:45:13,920 Speaker 1: she but she does have all that joy and light 752 00:45:14,080 --> 00:45:18,239 Speaker 1: and life. And I mean, Mila, do you think he 753 00:45:18,280 --> 00:45:21,399 Speaker 1: has that kind of darkness? Milo? He's a little dark, 754 00:45:21,560 --> 00:45:24,399 Speaker 1: right Milo is Jess? I think I think he's very 755 00:45:24,440 --> 00:45:26,800 Speaker 1: similar to Jess. Yeah, I I you know what, I 756 00:45:26,880 --> 00:45:30,680 Speaker 1: agree with you. I agree with you because because there 757 00:45:30,800 --> 00:45:32,719 Speaker 1: is a darkness there, there's a little bit of a 758 00:45:33,160 --> 00:45:37,320 Speaker 1: something real interesting there. Right. Alexis is not there not 759 00:45:37,520 --> 00:45:40,600 Speaker 1: a lot like her character. I don't think she's really 760 00:45:40,800 --> 00:45:44,200 Speaker 1: lively and fun. She likes like underground music and one 761 00:45:44,239 --> 00:45:46,960 Speaker 1: time she asked me to go to drive. What is 762 00:45:47,000 --> 00:45:54,120 Speaker 1: that van drive dashboard whatever. Yeah, yeah, yeah, and I'm like, okay, 763 00:45:55,680 --> 00:46:00,280 Speaker 1: it's like two hours away. I guess if it's bigs 764 00:46:00,320 --> 00:46:02,480 Speaker 1: to you, man, they you should go what do? What 765 00:46:02,560 --> 00:46:07,320 Speaker 1: do you think? Arish who is most like? I'm around 766 00:46:07,400 --> 00:46:10,279 Speaker 1: her and it's like a story, a story. She's you know, 767 00:46:10,480 --> 00:46:14,880 Speaker 1: so lively and she makes you happy. Yeah, this is amazing, 768 00:46:14,920 --> 00:46:17,480 Speaker 1: you know, I don't think. I don't think. Uh, Kelly 769 00:46:17,560 --> 00:46:21,400 Speaker 1: Bishop was nothing like her character, right, she was very 770 00:46:21,480 --> 00:46:24,400 Speaker 1: far away from that, right. She was just so she 771 00:46:24,560 --> 00:46:26,879 Speaker 1: was kind of gentle and she is and she's loose 772 00:46:27,000 --> 00:46:29,880 Speaker 1: and fun funny. Yeah, that was what my favorite. I 773 00:46:29,920 --> 00:46:32,560 Speaker 1: have to say. I don't think I mentioned my favorite episode. 774 00:46:32,640 --> 00:46:35,920 Speaker 1: My least favorite was, for sure those stupid air freshener trees, 775 00:46:36,360 --> 00:46:39,560 Speaker 1: but my favorite probably was finally getting to come inside 776 00:46:40,080 --> 00:46:44,040 Speaker 1: James Pettitt, the man who put this together Warner Brothers. 777 00:46:44,880 --> 00:46:47,960 Speaker 1: I've known this guy twenty two years. He's been a 778 00:46:48,040 --> 00:46:51,880 Speaker 1: superstar at Warner Brothers and in my career. This guy's 779 00:46:51,920 --> 00:46:54,680 Speaker 1: helped me so much. Thank you, James. This is this 780 00:46:54,880 --> 00:46:58,359 Speaker 1: is like the guy here, Okay, the guy that's the guy. 781 00:46:58,719 --> 00:47:02,040 Speaker 1: Apparently I'm getting a s unburned. But you've known each 782 00:47:02,080 --> 00:47:04,440 Speaker 1: other twenty two years. But you're still only in your thirties, 783 00:47:04,480 --> 00:47:05,879 Speaker 1: So how's it? You know, when you were a kids. 784 00:47:07,719 --> 00:47:10,200 Speaker 1: But I love getting to do the Bachelor bachelorette party. 785 00:47:10,200 --> 00:47:13,320 Speaker 1: Emily's bachelorette party. That was one of my favorite because 786 00:47:13,320 --> 00:47:15,279 Speaker 1: I got to hang out with Kelly and then it 787 00:47:15,400 --> 00:47:18,200 Speaker 1: seemed familiar to me to get to work for her 788 00:47:18,640 --> 00:47:22,080 Speaker 1: in the Netflix show when I was Berta. It was 789 00:47:22,160 --> 00:47:25,320 Speaker 1: so much fun. And I said, maybe, like Emily fired 790 00:47:25,360 --> 00:47:28,560 Speaker 1: every made, but Berta seemed sort of familiar to her 791 00:47:28,600 --> 00:47:31,520 Speaker 1: because she already met one of Berta's cousins, which was 792 00:47:31,600 --> 00:47:36,960 Speaker 1: maybe Gypsies. And I think, I think Melissa is a lot. 793 00:47:37,040 --> 00:47:40,480 Speaker 1: I mean Melyssa was. Melissa was so funny and so 794 00:47:40,680 --> 00:47:44,560 Speaker 1: personable all of the time. Um. Every time I would 795 00:47:44,560 --> 00:47:47,480 Speaker 1: see her on set and we had only one episode together, 796 00:47:48,120 --> 00:47:50,840 Speaker 1: she I would see your crop service or something or 797 00:47:50,920 --> 00:47:53,680 Speaker 1: table read. She always had such an interest like what 798 00:47:53,760 --> 00:47:56,359 Speaker 1: are you cooking these days? And how are you all 799 00:47:56,440 --> 00:48:01,600 Speaker 1: that stuff? Amazing personality and amazing talent. Um, god who else? 800 00:48:01,800 --> 00:48:04,840 Speaker 1: And Lauren I think you know, Lauren is just a 801 00:48:05,480 --> 00:48:11,640 Speaker 1: really smart, funny, witty, engaging personality, you know. Um, And 802 00:48:12,520 --> 00:48:15,200 Speaker 1: so I think she just kind of she didn't breathe 803 00:48:15,239 --> 00:48:18,200 Speaker 1: through the role, and she has this capacity to memorize dialogue. 804 00:48:18,200 --> 00:48:20,239 Speaker 1: We're we're all sweating in our trailers, going We're gonna 805 00:48:20,280 --> 00:48:24,439 Speaker 1: doing it over and over again. She's like kind of like, Yeah, 806 00:48:24,520 --> 00:48:26,920 Speaker 1: here's the script. What do I need to memorize? Just 807 00:48:27,040 --> 00:48:29,719 Speaker 1: throw the script past my eyes. Okay, got it, let's go. 808 00:48:31,040 --> 00:48:35,640 Speaker 1: Kind of weird. Next question, Hi, guys, thank you so 809 00:48:35,800 --> 00:48:38,359 Speaker 1: much for coming to this event. This is so cool. 810 00:48:38,600 --> 00:48:41,160 Speaker 1: Thank you. My mom and I love the show. Um. 811 00:48:41,400 --> 00:48:43,879 Speaker 1: My question is for Scott. What was it like meeting 812 00:48:43,960 --> 00:48:47,840 Speaker 1: the cast for the very first time. I flew to 813 00:48:47,920 --> 00:48:52,400 Speaker 1: Toronto to do a guest spot in the Pilot and Uh, 814 00:48:53,160 --> 00:48:55,719 Speaker 1: I was in a track suit for the flight, A 815 00:48:56,239 --> 00:49:01,080 Speaker 1: nice track suit. Um and um. The airline lost my 816 00:49:01,200 --> 00:49:05,040 Speaker 1: luggage and the the person at the front USK said, there, 817 00:49:05,280 --> 00:49:07,080 Speaker 1: some of the cast is waiting for you across the 818 00:49:07,120 --> 00:49:09,600 Speaker 1: street in a five star French restaurant and I'm in 819 00:49:09,680 --> 00:49:11,880 Speaker 1: a track suit. I said, I don't think I can 820 00:49:11,920 --> 00:49:13,719 Speaker 1: go to that restaurant. You no, No, it's okay. They'll 821 00:49:13,800 --> 00:49:15,880 Speaker 1: let you in. Um. And they let me in. They 822 00:49:15,880 --> 00:49:18,600 Speaker 1: were great. And so I met Lauren first and she 823 00:49:18,840 --> 00:49:22,200 Speaker 1: was delightful, and we had a um a sit down 824 00:49:22,280 --> 00:49:24,839 Speaker 1: and a drink and and and Keiko was there too, 825 00:49:24,960 --> 00:49:28,960 Speaker 1: so I got to meet Lauren and Keiko. First. We 826 00:49:29,080 --> 00:49:34,560 Speaker 1: all smoked cigarettes at that time. Uh and uh, here's 827 00:49:34,719 --> 00:49:37,719 Speaker 1: here's the story with that. Our first day on set. 828 00:49:37,800 --> 00:49:42,640 Speaker 1: Here day day one. Okay, we're going through half the day. 829 00:49:42,680 --> 00:49:45,560 Speaker 1: We're smoking cigarettes. And I said, I gotta quit. I'm 830 00:49:45,600 --> 00:49:48,040 Speaker 1: not going to be able to do this dialogue. And 831 00:49:48,160 --> 00:49:50,280 Speaker 1: I said to Lauren, I said, we gotta quit because 832 00:49:50,280 --> 00:49:52,239 Speaker 1: there's no way we have the breath to do this. 833 00:49:52,920 --> 00:49:56,239 Speaker 1: So we quit, and then Keiko quit. We all quit. 834 00:49:58,400 --> 00:50:01,200 Speaker 1: The gift that keeps on giving this show is amazing, 835 00:50:02,120 --> 00:50:08,080 Speaker 1: you know. Next question, Hi, I love you. I'm seventeen 836 00:50:08,120 --> 00:50:10,600 Speaker 1: and I've seen Gilmore Girls over thirty times, so I 837 00:50:10,719 --> 00:50:13,600 Speaker 1: love you all. I wanted to ask if you have 838 00:50:13,680 --> 00:50:17,240 Speaker 1: any theater experience and what advice you have for aspiring actors. 839 00:50:17,360 --> 00:50:19,080 Speaker 1: I want to go into theater, and all of you 840 00:50:19,160 --> 00:50:20,960 Speaker 1: are my idols, so I wanted to see what you think. 841 00:50:21,000 --> 00:50:24,600 Speaker 1: Thank you very lovely, thank you so much. My advice 842 00:50:24,680 --> 00:50:28,200 Speaker 1: to you would be to study Shakespeare if you want 843 00:50:28,239 --> 00:50:32,279 Speaker 1: to be a serious theater actor. You're seventeen. Dive into 844 00:50:32,360 --> 00:50:37,080 Speaker 1: Juliet Romeo and Juliet nail it. Um. Everything's easy after that. 845 00:50:37,960 --> 00:50:40,880 Speaker 1: Pretty much, Shakespeare is going to be your best teacher 846 00:50:40,960 --> 00:50:44,640 Speaker 1: that you ever have. You just memorize the dialogue. There's 847 00:50:44,640 --> 00:50:47,080 Speaker 1: a real emotional logic to it. It's easier to memorize 848 00:50:47,120 --> 00:50:50,200 Speaker 1: than you realize as you're memorizing it. It's chunk after 849 00:50:50,280 --> 00:50:53,560 Speaker 1: chunk after chunk after chunk. But it you remember it, 850 00:50:53,640 --> 00:50:58,400 Speaker 1: it gets inside of you. Um ibsen uh Sam Shepard. 851 00:50:59,080 --> 00:51:01,640 Speaker 1: All the great players do O'Neill do a theater of 852 00:51:01,719 --> 00:51:04,200 Speaker 1: the absurd, you know, all the different styles of acting. 853 00:51:04,239 --> 00:51:06,600 Speaker 1: Get an m f A in acting, be an acting 854 00:51:06,719 --> 00:51:09,960 Speaker 1: nerd Um. Don't do it because you want to be 855 00:51:10,040 --> 00:51:12,640 Speaker 1: famous or rich. Do it because you love to to 856 00:51:12,800 --> 00:51:14,920 Speaker 1: do research and you love to read history, and you 857 00:51:15,239 --> 00:51:17,360 Speaker 1: want to you want to put on the skin of 858 00:51:17,440 --> 00:51:21,080 Speaker 1: that character. That's the thing that people cast. They don't 859 00:51:21,200 --> 00:51:23,279 Speaker 1: cast people because they want to be famous. They cast 860 00:51:23,360 --> 00:51:25,719 Speaker 1: people because they're great at what they do. So it's 861 00:51:25,719 --> 00:51:29,080 Speaker 1: a skill set. Acquire a set of skills. You can 862 00:51:29,200 --> 00:51:33,160 Speaker 1: get the best skills from the best writers. Okay, so 863 00:51:33,320 --> 00:51:35,960 Speaker 1: do that. The first play I ever did was Buried Child, 864 00:51:36,080 --> 00:51:42,760 Speaker 1: Sam Shepherd, Yeah, twenty years old. Sam Shepherd's my favorite 865 00:51:42,760 --> 00:51:48,080 Speaker 1: play right right, He's genius, absolute genius. Um. Next question, 866 00:51:48,680 --> 00:51:50,719 Speaker 1: I thank you all so much for being here. I 867 00:51:50,800 --> 00:51:53,440 Speaker 1: love the all more girls. But it's just like crazy. Um. 868 00:51:54,160 --> 00:51:56,520 Speaker 1: I was wondering, Scott, I already know your answer to this. 869 00:51:56,760 --> 00:52:00,960 Speaker 1: But what team are you guys on? Team just Team Logan, 870 00:52:01,480 --> 00:52:03,600 Speaker 1: Team Dean. And I'm gonna add Tristan because I was 871 00:52:03,680 --> 00:52:06,440 Speaker 1: really sad when he left the show. Uh. I'm you know, 872 00:52:06,600 --> 00:52:11,280 Speaker 1: I sticking with family A team Jess always end forever. 873 00:52:12,800 --> 00:52:17,520 Speaker 1: I'm actually on team Jared Paddicky because I don't know indeed, well, 874 00:52:17,680 --> 00:52:20,440 Speaker 1: just because he is such a like he did Supernatural 875 00:52:20,560 --> 00:52:23,680 Speaker 1: and he struggles with depression really badly, and he's talked 876 00:52:23,760 --> 00:52:26,560 Speaker 1: so openly about it and somebody who teaches kids, I 877 00:52:26,640 --> 00:52:30,080 Speaker 1: think it's so important to normalize that stuff. You know. 878 00:52:30,400 --> 00:52:34,000 Speaker 1: I'm very brave, very brave, and I'm on team Jared. 879 00:52:34,640 --> 00:52:37,600 Speaker 1: You know. I I just reconnected what I do conventions 880 00:52:37,640 --> 00:52:39,839 Speaker 1: that I meet fans, and I just reconnected with him 881 00:52:39,840 --> 00:52:42,360 Speaker 1: at a convention. He's such a beautiful guy and and 882 00:52:42,480 --> 00:52:46,600 Speaker 1: and and and it's so so vulnerable and so loving 883 00:52:46,760 --> 00:52:49,480 Speaker 1: and he really is a very very sweet guy, and 884 00:52:49,560 --> 00:52:53,000 Speaker 1: I thought, you know, and marveling at his skill as 885 00:52:53,040 --> 00:52:55,520 Speaker 1: an eighteen year old. High. There's the entertainment tonight, and 886 00:52:55,600 --> 00:52:59,919 Speaker 1: there's that's the Wall Street Journal up there right now, Sorry, 887 00:53:00,000 --> 00:53:04,359 Speaker 1: New York Times, Wall Street General High guys, Um, who 888 00:53:04,400 --> 00:53:07,360 Speaker 1: do you think Team Jazz? Team Jazz. I did my 889 00:53:07,480 --> 00:53:10,279 Speaker 1: first scene as Caesar with him, so I gotta stay 890 00:53:10,320 --> 00:53:15,880 Speaker 1: loyal team Dean for sure. You know I'm good with all. 891 00:53:15,880 --> 00:53:19,320 Speaker 1: I'm family. Sure. Yeah, thanks for your question. Next question, 892 00:53:20,360 --> 00:53:22,640 Speaker 1: there's a little boy over here who's had a question 893 00:53:22,760 --> 00:53:26,160 Speaker 1: for a long time. Here. Can we get him a microphone? Yeah? 894 00:53:26,719 --> 00:53:29,879 Speaker 1: My question is, if you had one chance, what thing 895 00:53:29,960 --> 00:53:36,240 Speaker 1: would you change it bout your character? Good question, Um question, 896 00:53:37,520 --> 00:53:43,000 Speaker 1: I think more comfortable shoes. Being serious about that, I 897 00:53:43,040 --> 00:53:46,400 Speaker 1: wouldn't wear boots every day where the really comfortable sneakers. 898 00:53:47,719 --> 00:53:51,799 Speaker 1: As silly as that is. Um No, but seriously, UM, 899 00:53:53,120 --> 00:53:57,040 Speaker 1: I don't know if I would get to Laurelize sooner, um, 900 00:53:57,680 --> 00:54:00,440 Speaker 1: because I think the way they did it was brilliant. Uh. 901 00:54:00,920 --> 00:54:02,879 Speaker 1: You gotta milk that cow as long as you can 902 00:54:03,440 --> 00:54:05,759 Speaker 1: because if you know, and I'm not saying this to 903 00:54:05,840 --> 00:54:08,040 Speaker 1: insult anybody, but if you give the fans what they want, 904 00:54:08,120 --> 00:54:13,719 Speaker 1: they're gonna go away, right um Um, but not ultimately. 905 00:54:13,800 --> 00:54:16,279 Speaker 1: I don't mean it ultimately. I mean to to ramp 906 00:54:16,400 --> 00:54:20,879 Speaker 1: things up. Uh. It's an interesting question. I've never heard 907 00:54:20,920 --> 00:54:25,279 Speaker 1: a question that insightful before. So good for you. I 908 00:54:26,440 --> 00:54:31,080 Speaker 1: just think he was so here's the thing that and 909 00:54:31,160 --> 00:54:34,880 Speaker 1: I just saw this. I think less revealing and I 910 00:54:35,000 --> 00:54:38,960 Speaker 1: think the the he You're gonna disagree with me, but 911 00:54:39,040 --> 00:54:43,959 Speaker 1: the vulnerability he showed with his sister Liz, I would 912 00:54:43,960 --> 00:54:47,040 Speaker 1: have shown less, and I think it would have been 913 00:54:47,120 --> 00:54:48,839 Speaker 1: right for the character. I think at that point there's 914 00:54:49,040 --> 00:54:51,920 Speaker 1: you pretty much can't go wrong with the character. Um. 915 00:54:52,680 --> 00:54:55,640 Speaker 1: But I didn't want to show that much. But thank 916 00:54:55,680 --> 00:55:00,520 Speaker 1: you for your question. Okay, let's we're gonna have to 917 00:55:01,000 --> 00:55:05,880 Speaker 1: do one more question. Okay, hi Um, I love you 918 00:55:05,920 --> 00:55:08,760 Speaker 1: all very much, Thank you for coming. Um. My question 919 00:55:08,920 --> 00:55:13,280 Speaker 1: is for everybody, which, besides Luke is your favorite boyfriend 920 00:55:13,400 --> 00:55:19,040 Speaker 1: for Lorlie, besides Luis, besides Luke all right, besides Luke, 921 00:55:19,239 --> 00:55:24,239 Speaker 1: Max for sure, Max, Max for sure? For me, this 922 00:55:24,360 --> 00:55:26,239 Speaker 1: is a big question for Er. She's been thinking about 923 00:55:26,280 --> 00:55:31,520 Speaker 1: this a lot. How man, I'm gonna go with Max. Also, 924 00:55:32,160 --> 00:55:40,279 Speaker 1: Max's Yeah, Max for sure, bad, right, Max Max, that's 925 00:55:40,320 --> 00:55:48,560 Speaker 1: three Max three three, that's three. Um. I like I 926 00:55:48,680 --> 00:55:52,680 Speaker 1: like Digger because he's he's kind of wacky and and 927 00:55:52,760 --> 00:55:55,680 Speaker 1: they're right together. But they're they're really wrong for each 928 00:55:55,719 --> 00:55:58,759 Speaker 1: other because they're too similar. They're just too similar. So 929 00:55:58,880 --> 00:56:06,439 Speaker 1: I'm gonna say Max, Yeah, that's four maxes Yeah. Yeah, 930 00:56:06,960 --> 00:56:10,480 Speaker 1: all right, guys, let's do one more question. They're they're 931 00:56:10,520 --> 00:56:17,560 Speaker 1: walking around with microphones. Yeah, because she's responsible and he Now, Hi, 932 00:56:18,000 --> 00:56:21,360 Speaker 1: I'm over here. Hi, my name's Himena. UM. I just 933 00:56:21,440 --> 00:56:23,359 Speaker 1: want to say thanks. That super cool to see you, guys. 934 00:56:23,400 --> 00:56:25,359 Speaker 1: I grew up watching this show since I was a child. 935 00:56:25,560 --> 00:56:29,120 Speaker 1: Shout out send your reader Rodriguez. Okay, thank you. Um 936 00:56:29,600 --> 00:56:33,160 Speaker 1: So my question is for all of you, um, if 937 00:56:33,200 --> 00:56:35,719 Speaker 1: you could have been cast for any other role on 938 00:56:35,840 --> 00:56:38,759 Speaker 1: the show, what what role would it have been? I 939 00:56:38,880 --> 00:56:42,080 Speaker 1: love that question because I originally auditioned to play Suki 940 00:56:44,000 --> 00:56:46,680 Speaker 1: years ago, and they switched casting directors. But in the beginning, 941 00:56:47,080 --> 00:56:50,160 Speaker 1: and I sculpt miniature food out of clay, and I 942 00:56:50,239 --> 00:56:52,040 Speaker 1: told them I don't cook, but I do know how 943 00:56:52,080 --> 00:56:54,480 Speaker 1: to make miniature food, and then the casting directors got 944 00:56:54,560 --> 00:56:56,960 Speaker 1: so into my sculptures that was all they wanted to 945 00:56:57,040 --> 00:56:59,279 Speaker 1: talk about, so I didn't. I didn't see and no 946 00:56:59,400 --> 00:57:01,879 Speaker 1: one could have and Suki better than Melissa. So I'm 947 00:57:01,920 --> 00:57:03,400 Speaker 1: glad it worked out the way it did, But it 948 00:57:03,480 --> 00:57:05,000 Speaker 1: was a couple of years later because I'm not in 949 00:57:05,080 --> 00:57:07,400 Speaker 1: the first season, so I feel like if I was 950 00:57:07,440 --> 00:57:09,600 Speaker 1: going to do anybody else, I would want to be 951 00:57:10,160 --> 00:57:16,760 Speaker 1: Emily or Gypsy. That's the weird thing about that Suki 952 00:57:16,920 --> 00:57:20,680 Speaker 1: role because it was originally Alex Borstein who's on My 953 00:57:20,880 --> 00:57:23,800 Speaker 1: Zell now and Drell of The Hard Player, and you 954 00:57:23,960 --> 00:57:26,920 Speaker 1: just at the time when we heard Fox wouldn't let 955 00:57:26,960 --> 00:57:29,920 Speaker 1: her out of her contract for a living color so 956 00:57:30,120 --> 00:57:32,040 Speaker 1: she can't do the role she did in the pilot, 957 00:57:32,080 --> 00:57:34,200 Speaker 1: and you're thinking, how are they going to replace her? 958 00:57:35,040 --> 00:57:37,360 Speaker 1: And oh, that's gonna hurt the show, and boys she 959 00:57:37,720 --> 00:57:42,360 Speaker 1: and then Melissa shows up and it's like, whoa, oh, Kirk, 960 00:57:43,400 --> 00:57:45,760 Speaker 1: that's a that's such a fun role. I would I 961 00:57:45,800 --> 00:57:48,520 Speaker 1: would love to be Kirk, except on the day where 962 00:57:48,520 --> 00:57:49,960 Speaker 1: you have to wear the hot Dogs suit in a 963 00:57:50,040 --> 00:57:56,440 Speaker 1: hundred ten degrees and barbank in September. Yeah, besides Madeline 964 00:57:56,480 --> 00:58:01,280 Speaker 1: because I loved playing her. Um, I think Suki or Milo, 965 00:58:02,880 --> 00:58:07,920 Speaker 1: you know, character you know, I'm I'm gonna say logan, uh, 966 00:58:08,960 --> 00:58:12,439 Speaker 1: because it's just it seemed like such a fun role 967 00:58:12,560 --> 00:58:14,920 Speaker 1: to play, you know, because you know, I just I 968 00:58:15,040 --> 00:58:17,160 Speaker 1: just want to be in that kind of shape where 969 00:58:17,200 --> 00:58:19,720 Speaker 1: I'm sitting back in a bed, you know, with them 970 00:58:20,160 --> 00:58:22,960 Speaker 1: up to here anything all right when you come on 971 00:58:23,000 --> 00:58:27,440 Speaker 1: over here, just like this guy. And and you know, 972 00:58:27,680 --> 00:58:33,280 Speaker 1: Matt is the coolest, greatest, most soulful giving guy. Um, 973 00:58:33,480 --> 00:58:36,520 Speaker 1: he's the genuine article. And I'm so happy for all 974 00:58:36,600 --> 00:58:38,800 Speaker 1: his his success. And we we talked to him on 975 00:58:38,840 --> 00:58:41,919 Speaker 1: the podcast a little bit. This guy. You wouldn't believe 976 00:58:41,960 --> 00:58:45,920 Speaker 1: the reactions this guy gets. Man, I mean, it's unbelievable. 977 00:58:46,400 --> 00:58:49,600 Speaker 1: He is loved and so your your love for him 978 00:58:49,840 --> 00:58:52,400 Speaker 1: is well placed. Sure you didn't need me to tell 979 00:58:52,440 --> 00:58:54,640 Speaker 1: you that. We just did a play uh stands and 980 00:58:54,720 --> 00:58:58,520 Speaker 1: Merman's play uh right before I go suicide Awareness and 981 00:58:58,640 --> 00:59:03,040 Speaker 1: one of our stops was I think Delaware or one 982 00:59:03,120 --> 00:59:05,360 Speaker 1: of his where his hometown is a little town, his 983 00:59:05,480 --> 00:59:10,320 Speaker 1: hometown and right before we um took the stage, they've 984 00:59:10,360 --> 00:59:14,440 Speaker 1: played a video of him talking saying, hey, thanks for 985 00:59:14,560 --> 00:59:17,840 Speaker 1: coming to this very important play, um, and this is 986 00:59:17,880 --> 00:59:20,920 Speaker 1: my hometown. And he just he introduced the play via 987 00:59:21,040 --> 00:59:24,280 Speaker 1: video and everyone just loves he He's great, He's great, 988 00:59:24,400 --> 00:59:26,919 Speaker 1: He's the best. Guys. Thank you so much. I think 989 00:59:27,520 --> 00:59:31,000 Speaker 1: does everybody know the words to jingle bells? Here we go, 990 00:59:31,120 --> 00:59:40,480 Speaker 1: ready and a Wuanna and jingle bells the way? Oh 991 00:59:40,640 --> 00:59:49,440 Speaker 1: what fun to open? Hey, jingle bells, jingle bells, jingle 992 00:59:49,720 --> 00:59:54,280 Speaker 1: all the way? Oh what fun it is to ride 993 00:59:54,360 --> 01:00:05,080 Speaker 1: and one oh say? Thank you everybody, the best fans 994 01:00:05,640 --> 01:00:09,200 Speaker 1: on planet Earth. Love you guys. Thank you so much 995 01:00:09,280 --> 01:00:11,960 Speaker 1: for all of your support and thanks for showing up today. 996 01:00:12,040 --> 01:00:14,840 Speaker 1: I want to thank my wonderful guest Shelley called Aris 997 01:00:14,880 --> 01:00:20,720 Speaker 1: Alvarado rose out unbelievable. Thank you everybody, and we're gonna 998 01:00:20,760 --> 01:00:23,880 Speaker 1: try to keep it going for you. Okay, we're gonna 999 01:00:23,920 --> 01:00:26,400 Speaker 1: try to keep it going for you. Not up to us, 1000 01:00:26,720 --> 01:00:29,560 Speaker 1: but it kind of is up to you. Right to 1001 01:00:29,640 --> 01:00:33,280 Speaker 1: Warner Brothers. There you go, right to Warner Brothers. Thank 1002 01:00:33,360 --> 01:01:05,640 Speaker 1: you so much, guys. Yea hey everybody, and don't forget 1003 01:01:05,720 --> 01:01:09,760 Speaker 1: follow us on Instagram at I Am All In podcast 1004 01:01:09,880 --> 01:01:14,280 Speaker 1: and email us at Gilmore at I heart radio dot com. 1005 01:01:14,840 --> 01:01:16,560 Speaker 1: Oh you Gilmore fans. If you're looking for the best 1006 01:01:16,680 --> 01:01:19,440 Speaker 1: cup of coffee in the world, go to my website 1007 01:01:19,520 --> 01:01:22,440 Speaker 1: for my company scott ep dot com s c O T. 1008 01:01:22,600 --> 01:01:25,680 Speaker 1: T y P dot com, scott ep dot com Grade 1009 01:01:25,720 --> 01:01:35,080 Speaker 1: one Specialty Coffee. Yeah,