1 00:00:00,160 --> 00:00:05,440 Speaker 1: Now here's a highlight from Coast to Coast am on iHeartRadio. 2 00:00:04,680 --> 00:00:07,600 Speaker 2: And welcome back to Coast to Coast George Nori went Dmitri, 3 00:00:07,720 --> 00:00:11,600 Speaker 2: Ma Rights Dmitri. Since this all happened to you years ago, 4 00:00:12,360 --> 00:00:14,640 Speaker 2: how have you perfected your abilities? 5 00:00:17,400 --> 00:00:20,479 Speaker 3: I think I've changed in almost every part of my 6 00:00:20,560 --> 00:00:25,440 Speaker 3: life for the better. It got me on a different track. 7 00:00:25,480 --> 00:00:28,960 Speaker 3: I did change my career from entertainment to metaphysics, you know. 8 00:00:30,040 --> 00:00:33,600 Speaker 3: But in terms of developing myself, my character, my nature, 9 00:00:33,920 --> 00:00:39,120 Speaker 3: I meditate every day and now helping others and the knowledge, 10 00:00:38,840 --> 00:00:42,879 Speaker 3: I just feel like I'm pursuing my back purpose and 11 00:00:43,200 --> 00:00:46,279 Speaker 3: I encourage everyone to keep seeking. You know, it's kind 12 00:00:46,320 --> 00:00:49,040 Speaker 3: of corny when you say follow your bliss, but it's true. 13 00:00:49,440 --> 00:00:51,600 Speaker 3: You know, if you follow what you feel you're meant 14 00:00:51,640 --> 00:00:53,800 Speaker 3: to do, it may not be the end of the road, 15 00:00:53,840 --> 00:00:56,600 Speaker 3: but it'll certainly be the next step. If I hadn't 16 00:00:56,640 --> 00:00:58,960 Speaker 3: come I was raised in the Midwest, If I hadn't 17 00:00:58,960 --> 00:01:01,360 Speaker 3: gone to Califul, I want you to pursue movies, I 18 00:01:01,400 --> 00:01:04,640 Speaker 3: may never have had the awakening that led me to metaphysics. 19 00:01:04,680 --> 00:01:08,120 Speaker 3: So it's been a remarkable journey, and the people I've 20 00:01:08,160 --> 00:01:10,440 Speaker 3: met along the way has just been a blessing of 21 00:01:10,440 --> 00:01:11,000 Speaker 3: my life. 22 00:01:13,080 --> 00:01:15,559 Speaker 2: If you had to do anything over again, what would 23 00:01:15,600 --> 00:01:16,200 Speaker 2: you change? 24 00:01:19,000 --> 00:01:19,240 Speaker 4: You know? 25 00:01:19,440 --> 00:01:22,080 Speaker 3: I think I would realize sometimes, you know, when you 26 00:01:22,120 --> 00:01:24,400 Speaker 3: get excited about something, you think it's all going to 27 00:01:24,480 --> 00:01:28,200 Speaker 3: unfold in like two minutes, you know, And I realized 28 00:01:28,240 --> 00:01:30,280 Speaker 3: some of these things took more time, so I might 29 00:01:30,280 --> 00:01:33,400 Speaker 3: have tried to pace myself better to realize some of 30 00:01:33,440 --> 00:01:36,120 Speaker 3: these changes would take longer than they did, I mean 31 00:01:36,520 --> 00:01:40,160 Speaker 3: longer than I thought they would. But to get to 32 00:01:40,160 --> 00:01:41,960 Speaker 3: where I am, I guess I would say I would 33 00:01:42,080 --> 00:01:43,640 Speaker 3: do it all over again if I had to. 34 00:01:45,680 --> 00:01:49,120 Speaker 2: No regrets, No, not really, just. 35 00:01:51,520 --> 00:01:53,160 Speaker 3: Not that I can think of, you know. I mean, 36 00:01:53,200 --> 00:01:56,240 Speaker 3: I've certainly made mistakes along the way, but what do 37 00:01:56,320 --> 00:01:58,720 Speaker 3: they say and you look back your life, you don't 38 00:01:58,760 --> 00:02:00,400 Speaker 3: look back so much of the mistake if you look 39 00:02:00,400 --> 00:02:03,520 Speaker 3: at the things you never did. So it was not 40 00:02:03,560 --> 00:02:05,880 Speaker 3: an easy road, though, I'll be frank there was a 41 00:02:05,920 --> 00:02:09,800 Speaker 3: lot of times where people didn't understand what I was doing. 42 00:02:11,240 --> 00:02:14,000 Speaker 3: So it was definitely the road less traveled. But I 43 00:02:14,440 --> 00:02:18,040 Speaker 3: really feel blessed, and you know, thank you so much 44 00:02:18,080 --> 00:02:20,600 Speaker 3: for having me on tonight of all nights. Just I 45 00:02:20,680 --> 00:02:24,000 Speaker 3: have to say an honor to Barbara because these years 46 00:02:24,000 --> 00:02:29,080 Speaker 3: of working was such a great mystic adept. It just 47 00:02:29,120 --> 00:02:31,360 Speaker 3: blessed my life beyond what I could ever have imagined. 48 00:02:32,720 --> 00:02:35,240 Speaker 2: Let's take some calls for you, Dmitri. Let's go to 49 00:02:35,280 --> 00:02:38,880 Speaker 2: Aeron and Fountain Valley, California. Welcome to the program. Hi, 50 00:02:38,960 --> 00:02:39,760 Speaker 2: Alan Eron. 51 00:02:41,080 --> 00:02:47,359 Speaker 5: Hey, thank you George and Dmitri Mariati if that right. 52 00:02:48,840 --> 00:02:49,200 Speaker 2: Is good? 53 00:02:51,080 --> 00:02:53,880 Speaker 4: Good great name, Happy. 54 00:02:53,560 --> 00:02:57,560 Speaker 5: Early birthy George. 55 00:02:57,880 --> 00:03:00,880 Speaker 3: Oh okay, and I. 56 00:03:00,880 --> 00:03:04,119 Speaker 5: Want to know from Dmitri whether past lives from meant 57 00:03:04,200 --> 00:03:07,760 Speaker 5: lenses are continuing from then, and I'll take my answer 58 00:03:07,840 --> 00:03:09,000 Speaker 5: off the air. Thank you. 59 00:03:09,520 --> 00:03:11,120 Speaker 2: What about past lives, Dmitri? 60 00:03:11,720 --> 00:03:13,320 Speaker 3: What was he asking about past lives? 61 00:03:13,480 --> 00:03:15,919 Speaker 2: I wanted to know what past lives have an effect 62 00:03:15,960 --> 00:03:18,000 Speaker 2: on the aura? 63 00:03:18,080 --> 00:03:22,239 Speaker 3: Oh well, in a sense, the area you're born with 64 00:03:23,240 --> 00:03:28,239 Speaker 3: is the area you built up over lifetimes. So if 65 00:03:28,240 --> 00:03:31,320 Speaker 3: you come in, let's say, with a very strong energy field, 66 00:03:31,320 --> 00:03:33,200 Speaker 3: and again it takes time to phase it all in. 67 00:03:33,320 --> 00:03:36,200 Speaker 3: It doesn't come in all at once. Then that's because 68 00:03:36,240 --> 00:03:38,680 Speaker 3: in your past lives you were earning that, you were 69 00:03:38,680 --> 00:03:43,120 Speaker 3: building that ability, and if you haven't again, it's not 70 00:03:43,200 --> 00:03:46,520 Speaker 3: really punishment, it's just the energy is not as strong, 71 00:03:46,680 --> 00:03:48,640 Speaker 3: so you're going to have to really build it. But 72 00:03:49,000 --> 00:03:51,040 Speaker 3: you know the expression you want to leave the world 73 00:03:51,080 --> 00:03:53,480 Speaker 3: better than the way you found it. Well, you also 74 00:03:53,520 --> 00:03:55,320 Speaker 3: want to leave the world at a higher level of 75 00:03:55,400 --> 00:03:59,400 Speaker 3: consciousness than when you started. So wherever you're started with 76 00:03:59,480 --> 00:04:02,520 Speaker 3: your ori field, you want to keep developing it. It's 77 00:04:02,560 --> 00:04:06,680 Speaker 3: a dynamics scenario. So that's the real emphasis. But yes, 78 00:04:06,720 --> 00:04:09,680 Speaker 3: we we we have we have earned the life we have. 79 00:04:11,320 --> 00:04:13,560 Speaker 2: Were you ever in a movie called Multiplicity? 80 00:04:14,680 --> 00:04:17,200 Speaker 3: How did you know? Yeah? 81 00:04:17,440 --> 00:04:19,400 Speaker 2: That was? That was with Michael Keaton. 82 00:04:19,600 --> 00:04:20,680 Speaker 4: Wasn't it ethically? 83 00:04:20,880 --> 00:04:23,880 Speaker 3: Where he gets cloned four different or three different times 84 00:04:24,240 --> 00:04:26,440 Speaker 3: because his life is so hectic. He thinks, well, I 85 00:04:26,600 --> 00:04:29,680 Speaker 3: just had it was Harold Raymonds directed. It was a 86 00:04:29,720 --> 00:04:34,400 Speaker 3: marvelous person. He died way too early. That was a 87 00:04:34,400 --> 00:04:35,400 Speaker 3: fun movie to work on. 88 00:04:35,720 --> 00:04:39,640 Speaker 2: You know, do you still dabble in the movie business. 89 00:04:40,000 --> 00:04:42,919 Speaker 3: I haven't in a long time. I still love it. 90 00:04:42,960 --> 00:04:45,120 Speaker 3: I would love to do like a you know, like 91 00:04:45,160 --> 00:04:50,320 Speaker 3: a metaphysically minded movie someday. Uh you know, Barbon NW 92 00:04:50,880 --> 00:04:52,920 Speaker 3: came such as a very quick story. Barbon News says, 93 00:04:52,960 --> 00:04:56,080 Speaker 3: will be the mill the great filmmaker that did the 94 00:04:56,120 --> 00:04:59,960 Speaker 3: Ten Commandments way back way back. Yeah, but that movie 95 00:05:00,040 --> 00:05:02,240 Speaker 3: he changed people's lives. I know some people think it's 96 00:05:02,279 --> 00:05:06,560 Speaker 3: corny today. I still love it. But they really said, oh, 97 00:05:06,600 --> 00:05:10,320 Speaker 3: you help me find my spirituality again. But she met 98 00:05:10,400 --> 00:05:12,760 Speaker 3: him on a movie set and they told her, look, 99 00:05:12,760 --> 00:05:16,000 Speaker 3: when you go on that set, he's very strict. Don't 100 00:05:16,040 --> 00:05:18,640 Speaker 3: try to interrupt or do anything right now. So it 101 00:05:18,680 --> 00:05:21,440 Speaker 3: was dark. She said, I sat in this chair. I 102 00:05:21,440 --> 00:05:23,560 Speaker 3: don't know, it was the only chair I had, and 103 00:05:23,920 --> 00:05:26,159 Speaker 3: people were acting like they knew me, and I couldn't 104 00:05:26,200 --> 00:05:28,640 Speaker 3: figure out why. Then I realized, oh my god, I'm 105 00:05:28,680 --> 00:05:31,320 Speaker 3: sitting in sisilby the Mills chair. He's going to kick 106 00:05:31,360 --> 00:05:36,400 Speaker 3: me off a lot. And so sure enough, you know, 107 00:05:36,520 --> 00:05:38,760 Speaker 3: else Cot, they were doing the greatest show on Earth 108 00:05:38,800 --> 00:05:42,120 Speaker 3: at the time, and she tries to leave and she 109 00:05:42,400 --> 00:05:45,760 Speaker 3: feels this tap on her back and it's him, right, 110 00:05:46,120 --> 00:05:49,200 Speaker 3: and she turns around and he says, well, what do 111 00:05:49,240 --> 00:05:51,560 Speaker 3: you think of that last shot? And he goes, oh, 112 00:05:51,600 --> 00:05:54,080 Speaker 3: it's great, Sis will be it's great, CB. And but 113 00:05:54,160 --> 00:05:57,520 Speaker 3: when she turned around and looked at him, she could 114 00:05:57,600 --> 00:06:01,320 Speaker 3: see he had the mystic site and he could see 115 00:06:01,320 --> 00:06:05,600 Speaker 3: it in her. It's not in any biography, right, It's 116 00:06:05,600 --> 00:06:09,240 Speaker 3: not something he publicized, but you could see it in 117 00:06:09,600 --> 00:06:12,760 Speaker 3: the subjects he chose in his movies. So they built 118 00:06:12,760 --> 00:06:14,839 Speaker 3: a friendship too. Unfortunately, it was near the end of 119 00:06:14,880 --> 00:06:15,520 Speaker 3: his life. 120 00:06:15,279 --> 00:06:15,839 Speaker 4: At that point. 121 00:06:15,880 --> 00:06:19,200 Speaker 3: He hadn't lived that much longer. But it was an 122 00:06:19,240 --> 00:06:22,000 Speaker 3: interesting thing to realize. Wouldn't it be nice to do 123 00:06:22,080 --> 00:06:24,640 Speaker 3: more spiritually minded movies again? I would love to be 124 00:06:24,720 --> 00:06:25,719 Speaker 3: part of something like that. 125 00:06:25,880 --> 00:06:28,080 Speaker 2: What year did you start doing the movies? 126 00:06:29,880 --> 00:06:30,400 Speaker 4: Oh? 127 00:06:30,440 --> 00:06:37,040 Speaker 3: Gosh, Well, I graduated in YU nineteen eighty and the 128 00:06:37,080 --> 00:06:40,240 Speaker 3: school submitted one of these little shorts I did, and 129 00:06:40,279 --> 00:06:44,039 Speaker 3: it got an Academy nomination. I lost the John Lassiter, 130 00:06:44,200 --> 00:06:46,160 Speaker 3: I guess I lost to the better man who ended 131 00:06:46,240 --> 00:06:51,640 Speaker 3: up starting Pixar, you know. But yeah, and then I 132 00:06:51,680 --> 00:06:54,400 Speaker 3: came out to California in eighty three and I was 133 00:06:54,440 --> 00:06:59,040 Speaker 3: starting I started initially in you know, music videos were 134 00:06:59,080 --> 00:07:01,760 Speaker 3: big back then, and we were catching the eye of 135 00:07:01,839 --> 00:07:05,640 Speaker 3: some you know, producers and stuff to do bigger stuff. 136 00:07:05,680 --> 00:07:09,080 Speaker 3: And during all of that, then that's when all this 137 00:07:09,279 --> 00:07:11,480 Speaker 3: mystical things started to happen. He was all kind of 138 00:07:11,520 --> 00:07:12,320 Speaker 3: at the same time. 139 00:07:12,680 --> 00:07:14,440 Speaker 2: Did you do Monster in the Closet? 140 00:07:15,720 --> 00:07:17,480 Speaker 3: Well, I didn't do it, I was part of it. 141 00:07:17,520 --> 00:07:20,200 Speaker 3: Well you were, Yeah, it was someone. It was like 142 00:07:20,240 --> 00:07:23,760 Speaker 3: a low budget independent movie. It was one of the 143 00:07:23,760 --> 00:07:25,280 Speaker 3: first that he did when I came out here. 144 00:07:25,360 --> 00:07:28,520 Speaker 2: Yes, yes, we know all about your career, Dmitri. 145 00:07:28,880 --> 00:07:32,120 Speaker 3: Yeah, well there's no secrets anymore, right. 146 00:07:32,240 --> 00:07:35,160 Speaker 2: That's right. Joe in Long Island, New York, East of 147 00:07:35,240 --> 00:07:36,360 Speaker 2: the Rockies, Go ahead, O. 148 00:07:36,520 --> 00:07:39,520 Speaker 4: Yeah, Hi. Dmitri had a two part question on the 149 00:07:39,600 --> 00:07:43,400 Speaker 4: psychology of this, and then a second question on trying 150 00:07:43,440 --> 00:07:46,840 Speaker 4: again whether you're not not to do that. But my 151 00:07:46,920 --> 00:07:50,040 Speaker 4: first question, the first part of that is just you 152 00:07:50,120 --> 00:07:52,960 Speaker 4: know how people say, uh, you know, I'm given off 153 00:07:53,080 --> 00:07:58,000 Speaker 4: fives good vibes or not the best fights, or I'm 154 00:07:58,080 --> 00:08:02,280 Speaker 4: receiving fights not the best five. Second part of the 155 00:08:02,320 --> 00:08:07,440 Speaker 4: first question would be signals. That's kind of say you're 156 00:08:07,480 --> 00:08:10,280 Speaker 4: waiting around. People are waiting around on a movie set 157 00:08:10,360 --> 00:08:13,560 Speaker 4: for you know, they talk to each other, you know, 158 00:08:14,600 --> 00:08:18,720 Speaker 4: but sometimes like one person may say, read that the 159 00:08:18,760 --> 00:08:24,600 Speaker 4: wrong way and you know, you know, you're the next view, 160 00:08:25,360 --> 00:08:28,400 Speaker 4: you know, or vice versa, and it was really just 161 00:08:28,440 --> 00:08:33,920 Speaker 4: a friendly conversation. So crossing of signals what people are 162 00:08:33,960 --> 00:08:38,600 Speaker 4: not getting their single signals and tandem say. And then 163 00:08:38,640 --> 00:08:45,160 Speaker 4: my second question would be about retrying something where would 164 00:08:45,200 --> 00:08:49,640 Speaker 4: you maybe not take the exact same approach to trying 165 00:08:49,679 --> 00:08:54,600 Speaker 4: something again or just give up. Maybe maybe there's something 166 00:08:54,600 --> 00:08:57,120 Speaker 4: to be set for giving up or retrying, and maybe, 167 00:08:57,920 --> 00:08:59,960 Speaker 4: you know, if I go out and play golf, maybe 168 00:09:00,200 --> 00:09:04,200 Speaker 4: try you know, going the whole golf thing and not 169 00:09:04,280 --> 00:09:08,960 Speaker 4: even keep scoring, just focus on you know, technique or 170 00:09:08,960 --> 00:09:11,640 Speaker 4: something like that, just just retrying. 171 00:09:12,040 --> 00:09:15,080 Speaker 3: Right right, Well to the first question, are you are 172 00:09:15,080 --> 00:09:17,000 Speaker 3: you in the movies? You're talking about movie sets and 173 00:09:17,080 --> 00:09:17,880 Speaker 3: breaks between us. 174 00:09:18,600 --> 00:09:21,600 Speaker 4: You know, I just did some movie extras and stuff 175 00:09:21,640 --> 00:09:23,319 Speaker 4: like that at one point on the side. 176 00:09:23,440 --> 00:09:23,680 Speaker 1: Yeah. 177 00:09:24,000 --> 00:09:25,679 Speaker 4: You know a lot of people do it in New York. 178 00:09:25,760 --> 00:09:31,960 Speaker 3: Yeah, yeah, yeah, No, Well, you know, communication, it's so 179 00:09:32,240 --> 00:09:37,520 Speaker 3: easy to misread somebody. You know, it's not what you 180 00:09:37,640 --> 00:09:40,280 Speaker 3: say that matters, it's what they walk away with. Right, 181 00:09:40,720 --> 00:09:42,680 Speaker 3: You can say ten things, if they walk away with 182 00:09:42,800 --> 00:09:44,640 Speaker 3: one of the ten, that's what they walked away with. 183 00:09:44,720 --> 00:09:49,160 Speaker 3: So interesting enough, if you're trying to improve communication skills, 184 00:09:49,640 --> 00:09:52,240 Speaker 3: you want to work with a silver ray and you 185 00:09:52,320 --> 00:09:54,440 Speaker 3: want to be careful what you say. You know, there 186 00:09:54,520 --> 00:09:56,840 Speaker 3: was I think often we don't think really, we just 187 00:09:56,920 --> 00:09:58,960 Speaker 3: kind of just peak off the cup, and like you're saying, 188 00:09:59,320 --> 00:10:02,360 Speaker 3: sometimes people take it the wrong way. So you want 189 00:10:02,360 --> 00:10:05,079 Speaker 3: to be a little careful that when you're speaking, am 190 00:10:05,120 --> 00:10:08,959 Speaker 3: I communicating clearly what my intention is? And is that 191 00:10:09,000 --> 00:10:13,320 Speaker 3: person really hearing my intention, not just the words that 192 00:10:13,400 --> 00:10:16,280 Speaker 3: I'm saying. And the silver ray helps a lot with 193 00:10:16,400 --> 00:10:19,840 Speaker 3: that because cross signals can be you know, we can 194 00:10:20,080 --> 00:10:23,520 Speaker 3: we can cause problems out even realizing it. Now the 195 00:10:23,600 --> 00:10:27,320 Speaker 3: second part of your question, well, we were just talking 196 00:10:27,320 --> 00:10:30,400 Speaker 3: about multiplicity right the movie there and I remember we 197 00:10:30,400 --> 00:10:33,440 Speaker 3: were kind of you, kind of talking together on the 198 00:10:33,520 --> 00:10:36,240 Speaker 3: set and Harold Raymis was there, and there's some people 199 00:10:36,240 --> 00:10:39,559 Speaker 3: that just joined the movie business and they were really saying, 200 00:10:39,600 --> 00:10:43,200 Speaker 3: basically asking George, I mean, Harold, how can we be 201 00:10:43,240 --> 00:10:47,640 Speaker 3: successful like you? And he basically said, decide what you 202 00:10:47,679 --> 00:10:50,559 Speaker 3: want to do in this business and give yourself ten 203 00:10:50,640 --> 00:10:54,400 Speaker 3: years to do it. You didn't say ten weeks. You 204 00:10:54,440 --> 00:10:59,200 Speaker 3: know so many times we do quit too soon. We Okay, 205 00:10:59,320 --> 00:11:02,080 Speaker 3: the first angle didn't work, the second angle didn't work, 206 00:11:02,160 --> 00:11:03,800 Speaker 3: even the third angle didn't work. 207 00:11:04,000 --> 00:11:04,200 Speaker 4: Right. 208 00:11:04,840 --> 00:11:08,440 Speaker 3: But if you're really feeling it's you're calling, you've got 209 00:11:08,440 --> 00:11:10,320 Speaker 3: to take a longer view and you've got to be 210 00:11:10,360 --> 00:11:13,480 Speaker 3: give it a little more time. How many success stories 211 00:11:13,520 --> 00:11:16,880 Speaker 3: took time to develop? You know, we're talking movie business, right, 212 00:11:16,920 --> 00:11:19,880 Speaker 3: and sometimes you know, you hear someone working to prepare 213 00:11:19,920 --> 00:11:23,280 Speaker 3: a movie of Richard Attenborough that did Gandhi, you know, 214 00:11:23,559 --> 00:11:25,640 Speaker 3: won the Academy Award. It took them twenty years to 215 00:11:25,640 --> 00:11:28,160 Speaker 3: get that movie made. Well, if you had given up 216 00:11:28,200 --> 00:11:31,000 Speaker 3: after the first round of showing the scripts to the studios, 217 00:11:31,200 --> 00:11:33,760 Speaker 3: there would have been no Gandhi, you know. But also 218 00:11:34,000 --> 00:11:38,840 Speaker 3: you may realize, well, probably the tempo changed in the 219 00:11:38,880 --> 00:11:41,840 Speaker 3: industry at twenty years and it was ready for that movie. 220 00:11:42,280 --> 00:11:45,319 Speaker 3: So there's kind of a timing for things. But you 221 00:11:45,440 --> 00:11:47,560 Speaker 3: definitely want to give you a try. One thing Barbara 222 00:11:47,600 --> 00:11:51,040 Speaker 3: would say is sometimes people quit too early in their 223 00:11:51,080 --> 00:11:54,120 Speaker 3: career when it hasn't quite succeeded yet, and then they think, well, 224 00:11:54,200 --> 00:11:57,120 Speaker 3: I tried it, it didn't work. Well, did you try enough? 225 00:11:57,679 --> 00:11:57,880 Speaker 4: You know? 226 00:11:58,080 --> 00:12:00,320 Speaker 3: Now, if you really felt like you tried every thing 227 00:12:00,840 --> 00:12:02,960 Speaker 3: and it's not clicking, then of course you have to 228 00:12:02,960 --> 00:12:06,720 Speaker 3: be flexible. But generally and there where you want to 229 00:12:06,760 --> 00:12:09,560 Speaker 3: work with is the gold light. The gold gives you 230 00:12:09,679 --> 00:12:13,600 Speaker 3: the confidence to keep trying and interesting also, the bright 231 00:12:13,760 --> 00:12:18,319 Speaker 3: orange gives you up the ambition to succeed. To realize 232 00:12:18,640 --> 00:12:20,400 Speaker 3: you know, it will take effort. Even if it is 233 00:12:20,440 --> 00:12:23,760 Speaker 3: your destiny to do this, sometimes it takes quite a 234 00:12:23,760 --> 00:12:27,280 Speaker 3: bit of effort to break through the current scenario. 235 00:12:28,440 --> 00:12:35,160 Speaker 2: Lem Tree. In relationships do or as crosspaths, Oh. 236 00:12:35,040 --> 00:12:40,680 Speaker 3: That's such a good question. Yeah. Absolutely, we exchange energy 237 00:12:40,760 --> 00:12:41,440 Speaker 3: with each other. 238 00:12:43,000 --> 00:12:43,200 Speaker 4: Now. 239 00:12:43,200 --> 00:12:45,320 Speaker 3: We all had the feeling of when we've had a 240 00:12:45,360 --> 00:12:48,520 Speaker 3: wonderful evening with somebody or a group of people, we 241 00:12:48,640 --> 00:12:51,720 Speaker 3: feel elated, right, which is what a great evening that was, 242 00:12:51,840 --> 00:12:54,520 Speaker 3: what a great exchange that was, because there was literally 243 00:12:54,559 --> 00:12:57,640 Speaker 3: an exchange of energy and it was on this beautiful 244 00:12:57,760 --> 00:13:02,240 Speaker 3: positive level. We've also had the feeling of being with 245 00:13:02,600 --> 00:13:06,840 Speaker 3: after a situation being completely drained. We've all had that experience, right. 246 00:13:07,280 --> 00:13:09,680 Speaker 3: Even if a friend comes to you with their sorrows 247 00:13:09,760 --> 00:13:12,600 Speaker 3: or problems and you listen to them, you know you're 248 00:13:12,800 --> 00:13:16,320 Speaker 3: where the shoulder they cry on and afterwards they say, oh, 249 00:13:16,360 --> 00:13:18,240 Speaker 3: I feel so much better, thank you, and you're like 250 00:13:18,320 --> 00:13:23,120 Speaker 3: ready to crawl into bed because they're unintentionally they pull 251 00:13:23,120 --> 00:13:25,360 Speaker 3: on your energy a little bit. That doesn't mean you 252 00:13:25,360 --> 00:13:27,960 Speaker 3: shouldn't be that shoulder to cry on, but there are 253 00:13:28,040 --> 00:13:30,400 Speaker 3: things you can do to kind of keep your aura balance. 254 00:13:30,520 --> 00:13:34,680 Speaker 3: But we're meant to have these healthy exchanges between each other, 255 00:13:34,800 --> 00:13:38,200 Speaker 3: because that's what makes life exciting. And you know, if 256 00:13:38,240 --> 00:13:42,920 Speaker 3: you send someone is projecting you and angry or negative energy, 257 00:13:42,960 --> 00:13:45,840 Speaker 3: you can see like a wall of gold light between 258 00:13:45,880 --> 00:13:48,959 Speaker 3: you and them, and just refuse it. You don't have 259 00:13:49,040 --> 00:13:53,160 Speaker 3: to say anything, but just don't react. Don't get that 260 00:13:53,280 --> 00:13:57,199 Speaker 3: in because the minute you react to someone's anger or frustration, 261 00:13:57,840 --> 00:13:59,839 Speaker 3: you've invited that energy into your aura. 262 00:14:00,880 --> 00:14:04,360 Speaker 2: Good point. Indeed, let's go next to Ed in Charlotte, 263 00:14:04,400 --> 00:14:07,520 Speaker 2: North Carolina. Helloed, go ahead, Yeah. 264 00:14:07,320 --> 00:14:10,840 Speaker 6: Hey Georgia. I heard good things about your appearance in 265 00:14:10,920 --> 00:14:11,520 Speaker 6: the desert. 266 00:14:11,920 --> 00:14:12,800 Speaker 2: Well, thank you. 267 00:14:14,760 --> 00:14:17,120 Speaker 6: The main tree and I got I want to give 268 00:14:17,440 --> 00:14:20,120 Speaker 6: two things. One, I want to give a brief thing 269 00:14:20,160 --> 00:14:22,760 Speaker 6: about my aura and then ask a question of you 270 00:14:22,920 --> 00:14:27,440 Speaker 6: about oras. Way back, I don't know, sixty years ago 271 00:14:27,640 --> 00:14:33,800 Speaker 6: or so, there was a show where they had a 272 00:14:33,800 --> 00:14:36,840 Speaker 6: camera and it may have been the original old polaroid 273 00:14:36,960 --> 00:14:40,320 Speaker 6: or something back then that you could develop right away. 274 00:14:40,360 --> 00:14:44,760 Speaker 6: But anyway, this guy was taking pictures of oras and 275 00:14:44,880 --> 00:14:49,280 Speaker 6: so he took my picture and I think he said 276 00:14:49,440 --> 00:14:52,080 Speaker 6: seven seven chakras. I heard you say that, So there's 277 00:14:52,120 --> 00:14:57,120 Speaker 6: seven chakras, right, And so he said that all of 278 00:14:57,200 --> 00:15:00,480 Speaker 6: mine were purple, and they had never seen that, did 279 00:15:00,520 --> 00:15:04,200 Speaker 6: every one. I'm more purple and instead of grief, he 280 00:15:04,320 --> 00:15:09,160 Speaker 6: was saying it was the spiritual sign. And then he 281 00:15:09,200 --> 00:15:11,680 Speaker 6: said I had a little green stream coming out of 282 00:15:11,720 --> 00:15:18,400 Speaker 6: my heart that my heart was healing. And Edgar Casey, 283 00:15:18,480 --> 00:15:21,640 Speaker 6: my question is. Edgar Casey also had a woman come 284 00:15:21,680 --> 00:15:24,400 Speaker 6: in for a reading and he told her to police 285 00:15:24,520 --> 00:15:27,640 Speaker 6: just turn around and leave because her aura was all 286 00:15:27,680 --> 00:15:29,880 Speaker 6: bright red and he didn't want to read for when 287 00:15:29,880 --> 00:15:32,440 Speaker 6: she was so angry. So I was going to ask you, 288 00:15:32,480 --> 00:15:36,880 Speaker 6: can you see or has changed spontaneously and stuff like that, 289 00:15:37,000 --> 00:15:39,560 Speaker 6: and what you can tell us about that? And if 290 00:15:39,760 --> 00:15:45,680 Speaker 6: you have any insight into my seven purple auras well. 291 00:15:46,520 --> 00:15:49,280 Speaker 3: There's a lot in that those questions there. As far 292 00:15:49,360 --> 00:15:53,080 Speaker 3: as Edgar Casey, I never heard that story. But when 293 00:15:53,120 --> 00:15:56,280 Speaker 3: you do get very angry, it's not actually bright red. 294 00:15:56,320 --> 00:16:01,280 Speaker 3: It's like this dark, dirty red energy. And by the way, 295 00:16:01,360 --> 00:16:04,120 Speaker 3: one strong outburst of anger can linger two weeks in 296 00:16:04,160 --> 00:16:05,920 Speaker 3: the aura of you don't take care of it, so 297 00:16:06,520 --> 00:16:10,440 Speaker 3: it is not a healthy energy. Now, Edgar Casey may 298 00:16:10,480 --> 00:16:14,920 Speaker 3: not have known. He wasn't a trained urvoyant as I 299 00:16:15,040 --> 00:16:17,520 Speaker 3: as far as I understand, so he may not have 300 00:16:17,640 --> 00:16:20,160 Speaker 3: known how to kind of counteract if she came in 301 00:16:20,240 --> 00:16:25,040 Speaker 3: with a disturbing energy. But that will happen. But if 302 00:16:25,040 --> 00:16:29,240 Speaker 3: you're talking about something that happened sixty years ago, your 303 00:16:29,280 --> 00:16:34,080 Speaker 3: aura has changed long, you know, since then. You know 304 00:16:34,200 --> 00:16:38,480 Speaker 3: the the challenge with okay, So the aura cameras are 305 00:16:38,520 --> 00:16:41,800 Speaker 3: not the same thing as curly and photography that George 306 00:16:41,840 --> 00:16:48,600 Speaker 3: was bringing up. They're completely different. And you know, I 307 00:16:48,720 --> 00:16:50,600 Speaker 3: just have to be frank with you that, you know 308 00:16:50,680 --> 00:16:53,800 Speaker 3: when some when we just the first edition of this 309 00:16:53,840 --> 00:16:56,520 Speaker 3: book came out in two thousand and three, and all 310 00:16:56,560 --> 00:16:58,720 Speaker 3: the people that were doing those ura cameras were asking 311 00:16:58,760 --> 00:17:01,440 Speaker 3: for barbers and doors, and when we ask for the 312 00:17:01,480 --> 00:17:05,000 Speaker 3: science behind it, they just turn the other way. So 313 00:17:05,240 --> 00:17:08,760 Speaker 3: we have not found those to be very very accurate. 314 00:17:09,000 --> 00:17:12,160 Speaker 3: I may be frank here if it gives some senses. 315 00:17:12,200 --> 00:17:15,439 Speaker 3: They're more like spectrometers, which are kind of measuring the 316 00:17:15,520 --> 00:17:20,280 Speaker 3: mood that's going on biologically with you. But your chakras 317 00:17:20,280 --> 00:17:23,479 Speaker 3: aren't just one color. Now, you may have been getting 318 00:17:23,600 --> 00:17:27,600 Speaker 3: blessed at that moment with a purple light, but each 319 00:17:27,720 --> 00:17:31,200 Speaker 3: chakra has its own kind of color energy flow because 320 00:17:31,640 --> 00:17:34,080 Speaker 3: there are different things going on. Let's say, what's happening 321 00:17:34,080 --> 00:17:37,679 Speaker 3: with your emotions and your thinking and your words. Hopefully 322 00:17:37,680 --> 00:17:42,000 Speaker 3: they're all in alignment, but sometimes they're not. But if 323 00:17:42,240 --> 00:17:45,600 Speaker 3: they're picking up that you now, purple you can work 324 00:17:45,640 --> 00:17:47,840 Speaker 3: with when you're in grief. But purple is the color 325 00:17:47,880 --> 00:17:52,000 Speaker 3: of peace, and it is true that somebody that is 326 00:17:52,080 --> 00:17:56,919 Speaker 3: advancing on the path spiritually will have purple in their aura, 327 00:17:57,040 --> 00:18:01,679 Speaker 3: will become more dominant because they're it's not just that 328 00:18:01,720 --> 00:18:04,280 Speaker 3: they're more peaceful, it's that they're more in tune with 329 00:18:04,400 --> 00:18:08,160 Speaker 3: the spirit. So perhaps that's what was being shared there. 330 00:18:08,240 --> 00:18:09,960 Speaker 3: I don't know where you were in your life at 331 00:18:09,960 --> 00:18:14,480 Speaker 3: that time, but you know, if you're pursuing a spiritual path, 332 00:18:15,119 --> 00:18:18,600 Speaker 3: then this color does start to show up as you're advancing. 333 00:18:19,119 --> 00:18:22,400 Speaker 1: Listen to more Coast to Coast AM every weeknight at 334 00:18:22,440 --> 00:18:25,280 Speaker 1: one a m. 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