1 00:00:00,200 --> 00:00:03,480 Speaker 1: Hi, Steve Fishman here, creator of The Burden as well 2 00:00:03,520 --> 00:00:06,680 Speaker 1: as the number one true crime podcast, My Friend The 3 00:00:06,760 --> 00:00:09,640 Speaker 1: Serial Killer. For those of you who liked The Burden, 4 00:00:09,920 --> 00:00:14,560 Speaker 1: I have good news. Season two starts August seventh. It's 5 00:00:14,600 --> 00:00:18,720 Speaker 1: a series called The Burden Empire on Blood and it's 6 00:00:18,760 --> 00:00:22,400 Speaker 1: the director's cut of the true crime classic Empire on Blood, 7 00:00:22,520 --> 00:00:26,000 Speaker 1: which reached number one on the charts when it debuted 8 00:00:26,040 --> 00:00:29,600 Speaker 1: half a dozen years ago. Then the fat cat funders 9 00:00:29,640 --> 00:00:33,400 Speaker 1: abandon it. I wrangled it back and now I'm thrilled 10 00:00:33,440 --> 00:00:35,440 Speaker 1: to share this story of a man who fought the 11 00:00:35,520 --> 00:00:39,760 Speaker 1: law for two decades, fought against the Bronx's top homicide 12 00:00:39,800 --> 00:00:44,160 Speaker 1: prosecutor and a detective sometimes known as the Louis Scarcela 13 00:00:44,240 --> 00:00:48,159 Speaker 1: of the Bronx. It's all coming to you August seventh, 14 00:00:48,560 --> 00:00:59,480 Speaker 1: wherever you get your podcasts. I'm Dax Devlin Ross and 15 00:00:59,520 --> 00:01:03,280 Speaker 1: I'm Steve Fishman. Welcome to another special bonus episode of 16 00:01:03,320 --> 00:01:07,320 Speaker 1: the Burden. Please keep those phone calls coming, we really 17 00:01:07,440 --> 00:01:10,360 Speaker 1: enjoy them. Tell us what you think of this episode, 18 00:01:10,360 --> 00:01:14,080 Speaker 1: in particular, have we gone too far? Not far enough? One? 19 00:01:14,560 --> 00:01:17,480 Speaker 1: Eight three three eight Burden. 20 00:01:17,760 --> 00:01:23,640 Speaker 2: That's the number, and remember, subscribers get more bonus episodes 21 00:01:23,959 --> 00:01:28,679 Speaker 2: and wait for it, add free just two ninety nine 22 00:01:28,680 --> 00:01:31,679 Speaker 2: a month. Oh, it's so so worth it. 23 00:01:32,400 --> 00:01:40,000 Speaker 1: Now onto the episode. 24 00:01:40,240 --> 00:01:44,440 Speaker 2: There are many surprising things about Detective Louis Garcela, and 25 00:01:44,680 --> 00:01:48,920 Speaker 2: I'm not talking about his questionable police work. But for me, 26 00:01:49,320 --> 00:01:53,040 Speaker 2: probably the most surprising thing is this. At the same 27 00:01:53,160 --> 00:01:58,000 Speaker 2: time that Louis Garcela was a first grade detective, the 28 00:01:58,240 --> 00:02:03,520 Speaker 2: highest rank in Ny detective can achieve, he was also 29 00:02:04,760 --> 00:02:09,239 Speaker 2: a carnie that's right, a barker and at Coney Island 30 00:02:09,240 --> 00:02:13,160 Speaker 2: no less, the famous amusement park at the southern tip 31 00:02:13,200 --> 00:02:13,799 Speaker 2: of Brooklyn. 32 00:02:16,280 --> 00:02:18,160 Speaker 3: Hey, come on in, come on over every game and winter, 33 00:02:18,240 --> 00:02:20,000 Speaker 3: every winter. Lodge saw he's probably just got to be 34 00:02:20,040 --> 00:02:22,480 Speaker 3: in it to win the Derby horse Race for first place. 35 00:02:22,680 --> 00:02:24,519 Speaker 4: Who's it going to be? Who's going to be the one? 36 00:02:24,639 --> 00:02:28,839 Speaker 1: And then there's for me this additional surprise. One day, 37 00:02:29,120 --> 00:02:34,560 Speaker 1: Louis explained to us how he went about fixing games. 38 00:02:36,720 --> 00:02:38,919 Speaker 2: But first we're going to take a trip with Louie 39 00:02:38,960 --> 00:02:41,560 Speaker 2: to Coney Island, the Coney Island where he grew up, 40 00:02:41,680 --> 00:02:44,160 Speaker 2: the Coney Island he loved and that loved him back. 41 00:02:46,720 --> 00:02:50,840 Speaker 1: Louis never lay Louise like usually there with his thermist 42 00:02:50,880 --> 00:02:53,320 Speaker 1: and his bagged lunch. 43 00:02:54,600 --> 00:02:56,480 Speaker 4: And they were at the right place. 44 00:02:56,520 --> 00:02:59,480 Speaker 1: It's at the ticket birth right. My producer and I 45 00:02:59,520 --> 00:03:02,080 Speaker 1: are at the get booth for the stadium where the 46 00:03:02,200 --> 00:03:10,840 Speaker 1: Cyclones play. Oh, Louis Scarcela, We're here, Are you here? Oh? 47 00:03:11,720 --> 00:03:17,640 Speaker 1: Two minutes. I'm really looking forward to him in his 48 00:03:17,800 --> 00:03:19,040 Speaker 1: native habitat here. 49 00:03:21,760 --> 00:03:22,760 Speaker 4: How are you good? 50 00:03:22,880 --> 00:03:24,079 Speaker 1: Good? 51 00:03:25,200 --> 00:03:25,399 Speaker 3: Here? 52 00:03:25,440 --> 00:03:26,239 Speaker 1: You are at home? 53 00:03:26,720 --> 00:03:28,359 Speaker 4: Yeah, you can't get more home than this one. 54 00:03:29,960 --> 00:03:33,639 Speaker 3: When my dad and my granddad or I would drive here, 55 00:03:34,080 --> 00:03:36,560 Speaker 3: we come off the Bell Parkway and we come over 56 00:03:36,640 --> 00:03:42,880 Speaker 3: the Cropsy Avenue Bridge then Canal, and my heart would 57 00:03:42,880 --> 00:03:45,480 Speaker 3: start pound and I would get excited. And I'm sixty 58 00:03:45,520 --> 00:03:48,000 Speaker 3: eight years old, and the same thing happened today. Every 59 00:03:48,000 --> 00:03:49,680 Speaker 3: time I come, I just get excited. 60 00:03:53,280 --> 00:03:56,720 Speaker 2: When Louis Scarcela was a kid, Coney Island was in 61 00:03:56,760 --> 00:04:01,400 Speaker 2: its prime, It's heyday. The amusement park featured the famous 62 00:04:01,480 --> 00:04:05,680 Speaker 2: Cyclone roller coaster. It made such sharp sudden turns that 63 00:04:05,760 --> 00:04:10,440 Speaker 2: passengers lost their wigs and their false teeth. There was 64 00:04:10,640 --> 00:04:14,160 Speaker 2: Raven Hall, the largest salt water hole in the country, 65 00:04:14,800 --> 00:04:17,640 Speaker 2: and then there were miles of wooden water wall under 66 00:04:17,680 --> 00:04:20,640 Speaker 2: which lost kids waited to be retrieved by their parents. 67 00:04:21,880 --> 00:04:25,520 Speaker 2: And the whole of it spilled into the White Sand 68 00:04:25,600 --> 00:04:28,760 Speaker 2: Beach where tens of thousands of people a kid you 69 00:04:28,880 --> 00:04:31,040 Speaker 2: not came to escape the heat. 70 00:04:32,000 --> 00:04:36,640 Speaker 3: Peep people people mostly minorities from the northern part of 71 00:04:36,640 --> 00:04:39,159 Speaker 3: brook and h wanna come down to Coney Island to 72 00:04:39,279 --> 00:04:42,800 Speaker 3: the water and on a Friday, Saturday, Sunday night in 73 00:04:42,880 --> 00:04:50,480 Speaker 3: the summertime, it was all to all humanity. It was unbelievable. 74 00:04:55,560 --> 00:05:00,400 Speaker 1: For Louis. As we start walking, it seems like every 75 00:05:00,520 --> 00:05:04,880 Speaker 1: place triggers a memory. 76 00:05:05,040 --> 00:05:05,440 Speaker 4: Wow. 77 00:05:06,080 --> 00:05:11,080 Speaker 3: Shatskins was right here on the corner of fifteenth Street 78 00:05:11,160 --> 00:05:13,919 Speaker 3: where the Thunderbolt is, and it was one of the 79 00:05:13,960 --> 00:05:17,760 Speaker 3: greatest kindishs in the world. Shatskins kindishes. They were round 80 00:05:17,800 --> 00:05:20,640 Speaker 3: and they had skin on them with pepper on the inside, 81 00:05:20,760 --> 00:05:22,920 Speaker 3: and for five cents they used to give you two 82 00:05:23,000 --> 00:05:26,200 Speaker 3: broken ones. And my grandmother and I used to sit 83 00:05:26,240 --> 00:05:29,760 Speaker 3: on the street right here, on this curb, right here, 84 00:05:29,800 --> 00:05:32,400 Speaker 3: eating them, waiting for my grandfather to pick us up 85 00:05:32,440 --> 00:05:39,800 Speaker 3: to take us home. We used to collect bottles because 86 00:05:39,839 --> 00:05:42,400 Speaker 3: it was fifteen cents to take the train and it 87 00:05:42,600 --> 00:05:46,359 Speaker 3: was two cents a bottle, and if we got twenty 88 00:05:46,440 --> 00:05:47,240 Speaker 3: or thirty bottles. 89 00:05:47,240 --> 00:05:50,360 Speaker 4: We ate very good. We ate very good. We were 90 00:05:50,440 --> 00:05:51,920 Speaker 4: like the streeting kids. 91 00:05:52,440 --> 00:05:55,200 Speaker 3: Well yeah, I guess. I mean it's Coney Island. You 92 00:05:55,240 --> 00:05:56,520 Speaker 3: can't get the more street than that. 93 00:06:00,360 --> 00:06:03,320 Speaker 2: Louis started going to Coney Island as a kid back 94 00:06:03,320 --> 00:06:04,280 Speaker 2: in the nineteen. 95 00:06:03,960 --> 00:06:07,279 Speaker 3: Fifties, when I was five and six years old running 96 00:06:07,320 --> 00:06:10,360 Speaker 3: around Coney Island. I was addicted to the Bumper Cause. 97 00:06:11,279 --> 00:06:14,920 Speaker 3: And when people would tell me what I would want 98 00:06:14,960 --> 00:06:18,400 Speaker 3: to be when I grow up, I tell them a 99 00:06:18,440 --> 00:06:22,560 Speaker 3: bumper card jumper. A bumper card jumper was a worker 100 00:06:22,560 --> 00:06:23,479 Speaker 3: in the Bumper Cause. 101 00:06:25,000 --> 00:06:28,560 Speaker 2: By the eighties, he was a detective and a bumper 102 00:06:28,600 --> 00:06:32,120 Speaker 2: car jumper at the El Dorado, the bumper car rink. 103 00:06:32,880 --> 00:06:35,920 Speaker 1: And that's another memory. 104 00:06:36,960 --> 00:06:43,560 Speaker 3: Mary Hood was an old burlesque queen at that time. 105 00:06:43,880 --> 00:06:46,640 Speaker 4: She was in her nineties and she. 106 00:06:46,880 --> 00:06:50,880 Speaker 3: Was the ticket taker of the El Dorado for the 107 00:06:50,920 --> 00:06:54,520 Speaker 3: Bumper Cause. And we used to drink many nights at 108 00:06:54,600 --> 00:06:58,839 Speaker 3: Eddie de Turk's bar around the corner. It was a 109 00:06:58,880 --> 00:07:01,400 Speaker 3: sidewalk bar. They had a big picture of her on 110 00:07:01,480 --> 00:07:01,760 Speaker 3: the wall. 111 00:07:01,920 --> 00:07:04,760 Speaker 2: She was one day, must have still been. In the eighties, 112 00:07:04,800 --> 00:07:07,840 Speaker 2: Louis was called to Coney Island for a security job, 113 00:07:08,760 --> 00:07:11,880 Speaker 2: as he was told they needed security, and after all, 114 00:07:12,240 --> 00:07:16,440 Speaker 2: at the time, Coney Island's games were printing money. 115 00:07:16,880 --> 00:07:19,920 Speaker 1: Over a holiday weekend. The games took in so much 116 00:07:20,040 --> 00:07:23,240 Speaker 1: money so fast that the carnies didn't have time to 117 00:07:23,280 --> 00:07:27,000 Speaker 1: put the cash in the register. They tossed bills into 118 00:07:27,080 --> 00:07:28,200 Speaker 1: bags on the floor. 119 00:07:30,760 --> 00:07:35,640 Speaker 3: They hired me to go to Coney Island for security. 120 00:07:36,800 --> 00:07:40,360 Speaker 3: And I worked for a derby horse race game. And 121 00:07:40,480 --> 00:07:46,040 Speaker 3: I was watching the guy on the microphone and I said, 122 00:07:46,800 --> 00:07:49,400 Speaker 3: this is this is this is really something, this is 123 00:07:49,640 --> 00:07:53,360 Speaker 3: this is this is Coney Island. I got the microphone. 124 00:07:53,840 --> 00:07:55,800 Speaker 3: I got on the microphone. 125 00:07:56,400 --> 00:07:59,480 Speaker 2: As we know, Louie loved being the center of attention, 126 00:08:00,680 --> 00:08:04,120 Speaker 2: but also he was good at it. He was good 127 00:08:04,120 --> 00:08:08,360 Speaker 2: at joking with the crowd, making them feel welcome. Remember, 128 00:08:08,440 --> 00:08:12,280 Speaker 2: Louis did love people. He developed that spiel. 129 00:08:12,400 --> 00:08:15,119 Speaker 3: Who's going to take that prize away? Electronic hoss racing 130 00:08:15,160 --> 00:08:17,840 Speaker 3: for fun and large prizes. Hey, come on in, come 131 00:08:17,880 --> 00:08:19,600 Speaker 3: on over every game a winner. 132 00:08:20,040 --> 00:08:24,240 Speaker 2: Others might have been getting rich, as Louis recalls, he 133 00:08:24,360 --> 00:08:26,720 Speaker 2: was working for twelve dollars an hour. 134 00:08:27,560 --> 00:08:29,760 Speaker 3: I had a daughter in law school, I had a 135 00:08:29,840 --> 00:08:36,760 Speaker 3: daughter in college, and another daughter in fashion school. But 136 00:08:36,880 --> 00:08:42,040 Speaker 3: it wasn't the money. It was the action that I loved. 137 00:08:43,559 --> 00:08:48,240 Speaker 3: I would work sixteen hours there. I would start it 138 00:08:48,360 --> 00:08:51,920 Speaker 3: for a hot summer day or Friday or Saturday, and 139 00:08:52,000 --> 00:08:54,880 Speaker 3: at eight or nine o'clock at night, I would start 140 00:08:54,960 --> 00:09:01,240 Speaker 3: drinking mustu ka three ex'es. It was that Greek lecor 141 00:09:01,840 --> 00:09:04,880 Speaker 3: and it got me strong and I went through the night. 142 00:09:05,280 --> 00:09:10,720 Speaker 3: And I loved being with the people. I loved being 143 00:09:10,960 --> 00:09:11,640 Speaker 3: with the people. 144 00:09:12,160 --> 00:09:14,480 Speaker 1: You were homicide detective at the time. 145 00:09:17,240 --> 00:09:19,800 Speaker 3: Okay, yes, I was, so how does that work? I 146 00:09:19,880 --> 00:09:20,640 Speaker 3: was never home. 147 00:09:22,960 --> 00:09:25,680 Speaker 1: The game shut down at four, but that wasn't the 148 00:09:25,760 --> 00:09:26,680 Speaker 1: end of Louise day. 149 00:09:27,320 --> 00:09:31,199 Speaker 3: Listen to this. My friend Jazz, he used to live 150 00:09:31,240 --> 00:09:36,200 Speaker 3: in a trailer and we used to drink from four 151 00:09:36,240 --> 00:09:41,079 Speaker 3: to five to six o'clock Canadian missed and diet coke. 152 00:09:42,480 --> 00:09:45,120 Speaker 3: I used to go home. I used to sleep from 153 00:09:45,160 --> 00:09:49,439 Speaker 3: seven to eleven, get up and run ten miles, then 154 00:09:49,520 --> 00:09:53,080 Speaker 3: go to work. I was a long distant runner for 155 00:09:53,240 --> 00:09:54,600 Speaker 3: many years. 156 00:09:54,920 --> 00:09:56,760 Speaker 2: It was a game on the Bowery, which is the 157 00:09:56,840 --> 00:10:00,640 Speaker 2: central thoroughfare called the Derby horse Race, where he made 158 00:10:00,640 --> 00:10:04,000 Speaker 2: his mark. He made a lot of money for the bosses, 159 00:10:04,480 --> 00:10:09,319 Speaker 2: was great with the crowd. Only one real challenge if 160 00:10:09,320 --> 00:10:11,040 Speaker 2: one of the contestants kept winning. 161 00:10:12,400 --> 00:10:16,840 Speaker 1: Eventually, as we walk around Coney Island with Louis up 162 00:10:16,880 --> 00:10:20,319 Speaker 1: and down the bowery, we arrived at the one time 163 00:10:20,480 --> 00:10:24,040 Speaker 1: site of the Derby horse Race, Louise Old Workplace. 164 00:10:25,080 --> 00:10:31,920 Speaker 3: We had seventeen We had seventeen seats and we had 165 00:10:31,960 --> 00:10:33,199 Speaker 3: seventeen shoots. 166 00:10:33,400 --> 00:10:35,560 Speaker 2: It's one of those games where you shoot water at 167 00:10:35,559 --> 00:10:38,480 Speaker 2: a target in order to make a toy racehorse run. 168 00:10:39,280 --> 00:10:43,120 Speaker 4: Now we had a problem. It was this Puerto Rican guy, 169 00:10:43,559 --> 00:10:45,680 Speaker 4: that's Manny. He was very good. 170 00:10:46,440 --> 00:10:50,920 Speaker 3: He would win, he would win once, he would win twice, 171 00:10:51,000 --> 00:10:53,240 Speaker 3: he would win three times, says man and then he 172 00:10:53,280 --> 00:10:56,880 Speaker 3: would walk out and sell the prize. That's no good. 173 00:10:57,280 --> 00:11:01,720 Speaker 3: So what we had to do is put a smice in. 174 00:11:02,600 --> 00:11:07,360 Speaker 3: What it was was a mechanism that allowed anyone you 175 00:11:07,440 --> 00:11:08,880 Speaker 3: wanted to win to win. 176 00:11:09,200 --> 00:11:11,120 Speaker 1: So I'm time to imagine, how's this miice work? Yeah? 177 00:11:11,160 --> 00:11:16,360 Speaker 3: Okay, if you want, yeah, exactly, something on the table. 178 00:11:18,200 --> 00:11:22,080 Speaker 3: If you wanted number nine to win, you hit it 179 00:11:22,160 --> 00:11:27,839 Speaker 3: nine times. If you wanted number seventeen to win, there 180 00:11:27,920 --> 00:11:31,200 Speaker 3: was another. One would be ten and you'd hit six more. 181 00:11:31,480 --> 00:11:33,480 Speaker 3: There were two and you'd hit six more and that's it. 182 00:11:34,000 --> 00:11:35,559 Speaker 3: Took me a couple of minutes to figure it out 183 00:11:35,640 --> 00:11:37,760 Speaker 3: to do it. So if Manny came in and he 184 00:11:37,840 --> 00:11:41,560 Speaker 3: won twice, that was it. If you wanted a beautiful 185 00:11:41,600 --> 00:11:43,880 Speaker 3: girl to win, she would win. If you wanted a 186 00:11:43,960 --> 00:11:46,400 Speaker 3: sail on, you know, a salor to win, we had 187 00:11:46,440 --> 00:11:48,720 Speaker 3: to put that in because Many was killing us. 188 00:11:49,360 --> 00:11:51,880 Speaker 1: Wow, he was rigging the game. 189 00:11:52,600 --> 00:11:54,880 Speaker 4: That's Coney Island, you know what I'm saying. There's nothing 190 00:11:54,920 --> 00:11:56,080 Speaker 4: wrong for Louis. 191 00:11:56,280 --> 00:11:57,439 Speaker 1: It was part of the show. 192 00:11:58,800 --> 00:12:00,640 Speaker 4: No, no, we weren't hip anybody. 193 00:12:01,320 --> 00:12:03,640 Speaker 1: Well, he kind of was. I mean, let's be honest, 194 00:12:04,040 --> 00:12:07,720 Speaker 1: that's exactly what he was doing. We move on. The 195 00:12:07,720 --> 00:12:11,960 Speaker 1: tour continues, Louis deep into his Coney Island, past his 196 00:12:12,080 --> 00:12:16,320 Speaker 1: happy place where the stakes for rigging the system were 197 00:12:16,840 --> 00:12:21,360 Speaker 1: pretty low. Louis is looking for old friends. We poke 198 00:12:21,480 --> 00:12:24,280 Speaker 1: in and out of a few restaurants, a few stands 199 00:12:24,320 --> 00:12:28,000 Speaker 1: along the bowery. It's late afternoon, a few people are 200 00:12:28,080 --> 00:12:30,360 Speaker 1: setting up, getting ready for the evening crowd. 201 00:12:31,760 --> 00:12:33,679 Speaker 4: And let me just seek my friend him and see, hi, 202 00:12:33,760 --> 00:12:38,520 Speaker 4: am how you doing. Yeah, they're doing a little story here. 203 00:12:40,880 --> 00:12:43,080 Speaker 1: So you don't even remember Louis at the bar. 204 00:12:45,040 --> 00:12:47,120 Speaker 5: When he was a. 205 00:12:47,160 --> 00:12:49,320 Speaker 4: Carneye at the Derby horse Race. 206 00:12:53,280 --> 00:12:58,080 Speaker 1: Actually, Louis hoping to connect with someone who can revel 207 00:12:58,120 --> 00:13:00,840 Speaker 1: in the old days with him, and Loui's got someone 208 00:13:00,880 --> 00:13:03,640 Speaker 1: in mind, a carne named Raymond. 209 00:13:05,120 --> 00:13:08,280 Speaker 4: This is where I started. 210 00:13:08,920 --> 00:13:11,160 Speaker 3: Now now if it's for rent, I don't even know 211 00:13:11,160 --> 00:13:13,000 Speaker 3: if the guy that I worked for owns it. 212 00:13:13,080 --> 00:13:15,640 Speaker 1: Louis hasn't been to the Bowery in years, but he 213 00:13:15,720 --> 00:13:19,760 Speaker 1: remembers Raymond. He worked with Raymond on the basketball shooting game. 214 00:13:19,880 --> 00:13:23,839 Speaker 1: They kept the winners in checking that game by overinflating 215 00:13:23,840 --> 00:13:24,640 Speaker 1: the basketball. 216 00:13:25,040 --> 00:13:28,080 Speaker 3: Me and my friend Raymond. I worked with him and 217 00:13:28,120 --> 00:13:35,520 Speaker 3: we had three high tension hoops and balls are pumped 218 00:13:35,600 --> 00:13:37,640 Speaker 3: up to one hundred psiway. 219 00:13:38,000 --> 00:13:40,720 Speaker 1: Raymond was like Louis Carneie Yogi. 220 00:13:41,400 --> 00:13:44,600 Speaker 3: Raymond was a very hard worker and maybe down there, 221 00:13:45,160 --> 00:13:47,320 Speaker 3: maybe down there, I don't know, but Raymond taught me 222 00:13:47,320 --> 00:13:49,880 Speaker 3: a lot in Cornell And. 223 00:13:49,000 --> 00:13:51,600 Speaker 1: In search of Raymond, we stumble onto one of the 224 00:13:51,640 --> 00:13:55,760 Speaker 1: first places Louis worked, the El Dorado Bumper Cars, which 225 00:13:56,120 --> 00:14:00,559 Speaker 1: for some reason now calls itself the El Dorado Autos Scooters. 226 00:14:01,679 --> 00:14:03,439 Speaker 4: Let me ask this guy, young man, Can I ask 227 00:14:03,480 --> 00:14:07,800 Speaker 4: you a question? Please? Hello? Thanks your question do you 228 00:14:07,840 --> 00:14:11,400 Speaker 4: remember me? You know, were you here in the eighties? 229 00:14:12,440 --> 00:14:16,920 Speaker 5: You are Mama, Yes, Andy, Mama, She and Scott. You 230 00:14:16,920 --> 00:14:21,000 Speaker 5: don't remember me, Louis, Yeah, you remember me, Louis, Louis 231 00:14:21,040 --> 00:14:22,920 Speaker 5: the cop I used to work with Scotty. I used 232 00:14:22,920 --> 00:14:25,680 Speaker 5: to run the game in the back. No luck here either, 233 00:14:25,920 --> 00:14:30,960 Speaker 5: So we move along. Louie pushes on. Then like magic, 234 00:14:31,520 --> 00:14:33,480 Speaker 5: Louie thinks he spots Raymond. 235 00:14:34,440 --> 00:14:43,560 Speaker 3: Oh, Raymond, Raymond. I'm sorry, is Raymond down the block 236 00:14:43,600 --> 00:14:47,160 Speaker 3: at the basketball game? Can I ask you one question, sir? 237 00:14:49,080 --> 00:14:53,280 Speaker 3: Does Jeff Piersley still own this? But you're just you're 238 00:14:53,360 --> 00:14:57,440 Speaker 3: just working to join Thank you very much, Thanks a lot. 239 00:15:00,920 --> 00:15:02,840 Speaker 1: It's all a little disappointing for Louis. 240 00:15:04,240 --> 00:15:06,400 Speaker 2: It's like Louis is looking in Coney Island, for it's 241 00:15:06,400 --> 00:15:08,320 Speaker 2: the same thing he's looking for in the rest of 242 00:15:08,360 --> 00:15:11,560 Speaker 2: New York City and the rest of his life, some 243 00:15:11,960 --> 00:15:15,000 Speaker 2: sign of the good old days when he felt like 244 00:15:15,040 --> 00:15:19,440 Speaker 2: he understood the city and loved it, and the city 245 00:15:19,440 --> 00:15:20,360 Speaker 2: embraced him back. 246 00:15:21,520 --> 00:15:25,920 Speaker 1: Those days are gone, long gone, and now Louis wanders 247 00:15:25,920 --> 00:15:30,760 Speaker 1: from place to place asking if anyone remembers him, remembers 248 00:15:30,800 --> 00:15:34,280 Speaker 1: the days when he owned this place, but it seems 249 00:15:34,360 --> 00:15:37,360 Speaker 1: like there are no friendly familiar faces left. 250 00:15:38,920 --> 00:15:41,800 Speaker 4: And then where do I know you're from? 251 00:15:42,320 --> 00:15:42,880 Speaker 3: What's your name? 252 00:15:43,480 --> 00:15:47,120 Speaker 1: My name is Dina. Dina is behind a small stand 253 00:15:47,240 --> 00:15:52,120 Speaker 1: selling soda and pretzels and assorted souvenirs. She's a carnie, 254 00:15:52,560 --> 00:15:54,240 Speaker 1: very old school Louis. 255 00:15:54,880 --> 00:15:58,160 Speaker 3: I used to work for Jeff in the eight. 256 00:15:58,240 --> 00:16:01,320 Speaker 1: Yeah, I was out here back then. I just got older. 257 00:16:01,560 --> 00:16:04,760 Speaker 4: You didn't get old, of Holy Christ. 258 00:16:04,600 --> 00:16:07,240 Speaker 2: I'm actually fifty, so yeah, we were out of here 259 00:16:07,240 --> 00:16:08,320 Speaker 2: alone sixty eight. 260 00:16:08,440 --> 00:16:09,640 Speaker 3: Yeah, we've been on here a long time. 261 00:16:09,680 --> 00:16:14,120 Speaker 1: I remember you. Dina is full of love in a 262 00:16:14,160 --> 00:16:17,120 Speaker 1: Coney Island kind of way. You don't look that old either. 263 00:16:17,240 --> 00:16:20,040 Speaker 1: Don't get it looking, don't get it fucking twisted. You 264 00:16:20,080 --> 00:16:23,480 Speaker 1: don't you look great? You do your buffing shit? What 265 00:16:23,520 --> 00:16:25,720 Speaker 1: the fuck did I looked at? I says, you said, 266 00:16:25,720 --> 00:16:28,200 Speaker 1: only ship too. I've been here a long time. So 267 00:16:28,320 --> 00:16:30,600 Speaker 1: did you ever go to the Derby horse Race? I 268 00:16:30,680 --> 00:16:35,360 Speaker 1: actually did you remember this guy? I actually do. He's 269 00:16:35,400 --> 00:16:38,240 Speaker 1: been out here a long time. He's like Coney Island 270 00:16:38,280 --> 00:16:43,080 Speaker 1: staple this time. Did you remember, hear Louis on the microphone? Yeah, 271 00:16:43,680 --> 00:16:47,600 Speaker 1: she had to Yeah, and just like that Louis and Dina. 272 00:16:47,680 --> 00:16:51,720 Speaker 1: Are we living the best at times? Which is also 273 00:16:51,760 --> 00:16:54,920 Speaker 1: a little like a roll call of the fallen Dina. 274 00:16:55,160 --> 00:16:57,040 Speaker 2: You know all of them like, I've just known him 275 00:16:57,040 --> 00:16:59,240 Speaker 2: for so long season he's going now a shit. 276 00:16:59,640 --> 00:17:04,000 Speaker 1: But I was really close to Caesar, and they're prafectly raised. 277 00:17:04,080 --> 00:17:08,160 Speaker 4: Your girl like Charlie, Joe Balzamo, Jeff. 278 00:17:08,480 --> 00:17:11,680 Speaker 5: Lay, the Originals, Sandy Shoa, the Originals. 279 00:17:11,680 --> 00:17:13,960 Speaker 1: A lot of them have passed on, Sir, A lot 280 00:17:13,960 --> 00:17:17,600 Speaker 1: of them are passed on. But how about Raymond? 281 00:17:19,520 --> 00:17:20,840 Speaker 4: Where's Raymonds there? 282 00:17:20,920 --> 00:17:22,720 Speaker 1: He's not Raymond's not there. 283 00:17:22,760 --> 00:17:24,040 Speaker 2: I know, I haven't seen it. 284 00:17:24,680 --> 00:17:25,080 Speaker 4: Really. 285 00:17:25,680 --> 00:17:28,639 Speaker 1: There's a lot of new people out here, all right. 286 00:17:30,119 --> 00:17:30,840 Speaker 2: You know what happened. 287 00:17:30,880 --> 00:17:33,320 Speaker 1: You moved spot to spot, people. 288 00:17:33,160 --> 00:17:35,840 Speaker 2: Died, all new people buy the properties you. 289 00:17:35,960 --> 00:17:40,640 Speaker 1: Moved from from location location. You're always in here somehow, 290 00:17:40,680 --> 00:17:40,879 Speaker 1: you know. 291 00:17:41,200 --> 00:17:42,959 Speaker 4: But it's different, because it's in your blood. 292 00:17:43,160 --> 00:17:46,280 Speaker 1: It's different. I have to remember when the rides weren't 293 00:17:46,320 --> 00:17:46,879 Speaker 1: ten dollars. 294 00:17:47,320 --> 00:17:50,320 Speaker 3: Yeah, I remember when the when the Wonder Where was 295 00:17:50,359 --> 00:17:51,160 Speaker 3: twenty five cents. 296 00:17:51,160 --> 00:17:51,960 Speaker 1: It was just a quarter. 297 00:17:52,080 --> 00:17:55,560 Speaker 2: So it was the cyclone, the cyclone, it was a quarter. 298 00:17:55,359 --> 00:17:57,920 Speaker 1: First it was ten cents. It was a quarter it's 299 00:17:57,960 --> 00:18:01,440 Speaker 1: been a while, so to meet you. Nice to meet you. 300 00:18:01,560 --> 00:18:04,560 Speaker 4: Taking easy, I'll. 301 00:18:06,720 --> 00:18:08,360 Speaker 1: Go. The legend lives on here. 302 00:18:08,520 --> 00:18:20,679 Speaker 2: Huh, Yeah, the legend lives on, but it's kind of 303 00:18:20,720 --> 00:18:24,760 Speaker 2: also holding on by his fingertips. It all seems to 304 00:18:24,800 --> 00:18:27,720 Speaker 2: point out how far away Louise's glory days are. 305 00:18:28,720 --> 00:18:31,600 Speaker 1: Yeah, it's kind of sad. Louis so full of energy, 306 00:18:31,960 --> 00:18:35,560 Speaker 1: as if the great characters of his past might spring 307 00:18:35,680 --> 00:18:40,919 Speaker 1: back to life, but they've passed on. And then. I 308 00:18:40,920 --> 00:18:43,399 Speaker 1: don't know exactly why it occurred to me to ask this, 309 00:18:43,600 --> 00:18:47,240 Speaker 1: but I wanted to know where Louis planned to be buried. 310 00:18:48,240 --> 00:18:51,320 Speaker 1: Louis thought about having his ashes spread on the waters 311 00:18:51,359 --> 00:18:54,200 Speaker 1: of Coney Island. What were your headstone saying? 312 00:18:58,840 --> 00:19:00,959 Speaker 3: Come on in, come on over where? Every game A winner? 313 00:19:03,000 --> 00:19:14,000 Speaker 1: A winner? Yeah, a winner. This episode was produced by 314 00:19:14,040 --> 00:19:18,479 Speaker 1: Drew Nellis. Our associate producer and production coordinator is Austin Smith. 315 00:19:19,160 --> 00:19:23,080 Speaker 1: Sound designed by Bianca Salinas, Dax Devlin Ross and Me 316 00:19:23,440 --> 00:19:26,920 Speaker 1: Steve Fishman are your hosts. The Burden is a production 317 00:19:27,200 --> 00:19:34,080 Speaker 1: of Orbit Media. Season two of The Burden Empire on 318 00:19:34,160 --> 00:19:37,560 Speaker 1: Blood will be available everywhere you get your podcasts on 319 00:19:37,680 --> 00:19:42,360 Speaker 1: August seventh. All episodes will be available early and ad free, 320 00:19:42,640 --> 00:19:47,320 Speaker 1: along with exclusive bonus content on Orbit's newly launched True 321 00:19:47,359 --> 00:19:52,520 Speaker 1: Crime Clubhouse, our subscription channel on Apple Podcasts. It's only 322 00:19:52,720 --> 00:19:54,080 Speaker 1: two ninety nine a month.