WEBVTT - Episode 26 w/ Snoop Dogg (Part 2)

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<v Speaker 1>Springtime tips and fun facts from Paul Kristen and Dexter

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<v Speaker 1>at Total Wine and More. Everybody who loves honey glaze

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<v Speaker 1>carrots a great side dish for your springtime celebration and

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<v Speaker 1>a delicious compliment to a sweet, bright muscato. Wine is

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<v Speaker 1>made in virtually every country in the world, and I'm

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<v Speaker 1>ready to give you a tour to find the right

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<v Speaker 1>one serving lamb this season. Try it with a bold

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<v Speaker 1>cabernet from the trendy Apostle Robles region. Whether you're hosting

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<v Speaker 1>or just bring the wine we love to share are

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<v Speaker 1>always low prices and ridiculous selection this spring. At Total

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<v Speaker 1>Wine and More. Cheers Ray, He's a legendary queen's rapper.

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<v Speaker 1>Hang Segre is your boy, and he's a Miami hip

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<v Speaker 1>hop pioneer. What Up is d J e f N?

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<v Speaker 1>Together they drink it up with some of the biggest

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<v Speaker 1>players in music and sports. You know, the most professional,

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<v Speaker 1>unprofessional podcast and your number one source for drunk facts.

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<v Speaker 1>This is Drinks chap Radi. Every day is New Year's Eve.

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<v Speaker 1>That Rod I want to ask you to pop what's

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<v Speaker 1>that froll? How was that? Because you had just beat

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<v Speaker 1>the murder trial? Correct? Yes, you had just beat the

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<v Speaker 1>mother trial, Pop comes to death Row and then murder

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<v Speaker 1>was the case was like that was? Was that the

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<v Speaker 1>first record y'all called it or my mistaken the first

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<v Speaker 1>the first workerd that came out, you know. The first

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<v Speaker 1>record that me and him did was America's Most Wanted.

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<v Speaker 1>That's what I said. That's what I'm saying with my mind. Sorry,

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<v Speaker 1>when I said against the party, you said only him?

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<v Speaker 1>Oh yeah, in my mind, I was saying someone I'm dyslexi.

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<v Speaker 1>He was my friend before he got Yeah, he said

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<v Speaker 1>that same source awards didn't He wasn't there. We had

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<v Speaker 1>a we had to cut out billboard of him inside

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<v Speaker 1>of a sale. We had sales and everybody was in

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<v Speaker 1>the sale. His billboard was cut out in the sale.

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<v Speaker 1>He wasn't been on there. Flor talked about being on deathfloor.

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<v Speaker 1>We just did that as a symbolar representing him and

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<v Speaker 1>fucking with him because he was my friend. So that

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<v Speaker 1>was a you know, a player that I did to

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<v Speaker 1>put him in there to represent it. Wait, so you're

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<v Speaker 1>saying he was your friends. You saying I'm the reason

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<v Speaker 1>why he was on that phone. Yeah, that he was

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<v Speaker 1>my friend and my thing. Was speaking with Sugar because

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<v Speaker 1>after he had got shot, I had flew to New

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<v Speaker 1>York like the next day, and it was like ship

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<v Speaker 1>was going bad for him and he had got locked up,

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<v Speaker 1>and I was like, man, sure we need to put

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<v Speaker 1>that nigga with us, because how far back is y'all?

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<v Speaker 1>Spencer Uh Poetic Justice Rap Party was the first night

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<v Speaker 1>I met him, and then we became friends. And actually

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<v Speaker 1>MC breed Rest in Peace was was trying to buy

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<v Speaker 1>some dope and I knew the nigga that knew the nigga,

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<v Speaker 1>So Breede got some dope for me and DNC and

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<v Speaker 1>Breede was cool and Tupacket. That's how we all we

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<v Speaker 1>came like a circle of friends. Crazy believe it. This

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<v Speaker 1>is crazy gonna lie. I ain't gonna lie. I've gotten

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<v Speaker 1>so so a hip hop mode fan. Just now. I

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<v Speaker 1>was just saying, I'm a guy. I was supposed to

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<v Speaker 1>ask a question at this point, Like I was just

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<v Speaker 1>sitting there like I'm just thinking, like, so, um, all right,

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<v Speaker 1>boom that pop comes here. He's already there, y'all are

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<v Speaker 1>already doing what he's doing. These these records come out,

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<v Speaker 1>these records, these records. Let me tell you this for

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<v Speaker 1>you know, all lives on me. When he get out,

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<v Speaker 1>I'm working on the dog Father. So when he get out,

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<v Speaker 1>my cousin Dads is like my number one because d

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<v Speaker 1>Dre basically like not really giving up music because I

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<v Speaker 1>think he on his way out, but we already still

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<v Speaker 1>cocaine in the bathroom. Don't mind, don't hey, thanks for

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<v Speaker 1>doing it in the bathroom. And so so we're working

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<v Speaker 1>on my record. So when he gets out, naturally, I

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<v Speaker 1>tell Dads in the whole crew pod getting out, y'all

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<v Speaker 1>throw cuzz all of the music, get him right first.

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<v Speaker 1>So he ended up getting all this hot music because

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<v Speaker 1>we was in the process of doing Hot Ship. And

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<v Speaker 1>then Pop brought a spirit to the studio that was

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<v Speaker 1>different than anybody we ever worked with. He had a

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<v Speaker 1>work spirit that was like this nigga could be in

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<v Speaker 1>three different rooms at one time and making music and

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<v Speaker 1>he would he would never listen to it like we

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<v Speaker 1>was always we would. We learned this from Dr Dre.

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<v Speaker 1>We would make a song, we would listen to that

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<v Speaker 1>motherfucker for a whole month, I mean just back to

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<v Speaker 1>back thirty days just listening to the same goddamn song.

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<v Speaker 1>Party and inviting bitches over off the sun. Yeah, and

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<v Speaker 1>then it never come out. Nigga Tupac was like, Nigga,

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<v Speaker 1>when we make a song, when we finish it, when

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<v Speaker 1>you listening to that ship, pull another beat up. We're

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<v Speaker 1>doing another motherfucking song. You can mix that motherfucking when

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<v Speaker 1>you finished, we'll listen to it. He was never about like,

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<v Speaker 1>even when we made one song, motherfucker the last verse,

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<v Speaker 1>he'd be like, all right, played back, We played down

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<v Speaker 1>from top to bottom. As soon as that motherfucker cut off,

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<v Speaker 1>all right, give it to the engineer, pulling next beat up.

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<v Speaker 1>Never did we listen to us soon twice with that Nigga.

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<v Speaker 1>That's something that I learned from him that I take

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<v Speaker 1>with me today because I wasn't like it. I was.

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<v Speaker 1>I learned from Dr Dre. I learned from my teacher.

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<v Speaker 1>They taught me exactly another time. But Pop was on

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<v Speaker 1>something like Nigga Funk that we're going, We're going, We're going,

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<v Speaker 1>We're going. How are you thinking? They made three albums

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<v Speaker 1>and motherfucking ship six months. That's Gemini and that's Gemini.

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<v Speaker 1>I'm a Gemini where but what's I'm a labor? All right?

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<v Speaker 1>What's song yourself? Virgo. I'm a berg. I don't know

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<v Speaker 1>if it means anything. Let's make some noise for the sign.

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<v Speaker 1>Let's slotlog listen, Sloop. I can't, I can't thank you

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<v Speaker 1>so much. We're gonna we gotta, we gotta actually go.

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<v Speaker 1>I want to admit interview. I just want to thank

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<v Speaker 1>you because you know what, it's the first time artists

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<v Speaker 1>like you know what I'm saying, Like you know, it's

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<v Speaker 1>running media right now, like right now we are running

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<v Speaker 1>in DJ and DJ. I'm sorry when I say I

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<v Speaker 1>represent the motherfucking DJ. That's right, that's right. You always

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<v Speaker 1>gotta have a Mexican around you. Listen, but he's from

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<v Speaker 1>l A. You always from l A too. Yeah, it's

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<v Speaker 1>same ship Mexican originally say yeah, so you always got

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<v Speaker 1>a kid and you know what Pete Allas Dodge and

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<v Speaker 1>the motherfucker. You know what I'm saying. And it's the

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<v Speaker 1>first time, you know, you know this is what I

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<v Speaker 1>believe because you know we got you got g g N. Yeah,

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<v Speaker 1>so now do you I've alway g g M when

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<v Speaker 1>you're not there, because we're gonna be in l A August.

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<v Speaker 1>Can I co host g g N? Can we well cold?

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<v Speaker 1>Because we're gonna be in the l a August twenty

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<v Speaker 1>seven through I Gotta stay twenty six to the twenty nine,

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<v Speaker 1>twenty six to the twenties. I didn't make that happen.

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<v Speaker 1>That's you. You see me who you want? You said

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<v Speaker 1>us because we're close together. Drink champion. Let's come out

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<v Speaker 1>right now, you know I'm saying because you know why,

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<v Speaker 1>let me just say something. When I say me, I

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<v Speaker 1>means me is wait, we got mad sense. Let's just

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<v Speaker 1>make some hardcore nigger noise whatever. But it's it's it's

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<v Speaker 1>not much more than I can't respect you because not

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<v Speaker 1>only you was one of the most coolest people that

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<v Speaker 1>I was supposedly like quote unquote have beef with, like

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<v Speaker 1>you know what I'm saying in the beginning of my career.

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<v Speaker 1>But not only that, but you continue to show your growth,

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<v Speaker 1>your prosperity. Everything you do is to uplift And again,

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<v Speaker 1>this walk that you in game just did was so

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<v Speaker 1>like inspiring to me because it made me want to

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<v Speaker 1>go back to my own hood and do such a thing.

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<v Speaker 1>And uh so again I want you to touch on that.

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<v Speaker 1>And then I'm going right back to your music because

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<v Speaker 1>it's a lot more ship. I want to talk about

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<v Speaker 1>when you know one thing that I do, Uh, it's

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<v Speaker 1>coach football and I have my own football league. I

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<v Speaker 1>was just about to say, snoop football league thirteen years.

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<v Speaker 1>You got a question about and we've been doing that

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<v Speaker 1>for thirteen years. Man, that's our fake sportscast to come in.

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<v Speaker 1>He wanted to beat you up where you at. He

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<v Speaker 1>would have been Paul with us, didn't you say, Kevin Guard?

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<v Speaker 1>That was no. I said le Bron was coming to Minami. Yeah,

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<v Speaker 1>he said Lebron was going to You're the big understand

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<v Speaker 1>that eight years ago is a genius. I didn't say anyway.

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<v Speaker 1>I wanted to say that was doot the way he

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<v Speaker 1>was an esquy TV and the little the Fighting Night

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<v Speaker 1>types because he coaches his sons and the Fighting Night

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<v Speaker 1>types with the Houston and kind of on the other

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<v Speaker 1>and you and you commentated the game for the shorties.

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<v Speaker 1>Come on man, Yeah, I wanted to Yeah, he really

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<v Speaker 1>liked that. Thank you. Well, that's that's what I do.

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<v Speaker 1>Like a lot of times, you don't get it, don't

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<v Speaker 1>get a lot of the ship like that, don't get

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<v Speaker 1>a lot of attention because I don't never really want

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<v Speaker 1>cameras around it because I do it for the love.

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<v Speaker 1>I don't really do it for attention to try to

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<v Speaker 1>make like what I'm doing. I want you to come

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<v Speaker 1>and see all this great work I'm doing in the community,

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<v Speaker 1>because the community work is supposed to be done, regardless

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<v Speaker 1>if it's the camera or not. And what I've been

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<v Speaker 1>doing with these kids, I've been building them and showing

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<v Speaker 1>them how to you know, live and go to high school, graduate,

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<v Speaker 1>go to NFL, go to college and do their thing,

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<v Speaker 1>and whatnot to give them hoping we go to areas

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<v Speaker 1>where the crime rate was really at a high level.

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<v Speaker 1>Now it's at a low level, and we're getting gang

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<v Speaker 1>members to you know, drop the guns and become football

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<v Speaker 1>coaches and lead these young men. So this is something

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<v Speaker 1>that I'm doing and I don't really get a lot

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<v Speaker 1>of attention for, but it means the world to me

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<v Speaker 1>to be able to do it, to do it thirteen

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<v Speaker 1>years and running. I got a kid that played in

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<v Speaker 1>the Super Bowl last year, years ago. You know, like

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<v Speaker 1>I said, I'm originally from l A. And I still

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<v Speaker 1>got family out there living Downey right now. Actually, and

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<v Speaker 1>my cousin, Melissa, she's a teacher at a Long Beach Hide.

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<v Speaker 1>Oh yeah, and she this is years ago. She told

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<v Speaker 1>me you came by. I guess an old coach years

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<v Speaker 1>still there and she was just telling me how much

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<v Speaker 1>you get back to the children there. You can. You

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<v Speaker 1>would come often. She said that you were like a

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<v Speaker 1>regular appearance there. That's what I do. I look out,

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<v Speaker 1>you know, I try to come through as much as

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<v Speaker 1>possible because I like to let the kids see an

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<v Speaker 1>example of what they can be. A lot of time,

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<v Speaker 1>when I was a kid, if somebody was considered a star,

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<v Speaker 1>we've never seen him. Like the era that we live

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<v Speaker 1>in now. You see stars all the time, you know,

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<v Speaker 1>when when when I was a kid, a star was

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<v Speaker 1>away in the sky. You could never just pull up

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<v Speaker 1>somewhere and see a celebrity. You know what I'm saying.

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<v Speaker 1>You have to be like somewhere special. And if you've

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<v Speaker 1>seen him, you wasn't gonna get no conversation with him,

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<v Speaker 1>you won't get no picture when him want to autograph,

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<v Speaker 1>you've just seen the flash of him. So nowadays, these

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<v Speaker 1>kids don't understand that they get a chance to get

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<v Speaker 1>up close and personal with these celebrities like myself, And

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<v Speaker 1>it's our job to give them the information on how

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<v Speaker 1>to be what we are, be better than what we

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<v Speaker 1>are now me We're waiting to ask this question the

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<v Speaker 1>whole night. At one point, death Row Records was the invincible,

0:11:15.360 --> 0:11:20.839
<v Speaker 1>the unstoppable, the unfunning word, the ball, and at that

0:11:21.160 --> 0:11:26.920
<v Speaker 1>time the artist at the height of that whole forefront

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<v Speaker 1>was snoop. How the fund did that fail? Because we

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<v Speaker 1>see other people, we see the cash moneys, we see

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<v Speaker 1>uh the murder, The murder inks. But death Row just

0:11:41.000 --> 0:11:45.640
<v Speaker 1>felt different because I don't want to say of the

0:11:45.760 --> 0:11:50.839
<v Speaker 1>gang affiliation, but I'm gonna say because of the gang affiliation, Like,

0:11:51.520 --> 0:11:55.120
<v Speaker 1>how did that feel like when death Row was death Row?

0:11:56.360 --> 0:11:59.719
<v Speaker 1>How did that feel like? Just being in there? And

0:11:59.800 --> 0:12:02.839
<v Speaker 1>then it was There was a great feeling because we

0:12:02.880 --> 0:12:05.360
<v Speaker 1>didn't have to be nobody but who we was. We

0:12:05.440 --> 0:12:07.240
<v Speaker 1>didn't have to fake, you know what I'm saying. We

0:12:07.280 --> 0:12:10.360
<v Speaker 1>didn't have to try to appease nobody by doing what

0:12:10.559 --> 0:12:13.320
<v Speaker 1>y'all do or what they do. We did what we did.

0:12:13.440 --> 0:12:15.880
<v Speaker 1>We dressed and what we wanted to dress. We wore

0:12:15.920 --> 0:12:17.400
<v Speaker 1>our hair that we we wanted to wear, our hair.

0:12:17.600 --> 0:12:20.040
<v Speaker 1>We wrapped about the ship we wanted to wrap about.

0:12:20.080 --> 0:12:22.079
<v Speaker 1>We chose the music that we wanted to wrap over.

0:12:22.400 --> 0:12:24.000
<v Speaker 1>It was like it was a whole story that was

0:12:24.160 --> 0:12:28.000
<v Speaker 1>unique to who we were and who we are, and

0:12:28.800 --> 0:12:31.360
<v Speaker 1>that was the fulfillment of it all that people love

0:12:31.400 --> 0:12:34.120
<v Speaker 1>and appreciated me for being me, that they didn't want

0:12:34.160 --> 0:12:40.440
<v Speaker 1>me to be nobody but me. That was real. Let's

0:12:40.440 --> 0:12:50.240
<v Speaker 1>make it. Oh my god, hold on, I've been wanting

0:12:50.280 --> 0:12:52.160
<v Speaker 1>to take a pe for a minute. I tak a

0:12:52.200 --> 0:12:57.680
<v Speaker 1>p for one second drinking. See when you smoke your brandon,

0:13:00.480 --> 0:13:03.080
<v Speaker 1>Let that nigga go pick. You got a little baby bladder.

0:13:03.160 --> 0:13:08.200
<v Speaker 1>Let look, let me go by. I'm gonna wait waiting

0:13:08.240 --> 0:13:11.719
<v Speaker 1>for you baby bladder. Well when he said the whole

0:13:11.760 --> 0:13:13.760
<v Speaker 1>thing about n w A and then and then he

0:13:13.840 --> 0:13:16.679
<v Speaker 1>went all the way to your album. Obviously there was

0:13:16.720 --> 0:13:19.040
<v Speaker 1>a lot of dope West Coast albums in between that.

0:13:19.880 --> 0:13:21.840
<v Speaker 1>One of my favorite, I think is an all time

0:13:21.880 --> 0:13:25.640
<v Speaker 1>classic hip hop album is THAT'TH certificate ice cue of

0:13:25.800 --> 0:13:28.280
<v Speaker 1>one of the best hip hop albums ever. DJ Pol

0:13:28.600 --> 0:13:30.480
<v Speaker 1>put that together with Sir James. What I thought was

0:13:30.559 --> 0:13:32.319
<v Speaker 1>it was when you went to priority, I don't know

0:13:32.360 --> 0:13:34.520
<v Speaker 1>what that situation was, and you did all the reissues

0:13:34.559 --> 0:13:37.440
<v Speaker 1>E P M D that my first priority, that ship

0:13:37.640 --> 0:13:41.120
<v Speaker 1>was crazy. How did that come about? Well, I had

0:13:41.160 --> 0:13:45.240
<v Speaker 1>talked to Brian Turner about re releasing music on Priority

0:13:45.320 --> 0:13:48.319
<v Speaker 1>Records and giving some new artists and the opportunity shine

0:13:48.320 --> 0:13:51.560
<v Speaker 1>because Priority Records was a great piece of hip hop

0:13:52.200 --> 0:13:54.559
<v Speaker 1>that was kind of like unsumed, and I wanted to

0:13:54.600 --> 0:13:57.679
<v Speaker 1>give it the authorization that that it discerned and put

0:13:57.760 --> 0:14:00.160
<v Speaker 1>some of those songs together on the compilation CD's well

0:14:00.240 --> 0:14:02.560
<v Speaker 1>is see if I can find some new talented Brian

0:14:02.600 --> 0:14:05.120
<v Speaker 1>Turner was willing to give me that action to do that,

0:14:05.400 --> 0:14:07.640
<v Speaker 1>and it brought a lot of wellness to a lot

0:14:07.679 --> 0:14:09.720
<v Speaker 1>of music that people had never heard of, people hadn't

0:14:09.760 --> 0:14:11.719
<v Speaker 1>heard in a long time, and it just was a

0:14:11.800 --> 0:14:13.439
<v Speaker 1>great look. It was a look of love. You know.

0:14:13.520 --> 0:14:16.120
<v Speaker 1>I wanted to do stuffing that I've always wanted to do.

0:14:16.160 --> 0:14:18.240
<v Speaker 1>I wanted to run Priority Records and put it back

0:14:18.240 --> 0:14:19.440
<v Speaker 1>on the map. And you should have led on a

0:14:19.520 --> 0:14:21.520
<v Speaker 1>lot of records that maybe a lot of younger people

0:14:21.600 --> 0:14:23.800
<v Speaker 1>cats wouldn't have even checked out, like you should have

0:14:23.880 --> 0:14:26.200
<v Speaker 1>led on because it said I remember all the reissues

0:14:26.240 --> 0:14:28.400
<v Speaker 1>said snoop pressess or whatever and that she was up.

0:14:29.120 --> 0:14:31.640
<v Speaker 1>Thank you. Dunkle makes some noise for whatever. The funk

0:14:31.720 --> 0:14:37.240
<v Speaker 1>I was talking about, I don't fucking notes yeah with

0:14:37.320 --> 0:14:42.320
<v Speaker 1>Snoop man like asshole. Let me tell you something. Snoop

0:14:42.400 --> 0:14:43.880
<v Speaker 1>is a real nigger, you know what. You know what

0:14:44.000 --> 0:14:46.920
<v Speaker 1>the crazy thing is. And I gotta ask Snoop, you

0:14:47.000 --> 0:14:49.720
<v Speaker 1>know what? I asked all of our guys because, like

0:14:49.880 --> 0:14:51.720
<v Speaker 1>I said, I think that we should have a hip

0:14:51.760 --> 0:14:55.040
<v Speaker 1>hop flag, and that'd be establishment that you ever go to.

0:14:56.240 --> 0:14:58.920
<v Speaker 1>I think that there should be something that shows this

0:14:59.000 --> 0:15:01.640
<v Speaker 1>is a beautiful hotel. We're not gonna shout out the

0:15:01.720 --> 0:15:04.040
<v Speaker 1>hotel unless y'all want to, unless y'all say it's no.

0:15:04.120 --> 0:15:07.080
<v Speaker 1>They ain't get ain't me, but this is a beautifu hotel.

0:15:07.160 --> 0:15:09.560
<v Speaker 1>We came down all over the West Palm to make

0:15:09.600 --> 0:15:12.240
<v Speaker 1>sure we see Snoop because Snooper is that that important

0:15:12.480 --> 0:15:15.480
<v Speaker 1>everybody else? You make them come see us. But so,

0:15:16.400 --> 0:15:20.000
<v Speaker 1>and what I'm saying is in certain establishments they have flags.

0:15:20.680 --> 0:15:23.080
<v Speaker 1>Shouldn't you think there should be a hip hop flag

0:15:23.320 --> 0:15:25.840
<v Speaker 1>like wherever we go, like, you know, just to just

0:15:26.000 --> 0:15:28.080
<v Speaker 1>to make sure that you're welcome there and just it

0:15:28.120 --> 0:15:31.160
<v Speaker 1>can be a nine star, here'll be a one star.

0:15:31.600 --> 0:15:34.120
<v Speaker 1>Just unless we needed, we need to come up with

0:15:34.200 --> 0:15:36.080
<v Speaker 1>that flag in the hip hop community something that we

0:15:36.120 --> 0:15:42.560
<v Speaker 1>can know. Let's make Snoop something that we can all

0:15:42.600 --> 0:15:44.840
<v Speaker 1>agree on that represents hip hop. And when we know

0:15:45.000 --> 0:15:47.400
<v Speaker 1>that flag is that we know we welcome hip hop,

0:15:47.600 --> 0:15:50.760
<v Speaker 1>unify the world before anybody Else's what I'm saying, before race,

0:15:51.440 --> 0:15:55.320
<v Speaker 1>before race, before political parties. I think that people should

0:15:55.400 --> 0:15:59.680
<v Speaker 1>run under hip hop. And I think that. Listen. I

0:15:59.800 --> 0:16:02.000
<v Speaker 1>feel he was just on here last week and fifty

0:16:02.120 --> 0:16:06.000
<v Speaker 1>endorsed Kanye West. I heard that. I thought that was

0:16:06.120 --> 0:16:09.080
<v Speaker 1>I thought that was nice. But can you can you

0:16:09.280 --> 0:16:12.840
<v Speaker 1>just mean West? Can't be no crazy? That motherfucking Donald Trump?

0:16:13.680 --> 0:16:16.880
<v Speaker 1>Can we go? Can we go? Can we can we

0:16:17.120 --> 0:16:20.960
<v Speaker 1>co sign? Say on Drink Champs that Snoop Dogg is

0:16:21.040 --> 0:16:29.000
<v Speaker 1>also endorseing Kanye West. Yes, I'm endorsing. But what the

0:16:29.080 --> 0:16:32.920
<v Speaker 1>stoop that I think about the Donald Trump? Um? Because

0:16:32.960 --> 0:16:35.840
<v Speaker 1>you you smoked with Donald Trump at some point with

0:16:36.000 --> 0:16:38.920
<v Speaker 1>him once upon a time, you game ecstasy. I didn't

0:16:38.960 --> 0:16:45.440
<v Speaker 1>do all that, LSD. I didn't. I did a little roast.

0:16:45.480 --> 0:16:49.320
<v Speaker 1>He had a roastrom comedy sense. Remember that I went.

0:16:49.480 --> 0:16:52.000
<v Speaker 1>I went hard on him, right, so you know, I

0:16:52.160 --> 0:16:53.800
<v Speaker 1>kind of was sucking with him till I heard some

0:16:53.880 --> 0:16:56.520
<v Speaker 1>of his views and his perspectives and that made me

0:16:56.560 --> 0:16:58.120
<v Speaker 1>back up off from because a lot of the views

0:16:58.160 --> 0:17:00.960
<v Speaker 1>and perspectives that he got. I have free ends that

0:17:01.160 --> 0:17:04.480
<v Speaker 1>represent those you know fastest in life, you know, whether

0:17:04.600 --> 0:17:07.640
<v Speaker 1>than Muslims, Mexican whatever they are. And it's like that's

0:17:07.800 --> 0:17:10.520
<v Speaker 1>how l A people called the Muslims. That's all so hard,

0:17:11.320 --> 0:17:13.760
<v Speaker 1>that's funked up. How they like singing people out and

0:17:14.400 --> 0:17:16.560
<v Speaker 1>you know we don't do that. We multi culture, were

0:17:16.600 --> 0:17:18.479
<v Speaker 1>Fox with everybody, you know what I'm saying. So if

0:17:18.480 --> 0:17:21.800
<v Speaker 1>you started singing out motherfucker's you might suppose sing it yourself,

0:17:21.840 --> 0:17:23.600
<v Speaker 1>fut because you don't know who connected, You don't know

0:17:23.640 --> 0:17:26.520
<v Speaker 1>who the plug is. That's a fact. The listen, let

0:17:26.560 --> 0:17:28.920
<v Speaker 1>me just let me point something out. That's how I

0:17:29.000 --> 0:17:31.760
<v Speaker 1>know I'm not rich at all. Do you see my roaches?

0:17:31.840 --> 0:17:34.399
<v Speaker 1>Those are my roaches right there, their motherfucker's little as

0:17:34.560 --> 0:17:38.600
<v Speaker 1>motherfucker look at Snoopers roaches. God that I can roll

0:17:38.760 --> 0:17:48.439
<v Speaker 1>four more because I know I'm not rich, not being rich, Snoop, Yo,

0:17:48.600 --> 0:17:52.240
<v Speaker 1>that's big a rude. Listen, you can roll to blods

0:17:52.320 --> 0:17:57.359
<v Speaker 1>out of his roaches now, Snoop, this is the craziest

0:17:57.359 --> 0:18:01.440
<v Speaker 1>ship man I've been in the game since nineteen nineties

0:18:01.480 --> 0:18:05.000
<v Speaker 1>seven my first album. Yeah, and my motherfucker was smoking

0:18:05.080 --> 0:18:09.840
<v Speaker 1>hot the report. But what I'm saying is sometimes I

0:18:10.080 --> 0:18:13.160
<v Speaker 1>lose it. I don't want to do this no more.

0:18:14.240 --> 0:18:17.199
<v Speaker 1>What makes you You just dropped a new album. Did

0:18:17.240 --> 0:18:20.560
<v Speaker 1>we speak about that? Yeah? Well, you know what, I'm competitive.

0:18:20.600 --> 0:18:24.320
<v Speaker 1>I'm competitive a lot of times when my competitive energy,

0:18:24.480 --> 0:18:28.240
<v Speaker 1>are you competitive against other people or against yourself? Because

0:18:28.240 --> 0:18:30.439
<v Speaker 1>I think you competing against yourself at this best all

0:18:30.480 --> 0:18:33.399
<v Speaker 1>I'm competing against myself. You know. It's like a player

0:18:33.480 --> 0:18:35.920
<v Speaker 1>that you know continues to go to the NBA All

0:18:35.960 --> 0:18:38.800
<v Speaker 1>Star Game and he continues to make it to the Championship.

0:18:38.840 --> 0:18:40.600
<v Speaker 1>He don't have time to watch his highlights because he

0:18:40.640 --> 0:18:42.640
<v Speaker 1>got another game to play, another season to get ready

0:18:42.680 --> 0:18:44.680
<v Speaker 1>for him. And that's how I look at my career,

0:18:44.800 --> 0:18:47.800
<v Speaker 1>is that I'm always preparing myself for the next game.

0:18:47.880 --> 0:18:49.840
<v Speaker 1>You know. Like I knew I was going on tour

0:18:49.960 --> 0:18:51.520
<v Speaker 1>with me and Weird, so I said, let me put

0:18:51.560 --> 0:18:53.480
<v Speaker 1>together album so that way when I'm on the road,

0:18:53.880 --> 0:18:55.640
<v Speaker 1>I have a reason to be on the road because

0:18:55.680 --> 0:18:57.720
<v Speaker 1>I yeah, I could have went on the road with

0:18:57.800 --> 0:19:00.680
<v Speaker 1>no album, and you just got Kobe Bryant high let's

0:19:00.720 --> 0:19:10.119
<v Speaker 1>talk about that. Kobe, call me man. That's sun up

0:19:10.119 --> 0:19:13.320
<v Speaker 1>bout the photo shot the picture he comes sing and

0:19:13.400 --> 0:19:16.479
<v Speaker 1>they're doing wrong like that. Now he came, k Man.

0:19:16.520 --> 0:19:17.840
<v Speaker 1>I love him to death. He came over with a

0:19:17.880 --> 0:19:20.040
<v Speaker 1>spend of time with me on some on some you know,

0:19:20.200 --> 0:19:23.639
<v Speaker 1>after after thought, as far as after his kids. You

0:19:23.680 --> 0:19:33.760
<v Speaker 1>got him hot noise. You didn't. We were talking endorsements

0:19:34.000 --> 0:19:36.200
<v Speaker 1>because I gave Up. I gave a car right, a

0:19:36.280 --> 0:19:39.200
<v Speaker 1>sixty six plenty at Para sit a Laker mobilit that

0:19:39.240 --> 0:19:41.560
<v Speaker 1>I had crafted. I need to be more friends with

0:19:41.640 --> 0:19:42.920
<v Speaker 1>you because I want you to give me a car

0:19:43.080 --> 0:19:45.680
<v Speaker 1>at some point. I don't know what it's okay. You

0:19:45.800 --> 0:19:47.920
<v Speaker 1>give me all New York to York l a l

0:19:47.960 --> 0:19:50.760
<v Speaker 1>a car at some point, like twenty years from now.

0:19:50.760 --> 0:19:54.200
<v Speaker 1>I was okay. But with ad you so you gave Kobe.

0:19:54.359 --> 0:19:56.760
<v Speaker 1>I gave him a car because the car already smell

0:19:56.920 --> 0:19:59.000
<v Speaker 1>like bud. That's not it was. It was a brand

0:19:59.040 --> 0:20:01.280
<v Speaker 1>new It was a nice teen sixty six plenty a

0:20:01.400 --> 0:20:06.080
<v Speaker 1>Paris City white interior, yellow exterior, purple top. You understand me.

0:20:06.160 --> 0:20:09.800
<v Speaker 1>With preparation. Yeah, So I gave him this vehicle for

0:20:09.920 --> 0:20:13.040
<v Speaker 1>twenty years of excellence so he didn't representing the Lakers

0:20:13.119 --> 0:20:15.240
<v Speaker 1>and giving us something to stand that he came out

0:20:15.280 --> 0:20:19.600
<v Speaker 1>here had red eyes. No, they pho shot, they photo

0:20:19.680 --> 0:20:24.439
<v Speaker 1>shot the eyes. Man. You know they're gonna don't make

0:20:24.520 --> 0:20:32.680
<v Speaker 1>this ship working what it is. Man, But you kid,

0:20:33.119 --> 0:20:37.280
<v Speaker 1>you guilty if you ain't even if you association association,

0:20:38.480 --> 0:20:41.280
<v Speaker 1>you're sleep Man, There's no way I can thank you. Man.

0:20:41.720 --> 0:20:45.200
<v Speaker 1>You know what I mean. Drink Champs. It's the first time,

0:20:45.359 --> 0:20:47.920
<v Speaker 1>you know, rappers have took over media. We are so

0:20:48.080 --> 0:20:53.760
<v Speaker 1>excited and I'm sorry. You gotta wrapping d Yeah, we're

0:20:53.760 --> 0:20:57.000
<v Speaker 1>the wrapping back. That's right, That's right. And listen, we're

0:20:57.000 --> 0:20:58.639
<v Speaker 1>the wrapping in the DJ and we want to we

0:20:58.760 --> 0:21:01.720
<v Speaker 1>come into l a all twenty seven k DA. What's

0:21:01.800 --> 0:21:03.960
<v Speaker 1>up with y'all? So gonna set it up for that

0:21:04.000 --> 0:21:06.000
<v Speaker 1>way they can do the GN Yeah, we want to

0:21:06.080 --> 0:21:10.040
<v Speaker 1>hold definitely listen, and you know it's the crazy ship

0:21:10.119 --> 0:21:12.320
<v Speaker 1>is snoop. But this is what we'll do. Whatever guess

0:21:12.400 --> 0:21:14.600
<v Speaker 1>you send us. You don't gotta prep us. We just

0:21:14.680 --> 0:21:16.280
<v Speaker 1>send us to that. And we don't have a pre

0:21:17.080 --> 0:21:19.200
<v Speaker 1>never the only shows I did on the g G

0:21:19.320 --> 0:21:21.680
<v Speaker 1>and I ain't never prepped out. Yeah, I don't have

0:21:21.840 --> 0:21:26.680
<v Speaker 1>no knights of getting ready for the here bringing this

0:21:27.440 --> 0:21:31.560
<v Speaker 1>version of drink Champs, and it's got to be spontaneous.

0:21:31.640 --> 0:21:34.240
<v Speaker 1>One thing about us as lyricists, as mc s is

0:21:34.800 --> 0:21:36.960
<v Speaker 1>you know what we do. We we float with the motion.

0:21:37.040 --> 0:21:39.760
<v Speaker 1>And sometimes it's better when it's spontaneous because if it's

0:21:39.760 --> 0:21:42.200
<v Speaker 1>gonna be written, the scripted ships gonna be fake. I'd

0:21:42.280 --> 0:21:44.120
<v Speaker 1>rather go off script because that way you can talk

0:21:44.160 --> 0:21:46.919
<v Speaker 1>about ship that ain't on the script because it scripts

0:21:46.960 --> 0:21:50.200
<v Speaker 1>sometimes gonna allow you to talk about specific things. But

0:21:50.280 --> 0:21:52.880
<v Speaker 1>if you go off script and you go, you know, spontaneous,

0:21:53.240 --> 0:21:55.200
<v Speaker 1>you can get the in depth interview that you really

0:21:55.280 --> 0:21:57.920
<v Speaker 1>look for to make this ship real flying different like

0:21:58.000 --> 0:22:00.560
<v Speaker 1>the rest of everybody's on that ticket. It don't matter

0:22:00.680 --> 0:22:03.960
<v Speaker 1>like we all think about this ship. That's a fact.

0:22:04.040 --> 0:22:10.960
<v Speaker 1>I make some noise. I'm not snoop. You one of

0:22:11.040 --> 0:22:14.320
<v Speaker 1>the most. You're like at the end of the day, brother,

0:22:16.560 --> 0:22:21.240
<v Speaker 1>you transcended culture. And what I mean by that is

0:22:22.200 --> 0:22:26.520
<v Speaker 1>Dana New York, Nigga alive. That was alive when you

0:22:26.760 --> 0:22:30.439
<v Speaker 1>when you dropped what was that when you dropped dog

0:22:31.280 --> 0:22:35.720
<v Speaker 1>Parto Reegan ship. We forget Parto Weeken. So when you

0:22:35.840 --> 0:22:38.280
<v Speaker 1>drop Doggie style. There's not there's not a New York

0:22:38.359 --> 0:22:42.560
<v Speaker 1>nigga live that can't say that they are identified with you.

0:22:43.280 --> 0:22:48.720
<v Speaker 1>Like while something is is cripping right now in New

0:22:48.840 --> 0:22:51.920
<v Speaker 1>York is because I mean, I'm just keeping it the

0:22:52.040 --> 0:22:55.280
<v Speaker 1>hunted I have to. It's because of you and then

0:22:58.720 --> 0:23:07.080
<v Speaker 1>and you still out kicking ass m And I asked you, uh,

0:23:08.320 --> 0:23:11.359
<v Speaker 1>I asked you all what makes you keep going? And

0:23:11.480 --> 0:23:17.120
<v Speaker 1>you said because you still competitive, very like I hate

0:23:17.160 --> 0:23:19.920
<v Speaker 1>to lose and if I'm but, but you also keep

0:23:20.080 --> 0:23:25.360
<v Speaker 1>venturing like you did album. Did an album with master P. Yeah,

0:23:26.160 --> 0:23:29.080
<v Speaker 1>I did three albums with master People, three albums. When

0:23:29.080 --> 0:23:32.320
<v Speaker 1>I left Death Row Records, I signed with No Limit Records,

0:23:32.400 --> 0:23:35.439
<v Speaker 1>which was the hottest rapp label in the industry. When

0:23:35.480 --> 0:23:37.719
<v Speaker 1>I signed with No Limit Records, they was the hottest

0:23:38.240 --> 0:23:40.440
<v Speaker 1>in the rap industry. They was the only nigga is

0:23:40.480 --> 0:23:46.280
<v Speaker 1>getting money in the industry. But I'm not got to

0:23:46.359 --> 0:23:49.679
<v Speaker 1>say this because it was very important. Please please Puffy

0:23:49.720 --> 0:23:52.560
<v Speaker 1>and then was was rocking, but they wasn't getting no

0:23:52.680 --> 0:23:55.560
<v Speaker 1>money like master P was. Like, and I had been

0:23:55.600 --> 0:23:58.399
<v Speaker 1>around the camp. I ain't been around Deaf Jam. I

0:23:58.560 --> 0:24:01.600
<v Speaker 1>was on Death Row. I've seen all the niggas that

0:24:01.680 --> 0:24:06.040
<v Speaker 1>supposedly had the money. Master P had the motherfucking money.

0:24:07.160 --> 0:24:09.840
<v Speaker 1>He had the money. That was three albums. I did

0:24:09.960 --> 0:24:11.639
<v Speaker 1>three albums with him, my dad the game is to

0:24:11.720 --> 0:24:13.280
<v Speaker 1>be sold, not to be told. And I did a

0:24:13.359 --> 0:24:15.680
<v Speaker 1>movie called The Game of Life right after that. Then

0:24:15.720 --> 0:24:20.399
<v Speaker 1>I did Um You Were No Limit, Top Dog. Then

0:24:20.440 --> 0:24:22.880
<v Speaker 1>I did Hot Boys after that, then I did motherfucking

0:24:22.920 --> 0:24:25.439
<v Speaker 1>The Last Meal. Then I did The Chronic two thousand

0:24:25.440 --> 0:24:27.159
<v Speaker 1>and one. That's when I got with for real. But

0:24:27.240 --> 0:24:30.200
<v Speaker 1>I put the East Siders out put after Dogies Angels.

0:24:30.400 --> 0:24:32.560
<v Speaker 1>You understand me. He showed me how to put business

0:24:32.600 --> 0:24:34.639
<v Speaker 1>because I hadn't had a record label. I was always

0:24:34.640 --> 0:24:37.400
<v Speaker 1>talking that dog estyle ship right to handle record label.

0:24:37.480 --> 0:24:39.320
<v Speaker 1>Master P showed me how to put a label together,

0:24:39.640 --> 0:24:42.000
<v Speaker 1>how to go get money, how to eat, how to

0:24:42.080 --> 0:24:44.119
<v Speaker 1>make money off my tours, how to make money off

0:24:44.160 --> 0:24:46.680
<v Speaker 1>of movies, how to create a different lane for me

0:24:46.800 --> 0:24:50.840
<v Speaker 1>to be seen differently. He brought money to the industry

0:24:50.880 --> 0:24:53.680
<v Speaker 1>because I'm telling you the truth, niggas wasn't having no money.

0:24:53.880 --> 0:24:58.359
<v Speaker 1>He didn't hold you. He told the niggas how to

0:24:58.440 --> 0:25:01.760
<v Speaker 1>get it man, because see, rappers wasn't getting money man.

0:25:01.800 --> 0:25:04.119
<v Speaker 1>That's what I'm trying to tell y'all, niggas was getting

0:25:04.160 --> 0:25:07.240
<v Speaker 1>gold chained and you get a big ass production deal,

0:25:07.440 --> 0:25:09.960
<v Speaker 1>or they spent all this money on your album and marketing.

0:25:09.960 --> 0:25:12.080
<v Speaker 1>But the niggas wasn't getting no way out to ask money.

0:25:12.440 --> 0:25:16.040
<v Speaker 1>Niggas on't no limit money. Everybody on no limit had

0:25:16.080 --> 0:25:19.000
<v Speaker 1>a house, a car, two guns, and a bank account.

0:25:26.160 --> 0:25:30.680
<v Speaker 1>And then after that you after so you had three albums.

0:25:31.720 --> 0:25:34.840
<v Speaker 1>I want three projects, and I went from Doggy style

0:25:35.520 --> 0:25:41.800
<v Speaker 1>Murder was the case, dog Pound, dog Father, above the

0:25:41.960 --> 0:25:47.560
<v Speaker 1>rim out of there, No limit game is to be sold,

0:25:47.600 --> 0:25:50.720
<v Speaker 1>not to be told, No limit top Dog and last meal,

0:25:51.080 --> 0:25:55.560
<v Speaker 1>I did three albums and three butt out the contract

0:25:56.480 --> 0:26:01.440
<v Speaker 1>master to night in the penitentiary instruct the deal because

0:26:01.480 --> 0:26:04.840
<v Speaker 1>everybody else was scared of that nigger. Everybody. That's when

0:26:04.880 --> 0:26:08.480
<v Speaker 1>she was the monster, the boogeyman. That's when he was

0:26:08.600 --> 0:26:12.880
<v Speaker 1>the boogeman. Pete went to go see drunk a deal,

0:26:13.440 --> 0:26:18.320
<v Speaker 1>paid him, paid me, got my publishing back, gave me

0:26:18.440 --> 0:26:21.080
<v Speaker 1>three albums. I did my three albums, then allowed me

0:26:21.200 --> 0:26:22.760
<v Speaker 1>to do the east side of the deal while I

0:26:22.840 --> 0:26:25.280
<v Speaker 1>was in the process of doing my last album. Didn't

0:26:25.320 --> 0:26:28.160
<v Speaker 1>get no it was the TV deal. Yes, didn't take

0:26:28.240 --> 0:26:30.639
<v Speaker 1>no money from it, didn't take no imprint from it.

0:26:31.000 --> 0:26:33.560
<v Speaker 1>East Side has when sold a million records and my

0:26:33.680 --> 0:26:46.440
<v Speaker 1>record labels off in popping that lost good Listen. I

0:26:46.640 --> 0:26:51.040
<v Speaker 1>knew this information, but to him down and the way

0:26:51.080 --> 0:26:53.720
<v Speaker 1>he's saying that, I'm just I'm sitting over here like

0:26:53.800 --> 0:26:56.080
<v Speaker 1>I'm back in fan Ball. I'm sorry. Do you want

0:26:56.119 --> 0:26:59.840
<v Speaker 1>me to get back an interview more? Because I'm selling

0:27:00.040 --> 0:27:06.120
<v Speaker 1>have more one and we always so now you live

0:27:06.160 --> 0:27:11.600
<v Speaker 1>in New Orleans, when you say years years down, where

0:27:11.640 --> 0:27:15.280
<v Speaker 1>do you start missing Cali? And then now that's crazy

0:27:15.359 --> 0:27:19.440
<v Speaker 1>you said that because when I first wrote to Baton Road,

0:27:19.760 --> 0:27:21.960
<v Speaker 1>Mr P tell me, Nigga, you can't go back there La.

0:27:22.880 --> 0:27:25.040
<v Speaker 1>So he basically put a wall around me, like, Nigga,

0:27:25.040 --> 0:27:26.840
<v Speaker 1>don't go back to LA. Because that's when the niggas

0:27:26.880 --> 0:27:29.879
<v Speaker 1>was really still trying to get at me. And you

0:27:29.920 --> 0:27:31.560
<v Speaker 1>know what I'm saying, I was kind of leaking so

0:27:31.800 --> 0:27:33.960
<v Speaker 1>in some of these words because I didn't really have

0:27:34.160 --> 0:27:37.280
<v Speaker 1>my street shipped right in the hood. So I went

0:27:37.359 --> 0:27:39.280
<v Speaker 1>back in New Orleans and I stayed out there. But

0:27:39.359 --> 0:27:42.880
<v Speaker 1>about my time the second album came, I started sliding

0:27:42.920 --> 0:27:45.320
<v Speaker 1>back to l A like for two days here two

0:27:45.440 --> 0:27:48.480
<v Speaker 1>days then and he was like, Nigga stopped going back.

0:27:48.520 --> 0:27:50.520
<v Speaker 1>I'm like, I can't help it. Then that's when I

0:27:50.560 --> 0:27:53.320
<v Speaker 1>started getting DJ Quik and all the other niggas. That

0:27:53.440 --> 0:27:55.800
<v Speaker 1>was a point of the second album, and it started

0:27:55.840 --> 0:27:58.200
<v Speaker 1>to sound back like Snoop Dogg because the first record

0:27:58.280 --> 0:28:00.840
<v Speaker 1>was South like a motherfucker. Then the second one was

0:28:00.880 --> 0:28:04.280
<v Speaker 1>getting more like Snoop Dogg. Then that's when I got

0:28:04.359 --> 0:28:07.320
<v Speaker 1>dready give me bitch, please for real. Gave me from

0:28:07.320 --> 0:28:09.760
<v Speaker 1>the church to the palace. Then I did the third one,

0:28:10.000 --> 0:28:13.440
<v Speaker 1>which was motherfucking uh the last meal. That's when ship

0:28:13.600 --> 0:28:15.600
<v Speaker 1>was like all the way right. We had Lailo, We

0:28:15.720 --> 0:28:18.520
<v Speaker 1>had all kind of records that was sounding like Snoop Dogg,

0:28:18.960 --> 0:28:22.280
<v Speaker 1>which prepped me for the Chronic two thousand one album.

0:28:22.600 --> 0:28:24.720
<v Speaker 1>And then he knew I had to be back in

0:28:24.960 --> 0:28:28.119
<v Speaker 1>l A because my flavor was at l A. It

0:28:28.200 --> 0:28:29.800
<v Speaker 1>was good that I could, you know, jump out of

0:28:29.880 --> 0:28:32.840
<v Speaker 1>my habitat and getting this environment and adapt to any

0:28:32.960 --> 0:28:35.760
<v Speaker 1>environment and be a chameleon. He un staying. But at

0:28:35.800 --> 0:28:37.280
<v Speaker 1>the same time, I got to go back to what

0:28:37.400 --> 0:28:39.760
<v Speaker 1>I'm comfortable at the zone and I'm and that's where

0:28:39.800 --> 0:28:43.040
<v Speaker 1>you start to hear those records started becoming more you

0:28:43.080 --> 0:28:45.760
<v Speaker 1>know what I'm saying, like the way they were supposed

0:28:45.760 --> 0:28:49.240
<v Speaker 1>to sound. Wow, at what point? All that is? The

0:28:49.520 --> 0:28:52.120
<v Speaker 1>murder record that you did. C Murder record was over

0:28:52.120 --> 0:28:59.720
<v Speaker 1>the second album No Limit Top Dog. I've been trying

0:28:59.760 --> 0:29:03.080
<v Speaker 1>to you ain't that record because because the Death Row

0:29:03.160 --> 0:29:05.320
<v Speaker 1>Niggers was on the Niggers. But originally you weren't on

0:29:05.400 --> 0:29:10.080
<v Speaker 1>that record. Originally, originally, originally that's my record. There's a

0:29:10.160 --> 0:29:13.280
<v Speaker 1>version without you though, right know that originally was my record.

0:29:13.320 --> 0:29:16.880
<v Speaker 1>That two different versions. So that's where I'm telling you.

0:29:16.960 --> 0:29:19.800
<v Speaker 1>That record was made after some ship happened in l

0:29:19.880 --> 0:29:22.000
<v Speaker 1>A and the Death Row Niggers try to get me.

0:29:22.200 --> 0:29:24.600
<v Speaker 1>But there is two versions though. Yeah it is. But

0:29:24.720 --> 0:29:27.880
<v Speaker 1>the version that you heard was after the fact version

0:29:28.080 --> 0:29:31.120
<v Speaker 1>because KOC did the original beat the nigger that did

0:29:31.280 --> 0:29:37.440
<v Speaker 1>move bitch to come on give it to you. Oh

0:29:37.520 --> 0:29:41.160
<v Speaker 1>my god, that's what I'm saying. You're wrong. I say you,

0:29:41.400 --> 0:29:46.240
<v Speaker 1>I'm gonna think you ain't. When I said you you

0:29:46.360 --> 0:29:54.840
<v Speaker 1>you you let me threst it right, No, ship didn't

0:29:54.840 --> 0:29:59.080
<v Speaker 1>know thres this is my Niggers. Yeah, y'all got that

0:29:59.160 --> 0:30:02.240
<v Speaker 1>ship on luck. That ship y'all a little Snoop. God

0:30:02.400 --> 0:30:04.760
<v Speaker 1>damn it, I can't believe we did it. So Snoop,

0:30:04.960 --> 0:30:08.600
<v Speaker 1>we got to marry Jane redside about we got to

0:30:08.640 --> 0:30:12.560
<v Speaker 1>Mary Jane. Yeah, we do. We got the we got

0:30:12.640 --> 0:30:15.560
<v Speaker 1>the g we got gen popping over vote TV and

0:30:15.720 --> 0:30:18.280
<v Speaker 1>I got my own, you know, sensituation vote trying to

0:30:18.360 --> 0:30:20.800
<v Speaker 1>lock me down, shall go over the wall. You know

0:30:20.880 --> 0:30:23.880
<v Speaker 1>what you do. You get paid to play and then

0:30:23.920 --> 0:30:26.360
<v Speaker 1>you do it and you keep it moving. Don't get question.

0:30:27.520 --> 0:30:29.120
<v Speaker 1>They don't get everything. They just get some of the

0:30:29.200 --> 0:30:34.680
<v Speaker 1>things because you're not gonna find everything, so you're gonna

0:30:34.680 --> 0:30:37.640
<v Speaker 1>do some of the things. He said. What I'm saying

0:30:37.840 --> 0:30:47.440
<v Speaker 1>because I wanted to, Because that's so you got all

0:30:47.840 --> 0:30:51.280
<v Speaker 1>g gen uh and we're gonna try to host that. Definitely,

0:30:51.320 --> 0:30:53.800
<v Speaker 1>Trina do it. And you started that ship in the

0:30:53.920 --> 0:30:58.000
<v Speaker 1>backyard somewhere. Man was just that I didn't start. Yeah.

0:30:58.160 --> 0:31:01.200
<v Speaker 1>I was watching the news one night and it came on.

0:31:01.320 --> 0:31:02.760
<v Speaker 1>It was a murder. It was something I was like,

0:31:02.840 --> 0:31:05.280
<v Speaker 1>why every time the news come on with some bad news.

0:31:05.800 --> 0:31:08.280
<v Speaker 1>I've never seen the news come on with they got

0:31:08.600 --> 0:31:15.560
<v Speaker 1>dick sock or some beautiful alley way point. The start

0:31:15.600 --> 0:31:19.240
<v Speaker 1>of news networks all good news it's all fun, it's

0:31:19.240 --> 0:31:22.880
<v Speaker 1>all comedy, it's all me, and we're from that to

0:31:22.960 --> 0:31:25.880
<v Speaker 1>where it is now. That's a fact that's reported that

0:31:25.960 --> 0:31:30.280
<v Speaker 1>they get this dick sock in the alleyway. Goddamnit, it

0:31:30.440 --> 0:31:32.200
<v Speaker 1>used to be me. I've been buried for a long

0:31:32.320 --> 0:31:38.480
<v Speaker 1>time for the space of me before I was married. Yo,

0:31:38.640 --> 0:31:42.240
<v Speaker 1>my nigga slew yo, come on, get your fucking ass out.

0:31:43.280 --> 0:31:45.920
<v Speaker 1>You know, best of my liquors, they provided the liquors.

0:31:46.040 --> 0:31:48.160
<v Speaker 1>We used to have girls head part of the drinks.

0:31:48.480 --> 0:31:53.160
<v Speaker 1>What happened? I don't know. Man, I'm married too, but

0:31:53.440 --> 0:31:56.160
<v Speaker 1>I don't mind having girl like I candy. I'm just shopping.

0:31:56.200 --> 0:31:58.840
<v Speaker 1>I'm not buying anything, you know, sometimes a little sloop.

0:31:59.120 --> 0:32:03.800
<v Speaker 1>You have never got tired of this lifestyle lifestyle I live, no, no,

0:32:04.080 --> 0:32:08.480
<v Speaker 1>I mean nothing lifestyle live. That's that's a fun up question.

0:32:09.000 --> 0:32:13.920
<v Speaker 1>But I got tired of recording and doing the same

0:32:14.040 --> 0:32:17.200
<v Speaker 1>process that style I have got. You see, when I'm

0:32:17.360 --> 0:32:20.520
<v Speaker 1>I became my own boss. So being your own boss,

0:32:20.560 --> 0:32:22.720
<v Speaker 1>you make your own rules, you play your own plays.

0:32:22.760 --> 0:32:24.600
<v Speaker 1>And I don't do what they do. I do what

0:32:24.720 --> 0:32:26.560
<v Speaker 1>I do. So I drop a record when I won't

0:32:26.600 --> 0:32:28.920
<v Speaker 1>do a movie, when I won't shoot TV when I

0:32:29.040 --> 0:32:32.120
<v Speaker 1>won't do a shoot deal coach football, you understand me.

0:32:32.160 --> 0:32:33.800
<v Speaker 1>I do what I like when I wanted to be

0:32:33.920 --> 0:32:38.640
<v Speaker 1>like it's like it's not a script, that's everybody else's script.

0:32:38.720 --> 0:32:41.360
<v Speaker 1>You know. Like if I was in the world of sports,

0:32:41.440 --> 0:32:43.680
<v Speaker 1>I would be my own sport. I wouldn't even be

0:32:44.120 --> 0:32:45.960
<v Speaker 1>I'd be a little bit of basketball, a little bit

0:32:46.000 --> 0:32:47.800
<v Speaker 1>of soccer, a little bit of golf, a little bit

0:32:47.840 --> 0:32:50.560
<v Speaker 1>of football. Like, Nigga, what sport are you? Nigga? I'm

0:32:50.600 --> 0:32:56.600
<v Speaker 1>just I'm just that. I'm that sport, Nigga everything goddamnitt that.

0:33:06.000 --> 0:33:09.520
<v Speaker 1>Welcome to play a new podcast network featuring radio and

0:33:09.560 --> 0:33:14.160
<v Speaker 1>TV personalities talking business, sports, tech, entertainment, and more. Play

0:33:14.240 --> 0:33:18.720
<v Speaker 1>it at play dot It. We're back to Drink Champs

0:33:18.840 --> 0:33:24.880
<v Speaker 1>Radio with Rapper and R and d j f N. Listen,

0:33:26.760 --> 0:33:34.600
<v Speaker 1>this is real ship, right man. Okay, Jenna Juice, you

0:33:34.760 --> 0:33:38.840
<v Speaker 1>have niggas in the East Coast, Jill, Niggas was getting

0:33:38.920 --> 0:33:47.760
<v Speaker 1>drunk on that ship. Yeah, how did this concoction? This collaboration? Collaboration,

0:33:49.720 --> 0:33:52.600
<v Speaker 1>Jenna Juice, collaboration happened when Nigga was a young nigga

0:33:53.160 --> 0:33:56.240
<v Speaker 1>seventeen sixteen. You really didn't have too much money. We

0:33:56.320 --> 0:34:00.240
<v Speaker 1>used to buy Seagrams Bumpy Gen bumpy face bottom and

0:34:00.280 --> 0:34:02.360
<v Speaker 1>we used to get uh. It was a drink called

0:34:02.400 --> 0:34:08.280
<v Speaker 1>supersocho and we used to mix simple break down Nigga.

0:34:08.400 --> 0:34:11.960
<v Speaker 1>Supersoco was a soccer drink, nagging and it was like

0:34:12.080 --> 0:34:14.200
<v Speaker 1>a lemony flavor. You can look it up on Google.

0:34:14.320 --> 0:34:16.600
<v Speaker 1>Nigga looking up. He was like, he plays soccer, and

0:34:16.680 --> 0:34:20.120
<v Speaker 1>Nigga looked at up. Nigga looking up looking up its

0:34:20.160 --> 0:34:25.200
<v Speaker 1>Spanish supersocho looking up Spanish Nigga. Supersoco was was a

0:34:25.320 --> 0:34:27.640
<v Speaker 1>mix that we used to mix it with, so it

0:34:27.719 --> 0:34:31.000
<v Speaker 1>gave it a different kind of lemony uh flavor. And

0:34:31.080 --> 0:34:33.640
<v Speaker 1>then we went to orange juice. And then once we

0:34:33.760 --> 0:34:35.839
<v Speaker 1>mixed it with orange juice, did we started doing gin

0:34:35.960 --> 0:34:40.320
<v Speaker 1>and juice, and then from gin and juice it became

0:34:40.400 --> 0:34:42.440
<v Speaker 1>a record because it was like we we heard the

0:34:42.480 --> 0:34:45.120
<v Speaker 1>old song half did you used to always sing old

0:34:45.200 --> 0:34:47.160
<v Speaker 1>songs and he would put new words to us. So

0:34:47.280 --> 0:34:52.600
<v Speaker 1>the song was walking down the street watching ladies, good bye,

0:34:52.719 --> 0:34:57.200
<v Speaker 1>watching you. So he took vand and put rolling down

0:34:57.320 --> 0:35:01.560
<v Speaker 1>the street smoking and though sipping on gin and juice.

0:35:02.640 --> 0:35:04.760
<v Speaker 1>So he he did that. But then We got David

0:35:04.840 --> 0:35:08.319
<v Speaker 1>Ruffin Jr. To actually sing it on the album makes

0:35:09.000 --> 0:35:14.319
<v Speaker 1>snoops flossing on us, just that, Yeah, that is real.

0:35:14.600 --> 0:35:17.440
<v Speaker 1>What do you go about the song? That's the fact check. Yeah,

0:35:17.480 --> 0:35:19.040
<v Speaker 1>but they got in the bottle to see what they

0:35:19.080 --> 0:35:21.640
<v Speaker 1>looked like in the bottle. That's it. You found the brand.

0:35:21.920 --> 0:35:25.000
<v Speaker 1>That's that's the hazard. It sounds he's called off that

0:35:25.200 --> 0:35:29.720
<v Speaker 1>nigga found facts in the bottle. In the bottle, nigger.

0:35:30.040 --> 0:35:32.640
<v Speaker 1>So you know we do you know, we're like the

0:35:32.760 --> 0:35:40.120
<v Speaker 1>black Howard Sterns listen to other black Latino Howard Sterns

0:35:40.200 --> 0:35:44.120
<v Speaker 1>coming Latino to goddamn it, of course, but we all together, man.

0:35:45.120 --> 0:35:47.520
<v Speaker 1>So it's has you still you still you're still looking

0:35:47.560 --> 0:35:52.840
<v Speaker 1>for that girl's gotta be sick, you know, like like

0:35:52.960 --> 0:35:56.720
<v Speaker 1>glass Bottom. It's like from the eighties. Look in the eighties.

0:35:58.080 --> 0:36:00.480
<v Speaker 1>Let's think in the eighties, go back to the you

0:36:00.560 --> 0:36:07.640
<v Speaker 1>are pre stories to goddamnit. Le's make being prere stories. No, no,

0:36:07.800 --> 0:36:09.840
<v Speaker 1>you know what I respect. I told Dame dash that

0:36:09.920 --> 0:36:12.160
<v Speaker 1>motherfucking paid them. Forward was one of the most gangster

0:36:12.239 --> 0:36:15.319
<v Speaker 1>movies I've ever seen in my life for one reason

0:36:15.360 --> 0:36:17.640
<v Speaker 1>because I was a drug dealing around that term. I

0:36:17.760 --> 0:36:19.920
<v Speaker 1>never was like money making mentioning them, but I always

0:36:19.920 --> 0:36:22.160
<v Speaker 1>wanted to be like them niggas. I was that little

0:36:22.239 --> 0:36:24.719
<v Speaker 1>nigger that was getting it on the beach. And to

0:36:24.800 --> 0:36:27.480
<v Speaker 1>see a movie like that was so motherfucking aspiring and

0:36:27.640 --> 0:36:30.360
<v Speaker 1>so so deft to find to see that relationship and

0:36:30.400 --> 0:36:32.640
<v Speaker 1>see how cutthroat that ship was. And it really was

0:36:32.719 --> 0:36:34.919
<v Speaker 1>like that in real life. There was a great learning

0:36:35.000 --> 0:36:38.440
<v Speaker 1>experience to to to watch that movie for the educational

0:36:38.520 --> 0:36:41.920
<v Speaker 1>reasons as well. And you know what, you know your

0:36:41.960 --> 0:36:45.680
<v Speaker 1>cousin Dad, which I loved. He sat ahead, he said

0:36:45.719 --> 0:36:50.560
<v Speaker 1>he wanted to do Colors Part two in New York.

0:36:51.200 --> 0:36:53.279
<v Speaker 1>I really needed to direct that movie. I just wanted

0:36:53.280 --> 0:36:58.319
<v Speaker 1>to throw that out there, just time to see him. Listen,

0:36:58.400 --> 0:37:00.600
<v Speaker 1>I want to direct that because you know what, that

0:37:00.840 --> 0:37:04.000
<v Speaker 1>was the most geniuses ship. Like I looked at dads

0:37:04.080 --> 0:37:06.160
<v Speaker 1>and you know, me and dask we just get high together.

0:37:06.719 --> 0:37:09.160
<v Speaker 1>When he said that to me, I was like, this

0:37:09.360 --> 0:37:13.080
<v Speaker 1>nigga way smarter than me. Like I was like, I said,

0:37:13.080 --> 0:37:14.759
<v Speaker 1>I'm gonna do Colors Far two And I was like

0:37:14.920 --> 0:37:18.920
<v Speaker 1>why he said, but in New York? And I was like, nigger,

0:37:18.960 --> 0:37:21.120
<v Speaker 1>I need to I'm gonna buy that movie. Like, let's

0:37:21.880 --> 0:37:25.440
<v Speaker 1>whatever I gotta do, let's do it. Negotiate, negotiating. Your

0:37:25.520 --> 0:37:27.560
<v Speaker 1>dad has been the only the only kids have been

0:37:27.600 --> 0:37:31.080
<v Speaker 1>on here twice. But but but snoop, So let me

0:37:31.160 --> 0:37:34.880
<v Speaker 1>ask you. So with that being said, like what with

0:37:35.160 --> 0:37:40.120
<v Speaker 1>gangs being it's origin being from where you come from?

0:37:40.880 --> 0:37:43.440
<v Speaker 1>And now I don't know if you know, but how

0:37:43.680 --> 0:37:47.600
<v Speaker 1>big that ship is in New York, Miami and everywhere?

0:37:47.840 --> 0:37:53.120
<v Speaker 1>Did you ever see that? Or a gang? A gang

0:37:53.280 --> 0:37:57.680
<v Speaker 1>is like hip hop, right, it's fun, it's exciting, it

0:37:58.160 --> 0:37:59.800
<v Speaker 1>looks like it's easy to do. You can do it

0:37:59.880 --> 0:38:04.920
<v Speaker 1>with your friends, and it becomes something of representation of

0:38:05.000 --> 0:38:08.480
<v Speaker 1>who you are, and it's a replication of who you are.

0:38:08.640 --> 0:38:11.520
<v Speaker 1>So it's supposed to travel. It's supposed to go from

0:38:11.600 --> 0:38:14.120
<v Speaker 1>city to city. Just imagine, if hip hop were to

0:38:14.160 --> 0:38:16.920
<v Speaker 1>stay in the Bronx, you would have never got it.

0:38:17.000 --> 0:38:21.200
<v Speaker 1>I wouldn't never got it, it wouldn't win nowhere. So exactly,

0:38:21.280 --> 0:38:24.640
<v Speaker 1>so gangbanging it's supposed to spread. It's supposed to travel

0:38:24.719 --> 0:38:27.120
<v Speaker 1>because it's just like it's some great ship in gangs.

0:38:27.200 --> 0:38:30.120
<v Speaker 1>I think if somebody wanted the easy travel guide to

0:38:30.280 --> 0:38:32.680
<v Speaker 1>how it all spread, listen to some of the vacations

0:38:32.719 --> 0:38:35.040
<v Speaker 1>from ice Q. Oh yeah, that's that's one of the

0:38:35.120 --> 0:38:39.520
<v Speaker 1>perfect examples. And Nigga's seating up shop at one of

0:38:39.560 --> 0:38:42.480
<v Speaker 1>those cities. You go to a city where you know

0:38:42.960 --> 0:38:45.719
<v Speaker 1>niggas is not as fast as l A, but they will.

0:38:46.400 --> 0:38:49.680
<v Speaker 1>You know, they influenced by you know, they love what

0:38:49.760 --> 0:38:52.640
<v Speaker 1>they see because l A remembers movies has been made

0:38:52.719 --> 0:38:54.960
<v Speaker 1>on us, like from Colors to Boys in the Hood,

0:38:55.320 --> 0:38:57.840
<v Speaker 1>so we have the perfect blueprint to what it is

0:38:57.920 --> 0:38:59.760
<v Speaker 1>to be a gangster. So when you have a gangster

0:38:59.800 --> 0:39:02.400
<v Speaker 1>from l A come to your city and impress you

0:39:02.520 --> 0:39:03.960
<v Speaker 1>and show you what it is and give you the

0:39:04.080 --> 0:39:07.080
<v Speaker 1>rules and the regulations, it's easy to influence others and

0:39:07.120 --> 0:39:09.360
<v Speaker 1>to make him pick that culture up and make it.

0:39:09.440 --> 0:39:12.239
<v Speaker 1>There's just like hip hop. Hip hop was born and

0:39:12.360 --> 0:39:15.680
<v Speaker 1>bred in the Bronx, but it made it way. It's

0:39:15.719 --> 0:39:18.279
<v Speaker 1>made its way all over the world. And when they

0:39:18.360 --> 0:39:20.800
<v Speaker 1>got to Long Beach, I grabbed ahold of it and

0:39:21.120 --> 0:39:23.640
<v Speaker 1>I wanted to do that more than gang banging. So

0:39:24.400 --> 0:39:27.600
<v Speaker 1>eventually it's gonna do the same thing. You know, hip

0:39:27.640 --> 0:39:30.920
<v Speaker 1>hop will wire moving again and overwhelmed gang banging because

0:39:31.280 --> 0:39:34.279
<v Speaker 1>the people that ain't from l A where it originated from.

0:39:34.840 --> 0:39:37.040
<v Speaker 1>They're a couple of years behind with the gang banging,

0:39:37.120 --> 0:39:39.480
<v Speaker 1>so they don't understand that were at the point that

0:39:39.560 --> 0:39:41.440
<v Speaker 1>we know how to converse, we know how to communicate.

0:39:41.520 --> 0:39:44.600
<v Speaker 1>Bloods and crips hang out and kick it. So once

0:39:44.680 --> 0:39:47.879
<v Speaker 1>they get that part, then they'll understand that it's really

0:39:48.040 --> 0:39:50.560
<v Speaker 1>a real brotherhood. And I'm seeing that with all these

0:39:50.640 --> 0:39:52.480
<v Speaker 1>marches and you see in bloods and crips all over

0:39:52.520 --> 0:39:55.279
<v Speaker 1>the world tying. They rag together because they following what

0:39:55.440 --> 0:39:58.239
<v Speaker 1>they see us do and we leave by example. So

0:39:58.480 --> 0:40:00.960
<v Speaker 1>we put the right foundation. Now they're gonna walk the

0:40:01.040 --> 0:40:03.759
<v Speaker 1>great path. But do you think that like hip hop

0:40:03.880 --> 0:40:06.040
<v Speaker 1>if us come to this This is what I've been

0:40:06.120 --> 0:40:09.239
<v Speaker 1>preaching on this podcast. I think this is like three

0:40:09.360 --> 0:40:15.719
<v Speaker 1>episode now this will be four. But what I've been

0:40:15.800 --> 0:40:19.440
<v Speaker 1>preaching is hip hop ship registered as a race. What

0:40:19.600 --> 0:40:21.840
<v Speaker 1>I mean by that is, you know, we might not

0:40:22.000 --> 0:40:25.080
<v Speaker 1>win it as a black race, but there's people like

0:40:25.239 --> 0:40:28.640
<v Speaker 1>Marks Coscrallity that people who feel like they're part of

0:40:28.760 --> 0:40:31.200
<v Speaker 1>hip hop, but that not be a part of our race.

0:40:32.520 --> 0:40:34.640
<v Speaker 1>You think that is that something that that we should

0:40:34.800 --> 0:40:37.920
<v Speaker 1>like as hip hop? Well, hip hop don't have a

0:40:38.040 --> 0:40:41.200
<v Speaker 1>race to it because it's a it's a feeling exactly.

0:40:41.320 --> 0:40:42.919
<v Speaker 1>You know what, don't hand no color to it either,

0:40:42.920 --> 0:40:46.120
<v Speaker 1>because it's all about the feeling. It's been some motherfucker's

0:40:46.160 --> 0:40:50.319
<v Speaker 1>that I have relationships within hip hop then got most

0:40:50.360 --> 0:40:52.880
<v Speaker 1>sold than average niggas you could expect, and they're scared.

0:40:52.920 --> 0:40:56.919
<v Speaker 1>Ain't nowhere near darkness mare right. So I just feel

0:40:57.000 --> 0:40:59.600
<v Speaker 1>like you're write about that as far as it should

0:40:59.640 --> 0:41:02.640
<v Speaker 1>be some sort of membership or some sort of because

0:41:03.040 --> 0:41:04.839
<v Speaker 1>because that's what I'm saying, I'm sorry to cut you off,

0:41:04.840 --> 0:41:07.080
<v Speaker 1>because people get that. They want to kill me, want

0:41:07.080 --> 0:41:09.880
<v Speaker 1>to cut my guests off. But what I'm saying is

0:41:10.200 --> 0:41:13.359
<v Speaker 1>it's sometimes it's like a think of like, oh, let's

0:41:13.400 --> 0:41:16.920
<v Speaker 1>just say Nate dog God bless his soul. Say if

0:41:17.000 --> 0:41:20.919
<v Speaker 1>Nate DOGG was still alive and then something happening Nate

0:41:21.040 --> 0:41:23.959
<v Speaker 1>dog we should be it should be a union that's

0:41:24.160 --> 0:41:30.200
<v Speaker 1>already established or ready to take care of him. Like, yeah,

0:41:30.280 --> 0:41:32.600
<v Speaker 1>that's that's what we were speaking about, dog What you

0:41:32.680 --> 0:41:35.160
<v Speaker 1>think about that? I love that idea and I love

0:41:35.280 --> 0:41:37.200
<v Speaker 1>the fact that we even can speak on that because

0:41:37.200 --> 0:41:40.279
<v Speaker 1>we got the platform and we're not speaking like if

0:41:40.320 --> 0:41:43.560
<v Speaker 1>we were broken niggas, this this conversation would be fucked

0:41:43.600 --> 0:41:45.879
<v Speaker 1>up because it understund like because it sounds like we hate,

0:41:46.680 --> 0:41:49.760
<v Speaker 1>but niggas ain't broke here, we're okay. That being okay

0:41:52.360 --> 0:41:54.400
<v Speaker 1>actually what we are with a voice for those who

0:41:54.480 --> 0:41:58.440
<v Speaker 1>can't speak exactly, trying to provide something for those who

0:41:58.520 --> 0:42:02.480
<v Speaker 1>don't have or may not have the opportunity to continue

0:42:02.520 --> 0:42:04.560
<v Speaker 1>to be successful, for us to be some step paved

0:42:04.600 --> 0:42:07.080
<v Speaker 1>away for them for their hard work and dedication. We

0:42:07.239 --> 0:42:10.080
<v Speaker 1>just like the NFFAMI, the NBA, ain't all that. We

0:42:11.080 --> 0:42:12.680
<v Speaker 1>just don't have it. We don't. We don't have a

0:42:12.719 --> 0:42:16.359
<v Speaker 1>commissioner or anybody to answer to. And that's one thing

0:42:16.480 --> 0:42:18.839
<v Speaker 1>that I don't think we need because that's the only

0:42:18.880 --> 0:42:20.600
<v Speaker 1>thing that I see funked up about the n B

0:42:20.719 --> 0:42:22.960
<v Speaker 1>n NFL, that they got some motherfucker to answer to

0:42:23.800 --> 0:42:26.000
<v Speaker 1>that ain't in human, you know what I'm saying. So

0:42:26.080 --> 0:42:28.040
<v Speaker 1>it should be, you know, on the level playing field

0:42:28.080 --> 0:42:31.239
<v Speaker 1>where we all agree to disagree and we we know

0:42:31.360 --> 0:42:33.880
<v Speaker 1>we commissioned ourselves, but we boss ourselves. I don't like

0:42:33.960 --> 0:42:36.080
<v Speaker 1>answering to nobody. I got a problem with that, especially

0:42:36.080 --> 0:42:37.839
<v Speaker 1>if you don't know more than me, if you ain't

0:42:37.840 --> 0:42:39.719
<v Speaker 1>position better than me, I really got a problem with

0:42:39.800 --> 0:42:42.520
<v Speaker 1>answering to you. But if hip hop unionized, we would

0:42:42.520 --> 0:42:45.399
<v Speaker 1>be a voting block. I get that part, but it's

0:42:45.400 --> 0:42:49.680
<v Speaker 1>gonna have to be somebody that's in control. And Russell

0:42:49.719 --> 0:42:51.680
<v Speaker 1>Simmons is a great guy, but it ain't It ain't him.

0:42:52.280 --> 0:42:55.400
<v Speaker 1>But he didn't like the idea of that. What was this?

0:42:55.600 --> 0:42:58.520
<v Speaker 1>Do you remember his argument for this? No, I'm sorry

0:42:58.520 --> 0:43:01.360
<v Speaker 1>having I keep saying prodigy having Having din't like the

0:43:01.480 --> 0:43:06.000
<v Speaker 1>idea of that of us unionizing, or that's because he's

0:43:06.000 --> 0:43:11.040
<v Speaker 1>to be tarting. Think about it is this. Let's listen,

0:43:11.120 --> 0:43:13.640
<v Speaker 1>you have an argument he has. Think about it is this.

0:43:14.080 --> 0:43:16.800
<v Speaker 1>This is who we all listen, this is what we

0:43:16.880 --> 0:43:19.239
<v Speaker 1>all need to do. We all need to have each

0:43:19.239 --> 0:43:23.960
<v Speaker 1>other's back, because at the end of the day, Snoop, listen,

0:43:24.080 --> 0:43:27.839
<v Speaker 1>my grandmother knows who Snoop bears. I have two grandmothers

0:43:27.880 --> 0:43:30.080
<v Speaker 1>who know Snoopers, and they both dead, but they still

0:43:30.160 --> 0:43:38.799
<v Speaker 1>know Snoop Bears. No, I don't about the grandmother grandma's.

0:43:38.960 --> 0:43:42.040
<v Speaker 1>They both knew who Snoop was. That's a fact, right,

0:43:42.320 --> 0:43:47.040
<v Speaker 1>So what I'm saying is all right, But maybe both

0:43:47.080 --> 0:43:53.040
<v Speaker 1>of my grandmother's know who Coolio is. Maybe both of

0:43:53.120 --> 0:43:58.440
<v Speaker 1>my grandmothers know who mc hamm is. Guess what I'm not.

0:43:59.000 --> 0:44:01.200
<v Speaker 1>I don't want anything at those brothers, but I know

0:44:01.400 --> 0:44:09.680
<v Speaker 1>Snoopers okay. Other grandmothers don't know if hammer cool deal

0:44:09.880 --> 0:44:15.640
<v Speaker 1>is okay. Shouldn't there be something that says when they're

0:44:15.719 --> 0:44:21.040
<v Speaker 1>not okay? So we need to come in and we say, Slim,

0:44:21.239 --> 0:44:24.080
<v Speaker 1>you sold thirty million records, You put your fucking money

0:44:24.120 --> 0:44:28.080
<v Speaker 1>in the g shrink. You fucked up, but we got you,

0:44:29.680 --> 0:44:33.480
<v Speaker 1>and not only them, but people who like you know,

0:44:33.640 --> 0:44:37.759
<v Speaker 1>who's the real rhyme niggers, you know, you know exhibits

0:44:37.920 --> 0:44:42.640
<v Speaker 1>from l A and the motherfucker the true life for

0:44:42.800 --> 0:44:47.680
<v Speaker 1>New York and shit, if she ain't never work out,

0:44:48.239 --> 0:44:54.080
<v Speaker 1>it should be a program to take care of you, right, No, no, no,

0:44:54.440 --> 0:44:56.840
<v Speaker 1>you you got the right here in my mind, and

0:44:57.000 --> 0:44:59.600
<v Speaker 1>just a matter of who can actually execute that great

0:45:00.080 --> 0:45:03.040
<v Speaker 1>organization can help me in that plan is excellent, that's

0:45:03.080 --> 0:45:05.520
<v Speaker 1>an awesome plan, but who can actually make that plan

0:45:05.680 --> 0:45:08.200
<v Speaker 1>come to life? It really see to it because like

0:45:08.280 --> 0:45:11.160
<v Speaker 1>you and they gotta see two it that it continued

0:45:11.239 --> 0:45:13.680
<v Speaker 1>on you. It gotta go because that's that's throwing on you.

0:45:13.800 --> 0:45:17.319
<v Speaker 1>Too much. It was it was too much because it's

0:45:17.320 --> 0:45:19.040
<v Speaker 1>a lot of none my shows. I don't know if

0:45:19.080 --> 0:45:30.040
<v Speaker 1>I can carry but listening. But that's what I'm saying

0:45:30.560 --> 0:45:33.799
<v Speaker 1>in the Hip Hop Council, as long as somebody, as

0:45:33.920 --> 0:45:37.920
<v Speaker 1>long as we try to bear some teams together, because

0:45:38.400 --> 0:45:41.520
<v Speaker 1>at the end of the day, we gotta keep working.

0:45:41.800 --> 0:45:44.920
<v Speaker 1>If you're not working, then you shouldn't be involved. And

0:45:45.040 --> 0:45:48.239
<v Speaker 1>we don't want to take care of the people who's lazy. Yeah,

0:45:48.360 --> 0:45:51.560
<v Speaker 1>you want to take care to people who who dedicated

0:45:51.680 --> 0:45:57.000
<v Speaker 1>their life fifteen ten years and they still gotta struggle

0:45:57.080 --> 0:45:59.279
<v Speaker 1>to pay their rent. Don't dude, should be taken. But

0:45:59.360 --> 0:46:02.960
<v Speaker 1>that's why I think d take the pictures because everybody,

0:46:03.239 --> 0:46:05.480
<v Speaker 1>anybody that's an actor, you could be a b roll,

0:46:05.680 --> 0:46:07.960
<v Speaker 1>you could be uh, but hip hop we need to say.

0:46:07.960 --> 0:46:10.279
<v Speaker 1>That's why I think SAG is a perfect model for

0:46:10.480 --> 0:46:14.479
<v Speaker 1>what could happen in hip hop. Right, somebody just gotta

0:46:14.520 --> 0:46:17.920
<v Speaker 1>put that thing down, man. You know it's a great idea.

0:46:18.080 --> 0:46:20.560
<v Speaker 1>But you know, one thing about one thing about nigger

0:46:21.239 --> 0:46:25.759
<v Speaker 1>we don't believe. We believe, right, So what's the next

0:46:25.800 --> 0:46:28.960
<v Speaker 1>thing for Snoop Dogg? Right now? Right now, we know

0:46:29.160 --> 0:46:33.319
<v Speaker 1>you had every liquor in the universe, you had every

0:46:33.440 --> 0:46:37.359
<v Speaker 1>slipper in the universe. I bought like nineteen thousand dollars

0:46:37.440 --> 0:46:40.200
<v Speaker 1>worth for slippers and he started the slipper game. Let's

0:46:40.200 --> 0:46:43.480
<v Speaker 1>just let's just be quite honest here. Uh So, So

0:46:43.600 --> 0:46:46.279
<v Speaker 1>what's next for Snoop Dogg? Right now? And let me

0:46:46.320 --> 0:46:48.040
<v Speaker 1>get let me get, let me get your rop, then

0:46:48.080 --> 0:46:51.799
<v Speaker 1>let me get he's a roch? Which one of these

0:46:52.120 --> 0:46:56.520
<v Speaker 1>I was gonna get that? I'll take this one. This

0:46:56.680 --> 0:47:01.239
<v Speaker 1>nigger roach is my whole blood. Just for the record, Um,

0:47:01.400 --> 0:47:06.040
<v Speaker 1>what's the next for Snoop Dogg? H oh oh yeah.

0:47:06.320 --> 0:47:09.800
<v Speaker 1>I got an artist name October London. He forgot this

0:47:09.880 --> 0:47:12.120
<v Speaker 1>nigger name. Let's make some noise for you this name.

0:47:16.239 --> 0:47:18.320
<v Speaker 1>This nigga from Indiana. This nigga is Everree birth of

0:47:18.400 --> 0:47:23.440
<v Speaker 1>Mark heard you forget this? This nigga special man. This

0:47:23.560 --> 0:47:25.520
<v Speaker 1>nigga is special. So he got a song called black

0:47:25.560 --> 0:47:28.279
<v Speaker 1>Man in America that we're about to dropping about two

0:47:28.360 --> 0:47:30.920
<v Speaker 1>days and it's a heavy record. He got a mini

0:47:31.000 --> 0:47:34.160
<v Speaker 1>movie I just shot on him. Um, just trying to

0:47:34.200 --> 0:47:36.880
<v Speaker 1>do my thing. Me and Jazz Faith, we're doing it together.

0:47:36.920 --> 0:47:39.239
<v Speaker 1>It's called cat Like Music. Jazz Faith brought him to me.

0:47:39.640 --> 0:47:43.680
<v Speaker 1>It's a collaboration with me and Jazz God death Man

0:47:43.800 --> 0:47:47.319
<v Speaker 1>Snoop Stop was doing so much. Listen, man, we're gonna

0:47:47.360 --> 0:47:49.680
<v Speaker 1>do a movie together, and we needed to. I told

0:47:49.680 --> 0:47:52.000
<v Speaker 1>you that. I told you, hell a blank you ship.

0:47:52.280 --> 0:47:55.080
<v Speaker 1>I love your actor name. Every time I see you

0:47:55.160 --> 0:47:57.160
<v Speaker 1>on screen, I'm like, this is a bad motherfucker. He

0:47:57.160 --> 0:48:01.680
<v Speaker 1>don't even know you're bad motherfucker? Do you you know what?

0:48:01.760 --> 0:48:05.600
<v Speaker 1>You don't know? You do? You know? In New York

0:48:05.800 --> 0:48:09.239
<v Speaker 1>that's I Rock is like the ultimate cript drink. Do

0:48:09.360 --> 0:48:12.680
<v Speaker 1>you know that? Yeah? Well, I mean yeah, look it's

0:48:12.800 --> 0:48:16.640
<v Speaker 1>so let's see auto and it's blue dot. I don't

0:48:16.680 --> 0:48:18.880
<v Speaker 1>know if you know that crip. I ain't gonna I

0:48:18.960 --> 0:48:21.040
<v Speaker 1>think you used to take a sip for the cript

0:48:21.080 --> 0:48:26.120
<v Speaker 1>in New York, just just just just because best look

0:48:26.320 --> 0:48:28.640
<v Speaker 1>at this. I'm gonna have to call Puffy and see

0:48:28.640 --> 0:48:30.520
<v Speaker 1>if he got a few out of you know that.

0:48:30.640 --> 0:48:33.400
<v Speaker 1>You didn't know that. I didn't know that. Yo. Corrol

0:48:33.480 --> 0:48:35.840
<v Speaker 1>came in here and he walked out over there right

0:48:35.960 --> 0:48:40.279
<v Speaker 1>let's me came in here, you were we drinking. Did

0:48:40.400 --> 0:48:44.120
<v Speaker 1>correct what he does, But you did drink a couple

0:48:44.160 --> 0:48:46.359
<v Speaker 1>of drinks for that for you, because he took five,

0:48:46.640 --> 0:48:49.719
<v Speaker 1>he did drink he drank. Took five shots on my line.

0:48:49.760 --> 0:48:53.520
<v Speaker 1>Now he took four shots, four shots, and he's ever

0:48:53.600 --> 0:48:59.239
<v Speaker 1>taken four shots fifty seventy and he don't drink at all.

0:48:59.280 --> 0:49:04.640
<v Speaker 1>I think we got fifty four shots five See one thing.

0:49:04.719 --> 0:49:07.160
<v Speaker 1>I was like, you smoke file. You won't make a

0:49:07.239 --> 0:49:10.200
<v Speaker 1>nigga break the loan, but you're making nigga bender law. Yeah,

0:49:12.280 --> 0:49:19.520
<v Speaker 1>we gotta put that in the commercial. So let me

0:49:19.640 --> 0:49:22.880
<v Speaker 1>just let me I'm listening in front of everybody. Let

0:49:22.960 --> 0:49:25.480
<v Speaker 1>me just say something, man. From the beginning of my career,

0:49:26.080 --> 0:49:29.440
<v Speaker 1>I never knew you guys. You guys did the New York,

0:49:29.480 --> 0:49:31.400
<v Speaker 1>New York thing. I didn't know if y'all was listening

0:49:31.520 --> 0:49:33.560
<v Speaker 1>us or not, but I just felt like it was

0:49:33.600 --> 0:49:36.640
<v Speaker 1>an opportunity. So I went out there. I did it,

0:49:37.000 --> 0:49:39.560
<v Speaker 1>and from the first day I ever met you, I

0:49:39.680 --> 0:49:42.160
<v Speaker 1>regretted what I did, but I knew you understand what

0:49:42.280 --> 0:49:47.239
<v Speaker 1>I did. Yeah, understand you understand all that way, so

0:49:47.520 --> 0:49:50.880
<v Speaker 1>you'll respected your guys. I always shouted out the niggas.

0:49:51.440 --> 0:49:53.400
<v Speaker 1>That was hard to me. Nigga, you was always one

0:49:53.440 --> 0:49:55.640
<v Speaker 1>of the niggas because you didn't give a funk. You

0:49:55.760 --> 0:49:57.879
<v Speaker 1>did what I would have did. Nigger, you just wanted

0:49:57.880 --> 0:50:00.040
<v Speaker 1>to get you. Took it the wrong way, Nigga, like

0:50:00.120 --> 0:50:04.759
<v Speaker 1>he was supposed to niger. I took it the wrong way.

0:50:05.080 --> 0:50:08.759
<v Speaker 1>I thought you were saying this. We'll get you the

0:50:08.840 --> 0:50:15.400
<v Speaker 1>explanation to say the same thing, because it's just a

0:50:15.480 --> 0:50:18.239
<v Speaker 1>gangster ship. Because we respect that ship. Because I always have,

0:50:18.400 --> 0:50:23.759
<v Speaker 1>always will and to this day we still because people

0:50:23.880 --> 0:50:26.359
<v Speaker 1>trying to call us old niggas. That's why we don't

0:50:26.360 --> 0:50:31.880
<v Speaker 1>interview new niggers. Right, we just want to call us

0:50:31.920 --> 0:50:35.120
<v Speaker 1>old niggas. Right, that's okay, y'all got your own market.

0:50:35.440 --> 0:50:43.520
<v Speaker 1>Who who going to interview? You'll Elliott? The niggas bored.

0:50:46.120 --> 0:50:49.279
<v Speaker 1>We have no trains on this episode. Trains we came

0:50:49.320 --> 0:50:52.759
<v Speaker 1>to see Snoop, And you know what, listen, we don't

0:50:52.880 --> 0:50:59.799
<v Speaker 1>have no trains overhead. That makes no noise, no trains. Listen.

0:51:00.840 --> 0:51:03.480
<v Speaker 1>We did what we gotta do, Snoop. There's no way

0:51:03.560 --> 0:51:07.840
<v Speaker 1>we could ever would pay you. We shot here, do

0:51:08.000 --> 0:51:10.040
<v Speaker 1>all the questions we keep you. I think I feel

0:51:10.040 --> 0:51:12.120
<v Speaker 1>like the fn E fing got one more question. He's

0:51:12.120 --> 0:51:14.319
<v Speaker 1>just looking at me like, don't you did? And did

0:51:17.360 --> 0:51:19.239
<v Speaker 1>dog with the smoke and especially trying to duck and

0:51:21.280 --> 0:51:23.000
<v Speaker 1>he gave you his thank you, But I want to say,

0:51:23.120 --> 0:51:26.000
<v Speaker 1>like to me, this is a milestone that God and

0:51:26.080 --> 0:51:29.160
<v Speaker 1>I represent the DJ here. You know, we're we're the

0:51:29.200 --> 0:51:31.680
<v Speaker 1>people that are not seen behind the scenes in the culture,

0:51:32.760 --> 0:51:35.520
<v Speaker 1>but we're here. We're here, and I read all the

0:51:35.640 --> 0:51:38.640
<v Speaker 1>DJ shout out. Tell the motherfucking DJs out here and

0:51:39.440 --> 0:51:42.920
<v Speaker 1>your projects was always a pleasure for all of the DJs.

0:51:42.960 --> 0:51:46.040
<v Speaker 1>The samples you picked, the artists you worked with, everything

0:51:46.080 --> 0:51:48.480
<v Speaker 1>across the board. I told you the remixes, everything up

0:51:48.560 --> 0:51:51.040
<v Speaker 1>there was the one joint up was the Red Eye

0:51:51.080 --> 0:51:58.040
<v Speaker 1>remix of was it g Thing? Yeah? Damn you you

0:51:58.160 --> 0:52:01.040
<v Speaker 1>got heat? I got the record and you have to

0:52:01.080 --> 0:52:03.799
<v Speaker 1>play it on the forty five speed. You got heat.

0:52:03.960 --> 0:52:06.560
<v Speaker 1>I got one more question? You got heat? I got

0:52:06.640 --> 0:52:12.840
<v Speaker 1>one more question? Is finish. I'm just saying, on behalf

0:52:12.840 --> 0:52:15.640
<v Speaker 1>of the DJ, thank you Snoop on behalf of the DJ.

0:52:15.880 --> 0:52:17.880
<v Speaker 1>Thank you all for playing my shift, for giving me

0:52:17.960 --> 0:52:20.839
<v Speaker 1>a shot, for putting me in rotation, for fucking women,

0:52:20.920 --> 0:52:23.799
<v Speaker 1>for spreading it, for passing it on to the next DJ,

0:52:24.080 --> 0:52:26.680
<v Speaker 1>for mixing it, putting in the mixed shows, playing me

0:52:26.719 --> 0:52:29.600
<v Speaker 1>in the strip, clubs on the radio station, all of

0:52:29.680 --> 0:52:32.600
<v Speaker 1>the ABOVEM and I love the djunerstan Me I respected

0:52:32.680 --> 0:52:37.719
<v Speaker 1>DJ M c ain't nothing without it. So still dre Day,

0:52:38.480 --> 0:52:42.759
<v Speaker 1>which is one of my favorite records, not not of this.

0:52:43.000 --> 0:52:45.120
<v Speaker 1>I'm not I'm gonna take another one of your roaches

0:52:45.280 --> 0:52:49.040
<v Speaker 1>as you should look at this thing of Roly's a

0:52:49.080 --> 0:52:53.440
<v Speaker 1>whole blood. It's this this thing. Day was also the

0:52:53.520 --> 0:53:01.080
<v Speaker 1>loop this right, No, no, still still not Still Drey Day,

0:53:02.560 --> 0:53:04.680
<v Speaker 1>who was the one on the Chronic album, was getting

0:53:04.680 --> 0:53:07.759
<v Speaker 1>that little Still dre was on fronting two thousand one

0:53:09.080 --> 0:53:14.960
<v Speaker 1>was over. He was going banatas and they did one

0:53:15.000 --> 0:53:16.520
<v Speaker 1>want to go there first? You want to go down?

0:53:16.840 --> 0:53:20.400
<v Speaker 1>I just did. It was but it was such a

0:53:20.480 --> 0:53:22.719
<v Speaker 1>hot no, no, let me tell you about that with

0:53:22.880 --> 0:53:25.680
<v Speaker 1>Luke right, So I'm jumping in this when I'm a

0:53:25.760 --> 0:53:29.520
<v Speaker 1>young nigger. So at this time Luke said something about

0:53:29.600 --> 0:53:31.640
<v Speaker 1>dre Tim Donk said some about Dre's a bunch of

0:53:31.680 --> 0:53:33.719
<v Speaker 1>niggas that was talking about Dreke because some shitty had

0:53:33.760 --> 0:53:36.000
<v Speaker 1>went through. So I was just a young ghon. I

0:53:36.120 --> 0:53:38.000
<v Speaker 1>was like funk. All the niggas I jumped in it

0:53:38.120 --> 0:53:41.239
<v Speaker 1>was this and them niggas. And in the event of

0:53:41.320 --> 0:53:43.520
<v Speaker 1>disting these niggas, I didn't realize who was real and

0:53:43.560 --> 0:53:46.239
<v Speaker 1>who was faking in that industry. We ran up on

0:53:46.360 --> 0:53:48.520
<v Speaker 1>Luca then and seeing them at a convention and found

0:53:48.560 --> 0:53:56.680
<v Speaker 1>out how real them was. Immediately J shout out, immediately

0:53:57.800 --> 0:54:00.120
<v Speaker 1>do you remember long? So I hadn't been outside of us,

0:54:00.120 --> 0:54:02.200
<v Speaker 1>so I know that they made gangsters in every state.

0:54:04.320 --> 0:54:07.279
<v Speaker 1>Remember they made a record. It was cowards and co

0:54:10.280 --> 0:54:12.439
<v Speaker 1>what I'm saying. But let me tell you what after

0:54:12.560 --> 0:54:15.359
<v Speaker 1>that though, So we go to a man. We come

0:54:15.440 --> 0:54:18.440
<v Speaker 1>back to Miami right this time, I'm just snoop dog

0:54:18.600 --> 0:54:21.960
<v Speaker 1>and the dog, no no security. I just got the

0:54:22.040 --> 0:54:24.800
<v Speaker 1>homies with me. So Luke send a car to get me.

0:54:25.200 --> 0:54:27.480
<v Speaker 1>That's like gangster, this nigga is he sent a card

0:54:27.480 --> 0:54:30.080
<v Speaker 1>to give me Limo bring me to the club. All

0:54:30.160 --> 0:54:32.840
<v Speaker 1>kind of bitches laying out for nigga, like nigga, I

0:54:32.920 --> 0:54:36.120
<v Speaker 1>love you, Nick, ain't nothing moved to woo boom, go

0:54:36.320 --> 0:54:37.840
<v Speaker 1>back to l A. He come to my house. We

0:54:37.960 --> 0:54:40.640
<v Speaker 1>make a record. We forged a relationship with this nigga,

0:54:40.680 --> 0:54:42.880
<v Speaker 1>Louke to where it's like this one of the realist

0:54:42.920 --> 0:54:45.239
<v Speaker 1>niggas we ever met. So I had to learn to

0:54:45.400 --> 0:54:50.480
<v Speaker 1>not disrespect niggas that I didn't know so quick. Without

0:54:50.560 --> 0:54:54.680
<v Speaker 1>knowing who the funk I'm talking about? See, because that

0:54:54.880 --> 0:54:57.160
<v Speaker 1>rap sure to get you fucked up if you don't

0:54:57.160 --> 0:54:59.279
<v Speaker 1>know who you're talking about. And see a lot of

0:54:59.360 --> 0:55:01.279
<v Speaker 1>niggers don't know that, they quickly be like, just bitch

0:55:01.320 --> 0:55:04.320
<v Speaker 1>asks nigga that nigga. You better check that nigga rezum

0:55:04.920 --> 0:55:10.200
<v Speaker 1>and see what you're about. You better really see what

0:55:10.920 --> 0:55:14.040
<v Speaker 1>talking about. Tricking Detroit Now, it's not gonna happen knock

0:55:14.120 --> 0:55:16.640
<v Speaker 1>at all. You gotta know who you're talking about. And

0:55:16.680 --> 0:55:19.520
<v Speaker 1>it was just a blessing that Lucas was a genuine

0:55:19.560 --> 0:55:22.760
<v Speaker 1>grown ass man and he was able to see pass

0:55:22.880 --> 0:55:26.360
<v Speaker 1>the ignorance that we had. He the game us, We

0:55:26.480 --> 0:55:29.719
<v Speaker 1>became friends, We fun when he played football against because

0:55:29.719 --> 0:55:33.000
<v Speaker 1>he coached football too. So it was it was come on, answer,

0:55:33.480 --> 0:55:36.040
<v Speaker 1>it's my nigga, man, I love uncle. Look he always

0:55:36.320 --> 0:55:39.600
<v Speaker 1>So this is the last question, Snoop, because you you

0:55:39.760 --> 0:55:42.960
<v Speaker 1>did everything we asked us to do. But listen, Snoop,

0:55:43.360 --> 0:55:49.120
<v Speaker 1>I've never seen listen. I'm on my seventh flight, you

0:55:49.239 --> 0:55:55.600
<v Speaker 1>on your twenty seventh life with winds. I've seen you transition,

0:55:56.360 --> 0:55:59.560
<v Speaker 1>seen people count you out, seen people do that, seen

0:55:59.560 --> 0:56:03.160
<v Speaker 1>people do that to me like seventeen times, You're on

0:56:03.320 --> 0:56:10.560
<v Speaker 1>twenty seven. I'm following you. How do you continue? Stay

0:56:10.680 --> 0:56:16.759
<v Speaker 1>here and say? This is what the funk I'm gonna do? Um,

0:56:17.760 --> 0:56:21.520
<v Speaker 1>I made myself a boss and but and I'm just

0:56:21.560 --> 0:56:23.279
<v Speaker 1>gonna tell you the truth. It was like when I

0:56:24.000 --> 0:56:27.480
<v Speaker 1>first started making money, Jimmy Ivan came to me and

0:56:27.560 --> 0:56:31.239
<v Speaker 1>he told me, say, by a studio. And when I

0:56:31.320 --> 0:56:34.239
<v Speaker 1>bought a studio, I was able to create. It was

0:56:34.320 --> 0:56:37.080
<v Speaker 1>like buying a sack. And instead of buying a sack,

0:56:37.160 --> 0:56:40.160
<v Speaker 1>I bought a factory where I was the sack. You

0:56:40.239 --> 0:56:43.480
<v Speaker 1>get what I'm saying. So you have to whatever you love,

0:56:43.560 --> 0:56:46.080
<v Speaker 1>you gotta be able to surround yourself with it. And

0:56:46.160 --> 0:56:48.920
<v Speaker 1>when I surrounded myself and what I loved the spirit

0:56:49.000 --> 0:56:51.239
<v Speaker 1>of what I love keeps me doing with what I love.

0:56:51.680 --> 0:56:55.360
<v Speaker 1>So it's never why am I doing it? Do I

0:56:55.400 --> 0:56:57.560
<v Speaker 1>ever want to stop doing it? This is all I

0:56:57.680 --> 0:56:59.719
<v Speaker 1>know how to do. So I'm gonna keep doing it,

0:56:59.760 --> 0:57:01.239
<v Speaker 1>and I'm gonna do it to the point to where

0:57:01.239 --> 0:57:04.680
<v Speaker 1>it feels good to me. And it's never all this

0:57:04.840 --> 0:57:08.560
<v Speaker 1>old nigga need to sit down somewhere. It's like Uncle

0:57:08.640 --> 0:57:10.960
<v Speaker 1>Snoop when you come in with some more ship. You

0:57:11.040 --> 0:57:16.000
<v Speaker 1>know the transition is from young mc B g O

0:57:16.280 --> 0:57:22.520
<v Speaker 1>g uncle snoop. That's a beautiful transition for me. Goddamn

0:57:22.600 --> 0:57:30.360
<v Speaker 1>makes a noise, you're snoop. There's no other way I

0:57:30.440 --> 0:57:34.880
<v Speaker 1>can say anything else but thank you, thank you for

0:57:35.000 --> 0:57:37.760
<v Speaker 1>sitting down with us. And you're gonna keep He's gonna

0:57:37.800 --> 0:57:42.240
<v Speaker 1>keep smoking, We're gonna keep talking. Man. It's motivation. So's

0:57:43.440 --> 0:57:46.880
<v Speaker 1>I was trying to hold it out. Goodbye by this

0:57:47.040 --> 0:57:51.920
<v Speaker 1>is called but we say goodbye. Listen, how much pussy

0:57:52.040 --> 0:57:54.760
<v Speaker 1>did you get them? Dolly stop, let's just keep it around.

0:57:55.640 --> 0:57:57.600
<v Speaker 1>Even if you ain't the pussy. You just got the

0:57:57.640 --> 0:57:59.360
<v Speaker 1>pussy and you send it off to the other people.

0:57:59.800 --> 0:58:03.720
<v Speaker 1>Come want super talked about that pussy? Got that doggy still? Um,

0:58:04.320 --> 0:58:06.680
<v Speaker 1>you know what the pussy that came? You know what

0:58:07.160 --> 0:58:11.280
<v Speaker 1>pussy and goddamn it, come on those dogs, dis question.

0:58:11.960 --> 0:58:14.720
<v Speaker 1>I'm gonna say, you know what, when it came the most,

0:58:14.840 --> 0:58:16.760
<v Speaker 1>and you're probably gonna you ain't gonna believe it, but

0:58:16.800 --> 0:58:19.240
<v Speaker 1>I'm gonna tell you the truth. It came the most

0:58:19.320 --> 0:58:22.200
<v Speaker 1>when Tupac got on that for a record, because I

0:58:22.320 --> 0:58:25.080
<v Speaker 1>had another nigga that was a player just like me.

0:58:25.680 --> 0:58:27.880
<v Speaker 1>That knew how to play because he was knocking these

0:58:27.960 --> 0:58:34.760
<v Speaker 1>other niggas bitches. This even this nigga, Ok, this nigga

0:58:34.840 --> 0:58:37.479
<v Speaker 1>pock knock one of my main bitches. Man, talk about

0:58:37.880 --> 0:58:42.040
<v Speaker 1>at so you had your main bit she wasn't my

0:58:42.160 --> 0:58:44.440
<v Speaker 1>main bitch when she was a little bit she was.

0:58:45.120 --> 0:58:48.680
<v Speaker 1>She's a movie star, bitch, Ryan, she's a movie star bitch.

0:58:48.720 --> 0:58:51.520
<v Speaker 1>We won't say her name because we're gonna protect the innessy. Yeahs,

0:58:53.320 --> 0:58:59.280
<v Speaker 1>so she don't do that, she protect she she's a

0:58:59.360 --> 0:59:03.480
<v Speaker 1>movie star bitch. Ryn Pockets on death front that he

0:59:03.600 --> 0:59:06.919
<v Speaker 1>out so the bitches in the hooplot because everybody wants

0:59:06.960 --> 0:59:09.160
<v Speaker 1>to meet my nigger. You understand me, and you know

0:59:09.240 --> 0:59:11.000
<v Speaker 1>I ain't no motherfucking hater. I don't know how to

0:59:11.040 --> 0:59:14.120
<v Speaker 1>block I get out to white. So the bitch, like

0:59:14.320 --> 0:59:17.640
<v Speaker 1>you understand me, I would love to meet Tupockets. That's

0:59:17.680 --> 0:59:19.440
<v Speaker 1>all right with you. I'm like that just gonna always

0:59:19.480 --> 0:59:23.880
<v Speaker 1>be all right now, Okay, this is where all the

0:59:23.960 --> 0:59:27.960
<v Speaker 1>stars is at. So now one night I'm in the

0:59:28.040 --> 0:59:33.160
<v Speaker 1>club and uh, the bitch is there, and pot see

0:59:33.240 --> 0:59:35.160
<v Speaker 1>the bit he like, man, I don't want to meet

0:59:35.240 --> 0:59:38.240
<v Speaker 1>that bitch. Man, I said, hey, man, that's exactly how

0:59:38.280 --> 0:59:43.920
<v Speaker 1>he described the bitch. That's my bitch. I'll kindly introduce

0:59:44.000 --> 0:59:50.320
<v Speaker 1>you to him. I walked over to him right and say, bitch,

0:59:51.320 --> 0:59:59.080
<v Speaker 1>this is a Tupac. Tupac meet the bitch. So you know,

0:59:59.280 --> 1:00:01.280
<v Speaker 1>after he met the bit, you know, I walks off

1:00:01.320 --> 1:00:02.960
<v Speaker 1>because you know, it ain't my job to stand there

1:00:02.960 --> 1:00:06.000
<v Speaker 1>and see if they're gonna talk and kiss or whatnot

1:00:06.160 --> 1:00:08.480
<v Speaker 1>take a picture. I walks off like a real player.

1:00:09.040 --> 1:00:12.800
<v Speaker 1>I guess the exchange numbers. I don't know, so you

1:00:12.920 --> 1:00:16.520
<v Speaker 1>understand me. A few weeks later, I'm trying to, you know,

1:00:16.640 --> 1:00:18.640
<v Speaker 1>slide by and go see her, because you know, she's

1:00:18.640 --> 1:00:20.920
<v Speaker 1>a slide piece to me. So I'm trying to go

1:00:21.000 --> 1:00:23.080
<v Speaker 1>see on the late night like I normally do. You

1:00:23.120 --> 1:00:26.680
<v Speaker 1>don't leave that back door open, and I'm like, what

1:00:26.840 --> 1:00:30.440
<v Speaker 1>what was in it? I finished slide through? You know

1:00:30.480 --> 1:00:33.400
<v Speaker 1>what I'm saying. Lead that back there's open, and the

1:00:33.520 --> 1:00:36.800
<v Speaker 1>bitch hit me with I don't think Pop would like that.

1:00:43.240 --> 1:00:47.720
<v Speaker 1>This girl was Dona for the record, right for the record,

1:00:47.800 --> 1:00:54.320
<v Speaker 1>this girl we told about for real. That's what the

1:00:54.560 --> 1:00:59.480
<v Speaker 1>said for real, dough. Now that wasn't hey, that wasn't Madonna.

1:00:59.520 --> 1:01:05.760
<v Speaker 1>And that look Didn'tiga is lucky. You don't think I'm

1:01:05.800 --> 1:01:09.440
<v Speaker 1>making this ship up. I'm doing Saturday Night Love in

1:01:09.560 --> 1:01:12.520
<v Speaker 1>New York, and they get documented nigger. When I had

1:01:12.560 --> 1:01:15.520
<v Speaker 1>that Tommy Hill figure shirt on the red, white and

1:01:15.560 --> 1:01:18.320
<v Speaker 1>blue one, blew the motherfuck up. The shirt sold like

1:01:18.400 --> 1:01:21.120
<v Speaker 1>a motherfucker. Right, So the nigga pod come and see

1:01:21.200 --> 1:01:22.880
<v Speaker 1>me here in New York. He bring me some weed,

1:01:23.360 --> 1:01:31.560
<v Speaker 1>and he come backstage with the bitch Madonna Madonna for real,

1:01:31.640 --> 1:01:37.520
<v Speaker 1>for real, about to feel like man. He brought the

1:01:37.600 --> 1:01:41.560
<v Speaker 1>bitch to Saturday Night Love. He was knocking the bitch

1:01:41.640 --> 1:01:43.640
<v Speaker 1>man because he brought me some blood. Man, He had

1:01:43.680 --> 1:01:45.840
<v Speaker 1>the bitch on his own, man, and he wasn't even

1:01:45.920 --> 1:01:49.920
<v Speaker 1>like flossing the bench. He had a right here and

1:01:50.040 --> 1:01:54.240
<v Speaker 1>Biddy came the other way around. Tupac hand Madonna. Man

1:02:03.680 --> 1:02:06.960
<v Speaker 1>got down. This is this is, this is the park.

1:02:07.840 --> 1:02:11.480
<v Speaker 1>Can't your hunk in advance? Come on? Yeah, this is

1:02:11.600 --> 1:02:19.080
<v Speaker 1>Pod God from real. No, No, he got all this, dozens,

1:02:20.520 --> 1:02:26.840
<v Speaker 1>it's all yeah. He said, though, sour though, come on

1:02:33.760 --> 1:02:38.520
<v Speaker 1>deeping my family. Yeah, thank you, thank you, thank you, Yo.

1:02:38.640 --> 1:02:41.840
<v Speaker 1>Goddamn your snoop. That was heavy, right, he gave us

1:02:41.880 --> 1:02:45.040
<v Speaker 1>crazy that them last two right there. That was crazy

1:02:45.160 --> 1:02:47.520
<v Speaker 1>but heavy. I couldn't believe you will do that. No,

1:02:47.640 --> 1:02:49.880
<v Speaker 1>I'm serious, man, that's not the ship went there, manute.

1:02:50.200 --> 1:02:52.080
<v Speaker 1>And one thing about me and my play game when

1:02:52.120 --> 1:02:54.320
<v Speaker 1>it comes to me and the women. When I was

1:02:54.400 --> 1:02:58.200
<v Speaker 1>out there, like I was really fashionably sup for the game, man,

1:02:58.280 --> 1:02:59.960
<v Speaker 1>Like once the point of time, I walked the red

1:03:00.120 --> 1:03:05.360
<v Speaker 1>carpet man with two bitches on the leash. Man, this

1:03:05.560 --> 1:03:08.080
<v Speaker 1>is documented, man. Hold on, I got the Favorite Player

1:03:08.120 --> 1:03:11.280
<v Speaker 1>award card, your ship goal, my ship. But did you

1:03:11.360 --> 1:03:16.440
<v Speaker 1>hear what I said? Man, the red carpet man with

1:03:16.640 --> 1:03:19.120
<v Speaker 1>two bitches on the leash and they didn't say one

1:03:19.360 --> 1:03:23.440
<v Speaker 1>fucking word I'm talking about. This ship is documented, man. Somebody,

1:03:24.080 --> 1:03:26.360
<v Speaker 1>somebody pump up that that picture of that footage of

1:03:26.400 --> 1:03:29.760
<v Speaker 1>Snoop with two bitches on the leash. Two Moody, Please

1:03:30.520 --> 1:03:33.400
<v Speaker 1>do we have any WiFi because you have to mind

1:03:33.480 --> 1:03:35.520
<v Speaker 1>our managers. We have no matters. Do you have any

1:03:35.640 --> 1:03:39.680
<v Speaker 1>Prince or Michael Jackson stories? Yeah, you got Howard and

1:03:39.720 --> 1:03:43.240
<v Speaker 1>I know you got Prince stories. You see you see

1:03:43.400 --> 1:03:46.960
<v Speaker 1>you see? I mean not they ain't really worth telling, man.

1:03:47.040 --> 1:03:50.760
<v Speaker 1>They I had a different kind of you know, relationship

1:03:50.840 --> 1:03:53.440
<v Speaker 1>with those two guys, because it was more about the

1:03:53.520 --> 1:03:56.320
<v Speaker 1>mutual respect that I had for them as musicians to

1:03:56.400 --> 1:03:58.440
<v Speaker 1>where I kind of like it when if I was

1:03:58.480 --> 1:04:00.600
<v Speaker 1>around them niggas, I would like put my weed up

1:04:00.640 --> 1:04:03.080
<v Speaker 1>and you know, had that kind of respect for him,

1:04:03.800 --> 1:04:06.720
<v Speaker 1>never put his weed off for them. For them niggas,

1:04:07.800 --> 1:04:10.040
<v Speaker 1>describe that situation, What do you have more respect for?

1:04:10.680 --> 1:04:13.200
<v Speaker 1>If you had to pick it wasn't like it was

1:04:13.320 --> 1:04:16.520
<v Speaker 1>more this is this is why I respected. I had

1:04:16.600 --> 1:04:21.320
<v Speaker 1>respect for this motherfucking pimp. And now get a close

1:04:21.440 --> 1:04:24.520
<v Speaker 1>up up and get a little you see that two

1:04:24.600 --> 1:04:27.120
<v Speaker 1>bitches on the leash and they didn't say a motherfucking

1:04:29.440 --> 1:04:32.520
<v Speaker 1>maybe we walked the red carpet was it was like,

1:04:32.960 --> 1:04:36.160
<v Speaker 1>so what is your mom going to say? I said,

1:04:36.200 --> 1:04:37.920
<v Speaker 1>the bitches ain't gonna say nothing, so your mon is

1:04:37.960 --> 1:04:43.000
<v Speaker 1>gonna We're looking at what they look like though? Is

1:04:43.040 --> 1:04:47.520
<v Speaker 1>they some bad bitches on? They some trash holds? Man? Man?

1:04:47.640 --> 1:04:51.680
<v Speaker 1>You know put them back up, man. This one the

1:04:51.760 --> 1:04:54.360
<v Speaker 1>nigga was a young man. I was a your Uh,

1:04:55.400 --> 1:05:00.640
<v Speaker 1>let me look at myself real quickly, man. Nobody doing

1:05:00.680 --> 1:05:04.480
<v Speaker 1>these bitches didn't even have brawls on man. I think

1:05:04.560 --> 1:05:07.000
<v Speaker 1>that was an MPTV awards or something. They couldn't believe

1:05:07.080 --> 1:05:10.120
<v Speaker 1>how Nigga went up in their man. But I fell

1:05:10.200 --> 1:05:12.000
<v Speaker 1>up in that motherfucker like that that night with a

1:05:12.120 --> 1:05:14.280
<v Speaker 1>leash man. And then when I sat down, guess what

1:05:14.720 --> 1:05:16.800
<v Speaker 1>I made the bitches stand up with the leash on

1:05:16.920 --> 1:05:20.360
<v Speaker 1>while I'm sitting down. Reverse dog. Because you know, normally

1:05:20.440 --> 1:05:24.800
<v Speaker 1>you make the dog sit down, bitch stand up. Dog

1:05:24.920 --> 1:05:28.200
<v Speaker 1>gonna sit down and the bitch gonna stand up. Reverse.

1:05:28.240 --> 1:05:32.200
<v Speaker 1>That's called reverse dog. We heard the reverse pit man.

1:05:32.600 --> 1:05:37.600
<v Speaker 1>I made a reverse. We never heard the reverse first dog. Reverse.

1:05:39.840 --> 1:05:42.360
<v Speaker 1>When you take two bitches on the leash, you walk

1:05:42.440 --> 1:05:44.120
<v Speaker 1>them down the red carpet and when you get to

1:05:44.240 --> 1:05:47.480
<v Speaker 1>your seat, you sit down. He's making bitches stand up

1:05:47.560 --> 1:05:50.960
<v Speaker 1>in the AFP we're putting on TM the first. You

1:05:51.040 --> 1:05:54.280
<v Speaker 1>know what the twittert is. He's he drinking fake activists

1:05:56.320 --> 1:06:01.040
<v Speaker 1>to change that. I can't afford to change me. Yeah,

1:06:01.520 --> 1:06:04.400
<v Speaker 1>because he drinks. You paid lean for real. Don't talk

1:06:04.400 --> 1:06:11.480
<v Speaker 1>to him like that. Leave stoop. Let's let's give me

1:06:11.560 --> 1:06:19.240
<v Speaker 1>some love. Stop you gonna beat something. Bought me a

1:06:19.320 --> 1:06:22.040
<v Speaker 1>carnic album for us with the little gonna be something

1:06:22.400 --> 1:06:28.000
<v Speaker 1>you drink factivist. Tell him it's called charricol people chricool.

1:06:29.840 --> 1:06:31.720
<v Speaker 1>What do lane make you feel like? I never drunk

1:06:31.800 --> 1:06:35.240
<v Speaker 1>that ship? So Sloop, what don't make you feel like?

1:06:35.480 --> 1:06:38.080
<v Speaker 1>I don't know money? Like like you smoke like a

1:06:38.200 --> 1:06:40.960
<v Speaker 1>thousand blunts, Like when it's the end of the day.

1:06:41.480 --> 1:06:43.360
<v Speaker 1>You know what I'm saying. You smoke man blunts. You're

1:06:43.360 --> 1:06:47.920
<v Speaker 1>already like that time the episode Do you do you

1:06:48.000 --> 1:06:50.800
<v Speaker 1>want to have sex when you won't leave? Man? You

1:06:50.880 --> 1:06:55.760
<v Speaker 1>just want to get just has Yeah, you don't want

1:06:55.760 --> 1:06:57.520
<v Speaker 1>to move your headhere. You want to be just want

1:06:57.560 --> 1:06:59.520
<v Speaker 1>to be like that. But that's not something. That's not

1:06:59.600 --> 1:07:02.040
<v Speaker 1>what I guess when we was young. We just was

1:07:02.120 --> 1:07:04.600
<v Speaker 1>in the here to listen. Now, can I talk to you?

1:07:06.680 --> 1:07:10.920
<v Speaker 1>Because I love the way you just took it. These

1:07:11.000 --> 1:07:16.720
<v Speaker 1>younger brothers they drinking late. They can't even fuck. They

1:07:18.240 --> 1:07:21.280
<v Speaker 1>just thirty years old, Snow. So you're saying that it's

1:07:21.320 --> 1:07:28.080
<v Speaker 1>just one that I've been coming out. I hang out

1:07:28.160 --> 1:07:30.680
<v Speaker 1>with them and they've be's coming and say, you're slige.

1:07:31.280 --> 1:07:41.040
<v Speaker 1>You you still this long daddy, big big thing with

1:07:41.120 --> 1:07:44.520
<v Speaker 1>the whole strangler. But I don't because I'm married, Snow.

1:07:45.600 --> 1:07:49.280
<v Speaker 1>The temptation is what I'm trying to say is is

1:07:49.360 --> 1:07:53.040
<v Speaker 1>the new generation too much hooked on drugs? I think

1:07:53.080 --> 1:07:57.400
<v Speaker 1>the new generation, the new generation is doing what every

1:07:57.480 --> 1:08:01.400
<v Speaker 1>generation before them has been doing. They we've just been

1:08:01.520 --> 1:08:04.400
<v Speaker 1>It's just repeating itself. It's just a matter of they

1:08:04.520 --> 1:08:06.920
<v Speaker 1>have to understand that don't let the drug. Do you

1:08:07.800 --> 1:08:10.560
<v Speaker 1>You understand understanding where you can't be in control? No more?

1:08:10.680 --> 1:08:14.720
<v Speaker 1>One thing about my error. When I became a rapper,

1:08:15.000 --> 1:08:18.000
<v Speaker 1>I was an ex cocaine dealer. So my mission was

1:08:18.040 --> 1:08:20.760
<v Speaker 1>to get rid of cocaine and to bring weed to

1:08:20.840 --> 1:08:24.160
<v Speaker 1>the forefront. So my mission has been accomplished because now

1:08:24.240 --> 1:08:26.960
<v Speaker 1>we're just legalized in the whole globe and it's coming

1:08:27.000 --> 1:08:32.680
<v Speaker 1>slowly but surely to a hood near you. So you

1:08:33.760 --> 1:08:36.840
<v Speaker 1>was it was it? Powder? Was a crack. I sold crank. Okay,

1:08:37.360 --> 1:08:47.639
<v Speaker 1>I sold that Hula lula. I sold that. Who who

1:08:50.320 --> 1:08:56.719
<v Speaker 1>little trick that they smoke crack over there, So we smoke.

1:08:58.400 --> 1:09:00.080
<v Speaker 1>They called that a primo when they put that the

1:09:00.160 --> 1:09:01.920
<v Speaker 1>side of a joint. They put a little break on

1:09:01.960 --> 1:09:05.040
<v Speaker 1>a little bit in about how Miami niggas. Miami niggas

1:09:05.040 --> 1:09:08.760
<v Speaker 1>get they keep it, they do their thing. They smoked that,

1:09:09.680 --> 1:09:13.680
<v Speaker 1>and the gangsters and motherfucker out here. I respected. I

1:09:13.760 --> 1:09:17.680
<v Speaker 1>respected three or five in the real motherfucking way. They're different. No,

1:09:17.800 --> 1:09:20.640
<v Speaker 1>I repect him neigla because he was coming out in

1:09:20.720 --> 1:09:24.720
<v Speaker 1>twenty years fox him. Should we just saw dads lives

1:09:24.760 --> 1:09:29.360
<v Speaker 1>out head Miami leggs. That's that nigga cousin our head up.

1:09:29.400 --> 1:09:33.519
<v Speaker 1>When he said that, I don't that's his first cousin. Yeah,

1:09:33.560 --> 1:09:36.640
<v Speaker 1>that's this blood. Yeah, but dad said that shot. I

1:09:36.720 --> 1:09:39.439
<v Speaker 1>sat there and these niggas being out heads, they ever

1:09:39.880 --> 1:09:41.439
<v Speaker 1>as long as I've been out here, and you're my

1:09:41.560 --> 1:09:43.719
<v Speaker 1>relative nigga got that makes a noise to me because

1:09:45.439 --> 1:09:50.560
<v Speaker 1>don't even know what they do. So you know, I

1:09:50.680 --> 1:09:53.920
<v Speaker 1>can't thank you enough. Pushing down without smoking, I'm not

1:09:53.960 --> 1:09:56.040
<v Speaker 1>gonna lie. I want to smoke. You got another road

1:09:56.160 --> 1:09:59.000
<v Speaker 1>or blunt to can't give you? Just fifty ship right

1:09:59.040 --> 1:10:03.080
<v Speaker 1>here and vodkam that's heaving vodka. Yea. Can we we

1:10:03.160 --> 1:10:06.120
<v Speaker 1>gotta spend this ship and we got puffy listen back

1:10:06.400 --> 1:10:12.479
<v Speaker 1>from the table, your check, slipper when we looks so

1:10:13.880 --> 1:10:18.360
<v Speaker 1>right now, So puppy, they're supposed to be this closet

1:10:21.439 --> 1:10:36.360
<v Speaker 1>about don't worry about snood. I'm like saying, no, that's

1:10:37.160 --> 1:10:41.800
<v Speaker 1>you're reading the saying the piece, which one's which one

1:10:42.400 --> 1:10:45.880
<v Speaker 1>can bust a nick over the hand, but one of

1:10:45.920 --> 1:10:52.080
<v Speaker 1>them new is got to check three ships. Will you listen?

1:10:54.600 --> 1:10:56.320
<v Speaker 1>A lot a lot of people can do what we

1:10:56.520 --> 1:11:00.479
<v Speaker 1>just did right now. We sat down and talked to

1:11:00.560 --> 1:11:05.439
<v Speaker 1>the boss of another coast. We chopped it up. We

1:11:05.560 --> 1:11:08.400
<v Speaker 1>had fun and we laughed and we smoked, we drinked,

1:11:08.479 --> 1:11:11.840
<v Speaker 1>We did all that. A lot of y'all people, I

1:11:11.920 --> 1:11:14.479
<v Speaker 1>don't know what. I don't know what is? What is

1:11:15.000 --> 1:11:17.960
<v Speaker 1>fucking leave that ship off my ship? A lot of

1:11:18.040 --> 1:11:20.559
<v Speaker 1>y'all can't do that. We just did it with smooth Dog.

1:11:21.000 --> 1:11:24.120
<v Speaker 1>He's smoking on some real Cali too. That ship in

1:11:24.240 --> 1:11:32.040
<v Speaker 1>his hand right there. That's that. Do it fluid. I

1:11:32.080 --> 1:11:39.320
<v Speaker 1>don't even know why I'm being in the collar and yeah,

1:11:39.760 --> 1:11:51.640
<v Speaker 1>that's that electrophie dog. Everybody, Yeah COOLi man, I like that.

1:11:51.840 --> 1:12:14.400
<v Speaker 1>I like that. Feedback y find all your favorite movies

1:12:14.439 --> 1:12:16.880
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1:12:23.160 --> 1:12:26.360
<v Speaker 1>to Axcinity dot com, call one exity or visitors store today,

1:12:26.560 --> 1:12:27.320
<v Speaker 1>restrict and supply