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Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter

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Speaker 1: at Total Wine and More. Everybody who loves honey glaze

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Speaker 1: carrots a great side dish for your springtime celebration and

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Speaker 1: a delicious compliment to a sweet, bright muscato. Wine is

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Speaker 1: made in virtually every country in the world, and I'm

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Speaker 1: ready to give you a tour to find the right

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Speaker 1: one serving lamb this season. Try it with a bold

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Speaker 1: cabernet from the trendy Apostle Robles region. Whether you're hosting

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Speaker 1: or just bring the wine we love to share are

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Speaker 1: always low prices and ridiculous selection this spring. At Total

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Speaker 1: Wine and More. Cheers Ray, He's a legendary queen's rapper.

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Speaker 1: Hang Segre is your boy, and he's a Miami hip

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Speaker 1: hop pioneer. What Up is d J e f N?

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Speaker 1: Together they drink it up with some of the biggest

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Speaker 1: players in music and sports. You know, the most professional,

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Speaker 1: unprofessional podcast and your number one source for drunk facts.

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Speaker 1: This is Drinks chap Radi. Every day is New Year's Eve.

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Speaker 1: That Rod I want to ask you to pop what's

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Speaker 1: that froll? How was that? Because you had just beat

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Speaker 1: the murder trial? Correct? Yes, you had just beat the

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Speaker 1: mother trial, Pop comes to death Row and then murder

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Speaker 1: was the case was like that was? Was that the

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Speaker 1: first record y'all called it or my mistaken the first

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Speaker 1: the first workerd that came out, you know. The first

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Speaker 1: record that me and him did was America's Most Wanted.

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Speaker 1: That's what I said. That's what I'm saying with my mind. Sorry,

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Speaker 1: when I said against the party, you said only him?

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Speaker 1: Oh yeah, in my mind, I was saying someone I'm dyslexi.

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Speaker 1: He was my friend before he got Yeah, he said

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Speaker 1: that same source awards didn't He wasn't there. We had

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Speaker 1: a we had to cut out billboard of him inside

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Speaker 1: of a sale. We had sales and everybody was in

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Speaker 1: the sale. His billboard was cut out in the sale.

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Speaker 1: He wasn't been on there. Flor talked about being on deathfloor.

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Speaker 1: We just did that as a symbolar representing him and

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Speaker 1: fucking with him because he was my friend. So that

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Speaker 1: was a you know, a player that I did to

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Speaker 1: put him in there to represent it. Wait, so you're

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Speaker 1: saying he was your friends. You saying I'm the reason

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Speaker 1: why he was on that phone. Yeah, that he was

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Speaker 1: my friend and my thing. Was speaking with Sugar because

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Speaker 1: after he had got shot, I had flew to New

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Speaker 1: York like the next day, and it was like ship

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Speaker 1: was going bad for him and he had got locked up,

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Speaker 1: and I was like, man, sure we need to put

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Speaker 1: that nigga with us, because how far back is y'all?

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Speaker 1: Spencer Uh Poetic Justice Rap Party was the first night

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Speaker 1: I met him, and then we became friends. And actually

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Speaker 1: MC breed Rest in Peace was was trying to buy

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Speaker 1: some dope and I knew the nigga that knew the nigga,

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Speaker 1: So Breede got some dope for me and DNC and

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Speaker 1: Breede was cool and Tupacket. That's how we all we

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Speaker 1: came like a circle of friends. Crazy believe it. This

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Speaker 1: is crazy gonna lie. I ain't gonna lie. I've gotten

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Speaker 1: so so a hip hop mode fan. Just now. I

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Speaker 1: was just saying, I'm a guy. I was supposed to

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Speaker 1: ask a question at this point, Like I was just

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Speaker 1: sitting there like I'm just thinking, like, so, um, all right,

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Speaker 1: boom that pop comes here. He's already there, y'all are

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Speaker 1: already doing what he's doing. These these records come out,

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Speaker 1: these records, these records. Let me tell you this for

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Speaker 1: you know, all lives on me. When he get out,

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Speaker 1: I'm working on the dog Father. So when he get out,

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Speaker 1: my cousin Dads is like my number one because d

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Speaker 1: Dre basically like not really giving up music because I

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Speaker 1: think he on his way out, but we already still

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Speaker 1: cocaine in the bathroom. Don't mind, don't hey, thanks for

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Speaker 1: doing it in the bathroom. And so so we're working

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Speaker 1: on my record. So when he gets out, naturally, I

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Speaker 1: tell Dads in the whole crew pod getting out, y'all

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Speaker 1: throw cuzz all of the music, get him right first.

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Speaker 1: So he ended up getting all this hot music because

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Speaker 1: we was in the process of doing Hot Ship. And

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Speaker 1: then Pop brought a spirit to the studio that was

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Speaker 1: different than anybody we ever worked with. He had a

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Speaker 1: work spirit that was like this nigga could be in

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Speaker 1: three different rooms at one time and making music and

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Speaker 1: he would he would never listen to it like we

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Speaker 1: was always we would. We learned this from Dr Dre.

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Speaker 1: We would make a song, we would listen to that

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Speaker 1: motherfucker for a whole month, I mean just back to

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Speaker 1: back thirty days just listening to the same goddamn song.

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Speaker 1: Party and inviting bitches over off the sun. Yeah, and

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Speaker 1: then it never come out. Nigga Tupac was like, Nigga,

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Speaker 1: when we make a song, when we finish it, when

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Speaker 1: you listening to that ship, pull another beat up. We're

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Speaker 1: doing another motherfucking song. You can mix that motherfucking when

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Speaker 1: you finished, we'll listen to it. He was never about like,

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Speaker 1: even when we made one song, motherfucker the last verse,

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Speaker 1: he'd be like, all right, played back, We played down

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Speaker 1: from top to bottom. As soon as that motherfucker cut off,

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Speaker 1: all right, give it to the engineer, pulling next beat up.

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Speaker 1: Never did we listen to us soon twice with that Nigga.

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Speaker 1: That's something that I learned from him that I take

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Speaker 1: with me today because I wasn't like it. I was.

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Speaker 1: I learned from Dr Dre. I learned from my teacher.

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Speaker 1: They taught me exactly another time. But Pop was on

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Speaker 1: something like Nigga Funk that we're going, We're going, We're going,

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Speaker 1: We're going. How are you thinking? They made three albums

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Speaker 1: and motherfucking ship six months. That's Gemini and that's Gemini.

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Speaker 1: I'm a Gemini where but what's I'm a labor? All right?

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Speaker 1: What's song yourself? Virgo. I'm a berg. I don't know

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Speaker 1: if it means anything. Let's make some noise for the sign.

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Speaker 1: Let's slotlog listen, Sloop. I can't, I can't thank you

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Speaker 1: so much. We're gonna we gotta, we gotta actually go.

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Speaker 1: I want to admit interview. I just want to thank

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Speaker 1: you because you know what, it's the first time artists

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Speaker 1: like you know what I'm saying, Like you know, it's

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Speaker 1: running media right now, like right now we are running

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Speaker 1: in DJ and DJ. I'm sorry when I say I

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Speaker 1: represent the motherfucking DJ. That's right, that's right. You always

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Speaker 1: gotta have a Mexican around you. Listen, but he's from

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Speaker 1: l A. You always from l A too. Yeah, it's

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Speaker 1: same ship Mexican originally say yeah, so you always got

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Speaker 1: a kid and you know what Pete Allas Dodge and

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Speaker 1: the motherfucker. You know what I'm saying. And it's the

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Speaker 1: first time, you know, you know this is what I

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Speaker 1: believe because you know we got you got g g N. Yeah,

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Speaker 1: so now do you I've alway g g M when

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Speaker 1: you're not there, because we're gonna be in l A August.

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Speaker 1: Can I co host g g N? Can we well cold?

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Speaker 1: Because we're gonna be in the l a August twenty

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Speaker 1: seven through I Gotta stay twenty six to the twenty nine,

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Speaker 1: twenty six to the twenties. I didn't make that happen.

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Speaker 1: That's you. You see me who you want? You said

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Speaker 1: us because we're close together. Drink champion. Let's come out

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Speaker 1: right now, you know I'm saying because you know why,

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Speaker 1: let me just say something. When I say me, I

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Speaker 1: means me is wait, we got mad sense. Let's just

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Speaker 1: make some hardcore nigger noise whatever. But it's it's it's

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Speaker 1: not much more than I can't respect you because not

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Speaker 1: only you was one of the most coolest people that

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Speaker 1: I was supposedly like quote unquote have beef with, like

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Speaker 1: you know what I'm saying in the beginning of my career.

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Speaker 1: But not only that, but you continue to show your growth,

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Speaker 1: your prosperity. Everything you do is to uplift And again,

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Speaker 1: this walk that you in game just did was so

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Speaker 1: like inspiring to me because it made me want to

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Speaker 1: go back to my own hood and do such a thing.

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Speaker 1: And uh so again I want you to touch on that.

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Speaker 1: And then I'm going right back to your music because

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Speaker 1: it's a lot more ship. I want to talk about

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Speaker 1: when you know one thing that I do, Uh, it's

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Speaker 1: coach football and I have my own football league. I

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Speaker 1: was just about to say, snoop football league thirteen years.

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Speaker 1: You got a question about and we've been doing that

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Speaker 1: for thirteen years. Man, that's our fake sportscast to come in.

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Speaker 1: He wanted to beat you up where you at. He

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Speaker 1: would have been Paul with us, didn't you say, Kevin Guard?

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Speaker 1: That was no. I said le Bron was coming to Minami. Yeah,

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Speaker 1: he said Lebron was going to You're the big understand

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Speaker 1: that eight years ago is a genius. I didn't say anyway.

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Speaker 1: I wanted to say that was doot the way he

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Speaker 1: was an esquy TV and the little the Fighting Night

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Speaker 1: types because he coaches his sons and the Fighting Night

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Speaker 1: types with the Houston and kind of on the other

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Speaker 1: and you and you commentated the game for the shorties.

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Speaker 1: Come on man, Yeah, I wanted to Yeah, he really

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Speaker 1: liked that. Thank you. Well, that's that's what I do.

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Speaker 1: Like a lot of times, you don't get it, don't

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Speaker 1: get a lot of the ship like that, don't get

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Speaker 1: a lot of attention because I don't never really want

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Speaker 1: cameras around it because I do it for the love.

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Speaker 1: I don't really do it for attention to try to

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Speaker 1: make like what I'm doing. I want you to come

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Speaker 1: and see all this great work I'm doing in the community,

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Speaker 1: because the community work is supposed to be done, regardless

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Speaker 1: if it's the camera or not. And what I've been

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Speaker 1: doing with these kids, I've been building them and showing

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Speaker 1: them how to you know, live and go to high school, graduate,

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Speaker 1: go to NFL, go to college and do their thing,

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Speaker 1: and whatnot to give them hoping we go to areas

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Speaker 1: where the crime rate was really at a high level.

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Speaker 1: Now it's at a low level, and we're getting gang

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Speaker 1: members to you know, drop the guns and become football

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Speaker 1: coaches and lead these young men. So this is something

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Speaker 1: that I'm doing and I don't really get a lot

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Speaker 1: of attention for, but it means the world to me

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Speaker 1: to be able to do it, to do it thirteen

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Speaker 1: years and running. I got a kid that played in

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Speaker 1: the Super Bowl last year, years ago. You know, like

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Speaker 1: I said, I'm originally from l A. And I still

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Speaker 1: got family out there living Downey right now. Actually, and

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Speaker 1: my cousin, Melissa, she's a teacher at a Long Beach Hide.

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Speaker 1: Oh yeah, and she this is years ago. She told

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Speaker 1: me you came by. I guess an old coach years

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Speaker 1: still there and she was just telling me how much

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Speaker 1: you get back to the children there. You can. You

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Speaker 1: would come often. She said that you were like a

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Speaker 1: regular appearance there. That's what I do. I look out,

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Speaker 1: you know, I try to come through as much as

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Speaker 1: possible because I like to let the kids see an

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Speaker 1: example of what they can be. A lot of time,

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Speaker 1: when I was a kid, if somebody was considered a star,

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Speaker 1: we've never seen him. Like the era that we live

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Speaker 1: in now. You see stars all the time, you know,

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Speaker 1: when when when I was a kid, a star was

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Speaker 1: away in the sky. You could never just pull up

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Speaker 1: somewhere and see a celebrity. You know what I'm saying.

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Speaker 1: You have to be like somewhere special. And if you've

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Speaker 1: seen him, you wasn't gonna get no conversation with him,

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Speaker 1: you won't get no picture when him want to autograph,

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Speaker 1: you've just seen the flash of him. So nowadays, these

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Speaker 1: kids don't understand that they get a chance to get

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Speaker 1: up close and personal with these celebrities like myself, And

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Speaker 1: it's our job to give them the information on how

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Speaker 1: to be what we are, be better than what we

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Speaker 1: are now me We're waiting to ask this question the

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Speaker 1: whole night. At one point, death Row Records was the invincible,

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Speaker 1: the unstoppable, the unfunning word, the ball, and at that

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Speaker 1: time the artist at the height of that whole forefront

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Speaker 1: was snoop. How the fund did that fail? Because we

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Speaker 1: see other people, we see the cash moneys, we see

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Speaker 1: uh the murder, The murder inks. But death Row just

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Speaker 1: felt different because I don't want to say of the

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Speaker 1: gang affiliation, but I'm gonna say because of the gang affiliation, Like,

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Speaker 1: how did that feel like when death Row was death Row?

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Speaker 1: How did that feel like? Just being in there? And

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Speaker 1: then it was There was a great feeling because we

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Speaker 1: didn't have to be nobody but who we was. We

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Speaker 1: didn't have to fake, you know what I'm saying. We

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Speaker 1: didn't have to try to appease nobody by doing what

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Speaker 1: y'all do or what they do. We did what we did.

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Speaker 1: We dressed and what we wanted to dress. We wore

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Speaker 1: our hair that we we wanted to wear, our hair.

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Speaker 1: We wrapped about the ship we wanted to wrap about.

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Speaker 1: We chose the music that we wanted to wrap over.

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Speaker 1: It was like it was a whole story that was

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Speaker 1: unique to who we were and who we are, and

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Speaker 1: that was the fulfillment of it all that people love

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Speaker 1: and appreciated me for being me, that they didn't want

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Speaker 1: me to be nobody but me. That was real. Let's

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Speaker 1: make it. Oh my god, hold on, I've been wanting

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Speaker 1: to take a pe for a minute. I tak a

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Speaker 1: p for one second drinking. See when you smoke your brandon,

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Speaker 1: Let that nigga go pick. You got a little baby bladder.

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Speaker 1: Let look, let me go by. I'm gonna wait waiting

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Speaker 1: for you baby bladder. Well when he said the whole

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Speaker 1: thing about n w A and then and then he

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Speaker 1: went all the way to your album. Obviously there was

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Speaker 1: a lot of dope West Coast albums in between that.

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Speaker 1: One of my favorite, I think is an all time

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Speaker 1: classic hip hop album is THAT'TH certificate ice cue of

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Speaker 1: one of the best hip hop albums ever. DJ Pol

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Speaker 1: put that together with Sir James. What I thought was

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Speaker 1: it was when you went to priority, I don't know

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Speaker 1: what that situation was, and you did all the reissues

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Speaker 1: E P M D that my first priority, that ship

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Speaker 1: was crazy. How did that come about? Well, I had

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Speaker 1: talked to Brian Turner about re releasing music on Priority

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Speaker 1: Records and giving some new artists and the opportunity shine

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Speaker 1: because Priority Records was a great piece of hip hop

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Speaker 1: that was kind of like unsumed, and I wanted to

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Speaker 1: give it the authorization that that it discerned and put

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Speaker 1: some of those songs together on the compilation CD's well

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Speaker 1: is see if I can find some new talented Brian

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Speaker 1: Turner was willing to give me that action to do that,

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Speaker 1: and it brought a lot of wellness to a lot

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Speaker 1: of music that people had never heard of, people hadn't

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Speaker 1: heard in a long time, and it just was a

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Speaker 1: great look. It was a look of love. You know.

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Speaker 1: I wanted to do stuffing that I've always wanted to do.

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Speaker 1: I wanted to run Priority Records and put it back

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Speaker 1: on the map. And you should have led on a

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Speaker 1: lot of records that maybe a lot of younger people

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Speaker 1: cats wouldn't have even checked out, like you should have

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Speaker 1: led on because it said I remember all the reissues

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Speaker 1: said snoop pressess or whatever and that she was up.

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Speaker 1: Thank you. Dunkle makes some noise for whatever. The funk

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Speaker 1: I was talking about, I don't fucking notes yeah with

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Speaker 1: Snoop man like asshole. Let me tell you something. Snoop

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Speaker 1: is a real nigger, you know what. You know what

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Speaker 1: the crazy thing is. And I gotta ask Snoop, you

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Speaker 1: know what? I asked all of our guys because, like

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Speaker 1: I said, I think that we should have a hip

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Speaker 1: hop flag, and that'd be establishment that you ever go to.

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Speaker 1: I think that there should be something that shows this

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Speaker 1: is a beautiful hotel. We're not gonna shout out the

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Speaker 1: hotel unless y'all want to, unless y'all say it's no.

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Speaker 1: They ain't get ain't me, but this is a beautifu hotel.

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Speaker 1: We came down all over the West Palm to make

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Speaker 1: sure we see Snoop because Snooper is that that important

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Speaker 1: everybody else? You make them come see us. But so,

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Speaker 1: and what I'm saying is in certain establishments they have flags.

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Speaker 1: Shouldn't you think there should be a hip hop flag

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Speaker 1: like wherever we go, like, you know, just to just

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Speaker 1: to make sure that you're welcome there and just it

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Speaker 1: can be a nine star, here'll be a one star.

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Speaker 1: Just unless we needed, we need to come up with

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Speaker 1: that flag in the hip hop community something that we

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Speaker 1: can know. Let's make Snoop something that we can all

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Speaker 1: agree on that represents hip hop. And when we know

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Speaker 1: that flag is that we know we welcome hip hop,

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Speaker 1: unify the world before anybody Else's what I'm saying, before race,

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Speaker 1: before race, before political parties. I think that people should

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Speaker 1: run under hip hop. And I think that. Listen. I

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Speaker 1: feel he was just on here last week and fifty

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Speaker 1: endorsed Kanye West. I heard that. I thought that was

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Speaker 1: I thought that was nice. But can you can you

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Speaker 1: just mean West? Can't be no crazy? That motherfucking Donald Trump?

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Speaker 1: Can we go? Can we go? Can we can we

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Speaker 1: co sign? Say on Drink Champs that Snoop Dogg is

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Speaker 1: also endorseing Kanye West. Yes, I'm endorsing. But what the

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Speaker 1: stoop that I think about the Donald Trump? Um? Because

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Speaker 1: you you smoked with Donald Trump at some point with

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Speaker 1: him once upon a time, you game ecstasy. I didn't

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Speaker 1: do all that, LSD. I didn't. I did a little roast.

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Speaker 1: He had a roastrom comedy sense. Remember that I went.

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Speaker 1: I went hard on him, right, so you know, I

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Speaker 1: kind of was sucking with him till I heard some

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Speaker 1: of his views and his perspectives and that made me

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Speaker 1: back up off from because a lot of the views

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Speaker 1: and perspectives that he got. I have free ends that

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Speaker 1: represent those you know fastest in life, you know, whether

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Speaker 1: than Muslims, Mexican whatever they are. And it's like that's

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Speaker 1: how l A people called the Muslims. That's all so hard,

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Speaker 1: that's funked up. How they like singing people out and

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Speaker 1: you know we don't do that. We multi culture, were

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Speaker 1: Fox with everybody, you know what I'm saying. So if

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Speaker 1: you started singing out motherfucker's you might suppose sing it yourself,

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Speaker 1: fut because you don't know who connected, You don't know

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Speaker 1: who the plug is. That's a fact. The listen, let

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Speaker 1: me just let me point something out. That's how I

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Speaker 1: know I'm not rich at all. Do you see my roaches?

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Speaker 1: Those are my roaches right there, their motherfucker's little as

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Speaker 1: motherfucker look at Snoopers roaches. God that I can roll

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Speaker 1: four more because I know I'm not rich, not being rich, Snoop, Yo,

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Speaker 1: that's big a rude. Listen, you can roll to blods

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Speaker 1: out of his roaches now, Snoop, this is the craziest

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Speaker 1: ship man I've been in the game since nineteen nineties

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Speaker 1: seven my first album. Yeah, and my motherfucker was smoking

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Speaker 1: hot the report. But what I'm saying is sometimes I

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Speaker 1: lose it. I don't want to do this no more.

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Speaker 1: What makes you You just dropped a new album. Did

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Speaker 1: we speak about that? Yeah? Well, you know what, I'm competitive.

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Speaker 1: I'm competitive a lot of times when my competitive energy,

337
00:18:24,480 --> 00:18:28,240
Speaker 1: are you competitive against other people or against yourself? Because

338
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Speaker 1: I think you competing against yourself at this best all

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00:18:30,480 --> 00:18:33,399
Speaker 1: I'm competing against myself. You know. It's like a player

340
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Speaker 1: that you know continues to go to the NBA All

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Speaker 1: Star Game and he continues to make it to the Championship.

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Speaker 1: He don't have time to watch his highlights because he

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Speaker 1: got another game to play, another season to get ready

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Speaker 1: for him. And that's how I look at my career,

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Speaker 1: is that I'm always preparing myself for the next game.

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Speaker 1: You know. Like I knew I was going on tour

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Speaker 1: with me and Weird, so I said, let me put

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Speaker 1: together album so that way when I'm on the road,

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Speaker 1: I have a reason to be on the road because

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Speaker 1: I yeah, I could have went on the road with

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Speaker 1: no album, and you just got Kobe Bryant high let's

352
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Speaker 1: talk about that. Kobe, call me man. That's sun up

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Speaker 1: bout the photo shot the picture he comes sing and

354
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Speaker 1: they're doing wrong like that. Now he came, k Man.

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Speaker 1: I love him to death. He came over with a

356
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Speaker 1: spend of time with me on some on some you know,

357
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Speaker 1: after after thought, as far as after his kids. You

358
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Speaker 1: got him hot noise. You didn't. We were talking endorsements

359
00:19:34,000 --> 00:19:36,200
Speaker 1: because I gave Up. I gave a car right, a

360
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Speaker 1: sixty six plenty at Para sit a Laker mobilit that

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Speaker 1: I had crafted. I need to be more friends with

362
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Speaker 1: you because I want you to give me a car

363
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Speaker 1: at some point. I don't know what it's okay. You

364
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Speaker 1: give me all New York to York l a l

365
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Speaker 1: a car at some point, like twenty years from now.

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Speaker 1: I was okay. But with ad you so you gave Kobe.

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Speaker 1: I gave him a car because the car already smell

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Speaker 1: like bud. That's not it was. It was a brand

369
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Speaker 1: new It was a nice teen sixty six plenty a

370
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Speaker 1: Paris City white interior, yellow exterior, purple top. You understand me.

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Speaker 1: With preparation. Yeah, So I gave him this vehicle for

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Speaker 1: twenty years of excellence so he didn't representing the Lakers

373
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Speaker 1: and giving us something to stand that he came out

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Speaker 1: here had red eyes. No, they pho shot, they photo

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Speaker 1: shot the eyes. Man. You know they're gonna don't make

376
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Speaker 1: this ship working what it is. Man, But you kid,

377
00:20:33,119 --> 00:20:37,280
Speaker 1: you guilty if you ain't even if you association association,

378
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Speaker 1: you're sleep Man, There's no way I can thank you. Man.

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Speaker 1: You know what I mean. Drink Champs. It's the first time,

380
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Speaker 1: you know, rappers have took over media. We are so

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Speaker 1: excited and I'm sorry. You gotta wrapping d Yeah, we're

382
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Speaker 1: the wrapping back. That's right, That's right. And listen, we're

383
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Speaker 1: the wrapping in the DJ and we want to we

384
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Speaker 1: come into l a all twenty seven k DA. What's

385
00:21:01,800 --> 00:21:03,960
Speaker 1: up with y'all? So gonna set it up for that

386
00:21:04,000 --> 00:21:06,000
Speaker 1: way they can do the GN Yeah, we want to

387
00:21:06,080 --> 00:21:10,040
Speaker 1: hold definitely listen, and you know it's the crazy ship

388
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Speaker 1: is snoop. But this is what we'll do. Whatever guess

389
00:21:12,400 --> 00:21:14,600
Speaker 1: you send us. You don't gotta prep us. We just

390
00:21:14,680 --> 00:21:16,280
Speaker 1: send us to that. And we don't have a pre

391
00:21:17,080 --> 00:21:19,200
Speaker 1: never the only shows I did on the g G

392
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Speaker 1: and I ain't never prepped out. Yeah, I don't have

393
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Speaker 1: no knights of getting ready for the here bringing this

394
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Speaker 1: version of drink Champs, and it's got to be spontaneous.

395
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Speaker 1: One thing about us as lyricists, as mc s is

396
00:21:34,800 --> 00:21:36,960
Speaker 1: you know what we do. We we float with the motion.

397
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Speaker 1: And sometimes it's better when it's spontaneous because if it's

398
00:21:39,760 --> 00:21:42,200
Speaker 1: gonna be written, the scripted ships gonna be fake. I'd

399
00:21:42,280 --> 00:21:44,120
Speaker 1: rather go off script because that way you can talk

400
00:21:44,160 --> 00:21:46,919
Speaker 1: about ship that ain't on the script because it scripts

401
00:21:46,960 --> 00:21:50,200
Speaker 1: sometimes gonna allow you to talk about specific things. But

402
00:21:50,280 --> 00:21:52,880
Speaker 1: if you go off script and you go, you know, spontaneous,

403
00:21:53,240 --> 00:21:55,200
Speaker 1: you can get the in depth interview that you really

404
00:21:55,280 --> 00:21:57,920
Speaker 1: look for to make this ship real flying different like

405
00:21:58,000 --> 00:22:00,560
Speaker 1: the rest of everybody's on that ticket. It don't matter

406
00:22:00,680 --> 00:22:03,960
Speaker 1: like we all think about this ship. That's a fact.

407
00:22:04,040 --> 00:22:10,960
Speaker 1: I make some noise. I'm not snoop. You one of

408
00:22:11,040 --> 00:22:14,320
Speaker 1: the most. You're like at the end of the day, brother,

409
00:22:16,560 --> 00:22:21,240
Speaker 1: you transcended culture. And what I mean by that is

410
00:22:22,200 --> 00:22:26,520
Speaker 1: Dana New York, Nigga alive. That was alive when you

411
00:22:26,760 --> 00:22:30,439
Speaker 1: when you dropped what was that when you dropped dog

412
00:22:31,280 --> 00:22:35,720
Speaker 1: Parto Reegan ship. We forget Parto Weeken. So when you

413
00:22:35,840 --> 00:22:38,280
Speaker 1: drop Doggie style. There's not there's not a New York

414
00:22:38,359 --> 00:22:42,560
Speaker 1: nigga live that can't say that they are identified with you.

415
00:22:43,280 --> 00:22:48,720
Speaker 1: Like while something is is cripping right now in New

416
00:22:48,840 --> 00:22:51,920
Speaker 1: York is because I mean, I'm just keeping it the

417
00:22:52,040 --> 00:22:55,280
Speaker 1: hunted I have to. It's because of you and then

418
00:22:58,720 --> 00:23:07,080
Speaker 1: and you still out kicking ass m And I asked you, uh,

419
00:23:08,320 --> 00:23:11,359
Speaker 1: I asked you all what makes you keep going? And

420
00:23:11,480 --> 00:23:17,120
Speaker 1: you said because you still competitive, very like I hate

421
00:23:17,160 --> 00:23:19,920
Speaker 1: to lose and if I'm but, but you also keep

422
00:23:20,080 --> 00:23:25,360
Speaker 1: venturing like you did album. Did an album with master P. Yeah,

423
00:23:26,160 --> 00:23:29,080
Speaker 1: I did three albums with master People, three albums. When

424
00:23:29,080 --> 00:23:32,320
Speaker 1: I left Death Row Records, I signed with No Limit Records,

425
00:23:32,400 --> 00:23:35,439
Speaker 1: which was the hottest rapp label in the industry. When

426
00:23:35,480 --> 00:23:37,719
Speaker 1: I signed with No Limit Records, they was the hottest

427
00:23:38,240 --> 00:23:40,440
Speaker 1: in the rap industry. They was the only nigga is

428
00:23:40,480 --> 00:23:46,280
Speaker 1: getting money in the industry. But I'm not got to

429
00:23:46,359 --> 00:23:49,679
Speaker 1: say this because it was very important. Please please Puffy

430
00:23:49,720 --> 00:23:52,560
Speaker 1: and then was was rocking, but they wasn't getting no

431
00:23:52,680 --> 00:23:55,560
Speaker 1: money like master P was. Like, and I had been

432
00:23:55,600 --> 00:23:58,399
Speaker 1: around the camp. I ain't been around Deaf Jam. I

433
00:23:58,560 --> 00:24:01,600
Speaker 1: was on Death Row. I've seen all the niggas that

434
00:24:01,680 --> 00:24:06,040
Speaker 1: supposedly had the money. Master P had the motherfucking money.

435
00:24:07,160 --> 00:24:09,840
Speaker 1: He had the money. That was three albums. I did

436
00:24:09,960 --> 00:24:11,639
Speaker 1: three albums with him, my dad the game is to

437
00:24:11,720 --> 00:24:13,280
Speaker 1: be sold, not to be told. And I did a

438
00:24:13,359 --> 00:24:15,680
Speaker 1: movie called The Game of Life right after that. Then

439
00:24:15,720 --> 00:24:20,399
Speaker 1: I did Um You Were No Limit, Top Dog. Then

440
00:24:20,440 --> 00:24:22,880
Speaker 1: I did Hot Boys after that, then I did motherfucking

441
00:24:22,920 --> 00:24:25,439
Speaker 1: The Last Meal. Then I did The Chronic two thousand

442
00:24:25,440 --> 00:24:27,159
Speaker 1: and one. That's when I got with for real. But

443
00:24:27,240 --> 00:24:30,200
Speaker 1: I put the East Siders out put after Dogies Angels.

444
00:24:30,400 --> 00:24:32,560
Speaker 1: You understand me. He showed me how to put business

445
00:24:32,600 --> 00:24:34,639
Speaker 1: because I hadn't had a record label. I was always

446
00:24:34,640 --> 00:24:37,400
Speaker 1: talking that dog estyle ship right to handle record label.

447
00:24:37,480 --> 00:24:39,320
Speaker 1: Master P showed me how to put a label together,

448
00:24:39,640 --> 00:24:42,000
Speaker 1: how to go get money, how to eat, how to

449
00:24:42,080 --> 00:24:44,119
Speaker 1: make money off my tours, how to make money off

450
00:24:44,160 --> 00:24:46,680
Speaker 1: of movies, how to create a different lane for me

451
00:24:46,800 --> 00:24:50,840
Speaker 1: to be seen differently. He brought money to the industry

452
00:24:50,880 --> 00:24:53,680
Speaker 1: because I'm telling you the truth, niggas wasn't having no money.

453
00:24:53,880 --> 00:24:58,359
Speaker 1: He didn't hold you. He told the niggas how to

454
00:24:58,440 --> 00:25:01,760
Speaker 1: get it man, because see, rappers wasn't getting money man.

455
00:25:01,800 --> 00:25:04,119
Speaker 1: That's what I'm trying to tell y'all, niggas was getting

456
00:25:04,160 --> 00:25:07,240
Speaker 1: gold chained and you get a big ass production deal,

457
00:25:07,440 --> 00:25:09,960
Speaker 1: or they spent all this money on your album and marketing.

458
00:25:09,960 --> 00:25:12,080
Speaker 1: But the niggas wasn't getting no way out to ask money.

459
00:25:12,440 --> 00:25:16,040
Speaker 1: Niggas on't no limit money. Everybody on no limit had

460
00:25:16,080 --> 00:25:19,000
Speaker 1: a house, a car, two guns, and a bank account.

461
00:25:26,160 --> 00:25:30,680
Speaker 1: And then after that you after so you had three albums.

462
00:25:31,720 --> 00:25:34,840
Speaker 1: I want three projects, and I went from Doggy style

463
00:25:35,520 --> 00:25:41,800
Speaker 1: Murder was the case, dog Pound, dog Father, above the

464
00:25:41,960 --> 00:25:47,560
Speaker 1: rim out of there, No limit game is to be sold,

465
00:25:47,600 --> 00:25:50,720
Speaker 1: not to be told, No limit top Dog and last meal,

466
00:25:51,080 --> 00:25:55,560
Speaker 1: I did three albums and three butt out the contract

467
00:25:56,480 --> 00:26:01,440
Speaker 1: master to night in the penitentiary instruct the deal because

468
00:26:01,480 --> 00:26:04,840
Speaker 1: everybody else was scared of that nigger. Everybody. That's when

469
00:26:04,880 --> 00:26:08,480
Speaker 1: she was the monster, the boogeyman. That's when he was

470
00:26:08,600 --> 00:26:12,880
Speaker 1: the boogeman. Pete went to go see drunk a deal,

471
00:26:13,440 --> 00:26:18,320
Speaker 1: paid him, paid me, got my publishing back, gave me

472
00:26:18,440 --> 00:26:21,080
Speaker 1: three albums. I did my three albums, then allowed me

473
00:26:21,200 --> 00:26:22,760
Speaker 1: to do the east side of the deal while I

474
00:26:22,840 --> 00:26:25,280
Speaker 1: was in the process of doing my last album. Didn't

475
00:26:25,320 --> 00:26:28,160
Speaker 1: get no it was the TV deal. Yes, didn't take

476
00:26:28,240 --> 00:26:30,639
Speaker 1: no money from it, didn't take no imprint from it.

477
00:26:31,000 --> 00:26:33,560
Speaker 1: East Side has when sold a million records and my

478
00:26:33,680 --> 00:26:46,440
Speaker 1: record labels off in popping that lost good Listen. I

479
00:26:46,640 --> 00:26:51,040
Speaker 1: knew this information, but to him down and the way

480
00:26:51,080 --> 00:26:53,720
Speaker 1: he's saying that, I'm just I'm sitting over here like

481
00:26:53,800 --> 00:26:56,080
Speaker 1: I'm back in fan Ball. I'm sorry. Do you want

482
00:26:56,119 --> 00:26:59,840
Speaker 1: me to get back an interview more? Because I'm selling

483
00:27:00,040 --> 00:27:06,120
Speaker 1: have more one and we always so now you live

484
00:27:06,160 --> 00:27:11,600
Speaker 1: in New Orleans, when you say years years down, where

485
00:27:11,640 --> 00:27:15,280
Speaker 1: do you start missing Cali? And then now that's crazy

486
00:27:15,359 --> 00:27:19,440
Speaker 1: you said that because when I first wrote to Baton Road,

487
00:27:19,760 --> 00:27:21,960
Speaker 1: Mr P tell me, Nigga, you can't go back there La.

488
00:27:22,880 --> 00:27:25,040
Speaker 1: So he basically put a wall around me, like, Nigga,

489
00:27:25,040 --> 00:27:26,840
Speaker 1: don't go back to LA. Because that's when the niggas

490
00:27:26,880 --> 00:27:29,879
Speaker 1: was really still trying to get at me. And you

491
00:27:29,920 --> 00:27:31,560
Speaker 1: know what I'm saying, I was kind of leaking so

492
00:27:31,800 --> 00:27:33,960
Speaker 1: in some of these words because I didn't really have

493
00:27:34,160 --> 00:27:37,280
Speaker 1: my street shipped right in the hood. So I went

494
00:27:37,359 --> 00:27:39,280
Speaker 1: back in New Orleans and I stayed out there. But

495
00:27:39,359 --> 00:27:42,880
Speaker 1: about my time the second album came, I started sliding

496
00:27:42,920 --> 00:27:45,320
Speaker 1: back to l A like for two days here two

497
00:27:45,440 --> 00:27:48,480
Speaker 1: days then and he was like, Nigga stopped going back.

498
00:27:48,520 --> 00:27:50,520
Speaker 1: I'm like, I can't help it. Then that's when I

499
00:27:50,560 --> 00:27:53,320
Speaker 1: started getting DJ Quik and all the other niggas. That

500
00:27:53,440 --> 00:27:55,800
Speaker 1: was a point of the second album, and it started

501
00:27:55,840 --> 00:27:58,200
Speaker 1: to sound back like Snoop Dogg because the first record

502
00:27:58,280 --> 00:28:00,840
Speaker 1: was South like a motherfucker. Then the second one was

503
00:28:00,880 --> 00:28:04,280
Speaker 1: getting more like Snoop Dogg. Then that's when I got

504
00:28:04,359 --> 00:28:07,320
Speaker 1: dready give me bitch, please for real. Gave me from

505
00:28:07,320 --> 00:28:09,760
Speaker 1: the church to the palace. Then I did the third one,

506
00:28:10,000 --> 00:28:13,440
Speaker 1: which was motherfucking uh the last meal. That's when ship

507
00:28:13,600 --> 00:28:15,600
Speaker 1: was like all the way right. We had Lailo, We

508
00:28:15,720 --> 00:28:18,520
Speaker 1: had all kind of records that was sounding like Snoop Dogg,

509
00:28:18,960 --> 00:28:22,280
Speaker 1: which prepped me for the Chronic two thousand one album.

510
00:28:22,600 --> 00:28:24,720
Speaker 1: And then he knew I had to be back in

511
00:28:24,960 --> 00:28:28,119
Speaker 1: l A because my flavor was at l A. It

512
00:28:28,200 --> 00:28:29,800
Speaker 1: was good that I could, you know, jump out of

513
00:28:29,880 --> 00:28:32,840
Speaker 1: my habitat and getting this environment and adapt to any

514
00:28:32,960 --> 00:28:35,760
Speaker 1: environment and be a chameleon. He un staying. But at

515
00:28:35,800 --> 00:28:37,280
Speaker 1: the same time, I got to go back to what

516
00:28:37,400 --> 00:28:39,760
Speaker 1: I'm comfortable at the zone and I'm and that's where

517
00:28:39,800 --> 00:28:43,040
Speaker 1: you start to hear those records started becoming more you

518
00:28:43,080 --> 00:28:45,760
Speaker 1: know what I'm saying, like the way they were supposed

519
00:28:45,760 --> 00:28:49,240
Speaker 1: to sound. Wow, at what point? All that is? The

520
00:28:49,520 --> 00:28:52,120
Speaker 1: murder record that you did. C Murder record was over

521
00:28:52,120 --> 00:28:59,720
Speaker 1: the second album No Limit Top Dog. I've been trying

522
00:28:59,760 --> 00:29:03,080
Speaker 1: to you ain't that record because because the Death Row

523
00:29:03,160 --> 00:29:05,320
Speaker 1: Niggers was on the Niggers. But originally you weren't on

524
00:29:05,400 --> 00:29:10,080
Speaker 1: that record. Originally, originally, originally that's my record. There's a

525
00:29:10,160 --> 00:29:13,280
Speaker 1: version without you though, right know that originally was my record.

526
00:29:13,320 --> 00:29:16,880
Speaker 1: That two different versions. So that's where I'm telling you.

527
00:29:16,960 --> 00:29:19,800
Speaker 1: That record was made after some ship happened in l

528
00:29:19,880 --> 00:29:22,000
Speaker 1: A and the Death Row Niggers try to get me.

529
00:29:22,200 --> 00:29:24,600
Speaker 1: But there is two versions though. Yeah it is. But

530
00:29:24,720 --> 00:29:27,880
Speaker 1: the version that you heard was after the fact version

531
00:29:28,080 --> 00:29:31,120
Speaker 1: because KOC did the original beat the nigger that did

532
00:29:31,280 --> 00:29:37,440
Speaker 1: move bitch to come on give it to you. Oh

533
00:29:37,520 --> 00:29:41,160
Speaker 1: my god, that's what I'm saying. You're wrong. I say you,

534
00:29:41,400 --> 00:29:46,240
Speaker 1: I'm gonna think you ain't. When I said you you

535
00:29:46,360 --> 00:29:54,840
Speaker 1: you you let me threst it right, No, ship didn't

536
00:29:54,840 --> 00:29:59,080
Speaker 1: know thres this is my Niggers. Yeah, y'all got that

537
00:29:59,160 --> 00:30:02,240
Speaker 1: ship on luck. That ship y'all a little Snoop. God

538
00:30:02,400 --> 00:30:04,760
Speaker 1: damn it, I can't believe we did it. So Snoop,

539
00:30:04,960 --> 00:30:08,600
Speaker 1: we got to marry Jane redside about we got to

540
00:30:08,640 --> 00:30:12,560
Speaker 1: Mary Jane. Yeah, we do. We got the we got

541
00:30:12,640 --> 00:30:15,560
Speaker 1: the g we got gen popping over vote TV and

542
00:30:15,720 --> 00:30:18,280
Speaker 1: I got my own, you know, sensituation vote trying to

543
00:30:18,360 --> 00:30:20,800
Speaker 1: lock me down, shall go over the wall. You know

544
00:30:20,880 --> 00:30:23,880
Speaker 1: what you do. You get paid to play and then

545
00:30:23,920 --> 00:30:26,360
Speaker 1: you do it and you keep it moving. Don't get question.

546
00:30:27,520 --> 00:30:29,120
Speaker 1: They don't get everything. They just get some of the

547
00:30:29,200 --> 00:30:34,680
Speaker 1: things because you're not gonna find everything, so you're gonna

548
00:30:34,680 --> 00:30:37,640
Speaker 1: do some of the things. He said. What I'm saying

549
00:30:37,840 --> 00:30:47,440
Speaker 1: because I wanted to, Because that's so you got all

550
00:30:47,840 --> 00:30:51,280
Speaker 1: g gen uh and we're gonna try to host that. Definitely,

551
00:30:51,320 --> 00:30:53,800
Speaker 1: Trina do it. And you started that ship in the

552
00:30:53,920 --> 00:30:58,000
Speaker 1: backyard somewhere. Man was just that I didn't start. Yeah.

553
00:30:58,160 --> 00:31:01,200
Speaker 1: I was watching the news one night and it came on.

554
00:31:01,320 --> 00:31:02,760
Speaker 1: It was a murder. It was something I was like,

555
00:31:02,840 --> 00:31:05,280
Speaker 1: why every time the news come on with some bad news.

556
00:31:05,800 --> 00:31:08,280
Speaker 1: I've never seen the news come on with they got

557
00:31:08,600 --> 00:31:15,560
Speaker 1: dick sock or some beautiful alley way point. The start

558
00:31:15,600 --> 00:31:19,240
Speaker 1: of news networks all good news it's all fun, it's

559
00:31:19,240 --> 00:31:22,880
Speaker 1: all comedy, it's all me, and we're from that to

560
00:31:22,960 --> 00:31:25,880
Speaker 1: where it is now. That's a fact that's reported that

561
00:31:25,960 --> 00:31:30,280
Speaker 1: they get this dick sock in the alleyway. Goddamnit, it

562
00:31:30,440 --> 00:31:32,200
Speaker 1: used to be me. I've been buried for a long

563
00:31:32,320 --> 00:31:38,480
Speaker 1: time for the space of me before I was married. Yo,

564
00:31:38,640 --> 00:31:42,240
Speaker 1: my nigga slew yo, come on, get your fucking ass out.

565
00:31:43,280 --> 00:31:45,920
Speaker 1: You know, best of my liquors, they provided the liquors.

566
00:31:46,040 --> 00:31:48,160
Speaker 1: We used to have girls head part of the drinks.

567
00:31:48,480 --> 00:31:53,160
Speaker 1: What happened? I don't know. Man, I'm married too, but

568
00:31:53,440 --> 00:31:56,160
Speaker 1: I don't mind having girl like I candy. I'm just shopping.

569
00:31:56,200 --> 00:31:58,840
Speaker 1: I'm not buying anything, you know, sometimes a little sloop.

570
00:31:59,120 --> 00:32:03,800
Speaker 1: You have never got tired of this lifestyle lifestyle I live, no, no,

571
00:32:04,080 --> 00:32:08,480
Speaker 1: I mean nothing lifestyle live. That's that's a fun up question.

572
00:32:09,000 --> 00:32:13,920
Speaker 1: But I got tired of recording and doing the same

573
00:32:14,040 --> 00:32:17,200
Speaker 1: process that style I have got. You see, when I'm

574
00:32:17,360 --> 00:32:20,520
Speaker 1: I became my own boss. So being your own boss,

575
00:32:20,560 --> 00:32:22,720
Speaker 1: you make your own rules, you play your own plays.

576
00:32:22,760 --> 00:32:24,600
Speaker 1: And I don't do what they do. I do what

577
00:32:24,720 --> 00:32:26,560
Speaker 1: I do. So I drop a record when I won't

578
00:32:26,600 --> 00:32:28,920
Speaker 1: do a movie, when I won't shoot TV when I

579
00:32:29,040 --> 00:32:32,120
Speaker 1: won't do a shoot deal coach football, you understand me.

580
00:32:32,160 --> 00:32:33,800
Speaker 1: I do what I like when I wanted to be

581
00:32:33,920 --> 00:32:38,640
Speaker 1: like it's like it's not a script, that's everybody else's script.

582
00:32:38,720 --> 00:32:41,360
Speaker 1: You know. Like if I was in the world of sports,

583
00:32:41,440 --> 00:32:43,680
Speaker 1: I would be my own sport. I wouldn't even be

584
00:32:44,120 --> 00:32:45,960
Speaker 1: I'd be a little bit of basketball, a little bit

585
00:32:46,000 --> 00:32:47,800
Speaker 1: of soccer, a little bit of golf, a little bit

586
00:32:47,840 --> 00:32:50,560
Speaker 1: of football. Like, Nigga, what sport are you? Nigga? I'm

587
00:32:50,600 --> 00:32:56,600
Speaker 1: just I'm just that. I'm that sport, Nigga everything goddamnitt that.

588
00:33:06,000 --> 00:33:09,520
Speaker 1: Welcome to play a new podcast network featuring radio and

589
00:33:09,560 --> 00:33:14,160
Speaker 1: TV personalities talking business, sports, tech, entertainment, and more. Play

590
00:33:14,240 --> 00:33:18,720
Speaker 1: it at play dot It. We're back to Drink Champs

591
00:33:18,840 --> 00:33:24,880
Speaker 1: Radio with Rapper and R and d j f N. Listen,

592
00:33:26,760 --> 00:33:34,600
Speaker 1: this is real ship, right man. Okay, Jenna Juice, you

593
00:33:34,760 --> 00:33:38,840
Speaker 1: have niggas in the East Coast, Jill, Niggas was getting

594
00:33:38,920 --> 00:33:47,760
Speaker 1: drunk on that ship. Yeah, how did this concoction? This collaboration? Collaboration,

595
00:33:49,720 --> 00:33:52,600
Speaker 1: Jenna Juice, collaboration happened when Nigga was a young nigga

596
00:33:53,160 --> 00:33:56,240
Speaker 1: seventeen sixteen. You really didn't have too much money. We

597
00:33:56,320 --> 00:34:00,240
Speaker 1: used to buy Seagrams Bumpy Gen bumpy face bottom and

598
00:34:00,280 --> 00:34:02,360
Speaker 1: we used to get uh. It was a drink called

599
00:34:02,400 --> 00:34:08,280
Speaker 1: supersocho and we used to mix simple break down Nigga.

600
00:34:08,400 --> 00:34:11,960
Speaker 1: Supersoco was a soccer drink, nagging and it was like

601
00:34:12,080 --> 00:34:14,200
Speaker 1: a lemony flavor. You can look it up on Google.

602
00:34:14,320 --> 00:34:16,600
Speaker 1: Nigga looking up. He was like, he plays soccer, and

603
00:34:16,680 --> 00:34:20,120
Speaker 1: Nigga looked at up. Nigga looking up looking up its

604
00:34:20,160 --> 00:34:25,200
Speaker 1: Spanish supersocho looking up Spanish Nigga. Supersoco was was a

605
00:34:25,320 --> 00:34:27,640
Speaker 1: mix that we used to mix it with, so it

606
00:34:27,719 --> 00:34:31,000
Speaker 1: gave it a different kind of lemony uh flavor. And

607
00:34:31,080 --> 00:34:33,640
Speaker 1: then we went to orange juice. And then once we

608
00:34:33,760 --> 00:34:35,839
Speaker 1: mixed it with orange juice, did we started doing gin

609
00:34:35,960 --> 00:34:40,320
Speaker 1: and juice, and then from gin and juice it became

610
00:34:40,400 --> 00:34:42,440
Speaker 1: a record because it was like we we heard the

611
00:34:42,480 --> 00:34:45,120
Speaker 1: old song half did you used to always sing old

612
00:34:45,200 --> 00:34:47,160
Speaker 1: songs and he would put new words to us. So

613
00:34:47,280 --> 00:34:52,600
Speaker 1: the song was walking down the street watching ladies, good bye,

614
00:34:52,719 --> 00:34:57,200
Speaker 1: watching you. So he took vand and put rolling down

615
00:34:57,320 --> 00:35:01,560
Speaker 1: the street smoking and though sipping on gin and juice.

616
00:35:02,640 --> 00:35:04,760
Speaker 1: So he he did that. But then We got David

617
00:35:04,840 --> 00:35:08,319
Speaker 1: Ruffin Jr. To actually sing it on the album makes

618
00:35:09,000 --> 00:35:14,319
Speaker 1: snoops flossing on us, just that, Yeah, that is real.

619
00:35:14,600 --> 00:35:17,440
Speaker 1: What do you go about the song? That's the fact check. Yeah,

620
00:35:17,480 --> 00:35:19,040
Speaker 1: but they got in the bottle to see what they

621
00:35:19,080 --> 00:35:21,640
Speaker 1: looked like in the bottle. That's it. You found the brand.

622
00:35:21,920 --> 00:35:25,000
Speaker 1: That's that's the hazard. It sounds he's called off that

623
00:35:25,200 --> 00:35:29,720
Speaker 1: nigga found facts in the bottle. In the bottle, nigger.

624
00:35:30,040 --> 00:35:32,640
Speaker 1: So you know we do you know, we're like the

625
00:35:32,760 --> 00:35:40,120
Speaker 1: black Howard Sterns listen to other black Latino Howard Sterns

626
00:35:40,200 --> 00:35:44,120
Speaker 1: coming Latino to goddamn it, of course, but we all together, man.

627
00:35:45,120 --> 00:35:47,520
Speaker 1: So it's has you still you still you're still looking

628
00:35:47,560 --> 00:35:52,840
Speaker 1: for that girl's gotta be sick, you know, like like

629
00:35:52,960 --> 00:35:56,720
Speaker 1: glass Bottom. It's like from the eighties. Look in the eighties.

630
00:35:58,080 --> 00:36:00,480
Speaker 1: Let's think in the eighties, go back to the you

631
00:36:00,560 --> 00:36:07,640
Speaker 1: are pre stories to goddamnit. Le's make being prere stories. No, no,

632
00:36:07,800 --> 00:36:09,840
Speaker 1: you know what I respect. I told Dame dash that

633
00:36:09,920 --> 00:36:12,160
Speaker 1: motherfucking paid them. Forward was one of the most gangster

634
00:36:12,239 --> 00:36:15,319
Speaker 1: movies I've ever seen in my life for one reason

635
00:36:15,360 --> 00:36:17,640
Speaker 1: because I was a drug dealing around that term. I

636
00:36:17,760 --> 00:36:19,920
Speaker 1: never was like money making mentioning them, but I always

637
00:36:19,920 --> 00:36:22,160
Speaker 1: wanted to be like them niggas. I was that little

638
00:36:22,239 --> 00:36:24,719
Speaker 1: nigger that was getting it on the beach. And to

639
00:36:24,800 --> 00:36:27,480
Speaker 1: see a movie like that was so motherfucking aspiring and

640
00:36:27,640 --> 00:36:30,360
Speaker 1: so so deft to find to see that relationship and

641
00:36:30,400 --> 00:36:32,640
Speaker 1: see how cutthroat that ship was. And it really was

642
00:36:32,719 --> 00:36:34,919
Speaker 1: like that in real life. There was a great learning

643
00:36:35,000 --> 00:36:38,440
Speaker 1: experience to to to watch that movie for the educational

644
00:36:38,520 --> 00:36:41,920
Speaker 1: reasons as well. And you know what, you know your

645
00:36:41,960 --> 00:36:45,680
Speaker 1: cousin Dad, which I loved. He sat ahead, he said

646
00:36:45,719 --> 00:36:50,560
Speaker 1: he wanted to do Colors Part two in New York.

647
00:36:51,200 --> 00:36:53,279
Speaker 1: I really needed to direct that movie. I just wanted

648
00:36:53,280 --> 00:36:58,319
Speaker 1: to throw that out there, just time to see him. Listen,

649
00:36:58,400 --> 00:37:00,600
Speaker 1: I want to direct that because you know what, that

650
00:37:00,840 --> 00:37:04,000
Speaker 1: was the most geniuses ship. Like I looked at dads

651
00:37:04,080 --> 00:37:06,160
Speaker 1: and you know, me and dask we just get high together.

652
00:37:06,719 --> 00:37:09,160
Speaker 1: When he said that to me, I was like, this

653
00:37:09,360 --> 00:37:13,080
Speaker 1: nigga way smarter than me. Like I was like, I said,

654
00:37:13,080 --> 00:37:14,759
Speaker 1: I'm gonna do Colors Far two And I was like

655
00:37:14,920 --> 00:37:18,920
Speaker 1: why he said, but in New York? And I was like, nigger,

656
00:37:18,960 --> 00:37:21,120
Speaker 1: I need to I'm gonna buy that movie. Like, let's

657
00:37:21,880 --> 00:37:25,440
Speaker 1: whatever I gotta do, let's do it. Negotiate, negotiating. Your

658
00:37:25,520 --> 00:37:27,560
Speaker 1: dad has been the only the only kids have been

659
00:37:27,600 --> 00:37:31,080
Speaker 1: on here twice. But but but snoop, So let me

660
00:37:31,160 --> 00:37:34,880
Speaker 1: ask you. So with that being said, like what with

661
00:37:35,160 --> 00:37:40,120
Speaker 1: gangs being it's origin being from where you come from?

662
00:37:40,880 --> 00:37:43,440
Speaker 1: And now I don't know if you know, but how

663
00:37:43,680 --> 00:37:47,600
Speaker 1: big that ship is in New York, Miami and everywhere?

664
00:37:47,840 --> 00:37:53,120
Speaker 1: Did you ever see that? Or a gang? A gang

665
00:37:53,280 --> 00:37:57,680
Speaker 1: is like hip hop, right, it's fun, it's exciting, it

666
00:37:58,160 --> 00:37:59,800
Speaker 1: looks like it's easy to do. You can do it

667
00:37:59,880 --> 00:38:04,920
Speaker 1: with your friends, and it becomes something of representation of

668
00:38:05,000 --> 00:38:08,480
Speaker 1: who you are, and it's a replication of who you are.

669
00:38:08,640 --> 00:38:11,520
Speaker 1: So it's supposed to travel. It's supposed to go from

670
00:38:11,600 --> 00:38:14,120
Speaker 1: city to city. Just imagine, if hip hop were to

671
00:38:14,160 --> 00:38:16,920
Speaker 1: stay in the Bronx, you would have never got it.

672
00:38:17,000 --> 00:38:21,200
Speaker 1: I wouldn't never got it, it wouldn't win nowhere. So exactly,

673
00:38:21,280 --> 00:38:24,640
Speaker 1: so gangbanging it's supposed to spread. It's supposed to travel

674
00:38:24,719 --> 00:38:27,120
Speaker 1: because it's just like it's some great ship in gangs.

675
00:38:27,200 --> 00:38:30,120
Speaker 1: I think if somebody wanted the easy travel guide to

676
00:38:30,280 --> 00:38:32,680
Speaker 1: how it all spread, listen to some of the vacations

677
00:38:32,719 --> 00:38:35,040
Speaker 1: from ice Q. Oh yeah, that's that's one of the

678
00:38:35,120 --> 00:38:39,520
Speaker 1: perfect examples. And Nigga's seating up shop at one of

679
00:38:39,560 --> 00:38:42,480
Speaker 1: those cities. You go to a city where you know

680
00:38:42,960 --> 00:38:45,719
Speaker 1: niggas is not as fast as l A, but they will.

681
00:38:46,400 --> 00:38:49,680
Speaker 1: You know, they influenced by you know, they love what

682
00:38:49,760 --> 00:38:52,640
Speaker 1: they see because l A remembers movies has been made

683
00:38:52,719 --> 00:38:54,960
Speaker 1: on us, like from Colors to Boys in the Hood,

684
00:38:55,320 --> 00:38:57,840
Speaker 1: so we have the perfect blueprint to what it is

685
00:38:57,920 --> 00:38:59,760
Speaker 1: to be a gangster. So when you have a gangster

686
00:38:59,800 --> 00:39:02,400
Speaker 1: from l A come to your city and impress you

687
00:39:02,520 --> 00:39:03,960
Speaker 1: and show you what it is and give you the

688
00:39:04,080 --> 00:39:07,080
Speaker 1: rules and the regulations, it's easy to influence others and

689
00:39:07,120 --> 00:39:09,360
Speaker 1: to make him pick that culture up and make it.

690
00:39:09,440 --> 00:39:12,239
Speaker 1: There's just like hip hop. Hip hop was born and

691
00:39:12,360 --> 00:39:15,680
Speaker 1: bred in the Bronx, but it made it way. It's

692
00:39:15,719 --> 00:39:18,279
Speaker 1: made its way all over the world. And when they

693
00:39:18,360 --> 00:39:20,800
Speaker 1: got to Long Beach, I grabbed ahold of it and

694
00:39:21,120 --> 00:39:23,640
Speaker 1: I wanted to do that more than gang banging. So

695
00:39:24,400 --> 00:39:27,600
Speaker 1: eventually it's gonna do the same thing. You know, hip

696
00:39:27,640 --> 00:39:30,920
Speaker 1: hop will wire moving again and overwhelmed gang banging because

697
00:39:31,280 --> 00:39:34,279
Speaker 1: the people that ain't from l A where it originated from.

698
00:39:34,840 --> 00:39:37,040
Speaker 1: They're a couple of years behind with the gang banging,

699
00:39:37,120 --> 00:39:39,480
Speaker 1: so they don't understand that were at the point that

700
00:39:39,560 --> 00:39:41,440
Speaker 1: we know how to converse, we know how to communicate.

701
00:39:41,520 --> 00:39:44,600
Speaker 1: Bloods and crips hang out and kick it. So once

702
00:39:44,680 --> 00:39:47,879
Speaker 1: they get that part, then they'll understand that it's really

703
00:39:48,040 --> 00:39:50,560
Speaker 1: a real brotherhood. And I'm seeing that with all these

704
00:39:50,640 --> 00:39:52,480
Speaker 1: marches and you see in bloods and crips all over

705
00:39:52,520 --> 00:39:55,279
Speaker 1: the world tying. They rag together because they following what

706
00:39:55,440 --> 00:39:58,239
Speaker 1: they see us do and we leave by example. So

707
00:39:58,480 --> 00:40:00,960
Speaker 1: we put the right foundation. Now they're gonna walk the

708
00:40:01,040 --> 00:40:03,759
Speaker 1: great path. But do you think that like hip hop

709
00:40:03,880 --> 00:40:06,040
Speaker 1: if us come to this This is what I've been

710
00:40:06,120 --> 00:40:09,239
Speaker 1: preaching on this podcast. I think this is like three

711
00:40:09,360 --> 00:40:15,719
Speaker 1: episode now this will be four. But what I've been

712
00:40:15,800 --> 00:40:19,440
Speaker 1: preaching is hip hop ship registered as a race. What

713
00:40:19,600 --> 00:40:21,840
Speaker 1: I mean by that is, you know, we might not

714
00:40:22,000 --> 00:40:25,080
Speaker 1: win it as a black race, but there's people like

715
00:40:25,239 --> 00:40:28,640
Speaker 1: Marks Coscrallity that people who feel like they're part of

716
00:40:28,760 --> 00:40:31,200
Speaker 1: hip hop, but that not be a part of our race.

717
00:40:32,520 --> 00:40:34,640
Speaker 1: You think that is that something that that we should

718
00:40:34,800 --> 00:40:37,920
Speaker 1: like as hip hop? Well, hip hop don't have a

719
00:40:38,040 --> 00:40:41,200
Speaker 1: race to it because it's a it's a feeling exactly.

720
00:40:41,320 --> 00:40:42,919
Speaker 1: You know what, don't hand no color to it either,

721
00:40:42,920 --> 00:40:46,120
Speaker 1: because it's all about the feeling. It's been some motherfucker's

722
00:40:46,160 --> 00:40:50,319
Speaker 1: that I have relationships within hip hop then got most

723
00:40:50,360 --> 00:40:52,880
Speaker 1: sold than average niggas you could expect, and they're scared.

724
00:40:52,920 --> 00:40:56,919
Speaker 1: Ain't nowhere near darkness mare right. So I just feel

725
00:40:57,000 --> 00:40:59,600
Speaker 1: like you're write about that as far as it should

726
00:40:59,640 --> 00:41:02,640
Speaker 1: be some sort of membership or some sort of because

727
00:41:03,040 --> 00:41:04,839
Speaker 1: because that's what I'm saying, I'm sorry to cut you off,

728
00:41:04,840 --> 00:41:07,080
Speaker 1: because people get that. They want to kill me, want

729
00:41:07,080 --> 00:41:09,880
Speaker 1: to cut my guests off. But what I'm saying is

730
00:41:10,200 --> 00:41:13,359
Speaker 1: it's sometimes it's like a think of like, oh, let's

731
00:41:13,400 --> 00:41:16,920
Speaker 1: just say Nate dog God bless his soul. Say if

732
00:41:17,000 --> 00:41:20,919
Speaker 1: Nate DOGG was still alive and then something happening Nate

733
00:41:21,040 --> 00:41:23,959
Speaker 1: dog we should be it should be a union that's

734
00:41:24,160 --> 00:41:30,200
Speaker 1: already established or ready to take care of him. Like, yeah,

735
00:41:30,280 --> 00:41:32,600
Speaker 1: that's that's what we were speaking about, dog What you

736
00:41:32,680 --> 00:41:35,160
Speaker 1: think about that? I love that idea and I love

737
00:41:35,280 --> 00:41:37,200
Speaker 1: the fact that we even can speak on that because

738
00:41:37,200 --> 00:41:40,279
Speaker 1: we got the platform and we're not speaking like if

739
00:41:40,320 --> 00:41:43,560
Speaker 1: we were broken niggas, this this conversation would be fucked

740
00:41:43,600 --> 00:41:45,879
Speaker 1: up because it understund like because it sounds like we hate,

741
00:41:46,680 --> 00:41:49,760
Speaker 1: but niggas ain't broke here, we're okay. That being okay

742
00:41:52,360 --> 00:41:54,400
Speaker 1: actually what we are with a voice for those who

743
00:41:54,480 --> 00:41:58,440
Speaker 1: can't speak exactly, trying to provide something for those who

744
00:41:58,520 --> 00:42:02,480
Speaker 1: don't have or may not have the opportunity to continue

745
00:42:02,520 --> 00:42:04,560
Speaker 1: to be successful, for us to be some step paved

746
00:42:04,600 --> 00:42:07,080
Speaker 1: away for them for their hard work and dedication. We

747
00:42:07,239 --> 00:42:10,080
Speaker 1: just like the NFFAMI, the NBA, ain't all that. We

748
00:42:11,080 --> 00:42:12,680
Speaker 1: just don't have it. We don't. We don't have a

749
00:42:12,719 --> 00:42:16,359
Speaker 1: commissioner or anybody to answer to. And that's one thing

750
00:42:16,480 --> 00:42:18,839
Speaker 1: that I don't think we need because that's the only

751
00:42:18,880 --> 00:42:20,600
Speaker 1: thing that I see funked up about the n B

752
00:42:20,719 --> 00:42:22,960
Speaker 1: n NFL, that they got some motherfucker to answer to

753
00:42:23,800 --> 00:42:26,000
Speaker 1: that ain't in human, you know what I'm saying. So

754
00:42:26,080 --> 00:42:28,040
Speaker 1: it should be, you know, on the level playing field

755
00:42:28,080 --> 00:42:31,239
Speaker 1: where we all agree to disagree and we we know

756
00:42:31,360 --> 00:42:33,880
Speaker 1: we commissioned ourselves, but we boss ourselves. I don't like

757
00:42:33,960 --> 00:42:36,080
Speaker 1: answering to nobody. I got a problem with that, especially

758
00:42:36,080 --> 00:42:37,839
Speaker 1: if you don't know more than me, if you ain't

759
00:42:37,840 --> 00:42:39,719
Speaker 1: position better than me, I really got a problem with

760
00:42:39,800 --> 00:42:42,520
Speaker 1: answering to you. But if hip hop unionized, we would

761
00:42:42,520 --> 00:42:45,399
Speaker 1: be a voting block. I get that part, but it's

762
00:42:45,400 --> 00:42:49,680
Speaker 1: gonna have to be somebody that's in control. And Russell

763
00:42:49,719 --> 00:42:51,680
Speaker 1: Simmons is a great guy, but it ain't It ain't him.

764
00:42:52,280 --> 00:42:55,400
Speaker 1: But he didn't like the idea of that. What was this?

765
00:42:55,600 --> 00:42:58,520
Speaker 1: Do you remember his argument for this? No, I'm sorry

766
00:42:58,520 --> 00:43:01,360
Speaker 1: having I keep saying prodigy having Having din't like the

767
00:43:01,480 --> 00:43:06,000
Speaker 1: idea of that of us unionizing, or that's because he's

768
00:43:06,000 --> 00:43:11,040
Speaker 1: to be tarting. Think about it is this. Let's listen,

769
00:43:11,120 --> 00:43:13,640
Speaker 1: you have an argument he has. Think about it is this.

770
00:43:14,080 --> 00:43:16,800
Speaker 1: This is who we all listen, this is what we

771
00:43:16,880 --> 00:43:19,239
Speaker 1: all need to do. We all need to have each

772
00:43:19,239 --> 00:43:23,960
Speaker 1: other's back, because at the end of the day, Snoop, listen,

773
00:43:24,080 --> 00:43:27,839
Speaker 1: my grandmother knows who Snoop bears. I have two grandmothers

774
00:43:27,880 --> 00:43:30,080
Speaker 1: who know Snoopers, and they both dead, but they still

775
00:43:30,160 --> 00:43:38,799
Speaker 1: know Snoop Bears. No, I don't about the grandmother grandma's.

776
00:43:38,960 --> 00:43:42,040
Speaker 1: They both knew who Snoop was. That's a fact, right,

777
00:43:42,320 --> 00:43:47,040
Speaker 1: So what I'm saying is all right, But maybe both

778
00:43:47,080 --> 00:43:53,040
Speaker 1: of my grandmother's know who Coolio is. Maybe both of

779
00:43:53,120 --> 00:43:58,440
Speaker 1: my grandmothers know who mc hamm is. Guess what I'm not.

780
00:43:59,000 --> 00:44:01,200
Speaker 1: I don't want anything at those brothers, but I know

781
00:44:01,400 --> 00:44:09,680
Speaker 1: Snoopers okay. Other grandmothers don't know if hammer cool deal

782
00:44:09,880 --> 00:44:15,640
Speaker 1: is okay. Shouldn't there be something that says when they're

783
00:44:15,719 --> 00:44:21,040
Speaker 1: not okay? So we need to come in and we say, Slim,

784
00:44:21,239 --> 00:44:24,080
Speaker 1: you sold thirty million records, You put your fucking money

785
00:44:24,120 --> 00:44:28,080
Speaker 1: in the g shrink. You fucked up, but we got you,

786
00:44:29,680 --> 00:44:33,480
Speaker 1: and not only them, but people who like you know,

787
00:44:33,640 --> 00:44:37,759
Speaker 1: who's the real rhyme niggers, you know, you know exhibits

788
00:44:37,920 --> 00:44:42,640
Speaker 1: from l A and the motherfucker the true life for

789
00:44:42,800 --> 00:44:47,680
Speaker 1: New York and shit, if she ain't never work out,

790
00:44:48,239 --> 00:44:54,080
Speaker 1: it should be a program to take care of you, right, No, no, no,

791
00:44:54,440 --> 00:44:56,840
Speaker 1: you you got the right here in my mind, and

792
00:44:57,000 --> 00:44:59,600
Speaker 1: just a matter of who can actually execute that great

793
00:45:00,080 --> 00:45:03,040
Speaker 1: organization can help me in that plan is excellent, that's

794
00:45:03,080 --> 00:45:05,520
Speaker 1: an awesome plan, but who can actually make that plan

795
00:45:05,680 --> 00:45:08,200
Speaker 1: come to life? It really see to it because like

796
00:45:08,280 --> 00:45:11,160
Speaker 1: you and they gotta see two it that it continued

797
00:45:11,239 --> 00:45:13,680
Speaker 1: on you. It gotta go because that's that's throwing on you.

798
00:45:13,800 --> 00:45:17,319
Speaker 1: Too much. It was it was too much because it's

799
00:45:17,320 --> 00:45:19,040
Speaker 1: a lot of none my shows. I don't know if

800
00:45:19,080 --> 00:45:30,040
Speaker 1: I can carry but listening. But that's what I'm saying

801
00:45:30,560 --> 00:45:33,799
Speaker 1: in the Hip Hop Council, as long as somebody, as

802
00:45:33,920 --> 00:45:37,920
Speaker 1: long as we try to bear some teams together, because

803
00:45:38,400 --> 00:45:41,520
Speaker 1: at the end of the day, we gotta keep working.

804
00:45:41,800 --> 00:45:44,920
Speaker 1: If you're not working, then you shouldn't be involved. And

805
00:45:45,040 --> 00:45:48,239
Speaker 1: we don't want to take care of the people who's lazy. Yeah,

806
00:45:48,360 --> 00:45:51,560
Speaker 1: you want to take care to people who who dedicated

807
00:45:51,680 --> 00:45:57,000
Speaker 1: their life fifteen ten years and they still gotta struggle

808
00:45:57,080 --> 00:45:59,279
Speaker 1: to pay their rent. Don't dude, should be taken. But

809
00:45:59,360 --> 00:46:02,960
Speaker 1: that's why I think d take the pictures because everybody,

810
00:46:03,239 --> 00:46:05,480
Speaker 1: anybody that's an actor, you could be a b roll,

811
00:46:05,680 --> 00:46:07,960
Speaker 1: you could be uh, but hip hop we need to say.

812
00:46:07,960 --> 00:46:10,279
Speaker 1: That's why I think SAG is a perfect model for

813
00:46:10,480 --> 00:46:14,479
Speaker 1: what could happen in hip hop. Right, somebody just gotta

814
00:46:14,520 --> 00:46:17,920
Speaker 1: put that thing down, man. You know it's a great idea.

815
00:46:18,080 --> 00:46:20,560
Speaker 1: But you know, one thing about one thing about nigger

816
00:46:21,239 --> 00:46:25,759
Speaker 1: we don't believe. We believe, right, So what's the next

817
00:46:25,800 --> 00:46:28,960
Speaker 1: thing for Snoop Dogg? Right now? Right now, we know

818
00:46:29,160 --> 00:46:33,319
Speaker 1: you had every liquor in the universe, you had every

819
00:46:33,440 --> 00:46:37,359
Speaker 1: slipper in the universe. I bought like nineteen thousand dollars

820
00:46:37,440 --> 00:46:40,200
Speaker 1: worth for slippers and he started the slipper game. Let's

821
00:46:40,200 --> 00:46:43,480
Speaker 1: just let's just be quite honest here. Uh So, So

822
00:46:43,600 --> 00:46:46,279
Speaker 1: what's next for Snoop Dogg? Right now? And let me

823
00:46:46,320 --> 00:46:48,040
Speaker 1: get let me get, let me get your rop, then

824
00:46:48,080 --> 00:46:51,799
Speaker 1: let me get he's a roch? Which one of these

825
00:46:52,120 --> 00:46:56,520
Speaker 1: I was gonna get that? I'll take this one. This

826
00:46:56,680 --> 00:47:01,239
Speaker 1: nigger roach is my whole blood. Just for the record, Um,

827
00:47:01,400 --> 00:47:06,040
Speaker 1: what's the next for Snoop Dogg? H oh oh yeah.

828
00:47:06,320 --> 00:47:09,800
Speaker 1: I got an artist name October London. He forgot this

829
00:47:09,880 --> 00:47:12,120
Speaker 1: nigger name. Let's make some noise for you this name.

830
00:47:16,239 --> 00:47:18,320
Speaker 1: This nigga from Indiana. This nigga is Everree birth of

831
00:47:18,400 --> 00:47:23,440
Speaker 1: Mark heard you forget this? This nigga special man. This

832
00:47:23,560 --> 00:47:25,520
Speaker 1: nigga is special. So he got a song called black

833
00:47:25,560 --> 00:47:28,279
Speaker 1: Man in America that we're about to dropping about two

834
00:47:28,360 --> 00:47:30,920
Speaker 1: days and it's a heavy record. He got a mini

835
00:47:31,000 --> 00:47:34,160
Speaker 1: movie I just shot on him. Um, just trying to

836
00:47:34,200 --> 00:47:36,880
Speaker 1: do my thing. Me and Jazz Faith, we're doing it together.

837
00:47:36,920 --> 00:47:39,239
Speaker 1: It's called cat Like Music. Jazz Faith brought him to me.

838
00:47:39,640 --> 00:47:43,680
Speaker 1: It's a collaboration with me and Jazz God death Man

839
00:47:43,800 --> 00:47:47,319
Speaker 1: Snoop Stop was doing so much. Listen, man, we're gonna

840
00:47:47,360 --> 00:47:49,680
Speaker 1: do a movie together, and we needed to. I told

841
00:47:49,680 --> 00:47:52,000
Speaker 1: you that. I told you, hell a blank you ship.

842
00:47:52,280 --> 00:47:55,080
Speaker 1: I love your actor name. Every time I see you

843
00:47:55,160 --> 00:47:57,160
Speaker 1: on screen, I'm like, this is a bad motherfucker. He

844
00:47:57,160 --> 00:48:01,680
Speaker 1: don't even know you're bad motherfucker? Do you you know what?

845
00:48:01,760 --> 00:48:05,600
Speaker 1: You don't know? You do? You know? In New York

846
00:48:05,800 --> 00:48:09,239
Speaker 1: that's I Rock is like the ultimate cript drink. Do

847
00:48:09,360 --> 00:48:12,680
Speaker 1: you know that? Yeah? Well, I mean yeah, look it's

848
00:48:12,800 --> 00:48:16,640
Speaker 1: so let's see auto and it's blue dot. I don't

849
00:48:16,680 --> 00:48:18,880
Speaker 1: know if you know that crip. I ain't gonna I

850
00:48:18,960 --> 00:48:21,040
Speaker 1: think you used to take a sip for the cript

851
00:48:21,080 --> 00:48:26,120
Speaker 1: in New York, just just just just because best look

852
00:48:26,320 --> 00:48:28,640
Speaker 1: at this. I'm gonna have to call Puffy and see

853
00:48:28,640 --> 00:48:30,520
Speaker 1: if he got a few out of you know that.

854
00:48:30,640 --> 00:48:33,400
Speaker 1: You didn't know that. I didn't know that. Yo. Corrol

855
00:48:33,480 --> 00:48:35,840
Speaker 1: came in here and he walked out over there right

856
00:48:35,960 --> 00:48:40,279
Speaker 1: let's me came in here, you were we drinking. Did

857
00:48:40,400 --> 00:48:44,120
Speaker 1: correct what he does, But you did drink a couple

858
00:48:44,160 --> 00:48:46,359
Speaker 1: of drinks for that for you, because he took five,

859
00:48:46,640 --> 00:48:49,719
Speaker 1: he did drink he drank. Took five shots on my line.

860
00:48:49,760 --> 00:48:53,520
Speaker 1: Now he took four shots, four shots, and he's ever

861
00:48:53,600 --> 00:48:59,239
Speaker 1: taken four shots fifty seventy and he don't drink at all.

862
00:48:59,280 --> 00:49:04,640
Speaker 1: I think we got fifty four shots five See one thing.

863
00:49:04,719 --> 00:49:07,160
Speaker 1: I was like, you smoke file. You won't make a

864
00:49:07,239 --> 00:49:10,200
Speaker 1: nigga break the loan, but you're making nigga bender law. Yeah,

865
00:49:12,280 --> 00:49:19,520
Speaker 1: we gotta put that in the commercial. So let me

866
00:49:19,640 --> 00:49:22,880
Speaker 1: just let me I'm listening in front of everybody. Let

867
00:49:22,960 --> 00:49:25,480
Speaker 1: me just say something, man. From the beginning of my career,

868
00:49:26,080 --> 00:49:29,440
Speaker 1: I never knew you guys. You guys did the New York,

869
00:49:29,480 --> 00:49:31,400
Speaker 1: New York thing. I didn't know if y'all was listening

870
00:49:31,520 --> 00:49:33,560
Speaker 1: us or not, but I just felt like it was

871
00:49:33,600 --> 00:49:36,640
Speaker 1: an opportunity. So I went out there. I did it,

872
00:49:37,000 --> 00:49:39,560
Speaker 1: and from the first day I ever met you, I

873
00:49:39,680 --> 00:49:42,160
Speaker 1: regretted what I did, but I knew you understand what

874
00:49:42,280 --> 00:49:47,239
Speaker 1: I did. Yeah, understand you understand all that way, so

875
00:49:47,520 --> 00:49:50,880
Speaker 1: you'll respected your guys. I always shouted out the niggas.

876
00:49:51,440 --> 00:49:53,400
Speaker 1: That was hard to me. Nigga, you was always one

877
00:49:53,440 --> 00:49:55,640
Speaker 1: of the niggas because you didn't give a funk. You

878
00:49:55,760 --> 00:49:57,879
Speaker 1: did what I would have did. Nigger, you just wanted

879
00:49:57,880 --> 00:50:00,040
Speaker 1: to get you. Took it the wrong way, Nigga, like

880
00:50:00,120 --> 00:50:04,759
Speaker 1: he was supposed to niger. I took it the wrong way.

881
00:50:05,080 --> 00:50:08,759
Speaker 1: I thought you were saying this. We'll get you the

882
00:50:08,840 --> 00:50:15,400
Speaker 1: explanation to say the same thing, because it's just a

883
00:50:15,480 --> 00:50:18,239
Speaker 1: gangster ship. Because we respect that ship. Because I always have,

884
00:50:18,400 --> 00:50:23,759
Speaker 1: always will and to this day we still because people

885
00:50:23,880 --> 00:50:26,359
Speaker 1: trying to call us old niggas. That's why we don't

886
00:50:26,360 --> 00:50:31,880
Speaker 1: interview new niggers. Right, we just want to call us

887
00:50:31,920 --> 00:50:35,120
Speaker 1: old niggas. Right, that's okay, y'all got your own market.

888
00:50:35,440 --> 00:50:43,520
Speaker 1: Who who going to interview? You'll Elliott? The niggas bored.

889
00:50:46,120 --> 00:50:49,279
Speaker 1: We have no trains on this episode. Trains we came

890
00:50:49,320 --> 00:50:52,759
Speaker 1: to see Snoop, And you know what, listen, we don't

891
00:50:52,880 --> 00:50:59,799
Speaker 1: have no trains overhead. That makes no noise, no trains. Listen.

892
00:51:00,840 --> 00:51:03,480
Speaker 1: We did what we gotta do, Snoop. There's no way

893
00:51:03,560 --> 00:51:07,840
Speaker 1: we could ever would pay you. We shot here, do

894
00:51:08,000 --> 00:51:10,040
Speaker 1: all the questions we keep you. I think I feel

895
00:51:10,040 --> 00:51:12,120
Speaker 1: like the fn E fing got one more question. He's

896
00:51:12,120 --> 00:51:14,319
Speaker 1: just looking at me like, don't you did? And did

897
00:51:17,360 --> 00:51:19,239
Speaker 1: dog with the smoke and especially trying to duck and

898
00:51:21,280 --> 00:51:23,000
Speaker 1: he gave you his thank you, But I want to say,

899
00:51:23,120 --> 00:51:26,000
Speaker 1: like to me, this is a milestone that God and

900
00:51:26,080 --> 00:51:29,160
Speaker 1: I represent the DJ here. You know, we're we're the

901
00:51:29,200 --> 00:51:31,680
Speaker 1: people that are not seen behind the scenes in the culture,

902
00:51:32,760 --> 00:51:35,520
Speaker 1: but we're here. We're here, and I read all the

903
00:51:35,640 --> 00:51:38,640
Speaker 1: DJ shout out. Tell the motherfucking DJs out here and

904
00:51:39,440 --> 00:51:42,920
Speaker 1: your projects was always a pleasure for all of the DJs.

905
00:51:42,960 --> 00:51:46,040
Speaker 1: The samples you picked, the artists you worked with, everything

906
00:51:46,080 --> 00:51:48,480
Speaker 1: across the board. I told you the remixes, everything up

907
00:51:48,560 --> 00:51:51,040
Speaker 1: there was the one joint up was the Red Eye

908
00:51:51,080 --> 00:51:58,040
Speaker 1: remix of was it g Thing? Yeah? Damn you you

909
00:51:58,160 --> 00:52:01,040
Speaker 1: got heat? I got the record and you have to

910
00:52:01,080 --> 00:52:03,799
Speaker 1: play it on the forty five speed. You got heat.

911
00:52:03,960 --> 00:52:06,560
Speaker 1: I got one more question? You got heat? I got

912
00:52:06,640 --> 00:52:12,840
Speaker 1: one more question? Is finish. I'm just saying, on behalf

913
00:52:12,840 --> 00:52:15,640
Speaker 1: of the DJ, thank you Snoop on behalf of the DJ.

914
00:52:15,880 --> 00:52:17,880
Speaker 1: Thank you all for playing my shift, for giving me

915
00:52:17,960 --> 00:52:20,839
Speaker 1: a shot, for putting me in rotation, for fucking women,

916
00:52:20,920 --> 00:52:23,799
Speaker 1: for spreading it, for passing it on to the next DJ,

917
00:52:24,080 --> 00:52:26,680
Speaker 1: for mixing it, putting in the mixed shows, playing me

918
00:52:26,719 --> 00:52:29,600
Speaker 1: in the strip, clubs on the radio station, all of

919
00:52:29,680 --> 00:52:32,600
Speaker 1: the ABOVEM and I love the djunerstan Me I respected

920
00:52:32,680 --> 00:52:37,719
Speaker 1: DJ M c ain't nothing without it. So still dre Day,

921
00:52:38,480 --> 00:52:42,759
Speaker 1: which is one of my favorite records, not not of this.

922
00:52:43,000 --> 00:52:45,120
Speaker 1: I'm not I'm gonna take another one of your roaches

923
00:52:45,280 --> 00:52:49,040
Speaker 1: as you should look at this thing of Roly's a

924
00:52:49,080 --> 00:52:53,440
Speaker 1: whole blood. It's this this thing. Day was also the

925
00:52:53,520 --> 00:53:01,080
Speaker 1: loop this right, No, no, still still not Still Drey Day,

926
00:53:02,560 --> 00:53:04,680
Speaker 1: who was the one on the Chronic album, was getting

927
00:53:04,680 --> 00:53:07,759
Speaker 1: that little Still dre was on fronting two thousand one

928
00:53:09,080 --> 00:53:14,960
Speaker 1: was over. He was going banatas and they did one

929
00:53:15,000 --> 00:53:16,520
Speaker 1: want to go there first? You want to go down?

930
00:53:16,840 --> 00:53:20,400
Speaker 1: I just did. It was but it was such a

931
00:53:20,480 --> 00:53:22,719
Speaker 1: hot no, no, let me tell you about that with

932
00:53:22,880 --> 00:53:25,680
Speaker 1: Luke right, So I'm jumping in this when I'm a

933
00:53:25,760 --> 00:53:29,520
Speaker 1: young nigger. So at this time Luke said something about

934
00:53:29,600 --> 00:53:31,640
Speaker 1: dre Tim Donk said some about Dre's a bunch of

935
00:53:31,680 --> 00:53:33,719
Speaker 1: niggas that was talking about Dreke because some shitty had

936
00:53:33,760 --> 00:53:36,000
Speaker 1: went through. So I was just a young ghon. I

937
00:53:36,120 --> 00:53:38,000
Speaker 1: was like funk. All the niggas I jumped in it

938
00:53:38,120 --> 00:53:41,239
Speaker 1: was this and them niggas. And in the event of

939
00:53:41,320 --> 00:53:43,520
Speaker 1: disting these niggas, I didn't realize who was real and

940
00:53:43,560 --> 00:53:46,239
Speaker 1: who was faking in that industry. We ran up on

941
00:53:46,360 --> 00:53:48,520
Speaker 1: Luca then and seeing them at a convention and found

942
00:53:48,560 --> 00:53:56,680
Speaker 1: out how real them was. Immediately J shout out, immediately

943
00:53:57,800 --> 00:54:00,120
Speaker 1: do you remember long? So I hadn't been outside of us,

944
00:54:00,120 --> 00:54:02,200
Speaker 1: so I know that they made gangsters in every state.

945
00:54:04,320 --> 00:54:07,279
Speaker 1: Remember they made a record. It was cowards and co

946
00:54:10,280 --> 00:54:12,439
Speaker 1: what I'm saying. But let me tell you what after

947
00:54:12,560 --> 00:54:15,359
Speaker 1: that though, So we go to a man. We come

948
00:54:15,440 --> 00:54:18,440
Speaker 1: back to Miami right this time, I'm just snoop dog

949
00:54:18,600 --> 00:54:21,960
Speaker 1: and the dog, no no security. I just got the

950
00:54:22,040 --> 00:54:24,800
Speaker 1: homies with me. So Luke send a car to get me.

951
00:54:25,200 --> 00:54:27,480
Speaker 1: That's like gangster, this nigga is he sent a card

952
00:54:27,480 --> 00:54:30,080
Speaker 1: to give me Limo bring me to the club. All

953
00:54:30,160 --> 00:54:32,840
Speaker 1: kind of bitches laying out for nigga, like nigga, I

954
00:54:32,920 --> 00:54:36,120
Speaker 1: love you, Nick, ain't nothing moved to woo boom, go

955
00:54:36,320 --> 00:54:37,840
Speaker 1: back to l A. He come to my house. We

956
00:54:37,960 --> 00:54:40,640
Speaker 1: make a record. We forged a relationship with this nigga,

957
00:54:40,680 --> 00:54:42,880
Speaker 1: Louke to where it's like this one of the realist

958
00:54:42,920 --> 00:54:45,239
Speaker 1: niggas we ever met. So I had to learn to

959
00:54:45,400 --> 00:54:50,480
Speaker 1: not disrespect niggas that I didn't know so quick. Without

960
00:54:50,560 --> 00:54:54,680
Speaker 1: knowing who the funk I'm talking about? See, because that

961
00:54:54,880 --> 00:54:57,160
Speaker 1: rap sure to get you fucked up if you don't

962
00:54:57,160 --> 00:54:59,279
Speaker 1: know who you're talking about. And see a lot of

963
00:54:59,360 --> 00:55:01,279
Speaker 1: niggers don't know that, they quickly be like, just bitch

964
00:55:01,320 --> 00:55:04,320
Speaker 1: asks nigga that nigga. You better check that nigga rezum

965
00:55:04,920 --> 00:55:10,200
Speaker 1: and see what you're about. You better really see what

966
00:55:10,920 --> 00:55:14,040
Speaker 1: talking about. Tricking Detroit Now, it's not gonna happen knock

967
00:55:14,120 --> 00:55:16,640
Speaker 1: at all. You gotta know who you're talking about. And

968
00:55:16,680 --> 00:55:19,520
Speaker 1: it was just a blessing that Lucas was a genuine

969
00:55:19,560 --> 00:55:22,760
Speaker 1: grown ass man and he was able to see pass

970
00:55:22,880 --> 00:55:26,360
Speaker 1: the ignorance that we had. He the game us, We

971
00:55:26,480 --> 00:55:29,719
Speaker 1: became friends, We fun when he played football against because

972
00:55:29,719 --> 00:55:33,000
Speaker 1: he coached football too. So it was it was come on, answer,

973
00:55:33,480 --> 00:55:36,040
Speaker 1: it's my nigga, man, I love uncle. Look he always

974
00:55:36,320 --> 00:55:39,600
Speaker 1: So this is the last question, Snoop, because you you

975
00:55:39,760 --> 00:55:42,960
Speaker 1: did everything we asked us to do. But listen, Snoop,

976
00:55:43,360 --> 00:55:49,120
Speaker 1: I've never seen listen. I'm on my seventh flight, you

977
00:55:49,239 --> 00:55:55,600
Speaker 1: on your twenty seventh life with winds. I've seen you transition,

978
00:55:56,360 --> 00:55:59,560
Speaker 1: seen people count you out, seen people do that, seen

979
00:55:59,560 --> 00:56:03,160
Speaker 1: people do that to me like seventeen times, You're on

980
00:56:03,320 --> 00:56:10,560
Speaker 1: twenty seven. I'm following you. How do you continue? Stay

981
00:56:10,680 --> 00:56:16,759
Speaker 1: here and say? This is what the funk I'm gonna do? Um,

982
00:56:17,760 --> 00:56:21,520
Speaker 1: I made myself a boss and but and I'm just

983
00:56:21,560 --> 00:56:23,279
Speaker 1: gonna tell you the truth. It was like when I

984
00:56:24,000 --> 00:56:27,480
Speaker 1: first started making money, Jimmy Ivan came to me and

985
00:56:27,560 --> 00:56:31,239
Speaker 1: he told me, say, by a studio. And when I

986
00:56:31,320 --> 00:56:34,239
Speaker 1: bought a studio, I was able to create. It was

987
00:56:34,320 --> 00:56:37,080
Speaker 1: like buying a sack. And instead of buying a sack,

988
00:56:37,160 --> 00:56:40,160
Speaker 1: I bought a factory where I was the sack. You

989
00:56:40,239 --> 00:56:43,480
Speaker 1: get what I'm saying. So you have to whatever you love,

990
00:56:43,560 --> 00:56:46,080
Speaker 1: you gotta be able to surround yourself with it. And

991
00:56:46,160 --> 00:56:48,920
Speaker 1: when I surrounded myself and what I loved the spirit

992
00:56:49,000 --> 00:56:51,239
Speaker 1: of what I love keeps me doing with what I love.

993
00:56:51,680 --> 00:56:55,360
Speaker 1: So it's never why am I doing it? Do I

994
00:56:55,400 --> 00:56:57,560
Speaker 1: ever want to stop doing it? This is all I

995
00:56:57,680 --> 00:56:59,719
Speaker 1: know how to do. So I'm gonna keep doing it,

996
00:56:59,760 --> 00:57:01,239
Speaker 1: and I'm gonna do it to the point to where

997
00:57:01,239 --> 00:57:04,680
Speaker 1: it feels good to me. And it's never all this

998
00:57:04,840 --> 00:57:08,560
Speaker 1: old nigga need to sit down somewhere. It's like Uncle

999
00:57:08,640 --> 00:57:10,960
Speaker 1: Snoop when you come in with some more ship. You

1000
00:57:11,040 --> 00:57:16,000
Speaker 1: know the transition is from young mc B g O

1001
00:57:16,280 --> 00:57:22,520
Speaker 1: g uncle snoop. That's a beautiful transition for me. Goddamn

1002
00:57:22,600 --> 00:57:30,360
Speaker 1: makes a noise, you're snoop. There's no other way I

1003
00:57:30,440 --> 00:57:34,880
Speaker 1: can say anything else but thank you, thank you for

1004
00:57:35,000 --> 00:57:37,760
Speaker 1: sitting down with us. And you're gonna keep He's gonna

1005
00:57:37,800 --> 00:57:42,240
Speaker 1: keep smoking, We're gonna keep talking. Man. It's motivation. So's

1006
00:57:43,440 --> 00:57:46,880
Speaker 1: I was trying to hold it out. Goodbye by this

1007
00:57:47,040 --> 00:57:51,920
Speaker 1: is called but we say goodbye. Listen, how much pussy

1008
00:57:52,040 --> 00:57:54,760
Speaker 1: did you get them? Dolly stop, let's just keep it around.

1009
00:57:55,640 --> 00:57:57,600
Speaker 1: Even if you ain't the pussy. You just got the

1010
00:57:57,640 --> 00:57:59,360
Speaker 1: pussy and you send it off to the other people.

1011
00:57:59,800 --> 00:58:03,720
Speaker 1: Come want super talked about that pussy? Got that doggy still? Um,

1012
00:58:04,320 --> 00:58:06,680
Speaker 1: you know what the pussy that came? You know what

1013
00:58:07,160 --> 00:58:11,280
Speaker 1: pussy and goddamn it, come on those dogs, dis question.

1014
00:58:11,960 --> 00:58:14,720
Speaker 1: I'm gonna say, you know what, when it came the most,

1015
00:58:14,840 --> 00:58:16,760
Speaker 1: and you're probably gonna you ain't gonna believe it, but

1016
00:58:16,800 --> 00:58:19,240
Speaker 1: I'm gonna tell you the truth. It came the most

1017
00:58:19,320 --> 00:58:22,200
Speaker 1: when Tupac got on that for a record, because I

1018
00:58:22,320 --> 00:58:25,080
Speaker 1: had another nigga that was a player just like me.

1019
00:58:25,680 --> 00:58:27,880
Speaker 1: That knew how to play because he was knocking these

1020
00:58:27,960 --> 00:58:34,760
Speaker 1: other niggas bitches. This even this nigga, Ok, this nigga

1021
00:58:34,840 --> 00:58:37,479
Speaker 1: pock knock one of my main bitches. Man, talk about

1022
00:58:37,880 --> 00:58:42,040
Speaker 1: at so you had your main bit she wasn't my

1023
00:58:42,160 --> 00:58:44,440
Speaker 1: main bitch when she was a little bit she was.

1024
00:58:45,120 --> 00:58:48,680
Speaker 1: She's a movie star, bitch, Ryan, she's a movie star bitch.

1025
00:58:48,720 --> 00:58:51,520
Speaker 1: We won't say her name because we're gonna protect the innessy. Yeahs,

1026
00:58:53,320 --> 00:58:59,280
Speaker 1: so she don't do that, she protect she she's a

1027
00:58:59,360 --> 00:59:03,480
Speaker 1: movie star bitch. Ryn Pockets on death front that he

1028
00:59:03,600 --> 00:59:06,919
Speaker 1: out so the bitches in the hooplot because everybody wants

1029
00:59:06,960 --> 00:59:09,160
Speaker 1: to meet my nigger. You understand me, and you know

1030
00:59:09,240 --> 00:59:11,000
Speaker 1: I ain't no motherfucking hater. I don't know how to

1031
00:59:11,040 --> 00:59:14,120
Speaker 1: block I get out to white. So the bitch, like

1032
00:59:14,320 --> 00:59:17,640
Speaker 1: you understand me, I would love to meet Tupockets. That's

1033
00:59:17,680 --> 00:59:19,440
Speaker 1: all right with you. I'm like that just gonna always

1034
00:59:19,480 --> 00:59:23,880
Speaker 1: be all right now, Okay, this is where all the

1035
00:59:23,960 --> 00:59:27,960
Speaker 1: stars is at. So now one night I'm in the

1036
00:59:28,040 --> 00:59:33,160
Speaker 1: club and uh, the bitch is there, and pot see

1037
00:59:33,240 --> 00:59:35,160
Speaker 1: the bit he like, man, I don't want to meet

1038
00:59:35,240 --> 00:59:38,240
Speaker 1: that bitch. Man, I said, hey, man, that's exactly how

1039
00:59:38,280 --> 00:59:43,920
Speaker 1: he described the bitch. That's my bitch. I'll kindly introduce

1040
00:59:44,000 --> 00:59:50,320
Speaker 1: you to him. I walked over to him right and say, bitch,

1041
00:59:51,320 --> 00:59:59,080
Speaker 1: this is a Tupac. Tupac meet the bitch. So you know,

1042
00:59:59,280 --> 01:00:01,280
Speaker 1: after he met the bit, you know, I walks off

1043
01:00:01,320 --> 01:00:02,960
Speaker 1: because you know, it ain't my job to stand there

1044
01:00:02,960 --> 01:00:06,000
Speaker 1: and see if they're gonna talk and kiss or whatnot

1045
01:00:06,160 --> 01:00:08,480
Speaker 1: take a picture. I walks off like a real player.

1046
01:00:09,040 --> 01:00:12,800
Speaker 1: I guess the exchange numbers. I don't know, so you

1047
01:00:12,920 --> 01:00:16,520
Speaker 1: understand me. A few weeks later, I'm trying to, you know,

1048
01:00:16,640 --> 01:00:18,640
Speaker 1: slide by and go see her, because you know, she's

1049
01:00:18,640 --> 01:00:20,920
Speaker 1: a slide piece to me. So I'm trying to go

1050
01:00:21,000 --> 01:00:23,080
Speaker 1: see on the late night like I normally do. You

1051
01:00:23,120 --> 01:00:26,680
Speaker 1: don't leave that back door open, and I'm like, what

1052
01:00:26,840 --> 01:00:30,440
Speaker 1: what was in it? I finished slide through? You know

1053
01:00:30,480 --> 01:00:33,400
Speaker 1: what I'm saying. Lead that back there's open, and the

1054
01:00:33,520 --> 01:00:36,800
Speaker 1: bitch hit me with I don't think Pop would like that.

1055
01:00:43,240 --> 01:00:47,720
Speaker 1: This girl was Dona for the record, right for the record,

1056
01:00:47,800 --> 01:00:54,320
Speaker 1: this girl we told about for real. That's what the

1057
01:00:54,560 --> 01:00:59,480
Speaker 1: said for real, dough. Now that wasn't hey, that wasn't Madonna.

1058
01:00:59,520 --> 01:01:05,760
Speaker 1: And that look Didn'tiga is lucky. You don't think I'm

1059
01:01:05,800 --> 01:01:09,440
Speaker 1: making this ship up. I'm doing Saturday Night Love in

1060
01:01:09,560 --> 01:01:12,520
Speaker 1: New York, and they get documented nigger. When I had

1061
01:01:12,560 --> 01:01:15,520
Speaker 1: that Tommy Hill figure shirt on the red, white and

1062
01:01:15,560 --> 01:01:18,320
Speaker 1: blue one, blew the motherfuck up. The shirt sold like

1063
01:01:18,400 --> 01:01:21,120
Speaker 1: a motherfucker. Right, So the nigga pod come and see

1064
01:01:21,200 --> 01:01:22,880
Speaker 1: me here in New York. He bring me some weed,

1065
01:01:23,360 --> 01:01:31,560
Speaker 1: and he come backstage with the bitch Madonna Madonna for real,

1066
01:01:31,640 --> 01:01:37,520
Speaker 1: for real, about to feel like man. He brought the

1067
01:01:37,600 --> 01:01:41,560
Speaker 1: bitch to Saturday Night Love. He was knocking the bitch

1068
01:01:41,640 --> 01:01:43,640
Speaker 1: man because he brought me some blood. Man, He had

1069
01:01:43,680 --> 01:01:45,840
Speaker 1: the bitch on his own, man, and he wasn't even

1070
01:01:45,920 --> 01:01:49,920
Speaker 1: like flossing the bench. He had a right here and

1071
01:01:50,040 --> 01:01:54,240
Speaker 1: Biddy came the other way around. Tupac hand Madonna. Man

1072
01:02:03,680 --> 01:02:06,960
Speaker 1: got down. This is this is, this is the park.

1073
01:02:07,840 --> 01:02:11,480
Speaker 1: Can't your hunk in advance? Come on? Yeah, this is

1074
01:02:11,600 --> 01:02:19,080
Speaker 1: Pod God from real. No, No, he got all this, dozens,

1075
01:02:20,520 --> 01:02:26,840
Speaker 1: it's all yeah. He said, though, sour though, come on

1076
01:02:33,760 --> 01:02:38,520
Speaker 1: deeping my family. Yeah, thank you, thank you, thank you, Yo.

1077
01:02:38,640 --> 01:02:41,840
Speaker 1: Goddamn your snoop. That was heavy, right, he gave us

1078
01:02:41,880 --> 01:02:45,040
Speaker 1: crazy that them last two right there. That was crazy

1079
01:02:45,160 --> 01:02:47,520
Speaker 1: but heavy. I couldn't believe you will do that. No,

1080
01:02:47,640 --> 01:02:49,880
Speaker 1: I'm serious, man, that's not the ship went there, manute.

1081
01:02:50,200 --> 01:02:52,080
Speaker 1: And one thing about me and my play game when

1082
01:02:52,120 --> 01:02:54,320
Speaker 1: it comes to me and the women. When I was

1083
01:02:54,400 --> 01:02:58,200
Speaker 1: out there, like I was really fashionably sup for the game, man,

1084
01:02:58,280 --> 01:02:59,960
Speaker 1: Like once the point of time, I walked the red

1085
01:03:00,120 --> 01:03:05,360
Speaker 1: carpet man with two bitches on the leash. Man, this

1086
01:03:05,560 --> 01:03:08,080
Speaker 1: is documented, man. Hold on, I got the Favorite Player

1087
01:03:08,120 --> 01:03:11,280
Speaker 1: award card, your ship goal, my ship. But did you

1088
01:03:11,360 --> 01:03:16,440
Speaker 1: hear what I said? Man, the red carpet man with

1089
01:03:16,640 --> 01:03:19,120
Speaker 1: two bitches on the leash and they didn't say one

1090
01:03:19,360 --> 01:03:23,440
Speaker 1: fucking word I'm talking about. This ship is documented, man. Somebody,

1091
01:03:24,080 --> 01:03:26,360
Speaker 1: somebody pump up that that picture of that footage of

1092
01:03:26,400 --> 01:03:29,760
Speaker 1: Snoop with two bitches on the leash. Two Moody, Please

1093
01:03:30,520 --> 01:03:33,400
Speaker 1: do we have any WiFi because you have to mind

1094
01:03:33,480 --> 01:03:35,520
Speaker 1: our managers. We have no matters. Do you have any

1095
01:03:35,640 --> 01:03:39,680
Speaker 1: Prince or Michael Jackson stories? Yeah, you got Howard and

1096
01:03:39,720 --> 01:03:43,240
Speaker 1: I know you got Prince stories. You see you see

1097
01:03:43,400 --> 01:03:46,960
Speaker 1: you see? I mean not they ain't really worth telling, man.

1098
01:03:47,040 --> 01:03:50,760
Speaker 1: They I had a different kind of you know, relationship

1099
01:03:50,840 --> 01:03:53,440
Speaker 1: with those two guys, because it was more about the

1100
01:03:53,520 --> 01:03:56,320
Speaker 1: mutual respect that I had for them as musicians to

1101
01:03:56,400 --> 01:03:58,440
Speaker 1: where I kind of like it when if I was

1102
01:03:58,480 --> 01:04:00,600
Speaker 1: around them niggas, I would like put my weed up

1103
01:04:00,640 --> 01:04:03,080
Speaker 1: and you know, had that kind of respect for him,

1104
01:04:03,800 --> 01:04:06,720
Speaker 1: never put his weed off for them. For them niggas,

1105
01:04:07,800 --> 01:04:10,040
Speaker 1: describe that situation, What do you have more respect for?

1106
01:04:10,680 --> 01:04:13,200
Speaker 1: If you had to pick it wasn't like it was

1107
01:04:13,320 --> 01:04:16,520
Speaker 1: more this is this is why I respected. I had

1108
01:04:16,600 --> 01:04:21,320
Speaker 1: respect for this motherfucking pimp. And now get a close

1109
01:04:21,440 --> 01:04:24,520
Speaker 1: up up and get a little you see that two

1110
01:04:24,600 --> 01:04:27,120
Speaker 1: bitches on the leash and they didn't say a motherfucking

1111
01:04:29,440 --> 01:04:32,520
Speaker 1: maybe we walked the red carpet was it was like,

1112
01:04:32,960 --> 01:04:36,160
Speaker 1: so what is your mom going to say? I said,

1113
01:04:36,200 --> 01:04:37,920
Speaker 1: the bitches ain't gonna say nothing, so your mon is

1114
01:04:37,960 --> 01:04:43,000
Speaker 1: gonna We're looking at what they look like though? Is

1115
01:04:43,040 --> 01:04:47,520
Speaker 1: they some bad bitches on? They some trash holds? Man? Man?

1116
01:04:47,640 --> 01:04:51,680
Speaker 1: You know put them back up, man. This one the

1117
01:04:51,760 --> 01:04:54,360
Speaker 1: nigga was a young man. I was a your Uh,

1118
01:04:55,400 --> 01:05:00,640
Speaker 1: let me look at myself real quickly, man. Nobody doing

1119
01:05:00,680 --> 01:05:04,480
Speaker 1: these bitches didn't even have brawls on man. I think

1120
01:05:04,560 --> 01:05:07,000
Speaker 1: that was an MPTV awards or something. They couldn't believe

1121
01:05:07,080 --> 01:05:10,120
Speaker 1: how Nigga went up in their man. But I fell

1122
01:05:10,200 --> 01:05:12,000
Speaker 1: up in that motherfucker like that that night with a

1123
01:05:12,120 --> 01:05:14,280
Speaker 1: leash man. And then when I sat down, guess what

1124
01:05:14,720 --> 01:05:16,800
Speaker 1: I made the bitches stand up with the leash on

1125
01:05:16,920 --> 01:05:20,360
Speaker 1: while I'm sitting down. Reverse dog. Because you know, normally

1126
01:05:20,440 --> 01:05:24,800
Speaker 1: you make the dog sit down, bitch stand up. Dog

1127
01:05:24,920 --> 01:05:28,200
Speaker 1: gonna sit down and the bitch gonna stand up. Reverse.

1128
01:05:28,240 --> 01:05:32,200
Speaker 1: That's called reverse dog. We heard the reverse pit man.

1129
01:05:32,600 --> 01:05:37,600
Speaker 1: I made a reverse. We never heard the reverse first dog. Reverse.

1130
01:05:39,840 --> 01:05:42,360
Speaker 1: When you take two bitches on the leash, you walk

1131
01:05:42,440 --> 01:05:44,120
Speaker 1: them down the red carpet and when you get to

1132
01:05:44,240 --> 01:05:47,480
Speaker 1: your seat, you sit down. He's making bitches stand up

1133
01:05:47,560 --> 01:05:50,960
Speaker 1: in the AFP we're putting on TM the first. You

1134
01:05:51,040 --> 01:05:54,280
Speaker 1: know what the twittert is. He's he drinking fake activists

1135
01:05:56,320 --> 01:06:01,040
Speaker 1: to change that. I can't afford to change me. Yeah,

1136
01:06:01,520 --> 01:06:04,400
Speaker 1: because he drinks. You paid lean for real. Don't talk

1137
01:06:04,400 --> 01:06:11,480
Speaker 1: to him like that. Leave stoop. Let's let's give me

1138
01:06:11,560 --> 01:06:19,240
Speaker 1: some love. Stop you gonna beat something. Bought me a

1139
01:06:19,320 --> 01:06:22,040
Speaker 1: carnic album for us with the little gonna be something

1140
01:06:22,400 --> 01:06:28,000
Speaker 1: you drink factivist. Tell him it's called charricol people chricool.

1141
01:06:29,840 --> 01:06:31,720
Speaker 1: What do lane make you feel like? I never drunk

1142
01:06:31,800 --> 01:06:35,240
Speaker 1: that ship? So Sloop, what don't make you feel like?

1143
01:06:35,480 --> 01:06:38,080
Speaker 1: I don't know money? Like like you smoke like a

1144
01:06:38,200 --> 01:06:40,960
Speaker 1: thousand blunts, Like when it's the end of the day.

1145
01:06:41,480 --> 01:06:43,360
Speaker 1: You know what I'm saying. You smoke man blunts. You're

1146
01:06:43,360 --> 01:06:47,920
Speaker 1: already like that time the episode Do you do you

1147
01:06:48,000 --> 01:06:50,800
Speaker 1: want to have sex when you won't leave? Man? You

1148
01:06:50,880 --> 01:06:55,760
Speaker 1: just want to get just has Yeah, you don't want

1149
01:06:55,760 --> 01:06:57,520
Speaker 1: to move your headhere. You want to be just want

1150
01:06:57,560 --> 01:06:59,520
Speaker 1: to be like that. But that's not something. That's not

1151
01:06:59,600 --> 01:07:02,040
Speaker 1: what I guess when we was young. We just was

1152
01:07:02,120 --> 01:07:04,600
Speaker 1: in the here to listen. Now, can I talk to you?

1153
01:07:06,680 --> 01:07:10,920
Speaker 1: Because I love the way you just took it. These

1154
01:07:11,000 --> 01:07:16,720
Speaker 1: younger brothers they drinking late. They can't even fuck. They

1155
01:07:18,240 --> 01:07:21,280
Speaker 1: just thirty years old, Snow. So you're saying that it's

1156
01:07:21,320 --> 01:07:28,080
Speaker 1: just one that I've been coming out. I hang out

1157
01:07:28,160 --> 01:07:30,680
Speaker 1: with them and they've be's coming and say, you're slige.

1158
01:07:31,280 --> 01:07:41,040
Speaker 1: You you still this long daddy, big big thing with

1159
01:07:41,120 --> 01:07:44,520
Speaker 1: the whole strangler. But I don't because I'm married, Snow.

1160
01:07:45,600 --> 01:07:49,280
Speaker 1: The temptation is what I'm trying to say is is

1161
01:07:49,360 --> 01:07:53,040
Speaker 1: the new generation too much hooked on drugs? I think

1162
01:07:53,080 --> 01:07:57,400
Speaker 1: the new generation, the new generation is doing what every

1163
01:07:57,480 --> 01:08:01,400
Speaker 1: generation before them has been doing. They we've just been

1164
01:08:01,520 --> 01:08:04,400
Speaker 1: It's just repeating itself. It's just a matter of they

1165
01:08:04,520 --> 01:08:06,920
Speaker 1: have to understand that don't let the drug. Do you

1166
01:08:07,800 --> 01:08:10,560
Speaker 1: You understand understanding where you can't be in control? No more?

1167
01:08:10,680 --> 01:08:14,720
Speaker 1: One thing about my error. When I became a rapper,

1168
01:08:15,000 --> 01:08:18,000
Speaker 1: I was an ex cocaine dealer. So my mission was

1169
01:08:18,040 --> 01:08:20,760
Speaker 1: to get rid of cocaine and to bring weed to

1170
01:08:20,840 --> 01:08:24,160
Speaker 1: the forefront. So my mission has been accomplished because now

1171
01:08:24,240 --> 01:08:26,960
Speaker 1: we're just legalized in the whole globe and it's coming

1172
01:08:27,000 --> 01:08:32,680
Speaker 1: slowly but surely to a hood near you. So you

1173
01:08:33,760 --> 01:08:36,840
Speaker 1: was it was it? Powder? Was a crack. I sold crank. Okay,

1174
01:08:37,360 --> 01:08:47,639
Speaker 1: I sold that Hula lula. I sold that. Who who

1175
01:08:50,320 --> 01:08:56,719
Speaker 1: little trick that they smoke crack over there, So we smoke.

1176
01:08:58,400 --> 01:09:00,080
Speaker 1: They called that a primo when they put that the

1177
01:09:00,160 --> 01:09:01,920
Speaker 1: side of a joint. They put a little break on

1178
01:09:01,960 --> 01:09:05,040
Speaker 1: a little bit in about how Miami niggas. Miami niggas

1179
01:09:05,040 --> 01:09:08,760
Speaker 1: get they keep it, they do their thing. They smoked that,

1180
01:09:09,680 --> 01:09:13,680
Speaker 1: and the gangsters and motherfucker out here. I respected. I

1181
01:09:13,760 --> 01:09:17,680
Speaker 1: respected three or five in the real motherfucking way. They're different. No,

1182
01:09:17,800 --> 01:09:20,640
Speaker 1: I repect him neigla because he was coming out in

1183
01:09:20,720 --> 01:09:24,720
Speaker 1: twenty years fox him. Should we just saw dads lives

1184
01:09:24,760 --> 01:09:29,360
Speaker 1: out head Miami leggs. That's that nigga cousin our head up.

1185
01:09:29,400 --> 01:09:33,519
Speaker 1: When he said that, I don't that's his first cousin. Yeah,

1186
01:09:33,560 --> 01:09:36,640
Speaker 1: that's this blood. Yeah, but dad said that shot. I

1187
01:09:36,720 --> 01:09:39,439
Speaker 1: sat there and these niggas being out heads, they ever

1188
01:09:39,880 --> 01:09:41,439
Speaker 1: as long as I've been out here, and you're my

1189
01:09:41,560 --> 01:09:43,719
Speaker 1: relative nigga got that makes a noise to me because

1190
01:09:45,439 --> 01:09:50,560
Speaker 1: don't even know what they do. So you know, I

1191
01:09:50,680 --> 01:09:53,920
Speaker 1: can't thank you enough. Pushing down without smoking, I'm not

1192
01:09:53,960 --> 01:09:56,040
Speaker 1: gonna lie. I want to smoke. You got another road

1193
01:09:56,160 --> 01:09:59,000
Speaker 1: or blunt to can't give you? Just fifty ship right

1194
01:09:59,040 --> 01:10:03,080
Speaker 1: here and vodkam that's heaving vodka. Yea. Can we we

1195
01:10:03,160 --> 01:10:06,120
Speaker 1: gotta spend this ship and we got puffy listen back

1196
01:10:06,400 --> 01:10:12,479
Speaker 1: from the table, your check, slipper when we looks so

1197
01:10:13,880 --> 01:10:18,360
Speaker 1: right now, So puppy, they're supposed to be this closet

1198
01:10:21,439 --> 01:10:36,360
Speaker 1: about don't worry about snood. I'm like saying, no, that's

1199
01:10:37,160 --> 01:10:41,800
Speaker 1: you're reading the saying the piece, which one's which one

1200
01:10:42,400 --> 01:10:45,880
Speaker 1: can bust a nick over the hand, but one of

1201
01:10:45,920 --> 01:10:52,080
Speaker 1: them new is got to check three ships. Will you listen?

1202
01:10:54,600 --> 01:10:56,320
Speaker 1: A lot a lot of people can do what we

1203
01:10:56,520 --> 01:11:00,479
Speaker 1: just did right now. We sat down and talked to

1204
01:11:00,560 --> 01:11:05,439
Speaker 1: the boss of another coast. We chopped it up. We

1205
01:11:05,560 --> 01:11:08,400
Speaker 1: had fun and we laughed and we smoked, we drinked,

1206
01:11:08,479 --> 01:11:11,840
Speaker 1: We did all that. A lot of y'all people, I

1207
01:11:11,920 --> 01:11:14,479
Speaker 1: don't know what. I don't know what is? What is

1208
01:11:15,000 --> 01:11:17,960
Speaker 1: fucking leave that ship off my ship? A lot of

1209
01:11:18,040 --> 01:11:20,559
Speaker 1: y'all can't do that. We just did it with smooth Dog.

1210
01:11:21,000 --> 01:11:24,120
Speaker 1: He's smoking on some real Cali too. That ship in

1211
01:11:24,240 --> 01:11:32,040
Speaker 1: his hand right there. That's that. Do it fluid. I

1212
01:11:32,080 --> 01:11:39,320
Speaker 1: don't even know why I'm being in the collar and yeah,

1213
01:11:39,760 --> 01:11:51,640
Speaker 1: that's that electrophie dog. Everybody, Yeah COOLi man, I like that.

1214
01:11:51,840 --> 01:12:14,400
Speaker 1: I like that. Feedback y find all your favorite movies

1215
01:12:14,439 --> 01:12:16,880
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1216
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1217
01:12:19,680 --> 01:12:23,040
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1218
01:12:23,160 --> 01:12:26,360
Speaker 1: to Axcinity dot com, call one exity or visitors store today,

1219
01:12:26,560 --> 01:12:27,320
Speaker 1: restrict and supply