WEBVTT - Mini Crush #61

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio. Hey, everybody,

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<v Speaker 1>welcome to Mini Crushed. Monday. Charles W. Chuck Bryant Here

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<v Speaker 1>Old Smokey Velvets on my left. I thought you were

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<v Speaker 1>going to break into song just then, Chuck, your voice

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<v Speaker 1>took on a lilting quality. But then you pulled back

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<v Speaker 1>at the last minute, and I was crushed on this

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<v Speaker 1>show Mini Crushed. Yes we do. We're known for it.

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<v Speaker 1>Old smokey Velvet. By the way, that's been cleared up. Oh,

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<v Speaker 1>there's the origins have emerged. That's right, And I, um, well,

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<v Speaker 1>I didn't claim to make it up. But when we

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<v Speaker 1>were chit chatting about it a couple of weeks ago,

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<v Speaker 1>I said, I don't know, maybe I said it, but

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<v Speaker 1>or maybe someone dubbed you that. And our old pal

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<v Speaker 1>Bex Rebecca Becks Bloomfield, who I met in person. I

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<v Speaker 1>r l in New Zealand. Yeah, she's a Kiwi No,

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<v Speaker 1>she's from the UK but lives in Kiwi Land. Interesting.

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<v Speaker 1>Beck's screen capped the original dubbing of that from Like

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<v Speaker 1>Geez a year ago or so, and she gave you

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<v Speaker 1>that name. Is that right? Old smoky Velvet? I like it?

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<v Speaker 1>If I ever become like an old grizzled blues man

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<v Speaker 1>that is the moniker. I'm going to go buy banner

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<v Speaker 1>smoky blues name in rttle the pipes velt old velvet

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<v Speaker 1>pipe velvet that conjuous some images though. Yeah, uh so

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<v Speaker 1>thanks to Beck's for clearing that up and giving you

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<v Speaker 1>probably the best nickname of all. Did she come you chuck?

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<v Speaker 1>Was she like, excuse me, dude, becks come would never

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<v Speaker 1>with nothing but love? Yeah? She's great, that's awesome. She's

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<v Speaker 1>she's in this. Uh she's one of the insiders here

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<v Speaker 1>with Robe and Lopez to share a the ladies of

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<v Speaker 1>movie Crush. I want a second that lovely post you

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<v Speaker 1>made on the whether the Crushers page or the main page.

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<v Speaker 1>But it is such a really cool community of people

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<v Speaker 1>that dig this show, and you know, I feel its

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<v Speaker 1>way all the time anytime I get you know, it's

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<v Speaker 1>so easy to lock into people talking trash or saying

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<v Speaker 1>how you guys suck. But when you get like such

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<v Speaker 1>kind people reaching out to you and telling you that

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<v Speaker 1>the dumb stuff we do makes a difference in some

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<v Speaker 1>positive way getting through the day or whatever, that's it

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<v Speaker 1>sounds like a platitude but it really makes a huge difference,

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<v Speaker 1>big big deal for us to hear that stuff. Really, man,

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<v Speaker 1>such a good, good group of folks, and we had

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<v Speaker 1>people on our Facebook pager like this is the only

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<v Speaker 1>time I use Facebook? Is this community? Yeah? Because it's

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<v Speaker 1>just good, good folks. It's a really fun community, and

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<v Speaker 1>I think we're gonna reveal some pretty fun community aspects

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<v Speaker 1>of it on this here episode today. Quick correction corner,

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<v Speaker 1>correction corner. That's a new segment. Jeff Clark, I'm sorry.

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<v Speaker 1>My friend we Um sort of poked fun of you

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<v Speaker 1>because of your Shawshank redemption. Hi Ku. That only had

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<v Speaker 1>two lines, but Jeff pointed out that shaw Shank Redemption

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<v Speaker 1>was the first line five syllables, and he then said, like, oh,

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<v Speaker 1>I kind of misunderstood. I thought the title was supposed

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<v Speaker 1>to be. But that's fine, Jeff. You didn't do it

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<v Speaker 1>any wrong. You're great. It is us. It is us,

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<v Speaker 1>speaking of which have you seen us? Not yet? Of

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<v Speaker 1>you twice? Really? Yeah? Good, yea great. I like their

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<v Speaker 1>sex sort of thing. I really liked it. I liked

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<v Speaker 1>it way better the second time because it had a

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<v Speaker 1>little Easter eggs and kind of the first time in

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<v Speaker 1>the ending was a little bit of a noodle scratcher,

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<v Speaker 1>And when I saw the second time, I was primed

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<v Speaker 1>for it more kind of looking for the little clues.

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<v Speaker 1>It just it was very helpful to have seen it

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<v Speaker 1>a second time. Yeah, when am I going to see that?

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<v Speaker 1>Maybe tomorrow I gotta sneak off to a matinee and

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<v Speaker 1>check that out. I think you'll dig it. And we

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<v Speaker 1>could do a crush to a crush to judgment. We

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<v Speaker 1>haven't been doing those c t J. Well, we kind

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<v Speaker 1>of do. We did we do? We do him inside

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<v Speaker 1>the episode sometimes we do want about Captain Marvel the

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<v Speaker 1>other day or as he said at the end of

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<v Speaker 1>the last episode, Captain Marvel, Captain Marvel, you and the

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<v Speaker 1>Captain make it happen. I just listen to Yester Monday's

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<v Speaker 1>episode yesterday. No nice, don't I think I think I'm behind.

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<v Speaker 1>I quite enjoy us. I'm so glass. You're you're our

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<v Speaker 1>biggest fan. Hey, We're we're part of the movie crush community.

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<v Speaker 1>We really are. We really have everyone else. Alright, So no,

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<v Speaker 1>this week, um, we're gonna do a social studies, We're

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<v Speaker 1>going to do a little streaming this and we're gonna

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<v Speaker 1>do a little comic card. But so social studies, Social studies.

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<v Speaker 1>This one's a little different, no old So I don't

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<v Speaker 1>know if the music will be different not. This is

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<v Speaker 1>the sexiest social studies. It is Social studies after dark.

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<v Speaker 1>Well it surely has to have some sexy saxophone. Hey, no,

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<v Speaker 1>all right, this is what we did. Everybody I asked

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<v Speaker 1>about sex. I said, what is your favorite sex scene

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<v Speaker 1>in a movie? And why we're all adults, We're about

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<v Speaker 1>to have a very frank discussion of sex in cinema.

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<v Speaker 1>So if you can't handle that, then I think it's time.

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<v Speaker 1>I think you should hit the pit that four or

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<v Speaker 1>thirty seconds button. Can you hit it a bunch? A bunch?

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<v Speaker 1>Are you? Do you have one in mind or do

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<v Speaker 1>you want to think on that? I mean, yeah, the

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<v Speaker 1>one that always comes to mind for me because it's

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<v Speaker 1>so damn ridiculous is the one from Ghost where they

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<v Speaker 1>where they do the the pottery, the pottery sex, pottery sex. Yeah,

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<v Speaker 1>the old sex on the potters. Honestly, when you watch

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<v Speaker 1>it was I was on a couple of weeks ago

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<v Speaker 1>when I was in a bar, and I don't know,

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<v Speaker 1>the sex is barely even implied. It's just like a

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<v Speaker 1>really long hardcore cuddle sessh m m m m okay,

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<v Speaker 1>a lot of heavy petting. Yeah, second baseman, second base,

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<v Speaker 1>all the bases. It depends on who you are and

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<v Speaker 1>what grade you're into. The basis changed, so I'll think

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<v Speaker 1>about a sexier one. But I'm into this segment big time. No, God,

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<v Speaker 1>put your hands on Jesus listen, I can't. I decided

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<v Speaker 1>to podcast pants free today. I had nothing to do

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<v Speaker 1>with this segment. Yeah, what a coincidence. I'm gonna go

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<v Speaker 1>off the dome here. The couple that come to mind,

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<v Speaker 1>I mean, there's a lot of things when it comes

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<v Speaker 1>to a sex scene. Some can be like great because

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<v Speaker 1>they're just so beautiful the way they're photographed and very romantic. Uh.

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<v Speaker 1>Some are realistic, which you don't see a ton of

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<v Speaker 1>realistic sex of movies. So those kind of stand out.

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<v Speaker 1>Some are just hot. No, let's be honest. I think

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<v Speaker 1>we're being very honest, chuck. So there are different categories. Um,

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<v Speaker 1>I think for a couple of my favorites so that

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<v Speaker 1>stand out are, uh the sex scene and Annam Lisa

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<v Speaker 1>claymation sex YEP, one of the most believable realistic sex

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<v Speaker 1>scenes I've ever seen, and it was not even real people. Yeah,

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<v Speaker 1>it's really awkward though, that's what makes it so believable.

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<v Speaker 1>It's good though, it's very well done. Yeah, and you

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<v Speaker 1>know it's funny that you said that. What came to

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<v Speaker 1>mind right before you spoke those words out loud in

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<v Speaker 1>my head was the Team America sex scene a Puppets.

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<v Speaker 1>That one's real raunchy, and I think they even cut

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<v Speaker 1>it down. They cut out some stuff. They had to

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<v Speaker 1>cut that down for the rating. I think they really

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<v Speaker 1>did it. But now you're right, man, the Charlie Coffin

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<v Speaker 1>like that movie is all about the painful awkwardness of

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<v Speaker 1>fumbling romance between two very awkward folks awkward and I

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<v Speaker 1>don't know, I want to stay unremarkable, but that's not fair.

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<v Speaker 1>I think the whole idea is that it's two people

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<v Speaker 1>that aren't sexy or self confident, or it's regular people,

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<v Speaker 1>us basic exactly. Um. The other one that comes to

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<v Speaker 1>mind is uh and I don't even think it that

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<v Speaker 1>was like sex sex. But as far as just good

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<v Speaker 1>steamy stuff, it's hard to beat. Maholland drive, I agree.

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<v Speaker 1>I had to take a beat there. Oh that's sound

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<v Speaker 1>of weird, just a quick beat. Okay, all right, let's

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<v Speaker 1>just move on. We're gonna start off with Aaron Cooper.

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<v Speaker 1>He got a lot of uplis for this, and he

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<v Speaker 1>went comedy with his naked gun, full body condoms. That

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<v Speaker 1>was funny. It was funny. And I and when I,

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<v Speaker 1>you know, I saw those movies when I was a kid,

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<v Speaker 1>because I think they were like PG. Thirteen. They certainly

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<v Speaker 1>weren't are And that was one where I was like,

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<v Speaker 1>I don't understand what what is this? Yeah, it's probably

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<v Speaker 1>like people all of a sudden like what I don't

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<v Speaker 1>I don't get it. They're precogs. Uh, Olivia Niver says atonement.

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<v Speaker 1>The library, Uh, sex scene is so well done. Kia

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<v Speaker 1>Knightley's emerald green silk gown um giving in a it's

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<v Speaker 1>the bookshelf James McAboy with a barely controlled ferocity and

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<v Speaker 1>a tucks wow, barely controlled for ROSSI, Olivia, dare I

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<v Speaker 1>say smoldering? I think there was some smoldering going on there. Yeah,

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<v Speaker 1>and Olivia, you might have a second career as a

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<v Speaker 1>romance novelist or at least some like you know, steamy

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<v Speaker 1>fan fic. Oh, I wonder if there's fan fic about

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<v Speaker 1>you and me. Oh god, if we've if we've gotten there,

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<v Speaker 1>but I can die happy Man Brooks Uh Brooks Hudgens

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<v Speaker 1>says unfaithful. Diane Lane really sold it. Got a lot

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<v Speaker 1>of up likes on that one too. I'm glad we're

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<v Speaker 1>tackling this NOL. This is a good one. Um. Team America,

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<v Speaker 1>Lucas Holberg says, Team America. I'll have sex with you

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<v Speaker 1>if you promise me you'll never die. That was that

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<v Speaker 1>the lie? I do not remember that. That's pretty funny.

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<v Speaker 1>I just remember the song. It's like only a woman

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<v Speaker 1>could touch me that week. Oh, I asks that you're

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<v Speaker 1>a woman. I haven't seen that forever. It's so stupid,

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<v Speaker 1>But that's great. It's great. Danielle Alistair says secretary, did

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<v Speaker 1>you ever see that? Nope? Good movie. Maggie Gillan Hall

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<v Speaker 1>and James Spader very offbeat. Um, it's got some kink

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<v Speaker 1>twisted into yet she said. The whole film is such

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<v Speaker 1>a great seduction and totally perfect. When they finally consummate, yep,

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<v Speaker 1>I agree. Um let me see here. Christine Dietrich says, uh.

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<v Speaker 1>Gina Grishawn and Jennifer Tilly and Bound. Yeah, man, that's

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<v Speaker 1>a good one. That was some early adolescent Noel Brown

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<v Speaker 1>skinn of Max material. Not to be crass, but that

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<v Speaker 1>was one of those movies that was. Yeah, that was

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<v Speaker 1>the Wikowski's too. I think, wasn't it early what I

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<v Speaker 1>think it really was? Yeah, you're right, pre Matrix D. M.

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<v Speaker 1>Pitts has got to be Titanic. That handprint against the

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<v Speaker 1>steamy window hot the very definition of steamy. Uh, let

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<v Speaker 1>me see here. Austin are Deb's Key says, my pick

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<v Speaker 1>is the sex scene from the room five minutes into

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<v Speaker 1>the movie, No Time Wasted go to the sex. Yeah,

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<v Speaker 1>that one's great because it's like you get to see

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<v Speaker 1>Tommy y So is weird butt and uh, it's just

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<v Speaker 1>they're covered in rose pedals and it's like the same

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<v Speaker 1>shots kind of repeated and like you know, it's shot

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<v Speaker 1>through this like velvet or what is it like the

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<v Speaker 1>sheer kind of sexy bed curtain material and and then

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<v Speaker 1>and there's a song with lyrics and it's very off putting.

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<v Speaker 1>It's very off putting. Mike Sam's says, I'd say the

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<v Speaker 1>scene between Jack and Innison Broke Back Mountain was pretty

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<v Speaker 1>noteworthy for sure, man, that was That was a hot

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<v Speaker 1>scene because it was forbidden love and like they in love,

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<v Speaker 1>like a real love. Absolutely, that was a good one. Um, dude.

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<v Speaker 1>Weirdest thing. I was in New York over last week

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<v Speaker 1>and I was at this tak area in Bushwick and

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<v Speaker 1>it was like late nine. I was getting like a

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<v Speaker 1>burrito or something and I'm waiting in line and on

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<v Speaker 1>the TV in the tak area was it to Mama

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<v Speaker 1>Tombien And it was thus sex scene really and people

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<v Speaker 1>in line this way. That was this woman in line.

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<v Speaker 1>It was pretty This young Latino woman was like, this

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<v Speaker 1>is making my life right now. You know. It was

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<v Speaker 1>like the fact that like that was on TV and

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<v Speaker 1>everyone was just like it was one of those TVs

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<v Speaker 1>that's mounted up in the corner, you know, so everyone's

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<v Speaker 1>just like, I'm doing a I'm doing a rubber necking,

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<v Speaker 1>craning kind of neck movement right now. But it was yeah,

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<v Speaker 1>I was like, and were you like I kind of

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<v Speaker 1>get the feeling this is about like to happen in

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<v Speaker 1>this restaurant? Uh no, really, yeah, I know it was.

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<v Speaker 1>It was a whole thing because that's one because it's

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<v Speaker 1>like this's a three way and the dudes to even

0:12:38.120 --> 0:12:41.120
<v Speaker 1>start making out, and it's like it's very just three

0:12:41.120 --> 0:12:44.880
<v Speaker 1>beautiful people, three beautiful people, and there's also genuine affection

0:12:44.960 --> 0:12:47.880
<v Speaker 1>between them and such as a really good Yeah it was.

0:12:47.960 --> 0:12:50.920
<v Speaker 1>It was a very interesting way to experience that scene. Though.

0:12:51.080 --> 0:12:53.360
<v Speaker 1>Good stuff. No, we're gonna need to cold shower it

0:12:53.440 --> 0:12:57.160
<v Speaker 1>up after this, Mike Doyle. But hot American summer McKinley

0:12:57.160 --> 0:12:59.080
<v Speaker 1>and Ben it's all about the socks and the soccer ball.

0:12:59.160 --> 0:13:04.080
<v Speaker 1>That's right, that's right, Bradley Cooper and uh, Michael Ian

0:13:04.120 --> 0:13:09.240
<v Speaker 1>Black uh Callisoner Surrandon in the last scenes, the last

0:13:09.240 --> 0:13:11.240
<v Speaker 1>few scenes of Bull Durham so lighthearted and fun and

0:13:11.280 --> 0:13:15.520
<v Speaker 1>definitely sexy. That's Barbara m Shiel. Yeah, that was great.

0:13:16.160 --> 0:13:20.160
<v Speaker 1>I love Bull Durham. That's so good. Uh. Jason DeLong,

0:13:20.280 --> 0:13:22.000
<v Speaker 1>he got a lot of comments on his of people

0:13:22.040 --> 0:13:25.040
<v Speaker 1>that agree. Uh. There's an incredible scene between Jude Law

0:13:25.040 --> 0:13:27.720
<v Speaker 1>and Rachel Weiss and end to Meet the Gates. No nudity,

0:13:27.800 --> 0:13:34.160
<v Speaker 1>all facial expressions, very intense. I never saw that. Which

0:13:34.200 --> 0:13:40.760
<v Speaker 1>one enimy at the Gates the Sniper movie movies. Another

0:13:40.760 --> 0:13:44.839
<v Speaker 1>Team America from Edward Hackett. Uh, let me see here.

0:13:44.920 --> 0:13:49.800
<v Speaker 1>Another vote for Secretary. Actually the desk scene in Secretary

0:13:50.000 --> 0:13:53.600
<v Speaker 1>from Kelsey Falcon, that's a different scene altogether. You should

0:13:53.679 --> 0:13:55.880
<v Speaker 1>check out Secretary. Yeah, this is this has come up

0:13:55.880 --> 0:13:57.400
<v Speaker 1>time and again. I really I really need to. I

0:13:57.400 --> 0:14:01.080
<v Speaker 1>like Maggie Jilling all up. Mag's lover her. Sarah Kinslow says,

0:14:01.120 --> 0:14:05.120
<v Speaker 1>Black Swan. Even if it was only a dream, I'd

0:14:05.120 --> 0:14:07.720
<v Speaker 1>like to see that again. I love that movie. Spoiler, Chuck,

0:14:08.600 --> 0:14:12.040
<v Speaker 1>big spoiler what that it was only a dream? I

0:14:12.200 --> 0:14:16.800
<v Speaker 1>just kidding. The statue of limitations for spoilers on the

0:14:16.800 --> 0:14:19.880
<v Speaker 1>movie have run out officially. Yeah, I agree. Coon sorrel

0:14:19.920 --> 0:14:23.560
<v Speaker 1>Pal says, Uh, it's sexual, but not really a sex scene,

0:14:23.560 --> 0:14:27.040
<v Speaker 1>but the pool scene and Cedar Rapids. John c Riley's

0:14:27.080 --> 0:14:31.200
<v Speaker 1>drunken commentary, it's trash can are two D two? Did

0:14:31.200 --> 0:14:35.520
<v Speaker 1>you see that Cedar Rapids? It was great. It's a comedy. Yeah, man,

0:14:36.120 --> 0:14:39.280
<v Speaker 1>very funny, Ed Helms and John c Riley sounds cool.

0:14:39.480 --> 0:14:44.960
<v Speaker 1>It's an insurance convention. Um, really really funny stuff and

0:14:45.080 --> 0:14:47.960
<v Speaker 1>very under the radar. I think it didn't get a

0:14:48.000 --> 0:14:54.080
<v Speaker 1>lot of attention. U. E. J. Holavac says the end

0:14:54.080 --> 0:14:58.480
<v Speaker 1>of Fifth Element, I don't remember the I don't remember

0:14:58.480 --> 0:15:02.920
<v Speaker 1>the end either, I remember the big alien guys. That's

0:15:02.920 --> 0:15:04.880
<v Speaker 1>all I remember from the end of Fifth Element. All right,

0:15:05.320 --> 0:15:09.680
<v Speaker 1>Heather Lynette Jimmison says, White Palace. Oh yeah, Susan Surrandon,

0:15:09.800 --> 0:15:15.000
<v Speaker 1>James Spader, Oh my, she says, with three caps, which

0:15:15.000 --> 0:15:19.040
<v Speaker 1>every one? Which which ones were caps? My? Like, oh my,

0:15:19.320 --> 0:15:24.160
<v Speaker 1>oh my, Okay, I can see that. I don't know

0:15:24.160 --> 0:15:27.080
<v Speaker 1>this one. White Palace. Yeah, it's from I want to

0:15:27.080 --> 0:15:32.360
<v Speaker 1>say eighties, but it was probably nineties. Good movie. Susan Surrandon, She, uh,

0:15:32.760 --> 0:15:35.840
<v Speaker 1>she's a great actor, big fan. Don't see enough of

0:15:35.840 --> 0:15:38.400
<v Speaker 1>her anymore. It's probably by design, right, you think she

0:15:38.480 --> 0:15:40.800
<v Speaker 1>probably doing her own thing, going to Burning Man. You know,

0:15:41.240 --> 0:15:44.160
<v Speaker 1>I don't know she's she's single now, I know, But

0:15:44.200 --> 0:15:45.720
<v Speaker 1>I mean I'm saying, like you think if she wanted

0:15:45.760 --> 0:15:47.240
<v Speaker 1>to be and stuff, she'd be in like some TV

0:15:47.400 --> 0:15:48.920
<v Speaker 1>or something or should be in whatever she wants, I mean,

0:15:48.960 --> 0:15:50.640
<v Speaker 1>and she could do what she wants. She was in, Uh,

0:15:50.800 --> 0:15:54.040
<v Speaker 1>she was in something not too long ago, some TV movie,

0:15:54.200 --> 0:15:57.120
<v Speaker 1>and it put her in that pretty Little Liars show. Yeah,

0:15:57.160 --> 0:15:59.760
<v Speaker 1>why not? I'd be good? Yeah, along with who isn't

0:15:59.800 --> 0:16:01.560
<v Speaker 1>isn't Glenn Close in The New Sea? No, it's Uh.

0:16:01.800 --> 0:16:03.400
<v Speaker 1>Meryl Streep, I believe he was in The New Seas

0:16:04.440 --> 0:16:07.760
<v Speaker 1>when she plays um Rehese Witherspoon's mother. I believe Susan

0:16:07.760 --> 0:16:10.560
<v Speaker 1>Srand is great because she can she can just be

0:16:10.600 --> 0:16:12.760
<v Speaker 1>as sweet as pie and so lovable, but she can

0:16:12.800 --> 0:16:17.760
<v Speaker 1>also like, yeah, she's very versatile. Uh. Talia Dawes says

0:16:17.760 --> 0:16:21.960
<v Speaker 1>blue is the warmest color I can care. Yeah, I'll

0:16:22.040 --> 0:16:26.800
<v Speaker 1>upvote that. Uh tests sieg Miller Marler also says blue

0:16:26.880 --> 0:16:29.120
<v Speaker 1>is the warmest color. It felt so genuine. I agree.

0:16:30.960 --> 0:16:33.960
<v Speaker 1>All right. We actually had someone say James Bond, Christopher

0:16:34.000 --> 0:16:38.160
<v Speaker 1>Mindez all of them the most gold and I when

0:16:38.160 --> 0:16:40.080
<v Speaker 1>Bond is fighting and making love to the lady at

0:16:40.120 --> 0:16:44.200
<v Speaker 1>the same time, solely because it's ridiculous, that's also the

0:16:44.240 --> 0:16:47.160
<v Speaker 1>most bond thing you could possibly do. Yeah. Yeah, he's

0:16:47.160 --> 0:16:51.760
<v Speaker 1>a He's a notorious multitasker that Bond. Uh. Leah Mitchell

0:16:51.800 --> 0:16:54.920
<v Speaker 1>says lost Boys Jason Patrick and Jamie Gertz in the

0:16:55.000 --> 0:16:59.400
<v Speaker 1>cave with the silk materials, Little Sister was that the

0:16:59.480 --> 0:17:06.359
<v Speaker 1>zon totally black house will rock Bland bus don't lad

0:17:08.400 --> 0:17:11.320
<v Speaker 1>that's right? Yeah, yeah, I didn't recognize it till then

0:17:11.480 --> 0:17:14.000
<v Speaker 1>that's the song. Yeah, that's that guy only did that

0:17:14.040 --> 0:17:17.399
<v Speaker 1>one song. I loved that song. It's the opening title

0:17:17.440 --> 0:17:19.320
<v Speaker 1>for the movie too, so it really makes it like

0:17:19.359 --> 0:17:21.919
<v Speaker 1>brings it home. This is an important moment. Yeah, you

0:17:22.000 --> 0:17:25.480
<v Speaker 1>know that's good. That's a good That movie holds up. Man,

0:17:25.680 --> 0:17:28.399
<v Speaker 1>it really I saw it like a year ago, and

0:17:28.480 --> 0:17:32.000
<v Speaker 1>it's fun. It's kind of scary, like it's it's a goofy,

0:17:32.280 --> 0:17:34.720
<v Speaker 1>but it's also like got some heart. It's got the

0:17:34.720 --> 0:17:36.679
<v Speaker 1>frog brothers, you know. And it didn't have like a

0:17:36.760 --> 0:17:39.159
<v Speaker 1>ton of special effects that now look aged it was.

0:17:39.400 --> 0:17:41.800
<v Speaker 1>It was good practical effects. There was a lot of

0:17:41.880 --> 0:17:45.280
<v Speaker 1>exploding gore bags, you know what I mean, my boy

0:17:45.359 --> 0:17:48.800
<v Speaker 1>band name. That's pretty good. Uh. I really liked that movie.

0:17:49.000 --> 0:17:51.040
<v Speaker 1>Yeah yeah, I'll have to check that out again. It's

0:17:51.040 --> 0:17:54.880
<v Speaker 1>been a while. Uh Aidan Rowlins his Monster's ball halle Berry. Yeah,

0:17:55.320 --> 0:17:58.199
<v Speaker 1>very passionate. I love seeing there with Billy Bob right.

0:17:59.080 --> 0:18:03.280
<v Speaker 1>Ah yeah, yeah that was a hot scene. Dan Pianet

0:18:04.000 --> 0:18:08.840
<v Speaker 1>says the entirety of Two Moon Junction Sherylyn Fenn ouch. No,

0:18:09.000 --> 0:18:13.119
<v Speaker 1>there was a time in college where Sherylyn Finn was

0:18:13.200 --> 0:18:17.440
<v Speaker 1>the end all beats in my room poster for sure. Yeah,

0:18:17.480 --> 0:18:20.080
<v Speaker 1>like uh, not dorm room, but second year when I

0:18:20.119 --> 0:18:22.600
<v Speaker 1>lived in an apartment with these guys that are still

0:18:22.640 --> 0:18:26.560
<v Speaker 1>like best friends. They that was Twin Peaks era. Obviously.

0:18:26.720 --> 0:18:28.399
<v Speaker 1>Is that why she was a girl? Was because of

0:18:28.400 --> 0:18:29.719
<v Speaker 1>that or was an other stuff? Yeah, I mean that's

0:18:29.720 --> 0:18:31.399
<v Speaker 1>when she came on the scene and she was, i

0:18:31.400 --> 0:18:35.440
<v Speaker 1>mean just so sexy. She's very Yeah, she's gorgeous still

0:18:35.600 --> 0:18:41.640
<v Speaker 1>is boy? Everybody this the segment we're getting the vapors

0:18:41.680 --> 0:18:45.639
<v Speaker 1>in here. The sweatbox is getting a little sweatier than

0:18:45.640 --> 0:18:47.160
<v Speaker 1>he usually is. I mean, I'm telling you, I don't

0:18:47.200 --> 0:18:52.439
<v Speaker 1>know if the espresso it's in the morning. Uh. Sergey

0:18:52.480 --> 0:18:58.480
<v Speaker 1>Williams says Wild Things, Denise Richards and Naomi can Yeah, yeah,

0:18:58.560 --> 0:19:00.600
<v Speaker 1>you know what that that is a guilty pleasure movie

0:19:00.600 --> 0:19:03.919
<v Speaker 1>if I've ever seen it, because it was lurid and

0:19:04.040 --> 0:19:06.800
<v Speaker 1>sexy and goofy. But it was actually a pretty good

0:19:06.880 --> 0:19:12.400
<v Speaker 1>little noir yard. You know. I agree, Kevin Bacon, Matt

0:19:12.480 --> 0:19:15.560
<v Speaker 1>Dylan good stuff. They should have got it on. Well,

0:19:15.720 --> 0:19:18.080
<v Speaker 1>Kevin Matt Dylan was in the sexy sex scene right

0:19:18.119 --> 0:19:19.800
<v Speaker 1>in the pool. Yeah. There were I mean there were

0:19:19.880 --> 0:19:21.720
<v Speaker 1>quite there were a few sex scenes, but there's the

0:19:21.720 --> 0:19:23.119
<v Speaker 1>big one that I think people are thinking of it.

0:19:23.200 --> 0:19:28.000
<v Speaker 1>There's one in the pool. Yeah, I think pools. See,

0:19:28.040 --> 0:19:31.800
<v Speaker 1>that's unrealistic, just right there. Anytime they had some hot

0:19:32.040 --> 0:19:35.520
<v Speaker 1>logistics of that. Come on, no, give me a break. Uh.

0:19:35.880 --> 0:19:43.520
<v Speaker 1>John macalp, John Cougar mecalp, he's our guy from Train Spotting,

0:19:43.520 --> 0:19:48.560
<v Speaker 1>You and McGregor and Kelly McDonald on top away on Top,

0:19:48.760 --> 0:19:57.760
<v Speaker 1>riding away to beat of the song Atomic. Okay, oh yeah, yeah, yeah, yeah, yeah,

0:19:57.760 --> 0:19:59.960
<v Speaker 1>that's uh. I think I read such a good soundtrack.

0:20:00.040 --> 0:20:02.280
<v Speaker 1>I read it very clumsely from Train Spotting with you

0:20:02.320 --> 0:20:05.400
<v Speaker 1>and McGregor and Kelly McDonald on Top riding away. Yes,

0:20:05.560 --> 0:20:07.760
<v Speaker 1>that's right. So he got a little graphic in its description.

0:20:08.119 --> 0:20:10.240
<v Speaker 1>That's fine. Yeah, but that then it's got the Blondie

0:20:10.320 --> 0:20:14.520
<v Speaker 1>song Atomic, where it's your hair is beautiful, Your hair

0:20:14.840 --> 0:20:19.000
<v Speaker 1>is beautiful. That's a great song. Uh. Courtland Bennett called

0:20:19.040 --> 0:20:20.600
<v Speaker 1>me by your Name. The movie works so hard to

0:20:20.600 --> 0:20:22.280
<v Speaker 1>build a very real tension and leaves me on the

0:20:22.359 --> 0:20:24.480
<v Speaker 1>edge of my seat every time, not to mention the

0:20:24.560 --> 0:20:29.040
<v Speaker 1>chemistry with those two flames. Uh yeah, I totally agree.

0:20:30.040 --> 0:20:33.520
<v Speaker 1>Chris Coca says, as a gay man, I've watched entirely

0:20:33.520 --> 0:20:35.399
<v Speaker 1>too much porn to be impressed with sex scenes in

0:20:35.480 --> 0:20:43.000
<v Speaker 1>a mainstream movie. Uh, okay, fair enough. I mean listen

0:20:43.400 --> 0:20:46.280
<v Speaker 1>as a straight man, I I too have watched quite

0:20:46.320 --> 0:20:49.080
<v Speaker 1>a lot of porn, and I think that there's still

0:20:49.119 --> 0:20:52.919
<v Speaker 1>my movies serve a different function. I mean, and you know, yeah,

0:20:53.080 --> 0:20:55.080
<v Speaker 1>I mean, I think especially when they serve the story,

0:20:55.080 --> 0:20:57.280
<v Speaker 1>because I think I think that's overlooked sometimes where there

0:20:57.320 --> 0:21:00.439
<v Speaker 1>are sex scenes that are very important to a story

0:21:00.600 --> 0:21:03.840
<v Speaker 1>and that like drive the action forward, and that also

0:21:05.160 --> 0:21:09.879
<v Speaker 1>solidify or indicate some change in the relationship between two characters,

0:21:10.080 --> 0:21:12.880
<v Speaker 1>whether it's like some tension that's been you know, broiling

0:21:12.880 --> 0:21:14.679
<v Speaker 1>over or whatever. And this is like a release of

0:21:14.720 --> 0:21:17.360
<v Speaker 1>some kind, and I think it's an important device. Yes,

0:21:17.400 --> 0:21:20.000
<v Speaker 1>a release of some kind. Check. Let me take a

0:21:20.040 --> 0:21:25.400
<v Speaker 1>beat for a release of some kind. Oh man, we're

0:21:25.440 --> 0:21:30.240
<v Speaker 1>fourth graders. Our old pal Melenda back a wel She

0:21:30.400 --> 0:21:32.280
<v Speaker 1>I told her, never tell me how to pronounce your name.

0:21:32.400 --> 0:21:34.280
<v Speaker 1>Just gonna keep it. I'm gonna do it different every

0:21:34.320 --> 0:21:37.359
<v Speaker 1>time Melenda says unfaithful when they're in the bathroom at

0:21:37.359 --> 0:21:40.159
<v Speaker 1>the restaurant. Damn, I don't know that one. That's a

0:21:40.200 --> 0:21:42.080
<v Speaker 1>good one. I think that was if I'm thinking of

0:21:42.080 --> 0:21:46.359
<v Speaker 1>the right movie it was. Oh, now I can't think

0:21:46.400 --> 0:21:51.320
<v Speaker 1>of her name and I had such a crush. Um, no,

0:21:51.359 --> 0:21:55.120
<v Speaker 1>I will help me out. Unfaithful, all right, dark hair.

0:21:56.080 --> 0:22:03.879
<v Speaker 1>Oh I'm I'm thinking j Lo No. Oh this is

0:22:03.920 --> 0:22:06.439
<v Speaker 1>called word. Oh no, unfaithful. Sorry, I was thinking to

0:22:06.480 --> 0:22:09.760
<v Speaker 1>something different altogether. This is Richard Gear and Diane Lane.

0:22:10.760 --> 0:22:14.959
<v Speaker 1>Diane Lane is very pretty, so I second that I

0:22:15.040 --> 0:22:18.840
<v Speaker 1>was thinking of Linda, Linda Fiorentino. That's what I was thinking.

0:22:19.119 --> 0:22:22.440
<v Speaker 1>Different movie though. Lisa Pott says Mr and Mrs Smith

0:22:23.680 --> 0:22:27.560
<v Speaker 1>with real life former husband and wife. Uh. Andy Rawl says,

0:22:27.560 --> 0:22:30.840
<v Speaker 1>oh yes, the Postman always rings twice Jessica Lang and

0:22:30.880 --> 0:22:32.960
<v Speaker 1>Jack Nicholson. The kitchen table has never been the same

0:22:33.000 --> 0:22:35.600
<v Speaker 1>since that was a hot scene. That was a hot movie.

0:22:36.960 --> 0:22:40.080
<v Speaker 1>Our old friend Jeff Clark, who I owed the apology to,

0:22:40.280 --> 0:22:43.600
<v Speaker 1>says the take the scene with John Leguizama and Rosie

0:22:43.600 --> 0:22:49.000
<v Speaker 1>Perez good stuff. Uh and also mentioned White Palace. Let's

0:22:49.080 --> 0:22:51.080
<v Speaker 1>run through just a few more of these. I might

0:22:51.119 --> 0:22:52.920
<v Speaker 1>save this one though, because a lot of people chimed in,

0:22:53.480 --> 0:22:56.360
<v Speaker 1>and we'll do another after dark soon and continue this. Well,

0:22:56.400 --> 0:22:58.160
<v Speaker 1>it can't be have a segment name if we only

0:22:58.200 --> 0:23:01.680
<v Speaker 1>do it once, Chuck, it's gotta be recurring. That's the nature,

0:23:01.800 --> 0:23:05.679
<v Speaker 1>very nature of a segment. I think you're right. All right,

0:23:05.800 --> 0:23:10.440
<v Speaker 1>let's do um, let's do two more. Our old friend

0:23:10.480 --> 0:23:16.520
<v Speaker 1>Alec Alex Glasnovic or Glasnovich. I'm not sure he says

0:23:16.560 --> 0:23:19.440
<v Speaker 1>comedy answer any sex scene and Titanic because I'm sure

0:23:19.480 --> 0:23:21.840
<v Speaker 1>that movie initiated a lot of uncomfortable talks about sex

0:23:22.280 --> 0:23:24.600
<v Speaker 1>from parents who didn't think it was going to be

0:23:24.680 --> 0:23:28.480
<v Speaker 1>that kind of film. Yeah, that's true. I bet you

0:23:28.520 --> 0:23:32.359
<v Speaker 1>there were some surprise parents in that one. And then

0:23:32.359 --> 0:23:35.280
<v Speaker 1>we'll finish up here with James Diaz, a very bad movie.

0:23:35.400 --> 0:23:38.399
<v Speaker 1>This is me talking body of evidence. But Madonna and

0:23:38.400 --> 0:23:42.399
<v Speaker 1>Willem Dafoe broken glass, hot wax, candle wax. That was

0:23:42.560 --> 0:23:45.560
<v Speaker 1>That was another skin of Max classic. It's pretty hot,

0:23:45.680 --> 0:23:50.520
<v Speaker 1>Nolly literally alright, wax, hot wax, goodness, everyone, hot pods.

0:23:52.000 --> 0:23:54.119
<v Speaker 1>I'm not sure if we should even continue, well, we should,

0:23:54.200 --> 0:23:57.439
<v Speaker 1>we should stop short, Chuck, all right, everyone, that was

0:23:57.480 --> 0:23:59.080
<v Speaker 1>Social Studies after Dark. That was a lot of fun.

0:23:59.119 --> 0:24:01.320
<v Speaker 1>I'm gonna leave these up so you can continue to

0:24:01.320 --> 0:24:04.600
<v Speaker 1>add your favorite sex scenes and we'll address this, uh

0:24:04.680 --> 0:24:09.639
<v Speaker 1>in a couple of weeks stream this, Nol. I'm gonna

0:24:09.640 --> 0:24:14.040
<v Speaker 1>shout out very quickly. Um, a few shows. Our old

0:24:14.080 --> 0:24:17.520
<v Speaker 1>buddy Nate Bargatzi, who was on the show uh and

0:24:17.880 --> 0:24:20.440
<v Speaker 1>was a guest last year when we did the movie

0:24:20.480 --> 0:24:23.720
<v Speaker 1>Scream together. Drove to Nashville because I wanted to meet

0:24:23.800 --> 0:24:25.520
<v Speaker 1>Nate because he's one of my favorite comics and he

0:24:25.600 --> 0:24:28.880
<v Speaker 1>was awesome. So his new special out is on Netflix

0:24:28.960 --> 0:24:32.560
<v Speaker 1>called The Tennessee Kid. It's great support Nate in his career.

0:24:32.640 --> 0:24:35.240
<v Speaker 1>He's uh, he's one of the funniest guys out there.

0:24:35.400 --> 0:24:37.920
<v Speaker 1>He's getting some nice push on the old Netflix app too.

0:24:38.119 --> 0:24:41.639
<v Speaker 1>It was like on the main scroll, main auto play video.

0:24:41.760 --> 0:24:44.040
<v Speaker 1>That's good. And that was here in Atlanta too. That's

0:24:44.040 --> 0:24:47.520
<v Speaker 1>where they filmed that. Where at Cobb Energy Center, I believe,

0:24:48.200 --> 0:24:50.960
<v Speaker 1>Uh huh cool. Yeah, what's a good size room. So

0:24:51.040 --> 0:24:54.119
<v Speaker 1>congratulations to Nate time. He's uh, he's been at it

0:24:54.119 --> 0:24:56.400
<v Speaker 1>for a while and he's just his star continues to rise.

0:24:56.840 --> 0:25:00.280
<v Speaker 1>Very very good dude. Uh. And then NOL, I gonna

0:25:00.280 --> 0:25:03.720
<v Speaker 1>recommend a couple of things. Have you seen the Dirt yet?

0:25:03.720 --> 0:25:05.359
<v Speaker 1>The Motley Crue movie? You know what? I watched the

0:25:05.400 --> 0:25:08.560
<v Speaker 1>trailer and it looks like a lot of sleazy fun.

0:25:09.800 --> 0:25:13.840
<v Speaker 1>That's exactly what it is, sleazy fun. I read the book. Um,

0:25:13.920 --> 0:25:18.119
<v Speaker 1>the movie itself is very much like a sort of

0:25:18.240 --> 0:25:21.400
<v Speaker 1>VH one. You know, did you ever see any of those?

0:25:22.040 --> 0:25:24.440
<v Speaker 1>Like the Jackson's movie One, No, No No. I was

0:25:24.440 --> 0:25:26.800
<v Speaker 1>thinking like behind the music, no no, I have not. Yeah,

0:25:26.880 --> 0:25:30.240
<v Speaker 1>it's sort of uh, it's so bad. It's good in

0:25:30.280 --> 0:25:32.400
<v Speaker 1>a lot of ways. It's a little hard to get

0:25:32.400 --> 0:25:34.760
<v Speaker 1>over the fact that the lead singer looks like Garth.

0:25:34.960 --> 0:25:36.840
<v Speaker 1>He looks like Dana Carvey as Garth a little bit.

0:25:36.960 --> 0:25:38.880
<v Speaker 1>You know who looks good though? Is the drummer looks

0:25:38.880 --> 0:25:40.960
<v Speaker 1>a lot like Tommy Lee. Yeah, he does a good job.

0:25:41.800 --> 0:25:44.000
<v Speaker 1>I've never heard of that guy. He's a rapper in

0:25:44.040 --> 0:25:47.800
<v Speaker 1>real life, machine Gun Kelly. You know who that is?

0:25:47.840 --> 0:25:49.760
<v Speaker 1>I do know, I know the name. Yeah, I'm so

0:25:49.760 --> 0:25:51.560
<v Speaker 1>out of it. I don't know. I've never heard of him.

0:25:51.560 --> 0:25:53.040
<v Speaker 1>But he he did a good job. Actually, the acting

0:25:53.080 --> 0:25:57.320
<v Speaker 1>was pretty good, Um, for the most part, not bad.

0:25:57.920 --> 0:26:01.680
<v Speaker 1>And I got a very guilty pleasure soft spot in

0:26:01.720 --> 0:26:05.679
<v Speaker 1>my heart for Motley Crue And um, you know, the

0:26:05.760 --> 0:26:07.679
<v Speaker 1>movie is kind of fun. It is what it is.

0:26:07.920 --> 0:26:09.520
<v Speaker 1>It sort of feels a little bit. You saw the

0:26:09.640 --> 0:26:13.840
<v Speaker 1>Lampoon National Lampoon movie that Netflix did, right that David

0:26:13.880 --> 0:26:17.399
<v Speaker 1>Wayne directed. Yeah, yeah, the yes I forget kind of

0:26:17.440 --> 0:26:22.119
<v Speaker 1>like that in a stupid yes, I got it, you

0:26:22.119 --> 0:26:25.320
<v Speaker 1>know what I mean. So not bad. If you like

0:26:25.359 --> 0:26:27.480
<v Speaker 1>Motley Crue, you should totally watch it. And it's good

0:26:27.520 --> 0:26:30.680
<v Speaker 1>eighties l a hair metal stuff, which is always fun.

0:26:31.400 --> 0:26:35.240
<v Speaker 1>And then finally, Noel, I am going to uh recommend

0:26:35.240 --> 0:26:40.200
<v Speaker 1>the Netflix show Russian Doll with Natasha Leone. I think

0:26:40.200 --> 0:26:42.080
<v Speaker 1>I watched the first three episodes. I liked it and

0:26:42.119 --> 0:26:44.320
<v Speaker 1>I was I was into it. It's like a kind

0:26:44.359 --> 0:26:49.000
<v Speaker 1>of a more adult, uh what's the groundhog Day kind

0:26:49.000 --> 0:26:53.000
<v Speaker 1>of situation? Yeah. Um, also want to shout out Charlie Barnett.

0:26:53.080 --> 0:26:54.919
<v Speaker 1>I've never heard of him. He was great in it.

0:26:55.520 --> 0:27:00.160
<v Speaker 1>And um, Gretta Lee as well. She I don't I'm

0:27:00.200 --> 0:27:04.199
<v Speaker 1>not super familiar with her work, but she was so funny,

0:27:04.680 --> 0:27:07.720
<v Speaker 1>love love loved her in this movie. And Natation Leone

0:27:07.800 --> 0:27:09.520
<v Speaker 1>is just great. It's a really good show. It's one

0:27:09.560 --> 0:27:13.119
<v Speaker 1>that it's only eight episodes and you gotta just barrel

0:27:13.160 --> 0:27:15.920
<v Speaker 1>through it because after the first few, if you've only

0:27:15.960 --> 0:27:18.760
<v Speaker 1>seen a few, you're kind of like alright, I kind

0:27:18.800 --> 0:27:21.240
<v Speaker 1>of get it, but it's like, where's it going? And

0:27:21.280 --> 0:27:24.480
<v Speaker 1>then I believe it's an episode four that things really

0:27:24.480 --> 0:27:29.320
<v Speaker 1>take a stark turn. Um So, if you're stopping it

0:27:29.440 --> 0:27:32.200
<v Speaker 1>episode three, Knoll, I would recommend you press forward. I

0:27:32.280 --> 0:27:35.240
<v Speaker 1>will because episode four is when you're like, Okay, there's

0:27:35.400 --> 0:27:37.080
<v Speaker 1>a lot more going on, here's something more playing. I

0:27:37.160 --> 0:27:38.720
<v Speaker 1>was winning because I was. I wouldn't say I was

0:27:38.760 --> 0:27:40.680
<v Speaker 1>losing interest, but I was kind of like, I mean,

0:27:40.680 --> 0:27:43.000
<v Speaker 1>it is, by its very nature repetitive, so it's like

0:27:43.119 --> 0:27:44.679
<v Speaker 1>maybe maybe getting a little like, all right, come on,

0:27:44.720 --> 0:27:46.840
<v Speaker 1>give me, give me some more. Um Man. You know

0:27:46.880 --> 0:27:48.520
<v Speaker 1>it's really good on Netflix right now. Is that Love,

0:27:48.560 --> 0:27:51.320
<v Speaker 1>Death and Robots? Have you seen that? No, it is

0:27:51.359 --> 0:27:54.640
<v Speaker 1>a anthology series that is based sort of they can't

0:27:54.720 --> 0:27:57.600
<v Speaker 1>use the name because of a legal thing with Robert Rodriguez,

0:27:57.600 --> 0:28:00.359
<v Speaker 1>but heavy Metal, the heavy Metal movies and the Mental

0:28:00.440 --> 0:28:02.680
<v Speaker 1>magazine stuff from you know, you mean the heavy Metal

0:28:02.840 --> 0:28:08.440
<v Speaker 1>animated films films. Yeah, so it's an anthology series. One season.

0:28:08.560 --> 0:28:11.320
<v Speaker 1>I think it's each each episode is maybe ten to

0:28:11.359 --> 0:28:15.120
<v Speaker 1>fifteen minutes long, all different animation styles. Oh, I've heard

0:28:15.160 --> 0:28:16.760
<v Speaker 1>of this and it has to do David Fincher has

0:28:16.800 --> 0:28:19.520
<v Speaker 1>something to do with it. And it's really really violent

0:28:19.680 --> 0:28:22.440
<v Speaker 1>and really really disturbing, and a lot of nudity, cartoon

0:28:22.520 --> 0:28:25.600
<v Speaker 1>nudity like the heavy metal movies. But it's really creative

0:28:25.600 --> 0:28:28.480
<v Speaker 1>and inventive and I like it very much. We'll have

0:28:28.520 --> 0:28:32.080
<v Speaker 1>to check that out. So that's on Netflix. It's on Netflix.

0:28:32.080 --> 0:28:34.320
<v Speaker 1>It's a Nextflix Netflix original. All right, they're getting a

0:28:34.359 --> 0:28:37.879
<v Speaker 1>lot of love this week. They should sponsor us, should

0:28:37.880 --> 0:28:44.280
<v Speaker 1>give us money. I agree, uh so, Russian Doll, Nate Bargatzi,

0:28:45.520 --> 0:28:49.640
<v Speaker 1>the Tennessee Kid, Motley Crue all on Netflix. Ya. Wow,

0:28:49.680 --> 0:28:52.360
<v Speaker 1>this is for Netflix and love, death and robots. Do

0:28:52.440 --> 0:28:55.480
<v Speaker 1>you hear that? Netflix? You can just make the pay

0:28:55.840 --> 0:28:59.720
<v Speaker 1>check payable. Two Movie Crush LLC and at the very

0:28:59.760 --> 0:29:13.720
<v Speaker 1>least call off your pr dogs. Yeah boom. We're gonna

0:29:13.720 --> 0:29:17.080
<v Speaker 1>finish with comic Cardinal. Take a few questions from the

0:29:17.080 --> 0:29:23.480
<v Speaker 1>movie Crush community. Mike Doyle says, this, chuck, You've lived

0:29:23.480 --> 0:29:26.440
<v Speaker 1>in two cities well known for film production, l A

0:29:26.560 --> 0:29:30.360
<v Speaker 1>and now Atlanta. What movies are most striking? As? Hey,

0:29:30.400 --> 0:29:35.800
<v Speaker 1>I live there, Well, I mean l A certainly there

0:29:35.800 --> 0:29:39.720
<v Speaker 1>were plenty of movies of uh. I think for these

0:29:39.800 --> 0:29:42.040
<v Speaker 1>it helps to narrow down the neighborhood. So as far

0:29:42.080 --> 0:29:47.160
<v Speaker 1>as my l A days, Um, the what was the

0:29:47.280 --> 0:29:53.680
<v Speaker 1>Zoe Deschanel hundred Days of Summer? That was? I'm the

0:29:53.720 --> 0:29:56.400
<v Speaker 1>same way, Chuck. The number involved. I can never remember

0:29:56.440 --> 0:29:58.640
<v Speaker 1>what the what the actual number is. I was saying

0:29:58.880 --> 0:30:03.719
<v Speaker 1>thirteen last week exactly. It's what is up? Uh? That

0:30:03.760 --> 0:30:06.880
<v Speaker 1>movie was filmed in the sort of Silver Lake Los

0:30:06.880 --> 0:30:10.040
<v Speaker 1>Felas area where I lived, so that was kind of fun. Um.

0:30:10.080 --> 0:30:13.040
<v Speaker 1>Swingers obviously was filmed in the Los Felas area, so

0:30:13.120 --> 0:30:15.160
<v Speaker 1>way back in the day when I moved to l A.

0:30:15.240 --> 0:30:17.000
<v Speaker 1>That was post Swingers, and I was like, whoa, man,

0:30:17.000 --> 0:30:19.400
<v Speaker 1>I'm living like right here. You're at the Dresden room

0:30:19.440 --> 0:30:21.440
<v Speaker 1>going to the dress and I'm playing golf at uh

0:30:21.680 --> 0:30:26.280
<v Speaker 1>the little Los Filas three. You're a you're a golfer, chuck. Uh. No,

0:30:27.760 --> 0:30:30.080
<v Speaker 1>I used to play golf. I haven't played golf in

0:30:30.120 --> 0:30:34.480
<v Speaker 1>probably twenty five years, but I super enjoyed golf, and

0:30:34.560 --> 0:30:36.400
<v Speaker 1>don't I don't play anymore because I don't know why

0:30:36.440 --> 0:30:38.560
<v Speaker 1>you ever go to top golf around here. I went

0:30:38.680 --> 0:30:40.960
<v Speaker 1>once about a month ago. Isn't it kind of like

0:30:41.000 --> 0:30:44.280
<v Speaker 1>a David Busters for golf? Uh? I guess there. I'm

0:30:44.320 --> 0:30:47.000
<v Speaker 1>not sure what's going on inside, but the actual golf stuff,

0:30:47.440 --> 0:30:49.720
<v Speaker 1>I mean, David Busters has like arcade game. This doesn't

0:30:49.720 --> 0:30:52.320
<v Speaker 1>have arcade games. It may there may be a downstairs

0:30:52.400 --> 0:30:55.080
<v Speaker 1>or something like a game room. Yeah yeah, but we

0:30:55.360 --> 0:30:57.719
<v Speaker 1>uh my friend's birthday was there, so he like rented

0:30:57.760 --> 0:31:01.920
<v Speaker 1>a golf whatever booth and then there you play like

0:31:02.000 --> 0:31:04.680
<v Speaker 1>real golf games. So it's not as a driving range.

0:31:05.000 --> 0:31:07.520
<v Speaker 1>Well it's a driving range, but it's all a game.

0:31:07.680 --> 0:31:10.960
<v Speaker 1>So you program in your computer game you want to

0:31:10.960 --> 0:31:14.520
<v Speaker 1>play which is like total yardage or closest to the whole,

0:31:14.880 --> 0:31:16.680
<v Speaker 1>and then you all sort of hit the balls. That

0:31:16.720 --> 0:31:19.160
<v Speaker 1>sounds like things. It's it's fun. So what else in less?

0:31:19.160 --> 0:31:21.520
<v Speaker 1>Feelas like I know that area relatively well now that

0:31:21.560 --> 0:31:25.600
<v Speaker 1>I've been swingers. Um. I mean it was just sort

0:31:25.600 --> 0:31:27.360
<v Speaker 1>of shot all around that area where they had the

0:31:27.440 --> 0:31:31.240
<v Speaker 1>dance scene that was um across at the Derby, which

0:31:31.320 --> 0:31:34.160
<v Speaker 1>is kind of up the street from the Dresden. Then

0:31:34.200 --> 0:31:37.400
<v Speaker 1>the Los Felis Three Five Days of Summer was all

0:31:37.400 --> 0:31:41.959
<v Speaker 1>over that area. Weirdly, that Jim Carrey movie um with

0:31:42.080 --> 0:31:46.600
<v Speaker 1>Zoe Deschanel as well, what was that one? Yes man?

0:31:47.520 --> 0:31:50.520
<v Speaker 1>Uh huh maybe. I don't know. Yes, I think that

0:31:50.560 --> 0:31:52.920
<v Speaker 1>was it or not. Liars, she wasn't in liar, Liar,

0:31:52.920 --> 0:31:54.680
<v Speaker 1>I think it would have been. Yes. Man. That one

0:31:54.920 --> 0:31:57.000
<v Speaker 1>was filmed a lot in Silver Lake as well, and

0:31:57.040 --> 0:32:01.320
<v Speaker 1>even had scenes in my beloved favorite music venue, space Land,

0:32:01.680 --> 0:32:04.280
<v Speaker 1>which is now called the Satellite, So that was kind

0:32:04.280 --> 0:32:06.720
<v Speaker 1>of cool too. As far as Atlanta, like, it's hard

0:32:06.760 --> 0:32:09.720
<v Speaker 1>to say anything, but Baby Driver, Baby Driver is the

0:32:09.720 --> 0:32:11.760
<v Speaker 1>only one that featured Atlanta as an actual city. Every

0:32:11.800 --> 0:32:13.600
<v Speaker 1>other movie just like uses it as a stand in

0:32:13.680 --> 0:32:16.560
<v Speaker 1>for some other city. Yeah, it's like a chameleon exactly.

0:32:17.720 --> 0:32:22.400
<v Speaker 1>Good question, though, thanks Mike. Let me see here, let

0:32:22.480 --> 0:32:24.360
<v Speaker 1>me see if I can find a question for Noel.

0:32:25.800 --> 0:32:28.640
<v Speaker 1>Here we go. Stubs Jacob Stubblefield ear old pal says,

0:32:28.960 --> 0:32:31.400
<v Speaker 1>what is the best no longer going to pose this

0:32:31.440 --> 0:32:34.320
<v Speaker 1>one to you. What is the all around best trilogy

0:32:36.240 --> 0:32:39.680
<v Speaker 1>in film? Huh? And I don't know, And I think

0:32:39.720 --> 0:32:42.480
<v Speaker 1>that means probably just three movies, Like I would say

0:32:42.560 --> 0:32:44.800
<v Speaker 1>Rocky one, two, and three, but then there were a

0:32:44.800 --> 0:32:48.520
<v Speaker 1>bunch of other Rockies after. You know, people really rag

0:32:48.600 --> 0:32:51.040
<v Speaker 1>on The Godfather three, but I think one and two

0:32:51.080 --> 0:32:52.960
<v Speaker 1>more than makeup for it. So I would say that

0:32:53.040 --> 0:32:56.040
<v Speaker 1>he's not terrible. It's not terrible. No, it's still the Godfather.

0:32:56.480 --> 0:32:58.080
<v Speaker 1>I mean it was not as good as the other two,

0:32:58.080 --> 0:32:59.720
<v Speaker 1>but it's not like it was shipped and it was

0:32:59.760 --> 0:33:02.160
<v Speaker 1>too are removed I think was another problem too, Right,

0:33:02.280 --> 0:33:05.280
<v Speaker 1>wasn't it like two was in the seventies still and

0:33:05.280 --> 0:33:08.959
<v Speaker 1>then three was like in the nineties or early nineties

0:33:09.000 --> 0:33:12.040
<v Speaker 1>maybe or something. I don't remember, something like that, because

0:33:12.040 --> 0:33:14.560
<v Speaker 1>Sofia Coppola has grown like she was like the daughter

0:33:14.600 --> 0:33:18.080
<v Speaker 1>and she was at least in her twenties. I think

0:33:18.080 --> 0:33:21.479
<v Speaker 1>she was a teenager. Okay, okay, ye, there you go.

0:33:22.280 --> 0:33:24.320
<v Speaker 1>She got she was a large part of the criticism

0:33:24.360 --> 0:33:26.200
<v Speaker 1>of that. She was she kind of did a little.

0:33:26.640 --> 0:33:29.040
<v Speaker 1>She was not the best, did not turn in the

0:33:29.080 --> 0:33:31.160
<v Speaker 1>best performance. I guess she's not a great actor. She's

0:33:31.160 --> 0:33:33.760
<v Speaker 1>a great director, she absolutely is. Yeah, And that's she

0:33:33.760 --> 0:33:36.040
<v Speaker 1>she totally knows how to play to her strengths. Um,

0:33:36.200 --> 0:33:38.920
<v Speaker 1>that's I don't know, man. I Well, the Lord of

0:33:38.920 --> 0:33:40.920
<v Speaker 1>the Rings was more than it's more than a trilogy.

0:33:41.480 --> 0:33:43.920
<v Speaker 1>One of the Rings is four movies, right, I don't know.

0:33:44.000 --> 0:33:47.840
<v Speaker 1>It was twenty one of them that they divided up

0:33:47.880 --> 0:33:49.960
<v Speaker 1>into two. I guess, oh, that last one was too

0:33:50.040 --> 0:33:55.320
<v Speaker 1>I think it was too god interminable. No love for

0:33:55.680 --> 0:33:58.280
<v Speaker 1>l O t r. From from Chuck. Yeah, I stick,

0:33:58.320 --> 0:34:02.680
<v Speaker 1>I stick by a Godfather. Sort of an obvious answer,

0:34:02.720 --> 0:34:04.560
<v Speaker 1>but they're just the first two were so damn good,

0:34:04.880 --> 0:34:07.280
<v Speaker 1>and the most disappointing trilogy for me of all time

0:34:07.360 --> 0:34:13.319
<v Speaker 1>is easily The Matrix What Promise totally? Do you think

0:34:13.320 --> 0:34:15.799
<v Speaker 1>it was one of those studio meddling things. They're like,

0:34:15.840 --> 0:34:18.080
<v Speaker 1>you know, churn the next one's out really quick. Now.

0:34:18.120 --> 0:34:20.160
<v Speaker 1>I think they always had the idea for a trilogy.

0:34:20.160 --> 0:34:22.600
<v Speaker 1>It just I don't know man as good. They weren't

0:34:22.600 --> 0:34:25.200
<v Speaker 1>as good. I still think that first movie is great. Yeah,

0:34:25.440 --> 0:34:26.840
<v Speaker 1>I think I talked maybe I talked about this on

0:34:26.840 --> 0:34:29.239
<v Speaker 1>the show, but we I recently tried watching it with

0:34:29.280 --> 0:34:32.640
<v Speaker 1>my kid, and I found myself kind of laughing at

0:34:32.680 --> 0:34:36.960
<v Speaker 1>some of the special effects because they've it's been copied

0:34:37.280 --> 0:34:40.239
<v Speaker 1>so much, like the bullet all that and the three

0:34:40.280 --> 0:34:43.360
<v Speaker 1>sixty camera stuff. It's been copied so much, Like just

0:34:43.360 --> 0:34:46.560
<v Speaker 1>add nauseam that seeing it, even though you know in

0:34:46.600 --> 0:34:48.360
<v Speaker 1>your in your mind that that's the first time it

0:34:48.440 --> 0:34:52.400
<v Speaker 1>was done, it feels cliche. That's a shame. It is

0:34:52.400 --> 0:34:54.560
<v Speaker 1>a shame. And I've I've mentioned this to to some

0:34:54.640 --> 0:34:56.360
<v Speaker 1>friends and they're like, no, you're dead wrong, and that

0:34:56.400 --> 0:34:58.960
<v Speaker 1>doesn't matter. Um, I did enjoy the movie and so

0:34:59.040 --> 0:35:01.239
<v Speaker 1>did my kids. She liked it a lot. Oh cool, Yeah,

0:35:01.360 --> 0:35:05.879
<v Speaker 1>that was good. Uh let me see here. Bethany Deal says,

0:35:05.920 --> 0:35:08.480
<v Speaker 1>how much influence do you think a cinematographer has in

0:35:08.560 --> 0:35:11.880
<v Speaker 1>the final product product of a movie? Well, it cannot

0:35:11.920 --> 0:35:17.120
<v Speaker 1>be overstated. Ship. Yeah, the most. I mean, not the

0:35:17.160 --> 0:35:19.840
<v Speaker 1>most the director obviously, but yeah, I mean that's what

0:35:19.880 --> 0:35:21.520
<v Speaker 1>you're looking at up on the screen is the work

0:35:21.520 --> 0:35:23.360
<v Speaker 1>of the DP. Yeah, I mean, and then it's like

0:35:23.400 --> 0:35:27.000
<v Speaker 1>the director I think is you know, big picture vision location.

0:35:27.280 --> 0:35:29.000
<v Speaker 1>You know, there's so much collaboration movies, as we talk

0:35:29.040 --> 0:35:30.799
<v Speaker 1>about all the time, right, but like I think that

0:35:30.880 --> 0:35:36.520
<v Speaker 1>the DP is responsible for translating the director's vision into images. Yeah,

0:35:36.600 --> 0:35:38.799
<v Speaker 1>I mean, I depend on the film blocking and every

0:35:38.840 --> 0:35:40.560
<v Speaker 1>you know, the way the space is laid out. But

0:35:40.600 --> 0:35:43.400
<v Speaker 1>then the DP kind of works with the director to

0:35:44.320 --> 0:35:46.040
<v Speaker 1>bring that to life kind of, you know. Yeah, and

0:35:46.080 --> 0:35:48.520
<v Speaker 1>some directors are super involved in that, like I mean,

0:35:48.600 --> 0:35:51.440
<v Speaker 1>Soderberg even shoots his own stuff. And then some I

0:35:51.440 --> 0:35:54.400
<v Speaker 1>think we really want to concentrate on the performances and

0:35:54.440 --> 0:35:57.720
<v Speaker 1>directing actors and kind of leave that to the camera

0:35:57.880 --> 0:36:02.400
<v Speaker 1>and lighting in grip apartment. So it comes in all

0:36:02.440 --> 0:36:05.920
<v Speaker 1>shapes and sizes. But when you have a a masterful

0:36:06.600 --> 0:36:09.719
<v Speaker 1>cinematographer on set, just let them do their thing, you know.

0:36:10.280 --> 0:36:12.480
<v Speaker 1>I always think it's interesting to you when directors are

0:36:12.560 --> 0:36:16.880
<v Speaker 1>themselves visual artists, like Guyama del Toro for example, he

0:36:16.960 --> 0:36:19.520
<v Speaker 1>like sketches all his stuff. He has like a you know,

0:36:19.760 --> 0:36:22.959
<v Speaker 1>very very prolific painter and yeah, an artists, so he

0:36:23.360 --> 0:36:26.120
<v Speaker 1>works very closely with the DP I'm sure, and just

0:36:26.200 --> 0:36:28.600
<v Speaker 1>like the visual thing is is really crucial to him,

0:36:28.640 --> 0:36:31.279
<v Speaker 1>so he's very much involved in that. Yeah, man, those

0:36:31.280 --> 0:36:35.120
<v Speaker 1>are good movies, like Julian Schnabel or is it Schnabel Nabel.

0:36:35.160 --> 0:36:39.320
<v Speaker 1>I believe Julian Schnabel. He's directed films. They're awesome. Tom Ford,

0:36:40.040 --> 0:36:43.400
<v Speaker 1>the fashion designer, I really liked both of his movies,

0:36:43.440 --> 0:36:46.600
<v Speaker 1>Nocturnal Animals and A Single Man, Single Man. Yeah, I like,

0:36:46.800 --> 0:36:49.080
<v Speaker 1>really good, really cool. No, I agree, man, I love

0:36:49.160 --> 0:36:54.320
<v Speaker 1>to see um just different types of artists making films,

0:36:54.800 --> 0:36:59.319
<v Speaker 1>very cool musicians. That happens. Didn't that Fred Dursky make

0:36:59.360 --> 0:37:01.239
<v Speaker 1>a movie? Yeah, I don't know. If it came out though,

0:37:01.920 --> 0:37:05.920
<v Speaker 1>actually I read somewhere that it wasn't bad whatever it was. Yeah,

0:37:06.080 --> 0:37:09.400
<v Speaker 1>I don't know Rob Zombie, right. I think Rob zombies

0:37:09.440 --> 0:37:12.600
<v Speaker 1>movies are fun. I don't know if I've seen one.

0:37:13.160 --> 0:37:15.239
<v Speaker 1>Oh man, I should have. Never mind, we'll save that

0:37:15.239 --> 0:37:21.239
<v Speaker 1>for the next episode. Oh okay, foreshadowing. Uh yeah, you

0:37:21.280 --> 0:37:23.360
<v Speaker 1>know you haven't seen like the House of a Thousand

0:37:23.360 --> 0:37:26.600
<v Speaker 1>Corpses there, No, no, And then what was the other

0:37:27.000 --> 0:37:30.080
<v Speaker 1>big one? He did The Devil's Reject's Reject not see that.

0:37:30.120 --> 0:37:33.480
<v Speaker 1>Didn't see his Halloween movie. He also did um Texas

0:37:33.560 --> 0:37:36.279
<v Speaker 1>Chainsaw Maskar. Didn't see that. Didn't even remake that? No,

0:37:36.560 --> 0:37:38.840
<v Speaker 1>no he did? Maybe No, I don't think so. He

0:37:38.880 --> 0:37:44.480
<v Speaker 1>also did um the Lords of Salem that was like

0:37:44.520 --> 0:37:48.399
<v Speaker 1>a witchy kind of uh Satan worshiping movie. I don't

0:37:48.400 --> 0:37:51.960
<v Speaker 1>I haven't seen a single Rob Zombie. Lords of Salem

0:37:52.040 --> 0:37:54.360
<v Speaker 1>cheese that looks creepy as all. It's pretty good. I

0:37:54.400 --> 0:37:57.520
<v Speaker 1>like that one. Yeah, they're all kind of like expensive

0:37:57.600 --> 0:37:59.800
<v Speaker 1>be movies, which I appreciate because it was always is

0:37:59.840 --> 0:38:02.520
<v Speaker 1>this attict with with with white zombies, you know the

0:38:02.520 --> 0:38:05.080
<v Speaker 1>look of those videos, and it made sense because he's

0:38:05.080 --> 0:38:07.000
<v Speaker 1>a visual artist too, like he's a painter and you know,

0:38:07.120 --> 0:38:10.920
<v Speaker 1>draws all those little characters and yeah, all right, well

0:38:11.000 --> 0:38:13.279
<v Speaker 1>we'll do uh, we'll do one more question here, Nol.

0:38:14.760 --> 0:38:18.800
<v Speaker 1>Let me see here. All right, we'll finish with Zach Pointer,

0:38:19.040 --> 0:38:22.360
<v Speaker 1>our old pal. Zack says, if you and Nol could

0:38:22.360 --> 0:38:25.520
<v Speaker 1>be in a movie together, what type of movie would

0:38:25.520 --> 0:38:29.600
<v Speaker 1>it be? Would you be buds or rivals? I think

0:38:29.600 --> 0:38:32.880
<v Speaker 1>we clearly be buds, I would hope, so Chuck, romantic comedy.

0:38:32.880 --> 0:38:35.279
<v Speaker 1>Are we in love? Nol? I mean, you know, we

0:38:35.360 --> 0:38:38.560
<v Speaker 1>broke back Mountain too. That's maybe pushing it a little far.

0:38:38.560 --> 0:38:39.560
<v Speaker 1>I think we could do sort of more of a

0:38:39.600 --> 0:38:45.919
<v Speaker 1>bromance kind of situation. Broke Back two, Beardy's revenge, Broback Yes,

0:38:46.480 --> 0:38:50.480
<v Speaker 1>Mountain browback broback Mountain to Beardy's Revenge. Wait but that now,

0:38:50.480 --> 0:38:53.239
<v Speaker 1>but the revenge implies now, I don't know, we need

0:38:53.280 --> 0:38:55.960
<v Speaker 1>to go down a different paths entirely. I would say

0:38:56.080 --> 0:39:00.279
<v Speaker 1>we could be kind of like Grizzled not Ald. We

0:39:00.320 --> 0:39:03.360
<v Speaker 1>could be sort of like goofy stoner cops now on

0:39:03.480 --> 0:39:06.440
<v Speaker 1>some sort of halfway on some sort of paper, you know,

0:39:06.640 --> 0:39:10.320
<v Speaker 1>like or like trying to go up against a crime syndicate,

0:39:10.600 --> 0:39:13.600
<v Speaker 1>but in kind of a lighthearted goof dude, That's exactly

0:39:13.600 --> 0:39:15.920
<v Speaker 1>what I was saying. I wasn't thinking cops but too.

0:39:16.680 --> 0:39:18.280
<v Speaker 1>And this is a movie has been done a bunch

0:39:18.320 --> 0:39:22.160
<v Speaker 1>but two kind of goofy stoner roommates who unwittingly find

0:39:22.160 --> 0:39:25.400
<v Speaker 1>themselves in way over their head with crime. Ye like

0:39:25.440 --> 0:39:27.799
<v Speaker 1>a big Lebowski kind of situation. Maybe a little bit

0:39:27.800 --> 0:39:33.080
<v Speaker 1>more bottle rockety big Lebowski bo Somebody right that? God? Yeah, fan,

0:39:33.160 --> 0:39:36.080
<v Speaker 1>pick it up, man, I want to see that now.

0:39:37.080 --> 0:39:39.480
<v Speaker 1>All right, everyone, that's it for this week. Thanks for

0:39:39.560 --> 0:39:42.080
<v Speaker 1>joining us. Uh really a lot of fun with that

0:39:42.400 --> 0:39:45.960
<v Speaker 1>sexy stuff. We have to keep that going so um.

0:39:45.960 --> 0:39:49.120
<v Speaker 1>Thanks for tuning in and we will see you next week.

0:40:00.080 --> 0:40:06.719
<v Speaker 1>M For more podcasts for my heart Radio, visit the

0:40:06.719 --> 0:40:09.520
<v Speaker 1>I heart Radio app, Apple Podcasts, or wherever you listen

0:40:09.560 --> 0:40:10.480
<v Speaker 1>to your favorite shows.