1 00:00:03,000 --> 00:00:06,760 Speaker 1: Welcome to Stuff to Blow Your Mind production of iHeartRadio. 2 00:00:13,000 --> 00:00:15,320 Speaker 2: Hey you welcome to Stuff to Blow Your Mind. My 3 00:00:15,440 --> 00:00:16,720 Speaker 2: name is Robert Lamb. 4 00:00:16,520 --> 00:00:17,720 Speaker 3: And I'm Joe McCormick. 5 00:00:18,040 --> 00:00:21,120 Speaker 2: We have something a little different and a little familiar 6 00:00:21,280 --> 00:00:24,320 Speaker 2: for you here today on today's episode of Stuff to 7 00:00:24,320 --> 00:00:27,319 Speaker 2: Blow Your Mind. In a way, this is kind of 8 00:00:27,360 --> 00:00:30,680 Speaker 2: a spin off from our old anthology of horror series 9 00:00:30,680 --> 00:00:33,360 Speaker 2: that we used to do, but it's also a response 10 00:00:33,400 --> 00:00:36,160 Speaker 2: to listeners over the years who've written in about their 11 00:00:36,240 --> 00:00:40,960 Speaker 2: nostalgia for marathons of TVs The Twilight Zone on the 12 00:00:41,000 --> 00:00:44,479 Speaker 2: Sci Fi Channel on New Year's Eve and or New 13 00:00:44,520 --> 00:00:45,240 Speaker 2: Year's Day? 14 00:00:45,400 --> 00:00:48,000 Speaker 3: Do you know why they do that? Like, what's the 15 00:00:48,040 --> 00:00:50,839 Speaker 3: connection with New Year's Is it just a coincidence or 16 00:00:51,200 --> 00:00:51,960 Speaker 3: a coincidence? 17 00:00:52,040 --> 00:00:56,520 Speaker 2: Is it random? I'm not entirely certain. I mean, I've 18 00:00:56,560 --> 00:00:58,760 Speaker 2: been thinking about it a lot, Like why the Twilight 19 00:00:58,840 --> 00:01:01,160 Speaker 2: Zone at New Year's And I guess it's because it's 20 00:01:01,200 --> 00:01:04,600 Speaker 2: this space between right, I mean, I feel that heavily. 21 00:01:04,680 --> 00:01:07,080 Speaker 2: Right now. It's like, all right, we're done with Christmas. 22 00:01:07,680 --> 00:01:11,160 Speaker 2: The New Year's about to start, but it's not there yet, 23 00:01:11,560 --> 00:01:14,080 Speaker 2: and even once it has started, it's not going to 24 00:01:14,120 --> 00:01:17,160 Speaker 2: feel real for a little bit, so I don't know, 25 00:01:17,240 --> 00:01:20,319 Speaker 2: it seems like maybe a fitting time. I'm also not 26 00:01:20,520 --> 00:01:27,319 Speaker 2: super hip to all of like the cable channel business 27 00:01:27,319 --> 00:01:29,039 Speaker 2: side of all of this, Like why does it even 28 00:01:29,080 --> 00:01:32,200 Speaker 2: make sense to run, say a Turkey Day marathon? There 29 00:01:32,240 --> 00:01:35,280 Speaker 2: may just be very like strong and pretty straightforward industry 30 00:01:35,640 --> 00:01:37,759 Speaker 2: reasons why, you know, it's like, I don't know, you've 31 00:01:37,800 --> 00:01:39,440 Speaker 2: got to put something on. Maybe there are more people 32 00:01:39,440 --> 00:01:42,040 Speaker 2: watching at that time, but I don't know, over the years, 33 00:01:42,040 --> 00:01:44,759 Speaker 2: you've seen these kind of holiday marathons really take root. 34 00:01:44,880 --> 00:01:48,520 Speaker 2: Be it MST three K, Turkey Day, or I forget 35 00:01:48,520 --> 00:01:51,120 Speaker 2: which turner channel would air a Christmas story just over 36 00:01:51,200 --> 00:01:53,600 Speaker 2: and over again for like twenty four hour period. 37 00:01:53,880 --> 00:01:57,240 Speaker 3: I wonder if it's that on days people are expected 38 00:01:57,280 --> 00:02:00,360 Speaker 3: to be off work and home for a holiday, that 39 00:02:00,840 --> 00:02:03,160 Speaker 3: they're more likely to just leave the TV on on 40 00:02:03,200 --> 00:02:05,560 Speaker 3: a certain channel where they can expect to kind of 41 00:02:05,800 --> 00:02:08,480 Speaker 3: some kind of like predictable stream in the background. 42 00:02:09,080 --> 00:02:11,680 Speaker 2: Yeah. Yeah, it could be it's something comforting and if 43 00:02:11,680 --> 00:02:14,119 Speaker 2: you're like if you're a fan of the Twilight Zone 44 00:02:14,160 --> 00:02:17,480 Speaker 2: or just old timey television in general, like there's a 45 00:02:17,520 --> 00:02:21,760 Speaker 2: pretty good choice to put on in the background now 46 00:02:21,800 --> 00:02:25,000 Speaker 2: for my own part. I think I probably watched episodes 47 00:02:25,040 --> 00:02:28,440 Speaker 2: of the Twilight Zone this way because I believe they 48 00:02:28,520 --> 00:02:31,400 Speaker 2: started doing these marathons on the Sci Fi Channel around 49 00:02:31,440 --> 00:02:34,920 Speaker 2: nineteen ninety five, so I was definitely watching the channel, 50 00:02:35,000 --> 00:02:39,720 Speaker 2: but I don't have strong specific memories of these marathons 51 00:02:39,720 --> 00:02:41,840 Speaker 2: in the same way I do for the Turkey Day 52 00:02:41,880 --> 00:02:45,679 Speaker 2: marathons or for particular tales from the crypt marathons that 53 00:02:45,720 --> 00:02:48,959 Speaker 2: I caught like semi scrambled on HBO back in the day. 54 00:02:49,440 --> 00:02:51,680 Speaker 2: And I think I was looking around. I think there 55 00:02:51,680 --> 00:02:54,639 Speaker 2: may be some regional channels that did Twilight Zone marathons 56 00:02:54,639 --> 00:02:57,520 Speaker 2: as far back as the nineteen eighties. So depending on 57 00:02:57,560 --> 00:03:01,040 Speaker 2: where you are and where you were watching television, this 58 00:03:01,160 --> 00:03:06,119 Speaker 2: might be very deeply rooted. So we figured, okay, let's 59 00:03:06,200 --> 00:03:09,880 Speaker 2: lean into this idea. Let's take an episode of the 60 00:03:09,880 --> 00:03:13,720 Speaker 2: Twilight Zone and consider it, give it sort of the 61 00:03:13,760 --> 00:03:17,240 Speaker 2: old anthology of horror treatment, where we would in that 62 00:03:17,280 --> 00:03:19,680 Speaker 2: we would take a horror anthology episode and we kind 63 00:03:19,680 --> 00:03:21,959 Speaker 2: of like squeeze it out see what kind of science 64 00:03:22,040 --> 00:03:24,840 Speaker 2: or culture we could get out of it. And we figured, Okay, 65 00:03:24,840 --> 00:03:26,520 Speaker 2: there are a lot of episodes of the Twilight Zone 66 00:03:26,560 --> 00:03:29,480 Speaker 2: we've talked about episodes of The Twilight Zone before, so 67 00:03:29,639 --> 00:03:30,959 Speaker 2: there's got to be a good one. There's got to 68 00:03:31,000 --> 00:03:35,000 Speaker 2: be a really juicy one that we can start juicing 69 00:03:35,040 --> 00:03:37,760 Speaker 2: here on the show. And so we decided were to 70 00:03:37,840 --> 00:03:40,600 Speaker 2: juice that it's got to be juicy. Yeah, it needs to. 71 00:03:40,640 --> 00:03:42,520 Speaker 2: It needs to have at least three types of juice 72 00:03:42,520 --> 00:03:47,040 Speaker 2: in it. So we decided to pick a season two episode. 73 00:03:47,120 --> 00:03:50,640 Speaker 2: This is episode twenty four, the Rip Van Winkle Caper, 74 00:03:50,720 --> 00:03:55,680 Speaker 2: which originally aired April twenty first, nineteen sixty one. Joe, 75 00:03:55,760 --> 00:03:57,840 Speaker 2: is this one that you had seen previously? 76 00:03:59,000 --> 00:04:02,280 Speaker 3: I think I had not seen this before, but I 77 00:04:02,320 --> 00:04:06,280 Speaker 3: was aware of it, at least in part because a 78 00:04:06,440 --> 00:04:08,920 Speaker 3: listener wrote in about it sometime in the past couple 79 00:04:08,960 --> 00:04:12,040 Speaker 3: of years. And I forget what the original context of 80 00:04:12,040 --> 00:04:15,920 Speaker 3: that was, but a listener wrote in about it, and 81 00:04:16,200 --> 00:04:18,919 Speaker 3: so I had to explain it briefly in that listener 82 00:04:18,960 --> 00:04:22,680 Speaker 3: mail episode where I was talking about that message. But yeah, 83 00:04:22,680 --> 00:04:25,000 Speaker 3: I had not seen it before, at least as far 84 00:04:25,000 --> 00:04:28,159 Speaker 3: as I remember. And so I laid down horizontally in 85 00:04:28,200 --> 00:04:30,640 Speaker 3: my bed last night and watched it with a laptop 86 00:04:30,720 --> 00:04:33,280 Speaker 3: sitting on my chest the way Rod Serling intended. 87 00:04:33,920 --> 00:04:37,279 Speaker 2: Yes, clearly. Well, there's no bad way to watch a 88 00:04:37,320 --> 00:04:42,279 Speaker 2: Twilight Zone episode. So this is one that I had 89 00:04:42,320 --> 00:04:45,920 Speaker 2: seen on television a long time ago, and I do 90 00:04:46,400 --> 00:04:48,760 Speaker 2: I do remember this one having an impact on me, 91 00:04:48,960 --> 00:04:52,159 Speaker 2: Like it was clever and it's plotting, but also in 92 00:04:52,200 --> 00:04:58,440 Speaker 2: its treatment of human value systems, so as we'll discuss, 93 00:04:58,480 --> 00:05:01,480 Speaker 2: you know, it's it's very economic piece. And that's the 94 00:05:01,480 --> 00:05:03,159 Speaker 2: thing about the Twilight Zone that they didn't have a 95 00:05:03,160 --> 00:05:05,800 Speaker 2: lot of time to bust out their stories and their 96 00:05:05,800 --> 00:05:09,320 Speaker 2: twist and really hit you over the head with some meaning. 97 00:05:09,400 --> 00:05:11,520 Speaker 2: But you know, they generally managed to do a pretty 98 00:05:11,520 --> 00:05:14,800 Speaker 2: good job of it. Sometimes they would, you know, these 99 00:05:14,960 --> 00:05:17,520 Speaker 2: episodes would be more sci fi in nature, other times 100 00:05:17,560 --> 00:05:23,280 Speaker 2: a little more magical realism or outright magical. This one, 101 00:05:24,120 --> 00:05:26,360 Speaker 2: this one's I guess, more in the sci fi area, 102 00:05:26,440 --> 00:05:28,920 Speaker 2: but not so much concerned with the SI so much. 103 00:05:29,680 --> 00:05:32,360 Speaker 3: Well, yeah, a significant chunk of it does take place 104 00:05:32,560 --> 00:05:38,000 Speaker 3: in the future from our perspective, but also is only 105 00:05:38,200 --> 00:05:41,000 Speaker 3: the slightest bit concerned with what that future is like. 106 00:05:41,120 --> 00:05:44,760 Speaker 3: I mean, the characters barely encounter the future. They're just 107 00:05:44,800 --> 00:05:47,120 Speaker 3: mostly wandering in a desert in the future, which would 108 00:05:47,120 --> 00:05:48,840 Speaker 3: have been the same if it was one hundred years 109 00:05:49,120 --> 00:05:50,520 Speaker 3: beyond or one hundred years ago. 110 00:05:51,000 --> 00:05:53,640 Speaker 2: Yeah, And one thing that becomes clear if you watch 111 00:05:53,800 --> 00:05:58,000 Speaker 2: a number of Twilight Zone episodes is that they'll frequently 112 00:05:58,040 --> 00:05:59,960 Speaker 2: come back to the well on sort of a base, 113 00:06:00,320 --> 00:06:02,320 Speaker 2: sort of gimmicks. So this is one of I think 114 00:06:02,400 --> 00:06:06,440 Speaker 2: several wandering in the Desert episodes, you know, because it 115 00:06:06,480 --> 00:06:10,280 Speaker 2: was it was a location that was attainable, and there 116 00:06:10,279 --> 00:06:12,520 Speaker 2: are all sorts of stories you can tell about wandering 117 00:06:12,520 --> 00:06:16,080 Speaker 2: through the desert, be it a situation where time traveling bandits, 118 00:06:16,200 --> 00:06:19,839 Speaker 2: bandits are trying to get their gold to the nearest town, 119 00:06:20,400 --> 00:06:24,000 Speaker 2: or astronauts who think they're on an alien planet but 120 00:06:24,040 --> 00:06:26,480 Speaker 2: they're actually just outside of Las Vegas. There are so 121 00:06:26,520 --> 00:06:28,440 Speaker 2: many different ways to spin it, you know. 122 00:06:28,680 --> 00:06:32,240 Speaker 3: This episode does have the significant plot point of people 123 00:06:32,440 --> 00:06:35,520 Speaker 3: trying to get their stash of gold ingots from a 124 00:06:35,560 --> 00:06:37,799 Speaker 3: cave in the middle of the desert back to town 125 00:06:37,960 --> 00:06:41,240 Speaker 3: by foot, and they're like dying along the way. You 126 00:06:41,279 --> 00:06:44,120 Speaker 3: would think they would just stash the gold somewhere and 127 00:06:44,200 --> 00:06:47,560 Speaker 3: walk without carrying it. I think they might have lived 128 00:06:47,600 --> 00:06:51,040 Speaker 3: if they had done so, if they had made choices, Well, 129 00:06:51,080 --> 00:06:53,120 Speaker 3: what is they think a porcupine is going to find 130 00:06:53,120 --> 00:06:56,200 Speaker 3: their gold and take away or something. I don't know 131 00:06:56,240 --> 00:06:58,880 Speaker 3: what lives in the desert. Not a porcupine, armadillo or something. 132 00:06:59,160 --> 00:07:03,160 Speaker 2: Yeah, heavily, this will come for the gold, all right. Well. 133 00:07:03,200 --> 00:07:08,000 Speaker 2: This episode was written by Twilight Zone maestro Rod Serling, 134 00:07:08,080 --> 00:07:12,240 Speaker 2: who lived nineteen twenty four through nineteen seventy five, and 135 00:07:12,320 --> 00:07:15,840 Speaker 2: it was directed by TV director Justice Attis who lived 136 00:07:15,880 --> 00:07:20,240 Speaker 2: nineteen seventeen through nineteen seventy nine, who also directed two films, 137 00:07:20,280 --> 00:07:23,280 Speaker 2: fifty eight's Cry Baby Killer and nineteen sixty six is 138 00:07:23,280 --> 00:07:27,680 Speaker 2: the Magnificent Stranger, though this late. This latter picture was 139 00:07:27,720 --> 00:07:31,280 Speaker 2: cobbled together from two episodes of TV's Raw Hide. This 140 00:07:31,360 --> 00:07:35,680 Speaker 2: sounds great, Well, you know, I don't know. I've seen 141 00:07:35,800 --> 00:07:39,640 Speaker 2: watchable films that were cobbled together in that manner, so 142 00:07:39,680 --> 00:07:40,080 Speaker 2: who knows. 143 00:07:40,400 --> 00:07:40,800 Speaker 3: Sure. 144 00:07:41,480 --> 00:07:44,600 Speaker 2: So this particular episode of The Twilight Zone concerns a 145 00:07:44,640 --> 00:07:48,280 Speaker 2: band of criminals working for a mastermind by the name 146 00:07:48,320 --> 00:07:53,120 Speaker 2: of Farwell. Farwell is an intellectual we'll come to realize. 147 00:07:53,160 --> 00:07:55,560 Speaker 2: He has expertise at least a couple of different areas, 148 00:07:56,120 --> 00:08:00,520 Speaker 2: and he is played by Oscar Bareiki Junior lived nineteen 149 00:08:00,560 --> 00:08:04,600 Speaker 2: eighteen through nineteen seventy six, a Hungarian born actor, whose father, 150 00:08:04,800 --> 00:08:10,239 Speaker 2: Oscar Bragi Senior, escaped the Holocaust and had previously appeared 151 00:08:10,280 --> 00:08:14,400 Speaker 2: in Fritz Lang's The Testament of Doctor Maiboos in nineteen 152 00:08:14,440 --> 00:08:17,360 Speaker 2: thirty three. Baggie Junior did a lot of TV work 153 00:08:17,400 --> 00:08:20,440 Speaker 2: and appeared in such films as seventy four as Young Frankenstein, 154 00:08:20,960 --> 00:08:24,160 Speaker 2: but is perhaps best remembered for three Twilight Zone appearances, 155 00:08:24,200 --> 00:08:30,680 Speaker 2: including sixty one's Deaths Had Revisited and also the episode Mute. 156 00:08:31,320 --> 00:08:32,839 Speaker 3: I don't know if I know either of those. 157 00:08:33,720 --> 00:08:36,079 Speaker 2: Yeah, they're not two episodes. I'm that familiar with it, 158 00:08:36,080 --> 00:08:37,560 Speaker 2: And I'm not sure if they fall into any of 159 00:08:37,600 --> 00:08:41,880 Speaker 2: the sort of like standard buckets of like desert wanderers 160 00:08:42,000 --> 00:08:44,720 Speaker 2: or weird airplane Shenanigans and so forth. 161 00:08:44,920 --> 00:08:46,360 Speaker 3: Or Monkeys Paul scenarios. 162 00:08:46,480 --> 00:08:51,840 Speaker 2: Yeah, so Farwell's band here includes criminals played by John 163 00:08:51,920 --> 00:08:56,559 Speaker 2: Mitcham that's Robert's younger brother, and most notably Simon Oakland, 164 00:08:56,559 --> 00:08:59,440 Speaker 2: who lived nineteen fifteen through nineteen eighty three as the 165 00:08:59,480 --> 00:09:00,640 Speaker 2: merciless D'Cruz. 166 00:09:01,480 --> 00:09:03,400 Speaker 3: Ooh, D'Cruz. He's a mean one, isn't. 167 00:09:03,240 --> 00:09:07,000 Speaker 2: He he is? I remember being rather impressed by his 168 00:09:07,120 --> 00:09:11,199 Speaker 2: meanness as a young viewer, because we learned pretty quickly 169 00:09:11,200 --> 00:09:15,440 Speaker 2: that he's ruthless when it comes to the gold. Oakland 170 00:09:15,440 --> 00:09:17,680 Speaker 2: will be familiar with many film fans out there for 171 00:09:17,760 --> 00:09:21,199 Speaker 2: his roles in Psycho, West Side Story from sixty one, 172 00:09:21,280 --> 00:09:24,439 Speaker 2: The Sand Pebbles from sixty six, and Bullet from sixty eight, 173 00:09:24,480 --> 00:09:27,480 Speaker 2: And I realized, oh, yeah, that's as I was rewatching 174 00:09:27,480 --> 00:09:30,080 Speaker 2: this episode. I think that's where i'd primarily seen it 175 00:09:30,080 --> 00:09:31,000 Speaker 2: before Bullet. 176 00:09:31,200 --> 00:09:33,560 Speaker 3: Now I'm trying to remember who is he in Psycho. 177 00:09:33,679 --> 00:09:36,960 Speaker 3: He's not the detective or is he one of the 178 00:09:37,000 --> 00:09:38,000 Speaker 3: cops At the end. 179 00:09:38,480 --> 00:09:41,960 Speaker 2: He plays doctor Richmond. I haven't seen Psycho in a 180 00:09:42,000 --> 00:09:44,560 Speaker 2: long time, so I don't remember who this character is. 181 00:09:44,760 --> 00:09:47,960 Speaker 3: Could he be the psychiatrist who comes out at the 182 00:09:48,080 --> 00:09:50,160 Speaker 3: end of the film to explain things. 183 00:09:50,559 --> 00:09:55,040 Speaker 2: Yeah, he could be. He's like each Psycho analysis one 184 00:09:55,080 --> 00:09:58,120 Speaker 2: bar of gold. I think that's pretty standard. So this 185 00:09:58,200 --> 00:10:00,520 Speaker 2: is a fun episode. Like I said, the location was 186 00:10:00,559 --> 00:10:04,360 Speaker 2: readily available Death Valley National Park, and looking around at 187 00:10:04,400 --> 00:10:08,080 Speaker 2: different rankings, this episode tends not to rank as highly 188 00:10:08,120 --> 00:10:11,000 Speaker 2: as some of the really iconic episodes like Time Enough 189 00:10:11,040 --> 00:10:13,520 Speaker 2: at Last or The Monsters Are Due on Maple Street, 190 00:10:13,679 --> 00:10:17,320 Speaker 2: or certainly the Airline episodes like Nightmare twenty thousand Feet 191 00:10:17,360 --> 00:10:19,880 Speaker 2: or the Odyssey of Flight thirty three, but it does 192 00:10:19,920 --> 00:10:23,160 Speaker 2: seem to be generally very well regarded by Twilight Zone fans, 193 00:10:23,200 --> 00:10:25,319 Speaker 2: Like this is not one of those that people seem 194 00:10:25,360 --> 00:10:29,400 Speaker 2: to just completely forget that it exists. I don't know 195 00:10:29,400 --> 00:10:32,880 Speaker 2: if it's anyone's absolute top episode, but it's really solid 196 00:10:33,240 --> 00:10:36,480 Speaker 2: and again, I remember being impressed by its brutality, its 197 00:10:36,520 --> 00:10:39,360 Speaker 2: twist ending, and so forth when I watched it for 198 00:10:39,400 --> 00:10:40,000 Speaker 2: the first time. 199 00:10:40,840 --> 00:10:44,360 Speaker 3: Yeah, like a lot of Twilight Zone episodes, not all, 200 00:10:44,480 --> 00:10:47,680 Speaker 3: but a lot hinges a lot on the twist endings 201 00:10:47,720 --> 00:10:50,160 Speaker 3: to really make its point. 202 00:10:51,440 --> 00:10:54,360 Speaker 2: But it's a pretty great twist. So yeah, we'll just 203 00:10:54,480 --> 00:10:58,120 Speaker 2: run through the plot really quickly here. So a crew 204 00:10:58,160 --> 00:11:01,480 Speaker 2: of criminals, again led by former chemistry and physics professor 205 00:11:01,600 --> 00:11:04,439 Speaker 2: mister Farewell, sets out to steal a bunch of gold. 206 00:11:04,480 --> 00:11:08,160 Speaker 2: We're told it's ten million dollars worth of gold bars 207 00:11:08,200 --> 00:11:09,800 Speaker 2: that are bound for Fort Knox. 208 00:11:10,600 --> 00:11:12,599 Speaker 3: I think they had them in a truck going for 209 00:11:12,760 --> 00:11:15,200 Speaker 3: a train. No, a train, right, yeah, yeah, a train 210 00:11:15,240 --> 00:11:17,920 Speaker 3: because D'Cruz blows up the tracks. Yeah that's how they 211 00:11:17,920 --> 00:11:18,840 Speaker 3: get the train to stop. 212 00:11:19,040 --> 00:11:22,040 Speaker 2: Yeah, yeah, we we we do learn that each member 213 00:11:22,120 --> 00:11:26,440 Speaker 2: of the crew has a different skill set as his 214 00:11:26,520 --> 00:11:30,440 Speaker 2: standard for your heist. Though we don't see the heist really, right, 215 00:11:30,480 --> 00:11:32,680 Speaker 2: it's just it's we're just kind of told it worked, 216 00:11:33,160 --> 00:11:36,640 Speaker 2: they pulled it off, they got the gold. But then 217 00:11:36,679 --> 00:11:40,640 Speaker 2: what And those skill sets, by the way, were mechanical engineering, firearms, 218 00:11:40,679 --> 00:11:41,839 Speaker 2: and demolition. 219 00:11:41,880 --> 00:11:46,199 Speaker 3: Right, so D'Cruz does demolition, mechanical engineering. Is this other 220 00:11:46,200 --> 00:11:49,240 Speaker 3: guy named I forget his name, And then there's this 221 00:11:49,240 --> 00:11:51,600 Speaker 3: this guy named Brooks who is sort of at odds 222 00:11:51,640 --> 00:11:54,400 Speaker 3: with D'Cruz at multiple points, and he just seems to 223 00:11:54,400 --> 00:11:56,480 Speaker 3: be the gun guy. He's the button man. 224 00:11:58,080 --> 00:11:59,880 Speaker 2: So, as the characters point out, all right, we've got 225 00:11:59,880 --> 00:12:03,080 Speaker 2: the gold, but one thing about crime is how do 226 00:12:03,120 --> 00:12:04,920 Speaker 2: you get away with it? Where are you going to 227 00:12:05,000 --> 00:12:06,560 Speaker 2: take your gold? Where are you going to spend it, 228 00:12:06,600 --> 00:12:08,720 Speaker 2: where are you going to hide out? And indeed, where 229 00:12:08,720 --> 00:12:11,640 Speaker 2: are you going to run to? But farwell as a 230 00:12:11,679 --> 00:12:14,720 Speaker 2: smart cookie, and he has it figured out. They're going 231 00:12:14,760 --> 00:12:17,880 Speaker 2: to escape into the future. 232 00:12:17,679 --> 00:12:22,959 Speaker 3: The last place that the cops would look, and. 233 00:12:22,920 --> 00:12:25,439 Speaker 2: They're going to They're going to accomplish this, you know, 234 00:12:25,520 --> 00:12:28,079 Speaker 2: not via the standard method of going to the future 235 00:12:28,160 --> 00:12:31,439 Speaker 2: by just continuing to exist at the normal pace of things. 236 00:12:31,720 --> 00:12:34,320 Speaker 2: They're also not going to use a time machine, but 237 00:12:34,360 --> 00:12:36,840 Speaker 2: they are going to use a set of suspended animation 238 00:12:37,080 --> 00:12:40,240 Speaker 2: chambers that are secreted away in a death valley cave. 239 00:12:40,880 --> 00:12:43,640 Speaker 3: Right, So their method of traveling into the future is 240 00:12:43,720 --> 00:12:47,760 Speaker 3: to sleep for one hundred years when when at the 241 00:12:47,840 --> 00:12:50,720 Speaker 3: time they emerge, it will be safe to spend their 242 00:12:50,760 --> 00:12:52,800 Speaker 3: gold without raising any suspicion. 243 00:12:53,240 --> 00:12:57,280 Speaker 2: Yeah, the statute of limitations on stealing a bunch of 244 00:12:57,280 --> 00:13:00,400 Speaker 2: gold from the US government will be will be, it 245 00:13:00,520 --> 00:13:05,079 Speaker 2: will be over. Yeah, probably not. But their idea is like, okay, 246 00:13:05,080 --> 00:13:06,760 Speaker 2: but by this time, like we'll be in the clear. 247 00:13:06,880 --> 00:13:10,240 Speaker 2: Nobody will be looking for us this this gold will 248 00:13:10,280 --> 00:13:13,439 Speaker 2: just be lost. There will maybe be you know, conspiracy 249 00:13:13,480 --> 00:13:16,040 Speaker 2: theorists out there. They're like, remember the story the lost 250 00:13:16,120 --> 00:13:19,160 Speaker 2: Gold and so forth. They'll they'll be in the clear. 251 00:13:19,679 --> 00:13:23,720 Speaker 2: So that's that's the tactic here. They're just gonna park 252 00:13:23,760 --> 00:13:26,720 Speaker 2: the loot and hibernate within these high tech chambers for 253 00:13:26,760 --> 00:13:31,280 Speaker 2: a century and then then they're free. What could possibly 254 00:13:31,280 --> 00:13:31,679 Speaker 2: go wrong? 255 00:13:32,040 --> 00:13:34,560 Speaker 3: You know, maybe I don't know enough about gold. I 256 00:13:34,559 --> 00:13:38,080 Speaker 3: would have assumed that gold is fairly easy to get, 257 00:13:38,160 --> 00:13:42,959 Speaker 3: because it's not like you know, banknotes or something that 258 00:13:43,000 --> 00:13:45,680 Speaker 3: would have serial numbers, or it's got a die pack 259 00:13:45,760 --> 00:13:48,120 Speaker 3: in it. You know, gold you can melt down, and 260 00:13:49,240 --> 00:13:51,240 Speaker 3: can't you just turned I don't know. Maybe maybe they 261 00:13:51,240 --> 00:13:54,280 Speaker 3: could have special radioactive isotopes in them or something that 262 00:13:54,320 --> 00:13:59,040 Speaker 3: would make it traceable. But but who knows. But my 263 00:13:59,080 --> 00:14:02,040 Speaker 3: assumption would be the gold is fairly easy to disguise 264 00:14:02,080 --> 00:14:03,000 Speaker 3: the origin of. 265 00:14:03,720 --> 00:14:06,000 Speaker 2: Yeah, yeah, it could melt it down, right, I don't 266 00:14:06,280 --> 00:14:09,440 Speaker 2: At any rate, we can disagree on whether this is 267 00:14:09,480 --> 00:14:12,640 Speaker 2: really a great plan or not, but it seems like 268 00:14:12,679 --> 00:14:15,640 Speaker 2: a great idea within the context of the show. It's 269 00:14:15,640 --> 00:14:17,720 Speaker 2: a best laid plan in fact, and we know what 270 00:14:17,760 --> 00:14:20,880 Speaker 2: happens to those. So let's start talking about how things 271 00:14:20,920 --> 00:14:25,760 Speaker 2: go wrong, the complications that occur. Yeah, So, first of all, 272 00:14:25,760 --> 00:14:28,400 Speaker 2: in this one, I've strongly remembered from watching this when 273 00:14:28,440 --> 00:14:33,480 Speaker 2: I was younger, When they wake up in their simplistic 274 00:14:34,600 --> 00:14:38,960 Speaker 2: cryogenic chambers and they begin to emerge, they quickly learned 275 00:14:39,000 --> 00:14:42,240 Speaker 2: that one of the criminals, mister Irby, is long dead 276 00:14:42,440 --> 00:14:45,560 Speaker 2: because a random rock had fallen from the cavern ceiling 277 00:14:45,920 --> 00:14:49,040 Speaker 2: and broken open the top of his suspension chamber. So 278 00:14:49,120 --> 00:14:50,600 Speaker 2: it's just a skeleton in there. 279 00:14:50,600 --> 00:14:52,960 Speaker 3: Now, yeah, just a skeleton with rings on. 280 00:14:53,440 --> 00:15:00,200 Speaker 2: Yeah, which pretty impressive. I liked it. And then things 281 00:15:00,240 --> 00:15:03,600 Speaker 2: get more complicated because D'Cruz, again the demolition guy, the 282 00:15:03,720 --> 00:15:07,040 Speaker 2: nastiest member of the team. He ends up killing Brooks, 283 00:15:07,080 --> 00:15:11,000 Speaker 2: their firearm expert. In what are they fighting over? Who's 284 00:15:11,000 --> 00:15:12,720 Speaker 2: going to drive the truck into civilization? 285 00:15:13,080 --> 00:15:16,480 Speaker 3: That's what happens immediately before he kills him. But it 286 00:15:16,520 --> 00:15:20,320 Speaker 3: is I think rather confusing. So it for yeah, they're 287 00:15:20,400 --> 00:15:22,360 Speaker 3: arguing about who's going to be driving and who's going 288 00:15:22,400 --> 00:15:24,160 Speaker 3: to be in the back of the truck watching the 289 00:15:24,240 --> 00:15:27,240 Speaker 3: gold while they drive. Also, they have a truck that's 290 00:15:27,240 --> 00:15:29,240 Speaker 3: been sitting in a cave for one hundred years and 291 00:15:29,280 --> 00:15:31,600 Speaker 3: it still just starts up fine. 292 00:15:31,920 --> 00:15:33,080 Speaker 2: It's for tough, right. 293 00:15:35,160 --> 00:15:37,880 Speaker 3: But so yeah, they start up their truck just works 294 00:15:37,920 --> 00:15:43,440 Speaker 3: fine after one hundred years, and for some reason, Brooks 295 00:15:43,680 --> 00:15:47,320 Speaker 3: is out walking ahead of where the truck is and 296 00:15:47,400 --> 00:15:52,160 Speaker 3: D'Cruz drives the truck into him, like runs him down 297 00:15:52,200 --> 00:15:54,520 Speaker 3: with the truck, but jumps out of the truck so 298 00:15:54,600 --> 00:15:57,160 Speaker 3: that the truck after that goes over the edge of 299 00:15:57,200 --> 00:16:01,160 Speaker 3: a cliff and crashes on the rocks low and then 300 00:16:01,240 --> 00:16:04,000 Speaker 3: he you know, says to Farwell, who's standing there looking 301 00:16:04,040 --> 00:16:07,400 Speaker 3: on incredulous. He's like, you know, it looks like poor 302 00:16:07,400 --> 00:16:09,880 Speaker 3: mister Brooks had an accident with a truck. But I 303 00:16:09,920 --> 00:16:12,440 Speaker 3: was thinking, who is he trying to fool here? And 304 00:16:12,520 --> 00:16:15,280 Speaker 3: how does it What does it mean that the truck 305 00:16:15,440 --> 00:16:19,760 Speaker 3: was wrecked, Like, why would that affect anything? It just 306 00:16:19,760 --> 00:16:22,160 Speaker 3: seems like they're I don't know, it seemed like they 307 00:16:22,160 --> 00:16:25,040 Speaker 3: had to get rid of the truck somehow. Yeah, and 308 00:16:25,400 --> 00:16:27,600 Speaker 3: that part made the least sense to me of anything. 309 00:16:28,000 --> 00:16:33,440 Speaker 2: Yeah, so it does deliver us to this resulting scenario. Yeah, 310 00:16:33,600 --> 00:16:36,760 Speaker 2: we're down to just two people. Farwell again, the intellectual 311 00:16:36,880 --> 00:16:41,320 Speaker 2: d'cruze the nasty demolitions expert. They have all the gold 312 00:16:41,440 --> 00:16:44,240 Speaker 2: between them, but they don't have a truck. They're gonna 313 00:16:44,280 --> 00:16:47,440 Speaker 2: have to lug what however much gold they can carry 314 00:16:47,800 --> 00:16:52,200 Speaker 2: across the desert into civilization all by themselves. So they 315 00:16:52,200 --> 00:16:54,320 Speaker 2: set out. They travel by day. Of course, that's the 316 00:16:54,360 --> 00:16:58,920 Speaker 2: only proper time to travel with an enormous amount of gold. 317 00:16:59,440 --> 00:17:02,200 Speaker 2: During the middle the day through the desert, they clearly 318 00:17:02,240 --> 00:17:05,399 Speaker 2: needed a ranger or a desert survival expert in their crew. 319 00:17:05,680 --> 00:17:09,120 Speaker 3: Yeah, but I think they just couldn't have anticipated that 320 00:17:09,240 --> 00:17:11,399 Speaker 3: Dacruz would have this amazing idea of what to do 321 00:17:11,440 --> 00:17:11,720 Speaker 3: with the. 322 00:17:11,680 --> 00:17:14,960 Speaker 2: Trallic I mean, he demolished it. That's his skill set, right, 323 00:17:15,400 --> 00:17:18,880 Speaker 2: you're right, yeah, they should have seen it coming. So 324 00:17:19,240 --> 00:17:23,320 Speaker 2: our two surviving criminals, they're hiking along and Farwell quickly 325 00:17:23,359 --> 00:17:27,600 Speaker 2: discovers that he's lost his canteen. They have one canteen each, apparently, 326 00:17:27,600 --> 00:17:30,600 Speaker 2: which is the appropriate amount of water for trekking across 327 00:17:30,680 --> 00:17:34,560 Speaker 2: the open desert during the middle of the day, and 328 00:17:35,920 --> 00:17:40,840 Speaker 2: D'Cruz begins to sell Farwell SIPs from his own canteen 329 00:17:41,000 --> 00:17:44,879 Speaker 2: at the extravagant price of one gold bar per sip. 330 00:17:45,400 --> 00:17:47,280 Speaker 2: And I really like this. I think like it's an 331 00:17:47,320 --> 00:17:51,120 Speaker 2: excellent introduction to the episode's core themes of the shifting 332 00:17:51,240 --> 00:17:55,080 Speaker 2: value of resources. How much is a gold bar worth? Well, 333 00:17:55,119 --> 00:17:57,360 Speaker 2: how much is a sip of water worth? The answers 334 00:17:57,400 --> 00:17:58,960 Speaker 2: are highly conditional. 335 00:17:58,760 --> 00:18:03,399 Speaker 3: Right, So obviously Farwell's logic is that gold is worth 336 00:18:03,440 --> 00:18:05,439 Speaker 3: nothing if I'm not alive to spend it. So I 337 00:18:05,520 --> 00:18:07,720 Speaker 3: will give you a whole gold bar for one sip 338 00:18:07,760 --> 00:18:10,240 Speaker 3: of water, because that's my only chance to make it 339 00:18:10,280 --> 00:18:12,479 Speaker 3: to the town we're going to. And D'Cruz is not 340 00:18:12,520 --> 00:18:13,640 Speaker 3: going to take pity on him. 341 00:18:13,840 --> 00:18:17,800 Speaker 2: Yeah, So eventually Dacruz, relishing the Cruelty of it all, 342 00:18:18,200 --> 00:18:21,159 Speaker 2: ups the price one more time, saying, what it's like 343 00:18:21,200 --> 00:18:24,600 Speaker 2: two bars of gold for a sip or something, and 344 00:18:24,680 --> 00:18:29,119 Speaker 2: Farwell's just basically out of gold. So Farwell loses it, 345 00:18:29,160 --> 00:18:32,040 Speaker 2: beats the Cruz to death in the desert with one 346 00:18:32,040 --> 00:18:33,920 Speaker 2: of the blocks of gold, I think maybe his last 347 00:18:33,960 --> 00:18:37,160 Speaker 2: block of gold, and so now we just have Farwell 348 00:18:37,200 --> 00:18:39,800 Speaker 2: as the lone survivor. He scoops up as much gold 349 00:18:39,840 --> 00:18:41,640 Speaker 2: as he can carry, which isn't much at this point. 350 00:18:41,720 --> 00:18:44,960 Speaker 2: He marches on, but as he wanders, you know, more 351 00:18:44,960 --> 00:18:47,200 Speaker 2: and more through the desert and he doesn't encounter a 352 00:18:47,240 --> 00:18:50,240 Speaker 2: single living soul, He's forced to steadily shed his gold 353 00:18:50,280 --> 00:18:54,000 Speaker 2: bars until he collapses with just a single bar of 354 00:18:54,040 --> 00:18:56,359 Speaker 2: gold clutched in his dying hands. 355 00:18:56,760 --> 00:18:59,320 Speaker 3: Note that they have not met anyone in the future 356 00:18:59,400 --> 00:19:02,120 Speaker 3: at this point, and at one point while they're walking, 357 00:19:02,200 --> 00:19:05,159 Speaker 3: they speculate, They're like, you know, what if there is 358 00:19:05,400 --> 00:19:07,560 Speaker 3: nobody to meet here, what if there's a war, and 359 00:19:07,680 --> 00:19:09,440 Speaker 3: what if there was a war, what if we're living? 360 00:19:09,560 --> 00:19:12,680 Speaker 3: You know, what if humanity no longer exists? And they 361 00:19:12,720 --> 00:19:15,520 Speaker 3: decide that they think that there is somebody out there 362 00:19:15,520 --> 00:19:18,280 Speaker 3: to meet because they see airplanes flying over in the sky. 363 00:19:18,400 --> 00:19:21,360 Speaker 3: I remember, so they're like, okay, so there is still civilization, 364 00:19:21,600 --> 00:19:23,399 Speaker 3: but who knows what it'll be like. 365 00:19:23,920 --> 00:19:27,760 Speaker 2: It could the airplanes could be full of apes. Yeah, yeah, 366 00:19:27,840 --> 00:19:30,840 Speaker 2: Serling of course. Yeah, credit due with that twist as well, 367 00:19:31,240 --> 00:19:34,879 Speaker 2: but it did any rate. Farwell loses consciousness. Having collapsed, 368 00:19:35,240 --> 00:19:38,240 Speaker 2: he opens his eyes and he finds a man looming 369 00:19:38,280 --> 00:19:42,200 Speaker 2: over him. He offers this stranger his one remaining bar 370 00:19:42,280 --> 00:19:44,359 Speaker 2: of gold and says, it's you know, this is gold. 371 00:19:44,400 --> 00:19:46,760 Speaker 2: This is gold. It's yours if you just take me 372 00:19:46,800 --> 00:19:49,760 Speaker 2: to the nearest town. But then he dies before the 373 00:19:49,800 --> 00:19:52,879 Speaker 2: stranger can really respond to him, and the stranger is 374 00:19:52,920 --> 00:19:57,200 Speaker 2: just kind of puzzled by this, and he turns around. 375 00:19:57,240 --> 00:20:00,280 Speaker 2: He walks back to his future car, which I'm to 376 00:20:00,359 --> 00:20:02,879 Speaker 2: understand is a reused prop from Forbidden Planet. 377 00:20:03,640 --> 00:20:06,320 Speaker 3: Oh with the little bubbles in front of the face. 378 00:20:06,480 --> 00:20:08,280 Speaker 2: Yeah, yeah, I didn't do a side by side, so 379 00:20:08,320 --> 00:20:10,080 Speaker 2: I don't know if they augmented it at all or 380 00:20:10,080 --> 00:20:12,040 Speaker 2: if they just drove it right out of the lot 381 00:20:12,400 --> 00:20:13,119 Speaker 2: and reused it. 382 00:20:13,160 --> 00:20:15,440 Speaker 3: But I was wondering why it looked so familiar. 383 00:20:15,760 --> 00:20:18,359 Speaker 2: Yeah, so he returned. He walks over to the future 384 00:20:18,400 --> 00:20:21,680 Speaker 2: car and who we presume is his wife, I guess, 385 00:20:21,760 --> 00:20:23,720 Speaker 2: is setting there and she's like, what's going on with 386 00:20:23,760 --> 00:20:27,480 Speaker 2: that man? Is that dead man over there? And he's like, yeah, yeah, 387 00:20:27,480 --> 00:20:29,960 Speaker 2: he totally died. And the weird thing is is he 388 00:20:30,520 --> 00:20:32,679 Speaker 2: gave me this piece of he said it was gold. 389 00:20:32,720 --> 00:20:34,680 Speaker 2: What's he doing with gold? Out of here? Out here? 390 00:20:35,240 --> 00:20:40,120 Speaker 2: And then they both reveal, uh, oh, gold is useless 391 00:20:40,240 --> 00:20:42,720 Speaker 2: in this future getting there like, didn't gold used to 392 00:20:42,800 --> 00:20:44,880 Speaker 2: be worth something? Didn't people make a big deal out 393 00:20:44,880 --> 00:20:46,919 Speaker 2: of it? And he's like, yeah, yeah, back before we 394 00:20:46,960 --> 00:20:49,240 Speaker 2: could just manufacture it. It will. 395 00:20:49,359 --> 00:20:52,359 Speaker 3: So in Farwell's defense, based on what they say there, 396 00:20:52,400 --> 00:20:55,440 Speaker 3: I would say gold is not worthless in this future. 397 00:20:55,920 --> 00:20:59,159 Speaker 3: It's probably worth I don't know, twenty dollars a pound. 398 00:20:59,600 --> 00:21:03,880 Speaker 2: Yeah, yeah, it's worth something. That's why people make all 399 00:21:03,880 --> 00:21:06,560 Speaker 2: they need of it, you know. And from our certainly 400 00:21:06,760 --> 00:21:08,879 Speaker 2: we can assume it's used in all sorts of crazy 401 00:21:08,880 --> 00:21:12,160 Speaker 2: futuristic electronic parts there. You know, there's probably a fair 402 00:21:12,160 --> 00:21:15,320 Speaker 2: amount of gold in that future car that they're driving in. 403 00:21:15,760 --> 00:21:18,680 Speaker 2: But yeah, that's that's the big twist of this episode, 404 00:21:18,760 --> 00:21:23,280 Speaker 2: is this precious commodity that these criminals you know, stole, 405 00:21:24,280 --> 00:21:27,240 Speaker 2: gave up their lives for, you know, traveled essentially traveled 406 00:21:27,280 --> 00:21:30,320 Speaker 2: through time with and then killed each other and died 407 00:21:30,400 --> 00:21:32,719 Speaker 2: for it. Turns out it was worth nothing. 408 00:21:33,200 --> 00:21:36,920 Speaker 3: You can tell. Rod just loves this irony. Yes, he's 409 00:21:37,000 --> 00:21:40,080 Speaker 3: really relishing the narration in this one, especially because I 410 00:21:40,280 --> 00:21:44,840 Speaker 3: always forget that it does this where you don't you 411 00:21:44,880 --> 00:21:47,360 Speaker 3: don't just get his narration at the beginning and the end. 412 00:21:47,400 --> 00:21:50,879 Speaker 3: There's also a mid point stinger where you're in the 413 00:21:50,920 --> 00:21:53,320 Speaker 3: cave with these four criminals and they're arguing, and the 414 00:21:53,520 --> 00:21:56,280 Speaker 3: camera just pans over. Oh there's Rod. He's right there 415 00:21:56,280 --> 00:21:59,600 Speaker 3: in the cave and he's like four men arguing over gold. 416 00:21:59,680 --> 00:22:02,400 Speaker 3: You know what will become of them? We can only 417 00:22:02,400 --> 00:22:03,840 Speaker 3: find out in the twilight Zone. 418 00:22:04,480 --> 00:22:06,760 Speaker 2: Yeah, he can appear at any moment, you never know. 419 00:22:07,760 --> 00:22:11,320 Speaker 2: But yeah, his closing narration is juicy. He says, the 420 00:22:11,400 --> 00:22:14,639 Speaker 2: last of four root van Winkles, who all died precisely 421 00:22:14,680 --> 00:22:17,600 Speaker 2: the way they lived, chasing an idol across the sand 422 00:22:17,640 --> 00:22:20,160 Speaker 2: to wind up bleach to dry in the hot sun. 423 00:22:20,440 --> 00:22:23,640 Speaker 2: As so much desert flotsam worthless as the gold bullion, 424 00:22:23,840 --> 00:22:28,320 Speaker 2: they built a shrine too Tonight's lesson in the Twilight Zone. 425 00:22:30,040 --> 00:22:33,399 Speaker 3: I love how in these little narrated segments they're simultaneously 426 00:22:33,480 --> 00:22:36,480 Speaker 3: trying to do so much in so few words, but 427 00:22:36,640 --> 00:22:40,160 Speaker 3: also just recapping the plot of what you just saw. 428 00:22:41,280 --> 00:22:41,440 Speaker 1: You know. 429 00:22:41,880 --> 00:22:44,480 Speaker 2: I wonder how much of that, too, was thinking like, well, 430 00:22:44,560 --> 00:22:46,359 Speaker 2: people might not have caught the beginning of the episode, 431 00:22:46,359 --> 00:22:48,640 Speaker 2: and you can't just run it back, So yeah, you've 432 00:22:48,640 --> 00:22:50,680 Speaker 2: got to do everything you can to make sure that 433 00:22:50,760 --> 00:22:53,720 Speaker 2: meaning is at the forefront of the viewer's experience, even 434 00:22:53,720 --> 00:22:55,200 Speaker 2: if they didn't catch the whole episode. 435 00:22:55,359 --> 00:22:57,360 Speaker 3: Yeah, no, TVO in nineteen sixty. 436 00:22:57,800 --> 00:23:11,320 Speaker 2: Yeah, all right, well let's get into it. Obviously we're 437 00:23:11,359 --> 00:23:15,000 Speaker 2: gonna be talking about value, because that's ultimately what this 438 00:23:15,320 --> 00:23:20,800 Speaker 2: episode is about, and particularly when it comes to metals 439 00:23:21,320 --> 00:23:24,119 Speaker 2: and specifically when it comes to gold. And I'll be honest, 440 00:23:24,520 --> 00:23:27,840 Speaker 2: I grew up watching this episode and the Bond movie 441 00:23:27,880 --> 00:23:32,200 Speaker 2: Goldfinger Finger, and my understanding of the economics of gold 442 00:23:32,280 --> 00:23:36,119 Speaker 2: value still probably hinges mostly on these two treatments. Like 443 00:23:36,160 --> 00:23:38,840 Speaker 2: I over heard something on NPR the other day where 444 00:23:38,840 --> 00:23:41,320 Speaker 2: they were talking about, you know, the value of gold 445 00:23:41,400 --> 00:23:45,199 Speaker 2: and the gold standard, and you know it, most of 446 00:23:45,240 --> 00:23:47,199 Speaker 2: it made sense to me. But at heart, I just 447 00:23:47,280 --> 00:23:50,520 Speaker 2: still come back to this episode, the Rip Van Winkle 448 00:23:50,600 --> 00:23:55,000 Speaker 2: Caper and Goldfinger is my way of understanding the value 449 00:23:55,040 --> 00:23:55,880 Speaker 2: of gold Man. 450 00:23:55,920 --> 00:23:58,000 Speaker 3: When I was a kid, I thought the plot of 451 00:23:58,200 --> 00:24:01,600 Speaker 3: Goldfinger was just brilliant, and I was like, I thought 452 00:24:01,640 --> 00:24:04,520 Speaker 3: it was amazing. Oh my god, he's gonna, yeah, use 453 00:24:04,560 --> 00:24:06,680 Speaker 3: a nuke on all the gold to make the gold 454 00:24:06,760 --> 00:24:11,160 Speaker 3: he's already got worth so much more. That's nobody else 455 00:24:11,160 --> 00:24:12,680 Speaker 3: would have thought of that. That's really good. 456 00:24:12,840 --> 00:24:15,680 Speaker 2: Yeah. Essentially his plot was to lick all the role 457 00:24:15,800 --> 00:24:18,800 Speaker 2: dinner rolls. Yes, and then the unlicked dinner roles which 458 00:24:18,840 --> 00:24:21,880 Speaker 2: are on his plate are the most valuable ones. Valuable ones. 459 00:24:21,920 --> 00:24:23,560 Speaker 2: Then you know, I guess there's some there's a fair 460 00:24:23,560 --> 00:24:27,560 Speaker 2: amount of economic truth to all of that. But yeah, 461 00:24:27,600 --> 00:24:31,800 Speaker 2: I left these two media properties knowing that number one, 462 00:24:32,119 --> 00:24:36,040 Speaker 2: less non radiated gold in circulation makes non radiated gold 463 00:24:36,080 --> 00:24:40,439 Speaker 2: worth more. Okay, gold is worthless if you're thirsty. Gold 464 00:24:40,520 --> 00:24:42,439 Speaker 2: is only worth as much as people are willing to 465 00:24:42,480 --> 00:24:43,760 Speaker 2: pay for it. 466 00:24:43,880 --> 00:24:45,560 Speaker 3: True, basically anything true. 467 00:24:45,640 --> 00:24:49,719 Speaker 2: Yeah, an excess of gold makes that gold worthless. And 468 00:24:49,800 --> 00:24:53,480 Speaker 2: if you paint a naked woman gold, she'll die. All 469 00:24:53,480 --> 00:24:55,280 Speaker 2: these statements I think are essentially correct. 470 00:24:55,880 --> 00:24:58,680 Speaker 3: I don't know, does painting somebody gold actually kill them? 471 00:24:59,200 --> 00:25:00,359 Speaker 3: I have questions about that. 472 00:25:00,680 --> 00:25:04,000 Speaker 2: Well, you know, I haven't really done a deep biology 473 00:25:04,040 --> 00:25:06,119 Speaker 2: dive on that recently. I guess that the logic was 474 00:25:06,200 --> 00:25:08,440 Speaker 2: that her skin couldn't breathe anymore because she was covered 475 00:25:08,440 --> 00:25:09,280 Speaker 2: in gold, right. 476 00:25:09,560 --> 00:25:11,560 Speaker 3: Yeah, but we breathe through our lungs, not our skin. 477 00:25:12,960 --> 00:25:17,680 Speaker 2: Well lungs too. I don't know. We'll put a pin 478 00:25:17,760 --> 00:25:19,720 Speaker 2: in this one. We'll come back to the gold gold 479 00:25:19,760 --> 00:25:21,040 Speaker 2: finger question in the future. 480 00:25:21,840 --> 00:25:23,399 Speaker 3: Yeah. 481 00:25:23,440 --> 00:25:25,000 Speaker 2: Maybe I only learned four things. 482 00:25:25,480 --> 00:25:27,600 Speaker 3: I'm sure it wouldn't be good for you. Maybe it's fatal. 483 00:25:27,640 --> 00:25:29,960 Speaker 3: I don't know. I'm just raising the question. 484 00:25:30,000 --> 00:25:34,440 Speaker 2: All right, So why is gold valuable? Well, I mean 485 00:25:35,119 --> 00:25:36,840 Speaker 2: it's gold, right, I mean it kind of comes back 486 00:25:36,880 --> 00:25:39,520 Speaker 2: to like that's you know, everybody wants money, that's why 487 00:25:39,560 --> 00:25:43,879 Speaker 2: they call it money. Right. But you know, the answer 488 00:25:44,160 --> 00:25:46,640 Speaker 2: basically comes down to three factors in our modern age. 489 00:25:46,760 --> 00:25:49,760 Speaker 2: The first one is that it's pretty. It's great to 490 00:25:49,800 --> 00:25:52,640 Speaker 2: look at. It's the color of the sun all always 491 00:25:52,720 --> 00:25:56,399 Speaker 2: has been and maybe always will be. Another aspect, of course, 492 00:25:56,560 --> 00:26:01,000 Speaker 2: is that it's rare. Estimates very on this, but the 493 00:26:01,080 --> 00:26:04,520 Speaker 2: amount of gold that has ever been mined on Earth 494 00:26:06,160 --> 00:26:09,680 Speaker 2: can fit into something like three Olympic swimming pools. I've 495 00:26:09,720 --> 00:26:14,680 Speaker 2: also read inside a twenty two meter cube. These these 496 00:26:14,720 --> 00:26:16,960 Speaker 2: types of analogies can be a little confusing because you 497 00:26:17,000 --> 00:26:18,639 Speaker 2: can sort of picture it, but you can't, and then 498 00:26:18,640 --> 00:26:20,360 Speaker 2: you can think, oh, that doesn't sound like a lot 499 00:26:20,359 --> 00:26:23,000 Speaker 2: of gold, and then you can easily be reminded that's 500 00:26:23,040 --> 00:26:26,679 Speaker 2: an awful lot of anything. And then there's also the 501 00:26:26,680 --> 00:26:29,359 Speaker 2: fact that most of it was mined since then, since 502 00:26:29,440 --> 00:26:35,160 Speaker 2: nineteen fifty. So gold is rare throughout the universe, produced 503 00:26:35,160 --> 00:26:39,080 Speaker 2: in high energy cosmic events, and rare on Earth because 504 00:26:39,160 --> 00:26:42,119 Speaker 2: most of what wound up here sank deep into the 505 00:26:42,200 --> 00:26:45,120 Speaker 2: Earth long ago, and most of what we do have 506 00:26:45,400 --> 00:26:49,480 Speaker 2: came via asteroid bombardments later on. So gold is literally 507 00:26:49,640 --> 00:26:52,159 Speaker 2: not of this world. I think we can say that, 508 00:26:52,440 --> 00:26:55,639 Speaker 2: especially in an episode that we started via discussion of 509 00:26:55,680 --> 00:27:00,359 Speaker 2: the Twilight Zone. It's rare, and it's made by cosmic 510 00:27:00,400 --> 00:27:02,320 Speaker 2: events that are high energy in nature. 511 00:27:02,720 --> 00:27:05,680 Speaker 3: Yeah, and so the constrained supply of gold is one 512 00:27:05,720 --> 00:27:08,840 Speaker 3: of the attributes that people prize it for when it's 513 00:27:08,960 --> 00:27:12,199 Speaker 3: used as a currency or basis of currency. So the 514 00:27:12,280 --> 00:27:15,399 Speaker 3: idea is like, well, you can't just, you know, infinitely 515 00:27:15,440 --> 00:27:18,199 Speaker 3: inflate your currency if it's based on gold or so 516 00:27:18,320 --> 00:27:19,280 Speaker 3: the thinking was. 517 00:27:19,440 --> 00:27:21,080 Speaker 2: Yeah, and that's where we get the you know, the 518 00:27:21,080 --> 00:27:24,360 Speaker 2: idea of the gold standard, the historical monetary system where 519 00:27:24,359 --> 00:27:27,439 Speaker 2: the currency value is tied to gold. This is what 520 00:27:27,480 --> 00:27:32,119 Speaker 2: British economist John Maynard Keynes referred to as the barbarous relic, 521 00:27:32,560 --> 00:27:35,040 Speaker 2: the idea that it was an outdated thing to base 522 00:27:35,040 --> 00:27:38,800 Speaker 2: the nations and international wealth in general on, and yet 523 00:27:39,000 --> 00:27:43,320 Speaker 2: it continues to to stand as a significant asset. Gold 524 00:27:43,320 --> 00:27:48,800 Speaker 2: has not gone away. And then, of course, while gold 525 00:27:48,920 --> 00:27:51,879 Speaker 2: was long valued for its decorative aspects, during the nineteen 526 00:27:51,880 --> 00:27:54,880 Speaker 2: thirties and the nineteen forties, it began to become important 527 00:27:54,920 --> 00:27:58,520 Speaker 2: in telecommunications, and then again during the fifties and sixties 528 00:27:58,560 --> 00:28:02,760 Speaker 2: as a semiconductor. It also has various uses in aerospace. 529 00:28:03,320 --> 00:28:06,080 Speaker 2: So we now live in a world where gold is 530 00:28:06,200 --> 00:28:11,560 Speaker 2: valued for both esthetic and highly practical technological reasons. Gold 531 00:28:11,600 --> 00:28:13,560 Speaker 2: is valued by people who just want to wear it, 532 00:28:13,720 --> 00:28:16,080 Speaker 2: by people who want to shut it away in a vault, 533 00:28:16,400 --> 00:28:18,560 Speaker 2: and by people who want to use it in the 534 00:28:18,680 --> 00:28:21,679 Speaker 2: circuitry of a microchip or on the visor of a 535 00:28:21,760 --> 00:28:25,920 Speaker 2: space helment. So it does make sense that we would 536 00:28:25,960 --> 00:28:28,360 Speaker 2: want more of it from a number from a number 537 00:28:28,400 --> 00:28:30,920 Speaker 2: of a vantage points. Right, want more of it because 538 00:28:30,960 --> 00:28:32,199 Speaker 2: it's great to look at it, and I want to 539 00:28:32,200 --> 00:28:35,240 Speaker 2: make more things out of it. But also there are 540 00:28:35,280 --> 00:28:38,480 Speaker 2: all these practical applications for it, and one can imagine 541 00:28:38,760 --> 00:28:41,760 Speaker 2: that the need for such precious metals will just continue 542 00:28:41,760 --> 00:28:45,920 Speaker 2: in the future. So what can we do to get 543 00:28:45,960 --> 00:28:50,560 Speaker 2: more of it as opposed to just the normal mining 544 00:28:50,560 --> 00:28:54,520 Speaker 2: efforts that we already have. And there's some really interesting 545 00:28:54,560 --> 00:28:58,760 Speaker 2: science here. One idea that scientists have discussed is, of course, 546 00:28:59,000 --> 00:29:03,000 Speaker 2: to get it somewhere else, somewhere not of this Earth. 547 00:29:03,640 --> 00:29:08,080 Speaker 2: And granted we have the universal rarity factor to consider, 548 00:29:08,160 --> 00:29:10,360 Speaker 2: but that doesn't mean it can't be found in reasonable 549 00:29:10,400 --> 00:29:15,800 Speaker 2: abundance in specific places, such as possibly the asteroid sixteen 550 00:29:15,920 --> 00:29:20,040 Speaker 2: Psyche in the asteroid belt between Mars and Jupiter. In fact, 551 00:29:20,280 --> 00:29:24,800 Speaker 2: NASA's Psyche spacecraft launched in twenty twenty three. It's not 552 00:29:24,800 --> 00:29:26,360 Speaker 2: actually going to get to the asteroid toll I think 553 00:29:26,440 --> 00:29:28,680 Speaker 2: twenty twenty nine, and even then it's just going to 554 00:29:28,680 --> 00:29:31,080 Speaker 2: study it. It's not going to bring anything back. It's 555 00:29:31,120 --> 00:29:35,120 Speaker 2: also not expressly going there to prospect for gold. There 556 00:29:35,120 --> 00:29:39,360 Speaker 2: are a number of astrogeology objectives in play, and we 557 00:29:39,800 --> 00:29:42,800 Speaker 2: used to think that Psyche was mostly metal. More recent 558 00:29:42,880 --> 00:29:45,520 Speaker 2: estimates look at a possible thirty to sixty percent metal 559 00:29:45,960 --> 00:29:50,200 Speaker 2: composite alongside rock. But it very well may contain significant 560 00:29:50,200 --> 00:29:54,320 Speaker 2: amounts of metal from the core of a Planetismal, and 561 00:29:54,640 --> 00:29:57,240 Speaker 2: that could mean a fair amount of gold. So that's 562 00:29:57,280 --> 00:30:01,000 Speaker 2: one possibility. This asteroid is most like a survivor of 563 00:30:01,120 --> 00:30:04,360 Speaker 2: multiple collisions during the formation of the Solar System, and 564 00:30:04,480 --> 00:30:07,240 Speaker 2: thus it might have, on one level, just much to reveal, 565 00:30:08,000 --> 00:30:10,560 Speaker 2: perhaps giving us a better understanding of how Earth's core 566 00:30:10,680 --> 00:30:14,640 Speaker 2: and the cores of earth like worlds formed. But it 567 00:30:14,680 --> 00:30:18,000 Speaker 2: could be a potential source of gold, as are various 568 00:30:18,040 --> 00:30:25,080 Speaker 2: other suspected metal monster asteroids out there. So in theory, yes, 569 00:30:25,360 --> 00:30:30,440 Speaker 2: we could harvest them, mine them, bring back gold, and 570 00:30:30,520 --> 00:30:34,360 Speaker 2: bring it back in enough abundance to destabilize the value 571 00:30:34,400 --> 00:30:35,360 Speaker 2: of gold here on Earth. 572 00:30:35,680 --> 00:30:37,920 Speaker 3: So by mentioning this, are you trying to address the 573 00:30:38,000 --> 00:30:42,360 Speaker 3: question of could we actually have a scenario like in 574 00:30:42,400 --> 00:30:45,320 Speaker 3: the Rip Van Winkle Caper where we have criminals go 575 00:30:45,400 --> 00:30:47,680 Speaker 3: to sleep and then they wake up and all the 576 00:30:47,720 --> 00:30:50,480 Speaker 3: gold they stole is no longer as valuable as it 577 00:30:50,520 --> 00:30:51,040 Speaker 3: once was. 578 00:30:51,440 --> 00:30:55,600 Speaker 2: Correct, Yeah, could we have a situation like that occur? Essentially, 579 00:30:56,160 --> 00:30:59,880 Speaker 2: could gold be devalued to such a degree on Earth? 580 00:31:00,080 --> 00:31:04,600 Speaker 2: And it seems like yes it could. And the main 581 00:31:04,960 --> 00:31:07,120 Speaker 2: way that it could happen would be if something like 582 00:31:07,160 --> 00:31:10,960 Speaker 2: this occurred, if we did actually reach the point where 583 00:31:11,000 --> 00:31:14,440 Speaker 2: we were harvesting gold from asteroids and bringing back to Earth, 584 00:31:14,840 --> 00:31:18,640 Speaker 2: bearing in mind, of course, that there are multiple technological 585 00:31:18,720 --> 00:31:22,520 Speaker 2: hurdles to that, and it would have to be you know, 586 00:31:22,560 --> 00:31:26,360 Speaker 2: there would have to be some major will behind the 587 00:31:26,440 --> 00:31:30,680 Speaker 2: quest to get that particular gold. Now, another possibility, and 588 00:31:30,720 --> 00:31:33,280 Speaker 2: one that we've discussed in greater depth in the show before, 589 00:31:34,000 --> 00:31:36,640 Speaker 2: is the capture of trace amounts of gold and seawater 590 00:31:37,320 --> 00:31:44,600 Speaker 2: via absorption, electrochemical extraction, and biomineralization via gold loving bacteria. Yeah. 591 00:31:44,680 --> 00:31:47,440 Speaker 3: We talked about this, I believe in an episode about 592 00:31:47,480 --> 00:31:50,360 Speaker 3: the I don't remember if it had a specific name, 593 00:31:50,440 --> 00:31:54,320 Speaker 3: but the Lubec Main Great Gold Hoax. There was a 594 00:31:54,360 --> 00:31:56,800 Speaker 3: guy who went there and convinced a bunch of people 595 00:31:56,840 --> 00:32:00,479 Speaker 3: that they could harvest vast amounts of gold from the seawater. Uh, 596 00:32:00,680 --> 00:32:03,080 Speaker 3: And it turned out and he didn't actually have a 597 00:32:03,120 --> 00:32:03,920 Speaker 3: method for doing that. 598 00:32:04,000 --> 00:32:04,520 Speaker 2: It was all a. 599 00:32:04,440 --> 00:32:10,200 Speaker 3: Scam, but that it is possible in principle to harvest 600 00:32:10,360 --> 00:32:14,000 Speaker 3: some amount of gold from the ocean, and it has 601 00:32:14,200 --> 00:32:16,920 Speaker 3: in ways been done with The question would be what 602 00:32:17,080 --> 00:32:19,160 Speaker 3: is the efficiency of doing so? 603 00:32:19,720 --> 00:32:22,880 Speaker 2: Right? Yeah? Yeah? The problem, as I understand it, is 604 00:32:22,880 --> 00:32:27,160 Speaker 2: you'd need to process and success successfully process a colossal 605 00:32:27,200 --> 00:32:29,480 Speaker 2: amount of sea water in order to get even a 606 00:32:29,480 --> 00:32:33,360 Speaker 2: gram of gold. And this means that it's it's currently 607 00:32:33,520 --> 00:32:37,120 Speaker 2: not all that feasible as a primary process, but in 608 00:32:37,160 --> 00:32:39,920 Speaker 2: the future, the idea is it might prove useful as 609 00:32:39,920 --> 00:32:45,400 Speaker 2: a secondary process for something like industrial scale desalination. So 610 00:32:45,560 --> 00:32:50,960 Speaker 2: you're already carrying out an industrial process with the salt water. 611 00:32:51,480 --> 00:32:55,400 Speaker 2: Is it possible that you have this secondary process going 612 00:32:55,440 --> 00:32:57,560 Speaker 2: on that is generating gold for you? 613 00:32:58,120 --> 00:32:58,680 Speaker 3: Interesting? 614 00:32:58,760 --> 00:33:02,320 Speaker 2: Okay. Likewise, there's apparently this one. I was not familiar 615 00:33:02,400 --> 00:33:04,200 Speaker 2: with it because I don't think we talked about this. 616 00:33:04,280 --> 00:33:06,800 Speaker 2: Maybe we did and I've forgotten it. But there's also 617 00:33:06,840 --> 00:33:12,640 Speaker 2: the potential for gold capture in sewage like human sewitch. Okay, cool, 618 00:33:13,000 --> 00:33:15,520 Speaker 2: there's gold and den Derek toilets. 619 00:33:15,960 --> 00:33:20,600 Speaker 3: Is this from people drinking gold schlager. There's enough of 620 00:33:20,640 --> 00:33:23,719 Speaker 3: that worldwide that you could recapture some of that and 621 00:33:23,760 --> 00:33:24,479 Speaker 3: repurpose it. 622 00:33:24,800 --> 00:33:28,760 Speaker 2: I think the answer is yes, But I don't think 623 00:33:28,800 --> 00:33:33,000 Speaker 2: goldslager is is really singled out as like one of 624 00:33:33,200 --> 00:33:36,840 Speaker 2: the primary factors here. But yeah, you're dealing with trace 625 00:33:36,920 --> 00:33:39,760 Speaker 2: amounts of gold in our wist, in our waste water, 626 00:33:40,360 --> 00:33:44,360 Speaker 2: and this apparently comes from traces of gold lost off 627 00:33:44,400 --> 00:33:49,320 Speaker 2: of jewelry industrial waste, but also food additives, which I 628 00:33:49,360 --> 00:33:52,920 Speaker 2: think that includes goldslagger. I'm going to throw it in 629 00:33:52,960 --> 00:33:57,080 Speaker 2: there that in your like gold foil based fancy pastries 630 00:33:57,120 --> 00:34:00,840 Speaker 2: and so forth. So essentially human. 631 00:34:00,640 --> 00:34:02,280 Speaker 3: Life eat some of that gold. 632 00:34:03,280 --> 00:34:06,120 Speaker 2: I mean, you know where it's going to go. But essentially, 633 00:34:06,160 --> 00:34:09,200 Speaker 2: I guess the idea is lot human life lived alongside 634 00:34:09,239 --> 00:34:12,080 Speaker 2: gold means tiny bits of gold make their way down 635 00:34:12,120 --> 00:34:15,759 Speaker 2: our drains and toilets, and the process to reclaim this 636 00:34:15,880 --> 00:34:20,960 Speaker 2: gold could also prove environmentally helpful in keeping harmful substances 637 00:34:20,960 --> 00:34:21,880 Speaker 2: out of the environment. 638 00:34:22,239 --> 00:34:25,480 Speaker 3: Oh you mean other things would be filtered out seage, Okay, yeah. 639 00:34:25,360 --> 00:34:28,200 Speaker 2: Yeah, so not just the gold, but various other substances 640 00:34:28,239 --> 00:34:31,800 Speaker 2: as well. Kathleen Smith of the US Geological Survey is 641 00:34:31,880 --> 00:34:35,080 Speaker 2: quoted in the twenty fifteen Guardian article gold in feces 642 00:34:35,200 --> 00:34:37,840 Speaker 2: is worth millions and could save the environment. That was 643 00:34:37,880 --> 00:34:41,640 Speaker 2: authored by Hannah Devlin at the time said that that 644 00:34:41,719 --> 00:34:44,920 Speaker 2: gold had been found at the level of minimal mineral 645 00:34:44,960 --> 00:34:49,400 Speaker 2: deposits in human sewage systems, and once more, kind of 646 00:34:49,440 --> 00:34:54,480 Speaker 2: like with the oceanic gold capture example, there's a potential 647 00:34:54,520 --> 00:34:58,520 Speaker 2: here for a secondary process. So you wouldn't have a 648 00:34:58,560 --> 00:35:01,360 Speaker 2: harvesting scheme that was just going straight after the gold 649 00:35:01,680 --> 00:35:06,160 Speaker 2: in the sewage, but perhaps it could become a secondary 650 00:35:06,160 --> 00:35:10,920 Speaker 2: process alongside basic sewage management. Okay, cool, Though to be 651 00:35:10,960 --> 00:35:14,720 Speaker 2: clear here, of the tactics we've discussed here, the sewage 652 00:35:14,760 --> 00:35:17,399 Speaker 2: and the saltwater options are not going to devalue gold. 653 00:35:17,719 --> 00:35:21,160 Speaker 2: I couldn't find anybody making that argument. I think the 654 00:35:21,200 --> 00:35:24,719 Speaker 2: main way it could potentially happen at some point in 655 00:35:24,760 --> 00:35:26,960 Speaker 2: the future would be if we were bringing a lot 656 00:35:27,000 --> 00:35:28,359 Speaker 2: of gold back from asteroids. 657 00:35:28,560 --> 00:35:32,600 Speaker 3: Okay, so if we have a space mining program, then 658 00:35:32,640 --> 00:35:35,640 Speaker 3: there would be a significant impact obviously, right. 659 00:35:36,120 --> 00:35:40,440 Speaker 2: But then there's another option. What about the alchemical solution 660 00:35:40,880 --> 00:35:45,480 Speaker 2: the generation of gold as it's alluded to in this episode. 661 00:35:46,080 --> 00:35:48,399 Speaker 2: So as already mentioned, we already mentioned gold is an 662 00:35:48,480 --> 00:35:52,840 Speaker 2: extraterrestrial product of intense stellar energy, so we're talking neutron 663 00:35:52,920 --> 00:35:56,520 Speaker 2: star collisions and supernova and this would surely mean that 664 00:35:56,600 --> 00:35:59,640 Speaker 2: humans would need to have such power at their fingertips. Right, 665 00:36:00,080 --> 00:36:04,920 Speaker 2: one would think, yeah, but this is not I mean, 666 00:36:04,920 --> 00:36:07,160 Speaker 2: it's one of those things. The reality of it is 667 00:36:07,200 --> 00:36:10,640 Speaker 2: not far fetched. The scalable reality of it might might 668 00:36:10,680 --> 00:36:13,440 Speaker 2: be far fetched. But yeah, I was reading a bit 669 00:36:13,440 --> 00:36:16,839 Speaker 2: about this. Much has been written on this topic. Tom 670 00:36:16,880 --> 00:36:19,480 Speaker 2: Bartlett had a great article about this recently in the 671 00:36:19,520 --> 00:36:23,880 Speaker 2: Atlantic The profiling a new San Francisco company that was 672 00:36:24,000 --> 00:36:27,239 Speaker 2: arguing that gold could be generated as once more a 673 00:36:27,280 --> 00:36:31,319 Speaker 2: byproduct of another process, in this case a byproduct of 674 00:36:31,640 --> 00:36:34,719 Speaker 2: nuclear fusion, which of course is in many ways the 675 00:36:34,719 --> 00:36:37,560 Speaker 2: holy grail of atomic energy, entailing not the splitting of 676 00:36:37,600 --> 00:36:40,439 Speaker 2: the atom as in fission, but the process by which 677 00:36:40,440 --> 00:36:43,919 Speaker 2: two or more atomic nuclei combine to form a larger 678 00:36:44,360 --> 00:36:47,160 Speaker 2: nucleus and potentially release a tremendous amount of energy in 679 00:36:47,160 --> 00:36:50,840 Speaker 2: the process. So the San Francisco company in question argues 680 00:36:50,840 --> 00:36:53,520 Speaker 2: that by tweaking the process, one could create gold as 681 00:36:53,520 --> 00:36:58,480 Speaker 2: a secondary byproduct of nuclear fusion, thus offsetting the cost 682 00:36:58,560 --> 00:37:02,200 Speaker 2: of the energy production. Specifically, they think one could create 683 00:37:02,280 --> 00:37:06,560 Speaker 2: gold from mercury one ninety eight by bombarding it with neutrons, 684 00:37:07,320 --> 00:37:10,960 Speaker 2: changing it into the less stable mercury one ninety seven, 685 00:37:11,360 --> 00:37:14,279 Speaker 2: which would then decay into gold one ninety seven, the 686 00:37:14,280 --> 00:37:18,560 Speaker 2: stable isotope of gold. This is hypothetical, however, and the 687 00:37:18,600 --> 00:37:22,320 Speaker 2: results in gold might be gold fingered and require lengthy 688 00:37:22,360 --> 00:37:24,000 Speaker 2: storage before it could be utilized. 689 00:37:24,760 --> 00:37:28,560 Speaker 3: Yeah, And as with anything about nuclear fusion, always you know, 690 00:37:30,000 --> 00:37:32,440 Speaker 3: let's wait until we see the results, because they're you know, 691 00:37:32,520 --> 00:37:35,040 Speaker 3: for years and years, always lots of claims about what 692 00:37:35,080 --> 00:37:39,840 Speaker 3: could be done with nuclear fusion. And but yeah, interesting 693 00:37:39,880 --> 00:37:40,440 Speaker 3: to think about. 694 00:37:40,800 --> 00:37:44,279 Speaker 2: Yeah, So again, the idea of creating gold through a 695 00:37:44,320 --> 00:37:51,000 Speaker 2: technique like this at scale open question. But the basic idea, 696 00:37:51,360 --> 00:37:54,520 Speaker 2: the basic thing they're hypothesizing about here isn't isn't all 697 00:37:54,560 --> 00:37:58,600 Speaker 2: that new. It's called nuclear transmutation, and we've already successfully 698 00:37:58,640 --> 00:38:02,960 Speaker 2: carried it out via particle accelerators. In fact, scientists pulled 699 00:38:02,960 --> 00:38:06,120 Speaker 2: this off for the first time back in nineteen forty one. Granted, 700 00:38:06,120 --> 00:38:09,200 Speaker 2: the resulting gold was radioactive and it was also an 701 00:38:09,280 --> 00:38:15,080 Speaker 2: unstable isotope that decayed within days, but still quite an 702 00:38:15,200 --> 00:38:18,880 Speaker 2: alchemical feat. And I think we have to acknowledge that 703 00:38:18,920 --> 00:38:22,040 Speaker 2: given that this was achieved in nineteen forty one. That 704 00:38:22,080 --> 00:38:26,480 Speaker 2: experiment was likely partial inspiration for this Twilight Zone episode, 705 00:38:26,600 --> 00:38:29,040 Speaker 2: or at least they might have factored that into the plotting. 706 00:38:29,360 --> 00:38:33,360 Speaker 3: Interesting though again obviously the amount of gold that you 707 00:38:33,400 --> 00:38:36,759 Speaker 3: would be transmuting in particle accelerators once again would be 708 00:38:36,920 --> 00:38:38,959 Speaker 3: quite physically tiny. 709 00:38:38,800 --> 00:38:42,960 Speaker 2: In physically tiny, and then also if it's radioactive and 710 00:38:43,120 --> 00:38:47,640 Speaker 2: or decays, then it's also useless in terms of all 711 00:38:47,640 --> 00:38:51,040 Speaker 2: these uses for gold that we have. In nineteen eighty 712 00:38:51,080 --> 00:38:54,640 Speaker 2: Nobel Prize winner Glenn Seborg was able to successfully transmute 713 00:38:54,680 --> 00:38:59,640 Speaker 2: bismuth into gold and an accelerator, producing several thousand atoms 714 00:38:59,640 --> 00:39:03,680 Speaker 2: of statele gold, but it was essentially microscopic, and more recently, 715 00:39:03,760 --> 00:39:06,560 Speaker 2: Cern has produced minuscule amounts of gold via the Large 716 00:39:06,560 --> 00:39:10,719 Speaker 2: Hadron collider by colliding lead ions. So I mean that 717 00:39:10,800 --> 00:39:14,279 Speaker 2: in itself is interesting because we're finally talking about the 718 00:39:14,800 --> 00:39:18,600 Speaker 2: alchemical dream of turning lead into gold. But I believe 719 00:39:18,880 --> 00:39:22,880 Speaker 2: the result here was also unstable and radioactive. Yeah, so 720 00:39:23,120 --> 00:39:26,319 Speaker 2: in essence, yes, it can be done. We've done it, 721 00:39:26,440 --> 00:39:29,279 Speaker 2: but we're a long way off from being able to 722 00:39:29,360 --> 00:39:32,560 Speaker 2: do it at scale and in a way that could 723 00:39:32,600 --> 00:39:36,720 Speaker 2: actually on any level impact the value of naturally occurring 724 00:39:36,719 --> 00:39:37,400 Speaker 2: gold on Earth. 725 00:39:37,719 --> 00:39:50,799 Speaker 3: Yeah, so I agree. Based on what I've been reading, 726 00:39:50,880 --> 00:39:54,279 Speaker 3: it seems unlikely to me that we will ever be 727 00:39:54,360 --> 00:39:59,680 Speaker 3: able to manufacture gold in an economically efficient way. But 728 00:40:00,440 --> 00:40:02,400 Speaker 3: I did want to talk here at the end of 729 00:40:02,440 --> 00:40:07,680 Speaker 3: the episode about how something like the scenario described in 730 00:40:07,719 --> 00:40:11,879 Speaker 3: the Rip van Winkle caper not only could happen with 731 00:40:11,960 --> 00:40:17,760 Speaker 3: some metals, it actually has happened in history, not with gold, 732 00:40:18,040 --> 00:40:23,319 Speaker 3: but with a very surprising substance, and that is aluminum. 733 00:40:23,360 --> 00:40:25,160 Speaker 3: So I just want to riff on aluminum here for 734 00:40:25,200 --> 00:40:30,880 Speaker 3: a second. So, aluminum is the third most abundant element 735 00:40:31,160 --> 00:40:35,719 Speaker 3: in Earth's crust, after only oxygen and silicon. It is 736 00:40:35,920 --> 00:40:39,840 Speaker 3: more abundant than iron. Iron is only about five percent 737 00:40:39,920 --> 00:40:42,799 Speaker 3: of the Earth's crust. Aluminum is about eight percent, so 738 00:40:42,960 --> 00:40:47,640 Speaker 3: more abundant than iron. Today, aluminum is the second most 739 00:40:47,640 --> 00:40:50,640 Speaker 3: important metal in human industry, with more than one hundred 740 00:40:50,680 --> 00:40:55,160 Speaker 3: million tons produced annually. When you combine refinement from primary 741 00:40:55,200 --> 00:41:00,680 Speaker 3: sources and recycling, and especially when combined with other materials 742 00:41:00,719 --> 00:41:03,600 Speaker 3: as an alloy, aluminum is I think one of the 743 00:41:03,600 --> 00:41:08,239 Speaker 3: most useful raw materials on Earth. It's strong, it's lightweight, 744 00:41:08,320 --> 00:41:11,360 Speaker 3: it's highly versatile, which is why it's used in so 745 00:41:11,440 --> 00:41:15,120 Speaker 3: many wide ranging applications, so many different things. You know, 746 00:41:15,360 --> 00:41:19,080 Speaker 3: aluminum is it's the substance of your beer can, it's 747 00:41:19,160 --> 00:41:22,960 Speaker 3: the substance of power lines, of airplane wings. I mean, 748 00:41:23,120 --> 00:41:25,239 Speaker 3: there's a real range of what you can do with it. 749 00:41:26,239 --> 00:41:28,520 Speaker 3: But there's a curious thing about aluminum. I wonder if 750 00:41:28,520 --> 00:41:31,600 Speaker 3: you've ever noticed this, Rob, how come when you go 751 00:41:32,080 --> 00:41:36,600 Speaker 3: looking through the artifacts of ancient civilizations in a museum, 752 00:41:37,239 --> 00:41:43,759 Speaker 3: you never come across aluminum swords or aluminum arrowheads, or 753 00:41:43,800 --> 00:41:48,000 Speaker 3: aluminum chariot wheels or plowshares or helmets. You see all 754 00:41:48,040 --> 00:41:52,160 Speaker 3: these important ancient tools made out of iron, which is 755 00:41:52,480 --> 00:41:55,759 Speaker 3: less abundant in the Earth's crust than aluminum. And you 756 00:41:55,840 --> 00:41:59,240 Speaker 3: see them in bronze made from copper and tin, both 757 00:41:59,239 --> 00:42:02,680 Speaker 3: of which are significantly harder to dig up than aluminum. So, 758 00:42:02,840 --> 00:42:06,799 Speaker 3: if aluminum is so useful in human industry, and if 759 00:42:06,840 --> 00:42:10,120 Speaker 3: there is more aluminium in the ground than iron, and 760 00:42:10,160 --> 00:42:13,440 Speaker 3: it's always been this way, where are all the aluminum 761 00:42:13,520 --> 00:42:14,640 Speaker 3: artifacts from history? 762 00:42:15,000 --> 00:42:17,359 Speaker 2: You know, I'd never thought about this before, but you're right, 763 00:42:17,400 --> 00:42:20,760 Speaker 2: there's like no aluminium age in the history books. 764 00:42:20,880 --> 00:42:25,120 Speaker 3: Yeah, totally. The aluminium age does not emerge until the 765 00:42:25,239 --> 00:42:28,160 Speaker 3: nineteenth century. In fact, the reason for this, I think 766 00:42:28,239 --> 00:42:31,399 Speaker 3: is really interesting. I found this one of the most 767 00:42:31,440 --> 00:42:34,000 Speaker 3: fascinating chemistry rabbit holes I've gone down in a bit. 768 00:42:34,760 --> 00:42:40,040 Speaker 3: So metallic aluminum basically does not exist in nature. There 769 00:42:40,040 --> 00:42:44,560 Speaker 3: are some extremely tiny exceptions to this, tiny globules from rare, 770 00:42:44,880 --> 00:42:48,520 Speaker 3: strange kinds of sources, maybe like volcanic or extraterrestrial sources. 771 00:42:48,520 --> 00:42:53,600 Speaker 3: But basically you can't find aluminum metal in nature. Almost 772 00:42:53,680 --> 00:42:58,480 Speaker 3: all of the unrefined aluminum found on Earth comes in 773 00:42:58,600 --> 00:43:02,040 Speaker 3: the form of a compound called aluminium oxide or AL 774 00:43:02,160 --> 00:43:06,200 Speaker 3: two O three, also known as alumina, most of which 775 00:43:06,360 --> 00:43:10,600 Speaker 3: is found within a type of reddish brown sedimentary rock 776 00:43:10,840 --> 00:43:14,960 Speaker 3: called box side. Now, if you think you've never seen 777 00:43:15,239 --> 00:43:18,320 Speaker 3: aluminium oxide on its own, and you can only picture, 778 00:43:18,560 --> 00:43:21,560 Speaker 3: you can only picture aluminium as a metal. Here's a 779 00:43:21,800 --> 00:43:25,160 Speaker 3: kind of strange fact. Did you know that rubies and 780 00:43:25,320 --> 00:43:30,600 Speaker 3: sapphires are made mostly out of a crystalline form of 781 00:43:30,680 --> 00:43:31,799 Speaker 3: aluminum oxide. 782 00:43:32,480 --> 00:43:33,400 Speaker 2: I was not aware. 783 00:43:34,000 --> 00:43:37,160 Speaker 3: Yeah, So it's the crystalline form of aluminum oxide called 784 00:43:37,440 --> 00:43:41,400 Speaker 3: corundum a CO r U n d um, and different 785 00:43:41,840 --> 00:43:44,720 Speaker 3: trace elements or impurities within it give it the different 786 00:43:44,719 --> 00:43:47,520 Speaker 3: colors that make it a ruby or a sapphire. So like, 787 00:43:47,600 --> 00:43:50,279 Speaker 3: if there's chromium in it, it'll turn red and it'll 788 00:43:50,280 --> 00:43:53,880 Speaker 3: be a ruby, and there are other other elements and 789 00:43:53,920 --> 00:43:57,200 Speaker 3: traces give it the sapphire color. And you know that 790 00:43:57,320 --> 00:43:59,280 Speaker 3: just doesn't seem right. You don't look at a ruby 791 00:43:59,360 --> 00:44:03,120 Speaker 3: or a sapphire, think I'm looking at aluminum. But remember 792 00:44:03,160 --> 00:44:07,880 Speaker 3: the aluminum doesn't take on its metallic properties when in 793 00:44:08,040 --> 00:44:13,480 Speaker 3: compound with oxygen, so forms of crystalline aluminum oxide really 794 00:44:13,520 --> 00:44:17,200 Speaker 3: can look like precious gems. But when you separate the 795 00:44:17,239 --> 00:44:21,320 Speaker 3: aluminum atoms from the compound, you get the opaque aluminum 796 00:44:21,360 --> 00:44:25,080 Speaker 3: metal that we're familiar with today. So it's a complex 797 00:44:25,120 --> 00:44:28,560 Speaker 3: process to get it. To get pure aluminum metal, you 798 00:44:28,680 --> 00:44:33,080 Speaker 3: have to mine raw boxide or from the ground and 799 00:44:33,120 --> 00:44:36,560 Speaker 3: then crush it up and heat it with caustic chemicals 800 00:44:36,560 --> 00:44:41,880 Speaker 3: like sodium hydroxide like LYE to extract and isolate the 801 00:44:41,920 --> 00:44:46,000 Speaker 3: aluminum oxide from it. And then at this point the 802 00:44:46,040 --> 00:44:49,319 Speaker 3: aluminum oxide takes the form of a white powder that 803 00:44:49,400 --> 00:44:52,640 Speaker 3: looks like sugar. And then so you've got this powder, 804 00:44:52,680 --> 00:44:54,680 Speaker 3: and after that you have to find a way to 805 00:44:54,840 --> 00:44:59,440 Speaker 3: isolate the pure metallic aluminum from the aluminum oxide. But 806 00:44:59,560 --> 00:45:03,040 Speaker 3: for most most of history, this last step was really 807 00:45:03,280 --> 00:45:07,040 Speaker 3: really difficult to do, so the amount of metallic aluminum 808 00:45:07,120 --> 00:45:11,920 Speaker 3: produced in this way was minuscule now according to a 809 00:45:11,920 --> 00:45:15,839 Speaker 3: commemorative article on something called the Hall Herald process, which 810 00:45:15,880 --> 00:45:18,560 Speaker 3: I'll explain in a minute, this article is produced by 811 00:45:18,600 --> 00:45:22,240 Speaker 3: the National Historic Chemical Landmarks Program of the American Chemical 812 00:45:22,280 --> 00:45:26,640 Speaker 3: Society in nineteen ninety seven. According to this article, before 813 00:45:26,719 --> 00:45:30,920 Speaker 3: the year eighteen eighty six, aluminum was a rare and 814 00:45:31,080 --> 00:45:34,400 Speaker 3: precious metal with a price similar to that of silver. 815 00:45:35,960 --> 00:45:40,600 Speaker 3: Scientists had by this point in the eighteen eighties they 816 00:45:40,640 --> 00:45:45,879 Speaker 3: had already figured out ways to refine metallic aluminum, but 817 00:45:45,920 --> 00:45:51,520 Speaker 3: they were complex, inefficient procedures with multiple steps, like one 818 00:45:51,640 --> 00:45:55,920 Speaker 3: involved first producing aluminum chloride and then reacting that with 819 00:45:56,040 --> 00:45:59,920 Speaker 3: metallic sodium to squirt out some tiny bits of aluminum metal. 820 00:46:00,120 --> 00:46:04,239 Speaker 3: In the end, really inefficient, expensive, difficult to. 821 00:46:04,200 --> 00:46:08,879 Speaker 2: Do, and so it was rare and it was as 822 00:46:08,960 --> 00:46:12,239 Speaker 2: expensive as silver. I can't help but wonder if at 823 00:46:12,239 --> 00:46:16,799 Speaker 2: the time, any like fiction writers were dreamed up a 824 00:46:16,840 --> 00:46:19,879 Speaker 2: monster that could only be killed with aluminum. Oh, that's a. 825 00:46:19,800 --> 00:46:24,200 Speaker 3: Good point, like the werewolf. Yeah, I heard, I can 826 00:46:24,320 --> 00:46:26,200 Speaker 3: now I can't remember where I read this, but in 827 00:46:26,200 --> 00:46:28,360 Speaker 3: one of the sources I was looking at for this episode, 828 00:46:29,320 --> 00:46:33,680 Speaker 3: somebody was quoted talking about the appearance of this fad 829 00:46:33,719 --> 00:46:36,600 Speaker 3: for aluminum jewelry in the mid nineteenth century because it 830 00:46:36,640 --> 00:46:39,560 Speaker 3: was so precious, and I think the person said that 831 00:46:39,640 --> 00:46:41,319 Speaker 3: it had the luster. 832 00:46:41,120 --> 00:46:41,760 Speaker 2: Of the moon. 833 00:46:42,600 --> 00:46:45,000 Speaker 3: People thought it was like a kind of moon metal. 834 00:46:46,760 --> 00:46:51,120 Speaker 3: So one common way of illustrating the preciousness of aluminum 835 00:46:51,160 --> 00:46:57,320 Speaker 3: before before the Hall herald process is that people point 836 00:46:57,320 --> 00:47:00,920 Speaker 3: out that when the Washington Monument was deleted in eighteen 837 00:47:01,000 --> 00:47:05,160 Speaker 3: eighty four, again this is two years before the whole 838 00:47:05,200 --> 00:47:07,920 Speaker 3: heralds process in eighteen eighty six. It was completed in 839 00:47:08,040 --> 00:47:12,320 Speaker 3: eighty four the tower was capped with a one hundred 840 00:47:12,440 --> 00:47:16,799 Speaker 3: ounce cast aluminum pyramid, which was supposed to be an 841 00:47:16,960 --> 00:47:21,319 Speaker 3: ornament of great power and ceremony. So this would be 842 00:47:21,480 --> 00:47:25,479 Speaker 3: roughly six and a quarter pounds of aluminum, roughly enough 843 00:47:25,480 --> 00:47:29,399 Speaker 3: to make two hundred Lacroix cans today. And just look 844 00:47:29,440 --> 00:47:31,920 Speaker 3: on my work see mighty in despair. Look at all 845 00:47:31,920 --> 00:47:32,840 Speaker 3: these cans worth. 846 00:47:33,239 --> 00:47:35,960 Speaker 2: Oh wow. So this would have been exactly the wrong 847 00:47:36,000 --> 00:47:38,840 Speaker 2: item to steal and then run into the future with. 848 00:47:39,040 --> 00:47:41,520 Speaker 3: Oh yeah, so we're about to see exactly how wrong 849 00:47:41,560 --> 00:47:43,560 Speaker 3: you would have been. But you wouldn't You wouldn't have 850 00:47:44,200 --> 00:47:47,839 Speaker 3: been able to predict necessarily. You know that this would 851 00:47:47,840 --> 00:47:50,400 Speaker 3: be good. I mean, this would be a precious, precious 852 00:47:50,440 --> 00:47:53,359 Speaker 3: item to steal and take into the future for your 853 00:47:53,560 --> 00:47:56,719 Speaker 3: group of criminals in eighteen eighty four. So, according to 854 00:47:56,760 --> 00:48:00,560 Speaker 3: that ACS article, the pyramid at the top of the monument, 855 00:48:00,680 --> 00:48:04,640 Speaker 3: weighing again a little over six pounds, was by itself 856 00:48:04,680 --> 00:48:08,160 Speaker 3: about twenty percent of the roughly one hundred and twenty 857 00:48:08,200 --> 00:48:11,480 Speaker 3: five pounds of aluminum produced in America in the year 858 00:48:11,520 --> 00:48:16,200 Speaker 3: eighteen eighty four. So if the entire country's aluminum production 859 00:48:16,320 --> 00:48:20,760 Speaker 3: infrastructure in eighty four eighteen eighty four had been harnessed, 860 00:48:21,000 --> 00:48:24,120 Speaker 3: we could have made about five of these pyramids, or 861 00:48:24,160 --> 00:48:25,960 Speaker 3: about one thousand La croix cans. 862 00:48:26,480 --> 00:48:26,840 Speaker 2: Wow. 863 00:48:27,920 --> 00:48:31,120 Speaker 3: So, as hard as it is to believe, aluminum in 864 00:48:31,160 --> 00:48:34,880 Speaker 3: the eighteen eighties, the early eighteen eighties was rare, precious 865 00:48:34,960 --> 00:48:41,279 Speaker 3: and highly valuable like gold or silver. Another anecdote that 866 00:48:41,440 --> 00:48:45,040 Speaker 3: people often cite to show the value of aluminum at 867 00:48:45,040 --> 00:48:47,719 Speaker 3: the time is actually one that couldn't verify, but a 868 00:48:47,920 --> 00:48:50,440 Speaker 3: figure it's worth mentioning because you come across it a lot. 869 00:48:51,000 --> 00:48:54,200 Speaker 3: So the story is that the French Emperor Napoleon the 870 00:48:54,320 --> 00:48:59,719 Speaker 3: Third would serve his most honored guests on aluminum plates. Mean, 871 00:49:00,120 --> 00:49:02,279 Speaker 3: you know, if you got like the less pritt you know, 872 00:49:02,360 --> 00:49:05,919 Speaker 3: silver plates or whatever, the less precious metals, you weren't 873 00:49:06,000 --> 00:49:09,000 Speaker 3: quite as honored. I could now find a good early 874 00:49:09,040 --> 00:49:11,399 Speaker 3: source for this claim, and as far as I could tell, 875 00:49:11,440 --> 00:49:13,960 Speaker 3: it only pops up unsourced in later books from the 876 00:49:14,000 --> 00:49:19,760 Speaker 3: twentieth century. But there absolutely were lavish royal luxury items 877 00:49:19,800 --> 00:49:23,359 Speaker 3: in the mid nineteenth century, especially in France, made out 878 00:49:23,400 --> 00:49:26,879 Speaker 3: of aluminum. So one example I came across is that 879 00:49:27,040 --> 00:49:31,279 Speaker 3: a German chemist named Friedrich Wohler who was very much 880 00:49:31,320 --> 00:49:36,560 Speaker 3: working on processes for isolating and extracting aluminum from these ores. 881 00:49:37,080 --> 00:49:42,360 Speaker 3: Wohler designed an aluminum and gold rattle for the infant 882 00:49:42,480 --> 00:49:45,560 Speaker 3: Prince Louis Napoleon in the eighteen fifties. This would have 883 00:49:45,560 --> 00:49:50,280 Speaker 3: been Napoleon the third baby son. And at the eighteen 884 00:49:50,440 --> 00:49:54,080 Speaker 3: fifty five Paris World's Fair also known as the eighteen 885 00:49:54,160 --> 00:49:59,839 Speaker 3: fifty five Paris Exposition or the Exposition Universal Bars or 886 00:49:59,880 --> 00:50:04,760 Speaker 3: a like, ingots of aluminum were exhibited in the same 887 00:50:04,960 --> 00:50:10,040 Speaker 3: venue as the crown jewels of the French royals, and 888 00:50:10,320 --> 00:50:12,640 Speaker 3: they were calling it the I don't remember the French phrase, 889 00:50:12,680 --> 00:50:14,719 Speaker 3: but the French phrase they were using to describe it 890 00:50:14,840 --> 00:50:18,000 Speaker 3: was the silver from clay, you know, because it came 891 00:50:18,040 --> 00:50:21,040 Speaker 3: from this reddish brown ore and they could extract it 892 00:50:21,080 --> 00:50:25,880 Speaker 3: through this laborious, expensive process and create a new type 893 00:50:25,920 --> 00:50:40,880 Speaker 3: of silver from it. Apparently, aluminum jewelry, for a time 894 00:50:41,040 --> 00:50:44,200 Speaker 3: in the mid nineteenth century became quite fashionable among the 895 00:50:44,320 --> 00:50:46,319 Speaker 3: rich in Paris, and I think to some degree in 896 00:50:46,360 --> 00:50:50,440 Speaker 3: England as well, but especially in France. Not just because 897 00:50:50,520 --> 00:50:52,839 Speaker 3: it was novel and expensive. It's not just like this 898 00:50:52,920 --> 00:50:55,840 Speaker 3: is a rare status item, but it did have some 899 00:50:56,000 --> 00:50:59,800 Speaker 3: intrinsic qualities that made it desirable, like its light weight, 900 00:51:00,440 --> 00:51:03,320 Speaker 3: it didn't it was thought not to tarnish, and it 901 00:51:03,400 --> 00:51:07,480 Speaker 3: was considered beautiful by some, which is funny because you 902 00:51:07,480 --> 00:51:10,640 Speaker 3: can imagine now like making jewelry out of aluminum foil 903 00:51:10,680 --> 00:51:13,040 Speaker 3: from your kitchen, and you think you the same. 904 00:51:13,360 --> 00:51:15,759 Speaker 2: I remember playing with aluminum foil a lot as a kid, 905 00:51:15,800 --> 00:51:17,600 Speaker 2: where you could you could like take a little bit 906 00:51:17,640 --> 00:51:19,719 Speaker 2: of it and wrap it around a g I. Joe 907 00:51:19,719 --> 00:51:22,719 Speaker 2: figure's head and like, oh, now there is another desk 908 00:51:22,760 --> 00:51:26,520 Speaker 2: stro kind of a situation. You know, there arell sorts 909 00:51:26,520 --> 00:51:28,640 Speaker 2: of things like that you could do or make little 910 00:51:28,760 --> 00:51:31,000 Speaker 2: arrow heads out of it, you know. And then over 911 00:51:31,040 --> 00:51:35,520 Speaker 2: time we we come to realize, or at least we 912 00:51:35,520 --> 00:51:38,279 Speaker 2: we get into our heads that aluminum isn't beautiful. It's 913 00:51:38,360 --> 00:51:40,360 Speaker 2: just this thing you wrap up leftovers in. 914 00:51:40,800 --> 00:51:44,719 Speaker 3: Yeah, but that's because it's abundant now, industrially abundant. So 915 00:51:44,760 --> 00:51:48,640 Speaker 3: how did we get from preciousness to abundance. Well, it 916 00:51:48,680 --> 00:51:52,239 Speaker 3: all changed in the year eighteen eighty six, when, at 917 00:51:52,480 --> 00:51:56,920 Speaker 3: roughly around the same time, two different people on opposite 918 00:51:56,960 --> 00:52:00,960 Speaker 3: sides of the Atlantic discovered a radically more cost effective 919 00:52:01,000 --> 00:52:06,080 Speaker 3: process for refining metallic aluminum from aluminum oxide. And these 920 00:52:06,080 --> 00:52:10,160 Speaker 3: two inventors were the American chemist Charles Martin Hall, who 921 00:52:10,200 --> 00:52:13,799 Speaker 3: lived eighteen sixty three to nineteen fourteen, working out of 922 00:52:13,840 --> 00:52:17,360 Speaker 3: the woodshed behind his house in Ohio, and a French 923 00:52:17,400 --> 00:52:21,400 Speaker 3: scientist named Paul Harold who lived eighteen sixty three to 924 00:52:21,520 --> 00:52:25,360 Speaker 3: nineteen fourteen, also working in France. Note they share the 925 00:52:25,400 --> 00:52:29,319 Speaker 3: same birth and death years. Neither of these inventors, I 926 00:52:29,320 --> 00:52:33,400 Speaker 3: think it's worth noting we're working in a vacuum lots 927 00:52:33,440 --> 00:52:36,960 Speaker 3: of chemists in the university systems, in private industry, and 928 00:52:37,000 --> 00:52:40,719 Speaker 3: even just in like independent laboratories at the time were 929 00:52:40,760 --> 00:52:43,680 Speaker 3: working on the aluminum problem. So this was like a 930 00:52:43,719 --> 00:52:46,239 Speaker 3: big thing a lot of people were feeding into. And 931 00:52:46,480 --> 00:52:49,160 Speaker 3: these these scientists were you know, they had they had 932 00:52:49,200 --> 00:52:51,719 Speaker 3: mentors and had been inspired by others, So they were 933 00:52:51,719 --> 00:52:54,239 Speaker 3: not they were not just like loan geniuses striking. 934 00:52:53,960 --> 00:52:56,880 Speaker 2: Getting an idea in a dream about right slated. 935 00:52:58,200 --> 00:53:01,880 Speaker 3: But what Hall and Harold discovered was that you could 936 00:53:02,080 --> 00:53:08,200 Speaker 3: produce metallic aluminum quite efficiently by well it's actually depending 937 00:53:08,320 --> 00:53:12,479 Speaker 3: it's only efficient relative to the other processes. It's still 938 00:53:12,600 --> 00:53:16,480 Speaker 3: quite costly, an energy intensive process, but you could do 939 00:53:16,560 --> 00:53:21,240 Speaker 3: it by first melting the aluminum oxide in a furnace 940 00:53:21,520 --> 00:53:27,359 Speaker 3: alongside a solvent mineral called cryolite. Now you might hear 941 00:53:27,440 --> 00:53:32,359 Speaker 3: that name and intuitively detect some interesting etymology. You think, like, wait, 942 00:53:32,600 --> 00:53:37,799 Speaker 3: cryo meaning ice and light meaning stone, ice, stone. Yes, 943 00:53:37,960 --> 00:53:39,719 Speaker 3: that is what the name means. And if you look 944 00:53:39,800 --> 00:53:42,919 Speaker 3: up pictures of cryolite, it will all become clear because 945 00:53:42,960 --> 00:53:45,000 Speaker 3: it really does look like ice. It looks like a 946 00:53:45,120 --> 00:53:47,200 Speaker 3: kind of a snowball or a chunk of ice somebody 947 00:53:47,280 --> 00:53:51,480 Speaker 3: has squished together I couldn't find a a I was 948 00:53:51,520 --> 00:53:53,239 Speaker 3: trying to find a video of this right before we 949 00:53:53,280 --> 00:53:55,160 Speaker 3: got started, and I didn't turn it up. Maybe there 950 00:53:55,200 --> 00:53:58,000 Speaker 3: is one out there I didn't connect to. But allegedly, 951 00:53:58,120 --> 00:54:03,480 Speaker 3: if you submerge this rock in water, it becomes nearly 952 00:54:03,560 --> 00:54:07,360 Speaker 3: invisible or takes on a kind of ghostly translucent appearance 953 00:54:07,440 --> 00:54:12,640 Speaker 3: because it has a similar refractive index to water. The 954 00:54:13,040 --> 00:54:18,280 Speaker 3: first major deposit of cryolite discovered on Earth was found 955 00:54:18,360 --> 00:54:23,160 Speaker 3: on the southwest coast of Greenland at a place called Ivetut, 956 00:54:23,800 --> 00:54:27,840 Speaker 3: and an important mining community sprang up there to support 957 00:54:27,880 --> 00:54:32,520 Speaker 3: the extraction of this mineral. And so important was cryolite 958 00:54:32,560 --> 00:54:37,080 Speaker 3: for the industrial production of aluminium that the protection of 959 00:54:37,160 --> 00:54:40,840 Speaker 3: this mine in Greenland became an important point of strategic 960 00:54:40,840 --> 00:54:43,160 Speaker 3: defense in World War II for the Allies, for the 961 00:54:43,200 --> 00:54:46,200 Speaker 3: fear of what would happen if this big source of 962 00:54:46,280 --> 00:54:50,719 Speaker 3: natural cryolite fell under Nazi attack or Nazi control. But 963 00:54:51,040 --> 00:54:53,600 Speaker 3: coming back to the chemical properties of cryolite, So the 964 00:54:53,640 --> 00:54:58,520 Speaker 3: chemical name for cryolite is sodium hexafluoro illuminate, and it's 965 00:54:58,560 --> 00:55:02,360 Speaker 3: made from three sodium atoms, one aluminum, and six fluorines. 966 00:55:03,239 --> 00:55:08,960 Speaker 3: When melted in an industrial furnace. Cryolite has the special 967 00:55:09,000 --> 00:55:13,520 Speaker 3: attribute of dissolving and then greatly lowering the melting point 968 00:55:13,719 --> 00:55:17,840 Speaker 3: of aluminum oxide dissolved with it, and this makes the 969 00:55:17,880 --> 00:55:24,359 Speaker 3: aluminum oxide molecules susceptible to separation by electrolysis. So when 970 00:55:24,400 --> 00:55:28,120 Speaker 3: you run electric current through this solution of cryolite with 971 00:55:28,200 --> 00:55:33,120 Speaker 3: aluminum oxide dissolved in it, it causes the aluminum oxide 972 00:55:33,120 --> 00:55:37,120 Speaker 3: to separate into waste products based on oxygen like carbon dioxide, 973 00:55:37,200 --> 00:55:39,839 Speaker 3: carbon monoxide, and stuff. And then on the other end 974 00:55:39,880 --> 00:55:45,279 Speaker 3: you get nearly pure metallic aluminium which gathers near the cathode. Now, 975 00:55:45,400 --> 00:55:49,520 Speaker 3: this process uses a lot of energy and produces a 976 00:55:49,560 --> 00:55:54,040 Speaker 3: lot of waste products, especially fumes released into the air. 977 00:55:55,280 --> 00:56:02,000 Speaker 3: You get carbon dioxide, carbon monoxide, perfluorocarbons. But fortunately, once 978 00:56:02,120 --> 00:56:04,680 Speaker 3: the metal has been separated like this, it can be 979 00:56:04,760 --> 00:56:08,480 Speaker 3: melted down, reused, and recycled pretty efficiently compared to the 980 00:56:08,520 --> 00:56:12,920 Speaker 3: initial smelting process. So recycling aluminum is actually quite important 981 00:56:12,960 --> 00:56:16,920 Speaker 3: when it comes to saving energy and preventing pollution, but 982 00:56:17,239 --> 00:56:20,120 Speaker 3: getting it out of the oxide where it's found in 983 00:56:20,200 --> 00:56:23,799 Speaker 3: nature initially is quite rough. But once the aluminum is 984 00:56:23,800 --> 00:56:26,759 Speaker 3: in circulation, we can continue to do a lot with 985 00:56:26,840 --> 00:56:29,480 Speaker 3: it over the life cycles of many products and uses. 986 00:56:30,280 --> 00:56:33,240 Speaker 3: But coming back to the idea of a metal devalued 987 00:56:33,360 --> 00:56:36,560 Speaker 3: like the gold and the rip Van Winkle caper. According 988 00:56:36,600 --> 00:56:39,880 Speaker 3: to the ACS, within a few years of the invention 989 00:56:40,160 --> 00:56:43,920 Speaker 3: of the Hall Herald process, the price of aluminum it 990 00:56:44,040 --> 00:56:47,480 Speaker 3: just dropped through the floor, like as suddenly vastly greater 991 00:56:47,560 --> 00:56:51,239 Speaker 3: amounts could be produced. So to read a quote from 992 00:56:51,239 --> 00:56:55,000 Speaker 3: that article, quote, as Hall improved his process, the price 993 00:56:55,040 --> 00:56:58,080 Speaker 3: of aluminum ingots dropped from four dollars and eighty six 994 00:56:58,239 --> 00:57:01,760 Speaker 3: cents per pound. Remember that's eighteen eighty dollars four dollars 995 00:57:01,800 --> 00:57:04,520 Speaker 3: and eighty six cents per pound in eighteen eighty eight 996 00:57:04,800 --> 00:57:08,120 Speaker 3: to seventy eight cents per pound in eighteen ninety three. 997 00:57:09,160 --> 00:57:11,360 Speaker 3: And then later they say, by the late nineteen thirties, 998 00:57:11,400 --> 00:57:14,640 Speaker 3: a pound of aluminum costs just twenty cents. Its use 999 00:57:14,760 --> 00:57:19,120 Speaker 3: is numbered more than two thousand. Oh wow, So drastic, 1000 00:57:19,480 --> 00:57:22,440 Speaker 3: drastic reduction. And you know remember in the episode they 1001 00:57:22,480 --> 00:57:26,000 Speaker 3: sleep for one hundred years. So if you you know stole, yeah, 1002 00:57:26,040 --> 00:57:31,080 Speaker 3: stole your one hundred pounds of aluminum in the early 1003 00:57:31,120 --> 00:57:33,680 Speaker 3: eighteen eighties, and you think I'm rich, I'm rich. I'm rich. 1004 00:57:33,720 --> 00:57:35,520 Speaker 3: I just need to go sleep for one hundred years 1005 00:57:35,560 --> 00:57:37,200 Speaker 3: and then wake up when I can put this into 1006 00:57:37,240 --> 00:57:41,480 Speaker 3: circulation and cash out. You would be, you know, not worthless, 1007 00:57:41,640 --> 00:57:44,000 Speaker 3: Like one hundred pounds of aluminium is I don't know. 1008 00:57:44,040 --> 00:57:47,200 Speaker 3: You can get something for that, but wouldn't be worth 1009 00:57:47,200 --> 00:57:47,840 Speaker 3: the squeeze. 1010 00:57:48,160 --> 00:57:52,080 Speaker 2: Yeah, yeah, Wow, it is fascinating how well this line's 1011 00:57:52,160 --> 00:57:54,920 Speaker 2: up with the idea here and in Indet. Maybe this 1012 00:57:55,040 --> 00:57:58,200 Speaker 2: was partially on the mind of Rod Serling as well. 1013 00:57:58,280 --> 00:58:02,080 Speaker 2: I don't know, but but but yeah, that's that's fascinating. 1014 00:58:02,320 --> 00:58:06,960 Speaker 2: This this brief aluminium age in which it was a 1015 00:58:07,040 --> 00:58:12,360 Speaker 2: highly valued moon metal, and you know, the richest people 1016 00:58:12,480 --> 00:58:14,840 Speaker 2: and most powerful people on Earth were wearing it and 1017 00:58:15,480 --> 00:58:17,840 Speaker 2: eating off of it. I mean, we're still eating out 1018 00:58:17,840 --> 00:58:19,600 Speaker 2: of it and off of it and drinking out of it, 1019 00:58:19,680 --> 00:58:25,000 Speaker 2: but without the air of sophistication. Now, this would be 1020 00:58:25,000 --> 00:58:30,680 Speaker 2: a good Twilight Zone twist. Some sort of an aluminium 1021 00:58:30,880 --> 00:58:34,200 Speaker 2: sensitive werewolf type creature escapes from the past to go 1022 00:58:34,240 --> 00:58:36,640 Speaker 2: into the future. Finally I'll be rid of my hunters, 1023 00:58:36,640 --> 00:58:41,080 Speaker 2: and then they realize no, every household in the world 1024 00:58:41,240 --> 00:58:45,800 Speaker 2: has a copious amounts of aluminum at its disposable they 1025 00:58:45,800 --> 00:58:49,640 Speaker 2: have sheets of it in their drawers, they have you know, 1026 00:58:49,840 --> 00:58:52,520 Speaker 2: cans of it all over the place. That would be good. 1027 00:58:52,600 --> 00:58:55,120 Speaker 3: Yeah, the kids are fighting the werewolf by just like 1028 00:58:55,200 --> 00:58:59,880 Speaker 3: ripping out the foil. Yeah, makings just mummifying him in 1029 00:59:00,720 --> 00:59:01,920 Speaker 3: tenfoil from the kitchen. 1030 00:59:02,840 --> 00:59:05,160 Speaker 2: There you go. It rights itself, rights itself. 1031 00:59:05,360 --> 00:59:07,880 Speaker 3: Tonight's lesson in the Twilight Zone. 1032 00:59:08,040 --> 00:59:11,680 Speaker 2: Submitted for your approval. All right, well, we're gonna go 1033 00:59:11,680 --> 00:59:13,400 Speaker 2: ahead and close this episode out here, but we'd love 1034 00:59:13,400 --> 00:59:15,000 Speaker 2: to hear from everyone out there if you have thoughts 1035 00:59:15,000 --> 00:59:17,680 Speaker 2: about the science and history that we've discussed here, if 1036 00:59:17,680 --> 00:59:20,720 Speaker 2: you have thoughts about this particular episode of the Twilight Zone, 1037 00:59:21,440 --> 00:59:25,280 Speaker 2: your history with this episode right in as well, and 1038 00:59:25,320 --> 00:59:29,400 Speaker 2: in general. Hey, you know, when New Year's rolls around 1039 00:59:29,520 --> 00:59:32,120 Speaker 2: once more, maybe we'll do another one of these if 1040 00:59:32,520 --> 00:59:35,680 Speaker 2: if that is something you want to see happen, let's 1041 00:59:35,720 --> 00:59:37,600 Speaker 2: get on top of it. Write in and let us 1042 00:59:37,640 --> 00:59:41,360 Speaker 2: know which episode we should consider. With the understanding that 1043 00:59:41,360 --> 00:59:44,640 Speaker 2: we have already covered to serve man and I believe 1044 00:59:44,640 --> 00:59:47,120 Speaker 2: we also discussed the one with the Grimlin on the 1045 00:59:47,160 --> 00:59:49,280 Speaker 2: wing of the plane. We've done those two, so we've 1046 00:59:49,280 --> 00:59:51,640 Speaker 2: done three now, but the rest are fair game. 1047 00:59:52,120 --> 00:59:56,680 Speaker 3: I talked about the one where the guy is sentenced 1048 00:59:56,680 --> 01:00:00,000 Speaker 3: to death and then he tells people that they are 1049 01:00:00,040 --> 01:00:02,440 Speaker 3: all exists within his dream and if they put him 1050 01:00:02,440 --> 01:00:04,320 Speaker 3: to death that they will stop existing. 1051 01:00:04,720 --> 01:00:07,680 Speaker 2: Okay, so we've done. We've essentially covered four episodes of 1052 01:00:07,680 --> 01:00:10,040 Speaker 2: the Twilight Zone. Yeah. Yeah, there are a lot more 1053 01:00:10,080 --> 01:00:12,480 Speaker 2: of them, so there's still a lot of possibilities. So 1054 01:00:12,520 --> 01:00:15,000 Speaker 2: if you have thoughts right in, we'd love to hear 1055 01:00:15,040 --> 01:00:16,720 Speaker 2: from you. Just to remind it that Stuff to Blow 1056 01:00:16,760 --> 01:00:19,000 Speaker 2: Your Mind is primarily a science and culture podcast, with 1057 01:00:19,080 --> 01:00:22,320 Speaker 2: core episodes on Tuesdays and Thursdays, and then we have 1058 01:00:22,320 --> 01:00:24,640 Speaker 2: a short form episode on Wednesday and on Fridays, we 1059 01:00:24,680 --> 01:00:26,720 Speaker 2: set aside most serious concerns to just talk about a 1060 01:00:26,720 --> 01:00:28,520 Speaker 2: weird film on Weird House Cinema. 1061 01:00:28,840 --> 01:00:32,560 Speaker 3: Huge thanks as always to our excellent audio producer JJ Posway. 1062 01:00:32,960 --> 01:00:34,520 Speaker 3: If you would like to get in touch with us 1063 01:00:34,520 --> 01:00:36,920 Speaker 3: with feedback on this episode or any other, to suggest 1064 01:00:36,920 --> 01:00:38,919 Speaker 3: a topic for the future, or just to say hello, 1065 01:00:39,040 --> 01:00:41,600 Speaker 3: you can email us at contact at stuff to Blow 1066 01:00:41,640 --> 01:00:49,600 Speaker 3: your Mind dot com. 1067 01:00:49,760 --> 01:00:52,640 Speaker 1: Stuff to Blow Your Mind is production of iHeartRadio. For 1068 01:00:52,760 --> 01:00:55,560 Speaker 1: more podcasts from my heart Radio, visit the iHeartRadio app 1069 01:00:55,680 --> 01:01:13,320 Speaker 1: Apple Podcasts or wherever you listen to your favorite shows.