1 00:00:11,960 --> 00:00:15,760 Speaker 1: People talking about Megan Fox's new look at a Super 2 00:00:15,760 --> 00:00:19,040 Speaker 1: Bowl party. I will admit that I didn't recognize her, 3 00:00:19,200 --> 00:00:23,759 Speaker 1: but she's edgy and always dressing in a different way, 4 00:00:24,040 --> 00:00:26,640 Speaker 1: and like she and I guess machine gun, if they're 5 00:00:26,640 --> 00:00:29,280 Speaker 1: still together. They went really under the radar after all 6 00:00:29,320 --> 00:00:32,400 Speaker 1: those rumors, which is a cautionary tale in not being 7 00:00:32,440 --> 00:00:34,080 Speaker 1: under the radar, because all of a sudden, you become 8 00:00:34,080 --> 00:00:36,080 Speaker 1: a turtle and you like go back into your shell, 9 00:00:36,320 --> 00:00:40,800 Speaker 1: which sounds like their relationship did after being super public 10 00:00:41,000 --> 00:00:47,160 Speaker 1: about sex and blood and everything. But she does look different, 11 00:00:47,240 --> 00:00:50,200 Speaker 1: and people are allowed to look different. She looks different. 12 00:00:50,200 --> 00:00:52,959 Speaker 1: Maybe she did something, maybe she didn't were so hypercritical. 13 00:00:53,400 --> 00:00:56,640 Speaker 1: I guess the only conversation about that is just we 14 00:00:56,920 --> 00:01:02,680 Speaker 1: as society wonder when someone who's so exceptionally stunning by 15 00:01:02,880 --> 00:01:08,560 Speaker 1: our standards or viewpoint or perspective. We think that Megan 16 00:01:08,560 --> 00:01:12,040 Speaker 1: Fox is so stunning, she's like an alien. She's not real. 17 00:01:12,800 --> 00:01:14,920 Speaker 1: But maybe she doesn't feel it, or maybe she does 18 00:01:14,959 --> 00:01:17,080 Speaker 1: feel it. Maybe she feels she's too stunning. Maybe she 19 00:01:17,120 --> 00:01:21,000 Speaker 1: wants to change something, Maybe she's insecure. Maybe she just 20 00:01:21,120 --> 00:01:23,200 Speaker 1: did it. Maybe she did one thing, did another thing, 21 00:01:23,240 --> 00:01:25,440 Speaker 1: and like couldn't really see it, but like it's not 22 00:01:25,520 --> 00:01:29,280 Speaker 1: really our business, right, I mean people comment about Jennifer 23 00:01:29,319 --> 00:01:36,040 Speaker 1: Aniston looking different. I mean getting older is it'll mess 24 00:01:36,080 --> 00:01:39,000 Speaker 1: with your mind. And being in Hollywood will mess with 25 00:01:39,040 --> 00:01:41,200 Speaker 1: your mind, and always being photographed and being on the 26 00:01:41,240 --> 00:01:44,320 Speaker 1: red carpet. And remember there were moments where everything Megan 27 00:01:44,360 --> 00:01:46,520 Speaker 1: Fox was wearing was like wearing nothing and it was 28 00:01:46,560 --> 00:01:51,000 Speaker 1: just all very pressworthy. She did have a pop off moment. 29 00:01:51,040 --> 00:01:53,440 Speaker 1: It was around the same time that Courtney got together 30 00:01:53,480 --> 00:01:56,480 Speaker 1: with Travis and it was like machine gun and her 31 00:01:56,600 --> 00:02:00,840 Speaker 1: and like showing every inch of her body. It's a 32 00:02:00,840 --> 00:02:02,800 Speaker 1: lot to keep up with and she's in a public 33 00:02:02,840 --> 00:02:04,760 Speaker 1: relationship and there were rumors. I don't know if it 34 00:02:04,800 --> 00:02:07,160 Speaker 1: was infidelity, there was something that went sideways with the 35 00:02:07,160 --> 00:02:09,360 Speaker 1: two of them. It doesn't matter now, but like maybe 36 00:02:09,360 --> 00:02:11,560 Speaker 1: that'll make someone insecure. You never know what's going on 37 00:02:11,639 --> 00:02:15,280 Speaker 1: with someone. People get divorced, they get work done, or 38 00:02:15,480 --> 00:02:17,240 Speaker 1: they just feel bad about themselves, or they have too 39 00:02:17,320 --> 00:02:19,519 Speaker 1: much money, or they're bored, or they're rich, or they're insecure, 40 00:02:19,680 --> 00:02:22,120 Speaker 1: or something happens, or you get botched. I don't know, 41 00:02:22,200 --> 00:02:25,560 Speaker 1: it doesn't really matter. But people are talking about Megan 42 00:02:25,560 --> 00:02:28,520 Speaker 1: Fox looking different, which she does, and that's her right 43 00:02:28,600 --> 00:02:31,960 Speaker 1: to look different, you know, And there are people who've 44 00:02:31,960 --> 00:02:35,919 Speaker 1: looked very different and then make a tweak or adjust. 45 00:02:36,160 --> 00:02:39,880 Speaker 1: You know, She's a Hollywood actress and in a public relationship, 46 00:02:39,880 --> 00:02:42,160 Speaker 1: so I'm sure she'll tweak if she doesn't like what 47 00:02:42,200 --> 00:02:43,400 Speaker 1: she did, and if she likes so she did. It's 48 00:02:43,440 --> 00:02:58,839 Speaker 1: not of our fucking business. How we feel is our problem? 49 00:02:59,400 --> 00:03:01,200 Speaker 1: Is it a public city's stunt? If you saw it. 50 00:03:01,280 --> 00:03:03,800 Speaker 1: The Dana White, who was actually on this podcast, he 51 00:03:03,840 --> 00:03:06,959 Speaker 1: was great. He was on this podcast. He was entertaining, 52 00:03:07,080 --> 00:03:10,280 Speaker 1: he was very opinionated. We spoke for a while, he 53 00:03:10,280 --> 00:03:12,600 Speaker 1: gave me his whole story. He was great. He walked 54 00:03:12,600 --> 00:03:15,600 Speaker 1: out of Howie Mandel's podcast seconds in. Unless it was 55 00:03:15,639 --> 00:03:19,120 Speaker 1: a bit, but that would be bad for the podcast 56 00:03:19,160 --> 00:03:20,520 Speaker 1: it was a bit, because then it would be like 57 00:03:20,760 --> 00:03:23,760 Speaker 1: you're baiting and switching, Like I just don't understand. Something 58 00:03:23,800 --> 00:03:26,720 Speaker 1: must have happened before. But he sat down and was like, yeah, 59 00:03:26,800 --> 00:03:28,600 Speaker 1: I'm sick of doing podcasts. And he stood up and 60 00:03:28,639 --> 00:03:31,320 Speaker 1: walked out, And I just don't understand why it could happen. 61 00:03:31,919 --> 00:03:33,680 Speaker 1: You never know what happened in someone's day before they 62 00:03:33,720 --> 00:03:35,920 Speaker 1: showed up to you, but it seemed like a bit 63 00:03:36,800 --> 00:03:39,280 Speaker 1: And a lot of these publicity stunts are happening in 64 00:03:39,320 --> 00:03:42,400 Speaker 1: social media and I don't necessarily understand them. Like there's 65 00:03:42,400 --> 00:03:46,280 Speaker 1: a guy Michael Sarah. He's from Arrested Development and other movies, 66 00:03:46,400 --> 00:03:48,760 Speaker 1: and he was on that girl Bobby All Tough. I 67 00:03:48,760 --> 00:03:50,720 Speaker 1: don't know if you've heard of her. She had Drake 68 00:03:50,800 --> 00:03:53,680 Speaker 1: on her podcast. She has a very dry style. She 69 00:03:53,840 --> 00:03:57,720 Speaker 1: just had Bobby Flay. They did a shoot together in 70 00:03:57,760 --> 00:04:00,440 Speaker 1: his kitchen, and it's just I don't know her chasm 71 00:04:00,560 --> 00:04:05,320 Speaker 1: is the lowest form of wit, so while used sparingly, 72 00:04:05,520 --> 00:04:10,280 Speaker 1: it's entertaining, it seems like the low hanging fruit. So 73 00:04:10,320 --> 00:04:13,200 Speaker 1: this girl who became famous overnight, I think because she 74 00:04:13,240 --> 00:04:15,280 Speaker 1: interviewed Drake, and I don't really understand, and a lot 75 00:04:15,280 --> 00:04:17,760 Speaker 1: of people don't understand. I'm not understanding sort of part 76 00:04:17,760 --> 00:04:22,080 Speaker 1: of her art, but it's a very Her style is 77 00:04:22,120 --> 00:04:26,680 Speaker 1: just combative. Like you say, I like cucumbers and she's like, 78 00:04:26,800 --> 00:04:29,560 Speaker 1: why do you like cucumbers? Like what's so great about cucumbers? 79 00:04:29,600 --> 00:04:31,039 Speaker 1: And you're like, I don't know, they're crispy and then 80 00:04:31,040 --> 00:04:34,160 Speaker 1: she's like okay, but why and they're like, well, be 81 00:04:34,160 --> 00:04:36,600 Speaker 1: cause they're refreshing and they happen to be a diuretic. Okay, 82 00:04:36,600 --> 00:04:38,640 Speaker 1: why you're trying to lose weight, you need to lose 83 00:04:38,640 --> 00:04:41,000 Speaker 1: water weight. And then the person's like no, but I 84 00:04:41,000 --> 00:04:43,680 Speaker 1: guess you know everybody could just watch, well do you 85 00:04:43,720 --> 00:04:45,960 Speaker 1: need to be watched? Like it's combative in this way 86 00:04:46,000 --> 00:04:49,160 Speaker 1: that I don't understand, Like I'm not stupid, I understand it, 87 00:04:49,200 --> 00:04:52,480 Speaker 1: but I don't like. And then she's asking him about 88 00:04:52,520 --> 00:04:54,960 Speaker 1: it and he walks off set on her show. So 89 00:04:54,960 --> 00:04:56,960 Speaker 1: I guess this is like a theme about people walking 90 00:04:57,000 --> 00:04:59,400 Speaker 1: off So she walks out of he walks out of 91 00:04:59,400 --> 00:05:02,120 Speaker 1: her podcast. Yes, and it seems real, but like it 92 00:05:02,160 --> 00:05:04,000 Speaker 1: seems like it might be a bit and it's not real, 93 00:05:05,080 --> 00:05:08,520 Speaker 1: and it's okay if it's not. If it's a bit 94 00:05:08,560 --> 00:05:12,119 Speaker 1: and it lands, But now we're doing these publicity stunts 95 00:05:12,160 --> 00:05:14,320 Speaker 1: that don't land. So if Dana White did walk out 96 00:05:14,360 --> 00:05:16,400 Speaker 1: as a publicity stunt for how he Met his podcast, 97 00:05:16,440 --> 00:05:18,840 Speaker 1: like yay, that you got our attention, But I only 98 00:05:18,880 --> 00:05:22,400 Speaker 1: like getting attention if it lands, like if it's entertaining 99 00:05:22,440 --> 00:05:25,440 Speaker 1: and talented, like, so, I don't understand if what that 100 00:05:25,680 --> 00:05:27,800 Speaker 1: was by Howie Mandel, if that happened. And I also 101 00:05:27,839 --> 00:05:31,520 Speaker 1: don't understand Michael Sarah walking out of Bobby's podcast as 102 00:05:31,560 --> 00:05:34,560 Speaker 1: they talk about like they're insinuating that she's asking him 103 00:05:34,600 --> 00:05:37,200 Speaker 1: personal information about his skin, and he's like, I don't 104 00:05:37,240 --> 00:05:39,560 Speaker 1: need usually talk about personal information. And then she's like, 105 00:05:39,600 --> 00:05:41,039 Speaker 1: what are you doing right now? And he's like what 106 00:05:41,440 --> 00:05:44,800 Speaker 1: it was just like it didn't land. It's just like weird, 107 00:05:44,880 --> 00:05:48,360 Speaker 1: but we're talking about it. So yes, we could get clickbait. 108 00:05:48,400 --> 00:05:52,240 Speaker 1: We could, we could do stunts if we want, but 109 00:05:53,760 --> 00:05:56,760 Speaker 1: they have to land. So I don't understand it. I 110 00:05:56,800 --> 00:06:04,160 Speaker 1: really don't understand it. I have a new philosophy on 111 00:06:04,200 --> 00:06:06,400 Speaker 1: the Travis and Taylor about her being the peacock in 112 00:06:06,440 --> 00:06:09,120 Speaker 1: the relationship, and I was talking to my daughter about this. 113 00:06:10,120 --> 00:06:15,040 Speaker 1: Travis Kelcey is a thirst trap. Travis Kelcey is a 114 00:06:15,120 --> 00:06:20,200 Speaker 1: full fledged, bonafide at this point unnecessary thirst trap because 115 00:06:20,240 --> 00:06:22,840 Speaker 1: he's already getting so much attention because he's so successful, 116 00:06:22,880 --> 00:06:26,040 Speaker 1: like and he's so talented from what everyone says, and 117 00:06:26,240 --> 00:06:27,960 Speaker 1: he's on my type. But he's handsome, and he's a 118 00:06:27,960 --> 00:06:32,640 Speaker 1: big guy, and he's you know, he is like you know, 119 00:06:33,080 --> 00:06:37,560 Speaker 1: it's like he's like Spencer Pratt, right, now like he 120 00:06:37,960 --> 00:06:40,679 Speaker 1: he's standing up and he's got to get the attention 121 00:06:40,839 --> 00:06:42,440 Speaker 1: for singing all the words to that. And I love 122 00:06:42,480 --> 00:06:44,080 Speaker 1: Spencer Pratt, by the way, don't take that the wrong way. 123 00:06:44,120 --> 00:06:46,400 Speaker 1: Spencer Pratt will say, Hi, I'm here, and I want, 124 00:06:47,960 --> 00:06:50,360 Speaker 1: I want, I want the attention, like that's why I'm 125 00:06:50,400 --> 00:06:53,880 Speaker 1: saying that. But like Travis Kelcey is up singing all 126 00:06:53,920 --> 00:06:55,920 Speaker 1: the words to a song and like a big sort 127 00:06:55,960 --> 00:07:01,240 Speaker 1: of karaoke Kansas City Parade moment drunk. Then he's like 128 00:07:01,360 --> 00:07:04,280 Speaker 1: Viva Las Vegas on the stage and then we're gonna 129 00:07:04,320 --> 00:07:08,839 Speaker 1: party baby, And then like he's wearing a sequin leisure 130 00:07:08,920 --> 00:07:12,960 Speaker 1: suit into the Super Bowl, he takes something else happened 131 00:07:12,960 --> 00:07:15,160 Speaker 1: where he like pretended he was going up to the 132 00:07:15,200 --> 00:07:17,880 Speaker 1: microphone as like either the commissioner or someone like major 133 00:07:17,920 --> 00:07:21,000 Speaker 1: in the NFL. Like he went up he was wearing 134 00:07:21,040 --> 00:07:24,040 Speaker 1: a red suit like yes, it's Kansas City Chiefs. I 135 00:07:24,080 --> 00:07:25,880 Speaker 1: get it, and I always a fashion he'st But the 136 00:07:25,920 --> 00:07:29,440 Speaker 1: man is a thirst trap, like there's no getting around it. 137 00:07:29,520 --> 00:07:34,200 Speaker 1: He he's the peacock tailors in the background. And but 138 00:07:34,320 --> 00:07:38,800 Speaker 1: she is, by definition and by nature and by society 139 00:07:39,360 --> 00:07:41,720 Speaker 1: and by her career a peacock, so there cannot be 140 00:07:41,760 --> 00:07:44,840 Speaker 1: two peacocks, and it's gonna be challenging for this long 141 00:07:44,960 --> 00:07:50,560 Speaker 1: distance when all of the frosting and all of the 142 00:07:50,600 --> 00:07:54,800 Speaker 1: shine and the glitter calms down, Like everything is fun 143 00:07:54,800 --> 00:07:57,880 Speaker 1: in the excitement phase. Everything is amazing when you're winning 144 00:07:57,920 --> 00:07:59,800 Speaker 1: and you're touring and you're this and it's a super 145 00:07:59,840 --> 00:08:04,280 Speaker 1: Bowl and it's all amazing, But like that's that's not 146 00:08:04,480 --> 00:08:07,520 Speaker 1: every day, Like every day can be mundane and boring 147 00:08:07,520 --> 00:08:09,520 Speaker 1: when we're not on tour and we're not playing, and 148 00:08:10,120 --> 00:08:12,040 Speaker 1: you know, we're older and we have kids, and you know, 149 00:08:12,080 --> 00:08:13,440 Speaker 1: you got to make sure you can make it through 150 00:08:13,480 --> 00:08:17,160 Speaker 1: all four seasons and four seasons of boredom too, because 151 00:08:17,400 --> 00:08:21,440 Speaker 1: life will throw you many different curveballs, and you can 152 00:08:21,520 --> 00:08:28,560 Speaker 1: create an amazing, frosting lifestyle out of a life, but 153 00:08:28,640 --> 00:08:32,760 Speaker 1: you can't make a life out of a lifestyle. You 154 00:08:32,800 --> 00:08:35,040 Speaker 1: can't create the cake out of the frost, and you 155 00:08:35,080 --> 00:08:37,320 Speaker 1: can't create the life out of all the bells and 156 00:08:37,320 --> 00:08:40,199 Speaker 1: whistles and all the trappings. So the super Bowl is amazing, 157 00:08:40,240 --> 00:08:42,840 Speaker 1: and being on tour is amazing, and being famous is amazing, 158 00:08:42,840 --> 00:08:45,760 Speaker 1: and getting dressed is amazing, and being in love is amazing, 159 00:08:45,840 --> 00:08:48,240 Speaker 1: and being public is amazing, and the number one couple 160 00:08:48,520 --> 00:08:53,840 Speaker 1: in the world is amazing, But that's frosting day to 161 00:08:53,920 --> 00:08:57,360 Speaker 1: day living a life without any you know, without the 162 00:08:57,440 --> 00:08:59,959 Speaker 1: spotlight when you don't feel good and when you get together, 163 00:09:00,200 --> 00:09:02,960 Speaker 1: when you've got kids and there's real shit going on 164 00:09:03,080 --> 00:09:06,840 Speaker 1: with families like that's the cake. So it remains to 165 00:09:06,920 --> 00:09:11,240 Speaker 1: be seen whether two peacocks who travel all over the 166 00:09:11,280 --> 00:09:15,000 Speaker 1: world can bake that cake.