1 00:00:00,640 --> 00:00:03,640 Speaker 1: I'm not real key for real celebrity real joined the 2 00:00:03,680 --> 00:00:09,959 Speaker 1: Breakfast Morning everybody is DJ mvy angela ye, shall I 3 00:00:10,039 --> 00:00:12,840 Speaker 1: mean the guy we all the Breakfast Club special guests 4 00:00:12,880 --> 00:00:15,400 Speaker 1: in the building, Lights getting his baggage, but the lights 5 00:00:15,440 --> 00:00:18,240 Speaker 1: getting weak man last week wasn't now this week? Partner 6 00:00:18,320 --> 00:00:24,079 Speaker 1: was here last week? What's up? Up? Are you gonna 7 00:00:24,079 --> 00:00:25,759 Speaker 1: tell us that you you? You tried it off an 8 00:00:25,760 --> 00:00:27,560 Speaker 1: empire too? It seemed like every lights getting do in the 9 00:00:27,520 --> 00:00:31,760 Speaker 1: the industry tried it off an empire naga quincy Nah, 10 00:00:31,920 --> 00:00:34,360 Speaker 1: Like I I just started watching the show, just getting 11 00:00:34,360 --> 00:00:36,400 Speaker 1: into it. I never I ain't really hear about it, 12 00:00:36,880 --> 00:00:38,800 Speaker 1: you know, I don't and I ain't the type of 13 00:00:38,840 --> 00:00:45,400 Speaker 1: do the trial. Yeah, I'm not going to just I'm 14 00:00:45,400 --> 00:00:48,199 Speaker 1: gonna read the child. You never did no auditions for 15 00:00:48,200 --> 00:00:49,800 Speaker 1: none of those movies like The Rain? What was that 16 00:00:49,840 --> 00:00:53,239 Speaker 1: take us? None of that? Nah? It picked up? We want? Yeah, Like, 17 00:00:53,400 --> 00:00:56,319 Speaker 1: I mean, I did my actual like acting coach like 18 00:00:56,440 --> 00:00:58,360 Speaker 1: on set to get it, and then I usually kind 19 00:00:58,360 --> 00:01:00,920 Speaker 1: of learned from the actors as I go, But you know, 20 00:01:01,040 --> 00:01:02,840 Speaker 1: I never really kind of if it ain't something I'm 21 00:01:02,840 --> 00:01:05,000 Speaker 1: meant to rested in, I ain't really about that oh 22 00:01:05,040 --> 00:01:06,400 Speaker 1: if they ain't calling me like, hey, you want to 23 00:01:06,440 --> 00:01:10,320 Speaker 1: be in a move, But congratulations on getting the tour started. 24 00:01:10,440 --> 00:01:12,440 Speaker 1: Appreciate it. I know at first it was a little bit. 25 00:01:12,600 --> 00:01:19,920 Speaker 1: People were upset and many community service that's what it 26 00:01:20,040 --> 00:01:23,920 Speaker 1: sounded like at first. You know, I was it gave 27 00:01:23,959 --> 00:01:26,679 Speaker 1: me a thousand hours, you know, over spend of time. 28 00:01:26,720 --> 00:01:28,760 Speaker 1: But throughout that time, you know, I was inconcentrated. I 29 00:01:28,800 --> 00:01:31,000 Speaker 1: had different things that was going on, so you know, 30 00:01:31,360 --> 00:01:33,200 Speaker 1: throughout that time, I mapped it out to finish it 31 00:01:33,200 --> 00:01:35,600 Speaker 1: at a certain time, but I was getting booked for 32 00:01:35,640 --> 00:01:37,720 Speaker 1: things at the same time. So I would be going 33 00:01:37,840 --> 00:01:39,480 Speaker 1: here doing the show, and they would give me the 34 00:01:39,480 --> 00:01:41,240 Speaker 1: approvals to judge would prove it to the able to 35 00:01:41,240 --> 00:01:43,360 Speaker 1: approve it. I'm like, all right, who fine, I'm good. 36 00:01:43,800 --> 00:01:46,240 Speaker 1: So they had already approved a tour for me to go. 37 00:01:46,280 --> 00:01:48,200 Speaker 1: They saw the schedule of it, but I had one 38 00:01:48,280 --> 00:01:51,440 Speaker 1: hundred hours left, so I scheduled it to where when 39 00:01:51,440 --> 00:01:53,280 Speaker 1: I got back off the tour, I would be done 40 00:01:53,560 --> 00:01:56,360 Speaker 1: within that week before I went back to court. But 41 00:01:56,720 --> 00:01:58,560 Speaker 1: you know, things didn't happen to where I wanted it. 42 00:01:58,800 --> 00:02:00,680 Speaker 1: They made you finish it, yeah, they what they made 43 00:02:00,680 --> 00:02:03,120 Speaker 1: you do? Oh, well basically the whole time I was 44 00:02:03,160 --> 00:02:06,600 Speaker 1: doing the remaining of the thousand dollars that I had, 45 00:02:06,640 --> 00:02:10,360 Speaker 1: I was doing. Uh, I was at a boys attention center, 46 00:02:10,800 --> 00:02:13,680 Speaker 1: you know, so like like prison for for young young boys. 47 00:02:13,720 --> 00:02:15,800 Speaker 1: But I would be doing maintenance. Man. I would be 48 00:02:15,919 --> 00:02:18,440 Speaker 1: you know, re remodeling the walls, whether it be painting 49 00:02:18,440 --> 00:02:21,840 Speaker 1: them from all white, um, fixing the whole bathroom areas 50 00:02:22,000 --> 00:02:24,480 Speaker 1: for the boys. And they put outside the last time 51 00:02:24,520 --> 00:02:27,920 Speaker 1: they had you outside, Well we're in. We're in fenced 52 00:02:27,960 --> 00:02:30,320 Speaker 1: like a real jail. So I would be like, you know, 53 00:02:30,720 --> 00:02:33,480 Speaker 1: cutting grass on the inside part. But I wouldn't be like, 54 00:02:33,720 --> 00:02:35,840 Speaker 1: you know, visible to the public. But you know, how 55 00:02:35,840 --> 00:02:38,160 Speaker 1: to remodel bathrooms and everything. You know, when you're gonna 56 00:02:38,160 --> 00:02:43,480 Speaker 1: have to like you know, you create a person you're painting. Yeah, 57 00:02:43,600 --> 00:02:45,919 Speaker 1: I wasn't painting in the art form that I kind 58 00:02:45,919 --> 00:02:48,280 Speaker 1: of wanted to paint. Like when you're just painting just 59 00:02:48,400 --> 00:02:50,400 Speaker 1: white plaster and everything, it is just like all right, 60 00:02:50,440 --> 00:02:54,560 Speaker 1: this is not what I Usually when they have guys 61 00:02:54,560 --> 00:02:56,520 Speaker 1: that detention center, they want you to talk to the kids. 62 00:02:56,560 --> 00:02:59,200 Speaker 1: That's your community service. Like nope, not Chris. Yeah, you 63 00:02:59,200 --> 00:03:01,920 Speaker 1: know I wouldn't I wouldn't. I kind of didn't understand 64 00:03:01,919 --> 00:03:03,800 Speaker 1: that too, you know, I was looking at the situation like, 65 00:03:03,880 --> 00:03:07,359 Speaker 1: you know, I think I have more of a um understanding, 66 00:03:07,560 --> 00:03:10,000 Speaker 1: you know, of the youth or being able to have 67 00:03:10,840 --> 00:03:13,680 Speaker 1: been to certain experiences to give him my insight on 68 00:03:13,720 --> 00:03:16,239 Speaker 1: how not to take that certain path. But I think 69 00:03:16,240 --> 00:03:18,320 Speaker 1: they wanted it to be more of a labor thing. 70 00:03:18,360 --> 00:03:20,840 Speaker 1: It's more of a punishment than than than me to 71 00:03:21,120 --> 00:03:23,320 Speaker 1: actually help the community, which is kind of backwards. But 72 00:03:23,680 --> 00:03:26,040 Speaker 1: you know, I don't. I don't make the rules on 73 00:03:26,080 --> 00:03:29,240 Speaker 1: the fans on Instagram because they was coming at yours up. 74 00:03:29,320 --> 00:03:31,520 Speaker 1: We can't see trade because of you, yeah, you know 75 00:03:32,120 --> 00:03:35,520 Speaker 1: and me. You know, I'm I'm never politically correct. I'm 76 00:03:35,560 --> 00:03:38,200 Speaker 1: always we know, you know how I mean, I don't. 77 00:03:38,440 --> 00:03:40,120 Speaker 1: I don't really kind of have a filter. I try 78 00:03:40,160 --> 00:03:42,560 Speaker 1: to kind of chill now, like just to be like, man, 79 00:03:42,600 --> 00:03:44,360 Speaker 1: it's not that important. You can't control it your life, 80 00:03:45,080 --> 00:03:49,000 Speaker 1: you know. I always say he liked it with tendency 81 00:03:49,200 --> 00:03:51,560 Speaker 1: he can't control. But sometimes it's difficult, Like does that 82 00:03:51,600 --> 00:03:54,400 Speaker 1: affect you know how the judge looked at you and everything. 83 00:03:54,440 --> 00:03:56,520 Speaker 1: They're like, Okay, he just did this, and we thought 84 00:03:56,600 --> 00:03:58,960 Speaker 1: he was doing his community service. He did that, but 85 00:03:59,000 --> 00:04:00,920 Speaker 1: then he goes out. Do you think that's something that 86 00:04:00,920 --> 00:04:04,640 Speaker 1: affects I just think the judge. I mean, I wouldn't 87 00:04:04,640 --> 00:04:06,240 Speaker 1: talk about the judge because I'm not I'm not a 88 00:04:06,440 --> 00:04:09,640 Speaker 1: probation all the way, so I would say I don't 89 00:04:09,640 --> 00:04:11,480 Speaker 1: think it would make a difference. I think even if 90 00:04:11,480 --> 00:04:13,800 Speaker 1: I was at church every day and do whatever, it 91 00:04:13,800 --> 00:04:17,360 Speaker 1: would be something to talk about. A. Yeah, they have opinion. 92 00:04:17,360 --> 00:04:21,800 Speaker 1: And I think how media has uh kind of not 93 00:04:21,839 --> 00:04:23,680 Speaker 1: saying targeted me because I'm not here to be like 94 00:04:23,720 --> 00:04:25,960 Speaker 1: woe is me and all that. That's kind of boys 95 00:04:26,320 --> 00:04:28,960 Speaker 1: definite media. Yeah, yeah, it gets it gets old all 96 00:04:29,000 --> 00:04:30,560 Speaker 1: the time, you know what I'm saying. But I feel 97 00:04:30,640 --> 00:04:33,359 Speaker 1: like the only thing that's highlighted in my career for 98 00:04:33,400 --> 00:04:36,360 Speaker 1: the last five years is my negativity, you know what 99 00:04:36,400 --> 00:04:38,520 Speaker 1: I'm saying. But the only thing that I can do 100 00:04:38,600 --> 00:04:40,320 Speaker 1: is put my positive music out and do what I 101 00:04:40,400 --> 00:04:42,320 Speaker 1: do and be great at that. That's the only thing 102 00:04:42,320 --> 00:04:45,039 Speaker 1: that has been successful is the music. And people can't 103 00:04:45,520 --> 00:04:47,520 Speaker 1: deny an under nivel hit, you know what I'm saying. 104 00:04:47,560 --> 00:04:49,800 Speaker 1: So if you had to put a percentage on how 105 00:04:49,880 --> 00:04:53,440 Speaker 1: much trouble you actually have caused on yourself as persuaded 106 00:04:53,600 --> 00:04:56,240 Speaker 1: how much the media puts on you. What would you say, Um, 107 00:04:56,240 --> 00:04:58,120 Speaker 1: it's fifty fifty. I'm not gonna I'm not gonna sit 108 00:04:58,160 --> 00:05:00,280 Speaker 1: there and say I'm a saying, but I definitely say 109 00:05:00,279 --> 00:05:02,080 Speaker 1: a lot of the choices that I made in the 110 00:05:02,120 --> 00:05:05,560 Speaker 1: past reflect now, So now I don't have that benefit. 111 00:05:05,720 --> 00:05:08,160 Speaker 1: You don't get the benefit of the doubt. Like, oh, Chris, 112 00:05:08,160 --> 00:05:09,920 Speaker 1: ain't do that. Come on now, people be like, no, 113 00:05:10,080 --> 00:05:11,719 Speaker 1: he did it. You know what I'm saying because of 114 00:05:11,760 --> 00:05:14,120 Speaker 1: my past decisions, we move differently now because you know 115 00:05:14,360 --> 00:05:16,920 Speaker 1: how it seems like people try to start a problem 116 00:05:16,960 --> 00:05:18,360 Speaker 1: because they want to see what they want to see 117 00:05:18,360 --> 00:05:21,240 Speaker 1: you in trouble. Yeah, I mean I'm more vigilant of 118 00:05:21,440 --> 00:05:24,240 Speaker 1: how my surroundings where I go, Like even if a 119 00:05:24,240 --> 00:05:27,359 Speaker 1: place gets shot up or wherever that club whatever, I 120 00:05:27,480 --> 00:05:30,280 Speaker 1: just try to move accordingly and not try to have 121 00:05:30,600 --> 00:05:33,679 Speaker 1: certain influences around, Like you got a certain type of people, 122 00:05:33,880 --> 00:05:35,760 Speaker 1: They're gonna bring a certain type of crop. It was 123 00:05:35,800 --> 00:05:37,880 Speaker 1: a story that you were not going to perform at 124 00:05:37,920 --> 00:05:41,240 Speaker 1: certain types of clubs anymore. Yeah, and so that that 125 00:05:41,360 --> 00:05:42,800 Speaker 1: was too. You were saying, let me get out of 126 00:05:42,800 --> 00:05:45,560 Speaker 1: that element. I mean, you know, I could say that 127 00:05:45,600 --> 00:05:51,760 Speaker 1: for five minutes, but I love a hood. That's my rulers. 128 00:05:51,760 --> 00:05:56,400 Speaker 1: I'm gonna talk to after five o'clock close closing time. 129 00:05:56,600 --> 00:05:58,760 Speaker 1: I feel I feel you. I mean, for me, I 130 00:05:58,880 --> 00:06:02,719 Speaker 1: just feel like that's what because I'm not a street dude. 131 00:06:02,800 --> 00:06:05,000 Speaker 1: I'm not. I don't portraye myself trying to be tough. 132 00:06:05,080 --> 00:06:07,160 Speaker 1: I'm just who I am, you know. So I think 133 00:06:07,240 --> 00:06:09,960 Speaker 1: when I go places and how I'm maneuver, I'm I'm 134 00:06:10,000 --> 00:06:12,400 Speaker 1: just approachable. Like I can go places and go to 135 00:06:12,520 --> 00:06:15,440 Speaker 1: a terrible neighborhood of where it is and like, what's up, man, 136 00:06:15,480 --> 00:06:18,360 Speaker 1: what's doing y'all good? Or go to a nice place 137 00:06:18,400 --> 00:06:20,640 Speaker 1: and be like that. But I think just you have 138 00:06:20,720 --> 00:06:22,400 Speaker 1: to beat your wives on where you go, man, how 139 00:06:22,440 --> 00:06:25,360 Speaker 1: you choose to move around, because sometimes they're shoot the 140 00:06:25,400 --> 00:06:28,560 Speaker 1: place up? Why did this happen? When I'm here? You 141 00:06:28,600 --> 00:06:31,679 Speaker 1: feel like trouble follows you. I feel like the story 142 00:06:31,720 --> 00:06:34,080 Speaker 1: ain't it ain't fun if it ain't that, you know. 143 00:06:34,160 --> 00:06:36,720 Speaker 1: I think. I think after a time, like you kind 144 00:06:36,760 --> 00:06:38,440 Speaker 1: of be like, man, I'm always getting Trouble'm always in 145 00:06:38,480 --> 00:06:41,200 Speaker 1: the situation. I think just you know, God gives certain 146 00:06:41,279 --> 00:06:44,520 Speaker 1: people certain paths, and I think, you know, you gotta 147 00:06:44,520 --> 00:06:46,640 Speaker 1: go to something. You know, if I'm just sitting there 148 00:06:46,680 --> 00:06:49,040 Speaker 1: smill like, hey, let's up, everything's great. I'm about to 149 00:06:49,360 --> 00:06:52,440 Speaker 1: put on these glittery jackets and start dancing like I'm 150 00:06:52,880 --> 00:06:55,520 Speaker 1: it's not gonna be interesting. I think people feed off 151 00:06:55,560 --> 00:06:59,280 Speaker 1: my negativity because they're so interested in my greatness as 152 00:06:59,279 --> 00:07:01,919 Speaker 1: an artist. Have you checked to see if this voodoo 153 00:07:02,000 --> 00:07:05,040 Speaker 1: on you are roots just that you might have. I 154 00:07:05,120 --> 00:07:08,560 Speaker 1: really feel like everything like i'd be like somebody got 155 00:07:08,600 --> 00:07:10,880 Speaker 1: a chicken bone buried with Chris brown name. You know, 156 00:07:11,040 --> 00:07:14,720 Speaker 1: I don't mess with that. I don't messer that. You know. 157 00:07:15,720 --> 00:07:18,560 Speaker 1: I've been on the data couple Island girls, I'm telling you. 158 00:07:23,520 --> 00:07:24,880 Speaker 1: Do you ever think in the future you would do 159 00:07:24,920 --> 00:07:27,720 Speaker 1: your memoirs or an autobiography or something like that. Yeah, 160 00:07:27,760 --> 00:07:29,240 Speaker 1: I think a lot of people. It's a lot of 161 00:07:29,280 --> 00:07:31,160 Speaker 1: stuff about me that people don't know, as far as 162 00:07:31,240 --> 00:07:33,880 Speaker 1: like how I got into the game, just just little 163 00:07:33,920 --> 00:07:36,360 Speaker 1: stuff like the details, the fine details. So I think, 164 00:07:36,760 --> 00:07:38,600 Speaker 1: you know, doing a movie would be dope. I'm actually 165 00:07:38,640 --> 00:07:42,000 Speaker 1: shooting the actual documentary for my tour, so everything plays 166 00:07:42,000 --> 00:07:44,480 Speaker 1: in this position like me being held back on the 167 00:07:44,560 --> 00:07:46,480 Speaker 1: tour and not being able to go out there, losing 168 00:07:46,560 --> 00:07:49,480 Speaker 1: like two three million dollars worth of you know, production ticket, 169 00:07:49,560 --> 00:07:52,080 Speaker 1: still having to cut the show and half just because 170 00:07:52,280 --> 00:07:56,720 Speaker 1: all the setbacks. But it shows the the beauty, you know, 171 00:07:56,880 --> 00:07:59,440 Speaker 1: the roads to the cracks he meant, you know, So 172 00:07:59,560 --> 00:08:02,440 Speaker 1: it's it's able. You're able to kind of travel through 173 00:08:02,480 --> 00:08:04,679 Speaker 1: the journey with me and understand, how's until going because 174 00:08:04,760 --> 00:08:07,640 Speaker 1: it's six sold out shows? Yeah, and it's it's you 175 00:08:07,760 --> 00:08:09,520 Speaker 1: and Trey and it's it's you guys are going to 176 00:08:09,600 --> 00:08:12,800 Speaker 1: Virginia boys, how is it? You know? The tours? Actually 177 00:08:12,920 --> 00:08:15,120 Speaker 1: it's been a surprise because I haven't toured you know, 178 00:08:15,240 --> 00:08:18,160 Speaker 1: domestically and almost like three or four years. So being 179 00:08:18,200 --> 00:08:19,640 Speaker 1: able to get back on the road and kind of 180 00:08:19,680 --> 00:08:23,000 Speaker 1: showing the people again because you know, America's is fickled, 181 00:08:23,080 --> 00:08:25,960 Speaker 1: like you have to really win them over every time, 182 00:08:26,040 --> 00:08:28,560 Speaker 1: like every new record is your new record. You know 183 00:08:28,560 --> 00:08:31,920 Speaker 1: what I'm thinking, like a yeah, hi, you know, So 184 00:08:32,160 --> 00:08:34,160 Speaker 1: being able to go out there and you know, be 185 00:08:34,280 --> 00:08:36,520 Speaker 1: on stage every night and see the crowd pat from 186 00:08:36,880 --> 00:08:38,480 Speaker 1: front to back. You know, Now, how does that feel? 187 00:08:38,480 --> 00:08:40,600 Speaker 1: Because for a while when you would when you were 188 00:08:40,640 --> 00:08:42,520 Speaker 1: doing shows, maybe a couple of years ago, they weren't 189 00:08:42,559 --> 00:08:44,400 Speaker 1: a path. People were against you, so you weren't getting 190 00:08:44,440 --> 00:08:47,280 Speaker 1: them field stadiums anymore. But now it's back to what 191 00:08:47,400 --> 00:08:49,760 Speaker 1: it was. Yeah, you know, it's amazing and it just 192 00:08:49,880 --> 00:08:54,400 Speaker 1: shows that, Um, I have a good job, you know. 193 00:08:54,720 --> 00:08:58,480 Speaker 1: You know, I'm just happy and thankful right now. I 194 00:08:58,520 --> 00:09:00,240 Speaker 1: gotta get that. I gotta get it redne And now 195 00:09:00,280 --> 00:09:03,120 Speaker 1: it's this. I'm sweating on stage. That's why I got 196 00:09:03,200 --> 00:09:05,720 Speaker 1: a hat on. You know what. I'm just over. You're 197 00:09:05,760 --> 00:09:08,360 Speaker 1: gonna eventually go bad. It's gonna I might take I 198 00:09:08,480 --> 00:09:10,439 Speaker 1: might look like Aaron Hall, or I might take that 199 00:09:10,559 --> 00:09:14,320 Speaker 1: Rob that's gonna be. That's gonna be my rob. Now listen, 200 00:09:14,400 --> 00:09:17,880 Speaker 1: let's talk about your relationship. You guys are good now 201 00:09:18,000 --> 00:09:22,520 Speaker 1: back together? Yeah, No, it's no engagement. It was just good, 202 00:09:22,679 --> 00:09:29,959 Speaker 1: you know, yeah together, Really a girl stops. But I 203 00:09:30,080 --> 00:09:32,959 Speaker 1: just I just feel like this is my position on it. 204 00:09:33,840 --> 00:09:36,320 Speaker 1: A lot of the times, like I'm impulsive, Like I said, 205 00:09:36,320 --> 00:09:38,679 Speaker 1: I don't have no filter. So so a lot of 206 00:09:38,720 --> 00:09:41,440 Speaker 1: the times, whether it's an issue in the relationship whatever, 207 00:09:41,840 --> 00:09:45,079 Speaker 1: Sometimes whether it's both party hurled me. We don't know 208 00:09:45,200 --> 00:09:48,520 Speaker 1: how to communicate sometimes to be able to be like, hey, man, 209 00:09:48,559 --> 00:09:51,400 Speaker 1: let's talk about this before we say something right, and 210 00:09:51,559 --> 00:09:55,000 Speaker 1: then we're back together the next week because everybody else 211 00:09:55,040 --> 00:09:57,000 Speaker 1: gonna just then you give it, everybody else the option 212 00:09:57,040 --> 00:09:59,880 Speaker 1: to depict our relationship and and set their own base 213 00:10:00,200 --> 00:10:02,200 Speaker 1: of how we live our life, you know what I'm saying. 214 00:10:02,240 --> 00:10:04,880 Speaker 1: So I just think, you know, as of now, we've 215 00:10:04,920 --> 00:10:07,400 Speaker 1: been kind of cool with not being on the on 216 00:10:07,520 --> 00:10:14,120 Speaker 1: the You know, it hurt me so bad. I hit boo, 217 00:10:14,200 --> 00:10:17,560 Speaker 1: I said, boo, Please tell me breathey just didn't admit 218 00:10:17,679 --> 00:10:21,080 Speaker 1: that that Drake flew his girl out. Please, No, man, 219 00:10:21,320 --> 00:10:23,000 Speaker 1: I ain't need him. He ain't getting no money by 220 00:10:23,080 --> 00:10:24,600 Speaker 1: talking about him. So I ain't you know, I ain't 221 00:10:24,640 --> 00:10:26,600 Speaker 1: no you know, punny talking about that. But you did 222 00:10:26,720 --> 00:10:28,599 Speaker 1: do a countdown and you didn't count number six, and 223 00:10:28,600 --> 00:10:30,440 Speaker 1: everybody was like, he didn't say six because Drake did 224 00:10:30,480 --> 00:10:33,200 Speaker 1: the six guys soon. Yeah, I don't get that. I don't. 225 00:10:33,280 --> 00:10:35,520 Speaker 1: I don't remember that though, Like I don't remember not 226 00:10:35,640 --> 00:10:38,960 Speaker 1: saying like that. Dude, don't make me no checks? This cool? 227 00:10:40,160 --> 00:10:42,079 Speaker 1: I don't. I don't you know, I ain't get no 228 00:10:42,080 --> 00:10:44,160 Speaker 1: money by talking about y'all. Was in the studio, it 229 00:10:44,160 --> 00:10:48,480 Speaker 1: seemed like I was making records and I don't Oh, okay, okay, 230 00:10:48,600 --> 00:10:50,320 Speaker 1: Now he just was in the studio. He was a fan, 231 00:10:51,080 --> 00:10:53,080 Speaker 1: so he must really be ducking the fade from Brown. 232 00:10:57,240 --> 00:10:59,440 Speaker 1: I gotta say, I don't got no opinions or none 233 00:10:59,440 --> 00:11:02,000 Speaker 1: of that. You know, he was just he don't make 234 00:11:02,040 --> 00:11:03,559 Speaker 1: me no money. But I talk about him, you know 235 00:11:03,559 --> 00:11:05,199 Speaker 1: what I'm saying. So as soon as if I get 236 00:11:05,240 --> 00:11:07,640 Speaker 1: a check by you know, ding ding. But he's not 237 00:11:07,720 --> 00:11:11,400 Speaker 1: a friend, I'm cool except for you and crew chain. 238 00:11:11,480 --> 00:11:13,920 Speaker 1: Moving forward, though, you decided let's just keep this off 239 00:11:13,960 --> 00:11:16,720 Speaker 1: a social media let's not argue and do this. Dada 240 00:11:16,800 --> 00:11:18,640 Speaker 1: da da da. Yeah, yeah, I mean, you know it's 241 00:11:18,679 --> 00:11:21,200 Speaker 1: it's it's better for growth and it shows maturity when 242 00:11:21,200 --> 00:11:23,720 Speaker 1: you can you can communicate and talk to a relationship 243 00:11:23,760 --> 00:11:26,000 Speaker 1: and understand each other, you know. So I just I 244 00:11:26,160 --> 00:11:28,880 Speaker 1: just rather do that and not not try to, you know, 245 00:11:29,080 --> 00:11:31,480 Speaker 1: make my stuff as public because people it ain't nobody's 246 00:11:31,520 --> 00:11:34,320 Speaker 1: opinion and people lives anyway, so they can't they can't 247 00:11:34,360 --> 00:11:38,480 Speaker 1: really comment on mind the video together though, yeah, you 248 00:11:38,559 --> 00:11:39,880 Speaker 1: know I did, and we did that about a year 249 00:11:39,880 --> 00:11:42,040 Speaker 1: and a half ago too. But I just waited to 250 00:11:42,360 --> 00:11:44,360 Speaker 1: the right point to just put it out and set 251 00:11:44,400 --> 00:11:46,760 Speaker 1: it up right so good. You know, Kanye said in 252 00:11:46,800 --> 00:11:48,599 Speaker 1: his new record, um all your fault. He said that 253 00:11:48,640 --> 00:11:50,199 Speaker 1: crew cha can never do a little better than you, 254 00:11:50,800 --> 00:11:55,240 Speaker 1: And I'm like with it. I mean not I feel. 255 00:11:55,280 --> 00:11:56,959 Speaker 1: I mean I feel what he meant by And I'm 256 00:11:57,000 --> 00:11:59,040 Speaker 1: not saying like as an arrogant statement, but I just 257 00:11:59,160 --> 00:12:02,160 Speaker 1: feel like in any situation when when you when you 258 00:12:02,720 --> 00:12:04,959 Speaker 1: when you look at yourself as in a certain like 259 00:12:05,480 --> 00:12:08,440 Speaker 1: cocky or not. You know, I think you know, it's 260 00:12:08,520 --> 00:12:12,520 Speaker 1: nowhere else to go, like this radio, you know, there's 261 00:12:12,559 --> 00:12:15,199 Speaker 1: nowhere else to go, Like even with old girl, you know, 262 00:12:15,520 --> 00:12:18,880 Speaker 1: the first one. Yeah, who else are you gonna go to? 263 00:12:19,679 --> 00:12:22,640 Speaker 1: I mean, she got bigger, I know, but that's nice, 264 00:12:22,679 --> 00:12:24,280 Speaker 1: that's a that's a good choice. But who else in 265 00:12:24,360 --> 00:12:28,520 Speaker 1: this game she's gonna go to? Corny singing rapper, some 266 00:12:28,720 --> 00:12:35,040 Speaker 1: corny singing rapper name Aubrey? You know what, I'm like 267 00:12:35,200 --> 00:12:37,679 Speaker 1: what she do now, Like you know, I respect for 268 00:12:37,800 --> 00:12:41,960 Speaker 1: all like whatever her choices. But at the time too, 269 00:12:42,480 --> 00:12:45,080 Speaker 1: who now you don't speak to her anymore? You don't 270 00:12:45,080 --> 00:12:47,000 Speaker 1: speak to anymore, So there was no birthday wishes andhing 271 00:12:47,040 --> 00:12:49,199 Speaker 1: like that. Nah, Like I'm just we just cord you like, 272 00:12:49,280 --> 00:12:51,880 Speaker 1: it's like I respect her space, you respect you know, 273 00:12:51,960 --> 00:12:54,880 Speaker 1: it's not a it's not a likes you know too 274 00:12:55,000 --> 00:12:57,800 Speaker 1: much talk and get to hey, what you're doing? What's up? 275 00:12:57,800 --> 00:13:00,199 Speaker 1: What's up? You don' gonna hang out? And you know 276 00:13:00,280 --> 00:13:03,880 Speaker 1: it's it's just complicating. Ain't that's a good thing to 277 00:13:03,920 --> 00:13:09,000 Speaker 1: relapse with, RelA with. Ain't nothing wrong with that. Kanye 278 00:13:09,120 --> 00:13:10,920 Speaker 1: comment on your relationship though, Like do you talk to 279 00:13:11,040 --> 00:13:14,199 Speaker 1: Kanye or she talk? I mean, Kanye, we've been we 280 00:13:14,559 --> 00:13:16,679 Speaker 1: just gotta started getting like real cool over like the 281 00:13:16,800 --> 00:13:19,040 Speaker 1: last couple of months. Man, Like so you know, I 282 00:13:19,559 --> 00:13:21,959 Speaker 1: understand him sometimes, like you know what I'm saying, Like 283 00:13:22,280 --> 00:13:23,640 Speaker 1: a lot of people be like, man, he just he 284 00:13:23,760 --> 00:13:27,120 Speaker 1: just complains. He always did this, the stuff he complaining about. 285 00:13:27,240 --> 00:13:30,000 Speaker 1: Don't be so over the top though, Like you know, 286 00:13:30,160 --> 00:13:33,559 Speaker 1: whether it's music or whatever it is. Sometimes how he 287 00:13:33,640 --> 00:13:37,199 Speaker 1: words it, it's like, Okay, damn, I don't say it 288 00:13:37,280 --> 00:13:40,080 Speaker 1: like that. But you know I can't. I can't knock 289 00:13:40,120 --> 00:13:42,719 Speaker 1: the man for how you feel. You know, you is 290 00:13:42,760 --> 00:13:44,240 Speaker 1: you want to be the greatest. You gotta act like 291 00:13:44,240 --> 00:13:45,959 Speaker 1: he's get the greatest. Yeah, he just left it. He 292 00:13:45,960 --> 00:13:51,760 Speaker 1: seems a lot more humble. Now somebody like Justin Bieble. 293 00:13:51,800 --> 00:13:54,280 Speaker 1: You know what I'm saying, He's he's got he got low, 294 00:13:54,559 --> 00:13:56,079 Speaker 1: and he seems like he's popped back up and he's 295 00:13:56,080 --> 00:13:58,000 Speaker 1: trying to have a cleaner image. And it seems like 296 00:13:58,080 --> 00:14:01,240 Speaker 1: the media is at following it, not just allowed it, 297 00:14:01,280 --> 00:14:03,000 Speaker 1: but kind of like pushing it. I wonder why they 298 00:14:03,000 --> 00:14:05,680 Speaker 1: don't give you those those same chances. The skin color. 299 00:14:05,960 --> 00:14:09,719 Speaker 1: I'm light skinned, but not that shape. Yea, you know 300 00:14:09,760 --> 00:14:11,280 Speaker 1: what I'm saying. And I mean everybody can be like 301 00:14:11,920 --> 00:14:14,800 Speaker 1: pull a raised card man. Y'all know this music industry, 302 00:14:14,960 --> 00:14:17,880 Speaker 1: it's nineteen thirty five. You know, it's funny. It's just 303 00:14:18,120 --> 00:14:20,520 Speaker 1: it's just a different face. People don't speak up and 304 00:14:20,560 --> 00:14:23,040 Speaker 1: say how it is. But you know you got you 305 00:14:23,120 --> 00:14:25,880 Speaker 1: got us that can I'm gonna make an R and 306 00:14:25,960 --> 00:14:28,240 Speaker 1: B song that that's just like okay, that's the best 307 00:14:28,480 --> 00:14:31,480 Speaker 1: I heard, But it's gonna go so far on rhythmic 308 00:14:32,160 --> 00:14:37,240 Speaker 1: maybe touch, you know, but top forty station. But you 309 00:14:37,360 --> 00:14:40,440 Speaker 1: get another artists, different colors singing. It's the it's the 310 00:14:40,560 --> 00:14:43,360 Speaker 1: newest generation of music. Like, oh my god, it's so innovative. 311 00:14:44,440 --> 00:14:47,480 Speaker 1: What follow You know what I'm saying. I mean, I'm 312 00:14:47,480 --> 00:14:49,560 Speaker 1: not a hater because I love the music too, but 313 00:14:50,320 --> 00:14:52,120 Speaker 1: it is what it is. You see the difference. Look 314 00:14:52,160 --> 00:14:55,680 Speaker 1: at the grammars. Is it easy like to get a 315 00:14:55,840 --> 00:14:58,080 Speaker 1: PR and that can help you clean up your image. 316 00:14:58,200 --> 00:15:01,000 Speaker 1: If the media don't want to be clear ANYPO for me, 317 00:15:01,520 --> 00:15:03,800 Speaker 1: they're gonna go through him. Like I just feel like, 318 00:15:04,400 --> 00:15:08,040 Speaker 1: I'm just gonna be real with you man. Like Instagram, 319 00:15:08,040 --> 00:15:10,840 Speaker 1: I'm not. I mean, I'm not feeling you know, I 320 00:15:11,000 --> 00:15:13,000 Speaker 1: might say something, but I'm gonna I delete it later. 321 00:15:13,080 --> 00:15:14,760 Speaker 1: But you I'm gonna say at first, I just get 322 00:15:14,840 --> 00:15:17,520 Speaker 1: it off, you know. But I think PR with me 323 00:15:17,720 --> 00:15:20,600 Speaker 1: is just finding people because you know what it is. 324 00:15:21,480 --> 00:15:28,040 Speaker 1: My biggest challenge is to get the gatekeepers to say, Okay, 325 00:15:28,080 --> 00:15:30,280 Speaker 1: it's cool to mess with you. You know that. And 326 00:15:30,600 --> 00:15:32,480 Speaker 1: you know what, it could be the toughest rapper or 327 00:15:32,480 --> 00:15:34,840 Speaker 1: whoever it is, We love that guy because you're not 328 00:15:34,920 --> 00:15:37,640 Speaker 1: afraid of him. He's you know, it's not a he's 329 00:15:37,640 --> 00:15:39,680 Speaker 1: not a risk. You know a lot of people, and 330 00:15:39,920 --> 00:15:41,480 Speaker 1: he usually has to be Like I was saying this 331 00:15:41,560 --> 00:15:43,680 Speaker 1: to my friends, like uh, and I'm not trying to 332 00:15:43,720 --> 00:15:45,200 Speaker 1: make it a race thing, but like you know, I 333 00:15:45,320 --> 00:15:48,480 Speaker 1: was at this uh this really this really really rich party. 334 00:15:48,920 --> 00:15:50,600 Speaker 1: Like I just felt awkward that I was like because 335 00:15:50,640 --> 00:15:52,000 Speaker 1: I walked in you know a lot of white people 336 00:15:52,040 --> 00:15:53,400 Speaker 1: that were just looking at me like, oh my god. 337 00:15:56,200 --> 00:15:58,160 Speaker 1: But then when they got drunk, you see what they're 338 00:15:58,160 --> 00:16:00,880 Speaker 1: real feelings is they get drunk on yo. Man, Look, 339 00:16:00,960 --> 00:16:03,760 Speaker 1: you're the best, bro. I love you. Um, you just 340 00:16:04,000 --> 00:16:07,200 Speaker 1: really need like like you're so talented, you just messed 341 00:16:07,320 --> 00:16:09,720 Speaker 1: up all the time. Man, Like, that's what we're afraid 342 00:16:09,760 --> 00:16:12,000 Speaker 1: of you, bro, Like that's what it is, like, you 343 00:16:12,000 --> 00:16:14,760 Speaker 1: know what I'm saying. So it's just the people that 344 00:16:14,840 --> 00:16:17,120 Speaker 1: got to take the risk. And you know, I take 345 00:16:17,160 --> 00:16:20,240 Speaker 1: a risk every day because I say effort. Then just 346 00:16:20,360 --> 00:16:22,000 Speaker 1: do my thing and do what I'm here to do, 347 00:16:22,360 --> 00:16:24,840 Speaker 1: do my music, do everything for my fans, and a 348 00:16:24,880 --> 00:16:26,640 Speaker 1: lot of people just don't understand how I've been able 349 00:16:26,680 --> 00:16:31,000 Speaker 1: to survive all everything and still be putting out you know, 350 00:16:31,160 --> 00:16:33,800 Speaker 1: number one records and stuff like that. It's just I 351 00:16:33,920 --> 00:16:36,480 Speaker 1: just I don't have a mentality of looking back and caring. 352 00:16:36,520 --> 00:16:38,360 Speaker 1: Seems like you don't care anymore what people say. I don't. 353 00:16:38,360 --> 00:16:40,560 Speaker 1: It's not even about oh he doesn't show remorse. I mean, 354 00:16:40,600 --> 00:16:42,880 Speaker 1: how much remorse I'm gonna show it's been then the 355 00:16:42,960 --> 00:16:45,000 Speaker 1: ten years, Like you know what I'm saying. So I 356 00:16:45,120 --> 00:16:47,440 Speaker 1: just feel like, if you're not gonna get over you're 357 00:16:47,440 --> 00:16:50,640 Speaker 1: never gonna get over it. Do you think anytime during 358 00:16:50,680 --> 00:16:52,880 Speaker 1: that whole situation, like after we re read, you think 359 00:16:53,520 --> 00:16:55,520 Speaker 1: you may have went to left when you got all 360 00:16:55,520 --> 00:16:58,480 Speaker 1: the tattoos and you you embrace the thug life, you 361 00:16:58,560 --> 00:17:02,680 Speaker 1: embrace the bad boy. I just feel like I embrace 362 00:17:02,800 --> 00:17:04,879 Speaker 1: my creativity. You know, I think I think a lot 363 00:17:04,920 --> 00:17:07,399 Speaker 1: of my tattoos, I don't have gang tattoos. You know, 364 00:17:07,440 --> 00:17:09,960 Speaker 1: a lot of my tattoos or are symbols of art. 365 00:17:10,040 --> 00:17:11,760 Speaker 1: You know, I'm a painter as well, a different thing. 366 00:17:11,880 --> 00:17:15,280 Speaker 1: So I just I'm just living in my culture of 367 00:17:15,400 --> 00:17:18,119 Speaker 1: my time. I think, you know, it's cliche not to 368 00:17:18,200 --> 00:17:20,800 Speaker 1: have tattoos. Now, if you're a young guy, you're like, 369 00:17:20,880 --> 00:17:23,119 Speaker 1: oh dang, it's I mean, it's not it's not cliche, 370 00:17:23,160 --> 00:17:25,080 Speaker 1: it's rare. It's a rarity if you don't have tattoos. 371 00:17:25,200 --> 00:17:28,760 Speaker 1: But I feel like now I just I didn't. I'm 372 00:17:28,800 --> 00:17:31,040 Speaker 1: not saying I'm pushing the envelope. I'm just living my life, 373 00:17:31,160 --> 00:17:32,560 Speaker 1: you know what I'm saying. So I just look at 374 00:17:32,600 --> 00:17:34,479 Speaker 1: it like if they love it, they love it. If 375 00:17:34,520 --> 00:17:36,720 Speaker 1: you don't, cool, But I'm still rock out on the 376 00:17:36,840 --> 00:17:39,800 Speaker 1: rock because that's what being an artist is. That's what 377 00:17:39,920 --> 00:17:42,840 Speaker 1: being a rock star is. Conformity is prisoned to me, 378 00:17:43,400 --> 00:17:47,040 Speaker 1: you know, being being normal and having to focus on 379 00:17:47,640 --> 00:17:49,280 Speaker 1: I gotta do this because this person likes that. I 380 00:17:49,320 --> 00:17:51,200 Speaker 1: gotta do this because that person like, no, I'm gonna 381 00:17:51,200 --> 00:17:53,240 Speaker 1: do this and make y'all follow. But that's what a 382 00:17:53,359 --> 00:17:55,480 Speaker 1: leader does, you know what I'm saying. So I don't 383 00:17:55,520 --> 00:17:59,880 Speaker 1: focus on how many knows I get because I kick 384 00:18:00,000 --> 00:18:01,879 Speaker 1: all the doors down that they put up. They ever 385 00:18:01,920 --> 00:18:04,400 Speaker 1: awkward for you behind the scenes, like the whole situation. 386 00:18:04,520 --> 00:18:06,199 Speaker 1: I just was at the Real the other day. They 387 00:18:06,240 --> 00:18:08,000 Speaker 1: were like, oh, we don't say Chris Brown's name up 388 00:18:08,000 --> 00:18:13,600 Speaker 1: here anymore. Well that's great. That's because when it comes 389 00:18:13,640 --> 00:18:16,440 Speaker 1: to like okay, like say, for instance, aging Violine, she's 390 00:18:16,440 --> 00:18:18,440 Speaker 1: engaged to Lenny s and I'm sure you're running to 391 00:18:18,600 --> 00:18:21,600 Speaker 1: him or for Tamar with her husband. Do they ever 392 00:18:21,680 --> 00:18:23,400 Speaker 1: make it awkward for you? Does anybody ever reach out 393 00:18:23,440 --> 00:18:26,840 Speaker 1: to you and say nobody? Could anybody know me? I'm 394 00:18:26,880 --> 00:18:28,480 Speaker 1: not saying try to act like I'm a tough guy, 395 00:18:28,560 --> 00:18:31,200 Speaker 1: none of that. But I get down when I get down, 396 00:18:31,960 --> 00:18:35,960 Speaker 1: ducking the flight, I'm not I'm not running from no phase. 397 00:18:36,040 --> 00:18:37,960 Speaker 1: I'm not running for that. But I'm also walking the 398 00:18:38,040 --> 00:18:41,119 Speaker 1: straight path till I get all this probation. To be honest, 399 00:18:41,320 --> 00:18:43,800 Speaker 1: I ain't trying to, you know, mess up nothing. Nothing 400 00:18:43,880 --> 00:18:45,800 Speaker 1: gonna mess up my money no more. So what happens 401 00:18:45,800 --> 00:18:47,600 Speaker 1: if somebody calls you and it's like, dude, come on, 402 00:18:47,720 --> 00:18:50,480 Speaker 1: that wasn't not gonna be able to come like what 403 00:18:50,600 --> 00:18:52,760 Speaker 1: you're gonna say on the phone, and plus you probably 404 00:18:52,840 --> 00:18:55,440 Speaker 1: change your number all the time much but you know 405 00:18:55,520 --> 00:18:57,760 Speaker 1: everybody else is gonna be around me, gonna be able 406 00:18:57,760 --> 00:18:59,320 Speaker 1: to get to whoever. If you want to get to me, 407 00:18:59,359 --> 00:19:01,399 Speaker 1: you're gonna get to. But you know, I feel like, 408 00:19:02,440 --> 00:19:04,960 Speaker 1: you know, it's not even if I'm gonna say something 409 00:19:05,040 --> 00:19:07,440 Speaker 1: and like how winning on on that on the girls 410 00:19:07,520 --> 00:19:10,000 Speaker 1: or whatever. See mine is a roast. I'm gonna roash 411 00:19:10,040 --> 00:19:11,879 Speaker 1: you like cool, you want to say something about me, 412 00:19:11,960 --> 00:19:14,160 Speaker 1: well let me just joke. But my I don't say 413 00:19:14,240 --> 00:19:16,680 Speaker 1: the stuff that'd be like okay, yeah, you gotta I 414 00:19:16,760 --> 00:19:18,720 Speaker 1: say this stuff that's gonna hurt. Feel like somebody took 415 00:19:18,760 --> 00:19:21,359 Speaker 1: a dagger to you to your vein, like I'm gonna 416 00:19:21,359 --> 00:19:24,520 Speaker 1: say some stuff because because because that's how I feel 417 00:19:24,560 --> 00:19:26,080 Speaker 1: like if you take the time out and a lot 418 00:19:26,119 --> 00:19:28,800 Speaker 1: of time. Now I'm getting smart because I'm realizing when 419 00:19:28,880 --> 00:19:30,560 Speaker 1: people are in the panic mode when they need to 420 00:19:30,600 --> 00:19:33,320 Speaker 1: sell something or they need to get ratings or whatever. 421 00:19:33,600 --> 00:19:35,720 Speaker 1: Let's let's poke. But let's poke at Chris Brown because 422 00:19:35,720 --> 00:19:38,320 Speaker 1: he'll bite on it. He'll say something and we'll get 423 00:19:38,359 --> 00:19:40,160 Speaker 1: a reaction out of him because guess what it's gonna 424 00:19:40,160 --> 00:19:41,680 Speaker 1: bring out right into the roof, because he's gonna go 425 00:19:41,760 --> 00:19:43,399 Speaker 1: all the way and then he's gonna look like the 426 00:19:43,400 --> 00:19:45,280 Speaker 1: bad guy and we're gonna win. So now I'm trying 427 00:19:45,320 --> 00:19:47,359 Speaker 1: to realize it. You know, it's still fun to me 428 00:19:47,400 --> 00:19:49,160 Speaker 1: because I like to entertainment. But it's so hard because 429 00:19:49,160 --> 00:19:51,120 Speaker 1: people do comment on your relationship all the time because 430 00:19:51,160 --> 00:19:53,480 Speaker 1: it is always in the new Yeah, you know, different 431 00:19:53,480 --> 00:19:55,520 Speaker 1: things that happen between you guys. It is, you know, 432 00:19:55,560 --> 00:19:57,440 Speaker 1: a very public so it's hard to say who you know. 433 00:19:57,560 --> 00:19:59,399 Speaker 1: It kind of puts it out there for people to 434 00:19:59,520 --> 00:20:03,879 Speaker 1: say what they think or give their opinion. Yea, come 435 00:20:03,920 --> 00:20:08,760 Speaker 1: on about But sometimes that is a little difficult because 436 00:20:08,800 --> 00:20:11,080 Speaker 1: you have to realize that when you put things out there, 437 00:20:11,119 --> 00:20:13,560 Speaker 1: people are always gonna have something to say about him. Absolutely, 438 00:20:14,200 --> 00:20:15,919 Speaker 1: and that's kind of a giving take for me too. 439 00:20:15,960 --> 00:20:18,840 Speaker 1: I gotta understand that. Now, what about go ahead? No? No, 440 00:20:19,000 --> 00:20:20,600 Speaker 1: what about tigging out? Now? How did you and Tiger 441 00:20:20,720 --> 00:20:23,960 Speaker 1: hook up? Oh? I met Tiger years ago? You know, 442 00:20:24,119 --> 00:20:26,040 Speaker 1: I actually was a fan of his, Like it's just 443 00:20:26,160 --> 00:20:29,520 Speaker 1: styled because I felt like me being in LA, there's 444 00:20:29,520 --> 00:20:31,120 Speaker 1: not a lot of guys because at the time YG 445 00:20:31,320 --> 00:20:33,560 Speaker 1: wasn't really out and a couple of other artists that 446 00:20:33,720 --> 00:20:35,719 Speaker 1: that LA is kind of like taking under their wing 447 00:20:35,840 --> 00:20:38,240 Speaker 1: now wasn't there, Like Kendrick Lamar all that stuff. Tiger 448 00:20:38,400 --> 00:20:40,320 Speaker 1: was like really the only one out there. And I 449 00:20:40,480 --> 00:20:42,720 Speaker 1: was just like, man, it's not really no dudes to 450 00:20:42,800 --> 00:20:45,080 Speaker 1: really hang with, Like it's like I don't really hang 451 00:20:45,200 --> 00:20:48,200 Speaker 1: with too many cats. But he was always cool. You know. 452 00:20:48,240 --> 00:20:50,919 Speaker 1: We would see each other in passion and I was like, hey, man, 453 00:20:51,000 --> 00:20:52,960 Speaker 1: let's just work on some music. And then you know, 454 00:20:53,080 --> 00:20:56,520 Speaker 1: just the chemistry of how we worked was just just there, 455 00:20:56,640 --> 00:20:59,400 Speaker 1: Like you know, he could always wrap and and elevate 456 00:21:00,040 --> 00:21:01,920 Speaker 1: a certain song if I wanted to be like, Okay, 457 00:21:01,920 --> 00:21:03,320 Speaker 1: I like this out he's all right, what do we 458 00:21:03,400 --> 00:21:05,560 Speaker 1: do this? You know, so we just try to do 459 00:21:05,640 --> 00:21:07,320 Speaker 1: it as a mixtape. Man. You know some of the 460 00:21:07,359 --> 00:21:09,600 Speaker 1: songs we did on our first initial mixtape, I got 461 00:21:09,680 --> 00:21:11,840 Speaker 1: a Grammy off of Like Dude, a couple of other 462 00:21:11,920 --> 00:21:14,399 Speaker 1: songs like, so I was like, man, let's just do 463 00:21:14,520 --> 00:21:17,439 Speaker 1: it for real this time. So like AO, that's out 464 00:21:17,520 --> 00:21:19,679 Speaker 1: right now. I did that while I was in rehab, 465 00:21:19,920 --> 00:21:21,440 Speaker 1: like at the same right at the same time, I 466 00:21:21,520 --> 00:21:23,640 Speaker 1: was doing Loyal and I was just like, um Nick 467 00:21:23,680 --> 00:21:25,280 Speaker 1: Knaka gave us both of the beasts, and I was like, 468 00:21:25,840 --> 00:21:27,359 Speaker 1: I don't know what, we might as well just do it, 469 00:21:27,760 --> 00:21:29,800 Speaker 1: just do this, do this album. Let's just let's just 470 00:21:29,880 --> 00:21:32,320 Speaker 1: do an album, because you know, the mixtape has such 471 00:21:32,359 --> 00:21:35,159 Speaker 1: as a great buzz and success. Let's just give him 472 00:21:35,359 --> 00:21:38,119 Speaker 1: music because the music we make just for fun is 473 00:21:38,920 --> 00:21:42,600 Speaker 1: great music, you know. Kind because you know, he's in 474 00:21:42,680 --> 00:21:44,440 Speaker 1: the news a lot more. You know, he's in his 475 00:21:44,520 --> 00:21:47,000 Speaker 1: feelings on Instagram with the whole college jennything. He put 476 00:21:47,080 --> 00:21:49,760 Speaker 1: a picture this morning and said he loved and beautiful 477 00:21:49,960 --> 00:21:52,720 Speaker 1: and you know what I mean. I mean, whatever decision 478 00:21:52,800 --> 00:21:54,440 Speaker 1: my man want to make. You know, I'm an rock 479 00:21:54,520 --> 00:21:56,399 Speaker 1: with him, like you know I ain't golen fighting on 480 00:21:56,560 --> 00:21:59,320 Speaker 1: the battles, but it's just like whatever decision you make, 481 00:22:00,000 --> 00:22:01,600 Speaker 1: you know, we see out a lot of things. So 482 00:22:01,840 --> 00:22:04,879 Speaker 1: I feel like I feel like I just tell her, 483 00:22:04,920 --> 00:22:08,080 Speaker 1: I say, hey, man, if you're dating some some regular 484 00:22:08,840 --> 00:22:11,800 Speaker 1: weak chick whatever, you wouldn't mean, you wouldn't be talked about. 485 00:22:11,960 --> 00:22:14,560 Speaker 1: Nobody would care. Like you'd be like, all right, Tiger, 486 00:22:14,720 --> 00:22:17,600 Speaker 1: you know what I'm saying. But because it's news, just 487 00:22:17,760 --> 00:22:19,320 Speaker 1: take it for what it was. If they're saying some 488 00:22:19,440 --> 00:22:23,280 Speaker 1: negative stuff, run with it. Cool. You know, I'll call 489 00:22:23,359 --> 00:22:29,200 Speaker 1: you Bobby Bage and like if you saw the Whitney movie, Yeah, 490 00:22:29,400 --> 00:22:31,920 Speaker 1: everybody thought Bobby was the bad influence on Whitney, but 491 00:22:32,000 --> 00:22:35,520 Speaker 1: that wasn't the case. Always wonder if you feel like 492 00:22:35,840 --> 00:22:38,840 Speaker 1: you get that, uh, that same misconception about you too, 493 00:22:38,880 --> 00:22:41,880 Speaker 1: because everybody thinks about the situation with you and Shorty. Yeah, 494 00:22:41,880 --> 00:22:44,359 Speaker 1: but nobody really knows what happened because you've never come 495 00:22:44,400 --> 00:22:46,040 Speaker 1: out and said, well, it wasn't on my fun because 496 00:22:46,080 --> 00:22:48,680 Speaker 1: you can't really. Yeah. Yeah, you know, for me, I 497 00:22:48,760 --> 00:22:51,800 Speaker 1: think it's a character mode for me because you know 498 00:22:51,840 --> 00:22:54,200 Speaker 1: what I'm saying. I think I look Corney's Hills coming 499 00:22:54,240 --> 00:22:56,400 Speaker 1: out right now, just being like, you know what, guess 500 00:22:56,440 --> 00:22:58,760 Speaker 1: what happened? This was? You know, that's not my position 501 00:22:58,840 --> 00:23:02,120 Speaker 1: as a man. I feel like taking responsibility for my actions, 502 00:23:02,240 --> 00:23:04,919 Speaker 1: you know, is the best thing I could do. Um. 503 00:23:05,119 --> 00:23:06,960 Speaker 1: But also I don't. I don't paint a picture of 504 00:23:07,040 --> 00:23:09,480 Speaker 1: her in a bad light or myself, you know, I 505 00:23:09,560 --> 00:23:12,040 Speaker 1: think we were both young in a situation. People do 506 00:23:12,320 --> 00:23:15,080 Speaker 1: the crazy stuff and a lot and more time than often, 507 00:23:15,160 --> 00:23:17,800 Speaker 1: A lot of abusive stuff happens in relationship, but people 508 00:23:17,880 --> 00:23:19,800 Speaker 1: just don't bring it out, Like my laundry is just 509 00:23:19,880 --> 00:23:21,880 Speaker 1: out there to dry, so you can see. Nobody cared 510 00:23:21,920 --> 00:23:23,360 Speaker 1: if the guy's getting hit, you know what I'm saying. 511 00:23:24,480 --> 00:23:30,840 Speaker 1: But but but I feel like it's it's more of 512 00:23:30,920 --> 00:23:34,680 Speaker 1: a I think, I think all in all, like it's 513 00:23:35,280 --> 00:23:37,920 Speaker 1: still some but but a lot of past bitterness that 514 00:23:38,000 --> 00:23:40,320 Speaker 1: I've had because I've taken all the blunt for it. 515 00:23:40,840 --> 00:23:43,440 Speaker 1: And then I can't sit there and be like, well, 516 00:23:43,520 --> 00:23:46,200 Speaker 1: what was me? Because I did partake in what I 517 00:23:46,280 --> 00:23:48,520 Speaker 1: did and did put my hands on it, like you 518 00:23:48,600 --> 00:23:49,840 Speaker 1: dimn if you do them if you don't, you know 519 00:23:49,880 --> 00:23:52,439 Speaker 1: what I'm saying. So I think I think the thing 520 00:23:52,520 --> 00:23:56,720 Speaker 1: that pisses me off the most now is that. Like 521 00:23:56,880 --> 00:23:59,359 Speaker 1: even when I was at the Grammys, like, uh, like 522 00:23:59,520 --> 00:24:02,960 Speaker 1: this ship this ship. No, but I left before that 523 00:24:03,040 --> 00:24:04,720 Speaker 1: even came on. I didn't even know it was on 524 00:24:04,800 --> 00:24:06,879 Speaker 1: until I looked at my Instagram and Twitter, and then 525 00:24:07,000 --> 00:24:08,680 Speaker 1: I don't even know the dude he got it was 526 00:24:08,720 --> 00:24:13,720 Speaker 1: a domestic violence. But my thing is that's great. I'm 527 00:24:14,040 --> 00:24:17,080 Speaker 1: that's great. If you're gonna focus on that, that's great. No. No, 528 00:24:17,240 --> 00:24:20,480 Speaker 1: but also also talk about Mike Brown, talk about all 529 00:24:20,520 --> 00:24:22,879 Speaker 1: these all this injustice that's going on as far as 530 00:24:23,320 --> 00:24:25,920 Speaker 1: politically and and all the things that are wrong with 531 00:24:26,000 --> 00:24:28,359 Speaker 1: our country. You know what I'm saying, don't use the 532 00:24:28,520 --> 00:24:31,440 Speaker 1: music aspect of music to just talk about domestic violence 533 00:24:31,600 --> 00:24:33,879 Speaker 1: because y'all don't talk about it or nothing else. You 534 00:24:33,920 --> 00:24:35,960 Speaker 1: ain't got nobody to know other advocates. I want to 535 00:24:36,000 --> 00:24:38,959 Speaker 1: see whether awards that and all the fundraisers for domestic 536 00:24:39,040 --> 00:24:41,720 Speaker 1: violence that all these so people are doing. You know. 537 00:24:42,200 --> 00:24:44,720 Speaker 1: For me, I'm just being real, like it's just like cool, 538 00:24:45,560 --> 00:24:48,320 Speaker 1: depict that and do your thing. And then you got 539 00:24:48,400 --> 00:24:50,520 Speaker 1: other people in the crowd that are that are artists. 540 00:24:50,520 --> 00:24:51,760 Speaker 1: I don't even know half of these people because I 541 00:24:51,760 --> 00:24:53,960 Speaker 1: don't listen to the music. But I've seen little tweets 542 00:24:54,000 --> 00:24:56,600 Speaker 1: and stuff like oh oh, wells well, you shouldn't let 543 00:24:56,640 --> 00:24:58,280 Speaker 1: Chris Brown come to the wards then, and all this 544 00:24:58,320 --> 00:25:01,040 Speaker 1: stuff like that, And to me, that's gonna slapping my 545 00:25:01,119 --> 00:25:02,960 Speaker 1: face because I ain't got nothing to do with you. 546 00:25:03,680 --> 00:25:05,920 Speaker 1: Like if you if you in a total different lane 547 00:25:05,960 --> 00:25:08,480 Speaker 1: and you're doing whatever you do, your opinion shouldn't be 548 00:25:08,560 --> 00:25:10,600 Speaker 1: that valid. You should worry about what the hell you're doing, 549 00:25:10,800 --> 00:25:14,160 Speaker 1: because I would old Chris Brown came up smacking the mouth, 550 00:25:14,560 --> 00:25:17,240 Speaker 1: but but the new one is like, okay, cool, well 551 00:25:17,400 --> 00:25:19,040 Speaker 1: tell me how to get into them. Pearly gates you 552 00:25:19,040 --> 00:25:21,359 Speaker 1: because you're so perfect, because I need to know how 553 00:25:21,400 --> 00:25:23,119 Speaker 1: to get on that VIP list because I want to 554 00:25:23,119 --> 00:25:24,119 Speaker 1: get it. I want to get it. I want to 555 00:25:24,160 --> 00:25:27,320 Speaker 1: get there too. You know, don't even think of for you, 556 00:25:27,480 --> 00:25:29,560 Speaker 1: because you own yours. I think those for the people 557 00:25:29,640 --> 00:25:31,720 Speaker 1: sitting in that crowd who're probably doing it behind closed 558 00:25:31,760 --> 00:25:35,680 Speaker 1: doors an important discussion. I'm cool with the PA in 559 00:25:35,800 --> 00:25:38,080 Speaker 1: general if you want to make that statement. Whatever cause 560 00:25:38,200 --> 00:25:42,000 Speaker 1: is helping families and people that's going through the same 561 00:25:42,040 --> 00:25:44,359 Speaker 1: situation and I went through whatever, that's great. I'm talking 562 00:25:44,400 --> 00:25:48,240 Speaker 1: about for the entertainers for the people who have other fans, 563 00:25:48,320 --> 00:25:50,440 Speaker 1: who people who look at me with the side I 564 00:25:50,600 --> 00:25:52,240 Speaker 1: when I'm in there, when I don't owe them nothing. 565 00:25:52,720 --> 00:25:54,640 Speaker 1: You know what I'm saying, Because I really could care 566 00:25:54,720 --> 00:25:57,560 Speaker 1: less if you like me, but I guarantee you your 567 00:25:57,600 --> 00:26:02,320 Speaker 1: fans know my music thinking man on him. I'm still 568 00:26:02,359 --> 00:26:04,719 Speaker 1: so young for that. Seasons you talked about babies last time. 569 00:26:05,320 --> 00:26:10,359 Speaker 1: I see, I can deal with babies, baby with somebody 570 00:26:10,400 --> 00:26:12,280 Speaker 1: you want to marriage. See, I mean see, I don't. 571 00:26:12,320 --> 00:26:14,399 Speaker 1: I don't follow a certain form to see. I'm the 572 00:26:14,520 --> 00:26:16,760 Speaker 1: total opposite of the guy that y'all want to give 573 00:26:16,800 --> 00:26:18,960 Speaker 1: y'all the great answers for because I'm gonna give you. 574 00:26:19,160 --> 00:26:23,120 Speaker 1: I'm gonna give you the remix. Yeah, I'm gonna get 575 00:26:23,119 --> 00:26:26,000 Speaker 1: you a remix. So I'm cool having a baby great 576 00:26:26,280 --> 00:26:28,240 Speaker 1: the marriage thing. I'm not cool getting you half of 577 00:26:28,480 --> 00:26:31,000 Speaker 1: what I earned all my life. You know what I'm saying, 578 00:26:31,119 --> 00:26:33,240 Speaker 1: Like pre nups all that that's cool. I just think 579 00:26:33,400 --> 00:26:37,600 Speaker 1: marriage in our generation marriage has been distorted to our 580 00:26:37,680 --> 00:26:41,159 Speaker 1: generation of people because it hasn't worked like the older 581 00:26:41,200 --> 00:26:44,639 Speaker 1: generation has worked. Our generation what we've seen, what we 582 00:26:44,800 --> 00:26:48,119 Speaker 1: what we've seen, and as as our culture as generations 583 00:26:48,160 --> 00:26:51,760 Speaker 1: from being you know, teenagers to now high school whatever, 584 00:26:51,920 --> 00:26:55,760 Speaker 1: whether college whatever, it's all about to turn up. You 585 00:26:55,800 --> 00:26:57,520 Speaker 1: know what I'm saying, And it's and and I'm not 586 00:26:57,720 --> 00:27:01,840 Speaker 1: the best. I'm not. I'm not. I'm not promoting to 587 00:27:01,960 --> 00:27:05,159 Speaker 1: turn up. I'm just saying that's what our mentality is, 588 00:27:05,600 --> 00:27:09,080 Speaker 1: social media, whatever it is. So it's all about what's 589 00:27:09,119 --> 00:27:14,680 Speaker 1: hot at the time. So those values aren't aren't instilled 590 00:27:14,720 --> 00:27:16,960 Speaker 1: in us right now. We don't have leaders to instill that. 591 00:27:17,480 --> 00:27:20,240 Speaker 1: I'm particularly not gonna be that leader because I'm gonna 592 00:27:20,240 --> 00:27:23,440 Speaker 1: turn up with you. You know what I'm saying. I'm 593 00:27:23,440 --> 00:27:26,119 Speaker 1: just gonna be real. But we don't have those kind 594 00:27:26,160 --> 00:27:29,240 Speaker 1: of leaders that instill that. So certain females, I'm not 595 00:27:29,320 --> 00:27:32,160 Speaker 1: I'm not just my female audience. But females mentalities aren't 596 00:27:32,200 --> 00:27:35,280 Speaker 1: on that, you know what I'm saying. Young dudes, guys, 597 00:27:35,320 --> 00:27:36,879 Speaker 1: we ain't trying to get married right now. You got 598 00:27:36,920 --> 00:27:39,240 Speaker 1: a couple of us, but we're not. So I just 599 00:27:39,359 --> 00:27:41,960 Speaker 1: think as I progress and find out who I am 600 00:27:42,560 --> 00:27:46,400 Speaker 1: more and more like in my thirties. Do you want 601 00:27:46,440 --> 00:27:50,280 Speaker 1: though too? I'm cool too. If one is fine, if 602 00:27:50,320 --> 00:27:53,119 Speaker 1: it's a boy on the first trial bond, you should 603 00:27:53,119 --> 00:27:56,159 Speaker 1: have tracked those two already got then now you know, 604 00:27:56,359 --> 00:27:58,960 Speaker 1: I would like, i'mna be honest, like that would have 605 00:27:59,000 --> 00:28:01,119 Speaker 1: been my ultimate boom. You know what I'm saying. At 606 00:28:01,160 --> 00:28:03,640 Speaker 1: the time, when I was doing my wham wham, but both, 607 00:28:04,160 --> 00:28:07,879 Speaker 1: you know, I was like, get both of them, boom 608 00:28:08,000 --> 00:28:12,960 Speaker 1: and I'm good the condom off. Do you think a 609 00:28:13,000 --> 00:28:18,879 Speaker 1: condom with that one? Come on? Now? Yeah? Do you 610 00:28:18,960 --> 00:28:20,800 Speaker 1: think you could be monogamous? Or do you feel like 611 00:28:20,840 --> 00:28:23,080 Speaker 1: anybody that dates Chris Brown has to know it's gonna 612 00:28:23,080 --> 00:28:27,480 Speaker 1: be some threesomes happening, It's gonna be songs. Come on, no, no, no, 613 00:28:27,640 --> 00:28:29,320 Speaker 1: So this this, this is my take on it, because 614 00:28:29,320 --> 00:28:30,960 Speaker 1: a lot of people ask me the same question, even 615 00:28:31,000 --> 00:28:34,320 Speaker 1: just in my personal life. The good thing about it, 616 00:28:34,359 --> 00:28:36,840 Speaker 1: I think I can you know, it's just the understanding 617 00:28:36,920 --> 00:28:39,200 Speaker 1: the type of woman that has to be able to 618 00:28:39,280 --> 00:28:41,800 Speaker 1: deal with an artist, not just me, just an artist 619 00:28:41,840 --> 00:28:45,520 Speaker 1: in general, has to understand that creativity plays a role 620 00:28:45,640 --> 00:28:51,640 Speaker 1: and everything, sex everything. So for me, I'm not saying 621 00:28:51,920 --> 00:28:54,080 Speaker 1: generally I would just need to have sex with multiple 622 00:28:54,120 --> 00:28:57,800 Speaker 1: women all the time, but that's more of a choice 623 00:28:57,880 --> 00:29:00,840 Speaker 1: for us as artists rather than the dude that works 624 00:29:00,880 --> 00:29:05,080 Speaker 1: at Kingcod Unless his game is just amazing. But so 625 00:29:05,280 --> 00:29:07,120 Speaker 1: it's a lot harder, you know, you know what I'm saying, 626 00:29:07,120 --> 00:29:10,040 Speaker 1: it's a lot harder for us to fight temptation. Not 627 00:29:10,160 --> 00:29:12,240 Speaker 1: saying we don't, but it's a lot harder for us 628 00:29:12,280 --> 00:29:14,240 Speaker 1: when a girl can just come up to us and 629 00:29:14,320 --> 00:29:16,240 Speaker 1: be like, Hey, I want to perform Felasio on you 630 00:29:17,480 --> 00:29:21,320 Speaker 1: just because I like you. Chris just you know, Chris 631 00:29:21,480 --> 00:29:23,880 Speaker 1: just did. Chris just basically told the girl, give me 632 00:29:23,960 --> 00:29:29,720 Speaker 1: some head within a nice creative but but but yours. 633 00:29:32,360 --> 00:29:34,360 Speaker 1: But I had this conversation with my girl, and you know, 634 00:29:34,520 --> 00:29:37,720 Speaker 1: she she she understands it. But I do my best 635 00:29:37,960 --> 00:29:41,800 Speaker 1: to not to not cheating, not you know, be crazy 636 00:29:41,880 --> 00:29:44,400 Speaker 1: all over the place. I always have females around me, 637 00:29:44,440 --> 00:29:48,040 Speaker 1: though I'll never that that helps me write better songs, 638 00:29:48,080 --> 00:29:50,840 Speaker 1: That helps me be more creative and understand the perspective 639 00:29:50,880 --> 00:29:55,440 Speaker 1: of what these certain women want. But she she makes 640 00:29:55,480 --> 00:29:58,920 Speaker 1: it clear, she walks, but you said you always having 641 00:29:58,920 --> 00:30:01,280 Speaker 1: three somethings together, So that hell, you know, that's that's early. Then, 642 00:30:02,800 --> 00:30:05,600 Speaker 1: that was that was early. That was that was early day. 643 00:30:05,760 --> 00:30:08,160 Speaker 1: You know, the feelers getting involved and you got to 644 00:30:08,160 --> 00:30:11,440 Speaker 1: stop that, you know, you know, girls are getting involved 645 00:30:11,440 --> 00:30:13,640 Speaker 1: to be like why you ain't finished with me or 646 00:30:13,720 --> 00:30:17,600 Speaker 1: this something like, No, I don't like the reasons because 647 00:30:17,600 --> 00:30:22,720 Speaker 1: I'm indecisive. I don't know one. I get mad the 648 00:30:22,880 --> 00:30:26,720 Speaker 1: Family Show. I wish. I wish more older R and 649 00:30:26,760 --> 00:30:30,040 Speaker 1: B artists would have those conversations with you about you know, 650 00:30:30,200 --> 00:30:32,320 Speaker 1: girls are in this era because we'll have people come 651 00:30:32,360 --> 00:30:34,680 Speaker 1: on the show, whether it's to you know, could be 652 00:30:34,720 --> 00:30:36,720 Speaker 1: jacking out like the Dream was recently here. I saw 653 00:30:36,800 --> 00:30:39,200 Speaker 1: his interview yea to a little jam, but I don't 654 00:30:39,200 --> 00:30:41,680 Speaker 1: think they understand. It was a light one, but I 655 00:30:41,720 --> 00:30:43,720 Speaker 1: don't think they understand girls in this era. It's not 656 00:30:44,040 --> 00:30:45,880 Speaker 1: the I want to be in love er no more. 657 00:30:46,080 --> 00:30:48,600 Speaker 1: I mean it is in a way because girls always 658 00:30:48,640 --> 00:30:51,160 Speaker 1: want to be loved. Love gets out and I'll kind 659 00:30:51,200 --> 00:30:53,480 Speaker 1: of contradict what he said, you know, I kind of 660 00:30:53,640 --> 00:30:55,200 Speaker 1: go against what he said as far as like the 661 00:30:55,360 --> 00:30:58,880 Speaker 1: R and B artists want to be rappers and stuff. No, 662 00:30:59,120 --> 00:31:02,280 Speaker 1: it's just a different times. It's a totally different time 663 00:31:02,720 --> 00:31:04,760 Speaker 1: when when it when it when it's a different field 664 00:31:04,760 --> 00:31:06,640 Speaker 1: of like I said, the turn up era. We like 665 00:31:07,000 --> 00:31:09,520 Speaker 1: I was the first dude kind of giving those hip 666 00:31:09,560 --> 00:31:12,000 Speaker 1: hop beats on and B records you know what I'm saying. 667 00:31:12,040 --> 00:31:15,040 Speaker 1: So it's just like when I did M Jose Ain't 668 00:31:15,080 --> 00:31:18,320 Speaker 1: loyal That was from a personal experience of me being 669 00:31:18,360 --> 00:31:22,120 Speaker 1: able to see different facets of thirsty women's thoughts. We 670 00:31:22,200 --> 00:31:24,800 Speaker 1: ain't gonna call on women. You call him thought certain 671 00:31:24,920 --> 00:31:28,720 Speaker 1: certain women only attract to a certain crowd. You go 672 00:31:28,840 --> 00:31:31,560 Speaker 1: to one house, you go to Trade house, same girls, 673 00:31:31,640 --> 00:31:33,720 Speaker 1: you go to Tiger House, same girls, go to Sean 674 00:31:33,840 --> 00:31:35,680 Speaker 1: kings the house, same girls. Go to my house. A 675 00:31:35,880 --> 00:31:37,640 Speaker 1: girl like and you'd be like, dang, I just saw 676 00:31:37,680 --> 00:31:39,040 Speaker 1: you at that party. Why are you trying to get 677 00:31:39,160 --> 00:31:42,240 Speaker 1: be my girlfriend? If you let Nary hit it? You 678 00:31:42,280 --> 00:31:45,320 Speaker 1: know what I'm saying. So that's what the loyalty was. 679 00:31:45,360 --> 00:31:48,200 Speaker 1: No loyalty there. So that's what's the reason for that 680 00:31:48,280 --> 00:31:52,080 Speaker 1: song because of personal experiences. Now in his case, I 681 00:31:52,120 --> 00:31:53,840 Speaker 1: don't know if he gets to do what we do. 682 00:31:56,000 --> 00:31:59,080 Speaker 1: Sorry to say that, but it's a different age bracket 683 00:31:59,240 --> 00:32:01,400 Speaker 1: and it's a different mentality. Man, you don't have to 684 00:32:01,440 --> 00:32:06,840 Speaker 1: face for it. I'm just saying he's not Chris Brown, right, 685 00:32:07,200 --> 00:32:09,479 Speaker 1: I'm just saying he's not Chris Brown, and he not Tiger, 686 00:32:09,640 --> 00:32:12,200 Speaker 1: and he not any not trade songs. He's a great writer. 687 00:32:13,600 --> 00:32:15,840 Speaker 1: I could also be hating and say writers want to 688 00:32:15,880 --> 00:32:19,800 Speaker 1: be artists. It's just not made for them. They can 689 00:32:19,840 --> 00:32:22,960 Speaker 1: write great songs, but they can't perform them. They can't 690 00:32:22,960 --> 00:32:26,400 Speaker 1: sell out of runs, they don't have it. But that'd 691 00:32:26,440 --> 00:32:29,800 Speaker 1: be me hating m. But you're speaking honest. I'm being 692 00:32:29,840 --> 00:32:32,640 Speaker 1: honest now. Fifty cent? Yeah, how did you a fifty 693 00:32:32,640 --> 00:32:34,880 Speaker 1: cent get about y'all at the ball Clay citing y'all 694 00:32:35,120 --> 00:32:37,840 Speaker 1: on the album? How'd you get with that? Crazy? See? 695 00:32:37,960 --> 00:32:40,560 Speaker 1: You know what, fifty? I respect fifty the most out 696 00:32:40,600 --> 00:32:43,240 Speaker 1: of anybody. He's crazy because and that's why I kind 697 00:32:43,240 --> 00:32:46,520 Speaker 1: of get some of my ideas because I just I 698 00:32:46,600 --> 00:32:50,000 Speaker 1: don't have time for being faked like he don't play 699 00:32:50,040 --> 00:32:52,280 Speaker 1: the part. He is him all day and I'm the 700 00:32:52,320 --> 00:32:55,040 Speaker 1: same way. So I actually meant fifty. When I was 701 00:32:55,040 --> 00:32:57,360 Speaker 1: twelve years old, I did a g unit campaign with him, 702 00:32:57,360 --> 00:32:59,440 Speaker 1: with me and my best friend. He'll tell you the story. 703 00:32:59,480 --> 00:33:02,880 Speaker 1: Everything on no No, I had the kid outfit, the 704 00:33:03,280 --> 00:33:05,640 Speaker 1: kids Unit, So so we did a we did a 705 00:33:05,680 --> 00:33:07,880 Speaker 1: campaign and I remember me singing for him and just 706 00:33:08,200 --> 00:33:09,480 Speaker 1: you know, being on the photo shoot, like man, we 707 00:33:09,560 --> 00:33:12,200 Speaker 1: do music whatever, whatever, And they always liked our music. 708 00:33:12,280 --> 00:33:14,880 Speaker 1: But you know, they I as an artist. Now I 709 00:33:14,920 --> 00:33:17,360 Speaker 1: can understand why they wouldn't just sign us on the spot, 710 00:33:17,400 --> 00:33:19,640 Speaker 1: because we don't just do that. We hear somebody wrap us, 711 00:33:19,680 --> 00:33:22,000 Speaker 1: somebody's good. Oh man, you dope cool? All right, keep 712 00:33:22,040 --> 00:33:23,600 Speaker 1: doing your thing, you know what I'm saying. So that's 713 00:33:23,640 --> 00:33:26,080 Speaker 1: what it was. As I progressed, when he saw me 714 00:33:26,480 --> 00:33:29,160 Speaker 1: as a as an actual entertainer, He's like, I said, 715 00:33:29,160 --> 00:33:31,640 Speaker 1: you don't remember me. He was like, bro, you was 716 00:33:31,680 --> 00:33:33,640 Speaker 1: the little boy that that was at the little you know, 717 00:33:33,760 --> 00:33:36,440 Speaker 1: shoot boo, and he remember. So he always had a 718 00:33:36,520 --> 00:33:39,400 Speaker 1: respect for me because he knew me from actually a 719 00:33:39,480 --> 00:33:42,560 Speaker 1: little kid. So you know, we got into the studio 720 00:33:43,240 --> 00:33:45,640 Speaker 1: and we always like Kevin touched like you know, a 721 00:33:45,720 --> 00:33:47,520 Speaker 1: couple of like maybe four or five years ago, I 722 00:33:47,560 --> 00:33:50,440 Speaker 1: did a matter Square Garden and he came out and 723 00:33:50,920 --> 00:33:53,040 Speaker 1: came out on the show. But I said, oh yo, bro, 724 00:33:53,120 --> 00:33:54,640 Speaker 1: we hung out of La. He got on me and 725 00:33:54,720 --> 00:33:57,000 Speaker 1: Tiger's album, um, and I just got on some new 726 00:33:57,040 --> 00:33:58,920 Speaker 1: stuff for his album, and I was just like we 727 00:33:59,040 --> 00:34:03,040 Speaker 1: just vibed out, and I just I understand the insanity 728 00:34:03,600 --> 00:34:06,800 Speaker 1: in the genius, you know what I'm saying. So I'm 729 00:34:07,160 --> 00:34:09,279 Speaker 1: I'm able to be befriend that. You know, me and 730 00:34:09,480 --> 00:34:12,560 Speaker 1: him are both not all the way there, but that's 731 00:34:12,560 --> 00:34:14,160 Speaker 1: what makes us great. He's a crazy one. If you 732 00:34:14,239 --> 00:34:21,920 Speaker 1: have a problem, don't call him, don't go get him, 733 00:34:21,960 --> 00:34:23,880 Speaker 1: Like he's that guy who drive you there. Who do 734 00:34:24,000 --> 00:34:26,399 Speaker 1: you call when you need to talk to somebody about something? 735 00:34:26,480 --> 00:34:30,320 Speaker 1: Clearly somebody, but somebody in this business with somebody that 736 00:34:30,400 --> 00:34:32,320 Speaker 1: you call when things are a little crazy and you're like, 737 00:34:32,320 --> 00:34:34,319 Speaker 1: all right, I gotta talk to you know, the one 738 00:34:34,400 --> 00:34:36,640 Speaker 1: person that I can honestly say that I look up 739 00:34:36,680 --> 00:34:39,040 Speaker 1: to out of out of anybody, that's that's you know, 740 00:34:39,200 --> 00:34:41,520 Speaker 1: Michael Jackson have been would have been my idol. But 741 00:34:41,760 --> 00:34:46,440 Speaker 1: as far as like um, character, uh, poise and you know, 742 00:34:46,560 --> 00:34:49,680 Speaker 1: just just a sense of themselves and and don't need 743 00:34:49,719 --> 00:34:52,160 Speaker 1: to fit in, don't need to act a certain way whatever. 744 00:34:52,480 --> 00:34:56,719 Speaker 1: It's for real really honestly like like, um, he's like 745 00:34:56,840 --> 00:34:59,000 Speaker 1: one of my inspirations. As far as like just a 746 00:34:59,160 --> 00:35:01,320 Speaker 1: just a stand up man, just a good guy. You 747 00:35:01,400 --> 00:35:04,640 Speaker 1: know that kid Virginia, you know, got his own got 748 00:35:04,719 --> 00:35:07,399 Speaker 1: his kid, got his girl, like cool, but just fly 749 00:35:07,640 --> 00:35:10,319 Speaker 1: doing his own thing on his own time. I wants 750 00:35:10,320 --> 00:35:13,879 Speaker 1: to do it. And it's very respectable and understands the game, 751 00:35:14,000 --> 00:35:15,800 Speaker 1: you know. So I think I think I'll take a 752 00:35:15,840 --> 00:35:18,080 Speaker 1: lot of inspiration from him. So if I really need 753 00:35:18,160 --> 00:35:20,320 Speaker 1: some real advice, I'll talk to him, you know, a 754 00:35:20,440 --> 00:35:22,360 Speaker 1: conversation were always having an industry, and I wonder if 755 00:35:22,360 --> 00:35:23,759 Speaker 1: you feel this way, you feel like you may have 756 00:35:24,440 --> 00:35:27,400 Speaker 1: missed the moment because everybody says Chris is supposed to 757 00:35:27,400 --> 00:35:29,040 Speaker 1: be the next Michael Jackson. He's supposed to be on 758 00:35:29,120 --> 00:35:31,680 Speaker 1: the same level as b or whatever. You know. You know, 759 00:35:31,920 --> 00:35:34,960 Speaker 1: the funny thing is I am on that level. But 760 00:35:35,200 --> 00:35:38,440 Speaker 1: I'm not saying I'm Michael Jackson Beyonce. I just I mean, 761 00:35:38,480 --> 00:35:40,160 Speaker 1: if you know you're great, you know you're great. You 762 00:35:40,239 --> 00:35:42,400 Speaker 1: know when people when people say he posted to be that, 763 00:35:42,520 --> 00:35:45,000 Speaker 1: that's because they already know I'm not. I guess from 764 00:35:45,040 --> 00:35:46,840 Speaker 1: a marketable level, like with you know you you know 765 00:35:46,880 --> 00:35:50,279 Speaker 1: you're doing the Juicy food commercial and that and and 766 00:35:50,400 --> 00:35:55,719 Speaker 1: that's that's that's based on that's like high school like popularity. 767 00:35:56,239 --> 00:35:59,839 Speaker 1: That's cool. But if I know that every little kid, 768 00:36:00,960 --> 00:36:02,719 Speaker 1: the person that's dancing, if I go, if I go 769 00:36:02,880 --> 00:36:05,040 Speaker 1: make a Billy Jean right now, and I just moon 770 00:36:05,120 --> 00:36:08,600 Speaker 1: walk across stage, because that time has passed from Michael Jackson, 771 00:36:09,280 --> 00:36:11,880 Speaker 1: those little kids would be like Chris Brown did The Moonwalker. 772 00:36:13,640 --> 00:36:15,400 Speaker 1: You know what I'm saying, But I won't but I 773 00:36:15,440 --> 00:36:18,960 Speaker 1: won't take that credit. But I know by the dancings 774 00:36:19,000 --> 00:36:20,759 Speaker 1: that I do now and the music that I'm doing 775 00:36:21,080 --> 00:36:23,239 Speaker 1: and how it transitions, because I never just stick to 776 00:36:23,320 --> 00:36:25,200 Speaker 1: one genre. I'll try to bounce around, Like my next 777 00:36:25,200 --> 00:36:28,920 Speaker 1: album is gonna be like Universal, try to put you 778 00:36:29,000 --> 00:36:30,640 Speaker 1: overseas for a couple of months with me, you know 779 00:36:30,680 --> 00:36:34,120 Speaker 1: what I'm saying. So so I think with my audience, 780 00:36:34,280 --> 00:36:36,840 Speaker 1: it kind of differs because it's such a wide range. 781 00:36:36,920 --> 00:36:38,799 Speaker 1: Like like even on my shows like I do Meet 782 00:36:38,800 --> 00:36:41,200 Speaker 1: and Greece, you have a forty five year old woman 783 00:36:41,280 --> 00:36:43,360 Speaker 1: come in by herself, no no kids, you know, I 784 00:36:43,440 --> 00:36:46,680 Speaker 1: love you. Then you have six year old come in, 785 00:36:47,160 --> 00:36:48,960 Speaker 1: you know, with your T shirt on, addressing like how 786 00:36:49,000 --> 00:36:51,279 Speaker 1: you look in the Loyal video or whatever. You know, 787 00:36:51,400 --> 00:36:53,680 Speaker 1: you have certain things that you that you reach to, 788 00:36:53,800 --> 00:36:56,359 Speaker 1: certain people, you know, and I think for me, it's 789 00:36:56,360 --> 00:37:00,120 Speaker 1: just on how I progress. I can't look back and 790 00:37:00,719 --> 00:37:02,399 Speaker 1: say I wish I could have did it this way, 791 00:37:02,760 --> 00:37:05,279 Speaker 1: because then I'll be mad at my life. You know 792 00:37:05,320 --> 00:37:07,040 Speaker 1: what I'm saying, because I can't get it to the 793 00:37:07,120 --> 00:37:09,920 Speaker 1: fullest potential, all I can do now is just be like, 794 00:37:10,040 --> 00:37:12,880 Speaker 1: you know what, I'm just gonna kill everything I do. 795 00:37:13,520 --> 00:37:15,440 Speaker 1: How hard is it to move forward? Though? Because everybody 796 00:37:15,480 --> 00:37:17,920 Speaker 1: wants to keep you on all the negative stuff. They 797 00:37:17,920 --> 00:37:21,080 Speaker 1: want to keep reminding you of it. It's only hard 798 00:37:21,120 --> 00:37:23,080 Speaker 1: when it stops you, you know what I'm saying, It's 799 00:37:23,080 --> 00:37:25,960 Speaker 1: hard when it stops you. As far as like legal situations, 800 00:37:26,080 --> 00:37:28,839 Speaker 1: like when this probation is said and done, it's nothing 801 00:37:28,920 --> 00:37:30,560 Speaker 1: else you can talk about. You can't keep bringing that 802 00:37:30,920 --> 00:37:34,080 Speaker 1: the situation up because I ain't doing nothing. I ain't 803 00:37:34,200 --> 00:37:36,359 Speaker 1: still on something for that, you know what I'm saying. 804 00:37:36,360 --> 00:37:38,759 Speaker 1: I'm done. So it's like I get my twenties back. 805 00:37:39,040 --> 00:37:40,760 Speaker 1: You know, I got on probation when I was seventeen. 806 00:37:41,160 --> 00:37:46,800 Speaker 1: You know, I'm twenty five, you know, but you know 807 00:37:47,040 --> 00:37:49,600 Speaker 1: so so me being able to transition now, I get 808 00:37:49,640 --> 00:37:52,839 Speaker 1: to start overcoming, right, you know. And I just think 809 00:37:53,719 --> 00:37:56,640 Speaker 1: me just focusing on the music. I think every aspect 810 00:37:56,680 --> 00:37:58,879 Speaker 1: of the music I do. I like to do stuff 811 00:37:58,920 --> 00:38:00,040 Speaker 1: that people are like, oh, I would have never I 812 00:38:00,040 --> 00:38:02,000 Speaker 1: thought I heard that kind of music from Chris, But 813 00:38:02,080 --> 00:38:04,640 Speaker 1: I never do because you know, five six years ago, 814 00:38:04,680 --> 00:38:06,439 Speaker 1: you would have never thought you'd heard these holes. Ain't 815 00:38:06,520 --> 00:38:08,880 Speaker 1: Lloyd or you know you're never here to you know 816 00:38:09,040 --> 00:38:11,640 Speaker 1: me and Tiger album where ninety five percent of it 817 00:38:11,800 --> 00:38:13,479 Speaker 1: is me rapping. I might be singing on a hook, 818 00:38:13,719 --> 00:38:14,920 Speaker 1: but you get a chance to hear me as a 819 00:38:15,000 --> 00:38:18,400 Speaker 1: lyricist instead of just being you know, an RB singer. 820 00:38:18,840 --> 00:38:21,080 Speaker 1: You know. So it's just it's just the transition of 821 00:38:21,160 --> 00:38:23,160 Speaker 1: me being able to be an entertainer. I don't call 822 00:38:23,239 --> 00:38:25,840 Speaker 1: myself an R and B artist, a pop artist. I 823 00:38:25,960 --> 00:38:28,919 Speaker 1: call myself an entertainer artist in general, whether it's painting, 824 00:38:29,000 --> 00:38:32,520 Speaker 1: was or anything, because I try to beat in every 825 00:38:32,719 --> 00:38:35,320 Speaker 1: facet of music right anything. You know what, why whyn't 826 00:38:35,320 --> 00:38:36,600 Speaker 1: I ask Tige the same thing, why do people in 827 00:38:36,600 --> 00:38:38,359 Speaker 1: the industry pretend to like each other? Because it's clear 828 00:38:38,440 --> 00:38:40,240 Speaker 1: that you and Alby don't get along, but you're always 829 00:38:40,239 --> 00:38:42,279 Speaker 1: taking pictures together a couple of months ago, like, why 830 00:38:42,280 --> 00:38:44,000 Speaker 1: are you pretending to get along with a present? No, 831 00:38:44,120 --> 00:38:46,320 Speaker 1: it's not even it's not even a pretend thing. I 832 00:38:46,400 --> 00:38:50,280 Speaker 1: think what people do is it's a it's a me factor. 833 00:38:50,320 --> 00:38:53,600 Speaker 1: It's about me. It's about me, It's about me. As 834 00:38:53,800 --> 00:38:58,399 Speaker 1: artists people are selfish because they want to be the best. 835 00:38:58,600 --> 00:39:00,880 Speaker 1: And it's only right because everybody wants to be the 836 00:39:01,000 --> 00:39:05,360 Speaker 1: top person. It's no friendly, it's friendly competition. But on 837 00:39:05,520 --> 00:39:07,640 Speaker 1: these slots, like when y'all got the songs coming up, 838 00:39:08,120 --> 00:39:11,760 Speaker 1: new song or whatever it is, everything is a slot, BTS, 839 00:39:11,800 --> 00:39:14,600 Speaker 1: all that stuff, like I mean, BDS is just you 840 00:39:14,760 --> 00:39:17,200 Speaker 1: just have to You got to be in the number. 841 00:39:17,239 --> 00:39:20,360 Speaker 1: Either you first or you're not. It's not your second 842 00:39:20,400 --> 00:39:22,320 Speaker 1: like your third. I got the number two records in 843 00:39:22,360 --> 00:39:25,000 Speaker 1: the country. Nobody cared. I got the number one record 844 00:39:25,040 --> 00:39:27,080 Speaker 1: in the country. I'm the best, you know what I'm saying. 845 00:39:27,120 --> 00:39:29,759 Speaker 1: So everybody wants to be the best, so they have 846 00:39:29,880 --> 00:39:33,799 Speaker 1: to work for it, and friendship gets in the way 847 00:39:33,840 --> 00:39:36,960 Speaker 1: of that. So people will be fake. People are fake 848 00:39:37,080 --> 00:39:39,560 Speaker 1: so they can be cordial. They might be fans of 849 00:39:39,640 --> 00:39:43,920 Speaker 1: the person. But I'll be lying if I say everybody 850 00:39:44,000 --> 00:39:48,320 Speaker 1: don't envy everybody, whoever, whoever is that number one person. 851 00:39:48,640 --> 00:39:50,920 Speaker 1: And it's usually mean most of the time. And I'll 852 00:39:50,960 --> 00:39:52,960 Speaker 1: be honest with my records, like you know, I get 853 00:39:53,000 --> 00:39:56,239 Speaker 1: a lot of number one, so it's like a lot 854 00:39:56,280 --> 00:39:59,120 Speaker 1: of people envy that, you know, So even even if 855 00:39:59,120 --> 00:40:01,160 Speaker 1: somebody got the number one spot over me. Dang, I 856 00:40:01,200 --> 00:40:02,640 Speaker 1: want to get the number on the spot. What I 857 00:40:02,719 --> 00:40:06,200 Speaker 1: gotta do to get there? Man, forget their record, you 858 00:40:06,239 --> 00:40:08,759 Speaker 1: know what I'm saying. You're not thinking about, oh man, 859 00:40:08,840 --> 00:40:12,640 Speaker 1: they deserve that or they're good. You know, you're thinking 860 00:40:12,640 --> 00:40:15,480 Speaker 1: about how you're gonna beat them up that spot. You know. 861 00:40:15,600 --> 00:40:19,360 Speaker 1: So the friendship kind of deteriorates from that. So you 862 00:40:19,440 --> 00:40:22,640 Speaker 1: get to hay, what's up man, oh man, cool man, whatever, 863 00:40:22,719 --> 00:40:25,640 Speaker 1: menace hanging out, let's be bored. And then then the 864 00:40:25,760 --> 00:40:27,319 Speaker 1: dude be like, Man, I'm trying to get this dude 865 00:40:27,320 --> 00:40:29,799 Speaker 1: out of here. I'm gonna set him up. I'm gonna 866 00:40:29,800 --> 00:40:31,440 Speaker 1: say this, I'm gonna do this. I'm gonna sneak this 867 00:40:31,560 --> 00:40:33,719 Speaker 1: on record. I'm high this girl my lakes girl picks, Like, 868 00:40:34,320 --> 00:40:36,279 Speaker 1: why do y'all all stupid? The same girls too? Like 869 00:40:36,360 --> 00:40:39,640 Speaker 1: that's weird to me. My thing is, like I think 870 00:40:39,640 --> 00:40:42,640 Speaker 1: it's it's a greed factor, you know for me, Like 871 00:40:42,719 --> 00:40:44,279 Speaker 1: I used to do that all the time, Like back 872 00:40:44,320 --> 00:40:46,800 Speaker 1: in the day, I was like, Oh, that's who Shanty 873 00:40:46,880 --> 00:40:52,160 Speaker 1: talked to. I'm about to get that because it's a 874 00:40:52,239 --> 00:40:54,080 Speaker 1: it's an ego thing you want to be, you want 875 00:40:54,120 --> 00:40:56,360 Speaker 1: to feel empowered. You want to conquer it. You know 876 00:40:56,400 --> 00:40:59,160 Speaker 1: what I'm saying. I think now mentally I'm not on 877 00:40:59,239 --> 00:41:01,600 Speaker 1: that page because I don't care about that no more. 878 00:41:01,960 --> 00:41:04,239 Speaker 1: But I think what it is is it goes right 879 00:41:04,239 --> 00:41:06,359 Speaker 1: back to the records. It's an envy thing. You want 880 00:41:06,400 --> 00:41:08,520 Speaker 1: to be the best. You want to know why that 881 00:41:08,640 --> 00:41:11,960 Speaker 1: particular female like this person so much and they don't 882 00:41:12,000 --> 00:41:15,040 Speaker 1: like you. They're not listening to your music. So let 883 00:41:15,120 --> 00:41:16,919 Speaker 1: me go and try to talk to this person while 884 00:41:17,120 --> 00:41:19,920 Speaker 1: he's locked up, because I know if he was out 885 00:41:19,920 --> 00:41:23,359 Speaker 1: of jail, you'd beat mine. And he's still probably gonna 886 00:41:23,400 --> 00:41:29,400 Speaker 1: beat that. To fade from Brown, you talked about the gatekeepers. 887 00:41:29,440 --> 00:41:32,040 Speaker 1: Have any of the gatekeepers like ever said all right, Chris, 888 00:41:32,120 --> 00:41:34,719 Speaker 1: you're good now, we're gonna let you live. Have they 889 00:41:34,800 --> 00:41:36,640 Speaker 1: ever told you you're you're done for a little while? 890 00:41:36,880 --> 00:41:40,360 Speaker 1: No Abo Jay was blocking you, Jay z Oh, No, 891 00:41:40,600 --> 00:41:42,160 Speaker 1: I don't. I don't think. I don't never. I never 892 00:41:42,360 --> 00:41:44,640 Speaker 1: thought Jay was blocking me. I don't think that was ever. 893 00:41:44,960 --> 00:41:46,960 Speaker 1: You know something. I think that was just a rumor 894 00:41:47,040 --> 00:41:49,239 Speaker 1: because he was so close to the generation. But I 895 00:41:49,480 --> 00:41:51,560 Speaker 1: don't know, because because I see him, I see him, 896 00:41:51,600 --> 00:41:53,919 Speaker 1: and we always were cordial, like, you know, we don't 897 00:41:54,000 --> 00:41:57,719 Speaker 1: hang out, but we're cordial, you know. Um, But I don't. 898 00:41:57,719 --> 00:42:00,799 Speaker 1: I don't. I've never really met any of the gatekeepers 899 00:42:01,000 --> 00:42:03,680 Speaker 1: per se to be able to have a sit down 900 00:42:03,719 --> 00:42:05,839 Speaker 1: with them. But the funniest thing when I do meet 901 00:42:05,920 --> 00:42:08,080 Speaker 1: certain people or certain people that are in the position, 902 00:42:08,080 --> 00:42:09,239 Speaker 1: they were like, oh man, I thought you were so 903 00:42:09,400 --> 00:42:12,680 Speaker 1: much different. I thought you were just like an angry guy, mad, 904 00:42:13,239 --> 00:42:16,279 Speaker 1: just hate the world. And that's just the perception because 905 00:42:16,320 --> 00:42:18,600 Speaker 1: the media can can keep you at a certain position, 906 00:42:18,640 --> 00:42:20,919 Speaker 1: and oh they can. They can make it look so cold, 907 00:42:21,840 --> 00:42:23,759 Speaker 1: they can make it looks so cold. I was like, dang, 908 00:42:23,840 --> 00:42:26,800 Speaker 1: I don't feel like, oh jay, I just like you 909 00:42:26,880 --> 00:42:29,680 Speaker 1: know what I'm saying, So you just have to I 910 00:42:29,800 --> 00:42:32,680 Speaker 1: just got thick skin, man, you know it's only I mean, 911 00:42:32,719 --> 00:42:35,200 Speaker 1: I could take the lashes. We've been getting them all 912 00:42:35,280 --> 00:42:40,600 Speaker 1: our lives. So if I'm won't bring them on whatever. Yeah, 913 00:42:41,000 --> 00:42:43,440 Speaker 1: the albums and stores right now? Yes, Yes, what's the 914 00:42:43,520 --> 00:42:47,080 Speaker 1: name of the album? Fan? The album Fan of a Fan. Well, 915 00:42:47,080 --> 00:42:48,640 Speaker 1: we appreciate you join this and thank you for coming 916 00:42:48,680 --> 00:42:54,000 Speaker 1: through as always. Oh yeah, man, I appreciate album. You know, 917 00:42:54,160 --> 00:42:58,920 Speaker 1: you know what it was exactly she got it right. 918 00:42:58,960 --> 00:43:01,520 Speaker 1: We were trying to do the nineties era, like the 919 00:43:01,680 --> 00:43:04,919 Speaker 1: old like, like the old album covers, like when people 920 00:43:05,000 --> 00:43:07,600 Speaker 1: did like had excitement, had a budget, you know what 921 00:43:07,680 --> 00:43:10,640 Speaker 1: I'm saying. Yeah, we just wanted to have fun, you know, 922 00:43:10,880 --> 00:43:14,680 Speaker 1: just bring bring that, you know, whether it's the EPMD, 923 00:43:15,600 --> 00:43:17,640 Speaker 1: you know, just that that that real leaders a new 924 00:43:17,719 --> 00:43:20,400 Speaker 1: school criss cross. We wanted to kind of bring that 925 00:43:20,800 --> 00:43:22,880 Speaker 1: to the you know, the excitement of the album. I 926 00:43:23,000 --> 00:43:26,560 Speaker 1: think um our collaborations and how we you know, integrated 927 00:43:26,560 --> 00:43:28,440 Speaker 1: a lot of the songs in the music. It's just 928 00:43:28,520 --> 00:43:31,280 Speaker 1: a it's just a fun, fresh way of us being ourselves. 929 00:43:31,719 --> 00:43:34,120 Speaker 1: So you know, it's not it's not I'm not giving 930 00:43:34,120 --> 00:43:35,920 Speaker 1: you a Chris Brown album. That's why you see the 931 00:43:35,960 --> 00:43:38,680 Speaker 1: dreads and the actual things, because it's it's not an 932 00:43:38,760 --> 00:43:41,680 Speaker 1: alter ego. But it's just a different side of of 933 00:43:41,920 --> 00:43:44,279 Speaker 1: of the music that we can't create. I always felt 934 00:43:44,280 --> 00:43:46,120 Speaker 1: like you and Kid would do a whole album together 935 00:43:46,200 --> 00:43:47,920 Speaker 1: or something at some point. No, I'm gonna need a 936 00:43:47,960 --> 00:43:50,680 Speaker 1: lot more money from the side, to be honest. How 937 00:43:50,760 --> 00:43:55,400 Speaker 1: to help that boy out way too much? Yeah, RCA 938 00:43:55,520 --> 00:43:58,000 Speaker 1: owe me a lot, you know, but but you know 939 00:43:58,200 --> 00:44:01,040 Speaker 1: that's my homeboyd you know when he called me whatever 940 00:44:01,120 --> 00:44:03,120 Speaker 1: you need boom no, if you're the gremlin, I got 941 00:44:03,160 --> 00:44:06,320 Speaker 1: wet kid ink with a popped off tiger, both of 942 00:44:06,360 --> 00:44:14,160 Speaker 1: them boys off. Yeah, Strike, ladies and gentlemen. It is 943 00:44:14,239 --> 00:44:17,080 Speaker 1: Chris Brown. Appreciate y'all. Breakfast Club, Good morning,