WEBVTT - Destination Cuba with Diallo Riddle

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<v Speaker 1>Hey guys, welcome to Greatest Escapes, a show bringing you

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<v Speaker 1>the wildest.

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<v Speaker 2>True escape stories of all time.

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<v Speaker 1>On this episode, we're going to head back to the

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<v Speaker 1>nineteen seventies for the daring daylight jailbreak of a true

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<v Speaker 1>American revolutionary. I'm Mortcastro, and for this journey, I'm joined

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<v Speaker 1>by the incredible talent, actor, writer, producer, and DJ Diallo Riddle.

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<v Speaker 2>Dallo Riddle. Am I saying your name completely right?

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<v Speaker 3>Or completely You said.

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<v Speaker 4>It completely right, Diallow Riddle. You know people sometimes mistake

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<v Speaker 4>di'allo for Diablo. My mother in law said that my

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<v Speaker 4>to b wife could not date me because but.

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<v Speaker 1>My mom did warm me about having the Diablo on

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<v Speaker 1>Like I have questions.

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<v Speaker 3>Diablo was surprisingly available.

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<v Speaker 2>You know you're thinking, but right now the world's kind

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<v Speaker 2>of fucked, so.

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<v Speaker 3>It seems really busy. He seems really busy.

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<v Speaker 2>May I ask the origin of your name?

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<v Speaker 4>So my name is d'allo nob uh two ills. Actually

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<v Speaker 4>it's from West Africa. Diallo amir Riddle. It stands for

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<v Speaker 4>bold prince riddle in a West African language known as

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<v Speaker 4>Fulani Fulanilani.

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<v Speaker 3>So I'm from Atlanta, Georgia.

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<v Speaker 4>You know, my parents just wanted to give me a

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<v Speaker 4>name from Africa because you know, black Pride, and that

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<v Speaker 4>is how you end up with a bold Prince Riddle

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<v Speaker 4>aka Diallo Amir Riddle.

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<v Speaker 2>Oh fantastic.

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<v Speaker 1>You know, at the beginning of my career, I did

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<v Speaker 1>a few Nigerian films and they call them Nollywood. So

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<v Speaker 1>anything from West Africa films they call it Nollywood. And

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<v Speaker 1>it was amazing because you know, obviously, like we'd go

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<v Speaker 1>off to shoot in Lowell, Massachusetts and they'd be like,

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<v Speaker 1>come make we go a white boy, and.

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<v Speaker 2>I'm like, I'm not white. It looks like me, No,

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<v Speaker 2>you want a white boy.

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<v Speaker 4>You know what's funny is on one of our shows,

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<v Speaker 4>Sherman Showcase, we uh, you know, we just shot a

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<v Speaker 4>proof of concept, which you know is a fancy industry

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<v Speaker 4>term for essentially we shot like the best five or

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<v Speaker 4>ten minutes of a script and showed it to the

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<v Speaker 4>network and we got picked up the series.

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<v Speaker 3>But in that relations oh thank you.

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<v Speaker 4>In that proof of concept, we had a essentially what

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<v Speaker 4>was a Nollywood movie trailer. And in that trailer, because

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<v Speaker 4>we have we have we have a couple of Nigerian

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<v Speaker 4>writers on our staff, and we thought it was so

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<v Speaker 4>funny that they were. Like, if you watch enough of

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<v Speaker 4>these Nigerian Nollywood movies, a lot of times the twist

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<v Speaker 4>is that somebody is a witch in some way.

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<v Speaker 3>Every trailer it was she a witch.

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<v Speaker 1>Yeah, and it's usually the preacher who's also kind of

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<v Speaker 1>a love interest, Like who reveals this story?

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<v Speaker 2>Tell me about your greatest escape.

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<v Speaker 1>It doesn't even have to be life threatening, it just

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<v Speaker 1>has to be one of those like whoa I got

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<v Speaker 1>away with that.

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<v Speaker 3>Very few people know this story.

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<v Speaker 4>But actually, when I was about seventeen, I'm filling out

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<v Speaker 4>college applications and so I went to the store. Because

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<v Speaker 4>you couldn't email the men back then, you had to

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<v Speaker 4>like print them out on paper and send them in.

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<v Speaker 4>So I go to the local drug store to pick

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<v Speaker 4>up some paper.

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<v Speaker 3>I'm literally buying.

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<v Speaker 4>Paper to go to college and build a better life.

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<v Speaker 4>When a guy came in and held up the convenience

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<v Speaker 4>store and I remember he said, everybody on the floor,

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<v Speaker 4>and I remember how like I had never seen a

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<v Speaker 4>handgun wielded, you know, in person before, and I just

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<v Speaker 4>remember thinking, that is a gigantic gun. And so we

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<v Speaker 4>all got down on our stomachs and I'm like, you know,

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<v Speaker 4>praying and like, you know, just thinking like, oh, if

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<v Speaker 4>I can just get out of here and mail off

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<v Speaker 4>my college application, I will never come back to this

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<v Speaker 4>Ecker drugs man. So this is a great escape of

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<v Speaker 4>someone else that actually saved my life potentially, because you know,

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<v Speaker 4>everybody in this store, there weren't many of us at

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<v Speaker 4>the time.

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<v Speaker 3>I thought, like, you know, he might be like no witnesses,

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<v Speaker 3>you know, and what a thought.

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<v Speaker 4>And then somebody ran out the back like it was

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<v Speaker 4>probably an employee, and just something about that emergency door

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<v Speaker 4>jamming open, like the guy just grabbed a bunch of

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<v Speaker 4>money out of the register and then ran back out

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<v Speaker 4>the front. And then I got up and I picked

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<v Speaker 4>up my paper, and I'm pretty sure I just walked

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<v Speaker 4>down with my paper. I think I was like, they're

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<v Speaker 4>going to have a lot of paperwork to fill out,

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<v Speaker 4>and I don't know that I want to.

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<v Speaker 3>Hang out here.

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<v Speaker 2>I'm not here for it.

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<v Speaker 4>I'm not trying to be like, you know, I can't

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<v Speaker 4>identify the guy. All I saw was a black glove

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<v Speaker 4>on a gun. I'm out of here.

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<v Speaker 1>Have you ever wanted to get to Cuba? Have you

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<v Speaker 1>ever been to Cuba?

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<v Speaker 3>Or I did? I really wanted to get to Cube.

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<v Speaker 4>I mean, like, oh, man, you know, Cuba is such

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<v Speaker 4>a obviously it's such a complicated social political topic. But

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<v Speaker 4>I've always wanted, in my heart of hearts there to

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<v Speaker 4>be like a very simple way to just fly out

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<v Speaker 4>of Lax you know, into Cuba and just you know,

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<v Speaker 4>go and visit and go around and see the country.

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<v Speaker 4>So it's one of those places I've really wanted to go.

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<v Speaker 4>I feel like every time I get a chance to

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<v Speaker 4>go something something comes up.

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<v Speaker 1>Now, Cuba is important in today's story for two reasons. Now,

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<v Speaker 1>first the revolution in nineteen fifty nine that inspired a

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<v Speaker 1>ton of people in the next couple of decades, and second,

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<v Speaker 1>Cuba dozen extradye people today United States, which takes us

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<v Speaker 1>back to the end of the nineteen seventies and one

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<v Speaker 1>of the most significant prison escapes in American history.

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<v Speaker 2>It was November two, nineteen seventy nine.

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<v Speaker 1>Three men walked into the Correctional Facility for women in Clinton,

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<v Speaker 1>New Jersey, sometime between one and four pm. Each of

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<v Speaker 1>the visitors showed their ID and they gave their names

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<v Speaker 1>and addresses and were entered into the prison visitor log,

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<v Speaker 1>but none of the information they gave was so you see,

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<v Speaker 1>this wasn't any old visit. These men were complete revolutionaries,

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<v Speaker 1>and they arrived to pull off one of the most

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<v Speaker 1>staring jail breaks of the century in complete daylight. Afterwards,

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<v Speaker 1>the only true thing the guards knew about him is

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<v Speaker 1>that they looked seventies as hell. I'm talking afros, full beards, sideburns,

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<v Speaker 1>a guy with a base behind him, going.

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<v Speaker 2>Okay, that last part isn't true, but what that be awesome?

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<v Speaker 1>So if you were gonna help with the jail break,

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<v Speaker 1>how would you disguise yourself?

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<v Speaker 2>Like, what would you be wearing for this?

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<v Speaker 3>Oh man? Probably all black?

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<v Speaker 4>Right, you gotta go like full you know what panthers slash,

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<v Speaker 4>you know, calm cruise when he's like rappling in from

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<v Speaker 4>the ceiling. That's that's what it is.

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<v Speaker 2>I would wear.

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<v Speaker 1>I would like wear like really thick eyebrows, because that's

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<v Speaker 1>the one thing that people would describe me as.

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<v Speaker 2>They're like and then I just rip them off and

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<v Speaker 2>you have these ones.

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<v Speaker 3>I couldn't have been here. I'm looking out. Then those

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<v Speaker 3>zyebras are.

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<v Speaker 1>The first man alone. He was checked through the registration

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<v Speaker 1>building in the minimum security area of the prison. Then

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<v Speaker 1>he climbed into a van that drove him across the

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<v Speaker 1>prison grounds to the South Hall. Now this was the

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<v Speaker 1>prison's maximum security area. But and this is key, okay,

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<v Speaker 1>he was not searched.

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<v Speaker 3>He wasn't.

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<v Speaker 1>No. Instead, he was let through the extra fencing around

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<v Speaker 1>the South Hall, and then the guards led him down

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<v Speaker 1>to the glass booth, where he sat down to visit

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<v Speaker 1>with an inmate.

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<v Speaker 3>Now you got I got it.

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<v Speaker 4>Put seventies nineteen seventies security teams like I just feel

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<v Speaker 4>like yeah.

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<v Speaker 2>They were just like, yeah, I don't care, you can

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<v Speaker 2>go through. Who are you here to see? Yeah, okay, sure,

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<v Speaker 2>go ahead.

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<v Speaker 3>Man.

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<v Speaker 4>It reminds me of that Simpsons episode where like mister

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<v Speaker 4>Burns has to go through like eight levels of security

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<v Speaker 4>to get down to the nuclear reactor, but then a

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<v Speaker 4>cat wanders in through a broken.

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<v Speaker 1>So the next two men arrived soon after, and they

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<v Speaker 1>did the same thing. They passed through registration without being searched, okay,

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<v Speaker 1>and were shuttled into the prison van in the South Hall.

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<v Speaker 2>Literally, nobody gave a fuck.

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<v Speaker 3>Yeah, I mean it's the seventies.

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<v Speaker 4>Everybody was packing and nobody was checking.

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<v Speaker 1>When they came to the fence around the South Hall,

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<v Speaker 1>and it was open for them. They sprang into their

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<v Speaker 1>escape plan. They pulled out guns on the van driver

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<v Speaker 1>while the gate hung open. Now inside the visiting booth,

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<v Speaker 1>the first man turned to the prison guard who was

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<v Speaker 1>watching the visit, and he whipped out two pistols out

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<v Speaker 1>from under his jacket.

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<v Speaker 4>That one and like you know, shoved into his crotch

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<v Speaker 4>or like literally two guns.

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<v Speaker 3>He was our own style.

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<v Speaker 1>Something must have given it away when he had like

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<v Speaker 1>a bullet belt around him. So holding the garden there

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<v Speaker 1>at gunpoint, he forced her to open the booth up

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<v Speaker 1>from behind the glass walked activists, black panther and soldier

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<v Speaker 1>of the Black Liberation Army a Sata shaquor.

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<v Speaker 3>That's right, yep yep Asadakor.

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<v Speaker 1>Suddenly free from herself, Asada and her visitor took the

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<v Speaker 1>guard hostage and they marched outside. They climbed into the

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<v Speaker 1>van with the other two men, and now the four

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<v Speaker 1>revolutionary and their two hostages were able to drive the

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<v Speaker 1>prison van right out of the main prison gate. They

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<v Speaker 1>reached a nearby parking lot where their getaway cars were

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<v Speaker 1>part waiting.

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<v Speaker 2>So Asauna and her rescuers left from.

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<v Speaker 1>The van and into the cards and just fucking peeled away.

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<v Speaker 1>The prison guards were left handcuffed in the prison van,

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<v Speaker 1>but unharmed. Now everybody started flipping the fuck out. Roadblocks

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<v Speaker 1>were rushed out onto the highway to stop the escaping vehicles,

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<v Speaker 1>but conflicting reports flew in right. Some said they were

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<v Speaker 1>in a blue Pondiac and a blue Cadillac, and no, no, no,

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<v Speaker 1>they were in a Ford Maverick and a two toll Lincoln.

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<v Speaker 1>No no, no, they had massive eyebrows. Everybody had massive hours,

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<v Speaker 1>no confusing all the way. So the contradictory reports may

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<v Speaker 1>have been the saving grace of the escapees. Before officials

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<v Speaker 1>could decide which roads could be shut down and where

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<v Speaker 1>to hunt, Asauna and her allies were out of there.

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<v Speaker 2>Asada Shakur was free.

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<v Speaker 3>It's insane, yellow.

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<v Speaker 1>What do you know about Asada Shagar's life and why

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<v Speaker 1>she was in prison?

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<v Speaker 4>I mean, admittedly, you know, my my father was a

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<v Speaker 4>painter in South Central now called South LA during the

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<v Speaker 4>time of the Watts riots, and so you know, he

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<v Speaker 4>used to, you know, do paintings and sculptures about you know,

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<v Speaker 4>the ghettos in the in the hood back then.

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<v Speaker 3>You know.

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<v Speaker 4>And I always felt like even though he wasn't like

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<v Speaker 4>a black panther. Growing up in our household, we definitely

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<v Speaker 4>understood the point of view that like our community needed

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<v Speaker 4>you know, uplift and it needed, you know, certain things

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<v Speaker 4>to reach its full potential.

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<v Speaker 3>So the idea of like Asada Shakur.

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<v Speaker 4>And Mumia abou Jamal, like these were not random names

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<v Speaker 4>to us, Like these were people who we knew.

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<v Speaker 3>In our household.

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<v Speaker 4>And and honestly, when Tupac Shakur first blew up, I

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<v Speaker 4>was like, is that Asada son? And of course you

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<v Speaker 4>know Asada Shakur was the godmother.

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<v Speaker 2>Of that's rights.

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<v Speaker 4>Yeah, and I think his mom, Afienie Shakur was a

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<v Speaker 4>was a good friend of Asadas.

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<v Speaker 2>That's right.

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<v Speaker 1>And you know this is a little off topic, but

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<v Speaker 1>let me ask you something because you bring up something

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<v Speaker 1>interesting about I didn't know that about your father. Do

0:11:02.520 --> 0:11:05.360
<v Speaker 1>you think that you got from him the desire to

0:11:05.480 --> 0:11:09.040
<v Speaker 1>express yourself and surroundings and sort of your point of

0:11:09.120 --> 0:11:11.559
<v Speaker 1>view through art, be it to a through a writer,

0:11:11.720 --> 0:11:12.840
<v Speaker 1>acting perspective.

0:11:12.880 --> 0:11:15.920
<v Speaker 4>But no, you listen, you ask something that not many

0:11:15.920 --> 0:11:18.680
<v Speaker 4>people have ever asked, but it's got a very very

0:11:19.200 --> 0:11:22.439
<v Speaker 4>clear and strong answer, which is that absolutely one hundred percent.

0:11:22.480 --> 0:11:25.400
<v Speaker 4>You know, my father started off at La City College

0:11:25.800 --> 0:11:28.440
<v Speaker 4>doing still life, like he would paint pears, you know,

0:11:28.559 --> 0:11:31.120
<v Speaker 4>in bowls and you know, light coming through a window

0:11:31.320 --> 0:11:31.880
<v Speaker 4>on a villa.

0:11:32.520 --> 0:11:34.760
<v Speaker 3>But you know, at the end of the day.

0:11:34.679 --> 0:11:37.080
<v Speaker 4>Once the Watts Rice broke out, he was like, I

0:11:37.120 --> 0:11:40.560
<v Speaker 4>can't do pears and bowls and still life anymore. I

0:11:40.559 --> 0:11:43.040
<v Speaker 4>have to do art that means something. And he's sort

0:11:43.080 --> 0:11:46.120
<v Speaker 4>of instilled, you know, in us. Even before I knew

0:11:46.120 --> 0:11:48.439
<v Speaker 4>that I wanted to be an artist in my own way,

0:11:48.480 --> 0:11:50.720
<v Speaker 4>even though before I knew I wanted to be creative

0:11:50.760 --> 0:11:53.560
<v Speaker 4>with my profession, he always said that he felt like

0:11:54.040 --> 0:11:57.480
<v Speaker 4>art without any social commentary had no interest to him.

0:11:57.520 --> 0:11:57.720
<v Speaker 3>You know.

0:11:57.760 --> 0:11:59.760
<v Speaker 4>He felt like everything that he did had to have

0:11:59.840 --> 0:12:04.040
<v Speaker 4>some not message. He wasn't trying to be polemic, but

0:12:04.200 --> 0:12:06.760
<v Speaker 4>it was just that he had a point of views. Yeah,

0:12:06.760 --> 0:12:08.200
<v Speaker 4>it had to have a point of view. It had

0:12:08.240 --> 0:12:10.800
<v Speaker 4>to have a very strong point of view. And I

0:12:10.840 --> 0:12:13.719
<v Speaker 4>think that in my work to this day, everything from

0:12:13.760 --> 0:12:16.000
<v Speaker 4>Sherman Showcase The South Side to some of the shows

0:12:16.000 --> 0:12:19.240
<v Speaker 4>that we're working on now, I always think, what will

0:12:19.280 --> 0:12:21.240
<v Speaker 4>this contribute to the world. It doesn't have to be

0:12:21.720 --> 0:12:24.200
<v Speaker 4>anything like, oh, it's gonna get people to wake up

0:12:24.200 --> 0:12:26.720
<v Speaker 4>about climate change. It's not like that. It's just more like,

0:12:27.120 --> 0:12:29.600
<v Speaker 4>how will this make lives? You know, people's lives better.

0:12:29.640 --> 0:12:31.120
<v Speaker 4>Even if it's just to say it's going to be

0:12:31.160 --> 0:12:34.280
<v Speaker 4>so funny that it's going to give people who have

0:12:34.360 --> 0:12:36.080
<v Speaker 4>had a hard week, it's going to bring them a

0:12:36.080 --> 0:12:38.920
<v Speaker 4>little bit of joy. That is enough. There has to

0:12:38.960 --> 0:12:41.320
<v Speaker 4>be something in there like that for me to be interested.

0:12:41.440 --> 0:12:43.559
<v Speaker 1>What a fascinating thing to be able to witness that.

0:12:43.880 --> 0:12:46.600
<v Speaker 1>If you see your dad's paintings from before the riots

0:12:46.600 --> 0:12:48.880
<v Speaker 1>and after the riots, and you know how you just climb.

0:12:50.160 --> 0:12:52.320
<v Speaker 2>And then suddenly so we're just watching it.

0:12:52.360 --> 0:12:54.480
<v Speaker 1>I love the moment where you watch an artist find

0:12:54.800 --> 0:12:58.120
<v Speaker 1>find their voice, you know, and visually being able to

0:12:58.360 --> 0:13:02.400
<v Speaker 1>witness it must be really fascinating and impactful as a

0:13:02.440 --> 0:13:02.920
<v Speaker 1>young man.

0:13:03.160 --> 0:13:06.000
<v Speaker 4>Yeah, John Thomas Riddle, he's you know, his artwork is

0:13:06.080 --> 0:13:09.800
<v Speaker 4>up at the California African American Art Museum and the

0:13:09.880 --> 0:13:11.840
<v Speaker 4>Hammer Museum in Los Angeles.

0:13:11.920 --> 0:13:14.520
<v Speaker 3>So it's it's you know, he had a great career.

0:13:14.600 --> 0:13:17.400
<v Speaker 4>Sadly, as many people who work in that field know,

0:13:17.840 --> 0:13:21.880
<v Speaker 4>the second that he died, his art skyrocket in value.

0:13:21.880 --> 0:13:24.200
<v Speaker 3>Because there's not going to be anymore. That's the way I

0:13:24.200 --> 0:13:24.800
<v Speaker 3>think about that.

0:13:25.000 --> 0:13:26.760
<v Speaker 1>We'll put up a link at the bottom of this episode,

0:13:26.800 --> 0:13:28.280
<v Speaker 1>so people going to check out you dad's art. Man.

0:13:28.320 --> 0:13:29.280
<v Speaker 2>I think that'd be really cool.

0:13:33.120 --> 0:13:36.760
<v Speaker 1>Okay, so we've heard about ASADA's legendary prison escape, but

0:13:36.920 --> 0:13:39.240
<v Speaker 1>now we're going to jump back and hear the story

0:13:39.240 --> 0:13:41.680
<v Speaker 1>of the real person behind the legend. So, dell, well,

0:13:41.800 --> 0:13:43.720
<v Speaker 1>you know a lot of this already, but for the listener,

0:13:43.760 --> 0:13:45.480
<v Speaker 1>we're going to go way way back.

0:13:45.520 --> 0:13:48.880
<v Speaker 2>Okay. Asada was born in Queens, probably in the year

0:13:49.000 --> 0:13:51.800
<v Speaker 2>nineteen forty seven, though the exact date is kind of lost.

0:13:51.960 --> 0:13:52.320
<v Speaker 3>Oh wow.

0:13:52.520 --> 0:13:52.840
<v Speaker 2>Yeah.

0:13:52.880 --> 0:13:54.839
<v Speaker 1>So she was born with the name Joanne and her

0:13:54.840 --> 0:13:57.400
<v Speaker 1>family called her Joey. It was only later that you

0:13:57.440 --> 0:14:00.320
<v Speaker 1>would leave it behind and become a Soda. Grew up

0:14:00.320 --> 0:14:02.720
<v Speaker 1>with her mother and her on, and when she was three,

0:14:02.800 --> 0:14:06.280
<v Speaker 1>her grandparents bought a beach property in Wilmington, North Carolina.

0:14:06.720 --> 0:14:09.959
<v Speaker 1>So they moved south and they took a Soda with him. Now,

0:14:10.200 --> 0:14:12.400
<v Speaker 1>and this is a really beautiful solo memory, I think.

0:14:12.640 --> 0:14:15.240
<v Speaker 1>Asana says that while in Wilmington, the women in her

0:14:15.280 --> 0:14:18.040
<v Speaker 1>grandmother's generation became her role models.

0:14:18.320 --> 0:14:19.880
<v Speaker 2>They would some rivers and.

0:14:19.960 --> 0:14:22.440
<v Speaker 1>Shoot the head off a snake and plant a garden,

0:14:22.560 --> 0:14:25.400
<v Speaker 1>saw a pattern, kill a hog, and also quite a

0:14:25.400 --> 0:14:28.560
<v Speaker 1>little fussing baby, all at the same time. Do you

0:14:28.640 --> 0:14:30.960
<v Speaker 1>have any older women in your life that you consider

0:14:31.000 --> 0:14:31.880
<v Speaker 1>bound asses like that?

0:14:32.200 --> 0:14:32.360
<v Speaker 3>Oh?

0:14:32.440 --> 0:14:34.960
<v Speaker 4>Yeah, I mean it's interesting. I have an aunt Joanne

0:14:35.520 --> 0:14:38.480
<v Speaker 4>a relation to a soada. Oh shoot, now it comes out,

0:14:39.960 --> 0:14:41.880
<v Speaker 4>that's what we got.

0:14:41.800 --> 0:14:44.280
<v Speaker 2>To come storming my booth. I'm like, I don't, what

0:14:44.280 --> 0:14:44.840
<v Speaker 2>do you want with me?

0:14:45.280 --> 0:14:47.080
<v Speaker 4>They're so I mean, like every I feel like all

0:14:47.120 --> 0:14:49.240
<v Speaker 4>the women in my family are badass in their own way.

0:14:49.560 --> 0:14:50.640
<v Speaker 3>But you know what's really.

0:14:50.440 --> 0:14:52.880
<v Speaker 4>Interesting about what you say about them moving from New York.

0:14:53.280 --> 0:14:55.400
<v Speaker 4>I think you said Queen's to North Carolina. I grew

0:14:55.520 --> 0:14:57.880
<v Speaker 4>up in Atlanta. And the thing about Atlanta is, I

0:14:57.920 --> 0:15:01.160
<v Speaker 4>think we have more trees, you know, per square inch

0:15:01.240 --> 0:15:02.840
<v Speaker 4>than any major city in the country.

0:15:03.000 --> 0:15:03.200
<v Speaker 3>Right.

0:15:03.240 --> 0:15:05.720
<v Speaker 4>We have these woods, and we have these really wild

0:15:05.800 --> 0:15:08.560
<v Speaker 4>areas that are right in the heart of Atlanta.

0:15:08.720 --> 0:15:11.000
<v Speaker 3>And as a result, you know, me.

0:15:10.960 --> 0:15:12.600
<v Speaker 4>And my friends right there in the city limits, we

0:15:12.680 --> 0:15:15.800
<v Speaker 4>learned how to fish and identify which makes are harmless

0:15:15.800 --> 0:15:18.280
<v Speaker 4>and which ones will kill you. And there's like this

0:15:18.280 --> 0:15:20.000
<v Speaker 4>this strait of wile, and I think that that's.

0:15:19.840 --> 0:15:21.680
<v Speaker 3>Really cool because unfortunately, every.

0:15:21.480 --> 0:15:24.520
<v Speaker 4>Time I see, you know, black people depicted on TV

0:15:25.040 --> 0:15:28.320
<v Speaker 4>in any kind of like rural or like river strewn area,

0:15:28.520 --> 0:15:31.840
<v Speaker 4>it's almost always like something about slavery. Like it's just

0:15:31.880 --> 0:15:34.200
<v Speaker 4>like they're always like running away from dogs trying.

0:15:33.960 --> 0:15:35.480
<v Speaker 3>To like take them back into bondage.

0:15:35.520 --> 0:15:37.880
<v Speaker 4>And I'm like, guys, there are a lot of rural

0:15:37.920 --> 0:15:40.520
<v Speaker 4>black people who like know how to like fish and

0:15:40.920 --> 0:15:42.720
<v Speaker 4>do the wildlife, you know, outdoors thing.

0:15:42.800 --> 0:15:44.280
<v Speaker 3>You know, I love to hear stories like that.

0:15:44.480 --> 0:15:48.120
<v Speaker 1>Picking black joy in the outdoors is something too much of.

0:15:48.400 --> 0:15:49.840
<v Speaker 2>I totally hear you, dude.

0:15:49.640 --> 0:15:52.000
<v Speaker 3>Do Mike all alone in the archery club, like come

0:15:52.120 --> 0:15:52.800
<v Speaker 3>join me? Please?

0:15:52.880 --> 0:15:55.120
<v Speaker 1>Did every time I see a Latino person in the desert,

0:15:55.120 --> 0:15:56.520
<v Speaker 1>I'm like, oh, fuck, okay.

0:15:56.320 --> 0:15:58.320
<v Speaker 2>I know I know where this is going. I couldn't

0:15:58.360 --> 0:16:00.360
<v Speaker 2>have just been out for a fucking hike. Yeah, I

0:16:00.400 --> 0:16:02.560
<v Speaker 2>love hiking. Like every time everybody ever.

0:16:02.400 --> 0:16:04.840
<v Speaker 1>Catches me like outside like an out of a palm springs,

0:16:04.880 --> 0:16:07.280
<v Speaker 1>there's something they're like, oh, I know where you came from.

0:16:07.320 --> 0:16:08.040
<v Speaker 2>No, you fucking go.

0:16:08.360 --> 0:16:10.400
<v Speaker 1>I came from the Ace Hotel, motherfucker, and I just

0:16:10.440 --> 0:16:11.600
<v Speaker 1>went for a nice little stroll.

0:16:12.000 --> 0:16:14.440
<v Speaker 3>Fuck you. I was just on a doom buggy. Okay,

0:16:14.480 --> 0:16:15.680
<v Speaker 3>forget y'all. That's right.

0:16:15.760 --> 0:16:18.160
<v Speaker 1>Okay, that's why I'm all fucking dirty and thirsty.

0:16:18.200 --> 0:16:19.880
<v Speaker 2>Okay, motherfucker, because I'm hungover.

0:16:25.640 --> 0:16:28.320
<v Speaker 1>So to paint a picture of like what Wilmington was

0:16:28.360 --> 0:16:31.880
<v Speaker 1>like at the time, public beaches around Wilmington were whites only,

0:16:32.280 --> 0:16:36.520
<v Speaker 1>So Asadast's grandparents moved onto their ocean front property and

0:16:36.600 --> 0:16:39.320
<v Speaker 1>opened it for business. Right, so they welcome black visitors,

0:16:39.320 --> 0:16:41.200
<v Speaker 1>sold refreshments, and rented umbrellas.

0:16:41.280 --> 0:16:41.600
<v Speaker 3>Smart.

0:16:41.880 --> 0:16:42.840
<v Speaker 2>Yeah, So her time on the.

0:16:42.840 --> 0:16:45.160
<v Speaker 1>Beach growing up became a sadast picture of what freedom

0:16:45.240 --> 0:16:48.800
<v Speaker 1>really means, right, watching people enjoy themselves, sharing treats with them,

0:16:49.080 --> 0:16:51.040
<v Speaker 1>dancing in the sand, kind of what we were talking

0:16:51.120 --> 0:16:55.040
<v Speaker 1>about about minority joy that you hardly ever see. After

0:16:55.120 --> 0:16:58.280
<v Speaker 1>elementary school, Asada moved back to New York, and after

0:16:58.360 --> 0:17:00.720
<v Speaker 1>moving around so much as a kid, she was convinced

0:17:00.720 --> 0:17:02.920
<v Speaker 1>that there wasn't a place in the United States where

0:17:02.960 --> 0:17:05.960
<v Speaker 1>she could actually escape discrimination. You know, it was everywhere,

0:17:06.040 --> 0:17:08.240
<v Speaker 1>both in the North and in the South. So in

0:17:08.280 --> 0:17:11.320
<v Speaker 1>her teens, Asada ended up back living with her on Eveling,

0:17:11.800 --> 0:17:15.639
<v Speaker 1>a lawyer who would eventually become a law professor at NYU. Okay,

0:17:15.640 --> 0:17:18.679
<v Speaker 1>now under Yeah, so under Evelyn's care, Asada made it

0:17:18.680 --> 0:17:20.840
<v Speaker 1>through high school and into college at the City College

0:17:20.840 --> 0:17:23.359
<v Speaker 1>in New York. The year ever go to City College

0:17:23.880 --> 0:17:27.000
<v Speaker 1>or visited that area at all in New York, Yeah.

0:17:27.040 --> 0:17:28.800
<v Speaker 3>I don't think so. My time in New York was

0:17:28.840 --> 0:17:29.720
<v Speaker 3>a little bit limited.

0:17:29.840 --> 0:17:31.440
<v Speaker 4>The only time I lived there was when I was

0:17:31.480 --> 0:17:33.800
<v Speaker 4>a writer for Jimmy Fallon and that was about four years.

0:17:33.800 --> 0:17:37.640
<v Speaker 4>And honestly, I went straight from my place in Upper

0:17:37.720 --> 0:17:40.960
<v Speaker 4>West Side straight to thirty Rocks, So I never really

0:17:41.000 --> 0:17:43.320
<v Speaker 4>got to know some parts of the city, like City College,

0:17:43.320 --> 0:17:43.960
<v Speaker 4>and that's where I've.

0:17:43.880 --> 0:17:46.880
<v Speaker 1>Got my first play, and like I had a mentor

0:17:47.240 --> 0:17:50.000
<v Speaker 1>who taught film classes there, so I'd come out auditors class.

0:17:50.000 --> 0:17:52.440
<v Speaker 1>So it still had those feelings that whenever you walk

0:17:52.480 --> 0:17:55.720
<v Speaker 1>into a place that has been really important to a city,

0:17:55.800 --> 0:17:57.840
<v Speaker 1>you still feel sort of the ghosts of the past there.

0:17:57.840 --> 0:18:01.159
<v Speaker 1>And that's what City College fell like to me of

0:18:01.440 --> 0:18:03.560
<v Speaker 1>learning than most people don't ever talk about.

0:18:03.840 --> 0:18:05.200
<v Speaker 4>That's one of the best things about in New York

0:18:05.320 --> 0:18:08.080
<v Speaker 4>is that you feel like the past is all around you.

0:18:08.280 --> 0:18:09.960
<v Speaker 4>I will say that I think the ghosts of the

0:18:10.000 --> 0:18:12.399
<v Speaker 4>past were very much alive in the basement of my

0:18:12.440 --> 0:18:14.199
<v Speaker 4>New York building, Like I never wanted to go to

0:18:14.240 --> 0:18:14.800
<v Speaker 4>that laundry.

0:18:15.119 --> 0:18:17.760
<v Speaker 3>Oh, it's that's fully haunted. Haunted.

0:18:21.600 --> 0:18:24.680
<v Speaker 1>In nineteen sixty seven, Assada joined other students at City

0:18:24.720 --> 0:18:27.840
<v Speaker 1>College to protest the lack of black professors and black

0:18:27.960 --> 0:18:31.760
<v Speaker 1>history being taught. Their entire group was arrested, and the

0:18:31.880 --> 0:18:35.200
<v Speaker 1>violence of these arrests made one thing clear. Asada knew

0:18:35.280 --> 0:18:38.280
<v Speaker 1>it would take a revolution for America to change. She

0:18:38.400 --> 0:18:40.960
<v Speaker 1>made more friends in other radical groups and took a

0:18:40.960 --> 0:18:43.520
<v Speaker 1>trip to California, which is the original home of the

0:18:43.520 --> 0:18:46.840
<v Speaker 1>Black Panthers. The Panthers there challenged her to get off

0:18:46.840 --> 0:18:49.399
<v Speaker 1>the sidelines and get involved, so she went home to

0:18:49.440 --> 0:18:52.080
<v Speaker 1>New York and she stepped it up. Was a Black

0:18:52.119 --> 0:18:54.480
<v Speaker 1>Panther party, something you were aware of growing up?

0:18:55.000 --> 0:18:58.080
<v Speaker 4>Yeah, I mean again, my father was, you know, very

0:18:58.200 --> 0:19:00.520
<v Speaker 4>much of that sort of generation. And I mean, like

0:19:00.560 --> 0:19:02.560
<v Speaker 4>we to grow up in my household was to know

0:19:02.920 --> 0:19:04.159
<v Speaker 4>Fred Hampton, Huey P.

0:19:04.320 --> 0:19:06.440
<v Speaker 3>Newton, you know my father.

0:19:06.640 --> 0:19:08.800
<v Speaker 4>Just to this day, I have a painting of his.

0:19:09.119 --> 0:19:13.080
<v Speaker 4>It's called Fairbanks or Garvy, and it's got a prominent

0:19:13.080 --> 0:19:15.719
<v Speaker 4>picture of Marcus Garvey, you know in the painting. You know,

0:19:15.800 --> 0:19:20.000
<v Speaker 4>like you definitely instilled upon us that we should take

0:19:20.080 --> 0:19:22.040
<v Speaker 4>great pride in our.

0:19:21.960 --> 0:19:23.120
<v Speaker 3>People, our accomplishments.

0:19:23.160 --> 0:19:24.640
<v Speaker 4>You know, one thing that he said to me back

0:19:24.720 --> 0:19:26.720
<v Speaker 4>when I was young that didn't really register until I

0:19:26.760 --> 0:19:28.959
<v Speaker 4>had my own kids was just this idea, and this

0:19:29.000 --> 0:19:31.680
<v Speaker 4>applies to you and everybody who's listening, is that there

0:19:31.720 --> 0:19:37.280
<v Speaker 4>have been so many wars and conflicts and genocides and plagues.

0:19:38.040 --> 0:19:42.320
<v Speaker 4>Everybody alive today is a bloodline that survived all that

0:19:42.440 --> 0:19:44.840
<v Speaker 4>from the beginning of freaking time. I think that's so

0:19:44.960 --> 0:19:47.720
<v Speaker 4>amazing that all of us have an ancestor who was

0:19:47.760 --> 0:19:51.720
<v Speaker 4>able to jump over a rhino, you know, survive a flood.

0:19:53.680 --> 0:19:56.280
<v Speaker 4>Oh yeah, man, I mean, like, you know, just the

0:19:56.320 --> 0:19:58.600
<v Speaker 4>idea that all of us have managed to survive all

0:19:58.640 --> 0:20:00.800
<v Speaker 4>of human history and get to the point where we're

0:20:00.840 --> 0:20:05.479
<v Speaker 4>now talking into you know, machines and over invisible waves.

0:20:05.480 --> 0:20:07.720
<v Speaker 4>It's kind of amazing. But I think that, Yeah, my

0:20:07.760 --> 0:20:10.040
<v Speaker 4>father's lesson would have been just that, you know, take

0:20:10.080 --> 0:20:13.200
<v Speaker 4>pride in what human stock you come from, and try

0:20:13.240 --> 0:20:15.199
<v Speaker 4>to instill that same pride in your children.

0:20:15.440 --> 0:20:16.280
<v Speaker 2>That's beautiful, man.

0:20:25.000 --> 0:20:28.119
<v Speaker 1>In nineteen sixty six, Hueing Newton and Bobby Seal founded

0:20:28.160 --> 0:20:31.600
<v Speaker 1>the Black Panther Party in Oakland. By nineteen sixty nine,

0:20:31.680 --> 0:20:34.879
<v Speaker 1>the Panthers had branches all across the country. They built

0:20:34.920 --> 0:20:38.240
<v Speaker 1>networks of mutual aid, They ran medical clinics, they held

0:20:38.359 --> 0:20:41.880
<v Speaker 1>educational programs and served breakfast for kids and poverty.

0:20:42.040 --> 0:20:44.080
<v Speaker 3>Yeah, I mean that was sort of the main appeal.

0:20:44.240 --> 0:20:44.560
<v Speaker 3>I think.

0:20:44.680 --> 0:20:47.560
<v Speaker 4>You know, anytime you hear people talk about the Panthers nowadays,

0:20:47.640 --> 0:20:49.760
<v Speaker 4>you always hear about that, you know, shout out to

0:20:49.800 --> 0:20:51.800
<v Speaker 4>my friends, the Lucas brothers. I thought they did an

0:20:51.840 --> 0:20:55.080
<v Speaker 4>amazing job on the script for Judas and the Black Messie.

0:20:56.160 --> 0:20:59.640
<v Speaker 3>If you watched that movie, I guarantee, first off, I think.

0:20:59.480 --> 0:21:02.000
<v Speaker 4>That you know, I know that Daniel got nominated for

0:21:02.000 --> 0:21:03.600
<v Speaker 4>a lot of stuff in that movie. But to me,

0:21:03.840 --> 0:21:08.680
<v Speaker 4>le Keith Stanfield is he's such a Robert de Niro

0:21:09.359 --> 0:21:11.399
<v Speaker 4>at a young age, Like I just feel like the

0:21:11.520 --> 0:21:14.159
<v Speaker 4>Keith is he disappears into this character.

0:21:14.240 --> 0:21:17.199
<v Speaker 3>He plays every level. If even if you just like

0:21:17.320 --> 0:21:18.520
<v Speaker 3>a good movie.

0:21:18.400 --> 0:21:20.920
<v Speaker 4>I would actually recommend Judas in the Black Nosiah. But

0:21:20.960 --> 0:21:23.880
<v Speaker 4>I'd also point out that that movie points out that

0:21:23.960 --> 0:21:27.200
<v Speaker 4>the Panthers weren't It wasn't an organization that started like, yeah,

0:21:27.200 --> 0:21:28.720
<v Speaker 4>we're gonna get a bunch of guns and kill people.

0:21:28.760 --> 0:21:29.919
<v Speaker 4>That's not what it was really about.

0:21:29.960 --> 0:21:30.760
<v Speaker 3>And okay, great.

0:21:30.840 --> 0:21:33.520
<v Speaker 4>You know it represents that side of the story that

0:21:33.560 --> 0:21:36.080
<v Speaker 4>you don't get told unless you, you know, do research.

0:21:38.920 --> 0:21:41.359
<v Speaker 1>It was nineteen seventy when Asada joined the Panthers in

0:21:41.400 --> 0:21:43.919
<v Speaker 1>New York. By that point there were Panther offices in

0:21:44.040 --> 0:21:45.680
<v Speaker 1>sixty eight cities.

0:21:45.359 --> 0:21:46.440
<v Speaker 3>Wow I saw.

0:21:46.520 --> 0:21:48.800
<v Speaker 1>His first role with the Panthers was running the children's

0:21:48.800 --> 0:21:51.800
<v Speaker 1>Bakfast program in Harlem. She became the head of the

0:21:51.880 --> 0:21:55.800
<v Speaker 1>Harlem office, responsible for the free clinics and the community outreach.

0:21:56.359 --> 0:21:59.400
<v Speaker 2>Okay, so Shakour is an Arabic name for thankful.

0:22:00.040 --> 0:22:03.199
<v Speaker 1>Many Panthers in New York took the name to represent

0:22:03.240 --> 0:22:06.480
<v Speaker 1>their unity, and Asato was among them. When Panther leader

0:22:06.480 --> 0:22:09.960
<v Speaker 1>Fred Hampton was murdered by the Chicago police, many party

0:22:10.000 --> 0:22:12.919
<v Speaker 1>members were convinced that mutual aid wasn't enough, you know,

0:22:13.000 --> 0:22:15.560
<v Speaker 1>they had to fight back, literally, So some of the

0:22:15.600 --> 0:22:18.679
<v Speaker 1>New York Panthers started to go underground, living under assumed

0:22:18.720 --> 0:22:21.560
<v Speaker 1>names and keeping low profile. Asato was one of them.

0:22:21.800 --> 0:22:24.199
<v Speaker 1>She disappeared from her family and friends. She knew that

0:22:24.240 --> 0:22:26.720
<v Speaker 1>her aunt, her mom, and her grandparents were all being

0:22:26.760 --> 0:22:29.919
<v Speaker 1>watched by the police. So ASADA's name started to hit

0:22:29.960 --> 0:22:32.880
<v Speaker 1>the headlines in the early nineteen seventies. So the police

0:22:32.920 --> 0:22:36.240
<v Speaker 1>wanted her for bank robberies, bombings, and the murder of

0:22:36.280 --> 0:22:38.960
<v Speaker 1>police officers. She seems to have been in so many

0:22:39.000 --> 0:22:41.600
<v Speaker 1>places at the same time, you know, like, how could

0:22:41.640 --> 0:22:43.800
<v Speaker 1>she have hid banks in the Bronx and in Brooklyn

0:22:43.960 --> 0:22:47.439
<v Speaker 1>and in New Orleans is so close together. Apparently the

0:22:47.440 --> 0:22:50.120
<v Speaker 1>police didn't really care so much about the timelines because

0:22:50.160 --> 0:22:50.960
<v Speaker 1>they didn't add up.

0:22:51.080 --> 0:22:53.879
<v Speaker 4>I'd forgotten about the bank robberies. It's so interesting to

0:22:53.920 --> 0:22:57.359
<v Speaker 4>me because as a storyteller and in somebody who loves

0:22:57.400 --> 0:23:00.720
<v Speaker 4>movies and books and stuff, especially about true crime. You know,

0:23:00.800 --> 0:23:03.960
<v Speaker 4>you sort of see a lionization of people like Billy

0:23:04.000 --> 0:23:07.760
<v Speaker 4>the Kid and Mom Baker and Bonnie and Clyde, like

0:23:07.800 --> 0:23:09.280
<v Speaker 4>you sort of see them as sort of held up

0:23:09.320 --> 0:23:11.000
<v Speaker 4>a's like these were outlaws you.

0:23:10.920 --> 0:23:13.000
<v Speaker 3>Can root for. But you never really hear that.

0:23:13.119 --> 0:23:20.200
<v Speaker 4>Abouts too apparently, so you know, it just depends on sometimes,

0:23:20.240 --> 0:23:22.159
<v Speaker 4>like how people feel about a person.

0:23:27.720 --> 0:23:30.520
<v Speaker 1>So in May nineteen seventy three, after she had lived

0:23:30.520 --> 0:23:34.520
<v Speaker 1>for two years underground, Asada was captured. She was riding

0:23:34.520 --> 0:23:36.800
<v Speaker 1>in the front seat of a white Pontiac with two

0:23:36.920 --> 0:23:41.600
<v Speaker 1>other activists, say Malik Shakur and Sundiata Akali. They were

0:23:41.640 --> 0:23:44.800
<v Speaker 1>traveling the New Jersey Turnpike when they saw police lights

0:23:44.840 --> 0:23:47.280
<v Speaker 1>behind them. The police report says that it had a

0:23:47.320 --> 0:23:51.080
<v Speaker 1>broken taylight. So there are two versions of what happened next.

0:23:51.280 --> 0:23:53.640
<v Speaker 1>The first one says that when the state police officer

0:23:53.760 --> 0:23:56.280
<v Speaker 1>told the driver to get out of the car, Asada

0:23:56.320 --> 0:24:00.159
<v Speaker 1>started shooting from the passenger seat. A firefight ensued and

0:24:00.200 --> 0:24:02.879
<v Speaker 1>in the storm of bullets, two police officers were shot

0:24:03.080 --> 0:24:07.080
<v Speaker 1>and one was killed alongside, said Shakor. After shooting two

0:24:07.119 --> 0:24:10.360
<v Speaker 1>police officers, Asada was hid in the chest and the shoulder,

0:24:10.840 --> 0:24:14.160
<v Speaker 1>and that was what the police said happened. But Asada

0:24:14.160 --> 0:24:17.119
<v Speaker 1>remembers it very differently. She says that when the police

0:24:17.119 --> 0:24:19.720
<v Speaker 1>stopped them, her hands were up and as the shooting

0:24:19.760 --> 0:24:22.439
<v Speaker 1>started around them, she was hit by a bullet before

0:24:22.480 --> 0:24:25.080
<v Speaker 1>she could even leave the seat in her car. She

0:24:25.160 --> 0:24:27.600
<v Speaker 1>says that she never even had a gun let alone

0:24:27.600 --> 0:24:30.120
<v Speaker 1>and fired one. A Colliue was able to jump back

0:24:30.119 --> 0:24:33.919
<v Speaker 1>in the car and race another five miles down the turnpike,

0:24:34.160 --> 0:24:37.199
<v Speaker 1>chased by three police cars. Now, when the road was

0:24:37.240 --> 0:24:39.600
<v Speaker 1>closed and a Collie was finally forced to pull over,

0:24:39.920 --> 0:24:42.320
<v Speaker 1>he jumped out of the car and race into the woods.

0:24:42.680 --> 0:24:46.439
<v Speaker 1>Assada stepped out and slowly approached the police covered in blood.

0:24:46.800 --> 0:24:49.200
<v Speaker 1>She was arrested and rushed to the hospital, and her

0:24:49.280 --> 0:24:52.679
<v Speaker 1>years of imprisonment began. She was held under armguard for

0:24:52.720 --> 0:24:55.160
<v Speaker 1>twenty four hours a day, and in her later writings,

0:24:55.200 --> 0:24:57.960
<v Speaker 1>Asada would describe the ways that she was tortured by

0:24:57.960 --> 0:25:01.160
<v Speaker 1>the New Jersey State Police while off to a hospital bed,

0:25:01.840 --> 0:25:04.120
<v Speaker 1>all the while she was fighting to recover.

0:25:03.880 --> 0:25:07.400
<v Speaker 2>From her own bullet wounds. And she never fucking cracked.

0:25:08.040 --> 0:25:11.760
<v Speaker 1>Yeah, dude, I would fucking like interrogation and me would break.

0:25:11.800 --> 0:25:13.920
<v Speaker 2>Bro, Like I don't, I wouldn't survive.

0:25:14.040 --> 0:25:16.080
<v Speaker 1>My aunt looks at me funny, and I'm like, I'll

0:25:16.080 --> 0:25:17.440
<v Speaker 1>confess the shit I haven't even done.

0:25:17.680 --> 0:25:19.520
<v Speaker 4>Let me tell you first off, well that's that's that's

0:25:19.520 --> 0:25:21.840
<v Speaker 4>actually the case to be made against torture, right. They

0:25:21.840 --> 0:25:24.720
<v Speaker 4>always say experts on torture say torture doesn't actually work

0:25:24.760 --> 0:25:27.120
<v Speaker 4>because at some point people just want the torture to end.

0:25:27.400 --> 0:25:29.720
<v Speaker 4>So you can say, like you are Mickey Mouse, and

0:25:29.760 --> 0:25:30.600
<v Speaker 4>people will be like, oh.

0:25:31.240 --> 0:25:31.760
<v Speaker 3>You know, like.

0:25:35.880 --> 0:25:40.760
<v Speaker 2>Handed, They're like, man, he's lost his mind. But I

0:25:40.800 --> 0:25:41.200
<v Speaker 2>love it.

0:25:41.240 --> 0:25:43.120
<v Speaker 4>I mean, I always tell people I'm like, don't tell

0:25:43.160 --> 0:25:45.919
<v Speaker 4>me anything because I will probably snitch, like you know,

0:25:46.040 --> 0:25:48.159
<v Speaker 4>like I'll just like to keep my nose cleans out

0:25:48.200 --> 0:25:49.960
<v Speaker 4>of speak because like you know, I.

0:25:50.160 --> 0:25:50.719
<v Speaker 3>Don't want to know.

0:25:50.880 --> 0:25:52.560
<v Speaker 4>I don't want to know, and I feel like I

0:25:52.600 --> 0:25:54.600
<v Speaker 4>give off that energy.

0:25:56.480 --> 0:25:58.520
<v Speaker 1>So when she was finally strong enough to be moved,

0:25:58.720 --> 0:26:01.920
<v Speaker 1>Asada left the hospital to the Middlesex County Workhouse, where

0:26:01.960 --> 0:26:04.639
<v Speaker 1>she was the only female prisoner at the jail. It

0:26:04.680 --> 0:26:07.040
<v Speaker 1>was the first of many men's prisons where she would

0:26:07.080 --> 0:26:09.520
<v Speaker 1>be held while the charges against her went forward. They

0:26:09.560 --> 0:26:12.359
<v Speaker 1>were extremely fucking scared of her. It's so wild that

0:26:12.440 --> 0:26:14.560
<v Speaker 1>they have to keep her in a men's prison now

0:26:14.600 --> 0:26:17.320
<v Speaker 1>her A Evelyn left her job at NYU and took

0:26:17.320 --> 0:26:21.000
<v Speaker 1>on ASADA's legal case full time. That July fourth, Evelyn

0:26:21.040 --> 0:26:23.840
<v Speaker 1>brought a tape recorder with her and recorded A. Sada's

0:26:23.880 --> 0:26:26.720
<v Speaker 1>most famous statement, which came to be known as to

0:26:26.840 --> 0:26:30.199
<v Speaker 1>my People. She introduced herself to the world as Asada Shakur,

0:26:30.359 --> 0:26:34.119
<v Speaker 1>Black Revolutionary. She said, there is and always will be

0:26:34.359 --> 0:26:37.719
<v Speaker 1>until every black man, woman and child is free a

0:26:37.760 --> 0:26:41.000
<v Speaker 1>black liberation army. And it was closed with a line

0:26:41.000 --> 0:26:44.280
<v Speaker 1>from the communist manifesto, we have nothing.

0:26:44.000 --> 0:26:45.920
<v Speaker 2>To lose but our change.

0:26:46.480 --> 0:26:49.160
<v Speaker 1>Evelyn spread the recording and it played on black radio

0:26:49.200 --> 0:26:52.600
<v Speaker 1>stations all around New York. Magazines were printed it and

0:26:52.680 --> 0:26:55.640
<v Speaker 1>white media figures of course, Wind and Wind about it.

0:26:55.920 --> 0:26:58.800
<v Speaker 1>Reporters were actually banned from meeting with Asada. You see,

0:26:58.840 --> 0:27:01.840
<v Speaker 1>her voice was so powerfull. Imagine that that the judges

0:27:01.880 --> 0:27:04.639
<v Speaker 1>and the cops and the prison guards were just scrambling

0:27:04.680 --> 0:27:07.119
<v Speaker 1>to keep up with her even though she was locked up.

0:27:07.400 --> 0:27:11.080
<v Speaker 3>Wow.

0:27:12.080 --> 0:27:15.199
<v Speaker 1>In nineteen seventy four, Assada finally went to trial, but

0:27:15.280 --> 0:27:17.480
<v Speaker 1>guess what, she kept beating the charges.

0:27:18.600 --> 0:27:21.919
<v Speaker 2>First, she was acquitted of some robbery charges. A month later,

0:27:22.080 --> 0:27:24.440
<v Speaker 2>she was tried for killing a police officer, but there

0:27:24.520 --> 0:27:27.200
<v Speaker 2>was an evidence against her and the case was dismissed.

0:27:27.359 --> 0:27:27.679
<v Speaker 3>Wow.

0:27:27.720 --> 0:27:31.640
<v Speaker 1>In January nineteen seventy six, Assada faced a kidnapping charge

0:27:31.720 --> 0:27:35.440
<v Speaker 1>and she beat that too. When she was finally tried

0:27:35.440 --> 0:27:37.880
<v Speaker 1>for the Queen's Bank, the first case that had actually

0:27:37.920 --> 0:27:41.639
<v Speaker 1>put her in the paper, Asada was easily acquitted.

0:27:41.920 --> 0:27:43.080
<v Speaker 2>Like what damn.

0:27:44.640 --> 0:27:47.280
<v Speaker 1>The photograph published by the police didn't look like her

0:27:47.440 --> 0:27:47.840
<v Speaker 1>at all.

0:27:48.359 --> 0:27:50.800
<v Speaker 2>The bank manager who had been there for the robbery.

0:27:50.800 --> 0:27:53.200
<v Speaker 4>I'm sorry they did a drawing and it didn't look

0:27:53.240 --> 0:27:53.560
<v Speaker 4>like her.

0:27:53.760 --> 0:27:56.320
<v Speaker 1>Well, the photograph that they put out of who had

0:27:56.359 --> 0:27:58.440
<v Speaker 1>actually robbed the bank, you know, so it's sort of

0:27:58.480 --> 0:28:01.360
<v Speaker 1>the photo evidence right off the bank didn't look like.

0:28:01.280 --> 0:28:02.639
<v Speaker 3>Her at all.

0:28:02.800 --> 0:28:03.800
<v Speaker 2>Yeah, it's really flimsy.

0:28:03.880 --> 0:28:07.200
<v Speaker 1>Charges And the bank manager who had been there for

0:28:07.760 --> 0:28:10.560
<v Speaker 1>the robbery testified that Asada was not the woman who

0:28:10.600 --> 0:28:12.119
<v Speaker 1>had held him at gunpoint.

0:28:12.280 --> 0:28:12.679
<v Speaker 3>There you go.

0:28:12.760 --> 0:28:14.439
<v Speaker 1>He's like, no, it was a redhead woman. And she

0:28:14.520 --> 0:28:17.800
<v Speaker 1>was like, I'm Wendy, Like I don't I played like.

0:28:17.840 --> 0:28:21.399
<v Speaker 4>These these facial recognition features on some of the on

0:28:21.440 --> 0:28:24.520
<v Speaker 4>some of the robots nowadays, like they have a harder

0:28:24.560 --> 0:28:27.480
<v Speaker 4>time recognizing black people because the people who programmed them

0:28:28.000 --> 0:28:30.280
<v Speaker 4>just didn't use a lot of black subjects. So like

0:28:30.280 --> 0:28:32.480
<v Speaker 4>they're just like they look at me and they're like, ahh,

0:28:32.600 --> 0:28:33.440
<v Speaker 4>that's Martin Luther King.

0:28:33.880 --> 0:28:38.400
<v Speaker 3>No, no, man, fuck, I don't really look like King anyway.

0:28:38.400 --> 0:28:38.840
<v Speaker 3>Go ahead.

0:28:40.000 --> 0:28:44.320
<v Speaker 1>So, in nineteen seventy seven, the victories for Asada finally

0:28:44.360 --> 0:28:46.360
<v Speaker 1>came to an end. Right she was found guilty of

0:28:46.440 --> 0:28:49.280
<v Speaker 1>first degree murder along with many other charges, for the

0:28:49.280 --> 0:28:52.240
<v Speaker 1>shootout on the New Jersey Turnpike. Now halfway through the trial,

0:28:52.280 --> 0:28:55.600
<v Speaker 1>ASADA's new lawyer, Stanley Cohen was found dead in his

0:28:55.720 --> 0:28:56.840
<v Speaker 1>fucking apartment.

0:28:57.280 --> 0:28:59.240
<v Speaker 3>Is that I didn't even know announce it that. I'm lurry.

0:28:59.280 --> 0:28:59.959
<v Speaker 3>I did not know that.

0:29:00.440 --> 0:29:03.040
<v Speaker 1>So he had been collecting evidence against the police witnesses,

0:29:03.160 --> 0:29:06.280
<v Speaker 1>recruiting forensic chemists to show that there was no evidence

0:29:06.280 --> 0:29:09.600
<v Speaker 1>of gunfire on Assata's hands, and uncovering what he believed

0:29:09.640 --> 0:29:13.760
<v Speaker 1>were falsified documents in the prosecution's case. So fucked up,

0:29:13.920 --> 0:29:17.160
<v Speaker 1>And the newspapers reported that Stanley died of natural causes.

0:29:17.680 --> 0:29:21.320
<v Speaker 2>So we're not saying that the police killed or are we, like,

0:29:21.480 --> 0:29:22.719
<v Speaker 2>cause that'd be crazy.

0:29:22.760 --> 0:29:23.520
<v Speaker 3>You know, there were a.

0:29:23.480 --> 0:29:26.200
<v Speaker 4>Lot of suspicious deaths back in those days, and I

0:29:26.200 --> 0:29:28.880
<v Speaker 4>do think that, you know, we have forensics have come

0:29:28.960 --> 0:29:32.440
<v Speaker 4>a long way, right since nine seventy whatever this was.

0:29:32.520 --> 0:29:34.720
<v Speaker 4>I mean like, but it is suspicious that he died

0:29:34.760 --> 0:29:37.720
<v Speaker 4>of unknown causes. I mean, like, I don't even watch

0:29:37.800 --> 0:29:41.760
<v Speaker 4>unsolved mysteries. Yeah, I like my mysteries and solved. The

0:29:41.760 --> 0:29:43.840
<v Speaker 4>worst thing about unsolved mysteries is that like when they

0:29:43.840 --> 0:29:45.720
<v Speaker 4>come to the other they're like, did they die or

0:29:45.720 --> 0:29:47.680
<v Speaker 4>did they just disappear? And then they start rolling the

0:29:47.680 --> 0:29:49.720
<v Speaker 4>crash They're like that's not satisfying.

0:29:49.440 --> 0:29:52.000
<v Speaker 1>But that's unsolved mysteries, which at least like come with

0:29:52.040 --> 0:29:54.840
<v Speaker 1>a built in like I played myself, I fucking eat

0:29:54.920 --> 0:29:59.600
<v Speaker 1>documentaries that are five fucking ninety minute episodes long. And

0:29:59.640 --> 0:30:01.360
<v Speaker 1>then the it's like, we don't know if he faked

0:30:01.360 --> 0:30:03.400
<v Speaker 1>his own death or he didn't tell me that at

0:30:03.400 --> 0:30:13.520
<v Speaker 1>the beginning. Man. Now, once she was convicted, Asada was

0:30:13.600 --> 0:30:16.400
<v Speaker 1>moved to yardbuilt prison in New Jersey. Her young daughter

0:30:16.440 --> 0:30:18.280
<v Speaker 1>went to live with her mother in New York, and

0:30:18.320 --> 0:30:21.400
<v Speaker 1>Asada and the other members of the Underground knew that

0:30:21.440 --> 0:30:24.320
<v Speaker 1>they couldn't rely on justice from the courts. Instead, they

0:30:24.360 --> 0:30:30.080
<v Speaker 1>planned her prison breaks. So let's do a cool little

0:30:30.080 --> 0:30:32.840
<v Speaker 1>recap of the prison break. As I understand it, three

0:30:32.880 --> 0:30:36.040
<v Speaker 1>people went in. They never got searched. One went particularly

0:30:36.040 --> 0:30:38.880
<v Speaker 1>to visit Asada, pulled out two massive pistols. He had

0:30:39.480 --> 0:30:43.000
<v Speaker 1>a Mexican bandido gun belt as well. That part I

0:30:43.080 --> 0:30:46.520
<v Speaker 1>added myself. There were seventies music playing. Everybody had Cyeburns,

0:30:46.520 --> 0:30:48.880
<v Speaker 1>they had afros. They jumped into the van, they like

0:30:48.920 --> 0:30:51.320
<v Speaker 1>sped off and they got away with it. So far,

0:30:51.400 --> 0:30:54.880
<v Speaker 1>so good, great. I really hope Benju adds really cool

0:30:54.960 --> 0:31:02.680
<v Speaker 1>seventy music to the background of all that. After Asada

0:31:02.720 --> 0:31:04.640
<v Speaker 1>was busted out, the FEDS put her back on their

0:31:04.680 --> 0:31:07.200
<v Speaker 1>most wanted lists, and just like the years before, they

0:31:07.280 --> 0:31:10.240
<v Speaker 1>started linking her to a series of crimes, right saying

0:31:10.320 --> 0:31:13.160
<v Speaker 1>they spotted her at the scenes of shootings and burglaries

0:31:13.200 --> 0:31:15.720
<v Speaker 1>and other stuff like that. After a few years past,

0:31:15.880 --> 0:31:18.800
<v Speaker 1>the FBI started getting reports that Asada had made it

0:31:18.800 --> 0:31:21.400
<v Speaker 1>to Cula, the home of the revolution that inspired the

0:31:21.440 --> 0:31:25.280
<v Speaker 1>Black Panthers in the beginning. When Asada published a biography

0:31:25.280 --> 0:31:28.440
<v Speaker 1>in nineteen eighty seven, she described her life of imprisonment

0:31:28.480 --> 0:31:30.520
<v Speaker 1>and exile, but she actually.

0:31:30.160 --> 0:31:31.440
<v Speaker 2>Sounded happy to be in Gula.

0:31:31.800 --> 0:31:34.000
<v Speaker 1>She called it a country of hope, and she ended

0:31:34.000 --> 0:31:36.560
<v Speaker 1>her book with a series of poetic meditations on her

0:31:36.600 --> 0:31:39.920
<v Speaker 1>life there, about the openness and beauty of Havana and

0:31:40.000 --> 0:31:42.760
<v Speaker 1>of the Cuban culture. And there, beyond the reach of

0:31:42.760 --> 0:31:45.400
<v Speaker 1>the US government, Asada was finally able to pick up

0:31:45.400 --> 0:31:48.440
<v Speaker 1>a telephone, call home and talk with her family for

0:31:48.480 --> 0:31:52.080
<v Speaker 1>the first time in five years. In twenty twenty two,

0:31:52.280 --> 0:31:56.480
<v Speaker 1>Assada celebrated her seventy fifth birthday in Cuba. The US

0:31:56.560 --> 0:31:59.160
<v Speaker 1>government is still working today to extra at her from

0:31:59.200 --> 0:32:02.880
<v Speaker 1>Cuba and in prison her again so Asada continues to

0:32:02.920 --> 0:32:05.800
<v Speaker 1>say that she also has a duty as long as

0:32:05.840 --> 0:32:09.000
<v Speaker 1>she lives, she's going to carry on the black liberation

0:32:09.120 --> 0:32:12.400
<v Speaker 1>struggle and despite everything, to continue to be human, to

0:32:12.480 --> 0:32:18.840
<v Speaker 1>be giving, and to be loving. What do you take

0:32:18.840 --> 0:32:21.680
<v Speaker 1>away from stories of panthers like Asda.

0:32:22.280 --> 0:32:25.840
<v Speaker 4>I think police organizations have to realize that there were

0:32:26.040 --> 0:32:28.520
<v Speaker 4>some abuses that led to a lack of trust in

0:32:28.560 --> 0:32:31.120
<v Speaker 4>these communities and that there's a lot of healing.

0:32:30.760 --> 0:32:31.760
<v Speaker 3>That has to take place.

0:32:31.800 --> 0:32:35.000
<v Speaker 4>It's not as simple as like, oh, this person did

0:32:35.040 --> 0:32:36.880
<v Speaker 4>this thing, which, by the way, as you've pointed out

0:32:36.880 --> 0:32:39.440
<v Speaker 4>in this podcast, is not cut and dry, you know.

0:32:39.600 --> 0:32:41.800
<v Speaker 2>In order for the healing to begin, like, the past

0:32:41.880 --> 0:32:42.920
<v Speaker 2>needs to be acknowledged.

0:32:43.160 --> 0:32:46.280
<v Speaker 4>No, it's true, there's too much of that, Like, okay, guys,

0:32:46.280 --> 0:32:47.200
<v Speaker 4>this is the ancient past.

0:32:47.240 --> 0:32:49.320
<v Speaker 3>Can we just please move on this? There's too much

0:32:49.320 --> 0:32:49.600
<v Speaker 3>of that.

0:32:49.640 --> 0:32:52.080
<v Speaker 4>And I think if you don't acknowledge the past, and

0:32:52.240 --> 0:32:53.840
<v Speaker 4>it's hard to move into the future, you know what

0:32:53.880 --> 0:32:55.600
<v Speaker 4>I mean. And I think that's why it's so disturbing

0:32:55.600 --> 0:32:58.200
<v Speaker 4>that there's so many places that are trying to whitewash

0:32:58.280 --> 0:33:00.440
<v Speaker 4>history right now, and they do it under the rubric

0:33:00.480 --> 0:33:05.400
<v Speaker 4>of this you know, basically law school centric concept of

0:33:05.440 --> 0:33:08.120
<v Speaker 4>critical race theory, and then they pretend that, oh, if

0:33:08.120 --> 0:33:11.320
<v Speaker 4>we teach people that America wasn't perfect.

0:33:11.120 --> 0:33:12.480
<v Speaker 3>Then that's critical race theory.

0:33:12.560 --> 0:33:14.640
<v Speaker 4>Like, no, you don't even know what You don't even

0:33:14.640 --> 0:33:16.080
<v Speaker 4>know what critical race theory is.

0:33:16.120 --> 0:33:17.200
<v Speaker 3>If that's what you think.

0:33:17.120 --> 0:33:19.680
<v Speaker 1>You can love something and want to improve something and

0:33:19.760 --> 0:33:21.120
<v Speaker 1>still acknowledge its flaws.

0:33:21.400 --> 0:33:23.600
<v Speaker 4>You can love your father but also be like, hey dad,

0:33:23.640 --> 0:33:26.120
<v Speaker 4>stop drinking, stop drinking, stop thking.

0:33:34.400 --> 0:33:36.680
<v Speaker 1>Hey man, I am so honored to have had you

0:33:36.760 --> 0:33:38.840
<v Speaker 1>here before we go. Do you have anything that you

0:33:38.880 --> 0:33:39.920
<v Speaker 1>want to that you want.

0:33:39.760 --> 0:33:42.480
<v Speaker 2>Our listeners to look out for of yours? Coming up?

0:33:42.800 --> 0:33:46.320
<v Speaker 4>Man, there's so much coming up, from from the music

0:33:46.440 --> 0:33:49.240
<v Speaker 4>and the comedy of Sherman Showcase to what I think

0:33:49.280 --> 0:33:51.920
<v Speaker 4>is one of just the funniest uh you know, get

0:33:51.920 --> 0:33:54.640
<v Speaker 4>to know the characters type show Southside on HBO Max.

0:33:54.880 --> 0:33:57.800
<v Speaker 4>I think the easiest way for people to check out

0:33:57.880 --> 0:34:00.840
<v Speaker 4>some of the work that I and but Sheer have done.

0:34:01.240 --> 0:34:03.760
<v Speaker 3>Uh, follow me on Instagram.

0:34:03.040 --> 0:34:06.920
<v Speaker 4>At Dallo, not Diablo and Dalloff.

0:34:07.080 --> 0:34:08.040
<v Speaker 3>That's a different account.

0:34:08.239 --> 0:34:10.759
<v Speaker 1>Diablo account gets all these followers now and they're like, I.

0:34:10.760 --> 0:34:13.239
<v Speaker 2>Don't know, man, this guy doesn't look like a DJ.

0:34:14.280 --> 0:34:17.879
<v Speaker 4>I gotta say he's pretty entertaining at d allo d

0:34:17.960 --> 0:34:20.719
<v Speaker 4>I A L l O. And you'll you'll always know

0:34:20.800 --> 0:34:23.239
<v Speaker 4>about like sort of what we're digging and what we're

0:34:23.320 --> 0:34:26.200
<v Speaker 4>producing and uh and yeah, man, thanks thanks for having

0:34:26.200 --> 0:34:26.640
<v Speaker 4>me on right.

0:34:26.719 --> 0:34:28.200
<v Speaker 1>Alred to have you, and thank you for being so

0:34:28.280 --> 0:34:30.520
<v Speaker 1>open about your dad and his art. And it means

0:34:30.520 --> 0:34:32.480
<v Speaker 1>a lot to us when when guests come on here

0:34:32.520 --> 0:34:35.160
<v Speaker 1>and they share moments to shape them. So thank you

0:34:35.200 --> 0:34:36.560
<v Speaker 1>so much for a friend of the show. You can

0:34:36.560 --> 0:34:41.880
<v Speaker 1>come back anytime, brother, Thank you so much. Breh bye.

0:34:45.120 --> 0:34:47.759
<v Speaker 1>Gratist Escapes is a production of iHeartRadio and Film Nation

0:34:47.920 --> 0:34:51.759
<v Speaker 1>Entertainment in association with Gilded Audio or executive producers for

0:34:51.920 --> 0:34:54.759
<v Speaker 1>me or Turo Castro, Alyssa Martino and Milan Papelka from

0:34:54.760 --> 0:34:58.560
<v Speaker 1>Film Nation Entertainment, Andrew Chug and Winning Donaldson from Gilded Audio,

0:34:58.719 --> 0:35:01.800
<v Speaker 1>and Dylan Fagan from I Radio. The show is produced

0:35:01.800 --> 0:35:05.000
<v Speaker 1>and edited by Carl Nellis and Ben Chubb, who are also, respectively,

0:35:05.080 --> 0:35:08.520
<v Speaker 1>our research overlord and music overlord. Our associate producer is

0:35:08.520 --> 0:35:11.520
<v Speaker 1>Tory Smith, who's our other overlord. Nick Dooley is our

0:35:11.520 --> 0:35:15.320
<v Speaker 1>technical director. Additional editing by Whitney Donaldson Special thanks to

0:35:15.400 --> 0:35:19.360
<v Speaker 1>Alison Cohen, Dan Welsh, Ben Riizek, Sarah Joyner, Nicki Stein,

0:35:19.440 --> 0:35:38.399
<v Speaker 1>Olivia Canny, and Kelsey Albright. Hey, thank you so much

0:35:38.400 --> 0:35:40.640
<v Speaker 1>for listening, and if you're enjoying the show, please drop

0:35:40.640 --> 0:35:42.920
<v Speaker 1>a rating or review. My mom will call you each

0:35:42.960 --> 0:35:45.680
<v Speaker 1>personally and thank you, and we'll see you all next

0:35:45.680 --> 0:35:46.040
<v Speaker 1>week