WEBVTT - Racing Down a Secret Mountain

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<v Speaker 1>Causer Media. You're listening to the Away Days podcast on

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<v Speaker 1>the ground outside, reporting from the underbelly with me Jake Hanrahan.

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<v Speaker 1>To watch Awaydays documentaries, go to YouTube dot com slash

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<v Speaker 1>at Away Days TV.

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<v Speaker 2>This is part.

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<v Speaker 1>Three Speed Tribe twenty five, Episode three. This podcast is

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<v Speaker 1>a production of H eleven Studio and Call his Own Media.

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<v Speaker 1>The team of massed up youth that approaches from the

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<v Speaker 1>garage seem a little hesitant to say hi. They're not menacing,

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<v Speaker 1>not at all. If anything, they seem a little bit shy.

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<v Speaker 1>They're all either late teens or mid twenties. Behind them,

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<v Speaker 1>in the garage with its now rayed shutter, there's a

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<v Speaker 1>collection of brightly colored civics with roof to tire decales,

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<v Speaker 1>painted bonnets and nets in the windows. These are to

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<v Speaker 1>obscure the view to stop the police seeing who's driving.

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<v Speaker 1>An older man who owns the garage approaches and explains

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<v Speaker 1>to us that this is the base of Across Racing.

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<v Speaker 1>As a look a bit closer, I notice all the

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<v Speaker 1>civics have the Across logo emblazoned over their back windows.

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<v Speaker 1>Across is a ragtag street racing crew that hits the

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<v Speaker 1>Canjo loop with their distinctive carts. Many of them here

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<v Speaker 1>have decorated their paintwork with Marlborough cigarette packet designs, not

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<v Speaker 1>to promote smoking, but the design on a car is

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<v Speaker 1>just very cool, I'll be honest. One of the civics

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<v Speaker 1>that really stands out belongs to the only woman on

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<v Speaker 1>the team. Her name is Menma and a civic is

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<v Speaker 1>bright turquoise blue with white bordered decals and shiny stickers

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<v Speaker 1>making out the word across on the back. Underground street

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<v Speaker 1>racing in Japan is a male dominated world. I go

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<v Speaker 1>as far to say that it's ninety nine percent men

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<v Speaker 1>that are involved. Memo is an anomaly in this scene.

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<v Speaker 1>She's small, with huge, bright eyes and dyed blonde hair

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<v Speaker 1>poking out of about a claver. She wears high top

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<v Speaker 1>night dunks in the same white and turquoise colors of

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<v Speaker 1>her cat. It is a very cool look. She's shy,

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<v Speaker 1>but she agrees to talk a little. It's usually there's

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<v Speaker 1>not many women in the racing scene here.

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<v Speaker 2>Are you one of the only ones?

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<v Speaker 3>As I'm a woman, I need to race in a

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<v Speaker 3>way so I don't get disrespected.

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<v Speaker 2>What is it you like about street racing?

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<v Speaker 3>A final street. I like this the most you do

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<v Speaker 3>talk or a circuit as long as I can race.

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<v Speaker 1>Obviously, this is very illegal here in Japan. What would

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<v Speaker 1>happen if the police caught you?

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<v Speaker 3>We run away?

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<v Speaker 2>Does your family know you do this racing?

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<v Speaker 3>Sometimes?

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<v Speaker 1>Culture in Japan is quite conservative. A legal street racing

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<v Speaker 1>is obviously something that a lot of people there wouldn't like.

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<v Speaker 1>What do you think the reaction would be if people

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<v Speaker 1>knew you were doing this?

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<v Speaker 3>I think they would think it's a nuisance, but more

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<v Speaker 3>fun which wins, so I keep racing.

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<v Speaker 2>It makes it more fun.

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<v Speaker 1>Okay, what do you think about the police here?

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<v Speaker 3>I'm sure it's tough for them and they probably have

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<v Speaker 3>a lot on but it'd be nice if they spent

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<v Speaker 3>their time on things other than civics.

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<v Speaker 1>Without revealing too much about yourself when you're not racing,

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<v Speaker 1>what do you do like in normal life?

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<v Speaker 3>If I'm not racing, working, fishing, an I ride my bike?

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<v Speaker 2>Can you tell me what it feels like when you're racing?

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<v Speaker 1>How does it feel to you?

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<v Speaker 3>It's scary, but the feeling of wanting to win is stronger.

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<v Speaker 1>How did you get into racing? How do you find

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<v Speaker 1>out about it?

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<v Speaker 3>A childhood friend introduced me.

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<v Speaker 2>Are you fast drive fast? So?

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<v Speaker 1>By so so she means yes, very fast across is

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<v Speaker 1>generally seen as a kanjo crew. These are not exactly

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<v Speaker 1>drift cars. They go very fast down the Handschin Expressway.

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<v Speaker 1>So I wonder why we're here, ready to go up

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<v Speaker 1>a mountain far away from Saka. Turns out the team

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<v Speaker 1>are currently not racing the canjo right now. Their boss,

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<v Speaker 1>the older guy who runs the gar bridge, has decided

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<v Speaker 1>it's a bit too hot with the law enforcement and

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<v Speaker 1>surveillance checks. I'm guessing this has something to do with

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<v Speaker 1>the smashed up civic we saw on the way in.

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<v Speaker 1>Young lad in a white Balaklava who uses the name Hero,

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<v Speaker 1>explains to me that that is his car. He's just

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<v Speaker 1>eighteen and he was in a police chase recently. Now,

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<v Speaker 1>in Japan, a police chase isn't quite what you might think.

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<v Speaker 1>Japan active pursuit is far more restricted than in most

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<v Speaker 1>Western countries. There's a much bigger emphasis on public safety

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<v Speaker 1>over immediate apprehension. The National Police Agency guidelines state that

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<v Speaker 1>officers must prioritize avoiding accidents, especially in densely populated areas.

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<v Speaker 1>Perfect if you're a cando fugitive in hot pursuit, the

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<v Speaker 1>getaway is strongly in your favor. Japanese police are trained

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<v Speaker 1>to weigh the risk of a chase against the seriousness

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<v Speaker 1>of the perceived offense. Pursuits are generally only allowed when

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<v Speaker 1>the suspect is believed to have committed a serious crime,

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<v Speaker 1>which dangerous driving comes under. In Japan, street racers are

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<v Speaker 1>on their radar. The police are instructed to consider factors

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<v Speaker 1>like traffic density, weather, road conditions, and pedestrian presence before

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<v Speaker 1>engaging in the chase. If the pursuit is likely to

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<v Speaker 1>endanger the public, officers are required to back down by law.

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<v Speaker 1>Speed limits still technically apply to police vehicles, but they

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<v Speaker 1>can be exceeded if lights and sirens are used, and

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<v Speaker 1>the pursuit is officially justified. Just like any other country.

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<v Speaker 1>That said, official justification is narrowly defined, and supervisors on

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<v Speaker 1>the radio are often involved in the decision to continue

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<v Speaker 1>or call off a chase. Legally, if a chase results

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<v Speaker 1>in injury or to a third party, and the pursuit

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<v Speaker 1>is deemed unnecessary or reckless, the officers and the department

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<v Speaker 1>can face civil liability and in some cases, even criminal charges.

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<v Speaker 1>The cautious approach stems from Japan's broader policing philosophy crime

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<v Speaker 1>prevention and measured response over higher risk enforcement. As a result,

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<v Speaker 1>genuine Hollywood style high speed pursuits are very rare in Japan,

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<v Speaker 1>and when they do happen, they are usually in rural

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<v Speaker 1>areas with lighter traffic and clearer visibility. To avoid dangerous

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<v Speaker 1>high speed chases, Japan relies heavily on alternative methods. These

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<v Speaker 1>include setting up roadblocks using spike strips, or deploying unmarked

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<v Speaker 1>ghost cars to shadow suspects until a safer arrest is possible.

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<v Speaker 1>In urban areas, surveillance cameras and licensed plate recognition systems

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<v Speaker 1>often allowed police to track a suspect later without an

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<v Speaker 1>idiot confrontation. This is what happened to hero He was

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<v Speaker 1>racing around the loop when police pulled him behind him,

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<v Speaker 1>he took off. They put the foot on the gas,

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<v Speaker 1>but ultimately Heroes driving skills and the public traffic helped

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<v Speaker 1>him get away, not before the cops caught his license plate,

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<v Speaker 1>though for whatever reason, he didn't have the plate flipped

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<v Speaker 1>up on its hinges, and the police found out his.

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<v Speaker 2>Address through registration.

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<v Speaker 1>A few weeks Later, a morning raid on Hero's house

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<v Speaker 1>found him arrested, charged and released on bail. He laughs

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<v Speaker 1>about it now and explains how he went back out

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<v Speaker 1>racing any way and totld his car, crashing into a

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<v Speaker 1>barrier on a stiff turn. No wonder their captain doesn't

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<v Speaker 1>want a cross on the Canjo right now. Kanjo races

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<v Speaker 1>in a Sacker are a course notorious for the defiance

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<v Speaker 1>of the law. One of their most brazen tactics is

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<v Speaker 1>called boxing in when you guessed it, they box in

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<v Speaker 1>police cars during late night runs. When police attempt to

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<v Speaker 1>intervene in a multi car race, the drivers sometimes coordinate

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<v Speaker 1>to trap the patrol car between the multiple vehicles. Two

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<v Speaker 1>or more cars will position themselves in front, beside, and

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<v Speaker 1>behind police, slowing or blocking its movement while the rest

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<v Speaker 1>of the crew scatters. This isn't just a getaway method.

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<v Speaker 1>It's also a deliberate act of mockery. There are several

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<v Speaker 1>videos out there showing this tactic on the Handchin Expressway

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<v Speaker 1>with goofy music and mocking captions. It's pretty funny, honestly.

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<v Speaker 1>Drivers will also sometimes weave aggressively in front of the

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<v Speaker 1>patrol car, break check it, or rev loudly forcing their

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<v Speaker 1>officers into a frustrating standoff. Police are constrained by the

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<v Speaker 1>aforementioned strict shoot rules. They're hamstrung. They can't really respond

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<v Speaker 1>with the same aggression without risking disciplinary action.

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<v Speaker 2>Too bad.

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<v Speaker 1>The Kanjo crews exploit these limits, knowing the officers are

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<v Speaker 1>unlikely to engage in risky maneuvers in heavy traffic or

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<v Speaker 1>at extreme speeds beyond the immediate tactic. This behavior feeds

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<v Speaker 1>into the Kando subculture's anti authority image. It reinforces their

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<v Speaker 1>reputation for outsmarting and goading the police on their own turf.

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<v Speaker 1>In a society as strict and rule following as Japan,

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<v Speaker 1>this really defines them as serious outlaws. The crew explain

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<v Speaker 1>to us that they're going to take us for a

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<v Speaker 1>different kind of race. One lad is very excited about this.

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<v Speaker 1>He pops the bonnet of his car, which is painted

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<v Speaker 1>purple and white in the Marlborough design, and points laughing

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<v Speaker 1>at the paint on the inside. It's Japan's imperial flag

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<v Speaker 1>oh i say, commonly known as the Rising Sun flag.

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<v Speaker 1>It features a red sum with sixteen rays extending outwards.

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<v Speaker 1>It's obviously different from the national flag which is the

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<v Speaker 1>simple red circle on a white field rising sun design

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<v Speaker 1>has ancient roots in Japanese mythology and Shinto beliefs, where

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<v Speaker 1>the sun goddess amit Arasu is central. The flag was

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<v Speaker 1>officially adopted as the war flag of the Imperial Japanese

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<v Speaker 1>Army in eighteen seventy, and later used by the Imperial

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<v Speaker 1>Navy as well across East and Southeast Asia, especially in

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<v Speaker 1>Korea and China. It's viewed as a symbol of Japanese

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<v Speaker 1>militarism and imperial aggression during World War Two. Its resemblance

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<v Speaker 1>to a military insignia tied to occupation, war crimes and

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<v Speaker 1>colonialism makes it deeply controversial in those regions. So many

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<v Speaker 1>Japanese people though the flag is just a traditional symbol

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<v Speaker 1>of good fort, dune power and national pride. It's still

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<v Speaker 1>used today by the Japanese Maritime Self Defense Force, even

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<v Speaker 1>it continues to appear at sporting events, festivals, and by

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<v Speaker 1>nationalist groups. The flag's meaning is heavily context dependent, seen

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<v Speaker 1>by some as cultural heritage and by others as a

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<v Speaker 1>painful reminder of wartime atrocities. For these lot racing one

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<v Speaker 1>of them explains to me that It's just seen as

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<v Speaker 1>a good luck charm of sorts, nothing politically loaded about it.

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<v Speaker 1>So with the Kanjo loop off the cards, the crew

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<v Speaker 1>tells us that were taking the civics up to a

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<v Speaker 1>mountain road to grip round corners at extreme high speed.

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<v Speaker 1>I agreed to go with them, somewhat reluctantly, but at

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<v Speaker 1>the same time excited to see what they do. Because

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<v Speaker 1>line up in a convoy at the front of the

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<v Speaker 1>garage a row of souped up, multi colored Civics, all

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<v Speaker 1>with custom designs, lowered frames, and sparkly across iconography pasted

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<v Speaker 1>across the windows. The drivers get into their cars and

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<v Speaker 1>they all rev in unison. I can feel the vibration

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<v Speaker 1>of the engines raw in my chest. I hop into

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<v Speaker 1>one of the cars. Inside, every side panel has been

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<v Speaker 1>ripped off so you can see the full inner workings.

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<v Speaker 2>Of the car.

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<v Speaker 1>They do this for weight. The interior car handle is

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<v Speaker 1>literally just a metal wire. The two back seats are

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<v Speaker 1>ripped out. All that's back there is metal pipes, molded

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<v Speaker 1>tire trim, and a DII rollcage bolted into the exposed chassis.

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<v Speaker 1>It's like a cockpit built by H. R. Geigert even

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<v Speaker 1>the interior roof panel is removed. We're about to zoom

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<v Speaker 1>down the road in a metal can with precision brake

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<v Speaker 1>power and a custom paint job. Not a single piece

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<v Speaker 1>of this civic has been left as is.

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<v Speaker 2>I love it.

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<v Speaker 1>Once everyone is in position, the order in which across

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<v Speaker 1>the sides is the hierarchy. Today we all pull off.

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<v Speaker 1>There's no casual drive to the mountain. These lot are

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<v Speaker 1>racing the whole way there. It's midnight now. We fly

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<v Speaker 1>through the streets, and each civic lights up the road

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<v Speaker 1>as the cars weave in and out of each other.

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<v Speaker 1>At one point we pass a police car going the

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<v Speaker 1>other way on the side of the road. We're traveling

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<v Speaker 1>at least forty miles per hour above speed limit, all

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<v Speaker 1>in a convoy of half a dozen very distinctive cars.

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<v Speaker 1>There is no denying that these are for street racing.

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<v Speaker 1>My driver is wearing a ski mask and half of

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<v Speaker 1>his window is obscured with netting. Look, he laughs in

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<v Speaker 1>English Japanese police. He puts his foot on the pedal

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<v Speaker 1>and we peel off so fast. I don't even know

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<v Speaker 1>if the cops switched on the lights and sirens. They're

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<v Speaker 1>fast gone.

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<v Speaker 2>In the mirror.

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<v Speaker 1>I'd be lying if I said I don't feel the

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<v Speaker 1>same adrenaline rush as the street racers right now. It's dangerous,

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<v Speaker 1>unfair and anti social, but it is still true that

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<v Speaker 1>it's exhilarating. After around an hour on the road, we

0:15:11.880 --> 0:15:14.480
<v Speaker 1>end up at the bottom of a valley. It's pitch

0:15:14.560 --> 0:15:17.720
<v Speaker 1>black and only random highway lights and the civics expose

0:15:17.800 --> 0:15:21.840
<v Speaker 1>the scene in front of us. I see rock faces

0:15:21.880 --> 0:15:24.280
<v Speaker 1>and lush trees here and there leading up the mountain,

0:15:24.880 --> 0:15:27.160
<v Speaker 1>or at least I think it's a mountain. It looks

0:15:27.160 --> 0:15:29.000
<v Speaker 1>a bit like one to me, and that's what everyone's

0:15:29.000 --> 0:15:31.680
<v Speaker 1>calling it for shorthand, so we'll go with the mountain.

0:15:33.160 --> 0:15:35.400
<v Speaker 1>We're all parked at a yellow gate with the engines

0:15:35.480 --> 0:15:38.800
<v Speaker 1>ticking over right now. This mountain road is closed for

0:15:38.840 --> 0:15:43.680
<v Speaker 1>the night. No one can drive through. It's restricted somehow,

0:15:43.680 --> 0:15:46.360
<v Speaker 1>though one of the cross members manages to get the

0:15:46.400 --> 0:15:49.800
<v Speaker 1>gate open. It swings out the way and we all

0:15:49.920 --> 0:15:54.000
<v Speaker 1>roar up the mountain. The roads I notice are perfect.

0:15:55.560 --> 0:15:57.720
<v Speaker 1>It strikes me that to try this back home in

0:15:57.840 --> 0:16:01.800
<v Speaker 1>England would be even more deadly, seen as our roads

0:16:01.800 --> 0:16:05.960
<v Speaker 1>look like they've been hit with several meteor showers. Now

0:16:06.080 --> 0:16:09.720
<v Speaker 1>allow me to tell you about British roads. British roads,

0:16:09.840 --> 0:16:14.960
<v Speaker 1>especially in recent years, are a fucking disaster. Mostly to

0:16:15.000 --> 0:16:18.360
<v Speaker 1>blame is, of course, the government, especially local governments, who

0:16:18.360 --> 0:16:22.000
<v Speaker 1>spend their budgets on just about anything else but the tarmac.

0:16:22.680 --> 0:16:26.920
<v Speaker 1>Potholes are absolutely everywhere. It's so common they've basically become

0:16:27.000 --> 0:16:31.520
<v Speaker 1>a running joke. Repair work is slow, patchy, and often

0:16:31.640 --> 0:16:36.640
<v Speaker 1>poorly executed. Councils claim they lack funding, but central government

0:16:36.720 --> 0:16:41.520
<v Speaker 1>investment in road maintenance has consistently lagged behind what's needed.

0:16:42.440 --> 0:16:47.520
<v Speaker 1>Instead of tackling long term resurfacing, authorities often opt for cheap,

0:16:47.720 --> 0:16:51.680
<v Speaker 1>temporary fixes that crumble after a few months, leading to

0:16:51.720 --> 0:16:56.960
<v Speaker 1>the same stretch being repaired over and over again. I've

0:16:57.040 --> 0:17:01.480
<v Speaker 1>genuinely seen similarly damaged roads in the combas in East Ukraine,

0:17:02.000 --> 0:17:06.200
<v Speaker 1>and they're at war. Britain is not. Our road network

0:17:06.280 --> 0:17:09.080
<v Speaker 1>is crumbling under the strain of heavy use, bad weather,

0:17:09.280 --> 0:17:14.280
<v Speaker 1>and minimal upkeep. With that, serious, well funded intervention is

0:17:14.480 --> 0:17:19.439
<v Speaker 1>only going to get much worse. Japan, however, is of

0:17:19.480 --> 0:17:24.680
<v Speaker 1>course the total opposite. They are exceptionally good at building roads,

0:17:25.040 --> 0:17:28.480
<v Speaker 1>especially through mountainous terrain like where we're at right now.

0:17:29.160 --> 0:17:32.159
<v Speaker 1>This skill has been built out of necessity. As around

0:17:32.200 --> 0:17:36.240
<v Speaker 1>seventy percent of the country is mountainous, engineers have had

0:17:36.240 --> 0:17:40.000
<v Speaker 1>to master creating safe, durable routes in places where the

0:17:40.080 --> 0:17:44.840
<v Speaker 1>landscape is anything but forgiving. Japanese mountain pass roads like

0:17:44.920 --> 0:17:49.280
<v Speaker 1>these are often feats of precision, blending advanced civil engineering

0:17:49.600 --> 0:17:54.080
<v Speaker 1>with a careful sense of safety and efficiency. You'll find

0:17:54.240 --> 0:17:58.520
<v Speaker 1>winding togay routes with perfect cambers for corners, cautiously designed

0:17:58.600 --> 0:18:02.320
<v Speaker 1>drainage systems to handle heads, and retaining walls built to

0:18:02.320 --> 0:18:08.199
<v Speaker 1>withstand both landslides and earthquakes. Many roads use tunnels and

0:18:08.440 --> 0:18:12.760
<v Speaker 1>elevated sections to reduce sharp gradients, making them easier to

0:18:12.840 --> 0:18:17.600
<v Speaker 1>drive and less prone to weather closures. In winter heavy regions,

0:18:17.880 --> 0:18:22.280
<v Speaker 1>road heating systems and snow shelters keep mountain passes open

0:18:22.600 --> 0:18:27.680
<v Speaker 1>when they'd be impassable elsewhere. It's incredible. The asphalt quality

0:18:27.840 --> 0:18:32.040
<v Speaker 1>is also usually top notch, with smooth surfaces and clearly

0:18:32.080 --> 0:18:37.119
<v Speaker 1>marked lanes, even in remote areas. Barriers and signs are

0:18:37.119 --> 0:18:40.719
<v Speaker 1>well maintained, and reflective paint is common for night driving.

0:18:41.800 --> 0:18:44.760
<v Speaker 1>While of the countries might treat mountain roads as secondary,

0:18:45.320 --> 0:18:49.960
<v Speaker 1>Japan treats them as lifelines. Essential for connecting rural communities.

0:18:50.720 --> 0:18:53.639
<v Speaker 1>We could do with some of that in England. The

0:18:53.680 --> 0:18:56.840
<v Speaker 1>result here is some of the most reliable and well

0:18:56.880 --> 0:19:00.960
<v Speaker 1>crafted mountain pass roads in the world and seeing utility

0:19:01.200 --> 0:19:05.040
<v Speaker 1>with a scenic driving pleasure. As you can imagine, this

0:19:05.200 --> 0:19:09.879
<v Speaker 1>also makes them absolutely perfect for a legal nighttime a

0:19:10.040 --> 0:19:31.080
<v Speaker 1>toge racing. After about five minutes driving up the mountain,

0:19:31.440 --> 0:19:33.840
<v Speaker 1>we pull up to a scene of bright haired lights,

0:19:34.240 --> 0:19:38.320
<v Speaker 1>full dark tints and incredible livery on each and every car.

0:19:39.440 --> 0:19:42.560
<v Speaker 1>There's about a dozen here right now. It's a well

0:19:42.600 --> 0:19:45.720
<v Speaker 1>known road for the underground racing, and tonight we've got

0:19:45.800 --> 0:19:50.000
<v Speaker 1>lucky racers from all different generations have come to put

0:19:50.000 --> 0:19:53.359
<v Speaker 1>the tire to the tarmac. We get out the cars

0:19:53.359 --> 0:19:55.600
<v Speaker 1>and the across team explains to the are the races

0:19:55.600 --> 0:19:58.119
<v Speaker 1>what we're here for? They laugh and ask if we

0:19:58.240 --> 0:19:59.920
<v Speaker 1>really plan to go down the road with them with

0:20:00.080 --> 0:20:03.960
<v Speaker 1>the passenger. All right, nods, feeling like I don't quite

0:20:04.040 --> 0:20:07.080
<v Speaker 1>know what I'm in for. Whilst my work is quite

0:20:07.119 --> 0:20:11.239
<v Speaker 1>hectic and often dangerous, I am most definitely not an

0:20:11.280 --> 0:20:15.080
<v Speaker 1>adrenaline junkie. I think my favorite hobby outside of the

0:20:15.119 --> 0:20:18.800
<v Speaker 1>boxing gym, is chilling out and doing fuck all it

0:20:18.920 --> 0:20:21.200
<v Speaker 1>is not a life goal of mine to risk death

0:20:21.320 --> 0:20:24.440
<v Speaker 1>going god knows how fast down a mountain pass in

0:20:24.480 --> 0:20:25.280
<v Speaker 1>a Honda Civic.

0:20:26.160 --> 0:20:26.920
<v Speaker 2>But here we are.

0:20:28.880 --> 0:20:30.840
<v Speaker 1>One of the across guys points out one of the

0:20:30.880 --> 0:20:33.840
<v Speaker 1>older heads. He's a tall fellow dressed in all black

0:20:33.880 --> 0:20:38.040
<v Speaker 1>designer clothes with his hair dyed dark blonde. His car

0:20:38.119 --> 0:20:40.960
<v Speaker 1>is deep navy all over with a red trim on

0:20:41.040 --> 0:20:43.920
<v Speaker 1>his back window. He has the sticker of Temple Racing.

0:20:44.560 --> 0:20:47.320
<v Speaker 1>He is a true oji of the underground scene here

0:20:47.359 --> 0:20:51.359
<v Speaker 1>in Japan. Now, Temple Racing is one of the most

0:20:51.560 --> 0:20:55.919
<v Speaker 1>legendary crews in a SACA and beyond. Their roots go

0:20:56.000 --> 0:20:59.920
<v Speaker 1>back to nineteen seventy eight in Higashi Sumayoshi, a saka.

0:21:00.720 --> 0:21:04.399
<v Speaker 1>Their team name came from Simon Temple, the character in

0:21:04.440 --> 0:21:08.040
<v Speaker 1>the British TV series The Saint, chosen by the team's

0:21:08.080 --> 0:21:12.399
<v Speaker 1>early leader. You really like that show. Like all Kanjo crews,

0:21:12.560 --> 0:21:16.760
<v Speaker 1>Temple Racing operated within a system of unwritten rules. Every

0:21:16.760 --> 0:21:19.239
<v Speaker 1>team had its own turf on the Kanjo loop, and

0:21:19.320 --> 0:21:23.720
<v Speaker 1>stepping onto another cruise territory without respect could cause conflict.

0:21:24.720 --> 0:21:27.520
<v Speaker 1>Temple Racing was one of those crews you did not

0:21:27.560 --> 0:21:30.879
<v Speaker 1>want to mess around with. Their cars were synonymous with

0:21:30.920 --> 0:21:34.560
<v Speaker 1>the stripped out Honda Civic hatchbacks, the EF nine's, the

0:21:34.600 --> 0:21:38.800
<v Speaker 1>EG six's, and the e K fours. Temple decorated their

0:21:38.840 --> 0:21:43.439
<v Speaker 1>cars with racing inspired liveries modeled after Group A touring cars.

0:21:44.160 --> 0:21:48.960
<v Speaker 1>Temple's cars were built for performance and anonymity, gutted interiors,

0:21:49.119 --> 0:21:54.080
<v Speaker 1>functional arrow mismatched wheels, rough paint jobs, and distinctive camouflage

0:21:54.119 --> 0:21:58.560
<v Speaker 1>patterns to make them harder to identify at speed. Drivers

0:21:58.600 --> 0:22:02.000
<v Speaker 1>often wore masks or covered their faces to protect their identities,

0:22:02.280 --> 0:22:06.480
<v Speaker 1>and cars would sometimes carry false number plates. Despite the

0:22:06.480 --> 0:22:09.959
<v Speaker 1>police crackdown and the withering of the Kanjo scene, clearly

0:22:10.000 --> 0:22:13.600
<v Speaker 1>Temple Racing is still around. To some degree, Temple Racing

0:22:13.720 --> 0:22:16.040
<v Speaker 1>is more than just a name. The guys tell me

0:22:16.080 --> 0:22:19.840
<v Speaker 1>that this fella here is the best downhill grip racer around.

0:22:20.320 --> 0:22:23.800
<v Speaker 1>Temple embodies the scene's loyalty to one's crew, respect for

0:22:23.840 --> 0:22:26.520
<v Speaker 1>the roads, and the refusal to let the culture fade

0:22:26.560 --> 0:22:30.199
<v Speaker 1>into history. If Kando Zoku is a living history of

0:22:30.240 --> 0:22:34.160
<v Speaker 1>Japan's outlaw street racers, Temple Racing is one of its

0:22:34.200 --> 0:22:37.639
<v Speaker 1>most important chapters. They live through the Golden era and

0:22:37.680 --> 0:22:41.159
<v Speaker 1>are still racing around. These guys believe still that the

0:22:41.280 --> 0:22:44.160
<v Speaker 1>roads belong to the brave, and it turns out this

0:22:44.200 --> 0:22:48.439
<v Speaker 1>guy will be racing alongside us. After about thirty minutes

0:22:48.480 --> 0:22:51.879
<v Speaker 1>of discussion, sending off younger lookouts to check the roads

0:22:51.880 --> 0:22:55.280
<v Speaker 1>and examining each other's cars, is decided that the race

0:22:55.440 --> 0:22:59.199
<v Speaker 1>is on. Eight cars all line up in order. The

0:22:59.320 --> 0:23:02.040
<v Speaker 1>roads are far too narrow to overtake at high speed,

0:23:02.400 --> 0:23:04.760
<v Speaker 1>so I'm not too sure how one wins the race.

0:23:05.320 --> 0:23:08.320
<v Speaker 1>Each person I ask is a different explanation, but I

0:23:08.359 --> 0:23:12.199
<v Speaker 1>think it works like this. The cars zoom down the

0:23:12.240 --> 0:23:16.840
<v Speaker 1>steep mountain road in single file, high speed controlled turning.

0:23:17.600 --> 0:23:19.639
<v Speaker 1>Then when they get to the bottom, where there's a

0:23:19.720 --> 0:23:24.040
<v Speaker 1>wider area to maneuver, they all quickly swerve back around,

0:23:24.440 --> 0:23:26.639
<v Speaker 1>trying to get their car up the hill in a

0:23:26.640 --> 0:23:30.480
<v Speaker 1>better position than when they came down it. I think

0:23:30.520 --> 0:23:33.320
<v Speaker 1>that's how it works anyway. Honestly, the thrill of the

0:23:33.400 --> 0:23:36.400
<v Speaker 1>chase is more what they're after right now, rather than

0:23:36.480 --> 0:23:40.159
<v Speaker 1>a coherent race system. With street racing clamped down on

0:23:40.400 --> 0:23:42.800
<v Speaker 1>so hard by the cops, they all have to just

0:23:42.840 --> 0:23:46.480
<v Speaker 1>take what they can. I'm feeling nervous if one of

0:23:46.520 --> 0:23:49.720
<v Speaker 1>these drivers makes a mistake. We're looking at certain death

0:23:49.760 --> 0:23:51.960
<v Speaker 1>if the car mounts the small fence at the side

0:23:52.000 --> 0:23:55.359
<v Speaker 1>of the road. It's not great either way. I hop

0:23:55.359 --> 0:23:57.840
<v Speaker 1>into one of the curs of the across lads and

0:23:57.880 --> 0:24:01.720
<v Speaker 1>await patiently as the engine's rev in anticipation for the

0:24:01.720 --> 0:24:06.080
<v Speaker 1>go signal. I strap myself in with the X shaped

0:24:06.240 --> 0:24:07.359
<v Speaker 1>four point seat belt.

0:24:07.680 --> 0:24:08.760
<v Speaker 2>I say a small prayer.

0:24:09.080 --> 0:24:11.760
<v Speaker 1>A few minutes past the spot at the front of

0:24:11.800 --> 0:24:14.760
<v Speaker 1>the queue puts his hand up. It's time to go.

0:24:18.359 --> 0:24:21.439
<v Speaker 1>The cars in front pull off at warp speed. My

0:24:21.600 --> 0:24:25.040
<v Speaker 1>driver slams the gearstick and stamps the pedals. The Civic

0:24:25.119 --> 0:24:27.800
<v Speaker 1>burst forward, and before I can even catch my breath,

0:24:28.080 --> 0:24:31.560
<v Speaker 1>we're taking The first corner breaks a pumped the wheel stick,

0:24:31.600 --> 0:24:34.520
<v Speaker 1>and we grip around the bend with total precision. To

0:24:34.640 --> 0:24:37.359
<v Speaker 1>my left is a blurred, jagged rock face. To the

0:24:37.480 --> 0:24:40.119
<v Speaker 1>right a darkness below over the fence line that the

0:24:40.200 --> 0:24:42.960
<v Speaker 1>speed we're going, we tear right through it. In front

0:24:42.960 --> 0:24:45.359
<v Speaker 1>and behind us, the headlights of the other cars shake

0:24:45.560 --> 0:24:49.000
<v Speaker 1>and sliders. We speed down the course. Driver man handles

0:24:49.000 --> 0:24:51.280
<v Speaker 1>the steering wheel as if he's fighting for his life.

0:24:51.600 --> 0:24:53.760
<v Speaker 1>The car jolts from side to side as we pick

0:24:53.840 --> 0:24:55.720
<v Speaker 1>up speed, tear through sharp.

0:24:55.440 --> 0:24:56.359
<v Speaker 2>Corners, like nothing.

0:24:56.880 --> 0:24:59.480
<v Speaker 1>My hands are so tightly gripped around my seat belt

0:24:59.600 --> 0:25:02.359
<v Speaker 1>that they The driver looks at me quick and bursts

0:25:02.400 --> 0:25:03.000
<v Speaker 1>out laughing.

0:25:03.440 --> 0:25:06.520
<v Speaker 2>I laugh too, This is crazy. The car is a

0:25:06.600 --> 0:25:07.600
<v Speaker 2>roller coaster.

0:25:07.400 --> 0:25:11.359
<v Speaker 1>With tinted windows and scorched tires. The engine screams at

0:25:11.400 --> 0:25:15.040
<v Speaker 1>a steady pitch. Piston's working overtime. As the crank shaft

0:25:15.119 --> 0:25:18.679
<v Speaker 1>spins fast enough to shake the striped chassis, heat builds

0:25:18.760 --> 0:25:22.040
<v Speaker 1>up under the bonnet. Cooling fans were keeping it in check.

0:25:22.160 --> 0:25:25.800
<v Speaker 1>Each gear chain jolts through the transmission, sharp and carrying

0:25:25.840 --> 0:25:28.760
<v Speaker 1>weight at high speed. We finish the Trosen course, then

0:25:28.760 --> 0:25:31.680
<v Speaker 1>spin around and fly straight back up it. I can't

0:25:31.680 --> 0:25:33.600
<v Speaker 1>even tell it. We're in a better position than before,

0:25:33.880 --> 0:25:36.040
<v Speaker 1>but I can see the Temple racing car spin off

0:25:36.080 --> 0:25:38.840
<v Speaker 1>even faster than we are. My driver eases off the

0:25:38.840 --> 0:25:41.840
<v Speaker 1>throttle for a heartbeat. As we take another corner, the

0:25:41.880 --> 0:25:44.800
<v Speaker 1>car slides, he stamps back on it. The rear tires

0:25:44.840 --> 0:25:47.639
<v Speaker 1>lose grip for a moment, sliding across the tarmac in

0:25:47.680 --> 0:25:51.480
<v Speaker 1>a controlled sweep. The limited slip differential keeps both wheels

0:25:51.520 --> 0:25:55.240
<v Speaker 1>spinning together, feeding talk evenly. As the car takes the strain,

0:25:55.680 --> 0:25:59.280
<v Speaker 1>The suspension dips under the sudden weight shift, then rises

0:25:59.320 --> 0:26:02.400
<v Speaker 1>as the car set into the grip. Tires hissed and squeal,

0:26:02.520 --> 0:26:05.600
<v Speaker 1>faint smoke trailing out the exhaust in front. The steering

0:26:05.600 --> 0:26:09.119
<v Speaker 1>wheel moves violently in the driver's hands. The steering wheel

0:26:09.119 --> 0:26:12.080
<v Speaker 1>moves violently in the driver's hands, with heavy but precise

0:26:12.119 --> 0:26:15.359
<v Speaker 1>adjustments to keep the nose aimed just ahead of the slide.

0:26:16.600 --> 0:26:21.360
<v Speaker 1>Every system is working near its limit. Engine, gearbox, suspension, tires.

0:26:21.560 --> 0:26:23.879
<v Speaker 1>In the midst of the high speed chaos, the civic

0:26:23.920 --> 0:26:27.280
<v Speaker 1>moves in a careful balance. There's a constant connection between

0:26:27.400 --> 0:26:31.560
<v Speaker 1>driver and machine. The corner unwinds, grip returns, and the

0:26:31.640 --> 0:26:38.240
<v Speaker 1>car straightens. The engine's still holding its own. As we

0:26:38.280 --> 0:26:40.560
<v Speaker 1>pull up to the top of the hill. I tell

0:26:40.600 --> 0:26:56.640
<v Speaker 1>the driver I'm getting the fuck out. I survived the run.

0:26:56.880 --> 0:26:59.280
<v Speaker 1>He can do the rest on his own. He laughs,

0:26:59.480 --> 0:27:02.520
<v Speaker 1>pats my back, and then stop so I can get out.

0:27:02.680 --> 0:27:05.240
<v Speaker 1>Him and the rest of the cars quickly screech off

0:27:05.320 --> 0:27:08.840
<v Speaker 1>back down the track. They'll run this road a dozen

0:27:08.880 --> 0:27:11.480
<v Speaker 1>times before the end of the night. There and back

0:27:11.640 --> 0:27:16.080
<v Speaker 1>was enough for me. My heart's racing is ringing, palm sweaty.

0:27:16.800 --> 0:27:19.440
<v Speaker 1>The racing k is not for me, but I can

0:27:19.480 --> 0:27:24.919
<v Speaker 1>now completely feel the appeal of it. Next week is

0:27:24.960 --> 0:27:29.719
<v Speaker 1>the final part of the Away Days podcast. You've been

0:27:29.760 --> 0:27:33.400
<v Speaker 1>listening to the Away Days podcast. To watch independent Away

0:27:33.480 --> 0:27:38.080
<v Speaker 1>Days documentaries, subscribe to our channel at YouTube dot com

0:27:38.240 --> 0:27:42.840
<v Speaker 1>slash at away Days TV. The a Wait Days Podcast

0:27:42.920 --> 0:27:49.720
<v Speaker 1>is a production of H eleven Studio for Cool Zone Media. Reporting, producing, writing,

0:27:50.080 --> 0:27:55.360
<v Speaker 1>editing and research by me Jake Hanrahan, co producing by

0:27:55.520 --> 0:28:00.960
<v Speaker 1>Sophie Lichtman, Music by Sam Black, sound mixed by Splicing Block.

0:28:01.400 --> 0:28:05.520
<v Speaker 1>Photography by Johnny Pickock and Louis Hollis. Graphic design by

0:28:05.600 --> 0:28:08.000
<v Speaker 1>Laura Adamson and Casey Highfield.